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PO Box 6640 Marion Square Wellington 6141 New Zealand
P 0800 479 674
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Auckland Development Office Level 3 59-67 High Street Auckland 1010 P (09) 358 0952
SEASON
2012
Supported by the New Zealand Government through
nzso.co.nz
SEASON 2012 PERFORMANCE CALENDAR UNFOLD HERE
Season 2012 Performance Calendar Auckland
Town Hall
Wellington
Michael Fowler Centre
Christchurch
CBS Canterbury Arena
Hamilton
Founders Theatre
Fri 30 March 7 pm NZSO Soloists – Carmen Suite
Pg 41
Sat 24 March 8 pm NZSO Soloists – Carmen Suite
Pg 41
Wed 4 April 6 pm NZSO Soloists – Carmen Suite
Pg 41
Thu 29 March 7.30 pm NZSO Soloists – Carmen Suite
Pg 41
Fri 27 April 7 pm La Mer – Inkinen / Brueggergosman
Pg 15
Sat 14 April 8 pm L’Oiseau de Feu – Inkinen / Brueggergosman
Pg 14
Thu 22 November 6 pm Mahler 7 – Inkinen / Leppänen
Pg 49
Thu 26 April 7.30 pm La Mer – Inkinen / Brueggergosman
Pg 15
Sat 28 April 8 pm L’Oiseau de Feu – Inkinen / Brueggergosman
Pg 14
Fri 20 April 6.30 pm La Mer – Inkinen / Brueggergosman
Pg 15
Fri 11 May 7.30 pm For the Fallen – Grams / Harrell
Pg 22
Sat 12 May 8 pm For the Fallen – Grams / Harrell
Pg 22
Fri 4 May 6.30 pm For the Fallen – Grams / Harrell
Pg 22
Wed 6 June 6 pm Spellbound – Milanov / Latry
Pg 40
Thu 27 September 7.30 pm Around the World in 80 Minutes – Litton / Hough
Pg 38
Sat 19 May 8 pm Alpine Symphony – Zinman
Pg 31
Fri 18 May 6.30 pm Alpine Symphony – Zinman
Pg 31
Wed 25 July 5 pm Die Walküre
Pg 30
Thu 18 October 7.30 pm Forbidden Love – Harth-Bedoya / Benedetti
Pg 48
Fri 8 June 7 pm Spellbound – Milanov / Latry
Pg 40
Fri 1 June 6.30 pm Spellbound – Milanov / Latry
Pg 40
Sat 8 September 8 pm NZSO National Youth Orchestra / Youth Choir
Pg 54
Fri 16 November 7.30 pm Beethoven 7 – Inkinen / Leppänen
Pg 50
Sat 18 August 8 pm Cathedral of Sound – Young
Pg 23
Fri 17 August 6.30 pm Cathedral of Sound – Young
Pg 23
Fri 28 September 7 pm Around the World in 80 Minutes – Litton / Hough
Pg 38
Sat 22 September 8 pm Around the World in 80 Minutes – Litton / Hough
Pg 38
Dunedin
Fri 19 October 7 pm Forbidden Love – Harth-Bedoya / Benedetti
Pg 48
Sat 13 October 8 pm Forbidden Love – Harth-Bedoya / Benedetti
Pg 48
Tue 3 April 6.30 pm NZSO Soloists – Carmen Suite
Pg 41
Tue 27 March 7.30 pm NZSO Soloists – Carmen Suite
Pg 41
Sat 17 November 8 pm Mahler 7 – Inkinen / Leppänen
Pg 49
Sat 10 November 8 pm Mahler 7 – Inkinen / Leppänen
Pg 49
Wed 21 November 6.30 pm Beethoven 7 – Inkinen / Leppänen
Pg 50
Wed 9 May 7.30 pm For the Fallen – Grams / Harrell
Pg 22
Tue 25 September 7.30 pm Around the World in 80 Minutes – Litton / Hough
Pg 38
Tue 16 October 7.30 pm Forbidden Love – Harth-Bedoya / Benedetti
Pg 48
Wed 14 November 7.30 pm Beethoven 7 – Inkinen / Leppänen
Pg 50
Aurora Centre
Pg 39
Wed 1 February 7.30 pm Chinese New Year Concert
Pg 39
Palmerston North
Sat 11 February 8 pm NZSO National Youth Orchestra
Pg 54
Fri 10 February 6.30 pm NZSO National Youth Orchestra
Pg 54
Mon 15 October 7.30 pm Forbidden Love – Harth-Bedoya / Benedetti
Sat 9 June 8 pm Made in New Zealand – Wonderland
Pg 51
Fri 25 May 6.30 pm Made in New Zealand – Wonderland
Pg 51 Pg 30
EXTRA: Special Events can be pre-booked at discounted subscription prices and are in addition to your 2012 Season Tickets
TICKET
Wellington Town Hall
CK
Pg 30
Sun 22 July 3 pm Die Walküre
Pg 48
TI
Sat 28 July 4 pm Die Walküre
Regent on Broadway
ET
Fri 3 February 7.30 pm Chinese New Year Concert
Municipal Theatre
For more information: Visit: Phone: Email:
nzso.co.nz 0800 SYMPHONY 0800 479 674 info@nzso.co.nz
ET
SPECIAL EVENTS
Napier
CK
Regent Theatre
TI
SPECIAL EVENTS
SPECIAL EVENTS
Book now
‘Every concert is a voyage and, like all travel experiences, you’re transformed as you arrive home. What you’ve encountered has enriched you beyond measure, and you’ll never be quite the same again.’ Pietari Inkinen, Musical Director.
NZSO INTRODUCTION
This is a benchmark season for the New Zealand Symphony Orchestra.
CONTENTS
We continue to cherish our founding goal, to bring the indescribable beauty of live classical music to as many New Zealanders as possible – uplifting, inspiring and delighting them. But now, 66 years into our existence as New Zealand’s own orchestra, we also carry forward a renewed sense of passion, pride, and belief in the world-class quality of our art, and the unique freshness of our musical personality. That essential New Zealand quality – our energy and ardour for the music, and the electricity of our live performances – was clear to enraptured European audiences and critics on our 2010 International Tour. It also moved audiences at home to tears, and to their feet, during last year’s powerful 2011 season. Our artistic strength is the result of 66 years of wholehearted musicianship demonstrated by several generations of players. Four outstanding years under Music Director Pietari Inkinen have likewise played their part. His diamond-clear musical vision has coaxed the orchestra to extraordinary new critical heights, both in live performances and in recordings. Our partnerships with many of the world’s most respected conductors and soloists also sharpens our appetite for artistic perfection. But above all, our artistic strength as a national orchestra owes everything to our relationship with you. From the halting, handwritten thank-you letters of school children to concert-goers’ heartfelt calls and messages the day after a performance, it’s the emotional exchange at the heart of symphonic music that still matters the most. That is the essence of this 2012 season. Not just bringing you the finest symphonic music, in the best company, at the highest level we can offer. It’s our abiding love of the music and our unabashed pleasure in bringing it to you that will distinguish this as a very special season.
‘Only…the NZSO have been able to speak so eloquently for the people of Christchurch and to describe what we have lost…Last night’s performance has surely filled us all with even more determination to stand fast and rebuild our beloved home.’
L’Oiseau de Feu La Mer
14 15
For the Fallen Cathedral of Sound
22 23
Trish, Christchurch concert-goer, Leningrad, August 2011
30 31
CONTENTS 2012 Performance Calendar
Foldout
Becoming a Season Ticket Holder
‘The Mahler was glorious, simply stunning’ Ros, Wellington concert-goer, Mahler 6, June 2011
‘An absolutely fantastic concert. Thank you NZSO for an unforgettable experience’ Mary, Auckland concert-goer, Apotheosis, April 2011
Die Walküre Alpine Symphony
Around the World in 80 Minutes Chinese New Year Spellbound NZSO Soloists – Carmen Suite
38 39 40 41
Forbidden Love Mahler 7 Beethoven 7
48 49 50
6
NZSO Young Originals
55
NZSO Music for Schools
55
NZSO Community Programmes
55
Salute to Sponsors
56
NZSO Supporters
57
Venue Maps
58
2012 Season Ticket Prices
59
2012 Booking Form Help
60
Getting to Concerts
61
2012 Season Ticket Booking Form
61
Musicians of the NZSO
62
Made in New Zealand NZSO National Youth Orchestra
51 54
This 2012 Season Brochure has been made possible through the wonderful and unwavering support of NZSO Sponsors, The Church Design and Astra Print, a Kalamazoo Group Company.
MINISTER’S INTRODUCTION
The New Zealand Symphony Orchestra is recognised internationally for its energy and excellence. I had the pleasure of witnessing the NZSO’s performance at the Musikverein in Vienna in November 2010 and the rapturous reception from a very discerning audience. It was the highlight of my musical year and a validation of our national orchestra’s world-class status and quality. It has been gratifying to observe the impact of this triumphant tour on the musicians and an increased affirmation by New Zealand audiences following the orchestra’s return to New Zealand. Music Director Pietari Inkinen and the NZSO’s artistic team have created another exciting programme for 2012. There is an emphasis on big works, giving New Zealand audiences the chance to experience top-class performances of great romantics such as Strauss, Mahler and Wagner.
Hon Christopher Finlayson Minister for Arts, Culture and Heritage
PIETARI’S INTRODUCTION
Throughout the season, the NZSO will expand on its recording, as well as its education and community programmes in which players engage with schools, hospices and community centres throughout New Zealand. Through its National Youth Orchestra, the NZSO will continue to develop the professional musicians of tomorrow. I also look forward to the orchestra’s continuing visits to earthquake-stricken Christchurch. The NZSO has performed in the garden city every year since its inception in 1946 and I am pleased to see it playing its part in rekindling the artistic life of the region. My colleagues in government and I take great pride in the NZSO. It is a national treasure. I congratulate the NZSO management, sponsors and players and wish them well for the 2012 season.
If music takes you on a journey, then the players of the New Zealand Symphony Orchestra are your travel companions. We’re seasoned explorers. As New Zealand’s own orchestra, touring is our way of life and so we’re hardwired to seek adventure, taking uncut paths and finding sweeping new views to exhilarate and challenge us as artists, changing our music forever. That’s why we’ve chosen to extend this spirit of adventure this season, with a 2012 programme epic in both scale and imagination. Wagner’s Die Walküre and Strauss’ Alpine Symphony will be undoubted highlights here. I’m particularly looking forward to leading Stravinsky’s Firebird and Debussy’s La Mer in my first subscription tours of the season and later, continuing our Mahler cycle with the composer’s Seventh Symphony.
This season we’ve attracted some of the classical world’s most fearless and remarkable artists to join our journey, such as superstar conductor David Zinman, organ virtuoso Olivier Latry, and Kiwi tenor Simon O’Neill. You’ll also experience the formidable talents of Simone Young, as well as Lynn Harrell and Stephen Hough for their return visits to New Zealand. Just like last year, we hope you’ll enjoy making your concert selection by following the NZSO players featured in these beautifully-designed tableaux. From the high seas to the mountains, the desert plains and the seductive landscapes imagined by our chosen composers, the story laid out in these pages charts the year-long musical odyssey we have in store. Come with us.
Pietari Inkinen Music Director and the Musicians of the NZSO
Enjoy priority seating, exclusive benefits and preferential prices.
2012 SEASON TICKETS
NYO
NZSO35 National 30 Down TBC Youth Orchestra
Programmes
In Auckland and Wellington choose our 5 Friday or 5 Saturday performances and you’ll also receive the same seat at each concert as well as the discount. These seats are renewable from year-to-year.*
In Christchurch, Dunedin, Hamilton and Napier, choose all concerts in the main season and enjoy the same seat at each event, renewable from year-to-year.*
In Palmerston North, Early Bird special prices apply. You can pre-purchase tickets to our 15 October 2012 concert at season price rates.
Check out the benefits of being a Season Ticket Holder >>> * This offer only applies for our regular venues in each city
6
Savings Savings
NZSO Season City priveliges Ticket Holders We’re grateful to a whole range Hear the NZSO National Youth 30 Down TBCof people and businesses for Orchestra as our guest. NoEvery Price increase receive free, Programmes Programmes 30 Down TBC their support – it would be Season Ticket Holder receives unlimited use of wonderful if you could support one complimentary seat at a 35 30 Down TBC the Naxos Music Pre-concertperformance talks them too, by taking advantage by the NYO. Come Pre-concert talks No Price increase ticket exchange 35 30 Down TBC No Price increase of the generous offers they along, be inspired, and show your Library until No price increase this year have extended to NZSO Ticket support for tomorrow’s greats. No Price increase Family ticket ticket 1 November 2012. Family For the third year running, Holders. Your 2012 membership Savings ticket exchange season prices remain the same. ticket exchange card and the complete list of No Price increase This annual 35 30 Down TBC discount offers will be included Open Season Open Naxos library service is worth ticket exchange with your Season Tickets and Season For all Savings Savings listed on nzso.co.nz. ticket exchange over $300. Easy ticket exchanges Concert Goers No Price increase
Season Tickets
Subscribe or renew by 7 November 2011 and receive an exclusive DVD of the NZSO’s historic performance at Geneva’s Victoria Hall!
NZSO direct
Savings with your membership card Naxos library library Naxos
Season Ticket 35 Holders35
2012 NZSO What is a Season Ticket? Season tickets include 3 or more concerts of your choice from the NZSO’s main season. Save up to 30% off standard single ticket prices and if you’re 35 or under, save even more.
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The lights went up on NZSO Music Director Pietari Inkinen and the NZSO at Geneva’s sumptuous gilt and crimson Victoria Hall on 8 November last year. The performance marked the mid-point of the biggest and most successful international tour in our history. From the opening moments of Douglas Lilburn’s Aotearoa Overture to the rousing final bars of the “hidden encore” of Brahms’ Hungarian Dance, the performance was an exuberant display of musicianship and national pride, and one we’ll never forget.
Share the magic with this one-off, limited edition DVD featuring never-before-seen concert footage in broadcast-quality sound. Delivered in a custom-designed DVD package with pictures taken by official tour photographer Olivia Taylor, this is sure to become a treasured memento of an historic performance. This exclusive DVD will be sent with your Season Tickets pack.
Visit nzso.co.nz or complete the booking form on page 61 of this brochure Terms & conditions: * This offer cannot be refunded, transferred, substituted or redeemed for cash by the recipient. The offer must be taken as stated and no compensation will be payable if the recipients are unable to receive the offer as stated * The recipients accept that their names may be mentioned in NZSO marketing collateral material, including the NZSO website and the monthly eNotes newsletter * No responsibility is accepted for late, lost or misdirected booking form entries or any errors or failures in internet or other communications * The NZSO reserves the right to cancel or modify the offer if, in its sole discretion, the administration of the promotion is impaired for technical or other reasons beyond its reasonable control* Employees of NZSO, their subsidiaries and affiliated companies, and members of their immediate families or households are ineligible to apply for this offer * By applying for this offer you agree to be bound by these conditions of entry and all decisions of the promoter (NZSO) which are final in all matters relating to the promotion. Any changes to these conditions of entry will be published on the NZSO website at nzso.co.nz * The promoter is NZSO, Level 2, 101 Wakefield Street, Wellington * The recipients agree that acceptance of the offer is conditional upon compliance with all relevant laws, rules and regulations and upon the recipients releasing NZSO from any and all liability, claims, demands and causes of action for any personal injury or other loss or damage (including but not limited to indirect or consequential loss) suffered in connection with the acceptance or use of the prize, except for any liability which cannot be excluded by law.
If your plans change, you can library Savings Naxos NZSO direct direct NZSO Naxos call us to exchange your tickets library Savings Personalised service for another performance in 35 30 Down TBC Pre-concert talks ticket exchange Programmes Naxos 35 30 Down TBC NZSO direct the season. It’s a free service if library Programmes NYO talks NYO 30 Down TBC Free pre-concert Naxos arranged 48 hours in advance in library Call the NZSO 35 directly to discuss Find out more about the music. ticket Family the same seating category. Pre-concert talks Programmes your needs, arrangeSavings ticket No Price increase There are free, informative Pre-concert talks replace lost tickets or You can also donate your ticket No Price increase exchanges, City priveliges priveliges City pre-concert talks in theProgrammes concert back to the NZSO and we’ll send NoNZSO Price increase find out more about the Pre-concert talks Open Naxos library Family ticket venues 45 minutes before mostSeason you a receipt for a tax-deduction, ticket exchange Family ticketand events. Call 0800 479 674. performances. Details at or arrange to pass yourticket seat onexchange Pre-concert talks nzso.co.nz to a music student if you prefer. ticket ticket exchange Programmes Family
Open Season NZSO direct Savings Open Season Concert programmes Family ticket Savings Pre-concert talks Normally $10, SeasonSavings Ticket Family Connect with us Open Season Easy Payment plan Holders get them for $5. Naxos library NYO NZSO direct We love the idea of young people Only Season Ticket Holders Naxos library Open Season nzso.co.nz NZSO direct coming to our events. Purchase a Family ticket can secure seats now and then Naxos library Programmes family ticket for any main season facebook.com/ pay in four easy instalments or NZSO City priveliges newzealandsymphonyorchestra Programmes NYO direct Free access to the performance for 1 adult and 2 defer total paymentNYO until NZSO Programmes NAXOS music library Open Season young people (under 18) for just direct 18 February 2012. Pre-concert talkstwitter.com/nzso Season Ticket Holders will $60. Bring their young friends for Pre-concert talks NYOpriveliges City use of just another $15 each. For advice talks City priveligesreceive free, unlimitedPre-concert NYO the Naxos Music Library until about the best events, Family call us on ticket NZSO direct Privileges in otherFamily cities ticket 1 November 2012. This annual 0800 479 674. City priveliges Season Ticket Holders enjoy Family service is worth over $300. The ticket City priveliges reciprocal rights for other cities most comprehensive collection Open Season NYO Open Seasonof classical music online, the and venues. You can exchange Open Season Open an existing booking for an NZSO Naxos Library contains more Season Purchase an Open Season Pass than 830,000 tracks of music City priveliges NZSO for complete flexibility and direct of all genres. Once logged in, you NZSO direct discounted tickets or an NZSO will be able to listen to playlists NZSO direct Gift Voucher as a present for 35 30 Down TBCpreviewing our 2012 season NYO someone special. Both can as well as create your own 35 Down NYO be used for NZSO tickets soundtracks. Details willNYO be sent If you’re aged 35 or under and recordings. Call us on with your Season Tickets. No Price increase City priveliges on 1 January 2012, you can 0800 479 674. City priveliges see the NZSO for only $26 a City priveliges performance. Just apply for a enotes ticket exchange Season Ticket (3 main season eNotes online newsletter events or more). Sign up for our monthly eNotes Savings @ nzso.co.nz. You’ll receive all the latest news, plus you’ll have the chance to win tickets, CDs Naxos library and other goodies.
The seductive power of the ocean can inspire sublime art and the noblest of human endeavour, or dash the hopes of seafaring explorers, driving ship-bound men to madness and murder. From the shimmering impressionism of Debussy’s La Mer to Britten’s hounded sailor Peter Grimes, the swells and troughs of The High Seas will cut you loose from the safety of home, and pull you out to the distant horizon.
performance in another city, subject to seating availability.
Programmes
7
Claude Debussy La Mer Igor Stravinsky Firebird Gustav Mahler Songs of a Wayfarer Ernest Chausson Poème de l’Amour et de la Mer Benjamin Britten Four Sea Interludes Jean Sibelius The Oceanides
Britten Four Sea Interludes
Debussy La Mer THE STORY
KEY WORDS
LUSTRE
WAVES MASTERPIECE
MOVEMENT
THE INSPIRATION
SHIMMER
RELAXATION SUBTLETY
SYMBOLIC
Impressionist French composer Claude Debussy drew on contemporary currents to create his masterful La Mer. As painters played with light on canvas, shocking the art world and enraging society, Debussy likewise took bold artistic steps, blending unusual orchestration and a daring use of harmony to evoke a musical seascape.
IMPRESSIONISTIC THE COMPOSER
Javanese Gamelan
Japanese artist Hokusai
Wagner
Impressionist art
StravinskyFirebird
Claude Debussy French 1862 – 1918
TIMELINE 1889: Eiffel Tower is inaugurated
1893: Chausson 1896: Mahler Poème de Songs of a l’Amour et de Wayfarer la Mer
1890
1900
THE STORY 1899: Oct 1905: Paris La Mer World premiere Expo
1914: Sibelius The Oceanides
1910
Though he hated the term, Claude Debussy is now remembered as a pioneer of impressionistic music. Bridging the nineteenth and twentieth centuries, he was a leading figure in modern music.
Chausson Poème de l’Amour et de la Mer
THE STORY
Benjamin Britten’s opera Peter Grimes tells the tale of a murderous and hopeless outsider. Taken from the opera, the Four Sea Interludes offer a glimpse into this fisherman’s psychology, revealing both great beauty and greater despair.
MESMERISING
LUSCIOUS
GATHERING STORM
TURBULENT
BUBBLING BILLOWING WAVES
FEATURED MUSICIANS (LEFT TO RIGHT): 1. Pam Jiang violin 2. Allan Chisholm cello 3. Rowan Prior cello 4. Roger Brown cello 5. Robert Orr oboe 6. Phil Green clarinet
Russian Folk Tales
Les Ballets Russes
DID YOU KNOW?
Igor Stravinsky visited New Zealand in 1961 and conducted the NZSO
Mahler Songs of a Wayfarer THE STORY
Rejected by the soprano Johanna Richter, Mahler’s heartbreak inspired his dark and brooding Songs of a Wayfarer. In this song cycle, nature provides the only solace for the lonely wanderer, desperate to forget his beloved and the torments of passion.
Inspiration
KEY WORDS
SINGING SPINE TINGLING
BITTER SWEET
EPIC BEAUTY
HEARTFELT
KEY WORDS ORCHESTRAL COLOUR
Composed at sea, the score evokes the Ocean King in a seascape teaming with his three thousand daughters, the ‘Spirits of the Waves’. A sea nymph looks on as bassist Malcolm Struthers is swept into aturbulent sea and is lost in the dangerous waters of Jean Sibelius’ The Oceanides.
EXOTIC
Massenet
SONG CYCLE
Franck
MOODY
LANGUID
VOCAL CARESS
IMPRESSIONISTIC
Sibelius The Oceanides THE STORY
NORTH SEA
ENCHANTMENT
INVENTIVE
PASSIONATE
ELEGANCE
TEMPESTUOUS
SCALE
LOVE & LOSS
ARD ENT
MURDER
The Inspiration
ACCESSIBLE VIVID LUXURY
The Inspiration
EROTIC
Ernest Chausson’s Poème de l’Amour et de la Mer uses images of the ever-changing sea to symbolize the ecstasies and agonies of love. The orchestra drowns in waves of seductive melodies as Measha Brueggergosman’s luscious voice sounds from the depths.
KEY WORDS
MOODY EXTREMES
THE STORY
frees imprisoned princesses from the clutches of an evil sorcerer. Composed for the Ballets Russes, Stravinsky’s music set Paris aflame with its fantastical, demonic rhythms and enchanting melodies.
KEY WORDS
SENSUAL
The Inspiration
The Russian fairytale The Firebird brought Igor Stravinsky from relative obscurity to international fame. In his orchestral tour de force, the mythical and elusive firebird bewitches sinister monsters into an infernal dance and
Beethoven
Brahms’ lieder
7. Peter Dykes oboe 8. Malcolm Struthers double bass 9. Anna van der Zee violin 10. Bridget Douglas flute 11. Pietari Inkinen Music Director
‘I am an inventor
LILBURN Symphony No. 3 Mahler Songs of a Wayfarer Stravinsky Firebird
of music.’
Igor Stravinsky
‘Music is the expression of the movement of the waves.’
Britten Peter Grimes: Four Sea Interludes Chausson Poème de l’Amour et de la Mer Sibelius The Oceanides Debussy La Mer
The AUDI Concerts
L’Oiseau de Feu
Claude Debussy
The AUDI Tour
La Mer
Firebird
Wellington / Saturday 14 April / 8 pm Auckland / Saturday 28 April / 8 pm
Pietari Inkinen Conductor Boldly intelligent with a diamond-clear musical vision, Pietari Inkinen has forged an international reputation and led the NZSO to sweeping critical acclaim. NZSO Music Director since 2008, he is also Principal Guest Conductor of the Japan Philharmonic Orchestra and an accomplished violinist and chamber musician. His performances and recordings on Naxos with the NZSO have won glowing reviews in prestigious international titles including Gramophone, BBC Music Magazine, Le Temps and Spiegel Online, which declared him “the Prince who kissed awake the sleeping beauty which was the NZSO”.
Measha Brueggergosman Soprano
‘ Measha Brueggergosman sang like a goddess… she is a born storytellersinger’
Tamara Bernstein, National Post
National Tour Partner
Be swept away in the luxurious waters of the Mediterranean by Debussy’s iridescent symphonic sketches, La Mer. Debussy’s music evokes sunlight as it skips across the sea at dawn. With great waves of sound, the orchestra heaves like an ocean teeming with vibrant life in a work as exhilarating today as ever. Benjamin Britten’s Four Sea Interludes begins the concert. Taken from his opera Peter Grimes, this is a more sinister sea, full of achingly beautiful music undone by despair as deep as the ocean itself. Ernest Chausson’s intoxicating Poème de l’Amour et de la Mer is a rare treat made more exciting by the rich and luscious voice of Canadian soprano Measha Brueggergosman. A stunning talent, a recent review in The Telegraph exclaimed: “Everything she sings is radiated by an instinctive musicality… she has the gift of making the music glow.” Finished while making his first voyage across the Atlantic, Jean Sibelius’ tone poem The Oceanides celebrates the Ocean King and his three thousand daughters with music as haunting and as ever-changing as the sea itself.
Wellington / Friday 20 April / 6.30 pm Hamilton / Thursday 26 April / 7.30 pm Auckland / Friday 27 April / 7 pm
Pietari Inkinen Conductor
‘The Young Finn draws a playing of infectious zeal from the NZSO – what an accomplished band they have become’
Gramophone
Measha Brueggergosman Soprano Celebrated as much for her radiant star quality as her sparkling musicianship, soprano Measha Brueggergosman has been described as a singer of rare gifts whose “superb voice is capable of just about anything” (Miami Herald). Her passion for classical music and her one-ofa-kind artistry have made her a favourite of the international press, and a national icon in her native Canada. SEASON TICKET Show No.
SEASON TICKET Show No.
14
The extraordinary expressive powers of Measha Brueggergosman are on full display in Gustav Mahler’s heartbreaking Lieder eines fahrenden Gessellen – Songs of a Wayfarer. Mahler’s exquisitely evocative song-cycle describes the despair of unrequited love, creating ample opportunity to indulge in Brueggergosman’s rich soprano voice as she delves into the music’s achingly dark colours. The concert begins with Douglas Lilburn’s Symphony No. 3, a work the composer described as a ‘personalised piece of searching rhetoric’. Lilburn’s music is a jagged, lyrical and mesmerising landscape, infused with a relentless energy that comes alive with the precise and detailed performance of an orchestra at the height of its powers. The second half of this concert is devoted to Stravinsky’s glittering ballet music, The Firebird. First performed by Diaghilev’s infamous Ballets Russes, this is the work that turned the composer into an overnight international success. In his setting of the Russian fairy tale, Stravinsky’s music is a fiery concoction of folk melodies, blazing colours and impulsive rhythms that heave and leap from the orchestra, blazing in the light of the Firebird’s triumph.
The Sea
National Tour Partner
15
Their Their eyeseyes locked ininmortal challenge, a lonely locked mortal challenge, a lonely soldier soldier discards his cello and tests his fate against an alluring discards his cello and tests his fate against an alluring Spirit ofSpirit War.ofElgar’s elegiac Cello rages against the tragic War. Elgar’s elegiac CelloConcerto Concerto rages against the tragic wastes of World I and pays mournful tribute to innocence lost. lost. wastes of World War IWar and pays a amournful tribute to innocence But our journey also exhilarates in the wild beauty of the Hebrides, But our journey also exhilarates in the wild beauty of the Hebrides, celebrated by Mendelssohn, andthe the redemptive redemptive might celebrated by Mendelssohn, and might of of Bruckner’s music. music itself, in Bruckner. Edward Elgar Cello Concerto Edward Elgar Cello Concerto Felix Mendelssohn Hebrides Overture Felix Mendelssohn The Hebrides Overture Robert Schumann Symphony No. 4 4 Robert Schumann Symphony No. Wolfgang Mozart Symphony No. 36 Linz Wolfgang Mozart Symphony No. 36 Linz Anton Bruckner Symphony No.No. 5 5 Anton Bruckner Symphony
Elgar Cello Concerto
Mendelssohn Hebrides Overture
THE STORY
Key words
THE STORY
Caroline Alice Roberts (wife)
England
Key words
Roman Catholicism
TIMELINE 1914: Elgar conducts the first recording of his own works
late 1914: WW1 starts. The first trenches appear on the Western Front.
CRASHING WILDNESS
EPIC
RUGGED
Wagner
1869: Wagner completes his Ring Cycle
Fingal’s Cave
1920
Sir Walter Scott
Ossian Poems
Beethoven
Key words
BRILLIANCE SURPRISING
EMOTIONALLY DRIVEN
The idyllic town of Linz provided a much-needed respite for Mozart and his new wife following a miserable visit to the composer’s disapproving father. And it was while staying in Count von Thun’s picturesque castle that Mozart composed his dramatic Linz Symphony – a work that is brilliant, confident and completely charming.
CHEERFUL YOUTHFUL VERVE CELEBRATORY
ENERGY
MASTERWORK
INSPIRATION
FEATURED MUSICIANS (LEFT TO RIGHT): 1. Andrew Joyce cello 2. Kristina Zelinska violin
Beethoven
Clara Wieck
Siciliano
Linz
Haydn
Count Von Thun
ORNAMENTAL ELEGANCE
POIGNANT
DARK & LIGHT
ROMANTIC
VITALITY
EXTREMES
Key words
Schumann battled for three years to be allowed to marry Clara Wieck before the court ruled in his favour. They had eight children.
Mendelssohn
1875
Anton Brucker Austrian, 1824 – 1896
THE STORY
INSPIRATION
Hoffmann
Liszt
Romantic Art
1881, 25 Oct Pablo Picasso is born
1880
1883: Richard Wagner dies
1885
A composer of immense orchestral and sacred music, Anton Bruckner spent decades studying before feeling adequately equipped to follow in the footsteps of Beethoven.
Mozart Symphony No. 36 Linz
Edward Elgar English, 1857 – 1934
DID YOU KNOW
SPLENDOUR
THE COMPOSER
Edward Elgar often felt isolated from the society in which he lived. Born into a modest Roman Catholic family and self-taught, he would become the quintessential British composer.
Like a seabird suspended in flight, Schumann’s extraordinary introduction to his Fourth Symphony creates an atmosphere of time standing still. A tormented symphonic fantasy, Schumann’s music never breaks free from darker undercurrents yet remains exquisitely beautiful throughout.
ARCHITECTURAL
1873: Jules Verne 1875 – 1878: Bruckner publishes Around the composes his 5th World in Eighty Days Symphony
1870
THE COMPOSER
THE STORY
SCALE
TIMELINE
1919: Cello Concerto
1915
Schumann Symphony No. 4
Catholic Faith
INSPIRATION
1918, 11 Nov: Armistice Day End of WW 1
VISIONARY
INSPIRATION
LEGENDARY
MYTHICAL
Mendelssohn’s Hebrides Overture reflects the splendour and drama of Scotland’s coastlines. This churning and swelling composition was inspired by the composer’s own voyage to Fingal’s Cave and captures both the violent power and immense magnificence of waves crashing against desolate rocks.
INSPIRATION
Facing a potentially ruinous court battle, Bruckner composed his Fifth Symphony during a dark period of his life. Yet this magnificent symphony suggests neither grief nor sorrow, but instead basks in layers of resplendent, joyous harmonies. As the mountains stretch out into the distance, so too does Bruckner’s music, creating an expansive soundscape in which one can find solace.
OCEAN VOYAGE
BEAUTIFUL
Key words
LENGTH
MELODY
YEARNING
EXQUISITE
ACHING
THE STORY
VAST SPACES OF SOUND
FAMOUS SOARING
ELEGY
Elgar’s Cello Concerto of 1919 introduces a darker palette of postwar disillusionment into his music, evoking society’s collective grief for the monumental loss of life, and the desolation of a victory without triumph. Here NZSO Section Principal Cello Andrew Joyce represents Elgar. Behind him falls away the untamed majesty of a sunlit Hebridean coast, symbolising everything he stands to lose against his opponent, first violinist Kristina Zelinska.
World War 1
Bruckner Symphony No. 5
‘Harrell’s playing was bold, imaginative, and surpassingly sensitive…fully human and rich in detail’
MENDELSSOHN Hebrides Overture ELGAR Cello Concerto SCHUMANN Symphony No. 4
For the Fallen Revel in the astonishing talent of the great cello superstar Lynn Harrell as he returns to New Zealand to perform one of the cello’s most beloved works – Elgar’s elegiac Cello Concerto. After witnessing the ravaging despair of World War I, Elgar’s last great orchestral work is a deeply personal masterpiece. Leading the orchestra is maestro Andrew Grams, universally heralded as one of America’s most promising and talented young conductors. His seemingly limitless energy and attention to detail are perfect qualities for Mendelssohn’s Hebrides Overture. Inspired by his tour of the Scottish isles, you can hear the great crashing of waves against desolate rocks and almost feel a salty sea breeze rush past as you are swept away by Mendelssohn’s soaring melodies. From its atmospheric and sinewy opening phrases, Schumann’s Fourth Symphony is equally dramatic. Dark and brooding yet filled with moments of triumphant defiance and exquisite beauty, Schumann’s music is transporting, bringing to a close a concert that will uplift, inspire and leave you wanting more.
Boston Globe
Andrew Grams Conductor
Lynn Harrell Cello
A graduate of the Juilliard School of Music and The Curtis Institute, young American conductor Andrew Grams is enjoying a meteoric rise. He began conducting aged just 17 and has since made acclaimed appearances with many leading US orchestras, in particular with the Cleveland Orchestra. His recent debuts included the BBC Symphony Orchestra and Netherlands Radio Philharmonic. This is his debut tour of New Zealand.
American cellist Lynn Harrell is the consummate musician. A renowned recitalist, soloist, chamber musician and educator, he has worked with the world’s most prestigious orchestras and leading conductors. The Boston Globe declared that his “once in a generation” performance of Elgar’s Cello Concerto had claimed the music back from the legendary brilliance of Paul Tortelier and Jacqueline Du Pré.
MOZART Symphony No. 36 Linz BRUCKNER Symphony No. 5
Franz Schalk, conductor of Bruckner’s premiere
Cathedral of Sound One of the most exciting and groundbreaking conductors of our time, Simone Young needs little introduction. Her recordings of Bruckner’s Symphonies established her at the forefront of the repertoire and her interpretation of his architectural Fifth Symphony will be a glorious highlight of the season. Bruckner’s music is a mighty ‘cathedral of sound’, with lingering whispers of melodies and great surges of blazing orchestral textures. This is a symphony filled with a wondrous joy to delight the senses. Such grandeur finds its equal in Mozart’s exquisitely elegant Linz Symphony No. 36. One of Mozart’s finest, this symphony was composed in an astonishing four days, though its perfectly proportioned phrases and easy grace belie its quick conception. The drama of Mozart’s music is in the hands of a modern master in a concert that will exalt the spirit.
Simone Young, AM Conductor Simone Young is one of the leading conductors of her generation. She regularly conducts a broad range of operatic and symphonic repertoire for major international opera companies and orchestras and has received many awards. Simone is General Manager and Music Director of the Hamburg Staatsoper and Music Director of the Philharmonic State Orchestra, Hamburg.
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‘A glimpse into Greatness and Splendour’
Wellington / Friday 4 May / 6.30 pm Napier / Wednesday 9 May / 7.30 pm Hamilton / Friday 11 May / 7.30 pm Auckland / Saturday 12 May / 8 pm
Wellington / Friday 17 August / 6.30 pm Auckland / Saturday 18 August / 8 pm
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Home to the Gods of Norse mythology, the timeless mountains bear witness to a famous act of compassion and betrayal. Brünnhilde reaches out to help the mortal Sieglinde, to the dread of her Valkyrie sisters; she will be doomed for her disobedience. The mountains also lay down a challenge to the climbers in Richard Strauss’ Alpine Symphony; will they reach the summit or only dream of it? Richard Wagner Die Walküre Richard Strauss Alpine Symphony Wolfgang Mozart Symphony No. 38 Prague
Strauss Alpine Symphony THE STORY
Key words
MASSIVE
MAJESTIC
PROFOUND NARRATIVE
ELEMENTAL
AWE INSPIRING
Richard Strauss takes us on a vivid mountain expedition with his Alpine Symphony. Setting out at daybreak, our climbing party stumbles through ominous forests before reaching the summit. With soaring phrases in the brass, the organ creates a sense of transcendence before an astonishing storm interrupts our adventures. Calm prevails as the music returns to its beginnings and we safely reach home.
RICH
DRAMATIC SCALE STRIKING
EXPANSIVE
INSPIRATION
Wagner
Mahler
Late Romanticism
The Alps
TIMELINE 1910: English premiere of Strauss’ opera Elektra
Wagner Die Walküre
1910
1914: Charlie Chaplin makes his film debut
Oct 1915: Alpine Symphony
1914 – 1918: WW1
1920: League of Nations (now United Nations) established
1920
DID YOU KNOW? THE STORY
TIMELINE
A ferocious hoard of Valkyries look on as Wotan’s favourite daughter, Brünnhilde, reaches out to help the incestuous lovers Siegmund and Sieglinde. Her punishment is to sleep imprisoned in a magical ring of fire atop the mountains. With music that culminates in the blazing ‘Ride of the Valkyries’, Die Walküre is the second of Wagner’s epic four-opera series Der Ring des Niebelungen and is filled with forbidden passion, betrayal and terrible destruction.
1870: Inauguration of Musikverein in Vienna
1870: First rugby game played in New Zealand
1870: Premiere performance of Die Walküre at Bayreuth
1870
1871: The Royal Albert Hall is opened by Queen Victoria
A recording of the Alpine Symphony, conducted by Herbert von Karajan, was the world’s first CD, pressed in 1983.
Mozart Symphony No. 38 Prague
1872
KEY WORDS
THE COMPOSER THE STORY
MOST BELOVED WORK
RIDE OF THE VALKYRIES
Even as Vienna began to tire of Mozart, Prague continued to loyally champion the composer’s music. To express his gratitude, Mozart premiered his new Symphony No. 38 in the Bohemian capital. It was another instant hit, and quickly adopted as the ‘Prague’ Symphony.
Richard Wagner German, 1862 – 1918
INSPIRATION
EXUBERANCE
SHINY CHARM
EPIC SCALE
Key words
KEY OF C MAJOR
Richard Wagner revolutionised opera. In search of the perfect balance between music, text and performer he created his expansive music dramas, the most famous of which is his epic Ring cycle.
OF GODS & MEN FAMILY FEUD TEUTONIC MYTHOLOGY
1871: First Rugby Union international, Scotland vs England
GRAND MELODIES
FUGUE LYRICAL
POSITIVE
TRIUMPHANT
INSPIRATION
DID YOU KNOW?
Richard Wagner married Franz Liszt’s daughter, Cosima Weber
Liszt
Norse Mythology
Beethoven J. S. Bach
FEATURED MUSICIANS (LEFT TO RIGHT): 1. Emma Barron violin 2. Lisa Egen viola 3. Kirstin Eade flute 4.Haihong Liu violin
5. Alexander Gunchenko double bass 6. Rebecca Struthers violin
Prague
Father, Leopold Mozart
Sister, Maria Anna Mozart
WAGNER Die Walküre SPECIAL EVENT
STELLAR INTERNATIONAL CAST
Die Walküre Internationally-renowned Wagnerian tenor Simon O’Neill returns home to join the crème de la crème of New Zealand and international singers for this concert performance of Wagner’s astounding Die Walküre. Very rarely are New Zealand audiences treated to Wagner’s epic music dramas, and this special concert is not to be missed. Full of love, infidelity, abandonment and incest, Die Walküre features some of the composer’s most memorable music, including the awe-inspiring Ride of the Valkyries. Lauded as the next great Wagnerian tenor, O’Neill sings the demanding role of Siegmund – one he has already performed at the Royal Opera House and La Scala. The exquisite Edith Haller is Sieglinde, whose crystalline soprano voice never fails to astound. Dramatic soprano superstar Christine Goerke will be an indomitable force singing the role of Brünnhilde. With an impressive six seasons at Bayreuth – the spiritual home of Wagner’s music – John Wegner is no stranger to the role of Wotan, King of the Gods, and he finds his match in the dramatic prowess of Margaret Medlyn’s Fricka. In the role of Hunding is another shining star – the charismatic Jonathan Lemalu, whose rich, resonant bass makes him an audience favourite. Supported by an astounding hoard of Valkyries, this extraordinary musical event conducted by our own Pietari Inkinen will be cherished and remembered for years to come.
Simon O’Neill Siegmund
Edith Haller Sieglinde
Christine Goerke Brünnhilde
Considered the great Wagnerian tenor of his generation, New Zealander Simon O’Neill is a principal artist with the Metropolitan Opera, the Royal Opera House, Covent Garden and the Bayreuth Festival. His 2010 recording with the NZSO of Wagnerian arias, Father and Son, attracted glowing international praise and earned a rare double five-star review from the prestigious BBC Music Magazine.
Italian soprano Edith Haller reprises the role of Sieglinde with the NZSO after recent debuts at the Bayreuth Festival and the Vienna State Opera, were she was described as “simply sensational...erotic, seductive and passionate” in performance (Der Opernfreund). Acclaimed for her sparkling vocal qualities and expressive power, one critic declared her “the new discovery par excellence as Sieglinde” at Bayreuth.
Soprano Christine Goerke has appeared in the major opera houses of the world including the Metropolitan Opera, La Scala, the Paris Opera and the Royal Opera House Covent Garden. She is a Grammy Award winner of whom a New York Times’ critic wrote that “her powerful voice, technique, and honest passion are always good to hear. The pleasure she takes in the act of singing is communicable”.
John Wegner Wotan
Jonathan Lemalu Hunding
Margaret Medlyn Fricka
Described in breathtaking terms by critics for his Wagnerian roles, John Wegner has forged an impressive international career and performs regularly in leading opera houses, including La Scala, The Royal Opera House and Bayreuth. His interpretation of Wotan was once declared “intolerably moving”, balancing the athleticism and power demanded by the role with a peerless expressive ability.
His deep, velvet-rich voice has earned him international plaudits and a loyal following here at home. New Zealand-born Samoan bass baritone Jonathan Lemalu is deservedly an audience favourite for his stage presence and star quality, once described by The Times as “a singer who hooks an audience even before opening his mouth”.
Acclaimed New Zealand soprano Margaret Medlyn has sung for a host of leading international opera companies including the English National Opera, Covent Garden, Vienna State Opera and all the opera companies in Australia. She is lauded not only for her compelling musicality but also her nuanced acting ability and dramatic stage charisma.
Amanda Atlas
Anna Pierard
‘At last I have learnt to orchestrate’ Richard Strauss
Alpine Symphony Ascend to greater heights with Richard Strauss’ virtuosic Alpine Symphony. Composed for colossal orchestral forces, Strauss takes you on an expedition into the Alps with music that celebrates the elemental wonders of nature. Such a score could not be in finer hands than those of the world-renowned conductor David Zinman, whose recordings of Beethoven, Strauss and Schumann have made him into an international conducting superstar. Zinman has led many of the world’s finest orchestras with his exuberant and effusive passion being said to have made music a better world. From the grandeur of the Alps we gaze heavenwards with Mozart’s miraculous Prague Symphony. Gaining its nickname from the Bohemian city in which it was first performed, Mozart’s symphony is filled with moments of compelling complexity, sparkling melodies and a finale that is impressive, effervescent and always graceful. Woody Allen once said that ‘Mozart proves the existence of God’. Under the masterful baton of Maestro Zinman, this concert will certainly be an opportunity to exalt in the divinity of great music.
David Zinman Conductor Music Director of the Tonhalle Orchestra Zürich, the internationally-respected David Zinman is a highly-prized guest conductor, leading many of the world’s most prestigious ensembles including the Royal Concertgebouw Orchestra, the Berlin Philharmonic and the Boston and Chicago Symphony Orchestras. He has earned a slew of distinguished international honours, including five Grammy Awards for his recordings and the prestigious Thomas Theodore Award for his outstanding conducting achievements.
Sarah Castle
Pietari Inkinen Conductor
Wellington / Sunday 22 July / 3 pm CHRISTCHURCH / Wednesday 25 July / 5 pm Auckland / Saturday 28 July / 4 pm
Wellington / Friday 18 May / 6.30 pm Auckland / Saturday 19 May / 8 pm
Kate Spence
Kristen Darragh
Lisa Morag Harper-Brown Atchison
Wendy Doyle
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MOZART Symphony No. 38 Prague R. STRAUSS Alpine Symphony
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Shostakovich Symphony No. 5
Saint-Saëns Piano Concerto No. 5 Egyptian THE STORY
Rimsky-Korsakov Scheherazade
THE STORY
DIZZYING SEA FRENETIC
Here, the head of Stalin lists in the sand. The forced patriotism of Shostakovich’s Fifth Symphony, foisted on him by the relentless dictator, nonetheless reveals the subtle ways that art can resist a regime.
PIANO JOURNEY
VOY AGE
LUSHNESS TECHNICALLY
CHALLENGING
DEFIANT
Gounod
Impressionism
1896: Saint-Saëns completes the Egyptian
1897: Dukas 1905: Chinese completes The composer Xian Sorcerer’s Xinghai is born Apprentice
1900
Camille Saint-Saëns French, 1857 – 1934
1910
Harris The Floating Bride, The Crimson Village
One of the most important French composers of the 19th-century, Camille Saint-Saëns was a youthful pioneer and an elderly conservative. His exquisite orchestral music highlights his melodic talents and mastery of form.
Xian Xinghai 黄河协奏曲 The Yellow River Piano Concerto
Bizet/Shchedrin Carmen Suite THE STORY
VOCAL Journey down the Yellow River with Xian Xinghai’s beloved piano concerto. Composed in a cave house while China and Japan were at war, Xinghai’s music mirrors the expansive moving currents of this mighty river and symbolises the strength of the Chinese people.
Key words
CHINESE
GRACEFUL
PIANO PERCUSSIVE
COLOUR
MODAL
All the tunes from Bizet’s original opera are present in this ‘reimagining’ from Russian composer Shchedrin.
THE STORY
POETIC LUMINESCENT
FEATURED MUSICIANS (LEFT TO RIGHT): 1. Beiyi Xue violin 2. Andrew Thomson violin 3. Carolyn Mills harp 4. Hiroshi Ikematsu double bass
Marc Chagall
Vincent O’Sullivan
Key words
The Arabian Nights, a tale centred on the beautiful Scheherazade and her murderous Sultan husband, is evoked in Rimsky-Korsakov’s exotic score. Scheherazade stays her execution by weaving tales that unfurl over 1,001 nights, mesmerising her husband and inspiring one of the most beloved orchestral works of the 19th century.
GLITTERING EVOCATIVE
VIOLIN
STORY TELLING
OPULENCE
INSPIRATION
DID YOU KNOW?
CONTEMPORARY
PATRIOTIC
DID YOU KNOW?
Under the stars of the Southern Cross, a conversation between New Zealanders Ross Harris and Vincent O’Sullivan led to the composition of The Floating Bride, The Crimson Village. Inspired by the dreamy paintings of the Belarusian Marc Chagall, these are songs of vivid colours and unforgettable images.
NEW ZEALAND
FLOWING
Camille Saint-Saëns Piano Concerto No. 5 Egyptian Nikolai Rimsky-Korsakov Scheherazade Xian Xinghai The Yellow River Piano Concerto Ross Harris The Floating Bride, The Crimson Village Paul Dukas The Sorcerer’s Apprentice Dmitri Shostakovich Symphony No. 5 Georges Bizet/Rodion Shchedrin Carmen Suite
Inspiration
Key words
PICTORIAL
Our journey takes us downriver, past the sun-baked Egyptian sands to the ancient heart of China. Gods and mythic figures walk among us, and the characters in stories – the gypsy lover Carmen, the Sorcerer’s Apprentice – flare into life. But, keep your wits about you. Like Rimsky-Korsakov’s Scheherazade, or a persecuted Shostakovich, how you tell your story may be the key to your survival.
Cherchez la femme! The glamorous harp player Carolyn Mills stares defiantly into the distance, her assertive stance warning prospective lovers to tread carefully. And just like this beguiling temptress, Shchedrin’s Carmen Suite seduces your senses. In this work the composer re-imagines Bizet’s infamous Spanish femme fatale, breathing new life into her seductive gypsy songs with an orchestral score that shimmers and sparkles.
THE STORY
THE STORY
MELODIOUS
1890
1894: Nicholas 2nd becomes Tsar of Russia
SENSUAL
THE COMPOSER
TIMELINE 1888: Scheherazade first performed
ARTISTIC
ELATION PROPAGANDA
The standing ovation lasted over half an hour at the 1937 premiere in Leningrad.
EXOTIC
The Sea
SAL VAT ION
Ross Harris used to play the horn in the NZSO
LUCIDITY
Egypt
COMPLEXITY
RUSSIAN
DID YOU KNOW?
STARK
BIG
INSPIRATION
PATRIOTIC
Key words
Paul Dukas The Sorcerer’s Apprentice
Arabian Nights
Orientalism
THE STORY
Key words
Inspired by Goethe’s ballad, Paul Dukas’ The Sorcerer’s Apprentice is filled with magical mischief. This sparkling scherzo was intended as a musical joke, and Dukas was alarmed when it became an instant, international favourite. Regardless, the composition remains his most popular work.
CROWD PLEASING
PICTORIAL
Saint Saens’ Egyptian Piano Concerto delights in the pleasures of travel. The pianist sets sail along the Nile and the concerto itself is a complete voyage into richly spiced exotic lands.
BUSTLING
Key words
Borodin
Glinka
Inspiration
MAGICAL LUMINESCENT
WORLD FAMOUS
FUN WITTY
5. Cristina Vaszilcsin violin 6. David Bremner trombone 7. Robert Ibell cello
Goethe
Symphonic Poetry
‘The most perfect piano playing conceivable’
RITCHIE Diary of a Madman: Dedication to Shostakovich SAINT-SAËNS Piano Concerto No. 5 Egyptian SHOSTAKOVICH Symphony No. 5
The Guardian, on Stephen Hough
The TV33 Concerts
Journey around the world with the NZSO. Setting forth with a work from Christchurch composer Anthony Ritchie, his Diary of a Madman: Dedication to Shostakovich draws inspiration from the Russian composer’s early works. Touching upon the brooding and heartfelt themes in Shostakovich’s music, Ritchie’s composition has a manic disposition, or as the composer describes it, ‘a sort of jumbled diary that lurches from farce to despair in rapid succession’. Our next port of call takes us to Paris, by way of Egypt, with Camille Saints-Saëns’ Piano Concerto No. 5 Egyptian. The concerto is filled with allusions to rocking boats, croaking frogs and Nubian love songs. With filigree figures pouring forth from the soloist, Saints-Saëns’ music could be in no finer hands than those of Anglo-Australian pianist Stephen Hough. A consummate performer, his talents have been described as the ‘most perfect piano playing conceivable’. His interpretation of the French master will undoubtedly exceed all expectations. Our journey ends in Russia, with Shostakovich’s powerful Fifth Symphony. Caught in Stalin’s brutal regime and labelled an ‘enemy of the people’, his epic Fifth Symphony, ‘A Soviet Artist’s Practical, Creative Response to Just Criticism’, restored his reputation. Juxtaposing the naïve and the sardonic, triumph and despair, barbarism and elegiac beauty, Shostakovich’s music declares an apparent patriotism while revealing sinister undercurrents.
The NZSO is delighted to welcome back Perry So and we herald the Chinese New Year with a concert that celebrates the splendid beauty and vibrant colours of nature. The Yellow River Cantata composed by Xian Xinghai in 1939 and recomposed as a piano concerto during the Cultural Revolution, has become one of China’s most beloved compositions. This immense musical landscape, bursting with joyous folk melodies and the vitality and might of China’s great Yellow River, is brought to life by the astonishing virtuosity of soloist John Chen, one of New Zealand’s most exciting talents. This festive concert opens with Ross Harris’ luminescent and colourful The Floating Bride, The Crimson Village. Inspired by the dreamy visions of Marc Chagall and savouring the poetry of Vincent O’Sullivan, this entrancing song cycle is performed with the crystalline soprano voice of Jenny Wollerman. The Chinese New Year is a festival that celebrates the arrival of spring, and no symphony better captures the wonder of nature and her changeable moods than Beethoven’s Pastoral Symphony. With music that is blissful, lazy, thunderous and heartfelt, Beethoven’s symphony is a triumphant work to welcome in the Year of the Dragon.
Andrew Litton Conductor
Stephen Hough Piano
New York-born Andrew Litton is American music royalty. The internationally-distinguished conductor has led nearly all of the world’s greatest orchestras, including the London, New York, Los Angeles and Israel Philharmonics, and makes regular appearances in the most prestigious concert halls, including Carnegie Hall and the Musikverein. He is presently Music Director of Norway’s Bergen Philharmonic Orchestra.
Britain’s leading concert pianist is also a composer, writer, chamber musician and recitalist, an Honorary Member of the Royal Academy of Music and the Grammy-nominated veteran of more than fifty CD recordings. Stephen Hough has performed with the world’s leading orchestras including recent appearances with the Berlin Philharmoniker and the New York, London and Los Angeles Philharmonics. He has appeared more than 20 times at the BBC Proms, and was the first British instrumentalist in 20 years to give a solo recital at Carnegie Hall.
William Dart, New Zealand Herald
CHINESE NEW YEAR CONCERT
Chinese New Year Perry So Conductor
John Chen Piano
A precocious and sure young talent, Perry So is Associate Conductor of the Hong Kong Philharmonic and a rare recipient of the first prize at St Petersburg’s prestigious International Prokofiev Conducting Competition. So was critically-praised during his last NZSO tour for his energy, focus and freshness of touch, and declared “disarmingly brilliant” by The Press.
John Chen made history in 2004 by winning the prestigious Sydney International Piano Competition, aged only 18. Seven years on, he has achieved a formidable reputation throughout Australasia. His ongoing international success is matched by critical acclaim at home, where he is praised for his “torrential brilliance” (NZ Herald) and “astonishing maturity” (NZ Listener).
Jenny Wollerman Soprano Wellington / Saturday 22 September / 8 pm Napier / Tuesday 25 September / 7.30 pm hamilton / Thursday 27 September / 7.30 pm Auckland / Friday 28 September / 7 pm
National Tour Partner
Wellington / Wednesday 1 February / 7.30 pm Auckland / Friday 3 February / 7.30 pm
New Zealand soprano Jenny Wollerman is noted for her expressive interpretations of
new and unfamiliar works. Her 2011 tour with NZ String Quartet performing Ross Harris and Schoenberg brought rapturous reviews: the NZ Herald critic was “utterly transported”, praising her as “moving” and “assured and lustrous-toned”.
National Tour Partner
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SPECIAL EVENT
The Solid Energy Tour
Around the World in 80 Minutes
‘When a virtuoso line was called for, Chen responded with torrential brilliance.’
HARRIS The Floating Bride, The Crimson Village XIAN XINGHAI The Yellow River Piano Concerto BEETHOVEN Symphony No. 6 Pastoral
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DUKAS The Sorcerer’s Apprentice POULENC Organ Concerto (Auckland & Wellington only) RIMSKY-KORSAKOV Scheherazade SPECIAL EVENT
CHRISTCHURCH
POULENC replaced by HAYDN Organ Concerto in C major Hob XVIII:1 (Christchurch only)
‘Latry was assured, controlled, and always allowed the composer’s voice to be heard. Another standing ovation left no doubt as to the enthusiasm of the audience.’ The American Organist
Spellbound
Wellington / Friday 1 June / 6.30 pm Christchurch / Wednesday 6 June / 6 pm Auckland / Friday 8 June / 7 pm
Rossen Milanov Conductor
Olivier Latry Organ
Known for the clarity of his musical vision and his charismatic command of an orchestra, Rossen Milanov makes a welcome return to New Zealand this season to debut with the NZSO. The Music Director of the Princeton Symphony Orchestra, he is a well-known figure in the US, singled out by The Seattle Times as “one of the most promising figures in the upcoming generation of conductors”.
An exceptional figure in international organ music, Olivier Latry has performed in more than fifty countries and considers himself an ambassador of seventeenth to twentiethcentury French organ music. Aged just 23 when he became a titular organist of the NotreDame Cathedral in Paris, he is also organ professor at the Paris Conservatory, and is renowned for his recordings.
Carmen Suite
‘What a group it is, offering playing…that sets new standards for this country – immediately world-class.’ John Button, Dominion Post (Oct 2010)
T O U R
The popular NZSO Soloists series returns – stripping back the full orchestra in favour of select ensembles which showcase, in intimate style, the world-class musicianship of individual players. Arvo Pärt’s Fratres is a work of austere beauty and stark minimalism. Emerging from a period of silence for the composer following a spiritual and artistic crisis, Fratres describes a new tonal landscape that will haunt modern audiences. Drawing upon medieval plainchant, polyphony and the musical traditions of his Estonian Orthodox faith for inspiration, the deceptive simplicity of Fratres hints at more complex mysteries. Its spiritual and visceral presence makes it easy to understand why Pärt is one of the most popular composers of the 21st century. In a stunning contrast, Rodion Shchedrin’s Carmen Suite is guaranteed to entertain. This re-imagining of Bizet’s effervescent score, composed for an orchestra with an array of percussion instruments, overflows with humour, wit and action. This fresh interpretation breathes new life into Bizet’s much-loved music, rediscovering a sense of surprise, suspense and danger in Carmen’s well known songs. Completing this exciting concert will be a new commission from one of New Zealand’s most respected composers and conductors – Kenneth Young.
Wellington / Saturday 24 March / 8 pm Napier / Tuesday 27 March / 7.30 pm hamilton / Thursday 29 March / 7.30 pm Auckland / Friday 30 March / 7 pm dunedin / Tuesday 3 April / 6.30 pm Christchurch / Wednesday 4 April / 6 pm
Vesa-Matti Leppänen Director NZSO Concertmaster Vesa-Matti Leppänen was accepted into the Sibelius Academy of Music in Helsinki aged sixteen, having won Finland’s prestigious Heinonen National Violin Competition. He then joined one of Europe’s oldest symphony orchestras, the Turku Philharmonic, before joining the NZSO in 2000 and winning instant national recognition. Becoming Concertmaster in 2005, he directs the NZSO Soloists series, which has won fulsome critical praise for the quality of its artistic vision and exceptional musicianship.
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A battalion of determined buckets and brooms usually comes to mind whenever Paul Dukas’ The Sorcerer’s Apprentice is heard. And it is no wonder Walt Disney was such a fan. Overflowing with shimmering, spellbinding melodies, this dazzling score is enchanting, mischievous and brilliantly witty. Francis Poulenc’s Organ Concerto is equally wondrous. Poulenc redefined organ music and this concerto revels in the awesome majesty and plaintive despair that only such a magnificent instrument can command. Performed by the extraordinary Olivier Latry, organist for the Cathedral of Notre-Dame and declared “an organ God” by The Guardian, his performance will undoubtedly be an electrifying moment in the musical calendar. Rimsky-Korsakov’s incandescent Scheherazade completes this fantastical concert. This sumptuous score is ablaze with vibrant colour and breathtakingly virtuosic solo passages, as Rimsky-Korsakov recreates the tales of Princess Scheherazade’s 1001 Arabian Nights. Princesses, apprentices and a Poulenc masterpiece are brought together under the baton of the internationally-acclaimed maestro Rossen Milanov. Milanov, it has been said, is a conductor who must be seen by anyone who cares about the future of music; he proves that there is indeed magic in the music.
YOUNG (new commission) PäRT Fratres BIZET/SHCHEDRIN Carmen Suite
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Tchaikovsky Violin Concerto
Mahler Symphony No. 7 THE STORY
KEY WORDS
CONTRAST
OPPOSITION
INSPIRATION
FIERY
PIONEERING
KEY WORDS
The soloist is pitted against the orchestra in Tchaikovsky’s powerful Violin Concerto. Composed in Switzerland in the aftermath of a disastrous marriage that lasted less than three months, Tchaikovsky produced a vital and emotional concerto filled with such passion, despair and angst it was declared unplayable. Despite this, it has since become one of the most cherished concertos in the repertoire.
MUSICAL GENIUS
GARGANTUAN COLOSSAL
It was in a small rowing boat, much like the one pictured, that glimpses of the opening movement of his Seventh Symphony finally revealed themselves to Mahler. The symphony is often called Song of the Night, though Mahler’s nocturnes have a bright, sparkling and vivacious atmosphere albeit filled with strange and ghostly visions.
THE STORY
VIRTUOSIC
THEATRICAL
FAMOUS
DEMANDING
INSPIRATION
Brahms
1908: Symphony No. 7
1911, 18 May: Gustav Mahler dies
1912, 15 April The Titanic sinks
Gustav Mahler German, 1860 – 1911
1890
1900
1910
1920
COUNTERPOINT
ARCHITECTURE
Nadezhda von Meck
Overcoming great personal tragedies, Mahler was one of most influential composers of his time. Blurring the lines between song and symphony, his works remain amongst the most popular in the repertoire.
Though his life was troubled by depression and doubt, Tchaikovsky’s music expresses the very heights of human emotions. With a rare gift of melody, his music continues to captivate.
LYRICAL
DRAMATIC
FEATURED MUSICIANS (LEFT TO RIGHT): 1. Eleanor Carter cello 2. Michael Kirgan trumpet 3. Cheryl Hollinger trumpet
Tensions boil over in Leonard Bernstein’s Symphonic Dances from his iconic musical West Side Story. Filled with a dangerous, impulsive energy, Bernstein’s music plots the tragic rivalries of the Sharks and the Jets. Amidst the violence led by the percussion and brass sections, Bernstein’s heartbreaking, soaring melodies emerge, vainly trying to quell the disquiet.
SHARKS & JETS
MELODIES POPULAR
BETRAYAL
GLORIOUS
KEY WORDS
ICONIC
POPULAR RESONANT
IMPULSIVE
DANCE FAMOUS
SPIRIT
Vienna
YOUTHFUL GLORIOUS
Our wandering musicians celebrate terra firma with Beethoven’s glorious Seventh Symphony. With dancing rhythms inspired by Homer’s epic The Odyssey – Beethoven’s favorite book – the symphony is replete with soaring melodies and a funeral march that remains unsurpassed. First performed to benefit soldiers wounded in the Napoleonic Wars, it was an instant favourite and the unbridled energy of this symphony certainly quickens the heart and warms the spirit.
KEY WORDS
WARM
J. C. Bach
THE STORY
Key words
SUNNY
Leonard Bernstein West Side Story Gustav Mahler Symphony No. 7 Pyotr Ilyich Tchaikovsky Violin Concerto Wolfgang Mozart Symphony No. 29 Ludwig van Beethoven Symphony No. 7 J. S. Bach Concerto for Two Violins
Bernstein West Side Story THE STORY
OPERATIC
Iosif Kotek
Pyotr Ilyich Tchaikovsky Russian 1840 – 1893
Written shortly after Mozart’s 18th birthday, this precocious symphonic gem is filled with the composer’s signature elegance, restraint and finely tuned sense of drama. Within this music one can easily hear hints of the operas that would later so charm, provoke and entertain audiences.
Inspiration
Balakirev
THE COMPOSER
THE STORY
Every great city, like any perfect story, simmers with tension between lovers, rivals, warring families and gangs. Cultures collide on the boardwalk and so, as we dock, prepare for high drama and violent passion. The forbidden lovers from West Side Story will meet our ship here, and Tchaikovsky plays out his emotional turmoil in his peerless Violin Concerto. The joys of dance, however, are never far away.
Modest Tchaikovsky
Beethoven Symphony No. 7
Mozart Symphony No. 29
The string player is king in Bach’s Concerto for Two Violins. The NZSO performance features both the concertmaster and conductor as soloists. This concerto’s intricate, weaving contrapuntal melodies bring the entire orchestra together in a celebration of Bach’s genius. KEY WORDS
Nature
THE COMPOSER
TIMELINE 1886, 8 May: Dr John Stith Pemberton invents Coca-Cola
Beethoven
THE STORY
DRAMA
IMMEDIACY
DID YOU KNOW?
Leonard Bernstein conducted an international orchestra at the fall of the Berlin wall on Christmas Day, changing Beethoven’s words ‘Ode to Joy’ to ‘Ode to Freedom’
4. Graeme Browne bass trombone 5. Vesa-Matti Leppänen violin 6. Laurence Reese timpani
CONTRAST INTRICATE
BAROQUE
Wagner
J.S. Bach Concerto for Two Violins
YOUNG Dance TCHAIKOVSKY Violin Concerto in D major BERNSTEIN West Side Story: Symphonic Dances TCHAIKOVSKY Francesca da Rimini
‘Benedetti is only 23…yet she has the complete assurance of a mature soloist and the wholehearted commitment of someone who knows exactly what she wants to do and how to do it.’
BACH Concerto for Two Violins in D minor MAHLER Symphony No. 7
‘Inkinen makes the music sound
as though it’s playing itself.’ Gramophone Magazine
The Independent
Forbidden Love
Wellington / Saturday 13 October / 8 pm Palmerston north / Monday 15 October / 7.30 pm napier / Tuesday 16 October / 7.30 pm Hamilton / Thursday 18 October / 7.30 pm Auckland / Friday 19 October / 7 pm
Mahler 7
Miguel Harth-Bedoya Conductor
Nicola Benedetti Violin
Emmy-Award winning Peruvian conductor Miguel Harth-Bedoya “naturally balances earth, air, fire and water” according to the Los Angeles Times. The current Music Director of the Fort Worth Symphony Orchestra and former Associate Conductor of the Los Angeles Philharmonic, he is considered a charismatic master of colour, as charming as he is incisive on the podium.
A captivating talent with an impressive string of credits across Europe, the UK and the US, Nicola Benedetti has performed with many major orchestras, at leading festivals like the BBC Proms, and with star conductors such as Ashkenazy and Segerstam. Winner of the 2008 Classical BRIT Award for Young British Classical Performer, Benedetti is known for her full-bodied sound and electrifying charisma.
An enigmatic dream-world infused with nocturnal mysteries, Gustav Mahler’s tantalising Seventh Symphony is as intriguing as it is intoxicating. Combining modernist influences with the luscious textures and the bombastic Romanticism of the nineteenth century, this complex symphony continues to fascinate and beguile musicians and audiences. Conjuring fantastical night visions, Mahler’s music is animated by evocative mandolins, spectral waltzes and a strangely triumphant finale that will astound your senses and warm your spirit. Such a magical score finds its perfect companion in J. S. Bach’s Concerto for Two Violins. One of Bach’s most well-known and beloved compositions, this concert provides a rare opportunity to see NZSO Music Director, Pietari Inkinen, take on the role of violin soloist. Highlighting the impressive breadth of this maestro’s extraordinary talents, he will perform alongside the hugely gifted NZSO Concertmaster Vesa-Matti Leppänen. With music that finds a perfect balance between soloists, experience the wonder of Bach as our two Finnish stars deftly weave overlapping phrases of exquisite counterpoint, unveiling the beauty and emotion of Bach’s sublime concerto.
Wellington / Saturday 10 November / 8 pm Auckland / Saturday 17 November / 8 pm CHRISTCHURCH / Thursday 22 November / 6 pm
Pietari Inkinen Conductor and Violin
Vesa-Matti Leppänen Violin
Pietari Inkinen studied at the Cologne Music Academy with Zakhar Bron and has appeared as soloist with many leading Finnish Orchestras including the Helsinki Philharmonic, as well as WDR Symphony Orchestra Cologne, Teatro Carlo Felice Genova, RAI Torino, Norrkopings Symphony and Orchestre National de Lyon. He also enjoys chamber music collaborations and has performed with the Inkinen Trio at the Wigmore Hall and at international festivals. Pietari is the current Music Director of the NZSO.
Finnish-born Vesa-Matti Leppänen studied at the Turku Conservatorium and the Sibelius Academy of Music in Helsinki before joining one of Europe’s oldest symphony orchestras, the Turku Philharmonic. He joined the NZSO in 2000 and became Concertmaster in 2005. He has since led the NZSO on three international tours and performed many times as a featured soloist, including at last year’s Shanghai World Expo in China. He is an active chamber musician, soloist, violin teacher and jurist, and is a featured artist with Naxos Records.
National Tour Partner ®
SEASON TICKET Show No.
SEASON TICKET Show No.
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“My heart is full, it thirsts to pour itself out in music.” So Tchaikovsky confessed, following the disastrous fallout from his three-week marriage. While convalescing abroad, the composer conceived his breathtaking Violin Concerto. The work was initially declared unplayable but has become a cornerstone of the violin repertoire and a test for any soloist. It will quicken the heart in the hands of the exceptional Nicola Benedetti. Winner of the 2005 BBC Young Musician of the Year, Benedetti’s confidence, physicality and willingness to take risks are ideally matched to Tchaikovsky’s dizzyingly demanding score. Leading the orchestra is the Peruvian conductor Miguel Harth-Bedoya. Since first visiting New Zealand in 1995, Harth-Bedoya continues to explore our landscapes and our music. In his hands, Kenneth Young’s luscious and feisty Dance will enthral. Bernstein’s Symphonic Dances, extracted from the iconic West Side Story, continue the dance theme with music that is bold, vital and confrontationally modern. Bernstein’s score is filled with violence and passion – drama that is matched by Tchaikovsky’s Francesca da Rimini. Inspired by Dante’s Inferno, the composer takes us to the depths of Hell to witness the consequences of forbidden love in a concert which proves that such tumultuous relationships nevertheless inspire great music.
The Radio Network Concerts
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MOZART Symphony No. 29 BACH Concerto for Two Violins in D minor BEETHOVEN Symphony No. 7
‘Dare one say that it is he, Pietari Inkinen, who was the real star of the evening? This young conductor, also a violinist, combines stature and elegance. He knows how to make an orchestra sound.’ Le Temps, Geneva
The Radio Network Tour
Beethoven 7
SEASON TICKET Show No.
50
Rediscover the magnificence of music in a concert that showcases some of the most beloved works in the repertoire. Beethoven’s glorious Seventh Symphony was composed in the aftermath of the Napoleonic wars, and was first performed to benefit wounded soldiers. Filled with dancing rhythms and a driving, forward momentum that will sweep you up in the fervour of wild festivities, Beethoven’s Seventh is, as Richard Wagner once enthused, “the Apotheosis of the Dance itself”. Inspired by a visit to Vienna, Mozart’s Symphony No. 29 is another landmark composition. Bathed in sunny tonalities, this youthful masterpiece captures the delight, elegance and operatic drama that make Mozart’s music so inviting. J. S. Bach’s Concerto for Two Violins provides a rare opportunity to experience the breadth of excellence of NZSO Music Director Pietari Inkinen as he takes on the role of violin soloist, playing alongside talented NZSO Concertmaster Vesa-Matti Leppänen. Performing together in one of Bach’s most well-known works, their contrapuntal violin lines will create music that is filled with beauty and wonder.
NAPIER / Wednesday 14 November / 7.30 pm hamilton / Friday 16 November / 7.30 pm dunedin / Wednesday 21 November / 6.30 pm
Pietari Inkinen Conductor and Violin
Vesa-Matti Leppänen Violin
Pietari Inkinen studied at the Cologne Music Academy with Zakhar Bron and has appeared as soloist with many leading Finnish Orchestras including the Helsinki Philharmonic, as well as WDR Symphony Orchestra Cologne, Teatro Carlo Felice Genova, RAI Torino, Norrkopings Symphony and Orchestre National de Lyon. He also enjoys chamber music collaborations and has performed with the Inkinen Trio at the Wigmore Hall and international festivals. Pietari is the current Music Director of the NZSO.
Finnish-born Vesa-Matti Leppänen studied at the Turku Conservatorium and the Sibelius Academy of Music in Helsinki before joining one of Europe’s oldest symphony orchestras, the Turku Philharmonic. He joined the NZSO in 2000 and became Concertmaster in 2005. He has since led the NZSO on three international tours and performed many times as a featured soloist, including at last year’s Shanghai World Expo in China. He is an active chamber musician, soloist, violin teacher and jurist, and is a featured artist with Naxos Records.
National Tour Partner ®
‘...with conductor Hamish McKeich… even the impossible holds no fear for the NZSO… the audience loved it all.’
BROWN Celestial Bodies CRESSWELL Concerto for String Quartet WHITEHEAD Alice SPECIAL EVENT
MADE IN NEW ZEALAND
Lindis Taylor, The NZ Listener Made in New Zealand 2011
Made In New Zealand
Wonderland A highlight of the musical year, the annual Made in New Zealand concert brings together our most innovative and vibrant composers, musicians and artists to showcase our voices, our experiences and our histories. Merging music and media, Chris Cree Brown’s spectacular Celestial Bodies contemplates the heavens above through the machinations of the orchestra, electro-acoustic sounds and images from artist Julia Morrison. Another stalwart of contemporary New Zealand music, Lyell Cresswell’s work searches for agreement between the complex and the approachable. He calls his Concerto for String Quartet one of his most important works, and brings together two national treasures to perform it – the NZSO and the New Zealand String Quartet. We round out this celebration of home-grown talent with Gillian Whitehead’s exceptional cantata Alice. Travelling alone and desperately unwell, Alice Adcock made an extraordinary voyage from Manchester to New Zealand in 1909. Her story of survival is performed by the spectacular Helen Medlyn, for whom the work was composed. Whitehead’s moving music captures the humour, despair and uncertainties of life in an unknown land.
Helen Medlyn Soprano
Acclaimed by the New York Times for their “uncommon eloquence”, the country’s premier chamber ensemble the New Zealand String Quartet enjoys a distinguished reputation in international chamber music, thanks to imaginative programming and insightful interpretations of the repertoire. Comprised of first violin Helene Pohl, second violin Douglas Beilman, Gillian Ansell on viola and cellist Rolf Gjelsten, the quartet champions New Zealand composition and has premiered many chamber works by New Zealanders. This year marks their 25th anniversary.
A 2002 Arts Foundation of New Zealand Laureate, Helen Medlyn is an accomplished and celebrated actress, musical theatre performer, cabaret artiste and opera singer. An innate stage animal and musical story-teller, Helen’s repertoire is eclectic and extensive, including the roles of Joy Gresham in the play Shadowlands, Fraulein Schneider in the musical Cabaret and Herodias in the opera Salome, as well as creating and performing numerous shows with pianist, Penny Dodd.
Hamish McKeich Conductor Hamish McKeich has forged an impressive international conducting career alongside a passionate loyalty for developing
the repertoire of contemporary and experimental New Zealand music at home. Working regularly in Europe, Australia and with New Zealand’s major orchestras, he has given over 80 world premieres of new works and is also chief conductor of the contemporary ensembles Stroma and 175East. He has established an acclaimed partnership with the NZSO and served as the orchestra’s Associate Conductor from 2002-2006.
Special Event Show No.
Wellington / Friday 25 May / 6.30 pm Auckland / Saturday 9 June / 8 pm
New Zealand String Quartet
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The Church would like to thank the musicians and management of the NZSO for partnering with us on another daring and ambitious project. Yet again, every musician involved gave their all as we transformed them into sailors, oceanides, soldiers, angels of war, explorers, gangsters and valkyries. Without your effort and support we could not have created such an epic piece of work. We can’t wait for the chaos to start again next year. The Church Team
www.nzso.co.nz www.thechurch.co.nz
The Sound of Tomorrow The NZSO National Youth Orchestra is firmly established as the pre-eminent training orchestra for New Zealand’s elite young musicians. 2012 promises to be one of the most exciting years to date for this dynamic ensemble.
Young Originals
Music for Schools
NZSO Young Originals is a programme of activities which offer developmental opportunities for New Zealand’s outstanding young musicians. • Conductor Training with Pietari Inkinen • NZSO Foundation masterclasses • Fellowship placements • NZSO National Mentoring Programme – Michael Monaghan Scholars • Youth Orchestra coaching • Instrument workshops • NZSO Todd Corporation Young Composers Award
‘All musicians need support in the early stages of their career. When I was starting out on my musical journey I was fortunate to be nurtured by people who understood my passion for playing the violin and for conducting. They believed enough in my talent to invest their time in me…’ Pietari Inkinen, NZSO Music Director
To find out more email youngoriginals@nzso.co.nz
We actively support the delivery of the Sound Arts (music) curriculum through inventive and inclusive events for schools; fostering a love of orchestral music in our future audiences at an early age. And there are so many ways to get involved!
‘The concert was fantastic… exactly the right level for intermediate age students and such a clever way to introduce them to the instruments of the orchestra. Everyone thoroughly enjoyed it!’
Schools Concert Programmes in Auckland, Hamilton, Napier, Masterton and Wellington Online resources teaching you everything you need to know about the orchestra NZSO in Miniature concerts for schools in Dunedin, Timaru and Christchurch. Classroom visits interactive performances in the classroom by small ensembles of NZSO players.
Principal, Napier Intermediate School
To find out more email musicforschools@nzso.co.nz
Community Programmes Community Programmes give the whole community the opportunity to engage with the NZSO and live orchestral music.
NZSO National Youth Orchestra Tour
54
80 young musicians with talent to spare! Four days of rehearsals and workshops with the NZSO principals. Two concerts in Wellington and Auckland with New Zealand conductor Tecwyn Evans and cellist Santiago Canon-Valencia in a programme featuring Shostakovich’s Cello Concerto No. 1. This is a concert tour not to be missed.
NZSO National Youth Orchestra and New Zealand Youth Choir collaboration An historic collaboration which will overflow with youthful talents; the NYO will join forces with New Zealand Youth Choir to create an epic programme and a one-off special concert in Christchurch. Christchurch / Saturday 8 September / 8 pm
• Visits by small ensembles to Care Homes, Hospices, Hospitals, Residential Care Facilities, Youth Clubs and Marae. • Free Family Concerts for the young and the young at heart. • NZSO in Miniature: 18 musicians from the NZSO; a miniature orchestra delivering concentrated musical magic.
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Wellington / Friday 10 February / 6.30 pm Auckland / Saturday 11 February / 8 pm To find out more, email communityprogrammes@nzso.co.nz
Salute
Gifts to the NZSO are gifts to the community
We salute our corporate sponsors and funding partners. Their support for our combined vision ensures we continue playing music for the nation.
Principal Sponsors
®
Circle Sponsors
Concerto Sponsors Adam Foundation Astra Print Canon New Zealand Ltd The Church Datacom Systems
Diessl Investments Ltd FishHead Magazine Four Winds Foundation Ltd Minter Ellison Rudd Watts The New Zealand Listener
MusicWorks New Zealand Van Lines Ltd North and South Magazine The Todd Corporation Wellington Convention Centre
Overture Sponsors Caffe L’affare The Cranfylde Charitable Trust Hamilton City Theatres Interflora Pacific Unit Limited Interislander
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Special Funding Agencies
Lisa Hoskin Jewellery Marsh McLaren Associates Ltd Multi-Media Systems Ltd People and Process
Permission NZ Ltd Phantom Billstickers Ltd Red Spider Rembrandt Suits Limited Sempre Avanti Consulting
The NZSO has been the nation’s own orchestra for sixty-six years, enriching the country’s cultural life and developing New Zealand’s musical talents to an internationallyrespected level.
We’re completely dedicated to our aim of bringing New Zealanders inspiring live performances, developing world-class musicians, and energising young musicians and music-lovers of all ages. Under the visionary leadership of Pietari Inkinen, the NZSO is enjoying a new wave of artistic success. Now, more than ever before, we want to build on that success by growing our artists and developing our vital community programmes. Thanks to the unswerving generosity of our supporters, we know we can reach our goals. You too can invest in an exciting future for New Zealand music with every donation you make – enabling us to give New Zealanders the gift of music for many years to come. Please partner with us today.
All donations are administered by the New Zealand Symphony Orchestra Foundation, a registered charitable entity (CC24274) under the Charities Act 2005.
For further details, please contact us directly: Phone: 09 919 9104 04 801 3807 Email: Fundraising@nzso.co.nz Or visit: nzso.co.nz/support_us You can commit to a regular donation, or make a one-off gift with your season booking form.
Auckland Town Hall
Venue Maps
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Centre Circle
Key Middle Circle
Premium
B Reserve
A Reserve
C Reserve
2012 Season Ticket Prices
Balcony
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Price per seat
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Wellington Michael Fowler Centre
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Season Tickets include 3 or more concerts. The price per seat depends on the number of concerts you select. Additional offers include 35 Down, Family Passes and discounts for friends and family. Special events and priority offers must be booked in addition to your Season Ticket package.
M
Auckland / Wellington 9 or 10 concert package 6, 7 or 8 concert package 3, 4 or 5 concert package Non-Season Ticket Holder – single concert price* Season Ticket Holder – additional ticket Hamilton 6 concert package 4 or 5 concert package 3 concert package Non-Season Ticket Holder – single concert price* Season Ticket Holder – additional ticket
Premium reserve Full Conc
A Reserve Full Conc
B Reserve Full Conc
C Reserve Full Conc
D Reserve Full Conc
$85 $91 $96 $115
$73 $78 $82 $100 $90
$66 $69 $74 $92
$53 $57 $59 $70 $61
$45 $49 $52 $62
$32 $34 $36 $43 $38
$28 $30 $32 $39
$22 $24 $25 $29 $25
$20 $21 $22 $25
$50 $55 $58 $74 $65
$44 $49 $53 $67
$34 $38 $40 $50 $44
$31 $34 $36 $45
$27 $29 $32 $39 $34
$24 $25 $28 $35
$24 $24 $25 $28 $25
$20 $20 $22 $25
$58 $70 $65
$51 $66
$40 $50 $44
$36 $45
$32 $39 $34
$28 $35
$25 $28 $25
$22 $25
$55 $60
$49 $54
$35 $40
$31 $36
$27 $33
$24 $29
$20 $25
$20 $22
$42
$38
$32
$28
$23
$21
$50 $55
$43
$39 $43
$33
$28 $31
$25
$85 $91 $96 $115
Napier 3 or 4 concert package Non-Season Ticket Holder – single concert price* Season Ticket Holder – additional ticket Christchurch 2 concert package Non-Season Ticket Holder – single concert price* Dunedin 2 concert package Dunedin / Palmerston North Early Bird Special per concert (book by 16 January 2012) Single concert price*
D AA
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35-Down
C A
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Stalls
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Choir Stalls
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Stalls
STAGE
Package of 3 or more performances^
$26 per performance
Family passes 1 Adult + 2 Young people^ Additional Young Person^
Combined price $60 for each performance $15 for each additional seat
SPECIAL EVENTS
Christchurch CBS Canterbury Arena
Napier Municipal Theatre
Early bird prices for Season Ticket Holders (prices valid until 16 January 2012).
NZSO 2012 Season Ticket Holders enjoy a priority booking period for these special events. These events are not included in the Season Ticket offers above.
Premium reserve Full Conc
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$145 $145 $115 $104 $100 $92 $70 $62 $43 $39 $85 $85 $73 $66 $53 $45 $32 $28 $22 $20 Full $35 Concessions $31 Under 35 $26 Family Pass $40 Full $25 Under 35 $20 Concessions $15 Family Pass $40 Every NZSO 2012 Season Ticket Holder receives one complimentary invitation; additional seats $25
* correct at time of printing
D
STA GE
Die Walküre Chinese New Year Concert Spellbound @ Aurora Center, June 6 Made in New Zealand NZSO National Youth Orchestra
A Reserve Full Conc
Fine print Proof of age or eligibility for other discounts must be supplied at the time you book. Concession prices apply to Gold Card Holders aged 65 years+; Unwaged; Disability Card holders. ^35 Down and Family tickets will be located in B or C Reserve based on availability. Family tickets: Young People must be school-aged, 18 years or under. To seat everyone together we recommend booking as far in advance as possible and booking everyone at once.
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STEP 1
Contact details
Fill in your name, address and contact details. Please provide the same if you are booking for another Season Ticker holder. Giving everyone’s details will ensure they receive an NZSO Supporters Card and all the benefits of being an NZSO Season Ticket holder. Your mobile phone and email details will help us contact you quickly if concert arrangements change. Opt in to receive NZSO communication STEP 2
Keep up to date with our national concert tours, events and special offers, either via email, SMS or through the post. If you are a teacher or parent, our Music for Schools communication will be invaluable. Decide which concerts to include in your Season Ticket. Auckland and Wellington supporters can simply select a five concert package on Fridays or Saturdays (or combine for ten concerts) at Step 3a. STEP 3
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OR You can choose your own package in any city by selecting three or more concerts at Step 3b.
You can become a Season Ticket Holder by completing the attached booking form. When completing your order form please note that: • Each concert equates to a page number listed with every concert description (pages 14 – 51) • Concert prices are listed on page 59 • Concert dates and times are listed on the inside front cover
Special Events can be selected at Step 5. Concessions You are eligible for concession prices if you send photocopied proof of eligibility with your form. 35 Down prices apply to those 35 years of age or under at 1/1/12. Concession prices apply to holders of valid Gold Cards and Community Services cards. If you arrange to transfer your ticket to a person who does not hold an eligible concession, an upgrade fee may apply.
Additional seats Use this step to purchase additional seats for friends and family to those concerts nominated in your season package. Use the Season Ticket Holder – discount prices on page 59. If claiming concessions for additional seats, please enclose proof of eligibility for the ticket holder. Proof of concession should be carried when attending performances. STEP 4
STEP 5
Special Events
Refer to pages 30, 39, 40, 51 & 54 for descriptions of these events. Every Season Ticket Holder is entitled to one complimentary seat for a National Youth Orchestra performance in 2012. This offer is available until 30 March 2012.
Renewing your NZSO Season Ticket If you are renewing your season ticket, please use the separate personalised form included with your 2012 season guide. If you require another copy of this form, please call 0800 479 674. Please note that the preferential booking period for existing Season Ticket Holders closes on 18 November, 2011. Renewable seating cannot be guaranteed after this date.
Becoming a Season Ticket Holder for the first time Please complete the booking form opposite page 60. This booking form can be used to book up to two season tickets. Use additional forms downloaded from nzso.co.nz or photocopies to order more than two. Season Tickets are made up of three or more performances selected from concert numbers (pages 14 – 51).
Getting to Concerts Bus services These operate to selected NZSO concerts from a number of regions. Book your return tickets at the same time as applying for a Season Ticket to ensure a seat. See the table below for general information. Full boarding and arrival information will be provided in your Season Ticket pack. Car-parking Discounted car-parking is available in some cities when pre-purchased. Book and pre-pay for carparking when applying for a Season Ticket. See the table below.
STEP 6 Car parking & Buses
See page 61 for full details. STEP 7
Please consider making a donation in support of our performance, community and talent development programmes. Donations over $5 are tax-deductible and receipts will be issued. If you would like someone to contact you about the many ways you can support this work, please tick the box. STEP 8
You can purchase open-dated gift vouchers at your nominated value. Gift Vouchers are valid until 31/12/2012. STEP 9
Please add the total of your order. STEP 10
Please select your preferred payment option. Deferred payments incur a small handling charge. Please check that you’ve included everything including proof of concession eligibility.
Send your completed form to 2012 Season Tickets New Zealand Symphony Orchestra P.O. Box 6640 Wellington 6141 Processing All forms will be acknowledged within 7 days of receipt. Priority period for renewing Season Ticket Holders 3 October – 18 November 2011.
Enquiries Contact us 8.30am – 5pm Monday – Friday Phone 0800 479 674 04 801 3890 Fax 04 801 3851 Email nzso@nzso.co.nz
Bus routes
DAY
RETURN
Use this form to order one or two season tickets. To arrange additional season tickets, please photocopy this form or download from www.nzso.co.nz
New Zealand Symphony Orchestra
Auckland Eastern Suburbs*
Sat
$21
North Shore*
Sat
$21
2012 Season Booking Form
Cambridge
Thu
$20
STEP 1
Matamata
Thu
$31
Morrinsville
Thu
$20
Title
Tauranga
Thu
$36
First Name
First Name
Thames
Thu
$28
Surname
Surname
Address
Address
Perf days
$21
Hamilton
Person One
Napier Hastings, Havelock North & Taradale*
Person Two Mr Mrs Ms Miss Dr
Title
Suburb
Wellington
Mr Mrs Ms Miss Dr
Suburb
City
Postcode
City
Postcode
Eastbourne*
Fri / Sat
$20
Kapiti
Fri / Sat
$21
Work (
)
Work (
)
Levin
Fri
$28
Mobile (
)
Mobile (
)
Lower Hutt*
Fri / Sat
$20
Upper Hutt*
Fri
$21
Wairarapa
Fri
$29
Telephone
Home (
)
Telephone
NZSO membership number if known
NZSO membership number if known
Date of Birth (optional)
Date of Birth (optional)
I would like to receive information about the NZSO via email
Auckland
STEP 3
$12
I would like to receive information about the NZSO via email
via post
If purchasing a season ticket for Auckland or Wellington, you can simply choose all 5 Friday or all 5 Saturday events at Step 3a OR Select your package concert by concert at Step 3b
$3
3A Five concert package – Auckland or Wellington (please circle your choices) – This option gives you renewable seats year-to-year
Wellington James Smith’s
via post
Your choice of package
Christchurch CBS Canterbury Arena
)
Car Parking
Civic Car Park
Home (
STEP 2
$8
City
Parking offer only valid to 17 January 2012 * Door-to-door service. Neat!
Full or concession price*
Day
Reserve
Seating Preference eg: Stalls Quantity/Price
Amounts
Person One
Auckland
Wellington
Full
Concession Under 35
Friday
Saturday
5 concerts @ $
$
Person Two
Auckland
Wellington
Full
Concession Under 35
Friday
Saturday
5 concerts @ $
$
3B Your choice of package for all centres – Select your season package by choosing from the main concert selection below Full or City (please write your choice) concession price*
Packages with renewable seating are processed initially, followed by all other renewing Season Ticket orders. From 2 November 2011 new applications for Season Tickets processed. From 1 December 2011 Season Ticket packs mailed progressively.
Concert Page Numbers
Reserve
Seating Preference eg: Stalls Quantity/Price
Amounts
Person One
Full
Concession Under 35
14 15 22 23 31 38 40 41 48 49 50
_____ concerts @ $
$
Person Two
Full
Concession Under 35
14 15 22 23 31 38 40 41 48 49 50
_____concerts @ $
$
STEP 4
13 January 2012 Single concert tickets on sale.
Additonal Seats Use this section to purchase additional seats for your concert selections from Step 3. Use the Season Ticket Holder Discount prices on page 59
All sales are subject to terms and conditions and submitting a Season Ticket application indicates that you have read these and agree with those terms of sale and issue. Selected terms and conditions are printed on the back of tickets. Full terms and conditions can be read at nzso.co.nz. To receive a copy please call 0800 479 674.
Name
Full or City (please write your choice) concession price*
Concert Page Numbers
Reserve
Seating Preference eg: Stalls Quantity/Price
Amounts
Person One
Full
Concession Under 35
14 15 22 23 31 38 40 41 48 49 50
____ seats @ $
$
Person Two
Full
Concession Under 35
14 15 22 23 31 38 40 41 48 49 50
____ seats @ $
$
SPECIAL EVENTS
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Booking Form Help
How to become an NZSO Season Ticket holder
PLEASE TURN OVER
>
STEP 5
Musicians of the NZSO
SPECIAL EVENTS Select special events in addition to your Season Ticket package. Please note that seats allocated will be different to your Season Ticket seats
Number of Seats Required Event
Seating Preference eg: Stalls, aisle seat
Reserve
City (please write your choice)
Full
Concession*
Under 35* Family*
Die Walküre
Amounts
First Violins Basses
$
Chinese New Year Concert
01
$
Spellbound
Christchurch only
Made In New Zealand
1 reserve only
$
1 reserve only
$
NZSO National Youth Orchestra Every NZSO 2012 Season Ticket Holder is entitled to ONE free ticket. Additional tickets can be purchase for $25 per seat. 1 reserve only. No. of comp tickets
Additional seats
seats @ $25
$
03
04
05
06
07
08
09
10
11
53
12
Second Violins
STEP 6
43
02
Cor Anglais
44
45
54
55
Clarinets
46
47
56
Bass Clarinet
57
Baasons
Flutes
48
49
58
Contrabasson
Piccolo
59
50
Oboes
60
51
52
61
62
71
72
81
82
Horns
Car Parking and Buses Car Parking
Wellington $8
Auckland $12
Christchurch $3
Spaces required for concert dates:
Total number of spaces _______ @ $______________
$
13
Buses Seats required for each concert date:
Departure point:
Total number of spaces _______ @ $______________
14
15
16
17
18
19
20
21
$
63
22
Violas
64
65
66
67
68
Trombones
Trumpets
69
Bass Trombone
70
Timpani
Tuba
Dates: STEP 7 Donation Help secure the future of the NZSO with a gift today. All donations over $5 are tax-deductible. If you choose to give a regular donation, please include your first gift with this booking form; we will then contact you about setting up your ongoing donation.
23
24
25
26
27
28
29
30
31
73
32
Cellos
74
75
Percussion
76
77
78
79
80
Harp
I would like to make the following gift: Regular donation of $ ___________________________ (fortnightly / monthly / quarterly / annually) please circle One-off donation of $ ___________________________ 33
(if you have chosen to give a regular donation, please include your first gift with this booking form, we will then contact you about setting up your ongoing donation).
Please contact me about other ways to give
01
STEP 8 Gift Vouchers I would like to order ____________ NZSO gift vouchers @ $ ______________ each
$
Transaction Fee
$8.50
Total Amount Due
$
Supported by
Franz-Paul Decker Conductor Laureate
I wish to pay the total amount now I wish to pay in 4 installments (credit card only). Installment Dates: 1st Immediate 2nd 01/12/11 3rd 01/02/12 4th 01/03/12
Board Donald Best Chair Lisa Bates Marie Brown Peter Diessl Georgia Farmer Colleen Marshall Roger Taylor
Defer total payment until 18/02/12 Visa
MasterCard
Cheque
(Auckland, Christchurch, Hamilton & Wellington, please make cheque payable to NZSO. Napier, please make cheque playable to Ticketek. Dunedin, please make cheque payable to TicketDirect).
Credit Card Number
Expiry Date ___________ /____________
Card Holders Name _________________________________________________________________________________
Signature ___________________________
35
36
NZSO gratefully acknowledges the following Section Sponsors A Kalamazoo Group Company
Violas
Diessl Investments Ltd
Payment Options * Please remember to enclose proof of eligibility for concession prices
Please send your completed form to:
Concertmaster
James Judd Music Director Emeritus
STEP 10
I wish to pay by:
Pietari Inkinen Music Director
02 Vesa-Matti Leppänen
STEP 9
Please select your payment choice:
34
37
38
39
40
41
83
42
84
85
$
2012 Season Tickets New Zealand Symphony Orchestra PO Box 6640 Wellington 6141
Cellos & Flutes
Clarinets
Horns
Percussion
Chief Executive Christopher Blake Harp
You will receive an Acknowledgement of receipt of your booking within 7 days of us receiving your form. Booking forms received will be processed from 02/10/11. If we can help you in completing this form please call us on 0800 479 674.
First Violins 02 Vesa-Matti Leppänen Concertmaster 03 Donald Armstrong Associate Concertmaster 04 Yury Gezentsvey Principal 05 Emma Barron 06 Ursula Evans 07 Pam Jiang 08 Haihong Liu 09 Anne Loeser 10 Gregory Squire 11 Rebecca Struthers 12 Anna van der Zee 13 Cristina Vaszilcsin 14 Beiyi Xue 15 Kristina Zelinska Second Violins 16 Andrew Thomson Section Principal 17 David Gilling + 18 Janet Armstrong 19 Sharyn Evans 20 Elspeth Gray 21 Andrew Kasza
22 23 24 25 26 27
Dean Major Vanya Mateeva Simon Miller Elizabeth Patchett Lucien Rizos Katherine Rowe
Violas 28 Julia Joyce Section Principal 29 Brian Shillito + 30 Peter Barber 31 Michael Cuncannon 32 Anna Debnam 33 Lisa Egen 34 Jenaro Garita 35 Norbert Heuser 36 Lyndsay Mountfort 37 Phillip Rose 38 Belinda Veitch 39 Peter van Drimmelen Cellos 40 Andrew Joyce Section Principal 41 David Chickering Associate Principal 42 Allan Chisholm
43
44 45 46 47 48 49
Brigid O’Meeghan Assistant Sub-Principal Emeritus Roger Brown Eleanor Carter Robert Ibell Annemarie Meijers Sally Pollard Rowan Prior
Basses 50 Hiroshi Ikematsu Section Principal 51 Victoria Jones + 52 Nicholas Sandle 53 Matthew Cave 54 Stephen Gibbs 55 Alexander Gunchenko 56 Malcolm Struthers 57 Steve Taylor Flutes 58 Bridget Douglas Section Principal 59 Kirstin Eade Associate Principal
Piccolo 60 Nancy Luther-Jara Principal
Contrabassoon 68 David Angus Principal
Tuba 80 Andrew Jarvis Principal
Oboes 61 Robert Orr Section Principal 62 Peter Dykes Associate Principal
Horns 69 Gregory Hill Principal 70 David Moonan + 71 Peter Sharman + 72 Heather Thompson +
Timpani 81 Laurence Reese Section Principal 82 Thomas Guldborg
Cor Anglais 63 Michael Austin Principal Clarinets 64 Patrick Barry Co-Section Principal 65 Philip Green Co-Section Principal Bass Clarinet 66 Rachel Vernon Principal Bassoons 67 Robert Weeks Section Principal
Trumpets 73 Michael Kirgan Section Principal 74 Cheryl Hollinger Associate Principal 75 Mark Carter + 76 Tom Moyer + Trombones 77 David Bremner Section Principal 78 Peter Maunder Associate Principal Bass Trombone 79 Graeme Browne Principal
Percussion 83 Leonard Sakofsky Section Principal Thomas Guldborg Associate Principal 84 Bruce McKinnon Section Principal Emeritus Harp 85 Carolyn Mills Section Principal
Key + Sub-Principal * Assistant Sub-Principal Acting
Special Thanks 2012 Season brochure management for NZSO Thierry Pannetier Head of Marketing / NZSO Head of Artistic Melissa King / Copy Frances Moore & Leah McFall / Research Josh Twaddle, Frances Moore, Sarah Chesney & Jason Henderson. The NZSO give special thanks to NZSO sponsors The Church Design and Astra Print, who have generously contributed to help make our 2012 Season brochure come to life as well as Frances Moore for going beyond the call of duty and Perendale Production for their generosity & support with the Geneva concert footage. www.thechurch.co.nz Brand Guardian, Creative Concept and Design / Chris Waind Creative Direction, Photography & Retouching / Josh Twaddle Lead Designer Kirsten Leighs & Rebekah de Beer-Lamont Project Managers / Ryan Ferguson Production Manager.
FOR YOUR INFORMATION: All prices are GST inclusive. $8.50 Transaction fees apply to all bookings. Details are correct at the time of publication. Dates, times, artists, repertoire, seating and venues are subject to change without notice. Prices are valid as at 02/10/11. Terms and conditions of ticket sales are printed on your tickets. The New Zealand Symphony Orchestra respects information privacy. For a full explanation or our privacy policy please see our website www.nzso.co.nz
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Dara Wakely Stylist & Wardrobe / Erin Leigh Todd Assistant Stylist / MAC Cosmetics / Kirkaldie and Stains / Moochi / Ultra Shoes / Cathy Tree Harris / Costume Cave.
PHOTO CREDITS: Nicola Benedetti Kevin Westenberg / Measha Brueggergosman Paul Elledge / John Chen Jane Ussher / Christine Goerke Christian Steiner / Andrew Grams Jonas Gustavsson Lynn Harrell Christian Steiner / Miguel Harth-Bedoya Van Lente / Stephen Hough Sim Canetty-Clarke / Pietari Inkinen Sandy Connon / Olivier Latry JF Badias / Jonathan Lemalu Sussie Ahlburg Vesa-Matti Leppänen Russ Flatt / Andrew Litton Steve J. Sherman / Helen Medlyn James Ensing Trussell / Rossen Milanov Amanda Stevenson / Simon O’Neill Lisa Kohler / Perry So Colin Beere John Wegner Jeff Busby / Jenny Wollerman Debbie Rawson / Simone Young, AM Klaus Lefebvre / David Zinman Priska Ketterer / Pietari’s Introduction Olivia Taylor / Subscription Offer Olivia Taylor NZSO NYO Robert Catto / Musicians of the NZSO Chris Waind. TERMS AND CONDITIONS: by completing and returning the 2012 Season Ticket order form, you are indicating your acceptance of our terms and conditions relating to the ordering and sale of New Zealand Symphony (NZSO) tickets, as determined by us and specified in full on the NZSO website. The NZSO will use its best endeavours to supply you with the tickets you order, however the NZSO cannot guarantee the availability of tickets, or that seating is available in the reserve you request. Allocation of tickets is subject to availability. The NZSO reserves the right to refuse any application for tickets or completed Season Ticket order form at its discretion. All dates, times, artists, repertoire, seating arrangements, venues and price reserves are subject to change or cancellation without notice. Where changes such as these are made, tickets are non-refundable unless required by law. The only exception is when an event is cancelled and there is no further performance of that event. A full copy of the terms of sale is available at nzso.co.nz or by calling 0800 479 674.