Spring Program Guide 2016

Spring

2016 Films & Events

A p r i l / M ay / J u n e

WELCOME TO INTERNATIONAL HOuSE PHILADELPHIA IHP is pleased to broaden the horizons of its Residents, Members and the Greater Philadelphia community by offering a wide range of renowned international and independent films, concerts, cultural celebrations, art exhibitions and special events. For information on films and programs, visit www.ihousephilly.org/calendar.

TICKETS • Advance tickets can be purchased online at www.ihousephilly.org/calendar for most listed films and events.

• Tickets can be purchased at IHP’s Box Office, which is generally open 1 one hour before each film or event until 1 hour after the starting time. The Box Office is not open during “free admission” events. The Box Office phone number is 215.387.5125.

• Unless noted, tickets prices for IHP films are $9 for General Admission, $7 for seniors and students. IHP Members and Residents enjoy free admission to most films.

GETTING HERE International House Philadelphia is located at 3701 Chestnut Street in the heart of University City. It is easily reached by public transportation or car. Metered street parking is available on Chestnut and nearby streets. Discounted parking for IHP guests is available at the Sheraton University City parking garage, 3549 Chestnut Street. Bring your parking receipt to the IHP Front Desk or Box Office for a validation stamp to receive $2.00 discount on the regular parking rates at the Sheraton garage, which is open 24 hours.

FuRTHER INFORMATION • For General Information, www.ihousephilly. org, call 215.387.5125, or email info@ihphilly.org.

• To rent IHP’s Ibrahim Theater for a film screening or special event: 215-895-6539 or email sarahc@ihphilly.org.

• Ticket prices for Family Matinees are $5 and children under the age of 2 are free.

BECOME A MEMBER IHP Members enjoy free admission to most films screened in our state-of-the-art Ibrahim Theater, plus discounts on films and programs presented with partner organizations throughout the year. Members also receive discounts when they enroll in IHP language classes. For more information on becoming an IHP Member, visit www.ihousephilly.org/membership or call 215.387.5125 and select menu option 2.

International House Philadelphia receives arts funding support from the National Endowment for the Arts, the Pennsylvania Council on the Arts and the Philadelphia Cultural Fund.

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Cover Image: Atanarjaut, The Fast Runner Friday, June 3, at 7pm

April Friday, April 1 at 7pm

Saturday, April 9 at 7pm

EIGHT HOuRS OF FEAR

TOKYO DRIFTER

Directors in Focus: Seijun Suzuki

Directors in Focus: Seijun Suzuki

dir. Seijun Suzuki, Japan, 1966, DCP, 83 min., color, Japanese w/ English subtitles

dir. Seijun Suzuki, Japan, 1957, 35mm, 77 min., b/w, Japanese w/ English subtitles

A crazy yarn about a reformed yakuza on the run from his former comrades.

When their train is trapped by a landslide, passengers, including a murderer escorted by police officers, pile into a bus to proceed through the rugged countryside.

Print courtesy of the Japan Foundation.

Saturday, April 2 at 2pm Directors in Focus: Seijun Suzuki

PASSPORT TO DARKNESS

dir. Seijun Suzuki, Japan, 1959, 35mm, 88 min., b/w, Japanese w/ English subtitles

In this stylish film noir, a trombonist goes on an all-night bender after his wife disappears during their honeymoon. When he finds her corpse, he begins a frantic quest to find her killer.

Print courtesy of the Japan Foundation.

Saturday, April 2 at 5pm Directors in Focus: Seijun Suzuki

THE SLEEPING BEAST WITHIN

dir. Seijun Suzuki, Japan, 1960, 35mm, 86 min., b/w, Japanese w/ English subtitles

A businessman vanishes upon his return from an overseas trip, so his daughter hires a reporter to help find him. When the father reappears, the reporter becomes suspicious and starts digging deeper, uncovering a secret world of heroin smuggling and murder.

Following the screening, author Tom Vick will sign copies of his new book, Time and Place Are Nonsense: The Films of Seijun Suzuki.

Print courtesy of the Japan Foundation.

Saturday, April 2 at 8pm Directors in Focus: Seijun Suzuki

YOuTH OF THE BEAST

dir. Seijun Suzuki, Japan, 1963, 35mm, 91 min., b/w, Japanese w/ English subtitles

A disgraced ex-cop pits two yakuza gangs against each other to avenge the death of a fellow officer.

Introduced by Tom Vick - Curator of Film, Freer and Sackler Galleries, Smithsonian Institution.

Print courtesy of the Japan Foundation.

Thursday, April 14 at 7pm Pop: On Screen and Around the World

Tuesday, April 5 at 7pm

The Dept. Of Hispanic Studies At The University Of Pennsylvania Presents:

NEGRABLANCA

dir. Helena de Llanos, Spain, 2015, HD video, 90 min., color, Spanish w/ English subtitles.

The filmmakers traveled to a town in southern Spain, where they invited community members to co-create a film that interweaves lived histories and fictionalized accounts to confront a question central to a community’s history: “Did this happen or did we make this up?”

FREE ADMISSION

Wednesday, April 6 at 7pm

Archive Fever! 7.0 - From The Temple University Archives

THREE TEMPLE uNIVERSITY STuDENT FILMS BY STANFORD PROFESSOR/ FILMMAKER JAN KRAWITZ

dir. Khalil Al-Mozian, Palestine, 2012, digital file, 47 min., color

Gaza looks at the glory days of Gaza Strip movie theaters and considers the role of pleasure in an Islamic society.

Followed by:

LAuRA MARKS: AFFECTIONS

dir. Grahame Weinbren, USA, 2015, digital file, 25 min.

dir. James Crump, USA, 2015, DCP, 72 min.

CINEBLATZ

dir. Jeff Keen, UK, 1967, video, 3 min., color

MARVO MOVIE

dir. Jeff Keen, UK, 1967, video, 5 min., color

MEATDAZE

dir. Jeff Keen, UK, 1968, video, 9 min., color

FREE ADMISSION Pop: On Screen and Around the World is guest curated by Ed Halter and organized by the Philadelphia Museum of Art on the occasion of the exhibition International Pop on view at the Museum through May 15, 2016.

A CHICKEN IN EVERY POT

GATE OF FLESH

Family Matinee

SITA SINGS THE BLuES

dir. Nina Paley, USA, digital, 75 min. color, in English

A dazzling animated retelling of Ramayana, the ancient Indian epic.

FREE ADMISSION

Wednesday, April 27 at 7pm Cityscapes: Vienna

PRATER

dir. Ulrike Ottinger, Germany, 2007, digital, 104 min., color, German w/ English subtitles

The beguiling images in Prater transform the mythical Viennese attraction into a cinematic experience.

dir. Andy Warhol, USA, 1965, 16mm, 34 min. b/w

dir. Jan Krawitz, USA, 1978, 16mm, 29 min., color

Directors in Focus: Seijun Suzuki

Saturday, April 23 at 2pm

RESTAuRANT (AKA L’AVVENTuRA) / THE LIFE OF JuANITA CASTRO

dir. Jan Krawitz, USA, 1979, 16mm, 29 min., b/w

Thursday, April 7 at 7pm

Troublemakers unearths the history of land art in the tumultuous late 1960s and early 1970s.

Worldwide Warhol

COTTON CANDY AND ELEPHANT STuFF

FREE ADMISSION

TROuBLEMAKERS: THE STORY OF LAND ART

Friday, April 29 at 7pm

dir. Jan Krawitz, USA, 1976, 16mm, 10 min., b/w

Friday, April 15 at 7pm Full Exposure

DREAMS REWIRED

Warhol shot this intriguing short film in an Italian restaurant in New York City, where one of the film’s stars, Edie Sedgwick, was a regular.

Followed by:

dir. Manu Luksch, Martin Reinhart & Thomas Tode, Austria/Germany, UK, DCP, 2015, 85 min., color/b+w, in English

THE LIFE OF JuANITA CASTRO

Part social realist drama, part sadomasochistic trash opera, Gate of Flesh paints a dog-eat-dog portrait of postwar Tokyo.

Introduced by Rob Buscher, Director, Philadelphia Asian American Film Festival.

Print courtesy of the Japan Foundation.

Dreams Rewired traces the desires and anxieties of today’s hyper-connected world back more than 100 years to the birth of the telephone, television and cinema.

Friday, April 8 at 7pm

TALES OF SORROW AND SADNESS

A model is groomed to become a professional golfer as a publicity stunt. When she excels at the sport, her success leads a deranged fan to hatch a blackmail scheme.

Print courtesy of the Japan Foundation.

Loosely inspired by Fidel Castro’s sister, who defected from Cuba to the United States.

The films will be introduced by Dr. Homay King, History of Art Professor, Bryn Mawr College, who will be joined for a post-screening discussion by Iggy Cortez, PhD candidate in the Department of the History of Art, University of Pennsylvania.

FREE ADMISSION This program is supported by Kaja Silverman and the Mellon Foundation’s Distinguished Achievement Award, the Katherine Stein Sachs and Keith L. Sachs Program in Contemporary Art in the Department of History of Art at the University of Pennsylvania, and the Alice Paul Center for the Study of Gender, Sexuality, and Women at the University of Pennsylvania.

Saturday, April 16 at 8pm

Saturday, April 30 at 11am

dir. Seijun Suzuki, Japan, 1964, 35mm, 90 min., color, Japanese w/ English subtitles

dir. Seijun Suzuki, Japan, 1965, 35mm, 87 min., color, Japanese w/ English subtitles

GAZA 36MM

Described as a “rock concerto for film,” this is Whitehead’s take on swinging London in the 1960s, with music by Pink Floyd and others.

Preceded by:

dir. Peter Whitehead, UK, 1967, video, 65 min., color

STYX

TATTOOED LIFE

An Evening with Laura U. Marks

Wednesday, April 20 at 7pm

Director Jan Krawitz in person

Directors in Focus: Seijun Suzuki

Monday, April 4 at 7pm

TONIGHT LET’S ALL MAKE LOVE IN LONDON

Set in the 1930s, Tattooed Life is the story of two brothers: Kenji, an art student, and Tetsu, who is working as a yakuza to help pay for Kenji’s tuition.

Print courtesy of the Japan Foundation.

Saturday, April 16 at 5pm Directors in Focus: Seijun Suzuki

dir. Seijun Suzuki, Japan, 1977, 35mm, 93 min., color, Japanese w/ English subtitles

Saturday, April 9 at 2pm

Directors in Focus: Seijun Suzuki

BEST OF THE FEST: KID FLIX MIX I

dir. Seijun Suzuki, Japan, 1967, DCP, 91 min., b/w, Japanese w/ English subtitles

Family Matinee

dir. Various, USA, digital, 60 min., color, in English

Audience favorites and award-winning short films from the New York International Children’s Film Festival, for ages 3 to 8.

BRANDED TO KILL

Perhaps Suzuki’s most famous film, this send-up of B movie clichés about an assassin has been cited as an influence by filmmakers such as Quentin Tarantino and John Woo.

dir. Andy Warhol, US, 1965, 16mm, 66 min. b/w

Exhumed Films Presents

EX-FEST PART VI!

A 12-hour marathon of films whose titles are only revealed to the audience as each film is projected.

DIRECTORS IN FOCuS: SEIJuN SuZuKI APRIL 1 - 16, 2016 International House Philadelphia proudly presents the Smithsonian’s touring retrospective of films by legendary Japanese director Seijun Suzuki. co-organized with the Japan Foundation, the series includes screenings of nine groundbreaking films by Suzuki, who has amassed a stunning, boundlessly creative body of work in a career spanning nearly five decades. The series features Suzuki films from the 1950s and 1960s.

Tom Vick, curator of Film, Freer and Sackler Galleries, Smithsonian Institution, will visit International House on Saturday, April 2 to sign copies of his new book, Time and Place Are Nonsense: The Films of Seijun Suzuki at the 5pm screening of The Sleeping Beast Within. He will then introduce the 8pm screening of Youth of the Beast, one of Suzuki’s breakthrough films.

“To experience a film by Japanese B-movie visionary Seijun Suzuki is to experience Japanese cinema in all its frenzied, voluptuous excess,” New York Times Film critic Manohla Dargis has said of Suzuki, whose films range from classic “B movie” potboilers to beguiling metaphysical mysteries.

Friday, April 1 at 7pm

Friday, April 8 at 7pm

Saturday, April 2 at 2pm

Saturday, April 9 at 7pm

Saturday, April 2 at 5pm

Saturday, April 16 at 5pm

EIGHT HOuRS OF FEAR PASSPORT TO DARKNESS

THE SLEEPING BEAST WITHIN Saturday, April 2 at 8pm

YOuTH OF THE BEAST

Saturday, April 7 at 7pm

GATE OF FLESH

TATTOOED LIFE

TOKYO DRIFTER

TALES OF SORROW AND SADNESS

Saturday, April 16 at 8pm

BRANDED TO KILL

May Saturday, May 7, 2016 7pm

Saturday, May 14 at 5pm

Saturday, May 28 at 2pm

dirs. Lonnie van Brummelen & Siebren de Haan, The Netherlands, 2014, 35mm film, b/w, transferred to 4K DCP and HD, 63 min., color, Dutch and Urk w/ English subtitles

dir. Toshiya Fujita, Japan, 1973, DCP, 97 min., color, Japanese w/ English subtitles

naTurally naTIvE

EpIsodE of ThE sEa

In the Dutch fishing village of Urk, political, cultural, and environmental forces have conspired to upend ancestral traditions. The directors embarked on an intimate collaboration with the people of this town to capture its daily life.

Preceded by

lady snowBlood

Gory revenge is raised to the level of visual poetry in this stunning film, which was a major inspiration for Quentin Tarantino’s Kill Bill saga.

This endlessly inventive film charts the singleminded path of vengeance taken by a young woman, whose parents were victims of a gang of brutal criminals.

One of the great lost masterpieces of Japanese animation, this was the last film in the adultthemed Animerama trilogy produced by the godfather of Japanese anime & manga, Osamu Tezuka, and directed by his longtime collaborator Eiichi Yamamoto. For mature audiences. Graphic content.

Introduced by Eric Bresler - Director/Curator, PhilaMOCA, and Founder, Cinedelphia

FREE ADMISSION

Saturday, May 14 at 8pm

lady snowBlood: lovE song of vEngEancE

dir. Toshiya Fujita, Japan, 1974, DCP, 89 min., color, Japanese w/ English subtitles

lE chanT du sTyrÈnE

dir. Alain Resnais, France, 1958, 35mm film transferred to video, 13 min., color, French w/ English subtitles

Friday, May 20 at 9pm

dir. Eiichi Yamamoto, Japan, 1973, DCP, 86 min., Japanese w/ English subtitles

dirs. Lonnie van Brummelen & Siebren de Haan, The Netherlands, 2008/2012, 35mm, 16 min, b/w, sound Dolby SR

Pop: On Screen And Around The World GLOBAL POP SHORTS

dir. Valerie Red-Horse (Cherokee), Jennifer Wynne Farmer, USA, 1999, 35mm, 107 min.

BElladonna of sadnEss

vIEw from ThE acropolIs

Thursday, May 12 at 7pm

Through Indian Eyes: Native American Cinema

The director’s invigorating sequel to his cult hit, Lady Snowblood. The heroine is captured by the authorities and sentenced to death for killings she has committed, but is offered a chance to escape, if she carries out dangerous orders for the government.

This hilarious short illustrates the confrontation of cultural insensitivity and cultural oversensitivity, leading to a seemingly endless cycle of the same old, same old.

TalEs of ThE nIghT

dir. Michel Ocelot, France/UK, digital, 84 min., color, in English.

A beautifully animated tale about six exotic fables as viewers are whisked off to enchanted lands full of dragons, werewolves, captive princesses, sorcerers, and talking bees.

Saturday, May 21 at 7pm

An intimate portrait of Akerman’s mother, a Holocaust survivor, in the last years of her life.

now

dir. Randy Redroad, USA, 1991, video, 17 min.

Family Matinee

dir. Chantal Akerman, Belgium, 2015, DCP, 115 min., French w/ English subtitles

dir. Manfred Kuttner, Germany, 1963, 8mm film transferred to video, 4 min., b/w

cow TIppIng

Saturday, May 21 at 2pm

no homE movIE

a-Z

A moving tale of Native self-betterment and triumph in this disarming drama about three American Indian sisters, raised separately in foster families, who now seek a shared destiny as entrepreneurs of a line of organic cosmetics.

Preceded by:

dir. Santiago Álvarez, Cuba, 1965, 16mm film transferred to video, 5 min., b/w

Saturday, May 28 at 5pm Through Indian Eyes: Native American Cinema

rhymEs for young ghouls

dir. Jeff Barnaby (Mi’kmaq), Canada, 2013, video, 88 min.

Barnaby’s visionary feature debut uses the tragic legacy of Canada’s Indian Residential Schools as a leaping off point for a full-throttle revenge fantasy.

nEon

dir. Midge MacKenzie, UK/New Zealand, 1966, 16mm film transferred to video, 23 min., color

waITIng for commErcIals

dir, Nam June Paik, Jud Yalkut, US, 1966-72, 16mm film transferred to video, 7 min.

Thursday, May 19, at 7pm

aBId

ThE ThIrd man

dir. Pramod Pati, India, 1970, 16mm film transferred to video, 5 min., color

consumEr arT

dir. Natalia LL, Poland, 1972–1974, 16mm film transferred to video, 8 min., color

FREE ADMISSION Pop: On Screen and Around the World is guest curated by Ed Halter and organized by the Philadelphia Museum of Art in collaboration with International House Philadelphia on the occasion of the exhibition International Pop on view at the Museum through May 15, 2016. For more information: philamuseum.org.

Saturday, May 14 at 2pm Family Matinee

BEsT of ThE fEsT: KId flIX II

Cityscapes: Vienna

dir. Carol Reed, UK, 1949, DCP, 104 min., b/w

Pulp novelist Holly Martins travels to shadowy, post-war Vienna, only to begin investigating the mysterious death of an old friend. A legendary tale of love, deception, and murder, starring Joseph Cotten, Alida Valli and Orson Welles.

Friday, May 20 at 7pm

I don’T BElong anywhErE: ThE cInEma of chanTal aKErman dir. Marianne Lambert, Belgium, 2015, DCP, 67 min., French w/ English subtitles

A documentary exploring the work of Belgian experimental filmmaker Chantal Akerman, including excerpts from many of her films.

dir. Various, USA 2015, digital, 65 min. color

Favorites and short films from the New York International Children’s Film Festival, recommended for, ages 9 to adult.

Friday, May 27 at 7pm Through Indian Eyes: Native American Cinema

smoKE sIgnals

dir. Chris Eyre (Cheyenne/Arapaho), USA/Canada, 1998, 35mm, 89 min.

Director Chris Eyre’s monumental first feature film and the first commercially released American feature film written, directed and co-produced by Native American people. Two young Native men, Victor and Thomas, journey from the Couer-d’Alene reservation to retrieve the ashes of Victor’s long-lost father. The road trip deepens the pair’s tenuous friendship as they explore their Native identity and confront past traumas with courage and humor.

Preceded by:

carryIng fIrE

Native Americans first appeared on film in 1895 but were totally excluded from any meaningful role in the production of their own cinematic images for virtually the entire century to follow. Financed by tribal communities and non-Native sources, these films represent a cross-section of tribal communities across the United States and Canada, whether Navajo or Sioux, Seminole or Mohawk, Cree or Inuit.

In conjunction with the series, Penn Museum will present a free 50th anniversary screening of Navajo Film Themselves, on Saturday, June 11 at 5pm at the Penn Museum.

For details: www.penn.museum.

This project is supported in part by an award from the National Endowment for the Arts.

Series curators: Jan-Christopher Horak, Dawn Jackson (Saginaw Chippewa), Shannon Kelley, Paul Malcolm, and Valerie Red-Horse Mohl (Cherokee). Associate curator: Nina Rao.

Through Indian Eyes: Native American Cinema

KanEhsaTaKE: 270 yEars of rEsIsTancE

dir. Alanis Obomsawin (Abenaki), Canada, 1993, 119 min.

This landmark documentary chronicles the 1990 standoff between the Canadian Army, Quebec police and members of the Mohawk Nation, who were determined to defend their land from the planned encroachment of a golf course.

Preceded by:

lyE

dir. Dax Thomas (Laguna/Acoma), USA, 2005, video, 5 min.

dir. Marie Burke (Cree/Dene), Canada, 2009, video, 4 min.

Through IndIan EyEs: naTIvE amErIcan cInEma may 27 - JunE 9, 2016 Through Indian Eyes: Native American Cinema is a landmark touring program of films that have been directed by Native Americans. Organized by the UCLA Film & Television Archive, this remarkable series highlights independent Native American filmmaking, which is becoming a “national” cinema as Native American communities, after centuriesold legacies of genocide, displacement, forced assimilation, poverty, alcoholism and demeaning media images, have worked to take command of their destinies and their representation.

Saturday, May 28 at 8pm

Friday, May 27 at 7pm

Thursday, June 2 at 7pm

Preceded by:

Preceded by:

Saturday, May 28 at 2pm

Friday, June 3 at 7pm

smoKE sIgnals carryIng fIrE

naTurally naTIvE Preceded by:

cow TIppIng Saturday, May 28 at 5pm

drunKTown’s fInEsT shImsanI

aTanarJuaT, ThE fasT runnEr Saturday, June 4 at 2pm

KIssEd By lIghTnIng

rhymEs for young ghouls

Preceded by:

Saturday, May 28 at 8pm

Saturday, June 4 at 5pm

KanEhsaTaKE: 270 yEars of rEsIsTancE Preceded by:

lyE

Wednesday, June 1 at 7pm

TrudEll Preceded by:

nIKamowIn

ThE cavE ThIs may BE ThE lasT TImE Preceded by:

a BEnTwood BoX Saturday, June 4 at 8pm

ITam haKIm, hopIIT Preceded by:

navaJo TalKIng pIcTurE Thursday, June 9 at 7pm

TIKInagan Preceded by:

ThE honour of all

June

Wednesday, June 1 at 7pm Through Indian Eyes: Native American Cinema

TrudEll

Saturday, June 4 at 2pm

Thursday, June 9 at 7pm

KIssEd By lIghTnIng

TIKInagan

Through Indian Eyes: Native American Cinema

Through Indian Eyes: Native American Cinema

dir. Shelley Niro (Mohawk), Canada, 2009, video, 89 min.

dir. Gil Cardinal (Métis), Canada, 1991, video, 59 min.

Mavis Dogblood is a Mohawk painter from Canada, haunted by the tragic death of her husband. Beautifully photographed, this feminist film meditates on the loss of Native traditions, and the role of women in keeping them alive.

Preceded by:

This documentary explores the heart-rending struggles facing Native youth in Ontario, and the efforts of a revolutionary community-based program that supports the children.

ThE cavE

This moving film recounts the true story of a community’s journey to sobriety, enacted by a cast made up of many of the actual subjects.

dir. Helen Haig-Brown (Tsilhqot’in), Canada, 2009, video, 11 min.

dir. Heather Rae (Cherokee), USA, 2005, video, 80 min.

ThE honour of all

dir. Phil Lucas, USA, 1986, video, 57 min.

Saturday, June 11 at 2pm

A documentary about American Indian activist and poet John Trudell and his rise from poverty to leadership in the American Indian Movement, followed by personal tragedies and status as a poet and recording artist.

Preceded by:

Family Matinee

nausIcaÄ of ThE vallEy of ThE wInd

dir. Hayao Miyazaki, Japan, 1984, DCP, 116 min., color, in English

Friday, June 17 at 7pm Motion Pictures

cronIca dI un amorE (sTory of a lovE affaIr) dir. Michelangelo Antonioni, Italy, 1950, digital, 98 min., b/w, Italian w/ English subtitles

Michelangelo Antonioni’s debut feature offers a powerful statement on the delusions and violence sparked by a passionate love.

The story of a young princess, brave and innocent.

nIKamowIn

dir. Kevin Lee Burton (Swampy Cree), Canada, 2007, video, 11 min.

Saturday, June 4 at 5pm Through Indian Eyes: Native American Cinema

ThIs may BE ThE lasT TImE dir. Sterlin Harjo, USA, 2014, video, 90 min.

Thursday, June 2 at 7pm Through Indian Eyes: Native American Cinema

drunKTown’s fInEsT

dir. Sydney Freeland (Navajo), USA, 2014, video, 89 min.

In her impressive first feature, writer-director Sydney Freeland unfurls a suite of stories about contemporary life among Navajo youth.

Preceded by:

shImsanI

dir. Blackhorse Lowe (Navajo), USA, 2009, video, b/w 15 min.

The Muscogee Creek and Seminole nations developed their own traditional hymns. Sterlin Harjo’s personal documentary weaves together the tragic history of these hymns with the mysterious disappearance of his grandfather.

Preceded by:

a BEnTwood BoX

dir. Sandy Osawa, Yasu Osawa, USA, 1985, video, 5 min.

Saturday, June 4 at 8pm Through Indian Eyes: Native American Cinema

ITam haKIm, hopIIT

dir. Victor Masayesva Jr., USA, 1984, video, 84 min.

A Hopi elder shares stories of his boyhood and the origins of the Hopi people.

Preceded by:

navaJo TalKIng pIcTurE

dir. Arlene Bowman (Diné), USA, 1985, video, 40 min.

The director set out to document her grandmother’s life on a Navajo reservation, but when her grandmother refuses to participate, Bowman must confront her own motives and understanding of her heritage.

Wednesday, June 8 at 7pm Archive Fever! 7.0

KamIKaZE 89

dir. Wolf Gremm, Germany, 1982, DCP, 106 min. color, German w/ English subtitles

Friday, June 3 at 7pm Through Indian Eyes: Native American Cinema

aTanarJuaT, ThE fasT runnEr

In his last film role, legendary director Rainer Werner Fassbinder plays Jansen, an expert cop living in a dystopic future where a nefarious conglomerate controls all media.

Saturday, June 25 at 2pm Family Matinee

Saturday, June 11 at 7pm Motion Pictures: William Gillette

shErlocK holmEs (1916)

dir. Arthur Berthelet, USA, 1916, DCP, 116 mins. b/w, English inter-titles

This newly restored film is a vital missing link in the history of Sherlock Holmes on screen.

Presented with an original score composed and performed by Neil Brand, Guenter Buchwald and Frank Bockius.

vIva nyIcff! BEsT of spanIsh and laTIn amErIcan shorT fIlms dir. Various, 75 min., color, in English

A diverse selection of award-winning films and audience favorites from the New York International Children’s Film Festival.

Recommended for ages 9+.

Thursday, June 16 at 7pm Cityscapes: Vienna VIENNA SHORTS PROGRAM

mIT BlIcK auf wIEn / wITh a vIEw of vIEnna dir. Johanna Moder, Austria, 2008, digital, 11min., color, German w/ English subtitles

Things get complicated when a potential renter and the landlady prepare to sign a lease for a flat.

phanTom frEmdEs wIEn / phanTom forEIgn vIEnna dir. Lisl Ponger, Austria, 1991- 2004, digital, 27 min., color, German w/ English subtitles

The filmmaker examines ethnicity and ethnic cultures in Vienna.

wIEn 17, schumanngassE dir. Hans Scheugl, Austria, 1967, digital, 3min., b/w

1100 wIEn gEorgEwashIngTon-hof

Saturday, June 25 at 7pm

wall wrITErs

dir. Roger Gastman, USA, 2015, video, 77 min.

From graffiti’s humble beginnings in 1967, Gastman’s newest documentary film reveals the context of the start of a movement that would grow to transform city life, public transit, public art and visual art the world over.

Followed by a Q&A and book signing with director Roger Gastman and special guests.

dir. Christoph Weihrich, Austria, 2009, digital, 4 min.

dIE wIEnEr wErKBundsIEdlung / forms In rElaTIon To lIfE

dir. Zacharias Kunuk (Inuit), Canada, 2001, video, 170 min., Inuktitut with English subtitles

Based on an old Inuit legend, the chief of the clan has two sons, whose jealousy between them leads to a bloody conflict.

dir. Heidrun Holzfeind, Austria, 2014, digital, 60 min.

German w/ English subtitles

This film examines the Viennese Werkbund housing settlement and its architecture.

Special eventS Saturday, April 9 at 1pm

Saturday, May 21 at 1pm

IrIsh dancIng

ITalIan dancIng and songs

All Around This World

All Around This World

All Around This World and IHP present an Irish music and dance workshop for young children and their families. Tickets are $5, kids under 2 are free.

All Around This World and IHP present an Italianthemed interactive music and dance workshop young children and their families. Tickets are $5, kids under 2 are free.

Wednesday, April 13 at 7pm Penn Humanities Presents

Tuesday, April 5 at 6:30pm Culture And Cuisine

Brauhaus schmITZ International House Philadelphia and its Board of Delegates cordially invite you for an evening of Culture & Cuisine, to meet and share a meal with IHP residents and friends from around the world. Brauhaus Schmitz, located at 718 South Street, is an authentic German restaurant and beer hall.

maTmos: pErformancE and convErsaTIon on QuEEr noIsE Experimental electronica duo Matmos will perform live, followed by a conversation on queer noise with Heather Love, R. Jean Brownlee Term Associate Professor of English at the University of Pennsylvania. Matmos have made albums using recordings of liposuction, rat cages, amplified crayfish nerve tissue, freshly cut human hair, and more. They have worked with innovative artists including Björk, S Percussion and Antony Hegarty.

Saturday, June 11 at 1pm All Around This World

Saturday, April 23 at 8pm Sunday, April 24 at 7pm Intercultural Journeys Presents

lEla aIsha JonEs/ flyground: naTIvE porTals

Native Portals is a two-part movement performance series. Lynching & Love abstractly narrates first exposures to lynching and Release Mourning Clearing puts ritual and ceremony experienced in African and/or Black Diaspora center stage.

BrITIsh morrIs dancIng All Around This World and IHP present an interactive British Morris dancing workshop for kids and their families.

Wednesday, June 22 at 5pm International House Philadelphia Presents

ThIrd annual Ihp arT show

Residents and alumni of International House Philadelphia display their artwork at an opening reception.

IHP IS AN INDEPENDENT, MEMBER SuPPORTED, MISSION-DRIVEN ORGANIZATION. JOIN TODAY! BEcOME A MEMBER

International House Philadelphia is a multicultural residential center, a source of distinctive programming, and the embodiment of an ideal. It has a critical three-fold mission: to maintain a diverse and welcoming community for scholars from around the world, while introducing them to the American experience; to broaden the horizons of its residents and the Greater Philadelphia community through high quality international arts and humanities programs; and to encourage understanding, respect, and cooperation among the people of all nations.

WWW.IHOuSEPHILLY.ORG 1-215-387-5125

April / M