April 2020
78
ISSN 2278 0742
Human Emotion and its Allusion to Nature in Rushdie’s Midnight’s Children Updesh Singh
Abstract:
Salman Rushdie involves a pre-prominent rank among contemporary writers. His place corresponded with an especially significant moment in Indian literary history as almost one hundred years of colonialism, the British control of the South Asian subcontinent was reaching at end. He is all around profoundly commended as the most famous author who has fundamentally centered on the internal universe of both male and female characters in his books. His humanistic method helps the reader‘s attention towards the improvement of women characters and their struggle for securing a personality in the unfriendly society. Separation is the central reason because of unfulfilled love, dissatisfaction, rootlessness, thwarted expectation, selling out and so forth. Regardless of their dedication and genuineness the characters are purposefully maintained a strategic distance in the general public. Despite the fact that there is a continuous human emotion, nature and culture to portray certain parts of the human condition and expose in the conscious of the characters. It may be regarded inescapable in light of the fact that mankind is likewise part of nature. One of these viewpoints happens during serious circumstances like wartime. Human emotion assumes an essential role by offering the characters a state of tranquility where they can reconcile from their injury and reproduce their self. This research paper additionally means to accommodate the contention emerging from the different goals of both ecocriticism and post-colonialism over their exploration with the human emotions.
Keynotes: Emotions, Humanistic, Contemporary, Dissatisfaction, Colonialism, Exploration, Ecocriticism
Salman Rushdie occupies a place of pride among the Anglo Indian writers whose literary career extends to nearly four decades. He has a strange capacity for depicting human emotion and its allusion to nature. He is marked realist and has a profound emotional and sensitive apprehension of the Indian society ramifications. He was an exceptional creative artist of the
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