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SAVAGE S O P H I S T I C AT I O N BY LAUREL KORNHISER
PHOTOGRAPHY BY DAN CUTRONA
In an Outer Cape home designed by Hutker Architects, nature and novelty prevail. Design and Build: Hutker Architects
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Truro is a town of contrasts. Its land is ruggedly wild, yet it is a cultural enclave, with visual, performing and written arts all represented. One of its coasts is pounded by the powerful Atlantic, while the other is lapped by the calm waters of Cape Cod Bay. It is the
A steel pergola with recessed lights hangs beneath the skylight in the living room, where the cocoa, cream and pale blue color palette reflects Truro’s rugged landscape.
historic site of the Pilgrims’ first steps in the New World, and yet it boasts some of the most contemporary architecture on Cape Cod. In the Shearwater neighborhood sits a home designed
That critical room became the multi-elemental foyer,
by Charles Orr of Hutker Architects that embodies these contrasts. It has elements both rustic
with its bluestone floor, an interior wall made of stone
and refined. Its cedar-clad exterior is weathering to match its surroundings, while inside, art and
laid in like tile, and another made of cedar. Adding
antiques arrest time. Like the best Cape Cod homes, it respects, echoes and enhances its place
simple refinement is the William Lewis-designed
in the landscape.
spherical chandelier; adding drama is the staircase. “It took a lot of coordination with the structural engineer,”
When the property owners realized the house that previously sat on the site was not a good
Orr says of the cantilevered design with its floating
candidate for renovation, they asked that its replacement have an upside-down configuration in
treads bracketed to the stone wall. “The stair is visually
order to take in the landscape. The living areas, kitchen and master suite were to be upstairs,
unsupported so I was reassured when I jumped up and
with two bedrooms and a sitting area downstairs. Generally Orr and his associates do not
down on the finished work that it was rock solid.” The
encourage this configuration: “We struggle with the disconnect between the kitchen and living
stair treads that rise and sweep like piano keys are
areas from the environment,” he says. When it became clear that this was what the clients
made of durable, textured Parallam®, the board spacing
wanted, he continues, “The critical room became the transition from the living spaces upstairs to
echoing that of the second-story deck.
the outside downstairs. We had to make it feel like you’re not going through bedrooms to get to the living space. We also wanted a really fun experience.”
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A multi-elemental foyer provides the critical transition from the upstairs living spaces to the outside downstairs. “We wanted a really fun experience,” says architect Charles Orr.
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Truro’s landscape also influenced the home’s palette, with its pale sky blues, warm cocoas, sandy creams and taupes, and occasional pop of red, as seen in the sofa pillows, the painting of the whale’s tail over the fireplace, even the knobs on the blue range in the kitchen. The home’s interior designer, William Lewis of William and Camille Design, says of this combination, “Red and blue live so beautifully together. The contrasts of the colors make each special.” As he selected colors for the home, Lewis kept his client’s personality in mind: “She is never a girl to go for the typical blue and white beach house accessorized with starfish.”
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All photos: Bathed in natural light, upstairs living spaces flow into one another. Antiques are combined with contemporary pieces in different proportions.
Lewis has designed three other homes for these clients, and he
Also made of Parallam is the catwalk that connects two of the home’s pods. To respect the
elegant but durable,” he says. To that end, he blurred the interior-
prominence of the hilltop site and to humanize the scope of the house, Orr was drawn to the
exterior boundaries by designing a sofa table topped with a 200-year-
idea of discrete components early on: “You could make a massive-looking house all under
old barn board, added rattan furniture to the living room, and had the
one roof, but it would look monstrous on the hill. It seemed to line up to make a three-hipped
English-made sofa reupholstered in an indoor-outdoor velvet. “The
structure, like three little houses linked together.” One hip encloses the garage with the
rattan chairs are refined but not obvious, and though they are outdoor
master suite above, linked via the L-shaped catwalk to the other two pods. The stairway,
furniture, they are beautifully built. The idea is to be able to look
foyer and dining room occupy one of the two flat-roofed spaces between pods. The second
through the chairs out to the water.”
understood the vision for this project: “Something luxurious but easy,
®
Interior designer William Lewis created several of the home’s furnishings, including the Asian-inspired buffet, in the photo at top left, and the parson’s table above.
structure, oriented toward the pool, encloses the upstairs family and downstairs sitting rooms, “The sofa,” Lewis continues, “has a luxurious, sleek feeling without
and the third houses the living room and kitchen with two bedrooms below.
being über modern.” This seating shares space with a single Kravet The stone and cedar walls that enwrap the foyer are not the only exterior elements that
armchair and a chaise to create an arrangement that supports intimate
surface inside. Barn-style doors divide the lower-level children’s wing from the foyer and the
conversations while providing space for entertaining.
upstairs dining area from the family room. This concept is repeated in an etched-glass sliding window-door with similar hardware. Banks of windows both upstairs and down invite views
Lewis created several of the home’s artful furnishings, including the
of the brambly hill, marsh, pond and Cape Cod Bay. Even the sky is ushered inside through
floating buffet, which he painted with a base coat of bright red, and
pyramidal skylights in each hip, the one in the living room fitted with a steel pergola with
then layered glazes and paints before eroding it all to give it instant
recessed lights was designed to frame the natural light all the way to the floor.
age. This multi-purpose piece provides storage, acts as a divider, and adds both beauty and an Asian flair to the dining area. Complementing
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it is the Lewis-designed parson’s table, with its asymmetrical, triangular legs. A one-inch tall chandelier from France has LED-lit bubblelike circles, a fixture that attracts attention without interfering with the views. The McGuire dining chairs Lewis selected are simple, lightweight and comfortable, and, he says, “They relate to the Asian cabinet without being overly Asian themselves.” The clients always combine antiques with contemporary furnishings in different proportions, producing a final effect that Lewis says is “distinctly American. It doesn’t feel overly Eurofied. It has an American sensibility.” Lewis’ design skills are also evident in the kitchen backsplash, a subtle configuration of white marble tiles interspersed with hand-placed gray tiles to create a marblelike drift, as if the whole is one solid piece of marble. Like many of the design elements in this home, the subtler aspects only emerge through frequent viewings. Above: Hutker Architects designed bamboo bunk beds in addition to aspects of the kitchen and a unique master bed. Left: The white-marble master bathroom includes an oversized walk-in shower with an abundance of natural light provided by a large overhead skylight.
Hutker Architects designed elements of the kitchen, including the island with its metal supports, chosen, Orr says, “to riff off the hung-rod light fixture in the living room skylight.” They also designed the multi-purpose master bed, with its built-in shelves, lighting, storage space and TV cabinet at the foot of the bed, the whole floating affair lining the passage that leads to the master bath, exercise area and outdoor shower. The bamboo bunks in the children’s bedroom are Hutker-designed as well. This house emerged from a dynamic collaboration among the clients, Lewis, Orr and his associates Kevin Dauphinais and Erin Levin. Landscape architect Kris Horiuchi, in addition to selecting stones, faced the daunting task of figuring out where to place the pool, with its infinity-style edge, and an outdoor terrace on a sloping site. After extolling Hutker Architects, saying that working with them was one of the best experiences he has had, Lewis says, “They would work on a concept, consult with us, and then they would not just come back with a tweaked version but with a third version beyond our wildest expectations.” Orr returns the praise and then adds, “The architect’s job is to think of the possibilities, and the client’s job is to make decisions.” In this case, the clients were quite surprised to learn that his firm continues to design, re-evaluate, re-imagine, until the project is done. This doesn’t mean, of course, that the home they produced has reached homeostasis. Keeping it always alive is Truro itself—its ocean winds, bay breezes, salt-sprayed air and bright sunlight taking the home into their confidence at every turn. 152
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