Giampiero Bartoli by IED DESIGN ROMA PORTFOLIO

PICTURE OF A DESIGNER | WHERE THE DREAMS START

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DIFFERENT PROJECTS FOR ALL TASTES

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Contents n. 2017

EDITOR’S PAGE

CROSSOVER exhibition

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An exhibition dedicated to Zaha Hadid's life in MAXXI, a museum of contemporary art in Rome. The Iraqi architect was one of the leaders and exponent of the deconstructive current. She lived from 1950 to 2016, and during her career. The exhibition's collection includes the most famous works of the architect, which relate to architecture, fashion, and design.

UNITE apartment The “Villa on the roof” in the center of Milan is the last residence of the architect Giulio Minoletti. The project marks, in a sense, the culmination of the refined house. The construction of the building was completed in 1959 and this is why it needs a noninvasive renovation that can enhance the taste of the 1960s but with new needs.

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35Â°N18Â°E exhibition An exhibition that promotes the different cultures and societies of the Mediterranean coast. The concept of the project takes inspiration from the multiethnicity that take place in the landscape taken into consideration: people come from different places but facing the same sea; they live in different but similar environments.

SENSATION OF NATURE apartment

The project identifies itself in the needs of the client who wants an environment that is functional but also personalized. Space actually acquires a personality linked to nature and functionality.

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EPIPHANY shop store The new style of Giuseppe Zanotti’s shop must best represent the designer’s personality. In fact, before becoming a famous fashion designer, Giuseppe Zanotti was a great DJ and this is why the project wants to fully represent the artist’s life.

EPIPHANY

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IMPERIUM textile design Ancient Greece and the Ancient Romans have left us a lot of philosophy, music, poetry, politics, science and art. Today’s society is also the result of the old age and that's why it continues to inspire us nowadays.

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112 HPOINT infopoint The Golden Ratio remains for everyone something perfect and unrepeatable. The human being in the history of architecture have always tried to repeat this event by creating systems close to perfection. The module of this project follows this theory.

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BIRDTURE fashion design For thousands years, people had to survive dressing up with hides and feathers living a life strongly linked to nature. This project aims to rediscover how birds and nature connect with each others.

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am an interior designer. I was born in Frascati a small city, immersed in nature, outside of Rome. I lived my childhood in neighboring countries and grew up in a big family whose business dealed with the import-export of exotic animals. Looking at my mother at working, I learned the passion and sacrifice she puts into work. At the age of eighteen I moved away from home, worked a lot to be able to assure my independance. Thanks to my work experiences, I learnt how important the employer's word is, but above all how to satisfy the client the best. Then one day my life brought me to New York, an extraordinary city that gave me a lot. This experience helped me realize I wanted something more from my life and wanted to make a difference. Ever since I was little I was fascinated by how people behave in an environment and how the person himself interacts with their needs. In fact, when I went to college I wanted to get deeper into the study of Interior Design. In the past three years, I have shaped my thoughts and I understood that design is a tool that amplifies our humanity and can represent a frame that revolves around our lives. Design is born for a human need, it is what makes us better to live with ourselves and with the surrounding environment. I think design is not just a simple word for describing a thing or an object but it's like a microcosm of ideas, rules, and feelings that, at the same point, can create something wonderful.

Giampiero Bartoli

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Giampiero Bartoli D E S I G N E R

ABOUT ME Iâ&#x20AC;&#x2122;m an Designer, a strong, intelligent, dynamic person, capable of adapt ing myself to every situation. I shaped myself throughout the many travels around the world but above all living in New York. Thanks to my sensitivity, on the other hand, I understand that I like to be a reference for people thus becoming a leader capable of resolving misunderstandings. I like to face the day with positivity and energy because I love to give all of myself to what I do. In addition, another peculiarity is to trying to fully understand each context to achieve excellent results.

STRENGTHS

LANGUAGES

Creativity Reliability Communication Leadership

Italian English Romanian

INFO Birtday // 30 July 1991

Issuu // giampierobartoli

Nationality // Italian

Behance // giampierobartoli

Address // Via Formello 17G Monte Porzio Catone (RM) Italy Number // (+39) 340 6613235

Linkedln // giampierobartoli Instagram // giampierobartoli

E-mail // giampierobartoli@ied.edu

QUALIFICATIONS AutoCAD

Illustrator

Word

Rhinoceros

Indesing

Power Point

3DStudioMax

Premiere

Excel

V-Ray

After Effect

Pages

Photoshop

Da Vinci System

Keynote

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EXPERIENCE 2014 oct - 2017 july

Collaborator IED - Rome

EVENT MANAGER : My role was to organize events on behalf of the students and the university. Geting in touch with the university administration, dealing with private locations and then creating the event by managing charts, DJs, directors, and doing public relations. INTERIOR DESIGNER : Collaboration for setting up an iconographic exhibition about Zaha Hadid within MAXXI Museum's spaces- Referents: Maxxi Foundation and IED.

2016 sept- 2017 feb Collaborator IED - Rome

INTERIOR DESIGNER : Collaboration for a restoration of an apartment in Milan belonged to Giulio Minoletti - Referents: Federico Brugia and Archt. Nicola Auciello.

Manager IED - Rome

2016 sept - 2017 july

EDUCATION 2014 oct - 2017 july

Graduation I level IED - Rome

2014

Diplome Scientific Address

ACQUIRED ABILITIES : Interior Design - Final Voting 110/110 cum Laude Fully manage a design project, typically made up of different areas including manufacturing, marketing, graphics and technical aspects. ACQUIRED ABILITIES : Italian language and literature, mathematics, physics, chemistry, biology, history, philosophy, Latin language and culture, English language and culture, art history and technical drawing.

LEADERSHIP EXPERIENCE 2014 oct -2017 july

Student Council IED - Rome

PRESIDENT : Duties usually include working with students to resolve problems, informing school administration of ideas emanated from the student body, and managing the student government in the capacity of Chief Executive Officer.

SKILLS Ability to read and draft construction domuments Hand and computer rendering, hand Sketching LEED knowledge

ADA knowledge Model building Space planning

HOBBIES & INTERESTS Nature

Music

Animals

Minerals

Cinema

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THE JOURNEY OF MY LIFE

#rome #newyork #sanfrancisco #london #losangels #dublin #olulu #bucarest #istanbul #lasvegas #athens #tor

#bangkok #barcellona #tunisi #cairo #makassar #aless

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ronto #chicago #perth #hongkong #tokyo #vancouver #honolulu #anchorage #paris #madrid #seoul #siemreap

sandria #luxor #assuan #milan #seattle #portelizabeth

bartoli | S H O W E R I N G

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Picture of Dame Zaha Mohammad Hadid, Iraqi-British architect

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ZAHA HADID Zaha Hadid (born October 31, 1950, Baghdad, Iraq - died March 31, 2016, Miami, Florida, USA), a British architect of Iraqi origin known for his radical deconstructionist designs. In 2004 she became the first woman to be awarded the Pritzker Architecture Prize. Hadid began his studies at American University in Beirut, Lebanon, receiving a Bachelor’s degree in mathematics. In 1972, she moved to London to study at the Architectural Association, an important center of progressive architectural thinking in the 1970s. Her fragmented style led her to be grouped with architects known as “deconstructors”, a popular rendition from the 1988 “Deconstructivist Architecture” exhibition held at the Museum of Modern Art in New York. The first big project to be built on Hadid's project was the Vitra Fire Station (1989-93) in Weil am Rhein, Germany. Then she did a lot of projects and in 2010 she realized the MAXXI Museum of Contemporary Art and Architecture in Rome was completed. She has earned the Stirling Award from the Royal Institute of British Architects (RIBA). She won a second Stirling Prize the following year for an elegant design conceived for the Evelyn Grace Academy, a secondary school in London. Hadid fluid’s design for Center Heydar Aliyev, a cultural center opened in 2012 in Baku, Azerbaijan, won the Design of the Year of the London Design Museum in 2014. She was the first woman to earn that award - which judges drawn in architecture, furniture, fashion, graphics, product and transport - and design was the first in the category of architecture. Other major works include the London Aquatics Center built for the 2012 Olympics and the Eli and Edythe Broad Art Museum, which was inaugurated in 2012 at Michigan State University in East Lansing, Michigan.

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LOCATION

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"Prisons of Invention" Giovanni Battista Piranesi - "Suprematist Composition" Kazimir Malevich - "The Peak " Zaha-Hadid.

Ispiration from the painting aerial perspective and layering of Zaha Hadid.

The sinuous curves become massive forms then find lightness

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REFERENCES The project is inspired by layers that are extended into a space that outlines the surrounding environment. The layers are differentiated by strong colors that underline the different fields of belonging. The shapes instead take up the fluidity of the surrounding environment in a harmonious way.

CONCEPT The project exalts the forms of Zaha Hadid, namely dynamism, and sinuosity, but at the same time, it must communicate practicality and differentiation. The three colors are meant to divide the projects made by the architect.

EVOLUTION The three images represent the process that leads us to the final conception and division of the space.

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EXHIBITION SYSTEMM 4611 290 197

161

437 233 2682 331

454

143

332

446

212

262

294

189

low height

medium height

high height

2020

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architect

interaction

desing

first route

fashion

second route

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MODULE 100

100

260

180

300

320

125

190

255 300

SYSTEM

panel

example

20 40 60

exhibitor

detail 28

310

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LIGHT DESIGN

persistence light

exposure lights

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SECTIONS

A-A’

B-B’

Lorem ipsum dolor sit amet, consectetuer adipiscing elit, sed diam nonummy nibh euismod tincidunt ut laoreet dolore magna aliquam erat volutpat. Ut wisi enim ad minim veniam, quis

C-C’

D-D’ 32

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B A

Lorem ipsum dolor sit amet, consectetuer adipiscing elit, sed diam nonummy nibh euismod tincidunt ut laoreet dolore magna aliquam erat volutpat. Ut wisi enim ad minim veniam, quis

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MODEL

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We t name

travel the world seeking out creative techniques to develop unique wallcoverings that allow us to live up to our e. We offer some of the most advanced wall covering products for both residential and commercial applications.

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ISPIRATION

The project is based on the Eames House, the Fascio di Terragni home, and the Frank Lloyd Wright falling water house. Buildings of the 40s and 50s that have revolutionized the function of private space.

NOW

The interior spaces of the house have a typical design from the 1950's. Environments designed for a private life that was lively and functional. They used luxurious materials such as marble and wood that create a warm and relaxing atmosphere..

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LOCATION

The space that is taken into consideration is a penthouse consisting of two floors on the eighth and ninth floor of a building built in the center of Milan. The palace is located near the Velasca Tower and the Duomo of Milan.

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A STEP INSIDE

he house consists of two floors, with a penthouse, of a building built in 1958 by architect Giulio Minoletti in Milan. The apartment is then made with the materials and style of that era. green marble, wood and rock are used inside the space. The owner who followed the project is the famous Italian director Federico Brugia, who wanted to preserve some spaces and to modify others. For the entrance of the house, it was thought to create a more reflecting light, through a marble wall and a staircase that remained open but to resume the materials used in the original project. In the living room instead, the fireplace wall was replaced with the same marble used in the entrance, a hole was created inside a wall to create a sitting. It was invented an element that could be repeated throughout the house for different needs and to resume the style of the countertop in the same living room, so a deliberately colored gold grid was born to resume the skirting throughout the house. Subsequently, some of the spaces inside the apartment were modified at the request of the entourage. For the attic a room for the the daughters with a shared bathroom was designed; an area reserved to the owner of the house, with closet, bedroom, and connecting bathroom; a study and finally a guest room with bathroom. In the penthouse, instead, it was planned to put, another studio, a

Ren

movie room, a lavatory, a sauna, a bathroom and a veranda.

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nders images realize with Rhino and 3Ds Max

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ANTE OPERAM

floor 8

floor 9 48

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POST OPERAM

floor 8

floor 9 49

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SECT

SEC. A-A’

270

300

SEC. B-B’ 52

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TIONS

C A A

B B

C C

A A

280

230

SEC. C-Câ&#x20AC;&#x2122;

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ENVIRONMENTS & INNOVATIONS

sauna

closet

yard

movie room

bathroom

passage

kitchen

bedroom

laundry

living room

studio

others

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521 227

278

212

256

231

18 64

215

The grid contains fourteen pots for climbing plants. The module of structure is 20 x 20 cm.

The grid has the function of dividing the environments, but it can also be useful for hosting objects. The module of structure is 15 x 15 cm.

542 40

480 36 52

300

123

230 208

The grid has the function of dividing the environments, but it can also be useful for hosting objects.

The staircase has been made with structural glass and green marble to be one with the environment. The glasses make it stay bright and communicating with the outside. The footsteps, however, are covered in green marble to give a sense of continuity from the upper floor to the upper. They are partially supported by structural glass and partly by an internal iron core.

The glass structure has been specifically designed for the top floor terrace to create a bright ambient. The structure has an aluminum frame and upper and lower openings for proper ventilation. It is thought to create a system similar to a greenhouse because it is possible to accommodate plants and a relaxation area inside.

BARTOLI DESIGNER from ideas to reality

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The logo starts from the idea of the square as a meeting point, a circle that embraces more ethnicities. The Mediterranean is the great square where these cultures meet, and connects all the squares of the surrounding continents.

Asia

# F6D5A4

Africa

# C37863

Europe

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35°N18°E

are the coordinates of the center of the Mediterranean. The project originates from the desire to express through dynamic and changing installations overtime the concept of multiethnicity that happens in the panorama taken into consideration: we all come from different places but we face the same sea, we bathe in the same water and, in fact, we live in different but similar contexts. From here a reference to the urban element of the square that, for the building, welcomes and integrates everyone who wants to be part of it. In addition, the choice of designing dynamic systems derives from the need to convey to the visitor the idea of change that more than anything else belongs to us. This is a change linked to the growing events of this sea and sometimes make it a protagonist of unpleasant scenarios for which we are the cause. So through this project, you want to make it clear to the interlocutor that you no longer have to feel that you belong to your own culture but that you are part of a larger community that is constantly influencing.

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PROJECTT C

A B

SEC. A-A’

SEC. B-B’

SEC. C-C’ 64

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1 STEP

2 STEP

3 STEP

In the first exhibition hall, a pedestal will be rotated at 60 Â° every two hours, with the three combinations shown above. This design choice comes from the desire to convey a feeling of dynamism and continuous change in order to mix the various cultures by supporting the concept of multiethnicism.

In addition to the movement that the footboard performs, at the center of it, on the ceiling, directional audio panels are attached. They play popular songs of different cultures just to give the interlocutor a sense of interest to what is different from what they are used to feel. The message that is repeated throughout the show is that all cultures are similar, not by religion or race history, but only by the fact that they are all made up of people. You should not lose your culture but you can teach others and be taught to become better people.

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HOW DOES IT WORK?

Visitor’s path in relation to the interaction that the elements represent

Sound suggestions that point to the urban scenery of the squares

Sound that

suggestions point

scenery

the the

urban squares

Symbolic

reference

panels

suggestions

the three continents, which, by

reproduced in the first room

moving, give dynamic scenery

Sound

The

visitor’s

output

programmed

Rotating seat inside the central pavilion

every two hours for a change of scenery

that favors the 360 ° view of the images

to allow the visitor to observe the same

projected on the surrounding walls

exhibit

but

with

different

contents

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SYSTEMS

Plant

video

projectors

On the side of the exhibition space there are two installations where the movement is repeated, but this is through the use of panels that show or hide certain objects, but in the case of the central space there is an interactive area. The two similar showrooms exhibit panels are textured through video projectors. These panels are shaped in a way that delineate the place giving the space always different features. The triangular shape represents Africa, the circular one Europe and the squared one for Asia, the same forms are used as exhibitors in the main room. They also move up and down, always creating a scenario of discovering or covering objects that are also textured. For the central space there is a sitting and around there is an oval wall on which all the squares of the cities are on screen overlooking the Mediterranean Sea. These solutions have been chosen just to stay in the theme with the show but to create amazement for those who visit it. The exhibition has the task of leaving a message to the spectator, but it must also create a positive atmosphere that invites to stay for a long time and which also arouses interest in something difficult to understand.

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MODEL

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BARTOLI Human Design For over three years we have been designing your homes. Design is always born around the emotions of those who live it and for this reason the center of each project is you.

Indoor - Outdoor for all your needs

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the project is characterized by

house or living area connected to the kitchen. For this reason, only one focal point has been made in this space, which presents as the main feature a partition in the center that does not close the space but rather connects it to the other. The stratagem that has been used in this context is a partition made up of polished steel tubes that let you glimpse the other part but at the same time divide the total space. In addition to being exploited in all respects, it was used to put a television so that it also had a dual function. In fact, the space, after the restoration , was divided into a part devoted to the kitchen with a table to eat and a part of the living where you can sit on a comfortable couch and watch tv but also you can see also the other person cooking from the other part.

the theme of nature and a clean and refined design. The space that is taken into consideration is an apartment to be restored in which the spaces were small and poorly distributed. The house was designed to accommodate a couple in which one of them had a room where is possible to work, a double bedroom, a wardrobe, a large private bathroom, a guest toilet, a washbasin and a space unique for cooking and living. The choice of materials has natural origin such as wood floors for interior or slate for those in contact with water. For space furnishings, the choice was to follow a design closer to Scandinavian design, with simple furniture and soft colors that create a harmonious and relaxing environment. The complicated part was to create the heart of the

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PLAN

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SECTIONS

SEC. A-A’

SEC. B-B’

BARTOLI INTERIOR

EPIPHANY

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“I’ve always been curious and for me the most important job a designer has is to continually find new creative points of view”

ootwear designer Giuseppe Zanotti was born in San Mauro Pascoli, Italy, a small town known for skillful shoe manufacturing. After designing shoes for Fendi, Valentino, Vera Weng and more. He founded his eponymous collection in 1994 and developed a devoted following for his sexy silhouettes, exquisite embellishments, and superior craftsmanship. Giuseppe Zanotti has never looked back from the moment he hung up his DJ headphones to create one of the most worshipped items in a woman’s wardrobe designer shoes. The designer has become a global phenomenon in the luxury shoe sector in just over a decade. The first Giuseppe Zanotti boutique opened in Milan in 2000, followed by additional stores in New York City, Paris, London, Moscow, Hong Kong, Miami, Los Angeles and Saint Tropez. In 2016, Giuseppe Zanotti celebrated the opening of its 100th flagship store at IFC in Shanghai. It now has 67 stores across the world. Since then he has placed himself at the top, forming part of the “big three” of footwear, alongside Louboutin and Blahnik, and has collaborated with forward-looking labels such as Proenza

Schouler, Thakoon, Christopher Kane and Delfina Delettrez. The idea of the concept of the shop’s design is based on the life of Giuseppe Zanotti who was young when he was a DJ. The shop is completely inspired by the brand’s current design. In fact, geometric shapes, strong lines, and materials are taken back. A great diversification is given by the creation of illuminated fluorescent tubes hanging along the shop ceiling. These do not only have the function of lighting but they turn off and turn on in the rhythm of the music. The idea of this system was taken by a famous French Light Designer Kersale and a Sonos installation. Another distinction has been creating an unusual entrance in which you can mirror at 360 degrees but at the same time, you can discover a new vision of the city through the staircase at the center of the entrance. While you observe the sight, you can enjoy a drink to relax under a huge rainbow-colored umbrella. For this detail, Daniel Buren’s work was inspring. In the end, space was also created with the intention of giving the store the opportunity to create private parties for their best customers.

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PLANS

before

GF after

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1F after

ROOF after

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SECTIONS

B B

SEC. A-A’

SEC. B-B’

SEC. C-C’ 92

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B B

SEC. D-D’

SEC. E-E’

SEC. F-F’ 93

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DETAILS The materials used within the space are deliberately few for the design choice. Concrete is used for floors, white is dispersed throughout the environment to give a strong idea of lâ&#x20AC;&#x2039;â&#x20AC;&#x2039; ight, black is used for exhibitors and eventually gold to give the store a sense of luxury. Sound absorbers are also used to limit the sound of music inside the store.

0.2

Fluorescent tubes that are present along the ceiling are supported thanks to a grid located just below the ceiling. The grid is white in color, it has a 30 x 30 cm module that repeats its entire surface.

30 0.5

The lights tube are differ with size to create a movement on the ceiling. The lights tube differ with size for creating a movement on the ceiling. The reason for this solution is to create an extraordinary environment when the people walk below to ceiling.

1.30 cm

90 cm

50 cm

30 cm

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EXTERIOR VIEWS

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MODEL

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BARTOLI Interior

The wall are exposed paintings by Giampiero Bartoli.

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he pattern design of the fabric has taken inspiration from a past now lost. “The conquered Greece conquered its fierce winner, bringing in the Lazio the farmer and his limbs”: they recite the lines of Horatio. There are some fundamental reasons, according to Paul Veyne, a French scholar of the classical world, for the Rome Empire finally assumes the Greek-Roman name, thus recognizing openly the decisive contribution of Hellenic civilization. An empire that, at the time of its greatest expansion, spread over an area of five million square kilometers, from North Africa to Afghanistan, now occupied by some thirty different nations; a “globalized” empire, where events occurring in the most peripheral regions had resonance and consequence in Rome. In a multiethnic scenario like this one where they were born, grown and influenced by many cultures that are partially mirrored today. That is why I wanted to be inspired by this time and above all, I wanted to consider the Roman mosaics and the Greek vases to create something extraordinary. In the history of Greek ceramography, mythological subjects are the most frequent, only in the late archaic period and in the classical period, there is a greater number of subjects referring to everyday life. Contemporaneity and portraiture are themes only welcomed in the 4th century b.C. The mosaic are born first and foremost with practical intent rather than aesthetic: glazed clay or pebbles were used to cover and protect the walls or

floors in the dirt. They date back to 3000 b.C. The first decorations of clay cones from the enameled base of different colors, used by the sumerians to protect the brick masonry. In the imperial period advanced, the mosaic met its most striking expressions as evidenced by archaeological finds both in the West and in the East. The themes of these mosaics are related to classic mythology or scenes of everyday life.

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MODULES

#877276

#4B4957

#C7E4E1

#DEC892

#0D686E

#CFC7AC

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OPTIONS

#B17A91

#B0CAD5

#426887

#468A86

#EEE2E2

#EAE7DD

#97CEBB

#EEBDBE

#4A8B84

#877276

#8D8268

#4B4957

#CEB889

#C7E4E0

#CFC7AC

#DCC792

#D2C6BF

#C2A4CD

#F5B5A3

#EBA75D

#A24739

#0D686E

#9F7A43

#CDC6AC

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STYLE OF CHOICE

Bambagia di Gossypium Barbandense

Cotton ”Battista”

The material that is intended to be used is cotton. Cotton is a shrub plant belonging to the Malvaceae family, native to the Indian subcontinent and the tropical and subtropical regions of Africa and the Americas. Cotton is usually used in the textile industry. It is used very often due to its comfortable and breathable properties. The cotton fabric is obtained by weaving cotton yarns obtained from the pelvis covering the seeds of the plant. With the term cotton fabric, it is generally meant to indicate not only woven fabrics but also meshes and jerseys. Cotton is a natural fiber of plant origin. Cotton fiber has anelastic behavior. Mechanical resistance is affected by the presence of water: the moist fibers are denser than the dry ones, the air has good stability, contact with the flame burns very easily leaving the white ash, leaves a fresh feeling on the skin.

PROCESSING The “Batista” work is derived from the name of the weaver Baptiste Cambray, originally from the village of Cantaing-sur-Escaut near Cambrai, which at the beginning of the 13th century would have developed

a weaving process that allowed to obtain very linen fabrics purposes. The success of Cambrai’s canvas crossed the borders and began exporting to France, Spain, Italy, England, and the Netherlands. With the arrival of cotton, the advent of new fashion fabrics and mechanization production began to decline. Canvas armored fabric, made with thin, mercerized and combed yarn, is now in pure linen nowadays marketed in mercerized cotton, even in a mix with small percentages of viscose and polyester that give it more luster.

DESTINATIONS The use of the patterns for the fabric created, it is thought to apply them to the decorative environments of the living environments, this to enrich the spaces but also to act as decoration to produce in the user not only a visual pleasure but also comfortable. It was originally intended to be applied to the bed head and to the snow cover. But the modules created have very versatile fantasies, so they could be used in other ways, such as bedding, for fabric panels to cover the walls, curtains, armchairs, sofas and to create separations.

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DETAILS

20 cm

The standard module provided for the modules is 20x20 cm but this may vary due to the difference of the surface being taken into consideration but also from the same image created.

20 cm

A A

D D

C C C C

D D

A A

Printing on the fabric for the more complex pattern created was thought to use “the allover” technique in which there is a module that is repeated on the entire surface following a given pattern.

As far as the simplest modules are concerned, those with the design in the center are thought to use “the patch” technique, in which the printed motif is placed at a certain point in the fabric.

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Designing an Info point might seem simple and fast, but itâ&#x20AC;&#x2122;s not like that because it must take multiple inconsideration in a very small space. One of the most important things is to think about the flow of tourists who might come inside and where they can stay and ask for information. Do not forget is to create a readable environment for everyone to even ask for information to take a walk. The design idea was born from the subdivision of the interior space to the infinity which led to the creation of a module consisting of a scaled triangle (21; 33; 25) cm. At this point, it was easy to imagine the use so that the info point had all the basic features to be functional. Thanks to the randomness of the adopted system, the inside of the structure appears as a mirror image that creates the name. Space was designed to accommodate a large flow of tourists even being very small. The materials used have a majority of Chen wood laminated plywood wood, while aluminum is used for the fixtures and for the perforated panels and the glass to allow outside viewing and not to create an oppressive environment.

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100

COMPOSITE SYSTEM

Storage

164

Sitting B

Exhibitor

Info Desk A

333

114

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SECTIONS

A-A’

284

B-B’

210

C-C’

210 110

115

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DETAILS 100

5 50

1.5

There are many interesting details that are part of this small project but have decided to show only the most important ones.

At the top is the chandelier that resembles the concept of the module in the plan, but differs in height, in fact, the blocks carry four heights.

On the left is shown a constructive detail for the structure. The attack of the outside glass, the false ceiling, and the ceiling is shown.

283

Below is the detail of the sliding glass door in the two entrances.

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SCHENE 7 - INT. HOUSE - BATH TIME The wall are exposed photos about Italian rationalist architecture made by Giampiero Bartoli.

BARTOLI

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# F5F19A

# F4D6AD

# 8CCC9B

# A6D9C5

# E4E0D6

# FCD8CE

# E0848B

THE PROJECT

irdture was born from the fusion of bird and nature. The project is developed in the field of fashion accessories. The demand that has led to the realization of this project is due to a personal concern. Many stylists often create something to put a personal experience inside things. One thing that can often fascinate is just the excitement of two very different fields that, together, create a strong tune, that is why birds in contrast with flowers create a something harmonious and amazing. The realization of this thought gave birth to bags. The bags are a fundamental accessory for a woman who represents herself but also is also a protector of their life. These handbags have a very classic design but are also dutiful to everyday life. The object is made of a waxed and leather finish, nothing

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PORTFOLIO

new in a field where it is now all the same, but at the same time, there is hope that it is different.

DETAILS The waxed cloth is a fabric, canvas armor, and dense reduction, impregnated to make it waterproof. The fabrics used are made of cotton, linen, hemp or other natural yarns that can absorb the waterproofing products in their fibers. The materials used to obtain waterproofing are wax, tar, and oil, mainly linen. Today, waterproofing is also achieved with rubber, silicone and other chemicals.

The wax can become famous thanks to the Louis Vuitton Monogram pattern, but not everyone knows that the fashion’s house takes it back to the garments used by sailors in the late 1700s.

Waxed cotton has a different color for each pattern. The colors that have been chosen are seven and resemble light shades so as not to squeeze the design you have chosen. The design is placed in the center of the bag by either side. That’s why the technique used is “the patch”, in which the printed motif is placed at a certain point in the fabric.

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B A R TO L I P

EDITOR IN CHIEF GIAMPIERO BARTOLI Design Director Giampiero Bartoli Photography Director Giampiero Bartoli Art Director Giampiero Bartoli Interiors Editor Giampiero Bartoli Render Specialist Giampiero Bartoli Market Director Giampiero Bartoli Articles Editor Giampiero Bartoli Copy Editor Giampiero Bartoli Contributing for Modeling 3D flos.com Contributing for Modeling 3D 3dwarehouse.sketchup.com Ispiration of Portfolio Dwell Ispiration of Portfolio Living Ispiration of Portfolio Elle Decor Ispiration of Portfolio Architectual Digest Ispiration of Portfolio The world of Interiors

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