Ian Patzke | Portfolio | Architectural Design | Photography by Ian Patzke

portfolio

5th year undergraduate | bachelor's of Architecture

ian patzke

iaptzke@gmail.com 414.507.5504

CULINARY ARTs of san diego

ch.1

CULINARY ARTs ScHOOL 699 13th St San Diego, CA 92101

This structure was created for a Design competition in 2012, which focused on the use of steel in a culinary arts setting. Research was conducted at a local Tijuana Culinary Art School right across the border. My team placed in the top 5 out of 300+ other student groups nationwide.

SPACIAL LAYOUT

EXISTING SI

DOR

MITO

OUTDO

OR SPA

site management

DOR

MITO

SPA

DOR

MITO

CONTROL HEAT GAIN MINIMIZE SOUTHERN EXPOSURE -GREEN ROOF

PUBLIC CIRCULATION THROUGH SITE

SPA

DOR

MITO

IV A T E

S P A

IPU PUBL IC BL SP IC SPA ACE CE

-MAXIMIZE STREET FRONTAGE -OPEN UP PLAZA

CORNER HUBS OF ACTVITY

DOR

MITO

IPU PUBL IC BL SP IC SPA ACE CE

Steel train truss bridges have been a staple in american culture since the early 19th century. truss bridges have helped shape the steel industry with new truss construction and engineering able to hold 120-240 ton trains. as technology progresses and steel has become almost a 100% recyclable old train truss bridges are being retrofitted and torn down due to increased shipping loads; creating a wide range of adaptive reuse possibilities. The culinary arts school of san diego aims to take advantage of existing resources and couple them with new design projects and programs. the school’s mission is to show how the culinary industry is all about efficiency and circulation. the continuous ribbon that transforms from double skin into the walls, floors and facade represents these culinary ideas. this school will become an icon which emanates green design by utilizing existing trusses for the long span structure, growing rooftop herbs, and using a double skin to control lighting conditions. the culinary school’s positive ideology will go hand in hand with san diego’s east village identity, which aims to connect the community through education and involvement. By creating transparency throughout the school between public and private usage, each person walking by the structure should take away an architectural and culinary learning experience; relating human scale to the scale of the steel structural design. these elements will promote learning in day-to-day interactions while people wait in the new bus stop, walk to the trolley one block away, interact with the ground floor restaurant or enter in the community plaza.

27 8

29 17

4 6

1 2 3 4 5 6 7 8 9 10 11 12

recycled train truss

culinary arts school

long span steel structure

2 B

STRUCTURAL CONCEPT

bake shop kitchen restaurant admissions staff room directors suite career services faculty area mechanical dumpster storage trash shoot recieving elevator

classroom 2 classroom 1 demonstration lab student storage wine room pastry kitchen teaching kitchen 6 teaching kitchen 5 teaching kitchen 4 teaching kitchen 3 teaching kitchen 2 teaching kitchen 1 recieving

26 27 28 29 30

lecture hall library library mezzanine stuent lounge kitchen below

11 12

FIRST FLOORPLAN

SECOND FLOORPLAN 10’

13 14 15 16 17 18 19 20 21 22 23 24 25

20’

30’

THIRD FLOORPLAN 10’

20’

10’

30’ A

20’

30’

harbor 2050 project

ch.2

detroit harbor

Lake Huron Lake Michigan

1330 Plum St Detroit, MI 48216

Quebec

Ontario

Lake superior

Minnesota Wisconsin

Illinois

Lake Ontario

Lake Erie Michigan Indiana Ohio

Pennsylvania

New York

Detroit Harbor was part of a larger group project that dealt with the issue of Detroit in the future. It involved coming up with an over-all master plan for the City of Detroit, and then doing solo projects that would in turn help compliment the overall city.

site management

Space

Program

Working area

mechanic

New forms of transportation are creating an increase in business for three major manufacturers in the United States (Chrysler, Ford and GM), which subsequently creates the need for additional materials – ultimately creating a need to receive goods for production, and separate and deliver goods after production. This transportation hub looks to enhance the current port system. I felt the major issues that needed to be addressed were the use of space coupled with the equipment and man power needed to run the system. The current port system not only uses massive amounts of space, but is also environmentally unfriendly with acres of concrete used to pave the yards. The size of this port means that crates must be moved over large distances to get from the boat to where the materials will be used and vice versa – finished product back to transportation to be moved to final destination. I solved this problem by observing their processes and taking clues from what needs to be done, and I determined that their processes need to go vertical. Taking the crates off the ground, and stacking them in a manner that allows them to rest and be removed easily when they are ready to be moved means aisles can be narrower as trucks won’t need to have room to drive in the aisles. Higher stacking will also allow more crates to be entered into a smaller space, which in turn cuts out the need for large amounts or real estate and concrete. The second major problem is solved with by modern technology – organization of the crates and the intensive use of moving vehicles and labor. Stacking allows every container to be reached and eliminates the worry off a needed container being at the “bottom” of the stack. Cranes using GPS systems find containers faster and more efficiently using less labor and energy. One person will be able to enter a container’s unique code/location and code/destination, and the crane will retrieve the crate and deliver it to its final destination.

city connections ford

port division

Port system

chrysler

business/ large load public/ small load

2013

m i x

Public Realm

Boat loading /unloading

storage/ train loading

Living/ social

2063

Flats

privet

shops gallery hall

public

process 1

u s e

highrise project

ch.3

hotel and peace center 120 S Olive St Los Angeles, CA 90012

My goal was to create a structure that accommodated both the Peace Center and Hotel. A second goal was to create long span steal structures -- hence the creation of an exoskeleton that cantilevers over a court yard. The final goal was to keep the viewsoftheiconicarchitecturefound intheareassurroundingthesite.

division

STRUCTURE/PARKING

programming

5000

Bar/Restaurant

5000

Pool / Fitness Center

90,000

Hotel Rooms

400 400

Restrooms Restrooms Bar/Restaurant

HOTEL/CONDO

Conference Room

45,000

Hotel Rooms

Library/Visiting Offices Exhibition Spaces Lobby/Breakout Seperate Exhibition Spaces

Restrooms Restrooms Womens

2900 2x1,000

3,000 750 400 400

Womens Mens

1200

Conference Center

5000

Mens

Lobby/Breakout Exhebition/Lecture Hall

Restrooms Restrooms Womens

12,000 400 400

Mens

Exhibition Hall / Lecture Hall Storage

20,000

1500 6000

Loading Dock

5000

Bar/Restaurant

400 400 2300

Restrooms Restrooms Lobby/Business Center

2000

Offices/Janitorial/Locker/Break

Womens Mens

PUBLIC/RESTAURANT

It’s a new time and a new day, and we look to structures of the future. This is what we did with our design for the Hotel and Peace Center. This structure was designed from ideas found in the CCTV Headquarters in Beijing, China -- a structure that defied what we all thought was possible. But, what once was impossible is now possible due to the advancement of steel. This one product has changed the way we think about how we design. The creation of the Hotel Peace Center was made possible by creating a structure that acts like a skeleton, condensing in the corner of the structure thereby removing all of the tension of the structure to the dense structure of steel in that area. While futuristic, it shows a true possibility of what we can expect with the everyday advancements in steel. The design of the three buildings allows the space to really open up the areas around our building. In addition to being a major world hub, Los Angeles contains many iconic structures with many more planned to be built. The question is -- is it better to build one large iconic piece, or do you build something that compliments the structures around it? The truth is that it is always important to building something that is iconic, but to build without thinking about how your structure affects the structures around it, especially in an area like Los Angeles is short-sighted. Because it’s not just your building moving into the area that makes it unique it’s what is already there that makes it iconic -- so you cannot turn your back on the structures already present, you have to figure out how to make your project work with them. If you really feel that you have created something great, you have to take it on face value and always acknowledge those who have gone before you that designed the great buildings in the area.

movement

HOTEL

RESIDENCE HOTEL

RE-INTRODUCED

ANGELS FLIGHT

theme

1 RESIDENCE

site context

PEACE CENTER GESTURE OF HOTEL AND RESIDENCE L E A N I N ON PEACE CENTER FOR STRENGTH

public park project

ch.4

idea district park 608 13th St San Diego, CA 92101

The Small Installation Park is located in the heart of east village San Diego. It was created for a competition which asked for a multidimensional inexpensive park. To achieve this, the park used recycled I-beams found around the site infused with holes that gives the feeling of personal space and the ability to hang items for events or display.

site management 1 min

completely open site with no obstructions allows for full site permeability and open circulation

site permeability

anchor system attachment holes perforations equally spaced out along edge of beams allow the user to easily customize how they integrate their installations

food truck access

Modular sized spaces allow for vehicular events such as food trucks or car shows w i t h pedestrian gathering on the green spaces

Parking lot turns into an area large enough to hold a crowd during a performance or show where a large crowd may gather

ground anchor Metal anchor is easily accessed from the ground to provide structural points for any type of tensile installation. When not in use, anchor sits neatly flush in the ground.

special events

w h e n needed, dog park may be used as another installation or gallery space for s t u dents/arti sts to work or present projects.

paved and green spaces allow for the public to engage in structured activities ranging from artist installations, to workout classes as well as other casual miscellaneous activities

The challenge of this project is to create a temporary park in the heart of the I.D.E.A District that provides the community with a place influenced by the surrounding context of East Village, yet bringing a fresh and expressive solution to the definition of what a temporary park actually should be. The new I.D.E.A District Liberated Park aims to provide the East Village community with a place for events, gatherings and activities of different scales. Orange arches are arranged in a linear pattern along the site with equal space in between, with rectangular grass areas aligned in the same manner. This simple arrangement of materials and space can be easily transformed by anyone to accommodate their needs; from a simple banner for community events, to some exercising ropes that could be hung, to intricate and unique artist galleries and installations, to a simple a space for a yoga class. The recycled I-beams are modified with perforations along the perimeter of the arch, while the ground is stamped with metal anchors to provide the user with the necessary structural components to make their ideas a reality. The east side of the park provides some parking spots, but during large events if the space is needed to hold a large crowd, it can be easily modified to accommodate the additional event attendees. The designated dog park area may also be used by artists and students as a temporary place for special events. With this simple solution the I.D.E.A District Liberated Park will help to inspire and invite the public to shape their community.

site section Steel arches for public creativity

Artists studios and gallery

I.D.E.A. District signage

0’

5’

10’

15’

Dog Park

Parking / gathering space

Performance stage

Artists studios and gallery

Harbor Competition

ch.5

Tre sorelle Strada tra I Due Porti, 36 Pesaro, Pesaro and Urbino, Italy

Designed for a competition based in Italy, this project’s focus was based on revitalizing an old harbor to create opportunities for tourism. Focusing on what makes the city unique I tried to encompasses the 3 conditions; city, ocean and nature into the building through a museum, hotel and a restaurant.

site conditions people space water walking Retail/ living s i g h t o f v i e w

programming Deck 18900 ft²

Pedestrians

WC Mens 400 ft² Above Sea level 34,900 ft²

wc Womens 500 ft²

canopy

Swimming Platform 1000 ft² attached seating 1000 ft²

Docking 16,000 ft²

Museum 20,000 ft² Sub Deck 16,000 ft² Restaurant 5,000 ft² WC Mens 400 ft² wc Womens 500 ft² Above Sea level 15,900 ft²

Lobby 8,000 ft²

Piazzale 130,544 ft²

s o f t

s c a p e

Rooms 7,000 ft²

Vehicular

As all the sisters in a family are important so are all the sisters of our current environment of Adriatic Italian coastal destinations. Ranging from the heights of the National Park San Bartolo that overlooks the ocean encouraging us to explore and seek out new experiences in the protected wildlife area to the northwest of the historic core is sited the proposed redevelopment of the smart harbor of Pesaro, Italy. To the main older city located inland where one is encouraged to socialize and have fun and last the Ocean front beach area located south east where relaxation and ability to obtain knowledge in new ways is the key to an enjoyable experience. The Tre Sorelle encompasses all three of the sisters of Pesaro Italy into the design and functioning of the building design. From land to water via interaction with the modern art museum, a person is lifted into the surrounding hill sides, exploring new art and a solo journey through one’s own understanding, interaction and reflection of site and art. Transitioning to the next primary site component is the modern restaurant located locally to most of the physical traffic and engaged to human level while further then also recessed to create a feeling of togetherness and cultural cohesiveness. This zone encourages people to come together on a civic and personal level. The path less traveled but and most unique takes one to the underwater hotel of submerged underwater experience; encountering the ocean in a way never thought possible. This layering of public spaces to the individual protection of the water provides an intense experience culminating to a surrounded cell of protection, safety, and dreamlike state whether awake or asleep.

1- Museum 2- Gift Shop 3- Hotel Enterence 4- Docking 5-Sun Deck 6-Resturant

7- outdoor seatin 8- indoor seating 9- bar 10- kitchen 11-back of house 12-bathrooms

13-Front Dest 14-lobby 15-hotel room 16-Storage 17- Privet Lounge

16 16 18

16 17

16 16

16 9

16 8

12 2

Museum (Above ground) +10’ 20’ 10’

30’

Restaurant

Hotel

10’

(Semi-submerged) -5’ 20’ 30’

(submerged) -15’ 20’ 30’

community center

ch.6

community center 60.772112, -161.676264 Bethel, AK 99559

Alaska has many challenges -from keeping tradition to keeping warm. I used their traditional building methods to keep the space warm through the winter and cool in the summer. I did this by using dirt and grass as insulation in the way of their forefathers, and used steel to hold it up in a modern way.

sun diagram Summer 9 A.M.

Summer

Wind management

NOON SUN Winter

WINTER WIND

Summer 9 P.M.

Wind Drifts Wind Drifts

Wind Drifts

The Community Center in Bethel, Alaska was designed using traditional techniques of native Yupik architecture, I used their idea of thermal massing -- using earth as an insulator -- by making thick walls made out of earth, and then covering it in glass to keep the earth material in place, preventing it from being blown away in the strong winter wind and snow months. Also, creating a roof that starts at zero and works its way up helps to dodge the wind, and also creates amazing ripple art works of snow as the wind blows over the structure. By doing these things I hope to bring them to the efficiency point they should be at today, not only by keeping the structure warm in the winter, but also keeping it cool in the summer months. Techniques the Yupik used in the past area still very relevant to us that today as they havenâ&#x20AC;&#x2122;t changed and are very important in the design of this building. It was important to create a space that allowed the Yupik tribe to use this building as they would use their wigwams. The large room resembles the large main room in which they would all sleep. This grouping of people is important for two reasons â&#x20AC;&#x201C; one, to keep everyone warm, and two, to remind everyone that everyone is their family. I also needed to create areas for the elders to teach the youth their traditions were and how to carry them on. For this reason I created two spaces. One is the story room in the library which can be used by the elders to tell stories which are actually lifelong lessons used for survival. The second is the creation of a classroom for larger-scale, more hands on projects. Alaskan natives are at a turning point. The introduction of drugs and alcohol means that a strong community is more important than ever. The Community Center can only help and hopefully re-energize their community feeling.

building plan e

e C A

D A-CLASSROOM B-MEETING ROOM C-LARGE MEETING AREA /COMMUNITY GALLERY D-LIBRARY/ARTIFACT ROOM e-storage f-entrance

urban health center

ch.7

downtown connection 1401 3rd Ave San Diego, CA 92101

The challenge of a city site and how to properly address the movement of people is something that needs to be touched on more in architecture for the future. We don’t need boxes that are always devoted to the inside. What we need is something that is reachable to many in many ways.

sun diagram winter

morning

site management movement-noon

movement-morning/night

church

church work

city

work

afternoon

summer

church work city

falcon st - f r i d ay s morning

d at e s t - s at u r d ay s

4th & j - s u n d ay s

planned parks existing parks farmers markets afternoon

The Downtown Connection is all about the different types of “connections” a building can have with the pre-existing built environment. This building connects to an extensive park system around downtown San Diego, and recognizes the public’s growing interest in farmers markets by including one in the downtown area. The other “connections” come from the building’s connection to its surroundings; the building doesn’t act as an obstruction, but gives optional ways to go through, over and into the area. The ability to “connect” people is the most important part of the Downtown Connection. This is accomplished by having rooms outside so people who are passing by have the chance to stop and listen as well as get involved with such things as videos, classes and even roof top farming. “A” shows the ramp with windows. People can see the interesting interaction of the building to the ground as well as being able to see people going up and down the ramp providing interest as well as safety. “B” shows the ramp which furnishes pedestrians with a north-south connection, eliminating the need to walk around the structure and consequently saving valuable time. This route also gives the viewer an interesting perspective of the city and green roof-garden. “c” -- the large indoor classroom -- is left open to accommodate a handful of different actives. Ventilation is achieved by louvers located in the open upper loft area as well as from louvers located in the upstairs office area. “D” shows the slow side of the building which encompasses the main meeting area. Large outdoor gatherings can take place in these spaces. Examples of the types of activities you might see include a small outdoor amphitheater for speeches or music as well as concrete areas to set up carts for farmers markets or for the sale of other goods.

building section Gym + Lab

outdoor gathering

community learnig small group learning

small group learning

professional work

ch.8

Design Manuals -retail -nonprofit -commercial

FOC Concept Solution

1. Real World Fun

fixture Matrix

Store Design Manual The Basic Store

1B. Pinwheel Store Principles Zoning

Pinwheel

Store Grading

Fixtures

Catch Customer

Description/Name

Dimensions/Description/Comment

A1A

8-Row Footwear Floor Unit

Picture/Drawings

Picture

Width: 2.05m Depth: 0.66m Height: 1.27m

Natural Bamboo, vertical grain, UV Pre-Finished Top-UV Pre-Finished w/ Standards at ends to be optionally bolt on-All Mild Steel w/ clear coating- Adjustable Dividers- Expanded Metal Center Panel, Black pipe 0.02m Dia.

A1AK

Kids Floor Footwear Unit

Width: 2.05m Depth: 0.66m Height: 1.27m

Natural Bamboo, vertical grain, UV Pre-Finished Top-UV Pre-Finished w/ Standards at end to be optionally bolt on-All Mild Steel w/ clear coating- Adjustable Dividers- Expanded Metal Center Panel, Black pipe 0.02m Dia.

A1B

4-row Footwear Unit

Width: 1.01m Depth: 0.66m Height: 1.27m

UV Pre-Finished Top-UV Pre-Finished w/ Standards at ends to be optionally bolt on-All Mild Steel w/ clear coating- Adjustable Dividers- Expanded Metal Center Panel, Black pipe 0.02m Dia.

A1BK

4-row Kids Footwear Unit

Width: 1.01m Depth: 0.66m Height: 1.27m

UV Pre-Finished Top-UV Pre-Finished w/ Standards at ends to be optionally bolt on-All Mild Steel w/ clear coating- Adjustable Dividers- Expanded Metal Center Panel, Black pipe 0.02m Dia.

A2A

Footwear Impact CartBottom

Width: 2.05m Depth: 0.723m Height: 1.127m

Natural Bamboo, vertical grain, UV Pre-Finished Top-UV Pre-Finished w/ Standards to be optionally be bolt on-All Mild Steel w/ clear coatingAdjustable Dividers- Expanded Metal Center Panel, Black pipe 0.02m Dia.

A2B

Footwear Impact CartTopper

Width: 2.05m Depth: 0.368m Height: 1.181m

Wall UnitApparel & Footwear

Width: 2.03m Depth: 1.07m Height: 3.06m

All Hot Rolled Flat Steel;Clr Fin.-Top part to spin around-0.02 opening fltn'd expandedmtl w/ 0.05x0.05 L angle frame-Concealed Standards 0.60m O.C. Typical-Carbonized Bamboo, vertical grain, UV PreFinished Back & Shelves-Optional Carbonized Bamboo Double Panel w/ standards can be optionally bolted on either side of fixture

Layout Flexibility Customer Journey - Clear wayfinding. Visual Merchandising - Clean, clear, concise spatial displays allow for easier decision making. Magnetic Branding - Capability to change and improve over time. Fixture Arrangement All fixtures are built with the same hardware, technology, and incorporate basic ways in which all staff can adapt and change them based on inventory considerations. FOOTWARE FLIP

APPAREL FLIP B2A

Width: 2.03m Depth: 0.757m Height: 3.06m

Fixed Wall Unit-Footwear

Width: 2.03m Depth: 0.583m Height: 3.06m

Fixed Wall Unit-Apparel

Rolling Mirror

Width: 0.63m Height: 2.33m

B3W

Wall Mount Mirror

Width: 0.63m Height: 2.33m

6-Way(Gondola)

Width: 0.629m Depth: 1.375m Height: 1.248m

C1K

6-Way Kids(Gondola)

Width: 0.629m Depth: 1.375m Height: 1.248m

Rounder(1 way)

Adjustable Dividers-Natural Bamboo,vertical grain, UV Pre-Finished Top & Expanded Metal Back planel-All Mild Steel w/ clear coating-Natural Bamboo, vertical grain, UV Pre-finished End Panel with standards can be optionally bolted on either side of fixture.

Flexible POP

180 ROTATE

Flexible POP

Mirror

Magnetic Graphic

Accessory Merchandise

Width: 1.12m Depth: 0.81m Height: 1.52m

Mirror, Graphics, or Accessories with standards along vertical frame to accessorize.

(1) Center gondola frame, (2) side panel frame, (4) gondola T-Brace, (6) Bamboo Panel, (16) .25-20x.5 Round, (96) #8x.5 Truss head Phillips screws, (4) Caster-Faultless 420, (16) 5/16- 18x1" Carriage Bolt, (16) 5/16- 18 Nylock Nut, (16) 5/16 Flat Washer, (24) #8x.5 Flat Head PHilllips Auger-Tip Screw.

3-Tier Nesting Table

E1A

Large-Metal Top

Table 1 Width:1.52m Depth:0.76m Height:0.80m

Steel Top, Destressed, Powder Coated RAL 3020 (Red)-Caronized Bamboo, vertical grain,UV Pre-Finished Top-0.07m Mild Angle Steel w/ clear coating-0.07x0.07 Mild Steel w/ clear coating-0.01m layered black rubber.

E1B

Medium-Bamboo Top

Table 2 Width:1.21m Depth:0.60m Height:0.57m

E1C

Small-Leather Top

Table 3 Width:0.91m Depth:0.45m Height:0.34m

3-Tier Round Table

(1)Metal Top: F1 Diameter: 1.21m Height: 0.38m

Blend

Over Ice

Floor Plan | scale 1/8” = 1’-0”

1(M) + 2(Lg)+ 3(Lg)= F1 Top = F1A

North

Grab-Go

(2)Bamboo Top: F1 Diameter: 1.83m Height: 0.76m (3) Leather Top: NB1 Diameter: 1.83m Height: 0.381m

Diameter: 0.51m Height: 0.2m

12 / 27

Dlush Lounge

4-WayUnit

Versatile U-Stand to Two Way Unit

Width: 0.66m Depth: 0.58m Height: 1.24m

(1) U stand weldment, (1) Base plate, (4) Caster-Faultless 420, (16) 5/16-18x1" Carriage bolt, (16) 5/16-18 Nylock nut, (16) 5/16 Flat washer.

Standard Fitting Room Small

Width: 1.27m Depth: 1.04m Height: 2.51m

0.07m x 0.15m Angle mild steel leg, clear coating0.07m Angle mild steel reverse apron, clear coating0.02m dia. Dark steel pipe-0.01m layered black rubber-Fabric on grommets(fabric to be suppllied by client).

Fitting Room Large(ADA)

Width: 2.25m Depth: 1.80m Height: 2.51m

Width: 1.12m Depth: 0.81m Height: 1.52m

Factory Outlet Center Design Manual

Store Design Manual

1B. Pinwheel Store Principles Zoning

3. Pinwheel

Store Grading

Fixtures

Catch Customer

Architecture Customer Flow

Draft 7.0

June 28, 2012

Materials Back of House

Flexibility

Layout Examples

Covered in black recycled leather.

(8) 4W0Upright, (2) 4W-X-Bracket, (24) .25-20x.5 Round Head Screw, (4) Bamboo Panel, (56) #8x.75 Truss head auger tip phillips screws, (4) Caster-Faultless 420, (16) 5/16-18x1" Carriage bolt, (16) 5/16-18 Nylock nut, (16) 5/16 Flat washer.

Large Store Pinwheel Layout Principle Centralized Pinwheel Layout The Pinwheel principle provides the customer with exclusive footwear presentation through reflecting the heart of the brand from the store entrance to the focus wall.

(1) Panel: Width: 1.88m Depth: 0.05m Height: 2.41m

Friends are Forever

Cheering and Chilling

Fraternity is the Soul

Reliving the Moment

Fraternity & Sorority is the Heart & Soul of the Lounge

Display Wall

L1C & L1B

Cashwrap + Backwrap (1 POS)

L2C & L2B

Cashwrap + Backwrap (2POS)

L3C

Cashwrap (3POS) Cashwrap (L1C + L2C)

L4C

Cashwrap + Backwrap 4POS Cashwrap (L2C + L2C)

L3B

Backwrap (3POS)

L4B

Backwrap (4POS)

L2B: Backwrap (2POS) Width: 1.7m Depth: 0.61m Height: 0.86m

0.05mx0.05mx0.003175m Pre-finished Alum. Angle; verify finish w/ architect prior to fabrication; color RAL 3003-White Painted & Distressed logo stencilPrefinished Distressed Metal w/ Branding & Graphics; Corrugated Metal; Wide Rib, "B" Deck;Round 0.01905m Diagonal Holes: 0.01905m dia.;0.02 centers;1.1 holes per sq. in; 51% open; 16 ga. Steel; color RAL 3020 12 ga Hot Rolled Mild Steel Top; clear Finish

Joy Fixture (2 Panel)

Width:0.14m Depth:0.03m Height:0.042m

(2) Shleves shown for refernce, (15) included with assembly may be installed anywhere on fixture. (2) Clip-on joy fixture, (3) In-Line joy fixture, (15) Shelf tray, (4) 1.5" Hinge pipe cap.

Joy Fixture (5 Panel)

Width: 0.14m Depth: 0.03m Height: 0.042m

(2) Shleves shown for refernce, (15) included with assembly may be installed anywhere on fixture. (2) Clip-on joy fixture, (3) In-Line joy fixture, (15) Shelf tray, (4) 1.5" Hinge pipe cap.

N1A

1.22m (48" x 48") Seating Large

Width: 1.21m Depth: 1.21m Height: 0.45m

0.07m Dense Foam over wood frame covered by black recycled leather -Baseball stitching to be used on cat logo on all sides-0.02m wood base painted black

L1B: Backwrap (1POS) Width: 1.07m Depth: 0.59m Height: 0.59m

L2C: Cashwrap (2POS) Width:1.69m Depth:0.81m L2B: Backwrap (2POS) Width:1.7m Depth:0.61m Height:0.86m

L2C: Cashwrap (2POS) Width: 1.69m Depth: 0.81m

L1B: Backwrap (1POS) Width: 1.07m Depth: 0.59m Height: 0.59m L2B: Backwrap (2POS) Width: 1.7m Depth: 0.61m Height: 0.86m

6 / 27 Concept Design Manual 2012

Fold down bench(L angle) for support -0.03m thick black rubber on hidden metal base-0.07mx0.15m Angle mild steel leg, clear coating-0.07m Angle mild steel reverse apron, clear coating-0.02m dia. Dark steel pipe-Fabric on grommets(fabric to be suppllied by client). 0.05mx0.05mx0.003175m Pre-finished Alum. Angle; verify finish w/ architect prior to fabrication; color RAL 3003-White Painted & Distressed logo stencilPrefinished Distressed Metal w/ Branding & Graphics; Corrugated Metal; Wide Rib, "B" Deck;Round 0.01905m Diagonal Holes: 0.01905m dia.;0.02 centers;1.1 holes per sq. in; 51% open; 16 ga. Steel; color RAL 3020 12 ga Hot Rolled Mild Steel Top; clear Finish. NOTE: size to be coordination w/ local accessibility standards.

Crazy Susies for Lazy Moments

Dlush Lounge

Layout Flexibility

Concept Design Manual 2012

L1C: Cashwrap (1POS) Width: 1.07m Depth: 0.81m

Spirit

ROTATE 180

The Basic Store

Small-Leather Top

L1C: Cashwrap (1POS) Width: 1.07m Depth: 0.81m

Sorority is the Heart

F1B:Small Stage sitting on top(not attached); 0.01m layered black rubber-Steel Top, Distressed, Powder Coated RAL 3020-0.07m angle Mild steel reverse apron, clear coated-Carbonized Bamboo, vertical grain, UV Pre-Finished Top-0.07m Mild Angle steel leg, clear coating-0.01m layered black rubber: 80% recycled tire, 20% black neoprene

F1A

East

5. The Plan

Steel Top, Destressed, Powder Coated RAL 3020(Red)-Caronized Bamboo, vertical grain,UV Pre-Finished Top-0.07m Mild Angle Steel w/ clear coating-0.07x0.07 Mild Steel w/ clear coating-0.01m layered black rubber

ea t ar ac

Fixture Fexibility

Unit to be built in two equal parts that can be bolted together or used as half-rounder-Carbonized Bamboo, vertical grain, UV Pre-Finished Top-0.02m steel black pipe-0.05m Angle mild steel w/ clear coating-Second 0.02m black steel pipe, to be optionnally bolted when neededTask King Supreme Caster Swl, 0.07m Gray rubber wheel, Total lock, 4th wheel on 1/2 fixture can be added for stability

Melts

South

Table 1 Width: 1.52m Depth: 0.76m Height: 0.80m Table 2 Width: 1.21m Depth: 0.60m Height: 0.57 Table 3 Width: 0.91m Depth: 0.45m Height: 0.34m

POS

xibility Fle re

Imp

B2B

Back of House

Fix tu

Article Number

ty ibili ex Fl

Salads

Layout Examples

Pinwheel Flexibility FOC FIXTURE MATRIX

BOH Concessions

Back of House

7. Flexibility

Fixtu re

interior Space

Materials

Architecture Customer Flow

-/+

My first project in his office was as part of a team which set up the design manual for puma North America’s factory outlet centers. This manual was made for the CEO’s and President of Puma Global in Germany. After a successful completion this quickly became a normal activity

All casework to be 0.01905m "wheatboard" w/ clear finish-Quad-Receptical gang boxes,located on the floor of the unit, are to be connected to the junction box-Gang boxes connected together with 0.02m conduit, to serve as a wire chase-12 ga Hot Rolled Mild Steel top; clear finish, ADA ledge, cont.0.0127m Rubber strips, Pattern to be 80% recycled tire, 20% black neoprene All casework to be 0.01905 m "wheatboard" w/ clear finish-Quad-Receptical gang boxes,located on the floor of the unit, are to be connected to the junction box-Gang boxes connected together with 0.02m conduit, to serve as a wire chase-12 ga Hot Rolled Mild Steel top; clear finish, ADA ledge, cont.0.0127m Rubber strips, Pattern to be 80% recycled tire, 20% black neoprene 0.05mx0.05mx0.003175m Pre-finished Alum. Angle; verify finish w/ architect prior to fabrication; color RAL 3003-White Painted & Distressed logo stencilPrefinished Distressed Metal w/ Branding & Graphics; Corrugated Metal; Wide Rib, "B" Deck;Round 0.01905m Diagonal Holes: 0.01905m dia.;0.02 centers;1.1 holes per sq. in; 51% open; 16 ga. Steel; color RAL 3020 12 ga Hot Rolled Mild Steel Top; clear Finish

Grand Prairie

Layout 1

Seattle

Merrimack

Layout 2

Layout 3 Factory Outlet Center Design Manual

Draft 7.0

June 28, 2012

Graphic Design -retail -nonprofit -commercial

When new ideas come up and changes need to be made it is always easy to explain ideaâ&#x20AC;&#x2122;s through quick and fast renderings. Some show more than other but when time is at the essence this has been a great tool to explain the idea to others that donâ&#x20AC;&#x2122;t always see cad drawings as an architect would.

Presentation Renderings

Design options

photo editing

extras

ch.9

study models -case study -pre-design

Models are always a fun realization of what you are trying to design. Study models can range from a case study built so you can see how someone else built something; orr it can be a look and exploration into what is in your head to see the overall space, feel and lighting effects caused by your design.

design build

study models

photography -personal -travel

Being lucky enough to travel a lot now and as a kid I have always found photography a fun hobby. I am always progressing and also trying to take the picture that others aren’t always seeing. There is little to no post processing in all of my photos, I feel that if you can’t shoot it right you aren’t really shooting it at all.

forest

details