Design with Air 2. Madrid by juan roldan

workshop

DESIGN WITH AIR 24-28 may 2011 @ EPS CEU madrid

ENSAMBLESTUDIO

workshop

DESIGN WITH AIR 24-28 may 2011 @ EPS CEU madrid

ENSAMBLESTUDIO

DESIGN WITH AIR 2 © 2011 Escuela Politéctica Superior © 2011 Politecnico di Milano © Ensamble Studio, Goup & Dropscom, Fundación Sánchez Ruipérez, Edgar González, Nomorefracasos © from images and texts, its authors Edited and designed by NOMOREFRACASOS All rights reserved

workshop

DESIGN WITH AIR 24-28 may 2011 @ EPS CEU madrid

Organized by: EPS Universidad CEU San Pablo Facoltà del Design. Politecnico di Milano With the collaboration of: Fundación GERMÁN SÁNCHEZ RUIPÉREZ ENSAMBLE Studio GOUP & Dropscom www.edgargonzalez.com Faculty: Luisa Collina Luciano Crespi Belén Hermida Juan Roldán T.A. Laura Galluzzo

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workshop

DESIGN WITH AIR a children’s playground for the reader’s house Casa del Lector. Matadero madrid

24-28 may 2011 @ EPS CEU madrid Organized by: EPS Universidad CEU San Pablo Facolta del Design. Politecnico di Milano

Faculty: Luisa Collina Luciano Crespi Belén Hermida Juan Roldán T.A. Laura Galluzzo

With the collaboration of:

Fundacion GERMÁN SÁNCHEZ RUIPEREZ ENSAMBLE Studio GOUP & Dropscom www.edgargonzalez.com

Registration: belenhermida@ceu.es before 21 may

ENSAMBLESTUDIO

INDEX GRAPHICS MATADERO MADRID THE READER’S HOUSE GERMÁN SÁNCHEZ RUIPÉREZ FOUNDATION ENSAMBLE STUDIO GO UP+DROPSCOM EDGAR GONZÁLEZ THE WORKSHOP PROTOTYPE DwA2 DESIGN WITH AIR 1 IN TRIENNALE IN DOMUS

Design with Air 2

Map of Matadero Madrid

MATADERO THE OLD SLAUGHTERHOUSE Madrid’s Old Slaughterhouse is becoming an important Center for Contemporary Creation in Madrid, organizing architecture competitions that can give rise to proposals that will recover its 148 300 m2 to house creative processes, artistic training and participatory dialogue between the arts. The Reader’s House project is the result of a competition that took place in 2006, in which Ensamble Studio won the first prize. The purpose of the competition was to restore the warehouses 13, 14, 17b and 17c of the Old Slaughterhouse to incorporate a new educational program. The proposal made by Ensamble Studio maintains and enhances the original character of the industrial complex, by imposing a new order to the one of the pre-existent buildings. The confluence and relationship of the new system and the existing one forms a new space. Two physical, perceptual and activity levels are defined forming a mutable scenario. The upper level, constructed with precast concrete beams of 40 Tons each, is a space for research and study. These beams are bridges, aerial streets, vectors of activity. In opposition to the basilica-like structure of the warehouses, longitudinal, light and metallic; the new structures are inserted through the windows

www.mataderomadrid.org http://vimeo.com/21061770

and sew the space transversally, giving unity to the complex formed by the warehouses 13 and 14, which were previously independent buildings. The lower level participates, without losing its essence, of the rhythm marked by the upper level. Dynamic and mutable, this level will host the educational and cultural diffusion activities, enabling their future redefinition. The warehouse 17c houses the office area, while the warehouse 17b becomes a multipurpose room or auditorium. The pitched roof of the auditorium is rebuilt, respecting the original profile. However, inside, a different order is re-imposed. A vault generated by aluminum slats encloses, dresses and lights the space. The material palette takes into account the industrial tradition of the Madrid’s Old Slaughterhouse complex. Granite, steel, glass and precast concrete

Project area: four

THE READER’S HOUSE A CULTURAL PROJECT BY GERMÁN SÁNCHEZ RUIPÉREZ FOUNDATION Madrid’s Old Slaughterhouse is becoming an important Center for Contemporary Creation in Madrid, organizing architecture competitions that can give rise to proposals that will recover its 148 300 m2 to house creative processes, artistic training and participatory dialogue between the arts. The Reader’s House project is the result of a competition that took place in 2006, in which Ensamble Studio won the first prize. The purpose of the competition was to restore the warehouses 13, 14, 17b and 17c of the Old Slaughterhouse to incorporate a new educational program. The proposal made by Ensamble Studio maintains and enhances the original character of the industrial complex, by imposing a new order to the one of the pre-existent buildings. The confluence and relationship of the new system and the existing one forms a new space. Two physical, perceptual and activity levels are defined forming a mutable scenario. The upper level, constructed with precast concrete beams of 40 Tons each, is a space for research and study. These beams are bridges, aerial streets, vectors of activity. In opposition to the basilica-like structure of the warehouses, longitudinal, light and metallic; the new structures are inserted through the windows and sew the space transversally, giving unity to the

complex formed by the warehouses 13 and 14, which were previously independent buildings. The lower level participates, without losing its essence, of the rhythm marked by the upper level. Dynamic and mutable, this level will host the educational and cultural diffusion activities, enabling their future redefinition. The warehouse 17c houses the office area, while the warehouse 17b becomes a multipurpose room or auditorium. The pitched roof of the auditorium is rebuilt, respecting the original profile. However, inside, a different order is re-imposed. A vault generated by aluminum slats encloses, dresses and lights the space. The material palette takes into account the industrial tradition of the Madrid’s Old Slaughterhouse complex. Granite, steel, glass and precast concrete The beams are bridges, aerial streets, vectors of activity. In opposition to the basilica-like structure of the warehouses, longitudinal, light and metallic, the new structures are inserted-through the windows and sew the space transversally, giving unity to the complex formed by the warehouses 13 and 14, which were previously independent buildings . The lower level participates, without losing its essence, of the rhythm marked by the upper level.

project

http://www.ensamble.info/actualizacion/projects/readershouse construction process http://www.youtube.com/watch?v=wO5apqajqXo&feature=player_embedded#at=134

External view of the Readerâ&#x20AC;&#x2122;s House All Photo by Ensamble studio

Prefabricated concrete bridges installation

Interior view of one of the bays with the bridges

Model views

GERMÁN SÁNCHEZ RUIPÉREZ FOUNDATION The Foundation was established as a private and independent no profit organization on 27 October 1981 by the Spanish publisher Germán Sánchez Ruipérez. This Foundation is devoted to education and culture, focuses most of its programs in the running and experimentation of innovative projects for literacy and the spreading of reading and new media. Also aims to encourage positive social and political attitude for reading within society. This commitment is developed through the action of professional teams in its various technical centres settled in buildings and facilities created by the Foundation. The centres work within three diverse social environments: the countryside small town (Peñaranda de Bracamonte), the provincial city (Salamanca) and the nation’s capital city (Madrid). We work in partnership with other private organizations and public bodies to facilitate projects to reach more people. CHILDREN’S AND YOUNG LITERACY Fundación Germán Sánchez Ruipérez believes that society will only be fair when everyone can access and understand the content for leisure or education. Literacy is the most important tool for children to reach that goal and to contribute more to society

as free citizens when grownups. We believe that every person is entitled to a quality library service and every pupil to an effective school library provision from the first ages. This human right to read could be properly enjoyed if the reading becomes a habit for each kid and is clear that most of cultural behaviors are built up in the early ages. The Foundation works with the conviction that if the first reading experiences are pleasant, the more likely that each child will become a regular reader. Thus, the relevance and quality of literature for children and youth is a critical factor for quality readers. Since 1985 the International Children’s and Young Book Centre, after decades of pioneering approach in implementing library models for children books, new analytical tools for literature and illustration or innovative projects for engagement of families and kids with literacy, has became a global reference in the professional field (specially in Spanish speaking countries). The basic tool to share knowledge gathered by the Foundation in the field of books for children and Youth is the SOL (Reading Guidance Service), set up in partnership with the Spanish Publishers Federation and the Ministry of Culture.

www.fundaciongsr.es/fgsr/que_es_la_fgsr www.fundaciongsr.es:80/lectura_infantil_y_juvenil

Hemeroscopium House. Madrid, 2005 Photo by Roland Halbe

ENSAMBLE STUDIO PREFAB POETRY

Antón García-Abril, (Madrid, 1969) is a European PhD Architect and associate professor in the School of Architecture of the Polytechnic University of Madrid (E.T.S.A.M.-U.P.M.). He received the Spanish Academy Research Prize in Rome in 1996. In 2000 he establishes ENSAMBLE STUDIO leading a team in search for architectural application of conceptual and structural experimentation. He has been invited professor at the Graduate School of Design of Harvard University and Cornell University among other universities in America and Europe. He writes about architecture in El Cultural magazine from El Mundo newspaper, and has been part of important prize juries like the BBVA Foundation’s “Frontiers of Knowledge Prize”, given to Steven Holl in 2009. His office has been awarded with important prizes like The Rice Design Alliance Prize to emerging architects in 2009 or the Architectural Record Design Vanguard Prize in 2005, and has been recently selected by SANAA to participate in the Venice

www.ensamble.info flickr www.flickr.com/photos/ensamblestudio youtube www.youtube.com/user/EnsambleStudio

Biennale of Architecture 2010. There is a constant research work in his projects which are exposed structures that explore the essence of materials to create space. The Music Studies Center and the SGAE Central Office in Santiago de Compostela, the Martemar House in Malaga, the Hemeroscopium House in Madrid and more recently The Truffle in Costa da Morte (Spain), have been internationally published. In 2009, he founded the Positive City Foundation to research the urban phenomenon. In the next few months he will be travelling worldwide, lecturing at different universities and organizations such as Bauhaus University Weimar, Universität der Künste Berlin, University of Texas at San Antonio, and CBA in Madrid; and he will be co-teaching a design studio at MIT in Boston with Débora Mesa during the spring term of 2011.

The truffle

Construction process

Interior view from the truffle

http://www.ensamble.info/actualizacion/projects/truffle

Balancing act. Venice Bienale, 2010

http://www.ensamble.info/actualizacion/projects/balancingact

Denis Santachiara. Sedotti dal freddo para DSL. 200

GO UP + DROPSCOM INFLATE YOUR IMAGINATION GO UP is an italian brand founded in 1998, creator of the new generation of inflatable media. By nature, all inflatable products pack down to a fraction of their inflated size.

We produce only with textile fabric (compared with traditional pvc producers), which allows us to make this fraction even smaller. The production process is completely integrated, providing us with great agility, control and fast deliveries. Our experience and manufacture process letâ&#x20AC;&#x2122;s us create very light structures, that require very small and silent engines. We are specialised on facing design challenges and producing bespoke structures based on the clientâ&#x20AC;&#x2122;s ideas. We also help enhance the projects by advising on a number of solutions for external elements. Through our unique printing process, that applies the colour directly to the fibres, very high levels of customisation can be achieved and also high standards of colour durability. During all these years, we have created different business lines, depending on the nature of our final customer.

http://www.dropscom.com/

These are just a few: Stands for fairs or events. Architectural solutions: roof coverings, temporary buildings. Objects of any shape or size. Inflatable lighting structures. Some of the design have been developed with the best architects and designers like: Antonio Citterio Patricia Viel Denis Santachiara Some of our clients: Moncler Nike MTV Coca Cola Audi Mercedes-Benz Vodafone Telefonica

Innovate tent for Telefónica. 2011

The production process is completely integrated, providing us with great agility, control and fast deliveries. Our experience and manufacture process let’s us create very light structures, that require very small and silent engines.

MTV light wall for Gioforma. 2007

Moving scenography for Gioforma. MTV 2008

Design with Air 2

EDGAR GONZÁLEZ OBLONGA DISRUPCIÓN VISUAL Edgargonzalez.com is a page about the world of architecture and design, written in spanish, with more than 6000 daily prints from within the world of architects, artists and designers, as well as students of all these areas.

Edgargonzalez.com is an organization devoted to cultural engineering, creating and promoting events, conferences, and all kind of projects related with the specific scope of culture, design, art and architecture.

www.edgargonzalez.com

The newspaper EL PAIS has written about him: “Most of the architects and spanish experts agree about the edgargonzalez.com”

Actually is an international leader in the Spanishspeaking world and has been selected as one of the top 100 pages of internet by the magazine Personal Computer España as a leading blog about architecture in Spain. Edited by Edgar Gonzalez (Zamora, México 1972) architect related with architecture education and creative processes reasearch. Focuses his aim on showing the tangential areas of architecture with other disciplines related with creativity and design.

THE WORKSHOP UNIVERSITIES & FACULTY OBJECTIVES ORGANIZATION & SCHEDULES SUBMISSION & TECHNICAL DATA DESIGN WITH AIR 1

Politecnico di Milano. FacoltĂ del Design lobby Photo by NMF

FACOLTÀ DEL DESIGN POLITECNICO DI MILANO Politecnico di Milano is the largest technical university in Italy, with about 35,000 students. The rector of the university is professor Giovanni Azzone. In 2009 the university was ranked as the 57th technical university in the world by Top Universities, in a research conducted on behalf of Times Higher Education.[1] This was a 6-positions growth from the 63rd position in 2008. In 2009 an Italian research ranked it as the best in Italy over indicators such as scientific production, attraction of foreign students, and others.[2]

In 1865 Architecture, the second main line of study at Politecnico, was introduced. In 1927 the Politecnico moved to piazza Leonardo da Vinci, in the district now known as Città studi (City of Studies). Politecnico’s main facilities are still there today. At the time, it was named Regio Politecnico (“Royal Polytechnic”), but the word Regio was removed when Italy was proclaimed a republic at the end of World War II. The shadow after the letters REGIO, physically removed from the façade of the main building, is however still visible to this day.

There are three Politecnico (Technical Universities, where only engineering and architecture are taught) in Italy (Milan, Turin, Bari), and they are all colloquially known as the Poli among their own students.

In 1954, the first European centre of electronic computation was opened by Gino Cassinis and Ercole Bottani. In 1963 Giulio Natta received the Nobel Prize in Chemistry for his research on crystalline polymers, polypropylene in particular. In 1977, the satellite Sirio, jointly developed by Politecnico and other companies, was launched.

The logo of Politecnico di Milano is a sketch of Raffaello’s School of Athens, an affresco which is located in the Vatican Museum, Vatican City. Founded on November 29, 1863, Politecnico di Milano is the oldest university in Milan. The original name was Istituto Tecnico Superiore (“Higher Technical Institute”), Francesco Brioschi the leader, and the location was in the very heart of the city (‘via Senato’).

During the nineties, the Politecnico began a process of territorial expansion that would have resulted in the opening of its satellite campuses in Lombardy and Emilia Romagna. A university programme in industrial design was started in 1993. In 2000, the politecnico’s faculty of design was created with new courses in undergraduate and postgraduate programs of graphic & visual, fashion and interior design along with the already existent industrial design.

POLIMI. FACOLTÀ DEL DESIGN

http://www.design.polimi.it/new/pages.php?pagina=121&sez=Engl

EPS CEU. Photograph by NMF

ARQUITECTURA EPS UNIV. CEU SAN PABLO University CEU San Pablo was founded 75 years ago in order to educate human and professionally future leaders in Spain. Ministers, directors of large national and international enterprises, writers, thinkers, artists, architects, planners, university professors and scientists have studied in our classrooms. CEU-UPS is a universty of about seven thousand students, with a faculty of 890 instructors, most of them holding a PhD, who in a large percentaje hold relevant positions in the Spanish Administration, business and cultural world. Through its faculty, our University takes active part in Spanish society, as well as turning our classrooms into lively academic centres, very attentive to the demands and requirements of contemporary life.

University and the International Exchange Program for faculty and administrative employees. The Institute of Technology is one of the six Schools that form University CEU San Pablo. For over 45 years associated to the ETSAM, the EPS started its own registered programs in 2000 (Reconocimiento del Centro: Decreto 147/2001 de 6 de septiembre, B.O.C.M. nº 218 de 13 de septiembre y Autorización de implantación de Enseñanzas: Decreto 251/2001 de 8 de noviembre, B.O.C.M. nº 276 de 20 de noviembre. Publicación de los Planes de Estudios, B.O.E. de 18 de febrero de 2003) in Architecture, Computer Engineering and Telecommunications. The MOUT, Master of Urbanism and Territorial Planning of Universidad CEU San Pablo, is rated first of its kind in Spain.

The University CEU San Pablo is making all efforts to internationalize its programs. This aim continues the strong international vocation already present at its creation and it is aimed to both faculty and students. As an example of that aim, we have started Bilingual Programs in Architecture, Communications, Business Administration, Pharmacy, both at undergraduate and graduate levels. We also started a Program of International Internships, the Summer

EPS CEU. ARCHITECTURE DEPARTMENT http://www.eps.uspceu.es/visitar.html EMAILS belen.hermida@ceu.es jroldan@ceu.es laura.galuzzo@gmail.com

LUISA COLLINA

LUCIANO CRESPI

Degree in Architecture in 1993, Ph.D. in Technical Innovation & Architecture in 1998 at Politecnico di Milano. At the present moment she is Full Professor of design at the Design School of Politecnico di Milano. Her main interests concern strategic design and design driven innovation both at a system level (that means the coordination of product-communication-service and interior design), with a particular focus on the field of interior design (especially in the field of retail and hospitality).

Nato a Varese, laureato alla Facoltà di architettura del Politecnico di Milano. Dopo aver insegnato Tecnologia dell’architettura alla Facoltà di architettura e società e alla Facoltà di architettura civile, dal 2000/01 è professore associato di Cultura tecnologica della progettazione, presso la Facoltà del Design del Politecnico di Milano. Dal 2005 membro dei collegi di Dottorato di ricerca in Architettura degli interni e Design e comunicazione multimediale di Milano.

She has co-operated to several researches financed by the Italian Ministry of University and Scientific and Technological Research. Since 2000 she has been in charge of the international relations and projects of the School of Design and of the INDACO Department (Department of Industrial design, Art, Communication and Fashion) at Politecnico di Milano. As such she has built the network of schools for exchange programs in the field of Design, opening bilateral contracts with more than 150 schools. She has contributed to the creation of some events and exhibitions such as Designing Designers and That’s Design, giving a chance to international schools and students to be present in Milan during the Design Week, Salone del Mobile.

E’ responsabile dell’Unità di Ricerca “Interni” del Dipartimento Indaco, coordinatore del corso di studi di Design degli interni e membro dell’Osservatorio della didattica della Facoltà del Design del Politecnico di Milano. Dal 1995 al 2004 direttore del corso di aggiornamento del Politenico di Milano “Laboratorio itinerante di progettazione architettonica”, giunto alla VII edizione.

She collaborates with universities, research centres and companies in international research programs and strategic innovation projects in the design field. She has been project coordinator of some of these international projects. Since 2000 she is member of the PhD board in Design of Politecnico di Milano (directed by Ezio Manzini and Giovanni Baule until 2009 and by Francesco Trabucco nowadays). From 2004 to 2008 she has been elected in the board of directors Politecnico di Milano. Since academic year 2005/2006, she is study course leader of a new master course of Politecnico di Milano (taught in English) in Product-Service-System Design designed for international students. Since 2007 she has been elected in the Cumulus Executive Board.

Negli anni Ottanta e Novanta la sua attività di ricerca si indirizza all’esplorazione del rapporto esistente tra cultura tecnologica e progetto di architettura e del ruolo del sapere tecnologico nel governo dei dispositivi di trasformazione urbana. In tale contesto si inscrivono le due mostre Sapienza tecnica e architettura: Milano-Pavia 1950-1980 (Milano, Pavia, Novara, 1997) e Marco Zanuso architetto (Triennale di Milano, 1999), delle quali è stato tra i curatori. A partire dal 1996 inizia a svolgere attività didattica e ricerca, sul tema del design d’interni e dello spazio pubblico, in relazione all’attivazione del Corso di Laurea in Disegno Industriale e successivamente alla costituzione della Facoltà del Design e, in particolare, del corso di studi in Design degli interni. Gli esiti sono restituiti dalle pubblicazioni Il design dell’ospitalità: la sala delle feste dell’Hilton Hotel Milan (Polidesign, Milano 2002), Performance. Design for a cultural challenge (Clup, Milano 2005) e Design e cultura tecnologica (Polidesign, Milano 2005), nei quali vengono trattati i temi del rapporto tra design, design degli interni e cultura tecnologica. All’attività didattica e di ricerca affianca quella di sperimentazione progettuale, come occasione di verifica operativa dei risultati del lavoro scientifico, attraverso la partecipazione a concorsi di architettura, conseguendo significativi riconoscimenti.

FACULTY BELÉN HERMIDA

JUAN ROLDÁN

Belén Hermida holds a double degree in Studio Art and Architecture from Wellesley College (1986) and a MArch from MIT (1988), where she was TA of John Habraken and in charge of the Student Lecture Series. Summer courses with Parsons School of Design and the Musée des Arts Décoratifs de Paris in 1984 and in Scandinavia with Syracuse University in 1985. In 1986 she participated in the symposium ‘An Architecture of Substance’ member of the study group headed by Zaha Hadid and Wolfgang Prix. En 1988 she won the AIA/AIA Foundation Scholarship Award for Excellence in Scholarly Pursuit in the Field of Architecture. PhD candidate at ETSAM with a thesis on the Extension of the Prado Museum.

Architect by the ETSAM and Prediploma in Architectural Design at the Bartlett School of Architecture. London 1998-1999. Faculty of the Department of Architecture at the EPS CEU San Pablo since 2006 where he teaches Form Analysis. Responsible for the publications department of EPS CEU since 2009. Editor of the architecture section of PuntoG newspaper since July 2010. COAM Award 2008 for the curatorship of PERDIDOS architecture exhibitions. Co-editor of the journal Arquitectura COAM during the period 20042008. Curator of Architecture Exhibitions PERDIDOS 2008-2010 (COAM Foundation).

Since 1990 registered architect in COAM Madrid. Since 1988 she has worked as an architect in her studio and in collaboration with other professionals, among them Hassan Abouseda, Francisco Arques (Arques + Hermida Arquitectos) y Rafael Moneo - with whom she worked between 1989-2007 with significant clients in the public and private sector. She has worked in exhibits, competitions, building and equipment projects, big and small, modest and expensive, in and out of Spain; among them, the works of the Museum Thyssen-Bornemisza in Madrid, el Museum of Fine Arts in Houston, the Souks in Beirut, and she has been in charge of the international restricted competitions for the Tate Modern in Bankside in London (with Eduardo Miralles) and the National Gallery of Scottish Art in Glasgow (with Hayden Salter), the Murcia Townhall and Plaza (with Fernando Iznaola), and the Pediatric-Maternity Hospital Gregorio Marañón (1997-2003) and the extension of the Museo del Prado (1995-2007) in Madrid (with Pedro Elcuaz). In 2004 she joined the faculty of the EPS, where she coordinates the Bilingual Program in Architecture and teaches Form Analysis and Architectural Design. As such, she has been in charge of the international exchange agreements with MIT, Syracuse University and Politecnico di Milano.

His work has been published in Metalocus, ON Design, Diseño Interior, Pasajes, Arquitectura COAM, AND italia, La Reppubblica and Spanish Design (DAAB Editions). He is a member Marrero & Roldán architects and principal and founding member of the design and architecture bureaus: apartamento22 and nomorefracasos.

OBJECTIVES DESIGN A PLAYGROUND FOR CHILDREN IN THE FUTURE HEADQUARTERS OF FUNDACIÓN GERMÁN SÁNCHEZ RUIPÉREZ. Since 1985 the International Children’s and Young Book Centre has become a global reference in the professional field, after decades of pioneering approach in implementing library models for children books, new analytical tools for literature and illustration or innovative projects for engagement of families and kids with literacy. Same manufacturer, different town, different setting, same floor area but in an indoor space. The subtext of this edition is to play with the “heaviness” of air, juxtaposed to the “lightness” of the prefabricated beams used by Ensamble studio in the definition of the interior spaces. Materials fabrics: nylon and polyester joints: thread, zippers, velcro, ropes, other: structures, fans, light or air.

24may

18:00 visit to Ensamble studio 19:30 visit to the Readerâ&#x20AC;&#x2122;s House. Matadero

25may

9:00 presentation of the workshop 9:30-13:00 workshop ---14:00-19:00 workshop

26may

9:00 presentation of proposals 10:00-13:00 workshop ---14:00-19:00 workshop

27may

9:00-13:00 workshop ---14:00-19:00 workshop

28may

9:00 final presentatios and final jury @ Ensamble studio

ORGANIZATION & SCHEDULE *Before the 24may all astudents have to be organized in groups of three, sending their names to: jroldan@ceu.es

3 minutes + 6 slides/ group + group tutorials with GOUP engineers Member of the jury:

Antonio Basanta (Director General y Vicepresidente de la Fundación Germán Sánchez Ruipérez) Antón García Abril (ENSAMBLE Studio) Edgar González (edgargonzalez.com) Tommaso Ponti (GO UP) Luciano Crespi (POLIMI) Luisa Collina (POLIMI) Belén Hermida (EPS CEU) Juan Roldán (EPS CEU) Jacobo Jover (DROPSCOM) Laura Galluzo (POLIMI)

5 minutes + 10 slides (optional: 1 minute video) +

UPDATES AND NEWS (FACEBOOK GROUP DESIGN WITH AIR) http://es-es.facebook.com/home.php?sk=group_207288852635977&ap=1

+ A1 PANEL

MODEL1:50 of the proposals

SUBMISSION & TECHNICAL DATA

CD CONTAINING:

01.HIGH RESOLUTION A1 PANEL (PDF FILE ) 02.TITLE + BRIEF DESCRIPTION OF THE PROJECT (600 CHARACTERS) + GROUP NAMES (WORD-DOC FILE) 03.PRESENTATION (PDF or PPT file) 04.OPTIONAL VIDEO (MOV or AVI FILE) All the files will be named with the structure: GRUOP10_proposal title_panel.pdf GRUOP10_proposal title_abstract.doc GRUOP10_proposal title_presentation.ppt GRUOP10_proposal title_video.mov

UPDATES AND NEWS (FACEBOOK GROUP DESIGN WITH AIR) http://es-es.facebook.com/home.php?sk=group_207288852635977&ap=1

FIELDTRIP TO MATADERO MADRID FIELDTRIP TO MATADERO MADRID

WORK IN PROGRESS

FINAL PROPOSALS

GROUP 01 MEMBERS: Annalisa Lever Carmen Martínez Varas Ilaria Mastro Virginia Savoini ABSTRACT: Il progetto si sviluppa a partire dalla funzione del luogo nel quale si trova: la Casa del Lector. Il tema principale è dunque quello della conoscenza, che accomuna ricercatori e bambini che convivono nello stesso spazio.

Simbolo del sapere odierno è l’immagine di un albero rovesciato, che capovolge l’idea tradizionale di conoscenza. L’installazione gonfiabile prende forma attraverso ramificazioni che vanno a creare un oggetto di gioco oltre che scultoreo. Temi come quello del fuori-scala, del dialogo con l’architettura che lo contiene e del modo di interagire con chi lo attraversa, rendono questo oggetto capace di impressionare e modificare la percezione di chi lo abita.

design w i t h air_2

Annalisa Lever Carmen Martinez Ilaria Mastro Virginia Savoini

GROUP 02 MEMBERS: Sebastian Bayo Nicole Sassi Paola Scottini Ignacio Texidor Sofia Vavassori

seconda degli elementi architettonici con cui si interagisce. Uno spazio accessibile con un ingresso innovativo situato sul pavimento che diventa elemento di gioco per i bambini, protagonisti dell’ambiente. La superficie è trasparente e presenta una texture tipografica astratta in cui la densità delle lettere permette alla luce di penetrare.

ABSTRACT: Il concetto alla base del progetto è quello di creare uno spazio senza forma in contrasto con la razionalità dell’architettura, un gonfiabile che si deforma a

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Group 2 S. Bayo / N. Sassi / P. Scottini / I. Texidor / S. Vavassori

GROUP 03 MEMBERS: Clara Fiorin Ilaria Innocenti Alessia De Michele ABSTRACT: I cubi e i parallelepipedi rovesciati, che rimandano ai blocchi per bambini, vengono intrappolati sotto il passaggio sopraelevato attraverso la forza dell’aria. Essi fungono da elementi che permettono ai più piccoli di imparare a conoscere lo spazio,

sperimentandolo attraverso elementi fuori scala e interagendo con la composizione creata dagli stessi. Infatti vi sono passaggi tra un blocco e l’altro dove solo i bambini possono accedervi, un elemento che visivamente fa comprendere le dimensioni e l’architettura dell’edificio andando ad inglobare parte della passerella e una ripetizione speculare di parti di blocchi disposti in altre passerelle offre una percezione diversa dello spazio.

Conoscere lo spazio con l’aria VARIANTI PERSONALIZZABILI PERCEZIONI opaco trasparente

INTERATTIVITA’ suono video

WORKSHOP DESIGN WITH AIR 2 LA CASA DEL LECTOR MATADERO DE MADRID

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CKS

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POLITECNICO DI MILANO UNIVERSIDAD SAN PABLO CEU CLARA FIORIN ALESSIA DE MICHELE ILARIA INNOCENTI

GROUP 04 MEMBERS: Viola Saccani Carlota Saenz de Tejada Anna Laura Urbani Linda Valtancoli ABSTRACT: All’interno della Casa del Lector, una coperta avvolge e ricopre lo spazio dedicato ai bambini che altrimenti si sentirebbero smarriti e sovrastati dall’altezza dell’edificio. L’idea da cui si sviluppa il progetto nasce proprio dalla ricerca di quell’intimit‡ necessaria per la piacevole scoperta della lettura, qualunque ne sia la forma; evoca l’irrinunciabile

esigenza del bambino di un nascondiglio totalmente proprio dove abbandonarsi alla fantasia. L’installazione, dalla presenza scultorea, si posa tra gli elementi strutturali dell’edificio creando un luogo suggestivo e stimolante. La pelle del matadero si converte in quella della Manta disegnandone la texture che ricorda inoltre il ricamo delle coperte parchwork: Se l’esterno rimane pacato, silenzioso nello spazio, l’interno Ë un’esplosione di colori, di nicchie da esplorare e ancora affascinanti giochi di luci e di ombre che si sovrappongono. Ai bambini viene dedicato un luogo su misura, fatto per essere toccato e scoperto.

anta bajo la

Design with air 2 Viola Saccani Carlota Saenz de Tejada Anna Laura Urbani Linda Valtancoli

GROUP 05 MEMBERS: Gabriele Colombo Natalia Matesanz Ventura Cristina Medici Nicole Piccaluga ABSTRACT: AirFONT se materialliza en unas letras macladas entre sí simbolizan la mezcla de pensamientos, generando dos escalas de percepción y paisaje; según el punto de vista de quien lo mira. Los niños perciben el aspecto lúdico, el descubrimiento y la interacción en el micro-ambiente de

la parte inferior del hinchable, íntimo, sugerente y separado del mundo adulto. Por otro lado, los investigadores recorren con la vista las letras desde las vigas puente, hilvanándolas mentalmente, que lo sobrevuelan, asomándose a las formas voluptuosas e intrigantes del hinchable. AirFONT se amolda al espacio, adaptando su sinusoidad a los dos órdenes estructurales sin invadirlos, Representa el pensamiento apasionado sintetizado en una palabra y concepto fundamental en el desarrollo intelectual y del conocimiento de niños y adultos: la curiosidad.

GROUP 07 MEMBERS: Valentina Magni Sebastiano Mignosa Linda Pinardi Feletti Clio Zancanella

E’ stata intrapresa cosÏ una comunicazione essenziale, utilizzando un linguaggio di forme e colori. La struttura della parola diventa organizzazione dello spazio, da vivere empiricamente per mezzo del gioco.

ABSTRACT: Individuando nei bambini il nostro target di progetto, abbiamo notato come essi si approccio al mondo della lettura attraverso una familiarizzazione con le lettere, in particolare la loro forma, mediante il gioco.

Le vocali, ancora riconoscibili alla quota del terreno, si astraggono nella loro forma mano a mano che si articolano verticalmente nella navata centrale, fino a proseguire idealmente all’esterno.

VER TICA

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Gruppo 7 Valentina Magni Sebastiano Mignosa Linda Pinardi Feletti Francesca Spagnol Clio Zancanella

LIN GUA I NI GGIO DEI BA M B

GROUP 08 MEMBERS: Valentina Magni Sebastiano Mignosa Linda Pinardi Feletti Clio Zancanella

Le vocali, ancora riconoscibili alla quota del terreno, si astraggono nella loro forma mano a mano che si articolano verticalmente nella navata centrale, fino a proseguire idealmente all’esterno.

Lo spazio di apprendimento per bambini DiscoverAir con-

incastro dei bambini. Il privelegio che i bambini possiedono consiste nel fatto che cludendo l’adulto, e avvicinandosi al mondo reale e astratto grazie a proiezioni suggestive, luci, colori e suoni.

Workshop Design with air 2 Casa del lector, Matadero de Madrid Politecnico di Milano Universidad San Pablo CEU

DiscoverAir

Gruppo 8

Castano Javier Fontana Sara Genoni Sara Grampa Gianluca

GROUP 09 MEMBERS: Valentina Magni Sebastiano Mignosa Linda Pinardi Feletti Clio Zancanella

Le vocali, ancora riconoscibili alla quota del terreno, si astraggono nella loro forma mano a mano che si articolano verticalmente nella navata centrale, fino a proseguire idealmente all’esterno.

favola

monstAIR

curiosità respiro

immaginazione

interazione

sezioneA_A

interazione

gioco

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ambientazioni

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DesignwithAir2_andrea caldera_matteo guastell_denise liguori_

FINAL PRESENTATIONS

PROTOTYPE DwA2 AUTHORS: Sebastian Bayo Ignacio A. Texidor GRUPO 02: Sebastian Bayo Nicole Sassi Paola Scottini Ignacio Texidor Sofia Vavassori ABSTRACT: El concepto detrás del proyecto es crear un espacio informe en contraste con la racionalidad de la arquitectura, un inflable que se deforma de acuerdo a los elementos arquitectónicos con los que interactúa. Un espacio accesible, con una entrada situada en la planta que se convierte en elemento innovador del juego para los niños, los protagonistas del ambiente. La superficie es transparente y tiene una tipografía de textura abstracta en la que la densidad de las letras permite que la luz penetre.

Il concetto alla base del progetto è quello di creare uno spazio senza forma in contrasto con la razionalità dell’architettura, un gonfiabile che si deforma a seconda degli elementi architettonici con cui si interagisce. Uno spazio accessibile con un ingresso innovativo situato sul pavimento che diventa elemento di gioco per i bambini, protagonisti dell’ambiente. La superficie è trasparente e presenta una texture tipografica astratta in cui la densità delle lettere permette alla luce di penetrare.

02 03

DESIGN WITH AIR 1 Designing with the air: This is the challenge given to the students of Master of Science in Interior Design at the Politecnico in Milan during the workshop held November 22 to 26 with an international team of professors and Belen Hermida Juan Roldán (Escuela Superior Politécnica Universidad San Pablo CEU, Madrid).

Faculty: Belén Hermida + Juan Roldán TA: Laura Galluzzo

Students: Abgarmyan Sahar, Primavera Gustavo German, Sim Lijun Joanne, Teodorowych Yuri, Ziaei Moayyed Maedeh, Bassanese Valentina, Cattaneo Viviana, D’apollonia Giorgia, De Carlos Rato Concepcion, Garcia De Arana Sofia, Gonzalez Ruiz Inflatable structures for transient and reversible na- Irene, Palazzolo Federico, Sande Alonso Pablo, ture and vocation, are designed to set up in Piazza Seijas Marcos Eva, Zanzi Sonia Lidia Lucia, Bovalino XXV Aprile in Milan a new urban scene, as amended, Francesca, Butti Annalisa, Caldera Andrea, Caputo temporarily been rebuilt, high-impact visual comSarah, Carlomagno Lucia, Cattani Stella, Chen Yan, munication but also capable of generating novel Cinciripini Marina, Colombo Gabriele, Corica Gaetainteractions with bystanders and citizens. no, Corradini Alice, Crippa Omar, Crisalide Denise, Cui Yashen, D’agostino Ilaria Maria, De Priori Mattia, The manufacturer of inflatable Nasoallinsù (Va) Fiorin Clara, Gal Pazit, Genoni Sara, Gervasi Fedesponsored the workshop, committing to a project rica, Gozzi Sara, Grampa Gianluca, Icardi Alessia, selected among those proposed by the students. Innocenti Ilaria Marialuisa, Lualdi Matteo, Ma Haiyi, Magni Valentina, Malvezzi Marina, Medici Cristina, The project “Skyscrapair, a skyscraper that captures Mignosa Sebastiano, Orlandi Alice, Pinardi Feletti the air of contemporary urban transformations, will Linda, Posella Katiuscia, Pucci Alessandra, Riatti be staged on May 2 to 18:30 in the space between Marianna, Rossi Elisabetta, Saccani Viola, Santoro the two toll booths in Piazza XXV Aprile and will on Deniz, Sassi Nicole, Scottini Paola, Signorini Micheexhibit for the next four days. le, Silvestri Francesca Maria, Spaini Francesca, Trinca Tornidor Sara, Urbani Anna Laura, Vado Michela, The model of the winning images and videos and Valtancoli Linda, Vavassori Sofia, Vecchi Stefano, other projects have been exhibited at the exhibition Vitale Oscar, Vitalini Marco, Vivaldi Giulia Maria, at the Triennale Design Instant / Chapter Two: Acts Wang Rui, Ingoglia Vito. usable in the month of March

DESIGN WITH AIR 1 workshop gallery http://www.flickr.com/DwA1workshop

POLITECNICO DI MILANO| FACOLTA’ DEL DESIGN | CDLM INTERIOR DESIGN ESCUELA POLITECNICA SUPERIOR DE ARQUITECTURA SAN PABLO CEU MADRID WORKSHOP ‘DESIGN WITH AIR’ B.HERMIDA J.ROLDAN L.GALLUZZO NASO ALL’INSU’ srl GRUPPO 6 | V.SACCANI A.L.URBANI L.VALTANCOLI G.VIVALDI skyscrapair

DESIGN WITH AIR 1 AT THE TRIENNALE http://www.flickr.com/designwithair1triennale

ENG

Skyscrapair A news report from Milano by Paolo Ceresatto

Magazine

Search Domus... Network Store Events L'installazione vincitrice del workshop Design with Air in piazza XV Aprile a Milano

Section News Sign up Login Author Paolo Ceresatto Photography Delfino Sisto Legnani

Gli studenti del Corso di Laurea Magistrale in Design degli Interni del Politecnico di Milano si cimentano con l'effimero nel corso del workshop Design with Air con un team di docenti internazionale: Belen Hermida Rodriguez e Juan Roldàn dall'Escuela Politécnica Superior Universidad CEU San Pablo, Madrid. Strutture gonfiabili, frutto della collaborazione con l'azienda Nasoallinsù, sono state progettate per l'allestimento di piazza XV Aprile a Milano, tra queste è stato selezionato e realizzato il progetto Skyscrapair che abbiamo visto la scorsa settimana in occasione della sua presentazione.

Published 27 mag 2011 Location Milano

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L'installazione di Viola Saccani Anna, Laura Urbani, Linda Valtancoli e Giulia Vivaldi altera la percezione della piazza e si staglia sullo skyline costruendo un dialogo critico con i volumi vetrati del progetto Porta Nuova e con la verticalità della città contemporanea. Add your annotation here

Il modello del progetto vincitore e i video e le immagini degli altri progetti sono stati esposti in Triennale in occasione della mostra Instant Design/Capitolo secondo: atti fruibili nello scorso mese di marzo. Paolo Ceresatto

ttp://www.domusweb.it/it/news/skyscrapair/

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DwA in DOMUS Gli studenti del Corso di Laurea Magistrale in Design degli Interni del Politecnico di Milano si cimentano con l’effimero nel corso del workshop Design with Air con un team di docenti internazionale: Belen Hermida Rodriguez e Juan Roldàn dall’Escuela Politécnica Superior Universidad CEU San Pablo, Madrid. Strutture gonfiabili, frutto della collaborazione con l’azienda Nasoallinsù, sono state progettate per l’allestimento di piazza XV Aprile a Milano, tra queste è stato selezionato e realizzato il progetto Skyscrapair che abbiamo visto la scorsa settimana in occasione della sua presentazione. L’installazione di Viola Saccani Anna, Laura Urbani, Linda Valtancoli e Giulia Vivaldi altera la percezione della piazza e si staglia sullo skyline costruendo un dialogo critico con i volumi vetrati del progetto Porta Nuova e con la verticalità della città contemporanea. Il modello del progetto vincitore e i video e le immagini degli altri progetti sono stati esposti in Triennale in occasione della mostra Instant Design/Capitolo secondo: atti fruibili nello scorso mese di marzo. Paolo Ceresatto

DESIGN WITH AIR 2 in DOMUS http://www.domusweb.it/it/news/skyscrapair/

“IN FACT, THE FINAL GO YEARS, WAS TO DISOLV TO MAKE ARCHITECTU ARCHITECTURE”.

Peter Cook, Archigram

OAL ALL OVER THESE LVE THE BOUNDARIES, URE WITHOUT