Selected Works - Tricia Wibisana

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Lima tahun lagi, dokumentasi ini akan menjadi dokumen bersejarah dimana seluruh perjuangan dan pencapaian dalam dunia grafis di mulai dari kerja keras ditambah mimpi yang sederhana.

Copyright Š 2020 by Tricia Wibisana All Rights Reserved.

No part of this portfolio may be reproduced or published in any form without the permission of the designer.


GREETINGS —

POSTCARD THIS SPACE FOR ADDRESS ONLY

TO THE PLACE I MAY WANDER; HOPE WE MATCH AND CREATE SOME WONDER.

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01/ Introduction 02/ Curriculum Vitae

Copyright Š 2020 by Tricia Wibisana All Rights Reserved. No part of this portfolio may be reproduced or published in any form without the permission of the designer.

ILOVETRXCIA


GREETINGS —

PROLOGUE

1/2

HELLO, I’M TRICIA!

POSTCARD THIS SPACE FOR ADDRESS ONLY

I’m currently pursuing my final year in Multimedia Nusantara University, majoring in Visual Brand Design. Here you’ll meet a still learning graphic designer who believes in process, and do appreciate time-management. Born as an ENFJ, I proceed to be a challenge ready type of person,

TO THE PLACE I MAY WANDER; HOPE WE MATCH AND CREATE SOME WONDER.

who always feel open to exploring new stuffs. I really love to experiment visually, and believe that graphic design is made to make everything aesthetically functional. I would love to collaborate and elaborate impactful design works at any time.

E. TRICIA.WIBISANA@GMAIL.COM CONTACT INFO:

P. +62 812 8233 9681 A. SCIENTIA RESIDENCES A 15/11 BE.NET/ILOVETRXCIA

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PROLOGUE

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CURRICULUM VITAE

EDUCATION

1/4

FORMAL

GREETINGS —

2017 - present

POSTCARD

Multimedia Nusantara University MAJORING IN VISUAL BRAND DESIGN

THIS SPACE FOR ADDRESS ONLY 2014 - 2017

Regina Pacis High School MAJORING IN SOCIAL SCIENCE

WORKSHOP

TO THE PLACE I MAY WANDER; HOPE WE MATCH AND CREATE SOME WONDER.

2019

Branding Week by ADGI Classroom x Thinking*Room

STUDENT SCHOLARSHIP

ACHIEVEMENT

2019

EXTION : Exam Exhibition

AS EXHIBITOR

University’s art exhibition displaying one of my works: Graphic Design Pocketbook in Baugasm.

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CURRICULUM VITAE

2/4

VOLUNTARY EXPERIENCE

2019

Yovie Widianto & His Friends: Konser Inspirasi Cinta AS GRAPHIC DESIGNER responsible for handling promotional design starting from the concept, strategy, and designing for Bandung, November 20th 2019 concert.

2018

Tutoriart

AS ADVANCED LAYOUT TUTOR

a one time session of introducing advanced layout, how to make modular grid, and to share perspective on how grid is essential to make an effective & pretty layouts.

WORK EXPERIENCE

2020

PT. Sumber Selera Makmur

AS

FREELANCE

BRAND DESIGNER

designing & branding the new sub-brand of the company’s product, along with concepting the marketing plan & strategy.

2019

Concept Agency

AS FREELANCE GRAPHIC DESIGNER

designing company profile while making several cafe needs of the owner’s Home Brew Coffee + Eatery, and the catering Semeja.


CURRICULUM VITAE

ORGANIZATIONAL

3/4

2020

EXPERIENCE

Ultimagz

AS VICE CREATIVE DIRECTOR

GREETINGS —

managing and handling a team consisted of 14 persons in total, producing & assisting consistent editorial magazine, and the

POSTCARD

following collaterals & social media based on needs. THIS SPACE FOR ADDRESS ONLY 2019

MAXIMA

AS CREATIVE DIRECTOR

under the public relation division, the responsibility was managing and handling a team consisted of 13 persons in total, 9 of them are designers. creating a consistent-festive-also-communicative

TO THE PLACE I MAY WANDER; HOPE WE MATCH AND CREATE SOME WONDER.

design of the university’s welcoming party to the new college students.

IMAGO 4.0

AS VICE ART DIRECTOR

managing and handling a team consisted of 12 persons in total, 3 of them are catalogue designers. handling the master layout of the university’s catalogue, also managing the consistency of the design.

U-SCOPE

AS ART DIRECTOR

managing and handling a team consisted of 7 persons in total, with the goal of making a manual book for the new students of UMN in a form of magazine with the content of extracurriculars, organizations, and event committee information.

Ultimagz

AS LAYOUTER & GRAPHIC DESIGNER

since 2017 responsible for layouting the monthly’s pdf magazine, social media content handling, and yearly printed magazine.

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CURRICULUM VITAE

4/4

2018

Ultigraph: Kalavikasana

AS GRAPHIC DESIGNER

responsible for printed-media of the event’s needs, and also everything related to collaterals of the event.

IMAGO 3.0

AS GRAPHIC DESIGNER

responsible for

layouting the yearly catalogue of the final

assignments of the university’s event.

MAXIMA

AS GRAPHIC DESIGNER

under the public relations division, responsible for publication materials of the event, basic social media layouting, and event collaterals design.

SOFTWARE PROFICIENCY

Adobe Illustrator Adobe Indesign Adobe Photoshop

Adobe XD Adobe Lightroom Adobe After Effect Adobe Premiere Pro

PERSONAL QUALITY

Quick learner Loves to listen & discuss Adaptable Detail oriented A learning by doing type of person

PERSONAL

Coffee

INTEREST

Travel Indonesian Pop Culture


GREETINGS —

POSTCARD THIS SPACE FOR ADDRESS ONLY

TO THE PLACE I MAY WANDER; HOPE WE MATCH AND CREATE SOME WONDER.

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CONTENTS 01/ BAUGASM

GRAPHIC DESIGN POCKETBOOK

02/ YOVIE WIDIANTO MUSIC FACTORY:

EXPERIMENTAL POSTER PHOTOBOOTH

03/MAXIMA 2019: EVENT BRANDING 04/ #MULAIDISINI:

CAFE BRANDING

05/CRAZY RICH PAPUA:

TRAVEL GUIDE FOR THE RICH

06/ HOMEBREW COFFEE + EATERY:

GRAPHIC STANDARD MANUAL

07/ IRISAN HIDUP WARGA JAKARTA DI ANTARA MASA LAMPAU: EXHIBITION DESIGN 08/ LOGOFOLIO

ILOVETRXCIA


BAUGASM: GRAPHIC DESIGN POCKETBOOK

SCOPE

Editorial

CATEGORY

University Assignment

OBJECTIVE

To make a Graphic Design Pocketbook for new learners to understand what actually Graphic Design is all about.

SOLUTION

Adapted from one of the Popular Graphic Designers, and I picked Vasjen Katro and tried to implement every objectives of the book experimentally in Baugasm style.

EXHIBITED AT

Extion 2019 University’s Exam Exhibition

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I chose Vasjen Katro as the designer whose style I would like to implement and explore. His style is called Baugasm. To his love of color, he explored Adobe softwares and tools, and managed to make an electronic-music style of design with function and consistency. Learning Baugasm takes a lot of exploration, since every single piece Katro made was experimental. Also, putting it in a context makes the designing process even more challenging. This book is generally speaking about what graphic design is actually about, in Vasjen Katro’s visual way.

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YOVIE WIDIANTO MUSIC FACTORY: EXPERIMENTAL PHOTOBOOTH SCOPE

CATEGORY

Layout, Experimental Typography Client & University Collaboration Work

OBJECTIVE

Adapting

today's

generation,

the

objective was making a hypebeast inspired photobooth out of the stage pictures of the artists under YWMF's management,

combined

with

the

typography exploration of the songs written by Yovie Widianto SOLUTION

Also

introducing

the

company's

branding, we decided to explore the posters in the brand's color, adjusting the pose & the lyrics also the typography treatment. PARTNER

Steven Kosasih

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I explored the dimension & how the typography could interact with the artists.

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The only photo of the printed artworks, along with the team involved.

The highlighted posters was the one designed by me, and the others was my partner.


MAXIMA: EVENT BRANDING

SCOPE

Event Branding, Publication

CATEGORY

University Event

OBJECTIVE

To create an event branding also publication for welcoming the new students of the university with the big idea of “Evolution”

SOLUTION

Understanding the 3 main value of this year ’s event concept which are Action, Proof, Change and since the objective was making evolution as something fun and not too serious, I managed to visualize the concept of evolution by implementing patterns that is changing, also choosing the festive color due to the main activity was a welcoming party.

TEAM

Aditya Prasetya Wiraatmaja Andrio Effendi Eriko Anggara Dimas Aditjondro Hanasya Shabrina Nadia Astrella Nathania Otniela Ni In Rano Muhammad Steven Kosasih

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LOGO THINKING PROCESS

The brief was having MAXIMA 2019 as a room for the new student to be able to show and elaborate their skills and talents thru the communities, organizations and activities, also to be prepared of the disruptive era we are heading. At the first run, the idea was to implement ‘evolution’ as a butterfly. as a form of metamorph. But along the way of research and understanding the brief, butterfly wasn’t the right thing. MAXIMA 2019 proudly presents the face as a propeller.

LOGO DESIGN PROCESS

↘ LOGO PHILOSOPHY

The X mark is adapted from one of the symbols of evolution which is a fast, gradual, consistent, and repetitive movement, that is, of the concrete form of a propeller.

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Looking at the bigger picture, we can see the whole logo as a form of people walking, where we as human beings are one form of evolution (Darwin’s theory) that continually perfects itself every day, has control to manifest, demonstrate, and express the ability in this disruptive era.


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The logo is adapted from one of the symbols of evolution which is a fast, gradual, consistent, and repetitive (always happening) movement, that is, of the concrete form of a propeller. The form of the propeller (which is a symbol of rapid movement) carries the phenomenon where we are now entering a disruptive era, where a very fast movement (evolution) can be good, but can be bad if we cannot keep up with the movement.

after a long long process of overthinking

2019

The four propellers represent 4 faculties that work together as a unit (so the axis (UMN) can rotate) action - evolution; and produce energy; proof - revolution; with the ultimate goal being the driving force forward (creating change) reform. The circle in the middle which is also the axis, represents UMN, as the center of everything happening in the college life.

The three trapezines present represent the three maxima values, namely action, evidence, change which move in tandem with the propellers that are spinning towards evolution.


THE LOGOTYPE

This was the logotype of the last year ’s event which represents something fun and energetic, since the main idea of the last year ’s event was passion, which I was a member too in projecting the event. Along the way of communicating, the last year ’s art director (Aditya P.W., mentioned in the team) agreed to collaborate this year ’s event by making the logotype and the custom typeface.

T H E PAT T E R N S

The patterns are here to represent the festive, dynamic side of MAXIMA as a welcoming party and event. The Patterns are created from the simplest form of basic shapes to represents fresh and adorned figure of the new students. The patterns, later on will be used as a modular pattern throughout every platform that the event may need.

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Still with the curves, this year ’s logotype desire to have a serious-but still elegant and dynamic figures. Aditya and I discussed and managed to visualize the logotype with a hint of outerspace feeling inside the font. Aditya managed to make the logotype, and also the whole typeface to support throughout the event. And, here it is!

Evoluting for 8 months, I managed to visualize the pattern into more complexity as a result of evolution that happens inside, and outside the committee.


User Interface for the event's website, and Instagram feeds.

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As a part and under the capacity of Public Relations Division, social media handling is also done to provide every publications that the event needs.

The challenge was solid clear: it was on how we deliver and facilitate the university’s new students on how to be active in UMN’s organizations, communities, and extracurricular. My team provided all of the publication needs, and web facilities as a platform to register the extracurricular trial, and as the event's main infromation source.


Divided into 11 division, we managed to make every interactive illustration that symbolizes the jobdesk of the division, followed with the event's reversible landyard.

Registration form for every division, differentiated by the color code based on the division color so that it's easier to sort.

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Emblem design for every part of the committee as a thank you gift and symbol to put at the alma mater jacket.


/self-initiated

Moving Pre-Event and Event Photo Frames or so called 'Twibbon' for social media display picture and Instagram post to engage the awareness of the event.

The idea is to make the pattern works and draws attention on the committee teeshirt so that on the day, the visitor find it easy to find the committee when they need a hand.


#MULAIDISINI: CAFE BRANDING

SCOPE

Branding

CATEGORY

Client work

OBJECTIVE

Having a themed & furnished cafe to continue, the objective was to make everything works but with a new name, and a casual concept.

SOLUTION

By the narrowed scope in concepting, the idea elaborated was having a space themed cafe, but too keep the idea in mind that everything starts here.

PARTNER

Patrick Wijaya food photography

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BRAND STORYTELLING & THINKING PROCESS

By the name "#MULAIDISINI", the owner aimes the cafe to be a productive space, that as the word says itself that everything starts here — the work, the productivity, the communication, the fun, and the friendship. Aiming the college students as the first target market, this space must be less serious than normal classic cafe. Also, having the space decorated space could actually helps in the term of building the mood.

LOGO IDEA & DESIGN PROCESS

LOGO PROPOSAL

The idea was visualizing the word #MULAIDISINI as a logotype. Knowing that everything in space is non-gravitational— or floating, the logo was adapted from that fact, added up with space object; stars. The floating letters will also be followed with all of the assets & the typography game.

FINAL LOGO

The owner hinted that the look of something casual must be something very visible, so the decision is to make the logo in a very simple sans serif font, without changing the main floating concept.

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"#MULAIDISINI" term is in line with a space vehicle rocket launch. Rocket launch is the takeoff phase of the flight of a rocket. It launches for orbital spaceflights, or into interplanetary space, are usually from a fixed location on the ground, but would also be possible from an aircraft or ship. Having that concept in mind, the idea was to implement everything with the spaceship theme comprehensively.

BRAND COLOR

The color chosen was from the very simplest thing in the space, the sky and the star. Yellow & Navy. Also, the yellow could visualize the afternoon. Star

Sky

#ffcf03

#1c2957

All of the brand implementation will mainly colored this two colors, followed by the space object real color.


Taking the non-gravitational floating feature of the space into the typography, here are some things and how it would be like.

PHOTOGRAPHY

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c em

T Y P O G R A P H Y C O N C E P T I M P L E M E N TAT I O N

il a n


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T

SEMANGA

Along the process in making the brand collaterals,, I also got the opportunity to do the food-styling for the menu photo session.


Having the 'casual' and friendly tone of voice, the title of each sections are made out of daily sociable copywritings & something engaging.

The main concept of the menu was making it systematic by paper sizing, the smallest part contains light bites, the medium ones contains main food, and the biggest ones contains drinks.

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1L Coffee Packaging, Paper Coaster, Takeaway Meal Packaging, Toast Wrap.

The word fuel represents something 'boosting' up to start your day.

With a quirky copywriting, adding a personal touch to the takeaway labels is one of the value added towards having a solid relationship with the customers.

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CRAZY RICH PAPUA: TRAVEL GUIDE FOR THE RICH

SCOPE

Layout, Experimental Typography

CATEGORY

University Assignment

OBJECTIVE

To make a travel guide for selected city: Papua. The goal is to make the guide functionally aesthetic.

SOLUTION

Knowing the fact that the mindset of millenials that Papua isn’t accessible, I

decided

to

take

the

different

approach of the travel guide, in a the rich perspective . Because Papua is that rich, actually. So, here’s to the luxurious holiday in Papua.

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Inspired by the hit movie Crazy Rich Asians, Papua surely is Crazy Rich. As we know, Papua is one of the richest island in Indonesia. It has one of the largest gold mine, also lots of culture that we could actually explore when we go there. Choosing minimalist as the design style, this folding travel guide is representing of how rich and beautiful Papua is in a modern way. Contents only the finest and the best thing to do in Papua, this travel guide really suits people who loves luxury holiday. Two page view with the cover part on check is reccomended to have the best experience in viewing this portfolio


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HOMEBREW COFFEE + EATERY: GRAPHIC STANDARD MANUAL

SCOPE

CATEGORY

Branding, Layout

University Assignment & Client Project

OBJECTIVE

To rejuvenate the brand logo, also the collateral into the suitable image to the society

SOLUTION

Realizing that the logo doesn’t fit the desired image of the brand, I decide to make the logo friendlier since the brand image is very corporate and a-working-space type of logo before.

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The main problem of the brand was the inconsistency of the brand identity so the Home Brew’s brand is lacking of recognition around the society. The inconsistency leads to misleading when going to the the coffee shop because people around don’t know which one is the place, especially because it is located in the third floor. The form which is difficult to memorize makes identifying the brand even harder. So, I did what needs to be done, to make a proper brand identity with a consistent mark on every aspects of the brand that surely will leads to recognition. Also, simplifying the logo makes the characteristic shown more significant.


LOGO PHILOSPHY

The plus represents a frame of the window that usually people have near the roof.

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The diagonal line represents the simplification form of roof from a house.


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The letterform used is a sans serif, simple and clean letters to show the elegance, simplicity, and the friendly side of the brand.

The use of plus between the coffee and eatery instead of using ‘&’ symbolizes the plus side of the brand, to show a positive mark of the brand. Also, later on this plus symbol is used as supergraphics.


LOGO

A LT E R N AT I V E S

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The idea was to rejuvenate the brand into a stable, and identified logotype and marks. Also, the other to make a stable supergraphics so that the brand could be recognized by a wide-range of society as a proper coffee + eatery. Homebrew’s tone has always been the clean, elegant, and friendly and we should keep it that way. The additional manner we want to describe is that Homebrew could be a place that you visit every single day and in any kind of occasion.


IRISAN HIDUP WARGA JAKARTA DIANTARA MASA LAMPAU: EXHIBITION DESIGN SCOPE

Experimental Exhibition

CATEGORY

University Assignment

OBJECTIVE

Making an experimental design from senior's final assignment, we chose respond to the brand rejuvenation of Pusat Dokumentasi Sastra H.B. Jassin. The objective was on how to twist a formal branding into an experimental way to introduce this unknown museum to z generation.

SOLUTION

The solution was making a public interactive exhibition where the visitor could take a picture of them with an instant polaroid camera, then write their slices of life, then they put their story inside of the literature that suits their story. Visitors could read the other's story too.

TEAM

Akhira Nabilla Ariel Johar Gabrielle Torino Sharon Cyrilla

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PROJECT BACKGROUND

Archiving is one of the ways to manage track records. Through archiving, the owner — HB Jassin stores the work process to the final works of the litteratur. The literary writings are the reflection of what happened on the litteratur's life. In this modern era, archiving life events is rarely done whereas archiving it is kind of important to be a life lesson for the others. Based on the phenomenon happening, we would like to combine the two different lifetimes into one perspective which says: everyone has a story to share.

BRAINSTORM PROCESS

The first thing we done was searching for our main statement by making a short sentence from different kind of subjects, predicates or verbs, and random objects.

The final statement that we agreed on to develop into a concept was:

warga jakarta + mengumpulkan + catatan Jakartans

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collect

notes


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CONCEPT

So, the initial concept was the Jakartans collecting notes inside of literature books. The notes contains the handwriting of the Jakartans telling their slice of life. The Jakartans could also take their polaroid pictures, clip them with their story, then demonstrating the act of 'archiving' themselves, together with the literature books that existed before.

EXHIBITION DESIGN PROCESS

initial sketch

digital sketch

The artwork is a wall display that functions as a bookshelf. The shelves are made to resemble a box file that people usually use for archiving paperworks. It will be filled with old Indonesian literary books from HB Jassin's collections.

The box file is layouted experimentally to show the flexibility that a box file could function, like on how it could be a table if is put horizontally. Also, it makes the exhibition more interesting.


THE POLAROIDS

The polaroids will contain the faces of the Jakartans who decided to contribute in writing their slices of life, so that the readers could actually know who's behind this writing. Also, keeping the documentation holds an important value of the archiving itself.

EXHIBITION MAKING PROCESS

The display which was a plywood is covered with a collage of old literary notes and newspapers to add classic and vintage feel. The collage art is processed by coffee coloring, and then burn to add the 'used' vintage impression and is coated with a solution of white glue as a collage seal. The typography is printed on cutting sticker so the look of the self-made exhibition is still proper and professional. In the book displayed inside of the box file, photos and notes from the visitor will be inserted in the first page of the book that has topics related to the notes of the audience.

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FINAL ARTWORK

Exhibition Base Material Size, 180 cm x 150 cm Thickness, 6 mm on Plywood Collage Art 80GSM HVS paper printed, coffee-washed, burnt, glued with PVAc glue to the plywood. Archiving Box White file box

This is the final artwork to exhibit, with the human comparison. Also, the team involved in every single of the process.


LOGOFOLIO G R AV TO R

CLUB ALPHA

Client Work Proposal

Client Work

2018

2018

DAPOER K'TIN

MUTIARA BERTHA

Client Work

Client Work

2018

2020

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D E A F I N I T E LY H E A R T H E M !

ANGSO DUO

deaf initely, hear them

!

Client Work

College Assignment

2018

2019

T O D AY C O L L E C T I V E

OIA

C

CT I V

L OL E E

Client Work

Client Work Proposal

2017

2020


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CONTENTS

01/ DISCOGRAPHICS

HOW A GRAPHIC DESIGNER SINGS

02/ 2020 CALENDAR

ILOVETRXCIA


DISCOGRAPHICS DISCO AND GRAPHIC DESIGN, THIS IS HOW A GRAPHIC DESIGNER SINGS.

ADAPTASI TULUS

I do really love Indonesian pop music, and Indonesian pop culture which I acknowledge that it is an uncommon taste for people at my age. Also, with my lacking skill on covering songs, I wished to contribute something for the Now in motion, scan the QR!

Indonesian music, and this is how I do it. Here's some of the song interpretation through my point of view.


BUMERANG TULUS

CAHAYA TULUS



SULUNG + BUNGSU KUNTO AJI

Sulung & Bungsu are basically the intro and the outro of the singer's album Mantra Mantra. The whole album was talking about self reflection & on how music could actually do some theraphy for your psychological matter. At that time, life wasn't treating me the way I expected. I found this song, and it really hit me hard on how actually you need to protect yourself first before anybody else. This song speaks to me very loud on how to change perspective in life.


PANDANGAN PERTAMA RAN


SALING MERINDU

DEKAT DI HATI

RAN

RAN


2020 CALENDAR I really love layouting, and I really love my friends. In welcoming 2020, I initiated a two sided poster calendar, and share it to my friends. I explored on the chinese look I wanna dive in for this calendar.



Thank you for going this far! I’ll be very pleased and happy to be reached out by you. Don’t hesitate to contact or connect, e. tricia.wibisana@gmail.com p. +62 812 8233 9681



Copyright Š 2020 by Tricia Wibisana All Rights Reserved.

No part of this portfolio may be reproduced or published in any form without the permission of the designer.


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