The Designer

2019-2021

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Magazine of IIID Goa Centre

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Cover Photoshoot at Showroom of

CONT In Goa, IIID has a very strong presence and membership amongst the local Design community.

Apart from the Design professionals like Architects, Interior designers it also has a deep connection with Trade, Afliate, Student, Corporate, Press & Honorary members encouraging communication and cooperation between the entire spectrum of the Interior Design Industry.

Apart from encouraging interaction & cooperation between designers, afliated professionals, artists, craftsmen & trades. IIID also conducts continuing education workshops, seminars & programmes for the benet of its members Over the last several years IIID Goa Centre has conducted various such programs involving education sessions, knowledge series, social outreach and professional member bonding.

C/o. Ulysis, 201/A, Second oor, Mathias Plaza, Panaji, Goa. 403001 94220 57917 mc.iiid.goa@gmail.com www.facebook.com/iiidgoa www.instagram.com/iiidgoa www.twitter.com/goaiiid www.issuu.com/iiidgoa

Editorial Team Editor:

Siddha Sardessai

Members:

Sidharth Naik Sumedh Naik Rajesh Kenkre Pravin Pai Lotlikar Sajjan Bhatcar

Students:

Nishita Magalhaes Ashley D’Costa

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President's Message

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Chairman's Message

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Ajay Sardesai

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Anup Gadgil

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Anuradha Guglani

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Ashwinikumar Prabhu

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Elizabeth Kurian

24

Hemlata Pai Raikar

26

Jayesh Phadte

28

Krishna Phaldesai

30

Mayuri Muchandi

32

Pallavi Lawande

36

Pallavi Satardekar

38

Pratap Naik

40

Rahul Sardesai

42

Rajesh Kenkre

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Reshma Sukhtankar

Jabeen L Zacharias

Sidharth Naik

Urbania : Utopia In An Urban Setting

The New Goan - A Seamless Interior Exterior Experience!

Sitting On The Dock Of The Bay

An Open House

A Love Story

Haven In Arpora

A House In A Farm

Responsive Interior Designing For A Change

Traditional Beauty Blends With Modern Design

Rejuvenating One Of Margao's Landmark Homes

Earthy Abode

Inclined To Luxury

An Artistic Touch

A Sanctuary Of Dreams

Diffused Boundaries.

ENTS Secretary's Report Sumedh Naik reports on the activities of IIID Goa Centre for the Year 2019-21

Rita Mody Joshi A Blend Of Old, With A Touch Of New

Rushina Vaidya Interiors Inspired By Innovation

Shilpa Desai Naik La Quinta-Treasuring Goan Heritage

Shreya Lawande Essence Of Space

Siddha Sardessai Salvaging Architectural History Into A Home

Sidharth Naik House Of Creative Nuances

Sumedh Naik A Goan Modern House

We thank the sponsor

for the front cover

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Cover Photo Credits The cover photoshoot was conceptualised to represent the special focus on Home Design.

The following items were selected at the showroom of Damian de Goa at Porvorim, Goa. 1. Mitzy 3 seater

Ujjwala Sinha Beauty Lies In Simplicity

Varsha Naik A Vibrant Family Home

Yatin Kandolkar Contemporary Yet Simple –Vision To Reality

Dinesh Dhulapkar Automating Your Home In The Most Efcient Way!

Fauzia Khan Farooqui Loyal Family

Pravin Pai Lotlikar Floor Maintenance For Homes

Rasik Naik Beauty Lies In Good Design

Vinay Verma Adding Power To Your Luxury Living Spaces

Editors Message Siddha Sardessai

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2. Nes round table 3. Bliss dining chair

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4. White replace VA552SS 5. Shirley wing chair

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6. Carpet code 27876 Photographer: Sandeep Patil

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Graphics: Navnirmiti Printing: Shubhlaxmi Graphics

Views expressed by Contributors are not necessarily those of the Editor, The Designer. Every effort is made to ensure that the magazine’s contents are accurate. Information is published in good faith, but no liability can be accepted for loss or inconvenience arising from errors or omission.

Advertisements are accepted at face value and no liability can be accepted for the action of the advertisers. The Editors welcome contribution of articles, news items, photographs and letters but are under no obligation to publish unsolicited material. the Editor reserves the right to edit for clarity or length.

Contributors must ensure that all material submitted is not in breach of copyright or that if such material is submitted, they have obtained necessary permissions, in writing, for its reproduction.

PRESIDENT’S MESSAGE

Jabeen L Zacharias Why am I so happy? Maybe it is the name'THE DESIGNER'! We are all used to looking at titles which talk about Design in so many styles and ways on a multitude of publications. 'The Designer'! Wow it is so direct. Shifting the focus, taking the responsibility right to where it belongs. And that takes some free spirit and liberal thinking and an adventurous zest which I must say Goa is synonymous with. And our own Goa Centre bringing a publication for us Designers in the name is really exciting.

And I cannot wait to see a copy of this.

Design we know has different denitions.

Yet isn't it curious that there is no such denition like 'Design is what a Designer does'! However silly it might seem, is not that what is the nal reality and the truth.

Similarly, we have denition about Design and Good Design. Here at least maybe we can say that Good Designs are what comes from Good Designers. Dening Design then probably will shift focus from Design to Designers. Who are good Designers?

I for one, do not think that this great qualication of 'Good Designer' can come from our degrees or the size of our practice, even if you are a professional. It is but mostly about wisdom and compassion, good judgement and creative ingenuity.

Luckily the best way to become Good Designers may be to come together and share our thoughts on Good Design itself like on a platform as IIID which embrace Design in all contexts and disciplines.

Particularly when our Focus is on exploring Conscious and Conscientious Design as embodied in the theme – 'Where is North', our journey towards becoming Good Designers to touch lives and usher in a brave tomorrow, is bound to the right destination.

I Congratulate Chairman Sidharth Naik, Immediate Past Chair Snehalata, all Managing Committee members and wish all members happy dialogues and interactions via “The Designer”!

CHAIRMAN’S MESSAGE

Sidharth Naik IIID Goa, since its inception, has made remarkable progress through the years due to the efforts of its past Chairpersons and the Managing Committee members. It gives me immense pleasure as I perceive the progress made during the current term.

It has been our constant endeavor to encourage the design narrative and to provide a platform to our Associate, Trade, Afliate and Student members, through various programs like Design Melange 2.0, Women’s Day celebration, Space Design and Know your Trade Member. We also had outreach programs to connect with the general public through Best out of Waste and the World Record for the longest continuous painting.

Despite the Covid lockdown, we as a team have been continuously working in organizing online webinars with other Chapters and Centres and also keeping our members engaged through an online quiz and general information through our WhatsApp group. This magazine too is a product of the lockdown period, where we motivated the members to share their projects to showcase their creative pursuits and to give a helping hand to our trade members to showcase their products.

As the saying goes, 'Teamwork makes the Dreamwork', we at IIID Goa have a committed team that is responsible for achieving the vision and mission of our institution under the guidance of our President Jabeen Zacharias and Mentor Rahul Dalvi.

I thank all our members for their continued encouragement and look forward to your renewed support post the lockdown and the new normal, to make IIID Goa grow from a Centre to a Chapter soon.

12 | The Designer 2019-2021

URBANIA : Utopia in an Urban Setting The Urbania villas are designed on a Zen concept as inward-looking spaces. The open spaces within the parameters of the building footprint, act as multiple foci to the inner living spaces. All spaces are designed to give a private outdoor experience, open to natural elements yet within the connes of its parameters.

A rustic nished portico off the parking area leads to the main entrance of the villa. The lobby and passage inside provides a view of the internal garden and deck and eases one into the understated but luxurious living and dining area with its open kitchen and breakfast counter. A functional powder room is tucked away off the entrance lobby.

The bedroom on the ground oor opens out onto a deck. The outdoor deck, pool and landscaped court are also on the ground level.

There are two bedrooms and terraces on the rst oor. The master bedroom offers views of the pool, garden and deck below.

The master bath leads to a private open-tosky bath-court with the indulgence of a dip in the tub under the sky.

The large format glazing offers a contiguous visual experience of the greens, decks and pool through the living areas and circulation spaces. In addition, it allows for a play of daytime light.

The design is essentially straight lined and contemporary. The treatment of walls is primarily subtle, and the textures, prints, colours, cuts, formats, inlays and patterns used in accents are bold.

To achieve the desired look we have employed the use of two tone surfaces, textured wall coverings, wood cladding in warm tones, rough and smooth nished stone and treated surfaces to bring out the effect that we had in mind. The textures, colours and prints of soft furnishings too reect the design scheme. Moreover, the different cuts, formats and patterns created on-site give a distinct look to each area.

The subtle material palette against a backdrop of bold design elements and landscaped courts brings out the playful feel of these holiday villas.

Architect Firm Email

: Ajay S. Sardesai : Ajay S. Sardesai : ajay.skylight@gmail.com

Client Location Area Completion

: Urbania Villas : Pilerne, Bardez – Goa : 210 sq. mts. : 2018

Photo Credits : courtesy M/s Urbania Developers

14 | The Designer 2019-2021

THE NEW GOAN A seamless interior exterior experience!

This house was conceptualized as a uid ow of interior and exterior spaces and provide an opportunity to enjoy the views of the water and the mountains beyond from as many living spaces as possible. This design in its exterior and interior attempts to inquire into a new Goan Architecture that seamlessly ows from the interior to the exterior and vice versa. A minimalist expression celebrating nature at every level.

One enters the house through a small foyer

from which begins the 'central spine' i.e. a ight of steps, which connects all rooms to one other. The linear ight of steps also reminds us of the hilly terrain on which the house nds its place. The honey coloured uniform Jaisalmer stone ooring ows through the house adding warmth and giving a sense of space.

Each room in the house has a verandah space that opens into a terrace garden overlooking the river beyond. A room for the

domestic help is placed behind the garage at the lowermost level of the house. This room has a small courtyard space from where one can walk to the rear of the house to access the kitchen.

The children's bedroom and the parent’s room are placed midway from the central living space of the house. This central living space is visualized as a free-owing space with possibilities of multiple furniture layouts and congurations.

The entire interior decor throughout the house is kept minimal, allowing the users to appropriate the space as per their requirements. Also, the apt positioning of the windows and doors in the space allows one to visually experience the expanse of the site. The open spaces all around the house are seen as a visual extension for the room and as necessary utility open spaces where required.

The master bedroom, 'a pavilion-like space' is visualized as a structure predominantly in wood with a large clay tiled sloping roof. It overlooks the terraces in the house and the sea beyond. The master bath is oriented and designed to capture glimpses of the sea. The neutral colours of the walls and oors, allow the users to create a sense of newness by changing the fabric colours freely thus adding a new dimension to the house now and then.

Architect Firm Email

: Anup Gadgil : Ochre Design Group : ochredesign@gmail.com

Clients Location Area Completion

: Megha & Sanjay Ray Chowdhuri : Aldeia De Goa, Bambolim, Goa : 375 sq. mts. : December 2010

Photo Credits : courtesy Architect

16 | The Designer 2019-2021

Sitting on the DOCK OF THE BAY Villa Kinara sits on a site anked by the road on one side and the river to the other.

The land slopes uphill beyond the road. We were tasked with providing for four bedrooms and a large seating room, with plenty of semi-covered outdoor seating to be designed in an eco-friendly manner using natural and recycled materials.

The staff room, utility area and car park are placed towards the road for better accessibility and the living, dining, bedrooms and all seating areas face the river to appreciate the view and its

Eastward orientation. Special care is taken not to disturb the natural ground on the entire site. Additionally, a wooden deck is designed to be lifted up on a framework- at least two feet above ground- to make way for rain water from the land above to run off into the river.

The view of the river reveals itself gradually and unexpectedly. The entrance to the house is taken from the side of the structure along a path, through a narrow entry foyer which then dramatically opens out to a view of the river.

The design approach was to achieve a feeling of sitting on the deck of a ship.

Sitting rooms open onto a oating wooden deck which is at the same level as the room itself allowing for smooth transition between inside and outside. These rooms have full length sliding and folding glass shuttered doors opening out to semi covered spaces with roof overhangs and pergolas, making it possible to leave the house open throughout the day. These transition spaces not only bring in ample natural light and ventilation but also help merge the interior

The Designer 2019-2021 | 17

Architect Firm Email

: Anuradha Guglani : Anuradha Guglani : archi_anu_radha@yahoo.com

Client Location Area Completion

: Villa Kinara : Goa : 2900 sq. ft. : 2019

Photo Credits : Dinesh Mehta

spaces with the exterior boundaries. All peripheral wooden rooms of the house are allowed to be taken over by plants, to shade them and to diffuse the insideoutside boundaries.

Natural laterite stone and recycled woodwhich helps in keeping the house breathable- have been used for its interiors as well as exteriors. Wooden beams from old houses were sourced and planked to be used for all doors, windows and outdoor wooden decking, hence reducing the use of virgin material.

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vitried tile ooring, rugs, warm lighting all add up to give a warm feel to this area. The puja room separated from the living room with a glass wall has a laser cut jalli ceiling with hanging lights.

From the living room, one can diagonally see the dining space & get a glimpse of the open kitchen beyond, across the atrium.

The kitchen has been designed in grey tones & has an island counter. The dining room has an 8-seater onyx top dining table with chairs upholstered in tan brown leather with a designer light of hanging globes oating above. The guest room on this oor has been done in neutral tones.

AN OPEN HOUSE Upon a corner plot atop the hill at Ganeshpuri, Mapusa sits this newly constructed 4 storey contemporary villa designed by Arch. Ashwinikumar Prabhu & his team at Studio Archetype.

The lowermost oor of the house accommodates parking for the vehicles, servant quarters & utilities. The main entry to the house is on the rst-oor level. The entrance gate opens into a landscaped court with water bodies at different levels & cascading waterfalls. A ight of stairs from this court leads one to the main entrance of the house.

As one enters through the solid teakwood door into the lobby space with a statue of meditating Buddha, you get a sense of openness. It's an open plan with various spaces juxtaposed around a central atrium which brings natural light to the indoors.

The entire colour scheme is in white & shades of brown & grey.

The living area with its tan brown leather sofas opens out on to landscaped terrace gardens with water features, green walls & a gazebo. In this space, one has a feeling of being intimate with nature. The large size

The upper oors are accessible by a staircase in granite with glass & wood railing & an elevator. The rst oor accommodates the bedrooms of children, 2 girls & a boy. The elder girl's bedroom has been designed with a pink & blue colour scheme & has a ceiling depicting a starry night. In the younger girl's bedroom, purple is the predominant colour with a bunk bed with a slide. The boy's room has been designed on a car theme in black & red. It also has its own Ferrari bed. All bedrooms are en-suite with walk-in closets.

This oor also has a study area that opens out onto a covered terrace.

The topmost oor of the house has the master bedroom, gym & home theatre. The master bedroom with its high raftered ceiling, hardwood ooring, deep grey walls & oating chandelier makes for a pretty picture. The home theatre accommodates

10 recliner seats. This oor also has an open terrace with a large Jacuzzi overlooking the panoramic view.

The villa provides a near-perfect setting for a young family to live & grow!!

Architect Firm Email

: Ashwinikumar Prabhu : Studio Archetype : studioarchetype@gmail.com

Clients Location Area Completion

: Adv. Vikesh & Anusuya Harmalkar : Ganeshpuri, Mapusa-Goa : 820 sq. mts. : August 2020

Photo Credits : Kseniia Sun

20 | The Designer 2019-2021

A LOVE STORY

Our client had purchased 2 plots admeasuring 688m2 in the village of Arpora, in a regular plotted development on a main road. One of the plots had a triangular corner with 2 sides road & the other was facing the side road.

We amalgamated the 2 plots to make a cohesive project of 3 independent villas which shared a common space in the Indo- Portuguese style, so as to make it visually charming and impactful.

We planned for the triangular corner to become the main entry with a common space and the 3 villas given independent access through the side road, each with their own front garden & pools tucked in the space between the villas. An open, circular entrance area with built-in seats was created leading to the garden for outdoor dining. This has a common room which is part of one of the villas.

The landscape & compound wall hold the project as a homogenous unit. With this, a group of people living here have their own privacy, yet feel like they're living together.

There are many intimate spaces all over

The Designer 2019-2021 | 21

connecting the interior & exterior- making it a perfect LOVE STORY for the users.

An Indo-Portuguese theme was adopted for the house with a modern context. Built-in seats, traditional pillars, patterned oors, stone inlay paving, Mangalore tiled sloping roofs, wood plank window shutters, wrought iron work, country tile corbellingall form part of the main vocabulary.

Verandahs, pools, patios with outdoor built-in seating bring the outdoors inside.

Each villa has an entrance balcao (verandah) with identical sopos (built-in seats) for each. The living-diningkitchenette is the heart of the villa. This connects to a little study (can become a guest bedroom), 2 regular bedrooms & the outdoor patio with a pool. Almost all furniture is with built-in ledges, seats and beds, giving it a sense of timelessness.

The construction was a hands-on activity, where everybody, including the client participated. The highlight of the interiors is that each villa is treated differently with a

Architect Firm Email

: Elizabeth Kurian : Stonehenge : elizgoa@gmail.com

Client Location Area Completion

: Pankaj Kumar : Arpora, Goa : 688 sq. mts. : December 2018

Photo Credits : Courtesy Client

separate colour palette and details.

Cement has been used extensively for creating seamless coloured IPS nishes all over, thus lending a certain warmth and rustic nature to the interiors. The living room has in-built seating, with ledges that are juxtaposed with different coloured upholstery.

The bedrooms have built-in beds with their independent colour scheme, and every toilet has a different scheme too.

Each pool & patio area has been designed differently – with pergolas and built-in seating. Various stones have been laid in detailed patterns to create pathways along with cement cast-in-situ ooring. The swimming pool and the patio are designed with gargoyles and nished in cast-in-situ work. There is a traditional arched opening framing the entrance to the pool. The compound wall is done in traditional Goan style and runs all along the length of the side road.

HAVEN IN ARPORA When Maria & Lawrence Fernandes decided to build their dream home project in Nagoa-Arpora, few minutes from Calangute, they approached us through a mutual friend & client and beyond that ď€ rst meet, the project took a little more than 15 months to complete.

The requirements for their home were simple and their paramount need was for expanse of space. The house, as we designed it, allowed them a sprawling Living room, blending into a lavish Dining room, & open kitchen, with 4 bedrooms & a Home Theater to boot. A generous Swimming pool with water cascade and Barbeque corner lends a sparkle to the home.

The villa was provided with 2 entrances, allowing the family to enter from either side, parking or pool-side, and the visual axis along the two entrances ensure that the line

The Designer 2019-2021 | 25

of sight is instantly drawn to the simple yet classic altar. The Living room meanders into the Dining room, slightly hidden in an alcove towards the stairs leading to the upper oors. A custom-made table & chairs sits proudly in the space with a bespoke lighting xture over the table.

An open Kitchen allows the continuity of the spaces to gently inter-connect all the living areas on the ground oor without visual obstruction. A strategically placed island serves as a breakfast counter for a quick snack rustled up by the family.

A laundry room, pantry and powder room connects through a passage between the kitchen and guest bedroom.

Our decision to maintain an interior palette in harmony with the exterior helped in lending coherence to both the outside and the inside.

We chose a matte brown ACP cladding around the windows to reect modern material, easy to maintain yet harmonize with the sand-coloured slate cladding.

Every oor allows an unique vista of the wellgroomed lawn around the pool, and as you climb higher, a spectacular view of the elds

unfolds beyond the sparkling blue waters of the pool. The rst oor houses the 3 bedrooms for the family, each with its own walk-in wardrobe space and en-suite bathroom tted with the latest sanitary xtures and appliances.

The ooring tiles selected were in a lighter palette with the walls & ceilings mostly pure white. Bathrooms were done up with black tiles and white xtures in sharp contrast. We selected vivid colors for the bedrooms to lend a resort like comfort feel to the spaces.

Climbing up to the second oor, the entire space has been converted into a Home Theatre which leads to an open terrace overlooking an expanse of green elds and the Anjuna-Chapora hill-tops.

The journey, from their aspiration for a beautiful home, to the eventual realization of their dream, has been a happy one for us as Designers & for the Fernandes family who now cherish every moment in their new home.

Architect Firm Email

: Hemlata Sacheen Pai Raikar : Pai Raikar & Associates : hemupr71@gmail.com

Clients Location Area Completion

: Maria & Lawrence Fernandes : Arpora, Goa : 465 sq. mts. : June 2015

Photo Credits : Sacheen Pai Raikar

A HOUSE IN A FARM This self-sufď€ cient little modern cocoon, nestled amidst the lush green coconut and beetle nut farms, stands proud yet does not overpower its spectacular green backdrop.

A fresh getaway from mundane routine, a clean-cut modern weekend refuge, packed with all the necessary present-day amenities, was the simple brief given to the Architect. The house just grows from this brief. It is a play of no-fuss straight lines and squares with a necessarily grey and white theme.

A similar vocabulary ows through the interiors of the house, with major emphasis given to the living, dining and open kitchen.

The home accommodates three bedrooms, a lavish living and a kitchen dining space.

The ornate rhythmic squares, wall and door of the Pooja room, bang on at the entrance

The Designer 2019-2021 | 27

lobby is the only intricately decorated space throughout the house. The same is well balanced by the subtle smile of the Buddha statue placed on a simple ledge on the adjacent wall.

Moving from here, the stark white and grey minimalistic living space with its seemingly high roof is essentially bare, barring the highlighting TV unit with its laminate clad backdrop accentuated by the diffused lighting behind the panel. The grey ceiling panel further unies the space.

In the kitchen, the white counter is enhanced by the contrasting black glossy laminate for the base unit and the minimalistic glossy white and the frosted glass shutters of the counter top unit.

This ultra-modern look of the kitchen is given a country avour by the addition of the white and black brick facia dado tiles.

The bedrooms although following the same avour, revolve around the individual personalities of the occupants. The son's bedroom reects a similar simplicity as the entire house, but it is striking because of the intermingled stairs which double up as camouaged storage space which leads to a secluded reading cum music loft above.

The room is further accentuated by the abstract TV unit.

The house thus is extremely no fuss and to the point contemporary, yet warm and inviting with its special sparkle of freshness.

Architect Firm Email

: Jayesh Phadte : Jayesh Phadte and Associates. : archjayesh.ofc@gmail.com

Client Location Area Completion

: Vinayak Naik : Kodar, Ponda, Goa. : 160 sq. mts. : March 2020

Photo Credits : Saneh Phadte

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RESPONSIVE Interior Designing for a CHANGE All architecture is shelter, all great architecture is the design of space that contains, cuddles, exalts or stimulates the persons in that space - Phillip Johnson From the time I began my Architectural journey I have worked on projects of varied typologies, but I always nd residential design projects the most exhilarating and intriguing. The design response to residential projects depends on factors beyond the theories of design which we have learnt. The design brief, narratives and requirements are always dynamic, changing at different stages, and as architects we need to strike a ne balance between aesthetics and practicality.

Konkar penthouse was one such project; a 2BHK apartment for a family of four along with two fully grown Labradors, with a cosy open terrace on the top oor of a newly constructed housing complex.

When I visited for the very rst time, the apartment's interior work was complete but the Konkar's felt something was lacking.

They were not feeling blissful in their new home. However, it was not clear what was inadequate in the existing space. The other issue we faced was, since the interior was newly done and they had already started living there, they were reluctant to make any

major changes. Hence, we decided to start with minimal design interventions.

We had several interactive sessions to nd out what was amiss, and this increased the family's participation in the design process.

On our analysis of the space, we realised that the apartment had a high sloping roof which was concealed with a low false ceiling.

The extra height was used in the kid’s roomas a loft, but was otherwise unused. We decided to change the false ceiling of the living room to use the large roof volume to

make the room appear bigger.

Realizing the open terrace was also underutilized, we used stone cladding for walls and partial covering of the roof using Mangalore tiles with glass to create play of natural light and bring in a rustic feel. We introduced plants on the terrace to complete the tropical look.

Just as the work was nearing completion, the Konkars got an opportunity to acquire the adjoining 2BHK apartment. We decided to use the existing apartment for living and

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dining space with one bedroom, and the newly acquired at for two bedrooms and the kitchen. We ensured that we made optimal use of natural light in all the rooms resulting in an incredibly positive environment. In the living spaces, we managed cross ventilation after removing walls to create dining space. The existing loft was retained, and it was converted into library space making it more usable. We used natural textures and tones in the materials for ooring and furniture.

What we learnt in the design process was that creating blissful spaces is an exploration of connecting internal spaces with nature and blending them as one entity.

Architect Firm Email

: Krishna Phaldesai : Krishna Phaldesai & Associates : krishnaphaldesai@gmail.com

Client Location Area Completion

: Konkar Family : Margao, Goa : 220 sq. mts. : November 2017

Photo Credits : Sagar Kerkar

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TRADITIONAL BEAUTY blends with MODERN DESIGN

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Mr. Gopikant Shirodkar's 1988 House in Nachinola, Bardez was renovated by our rm Peak Interiors in December 2019.

The home displays a perfect combination of traditional beauty, which blends with modern designs. Every room has an equal measure of style, comfort and functionality.

Vibrant colors and beautiful furnishings add to its charm, while indoor plants add a lively touch. Everything about the home spells opulence. The dark wooden furniture is modest yet stately and contrasts with the environment nicely. The right blend of traditional and modern elements in the house creates a unique look that impresses on-lookers in a whole new way.

The living room is designed to be inviting with its dark colors exuding a cozy vibe.

Tan colored sofas lighten the atmosphere in the room. Elegant woodwork lends warmth and charm to it. The faux rafters on the ceiling infuse the area with old world charm.

One of the striking features of the décor is the use of soft and warm lights to enhance the beauty of the Architecture.

The bedroom is designed seamlessly to ensure consistency and uidity in the overall look. The large lattice windows invite abundant natural light. The sheer curtain adds an elegant touch to the appearance of the room. The space is designed to be relaxed, aesthetic and yet practical.

The false ceiling or dropped ceiling is a natural choice of modern bedrooms as they present a beautiful combination of

functionality and aesthetics.

The children's room is designed to reect the imagination of the child. Although wood furniture conveys a more classic image, it is lled with colours and fantasies. In this room, painted wooden furniture and stuffed animals evolve a forest scene, allowing the child to enjoy his favorite habitat in his dreams and games. The painted wooden cabinet against the wall is a charming touch and is perfect for arranging books and collectibles.

Architect Firm Email

: Mayuri Muchandi : Peak Interiors : peakinteriors21@gmail.com

Clients Location Area Completion

: Gopikant Shirodkar : Nachinola, Bardez, Goa : 400 sq. mts. : December 2019

Photo Credits : Venkatesh Daising

It was indeed a matter of prestige when Mr. Pandurang (Bhai) Naik approached us for the renovation of his residence. The house is approximately 50 years old, and is a landmark of the city, on a major thoroughfare. It had a distinct ship-like design and a personality of its own which we had to retain while working on the exterior as well as the interiors.

REJUVENATING ONE OF MARGAO'S LANDMARK HOMES

The main challenge for us was time management. All work - from breakage, casting a slab, change of ooring, redoing of toilets with a total new water and electrical system, and a lot of repairs - all had to be done while the client was living in the house. The boon was that the client and his family were very supportive, helpful and understanding throughout the process.

We started by understanding the family requirements. A buffer zone in the form of a lobby and a second main door were created to separate the private and public areas, as the client is a political entity and the entrance space experienced a lot of footfall.

The formal and informal living areas, dining and pooja room shared the same space, leaving no privacy for either of the areas.

The Designer 2019-2021 | 33

We resolved this using glass doors and partitions so the individual spaces had their own privacy, and merged into one space when needed.

An entry mural was created with a metallic Bodhi tree depicting the family's spirituality and several artifacts handed down generations were given their deserving places, so that one is acquainted with the legacy, heritage and personality of the client while walking through the house.

The interior of the house was the easier part, though the exterior was much more challenging. After prolonged consideration we decided to retain the structure and shape but added elements like boxing to the windows to give it a fresh look. The stairwell was treated with hatched glass with lighting inside so that it became a feature from the outside. Grey and white paint was chosen externally, to give it subdued elegance and accentuate what was required.

As the project approached the ď€ nish line, we felt that we were successful in retaining the essence of the house and at the same time giving it a fresh new look.

Architect Firm Email

: Pallavi Lawande : PNL Designs : pnldesigns22@gmail.com

Clients Location Area Completion

: Pandurang (Bhai) Naik : Margao, Goa : 530 sq. mts. : 2018

Photo Credits : Harsh Kamat

36 | The Designer 2019-2021

EARTHY ABODE

Imagine living in an apartment which is brimming with memories, travel stories and an exceptional collection of Art. Architect Pallavi Satardekar has managed to craft exactly that for a couple who are passionate art collectors and avid travellers from Dubai.

Their idea was to build an inspiring space, something one could grow with. The client aspired for a home built in harmony with nature and their imaginative spirits. The creative dialogue between the clients and the Architect led to an idea bank, in the form of sketches and drawings. Certain vows were taken to use only natural material and to reuse whatever came along with the apartment.

The 220 sq. mt. apartment is nestled in a sun-kissed village of Goa, overlooking beautiful ď€ elds. The moment we look at the earthy terracotta ooring with handmade clay inlay tiles, we know we are entering a uniquely designed home. There is an imaginative use of wood, terracotta, handmade and hand-painted tile, textiles & leather. The colour palette is woody, earthy & warm just like the fertile land waiting to spring with life.

A deliberate decision was taken to eliminate some walls, to get a look of openness. The living, dining & kitchen are accommodated in one large space with well-deď€ ned character and function, demarcated only by

The Designer 2019-2021 | 37

the lighting, materials, and hierarchy of spaces. The dining table doubles up into a bar with a wine rack, storage for glassware and crockery. The fusion of solid wood and azure relief tiles is a total knock-out.

The house becomes a home when you see the most dramatic play of light and shadows, ooding the spaces through large windows and French doors. In the bedrooms, the windows are extended into cozy window seats waiting patiently to listen to all the happy conversations over a cup of warm chai. All the furniture is exclusively made on-site fully customised to make use of every offset in the room.

The ooring in the bedrooms is uniquely designed to make the spaces visually bigger. The fabrics draped over the windows are carefully selected to give the right balance to the otherwise single-tone paint in the rooms.

The tiling in the bathrooms and the sanitaryware came with the apartment and the decision to retain the same was taken jointly, yet it was agreed upon that the tiles needed an uplift. Hence, local Azulejos artisans were roped in to create the desired effect. The designs were customised, handpainted over local clay tiles. These tiles once ready were inserted in the existing

tiled walls. The existing washbasins were hand-painted and then baked. The backsplash for the kitchen was customised and skillfully executed.

The lighting for the entire house had to be unique yet simple. Hence the clients did not shy away from importing some of the lights.

The bespoke furniture, customised walls and oors, tasteful illumination and earthy yet sophisticated theme: the outcome – a very stylish and comfortable home.

Architect Firm Email

: Pallavi Satardekar : Parijat Design : parijatdesign@gmail.com

Client Location Area Completion

: Riaz Santrampurwala : Pilerne Goa : 220 sq. mts. : December 2017

Photo Credits : courtesy Architect

38 | The Designer 2019-2021

INCLINED TO LUXURY Located in the prime location of Goa's Marine Drive, on Caranzalem - Dona Paula Road, this 4100 sft apartment, on the 2nd oor, enjoys a breath-taking view of the Arabian Sea & the Miramar Beach stretch.

The objective in designing this residence was to create spaces that have spatial value and deep luxurious & sensual experiences as the client desired so.

A globetrotter, having business in India and abroad, the client also requested to optimise the maximum usage of exotic imported marbles, as it is one of his core business.

Originally these were three independent apartments located linearly facing West on one entire oor of a prestigious residential complex. To integrate them to be used by one family was the biggest challenge we

had. As you enter, a North-South circulation axis, right through the living area was achieved to connect all the functional spaces within these three apartments. In this way, we managed not to disturb all the sea-facing rooms which are parallel to the beach. The hierarchy of spaces thus generously opens out to a wonderful evening breeze and view outside. All these spaces are again connected by balconies facing the sea.

A large expanse of glass is used as a divider to the private living area and dining area which connects to the circulation axis of the residence. This helped achieve privacy for the living area without impacting the visual reach. Separate informal seating was achieved once you enter the apartment.

As the usage of 'Satvario Marble' which is the most precious marble variety found in Italy, was the dominant factor, carefully selected materials have been used proportionately to balance the overall feel of the decor. Extensive use of Rose Gold ď€ nished metal in the form of designer Jaali patterns, particularly in partitions, in loose furniture, in doors, in wall panelling, decorative consoles, bedside tables, tables, etc. add a luxurious feel to the interiors. The leather sofas, dining table and center table have been exclusively

sourced from international markets. The usage of dark veneers add warmth to the overall ambience.

The interiors become a manifestation of the warm colour pallet and expression of art and luxury coming together with unique aesthetics. The formal articulations of the residence have a luxurious high-end

sensibility which ows into the interiors.

This was exactly what the brief of the client was when he approached us to design his house.

The residence represents some of the precious aspects of luxurious living, a wonderful shelter that is also close to beautiful surroundings.

Designer Firm Email

: Pratap Naik : Intrinsic Classics : design.intrin@gmail.com

Client Location Area Completion

: Not disclosed as per request. : Caranzalem, Goa : 400 sq. mts. : October 2019

Photo Credits : Samrudh Amonkar

40 | The Designer 2019-2021

AN ARTISTIC TOUCH The brief for this three-bedroom duplex apartment was very simple. It had to have lot of space and needed to look bigger than it actually is. The brief called for some simple design modiď€ cations to the existing.

We decided to have an open scheme for the area where guests and visitors would be entertained. To add to this, we removed the window overlooking the terrace and converted it into a door. This made for an extended living area in case of a party or a get-together.

The primary colour scheme was plain white.

Even the upholstery of the curtains was kept plain. The element of colour was added with a dash of wallpaper, a feature wall, coloured furniture and carpets. All these came together to form a beautiful eclectic space. A warm pendant and some decorative lights added to the drama.

We also had to accommodate the fact that the apartment had a lovely unobstructed view of the Altinho hill and Kadamba plateau across vast stretches of ď€ elds and trees. For that purpose, we decided to add a small bench to the seating arrangement, so that it does not block the view, yet adds to the seating. A mirror was placed on the opposite wall along the console, so that the view is visible even when you look in the opposite direction.

The kitchen looked very tiny compared to the entire house, and hence we decided to open it up. The scheme here was simple too; all cabinets were duco-painted white along with a single monolithic white technostone dado. Colour was added by providing a yellow techno-stone platform and a mosaic tiled wall in yellow, blue and green. We even used the same palette in

The Designer 2019-2021 | 41

the details, using yellow, blue and green handles to give the kitchen a warm and rustic feel.

The staircase and the lounge area on the upper level are all dedicated to art.

Different paintings of various artists have been displayed along the staircase and in the lounge. Since all the residents of the house are ardent art lovers, they had collected these paintings and needed a space for displaying them. The biggest painting was an 8' x 4' piece depicting traditions of Goa. The upper level had a small space, which we decided to convert into a puja area.

This space was highlighted by adding a yellow frame and a bit of yellow detail for the backdrop. Using elements such as a hanging diya from an elephant's head made of brass added to the character of this space.

Since the lady of the house is a hobby artist and engages in art in the house, we created a small art space for her where she could go and relax herself. We created frames in shades of teal for a space that allowed her to put up whatever she does from time to time. We used the same teal shade to paint the furniture where she stores all her art and craft equipment.

Architect Firm Email

: Rahul Sardesai : Atelier RS : rahul.sardesai@gmail.com

Client Location Area Completion

: Sardesai Family : Dona Paula, Goa : 240 sq. mts. : 2016

Photo Credits : courtesy Architect

42 | The Designer 2019-2021

A SANCTUARY OF DREAMS The journey of this project started with a chance meeting when the client walked into their furniture design studio to just check out a metal display stand in Rose Gold and ended up getting the entire apartment interiors done.

For Architect couple, Nidhi & Rajesh Kenkre, the interiors of a home must be an expression of subtle luxury, contemporary

yet rooted in tradition, young at its core yet bringing out a certain mature elegance, exemplifying the clients' lifestyle and values.

The materials and subtle textures used in this apartment interiors give the space an eclectic modern feel that is casual yet chic.

Despite the play of various colors and ď€ nishes, the home exudes a warm live-in appeal which makes it a truly happy place

to be in. The apartment is sophisticated yet playful, child friendly and easy to maintain.

The foyer was designed as a utilitarian space for the new Post Covid normal with a wall unit housing the sanitizers, shopping bag drop box, shoe and invertor cabinet. The uted wood wall paneling design breaks the linearity of the foyer while concealing the powder room door.

The living room displays an eclectic mix of contemporary design elements garnished with intricate details, textures and fabrics without losing the sense of space and volume. The far end of the living hall with its Easy Lounge chairs serves as an informal relaxed corner, anked by the wooden console and the Rose Gold metal display unit on either side giving a distinct cocktail lounge feel to the area.

The low wooden framework and hanging industrial lights above the dining table lend a cozy feel to the dining while serving as a visual divider between the living and open kitchen. The kitchen sports a cafe look with open shelves, paneled cabinetry and antique copper tiles back splash. The judicious placement of quirky artifacts completes the organic vibe of the kitchen.

The color palette is limited to taupe and grey neutrals but juxtaposed with luxurious furniture and carefully selected accents.

The master bedroom is designed to create a relaxing ambience with the use of rich yet subtle materials and fabrics. The daughter's room with its elaborate princess bed, walk-in dressing unit and loft area facilitates rest and play. The guest room is divided into a colorful hobby corner and a simple yet striking resting area.

The design focus was to curate a space that feels timeless, not trendy, with essential pieces that are rich in craftsmanship but effortlessly styled such that everything has a place of its own and there is a sense of dimension and geometry, color and surprise.

A house is one's sanctuary of dreams, emotions and hope. At The Sublime Project, every assignment is a sincere endeavor to make this journey from dream to reality an exhilarating experience for their venerated clients.

Architect Firm Email

: Rajesh Kenkre : The Sublime Project : i@rajeshkenkre.com

Client Location Area Completion

: Diyana & Shaibaz Sayed : Caranzalem, Panaji, Goa. : 140 sq. mts. : November 2020

Photo Credits : Sandeep Patil

44 | The Designer 2019-2021

DIFFUSED BOUNDARIES Interior design explores the intimate side of architecture, where the sense of touch, sight and smell come to life. It is through this that architecture is nally experienced in its completeness. The following case studies of two villas, recently completed by us, attempts to discuss this very relationship.

Both villas are located in the upmarket residential precincts of Goa. The architecture demanded an inward looking plan with a skylight courtyard illuminating the internal spaces. Both are critically modern designs with exposed concrete in one and stone cladding in the other that sets the tone. The elements of concrete and stone continue from the exterior facade to the interior courtyard, thus blurring boundaries. Therefore, interior design also transcends boundaries and adopts a strategic hand holding role. The choice of stone, timber and glass appear natural and unimposed. Omani marble compliments the concrete, as leather nished Kadappa does the other. Teak wood offers warmth and combines with the glass elegantly to make the space ow into each other.

Habitable rooms having large openings ank the courtyard and are controlled by screens for privacy and light. Detailing of screens is a take on the traditions and sensibilities of the users. Here too, one feels a deliberate attempt of blurring boundaries between interior design and the building design. At the ground level, the living room joins seamlessly with the dining through a generously landscaped courtyard separated by sliding glass shutters. The

bedrooms are located on the upper levels, organised as a segmental plan.

The sleeping area is separated from the closet by a handmade timber screen bringing out the best in our traditional Indian carpenters. Loose furniture and accessories that offer the ď€ nal touch have been selected and sourced from various parts of the country as it was felt necessary to accent an individual space to tie up the whole.

The interior design thus allows the architecture to unfold itself through a play of light as the sun moves its way through the courtyard. One observes that interiors are kept consciously at a point of deliberation with Architecture and not an argument.

Architect Firm Email

: Reshma Sukhtankar : MSS Designs : mssuctancar@gmail.com

Client Location Area Completion

: Not disclosed as per request. : Dona Paula, Goa : 450/800 sq. mts. : 2015/2018

Photo Credits : Hiranya/ Harshan Thomson

SECRETARY’S REPORT

Sumedh Naik In Goa, IIID has a very strong presence and membership amongst the local design community.

Apart from the design professionals like Architects, Interior designers, it also has a deep connection with Trade, Afliate, Student, Corporate & Honorary members encouraging communication and cooperation between the entire spectrums of the interior design industry.

The Vision for IIID Goa Centre term 2019-2021 of the elected Managing committee has been focused on a basic search of three points

Collaboration

Innovation

Ÿ Longest Painting

Ÿ Installation Ceremony

Ÿ Women’s Day Celebrations

Ÿ Longest Painting

Ÿ Planning of all Events

Ÿ Unscrap! Upcyle! Ÿ Know Your Trade Member Ÿ Founders Day

Ÿ Design Melange

Ÿ Founder’s Day

Ÿ Women’s Day

Ÿ Space Design

Ÿ Know Your Trade Member

Ÿ Students Competition

Ÿ Webinars

Ÿ Online - Quiz

Connection

The Designer 2019-2021 | 49 The term started with a lot of excitement and the expectations to do interesting and unique events/programmes mainly due to young and enthusiastic leadership with dynamic Managing Committee members.

Innovation –

Collaboration-

Connection-

The idea was to have an innovative thinking process and come up with out-of-box concepts for projects and events which will enhance its quality and create a positive buzz in the local design industry.

Creative project ideas need taskmasters to achieve it. The whole process can be very much simplied and enjoyable if everyone supports the idea and puts wholehearted efforts into achieving the goals. This can be done through collaborative efforts. We believe in teamwork and always give success credit to the member who puts his/her efforts into it.

Connect is a very important aspect of any organisation. Without connecting the sense of responsibility, togetherness, association does not happen. Connect need not be only related to work, connect should be also with nature, with community, with the profession, with IIID members, with student members, etc.

Managing Committee Members

Managing Committee Members

Co-op Members

Chairman: Ar. Siddharth Naik

Ÿ

Ar. Pallavi Satardekar

Ÿ

Ar. Ashley Mascarenhas

Ÿ

Hon. Secretary: Ar. Sumedh Naik

Ÿ

Ar. Siddha Sardessai

Ÿ

Mr. Keyur Desai

Ÿ

Treasurer: Ar. Rajesh Kenkre

Ÿ

Ar. Rahul Sardesai

Ÿ

Ar. Siddharth Deshpande

Ÿ

Ÿ

Chairman Elect: Ar. Krishna Phaldesai

Ÿ

Vice Chairman: Mr. Pravin Pai Lotlikar

Ÿ

IPC: Ar. Snehalata Pednekar

Under the Chairmanship of Ar. Siddharth Naik, the Goa Centre has been doing innovative projects with support from all members. The centre has been garnering goodwill and camaraderie among its members and the fraternity at large with its innovative and distinctly different events.

Installation Ceremony for the Term 2019-2021 The introduction of Managing Committee members was the most relished part during the installation ceremony. The presentation

by Production Designer Ar. Rajnish Hedao was well appreciated by the audience.

52 | The Designer 2019-2021 Founder's Day Celebrations The service doesn't have to be big and grandiose to be meaningful and to make a difference. The Managing Committee donated a much-wanted printer to Disha Special School on the occasion of Founder's Day.

Space Design for Disha Special School Disha is an organisation that nurtures and educates children with learning disabilities in Goa. IIID Goa centre was approached by the management of Disha school requesting for a design solution for their storage requirement of the school.

This particular centre is a vocational training facility for students from 18yrs to 35 yrs.

These students are trained professionally to make different types of hard paper ď€ les, painted terracotta diyas, paper roses and a lot more, which are later marketed through various platforms.

The material is stored either in limited rack space or on the oor. This occupies a lot of oor area and hampers the mobility of the students in their workspaces.

The team presented this concept with detailed drawings to the school teachers and the management. The school has approved the designs and have appointed a vendor for the execution of the design.

Design Melange 2.0 As part of the Connect Vision, we held a presentation series called Design Melange.

Wherein Goan Designers are invited to give presentations on their expertise. This forms an amazing platform for local designers to showcase their skills in front of audience.

As a part of Design Melange 2.0, we invited Ar. Arvind D'Souza, Ar. Jayesh Phadte, Mr. Sidney & Ms. Anagha Fernandes and Ar. Nivedita Walke to present their work.

54 | The Designer 2019-2021 LONGEST PAINTING an initiative of VIBRANT GOA curated by IIID GOA IIID Goa holds the World Record in the Golden Book of World Records for the longest painting in the world (multiple contributions). This feat was achieved under the Colour Earth Green initiative at the Vibrant Goa expo and summit.

The aim behind creating the longest painting by numbers (1010ft in length) spread over 2 days painted by artists, architects, designers, delegates and visitors visiting the Vibrant Goa Expo and Summit are to show our commitment and to emphasize the importance of balancing the environment while developing Goa. The painting depicts the rich ora, fauna and natural beauty of Goa and spread the message of "Green Development” as a way forward.

A 308m (1010 ft) and 42” wide painting was created in the presence of Dr. Manish Vishnoei (representative of the Golden Book of World Records). Dr. Manish Vishnoei presented the IIID Goa Centre and Vibrant Goa Foundation with a record certicate in presence of Mr. Auduth Timblo, Chairman, Fomento Group.

Artist Sajjan Bhatcar and Artist Pravin Naik were Master Artist for the event with good support by Artist Manjunath Naik, Artist Samir Naik and the Students of Goa College of Fine Arts. Students of RD school, Fire Brigade staff, Rotary Club of Panaji Midtown and Members of IIID Goa Centre also participated in completing the painting. Total Participation comprised of 88 Artists, 140 Visitors, 65 Delegates. Golden Book of World Record (GBWR) is an Exclusive International Book of Records. The record book aims to give a platform to people who have some hidden or unhidden talent. GWBR is actively functioning to recognize and publish the unique achievements for talented people / organization all around the world.

56 | The Designer 2019-2021 Unscrap! Upcycle!

Construction & Demolition Waste (C&D waste) is being produced in great volumes by the construction industry in India and all over the world. This waste is rapidly lling up our landlls and sooner than later, we will run out of options to dispose off this waste.

We organised a one-day interactive session on recycling and upcycling of construction & demolition waste called Unscrap! Upcycle!

The two eminent speakers for the event were, Mr. Gaurav Pokle, founder & CEO of Innovative Waste Aid & Management Pvt. Ltd. and Architect Yatin Pandya, of FOOTPRINT E.A.R.T.H Ahmedabad.

Mr. Gaurav Pokle spoke about segregating waste on construction sites and allocation of space in multi-dwelling complexes for the collection of dry waste which is generated on a day to day basis.

Architect Yatin Pandya impressed the audience, stressing on the need for sustainable design solutions incorporating the use of recycled/upcycled building materials, as it has been done at “Manav Sadhna” activity centre Ahmedabad.

Women Day Event Design(h)ers International Women's Day is an annual celebration of women and their achievements, demonstrating why empowering women is benecial for everyone. We took this opportunity to acknowledge 46 Women Designers of Goa who were felicitated through presentation of their work and achievements in their respective elds of Design.

Ar Shilpa Gore Shah from Mumbai was the guest speaker for this event, followed by a Panel discussion on "Challenges faced by Women Designers & Entrepreneurs in the 21st Century ". Ar. Snehalata Pednekar moderated the same with Ar. Shilpa Gore Shah, Ar. Rita Mody Joshi, Ar. Reshma Sukhtankar and Ms. Fauzia Khan as panelists.

58 | The Designer 2019-2021 Students competition / Awards in partnership with Goa College of Architecture As part of our Educational programme, we organised TIMBER INSERTS IN THE CAPITAL CITY OF PANAJI: A Design and Construction detailing competition in the Building Construction Studio of the 3rd semester for the Academic year 2019-20.

We also continued the Thesis Award for 'Best Space Design Award 2020' for students of Goa College of Architecture by giving IIID Rolling Trophy and cash benets and certicates for winners and runners up.

Objectives were to promote Design and generate new ideas for space design, interest in the eld of Interior design and to allow emerging designers the opportunity to gain exposure to competition.

Founder's Day Online Celebrations We planned to have the Goa Centre's Founder's Day celebration more informally with interactive sessions with the past chairpersons and all members of the centre.

This event was well conceptualised to keep it very light hearted and interactive. The session started with a Keynote by IIID president Ar. Jabeen Zacharias followed by an interactive discussion with past chairpersons regarding their experiences with IIID Goa. This was followed by musical performances, informative presentations and quiz sessions.

Online Quiz During the Lockdown time, to keep all members connected with the design industry and with other members, we started an online Architectural and Interiors related Quiz on the IIID WhatsApp group.

Quizmaster Ar. Rahul Sardessai was responsible for this project and he did it with a lot of effort and enthusiasm. There was good participation from all members for almost 2 months. The nal round was held during the online Founders Day programme. Ar. Sacheen Pai Raikar was the winner of the quiz while Student Member Mark Vaz and Ar. Moiz Arsiwala secured the rst and second runners-up place respectively.

The Designer 2019-2021 | 59

Know Your Trade Members The idea behind this initiative was to connect with all trade members within the IIID bubble and understand what they deal with and how to rebuild the interiors design industry after the pandemic. Online initiative wherein one week was given to each trade member on IIID WhatsApp group, to showcase the products they deal with, educate design associate members regarding different materials available with

speciď€ cations and increase the material palate within Goa centre.

This idea was well appreciated by all Goa centre members as well as by IIID NEC. After this successful programme, Know Your Associate Members is in the pipeline and the team is collecting all data from the members to launch KYAM.

60 | The Designer 2019-2021 During and Post Covid 19 Lockdown Covid 19 has affected IIID Goa in a big way.

We lost one of our Managing committee members, Mr. Keyur Desai, due to covid.

There has been a big void due to his absence which is impossible to ď€ ll. He was totally a team man and would volunteer to do any work for IIID. We did many online events and activities to keep members busy and connected with design and profession during the pandemic times. Know Your Trade Member was the highlight with Quiz and other activities giving necessary connection with other members. We also associated with the Delhi Chapter to organise and host online webinars related to design discussions.

Chairman Architect Sidharth Naik winning IIID National commendation award in the Hospitality category got a lot of positive vibes and encouraged other members to participate in next year's IIID award.

This team has achieved many successful events to date, this was only possible due to clarity in thoughts, dedicated MC members, distribution of work, sharing responsibility within the team. The Chairman gives primary importance to bonding within the team. They argue, object, listen to all, enjoy but at the end of the day, the task is completed.

N AT I O N A L A W A R D S CONGRATULATIONS CATEGORY: HOSPITALITY NAME: SIDHARTH D. NAIK STUDIO NAME: ULYSIS PROJECT: MARAVILHA - A BOUTIQUE RESORT

The Designer 2019-2021 | 65 Connect with Students has been our main vision for this term. As part of Educational events, we conducted 2 design related events in partnership with Goa College of Architecture. We organized TIMBER INSERTS IN THE CAPITAL CITY OF PANAJI: A Design and Construction detailing competition in the Building Construction Studio of the 2nd Year Architecture, 3rd semester for the Academic year 2019-20. Design Ideas, understanding technology, innovation, presentation and details were the criteria for the jury. Below are the works of winners and runners up.

WINNER Ayesha De Souza The timber structure is a play structure for children located at the Children's Park in Campal, Panaji. Evolved from the form of two quarter spheres, the concept is "Levels of Interaction" which allows the children to experience the structure and space from different perspectives. It enables them to see the structure as a shell or as a frame- to climb on, hang under and even move through. The contrasting construction of each quarter sphere-one smooth, the other geodesic is juxtaposed to create an interesting, dynamic structure.

1 S T RUNNERS UP Anish Gajinkar The idea was to redene the pergola at the Miramar roundabout. “I was inspired by the hulls of shing trawlers in the Mandovi river which particularly drew me to them and eventually formed the base for my design.

The spine inspired the glulam arch and the ribs helped me transform the conventional horizontal ribs of the pergola into joists that change their orientation at every point.”

WINNER Aditya Parulekar The structure's form is derived from a seashell, placed inverted. The concept was to relate it to the Goan beaches and context, as the structure would display pictures and objects related to the history of Goa. Located in Kranti gardens, in Panjim city, the existing circular forms in the garden complements the form proposed. This small structure would sufce around 5 to 10 people at one time.

2

nd

RUNNERS UP

Tosha Phadte Located at Children's Park in Panjim, I chose a Nest as the concept as it has an interesting hemispherical form, made up of a network of twigs. This led to the nal design of the pavilion, which is based on arches. The main arch runs diagonally anchored to the ground with the other secondary arches resting on it alternately, and other criss-cross members connected to these, giving it the desired prole.”

The Designer 2019-2021 | 67

IIID Goa centre organized the SPACE DESIGN AWARD for thesis students of Goa College of Architecture by giving IIID Rolling Trophy, cash benets and certicates for the winners and runners up. Objectives were to promote Design and generate new ideas for space design, interest in the eld of Interior design and to allow emerging designers the opportunity to gain exposure to competition.

Below are the works of the winners and runners up.

WINNER Saloni Pandit

Sanjivani: Centre for Alzheimer's Design for individuals with Alzheimer's depends upon materiality, which is as important as the spaces created within. Subtle interiors, evocative exteriors and sensory landscape are the core of the project. Located at Mehrauli in New Delhi, the centre has been designed as a homely neighbourhood centred around a street, with courtyard pockets that serve as activity spaces.

The living spaces are clustered like family units and are well connected to the day-care centre and various other interactive spaces. The centre gives an opportunity to welcome an exploratory community approach by opening up to the primary streets and the neighbouring Jahanpanah forest, allowing interaction between various user groups.

The Designer 2019-2021 | 69

1

S T

RUNNERS UP

Diantha George

Although there are various entries to the city of Panjim, the ferry point and the Patto footbridge are observed to be the most encountered pedestrian entrances. Analysing building uses and activities along this street, a mixed-use project which housed a retail hub, ofď€ ce spaces and multipurpose areas was considered the best ď€ t in the focused area of intervention. The project displays various strategies such as visibility and natural passive surveillance, movement & sightlines, pedestrianisation, the introduction of plazas, etc., which were implemented, to reclaim the activating quality of vibrancy along this street.

The architecture of the project was informed by the architecture of the city and therefore, turns into a new landmark within the city fabric.

2

n d

RUNNERS UP

Jency David

The precinct of Tuticorin is predominantly a religious site having several layers of culture, style and built forms inter-woven together. The design proposal looks at different layers of the existing context to inform the design program comprising mixed-use and exible spaces. This project establishes the connection of the historical Church to the present day by restoring the axis to the waterfront and providing complementary spaces that uplift the Church like a museum and workspaces that allow engagement of different user groups like tourists, pilgrims and the local community for common purposes.

72 | The Designer 2019-2021

A BLEND OF OLD with a TOUCH OF NEW

On more than one occasion I have found myself lucky to be associated with rare projects. But this one really stuck out from the rest. An innovative one-of-a-kind initiative that was started with a purpose to preserve the rich culture of Goa. The initial structure that would soon be Luxo Aldona sat quietly in the pristine village of Aldona and at ď€ rst glance, it looked to me like a little hidden treasure.

It was built more than a century ago by Mrs. Bocaro of Goan origins. With a plethora of lush greenery and some rather lovely Indo-Portuguese houses surrounding it, one could sense the stories of an era

gone by that still reside in the whispers of those who inhabit it.

The home in its original form was old and fragile but had a great deal of character and potential. The journey of restoring this piece of art took us close to 18 months to complete. It was originally a single storey structure, however, during the restoration, we added to the existing structure by making it a ground plus one dwelling.

Spread over 16000 sq ft, the existing structure was about 4000 sq ft, which we extended to about 5000 sq ft.

In the modern age of technology, this heritage home will take you back to the days when the family came together. While the spacious living room is a space to revisit old memories and create new ones, the dining room will house the entire family for a sit-down meal cooked in the beautiful kitchen. The two family rooms are a heaven for games, indoor sports and more.

The three bedrooms with attached toilets provide complete comfort and privacy and the patio comes equipped with a natural well and staff quarters.

One can spend the afternoon on a hammock in the lawns, laze around the gazebo or cool off at the pool. While preserving the heritage property, we left no stone unturned on the contemporary luxuries. It's a slice of the olden days, with a touch of modern-day convenience.

Architect Firm Email

: Rita Mody Joshi : Rita Mody Joshi & Associates : ritamody@gmail.com

Clients Location Area Completion

: Sairaj Dhond : Aldona, Goa : 500 sq. mts. : Jan. 2018

Photo Credits : Siddhanth Shorey

74 | The Designer 2019-2021

INTERIORS INSPIRED

BY INNOVATION We would like to share the case of a small apartment we designed at Kamat Royale, Caranzalem.

It's a tall order to not only improve the design of a small at on a tight budget, but to achieve a luxurious feel in the space too!

However, dreams of having an elegant house don't need to always remain dreams.

We set about creating a contemporary interior design, with sleek and interesting components that gave it character.

In order to make the apartment more spacious, we created stainless steel partition elements between the bedroom, living room and kitchen areas. The family had the option of isolating the areas when required. Two sliding glass doors, a blue neoprene curtain, a projector screen, a jewelry cabinet and bookshelves are all integrated into the partition.

The kitchen integrates into the space via retractable doors that close completely, or open parallel to the glass doors. Through the articulation of the retractable panels, the kitchen service sector, composed of equipment, tub and work-bench, can be completely independent of the support island. The concept of having a dining table with a bench on one side and chairs on the other made the space more social.

The color palette is drawn strictly from nature in order to maintain serene and calm vibes throughout the home. Choosing an interior design style that reects your personality can be overwhelming for the client, so here we selected a rustic yet elegant contemporary design style. We used vertical wooden brackets to maintain a very straight look and to divide the area from the entry to the living room, and then near the dining and tv unit.

The clients were very fond of natural shades, so the colours used in the master bedroom reected that. Grey is one of those colours that is considered to have the hottest hues in the world of interior design and blends quite well with other colours and features that may be used. We used the grey with metallic silver borders to give the room an elegant look.

Paint isn't the only means by which you can bathe your bedroom walls in the colour of your choice. In the design of the bedroom, textured grey fabric was afxed to the walls by applying paper backing to each strip of material. In addition, botanica abstract blue & grey curtains, and silver pendant lights added to the charm of the room.

In the daughter's room we used a mix of white & grey shades to enhance the beauty of the grey. It looked vibrant with the blue metallic leather bed's high headboard, along with textured grey wall paper.

Pendant lights on both the side tables created more drama in the room.

We were extremely happy with the way the project took shape from our imagination, onto the sketches, and nally coming to life post construction, for a compact yet luxurious apartment.

Designer Firm Email

: Rushina Vaidya : R + Squares Design Studio : rushina@rplussquares.com

Clients Location Area Completion

: Mr. & Mrs. Kumar : Caranzalem, Goa : 100 sq. mts. : Nov. 2020

Photo Credits : Joshua Fernandes

76 | The Designer 2019-2021

LA QUINTA

Treasuring Goan Heritage 'La Quinta' is a Portuguese/Spanish term meaning 'Villa' which is usually a secondary home for holidays, or a villa located in a wine growing estate.

The 360 m2 site, belonging to Mr. Sumeet Chopra, was on the way to the Salmona spring in the serene village of Saligao, which has many heritage homes around.

Maintaining the harmony of the same, we decided to recreate an old Goan styled house. The villa was named 'LA QUINTA' and the detailing and vibes of this architectural style was continued to every inch of the interiors.

The ď€ rst impression of a century old heritage house was elaborated by the 2 feet

thick external walls of the living room with niches to enhance this character. Red oxide ď€ nished built-in-seats within the deep set windows drew inspiration from the balcao seats. Not only did it act like a cozy diwan type seating next to a light source, but it also added to the seating capacity, resulting in lesser furniture, thereby imparting openness to the space.

An intricate wooden false ceiling in the living room completed the look.

High volumes formed an integral part of the interior spaces. Typical characteristics of such houses are level difference in the plinth, foyer as transition areas and linear passages leading from one door to another.

The Designer 2019-2021 | 77

Architects Firm Email

: Shilpa Desai Naik : INTARCH - Architects & Planners : intarchgoa@rediffmail.com

Clients Location Area Completion

: Mr. Sumeet Chopra : Salmona, Saligao, Goa : 360 sq. mts. : 2011

Photo Credits : courtesy Architects

These played a key role in our planning process. A lot of importance was given to the use of authentic materials and nishes often seen in Goan heritage homes. The entire house was done up with heritage style tiles of earthy and rustic feel in the common areas, and pastel shades in the bedrooms.

Azulejos (hand painted ceramic glazed tiles) were extensively used. They formed the borders of door frames, architraves, inserts in stairway steps, built-in seats, niches and as the centrepiece insert in the xed wooden part of the door and window arches. Their use was much appreciated.

The toilet design was completely experimental. We used matt nished tiles for the ooring, and the walls were done up with Venetian plaster in different vibrant colours. Care was taken while executing the same by using waterproong compounds.

The whole idea was to recreate the feel of a century old 'en-suite' without any tile joints on the walls. The natural light falling on this surface created an amazing retro feel.

Partition walls with niches, nished with rounded edges instead of glass partitions were used to segregate the shower areas.

The counter was made up of wood with an elaborate wash basin. The warm lighting and antique ttings added to the rustic feel.

For the illumination, more importance was given to the ceiling drop lights in all the rooms.

This project, completed in 2011, was one of our rst recreations of a 'Heritage home'. It was a good experience of learning and discovering attributes of an old Goan styled house, which has had a deeply inspiring impact on the thought process of INTARCH.

ESSENCE OF SPACE Interior design is the art and science of enhancing the interior of a building to achieve a healthier and more aesthetically pleasing environment for the people using the space. One of the most fascinating parts of our profession is visualising how the actual space will look.

Our client, Mr. Rajesh Keni briefed us that there was not enough space for children's study, no space to accommodate a treadmill and that the kitchen space was too small. We started minimizing the clutter and making optimum use of the available space. A new layout was drawn by rearranging few internal walls to serve individual family members. The Mandir was placed facing the entrance for a stress-free environment and for a feeling of tranquillity after a whole day's work.

The living room TV panel with a cabinet was designed and designated spaces were

The Designer 2019-2021 | 79

allocated to meet requirements. An 'L' shape sofa cum bed was accommodated for extra guests. A Vitrine was introduced in the living room to double up as a bar unit once the magic door is opened. The center table was the last piece made from left over material at site, and full height cabinet was tucked behind main door to stack footwear.

A wall from the kitchen area was shifted to make the counter spacious and increase storage, along with a small corner display for curios. Hand painted crafts made the dead partition interesting.

The client wasn't happy with exposed brick walls and their natural look as they felt it would be difcult for them to maintain. We convinced them to just tint them instead.

Upholstery was a distinguishing factor, even though the wall colour was the same.

We polished the existing Kotah ooring, and black skirting dened the edges.

A secondary ceiling was introduced over electrical cabling.

The Master Bedroom was refurbished with a bed and cushion headboard, and a full height wardrobe. The balcony was converted into a utility area. The children were happy to get enough space for writing tables with storage. Their room was decorated keeping in mind their love for music and drawing. We opened up space for a treadmill too. Two single beds having individual storage units were joined, which can be separated as they grow up.

This 1050 sqft home in Cortalim was completed within a span of 90 days in October 2019, keeping in mind the budget and Vaastu compliance.

“Don't think outside the box, think like there is NO BOX”

Designer Firm Email

: Shreya Lawande : Shreya Interiors : shreyainteriors@gmail.com

Clients Location Area Completion

: Rajesh Keni : Cortalim, Goa : 105 sq. mts. : October 2019

Photo Credits : Ashu Dhond

80 | The Designer 2019-2021

SALVAGING ARCHITECTURAL HISTORY INTO A HOME Did you know the people of this world create 1.3 billion tonnes of garbage each year? That's the equivalent of over 3,000 Empire State Buildings! Clearly, the rst thing we need to do is create less waste.

The second is to change our perspective maybe trash isn't really garbage! We need to reinvent and reconsider the nature of waste itself. They say that one man's trash is another's treasure. Waste is no longer something to get rid of - its most certainly a resource.

Building with recycled materials can be a great way to save the environment. It also makes for one-of-a-kind home that is satisfying to build and wildly, effervescently creative. Homes are built in concert with their owner, who contributes sweat equity and his own artistic air.

Using recycled building elements is like shopping at a thrift store: You can't be certain you'll nd exactly what you're

looking for. Fortunately for me, my client Shri Nandan Kudchadkar has been a big collector of “whatever-he-sets-his-eyes-on”.

Choosing among the materials he has collected over the years was like digging into a treasure built into history, tradition and culture.

Recycled houses don't have to look like they're recycled. They can t in perfectly with their neighbours and lend character to the space around. Building an entire home out of recycled materials may not be feasible for everyone, but I had the opportunity to build one with almost 95% of salvaged material that includes the old unoccupied 6-storeyed building which forms the main structure.

Each half-oor has been designed with a theme based on the collections - like we have a marble room, a brass room, porcelain room, Indo-Portuguese room, and likewise where every piece of furniture

or artefact has been carefully selected to endorse the theme.

Salvaged material can add character, quality, and value to your home, but such savings may require a greater investment in time and effort. People who started building with trash were perceived as crazy a few years ago. Nowadays, they are perceived as wise pioneers that are guiding us in the right direction.

Some are owners of historic houses who improve their homes by adding period elements. Others follow green building practices and appreciate conserving resources and keeping materials out of landď€ lls. And still others are looking for quirky elements that will break their homes out of cookie-cutter moulds. And here, we have re-used almost 95% of salvaged architectural history and built a home that is very rich in its character, and where every element has a story to tell.

A House + Museum = Houseum :-)

Architect Firm Email

: Siddha Sardessai : Siddha Sardessai Architects : studio@archsiddha.com

Clients Location Area Completion

: Shri Nandan Kudchadkar : Reis Magos : 1275 sq mts : April 2020

Photo Credits : Prashant Bhat

84 | The Designer 2019-2021

HOUSE OF CREATIVE NUANCES Enveloped in the scents and sounds of nature, the house - 'Aamaar', provides an ideal perch for the owners, Raj & Deepak Dutt, in the quaint village of Pomburpa.

Deepak, a Bengali, is a connoisseur of music, wine & tech gadgets, while Raj is a dramatist, art collector and an expert birdwatcher. They were already familiar with Goa, frequenting on holidays & had owned an old Goan house in Raia, Salcete but with this place, they wanted to get rmly rooted.

Topographically, with the approach road on the higher side of the property and the site sloping gradually towards the natural

stormwater drain at its rear, and the thick natural green plantation beyond made it conducive to have the house oriented towards these natural features. The neighbouring plantations also acted as a natural sound buffer required for outdoor pool-side activities.

The Architectural design intended to create spaces that would showcase the subtle fusion of vintage furniture and artifacts with contemporary furnishings and accessories to dictate a unique aesthetic code that would be timeless yet versatile.

The essential pre-requisite was that the

house had to be senior citizen friendly, internally & externally, thus the built structure was integrated with the surrounding natural ground through a low plinth; internally the vertical connection between the oors has been made seamless with the provision of an elevator and a staircase with reduced riser height.

The clients had also requested a space to entertain friends & family without invading their private areas. The living & dining hall, characterised by its spatial openness through double height ceiling & expansive fenestrations uidly leading to the verandah

provides a perfect setting for social gatherings. The study, adjoining the living area, accommodates the work tables of Deepak & Raj while the mezzanine holds the library. This space is a sanctorum of the clients' varied passions.

The design elements viz colour & material are put into play with sweeping off-white nished walls & the wood nished oor tiles carpeting the entire house to create a cohesive thread that binds the various interior design elements viz the impeccable French Provincial styled furniture, the vibrant paintings, artifacts, and the tchotchkes. The natural light cascading through the fenestrations lends an impactful perception of depth to this coalesce. With minimum ceiling light points for functional lighting, the house is adorned with lampshades in various shapes & sizes to create soft ambient lighting during the evenings.

The outspread verandah along the length of the house not only acts as a buffer from the harsh summer temperatures keeping the interiors cool but acts as a canvas for highlighting the local Goan vernacular expressions in the form of built-in situ yellow oxide ooring & exposed laterite stone cladding.

As one meanders through the house, the picturesque vistas of the verdure, composed by the varied fenestrations, gives a sense of harmonious refuge while experiencing the owing nuances of life.

Architect Firm Email

: Sidharth Naik : Ulysis : ulysisgoa@gmail.com

Clients Location Area Completion

: Raj & Deepak Dutt : Pomburpa, Goa : 602 sq. mts. : Oct. 2016

Photo Credits : Sandeep Patil

86 | The Designer 2019-2021

A GOAN MODERN HOUSE

The project demanded a certain language that would reect the likings and living style of the family. The client's ideologies and the designers' conception found common grounds over luxurious settings involving pertinent elements. Every space is translated towards this vision and functionality towards individuals. The residence for 3 people of two generations seems to provide all the elements in the right balance to support the vision of providing luxury, which is balanced with efcient practices to channelize the pragmatic lifestyle.

The house is a tribute to the Goan Vernacular architecture with contemporary elements. An extremely interactive house for a modern small family, it is a space that embraces their roots while being progressive. It reects the client's fondness for Goan Indian artwork and handicraft.

The traditional architecture and circulation are so planned that the spaces slowly unfold to the user in an experimental and spatial journey across the house while incorporating modern needs. Ample natural light is allowed into the interior spaces through large openings and oor to beam exterior windows. There is a layering of space and continuing creation of old and new, global and Indian, through the spaces.

The facade is anked by balconies and terraces at different levels to cut the direct entry of sunlight, thus acting as a buffer for the main functional spaces. The elevation

The Designer 2019-2021 | 87

thus strikes a balance between solidity and transparency.

The interior colour scheme is conceptualized to be neutral, and the material palette minimal. All the furniture is either customized as per design or handcrafted on-site as per details. Wood and metal became the key elements while developing the furniture. Used differently at different spaces against the subtle backdrops of white and grey, these materials are then overlaid with pastel furnishings and accessories.

The focus is the back garden that has big party lawns and a mature banyan tree at one corner. The living room is an amalgamation of vibrant colours reecting happiness. A calm yet vibrant ambience is the essence of this modern interior. From greys to greens in the blink of an eye creates a soothing environment. The customized ceramic tile frames break the monotony of the space, making it interesting and lively.

The dining space offers a nice semi-private space linking to the kitchen and living room. Shades of grey and wooden texture compliment very well. The customized dining table with ceramic tiles inserts and the chandelier at double height gives a feeling of grandness to space while the small plants add life to the otherwise quiet dining space.

The Master bedroom has modern interiors with a color palette of grey, white and brown. The perfect contrast of light and dark shades is seen.

Architect Firm Email

: Sumedh Nivrutti Naik : Elements Design Studio : naiksumedh@gmail.com

Clients Location Area Completion

: Mr. Anup Prabhu Verlekar : Canca Verla, Mapusa : 230 sq. mts. : Oct. 2020

Photo Credits : courtesy Architect

88 | The Designer 2019-2021

BEAUTY LIES IN SIMPLICITY The client, who is based in Mumbai and London, wanted a holiday home in Bambolim. They desired a house which echoes Goan architecture with its sloping roof, eaves boards and simple and rustic interiors. I would like to thank Mozaic for referring this project to us at Studio Earth.

The site is located in an exotic location on the slope of Bambolim, overlooking the Arabian Sea. You enter the ground oor from road level and then climb down to the lower ground oor which opens into a sloping garden accessible by ramps and steps.

The main intention of the design of the house was to create a view of the sea from every room of the house. Hence, every room has large-sized, low-sill windows and large-span sliding doors. While visualizing the interior design of the house, we decided that the interiors should be minimalistic. It should be a house to look out of and not into. The interiors had to be simple,

aesthetically pleasing and devoid of any fancy materials and items.

The client had a Bengali background and was bit nostalgic about old Bengali houses.

We tried to bring that element into the interiors. Bengal houses used to have Alpana artwork made out of rice paste at the entrance. We created oral art with cement tiles inserted in polished kotah at

the entrance porch, with a traditional hanging diya. The polished Burma teak windows in the entrance porch have louvers to lter in light, and can be operated with a vertical wooden handle as found in old Bengali houses.

As you stand in the entrance porch you can see the living room and the terrace beyond, through the ground-to-beam glass door which spans from wall to wall, and gives an unobstructed view of the sea. The house has a wooden roof which has a skylight with MS box sections as main rafters and intermediate rafters made of Matti wood with French polish. It also bears polished marine plywood below the roong tiles.

Wood was the obvious choice for all the external doors/windows so that it is in tune with the wooden roof. We researched materials, and found out about Accoya, which is created from sustainably

sourced softwood from FSC certied pine plantations and has the same durability as hardwood. We got a vendor from Mumbai who procured Accoya for us. The external doors and windows were made of Accoya wood with a large span of glass.

Natural stone was the inevitable choice of material for ooring. Polished Ratiya kotah was used for the entire ooring of the house with inserts of tekdis (smaller sized cement tiles), riverbed nish kotah in the terrace areas and brown kotah in entrance porch.

All walls were kept simply white with old framed mirrors and paintings at certain places. The client had some unused furniture in Mumbai which was distress polished and used in many places. Lighting xtures and artifacts were all sourced from different stores in Mumbai which sell old items to enhance that old-world charm.

On a visit to the house when the family was in Goa, I happened to be sitting in the living room at sundown. As the twilight color of the sky ltered in through the glass doors, the wooden hue of the roof, windows, furniture, and the soft glow on the greenish oor against white walls created warmth and a magical feeling! It made me believe that to create beautiful interiors you do not need any exotic materials. Beauty lies in simplicity.

Architect Firm Email

: Ujjwala Sinha : Studio Earth : studioearth.goa@gmail.com

Clients Location Area Completion

: Mr. Alur : Bambolim, Goa : 420 sq. mts. : 2015

Photo Credits : Ujjwala/Dinesh Mehta

90 | The Designer 2019-2021

A VIBRANT FAMILY HOME

A home is where one celebrates life in all its hues and colours. Interior designing is thus a huge challenge; fulď€ lling and enhancing the purpose of every space, with a juxtaposition of the latest available materials, enriching the space to its highest potential.

The residence I take most pleasure in showcasing for its interiors belongs to Surendra Naik. A marine engineer and technical superintendent by profession, he has 15 ships in his charge. He makes sure that his ships are spic and span at all times, and the same principle applies to all other aspects of his life too. At this point, I should mention that he also happens to be my spouse, so the design process has been all the more challenging for me. Nonetheless, I realised that when two headstrong and pertinacious persons get together, the end

result is a good blend, which shaped every nook and corner of this “Dream House”.

The house has 4 bedrooms, 6 washrooms, gym area, kitchen, dining, living room and a pooja room. All the rooms are very spacious and large in volume, as the ceiling is raised to 4.5 meters. I believe colours are what connects our brains to the universal energies, and allow our minds to work more efciently. Hence, I used vibrant colours which are a reection of our entire family.

As one enters the house, a series of artefacts catches the eye and keeps one wondering what will follow next. The living room is a large space with minimal furniture. It is the hub of most activities for our family. The space serves for fun, games, and work too. A corner forms the ofce space for Surendra, as he's been working from home for years. He didn't want to have a separate ofce and get cut off from the daily happenings, so I accommodated his ofce such that it is well concealed yet open to the living area.

The kitchen boasts a tinge of outdoors with the use of a garden theme all over the cabinets, making cooking a pleasant experience for me. It extends into the dining area which is visually connected to the living room. The bedrooms too have followed a minimalistic approach, and serve as cosy and warm spaces that one looks forward to at the end of the day. The children's bedrooms are designed using each child's initials to customise furnishings

and give each an unique identity. Last, but not the least is the pooja room- it is the most beautiful and divine room for me. No visitor ever fails to appreciate it. Perhaps they too feel the positive vibes it emanates, even on short visits. The outdoor spaces too have their own stories to tell.

With each passing day, and with each addition made to the house, life in the space seems to be more happening. I can sum it up to say that the house has served to create beautiful memories over the last three years!

Architect Firm Email

: Varsha Naik : Varsha Naik & Associates : vsn9997@gmail.com

Clients Location Area Completion

: Surendra Naik : Vasco, Goa : 315 sq. mts. : Apr. 2018

Photo Credits : Reshma Kamat / Sachindra Naik

92 | The Designer 2019-2021

CONTEMPORARY YET SIMPLE VISION TO REALITY

Every creative person goes through phases of self-realization, analyzing what he or she has done, feeling proud of some projects, while thinking others could have been better. While at times the design is dictated by a thorough study of the space and its personality, at other times the designer tends to give in to the demands of satisfying the client. We believe in maintaining an equilibrium of main aspects of design- 'Aesthetics, Functions and Economics', managing to achieve a balance between both fronts, where this aesthetic vocabulary often takes the client's perspective onto a fresher plane.

As the designer, there is no set philosophy that I follow; the progressiveness in design stems from a speciď€ c solution to a speciď€ c site condition. Mainly emphasizing on quality, workmanship and designs, which are functional and suit the end-users. We

believe in the philosophy that design should be compatible with growth, innovations and applications of technical advancement. The interior should embrace modern trends. This strongly advocates that the interiors should harmonize the ambience, values, ethics and also the culture of the user.

We try to develop a personal relationship with the client to be able to translate their passion, their dreams and their vision into a design, which makes it unique for them. A sensitive approach towards all the minute details that go into the creation of a space, habitable by and hospitable to mankind, and a sympathetic understanding of the expressed or even the unexpressed, the realized and the intangible, have always given their designs a denite edge.

The interiors of the house are like a breath of fresh air that greets you as you enter.

This project adopts multiple visual framesone into the other-without any overlapping features whatsoever. Keeping the false ceiling simple and clean, except for a few rafters, creates a play of chiaroscuro with elements of cove lighting juxtaposed with recessed oor lights and wall washers. The colour scheme is light with vast expanses of beige sandstone with more wooden gure tiles. The puncture that creates a beam of light from the puja room gives a fresh feeling of life.

By working closely with the clients to create a distinct bespoke feel, we crafted out a thoroughly contemporary simple interior.

Architect Firm Email

: Yatin Kandolkar : ar2indesign : yatin9422454335@gmail.com

Clients Location Area Completion

: Vishant Keni : Mapusa, Goa : 240 sq. mts. : Dec. 2019

Photo Credits : Anish Keni

96 | The Designer 2019-2021

AUTOMATING YOUR HOME IN THE MOST EFFICIENT WAY! Every architect has a home design in mind, broadly based on space available, client prole, etc. which is offered to the client, balancing creativity, convenience and cost.

We have done several automation works for many architects, but this project at Dona Paula for Mr. Nilesh Dawda by a well known architect was a brilliant one! Both the Architect's team and our Powertech team managed the challenge of providing an automatic telescopic sliding entry gate in the least space available. This was perfectly handled with precise planning, articulate design work and awless execution.

The client was amazed at the result and applauded the effort. We not only managed to win the heart of the client, but now work with the architect for all their projects.

After this job, the client was impressed with our work and assigned us the task of working on the garage door with a wooden nish, which upon completion met the client's requirements and hence increased the goodwill of Powertech.

At Powertech Automation Systems, over the last 22 years we have employed effective ways to provide solutions to our clients and the architects we work with. Our expertise, research and promptness to provide support are an added advantage.

We believe in teaming up with our partners and providing the best solutions in automation systems.

New technologies are revolutionizing both processes and products. Powertech Automation provides ultimate solutions to home, commercial and industrial automation, and our products include Automated Entry Systems, Automatic Garage Doors, Auto-Sliding Shutters and Gates, Boom Barriers, Auto Sliding Glass Doors with motion sensors, Interlocking Systems and Access Control Systems, High Speed Doors & Automatic Roofs too.

Trade Member : Dinesh Dhulapkar Firm

: Powertech Automation Systems

Email

: dinesh@powertechgoa.com

There is now a great, silent and deep void in the IIID Goa centre || Om Shanthi || Ke y u r D e s a i

100 | The Designer 2019-2021

LOYAL FAMILY In an ever-changing pervasive business environment that values innovation, Designer Homes manufactures designer furniture to extend across all areas of establishment including residential, hospitality, ofce and institutional.

This exibility has made them a company to be reckoned with, but it is their reliability that has put them on the map.

In 2018, Rahim Virani, the owner of Ocean Palms Goa hotel in Calangute, was faced with a testing dilemma. In two weeks, he was expecting a chartered ight full of tourists who had booked 24 rooms in his hotel. His furniture contractor, at the time, had backed out of the deal at the last minute, putting him on the spot with little to no faith of having the rooms ready in time for tourist season.

Shahid Naik, who promised to complete the job in twelve days, leaving Rahim dumbfounded as the job consisted of fully furnishing 24 units from start to nish.

Sure enough, the job was carefully executed just in time for the guests, and Designer Homes earned another loyal client. Rahim continues to turn to them for his furniture needs, recently quoting three more kitchens and countless extensions.

In this manner, Designer Homes has built a reputable clientele. After all, in a business environment where constantly striving for innovation isn't enough, Designer Homes has mastered the art of customer service & personal commitment that sets them miles apart from their competitors.

Recommended to give Designer Homes a try, he soon met with its founder,

Trade Member : Fauzia Khan Farooqui Firm

: Designer Homes

Email

: info@designerhomesindia.com

The Designer 2019-2021 | 101

FLOOR MAINTENANCE FOR HOMES Tiled oors are actually rather easy to care for and are nearly maintenance free. The best way to care for a tile oor is to be both proactive and reactive. Proactively keep debris such as sand and/or dirt off the oor.

Debris can be abrasive to a tiled surface.

Acidic, ammonia-based, bleach and abrasive cleaners should not be used. It is best to consult with the tile manufacturer to determine the most appropriate cleaning solution for your tile oor.

Overtime, damage can occur to a grouted joint or a tile may break. In either case the grouted joint should rst be removed using a mechanical rotary tool or a hand tool such as a chisel. Work carefully to prevent damaging adjacent tiles.

Depending on what type of furniture you have, you may want to install feet protectors. These will alleviate any potential scratching or staining that could occur.

Dragging furniture across a tile oor will result in surface scratches or cause signicant damage to tiles.

Most stone oors like travertine and marble are acid sensitive. These stones will etch when they come in contact with acidic substances like cleaners or acidic foods such as vinegar or lemons. A high quality stone sealer may be able to lessen the effects of etching or give you a few seconds to wipe away any acidic substances before they etch the stone.

Sealing tiles with no grout line will reduce the space between tiles to the minimum, but will not eliminate it. The remaining space will allow water to seep between bathroom wall tiles and for dust and dirt to accumulate in the gaps between kitchen oor tiles. Hence, without tile joint grouting, tile xing is a half-done process. The grout located between oor tiles should be sealed on a regular basis.

It is best to consult with a tile and/or grout manufacturer to determine the most appropriate type of sealant for your tiled oor.

Trade Member : Pravin Pai Lotlikar Firm

: Floors & Walls

Email

: floors_walls@yahoo.com

BEAUTY LIES IN GOOD DESIGN Beauty lies in good design. 'Finishing Touch' has redened our most cherished spaces with elegant interiors and aesthetically appealing exteriors for over two decades.

Committed to providing the luxe international/ national best-selling design and décor products, they offer full-service solutions for all home or work requirements.

Their in-house expert interior designers and architects on-demand convert empty spaces to peaceful oases that boost productivity and enhances positivity. The team researches, curates, and customizes the entire seamless experience from selecting the right products to suit your dream space to the execution.

In 2018, the Narvekar family was on a desperate hunt to renovate the ooring of their hall and bedrooms of their ancestral home. Having a wedding in the family in a month, they wanted to get this job done immediately.

Their search led them to our showroom in Panjim. They had already exhausted their options for vendors and were doubtful whether they would nd what they were looking for here.

Our priority was to understand their requirement. We then showed them our vast ooring options in vinyl, laminate, natural clay, and vitried tiles. Our experts, in consultation with our Interior Designers and Architects, were able to solve not only their ooring dilemma but realized that minor changes in roong needed attention too.

We completed the task within the deadline, thus gaining another happy and loyal customer.

A stylish range of products, coupled with detailed planning and awless execution, is just the 'Finishing Touch' needed to convert your dream spaces to reality.

Trade Member : Rasik Naik Firm

: Finishing Touch

Email

: rasiknaik@finishingtouch.co.in

The Designer 2019-2021 | 105

ADDING POWER TO YOUR LUXURY LIVING SPACES During our brief discussion post the Genset installation at Rainforest Boulevard, Anjuna, Mr Nitin mentioned the frequent power uctuations and low voltage which was already hampering their handover process.

AC units failed to cool and there was a constant threat to the expensive electronic and electrical gadgets installed at the villas.

In short, the possession of a new luxury home could turn out to be a nightmare for the owners.

It also eradicates the need for individual stabilizers which are usually challenging for an interior designer to conceal/ hide. In case of high voltage / over voltage conditions (especially during monsoons) it protects the expensive connected load from irreparable damages. Finally, it optimises the electricity consumption and saves on electricity bills!

Proposing a central Servo controlled voltage stabilizer was The easy, but considering the fact that AVR's (Servo) supplied by a lot of out of state vendors and a few local vendors have often failed, made the situation even more miserable for the user.

There is a whole lot of study that goes behind the correct sizing, input voltage cut off ranges, the cores of transformers, site conditions, space and ventilation and of course proper cabling parameters. For this particular site, the various voltage readings at different times in a day were gathered, the same were validated by the department's JE, conď€ rmed the release voltages from the feeder transformer for this site, and eventually arrived at the decision to position a very wide range servo which will be capable of correcting voltages as low as 150 V to desired 230 V as per our Indian Standard requirements.

A Central Servo Stabilizer is a must to protect all expensive electronics like ACs , Residential Lifts, Audio/video Equipment, Home Automation controllers, lighting, appliances, motors, pumps and any other electronics from voltage uctuations.

Trade Member : Vinay Verma Firm

: Powertrac Corporation

Email

: vinay@powertraccorporation.com

EDITOR’S MESSAGE

Siddha Sardessai

They say not to judge a book by its cover, but magazines are a different story. On the front of this issue, for instance, you might notice the intense focus on Home Designs that was a purposeful choice.

We, as humans and entrepreneurial spirits, are inspired by beautiful design even when we are unaware that we are being inspired.

Beautiful spaces elicit a certain something - a deep breath, a eeting moment of pleasure. It's a serenity that can and often does lead to a minute or two of contemplation and perhaps a burst of creativity. And all of that leads to the force that drives entrepreneurial endeavours:INNOVATION. Good design incites emotion.

It can grab you and shake you and change you. Even when it comes to something as simple as your HOME. This collectors' issue results from days of discussions about if and how the magazine could better serve our readers. How could we reect on the experience and impact of today's community? Could we better represent the sophistication of our audience and IIID Goa's ascending status in the design landscape? Could we bring in positive vibes as we look to restart after a pause?

Each discussion added a little more to the formula – new ideas, additional viewpoints, and even a few challenges. Quite a challenge, we agreed, but denitely worth a shot. And here we are with "the Designer" which not only gives insights into the awesome work of Goan Designers but will create a buzz among the interior design industry that we are all ready to rebuild where we had last left.

We endeavour to help boost the morale of all associated fraternity and be a catalyst to fuel growth and bring our economy on track. We thank all contributors and advertisers who lent us a helping hand towards the objectives of IIID and joined hands with us in spreading a positive message of our profession to the community. I also want to take a moment to show my appreciation to the ones that worked tirelessly behind the scenes making this edition a beautiful collectors' issue and say a big thank you to those who gave me the chance to enjoy this hot seat as the Editor of ‘The Designer’.