Sanctity Pictured: The Art of the Dominican and Franciscan Orders in Renaissance Italy

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Philip Wilson Press – Sanctity Pictured – PWP jacket Hardback – 256 pages – Trim size 275 x 210 mm – Spine 27.5 mm 4-colour

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Edited by TR INITA KENNEDY

S A NC T I T Y PIC T U R E D

Trinita Kennedy is Curator at the Frist Center for the Visual Arts, Nashville. She was formerly Research Associate at the Metropolitan Museum of Art, New York, for the major international loan exhibition, Venice and the Islamic World, 828–1797, which was also presented at the Institut du Monde Arabe, Paris, and the Palazzo Ducale, Venice. Donal Cooper is Lecturer in Italian Renaissance Art and Fellow of Jesus College at the University of Cambridge and co-author with Janet Robson of The Making of Assisi: The Pope, The Franciscans and the Painting of the Basilica, which focuses on the Upper Church of San Francesco. They are currently working on a companion volume on the Lower Church. Holly Flora is Associate Professor, History of Art, at Tulane University and author of The Devout Belief of the Imagination: The Paris “Meditationes Vitae Christi” and Female Franciscan Spirituality in Trecento Italy. She served as Guest Curator of Cimabue and Early Italian Devotional Painting at the Frick Collection, New York. Amy Neff is Professor, School of Art, at the University of Tennessee and author of the forthcoming book, A Soul’s Journey into God: The “Supplicationes Variae.” With Anne Derbes, she is co-author of “Italy, the Mendicant Orders, and the Byzantine Sphere,” an essay in the awardwinning catalogue accompanying the exhibition Byzantium: Faith & Power (1261–1557) at the Metropolitan Museum of Art. Janet Robson is an Independent Scholar and co-author with Donal Cooper of The Making of Assisi: The Pope, The Franciscans and the Painting of the Basilica, which focuses on the Upper Church of San Francesco. They are currently working on a companion volume on the Lower Church. cover  Giovanni di Paolo. Saint Catherine of Siena Invested with the Dominican Habit (detail), 1460s. Tempera and gold leaf on panel, 113/8 × 9 in. The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1966.2 back cover  Jacopo Bassano (Jacopo del Ponte). Portrait of a Franciscan Friar (detail), ca. 1540–42. Oil on canvas, 313/4 × 271/4 in. Kimbell Art Museum, Fort Worth, AP 1997.02

ISBN 978-1-78130-026-8

cover design  Lucy Morton at illuminati

9 781781 300268

SANCTITY PICTURED The Art of the Dominican and Franciscan Orders in Renaissance Italy

taly in the thirteenth century was transformed by two new religious orders known as the Dominicans, founded by Saint Dominic of Caleruega, and the Franciscans, founded by Saint Francis of Assisi. Whereas earlier religious orders, such as the Benedictines, had secluded themselves in monasteries in the countryside and lived off income from their property, the Dominicans and Franciscans settled in urban centers and lived as mendicants, or beggars, who ministered to the laity. Members of both orders took a vow of poverty, yet soon after the deaths of their founders they were building churches that rivaled cathedrals in size and splendor throughout Italy. They created a tremendous demand for works of art of all kinds to outfit their churches, including altarpieces, crucifixes, fresco cycles, illuminated choir books, and liturgical objects. They had a special need for engaging narrative scenes to recount the biographies and miracles of their saints, and used art to tell stories such as Saint Francis preaching to the birds, Saint Dominic multiplying a single loaf of bread into enough food to feed a whole community of hungry friars, and Saint Clare rescuing a child mauled by a wolf. These visual narratives are notable for their naturalism and emphasis on expressive gestures and human emotions, which were significant new developments in Italian art. This beautifully illustrated book accompanies an exhibition at the Frist Center for the Visual Arts presenting works of art from the collections of American museums and libraries and the Vatican. It is the first major study to examine the art of these rival religious orders together. An international team of art historians provides new insights into the significant contributions made by the Dominicans and Franciscans to the artistic revolution known as the Renaissance that occurred in Italy during the period 1200 to 1550.

Philip Wilson Publishers an imprint of I.B.Tauris & Co Ltd 6 Salem Road London W2 4BU www.philip-wilson.co.uk


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