[christine.phillips]
Freehand.drawing Array.temple ring.pavillion Knotted.modulator site.matrix biomimicry.competition edible.ecology matrix.construct gainesville.infill obverse.tower Kosmos.tower water.block
Array.temple
A temple of nichiren daishonin buddhism on the water in lake alice, gainesville
two wood fins a self supporting
wall panel syste
Floor joist array with a notched
are anchored together to create a column
em fits between the column fins
y radially around a center ring beam connection
reflective panels amplify the light traveling through the oculus wood screen defines the exterior of the oculus and is notched into the ring beam a ring beam holds up the oculus and connects to the roof joists roof joists array radially from the roof beam and connect to the columns surface panels wedge between the room joists providing enclosure u-shape connectors suspend the ceiling from the roof joists wood fins connect the ceiling joists to the roof joists
additional wood fins are doubled around the ceiling joist and connect back to the columns pin connections anchor the fins to the ceiling and columns columns support the roof joists with u-shape connectors
ring.pavillion
The question of pavillion is not awnsered with program. It is awnsered with experience. The understanding of experience ot the pavillion is that it must be an interior experience as much as an exterior experience. Therefore shaping of the form is equal to shaping of the space.
Roof Structure Ring
Fin Structure
Glass and Steel Wedges
Floor Joists
Dovetail Connection Center Piece
Knotted.modulator
The question of enclosure provides parameters like scale, light, and view. Once a design determines the level of enclosure, its relationship to these parameters are established. The wall itself is never a two dimensional construction. Therefore opportunities to frame views, mitigate light, and provide a human-scaled sense of enclosure can be found by embracing the three dimensionality of the wall. The wall determines the relationship between the inside and the outside, therefore people will demand that the wall feels substantial, that it encloses to a certain degree or else it ceases to be a wall. This definition of enclosure is fundamental to the idea of wall.
X Connector
Secondary Component
Primary Component
Straight Connector
The act of making can determine the scale of design. For instance construction methods limit the size of a particular piece or part of the architecture. The closer the piece is to human scale the easier it will be install. Therefore all architecture is made of pieces.
site.matrix
analysis of proximate activity graphic representation of forces spatial extrusion based on program ic demands site forces are translated into graphic information. A matrix is composed of these forces so that a holistic understanding of the site can be reach and form can be generated from these conclusions and their overlaps.
reverberation
vibration of metalic bridge ascendo and crescendo passing traffic
of
rotated grid
perpendicular relationship of vehicular traffic to nautical traffic
public to private
soft transition affecting site in rythm
repose
visual interuption of skyline eastward veiw directed from site geometry
hard line soft transitionion [program] yacht.club
public sector reception space restaurant and bar administrative office museum with integrated dockage
private sector member clubhouse permenent and transient dockage administrative office sailing center
the transition from public to private within the complex occurs along the existing seawall points simulating the original function of the park and providing neighborhood connectivity
the relationship between public and private the relationship between land and water where water was displaced with land to provide private program demands, land was displaced with water to further filter public access transaction between two entities
biomimicry.competition Biomimicry is the examination of nature, its models, systems, processes, and elements to emulate or take inspiration from in order to solve human problems for this process we looked specifically at solving air quality issues
alga
Reduces atmospheric CO2 into organic carbon sugars to feed both symbiants. Cyanobacterium can fix atmospheric nitrogen
fungus Surrounds photosynthetic partner (alga) cells enclosing them with complex fungal tissues unique to lichen. Protects the alga by retaining water, serving as a large capture area for mineral nutrients
both
Gain water and mineral nutrients mainly from the atmosphere, through rain and dust. Lichen association is a close symbiosis, it extends the ecological range of both partners Largely considered “mutualistic�.
by means of mimicking the properties of a lichen. For this project I worked with other students, and as the group leader, colaborated with people. Fields of study involved were architecture, botany, and chemical engineering.
regulate humidity
The lichen provides a model for a p a s s i v e l y r e g u l a t e i n d o o r h u m i d i t y. I n humid conditions the cells of the lichen absorb water from the atmosphere.
variable density
Tissue branches are denser on the outside of the plant. This maximizes exposure to the sun and energy production. density of structure reflects density of alga life and density of alga life relflects abundance of uv-b rays.There is a relationship between energy and structure.
symbiotic relationship The relationship between the fungus and alga is a mutualistic. The Fungus needs the alga to produce energy and the alga finds safe harbor and maximum sun exposure in the structure of the fungus.
removes toxins from air
Because the Lichen itself is a response to the infertile environments it usually grows in, it has adapted to absorb nitrogen form the air and transfer it to the ground, which as a result, cleans the air and fertilizes the soil. This inspired us to consider how we think about treating air quality in the built environment. Can we passively absorb toxins or nutrients from the air ?
lightweight structure
The structure of the Lichen is remarkable in terms of efficiency. It requires little intrusion of the soil in order to form a strong foundation. If you were to attempt to harvest the lichen, you would notice that it would take some force to pull from the ground, even though it was only imbedded an eighth of an inch deep. This type of structure is also beneficial to the soil. The Lichen often grows in places that have sandy, loose and infertile soil. The sprawling network of the Lichen acts as a network that holds the soil in place and prevents erosion. This inspired our team to consider how a structure can interact with the ground, lightweighting techniques and structural efficiency.
active outdoor Urban application where harvested solar energy can be utilized. Outfitted with thin photovoltaic cells, the lichen like structure acts as a host for energy collection. The use of Silica and titanium dioxide together (SiO2-TiO2) as a finish material would mimic the air filtering and humidity controlling aspects of the lichen. This provides air filtering and humidity control for the urban environment.
passive outdoor Low impact ground intervention. This is a new way of looking at building foundations. If an outdoor structure is desired on a site that is a park or previously un-built. The lichens structure can serve as a model for providing a lot with little digging. The structures have a shallow terrestrial impact that stabilizes the surrounding soil
active indoor Retrofitting a current a/c system to provide additional air filtration. The photocatalytic air filtration would be effective if centralized at the air handling unit. This centralized system would require ultraviolet lamps to allow for photocatalytic degradation of air pollutants. The use of one central location would minimize the use and cost of the SiO2-TiO2 material required, and the use of ultraviolet lamps would ensure efficient photocatalysis. Overall the system is believed to be highly cost effective following the monetary gains from increased productivity and reduces absences due to airborne illnesses.
passive indoor retrofitting existing buildings with interior installations. It can be placed directly into a space and used to directly improve surrounding air quality. The modularity of the developed structure would allow the form and use to be flexible and easily constructed. This could take form of a wall partition that could improve the indoor air quality of hospitals. By using a model that hangs we are able to employ a tension system which uses principles of light weighting. The SiO2-TiO2 needs UV light to activate air filtration so a lamp will sit at the core of the structure and activate the finish. A translucent membrane system covers the exterior from knee to head height to prevent any patients or employees from being overexposed to UV light. However there are many health benefits to the exposure of UV light and the generation of vitamin D.
edible.ecology
This project is concerned with program and form. The intention is not to have one determine the other but rather to have growth and discovery in both areas, simultaneously but not necessarily related. Program as it is given is a culinary institute along the estuary in Charleston. As an exercise of innovation the program was studied and dissected, and recomposed with a focus on local ecology, The culinary institute transforms into a testing ground for truly local cuisine. Mollusk farms, fish tanks and marine biology labs accompany the kitchens, classrooms, and restaurant. Form is generated through properties of water, although this is in theme with the program, the investigation of form stands independent of the investigation of program. Material studies using water balloons and plaster investigate the spaces between and with containers of water. The elasticity of the water balloon allows spaces to be affected by proximity to each other, and the properties of plaster allow a registration of void and aperture within the piece.
The investigation of form lead to an investigation of space. Concave spaces and Convex spaces, as they were referred to, were understood as having inherent possibilities for program. Concave spaces became the vessels of program, the classrooms, fish tanks labs and offices, while the convex became the circulation space, the kitchens, which are highly circulatory, the restaurant and the hallways.
matrix.construct The movements of futurism and cubism left a library of idea layered in paintings extracting the concepts of these movements by means of two dimensional matrix analysis and three dimensional spatial explorations.
Three dimensional exploration initiated with surface articulationlater to be interpreted as manipulations to the ground plane. The simultaneity of time and space a concept captured in a painting can evolve into three dimensional form and four dimensional spatial experience
program
auditorium reading space gallery social learning
site
e. las olas blvd high traffic student population tourist population
gainesville.infill The velocity of pedestrians was taken into consideration for this project. The infill site was previously abandoned despite being on a corner lot in a semi-urbanized area. The intent was to create systems of materiality that fit together into a cohesive building. Understanding of structure and enclosure was gained through addressing a corner urban lot. Tiered seating with a main street view.
obverse.tower
Shibanpo translates to stone slope. A steep, elegant terrain that houses a quiet historical district in the rapid expansion of Chongqing, China. As the city grows history is erased. Ancient pathways are replaced by mega block buildings. Pedestrian access is challenged by development. Any architectural intervention on this site should be concerned with preservation of these spatial qualities of the historic housing, which will in turn preserve the communal nature of life at Shibanpo. Additionally, the steep slope of Shibanpo demands vertical circulation at an urban scale, resulting in corridors of stairs that prove difficult for the multi-generational occupancy. The combination of the intention to preserve historical spatial qualities and the intention to respond to topography, inspired the idea of urban ramp. Along the ramp, oversized landings become nodes for urban program. Places to play Mahjong and participate in Tai Chi. Residential towers are also nodes along this path. Balconies are worked into the system of ramp and the resulting spaces encourage public interaction, similarly to the spaces of the historic housing. Shibanpo embodies the ideals of a multi-generational community that respects its history despite the ever changing surrounds. The stone slope equates to a long walk, a long walk equates to a slow life. In Shibanpo people find peace in a slow life.
Kosmos.tower
water block In the condition of urban island, New York is both surrounded by water and separated from it. Its inhabitants are bound by rivers edge, yet rarely interact with the element. The onset of hurricane sandy has led many to question this distance, because the waters’ edge chose to impede upon the New Yorker’s daily life. At once the question of how our buildings interact with water was forefront in the architectural community and beyond. Do we build higher? Do we dam our edges? Is water something we can control? The paradox of this evolving relationship of human and water is that New York is sectionally established. There is a strong relationship to the pedestrian and street level occupation, in that the answer is not merely to eradicate first floor inhabitants and venues. Secondly and more concerning, there is a direct link between the underground and urban travel in regards to the subways. Both these issues are cultural as well as urbanely strategic, and create a sense of place.
The realization that our built relationship with water needs to change may contradict these ideas, but not necessarily. There is merit to the architectural exploration of how to mitigate this complicated and historical relationship of the human and water. To examine the architectural possiblilties of water at the urban scale, this project looks at two states of water in relation to the human; Unconditioned water and Conditioned water, respectively. To address the violence of massive amounts of water in flux, a proposed urban scale well system can be used to detain storm water and prevent flooding. These wells can be located throught the city and work as nodes along a grand system of storage drainage. During times of normal rainfall these wells can become tourist attractions and hosts of obscure concerts. Due to the shear verticality of the space an entire new spatial experience will be offered to the city. Most importantly, this infrastructure will prevent flooding in shallower subterrainin
spaces and prepare for a catastrophy like Sandy. Providing temporary dwelling for victims of subterrainian living conditions is a situation that no one was prepared for during Hurricane Sandy. More importantly an icon of safety can bring people to much needed releif. The Hurricane Releif Center is part pavillion, part meeting space, part temporary housing. During times of normal rainfall it is a place of magic, sound, and light that connects to the highline. Its brass pods provide a dull, warm music that is an interactive delight to passerby and enthusiest alike. Collectively this system of pods create an architectural icon that resonates the importance of responding to climate change. During times of disaster the lower floor serves as a meeting place to provide victims with supplies and care, the above layers have a series of cat walks that link the grid of habitable pods. Each pod is capable of sleeping a nuclear family. During times of extreme flooding the pods can be detached and used as small water crafts to float victims to safety.
A perspective of the above ground pool shows how urban space can be connected to aquatic space. The Aquatic Institue to the right blends seamlessly with the water providing a mitigating entity.The above ground pasage ways are a system of ramps that elevate the public to program on higher floors, as well as provide access to safety during
flooding. The primary mass of the program is on the second floor or higher to respond to rising currents. The first floors’ perosity provides access to the core of the project, which is the public space. The perimeter of the block will use the first floor as a flux space for pop up markets and galleries that sync with the area’s upcoming art district
1 Aquatic Institute Adiminstration 2 Post Sandy Initiative Headquarters 3 Lecture Halls 4 Hotel Lobby 6
12
8
5 Studios 6 Classrooms
1
7 Public Pool
3
8 Retail 7
9 Live/Work Residence 9
11
10 Grocery Store 11 Waterscape/Playscape
4
12 Galleries/Showrooms
13
13 Residential Tower 14 Bookstore/ Diaster Relief Center
10
2
5
14
Site Plan
A plan of the speculative NY block showing mixed use program on the perifery, and aquatic program on the interior, illuminating water as the core of the project.
To address the inhabitants relationship to water, a series of public pools and water elements will offer aquatic interaction at a varitety of scales, therefore offereing different experiences for inhabitants with variying levels of experience. An above ground pool connects diectly to a swimming institute, where practice meets theory, and ideas about the built envioment transitioning into the aquatic can be tested. Subterrainian pools offer year round weather proofing and visual connection to the storm
water wells, as a reminder of the duality of waters temperment. These pools vary in scale from an olympic size training pool to a small wading pond. The underground complex is connected through a network of spaces that allow shafts of light to enter, creating a powerful experince, whether harsh and dramatic, or warming and subtle. The Idea is that by manipulating light and space the architect can create different experiences, which in turn can shape theinhabitants interaction with the water.
christine.ihilani@gmail.com 44-430 Kaneohe Bay Dr Kaneohe , H 96744 808.349.7778