Celebrating Fine Design, Architecture, and Building
Savoring The Season
Breezy yet beautiful is the secret for stylish summer living across New England.
July–August 2016
NEHOMEMAG.COM
Mindful that this is a beach house, the interior designer took comfort and durability into consideration, choosing a sofa in outdoorrated terrycloth. FACING PAGE: The dining and living rooms are separated by a low-lying, built-in buffet, which enables the fireplace to be visible from the dining table.
LOCAL Interest + Text by
Lisa E. Harrison
+ Photography by Michael Partenio
+ Produced by
Stacy Kunstel
A contemporary Martha’s Vineyard home nods to the island vernacular even as it stands as a playful, colorful celebration of personal style.
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CLOCKWISE FROM TOP LEFT: A brise-soleil
on the south-facing side of the house offers shade in the summer but lets warmth in during winter. Granite slabs set into the grassy slope act as modern stepping stones. The owners had a sustainable bent in mind, hence the addition of a green roof; the skylights let light into the foyer and the pod, just inside the entryway. Native grasses keep the landscape plan casual. The entry stairs pay homage to the stone walls that are a big part of the Vineyard’s history and character.
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A
rchitect Mark Hutker likes to name the houses he creates, and this one on Martha’s Vineyard he playfully dubbed the “Up Over Between” house. While these words may sound like three simple directives from a children’s book, in fact, they unlock the keys to a complex—and thoughtful— architectural feat.
“It was important to make sure the furnishings relate to the architecture,” says designer Pepe Lopez, who designed a teak table to complement the pod. FACING PAGE: A Warhol dress that the owner had in her closet is a perfect decorative counterpart to the modern stairs, which are fabricated from bronze, teak, and laminated glass.
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“Those
chairs (in vivid aqua) started turning everyone’s wheels on to the use of strong color,” according to Lopez. “I’m a color girl!” says the wife. The “up” was a necessity. As Hutker tells it, when he and his clients first visited the site—an empty lot a half-mile from where the new homeowners had rented for years—he retrieved a ladder from the roof of his truck to scope out the views over the existing
wetland vegetation, all protected conservation land. A clear view to the ocean beyond made certain that the living area would need to be raised about six feet above ground and accessed by a staircase. But it wouldn’t be just any staircase. Hutker conceived a crescendoing entry stair that he says would mimic “the wonderful tradition of agrarian stone walls on Martha’s Vineyard.” A half-flight from the parking court deposits visitors at the front door; ascending further up leads to a green roof and breathtaking views of the ocean. From here—and this is where the “over” comes in—one can walk clear across the roof and descend the stone wall steps on
the south side of the house to a terrace dotted with chairs and umbrellas and boasting a lap pool. The “between” refers to the glassed-in living space—kitchen, dining room, living area, and sitting room— that are bookended by the stone walls Project Team
Mark Hutker, Hutker Architects Pepe Lopez, Pepe Lopez Design Builder: Martha’s Vineyard Construction Company Landscape design: Kris Horiuchi, Horiuchi Solien Architecture:
Interior design:
“The window walls slide to the left and the right to connect the room to the landscape,” explains Hutker, who set the horizontal muntins high and low to spare the view. TOP RIGHT: The glass chandelier seems to float above the dining table. BOTTOM RIGHT: The owners suggested the woven panels on the buffet dividing the dining and living rooms.
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BELOW: Modern white leather stools pull up to the kitchen island. RIGHT: Translucent sliding panels mean the prep area can be closed off or opened to a view of the fireplace.
“There’s
a fine line between having it be interesting and also comfortable because we’re at the beach,” says the wife. “I can’t do boring!”
(another five-foot-wide stone wall clads the chimney). The clever contemporary design also essentially creates two private wings. The west wing, to the right of the entry stairs, houses the two sons’ bedrooms on the top floor and a pool room, TV area, mudroom, and garage below. The east wing features the master suite on the ground floor and the husband’s office and wife’s art studio above. In addition to the walls that anchor the property firmly in the Vineyard vernacular, the architect used was he calls “a distilled palate of exterior materials—cedar, bronze, glass, stone, 116 New England Home july–august 2016
zinc—each chosen to guard against the saltwater environment and age gracefully over time.” Some of these key materials find their way indoors as well. Hutker explains that, for consistency, anything exposed structurally is made of bronze, from the stair rails to the fireplace to the columns that line the sliding window-wall in the main living quarters. Teak, too, gets a lot of play; it’s used for the built-ins, and vertical cedar boards line the oblong pod just inside the entryway. The pod, which houses a powder room, coat closet, and small vestibule, serves a couple of design purposes: it provides private space and defines living areas in an otherwise open, glass room, and its soft
tilt toward the living room naturally guides the flow of traffic in that direction, explains Hutker. When it came to choosing furniture and fixtures, the wife took charge: “I can’t do boring!” she says. She collaborated with New York–based designer Pepe Lopez on a contemporary interior that is anything but boring. It all started with the two patent-leather chairs in a vivid aqua hue, the stars of the living room, which the owner spotted in a New York showroom. “Those chairs started turning everyone’s wheels on to the use of strong color,” says Lopez. “It’s good to have a point of departure.” Looking for a complementary hot shade, they gravitated toward a bright pink, a favorite of the wife. july–august 2016 New England Home 117
CLOCKWISE FROM THIS PAGE: A lap pool was
on the owners’ list of must-haves. The house looks out over a lush wetlands conservation area to the sea beyond. From the pool area to the back terrace, the house offers plenty of options to relax and enjoy the great outdoors.
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right: The theme of offsetting neutrals with bright colors continues in the master suite’s closet, which has custom shelves and cubbies to organize the wife’s belongings. BELOW: The bathroom off the pool room is marked by cheerful tile in a fun pattern. FACING PAGE: In the room adjacent to the pool, Lopez chose a bright aqua woven vinyl rug to tie in with the primary color palette and also to evoke water.
“I’m a color girl!” she says. The two colors lend a nice continuity to the open living space, drawing the eye from the bold toss pillows in the living room to the modern Saarinen chairs that flank the custom dining table. Even the sitting room flaunts pink pillows, and Lopez also chose a bright aqua woven-vinyl rug for the pool terrace. Lopez also incorporated yellow as an architectural accent. The vertical boards on the pod are spaced a half-inch apart, and the gaps between the boards are painted yellow. A similar color reappears in the living room rug. Not only did the designer use color as a way to soften the edges and angles of the modern architec-
ture, he also introduced texture and shape for the same effect: note the elliptical dining table and the French modernist chairs in the living room, the latter discovered by the owners on a trip to Paris. Wood, in the form of built-ins, was incorporated as a softening mechanism, and as a means of delineating certain areas in the open floor plan. The buffet that separates the dining room from the living room was designed low so as not to interrupt the visual flow, while the kitchen cabinetry has sliding translucent door panels to expose the space or not, depending on the mood and the occasion. The goal in the kitchen was modern but warm, says Lopez. Designer Christine Ingraham was brought in to collaborate on the custom-dyed veneer cabinetry. Given that the kitchen is visible from the rest of the living space, the designers wanted the cabinets to read like furniture. Once all the furnishings and built-ins were in place, the wife took over, sprinkling thoughtfully placed personal effects throughout. “All of the decorative touches spring from her own ideas,” credits Lopez, from the woven panels on the buffet dividing the dining and living rooms to the blown-glass light fixture by the stairs to the large-format artwork by the fireplace. And the Warhol Campbell’s Soup dress by the stairs? “I had that for years in my closet,” she says. She sums up her vision for the house: “There’s a fine line between having it be interesting and also comfortable because we’re at the beach,” she says. “It’s a sophisticated house, but I infused it with humor and interesting little details throughout.” And therein lies its success, both architecturally and aesthetically speaking: Up Over Between. And definitely not boring. • Resources For more information about this home, see page 186.
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