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Victoria is an experienced freelance pattern maker, Docent at the Phoenix Art Museum, and owner of V. Anne Patterns & Design LLC in Phoenix, AZ. Additionally, she has been influencing the design community through her role as Faculty Associate at Arizona State University Herberger Institute for Design and the Arts. Victoria enjoys time with her family, traveling, and anything with needle and thread.
Cara Summerfield is a Colorado native and earned her degree in Restaurant/Resort Management at Colorado State University. After moving to Arizona, she pursued her love of sewing and added a Fashion Design degree to her resume. Drawn to working with people and sharing her love of learning, Cara made a career change and began teaching Family & Consumer Science, where she has been for the last 15 years. Like every good teacher, Cara couldn’t get enough of her day job, and was ready to take her side hustle to a new level. She officially launched a new company in early 2022, Crafty Bird, teaching arts and crafts through camps, workshops, and private parties, inspiring and creating makers around the East Valley. Cara resides in Gilbert, AZ with her husband and 2 small children.
Jelena Eros studied Fine Art in Russia & Applied Art Education in Hungary under the direction of renowned Russian artists and Hungarian designers. Early in her career, Jelena was a Fashion Trend Coordinator, Designer, Lecturer and Fashion Illustrator at Hungarian Fashion Institute of Budapest. Throughout her experience, she’s received numerous fashion design awards across Europe. In 2006, her travels brought her to Arizona, where she’s been creating original artwork for private residences and corporate spaces throughout the world. Most recently, Jelena has curated a fashion line inspired by her works. Her ‘wearable art’ creations consist of her paintings being printed on various clothing and are increasing in popularity through her Etsy shop, Veseleil.
you!
Jelena Eros, MFA, AAG, AAEA, OPA, IGOR Judge
Our vision is to support culture, enhance business value, solve problems, and positively impact the health and well-being of people’s lives through a greater understanding of interior design.
IIDA provides meaningful resources to commercial interior designers, industry partners, educators, design students, and clients, to advance our profession and enhance personal growth and business value. IIDA strives to provide its members’ connectivity, leadership opportunities, education, experience, and trust to continuously add enrichment to the design community and to our profession through Advocacy, Community, Professional Development, and Membership commitment
Our Southwest Chapter and the wider IIDA community are committed to the sustained, intentional, and organized dismantling of racism in all of its forms and instances. We stand to instill meaningful change with regard to diversity, equality, and inclusivity.
The Southwest Chapter of the International Interior Design Association consists of Arizona, New Mexico, and Las Vegas. With over 300 members of all levels, the Southwest Chapter continues to strive to further strengthen our existing City Centers through new programs.
Our chapter hosts many networking opportunities for professionals, industry members as well as student members. These opportunities include (to name a few): CEU (Continuing Education Unit) events, special forums, City Center Events and our (4) main Chapter Events:
• Connect4 - a biennial Chapter-wide “Build Day” in which each City Center will have a philanthropic “build day” weekend where we use our expertise, creativity, resources and volunteer labor to re-design a pre-chosen space that benefits a local community organization.
• Couture – a biennial fun-spirited philanthropic fundraiser showcasing the amazing creativity of the members of our Chapter while they utilize unique products/materials to create fashions fit for the runway!
• Design Awards - a celebratory night showcasing the “Professional Recognition of Interior Design Excellence” of our Chapter’s members.
• UnVeiled - showcasing new & unique products and industry trends, while offering a fun networking event for all.
By participating and attending these events, our members are developing and strengthening our local core of professionals in the Interior Design Industry.
membership
IIDA offers Members strong networking and tangible benefits for education, inspiration and professional development. Membership in IIDA provides access to resources that can help you get ahead in your career. Benefits include subscriptions to leading magazines, tuition reimbursement opportunities, the chance to reach Forum colleagues around the world, as well as reduced fees for exciting Chapter initiatives and events. We work with you, and for you, to shape your future in design. Whether you are a student, a project manager, an entrepreneur, or a retired designer, IIDA has a membership level and privileges for you!
Not currently a member? Want more information?
Contact our VP of Membership: Chantel Cote, Ind. IIDA iidasw.membership@gmail.com
partnership
The success of IIDA is built from the contributions of its members and partners in the design community. Through the support of our industry partners, we are able to provide our members with programs essential to maintaining our industry standards. Our Chapter is proud to be considered a stronghold in the Southwest. It is important to maintain our strength in the design community, and commitment to our valued partners.
Not a Annual Patron yet?
Contact our VP of Sponsorship: Barb Garlow, Assoc. IIDA iiidasw.sponsorship@gmail.com
Visit IIDA’s Southwest Chapter website at www.iidasw.org
Visit IIDA’s Headquarters website at www.iida.org “Like” us on Instagram! (@iidasw)
Nature’s processes, the gentle acts of becoming, show themselves in a collection of organic neutrals and tonal luxury.
This palette’s earthiness and rich warmth—with its sepia softness—balance the lush refinement of art deco silhouettes on the radical raw edge of 1980s postmodernism.
Oriana Gil Perez (Model), Nakia Neves, Estefania
Aliesha Nichter - Steelcase + Laura Carlson - Pallas Textiles
Epoxy/
Ashley Incardone (Model), Angela Hearn, Erin Murray, Crystal Hobbs, Megan Waffensmith, Maryn Wilson, Jennifer Dumphy, Kristen Abbey, Alisa Semyekhina + Helen Van Hamme
Heather Waclaw - Source + Mary Wolfe - Knoll/Spinneybeck
Elontec’s dress is named “Fractal Unbinding” and is a culmination of our team’s educational background (design, architecture and engineering) and the strengths of our two partner vendors, Buzzispace and Versteel. Leveraging the fundamental elements of geometry, we are utilizing a partnership of technology and materials to create a controlled explosion of points, lines and shapes as predominate areas of our dress.
Our partnership with Versteel allowed us to use CAD software to three-dimensionally model the dress’s undercage (or substructure) and mathematically define various triangular plates which were laser cut and powder-coated at Versteel’s factory so we could fabricate a binding cage. The cage merely tries to contain an explosive collection of random colors, shapes and sizes. This, to us, is a wonderful leveraging of both fashion (with the fetish inspiration) with mathematics and control, resulting in an organized chaos.
Our soft vendor is Buzzispace and we opted to focus on what they do best, acoustical felt pieces. We created both planar and spherical roundness from the felt with random and overlapping placements, particularly on the skirt. This containment of geometry yet it’s allowance to non-conform was a wonderfully nerdy weirdness to us.
The theme was to leverage the strengths of our team and partners into our purposeful interpretation of wonderful and weirdness and we leaned fully into a theme of geometry and texture to do so. In short, we allowed the conformity and wonderfulness of math to explore into the amazing weirdness of couture resulting in a dissonance of order and chaos.
Design Team: Jeni Clayton (Model), Jon Park, Sr., Karina Roman, Robert Salazar + Stacey Vaccaro
Team Vendor: Laura Carlson - Blue Sky (Versteel) + Allison Ferraro Perspectives (Buzzispace)
Design Team: Matthew Krause (Model), Ashley Brand, Lindsey Emeterio + Dani Franklin Team Vendor: Liz Tobin - OFS + Jacob Segall -J+J Flooring
Design Team: Allie Peters (Model), Lisa Tinnion, Kasey McBroom + Erin Igono
Team Vendor: Kelly Calcaterra + Dee Danowski - Calcaterra Contract Furnishing
Snake Charming is the practice of appearing to hypnotize a snake (often a cobra) by play and waving around an instrument called a pungi. A typical performance may also include handling the snakes or performing other seemingly dangerous acts.
Color creates movement, composing a unique masterwork of dynamic transitions and stirring rhythms.
This palette of dusky deep tones and unexpected accents was created to be a new kind of classical, to set drama and emotion to the art of good style, and to never, ever fade into the background.
Margaret Meade, Jordan Maxey,
Tessa
Stinson
Team: Miriah Miller
Erinn Meraz
Fisher
fullness of living, of existing just as we are, meets the vernal sweetness of bud and bloom, of a life-giving energy at the start of a new season.
adrift in a fantasy realm of pearlescent tones, new-growth greens, and lavish pinks, and tend to a space where fresh ideas flourish.
Design Team: Ben Grodsky (Model), Lisa Baumann, Anna Bice, Chloe Cabrera, Erin LInstrom, Nadia Lopez, Paige Matson, Alisa Peacock, Jennifer Seright, Hannah Qualters + Alyssa West
Joseph Kluger - Wilsonart + Kat Turner- Momentum
• Jacket made of Momentum fabric and faux leather
• Sherwin Williams epoxy floor tiles act as buckles
• Asymmetrical, patchwork shirt using Momentum fabrics, faux leather and velvety trim paired with full-length velvety pants
• Pocket chain with Wilsonart surface laminates used as links
Jared J. Hood (Model), Brandy Holden, Eva Murzaite, Azucena Maldonado + Nahal Entezam
Courtnie Hartwigsen - Norcon + Chantel Cote - Patcraft
• Breakaway, floor-length top skirt crafted from mosaic carpet tiles
• Solar tape and metal flashing from Norcon provide structure throughout the garment
• Statement jewelry and garment embellishments were made with Daltile resin flooring samples
Ryan Langlois (Model), Heather Chilton, Katie Knerr, Jackelyn Vasquex, Lisa Scaffidi, Brooke Thiele, Abby Temple, Jennifer Bullock + Kathryn Mickel
Beth Chandler - Mohawk + Shannon Vance - Wolf Gordon
woven fabric and epoxy buttons
welding rods
rubber tile, welding rods, vinyl and fabric
piping fabric and sheer fabric
Derek Roadcap (Model), Riellly Smith, Dulce Arambula, Sam Sewell, Vanessa Hutcheson + Charles Moreno
Chantel Cote - Patcraft + Stephanie Cue - Designtex
as cape and
as mask and body armor
Design Team: Gaby Cruz (Model), Meghan Hoiness, Heidi Eisenberg + Kelci Stevens
Pete Hayes - Meltdown Glass + Julie Orndorff - Mayer Fabrics
• Epoxy flooring used as jewelry
• Glass straps and garment accessories
• Textile bodysuit
• Textile Pants
groupThe fullness of living, of existing just as we are, honoring the timelessness of sleek and functional midcentury modern design, this palette is a play on primary color—an evolution of bygone basics from fleetingly familiar to forever loved.
Each shade is carefully chosen to evoke the fond remembrance of what once was and the unwavering optimism of what could someday be.
Jaidyn (Model), Lisa Chapman, Stephanie Petri, Jessica Fedor + LJ Webb
Team Vendor: Haworth + EF Contract
• Sherwin Williams epoxy samples + EF flooring carpet backing + rubber flooring
• Haworth Fern chair frame
• Haworth Fern chair mesh back layered with EF Contract carpet yarn in various colors
• EF flooring layers of carpet backing + accents of tulle
• Gator boots with open heel and front lacing made with carpet backing + faux leather
• EF flooring various flowing colors of carpet yarn
Sheila Cobb (Model), Sara Brandstein, Anna Van de Wille, Megan DiBella, Nicole Hinton, Amara Cato, Joelle Nelson, Megan Duffy + Shelby Guddeck
Mary Blanchard - Andreu World + Karine Daumard - Luna Textiles
Components of the “Nub” Chair from Andreu World mimic a carousel, with knobs that allude to the fun characters moving up and down in unison. The bright color scheme is “Ephemera” by Sherwin-Williams. The tweed fabric “Three-D” and boucle fabric “Winsom” both by Luna Textiles pay homage to the uniform worn by the circus ring leader, creating a pattern that resembles a deconstructed circus tent. Fabrics “Acolyte” and “Demi” by Luna Textiles makes up the bodice. Whimsical jewelry is crafted using Epoxy Chip Samples by Sherwin Williams.
Design Team: Allison Mann (Model), Elizabeth Houston, Yuan Liao, Liya Chandy, Ashleigh Smith + Colleen Cunningham Team Vendor: Avalon Collection + Tarkett
• Garment bodice (top and skirt) is constructed with carpet backing and embellished with rubber gaskets
• Cape is constructed out of two rolls of carpet yarn and embellished with finished metal chips
• Head piece is a detailed origami pattern made from carpet backing
• Laminate and carpet used as top
• Carpet used as skirt
• Laminate used as claws
• Carpet used as tail + fur
• Chair back used as skirt
Taylor Westrick (Model), Vanessa Quintana, Casey Littrell, Madison Murphy, Beatriz Hernandez Rogel + Nicole Danis Stacey Kranz + Rachel Volk - MillerKnoll + Sara Auden - ManningtonMolly Sneckenberg
Lauryn
Touchette,
Martorano,
Nollman +
- Shaw
Marty
Design Team: Sara Mecca-Whitlock (Model), Gabriela Ribeiro, Ja Seng Nsang + Brie Smith
Team Vendor: Carnegie, Dal-Tile, Knoll, Momentum, Patcraft + Wolf-Gordon
The Living Infinite “The sea is everything. It covers seven-tenths of the terrestrial globe. Its breath is pure and healthy. It is an immense desert, where [we are] never lonely, for [we feel] life stirring on all sides. The sea is only the embodiment of a supernatural and wonderful existence. It is nothing but love and emotion; it is the ‘Living Infinite’...”
― Jules Verne,
Twenty Thousand Leagues Under the Sea Materials: wallpaper, textile memos, carpet yarn, ceramic tile and mesh, wire, paint, and natural elements