September ,2018

TOTAL NUMBER OF PAGES INCLUDING COVER 100 MUMBAI ` 200 SEPTEMBER 2018 VOL 32 (1)

Campaign Sound in Offices – Essay by Julian Treasure Interiors Verandah on a Roof, Studio Course Apartment 601, SHROFFLEoN House within the House, The Company of Design (The Co.De) Just my Bakes, Studio Kaarigars Esquire Office, Studio Bipolar

industry news

6

CERA opens new CERA Style Studio in Hyderabad

“The customers can have the touch and feel experience of all segments and categories of products in CERA Style Studio and they have to look no further for their home solution products” says Mr Atul Sanghvi, Executive Cera Sanitaryware Limited.

C

ERA, India’s most preferred premium home solutions brand, has moved its CERA Style Studio to a larger space at Mytri Heights, Jubilee Hills. The CERA Style Studio spanning over 2 floors and admeasuring over 14,000 square feet was opened by Mr. Vikram Somany, Chairman & Managing Director and Mrs. Deepshikha Khaitan Vice Chairman of CERA Sanitaryware Limited in the presence of a large numbers of invited guests from a cross section of society, comprising of trade, architects, developers, designers and consultants.

This is one of the largest CERA Style Studios in the country and showcases full range of CERA sanitaryware, faucets, tiles, wellness, mirrors and kitchen sinks.

Apart from CERA product range, the CERA Style Studio in Hyderabad also displays SENATOR by CERA, the premium offering, launched nationally recently. SENATOR by CERA product range includes sanitaryware, faucets, mirrors and wellness.

The Italian luxury designer sanitaryware, ISVEA, which is brought to India exclusively by CERA is also displayed in CERA Style Studio, Hyderabad.

Indian Architect & Builder - September 2018

CERA enjoys top of mind recall in all sections of customers—end users, influencers and institutional buyers. CERA has been preferred partner with CREDAI, the apex body of developers, for seven consecutive years. The sanitaryware plant of CERA, situated in Kadi in North Gujarat, produces 3.5 million pieces per annum, making it the largest single location plant.

It has one of the most advanced technologies like 3D printing, robotic glazing, etc.

Similarly, CERA’s faucet plant also situated in Kadi, has state of the art technology, including low pressure die casting machines, automated chrome plating units, etc. to name a few.

One of the tile plants of CERA is situated in Gudur in Andhra Pradesh, and manufactures mainly glazed vitrified tiles for both wall and floor.

“Andhra Pradesh and Telengana are priority markets for CERA and this CERA Style Studio in Hyderabad is the largest in that category” added Mr Atul Sanghvi.

For more details: For more information, please contact: P K Shashidharan on 9327674111 or pks@cera-india.com

LED system bollards, protection class IP 65. Modular luminaires that can be supplemented with auxiliary components such as floodlights, light and motion sensors, emergency lighting batteries or certified drive-through protection. System bollards are available in various lighting versions.

Regional Manager Asia Pacific · International Projects · André Ng 10 Raeburn Park #02-08 · Singapore 088702 · Phone +65 6692 8029 Fax +65 6692 8001 · andre.ng@bega.com · www.bega.com

Das gute Licht.

For a warmer welcome.

BEGA_IndianArchit+Builder_210x270_09|18_Poller_IN.indd 1

07.08.18.32kw 13:15

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Indian Architect & Builder - September 2018

industry news

The 4th Edition of Infrastructure & Engineering Conference is focussing on Integrated & innovative planning as well as new Technologies which fosters the development of the various transport modes – Roadways, Highways as well as waterways in a manner that will lead to realization of an efficient, sustainable, safe and regionally balanced transportation system.

Infrastructure sector is a key driver for the Indian economy.

Global Summit

RHW

INTEGRATING ROADWAYS HIGHWAYS WATERWAYS

7 th De ce m ber ’ 2018, Silver Oak, India H a bi tat C e nt re , New D e l hi

Innovation & Integration of Highways & Waterways Transport System

Over 40 Advisory Board Members comprising all the stake holders involved in the construction and maintenance of Roads, Highways & Waterways Sector.

CHAIRMAN – ADVISORY COMMITTEE

Shri R.K. Pandey, Member Projects, NHAI

Some Core Committee Members

Mr. R.P.Indoria

Mr. Sanjay Kumar Nirmal

Prof. Satish Chandra,

Mr. K.K. Kapila

CSIR-Central Road Research Institute

Intercontinental Consultants and Technocrats Pvt. Ltd

CEO, ITL,

Secretary General,

Director,

Mr. Satish Parakh

Prof Mahesh Tandon

Ashok Buildcon

Tandon Consultants

Ex DG Road Development, MORTH

MD

Indian Road Congress

MD

Mr. Sanjay Mathur

CMD

CEO

Mr. V N Heggade

Dr. Sarvagya Srivastava

Mr. Yatinder Suri

Gammon Engineering & constructions Pvt. Ltd.

Ex Chief Engineer CPWD

Outokumpu India

President

Consultant ITPO

The conference will be attended by over 175 Professionals comprising Structural Engineers, Bridge & Highway Engineers, Structural Architects, Urban Planners, Construction Professionals, EPC Companies and Project Consultants, Government Bodies, Ministry Officials, Academicians and Researchers.

For Participation, contact us at iabevents@jasubhai.com

UltraTech

Country Head & MD

Organised by

EXPLORE

VOL 32 (1) | SEPTEMBER 2018 | ` 200 | MUMBAI RNI REGISTRATION NO. 46976/87, ISSN 0971-5509 INDIAN ARCHITECT AND BUILDER

Chairman & Editor: Maulik Jasubhai Shah Printer, Publisher & Chief Executive Officer: Hemant K Shetty Sub-Editor: Shriti Das Writer: Sharmila Chakravorty, Sukanya Bhattacharjee Design: Mansi Chikani Subscription: Dilip Parab Production Team: V Raj Misquitta (Head), Prakash Nerkar Email: iab_editorial@jasubhai.com Head Office: JMPL, Taj Building, 3rd Floor, 210, Dr D N Road, Fort, Mumbai - 400 001.

Tel: + 91-22-4037 3636, Fax: +91-22-4037 3635 SALES Brand Manager: Sudhanshu Nagar Email: sudhanshu_nagar@jasubhai.com MARKETING TEAM & OFFICES

CAMPAIGN 32 Sound in Offices An essay on acoustics in offices by Julian Treasure

38

50

INTERIORS Blending conflicting entities into a sublime paradox Verandah on a roof by Studio Course is a revamped project nested on a private terrace of a highrise building wherein the terrace is reimagined on the lines of a verandah.

The making of space – through light and colour SHROFFLEoN transforms an existing apartment into one that is timeless, reflecting the personality of the inhabitants and adhering to their preferences of imbibing whiteness in their house along with abundant natural light.

58

The quest for quirk fun and functionality The Company of Design (The Co.De) create a stunning interior space for a set of two separate, private apartments, one atop the other. With a cohesive design thread running across both flats, the design creates a cozy haven using a natural, muted palette of materials, colors and textures.

70

Reinventing the mundane Sly Fox in Kolkata is by A Square Designs exudes a majestic charm that is very modern yet sophisticated, trendy yet classic.

80

A concoction of colour and cats Just My Bakes by Studio Kaarigars is a café in Indore that draws many parallels with food, being complex, intriguing and highly engaging.

92

Rhythm of madness For a firm called Studio Bipolar, its project, the Esquire Office perhaps exemplifies the genius of madness.

Cover Image: © The Company of Design (The Co.De)

Mumbai: Sudhanshu Nagar Taj Building, 3rd Floor, 210, Dr D N Road, Fort, Mumbai 400 001.

Tel: + 91-22-4037 3636, Fax: +91-22-4037 3635, Mobile: +91 9833104834 Email: sudhanshu_nagar@jasubhai.com Delhi: Suman Kumar 803, Chiranjeev Tower, No 43, Nehru Place, New Delhi – 110 019 Tel: +91 11 2623 5332, Fax: 011 2642 7404 Email: suman_kumar@jasubhai.com Bengaluru / Hyderabad / Gujarat: Sudhanshu Nagar Mobile: +91 9833104834, Email: sudhanshu_nagar@jasubhai.com Kolkata: Sudhanshu Nagar Mobile: +91 9833104834, Email: sudhanshu_nagar@jasubhai.com Pune: Sudhanshu Nagar Mobile: +91 9769758712, Email: sudhanshu_nagar@jasubhai.com Chennai / Coimbatore: Princebel M Mobile: +91 9444728035, +91 9823410712, Email: princebel_m@jasubhai.com

Indian Architect & Builder: (ISSN 0971-5509), RNI No 46976/87, is a monthly publication.

Reproduction in any manner, in whole or part, in English or any other language is strictly prohibited. We welcome articles, but do not accept responsibility for contributions lost in the mail.

Printed and Published by Hemant K Shetty on behalf of Jasubhai Media Pvt Ltd (JMPL), 26, Maker Chamber VI, Nariman Point, Mumbai 400 021.

Printed at The Great Art Printers, 25, S A Brelvi Road, Fort, Mumbai 400 001 and Published from Mumbai - 3rd Floor, Taj Building, 210, Dr D N Road, Fort, Mumbai 400 001.

Editor: Maulik Jasubhai Shah, 26, Maker Chamber VI, Nariman Point, Mumbai 400 021.

industry news

12

Viega Concealed Cistern Smart: Flushing System That Offers Design Freedom Loaded with benefits, Viega concealed cistern Smart gives freedom for designing a bathroom. There are limitless design possibilities as per ones’ imagination. With product designed and engineered for Indian requirements, this world-class concealed cistern is versatile in many ways. It is the core of Viega pre-wall technology. Because of its provision for left/right water inlets, it is highly adaptable. It also offers the flexibility of low height applications as well. Furthermore, innovative design also offers top or front actuation in the same cistern.

One technology, multiple solutions The product provides solutions to various installation challenges due to its superior technology. For instance, it is also widely used where space is very limited. Because of the flexibility in height installation, it is possible to use the Viega concealed cistern Smart between the construction height of 820 and 1070 mm, thereby allowing low height installations.

Additionally, the Viega concealed cistern Smart makes the fixing super easy via retaining brackets.

Superior quality and water saving Viega concealed cistern Smart offers high quality. The strength of the cistern is uniformly reinforced with a single body. It is highly durable that has been tested over 2,00,000 cycles. Moreover, it is extremely silent with tank filing noise of just 18db. All these features add a feather to its cap. Additionally, it comes with dual flush technology with highly efficient water saving mode that can be adjusted up to 2.5 litres for smaller flush and 4.5 litres for a bigger flush. It is a very effective solution for green buildings.

Contemporary flush plates Aesthetically appealing flush plates offers best in class designs. They gel with the interiors perfectly. Available in the metallic finish (chrome & matt) and white colour, these simple but elegant designs accentuates your walls.

Space saving and perfect for drywall Viega concealed cistern Smart can be used in brick wall construction as well as drywall. It has special variants with metal frame particularly designed for drywall construction. This solution supports the structure of Indian Architect & Builder - September 2018

the wall, provides better noise reduction and more ease while positioning WC’s. Hence there is no need for planning drying time and work can be done faster with more flexibility.

About Viega: Viega was founded in Attendorn, Germany, in 1899.

Worldwide, more than 4,000 people are employed by the Viega Group, which is among the leading manufacturers of installation technology for sanitary and heating. The range consists of approximately 17,000 articles in the product categories of piping systems as well as pre-wall and drainage technology. They are used nearly everywhere: in building services installations, in utilities, in industrial plant construction and shipbuilding.

Since 2005 Viega has been successfully present in the Indian market.

After several years with independent Sales Representatives, in 2015 the legal entity Viega India Pvt. Ltd. was founded in Ahmedabad, Gujarat to foster the Indian local footprint. In 2018 the company opened a manufacturing facility in India at Sanand, Gujarat. Over a period of time more and more products Viega sells in India would be produced here.

For more details: Viega India Pvt. Ltd. 1005 DLH Park S. V. Road, Goregaon West, Mumbai, Maharashtra 400062 Amar Kirale, +91 9892459300, amar.kirale@viega.in

industry news

14

Stonex India Adds Charm to Its Finest Marble Range with ‘EDIFICE’ Collection Termed as ‘Edifice’ this fabulous collection adds a pitch-perfect optimism to any indoor flooring

I

nspired by the elegance showcased by large-size inlaid marble flooring; Stonex India Private Limited, India’s leading destination for exquisite marble and natural stones, has launched ‘EDIFICE’ collection to its preexisting marble range. Its unique natural veins define its captivating, infinite beauty which makes it ideal for modern interior flooring. This breathtaking collection includes over 300 varieties of marble and natural stonesin a wide array of exquisite colours and dazzling textures, curated

by Stonex India’s experts from Italy, Spain, Greece, Brazil and Turkey.

The assortment can be seen at Stonex India Pvt Ltd, WZ-29, Mansarovar Garden, Ring Road, Marble Market, New Delhi.

The ‘EDIFICE’ collection by Stonex India, that is a delicate blend of versatile neutrals and bold colors is available in a multitude of textures which is in sync with the latest trending shades, such as Bullberry Beige, Bullberry Grey, Exposed Concrete, Bvlgari, Dior Pearl & Frappecino to name a few. The collection allows you to connect to your surroundings and it suits the style and elegance of any modern consumer’s space.

The ‘EDIFICE’ collection has the power to enrich any surroundings with their rich tones and innovative texture and it is a perfect indicator of the fact that Stonex India is a step ahead of the competition when it comes to providing aesthetic floorings combined with steadfast durability and quality. The 18mm thickness which meets the international strength standard combined with an ultra-compact surface gives this design an irresistible charm. Its subtle visual presence has a warming effect and compliments a wild as well as urban aesthetic. The breathtaking texture and elegant finish with characterized patterns capture the essence of the interface between rich and dreamy.

Commenting on the launch, Mr. Gaurav Agrawal, CMD, Stonex India, said, “Staying true to our reputation as a pioneer, we endeavor to be at

Indian Architect & Builder - September 2018

the forefront of the stone and marble industry by setting a presidency of innovation. The ‘EDIFICE’ is a collection that will give a heightened perspective to any given space like no other. The collection is sourced from the world’s leading quarries; hence this collection offers fantastic properties that are unique and exclusive to Stonex India.”

About Stonex: Stonex India Limited is India’s foremost destination for exquisite imported marble & natural stones. The company compliments the taste and aspirations of a new age India by delivering global standards of quality, thereby carving a legacy for itself which is synonymous with grandeur, finesse, and supreme quality. The brand offers a prized collection of premium grade Marble, Semi Precious Stones, Granite, Travertino, Onyx, Limestone and Composites that have been responsibly sourced from all over the world; namely, Italy, Spain, Greece, Brazil & Turkey.Established in the year 2001, as a visionary dream, the company’s three founding members Mr. Vikas AgrawalMD, Mr. Gaurav Agrawal- CMD and Mr. Saurav Agrawal- MD have built a particularly strong reputation amongst its clientele for quality and innovation. The brand has been largely credited with bringing transparency to the incredibly disorganized marble sector. Stonex India Pvt. Ltd. is headquartered in Delhi with an ultra-modern factory in Kishangarh, and display showroom in Ahmadabad. Apart from that, the brand also has a leading presence in major cities like Mumbai, Pune, Bangalore, Hyderabad, Kolkata, Kanpur and Punjab to name a few.

For more details: Website: www.stonexindia.net Price: On Request Available at- New Delhi, Kishangarh and PAN India Head Office: Stonex India Pvt Ltd, WZ-29, Mansarovar Garden, Ring Road, New Delhi (India)

8400+

201+

attendees till date

lectures till date

700+

11+

professionals in each edition

editions

India’s Biggest Architecture symposium ICON LECTURERS OVER THE YEARS Dr B V Doshi, Pritzker Laureates, 2018

India

Richard Meier, USA Pritzker 1984 Laureate

One of the oldest and most respected design forums in India, the 361° Conference is an initiative by Indian Architect & Builder, under the aegis of Jasubhai Media, to inspire a truly relevant discussion on architecture.

The Conference establishes a thought – exchange program with lectures and discussions chronicling a multitude of ideas and innovations that have had a significant impact on our habitats.

Through the years, the conference has connected various disciplines of design, by offering dialogue opportunities across essential themes like Architecture and the City, Architecture & Identity, Architecture of Purpose, New Spirit in Architecture, Design & Informal Cities, Earth Matters, Imagining Urban Futures, Material Innovations & Discourse, Intuition & Syntax in Architecture.

Fumihiko Maki, Japan Pritzker 1993 Laureate

Late Charles Correa, India Padma Vibhushan, Padmashri, RIBA Gold Medal

Massimiliano Fuksas, Italy Crystal Globe IAA Grand Prix 2015

Peter Rich, South Africa Building of the Year award at WAF

Toyoo Ito, Japan Pritzker 2013 Laureate

Sir Peter Cook, UK Royal Gold Medal of the RIBA

“India is diverse economically, socially, culturally and climatically. We need to stop talking about buildings and talk about a sense of community. That is what identity stems from.”

“I think, any work of architecture that has, with it, some discussion, and some polemic, is good. It shows that people are interested and people are involved.”

“Time was able to give us the ability to reflect on what we had done and became the mediator between the city and its architecture.”

“Place represents that part of truth that belongs to architecture.”

“Architecture is probably the easiest and simplest interpretation of art and culture.”

“You cannot reinvent the wheel with architecture; it has all been done before.”

“Asian Architecture and cities have inherited the culture of integrating with nature and are opened to nature.”

“History of architecture seems to be preoccupied by the form of the window, the decoration of the window, the acknowledgement of the window.”

industry news

18

CMC enters into exclusive Tie-Up with Turkey’s Porcelain Tiles Major – Kalesinterflex

I

ndia’s leader in the natural and engineered stones segment - Classic Marble Company (CMC) has entered into an exclusive tie-up with global tiles leader, Kalesinterflex to market its products in the country. Kalesinterflex is one of Turkey’s oldest and world’s most renowned ceramic tiles manufacturers pioneering in the ultra large sized formats. As part of the exclusive tie-up, CMC will market Kalesinterflex’s flagship products through its distribution channels and vendor networks across the country. The partnering is a strategic move by CMC to offer all kinds of surface materials under one roof while maintaining its market leadership in the marble space.

Kalesinterflex is known the world over for being one of the most flexible, lightweight and manoeuvrable tiles. Available in matt finish, there are over forty different product choices in an assortment of colours. The products are available in the 3000 x 1000mm size, and in 5mm and 3mm thickness options. The tile has a flexibility radius of 5.5m making it an extremely versatile and easy to handle products.

Kalesinterflex is an environment friendly, innovative material in the construction industry that can be used in a host of contemporary applications including walls and floors, external facades and special applications like elevated floors, separation panels and furniture applications, among others. Despite being thin, the tile is extremely strong and durable making it easy to handle during installations. It also is fire resistant, inflammable and fire-proof and offers great aesthetics for any kind of applications. Its smooth surface does not retain dirt and is virtually maintenance free.

Indian Architect & Builder - September 2018

About Classic Marble Company: A pioneer in the imported marble industry, Classic Marble Company (CMC) since its inception in 1994 has grown to become the number 1 stone company in India. Over 700 of the company’s product offerings are manufactured at its stateof-the-art plant spread over 5,00,000 sq. m. of land and distributed through exclusive showrooms and several distributor and dealer network in India and overseas. CMC’s factory at Silvassa is an ocean of opulence exhibiting over 5,00,000 sq. m. of finished marbles slabs, with a production capacity of 30 million sq. ft. of natural marble and 30 million sq. ft. of agglomerated marble and quartz per annum.

For more details: Company: Classic Marble Company, Brand: Kalesinterflex Product: Natural Stone & Sandstone, Price: On request Specs: Available in standard dimensions of 3000 x 1000mm, Thickness: 5mm / 3mm Address: Classic Marble Company Pvt. Ltd. 15, Bhandup Village Road, Subhash Nagar, Bhandup (W), Mumbai 400078 For more info, please contact: 91 22 4140 4140 Website: http://www.classicmarble.com

BHUTAN ARCHITECTURE TRIP

THREE FLANEURS & PEREGRINE PRESENTS

Incl usio - Ac ns com on mod : Ful atio l Bo - Tr n ard ans Bas por is t in Lux an A ury C Coa - De ch dica ted spe Arc cial hite ist ctu - Al re g l si ui g h tsee de tick ets i as p ng itin e r era ry

The tiny nation of Bhutan

19TH TO 26TH OCTOBER, 2018

offers a golden opportunity

Day 01 Phuentsholing Crossover into Bhutan at Phuensholing by road

to learn about responsible

Day 02 Thimphu Exploring the Capital city, including the KuenselPhodrang and the Thimphu Dzong.

architecture. Experience the famous happiness index on this 7 nights/ 8 days trip that covers the architecture and cultural wonders of Bhutan. Challenge yourself with a day long hike to Tiger's Nest Monastery.

Day 03 Thimphu Full day exploring Thimphu - the Royal Textile Academy Day 04 Punakha Enroute pass Dochula Pass, Punakha Dzong Day 05 Punakha Exploring Chimi Lakhang, Rafting on Mho/ Pho river, camping Day 06 Paro Transfer to Paro, visit the Paro museum, Rinpung Dzong Day 07 Paro Tiger's Nest hike Day 08 Tour ends

https://threeflaneurs.wordpress.com | threeflaneurs@gmail.com | +91 9867677058

22

industry news

SANKET INDIA- The Face of Modern Electronic Stores in India

S

hoppers are still drawn and want physical stores to tangibly touch items, make purchases and process returns or exchanges, despite the rising trend of online shopping. As Marketers and Consumers debate about which platform between the two is getting more popular these days, retailers are taking a smarter route. By unifying their channel strategies to get the best of both worlds, retailers are also coming up with innovative formats that increase their profitability and revenues.

about the challenges while designing this store, Mr. Dipen quoted “For such a scale of Project, Budget is a major constraint. We have kept the theme industrial for this wherein bare essential elements only are kept. Hence, Sanket overcame the challenge of housing a number of functions in one retail space.” Dipen and his team further quoted, “For us designing the store was an opportunity, in which we strived to strike a balance between aesthetics and functionality in all its designs that we achieved.”

One such example that has recently blown away the white and brown industry and has not only brands, but many multi-brand, huge scale retailers running for their money in Anand, Gujarat is “Sanket India”. Sanket India has recently opened an electronic shopping complex which is spread over a whopping land area of 1, 25,325 sq.ft. and also houses electronics and consumer durables goods of leading brands like Hitachi, Samsung, Apple, LG, Sony, Godrej, Whirlpool to name a few. Offering a one stop solution for any house hold electronic appliances, high end professional Home Theatres, premium Air Conditioners and other digital products such as Smart Speakers, Smart Watches, Home Automation solution related needs of the consumers, the design of the showroom is such that it strikes a perfect balance between the artificial and natural resources available.

Mehul Patel & Sanket Patel, owner of the Electronics store organised a launch recently that was inaugurated by Mr. Gurmeet Singh, Chairman and Managing Director Johnson Controls- Hitachi Air Conditioning India limited.

On the occasion of launch, Mr. Mehul patel said “Sanket India at Anand is one of the largest Electronic and Home appliances retail store in India, and offering a pleasant shopping experience with enhanced customer care is the core promise of Sanket. Thus, with the latest store opening Sanket has witnessed 34% growth in sales volume with respect to last year.”

The Architect of this Showroom, Dipen Gada and Associates, have also won many awards for this project which include IIID Anchor Design Excellence Awards ‘17 (Zonal Winner for Retail and Commendation for Furniture Design), Visual Merchandising and Retail Design Award (VM & RD) ‘17 (Winner in Consumer Durables, IT & Telecom Specialty Store category) and Festival of Architecture & Interior Designing (FOAID) ’17 (Certificate of Appreciation). Talking about the Architecture and design of the showroom, Mr. Dipen Gada said “More than a job, this project was a responsibility to give the best to the realm. We have designed the entire showroom in such a way that it utilises the natural resources available (Terrace Gardens that keep the area below cooler, Solar Panels that generates energy and Solar Control glasses that bring in adequate light but stops heat as well). Since the area is hot and dry, we have completely blocked the south sun and the building opens towards the north, with an array of slant east facing walls.

Large double height entrance foyer not only offers grandeur but also brings in adequate light. Continuing the same linearity in the internal space the ground floor is kept partition free and so the openness is felt”. Talking Indian Architect & Builder - September 2018

Dr. Rutwik Trivedi, who lives in Anand recently purchased a Hitachi Inverter AC from the store and is more than satisfied with his purchase. He was quoted saying,” I recently purchased a Hitachi Inverter AC from Sanket Electronics store. I was more than impressed with an Electronic store like Sanket in the vicinity with the best electronic appliances to offer. I was suggested to purchase Hitachi because of its premium quality and good after sales service and am happy with the purchase.”

Sanket India currently has stores in Anand, Nadiad, Borsad, Junagadh, Mehsana, Morbi, Palanpur, Keshod and will be spreading more in time to come.

“Visiting the new Electronics store is a visual treat in terms of design and product display. Offering an entire gamut of leading home appliance brands in a one stop shop, providing best price with superfast delivery and great customer care is something where Sanket India is creating a niche. We need many more such well-planned and organized retail partners who not only delight the customer but also set a benchmark for the industry”.

EXPLORE

26

Polar Lighting Poles

K

-LITE surface mounted Polar Lighting Pole, integrated with LED Lighting Module is an exclusive choice of designers for city beautification lighting blended with architectural appeal. It is designed for a complete range of contemporary designs with single arm, double arm, L-arm, V-Arm, Square arm and Parallel arm.

The pole is engineered to meet the adverse conditions and the pole sections are duly welded using special grooving techniques and high end MIG welding process. The control box is integral and built-in with service door, locking arrangement and safety chain. The MS pole is coated with epoxy zinc phosphate primer and finished using environmentally stable polyurethane based paint. The pole is supplied with necessary foundation hardwares for normal soil condition.

The Polar Lighting Pole lighting arms are integrated with the LED modular lighting system, which is environmental friendly under green lighting category. The LED lighting offers more lumens with lesser power consumption The module is IP 68 protected and the various models were evaluated by an extensive research and understanding of illumination requirements for urban spaces. Choice of drivers for LED takes into consideration the harmonic distortion level (not exceeding 10%) power factor greater than 0.9 and surge protection. The LED modules are individually rated 60 watts. The control gear tray is prewired with terminal connectors, MCB and loop-in loop-out arrangement and located in the control box, integral with the pole.

Indian Architect & Builder - September 2018

industry news

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Indian Architect & Builder - September 2018

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Indian Architect & Builder - September 2018

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Sound in Offices Text : Julian Treasure Ltd

Indian Architect & Builder - September 2018

campaign

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Indian Architect & Builder - September 2018

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Author – Julian Treasure

O

ffice design has changed radically over the last 100 years. Stark, regimented rows of desks are starting to make way for something more organic, with ‘wellbeing’ as the new buzzword. Ping-pong tables, social spaces, cycle racks, and pets at work are the new norms. Google’s headquarters in Zurich even has a massage room, an aquarium, and a slide that engineers can travel down to get to the canteen. But are quirky design elements enough to create real wellbeing?

If you’re reading this in an office, take a second to stop and listen.

What sounds can you hear around you? Noise in offices is a huge problem, especially for solo working, and it isn’t showing any signs of abating. In one study, 99% of participants reported that their concentration was impaired at work due to noise 1.

The impact of noise in the office is significant. Firstly, it reduces personal effectiveness by up to two thirds 2! Alongside this, noise also affects stress levels 3, 4, short-term memory 5, and motivation 4.

Offices generate many noises. Ringing telephones are major distractors – they are specifically designed to elicit attention and action after all – but the biggest source of frustration is other people’s conversations 6. By far the biggest problem in offices is lack of speech privacy. Whilst we’re fairly good at tuning out jumbled background hubbub, we can’t do the same for individual voices. Speech is almost impossible for us to ignore 7. The problem is heightened by technology. Nowadays, we can hear not only face-to-face conversations but also speakerphone calls and video conferencing, all amongst increasingly cramped workspaces due to creeping densification as employers seek to save overhead by cramming ever more people into the available space.

Open plan is clearly denser and therefore less expensive per head than old fashioned closed offices, but it is also supposed to come with work benefits, namely greater creativity and collaboration. The latest research casts doubt on these presumed benefits, and indicates that people actually reduce face to face interaction in open plan spaces 8!

What’s consistently clear is that open plan offices generally challenge and compromise workers who need to concentrate. Most of us know the frustration of creating a complex spreadsheet or written document whilst surrounded by intelligible human conversations. It’s no surprise that more than half the workers in open plan spaces are dissatisfied 9 with the noise in their environments.

There’s a huge disparity between what workers need and what managers are prioritising. Recent research found that office workers’ number one priority is a workplace free of distractions. But when it comes to management priorities, noise is bottom of the list and privacy is only just above it 10.

With managers seemingly unaware of the noise issue, the role of architects becomes all the more important. How can architects design workplaces that deliver the basic needs of the people trying to work in them? Author and academic Professor Jeremy Myerson believes that the answer is heterogeneous design, rather than the ‘one size fits all’ approach of open plan. Given a variety of types of space, workers can move to the most appropriate one for the task at hand. This is known as activity-based working.

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Myerson defines three categories of work to design for: collaboration, concentration, and contemplation. Open plan may be appropriate for the first, but it compromises the other two.

At my company, The Sound Agency, we often work with architects to improve office spaces. To do this, we review four factors, which form the cornerstones of good sound in any space. They must be carefully considered in order.

First is acoustics. Every new build should have an acoustician involved from the onset, consulting with the architect to create a space that sounds as good as it looks. Without proper planning, those fashionable hard surfaces (metal, stone, glass) will dramatically increase noise levels. It’s far cheaper to design with acoustic materials from the outset than to retrofit them after problems come to light. In offices, acoustic treatments can absorb unwanted noise in concentration spaces to reduce stress, deaden meeting rooms to ensure intelligibility, and attenuate sound between rooms to improve privacy.

The second cornerstone is noise. This involves minimising or isolating distracting sound. It may involve intelligent layouts – for example, not fitting quiet concentration spaces next to the inevitably noisy cafeteria – or purchasing quieter machinery. The Quiet Mark website is a great place to start for this – they cover everything from quiet air conditioning to coffee machines.

Third is sound system quality. Whilst many offices might not have fully integrated sound systems, one area that often lets a space down is its conferencing equipment. I’ve lost count of the number of times I’ve encountered a state-of-the-art video display being let down by a tiny, low quality microphone and speaker in the centre of a large conference table. Remote conferencing must have good quality sound; video is actually an optional extra. Other spaces may need a sound system to play audio content, in which case the components must be good enough to do this at a quality that reflects well on the brand or the building. So often, audio system quality is value engineered out of existence, with cheap amplifiers and loudspeakers resulting in spaces that just sound nasty.

Last but not least is content. Offices can be too quiet as well as too noisy. In a very quiet office, every small sound becomes a major distraction and speech privacy is non-existent. In this case, we need some masking sound. In a quiet space, conversations over fifteen metres away may be intelligible; effective masking can reduce this distance to around four metres.

In social areas, or for creative teams, or in areas where the work is undemanding and repetitive, background sound or music can play a useful role – but it’s important not to let this become a distraction.

Reactions to music are personal and highly variable. If in doubt, turn it off!

The results of good sound in offices are clear and measurable.

Three recent studies measured the impact of acoustic treatments aimed at improving privacy. They found that task focus improved by 48%, distractions were halved, error rates and short-term memory improved by 10%, and the physical symptoms of stress reduced by a quarter. 4, 11, 12, 13 Indian Architect & Builder - September 2018

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Banbury, S. P., & Berry, D. C. (2005). Office noise and employee concentration: Identifying causes of disruption and potential improvements. Ergonomics. https://doi.org/10.1080/0014013041233 1311390 Banbury, S., & Berry, D. C. (1998). Disruption of office-related tasks by speech and office noise. British Journal of Psychology, 89(3), 499–517. https://doi.org/10.1111/j.2044-8295.1998.tb02699.x Cohen, S. (1980). Aftereffects of stress on human performance and social behavior: A review of research and theory. Psychological Bulletin. https://doi.org/10.1037/0033-2909.88.1.82 Evans, G. W., & Johnson, D. (2000). Stress and open-office noise.

Journal of Applied Psychology. https://doi.org/10.1037/00219010.85.5.779 Jones, D. (1999). The cognitive psychology of auditory distraction: The 1997 BPS Broadbent Lecture. British Journal of Psychology, 90, 167–187.

Herman Miller. (2015). It’s a Matter of Balance: New Understandings in Open-Plan Acoustics. Retrieved August 10, 2018, from https:// www.hermanmiller.co.uk/research/research-summaries/its-a-matterof-balance-new-understandings-in-open-plan-acoustics.html Banbury, S., & Berry, D. (1997). Habituation and Dishabituation to Speech and Office Noise. Journal of Experimental Psychology: Applied. https://doi.org/10.1037/1076-898X.3.3.181 Bernstein, E. S., & Turban, S. (2018). The impact of the ‘open’ workspace on human collaboration. Philosophical Transactions of the Royal Society B: Biological Sciences. https://doi.org/10.1098/ rstb.2017.0239 Savills, & British Council for Offices. (2013). What Workers Want.

T + D, 67 (April), 1 p. https://doi.org/10.2307/25149243 Oxford Economics. (2016). When the walls come down: How smart companies are rewriting the rules of the open workplace.

Plantronics.

Lewis, E., Sykes, D., & Lemieux, M. (2003). Using a Web-Based Test to Measure the Impact of Noise on Knowledge Workers’ Productivity.

Proceedings of the Human Factors and Ergonomics Society Annual Meeting, 2003(47), 1972–1976.

Lewis, E., Sykes, D., Lemieux, M., Horrall, T., & Dowell, B. (2003).

Reducing noise distraction to increase worker productivity. Summary of a 4 -Month Laboratory Study Published by Herman Miller, Inc. Sykes, D. (2009). Productivity: How Acoustics Affect Workers’ Performance In Offices & Open Areas. Retrieved August 10, 2018, from https://www.speechprivacysystems.com/wp-content/ uploads/2009/10/Productivity.pdf

Julian Treasure is an author and international speaker on sound, speaking and listening. His five TED talks have been viewed an estimated 50 million times, including one in the top 10 TED talks of all time. Julian is founder of the Sound Agency, which has been proving that good sound is good business worldwide since 2003.

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Blending conflicting entities into a sublime paradox Verandah on a Roof, Pune, Maharashtra The ‘Verandah on a roof’ is a revamped project nested on a private terrace of a high high-rise rise building, overlooking a racecourse. Architect Kalpak Shah of Studio Course conceptualised the idea of adding an upbeat experience for the occupants and bring about an overhaul in their lifestyle by creating a serene space of solitude revolving around books, food and plants.

The parameters of the project included incorporating layers of functionality, adding value and creating a strong artistic vibe that defines the space.

Text: Sukanya Bhattacharjee Images: Hemant Patil Drawings: Studio Course

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The Verandah on a Roof by Studio Course.

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Plan.

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he possibility of converting a terrace into a verandah is almost akin to a sublime paradox. The project ‘Verandah on a Roof’, as the name mentions, works in the same premise. The two terms ‘Verandah’ and ‘Terrace’ have different perceptions. ‘Verandah’ is the extension of an entrance, generally semi-open, which identifies as a transitional space cushioned between indoor and outdoor spaces. Being partially or entirely covered with a roof, it captures the external precincts, be it urban or rural, making it a space for conversations over tea, a place to unwind and relax. Verandahs have a grounded disposition as it binds itself to its building and its character is subject to the architectural language of the parent built-form. On the other hand, ‘Terrace’ is the open space above

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the living space without a roof and while it invokes the visuals of the precinct around it, it is hardly ‘grounded’ like the Verandah. It rises up and above the grounds and offers a sweeping view of all that it beneath it. However, the terms ‘verandah’ and terrace’ hold semblances on the lines of crafting frames for the exterior. Thus, the concept of blending these two components gave rise to what is known as ‘Verandah on a Roof’.

The subsequent terrace included a series of transition spaces including a library and a pantry opening onto the terrace. A roof is constructed, partly covering the terrace, to accommodate the library and the pantry. The library is enclosed on all the sides overlooking

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Section.

Axonometric view showing the roof system and the semi-covered terrace translated to a terrace.

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The subsequent terrace included a series of transition spaces including a library and a pantry opening onto the terrace.

the terrace framing the racecourse. Glass doors framed in teakwood provide enclosure to the reading space while offering a provision for an infinite view of the outside. The pantry is set in the outdoors following a similar language but is covered with a roof. The roofoverhang extendeds to the open space above the pantry in order to protect the space from rains. A stimulating flooring pattern is adopted with the gravel bed for the pantry area which culminates to the rough granite flooring of the terrace. The experience of walking on the gravel and the granite bed immediately activates a sense of being outdoors. The approach towards the space is through the living room. The existing staircase walls were dismantled and instead a roof was introduced above the space in order to create a connection between the two levels. It also resulted in making the verandah an extension of the house while creating a coherent relationship between the two.

The architect has consciously opted for the natural materials and finishes in order to complement the subtlety of the landscape elements and also to create an organic appearance for the space.

The contrast of textures; glazed windows with teakwood frames, the rough texture of cement ‘ghotai’ and the brass accessories create a balanced and serene space that invokes calm yet keeps the senses involved and curious. The granite stone and gravel flooring add to the combination bringing about a sense of fragility to the entire composition. Landscaping has also played a significant role in the design. Green pockets have been created in numerous corners.

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The inclusion of the cascading waterfall right next to the pantry where natural stone is utilised by stacking up one above the other is another striking feature. Pergolas are integrated above the seating area near the water body to partially block the sun rays.

Consequently, the library unit shelves are aligned with the treads of staircase. An overhead storeroom demanded the requirement of a staircase. The studio infused both these units and ended up creating a metal staircase for the library unit. The metal staircase hung from stainless steel wires on one end and anchored to a wooden beam on the other lead to the store room above. The shelves of the library are perfectly aligned to each tread to bring about continuity maintaining the line of vision. Its slanting profile brings about a sense of movement in the otherwise repetitive shelves. The staircase, library and other elements are carefully designed with the idea of ‘fading away’. Details have been integrated in a manner that it reduces the visual bulk of the overall setup. For instance, the door handles are created in the same finish as the doors. Similarly, the door stopper is flushed with the door. Grooves are added to wooden columns to reduce the mass. Minimalistic details have been adopted in order to reduce the bulkiness of the entire setting. A privately owned terrace with a twist of a traditional verandah in a high rise building in a metro city is an exceptional commodity. With the use of such an interesting material pallete combined with the landscape features, complemented with the majestic view from the terrace is nothing less than a visual treat.

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The pantry nestled in the semi-outdoor space.

The library composition.

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The library unit is amalgamated with the staircase treads of the staircase.

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The architect has consciously opted for the natural materials and finishes in order to complement the subtlety of the landscape elements and also to create an organic appearance for the space.

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Green pockets have been created in numerous corners.

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A play of contrasts is achieved by using glazed windows with teakwood frames, the rough texture of cement ‘ghotai’ and the brass accessories.

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Details.

The vibe of the space speaks of the experiences which is slightly unreal for a high rise terrace. When all the senses – visual, sound and tactile balance the functional aspect of a design, aesthetics spontaneously comes into the picture.

FACT FILE: Project name Project location Architect’ Firm Principal Architect Gross Built Area Photo credits

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: : : :

Veranda on a Roof Amar Renaissance, Sopan Baug, Pune, Maharashtra, India Studio Course Kalpak Shah 50 Sq. mt.

Hemant Patil

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The making of space – through light and colour Apartment 601, Mumbai, Maharashtra Maximizing space in an apartment located in space-starved Mumbai, Kayzad Shroff and Maria Leon of SHROFFLEoN have transformed the existing apartment into one that is timeless in its aura, reflecting the personality of the inhabitants, and adhering to their preferences of having whiteness in the house along with abundant natural light.

Text: Sharmila Chakravorty Images: Fabien Charuau Drawings - SHROFFLEoN

MASTER BEDROOM 2

KITCHEN

TOI.

TOI.

TOI.

LIVING & DINING ROOM MASTER BEDROOM 1

TOI.

BEDROOM 3

PUJA ROOM

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The Plan - The original configuration was dismantled to create a larger living room, bedrooms, and toilets.

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The living room.

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The dining space.

T

he city of Mumbai is a constant fight for space. Be it on the roads in traffic where vehicles fight to inch ahead, in the trains and busses where commuters fight to keep their footing, or in the urban fabric where the concrete jungle encroaches upon green, open spaces. This struggle for space also extends into Mumbai’s houses. Though there are a few who are blessed with villas and bungalows with private gardens, a vast majority is struggling on a daily basis to accommodate themselves into match-box sized houses. In fact, this constant struggle for space is so deeply ingrained in Mumbai’s psyche that you hardly bat an eyelid anymore. Yes, there is a severe, crippling lack of space, but the important question to ask is – what are you going to do about it?

Displaying remarkable resilience and optimism in spite of the urban blight that the city suffers from, architects and designers working on Mumbai projects have adapted to the limiting conditions that the city offers, working within the parameters to create the illusion of space, if not space itself! This makes Mumbai’s designers a rather interesting tribe that specializes in finding the silver lining to every dark space-starved cloud, and opening up cramped spaces to impart a sense of lightness and airy grandeur that was hitherto hidden under layers of inefficient design. Thus, the quest for maximizing space in the most efficient manner is perhaps what sets designers working in Mumbai apart.

Case in point is the Napean Sea Road apartment in Mumbai that was refurbished by Kayzad Shroff and Maria Leon of SHROFFLEoN.

Indian Architect & Builder - September 2018

The 1100 square feet, sea-facing apartment designed decades ago needed a facelift; one that gave it the illusion of being larger, more open, and washed the interior spaces in fresh natural light – classic strategies to maximize spaces to make them appear larger than they are. To begin with, the designers identified that the old 3’ x 4’ windows were outdated, and a hindrance for natural light to illuminate the space. Thus, the façade was opened up by introducing French windows – floor-to-ceiling glass windows – that brought abundant natural light inside the house.

The clients – a couple in their late 40s – share the house with his parents and two teenaged daughters. Thus, the existing apartment was used by a larger joint family, and had to be reconfigured to accommodate the client and his family. Their primary concern was for the rooms in the house to become larger, minimizing the circulation space, along with a possibility of making the bathrooms more luxurious.

The original configuration was dismantled to create a larger living room, bedrooms, and toilets as per the clients’ requirements.

They were also very keen on the house being ‘white’, and so, the color white runs throughout the house, almost like a theme.

As a sensory perception, color has the power to produce effects that are symbolic, associative, synesthetic, and emotional. It is perhaps why color therapy and color psychology have flourished in contemporary times. Even in the architecture and design world, color is no longer just a decorative element.

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The bedroom.

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White, for instance, exudes a clean, crisp, and bright vibe that adds to the openness created by bringing in natural light by helping diffuse light sources and reduces shadows. For the clients’ house, it also provides an excellent canvas to insert elements with detailing and textures that will complement the space. Thus, the sudden pop of color – teal dining chairs, green plants around the house, bright yellow chairs in the bedroom, blue floor mat besides the bed – becomes pleasant additions that actually stand out because of the white background. The overall muted tones and colors of the furniture, walls, and flooring blend together wonderfully to further the spaciousness agenda, as well as the classic, timeliness luxury that the interiors convey.

Overall, the designers have transformed the house into a contemporary chic space, large and airy, awash with natural light. Not only creating spaciousness in the house, SHROFFLEoN have also redefined the program for the house to best suit the current inhabitants. Every piece of furniture seems like it belongs within the larger scheme of things. There is especially the feeling of being a ‘home’ for a family.

While the use of white as the dominant color sometimes results in unwanted psychological and physiological effects, the designers have successfully introduced other elements that offset the clinical emptiness of white and add warmth and character, reflecting the personality of the inhabitants of the house.

FACT FILE: Project Design Firm Principal Designer/Architect Area Location Photography credits

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Apartment 601 SHROFFLEoN Kayzad Shroff + Maria Leon 1100 sqft Napean Sea Road, Mumbai Fabien Charuau

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The quest for quirk fun and functionality House within the house, Surat, Gujarat Responding to a simple yet precise brief, the architects at The Company of Design (The Co.De) create a stunning interior space for a set of two separate, private apartments, one above the other, yet connected from within. With a cohesive design thread running across both flats, the design creates a cozy haven using a natural, muted palette of materials, colors and textures that imparts a timeless yet contemporary look and feel, while also introducing carefully curated elements that are fun, quirky and functional.

Text: Sharmila Chakravorty, Pooja Shah Images: The Fishy Project Drawings: The Company of Design (The Co.De)

House within the House by The Company of Design: Internal entry.

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The upper floor foyer.

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I

nterior design is, at its core, very private, even if the project happens to be a public one. When it is residential, it becomes even more concealed. Only the few people inhabiting the house or visiting it see the work, which also runs the risk of being dismissed as simply ‘aesthetically sound’ or a collection of pretty things, or vain – a pompous expression of opulence. In fact, the problem perhaps lies in the way we are conditioned to think about architecture and design; most of the users of spaces lack the conceptual and visual sensitivity and knowledge to appreciate the beauty of our structures and the spaces within it. And yet, interior design goes beyond simply arranging a few pieces of functional furniture or decorative curios in a way that looks good. It gives the space a certain character and personality, as well as aesthetic, efficient ways to use the space better. By improving the user experience considerably, interior design often defines and guides people’s lifestyles and the way they live their life. In clichéd terms, it gives void a soul, making it a liveable and love-able space.

Infusing a quirky yet classy spirit into the interiors for one such project, the architects at The Company of Design (The Co.De) began

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with a simple brief. The clients – two brothers – wished to live together, but maintain their privacy. For the same, they had two flats, one above the other, in an apartment complex with different entries, yet connected from within. Thus, the clients required a common design thread to run within the two flats that were accessible by both families, yet were private apartment units on their own. To address these client concerns and requirements, the designers came up with the idea to connect both flats with a common design theme with subtle alterations that complement each other yet bind both separate units into one home – keeping alive the idea of a house within a house. The younger brother, well-travelled was inclined towards a more minimalist space whereas the elder brother desired a more rooted yet contemporary space. Their parents plan to split their time between the two brothers, so out of four, one room on each floor was to be designed for the parents.

Spatially, the lift provided by the builder was proposed to be replaced by a staircase which would connect both the floors, as when required the building lift could be used. Connecting both flats, a metal folded plate was introduced as the central element of circulation.

The lower floor foyer.

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The upper floor living room.

The lower floor living room.

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The lower floor dining area.

The lower floor dining area.

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The upper floor bedroom.

The lower floor bedroom.

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The lower floor master bedroom.

The lower floor parent’s bedroom.

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The idea was derived to keep the look and feel of both the floors such that their variations complement each other, while keeping the totality of the house alive.

The designers’ use of a carefully curated and balanced palette of natural finishes and materials adds homely warmth to both apartment units that are uniquely designed as single flats yet cohesive as a duplex, family home. Most walls are white, acting as a canvas for the introduction of striking colors, textures and patterns such as the rawfinish concrete wall in the living room, the brick wall near the staircase, the grey furniture, and other thoughtfully placed elements etc. Against this blank canvas, the extensive use of wood adds a natural, yet artistic touch to the spaces, sometimes reminiscent of an exciting wooden camping lodge, though with a heightened sense of luxury. The use of wood becomes a point of visual interest, arresting attention in a subtle way owing to our generic familiarity to the material. Thus, the house is minimalistic yet rich at the same time. It is modern yet classic, simple yet meticulously planned in design and execution. The addition of metal – the trellis-like blue metal on the door, the blue metal around the connecting stairwell that takes the organic shape of a tree at the second floor – brings in a rather contemporary character that elevates the overall design. The designers’ also introduce a quirky playfulness in the form of elements such as wooden cupboard door handles with birds, a light feature that grows organically from a wooden column – much like a tree, albeit with lights instead of leaves or fruits – a table that seems to be made of tree trunks joined together, and the blue metal beam that also opens up on the second floor much like a tree… these elements scattered throughout the house indicate the designers’ quest for customized functionality with a fun twist. These elements are sure to surprise visitors, as well as the residents who will always find something new, something interesting in their space.

Where the designers excel is the infusion of warmth and the feeling of ‘home’ in the apartments that work well as single units, but even better as a cohesive home. For a space that is primarily white – a color that is usually associated with cold, emptiness, and neutrality. Yet, in this house, the white plays canvas for the other design elements to take center stage. The white gives the house a sense of openness, purity, and brightness, bringing to the fore the positive aspects of otherwise detached, emotionless color. The attention to detail and wood work too are exemplary in that they add a very personal, customized and distinctive touch to the design. And overall, all these pieces of the metaphoric puzzle add up to create a very tranquil, elegant home. After all, designing interior spaces is all about utilizing design elements to create a vibe that resonates with the inhabitants and visitors, more than the placement of objects and colors to fill the space.

FACT FILE: Project Location Architect Design team Project Area Civil contractors Carpentry contractors Electrical contractors Project Estimate Initiation of Project Completion of project Photographer Additional credits

: House within the house, Residential interiors : Surat, Gujarat : Niel Parekh and Pooja Shah : Niel Parekh, Pooja Shah, Grishma Gandhi : 3500 Sq. Ft. : Nagarji : Chandulal Suthar : Ajay Sahni : INR 96 Lakhs : February 2016 : August 2017 : Ishita Sitwala, The Fishy Project : Prekshha (Artist for wardrobe artwork)

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Sly Fox Gastro Club by A Square Designs.

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Reinventing the mundane Sly Fox Gastro Club, Kolkata, West Bengal Interior design for restaurants can be quite a tricky task; the design has to take into consideration the various formats and programs that the space needs to transform into, while also being unique and alluring for its customers to be delighted over and over again. Especially in relatively smaller cities that have been slow in catching up with trends in the hospitality sector, restaurant design is now about bringing the city on the map – so quite a lot is at stake! Sly Fox in Kolkata is one such interior project by Ajay Arya of A Square Designs that has not only given Kolkata’s millennials a chic hang-out spot, but also raised the bar for designers and projects in the future.

Text: Sharmila Chakravorty Images: Photographix | Sebastian + Ira Drawings: A Square Designs

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MK-20

MK-01 Packing Station

PASSAGE

MK-19

Water Chiller

PA-08

Ice Cube Mchine Under Counter Ref. Cold Pick Up

Ice Cream Freezer Blue Star Chf200b

Two Door Ref.

MK-13

DW-07

DW-01

DW-04

4'6" x 2'0"

Dustbin

SCREEN

CLUB MEETING ROOM 7'-9" X 8'-8" Table

Server + CCTV Area Ctrl Under The Table

BA-09

BA-08

Whisky Stand

BB-300

DW-05

SERVICE COUNTER

Cashier

WOOFER

Live

Under Counter Cabinet

BA-01

Ice Cream Freezer

WOOFER

5.5" UP

Pipe Rack

DW-03

5.5" UP

Two Sink Unit With Grease Trap

Table

Dishwasher

Door A

Pre rince With Sink

DW-02

Rack

Door A

GENTS TLT. 8'-2' X 4'-9"

LADIES TLT. 4'-8"X 5'-0"

3'-9" WIDE PASSAGE

Plate Rack

Rack

1/6 1/6 1/6 1/6 1/6 1/6 1/6 1/6 1/6

SMOKING ROOM 5'-6" X 7'-0"

LT-01

Live Trolley

Plate Rack

1/6 1/6 1/6 1/6 1/6 1/6 1/6 1/6 1/6

Under Counter Ref. Hot Pick Up

PA-02

BB-300

Tandoor Section

Table Tandoor

Table

MK-10

MK-11

PA-04

LCD

MK-09

PA-03

Table With Sink

PA-05

Electrical Panel

MK-08

Under Counter Ref. Hot Pick Up

MK-12

R.O , UPS, INVERTER BATTERY

DS-03

Rack

Credenza 2'-6" x 1'-6"

MK-07

PA-06

STAFF TOILET

DS-04

switches

Tandoor

1/3

MK-15

DS-02

STORAGE

1/3

MK-14

Under Counter Ref. Hot Pick Up

MK-06

1/6 1/6 1/6 1/6 1/6 1/6 1/6 1/6 1/6 1/6

1/3

Indian Curry Section

1/3

PA-01

1/6 1/6 1/6 1/6 1/6 1/6 1/6 1/6 1/6

KITCHEN Plate Rack

Pizza Oven

Table With Sink

MK-17

MK-05

UP

DAY STORE

PA-07 Plate Rack

Under Counter Ref. Hot Pick Up

Conti. Section

MK-16

1/6 1/6 1/6 1/6 1/6 1/6 1/6 1/6 1/6 1/6

MK-03

MK-04

DS-01 Rack

MK-18

Rack

Under Counter Cabinet Hot Pick Up

Chinese Range

MK-02

Chinese Section

Table

AIR WASHER

Rack

SCRUBBER SCRUBBER

BA-07 BA-06

Station

DJ CONSOLE

BA-02

BAR

Live

Rice

Station

1

2

3

4

5

P

BA-04

Dry Veg.

Veg Gravy

Chicken

Mutton

BLENDER

Table With Sink

Table 6'6" x 3'0"

Glass Washer

Table With Sink

BA-03

BA-05

Fish

SERVICE COUNTER

COLD BUFFET / COMMUNITY TABLE

SCREEN

R

EC

EP

TI

O

N

SERVICE COUNTER

RESTAURANT 38'-4" X 45'-0"

WOOFER

WOOFER

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Sly Fox Gastro CLub - Plan.

PLAN

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CLIENT:-

SITE ADDRESS:GLOBSYN CRYSTALS

TITLE :FURNITURE LAYOUT

REVISION 00 01 02 03 04

DATE 05.05.17 05.05.17 19.05.17 20.05.17 27.05.17

REVISION 09

DATE 08.06.17

10 11 12 13

14.06.17 27.06.17 07.07.17 08.07.17

A square designs Scale: 1" : 6'-0"

410,Krishna Building,

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P

robably a decade ago, an average ‘restaurant’ in Kolkata was like the iconic India Coffee House or Flurys; though excellent in the food, beverage and hospitality departments, basic on the ambience front. Compared to the other major cities in India, Kolkata’s restaurants were bland, inconspicuous and straightforward. Throughout Kolkata, restaurants were somewhat muted in terms of aesthetics, with some not paying any attention to design; perhaps the logic was – if the food is good, why bother about the space, right? In a city of food lovers, the focus, quite rightly, was always the food. Compared to other major cities of India, Kolkata has been somewhat of a slow bloomer in the chic restaurant race.

But that was a decade ago. From a slow, sleepy town seeped with an innate love for the arts and culture, Kolkata is now stalking its claim as the metropolis it has transformed into. Today, the face of Kolkata’s hospitality sector has revamped itself beyond recognition.

New restaurants, bars, clubs and pubs are mushrooming across the city, encouraged by the demand and patronage of Kolkata’s discerning millennials (people between 18 to 35 years of age). As the tech-savvy, well-to-do, well-travelled millennials with global trends and exposure at their fingertips take to the dining out culture, the restaurant scene has been favorably impacted. Also, increasing investment in Kolkata’s IT sector has resulted in an influx of migrant millennials with cushy salaries, always on the look out to enjoy the dining out experience.

And now the Coffee houses and Flurys are no longer enough to cut it.

Millennials want their hang-out places to be chic, Instagram-worthy spaces that can do justice to their affluence.

And this new development in consumer habit and demand has given rise to a number of uniquely designed, upscale restaurants that have

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paid keen attention to aesthetics and ambience. They are now as important as the food and drinks these places whip up. For some, probably more important – your followers can’t really taste the food pictures you post, but can definitely consume the space through social media imagery and gauge how expensive your dinner was by simply looking at the restaurant’s interiors. Whether this showcasing is good or bad is a debate for another time, the fact remains that architecture and design now have to be conscious of the Instagram-worthiness of their projects, especially if it’s a hotel, bar, or restaurant frequented by millennials with high expectations.

Designed against this backdrop, the newly opened Sly Fox Gastro Club in Kolkata takes urbane chic to a new level. The highlight is definitely the 22’ floor to ceiling height, making the restaurant spacious, sophisticated, and pleasing. Ajay Arya of A Square Designs has transformed this voluminous space into a new-age all-day dining restaurant that doubles up as a lounge over the weekends. Envisioning it as a luxurious, classy restaurant at par, in terms of design and ambience, to international restaurants, Ajay Arya has consciously steered clear of the now overused ‘industrial chic’ look that, maybe a year or two ago, seemed to be the rage, with every other restaurant being given the unkempt, unfinished yet stylish, industrial vibe.

The first thing you notice about Sly Fox is the use of dark wood. These wooden elements, in natural tones of Walnut and Teak, highlight the rich, classy atmosphere of the restaurant, complemented by the mosaic tiles set in an indigo blue and white pattern. Adding a dash of color to the dark-wood dominated space are the vibrant tapestry used for the sofa seats, illustrated Hollywood posters near the DJ console box, as well as the glass screens on the high wall above the bar.

The newly opened Sly Fox Gastro Club in Kolkata takes urbane chic to a new level.

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Not only does Sly Fox give the millennials of Kolkata something to gush about, it raises the bar for the rest.

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Plants within the space relax the overall ambience, imparting a casual vibe.

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The illustrated Hollywood posters and the glass screens on the wall above the bar add a dash of color to the dark-wood dominated space.

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Sly Fox Gastro Club consciously steers clear of the‘industrial chic’ aesthetic that, maybe a year or two ago, seemed to be the rage, with every other restaurant being imparted the unkempt, unfinished yet stylish, industrial vibe.

The introduction of plants within the space relaxes the overall ambience, giving it a casual look and feel. Though dominated by dark tones of the wood, the restaurant is remarkably airy-looking and spacious, thanks to the high ceiling. The customized wooden furniture fits aptly within the design scheme, just like the specially commissioned hand-carved wooden chandeliers. White-curtained glass windows bring in enough natural light during the day, when Sly Fox is buzzing with IT sector professionals for lunch, while the same space transforms into a restaurant-cum-lounge where the same professionals unwind after a long, hard day. On weekends, the space hosts DJs and live performance with effortless ease, thanks to the layout that has taken into account all these different programs and uses, and their consequent transformations.

Not only does Sly Fox give the millennials of Kolkata something to gush about, it raises the bar for other, newer restaurants to up their game in terms of design and aesthetics. Kolkata is no longer the unfashionable cousin of other fancy cities with their nightlife hotspots; Kolkata has now arrived, carving a niche of its own in the restaurant and bar sector. With vibrant colors against the natural grandeur of dark wood, Sly Fox exudes a majestic charm that is very modern yet sophisticated, trendy yet timeless.

FACT FILE: Project Location Design Firm Principal/Creative Director Client Project Area Photo Credits Seating Capacity Digital Graphics Music & Sound Consultant Furniture Manufacturer ↑

Though dominated by dark tones of the wood, the restaurant is remarkably airylooking and spacious, owing to the high ceiling.

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Sly Fox Gastro Club Kolkata A Square Designs Ajay Arya Mr. Rahul Dalmiya & Mr. Karan Chhawchharia 3500 sq.ft. ©Photographix | Sebastian + Ira 60 PAX Kanchan Dutta DJ Vicky Metharamani Tables and Chairs by Sethia Handicrafts Pvt. Ltd. Indian Architect & Builder - September 2018

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A concoction of colour and cats Just My Bakes, Indore, Madhya Pradesh Just My Bakes, designed by Navni Naik and Kapil Menda of Studio Kaarigars, is a café in Indore that draws many parallels with food. It is complex, intriguing and highly engaging. And like a plate of well-prepared chow, one can either choose to revel in the burst of stimuli or really delve into its elements or try to dissect what makes them tick. Scrutinizing the café within this premise, the project emerges and engages as a delightful concoction, a controlled potpourri of much relish.

Text: Shriti Das Images: Photographix India Drawings: Studio Kaarigars

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Just My Bakes by Studio Kaarigars.

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The spaces within Just My Bakes were not exactly conceived adhering to food analogies but to impart a bohemian vibe that invokes art and unconventionality.

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rchitecture and interior design is possibly only second to food when it comes to engaging the mind. Sight, physical contact and even sound is inseparable from the experience of creating and occupying habitation. Food, on the other hand, is perhaps the sole art that engages all the senses. While palate is possibly the most essential experience of food, it is comprehended at the end of the act of eating. You watch the food as it is plated and presented, the aroma reaching your nose, and sounds if any, heightening this anticipation. And then there are many ways to experience food as it is with spatial design. The primary being consuming what is laid in front of you in case of food; or around you in case of architecture and design; subject to approval, disapproval or indifference. Then one can engage with its elements. In case of design, these elements pertain to colour, spatial configuration, material, context and so on. With food the primary elements are ingredients, techniques, presentation, play and balance of flavours and so on. In this premise, how does Just My Bakes operate?

Located in a commercial-cum-residential precinct, the project demanded a space that was airy and unrushed. The exterior is almost a pleasant distraction when perceived from the road that abets it.

Not one that screams its presence but incites curiosity. The pink façade engages the vision. The white ornamentation around its arched windows and the delicately fashioned entrance gate frame the café picturesquely. It has an outdoor seating space that again adheres to using bright colours with white. While white is commonly attributed as a neutral or an unadorned element to design, here even the whites standout in tandem with the bright colours. Almost like those common ingredients in food that one takes for granted, take carbohydrates for instance; again mostly white and commonly accompanies most meals, becoming a major chunk of food that we eat; be it in the form of rice,

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potatoes and starch. And like the white carbs, the colour white in the ambience is indulgent and comforting.

The use of colour appears unabashed especially given the vivid hues of pink, yellow and blue. And these hues are not pastels or subdued shades.

Rather, the pink at the entrance is reminiscent of sweet frosting on cakes; the yellow in the interiors harks back to sunny egg-yolks. The bright spaces were not exactly conceived adhering to these food analogies but to impart a bohemian vibe that invokes art and unconventionality. Like, Studio Kaarigars have further embellished these colours with mosaic flooring at the entrance. The mosaics were bought from the scrap of a construction site nearby. Old furniture, accessories like lamps, lights, wall hangings, old TV, floor fan etc. were procured from flea markets and thrift-stores in Mumbai. Mixing old and raw with contemporary was the basic motive, be it furniture, walls or floor.

This colourful concoction was furthered by a cat themed artwork on the walls. Cats signified lazing and relaxing without much care, a common attribute of the feline pet. They incorporated the cat graphics in various postures of cats; sitting, relaxing and even jumping walls and exploring niches; all very graceful, in perfect poise and posture.

The architects have further added an element of grace by creating arched doors and windows. The door and window shutters were refurbished from scrap. The architects at Studio Kaarigars received the property sans the front façade wherein they created the arched openings resplendent with ornate grillwork. Similar graphics and details were replicated for the entrance gate. These arched openings are further embellished by mosaics. Against the colourful ‘frostingreplicating’ walls, these mosaics resemble edible glitter on colourful confectionary. Another element that continues across the café is the cement flooring with oxide pigments for colour.

While white is commonly attributed as a neutral or an unadorned element to design, here even the whites standout in tandem with the bright colours.

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Studio Kaarigars have further embellished the colourful spaces with mosaic flooring at the entrance.

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The cafe presents itself like a feast of colours, patterns, graphics and cheery warmth. Like one of those complicated recipes with a massive onslaught of ingredients, elements and techniques. But what emerges on the plate is a balance of flavours; in this case colour and graphics, textures and techniques.

With common features like the flooring, vintage thrift furniture and the cat graphics blending into one another; each zone’s is segregated with walls of different heights with niches in them.

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The bright spaces were not exactly conceived adhering to food analogies but to impart a bohemian vibe that invokes art and unconventionality.

Mixing old and raw with contemporary was the basic motive, be it furniture, walls or floor.

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The outdoor seating space.

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Layout plan.

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Mocktail counter details.

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Bakery counter details.

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The café is divided into 5 zones or seating areas. With common features like the flooring, vintage thrift furniture and the cat graphics blending into one another; each zone’s is segregated with walls of different heights with niches in them. If explained in prose, Just My Bakes, is indeed a mishmash of many ideas. The cafe presents itself like a feast of colours, patterns, graphics and cheery warmth. It is like one of those complicated recipes with a massive onslaught of ingredients, elements and techniques. But what emerges on the plate is a balance of flavours; in this case, a balance of colour and graphics, textures and techniques; like the things one hears and sees on the popular ‘Masterchef’ shows but often seem so out of league and reality.

With both, food and design, when resources are optimal, there is also a chance to go overboard and create a mishmash that assault the senses rather than arouse. But Studio Kaarigars achieves eminence, awe and intricacy in the space and ambience that it has created for Just My Bake. And just like a complex plate of food you can delve really deep or simply sit back and enjoy. Either ways, the

experience is bound to delight!

FACT FILE: Project Location Architect Design team Client Project Area Structural Engineer Civil contractors Carpentry contractors Electrical contractors Project Estimate Initiation of Project Completion of project Photographer Additional credits

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Just my bakes Indore Studio Kaarigars Ar. Navni Naik & Id. Kapil Menda Mr. Sneh Sankhla 1500 Sq.ft.

Ashirvad Consultants, Indore- Er. Rajesh Naik Ashirvad Consultants, Indore Studio Kaarigars Studio Kaarigars 20 Lacs January 2018 April 2018 Photographix India Wall art by Navni Naik; Shruti Bangur and Janhavi Manjrekar assisted in the wall art

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The rhythm of madness Esquire Office, New Delhi For a firm called Studio Bipolar, its project, the Esquire Office perhaps exemplifies the genius of madness. Madness, in this context, is the departure from conventions that defy sanity and logic; a brave plunge into colour and form. Esquire started off as an American men’s magazine is now set to launch its nightclub in New Delhi. The Esquire Office designed by Studio Bipolar is a workspace that governs the administration of nightclubs that are owned by Esquire. It draws from art and design movements at the time of Esquire’s birth to newer developments in design like minimalism and even kitsch. The workspace also upholds the onus of accommodating creative minds and executing the same with finesse and sophistication.

Text: Shriti Das Images: Suryan//Dang Drawings: Studio Bipolar

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functional office with sophisticated and quirky décor was the primary brief that the architects at Studio Bipolar explored for Esquire Office. Function and sophistication is perhaps a common objective amongst all designers when creating a space. But for Esquire, Studio Bipolar interweaved ideas, that, if mentioned collectively would evoke chaos; Art Deco, primary colours, minimalism and so on. The subsequent design brief evolved into ‘Sophisticated Madness’ a term coined by the architects themselves. If one scratches beneath the surface, it hardly takes genius to realise that its sophisticated madness also borders on ‘Mad Genius’.

The Art Deco inspiration transpired from the event that Esquire emerged during the Art Deco Movement. Esquire was founded in 1933 at a time when Art Deco had already found its way to the United States, influencing its architecture and design. The Chrysler Building, Empire State Building and the Rockefeller Center were prominent buildings of the 1930s’ constructed in the Art Deco style. Art Deco signified the transition from traditionalism to a modern aesthetic sensibility that embraced colour, asymmetry, strong curves and geometrics, glass, metal and so on. This Art Deco influence is mirrored prominently in the office

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in the form of partitions. To divide the space into individual sections yet retain transparency and porosity lead to the architects designing punctured partitions. Slender metal plates were bent into geometric shapes, reminiscent of Art Deco motifs. Tinted glass is fitted into the partitions. The partitions are only partly glazed to retain privacy but also allow the vision to wander across the space.

The colours are strictly restricted to primary colours; red, blue and yellow and not their pastel or monochromatic variants. They are deployed in their true shades sans any effort to mask their vividness and domineering presence. A yellow carpet is created on the flooring that directs circulation towards and away from the boardroom. It is derived from the concept of a ‘red carpet’ only, executed in yellow. While boardrooms often reek of boredom, the one that Esquire Office completely flips the conventional image of a meeting area. The architects wanted to create a conference table that echoed the aesthetics of the office space. They created a frameless yellow tinted glass table. The transparent yellow tint lends a warm hue to the floor and walls. It also reflects the patterns of the Art Deco inspired partitions and the black and white striped wallpaper at the team workstations area; a large common central space.

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Plan.

Sketch of the partition panel.

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The Esquire Office by Studio Bipolar.

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The Esquire Office- the central workspace overlooking the meeting room.

The meeting room overlooking the central workspace.

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The Art Deco inspired partition panels.

The colours are strictly restricted to primary colours; red, blue and yellow and not their pastel or monochromatic variants.

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Close-up of the Art Deco inspired partition panels.

The black and white striped wallpaper is deployed to elongate the space. The Art Deco influence is also predominant in the furniture and fixtures used in the area. The space also has high-tables that resemble a bar counter. The attached wall showcases iconic covers of the Esquire Magazine, reinforcing the brand identity.

This central common space when viewed against the backdrop of the meeting room or even if viewed in cohesion; appears playful and even distracting. However, the work-desks are oriented to face blank walls.

The long-table or the team workstation in the common area which is oriented perpendicular to the wall with the striped wall-paper ensues that the users face one another. Even the high-tables overlooking the wall with Esquire Magazine covers are essentially blank at eye-level as the magazine covers are fixed at a significant height. While the office hosts a playful and even a glamorous character, it does not distract the office staff when they are working at their stations. The meeting room, while it encompasses and element of fun, the space is predominantly black and white with wooden blinds. The yellow table is a feature but doesn’t interfere or distract.

While Art Deco was the new wave of modernism for its time it also gave way to minimalism in the 1960s’ and 1970s’ and is a prominent style of design till date. The minimalism is reflected in the details; the conference table sans frames, the slim metallic profiles of the Indian Architect & Builder - September 2018

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The meeting room.

partitions, the glazing that is fixed sans visible beading ‘pattis’ and the furniture finished in clean straight lines. This is not to say that the office is designed adhering to minimalism or even on the lines of Art Deco. Despite elements from each style and layered with a generous dose of colour, it is difficult to categorise the office into any style or school of design. For a firm that calls itself Bipolar, the Esquire office perhaps exemplifies and paints a clear picture of the mad genius. An amicable and aesthetic genius, albeit mad, the good kind of mad.

FACT FILE: Project Location Architect Design team Client Project Area Structural Engineer Civil contractors Carpentry contractors Electrical contractors Project Estimate Initiation of Project Completion of project Photographer

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Esquire Office Delhi Studio Bipolar Ujjwal Sagar , Sanjana Mathur Sompraph Singh 1200 Sq. Ft. Not Applicable Not Applicable Bhavanna & Sons Bhavanna & Sons 10-15 lakh INR September 2017 December 2017 Suryan//Dang

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