Ilgın Yeşim Eldeş Portfolio

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portfolio 2009-2020

ılgın yeşim eldeş


cv

1 Rize/Pazar Anatolian High School

ANT (Workshop)

Copy/Paste (Workshop)

2012

Tam24SA (Workshop) Rammed earth Nursery (Workshop) AKIS (Workshop)

2009 2010 2011

MM Project BiSürü (Workshop)

2004

Young Architects Society

1989

She was born in Rize. She finished her primary and high school education there and then She graduated from Maltepe University Architecture Department in 2013. Between 2014 and 2017, she worked as a communication editor and she produced contents for published and online magazines bi_ozet and betonart as part of Binat Communication and Consultancy and then she continued her master degree in Istanbul Technical University. She spent a year in Lisbon as part of Erasmus program, during this time. She was an architect and a team coordinator of Team Bosphorus which is participator of Solar Decathlon Africa from 2018 to 2019. she recently submitted her thesis “The Transformation of Sumerbank Textile Factory Campuses (1935-2019): Examples of Kayseri, Ereğli, Nazilli, Bursa and Malatya”.

2013 2014

2 Maltepe University


2017 2018

2019

Binat Communication and Consultancy

Team Bosphorus

Role: Coomunication Editor Between these years, She produced content for bi_özet, bi_özet gayrimenkul, Betonart and other publishings.

Role: Architect and Team Coordinator She was a part of R&D about soil based panel as an architect and developed communication strategy with the team members. In addition to this, She coordinated the whole competation progress

program skills

Problem Solving

Punctuality

%85

%55

Autocad

Revit

%75

%75

3D Max and Sketchup

%95

%95 Office Programs

2017

Caldash Design Week/ Portugal (Exhibition)

BETONART Architecture Summer School / Adana (Workshop) Role: Communication

Adobe Programs: Ps, Ai , Id and Pr

BETONART Architecture Summer School / Ordu (Workshop)

2016

Design Catch II (Workshop)

2015

Multitasking

Design Catch (Workshop) Role: Coordinator

BETONART Architecture Summer School / Afyon

Eager to Learn

2018

1 Istanbul Technical University Binat Communication and Consultancy

awards 1st Prize / Inovation Content as part of Solar Decathlon Africa 1st Prize /CommunicationContent as part of Solar Decathlon Africa 5th Prize / ArchitectureContent as part of Solar Decathlon Africa

V-ray

Lisbon University

3

2019

2

2020

WHAT’S NEXT?

Communication Ability

Master Thesis was done finally!

Leadership

references Banu Binat / Founder of Binat Communication and Consultancy Tel: +905325060185 Özden Ağra / Prof. Dr. at Machine Faculty of Yıldız Technical University Tel: +905337418120

Solar Decathlon (Design Process) Role: Architect

personal skills

Solar Decathlon (Design Process) Role: Architect

work experince 2014

?


reyard

design approach

Solar Decathlon Africa Sustainable Solar House Design Competation project type: competation (professioal work) role: architect, team coordinator and pr coordinator award: innovation, engineering, communication of Solar Decathlon Africa with teambosphorus

04

@aslÄąaldemir


Riad is the name typology of traditional soil based Moroccan house which re- minds the life of Tradi­tional Turkish houses with yards and open corridors. Reyard as a name of our house consists of two syl­lables “re” and “yard”. First syllable “re” means “again” and “recycle”, second syllable “yard” refers to “courtyard” and Riad. Two parts of house, two “L”, have been designed completely modular with soil based material. One part “L” forms common areas and other “L” includes places for private living area. The yard between two “L” becomes a living space which proposes its inhabitants a chance to spend most of their times in. Regarding to microalgae technology, treatment of waste water and biochemical conversion of solar power is going to occur in our house. Moreover, electricity and heat energy is going to be obtained by converting the organic waste of the house and microalgae biomass into biogas. Natural cycles going to be imitated by repumping the CO2 gase coming out from burning process to algae pond. Thus nearly zero carbon emission is going to be provided. Other Environment Friendly Technologies and Methods to reduce Energy Consumption; -Photovoltaic Panels -Thermal Solar Collector -Air/Water Heat Pump -Local, Natural Building Materials -Evaporative Cooling 


reyard

structure: soil based panel Our structure is formed with soil and wood. Soil based wood panel produced at the factory of Fibrobeton which is the important concrete company of Turkey.

wind catcher wtih this wood roof panel system, north wind is cought and lead to courtyard. this courtyard is coller even when the weather is the warmest.

2

1

4

soil based panel traditional rammed earth construction building materiald adapted to wood structure. By this way, it becomes earthquake resistant, easily build and modular.

5

3

semi transparent wood panel Privacy is a important manner that designes Morrocan Architecture. Hence we designed semi transparent wood walls. they used not only for privacy but also as part of the landscape. Thanks to it, the facede of the house is changable in respect to the plants’height, colour...etc.


one side of wood structure

2

two side of wood structure

1

2

3

4

5

soil and wood structure


รงanakkale airport

design approach

Gruadition Project of Architectural School project type: student role: architect award: selected project for archiprix as presentation of the faculty

03 1

The primitive shape of form.

2

Metamorphosis is starting with horizontanl and vertical forces.

3

Two extracted pieces that depart from the form.

4 These pieces replaced by the garden which is on two side of the form.


Canakkale is famous for its historical background. Canakkale Bosphorus was the scene of Battle of Canakkale which has changed the fate of World War I. As a result, every year the historical city receives tourist groups from across the world that come to visit the battlefield and memorialize their ancestors. Hence, the design approach of the airport project has been developed around this historical background. We should think airport projects as the entrance door to a city. For this reason, its form should be characterized with important things which exist with the city like culture, history‌ etc. Within the frame of this project, dialectic of peace and war as a concept is the foundation of the design. Departing from this point, pieces of the main mass has been torn off, which refers to the trace of the war and the roof is plain white, which refers to peace at the same time. When the airplane is landing, one can firstly see the roof of the airport.

5 These pieces replaced by the garden which is on two side of the form.

6 The form takes shape with wave movement


çanakkale airport

1/100, +5.50Kotu Planı

1/100, 0.00 Kotu


1/100, A-A Kesiti


book cafe

design approach

1sth Project of Architectural School project type: student role: architect

01

1/50, 0.00 Kotu PlanÄą


1/50 Çatı Planı


book cafe

design approach

1/50 B-B Kesiti


1/50 A-A Kesiti


Äąmaginary (non)encountering situations in an apartment building Master Project at ITU project type: master studio role: author with hacer bozkurt and huseyin cifel award: selected work for caldash design week at portugal

04


Reading Private Space and Apartmen Relations of Subjects on Experiment

Common relations are the keys to create public and private common spaces and common spaces host the encountering. When the common relations of an apartment building are examined, the encounterings can be provided with the agencies of poetics images. With the guidelines of interactions from the individuals of an apartment building, how to develop sense of belonging which is distinguished with poetic images, and how to realize this situation in in-between spaces which are located in the apartment building, are the main questions of this research. Commons in spaces considered in this context have been discussed by reviewing the films Meeting at the Building (Spain), In the Mood for Love (Hong Kong) and 10 to 11 (Turkey) which convey the objectivity of each image upon the encounters in the apartment buildings. Based on the collected data and these movies, the effects of the collective images from an apartment building and their imaginary reflections become prominent in the stages of this research method. ďżźďżźďżź


ımaginary (non)encountering situations in an apartment building the timeline with images from movies and diagrams

A timeline, which includes reflections of commons in space for an apartment building, has been displayed through the set of images from movies. These images have been chosen – for their importance to create discussions about the topics of this study – by the method of revealing disassembly from an apartment building through its physical formations, and re approximating them with their imaginative conditions. The acquired visual representations are stratified – under the guidance of alternative ways of seeing – in order those spaces and equipment from the apartment building, for questioning the sense of belonging through spatial conditions, and its role in the process of creating background for commons in space.


“Cinema projects experientially true images of life, whereas architecture frames human existence and provides a horizon of understanding the human condition. Both art forms poeticize existential experience.� (Pallasmaa, 2007)

Now, when you enter your apartment building, you may realize imaginary encounterings before you get home. What do you see?


the transformation of sumerbank textile factories(1935-2019): examples of kayseri, eregli, bursa and malatya master thesis at ITU

project type: master thesis role: author under Nurpin Paker KahvecioÄ&#x;lu’s consulting award: selected thesis for skop which is the best known art magazine web site in Turkey

05


That research reveals the facts that these factory mills, which were built as result of statist economy, have existed as different kind of forms and functions by following liberal economy policies. Similarly, it demonstrates that when those policies compromising the places change, those structures transforms as well. Thus, Sumerbank Factory Mills were a company that are possessions of the government. Due to changing economic policies, those companies have lost corporate identity, places, and behavioural practices eventually. Today, these factory mills are used as consumption place, which were founded for being a production site. Even though the mentioned factories are not eligible to pursue their original functions, they still spatially represent the economical processes of Turkey. Preservation of the factory mills and their archives are extremely important in terms of industrial memory.



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