Teresa Loprevite
table of contents 3
the ghost of the paleologa / mantua / italy temporary architecture and landscape design
A.Y. 2018-19 / 2nd semester / MsC. Final Workshop Antico e Nuovo / Politecnico di Milano, campus Mantua
11
mosteiro de nossa senhora do desterro de lisboa: students residence and blackbox / lisbon / portugal architecture and landscape design
A.Y. 2017-18 / 2nd semester / Workshop with prof. Eduardo Souto de Moura and prof. Angelo Lorenzi / Politecnico di Milano, campus Mantua
19
praeceptiva murum: palazzo te visitor center / mantua / italy architecture and landscape design
A.Y. 2017-18 / 1st semester / MsC. Architectural Design Studio / Politecnico di Milano, campus Mantua
27
villa baragiola greenhouse / orsenigo / italy analysis and conservation design
A.Y. 2016-17 / 6th semester / Final Architectural Design Studio / Politecnico di Milano
35
recovery and musealization of the ex-prison of busto arsizio / italy analysis and restoration design
A.Y. 2016-17 / 5th semester / Conservation of Historical Buildings Studio / Politecnico di Milano
41
container residential unit house sustainable design
A.Y. 2015-16 / 4th semester / Building Architecture Studio / Politecnico di Milano
47
cube house of an artist shape composition and landscape design
A.Y. 2015-16 / 3rd semester / Architectural Design Studio 2 / Politecnico di Milano
1
The project is a provocation and at the same time an homage to the Paleologa Palace: a house located outside Palazzo Ducale of Mantua and demolished in 1899 in order to clear the view to the Castle of San Giorgio. Built by Giulio Romano for Margherita Paleologa, a very respected woman of that era and spose of Federico II Gonzaga, the house represented the scale of the city from the outtown. The project wants to showcase the spirit of the palace taking into account its structural lines and proportions. It doesnÃĸ€™t want to be a reconstruction of the house, but rather a model where visitors could experience its history and retrace the footprints of Margherita. Wooden materials are chosen due to its temporarity as an exhibition space, while concrete is used to keep a permament footprint of the project. The permament element would not only be an integrated part of the designed landscape but also would be a permanent homage to a part of history of Mantua.
the ghost of the paleologa / mantua temporary architecture and landscape design A.Y. 2017-18, 2nd semester / MsC. Final Workshop Antico e Nuovo / Politecnico di Milano, campus Mantua / collab. with E. K. Melistas, R. Mujahed, P. Carrilho Programs used: Autocad / SketchUp / Photoshop 3
Paleologa by Giulio Romano / scheme structural lines 4
site plan / elevation / section / floorplans 5
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
structure / joints
PRODUCED BY AN AUTODESK STUDENT VERSION
6
CED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
ENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
White-washed Larch Wood Raft 30x10cm Steel Plate 30x20cm Steel Bolts 10cm, ø 2cm
Steel Bolts 48cm, ø 3cm White-washed Larch Wood Beam 40x10cm
White-washed Larch Wood Column 20x20cm
Handrail Triangular Support Covered by Plywood Panels 1.5cm thick
OSB Plywood Flooring Panels - 10cm thick
Foundation Concrete
0.05
4.16
1.17
0.83
0.48
0.33
PRODUCED BY AN AUTODESK STUDENT VERSION
Plywood Panels 5cm thick T-Profile Steel 20x20x30cm, 2cm thick
PRODUCED BY AN AUTODESK STUDENT VERSION
Male-Female Joint Wood Block Bracing 10x30cm
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
detail section 1:50 / panels system 7
+ 0.00m
+ 0.68m
+0.18m
+ 0.00m
+ 0.68m
+0.18m
temporary and permanent 8
maquette 1:20 9
The challenge is to incorporate our project with the existing ex-monastery which new function is an on-going project of Carrilho da Graā¸Ŗā¸a studio The project area is located at the back of the monastery and the aim is to bring movement and let people explore the place.
mosteiro de nossa senhora do desterro de lisboa: students residence and blackbox architecture and landscape design A.Y. 2018-19, 2nd semester / Workshop with prof. E. Souto de Moura and prof. A. Lorenzi / Politecnico di Milano, campus Mantua / collab. with E. K. Melistas, R. Nandyala Santhoshi, V. Ferraroni Programs used: Autocad / Revit / Photoshop 11
blackbox / miradouro
The design concept is very simple: itÃĸ€™s an organic completion of the unfinished monastery. The space is arranged in order to extend the architectural promenade of the place. Alignments and axes are guided and limited by the rigid lines of the monastery and the natural inclination of the territory. Four courtyards are defined and one of these is the blackbox itself having two sides overlooking the adjiacent couryards. The rooftop of the blackbox, which is accessible by public, becomes a sort of miradouro praħa (a very typical urban element of Lisbon) providing a panoramic view towards the city and SÄÅo Jorge Castle. Tha residential buldings serve as enclosure of the area and are arranged as a continuation of the unfinished ex-convent. The slow promenade is given by a careful choice and placement of accesses and connections, not only through the green terraces but also between the courtyards and the student houses.
sketch / concept 12
b1
1
b2 2
3
demolition plan
b3 6
ELE
SP
5 4
1. ce 2. 3. 4. 5. 6.
main entrance (formerly entranof the preexisted church) archeological area miradouro praħa / black box conventÃĸ€™sW closed courtyard open courtyard terraced garden
b1. exposition area / student housing b2. student housing b3. student housing / common areas / gym
site plan 13
Aâ
D
B Bâ
c
câ
A
Dâ
Existing elements are also reintegrated and incorporated as valuable parts of the project: the great entrance of what was supposed to be the church of the monastery is repurposed as an entrance to the inner courtyards and also to one of the residences. Also the chimney of an old pottery industry becomes part of the student housing as a landmark.
ground floor plan 14
AAâ
BBâ
CCâ
DDâ
sections 1:250 15
single room typology 1:50 16
maquette 17
The project is focused on the area of Palazzo Te. The palace is located at the South of Mantua, a city which due to its historical value is currently under the protection of the Unesco. Palazzo Te was built as a holiday home for the Gonzaga family in an island surrounded by water and accessible from the city through a bridge. Nowadays the area is completely transformed and the water is no longer present. The main task is to realize a visitor center by trying to commemorate the memory of the island and as part of the project to incorporate the element of water. The area is very extensive and dispersive in relation to the city. Therefore the project wants to define the space which belongs to the palace by enhancing its starting point which is the main entrance. At the same time, we want to keep the current familiarity of the place creating a park and a sport area open to the citizens. Winter 2017/2018
Architecttural Design Studio 097679
palazzo te visitor center / mantua architecture and landscape design A.Y. 2017-18,1st semester / MsC. Achitectural Design Studio / Politecnico di Milano, campus Mantua collab. with R. Mujahed Programs used: Autocad / SketchUp / Photoshop Prof. Palterer, Prof. Vita, & Prof. Baglione
19
Ter
murum
Centre
Diag. 1
city site analysis 20
Diag. 1
Diag. 2
Politecnico di Milano
l Design Studio 097679
Winter 2017/2018
Architecttural Design Studio 097679
Prof. Palterer, Prof. Vita, & Prof. B
Diag. 3
Diag. 4
Diag. 1
Diagramme 1: Mantovaâs central paths, Princeâs Path. and landmarks Diagramme 2: Existing dead zones around Palazzo Teâs plot Diagramme 3: Vegetation within Palazzo Teâs context
200m
Diagramme 4: Main views highlighting Palazzo Te Diagramme 5: Typologies around the site Cultural Educational
Diag. 2
Diag. 5
Sports Gastronomy
Site Analysis
local site analysis
Prof. Palterer, Prof. Vita, & Prof. Baglione
Teresa Loprevite 896352 & Randa Mujahed 892356
21
praeceptiva murum
praeceptiva murum
Library
Palazzo Te Visitor Centre Panoramic tower
Palazzo Didactic UnitTe Visitor Centre
Botanic G Media Ro
Restaurant
C
Class Room
WCs
Class Room
D
Restaurant Educational Center Library Study Area
WCs
WCs
WCs
TeachersÃĸ€™ Office/ Set-up Room
Watch Tower
CÃĸ€™
Bicycle Lane
praeceptiva murum Palazzo Te Visitor Centre
Politecnico di Milano
hed 892356
22
Politecnico di Milano
Winter 2017/2018
Architecttural Design Studio 097679
WCs
Garden oom
Book-Gift store Cafè
Entrance hall Ticket office
Management and staff offices
Phytodepuration
Phytodepuration
A
B
Outdoor Cafe Seating
Workshop
Outdoor Storage Storage
Hortus Conclusus
Ticket Office
Gift Shop
Visitor Reception
Reception
Meeting Room
Directorâs Office
Open Office
Kitchenette
WCs
Archive
Media Room/ Auditorium
Cafe
Cafe Storage
WCs
WCs
Loading/Unloading Area
Lockers
Dâ
Lockers
Bicycle Lane
Bâ
Aâ
Plan
Section D-Dâ Street side elevation
Drawings 1:100
Prof. Palterer, Prof. Vita, & Prof. Baglione
Winter 2017/2018
masterplan / floor plan / street view elevation
Teresa Loprevite 896352 & Randa Mujahed 892356 Architecttural Design Studio 097679
Prof. Palterer, Prof. Vita, & Prof. Baglione
0
1
2
5m
Teresa Loprevite 896352 & Randa Mujahed 892356
23
AAâ
BBâ
CCâ
sections 24
Although the idea was to build a diaphragm between Palazzo Te area and the city, small pockets of accesses were done throughout the âwall-buildingâ to make it more permeable to the public. Moreover the presence of the building is purposely designed as less intrusive as possible, without overpowering the palace, by keeping a lower height and using glass as a finishing material. In order to intrigue the eyes of the viewer through âdenial and rewardâ, we played with different opacities of glass showcasing different shades of the presence of vegetation behind and inside the wall-building.
section & elevation 1:50 25
Built in the earlier years of the 20th century, the greenhouse is one of the gems of Villa Baragiola garden. At the beginning of the site inspection it was already possible to perceive the weak conditions of its conservation. Therefore, our first goal is to acknowledge as much as possible its history, structural features, the causes of decay and all the aspects that would help us understand which action is more suitable for this artefact. Survey and research stage of the project are given importance since the greenhouse itself didnÃĸ€™t have any actual documentation or basic drawings to work with.
villa baragiola greenhouse / orsenigo / italy analysis and conservation design A.Y. 2016-17 / 6th semester / Final Achitectural Design Studio / Politecnico di Milano / collab. with F. Cassina and V. Lualdi Programs used: Autocad / Rhinoceros / Photoshop / Photoscan 27
historical maps of Orsenigo: 1721/23, 1856, 1898 / current state of the greenhouse 28
given surveyed area
general plan 1:1000 / greenhouse plan 1:100 29
339 302
59
233
62
236
55
107
longimetric and photogrammetric survey 30
survey sketch / tridimentional reconstruction 31
In the past, the construction of modest greenhouses wasnÃĸ€™t really documented in the manuals but rather handed down from master craftsman to another. However, the construction tecniques used were quietly modern, considering that greenhouses could actually be observed as the first step towards the birth of sustainable architecture. During surveys and site inspection, we detected different kind of degradations caused merely by moisture and vegetation. After the verification of structural problems of the roof, we also became aware of the presence of singular architectural elements made with tecniques that are no longer being used.
current state 32
PROPOSTA DÃĸ€™INTERVENTO
dere o icativo l puntello
SB 5/10
messa in l Fuoco
Intervento strutturale con inserimento di tiranti
minimal intervention
ZIONE ARCHITETTONICA FINALE - prof. G. Pertot, prof. D. Oreni, prof. S. Cattaneo GETTAZIONE DELLÃĸ€™ARCHITETTURA - Politecnico di Milano istica e Ingegneria delle Costruzioni
ulla muratura
Intervento di messa in sicurezza temporaneo
33
5597), Teresa Loprevite (m. 825283), Valeria Lualdi (830995)
untelli diante
TAV.
o
Our decision to proceed with a minimal but necessary intervention is based after acknowledging the history of greenhouse. Its importance as element of prestige of the villa; the construction tecniques applied; the presence of handcrafted elements and also after comparing it to the still existing greenhouses of the Como area. The project consists a complete cleaning procedure of the greenhouse from the causes of decay, subtitution of broken elements or filling of missing elements. A structural reinforcement of the glazed roof is also provided with proper verification according to the Eurocode and by using a contemporary but also compatible and reversable solution.
12
mento e
The austrian prison of Busto Arsizio built in the 1855 was designed with a simple and classical T plan. However this building represented a contribuition on the development of the detention facilities thanks to the attention given to the hygiene and the security system which were totally ignored back then. Our idea of design comes from the cosideration that every existing thing carries a trace of time. A deep emotional meaning emerges from the surveys and the analysis of the prison, seen as a place of confinement which tells different stories of men who spent part of their lives in these misery conditions. For this reason the idea of our project is strictly related to the great historical presence of the building.
recovery and musealization of the ex-prison of Busto Arsizio analysis and restoration design
A.Y. 2016-17 / 5th semester / Conservation of Historical Buildings Studio / Politecnico di Milano / collab. with S. Hassani and V. Maffezzoni Programs used: Autocad / Rhinoceros / Photoshop 35
Geometrical survey and mapping of decay are carried out by dividing the entire building into different areas. Each one assigned to a different group. According to the surveys, the building underwent through some SEZIONE modifications and alterations during the years and despite its state of CC': abandonment, the structure of the building still had potentiality.
L.O.F.
9
7
8
5
6
11
43
61 +398 +378
11
10
16
14
13
18 17
12
2
8
76
3
45
1 15
16
14
13 12
11
1
9
1
2 3
4 5
10
1a
11
10
2 6
7
89
3
4
5
6
7
89
3
10 4
geometric survey / trilateration 36
138
159
50
16
17 15
12
50
154
50
+392
14 15
2
50
L.O.F.
12 13
13
50
4
+378
1 14
50
141
18
142
50
125
50
156 153 150
50
154
50
72 N.R.
343
15
50
152
50
145
50
143
50
160
50
155
124
50
156
50
144
150
50
112
50
155
468
72
50
137
50
159
161
50
160
50
152
144
132
113 L.O.F.
50
126
489 385
5
6
7
8
9
superficial dust exfoliation painting erosion moisture stain biological patina oxidation stain water dripping unmovable rubble
degradation mapping 37
Through cracking analysis and comparison of previous yearsÃĸ€™, the building shows a slow structural decay of the construction probably caused by the loss of the rainwater on the main faħade which consequently causes a failure of the ground.
cracking analysis / vaults geometric survey 38
FL.0
FL.1
FL.2
project proposal / musealization of the ex-prison 39
This project is characterized by the use of corten steel Sogeco container not only as multifunctional modul but also as bearing structure itself. The challenge is to make the most of the containerÃĸ€™s structure to avoid additions which would mean further construction costs. We realize a minimal house for a family of 4 components bringing great attention to the quality of the spaces and to the specific requirements given: short construction time, building tecniques that would ensure high performances, flexibility and maintanance, environmental sustainability.
container residential unit house sustainable design A.Y. 2015-16 / 4th semester / Building Architecture Studio / Politecnico di Milano / collab. with A. Arcolaci and N. Loachamin Programs used: Autocad / Rhinoceros / Photoshop / Illustrator 41
īŖī¯īŽīŗīĨī˛īļīĄī˛īĨ ī˛īŠīŖīĨīļīĨī˛īĨ īĄīīŠīŖīŠ
īĻīĄī˛īĨī īŠīŦ īĸīĩīŖīĄī´ī¯
īīīīī īīīīīī īīīīīīī īīīīīīīīīīī
ī īīīīīīīī 2
43
4
3
54
5
4
65
6
5
76
7
6
87
8
7
98
9
8
10
ī
ī
īī īīīīīīīī īīīī īīīīīīīīī ī ī īīīīīī īīīīīīīīīī īī īīīīīīīī īīīī īīīīīīīīī ī ī īīīīīī īīī īī īīīīīīīī īīīīīī īīīīīīīīīī īī īīīīīīīī īīīīīī īīīīīīīīīī īīī īīī īī īīīīīīīī īīīī īīīīīīīīī ī ī īīīīīī īīīīīīīīīī īī īīīīīīīī īīīī īīīīīīīīī ī ī īīīīīī īīīīīīīīīī īī īīīīīīīī īīīīīī īīīīīīīīīī īī īīīīīīīī īīīīīī īīīīīīīīīī īŗī°īĄīēīŠī¯ī ī°ī˛īŠīļīĄī´ī¯
īŗī°īĄīēīŠī¯ī ī°ī˛īŠīļīĄī´ī¯
īŗī°īĄīēīŠī¯ī ī°ī˛īŠīļīĄī´ī¯
īŗī°īĄīēīŠī¯ī īŖī¯īīĩīŽīĨ
īŗī°īĄīēīŠī¯ī īŖī¯īīĩīŽīĨ
īīīī īī īŗī°īĄīēīŠī¯ī īŖī¯īīĩīŽīĨ īīīīīīī
īīīī īī īŗī°īĄīēīŠī¯ī īŖī¯īīĩīŽīĨ īīīīīīī
īŗī°īĄīēīŠī¯ī ī°ī˛īŠīļīĄī´ī¯
ī˛īĨīŦīĄīēīŠī¯īŽīĨī ī¤īŠī˛īĨī´ī´īĄ
ī˛īĨīŦīĄīēīŠī¯īŽīĨī ī¤īŠī˛īĨī´ī´īĄ
ī˛īĨīŦīĄīēīŠī¯īŽīĨī īŠīŽī¤īŠī˛īĨī´ī´īĨ
ī˛īĨīŦīĄīēīŠī¯īŽīĨī īŠīŽī¤īŠī˛īĨī´ī´īĨ
īĄī īļī¯īŦī´īĨ
ī°īŠīĄīŽī¯ī ī°ī˛īŠīī¯
ī˛īĨīŦīĄīēīŠī¯īŽīĨī ī¤īŠī˛īĨī´ī´īĄ ī˛īĨīŦīĄīēīŠī¯īŽīĨī ī¤īŠī˛īĨī´ī´īĄ īąīĩīĄīŗīŠī īīĄīŠ
ī˛īĨīŦīĄīēīŠī¯īŽīĨī īŠīŽī¤īŠī˛īĨī´ī´īĨ ī˛īĨīŦīĄīēīŠī¯īŽīĨī īŠīŽī¤īŠī˛īĨī´ī´īĨ
īīĩīŖīŠīŽīĄī˛īĨ
ī
īīīī īī īīīī īī īĄī´ī´īŠīļīŠī´ī ī īŗīļī¯īŦī´īĄī īŠīŽīĄī´ī´īŠīļīŠī´ī ī īŗīļī¯īŦī´īĄī īŠīŽ īīīīīīī īīīīīīī ī¤īŠīļīĨī˛īŗīĨī īēī¯īŽīĨ ī¤īŠīļīĨī˛īŗīĨī īēī¯īŽīĨ
īīīīī
īīĨī§ī§īĨī˛īĨ īŗī´ī˛īĩī´ī´īĩī˛īĄī īŖī¯īŽī´īĄīŠīŽīĨī˛ īī´īĩī¤īŠīĄī˛īĨ ī ī°īŠīšī īĄīī°īŠ
īīīīīī
ī¤ī¯ī˛īīŠī˛īĨ
īīīīī
īīīīī īīīīīī
īīīīīī
īīīīī
īīŠīŦīĄīŗīŗīĄī˛īŗīŠ
īīīī īī īīīī īī īīīīīīī īīīīīīīīīīīī
īīīī īī īīīīīīīīīīīī
ī˛īŠīŦīĄīŗīŗīĄī˛īŗīŠ īīīīīī īīīīīī īīīīīīīīī īīīīīīīīī
ī˛īŠīŦīĄīŗīŗīĄī˛īŗīŠ
īīīī īī īīīīīīī
īīīīīī ī īīī īīī
īīīī īī īīīīīīī īĄīŽīŽīĄīĻīĻīŠīĄī˛īĨ
īĄīŽīŽīĄīĻīĻīŠīĄī˛īĨ
ī°īĄī˛īŖī¨īĨī§ī§īŠīĄī˛īĨ īīīīī
īīīīī
īīīīī
īŗī´īĩī¤īŠīĄī˛īĨī¯ īīīī īŦīĄīļī¯ī˛īĄī˛īĨ īīīīī
īīīī īīīīī īīĄīŽī§īŠīĄī˛īĨ
ī˛īŠīŦīĄīŗīŗīĄī˛īŗīŠ īŖīĩīŖīŠīŽīĄī˛īĨ
īīīīīī īīīīīīīīī
īŖīĩīŖīŠīŽīĄī˛īĨ
īīīīīī ī īīī īīī
īīīīīī ī īīī īīī
īĄīŽīŽīĄīĻīĻīŠīĄī˛īĨ
īīīīīī ī īīī īīī
īĄīŽīŽīĄīĻīĻīŠīĄī˛īĨ ī§īĩīĄī˛ī¤īĄī˛īĨ īŦīĄī ī´īļ
ī§īŠī¯īŖīĄī˛īĨ
īŠ īīļī¯īŦī§īĨī˛īĨī īŦīĄīļī¯ī˛īŠ ī¤ī¯īīĨīŗī´īŠīŖīŠ
ī´ī¯īī´īĄī˛īĨī īĄīŦīŦī§īĄī°īĨī˛ī´ī¯
ī¤ī¯ī˛īīŠī˛īĨīŖī¯īŽī´īĨīŽīĨī˛īĨ
īīīīīīīīī
īīīīī īī īīīīīī
īīīī īī īīīī īī īīīīīīī īīīīīīīīīīīī
īŗī´īĩī¤īŠīĄī˛īĨī¯ īŦīĄīļī¯ī˛īĄī˛īĨ
īīīī īīīīī
īŠī§īŠīĨīŽīĨ ī°īĨī˛īŗī¯īŽīĄīŦīĨ īŖī¯īŽī´īĨīŽīĨī˛īĨ
īī§ ī
ī°īĄī˛īŖī¨īĨī§ī§īŠīĄī˛īĨ
ī°īĄī˛īŖī¨īĨī§ī§īŠīĄī˛īĨ
ī§īĩīĄī˛ī¤īĄī˛īĨ īŦīĄī ī´īļ
ī§īŠī¯īŖīĄī˛īĨ
ī§īŠī¯
ī°īĄī˛īŖī¨īĨī§ī§īŠīĄī˛īĨ
īīīīī īŖī¯īŽīŗīĨī˛īļīĄī˛īĨ
īŦīŠī ī¯īŗī°īŠī´īŠ īīŽī´ī˛īĄī´ī´īĨīŽīĨī˛īĨī ī§īŦīŠī ī¯īŗī°īŠī´īŠ
īĻīĄī˛īĨī īŠīŦ īĸīĩīŖīĄī´ī¯
īŖī¯īŽīŗīĨī˛īļīĄī˛īĨ
īŖī¯īŽīŗīĨī˛īļīĄī˛īĨ
īĻīĄī˛īĨī īŠīŦ īĸīĩīŖīĄī´ī¯
ī˛īŠīŖīĨīļīĨī˛īĨ īĄīīŠīŖīŠ
ī˛īŠīŖīĨīļīĨī˛īĨ īĻīĄī˛īĨī īŠīŦ īĄīīŠīŖīŠ īĸīĩīŖīĄī´ī¯
īŖī¯īŽīŗīĨī˛īļīĄī˛īĨ ī˛īŠīŖīĨīļīĨī˛īĨ īĄīīŠīŖīŠ
īĻīĄī˛īĨī īŠīŦ īĸīĩīŖīĄī´ī¯
īī īīīīīī īīīīī īīīīī īīīīīī īīĄīŗīĨī ī
īī§
īīīī īī īīīīīīīīīīīī
īīīīī īī īīīīīī
īīīīī īī īīīīīī
īīīī īīīīī
īī§
īīīīī īī īīīīīī
īīŠī¯īŖīĄī˛īĨ
īīīīīīīīī
īīīīīīīīī
īĄī´ī´īŠīļīŠī´ī ī īŠīŗī¯īŦīĄī´īĄ īŠī§īŠīĨīŽīĨ īŠī§īŠīĨīŽīĨ ī°īĨī˛īŗī¯īŽīĄīŦīĨ ī°īĨī˛īŗī¯īŽīĄīŦīĨ īŖī¯īŽī´īĨīŽīĨī˛īĨ īŖī¯īŽī´īĨīŽīĨī˛īĨ īĄī´ī´īŠīļīŠī´ī ī īŗīļī¯īŦī´īĄī īŠīŽ īĄī´ī´īŠīļīŠī´ī ī īŗīļī¯īŦī´īĄī īŠīŽī¤ī¯ī˛īīŠī˛īĨ ī¤īŠīļīĨī˛īŗīĨī īēī¯īŽīĨ ī¤īŠīļīĨī˛īŗīĨī īēī¯īŽīĨ
īīĄīŽī§īŠīĄī˛īĨ
ī˛īŠīŦīĄīŗīŗīĄī˛īŗīŠ
īīīīīīīīī
ī¤ī¯ī˛īīŠī˛īĨ
īīīīīī
īīĩīĄī˛ī¤īĄī˛īĨī īŦīĄī ī´īļ
īī¯ī˛īīŠī˛īĨ
īĄī´ī´īŠīļīŠī´ī ī īŠīŗī¯īŦīĄī´īĄ
īĄī´ī´īŠīļīŠī´ī ī īŠīŗī¯īŦīĄī´īĄ īĄī´ī´īŠīļīŠī´ī ī īŠīŗī¯īŦīĄī´īĄ
īŗīĨīī°ī˛īĨ
īīīīī
īīīīī
īīīīīī
īīīīī
īīīīīīī īīīīīīīīīīī īīīīī
īīĄīŗīĨī īī
īīĄīŗīĨī īī īīĄīŗīĨī īī
īīĄīŗīĨī īī
īīĄīŗīĨī īīīī īī īīīīīīīī īīĄīŗīĨī īīīī īī īīīīīīīī
īīĄīŗīĨī īīīī īī īīīīīīīī īīĄīŗīĨī īīīī īī īīīīīīīī ī
PT ī°īŠīĄīŽī¯ī ī´īĨī˛ī˛īĄ ī°īŠīĄīŽī¯ī ī°ī˛īŠīī¯
ī°īŠīĄīŽī¯ī ī°ī˛īŠīī¯ ī°īŠīĄīŽī¯ī ī´īĨī˛ī˛īĄī°īŠīĄīŽī¯ī ī´īĨī˛ī˛īĄ ī°īŠīĄīŽī¯ī ī°ī˛īŠīī¯ī°īŠīĄīŽī¯ī ī°ī˛īŠīī¯ ī°īŠīĄīŽī¯ī ī´īĨī˛ī˛īĄ
īēīī˛ī¯īĸīŦīĨīīĄī´īŠīŖī¨īĨīē īīŗī´ī˛īĩī´ī´īĩī˛īĄīŦīŠ īī¤īŠīīĨīŽīŗīŠī¯īŽīĄīŦīŠ
īī˛ī¯īĸīŦīĨīīĄī´īŠīŖī¨īĨīē īī˛ī¯īĸīŦīĨīīĄī´īŠīŖī¨īĨīē īīŗī´ī˛īĩī´ī´īĩī˛īĄīŦīŠ īīŗī´ī˛īĩī´ī´īĩī˛īĄīŦīŠ īīĄī§ī§īŠīĩīŽī´īĄī īĄīŦī´ī˛ī¯ī īīĄī´īĨī˛īŠīĄīŦīĨ īīĄī§ī§īŠīĩīŽī´īĄī īĄīŦī´ī˛ī¯ī īīĄī´īĨī˛īŠīĄīŦīĨ ī¤īĄī ī˛īŠīŽīĻī¯ī˛īēī¯ ī¤īĄī ī˛īŠīŽīĻī¯ī˛īēī¯
ī°īŠīĄīŽī¯ī ī´īĨī˛ī˛īĄ ī°īŠīĄīŽī¯ī ī°ī˛īŠīī¯
ī°īŠīĄīŽī¯ī ī°ī˛īŠīī¯ī°īŠīĄīŽī¯ī ī´īĨī˛ī˛īĄī°īŠīĄīŽī¯ī ī´īĨī˛ī˛īĄ
īī˛ī¯īĸīŦīĨīīĄī´īŠīŖī¨īĨīēīī˛ī¯īĸīŦīĨīīĄī´īŠīŖī¨īĨīē īīŗī´ī˛īĩī´ī´īĩī˛īĄīŦīŠ īīŗī´ī˛īĩī´ī´īĩī˛īĄīŦīŠ īīĄī§ī§īŠīĩīŽī´īĄī īĄīŦī´ī˛ī¯ī īīĄī´īĨī˛īŠīĄīŦīĨ īīĄī§ī§īŠīĩīŽī´īĄī īĄīŦī´ī˛ī¯ī īīĄī´īĨī˛īŠīĄīŦīĨ ī¤īĄī ī˛īŠīŽīĻī¯ī˛īēī¯ ī¤īĄī ī˛īŠīŽīĻī¯ī˛īēī¯
īŦīŠīļīĨīŦīŦīŠī ī´ī˛īĄīŗī°īĄī˛īĨīŽī´īŠ īŦīŠīļīĨīŦīŦīŠī ī´ī˛īĄīŗī°īĄī˛īĨīŽī´īŠ
P1 ī°īŠīĄīŽī¯ī ī´īĨī˛ī˛īĄ ī°īŠīĄīŽī¯ī ī°ī˛īŠīī¯ī°īŠīĄīŽī¯ī ī°ī˛īŠīī¯
ī
ī
ī°īŠīĄīŽī¯ī ī´īĨī˛ī˛īĄ ī°īŠīĄīŽī¯ī ī°ī˛īŠīī¯
ī°īŠīĄīŽī¯ī ī°ī˛īŠī
īŗī¯īŦīĩīēīŠī¯īŽīŠīē īŗī¯īŦīĩīēīŠī¯īŽīŠīē īŗī¯īŦīĩīēīŠī¯īŽīŠīē īŗī¯īŦīĩīēīŠī¯īŽīŠīē īīļīĄīŦī¯ī˛īŠīēīēīĄī˛īĨī īŗī´ī˛īĩī´ī´īĩī˛īĄī īŖī¯īŽī´īĄīŠīŽīĨī˛ īīļīĄīŦī¯ī˛īŠīēīēīĄī˛īĨī īŗī´ī˛īĩī´ī´īĩī˛īĄī īŖī¯īŽī´īĄīŠīŽīĨī˛ īīļīĄīŦī¯ī˛īŠīēīēīĄī˛īĨī īŗī´ī˛īĩī´ī´īĩī˛īĄī īŖī¯īŽī´īĄīŠīŽīĨī˛ īīļīĄīŦī¯ī˛īŠīēīēīĄī˛īĨī īŗī´ī˛īĩī´ī´īĩī˛īĄī īŖī¯īŽī´īĄīŠīŽīĨī˛ īīŗī°īĄīēīŠī īŠīŽī´īĨī˛īŽīŠī ī°īŠīšī īĄīī°īŠ īīŗī°īĄīēīŠī īŠīŽī´īĨī˛īŽīŠī ī°īŠīšī īĄīī°īŠ īīŗī°īĄīēīŠī īŠīŽī´īĨī˛īŽīŠī ī°īŠīšī īĄīī°īŠ īīŗī°īĄīēīŠī īŠīŽī´īĨī˛īŽīŠī ī°īŠīšī īĄīī°īŠ
īŖīŠī˛īŖī¯īŦīĄīēīŠī¯īŽīĨ īŖīŠī˛īŖī¯īŦīĄīēīŠī¯īŽīĨ
īī§
īīīīī ī īī īīī§īīīīī ī ī īī īīī īīīīīīīī īīīīīī īīīīīīīīīīīī ī īī īīī§īīīīī ī ī īī īīī īīīīīīīī īīīīīī īīīīī īīīīīī īī īīīīīīīī īīīīīī īīī 1
ī1
īīīīīīīīīī īīīīīīī
īī īīīīīīīīīī īīīīīīīī
īīī īīīīīīī īī
īī īīī īīīīīīī īīīī
īīīī īī īīīīī
īīīīīī īī īīīīī
īīīī īī īīī īīī
īīīīīī īī īīī īīī
ī1
īī
ī1 īīīīīī īīī īīīīī īīīīīī īīī īīīīī
īīīīīī īīī īīīīī
īīīīīī īīī īīīīī
īī īīī īīīīīīī īīīīīī
īī īīī īīīīīīī īīīīīī
īī īīī īīīīīīī īīīīīī
īī īīī īīīīīīī īīīīīī
īī ī īīīī īīīīīī īī īīī īīīī ī ī īīīīīī īī īīīīī īī īīīīīīī ī īīīī īīīīīī īī īīī īīīī ī ī īīīīīī īī īīīīī īīī īīī ī īīīīī īīīīīī īīīī īī īīīīī īī ī ī īīīīīī īī īīīīī īīī īīī ī īīīīī īīīīīī īīī īīī ī īīīīī īīīīīī īīī īīī ī īīīīī īīīīīī
īĄīŗī°īĄī˛īĨīŽī´īŠ
īŖīĄīīĨī˛īĄ īŖī¯īŽī´īĨīŽīŠī´ī¯ī˛īĨ ī¤īĄ īīīī īī īīīīī īŖī¯īŦīŦīĨī´ī´īŠīļī¯ īŦīĨī´ī´ī¯
īīīī īī īīī īīī
īŖī¯īŽī´īĨīŽīŠī´ī¯ī˛īĨ īīīīīī īī īīīīī īŖī¯īŦīŦīĨī´ī´īŠīļī¯
īŖīĄīīĨī˛īĄ īŖī¯īŽī´īĨīŽīŠī´ī¯ī˛īĨ ī¤īĄ īŖīĄīīĨī˛īĄ īŖī¯īŦīŦīĨī´ī´īŠīļī¯ īŦīĨī´ī´ī¯ ī¤īĄ īŦīĨī´ī´ī¯
īŖīĄīīĨī˛īĄ ī¤īĄ īŦīĨī´ī´ī¯
īīīīīī īī īīī īīī
īŖīĩīŖīŠīŽīĄ īĸīĄī§īŽī¯
ī¯ī§ī§īŠī¯ī˛īŽī¯
īĸīĄī§īŽī¯
īŖī¯īŽī´īĨīŽīŠī´ī¯ī˛īĨ īŗī¯ī§ī§īŠī¯ī˛īŽī¯ īŖī¯īŦīŦīĨī´ī´īŠīļī¯
īŖī¯īŽī´īĨīŽīŠī´ī¯ī˛īĨ īŖī¯īŦīŦīĨī´ī´īŠīļī¯
īĸīĄī§īŽī¯ īŗī¯ī§ī§īŠī¯ī˛īŽī¯
ī˛īŠī´īī¯ī īŗī´ī˛īĩī´ī´īĩī˛īĄīŦīĨ ī˛īŠī´īī¯ī īŗī´ī˛īĩī´ī´īĩī˛īĄīŦīĨ īŗī°īĄīēīŠī¯ īĄī°īĨī˛ī´ī¯
īŗī°īĄīēīŠī¯ īĄī°īĨī˛ī´ī¯
N
īŖīŠī˛īŖī¯īŦīĄīēīŠī¯īŽīĨ
īŖīĄīīĨī˛īĄ ī¤īĄ īŦīĨī´ī´ī¯
īĸīĄī§īŽī¯ īŖīĩīŖīŠīŽīĄ
īŖīĩīŖīŠīŽīĄ īĸīĄī§īŽī¯
īĸīĄī§īŽī¯ īŖī¯īŽī´īĨīŽīŠī´ī¯ī˛īĨ īŖī¯īŦīŦīĨī´ī´īŠīļī¯
īŗī¯ī§ī§īŠī¯ī˛īŽī¯
S
PT
ī˛īŠī´īī¯ī īŗī´ī˛īĩī´ī´īĩī˛īĄīŦīĨ ī˛īŠī´īī¯ī īŗī´ī˛īĩī´ī´īĩī˛īĄīŦīĨ īĄīŖīŖī¯īŗī´īĄīīĨīŽī´ī¯ īĄīŖīŖī¯īŗī´īĄīīĨīŽī´ī¯ īŖīŠī˛īŖī¯īŦīĄīēīŠī¯īŽīĨ īŦīŠīļīĨīŦīŦīŠī ī´ī˛īĄīŗī°īĄī˛īĨīŽī´īŠ īŦīŠīļīĨīŦīŦīŠī ī´ī˛īĄīŗī°īĄī˛īĨīŽī´īŠ īŖīŠī˛īŖī¯īŦīĄīēīŠī¯īŽīĨ īĄīŖīŖī¯īŗī´īĄīīĨīŽī´ī¯ īĄīŖīŖī¯īŗī´īĄīīĨīŽī´ī¯ īŦīŠīļīĨīŦīŦīŠī ī´ī˛īĄīŗī°īĄī˛īĨīŽī´īŠ īŦīŠīļīĨīŦīŦīŠī ī´ī˛īĄīŗī°īĄī˛īĨīŽī´īŠ
N
īŖīŠī˛īŖ
īŗī°īĄīēīŠī¯ īĄī°īĨī˛ī´ī¯
C:\Users\QLOT\Desktop\LCA\ESAME\3dvista2.jpg C:\Users\QLOT\Desktop\LCA\ESAME\3dvista2.jpg
ī ī īīī īīī ī ī īī īīīī īīī īīīīī ī īŗīī ī īīī īīī ī ī īī īīīī īīī
schemes: composition / structure / transparency / circulation / natural ventilation-light / visual permeability LOTTI DI DI PROGETTO PROGETTO LOTTI
42
vento dominante
PRO PRO CON
POLITE
SCUOL
POLITECNICO DI MILANO C:\Users\QLOT\Desktop\LCA\ESAME\3dvista C:\Users\QLOT\Desktop\LCA\ESAME\3dvista1.jpg C:\Users\QLOT\Desktop\LCA\ESAME\3dvista1.jpg C:\Users\QLOT\Desktop\LCA \Users\QLOT\Desktop\LCA\ESAME\3dvistaesterna.jpg C:\Users\QLOT\Desktop\LCA\ESAME\3dvistaesterna.jpg C:\Users\QLOT\Desktop\LCA\ESAME\3dvista1.jpg C:\Users\QLOT\Desktop\LCA\ESAME\3dvista1.jpg C:\Users\QLOT\Desktop\LCA\ESAME\3dvista2.jpg C:\Users\QLOT\Desktop\LCA\ESAME\3dvista2.jpg E\3dvistaesterna.jpg sterna.jpg LABOR
1
2
3
4
5
6
7
8
9
10
īīīīīī īī īīīīīīīīī ī ī ī ī ī īīŊī´īŖī
īīīīīīīī ī īīī īīīīīīīī ī ī ī ī īąī°īīąī°
N
īīīīīīīīīī īī´īĢī ī ī ī ī ī īīŊīąīļīŖī
īīīīīīīīīīī īī īī īīīīīīīīīī ī īīīīī
A
īīīīī īīī īīī īīīīī ī ī ī ī ī īīŊī°īŽī˛īŖī
2
1
īī īīīīī īīīī īīīīīīīīī īīī īīīīīīī
3
4
īīīīīī īīī īīīīīīīīīīī īīī īīīīīīī
1269 60
357
313
364
174
B
63
A
174 115
6
357 223
A
5
25
°
4
3
īīīīī īīīīīī īīīīīīī īīīīīīīīīīī
SALA DA PRANZO
174 115
26 19
174 115
2
īīīīīīī ī īīīī ī ī¨īīīīī īīī īīīīīīī īŠ
80 210
1
D
174
C
CAMERA DA LETTO
B
B
C
C
313
BAGNO PREFABBRICATO
CUCINA
90 210
+0.54
PT
790
E
ī
īīīīīī īī īī īīīīīī īīīīīī
E
E
CAMERA DA LETTO
īīīīīīī ī īīīīīīīī
80 210
SOGGIORNO
80 210
174 115
174 115
īīīī īīīīī īīīī ī īīī īīīī īīŊīąīŖī
G
īīīīī īīīī īīīīīīīīī ī ī īīŊīļīŖī
174
F
D
80 210
D
īīīīī īīīī īīīīīīīīī īīŊīĩīŖī
+0.40
īīīīīīīī īīīīīīīī ī ī ī ī ī ī īīŊī°īŽīŗīŖī īīīīīīīīīī ī īīīī īīīī īīīīīīīī īīī
SCUOLA
F
63
357 223
F
POLITECN
174 115
īīīīīīī īīī īī īīīī ī ī ī ī ī īīŊī˛īŽīĩīŖī
LABORA
PROGETTO: CONTENUTO
H
2
1
3
4 0
1
2
3
4
5
6
7
1
8
2
3
9
04
10
groundfloor plan 43
stud mat
N° GRUPPO stud mat
1
2
3
4
5
6
E D
F
7
8
9
10
11
12
A
C B
A
A
īīīīī īīī īī īīī īīīīī īīīīī īīīīī ī ī ī īīŊī¸īŖī īīīīīīī īīīīīīīīīī īīīīī ī īīī īŗī° īīīīīīīīī īī´īĢ
īīīīīīī īīīīīīīī
B
B
īīīīīī īīī ī ī ī īīŊī˛ī°īŖī
+7.00
īīīīī īīī īīī īīīīī ī ī ī īīŊī°īŽī˛īŖī
īīīīīīī īīī īīīīīīīī īīī īīīīīīīī ī ī ī īīŊīŗīŖī
+6.50
īīīīīīī īīī īīīī ī ī ī īīŊīąīŽī¸īŖī
īīīīī īīīīīī
C
0
īīīīīīī īīīīīīīīīīī
1
2
5
10
KEY PLAN PLAN KEY
īīīīī īīīī īī
C
īīīīīī īī īīīīīīīīī ī ī ī īīŊī´īŖī 70
ī
ī
īīīīīīīīī īī īīīīī īī§īīī ī ī ī ī īīŊīąīŖī
īīīīīīīīī īīī īīīīīīīī ī ī ī īīŊīˇīŖī
īīīīīīīīīīī īī īī īīīīīīīīīī ī īīīīī
īīīīīīīīī īī´īĢī ī ī ī īīŊīąīļīŖī īīīīī īīī īīī īīīīī ī ī ī īīŊī°īŽī˛īŖī
īī īīīīī īīīī īīīīīīīīī īīī īīīīīīī D 120
īī§
īīīīīī īīī īīīīīīīīīīī īīī īīīīīīī
īīīīīīīīīī ī īīīī īīīī īīīīīīīī īīī
īī§
BAGNO PREFABBRICATO
270
D
SEZIONI SEZIONI DI DI RIFERIMENTO RIFERIMENTO
80
īīīīīī īīīī īīīīīī īī īīīī īī īīīīī īī§īīī ī ī ī ī īīŊīĩīŖī
+344
E
PT
P1
E
18
18
+330
īīīīī īīīī īīī īī īīī
50
īīīī īīīīī īīīī ī īīī īīīī ī ī īīŊīąīŖī īīīīī īīīī īīīīīīīīī ī ī ī ī ī īīŊīĩīŖī
SCHEMA STRUTTURALE STRUTTURALE e e ASOLE ASOLE TECNICHE TECNICHE SCHEMA
SOGGIORNO
BAGNO PREFABBRICATO
īīīīī īīīī īī īīīīīīīī
N
īīīīī īīīī īīī īīīīīīī
N
max
68°
F
250°
21 giugno
N
100
īīīīī īīīī īīīī īīīīīīīīī G
N 270
īīīīīī īīīī īīī īīī īī ī ī ī īīŊī˛īŖī
120
F
max
+54
īīīīīīī ī ī ī ī īīŊī´īŖī +40
LOTTI LOTTI DI DI PROGETTO PROGETTO
POLITECNICO DI MILANO
0.00
vento dominante
22°
110°
21 dicembre
G
IL CONTESTO AMBIENTALE
anno accademico 2015/2016
SCUOLA DI ARCHITETTURA URBANISTICA INGNERIA DELLE COSTRUZIONI CORSO DI LAUREA IN SCIENZE DELL'ARCHITETTURA
LABORATORIO di COSTRUZIONE dell'ARCHITETTURA
īīīīīī īīīī īīī īīī īī ī ī ī īīŊī°īŽī´īŖī īīīīīī īīīīīīīī īī ī ī ī īīŊīąī˛īŽī˛īŖī
E D
īīīīīīīī īī
īīīīīīī ī ī ī īīŊīšīŖī
A
C B 0
1
2
3
4
5
6
7
transversal section / interior 3D view 44
COLLABORATORI: ARCHH. A.CIVERA, G.POZZI
PROGETTO: RESIDENZA UNIFAMILIARE CONTENUTO: SEZIONE TRASVERSALE
īīīīīīī īīī īīīīīīīī ī ī ī īīŊīąīŖī
īīīīīīīīī īīīīīī īīīīīī ī ī ī īīŊīĩīŖī
F
proff. E. GINELLI, M. MAISTRELLO
īīīīīī īīīī īīīīīīīī īī ī ī ī īīŊī˛īŽī¸īŖī
īīīīīī īīī ī ī ī īīŊī˛ī°īŖī H
1
8
2
3
9
04
SCALA 1:20 N° TAVOLA
06
stud matr. Arcolaci Alessia 830841 stud matr. Loprevite Teresa 825283
N° GRUPPO stud matr. Loachamin Nicole 830079
10
11
12
H
īīīīīī ī īī īī īī īīīīīīī īīīīī ī īīīīīīī
īīīīīīīī īīīīīī ī īīīīīī īīīīīī
īīīīī īīī īī īīī īīīīī īīīīī īīīīī ī ī ī īīŊī¸īŖī īīīīīīī īīīīīīīīīī
2
1
īīīīī ī īīī īŗī°
3
4
īīīīīīīīī īī´īĢ
īīīīīīī īīīīīīīī
īīīīīī īīī ī ī ī īīŊī˛ī°īŖī
6.1
īīīīīīīīīī īīīī īī īīīīīīīī īīīīī īīī īīī īīīīī ī ī ī īīŊī°īŽī˛īŖī
īīīīīīī īīī
100
30
īīīīīīī īīī īīīī ī ī ī īīŊīąīŽī¸īŖī
30
1
īīīīīīīī īīī īīīīīīīī ī ī ī īīŊīŗīŖī
īīīīī īīīīīī īīīīīīī īīīīīīīīīīī
īīīīī īīīī īī īīīīīī īī īīīīīīīīī ī ī ī īīŊī´īŖī 70
īīīīīīīīī īīī īīīīīīīī ī ī ī īīŊīˇīŖī
60
īīīīīīīīī īī īīīīī īī§īīī ī ī ī ī īīŊīąīŖī
īīīīīīīīī īī´īĢī ī ī ī īīŊīąīļīŖī
ī
210
270
CAMERA MATRIMONIALE
BAGNO PREFABBRICATO
120
īīīīī īīī īīī īīīīī ī ī ī īīŊī°īŽī˛īŖī
īīīīī īīī īīīīīīī īīī īīīīīīīī ī ī ī īīŊīąīŖī
700
80
īīīīīī īīīī īīīīīī īī īīīī īī īīīīī īī§īīī ī ī ī ī īīŊīĩīŖī
īīīīīīīī ī īīī īīīīīīīī ī ī īąī°īīąī°
50
īīīī īīīīī īīīī ī īīī īīīī ī ī īīŊīąīŖī
īīīīīīīī īīīīīīīī ī ī ī ī ī ī īīŊī°īŽīŗīŖī
īīīīī īīīī īīīīīīīīī ī ī ī ī ī īīŊīĩīŖī
īīīīīīīīīīī īī īī īīīīīīīīīī ī īīīīī
PT
20
18
+290
īīīīī īīīī īīīīīīīīī ī ī īīŊīļīŖī
īīīīīīī īīī īī īīīī ī ī ī ī ī īīŊī˛īŽīĩīŖī
īī īīīīī īīīī īīīīīīīīī īīī īīīīīīī
CAMERA DA LETTO
270
BAGNO PREFABBRICATO
120
īīīīīī īīī īī īīīī ī ī ī ī ī īīŊī´īŖī
CUCINA
īīīīīī īīīī īīī īīī īī ī ī ī īīŊī˛īŖī
100
īīīīī īīīī īīī īīīīīīī īīīīī īīīī īī īīīīīīīī īīīīīīī ī ī ī ī īīŊī´īŖī
20
20
+40
0.0
POLITECNICO DI
SCUOLA DI ARC
īīīīīī īīīī īīī īīī īī ī ī ī īīŊī°īŽī´īŖī
CORS
īīīīīī īīīīīīīī īī ī ī ī īīŊīąī˛īŽī˛īŖī īīīīīī īīīī īīīīīīīī īī ī ī ī īīŊī˛īŽī¸īŖī
īīīīīī īīī ī ī ī īīŊī˛ī°īŖī īīīīīīīīī īīīīīī īīīīīī ī ī ī īīŊīĩīŖī
1
2
3
LABORATORI
īīīīīīī īīī īīīīīīīī ī ī ī īīŊīąīŖī
CO
PROGETTO: RES CONTENUTO: SE
4
īīīīīīī ī ī ī īīŊīšīŖī
0
1
2
3
longitudinal section / interior 3D view 45
04
stud matr. Arcolac
N° GRUPPO stud matr. Loacha
The design process is divided into two phases. The first one consists on the plastic control of the volume of a cube and a surface with given dimensions. The function of the two objects are still unknown. The focus is given to the relationship between the two elements and on our specific action on the material. During the second phase, the function of the cube is revealed: considering the dimensions given into 1:100 scale, the cube would represent an artistÃĸ€™s house, and the referring surface its landscape.
cube house of an artist shape composition and landscape design A.Y. 2015-16 / 3rd semester / Architecural Design Studio 2 / Politecnico di Milano Programs used: Autocad / Rhinoceros 47
mass model 1:100 / concrete and cardboard 48
FL.0
FL.1
FL.2
exploded 3D view / floorplans scale 1:250 49
AAâ
BBâ
CCâ
DDâ
sections 1:250 50
house model 1:100 51
Thank you! Teresa Loprevite
Via Polesine,5 - 20139 Milano (MI) +39 351 5240470 tere.loprevite@libero.it