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NATIONAL GALLERY OF ARMENIA

гÛáó Ø»Í ºÕ»éÝÇ 95ï³ñ»ÉÇóÇÝ ÝíÇñí³Í

ò àô ò²Ð² ܸ ºê EX H I B I T I O N Dedicated to the 95 th Anniversary of the Armenian Genocide

´»ñ³ÝÝ ³ñÝáï سñ¹³Ï»ñÁ ¿Ý ³Ýµ³Ý г½³ñ ¹³ñáõ٠ѳ½Çí ¹³é³í سñ¹³ëå³Ý. Ò»éù»ñÝ ³ñÝáï ·ÝáõÙ ¿ ݳ ¹»é ϳÙϳñ, àõ Ñ»éáõ ¿ ÙÇÝã»õ سñ¹Á Çñ ׳Ù÷³Ý: ÐáíѳÝÝ»ë ÂáõÙ³ÝÛ³Ý

The bloody-mouthed cannibal, speaking with gestures and leers, Grew into a murderer after a million years.

Stoop-shouldered, with blood-smeared hands, he keeps groping on, But still has a long way to go till Man he nears.

Hovhannes Tumanyan

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вÚàò ØºÌ ºÔºèÜÆ 95 î²ðºÈÆòÆÜ ÜìÆðì²Ì

òàôò²Ð² ܸºê úñÑÝáõÃÛ³Ùµ î. ܲì²ê²ð¸ ²ðøºäÆêÎàäàê ÎÖàÚ²ÜÆ

´³ñ»·áñÍáõÃÛ³Ùµ §²ðغܺȦ ö´À BEELINE

EXHIBITION DEDICATED TO THE 95TH ANNIVERSARY OF THE ARMENIAN GENOCIDE

With the Blessing of ARCHBISHOP NAVASARD KTCHOYAN with the sponsorship of "ARMENTEL" CJSC BEELINE

ºñ&³Ý 2010 Yerevan

î. ܲì²ê²ð¸ ²ðøºäÆêÎàäàê ÎÖàÚ²Ü His Eminence Archbishop NAVASARD KTCHOYAN

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

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95 th Anniversary of the Armenian Genocide

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гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

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95 th Anniversary of the Armenian Genocide

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гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

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8

95 th Anniversary of the Armenian Genocide

§ºÕ»éÝÇ ½áÑ»ñÇ Ñ³Ù³ñ µáÉáñ ³½·»ñÁ å³ï³ë˳ݳïáõ »Ý¦: ¼áÑ»ñÇ Ñá·ÇÝ»ñÁ ¹³ñÓ»É »Ý ëåÇï³Ï ³Ùå»ñÇ ùáõɳݻñ, »ñÏݳ·áõÛÝ ýáÝÇó Ó&³·áÛ³ó³Í ÍáíÁª ÓáõÏ & ÙáÉáñ³Ï ËáñÑñ¹³ÝßáÕ Ï»ÝïñáÝáí: Ü»ñù&áõÙ ³ñÝáï ·³½³ÝÝ ¿ ª ³Ý¹»Ù, Çñ ³ñ³ñùÇó ·áÑ, µ³Ûó ٻݳÏ: Êáѳ÷ÇÉÇëá÷³Û³Ï³Ý ³Ûë ·áñÍáõÙ Ñ»ÕÇݳÏÝ ³Ûɳµ³Ýáñ»Ý Ù»ñϳóÝáõÙ ¿ ·³½³ÝÇÝ, ³ñͳñÍáõÙ ¿ ³éѳë³ñ³Ï ã³ñÇ & µ³ñáõ ѳϳٳñïáõÃÛáõÝÁ: гÛÁ áã ÙdzÛÝ ÑÇßáÕ & ÑÇß³ï³ÏÁ ѳñ·áÕ ¿, ³ÛÉ& Ù»Í »ñ³½áÕ ¿: гí³ïùÁ & ¹ñ³ Ù»Í áõÅÁ, ³å³·³ÛÇ Ýϳïٳٵ ɳí³ï»ëáõÃÛáõÝÁ & µ³ñÇ »ñ³½³ÝùÝ»ñÁ, ³Ñ³ Ô³½³ñ ØÇñ½áÛ³ÝÇ Ï»ñå³íáñáõÙÁ: лÝó ëñ³ÝáõÙ ¿ Ù»ñ áõÅÁ, ëñ³ÝáõÙ ¿ Ù»ñ ³Ýå³ñï»ÉÇáõÃÛáõÝÁ & ѳñ³ï&»Éáõ ·³ÕïÝÇùÁ: ȳÏáÝÇÏ ¿ ÝϳñãÇ ·»Õ³ñí»ëï³Ï³Ý Ùáï»óáõÙÁ, µ³Ûó å³ñáõݳÏáõÙ ¿ µáí³Ý¹³Ï³ÛÇÝ Ù»Í ËáñáõÃÛáõÝ: ÜϳñÇãÁ 1915-Á ѳٳñáõÙ ¿ ³ñ&Ç Ë³í³ñáõÙ: ´³Ûó ûÏáõ½ ˳í³ñ³Í ³ñ»·³ÏÝ ³í»ÉÇ Ù»Í & å³Ûͳé, ù³Ý ϳñÙñáí å³ïÏ»ñí³Í ·³½³ÝÁ: ²Ûëûñ ûÏáõ½ Ýáëñ³ó»É ¿ Ýñ³Ýó ß³ñù»ñÁ, µ³Ûó Ï³Ý & ÑÇßíáõÙ »Ý: Üñ³Ýù, áíù»ñ ³Ï³Ý³ï»ëÝ»ñÝ »Ý »Õ»É 1915-Ç: Üñ³Ýù ϳñÍ»ë áÕç Ñáõß³ñÓ³ÝÝ»ñ ÉÇÝ»Ý, Ù»ñ »ñ»Ïí³ íÇßïÝ áõ ³Ûëûñí³ ÉÇÝ»Éáõ ÷³ëïÁ, í³Õí³ ·áÛáõÃÛ³Ý Ñ³í³ïÁ ÉÇÝ»Ý: ²ÛëåÇëÇÝ ¿ سñïÇñáë ´³¹³ÉÛ³ÝÇ ·áñÍÁ: Ø»ñ ٳٻñÁ & å³å»ñÁ Çñ»Ýó ï³é³å³Ýùáí & ¹³Å³ÝáõÃÛáõÝÝ»ñáí ³Ýó³Í ׳ϳﳷñáí, ˳½³·Çñ ÏÝ×éáï³Í ¹»Ùù»ñáí: ä³ïÏ»ñáõÙ ¹»åù»ñÁ ÑÇß»óÝáÕ Ù³ëÁ Ý»ñù&áõÙ ¿, ÇëÏ ³Ï³Ý³ï»ëÝ»ñÁª í»ñ&áõÙª ųٳݳϳÏÇóª Ï³Ý & ÏÉÇÝ»Ý: òáõó³Ñ³Ý¹»ëáõÙ å³ïÏ»ñ³Ó&»ñÁ µ³½Ù³½³Ý »Ý: гÛïÝÇ ¹³ë³Ï³ÝÝ»ñÇ ÏáÕùÇÝ ³Ûëûñí³ áÕç ÝϳñÇãÝ»ñÝ »Ý, ½áõï 黳ÉǽÙÇ ÏáÕùÇÝ ï³ñµ»ñ -ǽÙ-»ñÇ »ñ&³ÏáõÙÝ»ñ »Ý: гÛÏ³Ï³Ý ·»Õ³ÝϳñãáõÃÛ³ÝÁ ѳïáõÏ ·áõݻջÝáõÃÛáõÝÁ ë³Ï³ÛÝ ãÇ Ý³Ñ³Ýç»É: ê÷Ûáõéù³Ñ³Û ÝϳñãáõÃÛáõÝ: лÝó ³Ûë ï»ñÙÇÝ ¹³ñÓ³Í Ó&³Ï»ñåáõÙÁ ³ÛÝ µ³ÝÇ ÷³ëïÝ ¿, áñ ׳ϳﳷñÇ & ù³Õ³ù³Ï³ÝáõÃÛ³Ý å³ï׳éáí ѳۻñÁ ë÷éí»óÇÝ áÕç ³ß˳ñÑáí Ù»Ï: ¶³é½áõ, ²ñÙÇë, ijÝë»Ù ³ÝáõÝÝ»ñÝ ³Ûëûñ ¹³ñÓ»É »Ý áã ÙdzÛÝ Ù»ñ Ñå³ñïáõÃÛáõÝÁ, ³ÛÉ ³ÛÝ »ñÏñÝ»ñÇÝÁ, áñï»Õ ·áñÍ»É »Ý, ³ÛÉ& áÕç ù³Õ³ù³ÏÇñà ³ß˳ñÑÇ Ñå³ñïáõÃÛáõÝÝ »Ý: ´³Ûó Ýñ³ÝóÇó Ûáõñ³ù³ÝãÛáõñÇ Ï»Ýë³·ñáõÃÛáõÝÁ ÙÇ ³é³ÝÓÇÝ å³ïÙáõÃÛáõÝ ÉÇÝ»Éáí ѳݹ»ñÓ, å³ïÙáõÃÛáõÝÝ ¿ ÙÇ ³ÙµáÕç ÅáÕáíñ¹Ç: ²Ûë óáõó³Ñ³Ý¹»ëÁ ÙÇ ³Ïݳéáõ ÷³ëï ¿, áñ ѳÛÁ ÑÇßáõÙ ¿, µ³Ûó ÑÇß³ã³ñ ã¿, áñ ѳÛÁ ϳ, ß³ñáõݳÏáõÙ ¿ ³åñ»É & ³ñ³ñ»É: ²Ûë ³ÙµáÕçÇ ³å³óáõÛóÝ ³ÛÝ ¿, áñ áãÝã³óÝ»É ÙÇ ÅáÕáíáõñ¹, áñÝ ³Û¹ù³Ý ëÇñáõÙ ¿ & ϳñáÕ³ÝáõÙ ¿ ³åñ»É, ³ÝÑݳñ ¿: Ø»Í »Õ»éÝÇ 95-ñ¹ ï³ñ»ÉÇóÇÝ ÝíÇñí³Í ³Ûë óáõó³Ñ³Ý¹»ëÁ ϳ½Ù³Ï»ñå»É »Ý ²ñ³ñ³ïÛ³Ý Ð³Ûñ³å»ï³Ï³Ý ûÙÁ, ²ß˳ñÑÇ Ñ³Û ÝϳñÇãÝ»ñÇ ÙdzíáñáõÙÁ & г۳ëï³ÝÇ ³½·³ÛÇÝ å³ïÏ»ñ³ëñ³ÑÁ` Ñáí³Ý³íáñáõÃÛ³Ùµ §²ñÙ»Ýûɦ (§´ÇɳÛݦ) ö´À-Ý ·ÉË. ïÝûñ»Ý Æ·áñ ÎÉÇÙÏáÛÇ: Ìñ³·ñÇ Ñ»ÕÇݳÏÝ»ñÝ »Ý ܳí³ë³ñ¹ ³ñù»åÇëÏáåáë Î×áÛ³ÝÁ, ²Ý³ÑÇï ØËÇóñÛ³Ý-ʽ³ñãÛ³ÝÁ, Ô³½³ñ (ȳ½³ñ) ØÇñ½áÛ³ÝÁ: òáõó³Ñ³Ý¹»ëáõÙ Ý»ñϳ۳óí³Í »Ý г۳ëï³ÝÇ ³½·³ÛÇÝ å³ïÏ»ñ³ëñ³ÑÇ Ñ³í³ù³ÍáõÇó ·áñÍ»ñ, ó»Õ³ëå³ÝáõÃÛ³Ý Ã³Ý·³ñ³Ý-ÇÝëïÇïáõïÇ ÷³ëï³·ñ³Ï³Ý ÝÛáõûñ, ÇÝãå»ë ݳ& г۳ëï³ÝÇ å»ï³Ï³Ý å³ïÙáõÃÛ³Ý Ã³Ý·³ñ³ÝÇ ýáݹ»ñÇó óáõó³ÝÙáõßÝ»ñ: òáõó³Ñ³Ý¹»ëÇ Ï³½Ù³Ï»ñåÇãÝ»ñÇó ²Ý³ÑÇï ØËÇóñÛ³Ý-ʽ³ñãÛ³ÝÁ, áñÁ ųé³Ý·áñ¹Ý ¿ 1915-Ç ³ñÛáõݳÉÇ ¹»åù»ñÇ, ³é³ÝÓݳÏÇ ç³Ýù áõ »é³Ý¹ óáõó³µ»ñ»ó ³Ûë »ñ³Ëï³íáñ ·áñÍÝ Çñ³Ï³Ý³óÝ»Éáõ ѳٳñ: ²ñÙ»Ý ¶³ëå³ñÛ³Ý ²ñí»ëï³µ³Ý, г۳ëï³ÝÇ ³½·³ÛÇÝ å³ïÏ»ñ³ëñ³ÑÇ Ñ³Û ·»Õ³ÝϳñÇ µ³ÅÝÇ í³ñÇã

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гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

There are events which are not simply events which can not be forgotten. They are not forgotten because of their cry, scandalous facts, tragedy and offence of slurred over truth. Whereas truth becomes a topic, penetrates into artist's soul and is continuously touched upon.

Armenian Genocide. One word but deep content, endless tragic history, indescribable pains and struggle for existence. A word which has become the pain-memory of a whole nation, at the same time remembrance and tribute of respect to the memory of innocent victims. A word which became a wound and referred to each one, especially the creative Armenian who could not and did not remain indifferent. The modern Armenian, who is the bearer of nation's memory and by the right of succession continues his nation's vein of creation, also refers this topic. And we witness in the national fine arts, even if it were painful topics, various directions and styles of painting, various manners of painting, and however, idea and theme are the same. From academic realism to interpretations of the present 21st century, various color solutions and strength of various scales of influence, the same ideological basis. It is the word of the Armenian addressed to the world and to his own self - moan, anger, protest, and what is most important - strong faith, inflexibility to live and to create.

The touched upon topic could not be reflected in fine arts without allegory. Works referring the Genocide were created not only in painting but also in the sphere of sculpture. Today we have inherited the works of H. Gurjyan, A. Sargsyan, Kh. Ter-Harutunyan who concretely and allegorically commemorate this lasting pain of the nation. Symbolic interpretations, allegorical accentations are present up to date, when already 95 years have passed.

Vardges Surenyants was the first among the Armenian artists who hasted to Armenia in 1915 and depicted the Armenian migrants who had a narrow escape from the Genocide. Later the patriotic artist, who is considered the founder of historical genre, referred that topic also by means of voluminous canvases.

Gevorg Bashinjaghian, the founder of landscape-painting genre in the national art, also referred the topic and depicted migration. He has depicted the Genocide by means of landscape-painting and honest sensation.

When this exhibition was organized, it was felt that in the collections there are few paintings on the topic of Genocide. During the period of soviet reign it was ordered to forget the national pain, it was even forbidden to commemorate that date. In the period of social realism importance was accorded to obligatory for creators topics.

Nevertheless, each Armenian artist kept in his studio at least one work as a secret relic.

It was especially difficult for the artists creating in the end of the 19th and in the beginning of the 20th centuries, who were the witnesses of the tragic events, but compulsion was strong, and infringing the imperative would bring to persecutions.

Armenian fine art entered the latest period. Martiros Saryan, the giant of colors, created. Certainly, everything concerning his nation excited the great master, especially because he personally had participated in the funeral of the dead migrants.

Unfortunately, today only one unique graphic design on that topic has reached us.

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95 th Anniversary of the Armenian Genocide

It was difficult for Armenian artists living in the soviet period, as they had what to say but they faced another danger. An original solution became the image of Komitass.

The image of the great musician and composer and the sanguinary events of 1915 were identified in notions. Simon Galstian, who had never been a member of the Communist Party, upon the demand of the commission, which had arrived from Moscow, was deserved the title "Honored Artist" for his canvas "People will sing." That was a unique case. In the picture Archimandrite Komitass is depicted in white clothing, in lights, and in that picture the author emphasizes the creative Armenian and his fate. By the way, he has depicted also Armenian revenger Soghoman. The topic was never exhausted, morning was continued.

The great romantic - Edward Isabekian, who had lost Igdir and was the continuer of historical painting, rebelled against injustice when he referred the topic of Genocide.

On small canvas gloomy horizons and groups of people are depicted. The power of brush stokes, disposition of groups and the colors used have created the atmosphere the pain of which we remember up to date. Gr. Khanjian, another talented representative of historical painting, referred the topic of Genocide by means of illustration of P. Sevak's poem "Never-ceasing Bell-tower" : spring, summer which did not come, pulling down sky.

One of the boldest artists of the soviet period was Hrant Stepanian, who painted the picture "Armenian Genocide, 1915." There are no faces, no concrete human images, but the scene is convincing. It concerns all of us, each Armenian.

The famous family of Bazhbeuk-Melikyan. Zuleyka Bazhbeuk-Melikyan, representative of Tbilisi school, with her woman's sensitive heart and peculiar to her artistic means refers the topic. The winding motion of the march depicted and the colors' symbolic meaning make the painting impressive.

Another Armenian artist - Paruhi Tepelikyan. The daughter of the family which became the victim of exile and deportation, was born in Egypt, lived in Romania and created in Armenia, in her historical still lives periodically depicted the Holy Bible and other saved relics. The patriotic artist preserved those relics which she had received from the Aunt Azniv who had survived the Genocide and Der Zor and expressed her pain by means of depicting them. And when she visited the desert of Der Zor as a tourist she felt the physical pain which the elderly had felt.

Honored artist Paravon Mirzoyan's work entitled "Before the Thunder-storm" by means of its color tension and strain of atmosphere gives the sensation which as if mentally moves us to the period of April, 1915. Persuasive transitions of hues, separate hinting details tell, regret and believe optimistically.

Another persuasive impression comes from the painting of Mkrtich Papoyan. Vortical compositional structure contains symbolic pictures, human faces, cross and other elements.

By means of his work Shota Khachatryan calls the population of the earth to responsibility. The work is entitled "All nations are responsible for the victims of Genocide."

Victims' souls have turned into flocks of white clouds, the sea shaped of sky blue background has turned into fish. Beneath is the beast which is satisfied of its deed but is alone. In this philosophical work the author allegorically uncovers the beast, touches upon the antagonism of the kind and evil.

The Armenian not only remembers and respects the memory, but also dreams. Faith and its great power, optimism for the future and kind dreams are characteristic to Lazar Mirzoyan. Our strength, invincibility and secret of eternity are due to just those traits.

Artist's artistic approach is laconic but has deep content. Artist considers the year 1915 eclipse of sun. Nevertheless, the eclipsed sum is brighter than the beast depicted red.

Although their number has decreased, nevertheless we remember them. Those who

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гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

have witnessed the year 1915. They are as if living monuments, our yesterday's grief and the fact of today's existence, the faith of tomorrow's existence. Such is the work of Martiros Badalyan. Our grandmothers and grandfathers and their sufferings, their fate full of cruelties, their wrinkled faces. In the picture the part reminding the events is in the lower part, witnesses are in the upper part.

In the exhibition the forms of pictures are various. Along with classic artists are the modern artists; along with pure realism are manifestations of various -isms. Colorfulness typical to Armenian painting is present.

Diaspora Armenian painting. Just this formulation, turned into term, is the fact of the reality that as the fate willed it and because of politics Armenians were scattered throughout the world. The names Garzu, Armis, Jansem today have become not only our pride, but also the pride of those countries where they have lived and created, they are the pride of the whole civilized world. The biography of each of them, being a separate story, is the history of a whole nation.

This exhibition is an evident fact stating that the Armenian lives, but he is not rancorous, he continues living and creating. The proof of it is that it is impossible to annihilate a nation which loves so sincerely and manages to live.

This exhibition dedicated to the 95th anniversary of the Armenian Genocide is organized by Araratian Patriarchal Diocese, Union of Armenian Artists of the World and National Gallery of Armenia under the auspices of Igor Klimko, General Manager of ArmenTel CJSC (Beeline).

Authors of the project are His Eminence Archbishop Navasard Ktchoyan, Anahit Mkhitaryan-Khzarchyan, Lazar Mirzoyan.

Within the frames of exhibition are represented works from the collection of National Gallery of Armenia, documental materials from the archives of the MuseumInstitute of Genocide, as well as exhibits from the funds of State Central Museum of Armenia.

Anahit Mkhitaryan-Khzarchyan, one of the organizers of the exhibition, who is the inheritor of sanguinary events of 1915, made special efforts and worked zealously for the realization of the project.

Armen Gasparyan Art Critic Head of the Department of Armenian Painting of the State Central Museum of Armenia

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95 th Anniversary of the Armenian Genocide

¶¨áñ· ´³ßÇÝç³ÕÛ³Ý 1857 -1920

Gevorg Bashinjaghyan

гۻñÇ ·³ÕÃÁ,

Ïï., ÛáõÕ., 220x125

Armenians, Emigration,

oil, canvas, 220x125

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гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

ì³ñ¹·»ë êáõñ»ÝÛ³Ýó 1860 -1921

Vardges Surenyants

æ³ñ¹Çó Ñ»ïá, 14

Ïï., ÛáõÕ., 174x93

After the slaughter, oil, canvas, 174x93

95 th Anniversary of the Armenian Genocide

ØáϳóÇ ³ÕçÇÏÝ»ñ Girls from Mock

ì³Ý»óÇ ³ÕçÇÏÝ»ñ, ëïí³ñ³ÃáõÕÃ, ï»Ùå»ñ³ 34.3x25 Girls from Van, pasteboard, tempera, 34.3x25

ØáϳóÇ Ð³ëÙÇÏÁ, 1915Ã, ëïí³ñ³ÃáõÕÃ, ï»Ùå»ñ³. 35x25 Hasmik from Mok, 1915, pasteboard, tempera, 35x25

´ÇÃÉÇëóÇ ³ÕçÇÏÁ, ëïí³ñ³ÃáõÕÃ, ï»Ùå»ñ³ 34.5x25 Girl from Bitlis, pasteboard, tempera, 34.5x25 15

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

ì³ñ¹·»ë êáõñ»ÝÛ³Ýó Vardges Surenyants

ì³Ý»óÇ Ï³Ý³Ûù, ëïí³ñ³ÃáõÕÃ, ï»Ùå»ñ³, 35x25.5 16

Women from Van,

pasteboard, tempera, 35x25.5

95 th Anniversary of the Armenian Genocide

ä»ïñá·ñ³¹Á ѳۻñÇÝ, ¿ëùǽ åɳϳïÇ Ñ³Ù³ñ, 1915Ã, 47.5x32.7

Petrograd to Armenian people, sketch for poster, 1915, 47.5x32.7 17

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

ì³Ýá Êáç³µ»ÏÛ³Ý 1875 -1922

Vano Khojabekyan

ºñ¨³Ý. ö³Ëëï³Ï³ÝÝ»ñÇÝ ×³ß »Ý µ³Å³ÝáõÙ, ÃáõÕÃ, Ù³ïÇï, 20.6x27.4

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Yerevan. Distributing food to refugees, paper, pencil, 20.6x27.4

95 th Anniversary of the Armenian Genocide

ÐÙ³Û³Ï ²ñͳõ³ÝÛ³Ý 1876-1919

Hmayak Artsatbanyan

Ðñ¹»Ñ ѳÛÏ³Ï³Ý ·ÛáõÕáõÙ, 1915Ã. Ïï., ÏáõÕ., 48x65

Fire in Armenian village, 1915, canvas, oil, 48x65 19

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

ÐÙ³Û³Ï ²ñͳõ³ÝÛ³Ý Hmayak Artsatbanyan

Îáïáñ³Í, ¿ëùǽ, 1918Ã. 14x20 î³×ÇÏÝ»ñÇ ·³½³ÝáõÃÛáõÝÁ, 1919Ã., Ïï., ÛáõÕ., 68x53 20

The Slaughter, sketch, 1918, 14x20 Brutality of Tadjik people, 1919, canvas, oil, 68x53

95 th Anniversary of the Armenian Genocide

سñïÇñáë ê³ñÛ³Ý 1880 - 1972

Martiros Saryan

²Ûë ³ß˳ï³ÝùÁ Ø.ê³ñÛ³ÝÇ ³é³çÇÝ ³ñÓ³·³ÝùÝ ¿ñ Çñ ÅáÕáíñ¹Ç ¹»Ù Çñ³·áñÍí³Í ç³ñ¹Ç: Îï³íÇ íñ³ óÇñáõó³Ý »Õ³Í Ùñ·»ñÇ ¨ Ï»Ýó³Õ³ÛÇÝ Çñ»ñÇ ù³áëÇ Ù»ç ÑÝãáõÙ ¿ ÝϳñãÇ á·áõ ×ÇãÁ: º·Çåï³Ï³Ý ¹ÇÙ³ÏÝ»ñÁ, áñå»ë å³ïÙáõÃÛ³Ý ¹³ï³íáñÝ»ñ, Ñ³Û ÅáÕáíñ¹Ç ëå³Ý¹Á ·Ý³Ñ³ïáõÙ »Ý áñå»ë ѳٳٳñ¹Ï³ÛÇÝ áÕµ»ñ·áõÃÛáõÝ:

º·Çåï³Ï³Ý ¹ÇÙ³ÏÝ»ñ.

1915, Ïï., ëïí. ï»Ùå»ñ³, 105x231ÙÙ

This work is the first response of M.Saryan on hearing about the massacre committed upon his nation. Viewing the fruits and household items, chaotically scattered on the canvas, the onlooker can discern the painter's cry from the very heart. The Egyptian masks like history's judges condemn the tragedy of Armenian nation as universal tragedy.

Egyptian masks.

1915, tempera on canvas pasted on cardboard, 105 x 231mm

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гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

سñïÇñáë ê³ñÛ³Ý Martiros Saryan

²Ûë ¿ëùǽÁ Ø. ê³ñÛ³ÝÇ ÙÇ³Ï ³ß˳ï³ÝùÝ ¿, áñÝ ³ÝÙÇç³Ï³Ýáñ»Ý ³ñï³óáÉáõÙ ¿ ²ñ¨ÙïÛ³Ý Ð³Û³ëï³Ýáõ٠ѳۻñÇ ¹»Ù Çñ³·áñÍ³Í »Õ»éÝÇ Ã»Ù³Ý: ÜϳñÇãÁ å³ïÏ»ñ»É ¿ Ãáõñù»ñÇ ³ñÛáõÝáï ëå³Ý¹Çó ÷³Ëáõëïáí ³½³ïí³Í ѳÛáõÑáõÝ Çñ í»ó »ñ»Ë³Ý»ñÇ Ñ»ï: гí³Ý³µ³ñ Ø.ê³ñÛ³ÝÁ Ýñ³Ýó ï»ë»É ¿ ¾çÙdzÍÝáõÙ, áõñ ÝϳñÇãÁ »Ï»É ¿ñ áñå»ë û·ÝáõÃÛ³Ý ÎáÙÇï»Ç ³Ý¹³Ù: Ø.ê³ñÛ³ÝÁ ÑÇß³ï³ÏáõÙ ¿ ³Û¹ ÏÝáçÝ Çñ §¶ñ³éáõÙÝ»ñ ÇÙ ÏÛ³ÝùÇó¦ ·ñùáõÙ, Ýϳñ³·ñ»Éáí, û ÇÝãå»ë ݳ, ÐéÇ÷ëÇÙ» í³ÝùÇ å³ï»ñÇ ï³Ï å³ïëå³ñí³Í, Ù»ÏÁ ÙÛáõëÇ »ï¨Çó ÏáñóÝáõÙ ¿ñ Çñ 먳ãÛ³ áñ¹ÇÝ»ñÇÝ áõ å³ï³ÝùáõÙ Ýñ³Ýó Ù³ñÙÇÝÝ»ñÁ Çñ ѳ·áõëïÇ í»ñçÇÝ å³ï³éÇÏÝ»ñáí: Ð³Û ÅáÕáíñ¹Ç 1915 Ãí³Ï³ÝÁ 1965, ÃáõÕÃ, Ù³ïÇï, 30.5x24.7

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This sketch is the only M.Saryan's work directly depicting the subject of genocide of Armenians in Western Armenia. The artist has drawn an Armenian woman and her six children, who managed to escape the Turkish massacre. Apparently M.Saryan encountered her among the refugees who had settled themselves by the walls of St. Hripsime church in Etchmiadzin, where the painter arrived as a member of Relief Committee. This woman is mentioned by M. Saryan in his book of memoirs 'From my life', where he narrates how the mother was losing her black-eyed sons one after another making shrouds for them out of her dresses using her own her for sewing.

The year of 1915 of Armenian people 1965, pencil on paper, 30.5 x 24.7

95 th Anniversary of the Armenian Genocide

Ø. ê³ñÛ³ÝÁ ³ñí»ëïÇ µ³ñÓñ³·áõÛÝ ¹»ñÁ ï»ëÝáõÙ ¿ñ Ýñ³ÝáõÙ, áñ ³ÛÝ ãå»ïù ¿ ×ÝßÇ Ù³ñ¹Ï³Ýó áÕµ»ñ·³Ï³Ý ëÛáõŻݻñÇ Ýϳñ³·ñáõÃÛ³Ùµ, ³ÛÉ Ñ³í»ñųϳÝ, ѳٳٳñ¹Ï³ÛÇÝ ÙáïÇíÝ»ñÇ Ý»ñßÝãٳٵ Ýñ³Ýó ÏáãÇ ÏÛ³ÝùÇ, å³Ûù³ñÇ: §Ð³ÛÏ³Ï³Ý å³ñ¦ ·Í³ÝϳñÁ ãÝ³Û³Í Çñ ÁݹѳÝáõñ éÇÃÙÇϳÛáí áõ ÏáÉáñÇïáí Ëáñ íÇßï ¿ ³ñï³Ñ³ÛïáõÙ, µ³Ûó ¹³ å³ñ ¿, ³ÛëÇÝùÝ ·»Õ»óÏáõÃÛáõÝ, ë»ñ, ÏÛ³ÝùÇ ß³ñáõݳÏáõÃÛáõÝ:

гÛÏ³Ï³Ý å³ñ 1915, ÃáõÕÃ, ë&/ëåÇï³Ï çñ³Ý»ñÏ. 23x27

According to M.Saryan, the lofty idea of art is that it should not depress people by depicting tragic events but it should inspire them with timeless, universal values, to call for life and struggle. Though in his drawing “Armenian dance“deep sorrow is rendered by general rhythm and coloration of the work, nevertheless this a dance - so this is beauty, love and continuation of life.

Armenian Dance 1915, mlack and white watercolor on paper, 23x27

23

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

ê³ñ·Çë ʳã³ïáõñÛ³Ý 1886 - 1947

Sargis Khachaturyan

Ð³Û áñµ»ñÁ ³Ý³å³ïáõÙ, Ïï., ÛáõÕ., 120x140 24

Armenian orphans in the desert, canvas, oil, 120x140

95 th Anniversary of the Armenian Genocide

¶³ÕÃ³Ï³Ý áñµ»ñ, ÃáõÕÃ, ëïí³ñ³ÃáõÕÃ, ³ÍáõË 55.5x40

Refugee orphans, paper, pasteboard, coal 55.5x40 25

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

æÇáïïá (¶»õáñ· ¶ñÇ·áñÛ³Ý) 1897 - 1976

Jotto (Gevorg Grigoryan)

ÎÇÝÁ ËáݳñÑí³Í ·ÉËáí, ëïí³ñ³ÃáõÕÃ, ÛáõÕ., 622x503 26

Woman with the bowed head, pasteboard, oil, 622x503

95 th Anniversary of the Armenian Genocide

à~í гÛáó ²ëïí³Í, Ïï., ÛáõÕ., 740x500

O, God of Armenians, canvas, oil, 740x500 27

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

ØÇù³Û»É ²ñáõÃãÛ³Ý 1897 - 1961

Mickael Aroutchyan

üñÇïÛáý ܳÝë»ÝÇ ¹ÇÙ³ÝϳñÁ, 1925Ã. ÃáõÕÃ, ïáõß, 242x205 28

Portrait of Fridtjof Nansen, 1925, paper, ink, 242x205

95 th Anniversary of the Armenian Genocide

ÄÇñ³Ûñ úñ³·Û³Ý 1901- 1962

Jirair Oragyan

¶³ÕÃ, ÃáõÕÃ, ·áõ³ß, ïáõß, ɳù, 500x377

Migration, paper, gouache, ink, varnish 500x377 29

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

ÄÇñ³Ûñ úñ³·Û³Ý Jirair Oragyan

ºÕ»éÝ, ÃáõÕÃ, ïáõß, Ù³ïÇï, 23x22.2 سÛñ³Ï³Ý íÇßï, ÃáõÕÃ, ïáõß, çñ³Ý»ñÏ, 28.5x22 30

The Genocide, paper, ink, pencil, 23x22.2mm Maternal grief, paper, ink, watercolour 28.5x22

95 th Anniversary of the Armenian Genocide

²ñ³ ê³ñ·ëÛ³Ý 1902 -1969

Ara Sargsyant

²Ýë÷á÷ íÇßï, 1950, µéáݽ

Inconsolable grief, 1950, bronze 31

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

²ñ³ê³ñ·ëÛ³Ý Ara Sargsyant

ºÕ»éÝ, (¿ëÏǽ), 1968, µéáݽ 32

Genocide, (sketch), 1968, bronze

95 th Anniversary of the Armenian Genocide

Êáñ»Ý î»ñ-гñáõÃÛ³Ý 1909 - 1991

Khoren Ter-Harutyunyan

ò»Õ³ëå³ÝáõÃÛáõÝ, ëïí³ñ³ÃáõÕÃ, å³ëï»É, ï»Ùå»ñ³, ³ÍáõË, ·ñÇã 19.5x53.4

The Genocide, pasteboard, pastel, tempera, coal, pen 19.5x53.4

33

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

Êáñ»Ý î»ñ-гñáõÃÛ³Ý Khoren Ter-Harutyunyan

î»ñ ¼áñ, 1981, ÃáõÕÃ, Ù³ïÇï, 40,3x54,7 ò»Õ³ëå³ÝáõÃÛáõÝ. 1970, ÃáõÕÃ, Ù³ïÇï, 42,5x61 34

Der Zor, 1981, paper, pencil, 40,3x54,7 Genocide. 1970, paper, pencil, 42,5x61

95 th Anniversary of the Armenian Genocide

¸»ñ½áñ-²¹³Ý³, ÃáõÕÃ, çñ³Ý»ñÏ, ·ñÇã, Ù³ïÇï, 17x24.2

ò»Õ³ëå³ÝáõÃÛáõÝ (²Ý·ÕÁ ¨ ÏÙ³ËùÁ), 1975, µñáݽ, ÓáõÉáõÙ, 152x178x203

Derzor-Adana, paper, watercolour, pen, pencil 17x24.2

Genocide (The griffon and the skeleton), 1975, bronze, casting 152x178x203

35

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

Êáñ»Ý î»ñ-гñáõÃÛ³Ý Khoren Ter-Harutyunyan

سñïÇó Ñ»ïá, ÃáõÕÃ, çñ³Ý»ñÏ, Ù³ïÇï 18x33.8 ¸»ñ½áñ. º÷ñ³ïÇ Ñ³ï³ÏáõÙ, ÃáõÕÃ, å³ëï»É 44.5x28 36

After the battle, paper, watercolour, pencil 18x33.8 Derzor. On the bottom of Efrat, paper, pastel 44.5x28

95 th Anniversary of the Armenian Genocide

ò»Õ³ëå³ÝáõÃÛáõÝ, 1976, µñáݽ, ÓáõÉí³Íù, ·áé»ÉÇ»ý, 106x214x28

Genocide, 1976, bronze, casting, high relief, 106x214x28

37

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

²ñÙ»Ý âÇÉÇÝ·³ñÛ³Ý 1910 - 1986

Armen Chilingaryan

¶³ÕóϳÝÝ»ñ, (¿ëùǽ), 28.8x20.5 38

Migrants, (sketch), 28.8x20.5

95 th Anniversary of the Armenian Genocide

ì³Ñ» лùÇÙÛ³Ý (²Ý¹ñ») 1914 - 1997

Vahe Heqimyan (Andre)

ÎáÙåá½Çódz - úñ¹áõ, Ïï., ÛáõÕ., 81x601

Composition- Ordu, canvas, oil, 81x60 39

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

¾¹í³ñ¹ Æë³µ»ÏÛ³Ý 1914- 2007

Eduard Isabekyan

15 Ãí³Ï³Ý, 1944, Ïï³í, ÛáõÕ., 40x70 40

15 year, 1944, canvas, oil, 40x70

95 th Anniversary of the Armenian Genocide

Ðñ³Ýï êï»÷³ÝÛ³Ý 1918 -1980

Hrant Stepanyan

¶³ÕÃ, 1949, Ïï., ÛáõÕ., 67x137

Migration, 1949,

oil, canvas, 67x137

41

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

ijÝë»Ù (ÐáíѳÝÝ»ë ê»ÙÇñçÛ³Ý) 1920

Jansem (Hovhannes Semirjyan)

ºÕ»éÝ, Ïï³í, ÛáõÕ.

42

Genocide, canvas, oil

95 th Anniversary of the Armenian Genocide

ºÕ»éÝ, ÃáõÕÃ, Ù³ïÇï, 63.3x44.3

Genocide, paper, pencil, 63.3x44.3 43

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

гÏᵠгÏáµÛ³Ý 1923

Hakob Hakobyan

ìÇßï, Ïï., ÛáõÕ..

44

Grief, canvas, oil

95 th Anniversary of the Armenian Genocide

гÛÏ³Ï³Ý Ü»Ù»ëÇëÇ ËáõÙµÁ, Ïï., ÛáõÕ., 130x97

Group of Armenian Nemesis, canvas, oil, 130x97 45

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

êáõñ»Ý ê³ý³ñÛ³Ý 1923 - 1988

Suren Safaryan

²ñ³ñ³ïÇó ³ÛÝ ÏáÕÙ – 1915Ã., 46

Ïï.,ÛáõÕ., 113x157

On the other side of Ararat – 1915, canvas, oil, 113x157

95 th Anniversary of the Armenian Genocide

ä³ñáõÑÇ Â»÷»ÉÇùÛ³Ýó 1925 - 2009

Paruhi Tepeliqyqn

ܳïÛáõñÙáñï ³Ù³ÝÝ»ñáí, Æ·¹ÇñÛ³Ý Ï³ñå»ïáí, 2006, Ïï., ÛáõÕ., 60x70

Still life with Igdir Carpet, 2006, canvas, oil, 60x70

47

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

¶ñÇ·áñ ʳÝçÛ³Ý 1926 - 2000

Grigor Khanjyan

Øó·ÝáõÙ. ä.ꨳÏÇ §²ÝÉé»ÉÇ ¼³Ý·³Ï³ïáõݦ åá»ÙÇ Ýϳñ³½³ñ¹áõÙ, ÃáõÕÃ, ïáõß, 65x54.5 48

Darkening, Description of “Unceasing Bell-Tower“ poem by Paruyr Sevak, paper, ink, 65x54.5

95 th Anniversary of the Armenian Genocide

ºÕ»éÝ, ¶. ¾ÙÇÝÇ §ê³ëáõÝóÇÝ»ñÇ å³ñÁ¦ åá»ÙÇ Ýϳñ³½³ñ¹áõÙ, ÃáõÕÃ, Ù³ïÇï, ÛáõճݻñÏ, 39x50

Genocide, Description of “Dance of Sassoon“poem

by Gevorg Emin, paper, pencil, oil, 39x50 49

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

²í³· гÛñ³å»ïÛ³Ý 1926

Avag Hayrapetyan

øáã, 1961Ã. Ïï., ÛáõÕ., 70x100 50

Migration, 1961, canvas, oil, 70x100

95 th Anniversary of the Armenian Genocide

ÈÛáõ¹íÇ· ´»ñµ»ñÛ³Ý 11927

Lyudvig Berberyan

1915Ã. ºñ· ºÕ»éÝÇ, ÃáõÕÃ, ëïí³ñ³ÃáõÕÃ, ï»Ùå»ñ³, 100x70

The Genocide Song of 1915, paper, pasteboard, tempera, 100x70 51

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

ê³ñ·Çë Øáõñ³¹Û³Ý 1927-2007

Sargis Muradyan

Ð³Û Ùï³íáñ³Ï³ÝÝ»ñÇ ·áÕ·áóÝ, 1975-1988, Ïï., ÛáõÕ., 90x115

52

The Golgotha of Armenian Intellectuals, 1975-1988, oil on canvas, 90x115

95 th Anniversary of the Armenian Genocide

¾¹áõ³ñ¹ ²ñÍñáõÝÛ³Ý 1929

Eduard Artsriunyan

1915Ã. ¶³ÕóϳÝÁ ¾çÙdzÍÝáõÙ, Ïï., ÛáõÕ., 160.5x110

Migrants of 1915 in Etchmiadzin, canvas, oil, 160.5x110 53

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

¾¹áõ³ñ¹ ²ñÍñáõÝÛ³Ý Eduard Artsriunyan

¶³ÕÃ³Ï³Ý Ï³Ý³Ûù, Ïï., ÛáõÕ, 60x80 54

Migrant Women, canvas, oil, 60x80

95 th Anniversary of the Armenian Genocide

Ø»Ýù ùñÇëïáÝÛ³ »Ýù, Ïï., ÛáõÕ,

We are Christians, canvas, oil 55

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

سñÇ Ðáí»ÉÛ³Ý - гÏáµÛ³Ý 1929

Mari Hovelyan-Hakobyan

ÜíÇñí³Í ¿ ÁÝï³ÝÇùÇë` 1915Ã. ºÕ»éÝÇ 25 ½áÑ»ñÇ ÑÇß³ï³ÏÇÝ

Ð᷻ѳݷëïÇ ³ñ³ñáÕáõÃÛáõÝ ¸»ñ½áñáõÙ, 56

Ïï., ÛáõÕ

Dedicated to the 25 members of my family- victims of Armenian Genocide of 1915

Requiem Service for the dead in Derzor, canvas, oil

95 th Anniversary of the Armenian Genocide

²ßáï ÐáíѳÝÝÇëÛ³Ý 1929 - 1997

Ashot Hovhannisyan

¸»åÇ Ñ³Ûñ»ÝÇù,

Ïï., ÛáõÕ., 140x200

Towards the homeland, canvas, oil, 140x200 57

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

²ëÇÉí³ 1930

Asilva

²ùëáñ, 58

Ïï., ÛáõÕ., 130x162

Exile, canvas, oil, 130x162

95 th Anniversary of the Armenian Genocide

гÏáµ êáõùdzëÛ³Ý 1931

Hakob Suqiasyan

Ø»ñ »ñ·Á Ù»½ ϳåñ»óÝÇ,

2006, Ïï., ÛáõÕ., 70x90

Our song will make us live, 2006, canvas, oil, 70x90 59

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

лÝñÇÏ Ø³ÙÛ³Ý 1934

Henrik Mamyan

¶¨áñ· ¾ÙÇÝÇ §êdzٳÝÃáÛÇ Ù»Ý³ËáëáõÃÛáõÝÁ¦ åá»ÙÇ Ó¨³íáñáõÙÁ 60

Illustration of the poem “Siamanto’ s monolgue“

by Gevorg Emin

95 th Anniversary of the Armenian Genocide

¶¨áñ· ¾ÙÇÝÇ §êdzٳÝÃáÛÇ Ù»Ý³ËáëáõÃÛáõÝÁ¦ åá»ÙÇ Ó¨³íáñáõÙÁ

Illustration of the poem “Siamanto’ s monolgue“

by Gevorg Emin 61

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

лÝñÇÏ Ø³ÙÛ³Ý Henrik Mamyan

¶¨áñ· ¾ÙÇÝÇ §êdzٳÝÃáÛÇ Ù»Ý³ËáëáõÃÛáõÝÁ¦ åá»ÙÇ Ó¨³íáñáõÙÁ 62

Illustration of the poem “Siamanto’ s monolgue“

by Gevorg Emin

95 th Anniversary of the Armenian Genocide

²Éµ»ñï ä³ñë³ÙÛ³Ý 1935 - 1995

Albert Parsamyan

ÂáõÙ³ÝÛ³ÝÁ ·³ÕóϳÝÝ»ñÇ Ñ»ï, Ïï., ÛáõÕ., 145x150

Tumanyan and migrants, canvas, oil, 145x150 63

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

²Éµ»ñï Ðáíë»÷Û³Ý 1937

Albert Hovsepyan

1915Ã., 2010, 64

Ïï., ÛáõÕ., 110x100

1915, 2010, canvas, oil, 110x100

95 th Anniversary of the Armenian Genocide

ȨáÝ Âá·Ù³çÛ³Ý 1937

Levon Toqmajyan

¸É» Û³Ù³Ý, 2007, Ù³ñÙ³é, 30x15x75

Dle yaman, 2007, marble, 30x15x75 65

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

Ðáí³ÝÝ»ë ²í»ïÇëÛ³Ý 1939-2000

Hovannes Avetissyan

²ñ³·ÇÉÁ Ó³·»ñáí ù³Ý¹í³Í ï³Ý íñ³, 1970, Ïï., ÛáõÕ., 135x200

66

Stork with its nestlings on the destroyed house, 1970, canvas, oil, 135x200

95 th Anniversary of the Armenian Genocide

¼áõÉ»Ûϳ ´³Åµ»áõÏ-Ø»ÉÇùÛ³Ý 1939

Babezhuk - Melikyan Zuleyka

ºñÃ, 1970, Ïï., ÛáõÕ., 122x81

Procession, 1970, canvas, oil, 122x81 67

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

Ðñ³Ýï ³¹»íáëÛ³Ý 1940

Hrant Tadevosyan

²é³íáï Éáõëá, 2001, Ïï., ÛáõÕ., 110x130 68

Morning of light, 2001, canvas, oil, 110x130

95 th Anniversary of the Armenian Genocide

²ñ³ ÞÇñ³½ 1941

Ara Shiraz

ºÕ»éÝ, µéáݽ

Genocide, bronze 69

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

¶¨áñ· ²í»ïÇëÛ³Ý (ê³Û³¹) 1941

Gevorg Avetisyan (Sayad)

¸³çí³ÍùÝ»ñ ù³ñÇÝ. §ºÕ»éݳ·Éáõ˦ – ¸³ÝÇ»É ì³ñáõųÝ, ÃáõÕÃ, ˳éÁ ï»ËÝÇϳ, 40x30

70

Printings on the stone: “Eghernaglukh“by Daniel Varujan, paper, mixed technics, oil, 40x30

95 th Anniversary of the Armenian Genocide

¸³çí³ÍùÝ»ñ ù³ñÇÝ. §Ãñù³Ï³Ý Ó¨áí ¦ – ¸³ÝÇ»É ì³ñáõųÝ, ÃáõÕÃ, ˳éÁ ï»ËÝÇϳ, 40x30

Printings on the stone: “turkish manner“by Daniel Varujan, paper, mixed technics, oil, 40x30

71

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

èáµ»ñï ¾Éǵ»ÏÛ³Ý 1941

Robert Elibekyan

ì»ñù, 2007, 76x55 72

The wound, 2007, 76x55

95 th Anniversary of the Armenian Genocide

è»ùíÇ»Ù, 2007, 86x50

Requiem, 2007, 86x50 73

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

ê³Ùí»É ä»ïñáëÛ³Ý 1941

Samvel Petrosyan

ì»ñ³ÍÝáõݹ, 2009, 80x110 Ïï³í. ³ÏñÇÉ 74

Revival, 2009, acril on canvas,

80x110

95 th Anniversary of the Armenian Genocide

èáµ»ñï ²Ûí³½Û³Ý 1945

Robert Ayvazyan

îÇÏÇÝ Â³ÝÏÇÏÝ Çñ ÏáñÛáõÝÇ Ñ»ï, Ïï., ÛáõÕ., 110x80

Missis Tankik with her son, canvas., oil, 110x80 75

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

²Ý³ÑÇï ¼³ñ¹³ñÛ³Ý 1945

Anahit Zardaryan

г۳óù ³ÝóÛ³ÉÇó, Ïï., ÛáõÕ., 90x60 76

Look from the past, canvas, oil, 90x60

95 th Anniversary of the Armenian Genocide

ìÇßï ¨ µ»ñÏñ³Ýù, Ïï., ÛáõÕ., 170x160

Grief and happiness, canvas, oil, 170x160 77

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

¾¹ÇÏ ì³ñ¹³ÝÛ³Ý 1946

Edik Vardanyan

ʳãÇÏ ¸³ßï»ÝóÇ ¹ÇÙ³ÝϳñÁ, 2005, Ïï.,ÛáõÕ., 50x40 78

Portrait of Khachik Dashtenc, 2005, canvas, oil, 50x40

95 th Anniversary of the Armenian Genocide

ʳã³ïáõñ ²½Ç½Û³Ý 1948

Khachatur Azizyan

¸³ ãÇ Ùáé³óíÇ, Ïï., ÛáõÕ., 199x149

This will not be forgotten, canvas, oil, 199x149 79

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

¶ñÇß³ ÂáñáëÛ³Ý 1948

Grisha Torosyan

ê³ñë³÷, ÈÇÝá·ñ³íÛáõñ³Ý»ñ §ò»Õ³ëå³ÝáõÃÛáõݦ ß³ñùÇó, 80

Horror, Linocuts from “Genocide“series,

95 th Anniversary of the Armenian Genocide

àÕµ, ÈÇÝá·ñ³íÛáõñ³Ý»ñ §ò»Õ³ëå³ÝáõÃÛáõݦ ß³ñùÇó,

Lamentation, Linocuts from “Genocide“series, 81

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

гñáõÃÛáõÝ Ð³ñáõÃÛáõÝñÛ³Ý 1948

Harutyun Harutyunyan

Ðñ³Åßï ²ËóٳÇÝ, 2000, Ïï.,ÛáõÕ., 80x90 82

Farewell to Akhtamar, 2000, canvas, oil, 80x90

95 th Anniversary of the Armenian Genocide

ö³ñ³íáÝ ØÇñ½áÛ³Ý 1949

Paravon Mirzoyan

²ÙåñáåÇó ³é³ç, 2009, Ïï.,ÛáõÕ., 120x130

Before the storm, 2009, canvas, oil, 120x130 83

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

Þáó ʳã³ïñÛ³Ý( Þ²Ê) 1952

Shota Khachatryan (SHAKH)

ºÕ»éÝÇ ½áÑ»ñÇ Ñ³Ù³ñ µáÉáñ ³½·»ñÁ å³ï³ë˳ݳïáõ »Ý, 2001, Ïïí., ÛáõÕ., 94x64

84

All nations are responsible for the victims of Armenian Genocide, 2001, canvas, oil, 94x64

95 th Anniversary of the Armenian Genocide

سñïÇñáë ´³¹³ÉÛ³Ý 1952

Martiros Badalyan

²Ï³Ý³ï»ëÝ»ñÁ, Ïïí., ÛáõÕ., 84x117

The Witnesses,

canvas, oil, 84x117

85

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

¾¹ÇÏ Ð³ÏáµÛ³Ý 1952

Edik Hakobyan

àÕµ, 86

Ïïí., ÛáõÕ., 120x96

Lamentation,

canvas, oil, 120x96

95 th Anniversary of the Armenian Genocide

ìÇÉÇÏ ¼³ù³ñÛ³Ý 1952

Vilik Zaqaryan

ʳã, Ïïí., ÛáõÕ.,

Cross,

canvas, oil,

87

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

ê³ñ·Çë гٳɵ³ßÛ³Ý 1956

Sargis Hamalbashyan

ºñ· ÑÇß³ï³ÏÇ, Ïïí., ÛáõÕ., 70x90 88

Song of memory,

canvas, oil, 70x90

95 th Anniversary of the Armenian Genocide

²ñÙ»Ý³Ï ²ÏÝáõÝÇ 1956

Armenak Aknuni

1915, ²åñÇÉ 24, 100x80

1915, April 24, 100x80 89

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

²ñ³ñ³ï ê³ñ·ëÛ³Ý 1956

Ararat Sargsyan

ÎáñáõëÛ³É ¹ñ³Ëï, Ïïí., ÛáõÕ., 120x156 90

Lost Eden,

canvas, oil, 120x156

95 th Anniversary of the Armenian Genocide

ØÏñïÇã ä³åáÛ³Ý 1956

Papoyan Mkrtich

ºÕ»éÝ, 2001, Ïïí., ÛáõճݻñÏ, 85x95

Massacre, 2001, oil on canvas, 85x95 91

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

Ü»ñë»ë Ø»ÉÇùÛ³Ý 1957

Nerses Meliqyan

¶³ÕÃ³Ï³Ý ï³ïÇë, 2009, Ïïí., ÛáõճݻñÏ, 100x80 92

My migrant Grandmother, 2009, oil on canvas, 100x80

95 th Anniversary of the Armenian Genocide

¶³·ÇÏ ä³ñë³ÙÛ³Ý 1957

Parsamyan Gagik

Æ Ëáñáó ëñïÇ 1915-Ç ½áÑ»ñÇ ÑÇß³ï³ÏÇÝ, 2006, Ïïí., ÛáõճݻñÏ, 70x80

Dedicated to the memory of victims of 1915, 2006, oil on canvas, 70x80

93

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

¶¨áñ· Øß»óÇ-æ³íñáõßÛ³Ý 1958

Gevorg Mshetsi-Javrushyan

ø»É» ɳá, ù»É» ¿ñóÝù ÙÁñ ¾ñ·Çñ, 2004, »ñϳÃ, ù³ñ, 140x40x14 94

Qele, lao, qele, yertanq mer ergir, 2004,

stone, metal, 140x40x14

95 th Anniversary of the Armenian Genocide

üÇÉÇå г·á÷Û³Ý 1959

Philip Hagopian

ºÃ» ³í³½Á Ëáë»É Çٳݳñ..., 2010, Ïïí., ÛáõճݻñÏ, 50x80

If only sand could speak..., 2009, oil on canvas, 50x80 95

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

Ô³½³ñ (ȳ½³ñ) ØÇñ½áÛ³Ý 1961

Ghazar (Lazar) Mirzoyan

γñÙÇñ Ññ»ßÇ Ñ³ñÓ³ÏáõÙÁ ϳ٠²ñ¨Ç ˳í³ñáõÙÁ 1915-ÇÝ, 2009, Ïïí., ˳éÁ ï»ËÝÇϳ, 70x70

96

Attack of the monster or Eclipse of the Sun in 1915, 2009, canvas, mixed technics, 70x70

95 th Anniversary of the Armenian Genocide

Ðñ³Ýï ØÇñ½áÛ³Ý 1962

Hrant Mirzoyan

¶³ÕÃ, 2010, Ïïí., ÛáõճݻñÏ, 80x100

Migration, 2010, oil on canvas, 80x100 97

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

гñáõÃÛáõÝ Ð³ÏáµÛ³Ý 1962

Haroutyun Hakobian

Tensus, 2010, Ïïí., ÛáõճݻñÏ, 100x130 98

Tensus, 2010, oil on canvas, 100x130

95 th Anniversary of the Armenian Genocide

ÈÇÉÇà ²ëɳÝÛ³Ý 1965

Lilit Aslanyan

§Æ٠г۳ëï³Ý¦, êáõñµ ÉáõÛëáí, 2010, Ïïí., ÛáõճݻñÏ, 110x65

“My Armenia“, With the Holy Light, 2010, oil on canvas, 110x65 99

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

ÈÇÉÇà ²ëɳÝÛ³Ý Lilit Aslanyan

§Æ٠г۳ëï³Ý¦, ¶³ÕÃ, 2010, Ïïí., ÛáõճݻñÏ, 90x70 100

“My Armenia“, Migration, 2010, oil on canvas, 90x70

95 th Anniversary of the Armenian Genocide

²É»ù ²É»ùÛ³Ý 1966

Aleq Aleqyan

è»ùíÇ»Ù, 2010, Ïïí., ÛáõճݻñÏ,

90x100

Requiem,

2010, oil on canvas, 90x100

101

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

ì³Ñ» ÂáùÙ³çÛ³Ý 1966

Vahe Toqmajyan

ÀÙµáëïáõÃÛáõÝ, 2006, Ù³ñÙ³é, 25x20x15 102

Rebellion, 2006, marble, 25x20x15

95 th Anniversary of the Armenian Genocide

¶ñÇ·áñ ¶ñÇ·áñÛ³Ý 1968

Grigor Grigoryan

1915Ã. ½áÑ»ñÇ ÑÇß³ï³ÏÇÝ, 2009, ·Çåë,

To the Memory of the victims of 1915, 2009, gyps 103

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

¶ñÇ·áñ ¶ñÇ·áñÛ³Ý Grigor Grigoryan

ºñÏÝùÇó áõÕ³ñÏí³Í åë³Ï, 2008, ·Çåë, 104

Crown sent from the Heaven, 2008, gyps

95 th Anniversary of the Armenian Genocide

гÛÏ ÂáùÙ³çÛ³Ý 1971

Hayk Toqmajyan

ÎáñáõëÛ³É »ñÏÇñ, 2009, Ù³ñÙ³é, 30x45x15

Lost land, 2009, marble, 30x45x15 105

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

²ñßÇÉ ¶áñÏÇÇ ÑÇß³ï³ÏÇÙ, 2007, ÷³Ûï, Ù³ñÙ³é 106

To the memory of Arshile Gorky,

2007, wooden, marble

95 th Anniversary of the Armenian Genocide

îÇ·ñ³Ý ´³ñ˳ݳçÛ³Ý 1974

Tigran Barkhanajyan

öñÏí³ÍÝ»ñÁ, 2010, Ïïí. ÛáõճݻñÏ, 120x140

The Survived, 2010, oil on canvas, 120x140 107

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

²ñïáõñ Ø»ÉùáÝÛ³Ý 1978

Artur Melqonyn

ºÕ»éÝ, 2010, Ï»é³ÙÇϳ 108

Genocide,

2010, ceramics

95 th Anniversary of the Armenian Genocide

ºÔºèÜÆ ²Ü¸ð²¸²ðÒÀ Ð²Ú ÜβðâàôÂÚ²Ü Øºæ гϳٳñ¹Ï³ÛÇÝ á×ÇñÝ»ñÁ Ëáñ ³ñÓ³·³Ýù »Ý ·ïÝáõÙ µ³ñáõ, ·»Õ»óÇÏÇ ¹³í³Ý³Ýùáí ³åñáÕ Ù»Í ëï»Õͳ·áñÍáÕÝ»ñÇ Ñá·áõÙ: ìñÓÝÇ ÝÙ³Ý í³ñå»ïÝ»ñÇ ½·³óáõÙÝ»ñÁ ë»ñáõݹݻñÇÝ »Ý ѳëÝáõÙ áã ÙdzÛÝ Çµñ& µ³ñÓñ³ñí»ëï »ñÏ»ñ, ³ÛÉ& Ù³ñ¹ÏáõÃÛ³Ý ÏÛ³ÝùáõÙ Ùßï³å»ë ÑÝãáÕ ³Ñ³½³Ý·: ²Û¹åÇëÇÝ »Ý, ûñÇÝ³Ï ¾Å»Ý ¸»É³Ïñáõ³ÛÇ §Îáïáñ³ÍÁ øÇáë ÏÕ½áõÙ¦, üñ³ÝóÇëÏá ¶áÛ³ÛÇ §¶Ý¹³Ï³Ñ³ñáõÃÛáõÝÁ¦, ä³µÉá äÇϳëáÛÇ §¶»éÝÇϳݦ... ÜáõÛÝ Ý»ñßÝãáõÙáí »Ý Çñ³Ï³Ý³óí»É ݳ& ýñ³ÝëdzóÇ ¿ÙÇÉ ¶³ÉÉ»Ç, Çëå³Ý³óÇ Êáõ³Ý ¶ñÇÇ, Çï³É³óÇ ²Ýë»ÉÙáÛÇ, ÑáõÛÝ úÙÇñáëÇ & áõñÇßÝ»ñÇ ·áñÍ»ñÁ, áñáÝó ѳÛïÝí»ÉÝ ³éÝãí³Í ¿ úëÙ³ÝÛ³Ý Çß˳ÝáõÃÛáõÝÝ»ñÇ ÏáÕÙÇó Çñ³·áñÍí³Í áÕµ»ñ·áõÃÛ³Ý` Çñ ¹³ñ³íáñ µÝûññ³ÝÇó ÙÇ ³ÙµáÕç ÅáÕáíñ¹Ç ï»Õ³Ñ³ÝÙ³ÝÝ áõ áãÝã³óÙ³ÝÁ: гÛáó ó»Õ³ëå³ÝáõÃÛáõÝ... سñ¹Ï³ÛÇÝ µ³Ý³Ï³ÝáõÃÛ³ÝÁ ã»ÝóñÏíáÕ ³Ýѳí³ï³ÉÇ, ·³Õïݳϻñå ÇñáÕáõÃÛáõÝ, áñ Ý»ñϳ ûñ»ñáõÙ ³ÝÃÇí ÷³ëï³·ñ³Ï³Ý íϳÛáõÃÛáõÝÝ»ñáí, Ñáõß»ñáí, å³ïÙ³Ï³Ý áõëáõÙݳëÇñáõÃÛáõÝÝ»ñáí, å³Ñå³Ýí³Í Éáõë³ÝϳñÝ»ñáí ѳÛïÝÇ ¿ ³ß˳ñÑÇÝ: ²ÛÝ Ëáñ ³Ý¹ñ³¹³ñÓ ¿ ëï³ó»É ݳ& ºÕ»éÝÁ í»ñ³åñ³Í áõ Ñ»ï»Õ»éÝÛ³Ý ë»ñÝ¹Ç Ñ³Û ÝϳñÇãÝ»ñÇ ·áñÍ»ñáõÙ, ·áñÍ»ñ, áñáÝù ÑÇÙݳϳÝáõÙ ¹»é ³ÝͳÝáà »Ý ÙÇç³½·³ÛÇÝ Ñ³ÝñáõÃÛ³ÝÁ: Ü»ñϳ å³ïÏ»ñ³·ÇñùÁ, û& áã ëå³éÇã, ³é³çÇÝ ÷áñÓÝ ¿ ѳٳï»Õ Ý»ñϳ۳óÝ»Éáõ Ñ³Û ÝϳñÇãÝ»ñÇ ó»Õ³ëå³ÝáõÃÛ³ÝÁ ÝíÇñ³Í ·áñÍ»ñÁ: ²é³ç³µ³ÝáõÙ, ͳÝáóóÙ³Ý Ýå³ï³Ïáí ½»ï»Õí³Í »Ý ÷³ñÇ½Û³Ý Ã»ñûñÇÝ ·áñͳÏó³Í ýñ³ÝëÇ³Ï³Ý ÝϳñÇãÝ»ñÇ ÙÇ ß³ñù å³ïÏ»ñáõÙÝ»ñ: ųٳݳÏÇÝ ëå³Ý¹Ç Éáõë³ÝϳñÝ»ñ ëï³Ý³ÉÁ ºíñáå³ÛáõÙ ³ÝÑݳñ ¿ñ: î»Õ ¿ÇÝ Ñ³ëÝáõÙ ÙdzÛÝ óÝóáÕ Éáõñ»ñ: ÜÙ³Ý ï»Õ»ÏáõÃÛáõÝÝ»ñÇó Ý»ñ³½¹í³Í ³Ý·ÉdzóÇ Ù»Í ·ñáÕ æáÝ ¶áÉëáõáñ¹ÇÝ, ûñÇÝ³Ï 1915-Ç Çñ ݳٳÏÝ»ñÇó Ù»ÏáõÙ Ýᯐ ¿. §ØÇÝã& 1915-Ç ¹»Ïï»Ùµ»ñÁ ÂáïùdzÛáõÙ Ïáïáñ»É »Ý Ù»Ï ÙÇÉÇáÝ Ñ³Û...¦: üñ³ÝëÇ³Ï³Ý Ù³ÙáõÉáõÙ Ñá¹í³ÍÝ»ñáí áõ ·Í³ÝϳñÝ»ñáí ³ñÓ³·³ÝùíáÕ ëñï³×ÙÉÇÏ Éáõñ»ñÁ ×ßÙ³ñÇï Ù»ÏÝáõÃÛáõÝÝ»ñ ¿ÇÝ ëï³ÝáõÙ & ѳë³ñ³ÏáõÃÛ³ÝÁ §Ï³ÙñçáõÙ¦ 20-ñ¹ ¹³ñáõÙ ³é³çÇÝ ³Ý·³Ù Çñ³·áñÍíáÕ ó»Õ³ëå³ÝáõÃÛ³ÝÁ: ÐÇß»Ýù, áñ ³Û¹ ßñç³ÝáõÙ ÉáõÛë ï»ë³Í µ³½áõÙ Ñá¹í³ÍÝ»ñÇ áõ Ýϳñã³Ï³Ý ³ß˳ï³ÝùÝ»ñÇ ëïí³ñ ÙÇ Ñ³í³ù³Íáõ, 2007-ÇÝ óáõó³¹ñí»ó ö³ñÇ½Ç §ØáÝÙ³ñïñ¦ óݷ³ñ³ÝáõÙ, §Ð³Û³ëï³ÝÇ ï³ñÇÝ üñ³ÝëdzÛáõÙ¦ Ùß³ÏáõóÛÇÝ ÙÇçáó³éáõÙÝ»ñÇ Íñ³·ñáí:

1894-1896 ÜβðÆâܺðÆ ²äðàÔ êºðÜ¸Æ ²ðÒ²¶²ÜøÀ ò³íÇ áõ ó³ëÙ³Ý ³é³çÇÝ Ó³ÛÝÁ ÑÝã»óñ»É »Ý Ñéã³Ï³íáñ Íáí³ÝϳñÇã ÐáíѳÝÝ»ë (Æí³Ý) ²Ûí³½áíëÏÇÝ & ѳÛÏ³Ï³Ý å³ïÙ³Ï³Ý ÝϳñãáõÃÛ³Ý ÑÇÙݳ¹Çñ ì³ñ¹·»ë êáõñ»ÝÛ³ÝóÁ: 1894-96 Ãí³Ï³ÝÝ»ñÇÝ ²ñ&ÙïÛ³Ý Ð³Û³ëï³ÝÇ ï³ñµ»ñ ßñç³ÝÝ»ñáõÙ Çñ³·áñÍí³Í Ù³ëë³Û³Ï³Ý Ïáïáñ³ÍÝ»ñÇÝ ½áÑ ¹³ñÓ³í ßáõñç 300 ѳ½³ñ ѳÛ: Ðáõݳëï³ÝÇ, ´áõÉÕ³ñdzÛÇ, ´³ÉϳÝÛ³Ý »ñÏñÝ»ñÇ ³½³ï³·ñáõÙÇó Ñ»ïá, Ù³Ûñ »ñÏñÇ ÷ñÏáõÃÛáõÝÁ ï»Ýã³óáÕ ²Ûí³½áíëÏáõ ëÇñïÁ óÝóíáõÙ, ³É»ÏáÍíáõÙ ¿: Æñ ·Í³ÝϳñÝ»ñáí ݳ Ù³ëݳÏóáõÙ ¿ èáõë³ëï³ÝÇ Ñ³Ý¹»å áÕç ѳÛáõÃÛ³Ý ë»ñÝ áõ ÝíÇñí³ÍáõÃÛáõÝÁ ³Ù÷á÷áÕ §ºÕµ³Ûñ³Ï³Ý û·ÝáõÃÛáõÝ ÂáõñùdzÛáõÙ ïáõÅ³Í Ñ³Û»ñÇݦ ѳïáñÇ Ññ³ï³ñ³ÏÙ³ÝÁ: ²å³ ëï»ÕÍáõÙ ¿ §îñ³åǽáÝÇ Ïáïáñ³ÍÁ¦, §Ð³Û»ñÇÝ Ï»Ý¹³ÝÇ Ý»ïáõÙ »Ý ÍáíÁ¦, §àÕµ»ñ·áõÃÛáõÝ Ø³ñÙ³ñ³ ÍáíáõÙ¦, ݳ& §ÐáõÛÝ ³åëï³ÙµÝ»ñÇ ³ÛñáõÙÁ¦ Ïï³íÝ»ñÁ, áñáÝù ǵñ& µáÕáùÇ ³ñï³Ñ³ÛïáõÃÛáõÝ óáõó³¹ñáõÙ ¿ ú¹»ë³ÛáõÙ, ʳñÏáíáõÙ, ØáëÏí³ÛáõÙ, Ñáõë³Éáí Çñ Ñ᷻ѳ-

109

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

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95 th Anniversary of the Armenian Genocide

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112

95 th Anniversary of the Armenian Genocide

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гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

Ùáñ ¹»ÙùÇ ýáÝÁ ɳÛݳó»É áõ ÑáÕ»Õ»Ý Ùáõà ëñ׳·áõÛÝ ÉáõÍٳٵ ëï³ó»É ¿ ·»ñ»½Ù³Ý³÷áëÇ ÑÝãáÕáõÃÛáõÝ: ÆëÏ Ó»éù»ñÁ Ýٳݻóñ»É ¿ Ù³Ûñ³Ï³Ý Ñá·³ÍáõÃÛáõÝ ÑáõßáÕ ËÙáñ³·Ý¹»ñÇ, áñáÝù Ý»ñ¹³ßݳÏí³Í »Ý ßñç³Ï³ ·áõݳÛÇÝ Ýñµ³·»Õ ï³ñ³ÍùÇÝ: ²Ûë å³ïÏ»ñÝ ÇÝã-áñ ã³÷áí ÑÇß»óÝáõÙ ¿ §êÇëïÇÝÛ³Ý ²ëïí³Í³ÙáñÁ¦: è³ý³Û»ÉÇ ïÇñ³Ù³ÛñÁª ³ãù»ñáõ٠ﳷݳå, ·³Ý·»ñÇ ýáÝÇ ³éç&, ³ß˳ñÑÇÝ ¿ ÁÝͳ µ»ñáõÙ áñ¹áõÝ: ÆëÏ ¶áñÏÇ-áñ¹ÇÝ ³ß˳ñÑÇÝ ¿ Ý»ñϳ۳óÝáõÙ ÏáñáõëÛ³É ÙáñÁª áñå»ë Ïáñëí³Í ѳÛñ»ÝÇùÇ áõ Ýñ³ ·»Õ»óÏáõÃÛ³Ý ËáñÑñ¹³ÝÇß: ºÕ»éÝÇó ÷ñÏí³Í Ñ³Û µ»ÏáñÇ Ñáõß»ñÁ Ëï³óÝáÕ ³Ûë §ÇÝùݳϻÝë³·ñ³Ï³ÝÁ¦ Ùßï³å»ë óáõó³¹ñíáõÙ ¿ ÜÛáõ ÚáñùÇ àõÇÃÝÇ Ã³Ý·³ñ³ÝáõÙ: ÜϳñãÇ ²í»ÉÇ áõß ëï»ÕÍ³Í §ÆÝãå»ë Ùáñë ³ë»Õݳ·áñÍ ·á·ÝáóÁ µ³óíáõÙ ¿ ÇÙ ÏÛ³ÝùáõÙ¦ å³ïÏ»ñÁ ·Í»ñÇ áõ ·áõÛÝ»ñÇ ÷áÃáñÇÏ ¿, ÑáÕÇ ³ë»ë Ë»Õí³Í, ³Ûɳݹ³Ïí³Í ÙÇ Ù³Ï»ñ»ëª ½áõ·áñ¹í³Í ϳñÙÇñ, ³ñÛáõݳÍáñ µÍ»ñáí: γñÙÇñÁ áÕµ»ñ·³Ï³Ý ÇÙ³ëïáí ¿ ÑÝãáõ٠ݳ& §Ñá·»í³ñù¦ ÝϳñáõÙ... ÎÛ³ÝùÇ í»ñçÇÝ ï³ëݳÙÛ³ÏÇÝ ëï»ÕÍ³Í ÝÙ³Ý §²Û·Ç êáãÇáõÙ¦ (ݳ˳å»ë ³Ýí³Ýí»É ¿ §²Û·Ç Êáñ·áÙáõÙ¦), §Ì³ÕϳÝó çñ³Õ³óÇ çñ»ñÁ¦, §²ñáñÁ & »ñ·Á¦ & ³ÛÉ ·áñÍ»ñáí ¶áñÏÇÝ Ñ³Ù³ß˳ñѳÛÇÝ ³ÝáõÝ Ýí³×»ó, ǵñ& í»ñ³ó³Ï³Ý ¿ùëåñ»ëÇáÝǽÙÇ ëϽµÝ³íáñáÕ:

кîºÔºèÜÚ²Ü ²è²æÆÜ êºðàôܸ ºÕ»éÝÁ í»ñ³åñ³Í ³ñí»ëï³·»ïÝ»ñÇ ½·³óáõÙÝ»ñÁ, ÇÝãå»ë & É»½í³á×Ç ÇÝùÝáõÃÛ³Ý Ñ³ëÝ»Éáõ Ó·ïáõÙÝ»ñÁ ÝáõÛݳµÝáõÛà ߳ñáõݳÏáõÃÛáõÝ ëï³ó³Ý ѳçáñ¹ ë»ñÝ¹Ç ·áñÍ»ñáõÙ: ØÇÝã& 1930-³Ï³ÝÝ»ñÁ ÍÝí³Í ³ñí»ëï³·»ïÝ»ñÇ Ý»ñ³ß˳ñÑÁ (ÙdzÛÝ ³Û¹ ï³ñÇùÇ ÝϳñÇãÝ»ñÇ ·áñÍ»ñÝ »Ý Áݹ·ñÏí³Í Ý»ñϳ µ³ÅÝáõÙ) ³ÝÙÇç³Ï³Ýáñ»Ý ³Õ»ñëíáõÙ ¿ ó»Õ³ëå³ÝáõÃÛáõÝÇó Ù³½³åáõñÍ, ùñÇëïáÝ»³Ï³Ý ѳí³ïáí ·áÛ³ï&áÕ Çñ»Ýó ÍÝáÕÝ»ñÇÝ: ²Û¹ ѳí³ïÝ ¿É ËÃ³Ý»É ¿ Ýñ³Ýó ëï»Õͳ·áñÍáõÃÛáõÝÝ»ñáõÙ ïñá÷áÕ ëÇñá, ÑáõÛëÇ, ³ß˳ï³ÝíÇñáõÙÇ áõ µ³ñáõÃÛ³Ý ½·³óáõÙÝ»ñÁ: Þ³ñáõݳÏÙ³Ý µÝ³½¹Á, ·áÛ³ï&»Éáõ ϳÙùÁ ϳÝËáñáß»óÇÝ ë÷Ûáõéù³Ñ³Û ³ñí»ëï³·»ïÝ»ñ ijÝë»ÙÇ (ÐáíѳÝÝ»ë ê»Ù»ñçÛ³Ý), ö³÷³½Ç (гÏáµ ö³÷³½Û³Ý), èÇß³ñ (ʳã³ïáõñ) Ä»ñ³ÝÛ³ÝÇ, ²ñï³í³½¹ ´»ñµ»ñÛ³ÝÇ, Þ³ñÃÇ (ê³ñ·Çë гñáõÃÛáõÝÛ³Ý), ØáñÇë î»ñ-سñ·³ñÛ³ÝÇ, üñ³Ýëdz, ²ñÃáõñ (гñáõÃÛáõÝ) ê³Ñ³ÏÛ³ÝÇ, ²ØÜ, öáÉ ÎÇñ³ÏáëÛ³ÝÇ, ¶ñÇ·áñ ÜáñÇÏÛ³ÝǪ Èǵ³Ý³Ý, سñÏ ¶ñÇ·áñÛ³ÝÇ` Æñ³Ý-²ØÜ-г۳ëï³Ý, гÏᵠгÏáµÛ³ÝǪ º·Çåïáë-г۳ëï³Ý, & áõñÇßÝ»ñÇ ëï»Õͳ·áñÍ³Ï³Ý áõÕÇÝ: Êáñ ³Ýѳï³Ï³ÝáõÃÛ³Ùµ ¿ ³ãùÇ ÁÝÏÝáõÙ üñ³ÝëdzÛáõ٠ɳÛÝáñ»Ý ׳ݳãí³Í (Ö³åáÝdzÛáõÙ ÑÇÙÝí»É ¿ Ýñ³ ³ÝáõÝÁ ÏñáÕ Ã³Ý·³ñ³Ý), ijÝë»ÙÇ ³ñí»ëïÁ: êï»Õͳ·áñÍ³Ï³Ý í»ó ï³ëݳÙÛ³ÏÇ ÁÝóóùáõÙ ÑÇÝ· ѳ½³ñÇó ³í»ÉÇ ³ß˳ï³Ýù ëï»ÕÍ³Í ÝϳñãÇ íñ³ ³ÝóÝáÕ Å³Ù³Ý³ÏÁ ϳñÍ»ë ³½¹»óáõÃÛáõÝ ãÇ ·áñÍ»É: ܳ å³ïÏ»ñ»É áõ ß³ñáõݳÏáõÙ ¿ å³ïÏ»ñ»É å³ñ½, Çñ»Ýó ³ß˳ï³Ýù³ÛÇÝ ³éûñÛ³ÛÇó ³Ýµ³Å³Ý, Ùï³Ù÷á÷ Ù³ñ¹Ï³Ýó ÏÛ³ÝùÁ: ijÝë»ÙÇ ½·³ÛáõÝ ·ÇÍÁ ³ñÛáõݳï³ñ ³ÝáÃÝ»ñÇ ÝÙ³Ý ÑáëáõÙ ¿ Ïï³íÝ»ñáõÙ & Ý»ñ¹³ßݳÏí»Éáí Ù»ÕÙ, ¹³ÉáõÏ ·áõݳÝϳñÇݪ ëï»ÕÍáõÙ ¿ í»ñÇñ³Ï³Ý, ï»ëɳÛÇÝ, »ñ³Åßï³Ï³Ý ÙÃÝáÉáñï: ä³ïÏ»ñ ϳéáõó»Éáõ ³Ûë ëϽµáõÝùÝ ¿ ¹³í³Ýáõ٠ijÝë»ÙÁ: Ø»Í ºÕ»éÝÇ ³É»µ³ËáõÙáí ßÝãáÕ §Ð³Û Í»ñáõÝáõ Ù³ÑÁ¦ (1951) ÝϳñÇó áõÕÇÕ ÑÇëáõÝ ï³ñÇ ³Ýó, Ýáñ ¹³ñ³ëϽµÇÝ í³ñå»ïÝ ëï»ÕÍáõÙ ¿ §ò»Õ³ëå³ÝáõÃÛáõݦ å³ïÏ»ñ³ß³ñÁ, áõñ å³ïÙ³Ï³Ý ×ßÙ³ñïáõÃÛ³Ý í³ñ³·áõÛñÁ µ³ó»É ¿ ÙÇÝã& í»ñç: âáñë ï³ëÝÛ³ÏÇ Ñ³ëÝáÕ ÝϳñÝ»ñÇ ³Ûë ß³ñùÁ ijÝë»ÙÁ óáõó³¹ñ»É ¿ ö³ñǽáõÙ, ³å³ ÝíÇñ³µ»ñ»É гÛáó ó»Õ³ëå³ÝáõÃÛ³Ý »ñ&³ÝÛ³Ý Ã³Ý·³ñ³ÝÇÝ: ºÕ»éÝÁ áñå»ë å³ïÏ»ñÙ³Ý ÝÛáõà ÁÝïñ»Éáõ ³½¹³ÏÝ, ³Ýßáõßï, Ýñ³ ³ñí»ëïÇ Ï³ÝãÝ ¿, áñ ·³ÉÇë ¿ ï³Ï³íÇÝ 1915-Çó: ¸»ñ-¼áñ ³Ý³å³ïáõÙ, ·Çß»ñáí, »ñµ ï»Õ³µÝ³Ï ³ñ³µÝ»ñÇó Ù»ÏÁ ÷áñÓáõÙ ¿ ÙÇ Ñ³Û ÁÝï³ÝÇù ÷ñÏ»É, ٳѳٻñÓ ÙÇ ÏÇÝ ³Õ³ãáõÙ ¿ ï³Ý»É-³½³ï»É áÕç Ùݳó³Í Çñ ÙÇÝáõ׳ñ ³ÕçϳÝ: ²Û¹ ³ÕçݳÏÁ »Õ»É ¿ ÝϳñãÇ Ù³ÛñÁ... üñ³ÝëdzóÇ ï»ë³µ³Ý ø.´É³ÝÁ ijÝë»ÙÇ Ù³ëÇÝ ·ñ»É ¿. §ÎáñáõëÛ³É Ñá·ÇÝ»114

95 th Anniversary of the Armenian Genocide

ñÁ Çñ»Ýó ³å³ëï³ÝÝ »Ý ·ï»É µ³Ý³ëï»ÕÍ-ÝϳñãÇ Ùáï: ܳ Ïï³íÇÝ ¿ ѳÝÓÝ»É ³ÛÝ, ÇÝãÁ ³ß˳ñÑÁ ãϳñáÕ³ó³í ï»ëÝ»É: ijÝë»ÙÇ ÝϳñÝ»ñÁ áÕç Ñ³Û ÅáÕáíñ¹Ç ÑÇßáÕáõÃÛáõÝÝ »Ý¦: ...²Ý³å³ïÇ ³í³½Ç íñ³ Ïù»É áõ ¹áÕ¹áçáõÝ Ó»éù»ñáí Ýáñ³ÍÇÉ µáõÛëÝ ¿ å³ßïå³ÝáõÙ Ù³ñ¹Á: Ðáõ¯Ûë, ³åñ»Éáõ¯ ÑáõÛë... سÝÏáõó ÑáñÁ Ïáñóñ³Í, ͳÝñ å³ï³Ý»ÏáõÃÛáõÝ ³åñ³Í гÏᵠгÏáµÛ³ÝÇ ½·³óáõÙÝ»ñÁ ÑÇÙÝáõÕÇ Ï³Ý˳·Í»óÇÝ áõ ÙÕ»óÇÝ ëï»ÕÍ»Éáõ ÏÛ³ÝùÇ ÑáñÓ³ÝáõïÁ Ý»ïí³Í Ãßí³é, ï³é³åáÕ, ׳ϳﳷñÇ ¹»Ù ³Ý½áñ Ù³ñ¹Ï³Ýó Ï»ñå³ñÝ»ñ: ²Ûë ÝϳñãÇ Ïï³íÝ»ñÇ ÇÝùÝûñÇÝ³Ï ·áõݳ·Í³ÛÇÝ Ï³éáõóí³ÍùÇ Ù»ç ³ë»ë ù³Ý¹³Ïí³Í ¿ ÉéáõÃÛáõÝÁ, áñÁ û ë»÷³Ï³Ý & û Çñ ë»ñݹ³ÏÇóÝ»ñÇ Ý»ñ³ß˳ñÑÁ ÑÛáõÍáÕ »Õ»éÝÇ ³ñÓ³·³ÝùÝ ¿, ³ÝѳÛñ»ÝÇù Ù³ñ¹áõ íßïÇ »ñ·Á: ø³é³ëáõÝ ï³ñ»Ï³Ý ѳë³ÏáõÙ, ³ñ¹»Ý áñå»ë Ó&³íáñí³Í ³Ýѳï³Ï³ÝáõÃÛáõÝ ·³Éáí ѳÛñ»ÝÇù` ÝϳñÇãÁ µ³ËíáõÙ ¿ ëï»Õͳ·áñÍ³Ï³Ý ³ÛÉ ÙÃÝáÉáñïÇ` áã ÇÝùݳ½³ï Çñ³íÇ׳ÏÇ Ñ»ï: гÏáµÛ³ÝÁ ϳåíáõÙ ¿ ѳÛñ»ÝÇ ÑáÕÇÝ & Çñ ³ñí»ëïÇ Ýáñ ųÝñáõÙ` µÝ³ÝϳñáõÙ, ³Ýë³ÑÙ³Ý ëÇñá Ñ»ï, Çñ³å³ßï ÝϳñÇãÁ ³ñÓ³·³ÝùáõÙ ¿ ïÇñáÕ ÙÃÝáÉáñïÇÝ` Çñ ·áõݳß˳ñÑÇÝ ï³Éáí »ÝóÇÙ³ëï³ÛÇÝ, Ëáѳ÷ÇÉÇëá÷³Û³Ï³Ý Ýϳñ³·Çñ: гÏáµÛ³ÝÇ ëï»Õͳ·áñÍáõÃÛáõÝÁ Ýáñ Ó&ÁÙµéÝáõÙÝ»ñ Ù³ïáõó»ó & ëáí»ï³Ï³Ý Ï»ñå³ñí»ëïáõ٠׳ݳãí»ó ǵñ& Ëëï³ßáõÝã á×Ç ³é³çÝ»ÏÝ»ñÇó Ù»ÏÁ: ²í»ÉÇ áõß, Ùï³Í»É³Ï»ñåÇ ³½³ï Çñ³Ï³Ý³óÙ³Ý ßñç³ÝáõÙ, ݳ ²ñ&Ùï³Ñ³Û³ëï³ÝÇ Éùí³Í ï³ñ³ÍùÁ å³ïÏ»ñ»ó áñå»ë ϳɳÝí³Í ³ß˳ñÑ, áñÝ Çñ ³ãù»ñÇÝ Ñ³ÛïÝíáõÙ ¿ ǵñ& ³í»ñí³Í ï³×³ñÇ ßáõñç ë÷éí³Í ·³Ý·»ñÇ Íáí... гÛñ»ÝÇùáõÙ ³åñáÕ ³ñí»ëï³·»ïÝ»ñÇ Ñá·áõÙ ºÕ»éÝÇ ½³ñÏ»ñ³ÏÁ ÙÇ ÷áùñ ³í»ÉÇ áõß ëÏë»ó ïñá÷»É: ä³ï׳éÁ ѻճ÷áË³Ï³Ý ßñç³ÝáõÙ µáÉß&ǽÙÇ Ñ³Ù³Ó³ÛÝáõÃÛáõÝÝ ¿ñ ÂáõñùdzÛÇ Ñ»ï, áñÁ Éé»óñ»ó »Õ»éÝÇ Ù³Ñ»ñ·Á êáí»ï³Ï³Ý г۳ëï³ÝÇ ÅáÕáíñ¹Ç ëñïáõÙ: 1965-ÇÝ, ËñáõßãáíÛ³Ý §ÓÝѳÉǦ ï³ñÇÝ»ñÇÝ, ë³Ï³ÛÝ, ѳÛáó ó»Õ³ëå³ÝáõÃÛ³Ý ÑÇëݳÙÛ³ÏÁ Ù³Ûñ ÑáÕáõÙ Ý߳ݳíáñí»ó Ññ³ßù Çñ³¹³ñÓáõÃÛ³Ùµª ѳٳѳÛÏ³Ï³Ý Ñáõß³ÏáÃáÕÇ ÑÇÙݳ¹ñáõÙáí: ÐÇëáõÝ ï³ñí³ ³Ýçñå»ïÁ, µ»éÉÇÝÛ³Ý å³ïÇ ÝÙ³Ý í»ñ³ó³í: г۳ëï³ÝÁ Ñá·»å»ë Ùdzó³í ê÷ÛáõéùÇÝ: سÛñ³ù³Õ³ù ºñ&³ÝáõÙ, ÌÇÍ»éݳϳµ»ñ¹Ç ï³ñ³Íùáõ٠ѳéÝáÕ ÏáÃáÕÁ ¹³ñÓ³í áÕç ѳÛáõÃÛ³Ý áÕµÇ áõ í»ñ³ÍÝÙ³Ý ³ÝÉé»ÉÇ Ó³Ý·³Ï³ïáõÝ: ²åñÇÉÇ 24-ÇÝ, 1915-Ç »Õ»éÝÛ³Ý ³Ù»Ý³ÙÛ³ ï³ñ»¹³ñÓÇ ûñÁ, ³Û¹ ½³Ý·³Ï³ïáõÝÁ §ÕáÕ³ÝçáõÙ¦ ¿ ѳñÛáõñ ѳ½³ñ³íáñ Ù³ñ¹Ï³Ýó ëñï»ñáõÙ... гÛñ»ÝÇ ³ñí»ëï³·»ïÝ»ñÇ á·&áñáõÃÛ³Ý ³é³çÇÝ åáéÃÏáõÙÁ »Õ³í ÎáÙÇï³ëÇ ÍÝÝ¹Û³Ý 100-³ÙÛ³ÏÇÝ ÝíÇñí³Í Ù»Í óáõó³Ñ³Ý¹»ëÁ 1969-ÇÝ: Þñç³¹³ñÓ³ÛÇÝ ³Û¹ »ñ&áõÛÃÁ Ý߳ݳíáñí»ó óùÝí³Í ½·³óáõÙÝ»ñÇ ³ñÃݳóٳٵ áõ ѳëï³ï»ó ³í³Ý¹³ßáõÝã ÙÇ ËáñÑáõñ¹. §Ø³ñ¹Á »ñÏÇñ ¿. »ñÏÇñÁª Ù³ñ¹¦: ²Û¹ ËáñÑáõñ¹Ý ¿ Ùßï³ï& ³é³çÝáñ¹»É Ù³Ûñ ÅáÕáíñ¹Ç Ñá·&áñ áõÅÇ ¹ñë&áñáõÙÝ áõ ·á۳ϻñåÇ í»ñ³Ë³ñëËáõÙÁ: ä³ïÙ³Ï³Ý ×ßÙ³ñïáõÃÛáõÝÁ ѳëï³ïáÕ, ³Ûɳ½³Ý µáí³Ý¹³ÏáõÃÛ³Ùµ ÁݹɳÛÝÙ³Ý ËݹÇñÝ»ñÝ »Ý Ñ»ï³åݹáõ٠гÛñ»Ý³Ï³Ý å³ï»ñ³½ÙÇÝ Ù³ëݳÏó³Í áõ ѳÕóݳÏáí á·»ßÝãí³Í êÇÙáÝ ¶³ÉëïÛ³ÝÇ, ¾¹í³ñ¹ Æë³µ»ÏÛ³ÝÇ, ØÏñïÇã 껹ñ³ÏÛ³ÝÇ, гÏáµ ²Ý³ÝÇÏÛ³ÝÇ, êáõñ»Ý ê³ý³ñÛ³ÝÇ, ¶ñÇ·áñ ²Õ³ëÛ³ÝÇ, ÇÝãå»ë & 1920-³Ï³ÝÝ»ñÇ ÍÝáõݹ îÇ·ñ³Ý ÂáùÙ³çÛ³ÝÇ, лÝñÇÏ êÇñ³íÛ³ÝÇ, ²É»ùë³Ý¹ñ ¶ñÇ·áñÛ³ÝÇ, èáõµ»Ý ²¹³ÉÛ³ÝÇ, ¾¹áõ³ñ¹ ²ñÍñáõÝÛ³ÝÇ, гÏáµ êáõùdzëÛ³ÝÇ, ²ßáï ÐáíѳÝÝÇëÛ³ÝÇ, è³ý³Û»É ²ÃáÛ³ÝÇ, ÏÇÝáÝϳñÇã ì³É»ÝïÇÝ äá¹åáÙá·áíÇ (î»ñ-²ëïí³Í³ïñÛ³Ý), ݳ& ÇÝùÝáõñáõÛÝ áõÅ»ñáí í³ñå»ï³ó³Í, ïáõý ù³ñÇ »ñ³Ý·³ß³ï ٳϻñ»ëÝ Çñ ·áõݳɻ½íÇ ÑÇÙù ÁݹáõÝ³Í ø³ç³½Ç & ³ÛÉ ÝϳñÇãÝ»ñÇ ·áñÍ»ñÁ: ê³ñ·Çë Øáõñ³¹Û³ÝÇ §ÎáÙÇï³ë. ì»ñçÇÝ ·Çß»ñÁ¦ ѳÝñ³Ñ³Ûï Ïï³íáõ٠ϳñÙÇñáí áÕáÕáõÝ ÙÃÝáÉáñïÁ ÑÝãáõÙ ¿ ǵñ& ³ñÛáõÝ³Ñ»Õ á×ñÇ ³Ñ³½³Ý·: ä³ñáõÛñ ê&³ÏÇ §²ÝÉé»ÉÇ ½³Ý·³Ï³ïáõݦ åá»ÙÇ Ýϳñ³½³ñ¹áõÙÝ»ñÇ Ù»ç ¶ñÇ·áñ ʳÝçÛ³ÝÁ ÎáÙÇï³ëÇݪ »ñ³ÅÇßï-ѳÝ׳ñÇÝ ÙÇßï å³ïÏ»ñ»É ¿ ÅáÕáíñ¹Ç Ñ»ï, ǵñ& Ýñ³ »ñ·áí ˳ݹ³í³é ÑáíÇí: ´³Ûó ³Ñ³ íñ³ ¿ ѳëÝáõ٠ѳ۳ÏáñÍ³Ý 115

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

ݳË×ÇñÁ & Ù³ñáõÙ ¿ ÉáõÛëÁ, ÇßËáõ٠˳í³ñÁ... èáõµ»Ý ²¹³ÉÛ³ÝÇ ³ñï³Ñ³Ûïã³Ó&»ñáí µ³½Ù³µÝáõÛà ·»Õ³Ýϳñã³Ï³Ý ·áñÍ»ñÇ ³Ù»Ý³µÝáñáß ·ÇÍÁª ëáõñ, Ý»ñ³½¹»óÇÏ ·Í³ÝϳñÁ, óÝóáÕ áõÅáí ¿ ÑÝãáõÙ ºÕ»éÝÇÝ ÝíÇñí³Í Ýñ³ §ØÕÓ³í³Ýç¦ & §Ø³Ñí³Ý ÑáñÓ³Ýáõï¦ ³ß˳ï³ÝùÝ»ñáõÙ: Æñ ³ñï³ëáíáñ ·áõݳß˳ñÑáí Ñ³Û ³ñ¹Ç ³ñí»ëïáõÙ áñå»ë í³é ³Ýѳï³Ï³ÝáõÃÛáõÝ ÷³ÛÉ»ó ØÇÝ³ë ²í»ïÇëÛ³ÝÁ: ²ë»ë ѳí³ï³ñÇÙ Çñ ³½·³Ýí³ÝÁ, áñ Ý߳ݳÏáõÙ ¿ µ³ñÇ Éáõñ, ØÇݳëÁ ϳñáÕ³ó³í Ù³ùáõñ, ѳñà ·áõÛÝÇÝ Ñ³Õáñ¹»É ½·³óÙáõÝù³ÛÇÝ ¹ñ³Ù³ïÇÏ, ÙÇÝã& ÇëÏ áÕµ»ñ·³Ï³Ý ÑÝãáÕáõÃÛáõÝ: ¸³ á׳ɻ½í³ÛÇÝ Ñ³ÛïÝáõÃÛáõÝ ¿ñ áã ÙdzÛÝ ³½·³ÛÇÝ, ³ÛÉ& ÙÇç³½·³ÛÇÝ ³éáõÙáí: Øß»óÇ Ý³ËÝÇÝ»ñÇó ųé³Ý·³Í Ýñ³ Ñá·»Ï³Ý ³åñáõÙÝ»ñÁ µéÝÏáõÙ ëï³ó³Ý ѳïϳå»ë ѳÛñ»ÝÇ µÝáõÃÛ³Ý Çñ Ý»ñùݳï»ë ÁÝϳÉáõÙÝ»ñáõÙ: 1968-ÇÝ, ³é³çÇÝ ³Ý·³Ù ͳÝáóݳÉáí ²ñßÇÉ ¶áñÏáõ ³ñí»ëïÇÝ, ²í»ïÇëÛ³ÝÁ áñå»ë Ù»Í ÝϳñãÇ å³ï³Ý»Ï³Ý ÏÛ³ÝùÇ Ï³Ë³ñ¹³Ï³Ý Ñáõß Ï»ñïáõÙ ¿ §²ÕóٳñÇ å³ï»ñÇ ï³Ï¦ Ñáõ½³ÃñÃÇé å³ïÏ»ñÁ: ÆëÏ »Õ»éÝÁ í»ñ³åñ³Í ßÇݳñ³ñ ¶&áñ·Çó ϻݹ³ÝÇ Ñáõß»ñ ųé³Ý·»Éáíª ØÇݳë-ÝϳñÇãÁ Ý³Ë íñÓÝáõÙ ¿ §¸»åÇ ¸»ñ-¼áñ¦ (³Û¹ ·áñÍÁ ÝϳñãÇ ³ñí»ëï³ÝáóÇ Ññ¹»ÑÇÝ ½áÑ ¹³ñÓ³í) Ïï³íÁ, áõñ ÙÇ å³Ñ ¹³¹³ñ ³é³Í ·³ÕÃ³Ï³Ý Ï³Ý³Ýó Ù³ñÙÇÝÝ»ñÁ ųÛé³ÝÙ³Ý å³ïÏ»ñ»Éáíª ß»ßïáõÙ ¿ Ýñ³Ýó Ñá·áõ áõÅÁ: ²Û¹ ·áñÍ»ñÇ ß³ñáõݳÏáõÃÛáõÝ ¿ ¹³éÝáõÙ Ùï³ÑÕ³óٳٵ »½³ÏÇ, ·³Õ³÷³ñáí ÁݹѳÝñ³óí³Í, ù³ñ³Ó&»ñÇÝ ÓáõÉí³Í Ñ³Û ßÇݳñ³ñ í³ñå»ïÇ ¹ÇÙ³ÝϳñÁ: ²Ûëå»ë, Ø»Í »Õ»éÝÇ ó³í³·ÇÝ ³åñáõÙÝ»ñÁ, ßÝáñÑÇí ³½·³ÛÇÝ ÇÝùÝáõÃÛ³Ý å³Ñå³ÝÙ³Ý ³ÝÙ»é ѳí³ïÇ, ÇÙ³ëï³ÛÇÝ Ëáñ, Ùï³ÑáñǽáÝ Éáõë³íáñáÕ Ï»ñå³íáñáõÙ »Ý ëï³ÝáõÙ... *** ºñµ µáÉáñ»ó Ø»Í »Õ»éÝÇ 80-³ÙÛ³ÏÁ, ³Ýϳ˳ó³Í г۳ëï³ÝáõÙ, ѳٳ½·³ÛÇÝ Ñáõß³ÏáÃáÕÇÝ ÏÇó µ³óí»ó ò»Õ³ëå³ÝáõÃÛ³Ý Ã³Ý·³ñ³Ý & ·Çï³Ñ»ï³½áï³Ï³Ý ÇÝëïÇïáõï: ²ÛÝ ¹³ñÓ³í ·ñáÕÝ»ñÇ, å³ïÙ³·»ïÝ»ñÇ, »ñ³ÅÇßïÝ»ñÇ Ý³& Ï»ñå³ñí»ëïÇ í³ñå»ïÝ»ñÇ ½·³óáõÙÝ»ñÁ ç»ñÙ å³ÑáÕ ûç³Ë... à·ÇÝ Ã& ¿ ³éÝáõÙ, »ñµ á·áõ áõÅÁ å³ÑíáõÙ ¿ ³ÝÙ³ñ:

Þ³Ñ»Ý Ê³ã³ïñÛ³Ý ÐÐ ²ñí»ëïÇ í³ëï³Ï³íáñ ·áñÍÇã §ºÕ»éÝÇ ³Ý¹ñ³¹³ñÓÁ Ñ³Û ÝϳñãáõÃÛ³Ý Ù»ç¦ å³ïÏ»ñ³·ñùÇ ³é³ç³µ³Ý

116

95 th Anniversary of the Armenian Genocide

THE REFLECTION OF THE ARMENIAN GENOCIDE IN ARMENIAN PAINTING Perfidious inhumane crimes find a deep echo in the souls of great creative artists who live for the sake of the good and beautiful. The feelings of such masters of the brush reach successive generations not only as highly artistic works but also as a permanently sounding alarm in the life of mankind. Such works include Eugene Delacroix's "Massacre at Chios," Francisco Goya's "Execution"and Pablo Picasso's "Guernica."

The works of the Frenchman Emile Galle, the Spaniard Juan Gris, the Italian Anselmo, the Greek Omiros and others have been accomplished with the same inspiration. Their emergence is related to the tragedy committed by the Ottoman Turkish authorities - the deportation and annihilation of an entire nation from its centuries-old homeland.

The Armenian Genocide - an unbelievable fact, which defies human logic - has already found recognition throughout the world by means of countless documentary accounts, historical studies, novels and photographs. It has also received deep reflection in the works of Armenian artists who survived the Genocide and those of the postGenocide generation - works with which, incidentally, the international public is still unfamiliar.

This album is the first attempt, albeit not exhaustive, to present together the works of Armenian artists devoted to the Genocide. A series of depictions by French painters who were contributors to Parisian newspapers are included in the preface for the purpose of acquaintance. Of course, it was impossible to receive photographs of the slaughter in Europe. Nevertheless, the shocking news kept arriving. For example, the great English writer John Galsworthy, deeply affected by such reports, wrote in one of his letters dated 1915: "One million Armenians have been massacred in Turkey prior to December 1915..." The heartbreaking news, which echoed through the French press by means of articles and drawings, was given with accurate explanations, "bridging" the public to the genocide that was being committed for the first time in the 20th century. Here it is worth mentioning that a voluminous collection of numerous articles and artistic works published during that period were displayed in the Montmartre Museum of Paris in 2007, as one of the cultural events on the calendar of "The Year of Armenia in France."

1894-1896 THE ECHO OF THE LIVING GENERATION OF ARTISTS The first to voice their pain and anger were the famous marine painter Hovhannes (Ivan) Aivazovsky and the founder of Armenian historical painting Vardges Surenyants.

Approximately 300.000 Armenians were killed in the wholesale massacres that were committed in various regions of Western Armenia in 1894-96. Following the liberation of Greece, Bulgaria and the Balkan countries, Aivazovsky, who longed for the salvation of his mother country, became agitated. With his drawings, he participated in the publication of the book entitled Fraternal Assistance to the Armenians Having Suffered in Turkey, which was a compendium of the love and devotion of the Armenian people toward Russia. Then he created the canvasses entitled "The Massacre of Trebizond," "They're Throwing the Armenians Alive into the Sea," "Tragedy in the Sea of Marmara" and also "The Burning of the Greek Rebels," which he exhibited as an expression of protest in Odessa, Kharkov and Moscow. He had hoped for favorable intervention by Russia, the country with which he strongly identified, but the dream of this artist, who had been selected as a Russian state advisor, was futile. In a letter sent to Catholicos Khrimian Hairik in Etchmiadzin, the painter wrote, "Your Holiness, You there, we here, are crying and lamenting for our wretched Armenians who have lost their lives and we 117

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That lament gained emphasis, inspiring a feeling of eternity for a moment, with the diabolic dumping of people into the sea on a calm moonlit night.

The deep-seated feelings Aivazovsky had were reflected particularly in his last "Storms" and "Byron's Visit to the Mekhitarists," the latter expressing freedom-loving aspirations.

Then, on May 2, 1900, before completing his well-known work entitled "The Explosion of the Turkish Ship," he died suddenly the same night.

The same years witnessed the birth of Vardges Sureniants' famous canvasses, which, along with presenting massacre and plunder, are imbued with deep ideological meaning. Combined with the life of the people, the painter contemplates the structures representative of Armenian national architecture, subjected to the same cruel fate; insofar as the churches are concerned, he depicts them as refuges for the homeless orphans.

In the works entitled "Trampled Sacredness" and "The Slaughter of Virgins," the viewer's attention focuses on the parchment books scattered here and there, then the crossstones standing proud and expressing faith in life. Also, the "Cathedral of Hripsime," depicting this majestic 7th-century architectural monument rising up from desolate parched earth, is viewed as a symbol of the people's spiritual strength.

The concept fostered by the profound artist is included also in the masterpiece "Shamiram near the Corpse of Ara the Beautiful," which succeeded the aforementioned works. The Armenian king Ara rejects the love of the Assyrian queen Shamiram. The enraged queen organizes an invasion of Armenia, resulting in the death of Ara, who is brought to the palace on a stretcher. The painter visualized his intention in that moment and made the construction of the painting in such a way that Ara's face be connected with the high-relief of Gilgamesh, the hero of the Babylonian epic and the symbol of self-sacrifice, love and rebirth. In this way, the patriotic painter voiced the concept of immortality in his painting - a work of art that is perceived as the last movement of the fine artistic symphony created by Sureniants.

Surenyants was an eyewitness to the many thousands of refugees who had reached Etchmiadzin from the Van region in 1915. Not only did he help them out but he also found the time to capture their mode of dress ornamented with specific designs in works done in watercolor.

Besides being the place where the youthful Sureniants received inspiration to pursue art, Aivazovsky's studio is where a group of Armenian marine painters received their baptism, including Wartan Mahokian who was awarded the Legion of Honor medal in France. Twice he was saved from the Trabizond massacres.

The grief over the ill-starred Armenians, which weighed on the heart of this marine painter, called out every time he opened his paint-box at the Cote d'Azure seashore. The violin piece he wrote, entitled "The Lamentation of Armenia," which is sometimes played by symphony orchestras in the cities of Provence, is warmed by emotions of solitude and sorrow. The same emotions prevail also in the marine paintings of Arsen Shabanian and Charles (Garabed) Atamian - painters known in France.

In 1895, Yeghishe Tadevosian, a native of Etchmiadzin, in his painting "To Exile," interprets the leave taking of a father and son at the latter's mother's grave as saying farewell to one's mother country. Years later, this painter had the specific intention of embodying the image of his friend Komitas, the priest-musician of Etchmiadzin. He painted the sketch version of the portrait on the slopes of Mt. Aragats in 1903. The artist's conception - "he is nourished by folk songs, like the tree by mother earth" - of seeing in Komitas the leader of a new renaissance in Armenian culture is clear. Faithful to his impressionistic style of "reading" the world with light, Tadevosian created an impressive painting linked to the story of the heroic struggle of Musa Dagh in 1915, in which he depicted the Armenian emigrants traveling on a moonlit night, aboard the French ship of rescue.

The multifarious works of Armenian artists in the beginning of the 20th century appear to foretell the approaching Armenian Genocide, which became the continuation

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of the unforeseen Adana massacres, which took the lives of tens of thousands only a year after the democratic constitution that was accepted in Turkey in 1908.

Scenes of migration and torched villages, as well as razed monuments, reflected the deep emotions of Gevork Bashindjaghian, a prominent landscape painter and singer of tranquil scenes of the homeland (his rare single portrait is of Komitas), and Hmayak Artsatbanian, painter of the domestic genre. Panos Terlemezian, participant in the heroic self-defense of Van and realistic artist, painted the marvelous landscape "Mt. Sipan from Ktuts Island" in his birthplace Van. Today the painting is perceived as his "farewell to the homeland." Moreover, visiting Kutahya for the last time with Komitas, he painted Komitas with extremely characteristic resemblance, as if always peaceful, sitting on his mother soil...only two years later would the creative life of this genius musician come to an end. His essence is stamped in the soul of the Armenian people as a symbol of the Armenian Genocide and has become the inspiration for subsequent high-level spiritual creations.

1915 THE SENIOR GENERATION OF THE GENOCIDE PERIOD The entire population of Western Armenia, which was under Ottoman rule for six centuries, was deported. One and a half million of this population, which was exiled to the desert of Der-Zor in Syria, fell victim to the Turkish scimitar. The self-defense of the city of Van, located not far from the Russian border, proved decisive as it enabled the local Armenians to emigrate to Eastern Armenia, to Etchmiadzin in particular, among whom also was the thirteen-year-old Vosdanig Adoyan, the future famous American artist Arshile Gorky.

The young Martiros Sarian, who had already gained wide recognition in Russia, headed for Etchmiadzin to accompany the medicines collected from Moscow and to offer assistance. The condition of his compatriots suffering in the clutches of starvation, epidemic and death shocked the artist. He was quickly moved to Tiflis. In the same year, this artist of light and cheerful colors created the portrait of the poet Alexander Tsaturian in black, deathly colors for the first and only time in his life. Condensed herein is the image of himself and other Armenian intellectuals who were powerless against their cruel fate. Later on, while illustrating Yeghishe Charents's Yerkir Nairi [The Land of Nairi], Saryan saw the people being exiled from their homeland as victims of a destructive earthquake. He also illustrated the cover of the book entitled Mankutiun yev patanekutiun [Childhood and Adolescence] by Gurgen Mahari, a native of Van, with the same approach. Mt. Sipan and Lake Van, the fortress and the vineyards, forming the image of the earth, are assembled in one page. However, particularly moving is the soil depicted as an attractive cradle, the separation from which penetrates the viewer's heart as a silent tragedy.

The drawings of the self-educated master Vano Khodjabekian are also endowed with effective immediacy. After coming to Armenia from Tiflis, he became absorbed in the daily life of the refugees. Particularly moving is his depiction of families proceeding on carts, with a peasant walking in front addressing a request to the ox pulling the cart, as in the songs of Komitas.

The Armenian Genocide "pages," bequeathed by this generation of artists in their prime stand out for their diverse and captivating forms. For example, Sarkis Khachatourian, who came to Armenia from France, created a series of paintings devoted to the life of the people bunched on the Ararat plain. The somewhat optimistic approach of the artist is palpable especially in the painting depicting youngsters learning their mother tongue on sand in the desert of Der-Zor. An album consisting of the aforementioned works was published in 1924 in Vienna. It contains prefaces by the well-known Armenologists Josef Strzygowski and Frederic Macler, as well as the English 119

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painter A. Levetus, which characterize Khatchatourian as the "singer of Armenian grief."

During the deportations, a beautiful woman named Shake chose to throw herself off a cliff into the abyss in order not to fall into the hands of armed men pursuing her. The author of the only painting of this heroic move, this not-to-be-forgotten incident, is the painter-teacher Arakel Patrik, who specialized in the study of Armenian costumes.

The dreamlike works of Melkon Kebabdjian, with their distinctive depiction of various intertwined planes - "The Road of Armenian Blood," "The Ruined City," "The Silence of Ruins" - stand out for their symbolistic nature. The damaged architectural monuments, not unlike the country's leaders, stirred Arshak Fetvajian, principally a watercolorist who rushed back to the homeland from Venice. Edgar Chahine, who became widely known in France for his etchings and prints, repeatedly portrayed the poignant conditions of Armenian orphans. Yervant Demirjian, the well-known teacher-artist who worked in Egypt, made illustrations of the emigration with the same aspiration. The feeling of tragedy spurred on Hagop Kodjoyan, the great master of graphic art, when he went to Ani in 1919 and created, for a second time, the well-known work "The Ruins of Ani," which is of a historical-reflective, epic nature.

THE GENERATION RESCUED FROM THE ARMENIAN GENOCIDE The Diaspora began its life after the massacres and forced emigrations, with the burden of bitter memories. Many orphaned children and young adolescents, some of whom incidentally were saved by Turkish families during a time of moderation, were gradually assembled and placed in orphanages. Their mother tongue and religion constituted the primary "nourishment" of their education.

Some of those who were endowed with artistic talent received specialized training in subsequent years in academies of various European countries. By the mid-1920's, their works were exhibited. It's noteworthy that many of the artists mentioned below, who were born at the beginning of the century, were able to proceed along independent paths while connecting to new artistic movements.

Furthermore, owing to the originality of their creative way of thinking, they became highly appreciated. In France, there were Leon Tutundjian (born in Amasya), Bedros Kontradjian (born in Ourfa), Carzou (born in Aleppo), Vahe Hekimian (born in Ordou) and Zareh Moutafian (born in Samsun). In Egypt, Onnig Avetisian (born in Brusa), Puzant Godjamanian (born in Trebizond) and Ashot Zorian (born in Girasun). In Lebanon, there was Harutiun Galentz (born in Gurin). In Italy, Jirayr Orakian (born in Constantinople) and Levon Minassian (born in Constantinople). In the United States, there were Khoren Der Harootian (born in the village of Ashodavan near Kharpert), Kero Antoyan (born in Dersim), Manuel Tolegian (born in Yozgat), Arshile Gorky (Vostanik Adoyan, born in the village of Khorkom near Van) and, of course, others.

The talent of these artists who survived the Armenian Genocide was infused with childhood memories. Prevalent in their works, along with doleful emotions of sorrow and solitude, is faith in life and goodness, an awakening in the soul of one having arrived at death's door. Levon Zaven Surmelian, likewise a Genocide survivor, has embodied this faith in a marvelous poetic image: "Merelnerus iprev khach yes ays dzare dngetsi" (As a cross to my dead ones I planted this tree).

The idea of a same "Tree" cherished some masters, especially M. Sarian and H. Galents. The bitter years of his childhood, spent as an orphan, motivated Galents to create an ode glorifying life and beauty. In his works, that ode is harmoniously woven with vivid, transparent colors transmitting the ever-present breath of spring. It is with that feeling that his first and last works were created.

La revue moderne monthly of Paris, in issue No. 10, 1937, wrote the following about B. Kontradjian: "He is able to fully translate, reproduce that emotion, which he experiences naturally..." This Armenian painter, whose art was of a high quality, condensed 120

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his mournful visions, longings and love of life in landscapes of the areas near Paris.

Similar feelings have inspired cityscapes from the banks of the Seine by H. Gulbenk, K. Momdjian, D. Sutjian, P. Topalian, A. Berberian and others.

Some of the painters aimed to present a mirror image of what they saw. One such work, for example, is "The Corpses," by Zareh Moutafian, the only member of his eleven-member family to have survived on the road to exile. In his graphic works, the well-known sculptor Khoren Der-Harootian has embodied the horror of death with sharp linear, skeleton-like forms.

It is noteworthy that the trend toward surrealism, which came about during the same period, found fertile soil in the fractured souls of Armenian artists. And that which could be the product of imagination was the living image for the Armenian artist, an unforgettable memory. The combination of allegorical and real imbued their art with supersensitivity and independence of expressive language. A cut hand, a cleaved brain, a gallows rope, a terrified tree resembling a human face - all these, for example, in Leon Tutundjian's canvasses revealed truths actually experienced.

Leon Minassian was one of Italy's recognized surrealists, whose original works remain to be found. In his paintings, he transformed and deformed live bodies; by fusing them together with vivid color and volume, he rendered them into compositions resembling monuments.

Carzou wrote, "The horrific fate of the Armenians has been mine too, from the very first days, when I lost my father and saw thousands of homeless, who were being driven to Der-Zor...." This artist's focus was the apocalypse and, with his distinctive expressive style, he depicted the disaster of war, ruined palaces, the dehumanized face of the world, and dying beauty. The humanist artist summed up his feelings in the murals of an old church in the French city of Manosque; he also portrayed the calamity experienced by his own people.

The surrealistic way of thinking was taken to new heights by Arshile Gorky, one of the most influential figures in modern American art - a painter, whose art is totally anchored in memories of his birthplace, the village of Khorkom at the edge of Lake Van. In the well-known painting "The Artist and His Mother," the mother's beautiful face is accentuated on a background that breathes with death-like silence. A photograph from the artist's adolescent years constitutes the basis of the painting. Besides giving the work a warm-color solution, Gorky shifted the right side of the window appearing in the background of the photograph to the right, whereby the background of the mother's face becomes wider and resembles a cemetery hollow with its dark brown earth color. As for her hands, he made them resemble balls of dough condensing maternal devotion, which, in terms of their form of expression, are connected to the surrounding delicate color area. This painting, generally speaking, is reminiscent of the "Sistine Virgin."

Raphael's Virgin Mary, with a look of anxiety, brings the gift of her son to the world, with a heap of skulls in the background. Gorky's son presents his lost mother to the world as a symbol of the lost homeland and its beauty. This "autobiography," which condenses the memories of this survivor of the Armenian Genocide, is on permanent exhibit in the Whitney Museum of New York. The painting "How My Mother's Embroidered Apron Opens in My Life," a later work, presents a storm of lines and colors, seemingly a surface of mutilated, disfigured earth, coupled with red bleeding spots.

The color red stands out in a tragic sense in the painting "Agony." Through similar works created in the last decade of his life, Gorky became the world-famous founder of abstract expressionism.

THE FIRST POST-GENOCIDE GENERATION The feelings cherished by the artists having survived the Genocide, as well as the aspirations of originality of artistic expression, were continued in the next generation.

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The inner world of those born prior to the 1930's (only the works of the artists of that age are included in the present section) had an immediate connection to their parents who narrowly escaped the Genocide and survived through their Christian faith. That faith, in turn, spurred the feelings of love, hope, devotion to work, and goodness, with which their works are imbued.

The naturalism of that continuation was foreordained first in the works of the following diasporan artists: Jean Jansem (Hovhannes Semerdjian (the present album ends with a series of deeply moving images devoted to the Genocide), Papaz (Hagop Papazian), Vahe Hekimian, Khachadour Jeranian, Ardavazd Berberian, Shart (Sarkis Haroutiunian), Maurice Der-Markarian (France), Paul Giragosian, Krikor Norigian (Lebanon), Hagop Hagopian (Egypt-Armenia) and others.

The art of Jansem, who was widely known in France and who has a museum in Japan named after him, is distinguished by its profound individuality. It's as if the passage of time did not influence this artist, whose creative life lasted six decades. This artist has depicted and continues to depict the life of simple people in a state of concentration, indivisible from their daily work routine. Jansem's sensitive line, like blood-conveying vessels, flows in his canvasses and, in harmony with soft, pale colors, creates a dreamy, musical atmosphere that transcends reality. Jansem professes to this principle of constructing a painting. Exactly fifty years after the painting "The Death of an Elderly Armenian" (1951), which sings of the surge/ripples of the Armenian Genocide, the prominent artist, at the start of the new century, created the series of paintings entitled "Genocide," in which he opened the curtain all the way on the historical truth. Jansem exhibited this series of approximately forty paintings in Paris and then donated them to the Armenian Genocide Museum in Yerevan. The factor of choosing this crime as a subject of painting is, of course, the essence of his art. However, there is yet another circumstance. In the desert of Der-Zor, one night in 1915, when one of the local Arabs was rescuing an Armenian family, a woman close to death begged them to take along her sole surviving daughter. That little girl became the artist's mother.

The French theorist Charles Blanc has written the following about Jansem: "Lost souls have found their refuge in this poet-artist. He has put down on canvass that which the world was unable to see. Jansem's paintings are the memory of the entire Armenian people." ...One who, having bent down on the desert sand, is protecting a newly sprouted plant with trembling hands. Hope, hope of living!...The feelings of Hagop Hagopian, having lost his father as a child and lived a difficult adolescence, foreordained, and spurred him to create, wretched suffering human types thrown into the vortex of life, powerless in the face of fate. The silence seemingly sculpted/imprinted in the original color-and-line structure of this artist's works is as much the echo of the genocide exhausting the inner world of his generation, the song of the irreparable grief of those having lost their homeland, as it is personal. Later on, he depicts the usurped motherland as an imprisoned world, which appears in his view as a sea of skulls scattered around a ruined church....

The pulse of the genocide began to beat a little later on in the souls of the artists living in Armenia. The reason was the friendly agreement between the Bolsheviks and Turkey during the revolutionary period - a treaty that silenced the echo of the genocide in the hearts of the people of Soviet Armenia. However, in 1965, during the period of the Khruschchevian thaw, the fiftieth anniversary of the Armenian Genocide was marked with an unexpected development: the foundation of a pan-Armenian memorial monument. The fifty-year ban was lifted, like the Berlin Wall some twenty-four years later. Armenia became spiritually united with the Diaspora. The monument erected in the area of Tsitsernakaberd (Swallows' Fortress) in the capital city of Yerevan became a hearth, an ever-ringing belfry beckoning the entire Armenian people. On April 24, the anniversary of the 1915 Genocide, that belfry peals for hundreds of thousands of peo122

ple and the faith represented by the bouquets of flowers they at ofthe flame, 95 place Anniversary the eternal Armenian Genocide symbolizing their faith.

The first outburst of the excitement of the native Armenian artists occurred in 1969, with the large exhibition devoted to the centennial of Komitas's birth. That occurrence represented a turning point, which marked the awakening of hidden feelings and confirmed a traditional sentiment: "The people and the country are one." That feeling led to the discovery of the spiritual strength and re-anchoring of the way of life of the people in the homeland.

Enlightening the mental horizons were the works of Eduard Isabekian, Simon Galstian, Hovhannes Zardarian, Suren Safarian, Mkrtich Sedrakian, Grigor Aghasian, the younger Tigran Tokmadjian, Henrik Siravian, Ruben Adalian, Eduard Artzrunian, Hagop Sukiassian, Ashot Hovhannisian, Rafael Atoyan, and Valentin Podpomogov (TerAstvatsatrian) who worked mostly in cinema. The painter Katchaz, the self-taught master who accepted the multicolored surface of tufa stone as his artistic foundation, and others who strove to come up with a variety of truth-affirming images.

In the well-known painting, 'Komitas, the Last Night', Sarkis Muradian flooded the atmosphere with red to sound the alarm of the bloody crime. Grigor Khandjian, in his illustrations for the great poet Paruyr Sevak's poem devoted to Komitas, portrays the musician-genius everywhere with the people, as a shepherd enthused by their music.

However, with the start of the inhumane crime, he descends into darkness....

Minas Avetisian stood out as an unforgettable personality in modern Armenian art, with his unusual world of colors that was full of dramatic emotions. In 1968, upon becoming acquainted with the art of Arshile Gorky for the first time, Avetisian created the deeply moving painting "Under the Walls of Aghtamar" as an enchanting memory of the great artist's youth. Inheriting living reminiscences from the Genocide survivor and builder Gevork, Minas the artist first painted "On the Way to Der-Zor" (that work was lost in the fire that swept through his studio), in which the bodies of exiled women, who have stopped to catch their breaths, resemble cliffs, thus stressing their never-ending strength. Then he created the portrait of the Armenian master Gevork carved in pure stone cast with stone forms - a singular conception whose idea gained credence.

Thus, the painful feelings occasioned by the Armenian Genocide take on new meaning, new representation illuminating man's mental horizons, owing to the undying faith in the maintenance of national identity.

Of the next generation artists let me mention, for example, lately deceased Gayane Khachaturyan. The real source of her fantastical mode of thinking were her mother's tales about that world of beauties - the lost Goghtan province; they throbbed like pulse in her dreaming soul. Such feelings inspired her to create also the "Requiem" dedicated to her adored mother. This mysterious and tragical work is remarkable as well with its stylistic originality so appreciated in art, and which is characteristic to many of her predecessors. th

On the occasion of the 80th anniversary of the Armenian Genocide, which occurred in Armenia following its independence, the Genocide Museum and Scientific Research Institute was built next to the memorial monument. Preparations for the founding of a similar institution are underway in Washington, DC. When the strength of spirit is kept alive, the spirit takes wings.

Shahen Khachaturian Director of the museum Arshil Gorky. Echmiadzin

Transla Translated by Aris G. Sevag

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1894-1896-Æ Îàîàð²Ìܺð ÝϳñÇãÝ»ñÇ ³åñáÕ ë»ñÝ¹Ç ³ñÓ³·³ÝùÁ THE MASSACRES OF 1894-1896 Reppercussions of the Living Generation of Artists

ÐàìвÜÜºê ²Úì²¼àìêÎÆ HOVHANNES (IVAN) AYVAZOVSKY

5. The massacre of Trapizod. 1895 Location unknown

1817-1900

6. Farwell. 1895

1. ¶Çß»ñ. àÕµ»ñ·áõÃÛáõÝ Ø³ñÙ³ñ³ ÍáíáõÙ.

1897

7. Survivors of the storm.1898

´»ÛñáõÃ. гÛÏ³Ï³Ý ¹åñáó

2. ²åëï³Ùµ ÑáõÛÝ»ñ»Ý Ý»ïáõÙ »Ý Ïñ³ÏÇ Ù»ç.1897 ØÇÝëÏ. ²ñí»ëïÇ Ã³Ý·³ñ³Ý

3. Ê³Õ³Õ ·Çß»ñ. гۻñÇÝ Ý»ïáõÙ »Ý ÍáíÁ.

1897 سëݳíáñѳí³ù³Íáõ. ØáëÏí³

4. ÊñÇÙÛ³Ý Ð³ÛñÇÏÁ ¾çÙdzÍÝÇ Ù»ñӳϳÛùáõÙ. 1895 »á¹áëdz. ²Ûí³½áíëÏáõ óݷ³ñ³Ý

5. îñ³åǽáÝÇ ç³ñ¹Á. 1895 î»ÕÝ ³ÝѳÛï ¿

6. Ðñ³Å»ßï. 1895 سëݳíáñ ѳí³ù³Íáõ

7. öáÃáñÇÏÇó ÷ñÏí³ÍÝ»ñÁ. 18987 î»ÕÝ ³ÝѳÛï ¿

8. öáÃáñÏÇ Ù»ç. 1898 س˳ãϳɳ. óݷ³ñ³Ý

9. ´³ÛñáÝÇ ³ÛóÁ ëµ. Ô³½³ñ ÏÕ½Ç. ì»Ý»ïÇÏ.

1899 г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

10. Âáõñù³Ï³Ý ݳíÇ å³ÛÃÛáõÝÁ. 1900 »ṳëdz.²Ûí³½áíëÏáõ óݷ³ñ³Ý

Private Collection Location unknown

8. In the storm. 1898 Museum in Makhachkala

9. Lord Byron visiting the Mekhitarist Congregation of St Lazzaro, Venice. 1899 National Gallery of Armenia. Yerevan

10. Explosion of a Turkish warship. 1900 Aivazovsy Museum. Teodosi

ì²ð¸¶ºê êàôðºÜÚ²Üò VARDGES SURENIANTS 1860-1921 1. ²Ý³å³ëï³ÝÁ. 1894 ²ÉÙ³-²Ã³. ²ñí»ëïÇ Ã³Ý·³ñ³Ý

2. ÎáõÛë»ñÇ ëå³Ý¹Á. 1895 г۳ëï³ÝÇ å³ïÙáõÃÛ³Ý Ã³Ý·³ñ³Ý

3. ÈùÛ³ÉÁ. 1899 г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

4. γÃáÕÇÏáë ÊñÇÙÛ³Ý Ð³ÛñÇÏ. 1899 г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

5. àïݳѳñí³Í ëñµáõÃÛáõÝ. 1895 г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

6. ÐéÇ÷ëÇÙ» ï³×³ñÁ.1897 г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

1. Night. Tragedy at the Sea of Marmara. 1897 Armenia School. Beirut

2. Greek rebels throun into flames. 1897 Art Museum. Minsk

3. Quiet Night. Armenians throun overboard.1897 Private Collection. Moscow

4. Khrimyan Hayrik in the vicinity of Echmiadzin.1895 Aivazovsky Museum. Teodosia

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7. Þ³ÙÇñ³ÙÁ ²ñ³ ¶»Õ»óÇÏÇ ¹Ç³ÏÇ Ùáï.

1899 г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

8. ²½·³ÛÇÝ ï³ñ³½Ý»ñ г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

1. Homeless. 1894 National Museum of Art. Almaty. Khachatryan

2. Massacare ofVirgins. 1895 History Museum of Armenia

3. The abandonad.1899 National Gallery of Armenia. Yerevan

4. Catholicos Khrimian.1899 National Gallery of Armenia. Yerevan

2. Komitas. 1906

95 th Anniversary of the Armenian Genocide

Private collection. USA

3. Setting an Armenian village on fire.1915 National Gallery of Armenia. Yerevan

5. Sanctity. Trampled on.1899 National Gallery of Armenia. Yerevan

6. The Monastery of St Hripsime. 1897 National Gallery of Armenia. Yerevan

7. Queen Shamiram with the corpse of Ara the Handsome. 1899 National Gallery of Armenia. Yerevan

8. Traditional Armenian Costumes National Gallery of Armenia. Yerevan

ì²ð¸²Ü زÊàÊÚ²Ü WARTAN MAHOKIAN 1869-1937

ÐزڲΠ²ð̲´²ÜÚ²Ü HMAYAK ARDZATBANIAN 1874-1919 1. ¶ÛáõÕÁ µáó»ñÇ Ù»ç. 1915 г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

2. Âáõñù»ñÇ í³Ûñ³·áõÃÛáõÝÁ. 1915 г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

1. A village in flames. 1915 National Gallery of Armenia. Yerevan

2. Turkish atrocity. 1915 History Museum of Armenia. Yerevan

1. öáÃáñÏÇó Ñ»ïá. Éùí³Í ݳíÁ. 1902 г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ(Ýí.Î. ä³ëÙ³×Û³ÝÇ)

2. úíÏdzÝáëÇ ³éç& 1910 г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

ö²Üàê ºðȺغ¼Ú²Ü PANOS TERLEMEZIAN 1865-1941 1. ÎáÙÇï³ë.1913

1. After the storm; abandoned ship. 1902 National Gallery of Armenia. Yerevan (don. by G. Basmadjian)

г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

2. ì³Ý³ ÉÇ×Á & êÇ÷³Ý ê³ñÁ Îïáõó ÏÕ½áõó.1915 г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

2. Facing the ocean.1910 National Gallery of Armenia. Yerevan (donated by Catholicos Vazgen the First)

Þ²ðÈ ²¸²ØÚ²Ü CHARLES ATAMIAN

1. Komitas. 1913 National Gallery of Armenia. Yerevan

2. Van lake and Sipan Moutain from Ktuts island.

1913 National Gallery of Armenia. Yerevan

1872-1947 1. Ìáí³÷ÇÝ. 1929 г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

1. At the seashore. 1929 National Gallery of Armenia. Yerevan

ºÔÆÞº ²¸ºìàêÚ²Ü YEGISHE TADEVOSIAN 1870-1936 1. ºñÏñå³·áõÃÛ³Ý Ë³ãÇÝ. 1901 г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

¶ºìà𶠴²ÞÆÜæ²ÔÚ²Ü GEVORK BASHINJAGHIAN

2. ¸»åÇ å³Ý¹ËïáõÃÛáõÝ. 1895

1857-1923

3. ÈáõÛëÛÝ³Ï ·Çß»ñ ´»ÛñáõÃÇ ³÷»ñÇÝ ³÷»ñÇÝ.1915

1. гۻñÇ ·³ÕÃÁ. 1910 г۳ëï³ÝÇ å³ïÙáõÃÛ³Ý Ã³Ý·³ñ³Ý

2. ÎáÙÇï³ë. 1906 سëݳíáñ ѳí³ù³Íáõ. ²ØÜ

3. гÛÏ³Ï³Ý ·ÛáõÕÇ ÑñÏǽáõÙÁ. 1915 г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

1. Armeinais in exile. 1910 History Museum of Armenia. Yerevan

г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

4. ÎáÙÇï³ëÁ ¾çÙdzÍÝÇ É׳÷ÇÝ/ 1894 г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

5. ÎáÙÇï³ë. 1903-1935 г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

1. Adoration of the cross.1901 National Gallery of Armenia. Yerevan

125

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

2. Towards exile. 1895

4. Komitas at the Echmiadzin pond. 1894

National Gallery of Armenia. Yerevan

3. Moonlight at the shore of Beirut.1915 National Gallery of Armenia. Yerevan

National Gallery of Armenia. Yerevan

5. Komitas. 1903-1935 National Gallery of Armenia. Yerevan

1915 ºÔºèÜÆ Þðæ²ÜÆ ²ì²¶ êºðàôܸ 1915 TO SENIOR GENERATION OF THE GENOCIDE ERA زðîÆðàê ê²ðÚ²Ü MARTIROS SARIAN

ê²ð¶Æê ʲâ²îðÚ²Ü SARGIS KHACHATURIAN

1880-1972

1886-1947 1. ¶³ÕóϳÝÝ»ñ.1915

1. ´³Ýëï»ÕÍ ²É. ̳ïáõñÛ³ÝÇ ¹ÇÙ³ÝϳñÁ.1915 г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

2. º. â³ñ»ÝóÇ §ºñÏÇñ ܳÇñǦ ·ñùÇ Ýϳñ³½³ñ¹áõÙ 1933 3. ¶. سѳñáõ §Ø³ÝÏáõÃÛ³Ý & å³ï³Ý»ÏáõÃ۳ݦ ·ñùÇ ß³åÇÏÁ.1930 Ø. ê³ñÛ³ÝÇ Ã³Ý·³ñ³Ý

г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

2. ¶³ÕóϳÝÝ»ñ.1915 г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

3. ¶³ÕóϳÝÝ»ñÁ ²ñ³ñ³ïÛ³Ý ¹³ßïáõÙ.1915 г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

4. سÛñ»ÝÇ ²Ûµ-´»ÝÇ ë»ñïáõÙ ³Ý³å³ïÇ ³í³½Ý»ñÇ íñ³.1915 г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

1. Portrait of poet Alexandre Tsaturian.1915 National Gallery of Armenia. Yerevan

2. Illustration to Yeghishe Charents’“Yerkir Nairi“. 1933 Yeghishe Charents House-Museum. Yerevan

3. Cover of Gurgen Mahari’ s “Childhood and Adolescence“.1930 M.Sarian Museum. Yerevan

1. Exiles.1915 National Gallery of Armenia. Yerevan

2. Exiles.1915 National Gallery of Armenia. Yerevan

3. Exiles in the Ararat Valley.1915 National Gallery of Armenia. Yerevan

4. Learning native alphabet on desert sands.1915 History Museum of Armenia.Yerevan

ì²Üà Êàæ²´ºÎÚ²Ü VANO KHODJABEKIAN 1875-1922

²è²øºÈ ä²îðÆÎ ARAKEL PATRIK

1. ¶³ÕóϳÝÝ»ñ.1918

1894-1984

г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

2. ¶³ÕÃ. 1918 г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

1. ´éݳ·³Õà (Þ³ù»Ý ųÛéÇó ³Ý¹áõݹ ¿ Ý»ïíáõÙ). ѳïí³Í.1941 ÜϳñãÇ ÁÝï³ÝÇùÇ Ñ³í³ù³Íáõ

3. àñµ»ñÁ ºñ&³ÝÇ ¹åñáóÇ µ³ÏáõÙ. 1918 г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

1. Exiles.1918 National Gallery of Armenia. Yerevan

2. Exiles.1918 National Gallery of Armenia. Yerevan

3. Orphans in a Yerevan school courtyard.1918 National Gallery of Armenia. Yerevan 126

1. Forced exiles (Shake throws herself into the abiss from a cliff). 1941 Artist’ s familly collection

95 th Anniversary of the Armenian Genocide

²ÎÆØ ²ì²Üºêàì (Ðáí³ÏÇÙ ÐáíѳÝÝÇëÛ³Ý) AKIM OVANESOV (Hovakim Hovhannesian) 1883-1966 1. ê³ñë³÷. 1917 ²ñí»ëïÇ Ã³Ý·³ñ³Ý. ¸áÝÇ èáëïáí

1. Horror. 1917 Rostov upon Don, Art Museum

¾¸¶²ð Þ²ÐÆÜÚ²Ü EDGAR CHAHINE 1874-1947 1. Ð³Û áñµ»ñ. 1910 úýáñï, ϳï³Éá· î³å³Ý»ÉÉÇ, ØÇɳÝ, N 304

2. Âßí³éáõÃÛáõÝ & ÑáõÛë. 1920 úýáñï, ϳï³Éá· î³å³Ý»ÉÉÇ, ØÇɳÝ, N 341

1. Armenian orphans. 1910 Eau-forte, Catalogue Tabanelli, Milano, N 304

2. Misery and hope. 1920

غÈøàÜ øºäºäÖÚ²Ü MELKON KEBEBJIAN 1864-1948 1. ²í»ñí³Í ù³Õ³ù.1930 г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

2. ²í»ñ³ÏÝ»ñÇ ÉéáõÃÛáõÝÁ.1930 г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

1. Ruined city.1930 National Gallery of Armenia. Yerevan

2. The silence of Armenia. Yerevan National Gallery of Armenia. Yerevan

²ð޲ΠüºÂì²æÚ²Ü ARSHAK FETVADJIAN 1864-1947 1. ²ÝÇ . ²Ù»Ý³÷ñÏÇ㠻ϻջóÇÝ.1901 г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

2. ÐáííÇ »Ï»Õ»óÇÝ. ²ÝÇ. 1905 г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

3. î»ÏáñÇ ï³×³ñÁ. 1906 г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

1. Ani. Church of the Redeemer.1901 National Gallery of Armenia. Yerevan

2. Ani. Shepherd’ s Church.1905

Eau-forte, Catalogue Tabanelli, Milano, N 341

ºðì²Ü¸ ¸ºØÆðÖÚ²Ü YERVAND DEMIRDJIAN 1870-1938 1-2.Ð³Û ÅáÕáíñ¹Ç ÏÛ³ÝùÇ ¹³Å³Ý ûñ»ñÇ å³ïÏ»ñáõÙÝ»ñÁ 1-2. Images from the cruel days in the life of the Armenian nation

ºðì²Ü¸ øàâ²ð YERVAND KOCHAR 1899-1979 1. ò³íÇ ³åñáõÙÝ»ñÁ.1930 سëݳíáñ ѳí³ù³Íáõ

1. Experiencing Pain. 1930 Private collection

вÎà´ ÎàæàÚ²Ü HAGOP KODJOYAN 1883-1959 1. ²ÝÇÇ ³í»ñ³ÏÝ»ñÁ. 1919 سëݳíáñ ѳí³ù³Íáõ. ºñ&³Ý

National Gallery of Armenia. Yerevan

3. Tekor Cathedral.1906 National Gallery of Armenia. Yerevan

1. Ruins of Ani Private Collection. Yerevan

127

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

1915 ºÔºèÜÆò öðÎì²Ì êºðàôܸ 1915 THE GENERATION RESCUED FROM THE ARMENIAN GENOCIDE ÊàðºÜ îºð-вðàôÂÚ²Ü KHOREN DER-HARUTIAN 1909-1991

1. Arrengement. 1957 Private collection. Istambul

2. Morphs at dawn.1953 Private collection. Italy

1-2.²ñѳíÇñùÇ ï»ëÇÉÝ»ñ. 1950-³Ï³Ý Ã. Êáñ»Ý î»ñ-гñáõÃÛ³ÝÇ Ã³Ý·³ñ³Ý. ¾çÙdzÍÇÝ

3-5.ò»Õ³ëå³ÝáõÃÛáõÝ. º÷ñ³ïÇ Ñ³ï³ÏÇÝ.

1930-³Ï³Ý Ã. г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

ÄÆð²Úð úð²¶Ú²Ü GIRARDO ORAKIAN 1901-1962 1. ¶³ÕóϳÝÝ»ñ. 1961

1-2.Genocide. Apparition. 1930 Kh. Ter-Harutian museum. Etchmiadzin

3-5.Genocide. The bed Euphrates. 1930 National Gallery of Armenia. Yerevan

г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

2. àñµ»ñ. 1960 г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

3. гݷÇëï. 1952 г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

ȺìàÜ ÂàôÂàôÜæÚ²Ü LEVON TUTUNDJIAN 1904-1968 1. γñÙÇñ ¹Ç³Ï. 1930 سëݳíáñ ѳí³ù³Íáõ ö³ñǽ

2. âáñë ï³ñ»ñù. 1930 سëݳíáñ ѳí³ù³Íáõ ö³ñǽ

3. ä³ñ³Ýáí ݳïÛáõñÙáñï. 1930 سëݳíáñ ѳí³ù³Íáõ ö³ñǽ

4. ¸»ÕÇÝ ¹ÇÙ³Ï. 1930

4. ºÕ»éÝ. 1947 г۳ëï³ÝÇ ³ñ¹Ç ³ñí»ëïÇ Ã³Ý·³ñ³Ý. ºñ&³Ý

1. Exiles. 1961 National Gallery of Armenia. Yerevan

2. Orphans. 1960 National Gallery of Armenia. Yerevan

3. Rest. 1952 National Gallery of Armenia. Yerevan

4. Yeghern (Genocide). 1947 Contemporary Art Museum of Armenia. Yerevan

سëݳíáñ ѳí³ù³Íáõ ö³ñǽ

1. Red mask. 1930 Private collection. Paris

2. Four Elemants. 1930 Private collection. Paris

3. Still life with rope.1930 Private collection. Paris

4. Yellow mask. 1930 Private collection. Paris

´Úàô¼²Ü¸ Îàæ²Ø²ÜÚ²Ü BUZANT GODJAMANIAN 1909-1993 1. àñµ»ñ. 1981 ÜϳñãÇ ÁÝï³ÝÇùÇ Ñ³í³ù³Íáõ. Èáë ²Ýç»É»ë

2. سÛñÁ. 1981 ÜϳñãÇ ÁÝï³ÝÇùÇ Ñ³í³ù³Íáõ. Èáë ²Ýç»É»ë

3. àñµ»ñÁ. 1981 ÜϳñãÇ ÁÝï³ÝÇùÇ Ñ³í³ù³Íáõ. Èáë ²Ýç»É»ë

ȺìàÜ ØÆܲêÚ²Ü LEVON MINASIAN 1905-1988 (?)

1. ÎáÙåá½Çódz. 1957 سëݳíáñ ѳí³ù³Íáõ. êï³ÙµáõÉ

2. Æñ»ñÁ Éáõë³µ³óÇÝ. 1953 سëݳíáñ ѳí³ù³Íáõ. Æï³Édz

128

1. Orphans. 1981 Artist’ s family collection. Los Angeles

2. Mother. 1981 Artist’ s family collection. Los Angeles

3. Orphans. 1981 Artist’ s family collection. Los Angeles

95 th Anniversary of the Armenian Genocide

²ðØÆê (²ñÙ»Ý³Ï ØÇëÇñÛ³Ý) ARMIS (Armenak Misirian)

1. Ruined settlement. 1966 Artist’ s family collection. Paris

1901-1977

2. Abandoned haven. 1979

1. Ðáßáïí³ÍÝ»ñÁ. 1981

3. Scorched land. 1978

гÛÏ³Ï³Ý »Ï»Õ»óÇ. ÆëÇ É» ØáõÉÇÝá. ö³ñǽ

2. àñµ»ñ. 1981 гÛÏ³Ï³Ý »Ï»Õ»óÇ. ÆëÇ É» ØáõÉÇÝá. ö³ñǽ

3. سÛñÁ. 1981 гÛÏ³Ï³Ý »Ï»Õ»óÇ. ÆëÇ É» ØáõÉÇÝá. ö³ñǽ

Artist’ s family collection. Paris Private collection. Paris

4. Armenia. Renaissance 1989 Artist’ s family collection. Paris

5. The musician. Fragment from the Apocalypse mural.1991 Manosque, France

1. The Prey. 1981 Armenian Church, Paris, Issy Les Moulineaux

2. Orphans. 1981

6. The musician. Fragment from the Apocalypse mural.1991 Manosque, France

Armenian Church, Paris, Issy Les Moulineaux

3. Mother. 1981 Armenian Church, Paris, Issy Les Moulineaux

øºðà ²ÜÂàÚ²Ü KERO ANTOYAN 1912-1994 1. ²í»ñí³Í ï³×³ñÁ.1970

¼²ðºÐ Øàô²üÚ²Ü ZAREH MUTAFIAN 1907-1980 1. Èùí³Í ݳí³ÏÁ. 1968 ². ¶áñÏáõ ³Ýí³Ý óݷ³ñ³Ý.¾çÙdzÍÇÝ

2. ì»ñ³åñáÕ ½áõÛ·Á. 1963 ÜϳñãÇ ÁÝï³ÝÇùÇ Ñ³í³ù³Íáõ. ö³ñǽ

سëݳíáñ ѳí³ù³Íáõ. ²ØÜ

2. ²ùëáñ.1970 سëݳíáñ ѳí³ù³Íáõ. ²ØÜ

1. Ruined Cathedral. 1970 Private Collection. USA

1. Abandoned boat. 1968 Gorky Museum in Echmiadzin (donated by Claude Mutaflan)

2. Survivor couple. 1963 Artist’ s family collection. Paris

2. Exile. 1970 Private Collection. USA

¶²è¼àô (¶³éÝÇÏ ¼áõÉáõÙÛ³Ý) CARZOU 1907-1999 1. ²í»ñí³Í µÝ³Ï³í³Ûñ. 1966 ÜϳñãÇ ÁÝï³ÝÇùÇ Ñ³í³ù³Íáõ. ö³ñǽ

2. Èùí³Í ݳí³Ñ³Ý·Çëï.1979

вðàôÂÚàôÜ Î²ÈºÜò (ʳñٳݹ³ñÛ³Ý) HARUTYUN GALENTS (Kharmandarian) 1908-1967 1. ܳïÛáõñÙáñï. ͳÕÇÏÝ»ñ. 1960 г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

2. ¶³ñáõÝÁ Ù»ñ ³Û·áõÙ. 1967 سëݳíáñ ѳí³ù³Íáõ

ÜϳñãÇ ÁÝï³ÝÇùÇ Ñ³í³ù³Íáõ. ö³ñǽ

3. ²Ûñí³Í ÑáÕÁ.1978 سëݳíáñ ѳí³ù³Íáõ. ö³ñǽ

4. г۳ëï³Ý. ì»ñ³ÍÝáõݹ. (¿ëùǽ ) 1989 ÜϳñãÇ ÁÝï³ÝÇùÇ Ñ³í³ù³Íáõ. ö³ñǽ

5. ºñ³ÅÇßïÁ. ѳïí³Í §²åáϳÉÇåë¦ áñÙݳÝϳñÇó. 1991 سÝáëÏ, üñ³Ýëdz

6. гÛáó »Õ»éÝÁ. ѳïí³Í §²åáϳÉÇåë¦ áñÙݳÝϳñÇó. 1991 سÝáëÏ, üñ³Ýëdz

7. гÛáó »Õ»éÝÁ ѳïí³Í §²åáϳÉÇåë¦ áñÙݳÝϳñÇó. 1991 سÝáëÏ, üñ³Ýëdz

1. Still life, flowers. 1960 National Gallery of Armenia. Yerevan

2. Spring in our garden. 1967 Private Collection

´²ð¸àôÔ ì²ð¸²ÜÚ²Ü BARTUGH VARTANIAN 1897-1987 1. Ø»ñ ïݳÏÁ ·»ï³÷ÇÝ Ø³ëݳíáñ ѳí³ù³Íáõ

1. Our house at the river. 1939 Private Collection 129

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

Ðð²Üî ÎÚàôÈ´ºÜÎ (ÎÛáõɵ»ÝÏÛ³Ý) HRAND GULBENK (Gulbenkian) 1880-1968 1. Ø»ñ ïݳÏÁ ·»ï³÷ÇÝ. 1939 سëݳíáñ ѳí³ù³Íáõ

5. ÜϳñãÇ ùñáç` ì³ñ¹áõÑáõ ¹ÇÙ³ÝϳñÁ.

1934 ì³ñ¹áõÑÇ ¨ γñÉ»Ý Øáõñ³¹Û³Ý ѳí³ù³Íáõ. ²ØÜ

6. ä³ñ﻽ êáãÇáõÙ. 1940 سëݳíáñ ѳí³ù³Íáõ ²ØÜ

7. ä³ñ﻽ êáãÇáõÙ. 1940 ÜÛáõ ÚáñùÇ ³ñ¹Ç ³ñí»ëïÇ Ã³Ý·³ñ³Ý

1. Our house at the river. 1939 Private collection

Ðð²Üî ÎÚàôÈ´ºÜÎ (ÎÛáõɵ»ÝÏÛ³Ý) HRAND GULBENK (Gulbenkian) 1880-1968 1. ²ßáõÝ. ê»Ý³ÛÇ ³÷ÇÝ. 1930-³Ï³Ý Ã. ². ¶áñÏáõ ³Ýí³Ý óݷ³ñ³Ý. ¾çÙdzÍÇÝ (Ýß. Øáõß»Õ â³ÉáÛ³ÝÇ)

8. æñí»Å. 1942-43 »Ûà å³ïÏ»ñ³ëñ³Ñ. ÈáݹáÝ

9. ØdzÙÛ³ Ç߳ϳÃÝáõÙ. 1944 ì³ßÇÝ·ïáÝ. ²½·³ÛÇÝ Ã³Ý·³ñ³Ý

10. ̳ÕÏ³Í çñ³Õ³óÇ çñ»ñÁ. 1944 Ø»ïñáåáÉÇï»Ý óݷ³ñ³Ý. ÜÛáõ Úáñù

11. ¶Í³Ýϳñ. 1944 سëݳíáñ ѳí³ù³Íáõ. ²ØÜ

12. ¶Í³Ýϳñ. 1944 سëݳíáñ ѳí³ù³Íáõ. ²ØÜ

1. Fall at Lake Sevan. 1930 Gorky Museum in Echmiadzin (donated by Mushegh Tchaloyan)

13. ÆÝãå»ë Ùáñë ³ë»Õݳ·áñÍ ·á·ÝáóÁ µ³óíáõÙ ¿ ÇÙ ÏÛ³ÝùáõÙ. 1944 껳ÃÉÇ ³ñí»ëïÇ Ã³Ý·³ñ³Ý

14. ²ñáñÁ & »ñ·Á. 1947

äºîðàê ÎàÜîð²æÚ²Ü PETROS KONTRADJIAN (Bedo) 1905-1956 1. ø³Õ³ù³Ù»ñÓ µÝ³Ýϳñ.1935 سëݳíáñ ѳí³ù³Íáõ

1. Suburban landscape. 1935 Private Collection

²ñí»ëïÇ Ã³Ý·³ñ³Ý. úµ»ñÉÇÝ, ²ØÜ

15. Ðá·&³ñù. 1947 ÜÛáõ ÚáñùÇ ³ñ¹Ç ³ñí»ëïÇ Ã³Ý·³ñ³Ý

1. The artist and his mother. 1926-36 The Whitney Museum. New York

2. The portrait of Mother Private Collection. USA

3. Still life with Skull. 1928 Private Collection. USA

²ðî²ì²¼¸ äºðäºðÚ²Ü ARTAVAZD BERBERIAN

4. Woman (Ajko). 1937

1922-1998

5. The portrait of Vartouch. 1934

1. ê»Ý³ ·»ïÁ. ³Ùå³Ù³Í ûñ. 1962 سëݳíáñ ѳí³ù³Íáõ

Private Collection. USA Collection of Artouch and Karlen Mouradian

6. Garden of Sochi. 1940 Private Collection. USA

1. River Seine, cloudy day. 1962 River collection

7. Garden of Sochi. 1944 The Museum of Modern Art. New York

8. The waterfall. 1942-43

²ðÞÆÈ ¶àðÎÆ (àëï³ÝÇÏ ²¹áÛ³Ý) ARSHILE GORKY (Vostanik Adoyan) 1904-1948 1. ÜϳñÇãÁ & Çñ Ù³ÛñÁ 1926-36 àõÇÃÝÇ Ã³Ý·³ñ³Ý. ÜÛáõ Úáñù

2. Øáñ ¹ÇÙ³ÝϳñÁ سëݳíáñ ѳí³ù³Íáõ. ²ØÜ

3. ܳïÛáõñÙáñï ·³Ý·áí. 1928 سëݳíáñ ѳí³ù³Íáõ ²ØÜ

4. гÛáõÑáõ (²ÛÏáÛÇ) ¹ÇÙ³ÝϳñÁ. 1937 سëݳíáñ ѳí³ù³Íáõ ²ØÜ 130

The Tate Gallery. London

9. One year the Milkweed. 1944 The national Art Gallery of Wachington

10. Water of the Flowery Mill. 1944 The Metropoliten Museum of Art. New York

11. Drawing. 1944 Private Collection. USA

12. Drawing. 1944 Private Collection. USA

13. How my Mother's emproidered apron unfolds in my Life. 1944 The Art Museum. Seattle. USA

14. The Plow and the Song. 1947 Allen memorial Art Museum. Oberlin. USA

15. Agony. 1947

95 th Anniversary of the Armenian Genocide

The Museum of Modern Art. New York

1915 кîºÔºèÜÚ²Ü ²è²æÆÜ ¸ºðàôܸ ÍÝí³Í ÙÇÝã& 1930 1915 THE FIRST POST- GENOCIDE GENERATION IJÜêºØ (ÐáíѳÝÝ»ë ê»Ù»ñçÛ³Ý) JANSEM (Hovhannes Semerdjian) 1920

8. Self portrait. 2001 Armenian Genocide Museum. Yerevan

9. Decapitated “flowers“. 2001 Armenian Genocide Museum. Yerevan

1. γåáõÛï ç³ñ¹.1999 гÛáó ó»Õ³ëå³ÝáõÃÛ³Ý Ã³Ý·³ñ³Ý

10. Massacre. 2001 Armenian Genocide Museum. Yerevan

2. ʳã»ÉáõÃÛ³Ý Ý»ñùá. 2001 гÛáó ó»Õ³ëå³ÝáõÃÛ³Ý Ã³Ý·³ñ³Ý

3. ´éÝáõÃÛáõÝ. 2001 гÛáó ó»Õ³ëå³ÝáõÃÛ³Ý Ã³Ý·³ñ³Ý

4. ìÇßï. 2001 гÛáó ó»Õ³ëå³ÝáõÃÛ³Ý Ã³Ý·³ñ³Ý

5. ܳѳï³Ï. 2001 гÛáó ó»Õ³ëå³ÝáõÃÛ³Ý Ã³Ý·³ñ³Ý

6. ´éÝáõÃÛáõÝ. 2001

ö²ö²¼ (гÏáµ ö³÷³½Û³Ý) PAPAZ (Hagop Papazian) 1927-2004 1. γËí³Í í³ñ¹³å»ïÁ. 1968 ÜϳñãÇ ÁÝï³ÝÇùÇ Ñ³í³ù³Íáõ. ö³ñǽ

2. êáí³Ù³Ñ Ù³ÝáõÏÁ. 1969 ÜϳñãÇ ÁÝï³ÝÇùÇ Ñ³í³ù³Íáõ. ö³ñǽ

гÛáó ó»Õ³ëå³ÝáõÃÛ³Ý Ã³Ý·³ñ³Ý

7. ´éÝáõÃÛáõÝ. 2001 гÛáó ó»Õ³ëå³ÝáõÃÛ³Ý Ã³Ý·³ñ³Ý

8. ÆÝùݳÝϳñ. 2001 гÛáó ó»Õ³ëå³ÝáõÃÛ³Ý Ã³Ý·³ñ³Ý

1. Vardapet. Gallows. 1968 Artist’ s family collection. Paris

2. Starved child. 1969 Artist’ s family collection. Paris

9. ¶É˳ïí³Í §Í³ÕÇÏÝ»ñ¦. 2001 гÛáó ó»Õ³ëå³ÝáõÃÛ³Ý Ã³Ý·³ñ³Ý

10. æ³ñ¹Ç ï»ë³ñ³Ý. 2001 гÛáó ó»Õ³ëå³ÝáõÃÛ³Ý Ã³Ý·³ñ³Ý

1. Blue massacre. 1999 Armenian Genocide Museum. Yerevan

2. At the cruifix. 2001 Armenian Genocide Museum. Yerevan

3. Violence.2001 Armenian Genocide Museum. Yerevan

4. Sorrow. 2001 Armenian Genocide Museum. Yerevan

5. Beyond the night. 2001

öàÈ ÎÆð²ÎàêÚ²Ü POL KIRAKOSIAN 1926-1998 1. ºÕ»éÝ. 1965 ѳïí³Í »é³å³ïÏ»ñÇó г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

2. ¶³ÕÃ. 1970 г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

1. Genocide. 1965 (Fragment of a triptych) National Gallery of Armenia. Yerevan

2. Exile. 1970 National Gallery of Armenia. Yerevan

Armenian Genocide Museum. Yerevan

6. Violence. 2001 Armenian Genocide Museum. Yerevan

7. Violence. 2001 Armenian Genocide Museum. Yerevan

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гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

êºð¶ºÚ ö²ð²æ²Üàì (ê³ñ·Çë ö³ñ³ç³ÝÛ³Ý) SERGEY PARAJANOV (Sargis Parajanian) 1921-1990 1. ¶áÕ·áó. 1979 ê.ö³ñ³ç³ÝáíÇ Ã³Ý·³ñ³Ý, ºñ&³Ý

Þ²ð (ê³ñ·Çë гñáõÃÛáõÝÛ³Ý) SHART (Sarkis Haroutunian) 1927 1. ²Ý³å³ïáõÙ. ¸»ñ-¼áñ. 1964 êµ. гÏᵠóݷ³ñ³Ý. ºñáõë³Õ»Ù

2. §ºÏ»Õ»óÇÝ Ñ³ÛÏ³Ï³Ý ÍÝݹ³í³ÛñÝ ¿ Ñá·íáõÛë...¦ 1974 سëݳíáñ ѳí³ù³Íáõ. üñ³Ýëdz

1. Gologtha. 1979 Sergey Parajanov Museum. Paris

1. In the desert. Der Zor. 1964 St. Jacob Museum, Jerusalem

èÆÞ²ð (ʳã³ïáõñ) ĺðºÜÚ²Ü RISHARD (Khachadour) JERANIAN 1921 1. ÐÇßáÕáõÃÛáõÝ. 1979 ÜϳñãÇ Ñ³í³ù³Íáõ. ö³ñǽ

1. Reminiscence. 1979 Artist’ s family collection

2. “The Armenian Church is my soul’ s birthplace“1974 Private Collection. France

ø²æ²¼ (ø³ç³½áõÝÇ ø»ã»×Û³Ý) KATCAZ (Kachazuni Kechejian) 1924-2004 1. ²ÝÇÇ îÇñ³Ù³ÛñÁ. 1984 سëݳíáñ ѳí³ù³Íáõ. ²ØÜ

²êÆÈì² (²é³ù»ÉÛ³Ý) ASILVA (Arakelian)

2. Èáõë³íáñÇã ϳÝûÕÁ. 1990

1930

1. Our Lady of Ani. 1984

1. ²ùëáñ. ù³ñ³í³ÝÝ»ñ. 1988 гÛáó ó»Õ³ëå³ÝáõÃÛ³Ý Ã³Ý·³ñ³Ý. ºñ&³Ý

êµ. ì³ñ¹³Ý »Ï»Õ»óÇ. ÜÛáõ Úáñù

Private Collection. USA

2. The Lanthern of Gregory the illuminator. 1990 St. Vartan Chuch. New York

1. Caravans of Deportation 1988 Armenia Genocide Museum, Yerevan

ÈÚàôêÆ Ö²ÜÖÆÎÚ²Ü LUCY JAJIKIAN 1. ¶³ÕÃÇ ×³Ý³å³ñÑÇÝ. 1995 سëݳíáñ ѳí³ù³Íáõ. ²ØÜ

1. On the road to exile. 1995

ÐàìвÜÜºê ¼²ð¸²ðÚ²Ü HOVHANNES ZARDARIAN 1918-1992 1. гۻñÇ ·³ÕÃÁ ¹»åÇ ²ñ³ñ³ï. 1975 ÜϳñãÇ ÁÝï³ÝÇùÇ Ñ³í³ù³Íáõ. ºñ&³Ý

1. Armenians exiled towards Ararat. 1975 Artist’ s family collection. Yerevan

Private Collection. USA

¶ðƶàð ÜàðÆÎÚ²Ü GRIGOR NORIKIAN 1931 1. ²ùëáñÇ ×³Ý³å³ñÑÇÝ. سëݳíáñ ѳí³ù³Íáõ

2. ³÷³éáÕ áñµ»ñ. 1985 سëݳíáñ ѳí³ù³Íáõ. ´»ÛñáõÃ

1. On the road to exile. 1995 Private Collection. USA

2. Wandering orphans. 1985 Private Collection. Beirut 132

¾¸ì²ð¸ Æê²´ºÎÚ²Ü EDWARD ISABEKIAN 1914-2007 1. ÜϳñãÇ Ù³ÛñÁ. ê³Ã»ÝÇÏÁ Æ·¹ÇñÇó. 1985 г۳ëï³ÝÇ ³½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

2. ²ñ&ÙïÛ³Ý Ð³Û³ëï³ÝáõÙ. 1954 ÜϳñãÇ ÁÝï³ÝÇùÇ Ñ³í³ù³Íáõ

1. Artists mother Satenik from Igdir. 1985 National Gallery of Armenia. Yerevan

2. In Western Armenia. 1954 Artist’ s family collection

95 th Anniversary of the Armenian Genocide

ê²ð¶Æê Øàôð²¸Ú²Ü SARGIS MOORADIAN

²Èºøê²Ü¸ð ¶ðƶàðÚ²Ü ALEXANDER GRIGORIAN

1927- 2007

1927-2008

1. Ð³Û Ùï³íáñ³Ï³ÝÝ»ñÇ ·áÕ·áóÝ.2005

1. ¶³ÕÃ. ÝϳñÇ ¿ëùǽ 2005

ÜϳñãÇ ÁÝï³ÝÇùÇ Ñ³í³ù³ÍáõÝ. ºñ¨³Ý

ÜϳñãÇ ÁÝï³ÝÇùÇ Ñ³í³ù³Íáõ

2. ÎáÙÇï³ë. ì»ñçÇÝ ·Çß»ñÁ. 1956 г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

1. Exiled. 2005 Collection of the painter’ s family

1. Golotha. Armenian Intellectuals. 2005 Artist’ s family collection. Yerevan

2. Komitas. Last night. 1956 National Gallery of Armenia. Yerevan

¶ðƶàð ʲÜæÚ²Ü GRIKOR KHANDJIAN

¶ðƶàð ²Ô²êÚ²Ü GRIGOR AGHASIAN 1926-2009 1. ¶³ÕÃÇ ×³Ý³å³ñÑÇÝ ÑÇÝ Ó»é³·ñ»ñÇ Ñ»ï...1986 ¾çÙdzÍÇÝ, í»Ñ³ñ³Ý

1956-2000 1. ä. ê&³ÏÇ §²ÝÉé»ÉÇ ½³Ý·³Ï³ïáõݦ åá»ÙÇ Ýϳñ³½³ñ¹áõÙ. 1963-65

2. Exiled with ancient manuscripts. 1986 The Catholicosate of St. Echmiatsin

г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

2. Ê. ²µáíÛ³ÝÇ §ì»ñù г۳ëï³ÝǦ ·ñùÇ Ýϳñ³½³ñ¹áõÙ. 1958 г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

3. ¶.¾ÙÇÝÇ §ê³ëáõÝóÇÝ»ñÇ å³ñÁ¦ åá»ÙÇ Ýϳñ³½³ñ¹áõÙ. 1974 г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

1. Illustration to Paruyr Sevak’ s “Unsilencable Belfry“. 1963-65

êÆØàÜ ¶²ÈêîÚ²Ü SIMON GALSTIAN 1914-2000 1. ÄáÕáíáõñ¹Ç Ï»ñ·Ç...1960 г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

1. The nation will sing.1960 National Gallery of Armenia. Yerevan

National Gallery of Armenia. Yereva

2. Illustration to Khachatur Abovian’ s “Wounds of Armenian“. 1958 National Gallery of Armenia. Yereva

3. Illustration to Gevorg Emin’ s “Dance of the saspuntsis“. 1974

¶ºìà𶠶ðƶàðÚ²Ü (æÇáïïá) GEVORG GRIGORIAN (Giotto) 1897-1976 1. â³ñ»Ýó. Ðñ³Å»ßï ÎáÙÇï³ëÇÝ. 1936 г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

National Gallery of Armenia. Yereva

ØÎðîÆâ 꺸ð²ÜÎÚ²Ü MKRTICH SEDRAKYAN 1922-2009 1. 1915. سÑí³Ý ׳ݳå³ñÑ. 1960 г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

1. Death march. 1960 National Gallery of Armenia. Yerevan

1. Poet Charents-Farewell to Komitas. 1936 National Gallery of Armenia. Yerevan

زðÎ ¶ðƶàðÚ²Ü MARC GRIGORIAN 1925-2008 1. ì³ñ¹áõßÇ ¹ÇÙ³ÝϳñÁ (². ¶áñÏáõ ùáõÛñÁ).

1984 ¶ñ³Ï³ÝáõÃÛ³Ý ¨ ³ñí»ëïÇ Ã³Ý·³ñ³Ý. ºñ&³Ý

1. Portait of Vartoosh. 1984 Literature and Arts Musem, Yerevan

133

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

îƶð²Ü ÂàøزæÚ²Ü DIKRAN TOKMADJIAN

вÎà´ êàôøƲêÚ²Ü HAGOP SUKIASSIAN

1923-2004

1931

1. 1915 Ãí³Ï³ÝÇ ·³ñáõÝÁ. 1988

1. Æ٠ݳËÝÛ³ó Ïáñëí³Í ïáõÝÁ. 1990

г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

1. Spring of 1915.1988

سëݳíáñ ѳí³ù³Íáõ. ºñ¨³Ý

1. The Lost of My Ancestors. 1990

National Gallery of Armenia. Yerevan

Private collection. Yerevan

èàô´ºÜ ²¸²ÈÚ²Ü ROUBEN ADALIAN

²Þàî ÐàìвÜÜÆêÚ²Ü ASHOT HOVHANNISIAN

1928

1929-1997

1. ØÕÓ³í³Ýç. 1970

1. ö³Ëáõëï. 1971

ÜϳñãÇ Ñ³í³ù³Íáõ. ºñ¨³Ý

г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

2. سÑí³Ý ÑáñÓ³Ýáõï. 1974 ÜϳñãÇ Ñ³í³ù³Íáõ. ºñ¨³Ý

1. Escape. 1971 National Gallery of Armenia. Yerevan

1. Nightmare. 1970 Artist’ s collection. Yerevan

2. Maelstrom. 1970 Artist’ s collection. Yerevan

êàôðºÜ äÆäàÚ²Ü SOUREN PIPOYAN 1922-2005 1. гÛáó ·³ÕÃÁ. 1980

¾¸àô²ð¸ ²ðÌðàôÜÚ²Ü EDWARD ARZRUNIAN 1929 1. ØÏñïáõÃÛáõÝ. 1970 г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

2. ÎáÙÇï³ë. ÊáÑ»ñ. 1968 г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

3. ¾çÙdzÍÝÇ å³ï»ñÇ ï³Ï. 1968

ÜϳñãÇ ÁÝï³ÝÇùÇ Ñ³í³ù³Íáõ. ºñ&³Ý

г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

4. àñµ»ñÇ »ñ·Á. 1978 г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

1. Armenian exile. 1980 Artist’ s family collection. Yerevan

1. Baptism. 1970

²ð²Ø ¸²ìÂÚ²Ü ARAM DAVTIAN 1923 1. ¼³í³ÏÁ áñµ³ó³í. 1969 г۳ëï³ÝÇ å³ïÙáõÃÛ³Ý Ã³Ý·³ñ³Ý

National Gallery of Armenia. Yerevan

2. Komitas musing. 1968 National Gallery of Armenia. Yerevan

3. At the walls of Echmiadzin. 1968 National Gallery of Armenia. Yerevan

4. Song of orphans. 1978 National Gallery of Armenia. Yerevan

1. Orphaned. 1969 History Muzeum of Armenia. Yerevan

êàôðºÜ ê²ü²ðÚ²Ü SOUREN SAFARIAN

вÎഠвÎà´Ú²Ü HAGOP HAGOPIAN 1923

1923-1988

1. ìÇßï. 1961

1. ²ñ³ñ³ïÇó ³ÛÝ ÏáÕÙ. 1988

2. سñ¹Á & µáõÛëÁ. 1962

ÜϳñãÇ ÁÝï³ÝÇùÇ Ñ³í³ù³Íáõ. ºñ&³Ý

1. Beyond Ararat. 1988 Artist’ s familycollection. Yerevan

г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ ÜϳñãÇ Ñ³í³ù³Íáõ

3. ¸»ñÓ³ÏÁ. 1959 г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

4. سÛñÁ. 1978 ê. Ðáí»ÉÛ³ÝÇ Ñ³í³ù³Íáõ. ö³ñǽ

134

95 th Anniversary of the Armenian Genocide

5. Ðá·Ý³Í ÏÇÝÁ. 1961 г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

6. ÎÇÝÁ ËáѳÝáóáõÙ 1959 г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

7. ²ëïÇã³ÝÇ ³éç& 1959 سëݳíáñ ѳí³ù³Íáõ

8. γɳݳíáñÁ. 2004 ². ¶áñÏáõ ³Ýí³Ý óݷ³ñ³Ý. ¾çÙdzÍÇÝ

1. On the Road to Der-Zor. 1966-67 Perished in the fire (1972)

2. Refugees. 1966 Perished in the fire (1972)

3. Wayfarer. 1974 M. Avetisian Museum-Studio. Yerevan

4. Reading Narekatsi. 1973 National Gallery of Armenia. Yerevan

5. Jajur. 1960 1. Sorrow. 1961 National Gallery of Armenia. Yerevan

2. Man with Plant. 1962 Artist’ s Collection

3. A Tailor. 1959 National Gallery of Armenia. Yerevan

4. Mother. 1978 S. Hovelian Collection. Paris

5. A Seated Women. 1961 National Gallery of Armenia. Yerevan

6. A Women the kitchen. 1959 National Gallery of Armenia. Yerevan

7. In front of the ladder. 1959

Museum of Modem Art. Yerevan

6. Mount Yeranos. 1961 Private Collection. Yerevan

7. My Parents. 1961 Museum of Modem Art. Yerevan

8. Autumn Instant. 1973 Private Collection. Yerevan

9. Bridge in Leninakan (Gumri). 1974 Private Collection. Lebanon

10. Mason Gevorg. 1967-70 National Gallery of Armenia. Yerevan

11. At the Walls of Akhtamar. 1968 Alex and Marie Manougian Museum. Detroit

Private Collection

8. The Gaolbird. 2004 Arshile Gorky Museum, St. Echmiadzin

ØÆÜ²ê ²ìºîÆêÚ²Ü MINAS AVETISIAN 1928-1975 1. ¸»ñ-¼áñÇ ×³Ý³å³ñÑÇÝ. 1966-67 ²Ûñí»É ¿ ³ñí»ëï³ÝáóÇ Ññ¹»ÑÇó (1972)

¶²Ú²Üº ʲâ²îàôðÚ²Ü GAYANE KHACHATURIAN 1942-2009 1. è»ùíÇ»Ù. 1985 г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

1. Requiem. 1985 National Gallery of Armenia. Yerevan

2. ¶³ÕóϳÝÝ»ñ. 1966 ²Ûñí»É ¿ ³ñí»ëï³ÝáóÇ Ññ¹»ÑÇó (1972)

3. Ö³Ù÷áñ¹Á. 1974 Ø. ²í»ïÇëÛ³ÝÇ ³ñí»ëï³Ýáó-óݷ³ñ³Ý. ºñ¨³Ý

4. ܳñ»Ï³óáõ ÁÝûñóáõÙ. 1973 г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

5. æ³çáõé. 1960 г۳ëï³ÝÇ ³ñ¹Ç ³ñí»ëïÇ Ã³Ý·³ñ³Ý. ºñ¨³Ý

6. ºñ³Ýáë É»éÁ. 1961 سëݳíáñ ѳí³ù³Íáõ. ºñ¨³Ý

7. ÆÙ ÍÝáÕÝ»ñÁ. 1961 г۳ëï³ÝÇ ³ñ¹Ç ³ñí»ëïÇ Ã³Ý·³ñ³Ý. ºñ¨³Ý

8. ²ßݳݳÛÇÝ ³ÏÝóñÃ. 1973 سëݳíáñ ѳí³ù³Íáõ. ºñ¨³Ý

9. γÙáõñç È»ÝÇݳϳÝáõÙ. 1974 سëݳíáñ ѳí³ù³Íáõ. Èǵ³Ý³Ý

10. ì³ñå»ï ¶&áñ·Á. 1967-70 г۳ëï³ÝÇ ²½·³ÛÇÝ å³ïÏ»ñ³ëñ³Ñ

11.²ËóٳñÇ å³ï»ñÇ ï³Ï. 1968 ²É»ùë ¨ سñÇ Ø³ÝáõÏÛ³Ý Ã³Ý·³ñ³Ý. ¸»ïñáÛï

135

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

ÐáíѳÝÝ»ë ÞÇñ³½

ܲʺð¶²Üø (гÛáó ѳٳÛݳå³ïÏ»ñÁ)

вÚàò ¸²Üº²Î²ÜÀ

ºðÎÆð ܲÆðÆ 1 г۳ëï³ÝÇ ³Ù»Ý ÙÇ É»é ØÇ ù³ñ³ó³Í Ñ³Û ¿ ³ÝÙ»é: ²Ù»Ý ÙÇ É»é` ÙÇ ×·Ý³íáñ, ØÇ ÇßË³Ý ¿, ÙÇ Ã³·³íáñ: ²éÝáë É»éÁ` ÑáíÇí ¿ ù³ç` ´ÉáõñÝ»ñÇ ÑáïÝ Çñ ³é³ç: ²Ý¹áÏ É»éÁ` Ñ³Û Ù³ñ·³ñ»` êÇñïÁ` Ïñ³Ï, ¹»ÙùÁ` ù³ñ»: ²ãùÝ ³ÕáÃáÕ` ÍáíÝ ¿ ì³Ý³` ܳñ»Ï³óÇÝ` ë³ñÝ ¿ ê³ëݳ: ì³ñ³·³ É»éÝ` ³ñÍíÇ å»ë ø³ñ³ó»É ¿` гÛñÇÏÝ ¿, ï»°ë: ²ßÝ³Ï ë³ñÝ ¿É, ³ßݳÏóÇÝ»°ñ, Ò»½ Øáõß Ï³ÝãáÕ Æß˳ÝÝ ¿ Ó»ñ: ìÇÑ-Þ³ñ³Ý ¿ ²ñ³·³ÍÁ, àñ ï»ÝãáõÙ ¿ γñë³ Ñ³óÁ: ²ñ³ñ³ïÁ` гÛÏÝ ¿ íÇÙí³Í` ºñ»õ³ÝíáÕ ÑáõÛëÇ ¹ÇÙ³ó, ì³ñ Ïݳۻ` Ù»Ï ºñ»õ³Ý, г½³ñ áõ Ù»Ï` ¹»å Øáõß áõ ì³Ý: ²½Ý³Ýó öáùñ ØÑ»ñÝ ¿É êÇë: ijÛéÇ Ù»ç ¿, í³°Û ³ãù»ñÇë: î³íñáë É»éÁ` ½ÇÙ ÎÇÉÇÏdzÝ` ÆÝùÝ ¿ ѳÛáó í»ñçÇÝ ³ñù³Ý: ²½· ÇÙ, ¶ñ·áõé, Ü»ÙñáõÃÝ ¿É ùá, Ìáí³ë³ñÝ ¿É` ³ÙåÇ Ý»ñùá` ì³ñß³Ù³Ïí³Í ѳÛáó íßïáí, ÐáÝùÁ ÏÇï»É í»Ñ áõ íñ¹áí` ²ïñáõß³ÝÇ Ïñ³ÏÝ ÁÝϳÍ` ÞÝãáõÙ, ÇÝãå»ë Âáݹñ³ÏÝ Ñ³Ý·³Í, ÊáõÉ ÍËáõÙ »Ý` »Éù »Ý ÷ÝïñáõÙ, ØÃݳùáÕÁ å³Ñ ÙÇ å³ïéáõÙ, ²ÛñíáõÙ, ݳÛáõÙ ²ñ³ñ³ïÇÝ` Ðáõñ »Ý áõ½áõ٠ųÛÃù»É ãáñë ¹ÇÝ

136

95 th Anniversary of the Armenian Genocide

²Ý¹ ßÕóÛí³Í É»éÝ»ñë í»Ñ,

²è²æÆÜ ¶ÆÞºð

ÆÙ ³ß˳ñÑÁ, áñ »ñµ»õ¿ ¶³Ñ ãÇ ¹³éݳ ųÝï áëáËÇÝ`

¶ÈàÆÊ ²è²æÆÜ

²ëïí³Í ÏÇçÝÇ ¹»é Ù»ñ ÑáÕÇÝ. ØÇßï ã»Ýù Ùݳ

1

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гÛáó É»½áõÝ` ÃáõñÝ ¿ ѳÛáó,

Ù³ÝϳÝó ³ñóáõÝùÝ»ñÁ` ³ÛÅÙ çñ³ëáõÛ½ ϳݻÇÝ Ñ³-

Âáõñ γÛͳÏÇÝ` Áݹ¹»Ù í³Ûáó:

Ûáó íßïÇ ¹»Ù Ùßï³Éáõé áÕç ÑáÕ³·áõݹÁ: ºí DZÝã Ù»Í ³½· ϳñáÕ ¿ Çñ Ù»Í íßï»ñáí ã³÷í»É ³Ûë ÷áù-

г۳ëï³ÝÇ ³Ù»Ý ÙÇ É»é`

ñÇÏÇ Ù»Í íßï»ñÇ Ñ»ï. DZÝã ¹ÅáËù ϳñáÕ ¿ ã³÷í»É

ì³ÕÝ Ññ³µáõË ¿ ÙÇ ³ÝÙ»é...

ϳ٠ѳٻٳïí»É ѳÛ, Ïáïáñ³ÍÝ»ñÇ ³ñݳÍáíÇ Ñ»ï. á±õñ »ë, á°í Ùé³ÛÉ ¸³Ýû, ¹á°õ, áñ ìÇñ·ÇÉÇáëÇ Ñ»ï

2

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à°í ³ÝÙ»Õ³ó Ù»ç ³ÝûÕí³Í

áñ ï»ë³ñ ³ëïí³Í³ÛÇÝ å³ïÅáí å³ïÅí³ÍÝ»ñÇ

ѳÛáó ³ÝµáõÛÅ í»ñù áõ íÇßï,

ѳíÇï»Ý³Ï³Ý ï³Ýç³ÝùÝ»ñÁ »õ ëáëϳóÇñ, DZÝã ϳ-

à±í ãÇ »ñ³½»É Ùáé³Ý³É Ó»½ ÙÇßï,-—

ë»ë, û Ç°ÙÁ ï»ëÝ»ë, ÇÙ ³½·Ç°ÝÁ, ѳÛïÝíÇ°ñ, ѳ¯Ûñ

´³Ûó á°ã, ³Ûë ³Ý·³Ù ¹áõñë »Ù Ï³ÝãáõÙ Ó»½

ÇÙ, ³ÝÇñ³Ï³ÝÇó Çñ³Ï³ÝÁ ï³Ý»Ù ù»½, á°í ³ÛÅÙ

´áÉáñ Ëáñß»ñÇó ùáõÝ áõ Ùáé³óÙ³Ý,

¹ñ³ËïÇ Ù»Ý³ÏÛ³ó¹, µ»ñ ·»Ã ³ãù»ñ¹ Ç٠ѳÛáó

»Ïáõ½ ÇÝÓ Ëáó»ù ã³ñ »ñ³½Ç å»ë,-—

íßïÇ Ïß»éùÁ ¹³ñÓÝ»Ù:

´³Ûó, »É»°ù` Ó»½ »Ù ϳÝãáõÙ ³Ûë ³Ý·³Ù: êåÇÝ Çñ í»ñùÁ ÙïùÇó ãÇ Ñ³ÝÇ,

ÂáÕ ³ÝóÛ³É í»ñùÁ ¹³ë³·Çñù ¹³éݳ

Ò»½ ãÇ Ùáé³Ý³ ÇÙ ³½·Á, ë³Ï³ÛÝ`

سÝáõÏ Ý»ñϳÛÇ ë»Õ³ÝÇ íñ³:

»Ïáõ½ ÙÇ ëÇñï ¿É Ùáé³ó³Í ÉÇÝÇ` ¼³ñû°ù, ¹³éÝ Ñáõß»ñ, å»ïù »ù ³Ûë ³Ý·³Ù...

§à°í ³ëïí³Í³ÛÇÝ ¹ÅáËùÇ ¸³Ýû

à°í ¹áõù` íϳݻñ ѳí»ñųíñ»Å ѳÛáó »Õ»éÝÇ,

» ó÷³éáõÙ »ë ¹áõ ¹»é ¹ÅáËùáõÙ,

¼³ñû°ù, áñ å³ïųÝùÝ ³Ûë ³Ý½áõÛ·

» ÑdzÝáõÙ »ë ¹»é Ù³Ñáí, ϳ٠û

Ù»ÕùÇ ÏáÏáñ¹Çó µéÝÇ, гïáõóÙ³Ý ³ñÍÇíÝ Çñ Å»é í³Ý¹³ÏÇó Ç ÉáõÛë ëɳݳ, àñå»ë ³ß˳ñÑáõÙ Çñ ÙÇ³Ï Ã³éÇÝ` سëÇë µ³ñÓñ³Ý³,

ø³í³ñ³ÝÝ Ç í»ñ` Ù»ÕùÇó »ë ÝáÕÏáõÙ, γ٠û Éáõë³Ã»õ ùá ´»³ïñÇã»Ý ¸»åÇ ¹ñ³Ëï ¿ ù»½ ³é³çÝáñ¹áõÙ, ºí ϳ٠Ýñ³ Ñ»ï ׳ËñáõÙ »ë ³ñ¹»Ý øá ³ÝÙ³ÑáõÃÛ³Ý Ï³åáõÛï ¹ñ³ËïáõÙ,-

ºÉÝ»Ý Å»é µ³ÝïÇó ÇÙ ØÑ»ñÝ áõ ÓÇÝ,

àõñ ¿É áñ ÉÇÝ»ë, Ñáñë á·áõ å»ë,

àñ ·»Ã ³Õ µ»ñ»Ý ÇÙ ÑáõÛëÇ Ñ³óÇÝ:

àõñ ¿É áñ ³ÛÅ٠׳Ëñ»ë ¹áõ ³ÝÑá·` ÆçÇ°ñ ÙÇ í³ÛñÏÛ³Ý, å³Õ³ïáõÙ »Ù ù»½,

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ÆçÇ°ñ` ù»½ ï³Ý»Ù ³ÛÝåÇëÇ ¹ÅáËù, àñ ¹áõ Ùáé³Ý³ë ¹ÅáËùÁ »ñ·Ç¹,

ºí ÃáÕ ³Ûë ·Çñùë ¹³ë³·Çñù ¹³éݳ

àñ ²ëïÍá ׳ÏïÇÝ ³Ý»Íù ˳ñ³Ý»ë

سÝáõÏ Ù³ñ¹ÏáõÃÛ³Ý ë»Õ³ÝÇ íñ³:

ºí Ù³ÑÇó Ëݹñ»ë µ³É³ë³Ý` í»ñùǹ: ´³Ûó Ý»ñǯñ, í³ñå»°ï, Ý»ñÇ°ñ å³ï³Ýáõë, ø³Ý½Ç »°ë åÇïÇ ù»½ ³é³çÝáñ¹»Ù, 137

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

ø³Ý½Ç ³Ûë ÙdzÏ` Çñ³í ¹ÅáËùÇ

¼»ÝùÇ Ñ³ë³ÏÇ Ñ³Û áõÅÝ Ñ³í³ù»ó`

¸Åݳù³ÛÉ áõÕÇÝ, ³í³¯Õ, »°ë ·Çï»Ù,

ÈáõÍ»ó ½áñùÇ Ù»ç Çñ ۳óճÝÇ,

ø³Ý½Ç »ñµ»õ¿ ãåÇïÇ ³ÝóÝ»Ýù

âÃáÕ»ó ѳÛáó áã ÙÇ ½»ÝùÇ ÑáõÛë.

Êáñ»ñÏñÛ³ óÝáñù ·»ïÝ ²Ë»ñáÝÇ,

§à°ã ÙÇ Ñ³Û ÏïñÇ× Ãáõñù µ³Ý³ÏÇó ¹áõñë,

âåÇïÇ áã ÙÇ ø³ñáÝÇ Ñ³Ûó»Ýù,

ºë ѳÛáõÃÛ³ÝÝ ¿É ѳÛñ »Ù ` Ñáí³ÝÇ,

àñ Ù»½ ¹ÅáËùǹ ë»õ ³÷»ñÝ Ñ³ÝÇ:

سÑÙ»¹Ç ùáõÛñÝ ¿ سñdzÙÁ Ó»ñ ÏáõÛë,

²í³¯Õ, ݳ ųÛÃù»É áõ ÍËáõÙ ¿ ¹»é

гÛÇ ùÇÃÝ ³Ý·³Ù ¿É ãÇ ³ñÛáõÝÇ,

ºñÏñÇ »ñ»ëÇÝ` ÝÙ³Ý µ³ó í»ñùÇ,-

¶³ÑÁÝÏ»ó ³ñÇÝù Ù»Ýù í³Û гÙǹÇÝ,

²ÛÝï»Õ, áõñ ³Ý·Õ-۳óճÝÁ Ï»é

àñ ¿É í³Û ã·³ Ñ³Û ²ñ³ñ³ïÇÝ...

лջó ÇÙ »ñÏñáõÙ ¹ÅáËùÝ Çñ Ù»ÕùÇ:

ìϳ` ÑáõédzÃÁ ¿É DZÝã ѳÛáó ½áñù...

ÆçÇ°ñ, û áõÝ»ë ¹»é ɳóáÕ ³ãù»ñ`

²ÝóáõÏ-ÙáéóáõÏ ¿ гÙÇ¹Ý ³ÝáÕáù,

ÎÇë»Éáõ íÇßïÁ ÙÇ ÏÇëí³Í ³½·Ç...¦:-

ØÇ »ñÏñáõÙ »ñÏáõ µ³Ý³Ï ãÇ ÉÇÝÇ, Ø»ÏÁ ÙÛáõëÇ ³ãùÁ ÏѳÝÇ...

ä³Õ³ïáõÙ ¿Ç ³Ûëå»ë ·Çß»ñáí,

î»ë³±ù Ç°Ýã ³ñÇÝ Ù»½ ¼»ÛÃáõÝÝ áõ ì³Ý,

سëÇëÇ ³éç»õ` ϳñáïáí Ýñ³,

Ð³Û ÙÇ Ñ³Û¹áõÏÝ ¿É ³ÑÝ ¿ Ù»ñ í³Õí³Ý,

ºñµ áñ Éáõë³Ã»õ ÙÇ ³Ùå` Ñáõß»ñáí` ²ÝßßáõÏ Çç³í ÇÙ É»é³Ý íñ³,

²Ý¹ñ³ÝÇÏÝ Ñ³å³, êÙµ³ïÁ` µ³½»Ý,

ºí ÇÝùÁ ¹³Ý¹³Õ ѳÉí»ó í»ñëïÇÝ`

´³½» »Ý ѳÛáó ϳݳÛù ¿É ³Ý½»Ý,

ÆÙ ¹»Ù ÃáÕÝ»Éáí ¸³ÝûÇÝ ³ÝÓ³ÛÝ.

ØÇ ß»ÕµÝ ¿É Ù³Ñ ¿, ¿É á¯õñ Ùݳó, Ãáõñ,

ܳ ¹³÷Ý»åë³Ï áõÝ»ñ ׳ϳïÇÝ,

Âáõñ ¿ ýǹ³ÛÇÝ, »ñµ áõÝÇ ß³Ù÷áõñ...

ºí ³ãù»ñÇ Ù»ç` ÅåÇï ѳñó³Ï³Ý,

гÛáó áã ÙÇ Ãáõñ ϳ٠߳Ù÷áõñ ï³ÝÁ¦,-

ÊáëùÇ Ñ»ïùÝ ³Ý·³Ù ãϳñ ßñÃáõÝùÇÝ,

Ðñ³Ù³Ý ѳݻó ³Ûë §Ýáñ ëáõÉóÝÁ¦:

´³Ûó »ë ϳñ¹³óÇ Ñ³Û³óùÝ Ñ³Ûñ³Ï³Ý` ¶Çï»ñ, áñ ùÇã »Ýù, µ³Ûó Ñ³Û »Ýù, ·Çï»ñ, ºñµ ·ñÏ»ó ·ÉáËë áõ ³åß»ó ÉéÇÝ`

àõ ½³ï»ó, ÇÝãå»ë óáõÉ»ñÇÝ` ÑáïÇó,

Ö»ñÙ³Ï ï»ëÝ»Éáí Ù³ÝáõÏ Ù³½»ñÇë...

òñ»ó Ñ³Û ½áñùÁ` Ù»½ ÃáÕ»ó ³Ýï»ñ,

- ú¯, ·Ý³°Ýù, ѳ°Ûñ ÇÙ, µ³Ý³Ù ùá ³éç»õ

àÕç ÑáïÁ Ïïñ»ó ÑáõÛëÇ ³ñáïÇó...

Ö»ñÙ³Ï Ù³½»ñÇë ·³ÕïÝÇùÝ»ñÁ ë»õ...

ºí ÇÝãå»ë ²ñ³ùëÝ` Çñ γëåÇó ÍáíáõÙ ` Îáñ³í Ñ³Û ½áñùÁ ûëÙ³Ý ½áñùÇ Ù»ç,

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ÆÝãå»ë Íáí³ëáõÛ½ ³ñíáÕ Ý³íÁ Ë»Õ×,

²½·»ñÇ ÍáíáõÙ ` Ç٠г۳ëï³ÝÁ ÙÇ É»éݳÏÕ½Ç`

²Ý½»Ý ÙݳóÇÝ Ñ³Ûáó ÛáÃÝ Ñ»éíáõÙ

²¹³Ù³Ý¹³Ïáõé Çñ ²ñ³ñ³ïáí` ·³ÑÁ ÎáíϳëÇ:

سÝáõÏ ³ÙµáËÝ»ñÝ Ç٠г۳ëï³ÝÇ,

ÚáÃÁ ³½·»ñÇ ¹³ñ»ñáí ãéí³Í ³ãù»ñÁ íñ³Ý`

²Ýå³ßïå³Ý, ÇÝãå»ë ÏÕ½Û³ÏÁ ÍáíáõÙ,

ÆÝãå»ë ØÑ»ñÇÝ` ųÛéÇ Ù»ç ³é³Ý`

²Ýå³ñÇëå, áñå»ë ù³Ý¹í³Í ÙÇ ²ÝÇ.-

ë»ÕÙ»óÇÝ Ýñ³Ý,

138

²Ûëå»ë ëÏëí»ó Ñ³Û ÙÇçݳµ»ñ¹áõÙ

´³Ûó ³Ù»Ý³Ù»Í ë»ÕÙáÕÁ ¹³ñ»ñ

²ß˳ñÑáõÙ ³Ý½áõÛ· »Õ»éÝ Ñ³Û³ëáõ·`

ê»ÉçáõÏÇ ½³ñÙÝ ¿, áñ ë»ÕÙáõÙ ¿ ¹»é...

ØáõßáõÙ, ´³Õ»ßáõÙ, îÇ·ñ³Ý³Ï»ñïáõÙ,

ÆÝãå»ë ù³ç ÑáííÇÝ Çñ ÑáïÇó ËÉ»ë`

ì³ÝáõÙ, î³ñáÝáõÙ, ì³ëåáõñ³Ï³ÝáõÙ,

²Ýï»ñáõÝã ÃáÕÝ»ë áÕç ÑáïÁ Ýñ³,

¶³éÝ»ñ ÙݳóÇÝ ³éÛáõÍÇ µ»ñÝáõÙ,

ʻչ»ë ·³Ù÷éÝ»ñÝ. ÑáõÛëÁ ˳ñËÉ»ë,

ºñ³ËÇ ³é³ç í³·ñÇ ½Çݳí³é`

´³ó ÃáÕÝ»ë ·³ÛÉǹ ·³éÝ»ñÇ íñ³,

ØݳóÇÝ ÙdzÛÝ ÏáÛë»ñÁ Ù»ñ ·³é,

²Û¹å»ë µáñ»ÝÇÝ ³ñÍíÇÝ í³Ý¹³Ï»ó,

ØݳóÇÝ ÙdzÛÝ Ñ³ñëÝ»ñÁ Íáóíáñ`

¼³ï»ó Ñ³Û ³½·Çó áõÅÁ å³ñÙ³ÝÇ,

²ñ»õÇó ½³ïí³Í` ÉáõëÇÝÁ áÝó áñ,

95 th Anniversary of the Armenian Genocide

ØݳóÇÝ ÙdzÛÝ »ÕÝÇÏÝ»ñÝ ³ÝÑáõÛë`

ºñµ Ùáñ ëïÇÝùáõ٠ϳÃÝ ¿É ¿ñ ùݳÍ`

²Ý½áñ ÙݳóÇÝ, ÇÝãå»ë í³ÝùÇ ÏáõÛë,

¼áñùÝ... ûñáóùÇ ¹»Ù ·ñáÑÇ ·Ý³ó...

ØݳóÇÝ` ÃáõñùÇÝ ½ÇÝíáñ ·Ý³ó³Í Ð³Û ½áñùÇ Ù³Ûñ»ñÝ` ³Ý½áñ Ùݳó³Í,

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ØݳóÇÝ ùáõÛñ»ñÝ ³ÛÝ ¸³íÇÃÝ»ñÇ,

ú¯, ¸³Ýû, »õ DZÝã, Ïëáëϳ¯ñ á·Ç¹,

àñ óϳñ¹Ý ÁÝϳÝ, ÙݳóÇÝ ·»ñÇ,

» áñ ï»ëÝ»Çñ ѻջÕáõÙÁ ųÝï,

ÂáéÝ áõ ÍáéÝ»ñÁ Ù»ñ Ýáñ³ÃáÃáí,

γñÍ»ë ¹ÅáËùÁ¹` ·áõÛÅáí ¹ÅáËùǹ`

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úñáóùÇë µ³Ëí»ó ËáõÅáí ٳѳ߳ÝÃ... ²ÝÃÇí ùáõÛñ»ñÁ` »Õµáñ ϳñáïáí,

ÞßÙ»ó г۳ëï³ÝÝ ³ÛÝå»ë, áñ Çñ Ñ»ù

γñáïáí Çñ»Ýó ·áÕ³óí³Í ½áñùÇ,

¸³ñ»ñáõÙ ³Ûëå»ë ã¿ñ ßßÙ»É »ñµ»ù,-

¼áñù, áñ ½áÑ ¹³é³í ·³ÕïÝÇ ¹ÅáËùÇ,

γñÍ»ë Ñ»ùdzÃÇ íÇß³åÝ»ñÝ ¿ÇÝ

ØÝ³ó ³½·Ý, ÇÝãå»ë Ïáõë³ÝáóÝ ³Ýï»ñ,

ì³ÛñÇ íÇÑ»ñÇó ˻ɳ·³ñ ËáõÅáõÙ

àñ, ³í³¯Õ, ÙdzÛÝ ³ÕáÃ»É ·Çï»ñ,-

¸»åÇ ·ÛáõÕ»ñë, ù³Õ³ùÝ»ñë ÑÇÝ,

àõ ¹³ñÓ³í ³Ûëå»ë ³Ý³Ùñáó, ³Ý½áñù,

àñ ÝÇñÑáõÙ ¿ÇÝ áëÏ» ÙßáõßáõÙ,

سÝáõÏ Ð³Û³ëï³ÝÝ` Ñëϳ ÙÇ ûñáóù,-

Øáñë ³ãù»ñÇ ÝÙ³Ý ÙÇßï ɳó³Í

ºí ѳٳß˳ñÑÇ ³é³çÇÝ ë»õùáÕ å³ï»ñ³½ÙÁ ë»õ

гÛáó ³ß˳ñÑÁ ËáõÅ»óÇÝ Ñ³ÝϳñÍ`

ÂáõñùÇ ë»õ ·áñÍÁ Ïñ³Ï» ùáÕáí ͳÍÏ»ó Çñ »ï»õ`

гÝϳñÍ, û¯, ѳÝϳñÍ, ³¹³Ù³ÙáõÃǯÝ,-

ÆÃÃÇѳïÝ ³ë³í.

ºñÏñ³ß³ñÅ Ãí³ó »õ ²ñ³ñ³ïÇÝ...

§´³ÕÓ³ÉÇÝ Ñ³ë³í.

ÆÝãå»ë áÑÙ³ÏÁ í³·ñ»Ý³½ñ³Ñ

ê³ Ù»½ ¿ñÙ³Ýáõó åñÍáõ٠ϵ»ñÇ`

ÊáõÅ» »ÕÝÇÏÇ Ó³·»ñÇ íñ³`

Ðáõñ ÷³ñ¹Ç »ï»õ ¿É ã»Ýù ѳٵ»ñÇ,

ØáñÁ Ñáßáï», Ó³·»ñÇÝ áõï»,

²ÛÅÙ Ù»½ ÑëÏáÕ ³Ù»Ý å»ïáõÃÛáõÝ

Ò³·»ñÇÝ áõï», ÙáñÁ Ñáßáï»,-

ÈáÏ ÇÝùÝ Çñ ѳٳñ ÏÙݳ ³ñÃáõÝ,

²Û¹å»ë ·áñß ·³ÛÉÁ ѳ½³ñ³áÑÙ³Ï

êáëÏ ÇÝùÁ Çñ»Ý ÷ñÏ»É Ïç³Ý³.

ÊáõÅ»ó ÷³ñ³ËÝ»ñÝ Ñ³Ûáó ¹³éݳÏÛ³Ýù,

à±õÙ ¹³ñ¹Ý ¿ Ïïñ»É, áñ DZÝã Çٳݳ,

ÊáõÅ»ó, ËÅÁé»ó Í»ñÇÝ áõ Ù³ÝϳÝ`

» á±õÙ »Ýù çÝçáõÙ µáó ÷³ñ¹Ç »ï»õ,

ä»ë-å»ë Ó»õ»ñáí ó»Õ³ëå³ÝáõÃÛ³Ý,-

ÐÇëá±õë »Ýù óÕáõÙ, û± Ñ³Û ë»ñÙÁ ë»õ:

(àõñ Ù³ñ¹áõ ·áñÍÇó ·³¯ÛÉÝ ¿É ¿ ÝáÕÏáõÙ...):

Ø»ÍÝ Âáõñ³ÝÇ ×³Ù÷»Ý ϵ³Ý³Ýù`

²°Ë, ·Ý³Ýù, ѳ¯Ûñ ÇÙ, áñ ³ãùáí ï»ëÝ»ë

» í»ñçÇÝ Ñ³Ûáó í»ñçÇÝ í»ñçÁ ï³Ýù:

ÆÝã áñ ã»ë ï»ë»É ²ëïÍá ¹ÅáËùáõÙ,

ì³ÕÁ å³ï³Ýù ¿ Ñ³Û ÑáÕÝ` Ñ³Û ·ÉËÇݦ:-

سñ¹Ï³ÛÇÝ íßïÇ Ó»õ»ñÁ å»ë-å»ë,

ºí Ññ³Ù³Û»ó Ûáõñ ˳µíáÕ Ë³ÉËÇÝ

¼³ñÑáõñ³ï»ëÇÉ áõ ùëïÙݳٻÍ...

гݻÉ` ½ÇÝ»Éáí µ³Ýïí³Íáó ³Ý·³Ù.

Îï»ëÝ»ë, áñ ùá ¹ÅáËùÝ ¿É ãáõÝ»ñ,

§Ø»½ ½ÇÝíáñÛ³É ¿ Ïáõé Ù³ÝãÝ ¿É ½³ñϳÝ...¦:

²ÝÙ»Õ ¹ÅáËùÝ ¿É ùá ³ëïí³Í³ëï»ÕÍ,

ºí Ñ³Û ³åñÇÉÇ ùë³Ý »õ ãáñëÇÝ

àñ ï³Ýç³ñ³ÝÝ ¿ ÉáÏ Ù»Õ³íáñ³ó,

ì³·ñÁ ׳ÝÏÝ ³é³í Çñ »ÕÝÇÏ áñëÇÝ:

ØÇÝã ³Ûëï»Õ` í»ñçÝ ¿ ÙÇ ³½·-³ÝÙ»Õ³ó.

àõ ËáÉ Ñ³ÛïÝí»ó »ñÏñáõÙ ÏáÕáåïí³Í

ÆÝãå»ë ÛáÃݳûõ Ù³ñ¹ÏáõÃÛ³Ý Ñ³íùÇó

²ÛÝ, áñ ¹³ñ»ñáí ·³ÕïÝÇ ¿ñ Ïá÷í³Í`

Þù»Õ Ù»Ï Ã»õÁ åáÏ»ë »ñÏÝùÇó:

§Ð³Û³ëï³ÝÝ` ³é³Ýó ѳÛÇ... ú¯Ý, Ç ½»Ý...¦: àõ Ï»ë·Çß»ñáí »ñÏñáõÙ ³Ù³ÛÇ,

§Ð³ÛïÝí»ù »õ ¹á°õù, á¯í Ñ³Û ³ÝÙ³ÑÝ»ñ,

ºñµ Ëáñ ùÝ³Í ¿ñ г۳ëï³ÝÝ ³Ý½»Ý,

Æç»°ù, û Çñ³í ³ÝÙ³Ñ ¿ á·ÇÝ,

ÆÝãå»ë ûõ»ñÁ Ïïñí³Í µ³½»Ý,

¸á°õ ³ñ»õ سßïáó, ·»Ã ëïí»ñ¹ µ»ñ,

ºñµ Ëáñ ùÝ³Í ¿ñ Í»ñáõÏÝ Ñ³ÛáõÃÛ³Ý,

øá áõñí³Ï³ÝÝ ¿É Ù³Ñ ¿ ÙáÕáùÇÝ,

ºñµ Ëáñ ùÝ³Í ¿ñ Ù³ÝáõÏÝ Ñ³ÛáõÃÛ³Ý,

гÛïÝíÇñ »õ ¹á°õ, Ù»Í Ü³ñ»Ï³óÇ, 139

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

à°í ³ëïí³Í³å»Õ, ÙéÝã³ »õ ¹á°õ,

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¸á°õ, áñ µáõñí³éÝ »ë Ù»Í ³é»ÕÍí³ÍÇ,

ºí ³Ñ³ »ñµ áñ ·Çß»ñí³ ³ãùÁ ˳í³ñÁ ÏáË»ó,

àñ ÏßéáõÙ ¿Çñ Ù»Õù»ñÁ Ù³ñ¹áõ,-

ÈáõëÇÝÝ ²ëïÍá ѳí»ñųí³éÇÏ Ï³ÝûÕÁ ϳ˻ó

²ëïÍá å»ë ¿Çñ ²ëïÍá Ñ»ï ËáëáõÙ,-

Ø»ñ ·ÉËÇ íñ³` Ù»ñ ׳Ù÷³Ý»ñÇÝ,

ÆçÇ°ñ, áñ ³½·Ç¹ íÇßïÝ ¿É Ïßé»ë

àÉõ ³Ýí³Ë ³Ûó»Ýù ѳÛáó ¹»ñ½áñí³Í

Îáïáñ³ÍÝ»ñÇ É³µÇñÇÝÃáëáõÙ,

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Ù³Ñ-׳ٵ³ñÝ»ñÇÝ:

Ø»ÕùÇó ½³ñÑáõñ³Í` á˹ µáõñí³é»ë,

ºí ×»Õù»É ¿ÇÝù ·»ïÁ Ùáé³óÙ³Ý,

²Ñ»Õ ¹³ï³ëï³ÝÝ ³ß˳ñÑ µ»ñ»Éáí,

àñ ³÷ ¹áõñë ·³ÛÇÝù Ñáõß»ñÇ Ý³íáí,-

àõñ Ù»ÕùÝ ³Ýå³ïÇÅ áõ ¹»é íÇßïÝ ¿ Íáí:

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гÛïÝíÇ°ñ, áñ ·»Ã ÇÝù¹ ³ß˳ñÑ ·³ë,

Ö»Õù»Éáí í³ÛñÇ ë»½Á Ïáõë³Ï³Ý,

Èáõé ²ëïÁÍá ï»Õ Ç°Ýù¹ ÙéÝã³ë...¦:

ºí ³Ñ³ ÇÝã-áñ Ó³ÛÝ»ñ Éëí»óÇÝ,

Èáõé å³Õ³ï»óÇ »ë í»ñçÇÝ ³Ý·³Ù

ÜÇñÑáÕ Í³é»ñÇ ëáë³÷Ç ÝÙ³Ý,

سëÇëÇ ³éç»õ ÇÙ å³éݳë³É»é,

àõ ËáñùÇó ÇÝã-áñ ³ãù»ñ Ù³ñ¹Ï³ÛÇÝ

ºí ÇëÏáõÛÝ Çç³Ý Ù»ñ ³ëïí³Í³½³ñÙ

ܳۻóÇÝ ³Ñáí áõ ÝáñÇó Ïáñ³Ý,

гÛáó ٻͻñÇ á·ÇÝ»ñÝ ³ÝÙ»é`

àõ ´³·ñ»õ³Ý¹Ç ³Ûë É»éݳÑáíïáõÙ

ì³ÃëáõÝ ³ÝÙ³ÑÝ»ñÝ Ç٠г۳ëï³ÝÇ:

гÛïÝí»ó Ññ³ßù ÙÇ ¹³éÝ áõ ïñïáõÙ.-

ºí ¸³ÝÃ»Ý ßÇÏÝ»ó` ÇÝãå»ë å³ï³ÝÇ,

...ä³éÏ»É ¿ñ »ÕÝÇÏÝ, áõ Ýñ³ ÏñÍùÇÝ

ºñµ ܳñ»Ï³óÇÝ ³ë³ó. §Æ°Ù áñ¹Û³Ï,

ºñÏáõ ϳÃݳϻñ Ù³ÝáõÏÝ»ñ ï»ë³Ýù,

¸ÅáËùÝ ³ÛÝï»Õ ¿, áõñ åÇïÇ ·Ý³Ýù,

àñ ÍÍáõÙ ¿ÇÝ ÏáõñÍùÁ »ÕÝÇÏÇ`

àõñ ³Ûë Ù³ÝáõÏÁ Ù»½ ϳé³çÝáñ¹»,

Æñ»Ýó ³Ûë ïËáõñ µ³ËïÇÝ ³Ýï»ÕÛ³Ï:

àõñ ³ãù»¹ åÇïÇ Ðáñ¹³Ý³ÝÝ Ñáñ¹»`

²ãù»ñÁ ÃËÉÇÏ, ë»õáñ³Ï ¿ÇÝ

ØÇÝã Ù³Ûñ-²ñ³ùëë ó³Ù³ù»ó ɳÉáõó`

(ê»õ ß³ï ¿ ïí»É Ñ³Û ²ëïí³ÍÝ Ñ³ÛÇÝ...),

ÞÕóÛí³ÍÇ Ùáï ßÕóÛí³Í ·³Éáõó...¦:

γÃÁ ë³é»É ¿ñ Ù»ÏÇ ßñÃáõÝùÇÝ,

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ºÕÝÇÏÇ Ï³ÃÁ` í³°Û ï³Éáí... ÃáõñùÇÝ, §¸á¯õ ¿É ѳÛïÝíÇñ,- Ó³ÛÝ»óÇ,-ëá¯õñµ Ë»Õ,

ʳÕáõÙ ¿ñ ³ÝÑá· Ó³·Ý ¿É »ÕÝÇÏÇ

àñå»ë Ù»Í íÏ³Ý Ï»ëáõϻݹ³ÝÇ,

سÝáõÏÝ»ñÇ Ñ»ï` ÙÇ Ù³ÝáõÏÇ å»ë...

ø³Ý½Ç ³×ÛáõÝí»ó ÙÇïù¹ ѳÝ׳ñ»Õ,

àõ ݳÛáõÙ ¿ÇÝù ³ãùáí ½³ñÙ³ÝùÇ,

ÈáÏ ëÇñï¹ ÷ñÏí»ó, á¯í Ù»Íëñï³ÝÇ,

ºñµ Ù³Ûñ »ÕÝÇÏÁ ·ÉáõËÁ Íé»ó

¼áÑ»óÇñ ÙÇïù¹ ëñïáí ³ñݳù³Ù,

àõ Ù»ÕÙÇÏ Éǽ»ó Ù³½»ñÁ Ù»ÏÇ:

²°Ë, í³¯Û Ã» ½áÑíÇ ëÇñï¹ ³Ûë ³Ý·³Ù,

àõ ÙÇ Ùáñ ÝÙ³Ý ³Ýï³éÝ Ñ³é³ã»ó,

» ³Ûë ¿É ï»ëÝ»ë` ÇÝã åÇïÇ ï»ëÝ»Ýù,

гé³ã»ó ËáõÙµÝ ¿É Ù»ñ µ³½Ù³á·Ç,

ºñµ ÛáÃݳ¹ÅáËù ¸»ñ ¼áñÝ»ñÝ Ñ³ëÝ»ù,

àõ ݳÛáõÙ ¿Ç, ÙïáñáõÙ ë³Ï³ÛÝ,

ú¯, ѳÛñ ÎáÙÇï³ë, ·»Ã ëñïáí ¿É »Ï`

» á±õñ ¿ Ýñ³Ýó Ù³ÛñÁ ÇëϳϳÝ...

¸³ï»Éáõ ѳÛáó ÏáñáõëïÝ ³Ý»½»ñù...¦,-

ØÇÝã ³Ûë óËÇÍÝ ¿ñ ÇÙ ëÇñïÁ ÏñÍáõÙ `

´³Ûó ãѳÛïÝí»ó` ûÏáõ½ É»½í³ÏÁ

î»ë³, áñ ¸³ÝÃ»Ý ÅåïáõÙ ¿ ÏñÏÇÝ,

åáÏ³Í ½³Ý·ë Ýáõñµ,

ºí ³ãùÝ áõ ѳ۳óùÝ` Çñ Ñá·áõ É»½áõÝ`

²°Ë, ÙÇûõ³ÝÇ Ùݳó³Í ëá˳ÏÝ ÇÙ ³Ù»Ý³ëáõñµ:

úñÑÝáõÃÛ³Ý å»ë ¿ñ Ó·»É »ÕÝÇÏÇÝ... Ö¯, ·Ý³°Ýù, ¸³Ýû, áõ ׳Ù÷³ ÁÝÏÝ»Ýù,

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àõ ù»½ ¹»é ³ÝѳÛï Ù»ñ ׳Ù÷³Ý»ñÇÝ

ºí ׳Ù÷³ ÁÝϳÝù Ù»Ýù á·»ÉéÇÝ

¶áõó» Ýñ³Ýó Ùáñ ÙÇ Ù³½Á ·ïÝ»Ýù,

¸»åÇ »Õ»éÝÁ` ³½·Ç ÛáÃÝ ³Íáõ,-

ºí ·áõó» ³ÛÝï»Õ ùá ßñÃáõÝùÝ»ñÇÝ

ºí ÉáÏ ³ëïÕ»ñÁ Ù»½ ׳Ù÷áõ ¹ñÇÝ`

ÄåÇïÁ ѳݷãÇ áõ ëñï³Ï»Õ»ù`

àñå»ë ³ãù»ñÁ ѳÛáó ²ëïÍáõ:

¸áõ »ñ³ÝÇ ï³ë ³Ûë Ù³ÝáõÏÝ»ñÇÝ,

95 th Anniversary of the Armenian Genocide

àñáÝó ³Ûë í³ÛñÇ »ÕÝÇÏÝ ¿ ÷ñÏ»É,

²Ûë ³Ýѳñëݳó³Í ѳñëÝ»ñÝ ÐÇëáõëÇ,

ØÇÝã Ù³ñ¹Á ÙÇ³Ï ÙáñÇó ¿ ½ñÏ»É...

²ñųÝÇ ëÇñáõÛÝ ÉáÏ øñÇëïáëÇ,

´³Ûó ¹»é ßÇÃÝ ¿ Ù»ñ Íáí »Õ»éÝÇ,

ì³ÝÇó, î³ñáÝÇó, ê³ëáõÝÇó ѳÝíáõÙ `

àñ Ù»ñ ÏáÏáñ¹Çó Ýáñ åÇïÇ µéÝÇ...

¸»åÇ ¹ÅáËù »Ý ¹ñ³ËïÇó í³ÝíáõÙ,

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ºí ÇÝãå»±ë Ù³ñÙÇÝÝ Çñ ëÇñïÁ ï³ÝÇ,

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Ø»ñ ËáõÙµÁ ׳Ù÷Çó ÁÝÏñÏ»ó ÙÇ ù³ÛÉ

ºñµ ëñïÇó Ï³Ë ¿ ÑáÕÁ ѳÛñ»ÝÇ:-

àõ Ùï³ë»õ»é ݳÛáõÙ ¿ñ ÉéÇÝ, àõ ¹»é ·³ÉÇë ¿ñ ³ÙåÇ å»ë Ùé³ÛÉ,

̳éë ¿ÇÝ Ñ³ÝáõÙ áËáí ÑÝûñÛ³

ÊáÉ áõ ËéáíÛ³É ·»ïÁ Ù³ñ¹Ï³ÛÇÝ,

Âáõñù»ñÁ ÓÇ»ñÝ ³ÙµáËÇ íñ³`

Ò·íáõÙ ¿ñ »ñÃÁ ѳé³ãùáí ·áóí³Í,

سÑí³Ý ùß»Éáí ³Ýï»ñ ³ÙµáËÇÝ,

ÂáÕ³Í ì³Ý áõ Øáõß áõ ÃáÕ³Í ´»ñÏñÇ,

²é³ç ÙÕ»Éáí »ï ÙݳóáÕÇÝ...

гÛáó »ñÏÇñÁ ÙÇ ëÇñï ¿ñ Ëáóí³Í` àõ »ñÃÁ ϳñÍ»ë ÙñÙáõÝçÝ ¿ñ »ñÏñÇ.

гÝϳñÍ Ñ³ÛïÝí»ó` ½ÇÝ³Ù³Ñ Éé³Í

Ð³Û Ù³Ûñ»ñÝ ¿ÇÝ, Ñ³Û ùáõÛñ»ñÝ ¿ÇÝ`

гÛñ ÎáÙÇï³ëÁ` ³ãù»ñÁ ãé³Í,

ÞÕÃ³Ý áïù»ñÇÝ áõ ß³ÝÃÝ ³ãù»ñáõÙ,

¸áÕ³óÇÝ ·áõݳï ßáõñûñÁ ϳñϳÙ,

¶»ÕçáõÏÝ»ñ ¿ÇÝ, áñáÝó ·»ñ³Ý¹ÇÝ

ÆÝãå»ë Ï»ë Ù³ÑÇó ÷³Ë³Í áõñí³Ï³Ý:

Ò»éùÇó ËÉ»É ¿ñ áëáËÝ ³ñï»ñáõÙ,

Èáõé ³ñӳݳó³í, ÇÝãå»ë ¹ÅáËùáõÙ,

ÞÕÃ³Û»É Ó»éù»ñÝ áõ »ñÏñÇó ѳÝáõÙ `

âéí»óÇÝ ³ãù»ñÝ` ³é³í»É ëáëÏáõÝ,

¶É˳ï»Éáõ ¿ñ ÇÙ ³½·ÇÝ ï³ÝáõÙ...

êñïáí ¹»é ϻݹ³Ý, Ùïùáí ³Ý½ñ³Ñ`

´³Ûó áí »ï Ùݳñ »ñÃÇó ÙÇ í³ÛñÏÛ³Ý`

²ë»ë Éáõé Ù»Ëí»ó ³ÙµáËÇ íñ³,

Üëï»ñ ÙÇ ù³ñÇ, áñ ѳݷëï³Ý³ñ,

ø³ñ³ó³í` ÙÇÝã»õ ù³ñí³ÝÁ ùßí»ó`

¶»ïÝÇÝ ÏÙË»ñ ·Ý¹³ÏÁ Ýñ³Ý,

î»Õ³Ñ³Ý Ñ³Û ³½·Ý ³ÝÑ»ï Ùßáõßí»ó

àñ ³ÛÝ ù³ñÇ å»ë ¿É í»ñ ãϻݳñ...

¸»Õݳ¹³·³ÕáõÙ ³Ý³å³ïÝ»ñÇ,

ø³ßáõÙ ¿ñ ³ÑÇó Ó»éùÁ Ù³Ûñ³Ï³Ý

àñáÝó ³ÉɳÑÝ ¿É ¹Åí³¯ñ û Ý»ñÇ...

øݳÍ, µ³Ûó ³ÑÇó ù³ÛÉáÕ Ù³ÝáõÏÇÝ, ´³Ûó Ù³ÝáõÏÝ Ñ³ÝϳñÍ, ï»ñ»õÇ ÝÙ³Ý,

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Øáñ Ó»éùÇ Í³éÇó ÁÝÏÝáõÙ ¿ñ ·»ïÇÝ,

ÎÝ×éíáõÙ ¿ÇÝù, áõ »ñÃÁ ϳñÍ»ë

лÍíáñÁ ѳëÝáõÙ ` ½³ñÏáõÙ ¿ñ ëñáí,

ÆÙ Ëáóí³Í áõ Ëáñ ëñïÇó ¿ñ »ÉÝáõÙ,

ÊáóáõÙ ¿ñ ³Ý·³Ù Ù³ÝϳÝÁ íïÇï,

лé³ÝáõÙ »ÉÝáÕ Ñ³é³ã³ÝùÇë å»ë,

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Ö½ÙáõÙ ¿ñ ÙáñÁ... Çñ ëÙµ³ÏÝ»ñáí` »± §ÆÝãá±õ, ·Û³íá°õñ, »ï Ùݳó áñ¹Ç¹,

´³Ûó ³ñóáõÝùÇë å»ë ³ãùÇë Ù»ç ÙÝáõÙ:

¶Ý³°,áñ ï»ëÝ»Ýù ´³Õ¹³¹Ç ËáõñÙ³,

ºí ³ñï³ëíáõÙ ¿ñ ÉáõëÇÝÝ ¿É ϳݷݳÍ,

²Ý³å³ïÝ` ³ãùǹ ³í³½» ëáõñÙ³...

سÑÇó ÷ñÏÁí³Í Ùáñë å»ë ÉéÇÝ,

Ò»ñ г۳ëï³ÝÁ ¿É ã»ù ï»ëÝÇ ¹áõù,

ø³Ý½Ç ùßáõÙ ¿ñ áëáËÁ ϳݳÝó`

âåÇïÇ Ùݳ áã ÙÇ Ñ³Û Ù³ÝáõÏ:

ÈáõëÝÇó ¿É ³ÝÙ»Õ ÉáõëÝÇ ùáõÛñ»ñÇÝ, Üáñ ѳñë-Ù³Û»ñÇÝ, ùáõÛñ»ñÇÝ ÇÙ ÏáõÛë,

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ì³ñ¹-³ÕçÇÏÝ»ñÇÝ ï³ÝáõÙ ¿ ݳ ¹áõñë`

ºñµ í³Ý¹³Ï ¹ñí³Í ³ñïáõÛïÝ»ñÇ å»ë

سÑÇ× ¹³ñÓÝ»Éáõ Çñ ·Çß»ñÝ»ñÇÝ...

øßíáõÙ, ï³ñíáõÙ »Ý í³Ý¹³ÏÝ Ññ³Ï»½`

¸áõñë ¿ÇÝ ï³ÝáõÙ, áñ ËáÉ ÏáñͳݻÝ

²Ý³å³ïÝ»ñÁ` ѳ½³ñÝ»ñÝ ³Ûë ѳÛ,

ÐÕÇ Ñ³ñëÝ»ñÇÝ, áñ ¿É ãÍÝ»Ý,

г½³ñ-ѳ½³ñÝ»ñÝ ³Ûë ѳ½³ñ³í³Û,

àñ Ù³ÕíÇ ³½·Á-Ó»é ù³ß» سëëÇó,

²Ûë ·»ÕçáõÏÝ»ñÁ »õ ³Ûë ·»ÕçÏáõÑÇù,

âù³Ý³ ѳÛÁ »ñÏñÇ »ñ»ëÇó...

²Ûë å³ñÙ³ÝÝ»ñÝ, ³Ûë å³ñÙ³ÝáõÑÇù,

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гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

ú¯, ã·³°ë, ÐÇëá°õë, û ¹»é åÇïÇ ·³ë`

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ø»¯½ ¾É Ïï³Ý»Ý ˳ã»Éáõ... ã·³¯ë...

гí³ï³°, ¸³Ýû, سëÇëÝ ¿ íϳ,

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ìϳ ϵ»ñ»Ù µáÉáñ ³ëïÕ»ñÇÝ, ¶Çß»ñ ìßï³ÑáõßÇ

ÎÙñó»ñ ѳÛáó ÑáÕÝ ¿É »ñ»Ïí³` ºñÏݳÛÇÝ µáÉáñ ùá ¹ñ³ËïÝ»ñÇÝ:

ºë ÑÇßáõÙ »Ù ÇÙ³ëïáõÝÇ ËáëùÁ` íßï»ñ ϳÝ,

гÛáó »¹»ÙÝ ¿ñ ³ÛÝ ÑáÕÝ ³Ýë³ÑÙ³Ý,

áñáÝó Ùáé³óáõÙÁ í³ñ¹»ñ ϵ³Ý³ ϻݳó å³ñ﻽-

ºí Ù³ÝÏáõó ³ÝÙ»Õ ³ãù»ñÇë ÝÙ³Ý

ÙáõÙ. íßï»ñ ϳÝ, ë³Ï³ÛÝ, áñáÝó Ùáé³óáõÙÁ Ù³Ûñ ¿

´³ó ¿ñ ѳÛáó ¹áõéÝ ³Ù»ÝùÇ ³é³ç`

Ýáñ íßï»ñÇ, ³Û¹ Ñ»ïù»ñÝ »Ý å³ï»ñ³½ÙÇ` áñ¹»Ïá-

»° ùáõñ¹Ç ³é³ç, û° ³Ý·³Ù ÃáõñùÇ

ñáõÛë íßï»ñÁ Ù³ñ¹Ï³ÛÇÝ Ñá·ÇÝ»ñáõÙ. í³°Û Ùáé³óá-

êáõñµ ³Õ áõ ѳóáí Ù»ñ ëÇñ³Ñ³é³ã,

Õ³ó` ·áãáõÙ ¿ ¹³ñ»ñÇ Ù³·³Õ³ÃÛ³ ÇÙ³ëïáõÃÛáõÝÁ,

êÇñ³ë÷Ûáõé ¿ñ ܳñ»ÏÝ Ñ³Û ËáõÝÏÇ,

í³°Û Ùáé³óáÕÝ»ñÇÝ` ·áãáõÙ ¿ ëÇñïë, ëÇñïë` å³-

êÇñá ³é³çÇÝ ·Çß»ñí³ ÑáõÛëáí`

ï³éáïí³Í »ñ»Ïí³ ³Ñ»Õ å³ï»ñ³½ÙÇ ¹³ßï»ñÇ

гñë³Ýù³ï³Ý å»ë ß»ÝßáÕ ¿ñ ì³ÝÁ,

ÝÙ³Ý. áõñ»ÙÝ µ³É³ë³Ý ã»ë ³ÛÅÙ, á°í Ùáé³óáõÝù,

Ð³Û ·ÇÝáõ ÑÝÓ³Ý Çñ Ù³Ûñ ²ñ³ùëáí

í»°ñ ϳó»ù, á°í Ù»Í áõ ÷áùñ ³½· áõ ó»Õ»ñÇ Ù»Í áõ

Êñ³Ë׳ÝáõÙ ¿ñ Ñ³Û Ü³ËÇç»õ³ÝÁ`

÷áùñ áñ¹Çù, ·Ý³Ýù Ç ÙÇ á·Ç³ó³Í` ³Ù»Ý ëñïáí

ÚáÃÝ Ñ³½³ñ ï³ñí³ ÑÇÝ ·ÇÝáí ÜáÛ³Ý

Ù»Ï` ³ß˳ñÑáí Ù»Ï ³ñÃݳóÝ»Éáõ ËÇÕ×Á... »ï í»ñó-

(àñÇ ÙÇ Ã³ëáõÙ ½áñù»ñ ¿É Ïáñ³Ý...),

Ý»Éáõ ÑáÕ»ñÝ Ç٠ѳÛáó, سëÇëÝ ÇÙ ·»ñÇ...

î³ñáÝÇó ÙÇÝã»õ ¹³ßï»ñÁ î³Ûáó, ØÇÝã Ô³ñ³µ³ÕÁ` ²ñó³ËÁ ѳÛáó`

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àõ ·ÝáõÙ ¿ÇÝù, »õ ¹»é ˳í³ñáõÙ

Æ Ñáõß ²ñï³ß»ë ²ß˳ñѳϳÉÇÝ, ºí Ñ³Û Ïé³ÝÝ ¿ñ ½Ý·áõÙ Ñ³Û ë³ÉÇÝ,

ÈáõÛëÇ ¹³·³Õ ¿ñ ³Ù»Ý ËáñßÝ ³ë»ë, ÈáÏ ³ëïÕ»ñÝ ¿ÇÝ Ù»½ ÙËÇóñáõÙ,

ÆÝãå»ë ÇÙ ÏñÍùÇó ÇÙ ëÇñïÝ ³Ýµ³Å³Ý,-

سÑÇó ÷ñÏÁí³Í Ù³ÝáõÏÝ»ñÇ å»ë,-

´³Ûó åáéÝϳó³í Ù»ñ µ³ËïÁ ¹³Å³Ý,

àõ »ë Ù»ñà ݳÛáõÙ ¸³ÝûÇÝ Ùé³ÛÉ

²ÛÝå»ë, áñ ¸³ÝÃÝ ¿É` û Ñ³Û ¹ÅáËùÁ

àõ ï»ÝãáõÙ ¿Ç ѳÙñ ï³Ýç³Ýùáí,

ͳÛñ»Í³Ûñ ï»ëÝÇ`

àñ Ëáë»ñ, µ³Ûó ݳ ÉéáõÙ ¿ñ ¹³ñÓÛ³É,

ì³¯Û Ã» Ï»ë ׳Ù÷ÇÝ ³Ûë ÎáÙÇï³ëÇ Ë»ÕÙ³ÝÁ ѳëÝÇ:

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ÆÙ íÇßïÝ ¿ñ ÏßéáõÙ ³ãùÇ Ïß»éùáí.

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Ø»ñà ÙÇ ÏÝ×ÇéÝ ¿ñ ׳ϳïÇÝ ãáùáõÙ,

ºí ÇçÝáõÙ ¿ÇÝ Ñáí»ñÁ Ù»½ Ñ»ï,

Ø»ñà ³é»ÕÍí³ÍÁ Ýñ³ ÉéáõÃÛ³Ý

øÝ³Í í³ñ¹»ñÇÝ Ñ³ÙµáõñáõÙ, ³ÝóÝáõÙ,

ÂíáõÙ ¿ñ ѳÛáó íßïáí ¿ ËáÏáõÙ,

¸»é ϳ˳ñ¹áÕ ¿ñ áõÕÇÝ Í³Õϳí»ï

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ºí Éáõé ·³ÉÇë ¿ñ ݳ ¿É Ù»½ ÝÙ³Ýàïݳѻïù»ñáí Ù»Í Ü³ñ»Ï³óáõ,

ú¯, ïá°õñ ¹ÅáËùǹ É»½áõÝ å³ï³Ýáõë,

àñ ÁÝóÝáõÙ ¿ñ ï»ëùáí ²ëïÍáõ,

îá°õñ, áëÏ»½ûͻ٠ßáõñûñë ³Ý»Íùáí.-

¶É˳íáñ»Éáí á·»ÑáõÛÉÁ áÕç

ºë ³ñïáõÛïÝ ¿Ç ¹³ßï»ñÇ Ù»ñ ÏáõÛë

Ø»ñ ËÕ×Ç »ñÃáí` ѳíÇïÛ³Ý ³ÝËáÝç:

ºí ÉÇùÝ ¿ñ Ù³ÝáõÏ Ñá·Çë Ñdzóùáí,

ºí ³ÝóÝáõÙ ¿ÇÝù ·ÛáõÕ»ñáí ³Ù³

ì×Çï ѳ۳óùáí ¿Ç Ý³ÛáõÙ »ë

Ø»Ýù ³ÝËáó»ÉÇ, áñå»ë ÉáõÛë áõ Ù³Ñ,

سñ¹áõÝ áõ í³·ñÇÝ áõ í»ñ` ³ëïÕ»ñÇÝ,

àñå»ë µáõñÙáõÝùÁ µ³É³ë³Ý ͳÕÏÇ

Ü»ñÇ°ñ, û ÑÇÙ³ ÙÇ Î³Û»ÝÇ å»ë

γ٠³Ýϳë»ÉÇ »ñÃÁ ÉáõëÝÛ³ÏÇ:

úÓ»Õ»Ý ³ãùáí ݳۻ٠³ß˳ñÑÇÝ, ø³Ý½Ç ݳ ¹³ñÓ³í` ÉéáõÃÛ³Ùµ Çñ ã³ñ`

142

95 th Anniversary of the Armenian Genocide

â³ñ Ñ»ë³Ý³ù³ñ ³Ûë ۳óճÝÇÝ,

ò»Õ³Áëå³ÝÇ ×³Ù÷»Ý ãù³Ý¹áÕÝ` ѳ½³ñ ϵ³Ý³...

ʳã»ó Ù»ñ ÑáõÛëÁ áõ åáéÝϳݻÏï³ñ ܳñ·ÇÉ» ÕñÏ»ó ëáõÉÃ³Ý áõ ˳ÝÇÝ,

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àñ Ù³ÑÇÏÇ å»ë ݳÛáõÙ ¿ñ ݳ í³ñ`

²Ù»Ý ÙÇ Ëñ×ÇÃ

» áÝó »Ý ×á×áõÙ Ù»½ ϳ˳ճÝÇÝ,

úñáóù ÙÇ í×Çï,

ܳÛáõÙ ¿ñ ³ß˳ñÑÝ áõ ã¿ñ ½³ñÙ³ÝáõÙ,

ƯÝã ÙÇ, ǯÝã ÛáÃÁ,

» á°Ýó ¿ñ ³Ý½áõÛ· ÙÇ ³½· ãù³ÝáõÙ:

Ìá°í ¿ ÇÙ µáÃÁ...

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...à°í ¹áõ ¹ÅáËùáõÙ ÍÇÍ³Õ³Í ¸³Ýû, *

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àõ Çç³Ýù, áñå»ë ëáõñµ ËÕ×Ç Üß˳ñ`

ØDZû ãåÇïÇ ³ñóáõÝù¹ ϳû,-

¸»åÇ ¹»é ³ÛñáÕ ëåÇÝ íßï»ñÇ,

ÐÇß»óDZñ ³ÛÅÙ ßáõÝãÁ ¹ÅáËùÇ,

¸»åÇ ì³Ý, ´ÇÃÉÇë, ¹»åÇ Ñáõß³ß˳ñÑ,

´³Ûó ³Ûë »ñ»ù µáõé ÙáËÇñÁ µáÕµáç`

¸»åÇ ³ÝÙ³ÑÁ Ù³Ñí³Ý ¹³ßï»ñÇ,

ºñ»ù ϳÃÇÉÁ Ýñ³Ýó Ùáñ ³ãùÇ`

¸»åÇ Î³ñë, γñÇÝ, ¹»åÇ Øáõß, î³ñáÝ,

ÊáñÝ »Ý, ù³Ý »ñ·Ç¹ ²Ë»ñáÝÁ áÕç,

²å³ ÎÇÉÇÏdz »õ ³å³ ʳñµ»ñ¹,

àõ ã»Ù ѳí³ïáõÙ, û ÉéáõÙ »ë ¹»é.

¸»åÇ ¸»ñ ¼áñÇ ¹ÅáËùÝ ³Ýù³ñáÝ,

⿱ Éáõé ¿ ÙáÙÝ ¿É` ³Ûñí»Éáí ѳÉãáÕ,

¸»åÇ ³ëïÕ³ÃÇí ½áÑ»ñÝ ÇÙ ³ÝÑ»ï,

²ñ¹»Ý ËáݳñÑáõÙ ·Éáõ˹ ³É»Ñ»ñ`

¸»åÇ Ñ³Û³Ë»Õ¹ ·»ï»ñÝ Ç٠ѳÛáó,

²åß³Ýù¹ ¿ Ù³ïÝáõÙ ßßáõϹ ѳé³ãáÕ.

¸»åÇ Ù³Ûñ ²ñ³ùë, º÷ñ³ï áõ îÇ·ñÇë,

¶Çï»Ù ` ã»ë ï»ë»É ¹ÅáËùáõÙ ùá Ù³é

àñ ѳÛáó ¿ÇÝ, µ³Ûó ¹³ñÓ³Ý í³Ûáó...

سÑÝ ³Ûëù³Ý ¹ÅÝÇ »õ ³Ûëù³Ý ³Ý·áõÃ,

¸»åÇ ÍáíÇó ÍáíÝ ³ñݳÍáí »ñÏñÇë,

´³Ûó Ïáõ½»Ù ù»½Ýáí ³ß˳ñÑÝ ¿É µ³Ý³ñ

¸»åÇ ÇÙ ÖáñáËÝ` ѳÛáó ²Ë»ñáÝ,

Æ٠ѳÛáó íßïÇ í³ñ³·áõÛñÁ ÙáõÃ,

¸»åÇ ²Ë»ñáÝ áõ ¹»åÇ ø³ñáÝ,

Âù»ñ ÇÝùÝ Çñ³ ÉéáõÃÛ³Ý íñ³,

¸»åÇ Ë»Õ¹í³ÍÝ»ñÝ ³ÝÙ»Õ º÷ñ³ïÇ« »õ

àñ ¹»é ßÕó ¿ Ûáõñ ËÕ×Ç É»½íÇÝ:

²ñ³Í³Ýáõ,

â¿`, ÙÇ³Ï ËÇÕ×Á ß³ÑÝ ¿ñ ÑÝûñÛ³,

¸»åÇ ¹ÅáËùÁ ѳÛáó »Õ»éÝÇ` Ñ»ïùÁ µáñ»Ýáõ,

Üáñ³¹³ñ ß³ÑÝ ¿ Ûáõñ ÙÇ³Ï ßíÇÝ`

àõñ åÇïÇ Ù»ÕùÇ ÏáÏáñ¹Çó µéÝÇ

àõÙ »ñ·Ç ï³Ï ¿ ²ëïí³Í ¿É å³ñáõÙ

äñÏí³Í µéáõÝóùÁ Ñ³Û ³ñ¹³ñáõÃÛ³Ý...

Þ³Ñáí ÝáÕϳÉÇ ³Ûë ß³Ñ ³ß˳ñÑáõÙ...

ØDZû ²ëïí³°Í ÇÙ, ãåÇïDZ ѳéÝÇ

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ÊÕ×Ç ³ñ·³Ý¹Çó Ù³ÝáõÏÝ Ñ³ïáõóÙ³Ý:

¶àÔ¶à²ÚÆ ¶ÆÞºð *

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ºí ³Ûë ÏáÕÙ ÃáÕÇÝù سëÇëÝ ÇÙ ÑáõÛëÇ` Ø»Ýù ³ÛÝ ÏáÕÙ ³Ýó³Ýù, áñ íÇßïë ËáëÇ:

ºí ¹á°õ, ÇÙ Ñ»é³íáñ »Õµ³Ûñ, Ý»·ñ ÅáÕáíáõñ¹, ¹á°õ, áñ ÇÙ Ñ³Û ÅáÕáíñ¹Ç µ³½Ù³ï³Ýç ³ÝóÛ³ÉÝ áõÝ»ë, ³ÛÅÙ, ǵñ»õ Ý»ñϳ, ¹áõ, áñ íßïÇ Ù»ç ¿É, ϳÙùǹ

ºÉ³í ÉáõëÇÝÁ, Ù³ßÏ³Í ·³Ý·Ç å»ë`

ßÕóÛí³ÍáõÃÛ³Ý Ù»ç ¿É »ñ· »ë ëÇñáõÙ, ù³Ý½Ç ÙdzÛÝ

ʳãí³Í ÐÇëáõëÇ ·³Ý·Á Ãí³ó Ù»½,

ã³ñÁ »ñ· ãáõÝÇ, ¹á°õ, áñ ³ñ»õÇ Ñ³ÙµáõÛñÝ»ñÝ áõÝ»ë

»± ß³Õ³÷Ý ¿ÇÝ »ñÏñáõ٠ó÷Ã÷í³Í

³ñ۳ݹ Ù»ç, »°Ï ¹áõ ¿É ùá èáåëáÝÇ` Üdz·³ñ³Ûǹ

É»ñϳ·³Ý·»ñÇ,²Ûë ûñÁ ÏÁÝÏÝÇ` áí ͳÍÏ» ÍáíÁ Ãáõñù³ó Ù»Õù»ñÇ, ÈáËÙ³Ýáõ ³ãùÇó í»ñùÁ óùóÁÝáÕÝ ³ÝµáõÛÅ ÏÙݳ,

ÙéÝãÛáõÝáí, Üdz·³ñ³Ûǹ, áñ û»õ ųÛé»ñǹ Ù»ç ·³Ñ³í»Å Ý»ÕíáõÙ ¿ ¹»é, óáõÛó ï³Éáí ¹³éÁ Ý»ñϳÛǹ å³ïÏ»ñÁ ù»½, µ³Ûó ùá èáåëáÝÇ ÝÙ³Ý ¿ ùá ÑáõÛëÇ »ñ·Á áñáï³óÝáõÙ µéÝáõÃÛ³Ý Å³Ûé»ñÇ Ù»ç ¿É: ¸áõ ë»õ »ë: ´³Ûó ѳɳͳÝùÝ»ñÇ ë³ëïÏáõÃÛáõÝÁ Ñá·Ç¹ 143

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

ßÇϳó³Í »ñϳÃ-ϳñÙÇñ ¿ ¹³ñÓñ»É. ¹áõ ë»õ³ÃáõÛñ

Ð³Û ÅáÕáíñ¹Ç ëÇñïÁ ³ñÛáõÝ ¿...

»ë, ÇÙ Ñ³Û ÅáÕáíáõñ¹Á ëÇñáõÙ ¿ ù»½, ³Ýµ³Å³Ý ¿,

²Ûë DZÝã ³ñÛáõÝ ¿, ï»°ñ ÇÙ, áÕáñÙ»³°,

³Ý»ÕÍ ¿ ³Û¹ ë»ñÁ. ݳ ϳñÙÇñ ϳϳ㠿, ¹áõ ϳϳãÇ

ػճ° ³ãù»ñÇë, áñ ï»ë³, Ù»Õ³°,

ëñïÇ Ù»ç »ë ÙÇßï ùá ëÇñáí, ÇÝãå»ë ϳϳãÇó ³Ýµ³-

î»ëÝ»ÉÝ ¿É Ù»Õù ¿` á¯õñ Ùݳó ·áñÍ»É...

Å³Ý ë»õ³Ã³íÇßÁ ϳϳãÇ: º°Ï »õ ³ãùáí¹ ï»ë »õ ¹áõ

ì³ÃëáõÝ Ñ³½³ñ ·ÛáõÕ` û° Ù³ÝáõÏ, û° Í»ñ,

¿É ·áóÇñ Ýáñ å³ï»ñ³½ÙÇ ×³Ý³å³ñÑÝ»ñÁ: Ø»Ýù`

ØáñÃí»óÇÝ` ²ëïÍá ëÇñïÝ ¿É ϹáÕ³,

ѳۻñë, Ïáïáñí»óÇÝù: â»Ù áõ½áõÙ áõñÇßÝ»ñÝ ¿É ³ñ-

²ÝÓñ»õÇó ³Ý·³Ù ³ñÛáõÝ ÏóáÕ³,

ÛáõÝáïí»Ý. ³ÝÑÇß³ã³ñ ¿ ÇÙ ¹Åá˳Ëáó ëÇñïÁ:

²ÙåÁ ¸»ñ ¼áñÇ ÇÙ Ñ³Û ½áÑ»ñÇ ²ñÛáõÝÝ ¿ ËÙ»É µ»ñ³Ýáí ã³ñÇ,

ºí Éáõé Íáí³÷ÇÝ Ùé³ÛÉ ·Çß»ñí³

²ñÛáõÝ ÏÙ³Õ» ³ß˳ñÑÇ íñ³

ÈáõëÝÇ Ù³ÑÇÏÝ ¿É` áñå»ë ݳí³ëïÇ,

ÆÙ ³ñóáõÝùÇ ùáõÛñ ³ÝÓñ»õÝ ¿É Ýñ³:-

´³óáõÙ ¿ ³ÙåÇ ³é³·³ëïÝ ³Ñ³, àñ Íáí ·óÇ Ý³íÝ áõ Ù»½ áõÕ»ÏóÇ,

ºí ½³ñÑáõñ³µÇµ ³ãù»ñÁ óñÃáõÙ `

àõ½áõÙ ¿, ³ë»ë, ÷áñÓáõÃÛ³Ý ÙáõÃÇó

Ð᷻ѳݷÇëï ¿ñ ½áÑ»ñÇÝ Ï³ñ¹áõÙ

Ø»½ ¿É Éáõë³íáñ ³÷»ñÁ ѳݻÉ,-

¸³Ýû³¹ÅáËù Ù»ñ áÕç ׳Ù÷»ùÇÝ,

´³Ûó DZÝã Çٳݳ, û ÇÝùÁ Ù³ÑÝ ÇëÏ

²ë»ë ßÇñÇÙ ¿ñ ¹ÝáõÙ áÕç ³½·ÇÝ:

âÇ Ï³ñáÕ Ù»ñ ëáõñµ »ñÃÁ ˳÷³Ý»É,

Ð᷻ѳݷÇëï ¿ñ ËÝϳñÏáõÙ Ëáëùáí`

âÇ Ï³ñáÕ áã ÙÇ Å³ÝÇùÝ ¿É ã³ñÇ.-

²é³Ýó µáõñí³éÇ áõ ³é³Ýó ËáõÝÏÇ,

¶ÝáõÙ »Ýù µ³Ý³Ýù ³ãù»ñÝ ³ß˳ñÑÇ`

²ãùÇ µáõñí³éáí, ³ñóáõÝùÇ ËáõÝÏáí.-

Æñ ãáñë ³ãù»ñÁ`³ñ»õ»Éù, ÑÛáõëÇë,

Ø»ñà ÙÇ ·³Ý·Ç ¹»Ù ·³ÉÇë ¿ñ ÍáõÝÏÇ,

гñ³í, ³ñ»õÙáõïù, áñ ·áóí³Í »Ý ¹»é...

Ø»ñà ÙÇ ¹Ç³ÏÇ ³éç»õ ѳé³ãáõÙ,

àñ ãáñëÝ ¿É ÑáõÛëǹ ³ãù ã»Ý, á°í سëÇë...

Ø»ñà áÕµáõÙ ` ÇÝãå»ë ï³×³ñÝ ³í»ñí³Í,

- ¶»Ý ëå³ÝáÕ ¿ ѳÛïÝí»É, ³½·»°ñ,

Ø»ñà ÙñÙÝçáõÙ ¿ñ áõ Ù»ñà ÙéÝãáõÙ `

¼áñ³Ý³` Ó»½ ¿É ϳÝÇ ë»ñÙݳٻé,

î»ëÝ»Éáí Ù³ÝáõÏ áõÕ»ÕÝ»ñ óñí³Í,

Ò»ñ Ù³ÝϳÝó ûÉáùÝ Ñáí»ñÇ ßáõñÃÇÝ

γñÍ»ë áõÕ»ÕÁ Ù³ÑÇÏ ¿ñ ËñíáõÙ,

ëñÇÝ·Ý»ñ ϳÝÇ,

Æñ³°í, ù³ÛÉ ³é ù³ÛÉ ÙÇïùÝ ¿ñ ˳óñíáõÙ.-

ÆÝãå»ë ³ÝáõÙ ¿ñ Ù³ï³Õ ûÉáñùÝ»ñÝ Ç٠г۳ëï³ÝÇ:-

ÎñÍùÇ Ù³½»ñÝ ¿ñ åáÏáõÙ ½³Ûñ³·ÇÝ, ²ãù»ñÁ ϳñÍ»ë ¹áõñë ¿ÇÝ ÃéãáõÙ, γñÍ»ë áõÕ»ÕÁ ˳ñ³ÝáõÙ ¿ÇÝ,

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ÈdzÉáõëÇÝÁ â³Ý·ÁÉÇ ÓáñÇÝ`

Ø»ñà ѳé³ã»Éáí »õ Ù»ñà ³Ýѳé³ã,

²ãù»ñÝ ¿ñ óñÃáõÙ, áñå»ë ³Ñ³½³Ý·,

Ø»ñà »ï ¿ñ ÁÝÏÝáõÙ Ù»ñ á·»ËÙµÇó,

ºñµ ëáõñµ ³Ý»Íùáí Ç٠ѳÛáó ËáñÇÝ ºÕ»éݳ¹ÅáËù ³Ý¹áõݹÇÝ Ñ³ë³Ýù.ê³ñë³÷Ý ¿ñ ë³é»É ÉáõëÝÇ ³ã»ñÇÝ Üñ³ÝÇó` ÇÝã áñ Ù»Ýù Ñ»ïá ï»ë³Ýù: àõ ·ÝáõÙ ¿ÇÝù Ù»Ýù ¿É ³Ñ³é³Í, Ð᷻ѳݷëïÇ µáõñí³éÝ»ñ ¹³é³Í, àõ Ù»Í ÎáÙÇï³ëÝ ³åß³Í ³ãù»ñáí ³ñÃÇãÝ»ñÇ å»ë ßáõñûñÁ óñÃáõÙ ` §î»ñ áÕáñÙ»³¯¦-Ç ËáëùÇ ËáõÝÏ»ñáí Ð᷻ѳݷÇëï ¿ñ ½áÑ»ñÇÝ Ï³ñ¹áõÙ.

- ºÕ»¯éÝ, DZÝã ³åñÇÉ, ³Ûë DZÝã ·³ñáõÝ ¿, 144

¶³ÉÇë ¿ñ ³åßÛ³É ³ãùÁ ½áÑ»ñÇÝ,

Ù»ñà ÁÝÏÝáõÙ ³é³ç, Ø»ñà »ï ¿ñ ûùíáõÙ ` »ñÏáõ Ó»éù»ñÁ í»ñ µéÝ³Í ·ÉËÇó, ²ë»ë ·ÉáõËÝ ¿ñ ¹»é ÷ñÏ»É ç³ÝáõÙ ó»Õ³ëå³Ý... ó»ÕÇó, γ٠ÃíáõÙ ¿ñ, û ³Ýï»ëÝ»ñÝ ¿ÇÝ ×³Ï³ïÇÝ Ë÷áõÙ, àõ »ï ¿ñ ûùíáõÙ áõ áïݳٻñÏÇÏ ·³ÉÇë ¿ñ ïñïáõÙ, Ø»ñà ϳݷ ¿ñ ³éÝáõÙ Ù³ÝÏ³Ý ëñÇÝ·í³Í ûÉáùÁ Ó»éÇÝ,

95 th Anniversary of the Armenian Genocide

¶³ÉÇë ¿ñ Ýáñ»Ý` á·áõ å»ë ÉéÇÝ:

î³ëÝ»ñÏáõ ѳ½³ñ ÏáõÛë Ù³Ýã áõ ³ÕçÇÏ,

ºí Ùï³Ë»Õí³Í` Ó»éùÇ ûÉáùÁ å³ñ½»ó Ó»éùÇ Ñ»ï,

ú¯, ûÏáõ½ ÙÇ Ñ³ëÏ, áñ ·³ñ ¹³ñÇó ¹³ñ`

Ø»½ óáõÛó ï³É áõ½»ó Ù»Í ÜáÛ³Ý ÷ñÏÇã É»éÁ »ñÏݳí»ï,

î³ëÝ»ñÏáõ ѳ½³ñ ³ñï åÇïÇ ÍÝ»ñ, ²ñïÝ ¿É ÍáíÇó Íáí åÇïÇ Íáí³Ý³ñ`

»± áõ½»ó ÷³Ëã»É ÍáíÇó ³Ûë ³ñÛ³Ý,

ºñÏÝÇó ³ÉɳÑÇ ³ãùÝ ¿É Ïѳݻñ,

´³ñÓñ³Ý³É ·³ÑÁ Ù»ñ ÝíÇñ³Ï³Ý,

ºï åÇïÇ ËÉ»ñ ì³Ý³ ÍáíÝ ³Ý·³Ù,

ìßïÇó Ïáñóñ³ÍÁ Ññ³ßùáí ·ïÝ»É,

àñå»ë ϳåáõïÏ³Í Ù»ñ ³ãùÝ ³ñݳù³Ù...

¼Ç` ÷ñÏí³Í ëñïÇ ÑáõÛëÝ ¿É ¿ñ ÙÃÝ»É

- ú¯, ¸³Ýû,- ßñß³ó áÕµ ܳñ»Ï³óÇÝ,-

Æñ³°í` Íáí ÙÃÝáõÙ ºñÏñÇ Ñáõë³ÍáÙ...

¾É á±Ýó ѳí³ï³Ù ÉáõëÝÇ ¿É ɳóÇÝ... î³ëÝ»ñÏáõ ѳ½³ñ... ºñÝ»¯Ï ëáõï ÉÇÝ»ñ,

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سëÇëÁ` áñå»ë ²ëïÁÍá í³é³Í »ñÏݳѳë ÙÇ ÙáÙ ` î»ë³Ýù í³éíáõÙ ¿ Ï»ñáÝÇ ÝÙ³Ý Ñ»Ýí³Í Ù³Ûñ ÑáÕÇÝ, àñ ãÏáñóÝÇ Ñ³Û ³½·Ý ³Ûë ÙÃÝáõÙ Ûáõñ Ù³Ûñ³áõÕÇÝ... ì³éíáõÙ ÓÛáõݳßáÕ` ÑëÏáõÙ ¿ ѳí»ñÅ Øáõà ó»Õ»ñÇ Ù»ç ³Ûë Çñ³ñ³Ù»ñÅ,ÆÝùÁ í³éíáõÙ ¿, µ³Ûó ¹³ñ»ñ ³Ñ³ áñ¹Çù »Ý ѳÉíáõÙ,

²ãùÇë ï»ëÝ` Ñá·áõë ³ãùÁ ãѳݻñ, ²°Ë, »ñÝ»Ï óÝáñù Ãí³ñ ³ãù»ñÇë, àõ å³ïñ³Ýù Ãí³ñ »ÕÏ ³Ï³ÝçÝ»ñÇë, êáõï ÉÇÝ»ñ áÕçÁ, áã áù ãï»ëÝ»ñ îÇ»½»ñ³Ù»Í »Õ»éÝÝ Ç٠ѳÛáó, àëÏñ³ÙáËÇñÁ ÍÝÏÇë ãѳëÝ»ñ, سñÙݳÙáËÇñÁ` ³Ûñí³Í ïÕ³Ûáó, êÇÝ µ³Ý¹³·áõß³Ýù ÉÇÝ»ñ ã³ñ³ßáõù Ð³Û Ù³ÝáõÏÝ»ñÇ ÙáËÇñÝ ³ÝßßáõÏ, âÁÝÏÝ»ñ áïùÇ ï³Ï ׳Ù÷ÇÝ áã ÙÇ ·³Ý·, ØÇý ÉÇÝ»ñ ¹ÅáËùÝ ³Ûë ѳí»ñų½³Ý·,

àñ¹Çù ãѳÉí»Ý` ÇÝùÁ ÏѳÉíÇ µéÝáõÃÛ³Ý ÍáíáõÙ:

²Ûë Ïáïáñ³ÍÝ»ñÝ` Ñ³Û ³ß˳ñÑáí Ù»Ï`

àñ¹Çù ѳÉíáõÙ »Ý, ϳ٠˻ɳ·³ñíáõÙ,

ÈÇÝ»ÇÝ å³ïñ³ÝùÝ ³ãùÇë íßï³µ»Ï,

²Û¹å»ë í³éíáõÙ ¿ ³ñÛáõÝë ¿É ³Ýß»Õç

ÆÙ »ÕÏ áõÕ»ÕÇ ÑáñÇݳÍÁ ÉáÏ,

´áÉáñ ïáÕ»ñÇë »ñ³ÏÝ»ñÇ Ù»ç:

²°Ë, û ÉÇÝ»ÇÝ å³ïñ³ÝùÝ ÇÙ ³ÝÑá·`

ºí ³Ûë ÙáÕáõùÇ ¹Åá˳ù³ñáÝ Ñ»ïù»ñÁ µéݳÍ,

Ò»½ Ïå³ßï»Ç, ³½·»ñ ³Ýï³ñµ»ñ,

Üáñ ׳Ù÷³ ÁÝϳÝù` ÑÇÝ ×³Ù÷Çó ѳéݳÍ...

ºí ã¿Ç ËáñËÇ »ë ËÕ×ÇÝ ¿É Ó»ñ...

ºí ³ÝóÝáõÙ ¿ÇÝù Ù»ñ á·»ÑáõÛÉáí,

ºñÝ»Ï ³ãù»ñë ãѳí³ï³ÛÇÝ ÇÙ ³Ï³ÝçÝ»ñÇÝ`

ºñµ ·ÉËÇÝ ½³ñÏáÕ Ùáñë í³ÛíáõÛáí

â·³ÛÇ ³Ûëï»Õ, áñ ãï»ëÝ»Ç ÙáËñ³ó³ÍÝ»ñÇÝ,

ø³ÙÇÝ ù³ñ³ÛñÇó ˳ÝÓ³Ñáï µ»ñ»ó,

ÆÝã óùóÝáõÙ »Ý ³ß˳ñÑÇ ³ãùÇó:-

àõ Ù»Ýù Ý»ñë Ùï³Ýù ³ÛÝ ù³ñ³ÛñÁ Ù»Í` ìÇß³å³áñÏáñ ù³ñ³ÛñÁ ã³ñÇ, ºí ³Ï³ÝçÝ»ñÇë Éë³ÍÁ` ï»ë³Ýù.î³ëÝ»ñÏáõ ѳ½³ñ Ñ³Û Ù³ÝáõÏÝ»ñÇ ØáËÇñÁ ï»ë³Ýù, ³ÛÝ, áñ ÉáõëÝÇ ï³Ï г×ÁÝÇó, سñ³ßÇó µ»ñ»É »Ý ·³ÕïÝÇ, Èóñ»É »Ý ù³ñ³ÛñÝ áõ ³Ûñ»É í³Ûñ³·, àñ ²ëïí³Í ÇÝùÝ ¿É Ñ»ïùÁ ã·ïÝÇ... êáëϳó Ù»ñ ËáõÙµÁ »õ »ï ÁÝÏñÏ»ó Íáí³ó³Í Ù³ËñÇó Ñ³Û Í³ÕÇÏÝ»ñÇë, ÊáݳñÑ»ó ÙáÉáñ ÎáÙÇï³ëÁ Ù»Í ì»Õ³ñÁ, áñå»ë ë»õ ѳ·³Í سëÇë: - à°í ù³ñ³Ûñ,- ³ëÇ,- á°í ٳѳù³ñçÇÏ,

´³Ûó á±Ýó óùóÝ»ë ³Ûë ³Ù»Ý³ï»ë ïËñ³Í ÉáõëÝÛ³ÏÇó, à±Ýó ÏóùóÝ»ë Ù³Ûñ ÍáíÇó ѳ½Çí ÙÇ µáõé Ùݳó³Í ²Ûë »Õ»éݳåáõñÍ Ýáñ г۳ëï³ÝÇó` ³½·Çó ÇÙ ³Ý³Ýó, ²Ý³Ýó, µ³Ûó ³í³¯Õ` ÍáíÇó Íáí ÑáÕÇó ÙÇ ê»õ³Ý Ùݳó, Úáà ÷³ñë³Ë Ùݳó ÛáÃÝ Ñ³½³ñ ÷³ñë³Ë ÑáÕÇó ³Ñ³ñÏáõ, гÛáó ¹ñ³ËïÇ ÛáÃÁ ·»ï»ñÇó` ѳ½Çí ÙÇ ¼³Ý·áõ, 145

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

ì»ñ ³ñ³ñ³ïí³Í Ûáà ɻéݳå³ñÇó Ù»Ý ÙÇ ²ñ³·³Í...

ÆÙ ³ï³ÙÝ»ñÇ Ñ»ïùÝ ¿ Ùݳó»É` àñ ¹»é ·»ñÇ »Ù ï»ëÝáõ٠سëÇëÇÝ,

¾É ÇÝãå»±ë Ùݳ ѳݷ³Í Ññ³µáõË` ²ñ³·³ÍÝ ³Ùå³Í,

ºí ¹»é ³ÝÃ³Õ »Ý ¹Ç»ñÝ ³Ýѳٳñ ²Ý³å³ïÝ»ñáõÙ ³ÛÝ Ù³Ñ³ßáõñç³é,

ÆÝãå»±ë ϳÛͳÏáí ã˳ã³ÏÝù» ׳ÏïÇÝ Ùáñë å»ë,

ú¯, ¹»é ³ÝÃ³Õ »Ý ¹Ç»ñÝ Ñ³Û Ù³ÝϳÝó` îñ³åǽáÝáõÙ ¹»é ·ÉËÇÏÝ»ñ »Ý çñ»ñ»ë »ÉÝáõÙ,

êÇ°ñï ÇÙ, Ñá ¹áõ ¿É ûï³ñ ¸³Ýû ã»±ë...

²ãù»ñë Ýñ³Ýó ¹³·³ÕÝ ¿ ¹»é óó,

ºÉ³Ýù ù³ñ³ÛñÇó, áñ Ù»½ ë³ë³Ý»ó,

²ãù»ñë Ç°Ýã, ùǯ㠿 ì³Ý³ ÍáíÝ ³Ý·³Ù `

ºí ³Ýó³Ýù ÷Éí³Í ϳÙáõñçÁ γñëÇ,

Ƶñ»õ Íáí-¹³·³Õ Ñ³Û Ùáñ áõ Ù³ÝϳÝó,

ºí Ù»½ ÉáõëÇÝÁ ³Ý³å³ï ѳݻó:

Ƶñ»õ Íáí-ßÇñÇÙ ½áÑ»ñÇÝ Ù»ñ ëáõñµ, àñ ³ëïÕ»ñ ¿ÇÝ, µ³Ûó ¹³é³Ý ³ëáõå...-

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ƱÝã

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ÛáÃÁ, ¸³°Ýû, ÇçÇ°ñ Áݹѳï³Ï,

ºí ³Ý¿³ó³í Ñ³Û ½»ÝùÇ á·ÇÝ, ØáõÃÇ å³ïÛ³ÝÁ ÙïÝáÕ ÃñÇ å»ë,

¸áõ µÉáõñ åÇïÇ ·ïÝ»ë ÍáíÇ ï³Ï,

гÛïÝí»ó Ýáñ»Ý, ãù³ó³í ÏñÏÇÝ

êáõ½Û³É ݳí»ñÇ ÏÙ³ËùÝ»ñÇ å»ë`

ºí ³Ûëå»ë ³Ý¹áõÉ Ñ»ï»õáõÙ ¿ñ Ù»½

àõñÇß ÙÇ ¹ÅáËù óáõÛó Ïï³Ý »õ ù»½.

àõñí³óÛ³ÉÝ` Ñ»Í³Í áõñí³ÝÅáõÛ·ÇÝ,

ηáé³ë ³ÛÝų٠ÍÝٳٵ ùá ó³íÇ`

ì³Ñ³Ý ¹³éݳÉáí Ù»ñ á·»½áñùÇÝ,

ÆÝãå»ë ÑáÕÙ³½³ñÏ »ñ»ëÁ ÍáíÇ...

лï»õáõÙ ¿ñ Ù»½ ׳Ù÷»ùÇÝ Ù»ñ áÕç`

à°í ³ëïí³Í³ÛÇÝ ¹ÅÝÇ ¹ÅáËùáõÙ

Æñ ÉéáõÃÛ³Ùµ ¿É ¹»é ³Ñ»Õ³·áã:

ÍÇÍ³Õ³Í ¸³Ýû. ØDZû ãåÇïÇ Ñ³Ûáó ¹ÅáËùáõÙ ³ñóáõÝù¹ ϳû:

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Îϳû... ³Ñ³ ëÇñï¹ ÏÝ×éíáõÙ `

ºí ³Ñ³ ËÙµáí Ùï³Ýù ²¹³Ý³,

ÆÙ ëñïÇ ÝÙ³Ý, »õ Ù»çù¹ ¿ ÍéíáõÙ...

Ø»ñ ¹»Ù ùñùç³ó ÙÇ Ýáñ ë³ï³Ý³`

ƱÝã ϳë»Ý í³ÕÁ, û` ³Ûë ê»õ ÍáíÇó

²ÝáõÝÁ ÑáõédzÃ... ³ÝÙÇçáõÏ Ï×»å.-

ѳÝí³Í Ï»ï ÓÏ³Ý ìÇÑ áñáí³ÛÝÇó ѳÝí»Ý ·³Ý·ÇÏÝ»ñÝ ³Ûë ÛáÃݳٳÝϳÝ,

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- ì³°Û Ù»½, ²ñ³ñ³°ï, µ³Ûó Ñáñ¹Ç°ñ, ÇÙ í»å. ºñ»ëáõÝ Ñ³½³ñ ѳۻñ ÙáñÃí»óÇÝ, ºñ»ëáõÝ Ñ³½³ñ é³Ýãå³ñ áõ Ñ»ñÏíáñ...

ƱÝã ϳë»Ý ù»½ ¿É ë»ñáõݹݻñÝ Ñ³Ûáó,

à°í ÉÇñµ ÑáõédzÃ, Ù»½ ɳí å³ïñ»óÇÝ

àñ ¹»é ÉéáõÙ »ë ÉéáõÃÛ³Ùµ ³ÛÉáó...

²ÛÝ ÓÛáõÝ ²ÉóÛÇó Ãáõñù»ñÁ »Ïíáñ. à°í ˳µ»áõÃÛáõÝ` ÇÝù¹ ù»½ ÷ñϳÍ

6

êáõñµ ѳ۹áõÏÝ»ñÇó ËáÉ ³Ý¹ñ³ÝÇÏí³Í...

ÂáÕ»óÇÝù í³ÝùÁ ûëÙ³ÝÇ í³é³Í,

ºñ»ëáõÝ Ñ³½³ñ, áñ åÇïÇ ÍÝ»ñ »ñ»ëáõÝ ¹³ñ»ñ`

²é³ç ×á×í»óÇÝù` Ýáñ µáõñí³é ¹³é³Í.

²ñÛ³Ý ÍáíÝ ÁÝϳÝ, áñå»ë »ñ»ëáõÝ...

ºí ³ÝóÝáõÙ ¿ÇÝù Ø»Í Ð³ÛùÇ ÙÇçáí, ºñµ ù³ç ýǹ³ÛÇÝ ³ñÍíÇ ×Çãáí

ϳÛÍ³Ñ³Ý ù³ñ»ñ,ú¯, DZÝã ϳÛͳѳÝ, ·³éÝ»¯ñ ³Ý»ÕçÛáõñ,

Üáñ»Ý ѳÛïÝí»ó ³Õ³íݳϻñåÇÏ`

·³éÝáõÏÝ»¯ñ ³ë³,

²Ûë ³Ý·³Ù ÑáõÛëáí Ååï³ó Ùï»ñÙÇÏ,

ʳµí³Í ³Ûñ»ñÝ ¿É` ѳñëÝ»ñ Ñ»½³ë³Ñ,

ÊáݳñÑí»ó ÙÇ Ã³ñÃ Ù»Í Ü³ñ»Ï³óáõÝ,

ØÇ ·Çß»ñí³ Ù»ç, áñ Ù³ÑÇ ÝÙ³Ý

ܳ µÉñÇ ·ÉËÇÝ, Ù»Ýù í³ñÁ` ó³ÍáõÙ,

Èáõë³µ³ó ãáõÝÇ` ³ÛÝ ¿É ѳíÇïÛ³Ý...

àõ ¸³ÝÃ»Ç å»ë á·áí ѳÛïÝí»ó,

²Ý¹` Ç٠ѳ۳ÏÛ³ó ÝáõÛÝ ²¹³Ý³ÛáõÙ,

Ø»ñϳóáÕ ÃñÇ ÝÙ³Ý Ó³ÛÝ ïí»ó.

146

- ²½·»°ñ, ³ÛÝù³Ý »Ù ³Ñ»Õ ½³Ûñ³ó»É,

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àñ ÃíáõÙ ¿, û ÉáõëÝÇ »ñ»ëÇÝ

²ÕáÃù ¿ñ ³ÝáõÙ »ñÏÝùÇ ·³ÑÇÝ:

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95 th Anniversary of the Armenian Genocide

ػݳÏÛ³ó ÉáõëÇÝÝ Ðáõëá å»ë ÝáñáõÙ `

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ÆÙ Ùïáñ³ÍÝ ¿ñ ³ÝËáÝç ÙïáñáõÙ,

¾É DZÝã, á±ñÝ ³ë»Ù,

ºí »ë ÐáÙ»ñÇ ³ãù»ñÁ ¹³é»É`

à±ñ íÇßïë ÏÇë»Ù,-

²ë»ë »ë ¿Ç ÉáõëÝÛ³ÏÁ í³é»É,

ÆÝãå»±ë ¿, áñ ¹»é ã»Ù ˻ɳ·³ñíáõÙ,

àñå»ë ϳÝûÕÁ ѳÙñ ·ÃáõÃÛ³Ý,

ºñµ ÇÙ Ó»éùáí ¿ ³Ûë áÕçÁ ·ñíáõÙ,

ØÇ³Ï ³ñÃáõÝÁ ùÝ³Í Ù³ñ¹ÏáõÃÛ³Ý`

²ñï³·ñí»Éáí Ùáñë ³ãù»ñÇó,

ºí ÇÝã ï»ëÝáõÙ ¿ñ Ç٠ѳ۳óùÁ Ë»Õ×`

à±Ýó ¿, áñ Ë»Éùë ·ÉËÇë ¿ ÝáñÇó`

ØÕí»ó ÐáÙ»ñÇ ëáõñµ ³Ï³ÝçÇ Ù»ç,

²ãù»ñë ³ÕáïáÕ ³ñóáõÝùÇë ÝÙ³Ý,

гÛáó »õ ÑáõÝ³ó ¹³ïÇ ëñµáõÃÛ³Ùµ:

à±Ýó ã»Ù óÝáñíáõÙ, íǯßï ÇÙ ³Ýë³ÑÙ³Ý,

ºí ³ÝóÝáõÙ ¿ÇÝù ÑáõÛëáí ¹»é ³Ý³Ùå...

âÉÇÝDZ Ñ³Û ã»Ù, ÝáõÛÝ ³ñÛáõÝÁ 㿱,

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àñ ÇÝÓ ÏñÍ»Éáí` íñ»Å ÏϳÝã»: ºí Ý»ñÙÕ»óÇ ï»ëÇÉÝ»ñÝ ³Ýß»ç

ú¯, ¸³°Ýû, ù³ÛÉ-ù³ÛÉ ½·áõÙ »Ù Ëáñù¹...

Ø»ÍÝ ÐáÙ»ñÇ Íáí ³Ï³ÝçÇ Ù»ç,

ú¯, ×ã³°, ÐáÙ»°ñ, Ó³¯ÛÝ ïáõñ` ·³ ½áñù¹...

» »ñµ ÑñÃÇéí»ó ûñÝ ÑáõédzÃÇ,

ì»ñ ³ùÇÉÉ»ëíÇñ, á°í »ñ·¹ ³Ý½áõëå`

²ÛÝï»Õ` ´Ûáõ½³Ý¹Çó ËÉí³Í áëï³ÝáõÙ,

àñ ³ß˳ñÑ ï³Ý»Ýù ѳÛáó ¹³ïÝ ¿É ëáõñµ:

²¹³Ý³ÛÇ Ù»ç Ù³ÑÇÏݳɳÃÇ` ÊáÉ Ñ³ÝϳñͳÏí»ó áÕµÝ Ð³Û³ëï³ÝáõÙ,

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ØÇ ·Çß»ñí³ Ù»ç ÁÝÏ³í ²¹³Ý³Ý,

ÂáõñùÁ Ñ³Û ³ñÝÇó Ó»éù»ñÁ ѳÝáõÙ `

ºñµ ѳÝϳñͳ½»Ý »É³í ë³ï³Ý³Ý...

²ëïÍá ³ñóáõÝùÇ Ù»ç ¿ Éí³ÝáõÙ,

´³Ûó »ñóÝù, ѳ°Ûñ ÇÙ ³ùÇÉɳíñ»Å,

êñµáõÙ ëñµÇãáí ³½·»ñÇ ïí³Í,

àñ ½áõÛ· ³Ï³Ýç¹ ï»ëÝ»Ý Ûáà ¹ÅáËù,

êñµÇã ÉéáõÃÛ³Ùµ Ýáó³ ³Ý³ëïí³Í:

ܽáíí»Ý µáÉáñ ·³Ñ»ñÝ Ñ³Û³Ù»ñÅ,

êñµÇã »Ý áÕçÁ. ѳñ³í û ÑÛáõëÇë,

ÐáõݳٻñÅ ·³Ñ»ñÝ` ³Ûë ѳí»ñųÝáÕÏ...

¸»é ¹éÝ»ñÁ ã»Ý ³Ý¹éÝ³Ï ÑáõÛëÇë,

î»°ë, ëÛáõÝ»ñÝ ³Ñ³ ϳ˳ճÝÝ»ñÇ...

ØDZû ¹áõ ¿É »ë, á°í Ù»Í øñÇëïáë,

²Ûë DZÝã ¿, ï»°ñ ÇÙ, ²ëïí³¯Í ÇÙ ³Ý·áõÃ,

ÆÝãá±õ Ë»Éù ïíÇñ, ËÇÕ× ïíÇñ µáõÛëÇë,

γ˳ճݳëÛáõÝ áÕç ³Ýï³é ÙÇ ÙáõÃ,

ºí ¹ñÏÇó ïíÇñ` ³Ûëù³Ý µ³ñµ³ñáë:

Úáà ѳñÛáõñ ÐÇëáõë ͳé»ñÇó ϳËí³Í,

à°í ¹áõ ïÙ³ñ¹Ç Ù³ñ¹³ëÇñáõÃÛ³Ý,

ÐÇëáõëÇó ¿É ëáõñµ ѳۻñÝ ÇÙ µ³ñÇ,

²Ûë ÙáñÝ Ñ³ñóáõ, û ¹»é DZÝã »ë ¹áõÝ,

ڳóճÝÇ ¹»Ù ` ÐÇëáõëÇó ˳µí³Í`

» DZÝã Ññ»ß »ë` DZÝã ³ñÝáí ѳñµ³Í,

ʳ㠵éݳÍ` Áݹ¹»Ù ۳óճÝÝ»ñÇ,

²Ûë ÙáñÝ Ñ³ñóñáõ` á±õÙ ²ëïí³ÍÝ »ë ¹áõ...

²Ý½»Ý ÑÇëáõëÝ»ñ ½ÇÝí³Í ½áñùÇ ¹»Ù,-

гñóñáõ Ýñ³ µ»ñ³ÝÇÝ ÷ñ÷ñ³Í,-

²Ñ³° û Ù»ñ µ³ËïÝ ÇÝãáí ¿ñ ¹ÅË»Ù...

Æñ ÛáÃÝ ³ëïÕ»ñÇ ÙáËñÇÝ Ñ³ñóñáõ...

سÝáõÏÝ»ñ ϳËí³Í` ÑÇëáõëÝ»ñ ÃËÉÇÏ,

ƱÝã ÛáÃÁ, ﻯñ ÇÙ, DZÝã ÛáóݳëáõÝ,

سÛñ»ñ áõ ùáõÛñ»ñ, »Õµ³ÛñÝ»ñ ˳ãí³Í,-

êå³ÝíáÕ ³½· ¿, áã û ³Ý³ëáõÝ...

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â»±ë ÏÝ×éí»Éáõ, á°í ³ñ¹³ñ ·³ÉÇù, â»±ë ë÷á÷»Éáõ ÇÙ ëÇñïÁ ï³Ýçí³Í,

ºí ³ÝóÝáõÙ ¿ÇÝù ÉáõëÝÇ å»ë ë»õ³Ùå,

²¯Ë, åÇïÇ ¹³ï»±ë, á°í Ø»Í ¸³ï³Ë³½,

ºí Ç٠׳ϳïÇÝ` ËáëáÕ ÉéáõÃÛ³Ùµ

»" åÇïÇ Ùݳ íñ»Åë` »ñ³½...

¸³ÝÃ»Ý Ç٠ѳÛáó Ù³ïÛ³ÝÝ ¿ñ ûñÃáõÙ `

¸áõ ¹»é ÍÇͳջ±ë åÇïÇ, á°í ¹³ÑÇ×...

Ø»ñ ѳ½³ñ¹³ñÛ³ ó³í»ñÝ ¿ñ ϳñ¹áõÙ...

´³Ûó ³Ñ³ ç³Ñ»É

´³Ûó »ñµ ¹»åÇ Î³ñë áÉáñí»ó áõÕÇÝ`

γËí³Í ÙÇ ÏïñÇ×

Ø»Ýù ³°Ûë ¿É ï»ë³Ýù, í³¯Û Ù»ñ áëáËÇÝ,-

È»½áõÝ ¿ñ ѳݻÉ

Æñ µéáõÝóùÇ Ù»ç ÙÇ µáõé ÑáÕ å³Ñ³Í` ²Ùáõñ ë»ÕÙ»Éáí Ù³ïÝ»ñáí ¹»ÕÇÝ` 147

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

î»ë³Ýù Ù»éÝáõÙ ¿ñ Ñ³Û ÙÇ ½³ñÑáõñ³Í,

Ðáõß»ñ, áñ û Ñ³Û ëÇñïÁ Ùáé³Ý³`

Æñ Ù³Ñáí ³Ý·³Ù óùóÝáõÙ ¿ñ, ³ë»ë,

ÂáÕ ÏáõÛñ»ñ ÍÝÇ, ÇÝùÝ ¿É Ïáõñ³Ý³:

àëáËÇ ³ãùÇó ÑáÕÝ Ð³Û³ëï³ÝÇ... àõ ÙÇ Ñ³é³ã³Ýù ¹áõñë Ãé³í ëñï»ë.

5

- ø³ÝÇ Ñ³Û ÑáÕÁ ù»½ ÝÙ³ÝÝ áõÝÇ`

ºí îÇ·ñÇë ·»ïÇ ËáõÉ ·áõé·áõé³Ûáí

ØÇ µáõé ÑáÕÇó ¿É ÝáñÇó ÏͳÕÏ»ë,

¸»é ³ÝóÝáõÙ ¿ÇÝù ·»ïÇ ¿É í³Ûáí...

àõñÇßÇ ÑáÕÁ ½³íÃ»É ãÇ ÉÇÝÇ...

ºí ³Ñ³ Ñ»éíÇó Ùé³ÛÉ ÙÇ ³ÉÇù

ÂáÕ ù»½ ëå³ÝáÕ Ï³ñÇ×Ý Çٳݳ`

²Õçϳ ÙÇ ¹Ç ·ñÏ³Í µ»ñ»ó ¹áõñë,

´³Ýï»É ãÇ Ï³ñáÕ Ñ³Ûáó ÑáÕÝ ³ÝÙ³Ñ,

ºí ѳé³ã»óÇÝ ³÷Ç áõé»ÝÇù,-

ÆÝãå»ë áñ Ù³ñ¹áõë á·ÇÝ ã»ë µ³ÝïÇ,

ÆÝÓ Ãí³ó, û ݳ Ïáñ³ÍÝ ¿ñ ÇÙ ÏáõÛë,

´³Ýï»É ã»ù ϳñáÕ ÓÛáõÝÝ ²ñ³ñ³ïÇ,

àõ »ë ³÷Ý Ç í³ñ Ïé³ó³ ÇëÏáõÛÝ,

ø³ÝÇ Ï»ñ»õ³ ÓÛáõÝÁ` ²ëïÍá ³Ýѳë ó·Ç å»ë`

´³Ûó, ³í³¯Õ, ݳ ã¿ñ, áõ Éáõëݳ¹Å·áõÛÝ

²ß˳ñÑÝ ²ñ³ñ³ï »Õ»éÝÇó »ï ¿É ãÇ ÙݳÉáõ Ó»½...

ØÃÝáõ٠ѻϻϳó ÙÇ Ù³Ûñ áõé»ÝÇ, ¶ñÏ»ó ¹Ç³ÏÁ áõ áÕµ³ó íñ³Ý.

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²é»õ³Ý·»É ¿ñ ³ëÏÛ³ñÁ ¹ÅÝÇ,

ºñµ ³é³ç ³Ýó³Ýù` ÇÝã-áñ ÙÇ ÙáÉɳ ì»ñ` Ùáõ½»ÇÝÇó` ³½³Ý»ó. §²Éɳ°Ñ,

ºí ѳ·»Ý³Éáí` Ñáßáï»É Ýñ³Ý, àõ ·»ïÝ ¿ñ Ý»ï»É, áñ Íáí»ñ ï³ÝÇ,

²é³Ýó í³Ã³Ý µ³í ¿ ɳó»Ýù,

àñ ѳÛáó µ³ËïÁ Íáí»ñÝ ÇٳݳÝ...

²Ûë »Õ»éÝáí ¹áõé ϵ³ó»Ýù,

àõ... Éé»Ý, ÇÝãå»ë Éé»óÇÝ ³Ûë µÇñï

àñ Âáõñ³ÝÇ ×³Ù÷»Ý µ³Ý³Ýù. Ø»Í Âáõñ³ÝÇ ×³Ù÷»Ý ¹»é ÷³Ï,

²ß˳ñÑÇ µáÉáñ Íáí»ñÁ ù³ñëÇñï...

ö³Ï³ÝùÝ`ѳÛáó ³Ûë ó»ÕÝ ¿ ¹»é,

²ë»ë ÙÇ ÏáõÛë ¿ñ, áã û ÙÇ áÕç ³½·`

àñ ϳåáõÙ ¿ Ù»ñ áïÝ áõ Ó»é,

ÂáõñùÇ Ñ³Ù³ñ ѳÛÝ Ç±Ýã ¿ñ` ÷áõã ÙÇ Ñ³ëÏ...

» ãÉÇÝÇ ë³ Ù»ñ ׳Ù÷ÇÝ` *

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ØÇ í³Ûñ³· ó»Õáí í³Ûñ³· µ½ÏïíáõÙ *

ì³Õáõó ÷ÝïñáõÙ ¿ñ ÉáõëÇÝÝ Çñ Ï»ëÁ` Ø»ñ ëáõñµ áõÕ»ÏÇó ³Ù»Ý³ï»ëÁ, ºñµ ¹»ÕݳϳñÙÇñ Ù³·³Õ³ÃÝ Çñ³ Ð³Ù³Ï »ñÏÇÝùÝ ¿ñ Éáõé »ñÏñÇ íñ³: ºí ³é³Ýó ݳí³Ï, ³é³Ýó ø³ñáÝÇ Øï³Ýù ¹ÅáËí³Í ¹³ßïÁ î³ñáÝÇ, àõñ ØáõßÁ Ùß»É` ³ñÍíÇë µáõÛÝÁ ѳíÇ ¿ñ ¹³ñÓ»É. ²ëï ¿É Ññ¹»ÑÁ ѳÛáó ²ëïÍáõ áïù»ñÝ ¿ñ ˳ÝÓ»É` ÂáÕ³Í Ñ³Û ³ñÛ³Ùµ ÑÇÝ³Û³Í ÙáñáõùÝ ³ÝËÇÕ× ³ÉɳÑÇ, » Ç°Ýã ¿ñ »ñ»Ï »õ Ç°Ýã ¿ ³Ûëûñ, ï»°ë ÑáõÝÓùÁ Ù³ÑÇ: âáñë ѳñÛáõñ ѳ½³ñ ÏÙ³ËùÝ»ñ Ï»ñ³ñ, á°í ³ɻ³Ã ø³ñáÝ, ²Ù³Û³óñÇñ ÙÇ áÕç Ñ³Û î³ñáÝ... ºñ»Ë³Ý ·ñÏ³Í ³Ý¹áõݹÁ Ý»ïí»ó ³Ûëï»Õ ÇÙ Þ³ù»Ý` ö³Ë³Í ù³é³ëáõÝ ùñ¹Ç Ýǽ³ÏÇó, á°í Ýǽ³Ï³ù»Ý...

148

î»ëÝáÕ ¸³ÝÃ»Ý ¿É Ù»ÕùÁ ãÇ ù³íáõÙ: 6 ú¯, ¸³°Ýû, ·Ã³° ·»Ã ³Ûë ³ÕçϳÝ, ÊáëÇ°ñ... ´³Ûó ¿É DZÝã, ѳé³ãÝ Ç±Ýã ³ÝÇ, à±ñ Ù»ÏÇ Ñ³Ù³ñ ѳé³ã»Ýù, ë³Ï³ÛÝ, ²ëïÁÍá í»ñùÝ ¿É µ³É³ë³Ý ãáõÝÇ` ²Ý³ëïí³Í »ñÏñáõÙ ³Ûë Ù»Õë³Ù³Ï³Ý: àõ ·ÝáõÙ ¿ÇÝù ·»ïÇ Ñ»ï ÙáÉáñ, ºí ѳÝϳñÍ ³÷ÇÝ` óÝá¯ñù ¹Åݳï»ë, ÀÝÏ³Í ¿ñ ³÷ÇÝ ÓÏÝáñëÝ ³É»õáñ` ÎáõñÍùÁ ͳÏÍÏí³Í Çñ áõéϳÝÇ å»ë: àõ Ë»Õ× ÙÇ ³ÕçÇÏ Ý³ÛáõÙ ¿ñ Ï³Ý·Ý³Í î³Ýç³Ù³Ñ ³ñí³Í ÑáñÝ` ³É»õáñÇÝ,²Ñ³ û ÇÝãá°õ ³ÛÝå»ë ÙáÉ»·Ý³Í ¼³ñÏáõÙ ¿ñ ·»ïÁ ·ÉáõËÝ ³÷»ñÇÝ, àõ Ñ»ù ³Õçϳ ³ãù»ñÁ ù³Ùí³Í` êÇñïÝ ¿É ù³Ù»Éáí` ¹»é ɳÉÇë ¿ÇÝ.

- гÛñë ·»ïÝ Çç»É áõ ÓáõÏÝ ¿ñ µéÝáõÙ,

95 th Anniversary of the Armenian Genocide

Ø»Ï ¿É DZÝã ï»ëÝ»Ù, Ãáõñù»ñÁ ѳë³Ý...

àñï»±Õ Ïïñ»óÇÝ Ã³ÃÇÏÝ»ñ¹ ÉáõÛë,

- ÆÝãá±õ »ë,- ³ëÇÝ,- çñ»ñÁ ˳éÝáõÙ,-

àñï»±Õ Ù³ñ»óÇÝ ³ãÇÏÝ»ñ¹ µÇÉ,

ºë óùÝí»óÇ, É³í ¿ñ` ãï»ë³Ý,

àñï»±Õ Íí³ï»ó ã³ñ áëáËÁ ù»½,

²ãùáíë ï»ë³, û ÇÝãå»ë Ãé³Ý,

àñï»±Õ ¿ñ ѳÛñ¹, áñ ã¿Çñ ϳÝãáõÙ,

àõéϳÝÁ Ñáñë Ó»éùÇó ËÉ»óÇÝ,

ÆëÏ Ù³Ûñ¹, Ù³Ûñ¹, Ù³¯Ûñ¹ ³Õ»Ï»½,

¶ÉáõËÝ ³ÝóñÇÝ` §²°é, ·Û³íá°õñ,- ³ëÇÝ,-

àñï»±Õ ¿ Ù³Ûñ¹ ÑÇÙ³ ѳé³ãáõÙ,

лñÇù 㿱 ³ÝÙ»Õ ÓÏÝ»ñÁ µéÝ»ë,

àñï»±Õ ¿ ɳÉÇë áõ áñáÝáõÙ ù»½, ÆëÏ ¹áõ áñï»±Õ »ë, áñï»±Õ »ë ѳݷãáõÙ:

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ºñµ ï»ëÝáõÙ ¿Çñ Ù»éÝáÕ ÙÇ Ù³ÝáõÏ`

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Òá±õÏ ¿Çñ ÍáíáõÙ, á°í ѳÛáó ²ëïí³Í,

àñï»±Õ »ù, ³ÝÃÇí ÇÙ Ñ³Û µ³ÉÇÏÝ»ñ,

ºñµ ÃáõñùÇ ÃáõñÝ ¿ñ Ñ³Û ·ÉËÇÝ Ï³Ëí³Í...

²°Ë, µÝáõÙ ÙáñÃí³Í ѳÛáó ·³ÉÇùÝ»ñ:

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ºí ³ÝóÝáõÙ ¿ÇÝù »É³Í î³ñáÝÇó`

àõ ·ÝáõÙ ¿ÇÝù Ù»Ïï»Õ áõ ٻݳÏ,

Ƶñ ÷ñÏÁí³Í ³Ûë ·áé ø³ñáÝÇó,

â·Çï»Ù DZÝã ¿ñ ¸³ÝÃ»Ý ¿É ËáñÑáõÙ,

àñ ¹ÅáËù ï³ÝáÕ á·ÇÝ ¿ñ á·Û³ó,

ÂíáõÙ ¿ñ Ù»ÏÁ ÏÁÝÏÝ»ñ áïùÇë ï³Ï,

ºí ³ëï ¿ñ, áñ ÇÙ ¸³ÝÃ»Ý ¿É Ëáϳó.

ÂíáõÙ ¿ñ Ù»ÏÁ ³ãù»ñë ¿ñ ÷áñáõÙ,

- à±õñ »ë, ìÇñ·ÇÉÇáë,- (ѳ½Ç¯í ÙÇ µ³éÇÏ)

ʳñ˳÷áõÙ ¿Ç, ·ÉáõËë µéÝáõÙ,-

ºí ¿ÉÇ Çñ ÉáõéÝ ÇßË»ó ³Ý³éÇÏ...

¶ÉáõËë, ϳñÍ»ë, ·ÉáõËÝ ¿ñ Ù³ÝϳÝ,-

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ʳí³ñáõÙ Ù»ÏÁ ÏáÏáñ¹ë ¿ñ µéÝáõÙ àõ ·ÝáõÙ ¿ÇÝù, ѳÝϳñÍ »ñÏÝùÇ

ºí áõ½áõÙ ¿Ç µéÝ»É »ë Ýñ³Ý:

ØÇ ³ëáõå ÁÝÏ³í ³ÛñíáÕ ³ñóáõÝùáí,

´³Ûó ÉáÏ ù³ÙÇÝ ¿ñ áõ áã áù ãϳñ,

γñÍ»ë »ñÏÝùáõÙ ³ëïÕ»ñÇó Ù»ÏÇ

î»ëÇÉÝ»ñ ¿ÇÝ ÙïùÇë ËéÝíáõÙ,

¶ÉáõËÁ åáÏí»ó ˳í³ñÇ Ó»éùáí...

ºí Ñ»éáõÝ»ñÇó ËáÉ áõ ˻ɳ·³ñ

ºí ѳÝϳñÍ áïùë ¹Çå³í ÙÇ ù³ñÇ

¶³ÉÇë ¿ñ ù³ÙÇÝ áõ ÏñÍùÇë áéÝáõÙ,

àõ ó³Í ݳۻóÇ` ëñïÇë Ù»ç »ñÏÛáõÕ,

²ë»ë ·É˳ïí³Í Çñ áñ¹áó ѳٳñ`

ºí ã³ñ³·áõß³Ï á·ÇÝ Ë³í³ñÇ

лñ³ñÓ³Ï Ù³Ûñë ÏáÏáñ¹ë ¿ñ µéÝáõÙ...

ÆÙ Ó»éùÁ ïí»ó Ù³ÝÏ³Ý ÙÇ ·ÉáõË. ø³ñ ½³ñÑáõñ³Ýùáí ݳۻóÇÝù ÙÇ å³Ñ`

ºí ³ÝóÝáõÙ ¿ÇÝù ųÛé» ÙéáõÝãáí

²ñÛáõÝ ¿ñ ÍáñáõÙ Çñ ÃáõË Ù³½»ñÇó,

Ð³Û ¹³Ýû³Ï³Ý ¹ÅáËùÇ ÙÇçáí,

àõ ¹»é µ³ó ¿ÇÝ ³ãù»ñÁ Ýñ³...

ºí ù³ÝÇ ·ÝáõÙ ` ã¿ÇÝù ѳí³ïáõÙ,

àõ Ù»Ýù ÉáõëÝÇ Ñ»ï ѳÙñ áõ óËͳÉÇó

àñ ÃßݳÙÇÝ ¿É ÙáñÇó ¿ ÍÝí³Í,-

³ջóÇÝù ÙáïÇÏ µÉáõñÇ íñ³,-

ÆÝãå»±ë ѳí³ï³ë, »ñµ ³Ù»Ý ÑáíïáõÙ

Ø»é³Í` ãóÕí³Í Çç³Ýù µÉáõñÇó...

سÝáõÏÝ»ñ ¿ÇÝù ï»ëÝáõÙ Ñáßáïí³Í. Ø»ÏÇ ·ÉËÇ Ùáï Ù³ñÙÇÝÁ ãϳñ,

8

Ø»ÏÇ Ù³ñÙÇÝÁ ·ÉáõËÝ ¿ñ ÷ÝïñáõÙ,

ú¯, ¹áõ óáÕáõÝÇó Ïïñí³Í ͳÕÇÏ,

Ø»ÏÇó` Çñ íÏ³Ý ÙÇ Ã³ÃÇÏÁ ϳñ,

à±õñ ¿ óáÕáõÝÁ ùá Éáõë³ß³Õ³Ë,

Ø»ÏÇ Ñ³Ýí³Í ³ãùÝ ²ëïÍáõó ¿ñ ËݹñáõÙ

¸áõ ïÕ³± ¿Çñ ³ñ¹Ûáù, û± ³ÕçÇÏ,

Æñ ÙáñÃí³Í ÙáñÁ, áõ ó÷í³Í ³Ýï»ñ

àñï»±Õ ÃáÕ»óÇñ Ù³ñÙÇݹ Ù³ï³Õ,

àïÇÏÝ»ñ Ù³ÝϳÝó, Ù³ÝÏ³Ï³Ý Ù³ïÝ»ñ,

àñï»±Õ å³ñ﻽Çó ϳÝã»óÇÝ ù»½ ¹áõñë,

àñ ã¿ÇÝ ëñ»É »ÕáõÝ·Ý ¿É Ù»ÕùÇ,-

àñï»±Õ åáÏ»óÇÝ ëÇñï¹ Ýáñ³ÍÇÉ,

Ø»Õëá±ï »Ý ÙÇû Ù³ïÝ»ñÁ ͳÕÏÇ: 149

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

Üáñ ¿ÇÝ Ñ³Ûáó ·ÇñÁ ÃáÃáíáõÙ `

î»ëÝ»ÉÝ ¿É Ù»Õù ¿, Ù»Õù ¿ ³ÝÙ»Õǹ`

г¯Û »Ý... ³Ûë Ù»ÕùÝ »Ý Ù³ÝϳٳÑ` ù³íáõÙ...

ʻɳѻÕíáõÙ »Ý ³ãù»ñÝ áõÕ»Õǹ,-

àõ »ñÏÇÝù ݳۻó á·ÇÝ Ø³ßïáóÇ`

²½· ÙáñÃáïí»±É ¿ñ ùá ³ëïí³Í³ÛÇÝ ³ÝÙ»Õ

öÝïñ»Éáí á·Çù ³Ûë µáÉáñ Ù³ÝϳÝó,

¹ÅáËùáõÙ,

àõñ ·ÉËÇ ÝÙ³Ý áëϻó· ûÓÇ

àõñ ³ÛñíáÕÝ»ñÁ Ïåñ» ϳñ³ëáõÙ ` ã¿ÇÝ µáÕáùáõÙ,

¸»ÕÇÝ »ñ³ËÁ µ³ó»Éáí ѳÝϳñÍ`

¼Ç ³ÝÙ»Õ ã¿ÇÝ, Ù»Õù ¿ÇÝ ·áñÍ»É Çñ»Ýó

سÑÇÏÝ ³ëïÕ»ñÝ ¿ñ ѳݷÇëï ÏɳÝáõÙ,(²ëïí³Í ³ÛÝï»Õ ¿É ¹»é 㿯ñ ½³Ûñ³ÝáõÙ),-

áÕç ÏɳÝùáõÙ, àõ í³éíáõÙ »Ý ¹»é ѳíÇï»Ý³Ï³Ý ³ñ¹³ñ

àõ ¹³ÉÏáõÙ ¿ÇÝ ÙÃÝáõÙ ³Ýë³ÑÙ³Ý ²ëïÕ»ñÁ` ѳÛáó ·ñ»ñÇ ÝÙ³Ý,

ï³Ýç³ÝùáõÙ, ÆëÏ ³Ûë ¹ÅáõËùÇÝ Ç±Ýã ϳë»ë, ¸³°Ýû,

²ëïÕ³µáõÛÉÝ, ÇÝãå»ë ³Ûµáõµ»ÝÝ Ñ³Ûáó` ¸áÕáõÙ ¿ñ ³ñÛ³Ùµ ÙáñÃí³Í Ñ³Û áñ¹áó,

DZÝã ϳ ùá Ñá·áõÙ, ²½· ÙáñÓ³ïí»±É ¿ ùá ÙïùÇ ÍÝáõݹ ÍÍáõÙµ

ÆëÏ Éáõë³ëïÕÝ` ǵñ»õ Ñ³Û ·ÇñÝ ³á³çÇÝ º°í ßáÕßáÕáõÙ ¿ñ ѳí»ñÅÇ É³ÝçÇÝ,

¹ÅáËùáõÙ, î»ë»±É »ë ѳ½³ñ-ѳ½³ñ Ù³ÝÏÇÏÝ»ñ ¹ÅáËùǹ

º°í ³Ûë Ù³ÝϳÝóÁ ï»ëÝ»Éáí ѳÝϳñÍ` ØÃÝáõÙ ¿ñ, ÇÝãå»ë ×ñ³· ÙÇ Ñ³Ý·³Í,

ËáñùáõÙ, г½³ñ áõ ѳ½³ñ Ù³Ûñ»ñ ï»ë»±É »ë,

àõ ßñÃáõÝùÝ»ñÝ ¿ñ ÏñÍáõÙ ÙáÉ»·ÇÝ ¶³ÉÇùݳï»ëÇÉ Ø³ßïáóÇ á·ÇÝ...

¿É DZÝã »ë ËáÏáõÙ, ØÇ µáõé ëñïÇ Ù»ç Íáí ³ÝÙ»ÕáõÃÛáõÝ,

ºí Ù»½ »ñÏÝùÇ ³ëïÕ»ñÁ ·áѳñ`

µ³Ûó ÍáíÝ ¿É ÙáñÃí³Í,

ʳãù³ñ»ñ ¿ÇÝ ÃíáõÙ ³Ýѳٳñ,

àÕçÝ ³ÝÙ»Õ, ÇÝãå»ë ³ñïáõÛïÇ ÙÇ µáõÛÝ, »õ

ò³ÍáõÙ ` ˳ãù³ñ ¿ñ سëÇëÝ ¿É ÇÝùÁ` î³ÏÇÝ ³×ÛáõÝíáÕ Ç٠ѳÛñ»ÝÇùÁ,

áÕçÁ ù³Ý¹í³Í, ºñÏñÇ ÙÇ ù³Ý¹í³Í áõ ù³ÙáõÝ ïñí³Í Ó»éùáí

àñ ëÙµ³Ï³Ñ³ñ

³Ý³ëÝÇ,

ÀÝϳí, á°í ³ß˳ñÑ,

àõÙ ÏáË³Í ÑáÕáõÙ ¿É ë»ñÙ ãÇ µáõëÝÇ...

¸»é í³Ýù ¿É ÉÇÝ»ë` ã³ñÅ»ë Ï»ë Ýß˳ñ:

ºí ³ëï ¿ñ ³Ñ³, áñ Êáñ»Ý³óáõ á·ÇÝ Ñ³ÛïÝí»ó` ²ë»ë ¸³ÝÃ»Ç ÉéáõÃÛ³Ý Ù»ÕùÁ ÙéáõÝãáí ù³í»ó,

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àïù»ñÝ ¿É Ýñ³`

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àïݳóûñÁ Ù»ÏÙ»Ïáõ íñ³,

ÚáÃÝ³Ñ»Õ Å³Ýï ¿, Ù»Õù»ñáí ³Ûë Ý»é`

ºñÏݳÛÇÝ ³ãùÇ ³é³ç سëÇëÇ,

Îáïáñ³ÍÝ»ñáí ³Ûëù³Ý ·³Ý·³É»é,

²ÛÝï»Õ, áõñ ÜáÛÁ, »ñµ çñѻջÕÇ Íáí çñ»ñÝ Çç³Ý,

ºí ÉéáõÙ ¿ñ ¹»é

Æç³í سëÇëÇó »õ ïÝÏ»ó ˳ÕáÕÝ

¸ÅáËùÁ ï»ë³Í-ÍÇÍ³Õ³Í ¸³ÝûÝ,-

³é³çÇÝ ³Ý·³Ù `

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ê³Ï³ÛÝ... ׳ϳïÝ ¿ñ ÏÝ×éíáõÙ ³ñ¹»Ý...

ì»ñ³ïÝÏ»Éáí ·áÛÁ Ù³ñ¹ÏáõÃÛ³Ý, ì»ñ³ÍÝ»Éáí, ²ëïÍá ÝÙ³Ý,

6

²ß˳ñõÑ µ»ñ»Éáí ÙÇ Ýáñ Ù³ñ¹ÏáõÃáõÝ

ºÉ³Ýù Ø»Í Ð³ÛùÇó, öáùñ гÛù ѳë³Ýù,

ºí ·ÇÝÇ¯Ý Ù»ñ ÏÛ³Ýù, á°ã û ٳѳÃáõÛÝ...

¸áõù ¿É ãï»ëÝ»ù` ÇÝã áñ Ù»Ýù ï»ë³Ýù, Ò»ñ ϻݳó ׳Ù÷ÇÝ áÉáñ³åïáõÛï.

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150

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²°Ë, í³¯Û ³ãù»ñÇÝ Ù»ñ ë»õ áõ ϳåáõÛï...

ú¯, ¸³°Ýû, ·Çï»Ù, ó³íÇó »ë Éé»É,

Ø»Í Ð³ÛùÁ ÃáÕ³Í ³ãùáõ٠سëÇëÇ,

´³Ûó ÃáÕ ÇÙ³Ý³Ý Ù³ñ¹ÇÏ ¹»é ³ÝÑá·,

¸³ï»Éáí ѳë³Ýù γñÇÝÝ Ð³ÛÏáëÇ`

¸á°õ, áñ ¹ÅáËùÝ »ë ÙÇ ûñ ó÷³é»É`

ì³Õ»ÙÇ ³ÙñáóÝ ³ÛÅÙ ³í»ñí³Í:

¸áõ õá»ë»±É ¿Çñ ÝÙ³Ý ÙÇ ¹ÅáËù,

ºí ³ÝóÝáõÙ ¿ÇÝù, »ñµ Éáõé ë³ñëé³Í`

95 th Anniversary of the Armenian Genocide

سÝáõÏ ¹Ç»ñÇ ³ãùÁ Ù»½ ѳé»ó,

ÎéÇíÝ»ñÇ Ù»ç ³ãùáí »Ù ï»ë»É.

²ñݳù³Ù, ¹»ÕÇÝ »õ ³ÛÝå»ë ë³é³Í,

ÎáõÛëÇ Ó³Ë ÏñÍùÇÝ ùñ¹Ç ÙÇ Ýǽ³Ï,

àñ ݳۻÉáõó ¿É Ù»ñ ³ãùÁ ë³é»ó.

²çÇÝ` óóí³Í ¿ñ ÃáõñùÇÝÝ Ñ»Éáõ½³Ï,

Üñ³Ýó ³ñÛáõÝÝ ¿ñ áëáËÁ ù³Ù»É`

Ø»ñ ï³Ý ¿É áõÕÇÕ ÛáÃݳÛáà ßÝãÇó

Ü»ñ³ñÏ»É Ù»éÝáÕ Çñ ½ÇÝíáñÝ»ñÇÝ...

ÈáÏ »ë »Ù ÷ñÏí»É Ù»ñ ³ÝÙ»Õ ÷ÝçÇó:

ú°Ñ, ³Ûëå»ë »ñµ»ù ã¿ÇÝù ϳñϳٻÉ...

²Ëñ, ¿É á±ñÁ ·ñÇ ³éÝ»Ç,

ºí Ù»ñ ³ãù»ñÇÝ, »ñµ í»ñ ݳۻóÇÝù,

à±ñ ³Ý³å³ïÁ ɳóÇë ˳éÝ»Ç,-

ÈáõëÇÝÝ ³ñ»õÇ ¹Ç³ÏÁ Ãí³ó...

¸³ßï»ñÝ ³ñ³ÍáÕ Ñ³ÛáõÑÇ Ï³Ý³±Ýó,

¶Çß»ñÝ Ñ»ñ³ñÓ³Ï ë·áõÙ ãáñë ÏáÕÙÇó,-

àõé³Í ÷áñ»ñáí ³ñ³ÍáÕ Ù³Ýϳ±Ýó,

²°Ë, ·Çß»ñÝ Ñëϳ Ñ»½ Ù³ÛñÝ ¿ñ Ýñ³Ýó,-

ÀÝÏ³Í ÓÇ»ñÇ ¹Ç»ñÝ Çñ³ñÇó

ºí ³ëïÕ»ñÝ ¿ÇÝ Çñ óñÃÇãÝ»ñÇó ²ñóáõÝùÝ»ñÇ å»ë ϳËíáõÙ ù³ñ³ó³Í,

ÊÉËÉáÕ Ù³ñ¹Ï³±Ýó,

³÷»Éáí ³ëáõå ϳÃÇÉÝ»ñÝ ³ãùÇó...

à±ñÁ Ùáé³Ý³Ù, á±ñÝ ÑÇ߻٠ÝáñÇó.

¶áõݳïí³Í ÉáõëÇÝÝ ³Ûë ³ñѳíñ³ï»ë

ÊáïÇó ϳݳã³Í µ»ñ³ÝÇÏÝ»ñá±í...

(à°í ÉéáõÃÛáõÝÝ»ñ, DZÝã ³ë»Ù »ë Ò»½...),

»± å³ïáõѳëáÕ ²Ý¹ñ³ÝÇÏÝ»ñáí...

ÈáõëÇÝÝ ³ëïÕ»ñÇ ïËñ³Ã³÷áñáí

ú¯, ³ÛÝ, áñ Ù³ÝϳÝó ûÉáùÇ ÙÇçáí

³ÕÙ³Ý ¿ñ ï³ÝáõÙ »ñÏÝÇ ë³÷áñáí`

Ðáí»ñÝ ¿É ³Ýó³Ý` »Õ»éÝÇ ×Çãáí`

²ñݳù³Ù ¹Ç»ñÝ ³ñݳù³Ù Ù³ÝϳÝó,

êñÇÝ·Ç ÷áË³Í ûÉáùÝ ¿É ÑáííÇ,

»± ³ëïÕ»ñÝ ¿ÇÝ ¹Ç»ñÁ Ýñ³Ýó...

ú¯, ¸³°Ýû, ³±Ûë ¿É ù»½ ãÇ ËéáíÇ...¦:

лáíáõÙ Ù³Ûñ ²ñ³ùëÝ ³÷»ñÝ ¿ñ ÏñÍáõÙ `

ºí ³ÝóÝáõÙ ¿ÇÝù íßïáí ѳñ³Ï³,

¸³é³Í É»½í³ÏÁ سëÇë Ù³Ûñ ½³Ý·Ç,

ºí ³Ñ³ Ë»Õí³Í í³ÝùÁ ì³ñ³·³,

Æñ áÕµ³Ó³ÛÝÁ ³ß˳ñÑÝ ¿ñ ·óáõÙ,

à±õñ »ë, ³ñÍÇí¹ ì³ëåáõñ³Ï³ÝÇ,

´³Ûó, ³°Ë, åáÏí³¯Í ¿ñ ³Ï³ÝçÝ ³ß˳ñÑùÇ...

²ÕÇ ¿, ÇÝãå»ë ÍáíÁ ìñϳÝÇ`

â¿ñ ÝáõÛÝÇëÏ ëñïÇ ³ãùÇÏÁ µ³óáõÙ...

سÝáõÏ ÐÇëáõëǹ ³ñóáõÝùÝ ³Ý³ñóáõÝù, àõñ »ë, ÷É»Ï³Í Ù»ñ ³ñÍí³µ³ñÓáõÝù:

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ì³Ý³ ÍáíÝ` Ñëϳ ÙÇ ³ãùÇ ÝÙ³Ý`

7

гÛñÇ°Ï Ù»Í, ËÕ×ǹ ³ãùÝ ¿, û', ·Çï»Ù,

ÂáÕ»óÇÝù γñÝá ³ÙñáóÁ ϳñϳÙ,

»± ܳñ»Ï³óáõë ³ãùÝ ¿ ³Ýë³ÑÙ³Ý,

³ջÉáí Ù³ÝáõÏ ¹Ç»ñÝ ³ñݳù³Ù `

àñ ³ÛÅ٠ͳéë ¿ ÉÇÝáõÙ »ñÏÝÇ ¹»Ù:

àõéÇÝ»ñÇ ï³Ï Ùáñ å»ë ѻͻÍáõÝ,

¸ÅáËùÁ ï»ë³ÍÝ ³ÝËáë ¿ñ, ë³Ï³ÛÝ

ºí ׳Ù÷³ ÁÝϳÝù, Ñ»Ýí³Í ²ëïÍáõÝ,

ÎÝ×ÇéÝ»ñÝ ¿ÇÝ Ëáëáõ٠׳ϳïÇÝ,

¸»åÇ Ý³Ñ³ÝçÁ γñë áõ ì³Ý³Ý¹Ç

Ø»ñ ¹»Ù óËÍáõÙ ¿ñ, Ù»ñ á·áõ ÝÙ³Ý,

(àõñ ÷áËí»ó ѳÛáó µ»ñ¹Ý ѳÛáó µ³ÝïÇ):

¸»é Ýáñ ³í»ñ³Í ³å³ñ³Ýù ÙÇ ÑÇÝ.

гÝϳñÍ ÙÇ ·»ÕçáõÏ Ïïñ»ó Ù»ñ ׳Ù÷³Ý,

ÐáÝù»ñÝ ¿ñ ÏÇï»É ÉéáõÃÛáõÝÁ ù³ñ,

ÆÙ Ó»éùÁ ïí»ó Ñëϳ ÙÇ Ù³ïÛ³Ý`

´³Ûó Çñ É»½áõÝ ¿ñ ³í»ñ³ÝùÁ ã³ñ...

ÊÇï ÝéÝ³Í ÙÇ ·Çñù, »ñµ ÝáõéÁ ù³Ù»ë`

àõ ï»ë³Ýù` ÇÝãå»ë ¹ÅáËùÇ ÓáñÇó`

²Ù»Ý ϳÃÇÉáí ϳñÝáïÇ »õ ù»½...

ºñÏáõ áïù ¿ÇÝ ¹áõñë óóí»É ÃáÝñÇó.

§ºë` ²Ý¹ñ³ÝÇÏÇ ½ÇÝíáñÝ Ñ³ë³ñ³Ï,

гó³Ï»ñÝ Ç±ÝùÝ ¿ ³Ûñ»É ѳóÃáõËÇÝ,

ÆÙ ³ãù»ñÇó »Ù ¹»é ·ñÇ ³éÝáõÙ

ºÉ¹½Ý Çñ ó»ÕÇÝ ³Ûë DZÝã ¿ ¹³ñÓÝáõÙ...

²Ûë ï»ëÇÉÝ»ñÁ, Ñáõß»ñÁ í³Ûñ³·,

à±Ýó ÁÝϳí Ù³ñ¹Á ·³ÛÉáó ÷³ÏáõÕÇÝ,

àñ ÇÙ ëáõñµ ËÕ×Ç ÏáÏáñ¹Ý »Ý µéÝáõÙ,

î»°ë, Íéí³Í ˳ãÝ ¿É`

ÆÝã áñ ׳Ù÷»ùÇÝ ³Ï³Ýçáí Éë»É`

Ê»Õ× Ñ³ñó³Ï³ÝÇ å»ë ¿ ѳñóÁÝáõÙ.

151

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

- ØDZû ³Ûë í³Ýùë Ù½ÏÇà ¿ ³Ûñ»É,

(ØDZû ³Õí»ë ã¿ ³Õí»ëÝ Ç ÍÝ»...):

ØDZû ù³Ý¹áõÙÝ ¿ ѳí³ïÇÝ í³Û»É,

» Ùdzµ³Ýí»ñ ³½·Á ÛáÃݳÏáÕ,

ØDZû ÇëɳÙÁ Ññ³Ù³ÛáõÙ ¿ Ëáïáñ»É ׳Ù÷³Ý,

» Ù³ïÝ»ñÇë å»ë Ïáõé µéáõÝóùí»ÇÝ,

ØDZû Æï³ÉdzÝ, û', ÑÇßÇ°ñ, ¸³°Ýû,

â¿ñ ϳñáÕ óñ»É ³½·ÇÝ áã ÙÇ ÑáÕÙ

³Ûñ»É ¿ Ù»ãǹ,

(ºñµ ÁÝϳÝ` ³ÛÝų٠Ùdzï»Õí»óÇÝ),-

¶»Ã ÙÇ ÙÇݳñ» ù³Ý¹³Í ϳ± ÙÇû Ñ³Û ùñÇëïáÝÛ³Ý.

²ÛÝÇÝã` ˳µí»Éáí ÙÇ ÏáÕÙÝ ³ëáõÙ ¿ñ.

- Ø»½ ã»Ý ëå³ÝÇ,

гí³ïÁ ËÇÕ× ¿, á±í ÏåÕïáñ» ѳí³ïÁ í×Çï,

ÂáõñùÁ ¹³ßݳϳó ³ãùÁ ÏѳÝÇ...

ؽÏÇà åÕÍá±õÙ ¿ ѳí³ïÝ Ñ³ÛáõÃÛ³Ý,

- гÝáõÙ ¿ ѳÝÇ,- ÙÛáõë ÏáÕÙÝ ³ë³ó:-

Ø»ãǹ ÷É»±É ¿ ³½·Á ÐÛáõ·áÛÇ,-

- ÎѳÝÇ ëÇñïÝ ¿É ³ñٻݳϳݳó...

ºí á±í ÏåÕÍÇ Ñ³í³ïÁ ·áÛÇ,-

- Ø»Ýù DZÝã »Ýù ³ñ»É, áñ Ù»ñÝ ¿É ѳݻÝ...

à±í Üdz·³ñ³, ùá ÑáñÓ³ÝùÇ Ù»ç

- Ø»Ýù Ëáѳñ³ñÝ »Ýù ѳñ»ÙÇ Ï³Ý³Ýó`

î³Ïáí¹ ³ñ»±É »ë ëñµ³í³Ýù ÙÇ å»ñ×,

Ù»½ á±Ýó ëå³Ý»Ý:-

øß»É-ï³ñ»±É »ë ѳÛáó ëñµ³ëáõÝ ÙÇ »Ï»Õ»óÇ,

ä³ÉÛ³ÝÝ»ñÝ ³ëÇÝ.

²Ù»ÝùÁ ½áõëå »Ý ³ÛÉ Ñ³í³ïáó ¹»Ù,

Ø»ñáÝù »Ý Ï»ñï»É å³É³ïÝ ºÉ¹½Ç,

ºÉ¹½Çó µ³óÇ...

êáõÉóÝÇ í³ÃëáõÝ Ù»Í å³É³ïÝ»ñÁ ·áñÍÝ »Ý

ØDZû í³é³Í ϳÝù Ù»Ýù ·»Ã ÙÇ Ôáõñ³Ý` ´áó»ñÇ Ù»ç ¿É Ù»ñ ³½·³Ù³ñÙÝÇ,-

Ù»ñ ÑáõÛëÇ, Ø»½ á±Ýó Ïëå³Ý»Ý, ûÏáõ½ ׳Ù÷»ùÇÝ

¸áõ åÇïÇ ½Õ糯ë, á°í ³ÛñáÕ Âáõñ³Ý, νÕç³ë í³ÕÁ, µ³Ûó áõ¯ß ÏÉÇÝÇ...

ï»Õ³Ñ³ÝáõÃÛ³Ý...

- Ø»Ýù ¿É ïáÑÙáíÇÝ Õ³ñ³í³ßÝ»ñÝ »Ýù

ì»ñçÇÝ Ñ³ÛÇÝ ¿É û Ã³Õ»ë ³ÝÑ»ï` ì»ñçÇÝ Ñ³ÛÝ` ÇÝùÁ ²ñ³ñ³ïÝ ¿ ÙÇßï` Ø»ñ ³Ý÷É»ÉÇ í³ÝùÝ ³ëïí³Í³Ï»ñï, ³Õí»Éáõ ó»Õ 㿠ѳÛÁ Ñáõë³íÇßï:

³Ûë Ãáõñù å»ïáõÃÛ³Ý: -

ÆëÏ Ù»Ýù å³ÑáÕÝ »Ýù í³ñ¹³ÝáóÝ»ñÇ, ³Û·»å³Ý »Ýù ÉáÏ,

Ø»½ Ó»éù ïíáÕÇÝ ÃáõñùÁ ãÇ Ý»ñÇ... Ãáõñù ¿É ϳ Ë»Éáù:-

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ØÛáõë ÏáÕÙÝ ³ë³ó.

àõ ÉáõëÝÇ ÙáÙÁ µéÝ³Í Ý»ñë Ùï³Ýù

- Ø»Ýù ³ÙñáóÝ»ñÝ »Ýù å³Ñ»É ¹³ñ»ñáí,

ì³ñ³·³ í³ÝùÁ, áñ ³í»ñ ·ï³Ýù,-

àñå»ë ˳½Ý³¹³ñ` áëÏÇ »Ýù ¹Ç½»É ·³ÕïÝÇ

ì»ñçÇÝ ÙÇ ç³Ñ ¿ñ ϳËí»É ϳٳñÇó` ²ÕáÃùÇ å³ÑÇÝ Ë»Õ¹í³ÍÇ É»½áõÝ, àõ ³Ñ³ ѳ½Çí åñÍ»É ³í³ñÇó`

ë³ñ»ñáí...

- ÆëÏ Ù»ñ ÑÇÝ ïáÑÙÁ ½áñù»ñ ¿ ÍÝ»É` Ù»½ á±Ýó Ïëå³ÝÇ:

¶ÉËáí ³Ýó³ÍÇ Ù³ëÇÝ ¿ñ ËáëáõÙ...

- â¿', Ù»ñ µáÉáñÇ ³ãùÁ ÏѳÝÇ, í³Õáõó ¿ áëáË...

ºí áõ½áõÙ ¿ÇÝù ¹áõñë ·³É ì³ñ³·Çó,

- ì³Ã³Ý»É Ïáõ½»Ý ÑáÕÝ Ð³Û³ëï³ÝÇ...

ºñµ Ù»½ å³ñ½Áí»ó Ù³ñ¹Ï³ÛÇÝ ÙÇ Ó»é. Ø»ÏÁ Ëáñï³Ïí³Í áñÙ»ñÇ ï³ÏÇó

ÍáíÇó ÍáíÁ ×áË: Ò»½ ¿É ÏÙáñûÝ, áñ ÇÝÓ Ãáõñ ã»Õ³ù,ºí ÃáõñùÁ Ëݹ³ó. §ÆÝÓ Ñ³Ù³ñ Ù»Ï ¿` í³ñ¹ »ù,

¸áõñë ·³Éáõ ï»Ýãáí á·áñáõÙ ¿ñ ¹»é,

û ٻ˳Ï,

àõ óáõÛó ¿ñ ï³ÉÇë Çñ Ó»éùáí, û` §î»°ë`

îáõÕï »ù, û ßáõß³Ý, ݳñ·Ç½, û ݳñ¹áë,

ÎáõÉ ïí»ó Ù½ÏÇÃÝ ÇÙ í³Ýù»ñÝ áõ Ù»½...¦:

Ð³Û ËáïÝ ¿É í³°Û ¿, áñ Ñ³Û »ù` Ó»ñÝ ¿ ÙÇ

ÎáõÉ ïíáÕ ¿ ë³ (í³°Û ÃáõÛÉÇ Ñ³óÇÝ), î»°ë, û ÇÝã ³ñ³í »õ ¹»é ÇÝã ϳݻ

»Õ»éݳ÷áë, àç Ñ³Û ·áõÛÝ»ñ¹ Ù»Ýù ÙÇ ÷áõÝç ϳݻÝù, ØÇ ÷áëáõÙ åÇïÇ Ó»ñ ó³íÁ... ï³Ý»Ýù»¦:

¼ÇÝí³Í ³Õí»ëÁ ³Ý½»Ý ³éÛáõÍÇÝ 152

95 th Anniversary of the Armenian Genocide

ºí ݳÛÇ°ñ, ¸³°Ýû, óáõÛó ï³Ù Ù»Ï ³é Ù»Ï

» ëáõñ ÓáõÉ»ÇÝù ˳ã»ñÇó ³ÛÝù³Ý`

²Ûë ¹Ç³ÏÝ»ñÁ 㻽áùÝ»ñÝ »Ý Ñ»ù,

â¿ñ ÷áùñ³ÃíÇ Ù»ñ ³½·Á ³Ûëù³Ý:

²Ûë ÏáÕÙÝ ÁÝÏ³Í »Ý ¹Ç»ñÝ ÑÝã³ÏÇ, ²ÛÝ ÏáÕÙ ¹Ç»ñÝ »Ý ˳µí³Í ¹³ßݳÏÇ

àõ »ñµ ¹áõñë »Ï³Ýù Ù»Ýù ¹³Ýû³Éáõé`

(¿É Ãáõñ áõ ¹³Ý³Ï ã»Ý Çñ³ñáõ ¹»Ù...):

Ø»ñ ¹»Ù ѳÛïÝí»ó ÙÇ ÙáËñ³Ù³ïáõé,

ºí å³ï»ñ³½ÙÁ »ñµ íñ³ ѳë³í`

سïáõéë ¹³é³Í ÙáËñ³³ïñáõß³Ý,

Ø»½ íñ³ ѳë³í »õ ÃáõñùÁ ¹ÅË»Ù.

ú°, ܳñ»Ï í³éáÕ Ñ»Ã³Ýáë ËáõųÝ:

-àñ Ñ³Û »ù` ë³ïÏ»°ù,- µáÉáñÇÝ ³ë³í:

ºí ³Ñ³ Ù»ñÏ Ñ³ÛÝ Çñ ÙáËñÇ íñ³`

ÞßÙ»ó ¹³ßݳÏÁ, ÑÝã³ÏÁ ßßÙ»ó,

Æñ ·³Ý·Ý` áõÕ»ÕÇ Ù³Ëñáí ¿ñ Éóí»É,

ºñµ ¹³ñ»ñ ˳µí³Í ѳí³ïÝ Ñ³ßÙí»ó,

àñå»ë ³Ý»ÍùÇ í»ñçÇÝ ËáëùÝ Çñ³`

ÞßÙ»ó, ß÷áÃí»ó ³ñٻݳϳÝÁ,

Ö»ñÙ³Ï³Í Ó»éùÝ ¿ñ µéáõÝóùí³Í óóí»É...

ºñµ ÃáõñùÁ ù³ß»ó ·»ñٳݳϳÝÁ,

0°, Ù³Ñí³Ý Ù»ç ¿É íÇßïÁ ãÇ ÉéáõÙ `

ºñµ ¹³ï³ñÏí»óÇÝ ï»Õ³Ñ³ÝáõÙáí,

²í»ñ³ÏÇ Ù»ç ѳÛñ»ÝÇ Çñ ï³Ý,

Úáà ûñ Ûáà ·Çß»ñ ѳóÇ ¿É ÌáÙáí:

гíÇï»Ý³Ï³Ý ùáõÝÝ ¿ ËéáíáõÙ

-гٳ׳ñ³±Ï ¿, û± ѳٳëå³Ý¹:

â³ñ³ßáõù íÇßïÁ ³Ý³ñ¹³ñ Ù³Ñí³Ý...

-êå³Ýí»Ý åÇïÇ` Çß˳Ý, û ÷³ëå³Ý¹,

ºí ÇÝãÇ±ë ¿ å»ïù, û áí ¿ñ ³ñ¹Ûáù`

à±õÙ ¹³ñ¹Ý ¿ Ïïñ»É ϳ٠DZÝã ѳñóÝÇ,

س¯ñ¹ ¿ñ.... ³Ñ³° û áí ¿ñ Ëáñï³Ïí³Í,

àñ Ñ³Û »ë` ÃáõñùÁ åÇïÇ Ù»éóÁÝÇ:

سñ¹, áñ ¹»é »ñ»Ï Ù»ÕíÇ å»ë ³ÝÑá·

ÐÇëá¯õë ã»Ýù óÕáõÙ... ˳ÛÇÝ ¿ ѳÛÁ,

ÈëáõÙ ¿ñ ù³Õóñ Ñ»ùdzÃÁ ̳ÕϳÝó,´³Ûó ۳óճÝÇ ½áñùÁ µ³½ÙáÕáù

àõéáõë ½áñùáõÙ ¿É` áõéáõëÇ Ã³ÛÁ...

âÃáÕ»ó ËáëÇ Ù»ÕáõÝ Í³ÕÏÇ Ñ»ï...

Ø»ÍÝ Âáõñ ³ÝÇ ×³Ù÷³Ý ϵ³Ý³Ýù`

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» í»ñçÇÝ Ñ³Ûáó í»ñçÇÝ í»ñçÁ ï³Ýù.

´³Ûó íñ»Å Ó»éùÁ óóí³Í ¿ ѳí»ï:

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êñµáõÑÇ ÉÇÝÇ, ϳ٠û ÉñµáõÑÇ, ²Õ³ËÇÝ, û ×áñï, û Çß˳ÝáõÑÇ,

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²Ýµ³Ý Ñ³Û ÉÇÝÇ, û ³ñÑ»ëï³íáñ,

γñëáõÙ, ´ÇÃÉÇëáõÙ, êí³½áõÙ, ØáÏëáõÙ,.

Ö³ñï³ñ, û ³Ý׳ñ, ·áÕ ¿, û µ³Ýíáñ,

ØáõßáõÙ, ´³Õ»ßáõÙ,

²ÝÙ»Õ, Ù»Õ³íáñ, ѳÝ׳ñ, û µ³Ýç³ñ`

²Ë ¿ÇÝ ù³ßáõÙ `

Ò»ñ ÙÇ³Ï Ù»ÕùÁ Ñ³Û ÍÝí»ÉÝ ¿ Ó»ñ,

» ÇÝãáõ í³Ýù»ñÝ ³ÙñáóÝ»ñ ã¿ÇÝ,

гÛáó DZÝãÝ ¿ Ù³ñ¹, á°í Ù³ñ¹³µÍ»ñ,

àñ Ù»½ ˳ãáÕÝ»ñÝ Çñ»Ýù ˳ãí»ÇÝ...

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¶»ÕçáõÏ ·ÛáõÕ»ñÇ, سÝãáõÏ ÑÛáõÕ»ñÇ

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سÝáõÏ, û Í»ñáõÏ, ÇÝã ¿É áñ ÉÇÝÇ`

ú¯, ¸³°Ýû, ÙDZû ¹áõ ÉéáõÙ »ë ¹»é,

êáõñµ-ëñµ»Ýù Ù³Ñáí ÑáÕÝ Ð³Û³ëï³ÝÇ

¸á°õ, áñ ³Ù»Ý ÙÇ Ù»ÕùÇó »ë ÝáÕÏáõÙ,

- ²ËÙ³°Ë...- ×ã³óÇÝ Ù³ÝáõÏÝ áõ Í»ñÁ,-

¸á°õ, áñ ²ëïÍá ¹ÅáËùáõÙ ³ÝÙ»é

²Ñ³ áíù»ñ »Ý Ù³ñ¹³µÍ»ñÁ.

Ø»Í ìÇñ·ÇÉÇ Ñ»ï ³ÝÙ»Õ ¹ÅáËùáõÙ

î»Õ³Ñ³ÝáõÙ »Ý, áñ ×Çïë µéÝ»Ý,

ÌÇͳÕáõÙ ¿Çñ í³éíáÕÝ»ñÇ ¹»Ù,

²ß˳ñÑÇ ³ãùÇó Ñ»éíáõÙ »Õ»éÝ»Ý...

ÐÇÙ³ ÇÝãá±õ »ë ÉéáõÙ ` ã·Çï»Ù,

- ²ÛÝÇÝã û ѳÛÇ ³Ûë í»ñçÇÝ Ë»ÉùÁ ѳÛÇÝÁ ÉÇÝ»ñ`

²ÝÙ»ÕÝ»ñÇ ¹»Ù »õ ³ÛÝ ¿É ³Ûëù³¯Ý,

Ø»ñ ׳ϳﳷÇñÝ Ñ³Û ³½· óÕáÕÇ ³ãùÁ Ïѳݻñ,

êá¯õñµ ³ÝÙ»ÕáõÃÛáõÝ` ѳí»ñÅ Ïáõë³Ï³Ý,

Ê»ÉùÇ Ïµ»ñ»ñ ó»Õ³Áëå³Ý ó»ÕÇÝ,

⿱ áñ ÏáñãáõÙ ¿ ãݳß˳ñÑ ÙÇ ó»Õ`

àñ ³ãù ã¹Ý»ñ ³ÛÉáó Ù³Ûñ ÑáÕÇÝ...

ÐáÕÇó ¿É µ»ññÇ, ѳëÏÇó ¿É ³ÝÙ»Õ,

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153

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

гÉí³Í ¹³ñ»ñÇó ÝÙáõßíáÕ ÙÇ ³½·,

ìñ»ÅÁ ÉáõÍ»É ê³ëÝá ¿É ³ÝÏÛ³É...

¶»ñ³Ý¹áõ µ»ñ³ÝÝ ÁÝÏ³Í Ñ»· ÙÇ Ñ³ëÏ`

¸»°, Ùáñû°, ËÙ»°,- ·áé³ó ³ëÏÛ³ñÁ:

ÀÝÏ³Í áïùÇ ï³Ï Æñ³Ý-Âáõñ³ÝÇ,

ºí ÃáõñÁ ù³ß»ó Ñ³Û áñ¹áõ Ù³ÛñÁ,

ÆÝùÁ` ÙáÙ, ßáõñçÁ` µáóÁ Ôáõñ³ÝÇ:

ì»ñçÇÝ Ñ³ÙµáõÛñáí áñ¹áõÝ Ñ³Ùµáõñ»ó, Þ³ÝÃÇ å»ë Ëáó»ó Ý³Ë ëÇñïÁ ¹³Ñ×Ç,

9

ºí ³å³ ëáõñÁ Çñ ëÇñïÁ Ëñ»ó,

ìÑ³ï ¿ñ ¸³ÝûÝ, áõ ¹»é ÇÙ ÏñÍùáõÙ

êÇñï, áñ ³Ùñáó ¿ñ Ûáà ê³ëݳ ù³çÇ:

Îñ³ÏÝ ¿ñ í³éíáõ٠ѳݷãáÕ ÙáËÇñÇ,

àõ ù³çÇ Ù³Ñáí ûñáñí»ó Ù³ÛñÁ, ÁÝϳí Ù»ÕÙ³í³½,

ø³ÙÇÝ ·³ÉÇë ¿ñ áõ ·³Ý·Á ͳÍÏáõÙ

²åß»ó ½Çݳí³é áÑÙ³ÏÁ ÙÇ å³Ñ Ñ³Û ÏÝáç ³é³ç,

¸»é ï³ù ÙáËÇñáí Ýñ³ ËáÑ»ñÇ...

²åß»ó ųÝï ÷³ß³Ý áÑٳϳ·ÉáõË áõ ßßÙ³í³Û»ó,

´³Ûó, á°í ÙáËñ³óÛ³É, á±õÙ ·ÉáõËÝ ¿Çñ,

²å³ ÝáñÇó Ýáñ ¹³ñÓ³í µáñ»ÝÇ »õ Ññ³Ù³Û»ó.

àñ ·ñù»ñÇ Ñ»ï ˳ñáõÛÏÇ »É³ñ,

-Øáñû°É áñ¹áõÝ ¿É ³Ûë` ù³Í ù³çáõÑáõ,

Ðñ³ßùÇ É»½íáí ÙÇ µ³é Ëáë»Çñ`

ÂáÕ çÝçíÇ Ñ³Ûáó ѳñóÝ ¿É ѳÛáó Ñ»ï...

» ÇÝãå»ë ÙÇ Ñ³Û í³ÝùÇ Éáõë³ñ³ñ

ø»ñÃ»É áñ¹áõÝ ¿É ß»ÛóÝÇ ç³¹íÇ,

²Ù»Ý ûñ` ³Ù»Ý ÙÇ ÙáÙ í³é»ÉÇë`

êñ³Ýù ã»Ý ¹³éݳ ùáõÛñÁ... µ³çáõÑáõ,

¶Ãáï ³ãù»ñÁ »ñÏÇÝù ѳé»ÉÇë`

â»Ý Ãáõñù³Ý³Éáõ` áÕç ó»ÕÝ ¿É ˳ãíÇ,

ØÇßï ÝáõÛÝ ³ÕáÃùÝ ¿ñ »ñÏÇÝù ³é³ùáõÙ.

²Ûë ÏÇÝÁ Ïáïñ»ó ëáõñÝ ¿É ÇÙ å³ïíÇ: ºí ó³Ûï»ó ÇëÏáõÛÝ ³ñÛáõÝÝ ¿É Ù³ÝϳÝ,

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ÀÝϳí áñ¹ÇÝ ¿É ÁÝÏ³Í Ùáñ ÏñÍùÇÝ

ÆÝãå»ë ѳÝ׳ñ»Õ ãùÝ³Õ ï»ëÇÉÁ º½»ÏÇ»ÉÇ`

(гíÇïÛ³Ý Ï³Ý·Ý³Í Ùáñ ÏñÍùÇÝ ÁÝϳí...),

òñí³Í ûÉáùÝ»ñÝ ¿ÉÇ ÍáõÍáí »Ý í³ÕÁ Éóí»Éáõ,

Øáñ Ó»éùÁ ß³ñÅí»ó, ·ñÏ»ó Ù³ÝáõÏÇÝ,

òñí³Í áëÏáñÝ»ñÝ` ÇÝãå»ë ÑáÕÝ-ÑáÕÇÝ`

гݷ³í... ÉáÏ ÉáõëÇÝÝ ³Ù³ÛÇ ë»õÝ Ñ³·³í:

Çñ³ñ »Ý ·³Éáõ, ²½·Ý »Ý ¹³éݳÉáõ óñí³Í-Ïáñëí³Í Ù³ëáõÝùÝ»ñÝ Ñ³Ûáó, öÉí³Í ³ÙñáóÝ ¿É ³Ùñáó ¿` »Ã» á·ÇÝ ¿ ³Ùñáó:

àõ ßáõÝ ¹³é³í ¾Ýí»ñ ÷³ß³Ý, ØéÝãÛáõÝáí ¹ÅáËùÇ ß³Ý` àïùÁ ¹ñ»ó Ùáñ ¹Ç³ÏÇÝ, ²å³ ¹ñ»ó Ù³ÝÏ³Ý ÏñÍùÇÝ, àïùáí Ññ»ó, ·ó»ó ÷áëÁ

154

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¸Ç»ñÝ ³ÝÙ»Õ Ùáñ áõ Ù³ÝϳÝ,

ºí ³é³ç ³Ýó³Ýù ³í»ñ³ÏÝ»ñáí.

ØáñÇó ÍÝí³Í µ³ñµ³ñáëÁ

ÖãáõÙ ¿ñ ³Õ»ïÝ Ñ³Ûáó ·³Ý·»ñáí.

Øáé³ó³Í ϳÃÝ ¿É Ù³Ûñ³Ï³Ý`

à°í ¹áõ ¹ÅáËùáõÙ ÍÇÍ³Õ³Í ¸³Ýû,

Ðñ³Ù³Û»ó` §àÕçÝ ³í»ñ»É,

âѳÉãDZ åÇïÇ ßáõñù »ñϳû

ì»ñçÇÝ Ñ³ÛÇ í»ñçÁ µ»ñ»É,

²ÛÅÙ ¿É, »ñµ ëáõñÁ ïí»É ѳÛáõÑáõÝ`

ì³é»É áÕç ·ÛáõÕݦ,- áõ í³é»óÇÝ,

Ðñ³Ù³ÛáõÙ »Ý, áñ Ùáñû áñ¹áõÝ,

ì»ñçÇÝ Ñ³ÛÇÝ Ëáßï³Ý·»óÇÝ,

àñ Ùáñû áñ¹áõÝ` ³ñÛáõÝÁ ËÙ»...

²í»ñ»óÇÝ, ³í³ñ»óÇÝ

ºñµ ËÙ»ë, ·Û³íá°õñ, Ýáñ Ïѳí³ï³Ýù,

Ø»ñ ÑáÕÝ áõ çáõñÝ, ¿É á±ñÝ ³ë»Ù,

» ù³ç Ñ³Û ÏÇÝÁ ³ëïí³Í³½³ñÙ ¿,

à±ñ ÙÇ Ñ³ÛÇ íÇßïÁ ÏÇë»Ù,

» ëñï³Ýó åÇïÇ ¹áõù ¿É Ãáõñù³Ý³ù,

ÐÇ߻٠á±ñ ÙÇ ·ÛáõÕ³ÏÝ ³Ûñí³Í,

¸»°, Ùáñû°, ËÙ»°, ³ñÛáõݹ åÕÍÇñ`

à±ñ ÙÇ ïݳÏ-ÑÛáõÕ³ÏÝ ³Ûñí³Í,

¸áõ ùá ³ñÛáõÝÁ` ¹áõ ùá ÍݳÍÇó`

ºñµ ѳݹÇå»ó áÕµÝ ÇÙ ³ãùÇ

ÆÝùݳå³ïÅáõÙáí, áñ Ñ³Û »ë ÍÝ»É

ØÇ ·áÙÇ Ù»ç` ÙÇ ËáõñÓ ·³Ý·Ç,

ºí ¹»é Ïáõ½»Çñ ³ñÍÁí³óÁÝ»É,

ØÇ ·ÛáõÕÇ Ù»ç` µÛáõñ»ñ Ñáñ³Í,

г۹áõÏ»É í³Ûñ³·, Ãáõñ¹ Ó»éùÁ ï³É,

ØÇ ù³Õ³ùáõÙ ` Íáí Ïáïáñ³Í...

95 th Anniversary of the Armenian Genocide

ØáñÃáÕÝ»ñÁ` ½áñù Ñ»Éáõ½³Ï,

²Ûëï»Õ` Ñ³Û Ëá÷Á ù³ñÇó ÑáÕ ÍÝáõÙ, ²ÛÝï»Õ` Çñ ÑáÕÝ ¿ ¹»é Ëáå³Ý ÙÝáõÙ,

г½³ñ áõ µÛáõñ ùñ¹Ç Ýǽ³Ï,

²Ûëï»Õ` ³ñáñÝ ¿ ·áõóÝÇ ÷áËí»É,

ØáñÃíáÕÝ»ñÁ` ³Ýëáõñ å³ïÛ³Ý,

²ÛÝï»Õ »Ý Çñ Íáí ÑáÕ»ñÝ ³ÙµáËí»É,

ØÇ Ù»Í ³½·ÇÏ` ÙÇ Íáí Ù³ïÛ³Ý:-

²Ûëï»Õ` Ëáå³ÝÇó ¹ñ³Ëï »Ý ÍÝáõÙ,

àõ ·ÛáõÕÝ ÇÝùÝ Çñ»Ý ¹³é³í ßÇñÙ³ù³ñ,

ØÇÝã Çñ»Ýó ¹ñ³ËïÝ ³ÛÝï»Õ ¿ ³ÛÅÙ ¹»é

àõ Ñ³Û ãÙݳó,

Ëáå³Ý³ÝáõÙ,

àñ Ùáñë å»ë ɳñ

²Ûëï»Õ` ÉáõÛëÇ Ù»ç, ³¯Ë, ó³Ù³ùáõÙ ¿

¸Ç»ñÇ íñ³ »Õ»éÝáõÙ ³Ûë Ù»Í,

ÍáíÁ ê»õ³Ý³,

àñáí Ù³ñ¹ÏáõÃÛ³Ý å³ïÇíÁ ˳Ùñ»ó:

²ÛÝï»Õ` »ÉÝáõÙ ¿, ³÷»ñÝ ¿ ͳÍÏáõÙ ÍáíÁ Ù»ñ ì³Ý³,

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11

²Ûëï»Õ` Ñ³Û ·áõóÝ, ³ÛÝï»Õ` Ñ³Û Ëáå³Ý` ´³Å³Ýí³Í Ó»áùáí ºÉ¹½Ç¹ ³Ýµ³Ý...

ºí ³ÝóÝáõÙ ¿ÇÝù ÉéáõÃÛ³Ùµ` Ù³Ùé³Í î³å³Ý³ù³ñÇ ÝÙ³Ý ïËñ³Ù³Í,

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àõ ÙáËñ³·ÛáõÕÇó »ñµ äáÉÇë ѳë³Ýù,

Èëá±õÙ »ù, ³ñ¹Ûáù, ³½·»°ñ áõ Ù³ñ¹Ç°Ï,

à°í Ñ»éíÇ ³½·»ñ, ï»ë»ù ǯÝã ï»ë³Ýù.

Èëá±õÙ »ù áÕµ»ñÝ ÇÙ ëñï³Ï»Õ»ù,

ØÇݳñ»Ç ï³Ï ³ÉɳÑÇ ÙÃÇÝ,

ì³Ý¹³ÏÇó í³·ñ»ñÝ ÇÝãá±õ µ³ó ÃáÕÇù`

ìÑáõÏÇ ÝÙ³Ý` Ù»çùÁ Ù»ãǹÇÝ`

Ø»½ íñ³ ÇÝãá±õ µ³ó ÃáÕÇù »ñ»Ï,-

³½µ»Ñ ¿ñ ù³ßáõ٠˳ÝáõÑÇ ÙÇ Í»ñ,-

سѳñÅ³Ý ¿ ݳ, áí Ù³Ñ ¿ ï»ëÝáõÙ `

à°í ųÝï ½³ñÑáõñ³Ýù, DZÝã ó½µ»Ñ, á°í Ý»é,

¸áõñë ãÇ íéݹáõÙ í³·ñÇÝ ÷³ñ³ËÇó,

¿É á±Ýó ãÃù»Ù ³ÉɳÑÇ ¿ÉÇÝ,

»Ïáõ½ í³·ñÝ ¿É íñ³ ãÇ Ñ³ëÝáõÙ `

ø³Ý½Ç åïáõÏÝ»ñÝ Ñ³Û ëïÇÝùÝ»ñÇ

ÊÉ»Éáí íÇÃÁ í³·ñÇ »ñ³ËÇó...

Îïñ»É, ³åËï»É, ß³ñ»É »Ý ûÉÇÝ`

ÆÝãá±õ µ³ó ÃáÕÇù` ù³ñ»ñÝ »Ý ×ãáõÙ,

ÊÉ»Éáí µ»ñÝÇó Ñ³Û Ù³ÝáõÏÝ»ñÇ,-

ê³ñ»ñÝ »Ý ϳÝãáõÙ ` ÇÝãá±õ µ³ó ÃáÕÇù,

¼áñù-Ãáõñù»ñÝ ¿ÇÝ Çñ»Ýó ïáõÝ ÕñÏ»É,

ê³ñ»ñ ÏßÁéáÕ ó³í»ñÝ »Ý ϳÝãáõÙ `

ØáñÝ »Ý áõÕ³ñÏ»É, áñ Ù³ÛñÁ ù³ß»`

Ð³Û ³ãùáõ٠سëÇëÝ ÇÝãá±õ ɳó ÃáÕÇù:

Æñ »ÝÇã³ñí³Í ù³ç áñ¹áóÝ ÑÇß»,

» ùá Ù³ïÝ»ñÇó Ù»ÏÝ ³½·Ý ¿ ѳÛáó`

» ÇÝãå»ë, Çñ³í, Çñ ÍݳÍ, ëݳÍ

à°í ù³ñ Ù³ñ¹ÏáõÃÛáõÝ, »ñµ ݳ Ëáßï³Ý·í»ó`

¼áñùÝ... ûñáóùÇ ¹»Ù ·ñáÑÇ ·Ý³ó,

ÆÝãá±õ ãó³í»ó ù³ñ ëÇñï¹, ³°Û ûÓ,

Øáñ ëïÇÝùÝ ³é³í Ù³ÝϳÝó µ»ñ³ÝÇó ºí ѳ½³ñ ó½µ»Ñ ßÇÝ»ó Ýñ³ÝÇó...

Èé»óÇñ, »ñµ ѳÛÝ ³ñÙ³ï³Ñ³Ýí»ó, гÛñ»Ý³Ñ³Ýí»ó` ³Ý³å³ï í³Ýí»ó...

à°í ÐÇëáõë, ÇÝãå»±ë »ñÏÇÝù ³Ùµ³éݳÙ, » Ù³ñ¹Á ë³ ¿` »ë ·³ÛÉ Ï¹³éݳÙ, *

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ò»ÕÝ ëå³Ý»Éáí, áñå»ë ÙÇ ·³é³Ý, ºí Éáõé Éé»óÇÝ ×³Ù÷»ù¹ µ³ÝáõÏ,

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ºí ³Ñ³ Ï»ë ¹³ñ ѳ·»É ¿ Ù³Ùáõé àÕç ²ñ»õÙïÛ³Ý Ð³Û³ëï³Ýë Éáõé,

Ñ»éíáõÙ Ðáßáïí³Í, ÷éí³Í ÇÙ ÅáÕáíñ¹Ç ¹Ç³ÏÝ ¿ ÃíáõÙ, ²Ý³å³ï ͳÍÏáÕ íÇÃ˳ñÇ Ùáñë ¹Ç³ÏÝ ³Ýë³ÑÙ³Ý. ¼áõÛ· ëïÇÝùÇ ï»Õ ·³Ý·» µáõñ·»ñÝ »Ý áõé»É,

²ñ»õÇ ï³Ï ¿É çñ»ñ¹ ë³é³Ý: *

ºí ³ÛÅÙ ¹Å˻٠¹»ÕÇÝ ¸»ñ ¼áñÇ ³Ý³å³ïÝ

á°í ÑÙ³Ý, *

ºí ÉáÏ ÙÇñ³ÅÝ ¿ñ û³½ÇëÇ å»ë ͳÕÏ»åë³Ïáí ÆÙ ³Ýï»ñ ³½·Ç Ù»éÛ³É ëݳñÇÝ Ñ³ÛïÝíáõÙ ëáõ·áí, 155

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

àã áù ã¿ñ ë·áõÙ, µ³óÇ ÙÇñ³ÅÇó...

سñ¹Ï³ÛÇÝ áïù»ñ ï»ë³Ýù ¹áõñë óóí³Í:

à±Ýó ¿ ãÇ å³ÛÃáõÙ ëÇñïë íñ»ÅÇó:

γݷݻóÇÝù ³åß³Í, »ñµ Ýñ³ ·³Ý·Çó ¸áõñë Ý³Û»ó ¹»ÕÇÝ ûÓ ÙÇ ÏÍÏÁí³Í.

²·é³íÝ Ñ³·»ó³Í` ׳ËñáõÙ ¿ñ ÙÃÝáõÙ,

ö³Ã³Ãí»É Ù³ñÙÝÇÝ Ñ³Û ³µ»Õ³ÛÇ,

´áñ»ÝÇù` ÝÇñÑáõÙ ¹Ç»ñÇ íñ³,

гëÝ»Éáí ·ÉËÇÝ` áõÕ»ÕÝ ¿ñ Ï»ñ»É,-

¸»é ·ÝáõÙ ¿ÇÝù, ٳѻñÁ ·ïÝáõÙ `

àõ Ù»Ýù ÙÇ ³ãùáõÙ ûÓÇ ³Ù»ÑÇ

Ð᷻ѳݷëïáí ѳÛáó ÑÝûñÛ³:

î»ë³Ýù ѳ۳ϻñ ÷³ß³ÛÇÝ ¾Ýí»ñ,

ºí ÎáÙÇï³ëÁ ³ÕáÃù ¿ñ ßÝãáõÙ,

ØÛáõë ³ãùÇ Ù»ß` ³ɻ³Ã ÷³ß³ÛÇÝ,-

Ê»ÉùÁ Ù»ñà ˳ÙñáõÙ, Ë»ÉùÁ Ù»ñà ·³ÉÇë,

úÓÝ ³ë³ó` §Îáõï»Ù í»ñçÇÝ ¿É ѳÛÇݦ:

Ø»Ï ¸³ÝÃ»Ç å»ë Ùï³ËáÑ ÙÝçáõÙ,

´³Ûó »ë ÇëÏáõÛÝ Ïñ³Ï ¹³é³,

Ø»Ï Ñ³Ýϳñͳѳë` ÙÇ Ó³ÛÝ ¿ñ ï³ÉÇë.

Îñ³Ï ¹³é³, ÙÇ ù³ñ ³é³,

§²Ûë ·³Ý·»ñÇ Ù»ç Ë»Éùë »Ù ÏáñóÝáõÙ,

æ³Ëç³Ë»óÇ

â³ñÁ ãÇ ·ÃáõÙ, ï»°ñ, ¹á¯õ áÕáñÙ»³,

¶ÉáõËÝ ûÓÇ,

ÆÙ³ëïáõÝÇÝ ¿É Ë»õ »Ý ¹³ñÓÁÝáõÙ `

¶ÉáõËÝ ûÓÇ

êáõñµ ó»Õë »Ý ÙáñÃáõÙ, ï»°ñ, ¹á¯õ áÕáñÙ»³,

æ³Ëç³Ë»óÇ,-

²ëïí³ÍÝ»ñÝ ³Ý·³Ù ËÇÕ× ã»Ý ѳñóÝáõÙ,

êÇñïë Ñáí³ó³í ÑáõÛëÇ ÙÇ í³ÛñÏÛ³Ý,

êÇñïë ¿É »Ý ù»ñÃáõÙ, ï»°ñ, ¹á¯õ áÕáñÙ»³...¦:

ÐáõÛëë Íáí³ó³í, ÇÝãå»ë ܳ½áõϳÝ,

ºí ËÇÕ×Á Ù»½ ¿É ½³Ý· ¿ñ ¹³ñÓÝáõÙ,

ÆÙ íñ»ÅÝ áõ áËÝ ³ë»ë ѳݻóÇ,

ÈéáõÙ ¿ñ ¸³ÝÃ»Ý ¿É, ï»°ñ, ¹á¯õ áÕáñÙ»³...

àõ ßáõÝã ù³ß»óÇ, Ãí³ó` ÷ñÏ»óÇ

àõ ÃáÕÝáõÙ ¿ÇÝù ³ÕáÃùÝ áõ ³ÝóÝáõÙ,

ºÕ»éݳÍáíÇó ³½·ÇÝ Ç٠ѳÛÏÛ³Ý`

àëÏñ³ÏáõÛï»ñáõÙ ¹»é ٳѳÏÝÇù

»Ïáõ½ ÙÇ í³ÛñÏÛ³Ý, ûÏáõ½ ÙÇ í³ÛñÏÛ³Ý...

²Ûë á±Ýó ¿ Ó»ñ ¿É ËÇÕ×Á ϳñÍñ³ÝáõÙ,

²°Ë, ã¿ °, ³Ûëï»Õ ¿É, ѳ½³ñÝ»ñ ÁÝϳÝ,

ú°, ¹áõù Ñ»é³íáñ, ³Ýï»ÕÛ³Ï Ù³ñ¹ÇÏ.

¶áÕ³óí³Í ½áñùÇ Ñ³½³ñÝ»ñÝ ³Ý½»Ý,

Ò»ñ ùáõÛñ»ñÝ ¿ÇÝ Ñ³Û»ñÝ ³Ûë ÙáñÃí³Í,

²Ý½»Ý ³ÕáÃáÕ ³½·Ý ÑÇëáõë³½»Ý,

Ò»ñ ùáõÛñ»ñÝ ¿ÇÝ Ùáñ» Ù»ÏÇ å»ë,

ºñµ ³ÕáÃáõÙ ¿ñ í³Ýù»ñÁ Ùï³Í,

ØDZû Çñ³ñÇó í³Õ »ù Ëáñóó³Í,

ºÝÇã³ñÝ»ñÁ` ë»õ å³ÑÁ ·ï³Í`

¾É á±õñ ¿ Ë»ÉùÁ Ó»ñ ÑÇëáõë³Ñ»½,

ÊáõÅ»óÇÝ Ñ³ÝϳñÍ, áñ ·»ñ»í³ñ»Ý,

¾É á±õñ »ù ˳µáõÙ, û ÐÇëáõëÁ ϳ`

²Ûë í³ÝùÝ ¿É ÙÇ Ë»Õ× ÙáÙÇ å»ë Ù³ñ»Ý:

²Ñ»Õ ¹³ï³ëï³ÝÝ ³ß˳ñÑ ¿ ·³Éáõ,

ºí ÏÙ³ñ»ÇÝ` û ãí³Ë»ÇÝ

¾É »±ñµ ¿ ·³Éáõ, áñ ÃáõñùÝ ¿É ë·³,

гÛáó ³Ïݹ»ï ³ëïí³ÍáõÃÛáõÝÇó,

¾É DZÝã ¹³ï³ëï³Ý, »ñµ ã»Ý ½³ñÃÝ»Éáõ

àñ åÇïÇ ½³ñÃÝ»ñ` û ãͳ˻ÇÝ

гÛáó µÛáõñ³íáñ ½áÑ»ñÁ µáÉáñ,

Ø»½ ó»Õ³ëå³ÝÇÝ` ß³ÑÇ ë»õ ÃáõÛÝÇó...

ܳѳï³ÏÝ»ñÁ ¹»é ٳѳÑÉáõ, гí»ñųëáõ·Ç Ù»ç ٳѳÙáÉáñ:

àã Ù»Ïǹ ëáõñÁ ÙÇ Ó³ÛÝ ãѳݻó, ØÇ ß³Ýà ãѳݻó áã ÙÇ Ãñ³Ë³ã,

ºÉ³Ýù Þ³ï³ËÇó` ß³ï-³Ëáó ÑÉáõ,

âÃáõñí»ó ÙÇ Ë³ã` Ç ë³ëï áëáËÇ,

²Ýó³Ýù ܳ½áõϳ ÙÃÝ³Í Íáí³÷áí,

ºí ݳ ËáÕËáÕ»ó ÙÇ Ù»Í ³ÝÙ»ÕÇ,

àñ ÇçÝ»Ýù ´ÇÃÉÇë` ÉáõëݳóáõÛó ׳Ù÷áí:

¸á°õù, áñ ²µ»ÉÇ Ù³Ñáí »ù ï³ÝçíáõÙ,

ê³Ï³ÛÝ Ï»ë ׳Ù÷ÇÝ` ÏÇë³í»ñ ÙÇ í³Ýù

Èé»óÇù, »ñà áÕç Ñ³Û ³½·Ý ¿ñ çÝçíáõÙ

гÛïÝí»ó, áñå»ë ³ÝÉ»½áõ ÙÇ ·³Ý·,-

î»Õ³Ñ³ÝáõÃÛ³Ùµ, ó»Õ³ëå³ÝáõÃÛ³Ùµ`

ìßïÇó ù³ñ³ó³Í` ܳñ»Ï³óáõ å»ë` Î³Ý·Ý»É ¿ñ µÉñÇÝ í»Õ³ñí³Í áõ Ñ»½: ºí ³ÝóÝáõÙ ¿ÇÝù` »ñµ í³ÝùÇ ß»ÙùÇó 156

åÕͳ»Õ»áÝáí, ºñµ ³½· ¿ñ çÝçíáõÙ ` ³Ûëûñ ¿É í³ÛñÇ ÙÇ ó»ÕÇ Ó»éáí,

95 th Anniversary of the Armenian Genocide

²°½· ¿ñ ÏáñãáõÙ, ³¯½·, áã û ÇÝã-áñ ó»Õ` »ÕÏ Ñáï»ÝïáïÇ,

´³Ûó 㵳ݳÏí»ó áã ÙÇ Ãñ³Ë³ã ²Ýѳí³ïÇ ¹»Ù Ó»ñ Ù³Ñ Ø³ÑÙ»¹Ç,

²°½·, áñ ãÇ ·áñÍ»É áã ÙÇ Ãñ³Ù»Õù »ñÏñáõÙ µ³½Ù³Ù»Õ.

ºí ³½·Çë çÝç»ó Ó»ñ ³ãùÇ ³é³ç ò»ÕÁ í³Ûñ»ÝÇ ³Ûë Ýáñ γۻÝÇ,

سùáõñ ¿ñ` ÇÝãå»ë ÜáÛ³Ý Ñ³Ùµáõñ³Í ÓÛáõÝÝ

²Ûë Ýáñ γۻÝÇ ó»ÕÁ í³Ûñ»ÝÇ...

²ñ³ñ³ïÇ, Æñ ²ñ³ñ³ïÇ ëáõñµ ϳÝûÕÇ å»ë` ѳíÇïÛ³Ý ³ÝÙ»Õ,

3 ºí ï³ÝáõÙ ¿Ç ¹Ç»ñÇ ÙÇçáí ³åßÛ³É ¸³ÝûÇÝ`

ì³ÛñÇ ó»Õ»ñÇ Ë³í³ñÇ Ù»ç ¿É` í³Õáõó ³½·³ó³Í

¶ïÝ»Éáõ ѳٳñ ѳÛáó ÷ñÏáõÃÛ³Ýó ÑáõÛëÇ

Èáõë³ñ³ñ ÙÇ ³½·, µ³Ûó ÃáÕ Ñ³ñóÁÝ» Ó»½ ÇÝùÁ

²ÝûÛÇÝ:

²ëïí³Í, ØDZû ÉáõÛë ÙÇ ³½· ã³ñÅ»ñ ÙÇ ²µ»É,

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àñ Éáõé Éé»óÇù, »ñµ ÙáñÃíáõÙ ¿ñ ݳ,

ÂáÕ»óÇÝù` áõñ áñ å³ïÙ»ñ·áõÙ ¿Ç,

²°½·, áñ Íáí Ó·»ó ѳ½³ñ Ïáõéù áõ ´»É,

²é³ç Ó·í»óÇÝù ÙÃÝáõÙ ³Ù»ÑÇ,

¸³é³í Ù³ñ¹³ë»ñ áõ ùñÇëïáÝÛ³.

ÂáÕ»óÇÝù ´ÇÃÉÇëÝ (ÑÇÝ ´³Õ»ßÝ Ñ³Ûáó),

²°½·, áñ ³é³çÇÝÝ ÇÝùÁ ÁݹáõÝ»ó

ÂáÕ»óÇÝù öáùñ гÛùÝ ¿É ÑÇݳíáõñó,

ÐÇëáõëÇ ÉáõÛëÁ »õ ó·³¹ñ»ó

ÂáÕ»óÇÝù òñáÝùÝ áõ ØáõßÁ Ùß³Í,

Æñ µÇµÉÇ³Ï³Ý Ø³ëÇëÇ ·ÉáõËÝ ÐÇëáõëÇ Ã³·áí,

ÂáÕÇÝù ܳ½áõϳ ÍáíÝ ¿É Ùßáõßí³Í,

ºí ׳Ù÷³ µ³ó»ó Ù»Í Ë³ã»óÛ³ÉÇÝ` ѳÛÝ Çñ

ÂáÕ»óÇÝù ʳñµ»ñ¹Ý` ³í»ñ³ÝùÇ Ù»ç,

Ýǽ³Ïáí...

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²Ù³ÛáõÃÛáõÝÝ»ñÝ ³å³ñ³ÝùÇ Ë»Õ×,

²é³çÇÝÝ ÇÝùÁ Ù³ñ»ó ³ïñáõß³ÝÝ Ñ»Ã³ÝáëáõÃÛ³Ý,

ÂáÕÇÝù úß³Ï³Ý ³ÙñáóÁ` ÙáõÝçáí,

Ødzëïí³ÍáõÃÛáõÝ ù³ñá½»ó` ó÷íáÕ ³ñÛ³Ùµ

ºí ³Ýó³Ýù ´³ÝïáõÙ³Ñáõ ϳÙáõñçáí.

ѳÛáõÃÛ³Ý,

²ëï ¿É Ñ³Û ·»ïÁ Ñ³Û ¹Ç»ñ ï³ñ³í,

³·³¹ñ»Éáí Ù»Í ËÇÕ×Ý ÐÇëáõëÇ

¸»é ͳéë ÉÇÝ»Éáí å³ïÙ»Éáí ³ÝÙ»é,

Æñ ³ñù³Ý»ñÇ ·ÉËÇÝ ¿É` ³ñù³,

»` á°í ó»Õ³ëå³Ý µ³éÝ ³ß˳ñÑ µ»ñ³í,

âëñ»ó Ãñ»ñÝ Çñ ˳ã³ÑáõÛëÇ

àíù»°ñ Éé»óÇÝ áõ ÉéáõÙ »Ý ¹»é...

ڳóճݳó Ù»ç ó»Õ»ñÇ ³·³Ñ, ÆÝùÝ ¿É ¹³ñ»ó¹³ñ ˳ãí»ó ³ñݳù³Ù

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Æñ á·»ÉáõÛëÇ` ÐÇëáõëÇ ÝÙ³Ý:

úñáñíáõÙ ¿ÇÝ Ã³÷áñáí óÕÙ³Ý,

¶³ÛÉ ³½·»ñǹ Ù»ç, ÇÝãå»ë ³Õ³íÝÇÝ ËÕ×áí

àõ óÕÙ³Ý ¿ÇÝ ¹»é ï³ÝáõÙ, ϳñÍ»ë,

ÇÙ³ëïáõÝ,

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γݳ㠻ջõÝáõó ϳËí³Í ³ÕçϳÝ:

Èù»ó é³½ÙÇ Ñ»Ã³Ýáë ³ëïÍáõÝ,

àõ Ù»Ýù ³ÏݳåÇß Ùáï»ó³Ýù ÉéÇÝ,-

ºí Ïսdzó³í` Ó»ñ ³ï»ÉáõÃÛ³Ý Íáíáõ٠˻ɳ·³ñ,

γËí³ÍÇ Ù³ÛñÝ ¿ñ »Õ»õÝÇÝ, ³ë»ë, Ø»ñ ¹»Ù ÷ß»ñÝ ¿ñ óóáõÙ ºÕ»õÝÇÝ`

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Üñ³ Ùáñ ëñí³Í »ÕáõÝ·Ý»ñÇ å»ë...

²ÛÉ ³Ù»Ý åÕͳÝù ÍÝíáõÙ ¿ ß³ÑÇó...

²ß˳ñÑÁ Éé»É... ͳ¯éÝ ¿ µáÕáùáõÙ,

ÆÙ³ó»°ù, ë³Ï³ÛÝ, ³½·»ñ áõ ó»Õ»ñ` ÐÇëáõë³¹ñáõÅ,

ÈáõëÇÝÝ ¿ Ù»½ Ñ»ï µáÕáùáõÙ ÉéÇÝ`

â¿ °, ½Õç³Éáõ »ù ¹áõù ¿É í³Õ û áõß...

» DZÝã Ù»Õù áõÝ»ñ Ù³ÝáõÏÝ Çñ Ñá·áõÙ.

àõ í»ñÇÝÝ ÇÝùÝ ¿É ÇÝãá±õ ÏÉé»` û ã¿ ³é³ëå»É, ²Ù»Ý³Ï³ñáÕ ²ëïí³ÍÝ ÇÝùÝ ³Ý·³Ù,

- ²°Ë, ݳ ³ÝÙ»Õ ¿ñ, ÇÝãå»ë »Õ»õÝÇÝ,

» ³ÝϳñáÕ ¿ñ ²ñ»É ëå³ÝáÕ Î³Û»ÝÇÝ ½ëå»É,

¾É ëñïÇë ɳñ»ñÝ ÇÝãå»±ë ã¹áÕ³Ý.

¸áõù ϳñáÕ ¿Çù »Õ»éÝÇó ÷ñÏ»É ³½·ë ³ñݳù³Ù,

´Ûáõñ »ñ³½Ý»ñ »Ý ѳÝí»É ϳ˳ճÝ:

öñÏ»É ßÕóÛí³Í ÑáÕÝ ²ñ³ñ³ïÇ, 157

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

ºí ³ÝóÝáõÙ ¿ÇÝù Éáõé ̳á³ëï³ÝÇó.

¸»Ù ¿ ϳï³ñíáõÙ »Õ»éÝÝ ³Ûë ³Ýµ³Ý...

²Ù»Ý ͳé ϳËí³Í ÙÇ Ù³ñ¹ ¿ñ ÃíáõÙ, àñ Éáõñ Ïáõ½»ÇÝ Éáõé г۳ëï³ÝÇó,

7

»° §ØÃÇÝ ã³ñÁ Ù»ÕùÁ ãDZ ù³íáõÙ,

лéíáõÙ ³Õ»Ï»½ áéÝáõÙ ¿ñ ÙÇ ßáõÝ

àñ ï³ÏáíÝ ³ñ³í ×Çßï »ñÏáõ ÙÇÉÇáÝ Ñ³Ûáó

ºí Ù»ñà ɳÉÇë ¿ñ »ñ»ËÇ ÝÙ³Ý.

·»ñ¹³ëï³Ý.

àõ Ù»Ýù ˻չí»Éáí ˳í³ñÇ ÷áßáõÙ,

àÕç г۳ëï³ÝÁ ¹³ñÓ³í ·³Ý·³Éáõé ÙÇ ³Ù³Ûëï³Ý¦: -

γëϳÍÇ ù³ÛÉáí Ùáï»ó³Ýù Ýñ³Ý.γËí³Í ×á×íáõÙ ¿ñ Ù³Ûñ ÙÇ ³É»Ñ»ñ,

îáõÝ Ï³ñ, áñ ÛáÃÇó Ù»ÏÁ ÷ñÏÁí»ó,

γñÍ»ë ÉëáõÙ ¿ñ ß³Ý Ï³ÕϳÝÓÁ ¹»é,

ÚáóݳëáõÝÇó Ù»ÏÝ Ñ³½Çí åñͳí,

ÆëÏ »ñµ áéÝáõÙ ¿ñ ßáõÝÁ ˳í³ñáõÙ,

ê³ñÇÕ³ÙÇßÁ ³ÛÝå»ë Ññ¹»Ñí»ó,

ºñµ ɳó ¿ñ ¹³éÝáõ٠ϳÕϳÝÓÁ Ýñ³`

àñ, ß³Ù-³Ýï³é ¿ñ` ³ïñáõß³Ý ¹³ñÓ³í:

γËí³ÍÁ, ϳñÍ»ë, ·ÉáõËÁ ÍéáõÙ `

ØÇ áÕç ïáÑÙ³ïáõÝ ëñÇ ¿ ù³ßí»É,

ìßïáí ¿ñ ݳÛáõ٠ɳóáÕ ß³Ý íñ³,

êñÇ ù³ßí»óÇÝ Ñ³½³ñ ïáÑÙ³ïáõÝ,

àõ ßáõÝÝ ¿É ×á×íáÕ ïÇñáçÁ ݳÛáõÙ `

à±Ýó ³ëï»Õ³ÃÇí ½áÑ»ñë ѳßí»É,-

γÕϳÝÓ ¾ñ ë÷éáõÙ ³ß˳ñÑÇ íñ³.-

ì³°Û Ñ³ßíáÕ Ù³ñ¹áõÝ...

ØÇ ß³Ý ã³÷ ãϳ±Ýù, ÇÝãá±õ »ù ÉéáõÙ,

¸³ï³ñÏí»ó ì³ÝÁ` ùñ¹»ñáí Éóí»ó,

ØDZû ³ß˳ñÑÁ ÙÇ ß³Ý ã³÷ ãϳ,

λë Ñ³Û ãÙݳó ØáõßáõÙ, ´³Õ»ßáõÙ,

àñ Ù³ñ¹áõ íñ³ ÙÇ ß³Ý ã³÷ ë·³:

Úáà íÇɳۻÃÇó í»óÁ ¹³ï³ñÏí»ó`

ƱÝã Ù³ñ¹, ÙÇ á¯Õç ³½·, ÙÇ ³¯½· ¿ñ çÝçíáõÙ, àã áù ãÇ, ë³Ï³ÛÝ, Ñ³Û íßïáí ï³ÝçíáõÙ...

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ºí ³ÝóÝáõÙ ¿ÇÝù... Øé³ÛÉ ëÛ³Ý íñ³`

ØÇÝã, »ñµ ˻չí»ñ ÇÝã-áñ ÙÇ Ë³÷ßÇÏ` Ò»Ý-Ó»ÝÇ ï³Éáí` ³åß³Ýùáí ϳåßÇù:

Ø»é³Í ÉáõëÝÇ å»ë` ϳËí³Í ¿ñ ÙÇ ÏÇÝ, ê»õ ³ñóáõÝù ¿ÇÝ Ù³½»ñÁ Ýñ³`

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¶³ÛÉÇ µ»ñ³Ýáí Ñáßáïí³Í ÏñÍùÇÝ...

ú', ¹³ñ»ñÝ ÇÝã»ñ åÇïÇ ËáñÑ»ÇÝ

´³Ûó DZÝãÝ ¿ñ Ù»Õù¹, Ù³¯Ûñ ¿Çñ ù³ç³Ýó,

γËÛ³ÉÇ Ù³ëÇÝ ³Ûë ËáñÑñ¹³íáñ,

àñ ãÃáõñù³ó³ñ` ѳÛáõÃÛ³Ùµ ³Ý³Ýó,

´³Ûó ³Ñ³° ѳÛáó Ýñ³ Ù»ÕùÁ ÑÇÝ`

²Ñ³° ùá Ù»ÕùÝ ¿É, á° í ³ÝÙ»Õ³å³ñï,

ºí ÃáÕ ÏßÁé»Ý ³½·»ñÝ Ñ»é³íáñ.-

´³Ûó ÃáÕ ÉáõëÝÇ å»ë Ù³Ñí³Ý ëÛ³Ý íñ³

àñëÏ³Ý ¾ñ` ÙÇ ûñ ÙÇ Ñ³íù ¾ñ µéÝ»É...

سÛñ³Ï³Ý ÏáõñÍù¹ ßáÕßáÕ³ Ñå³ñï,

- à±í ßá°õÝ, ÇÝãáõ »ë ϳù³íÝ ëå³Ý»É,

àñ Ó³· »ë ÍÝ»É Ñ³Ûñ»Ý³½ñ³Ñ...

⿱ áñ ѳíùÝ ¿É ¿ ÙÇ ßáõÝã ϻݹ³ÝÇ,-

ºí ÃáÕ Ù³½»ñ¹ Ñå³ñï ͳͳÝí»Ý

àõ ï»ÕÝ áõ ï»ÕÁ Ï³Ë»É »Ý... ³Ñ³°,

ØÇ Ù³Ûñ ³éÛáõÍÇ µ³ß»ñÇ ÝÙ³Ý,

ºí ß³Ù÷ñ»É »Ý áñëÁ áñëϳÝÇ`

ÂáÕ Ù³Ûñ»ñÁ ÙÇßï ÏáñÛáõÝÝ»ñ ÍÝ»Ý,

Üëï»É` ËÙ»É »Ý ϻݳóÁ Ýñ³

»Ïáõ½ »õ Çñ»Ýù »ÉÝ»Ý Ï³Ë³Õ³Ý...

ºÝÇã³ñÝ»ñÁ ϳñÙÇñ ëáõÉóÝÇ,

- ößñ»° ù ëÛáõÝ»ñÁ, ÙáñÁ Ù³Ñ ãϳ,

ºí ¹»é ËÙáõÙ »Ý ·ÇÝáí ÑÝûñÛ³,

ØÇ Ù³Ûñ ¿É Ùݳ áÕç ²ñ³ñ³ïÇó`

ÆÙ ì³Ý³ ÍáíÝ ¿É ÁÙåáõÙ »Ý ÑáõÛëáí`

Îí»ñ³ÍÝí»Ýù ÙÇ Ùáñ ³ñ·³Ý¹Çó...

سëÇëÇ Ñëϳ, íÇÃ˳ñÇ Ã³ëáí

ì³ÛñÇ »ÕÝÇÏÇ Ñ»ï ¿É áñ ùÝÇ`

λݳóÝ »Ý ËÙáõÙ í³Ûñ³· ÉéáõÃÛ³Ý,

ØÇ ëáõñµ ³ñ·³Ý¹Ý ¿É ѳۻñ ÏÍÝÇ: гۻñ ÏÍÝÇ` ÏÍáí³óÁÝÇ Ù»ñ ³½·Á Ýáñ»Ý,

λݳóÝ »Ý ÁÙåáõÙ Éáõé ²ñ»õÙáõïùÇ,

ØÇ Ñ³Û ³ñ·³Ý¹Ý ¿É ÍáõÝÏÇ Ïµ»ñÇ ó»ÕÇÝ ³Ýûñ»Ý,

λݳóÝ ³Ñ³ñÏáõ ÉéáõÃÛ³Ýó ÏáõéùÇ,

ø³Ý½Ç µÝáõÃÛ³Ý »õ ³ëïí³ÍáõÃÛ³Ý 158

Ð³Û ó»ÕÇ Áݹ¹»Ù ` ϻݳóÁ Ù»ÕùÇ,

²ñÛáõÝë »Ý ËÙáõÙ, áñ ¹ñ³Ëï ·Ý³Ý,

95 th Anniversary of the Armenian Genocide

ηݳÝ` û Ñ³Û Íáí³÷ÇÝ ÙݳÝ,

Ðá°ÕÝ ¿ ÏñáÝÁ ùá ³Ûë áëáËÇ...

» ÙÝ³Ý ÍáóáõÙ ´ÇÝ·ÛáÉ-´Ûáõñ³ÏÝÇ,

г۳ëï³ÝÝ ³é³Ýó ѳÛÇ »Ý áõ½áõÙ `

» Ã³Õ»Ý í»ñçÇÝ ë»ñÙÝ ¿É ì³Ñ³·ÝÇ.

êáëÏ ÑáÕÇ Ñ³Ù³ñ Ó»ñ ¹ñ³Ëï³½áõݦ:

ºí ³ÝóÝáõÙ ¿ÇÝù á·»ËáõÙµ áõ Éáõé

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êÛáõë»ñÇ ÙÇçáí ³ÛÝ Ù³Ñ³ë³ñëáõé.-

ú', ¸³°Ýû, ·Çï»Ù ÇÝãÝ ¿ ù»½ ï³ÝçáõÙ,-

Ø»ÏÇÝ Ï³Ë»É »Ý` ÙÇ Ñ³Ùñ ѳñëÇ`

øá ¹ÅáËùÝ ³Ý·³Ù ¹ÅáËù ã¿ ³Ûëï»Õ,

àñ å³ñ³ÝÇ Ñ»ï ѳۻñ»Ý ËáëÇ,

²Ûë ϳËí³ÍÝ»ñÝ ¿É íñ»Å »Ý ·áãáõÙ,

Ø»ÏÇÝ ËáÕËáÕ»É, ÙÛáõëÇÝ Ï³Ë»É`

ÂùáõÙ ÉéáõÃÛ³Ýó íñ³ µ³½Ù³Ù»Õ:

àñ ã¿ÇÝ Ñ³Ûáó ѳí³ïÁ ÷áË»É,

à°í Ýáñ åá»ïÝ»ñ, ÇÝãå»±ë Éé»óÇù,

â¿ÇÝ Ãáõñù³ó»É, Ñ³Û ¿ÇÝ Ï³ó»É,

ºñµ سëÇëÝ ³Ý·³Ù `ѳÛáó ½³Ý·Á Ù»Í,

γ˳ճÝáí ¿É ã¿ÇÝ Ãáõñù³ó»É,-

ø³ñ ÉéáõÃÛ³Ùµ ¿É Çñ ٳѳÏÝÇù`

§àñ Ñ³Û »Ý` çÝç»°É, »õ áõñÇß áãÇÝã,

ÔáÕ³Ýç»ó, áñå»ë ²ëïÍá µ³Ý³ëï»ÕÍ...

гÛÁ »ñµ ãùíÇ` Ýáñ ϳåñ»Ýù Ù»Ýù ¹ÇÝç...

ÆÝãå»±ë »ù ÉéáõÙ, ÇÝãå»±ë Éé»óÇù,

²Ûë ÑáÕÝ Ñ³ÛáóÝ ¿` ¹³¹³ñ ãÇ Ùݳ` ûÏáõ½

ºñµ Ó»ñ ѳÛñ»ñÇó µÛáõñ»ñÁ ãϳÝ,

ëïñáõÏí³Í, ¸áõñë Ïíéݹí»Ýù, »ñµ ï»ñÁ ½ÇÝíÇ` Ãáõñ ¿ ëïáõ·í³Í...

àñµ »ù ÇÝÓ ÝÙ³Ý, ÇÝãá±õ »ù, ë³Ï³ÛÝ, ÂáÕÝáõÙ, áñ ·áéáõÝ µ»ñ³Ýë ÷³Ï»Ý` » ¹³ñÝ áõ½áõÙ ¿ Ù»ÕùÁ Ùáé³óíÇ,

Î»ë ·áõݹ Ñ³Û ½áñù ¿ Ù»Ï Ñ³Û¹áõÏÝ ÇÝùÝ ¿É`

²ÛÝ ¿É ·»ÝáóÇ¹Ý ³Ûë ¹Åá˳ù»Ý,

²Ñ³ û ÇÝã Ý»Õ ·áõµ ¿ÇÝù ÁÝÏ»É,

²ëïí³Í ¿É, ·áõó», ÝáñÇó ϵ³óÇ

Úáà ýǹ³ÛÇÝ ¿É` ²Ý¹ñ³ÝÇÏ ¿ ù³ç`

ä³ïųÝùÇ ·³ÉÇù ëáõñµ ¹áõéÝ ³å³ù»Ý:

²Ñ³ ÇÝã ½áñù ¿ñ ½ÇÝíáõÙ Ù»ñ ³é³ç: ܳ½ÇÙÝ ³ë»É ¿`§²ñÛáõÝÝ ¾ñÙ³ÝÇ

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Ìáí ¾É áñ ó÷»Ýù` Ï»ë ßÇà ·ÇÝ ãáõÝǦ...

à±í Ë»ÉùÇó ѳݻó ó»ÕÁ Âáõñ³ÝÇ,

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à±ñ Ùáɳ˻õÁ, ·áãáí ³Ý³ëÝÛ³` ºí ³ÝóÝáõÙ ¿ÇÝù... íÇßïÁ ã¿ñ Ù»ÕÙáõÙ,

»` §àí ³Ûë ÏÛ³ÝùáõÙ ÙÇ Ñ³Û ëå³ÝÇ`

²ë»ë ¹»é Ù»½ ¿É å³ñ³ÝÝ ¿ñ ë»ÕÙáõÙ:

¾Ý ÏÛ³ÝùáõÙ »ñ»ù ÑáõñÇ Ïëï³Ý³,

²·é³íÁ óé»É ϳËí³ÍÇ áõëÇÝ`

ºñ»ùÝ ¿É ͳéÇÝ` Ù»ñÏ, Ù»ñϳٳñÙÇÝ,

ØÇ ³ãùÁ ѳݻÉ, ÙÛáõëÝ ¿ñ ѳÝáõÙ,

¾É í»ñç ãÇ ÉÇÝÇ í³Û»ÉùÇ Å³ÙÇÝ...

γËí³ÍÇ ·ÉáõËÝ, ÇÝãå»ë Ñ»· ÉáõëÇÝ,

ÆëÏ áí ³ß˳ñÑáõÙ »ñ»ù Ñ³Û Ùáñû`

гÝí³Í ³ãùáí ¿É µ³Ý ¿ñ ѳñóÁÝáõÙ.

¸ñ³ËïáõÙ ÛáÃÁ ÷»ñÇ Ïáõݻݳ,

§ØDZû ÏñáÝÁ Ãáõñ ¿É ÏÍÝÇ...¦:

àí Ñ³Û ãÇ ÙáñÃáõÙ ` ³ÉɳÑÇÝ Ëáñà ¿,

§Æ±Ýã ÏñáÝ, á°í ÏáõÛñ, ÙDZû ã»ë ï»ëÝáõÙ `

ܳ ¹ñ³ËïÇ ï»Õ` çѳݹ³Ù Ϸݳ...¦:

ÆÝãDZ ѳٳñ ¿ ó»Õǹ í»ñçÝ Ñ³ëÝáõÙ, ÎñáÝÁ ÑáÕÝ ¿,- ³·é³íÝ ¿É ³ë³í,²åñÇ° ÇÃÃÇѳïÝ, ÇÙ ûñÝ ¿É ѳë³í. ²·é³íÝ»ñÝ Çñ³ñ ãåÇïÇ áõï»Ý` ¸»é ÛáÃÁ ï³ñÇ Ó»ñ ÙÇëÁ Ïáõï»Ý, à°í ÏáõÛñ, Ïñáݹ ÇÝãÇ±Ý ¿ Ù³ñ¹áõ, ºñµ áñ áéÝáõÙ ¿ ÷áñÇÏÁ áñ¹áõ, øá ѳÝí³Í ³ãùáí ÇÝãù³Ý ¿É ó³í»ë` øá ³ãùÝ ¿, ³Ñ³°, ÏñáÝÝ ³·é³íÇë, Ðá°ÕÝ ¿ ÏñáÝÁ »õ ѳóÁ ÑáÕÇ`

ºí ˳µí³Í »É³Ý Ññáí áõ ëñáí` ÀÝÏ³Ý áñá·³ÛÃÝ Ññ³Ù³ÝÝ»ñÇ... ʳµí»ó é³Û³Ý ºÉ¹½Ç ·ñáí, ¶Çñ, áñ Ñ»ë³ÝÝ ¿ñ ó»Õ³ëå³Ý ëñÇ, ʳµí»ó é³ÙÇÏÝ` ³Ûë ÍáõÕ³ÏÝ ÁÝϳí, ò»Õ³Áëå³ÝÇ ½»Ýù-½ñ³ÑÝ Ñ³·³í, ʳµí»ó ·ÇïáõÝÁ` Ñ»ïÝ ÑáÍ ³Ý·»ïÇ, ʳµí»ó, Ïáñóñ»ó ËÇÕ×Á ÏáõÛñ ëñïÇ, ʳµí»ó ÏñáÝÝ ¿É ˳µáÕ ºÉ¹½áí, ʳµí»ó` Ñ³Û ÑáÕÇ áõ áëÏáõ ÑáõÛëáí, 159

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

ʳµí»ó Ù³ÝáõÏÁ, ÇÝãå»ë Í»ñáõÏÁ,

ijÝÇùÁ Ó·»ó سßïáóÇ áïùÇÝ,

Ì»ñáõÏÁ ˳µí»ó, ÇÝãå»ë Ù³ÝáõÏÁ,

àñ óջñ ³ÝÑ»ï Ñ³Û ·ÇñÝ áõ á·ÇÝ,

ʳµí»ó ó»ÕáíÇÝ... à°í ·³Ñ³Ãáõñù»ñ,

Ò·»ó, µ³Ûó ÷ßñ»ó ųÝÇùÝ ³é³çÇÝ:

¸áõù ˳µí³Í ó»ÕÇ ë³ï³ÝÇÝ` ïáõñù»ñ...

ijÝÇùÁ Ó·»ó ëáõñµ ܳñ»Ï³óáõÝ,

¸á°õù, áñ Ó»ñ ÙáñÝ ¿É ß³íÕÇó ߻ջóÇù`

àñ Ù»Í Ü³ñ»Ïáí ÏñÏÁÝ»ó ²ëïÍáõÝ,

Ò»ñ ó»ÕÇ ¹»Ù ¿É ³Ý¹áõݹݻñ µ³óÇù...

Ò·»ó, µ³Ûó ÷ßñ»ó ųÝÇùÁ »ñÏñáñ¹: ijÝÇùÁ Ó·»ó Ýáõñµ ÎáÙÇï³ëÇÝ,

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àñ »ñ·áí ÍáõÝÏÇ µ»ñ»ó ö³ñǽÇÝ,

´Ûáõñ³Ý¹áõݹ ë»õ µÇÍ... ãÇ çÝçÁí»Éáõ,

Ò·»ó, µ³Ûó ÷ßñ»ó ųÝÇùÁ »ññáñ¹:

ÞÇñÙÇ Ù»ç ¿É »ù ¹áõù ï³ÝçÁí»Éáõ,-

ijÝÇùÁ Ó·»ó ÐáÙ»ñÇÝ ÓÛáõݳÍ,

¾É ÇÝãå»±ë Éé»Ýù` û ÃáõñùÁ í³Û ¿ñ`

àñ ãå³Ñ³Ýç» ´áëýáñÁ Ñáõݳó,

Ø»Ýù... ÍáíÇó ÙÇ µáõé Ùݳó³Í ѳۻñ:

Ò·»ó, µ³Ûó ÷ßñ»ó ųÝÇùÝ ¿É ãáññáñ¹: ijÝÇùÁ Ó·»ó Ù»Í Êáñ»Ý³óáõÝ,

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àñ óջñ ѳÛáó Ù³ïÛ³Ýí³Í ³ÍáõÝ,

ºí ³ÝóÝáõÙ ¿ÇÝù ѳÙñ áõ ϳñϳٳÍ`

Ò·»ó, µ³Ûó ÷ßñ»ó ųÝÇùÝ ÑÇÝ·»ñáñ¹:

ì»ñù»ñÁ µ³óáõÙ Ù»ñ ³Ù»Ý ù³ÛÉÇÝ,

ijÝÇùÁ Ó·»ó Ù»Í ÐáíѳÝÝ»ëÇÝ` Ìáí»ñÇ ³ëïí³Í,

ºñµ ˳í³ñÇ Ù»ç ÙÇ Ï³ÛÍ ÃñÃé³ó,

» ÇÝãá±õ ³Ý½áõÛ· »õ Ñ³Û ¿ ÍÝí³Í,

î»ë³Ýù ëÛáõÝÝ Ç í»ñ Ù³·ÉóáÕ ·³ÛÉÇÝ.

Ò·»ó, µ³Ûó ÷ßñ»ó Å»é ųÝÇùÝ ÇëÏáõÛÝ:

àõ½áõÙ ¿ñ ѳëÝ»É Ù³ÝáõÏÇÝ Ï³Ëí³Í,

ijÝÇùÁ Ó·»ó ¸³ÝûÇÝ ÙáÉáñ,

¶ñÏáõÙ ¿ñ ëÛáõÝÁ, ׳ÝÏéáõ٠ϳï³Õ³Í,

àñ ãíϳۻñ` û ï»ë³ÍÝ Çñ³í ¹ÅáËù ¿ ÙÇ Ýáñ,

ÆçÝáõÙ ¿ñ ³ÝÑáõÛë, ÝáñÇó Ù³·ÉóáõÙ,

ºí ÇëÏáõÛÝ Ó·»ó ÷áùñ ÐáíѳÝÝ»ëÇÝ,

ÜáñÇó ¿ñ ׳ÝÏéáõÙ ëÛáõÝÁ ϳï³ÕÇ:

àñ ¿É ã·áé³` §öñÏ»¯É سëÇëÇÝ...¦,

- â»°ë ѳëÝÇ Ýñ³Ý, ½á¯õñ »ë ϳÕϳÝÓáõÙ,

Ò·»ó, µ³Ûó ·Åí»ó, í»ñ Ãé³í, ÁÝϳí,

à°í ¹áõ »ñÏíáñÛ³Ï í³Ûñ³· áëáËÇ.

ì»ñçÇÝ Å³ÝÇùÁ Çñ ÏáÕÁ Ëñ»ó »õ ßݳѳݷ³í.-

¸»é ·³ÛÉ »Õµ³Ûñ¹` ù»½ÝÇó ¿É ³ÝÏáõßï,

ºí Ù»Ýù ÐáÙ»ñÇ ³ãùáí ¿É ÙÃÇÝ`

êÛáõÝ»ñÁ ùá ¹»Ù ß³ï µ³ñÓñ ¿ óó»É,

Þ³Ý ÙÇ ³ãùÇ Ù»ç ï»ë³Ýù ³ɻ³ÃÇÝ,

¸á±õ ¿É »ë, ÙDZû, á°í ³ñÛáõÝéáõßï,

ØÛáõë ³ãùÇ Ù»ç ëáõÉóÝÇÝ ï»ë³Ýù,²°Ûë ¿ áëáËÇ ·³ÉÇùÁ... (Ñáõ볯Ýù):

Ð³Û »ÕÝÇÏÇë ¹»Ù ËÇÕ×¹ Ù»éóÁñ»É: â¿ °, ¹áõ ѳ½Çí »ë ëïí»ñÁ Ýñ³,

àñå»ë ÉáõëÝÇ ÉáõÛë áõ áñå»ë ¹³ÛɳÛÉ:

12 ºí ´áëýáñÝ ³Ýó³Ýù áõ Ùï³Ýù äáÉÇë, à±õñ »ë, ²ùÇÉÉ»°ë, áñ íßïÇó ѳÉÇë, ²Ùá°õñ ϳó, ÐáÙ»°ñ, û¯, ѳÛñ ÇÙ, ³Ùá°õñ, ²Ñ³ á×ñ³áñç å³É³ïÝ»ñÁ Ùáõñ... *

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ºí ¸³Ýûë ÇÝùÝ ¿É ùÇã Ùݳó ÁÝÏÝ»ñ, ÆëÏáõÛÝ ½·³óÇÝù, û ÇÝã ¿ñ ËáÏáõÙ. ²Ûë ù³Ýǯ»ñáñ¹ ·ÉËÇÏÝ»ñÝ ¿ÇÝ... ƱÝã ßßÝç³ÛÇ ³ÛÅÙ ÐáÙ»ñÇÝ`

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ºí ³ÝóÝáõÙ ¿ÇÝù Ùï³ËáÑ áõ Éáõé ºÉ¹½Ç Ùáïáí ³ÛÝ ¹Åá˳ñ³ñ, ºñµ ·³Ù÷é ÙÇ ßáõÝ, ¹ÅáËùÇ ß³Ý å»ë` ijÝï ó»ñµ»ñÇ å»ë` íñ³ åñͳí Ù»½.160

â³ñÇÝ Ñ»ï³Ùáõï Ýáñ ׳ݳå³ñÑáí, Ø»Ýù ³ÝËáó»ÉÇ` ËÕ×Ç å³Ñå³ÝÛ³É`

àñ Å»é ëïí»ñ ¿ ³ß˳ñÑÇ íñ³:

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ºí ³é³ç ³Ýó³Ýù ÑáõÛëÇ Ýß˳ñáí`

àñ ¹³ñ»ñ ³åñ³Í ëÇñïÁ ã÷Éí»ñ... Ò»½ ÇÝãå»±ë ÏñÏÝ»Ù, á°í ѳÛáó ó³í»ñ, úï³ñÇÝ Ùݳó ÑáÕë ³Ýë³ÑÙ³Ý,ºñ»ù ·ÉËÇÏÝ»ñ` ó³Í ÁÝÏ³Í »ñ»ù ËÝÓáñÇ ÝÙ³Ý, ƱÝã »ñ»ù, ¸³°Ýû, ³°Ë, á±õñ ¿ »ñ»ù ÙÇÉÇáÝ ·ÉËÇÏë`

95 th Anniversary of the Armenian Genocide

ØÇ ËÝÓáñ ¿É ã¿ ³ÛÅ٠ѳ۳½áõñÏ Ï»ë ѳÛñ»ÝÇùë...

5 àõ »ñµ ëáëϳѳñ »É³Ýù ´³Õ¹³¹Çó, ØÇç³·»ïù

3

ѳë³Ýù`

àõ ÙáÉáñí»óÇÝù Ù»Ýù ³å߳ѳé³ã, ÈéáõÃÛáõÝÝ` ³åß³Í` ³ãù»ñÝ ¿ñ óñÃáõÙ,

гÛáó ûûõ³Ý Ù»Í ³Ý³å³ïÁ, ï»ë»ù` ǯÝã ï»ë³Ýù,

²ÛÝ Ù³ÝáõÏÇ å»ë, áñ ³ãùÇ ³é³ç`

î»ë³Ýù Ñ³Û ÙÇ ÏÇÝ` íßïáí ÇÙ³ëïáõÝ`

Æñ ³ãùÇ ³é³ç Çñ ÑáñÝ »Ý ÙáñÃáõÙ.

гÛáó á·ÇÝ ¿ñ óáõÛó ï³ÉÇë áñ¹áõÝ,

¼ÇÝí³ÍÇ ³éç»õ ³Ý½»ÝÝ ¿ ÍáõÝÏÇ...

²í³½Ç íñ³ ·ñ»Éáí ·ñ»ñÝ Ñ³Ûáó ëáõñµ á·áí,

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¶ñáõÙ ¿ñ ³Ûµµ»ÝÝ áõ áñ¹áõÝ ³Ûëå»ë ³ëáõÙ

ÎÙ³ËùÝ ¿ñ Ûáà í³Ýù ÙáËñ³ó³Í ËáõÝÏÇ,

ßßáõÏáí.

- ²Ûµ-µ»Ý-·ÇÙ-¹³-»¯, Ó³°·ë, ɳí ݳۻ`

ÆëÏ ³÷ÇÝ ÁÝÏ³Í ÍáíÁ ³Ýë³ÑÙ³Ý â³÷íáõÙ ¿ñ Ñ»ïÁ ѳÛáó ³ñóáõÝùÇ. ²ë»ë ÏÙ³ËùÝ ¿ñ ÙáËñ³ó³Í ËáõÝÏÇ,

áñ ÃáõñùÁ í³Û», àñ ɳí ëáíáñ»ë` Ùáñ å»ë ù»½ åÇïÇ ²ëïí³Í ÷³Û÷³Û»,-

àõ ãϳñ ûÏáõ½ ßßáõÏÁ Ù³Ñí³Ý, ²ùÉáñÇ ÙÇ Ï³Ýã, Ï³Ù ß³Ý ÙÇ ÏɳÝã,

²ëáõÙ, ·ñáõÙ ¿ñ Ù³ÛñÁ Ñ³Û ·ñ»ñÝ ³í³½Ç íñ³,

¶³é³Ý ÙÇ Ù³ÛáõÝ, Ùɳí ÙÇ Ï³ïíÇ,-

´³Ûó ù³ÙÇÝ ·³ÉÇë` çÝçáõÙ ¿ñ ѳÛáó ·ñ»ñÝ ÑÝûñÛ³,

²ÝßÝã³ó»É ¿ñ áÕçÁ ٳѳï³Ýç,

ÆÝãå»ë ۳óճÝÝ ÇÝùÝ ¿ñ çÝç»Éáí ³ñ»É ï»Õ³Ñ³Ý,

²åß³Í ÉéáõÃÛáõÝ ³ÛÝï»Õ, áõñ ÍáíÇ

²Ý³å³ï ùᯐ áÕç ѳÛáó ³½·ÇÝ ³Ý½áñù,

ÊáõÉ ÙÇ ÅËáñáí Ñ³Û ÏÛ³ÝùÝ ¿ñ »ñ»Ï гñë³Ýùáí ϳÝãáõÙ ` §ØÇ° ù³ßí»ù, Ï»ñ»¯ù, ÔáݳÕÝ ²ëïÍáõÝÝ ¿` Ãáõñù ÉÇÝÇ, û ùáõñ¹...¦,àõ... Ï»ñ³Ý ½áõÛ·áí... ÙÇ Ñ³Û ÅáÕáíáõñ¹...

³Ýí³Ñ³Ý, æÝçáõÙ ¿ñ ù³ÙÇÝ, µ³Ûó çÝç³ÍÝ»ñÁ ·ñáõÙ ¿ñ ïÕ³Ý` ¶ñáõÙ ¿ñ ÝáñÇó ³ëïí³Í³å³ñ·»õ ·ñ»ñÁ µáÉáñ, ´³Ûó ù³ÙÇÝ ¿ÉÇ Ãáõñ-ë³ÙáõÙÇ å»ë ·³ÉÇë ¿ñ

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àõ áã û å³ï³ÝùÝ` Çñ ٳѳÙݳ.àõ ß³ñÅÁíáõÙ ¿ñ Ù³ÝÏÇÏÁ í³Õí³` §Ð³ñÛ³°í¦ Ñáõß»Éáí Ù»ñ ÙáñÃí³Í »ñÏñÇÝ... ºí ³ÝóÝáõÙ ¿ÇÝù ·ñϳÍ... Ù³ÝÏÇÏÇÝ:

ËáÉáñ, ÊáõÅáõÙ, çÝçáõÙ ¿ñ, µ³Ûó Ýáñ»Ý ·ñáõÙ, ·ñáõÙ ¿ñ ïÕ³Ý Ð³Ûáó ³ÝËáñï³Ï ·ñ»ñÝ ³½·³å³Ñ` Ãñ»ñÝ ³ñÙ³Õ³Ý, ¶ñáõÙ ¿ñ Ù³ÛñÁ ³í³½Ç íñ³ ³Ûµáõµ»ÝÝ Ñ³Ûáó.

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§Æ±Ýã »ë Ãáõñù³ó»É, ¹á°õ ¿É, á¯í ù³ÙÇ,

ú¯, ϻݳó Ù³ÝáõÏ, ¹áõ 㻯ë Ù»éÝ»Éáõ, ú¯, ¹áõ ã»°ë ѳݷãÇ, Ù»ñ ÑáõÛëÇ Ï³ÝûÕ, Êáóí³Í ÑáÕÇó ¿É ³ß˳ñÑ »ë ·³Éáõ`

DZÝã Ïáõ½»ë, ³°Û ûÓ¦,²ëáõÙ, ·ñáõÙ ¿ñ Ù³ÛñÝ ÇÙ³ëïݳËáë ·ñ»ñÝ ³í³½ÇÝ,

Ø»éóÁí³Í Ù³ÛñÝ ¿É Ϲ³éݳ ³ÝûÕ...

سëÇë ¿ñ ·ñáõÙ, áñ ãÙáé³Ý³ñ áñ¹ÇÝ Ø³ëÇëÇÝ,

àã áù ãÇ Ï³ñáÕ ÏÛ³ÝùÁ ëå³Ý»É,-

àñ ãÙáé³Ý³ñ` ³Ý³å³ïáõÙÝ ¿É` ѳÛñ»ÝÇÝ ËÉí³Í,

Ø»ñ Ù³Ñí³Ý Ù»ç ¿É Ù»ñ ÏÛ³ÝùÝ Ñáõݹ áõÝÇ,

¶ñáõÙ ¿ñ Ù³ÛñÁ` ÑáõÛëÁ ³ÝËáñï³Ï »õ û

»Ïáõ½ ÙáñÝ áõ½»ë ¹ÅáËùÁ ï³Ý»É, ÎÛ³ÝùÁ ¹áõñë Ï·³ ÝáñÇó ϻݹ³ÝÇ` سÑí³Ý ѳٵáõñ³Í ³ñ·³Ý¹Çó ³Ý·³Ù, ÆÝãå»ë ٳѳ½³ñÙ ³ñ·³Ý¹Çó ÓÛáõÝÇ` ³Õí³Í Ãí³óáÕ Í³ÕÇÏÝ Ñ³Û³½³ñÙ:

˳ñËÉí³Í: àõ ì³Ý³ Íáí ¿ñ ·ñáõÙ ³í³½ÇÝ ÑáõÛëáí ³Ýϳï³ñ, ´³Ûó ÝáñÇó ·³ÉÇë` ÝáñÇó ¿ñ çÝçáõÙ ù³ÙÇÝ Ë»É³·³ñ, ÜáñÇó ¿ñ ·ñáõÙ, ÝáñÇó ¿ñ áéÝáõÙ ù³ÙÇÝ

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ѳí»ñÅáõÃÛáõÝÁ:

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àõñ åñïÇ å³ïé» Ýáñ г۳ëï³ÝÁ µ³ñáõñÝ

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95 th Anniversary of the Armenian Genocide

øá ì³Ý³ ÍáíÇó ÙÇÝã»õ ê»õ³Ý³ ó³Ù³ùÛ³ÉÝ ¿É ë»õ,

ØdzÛÝ Ã» ѳëÝÇ Ø³ëÇë ó·³íáñÝ Çñ ²ñ³·³ÍÇÝ`

ÆÙ Ñ³Û ÅáÕáíáõñ¹` áñ ³ëïÕ³÷Ýçí»ë, áñ ¹³éÝ³ë ³ñ»õ,

ØÇ³Ï Ã³·áõÑáõÝ` ÙÇ³Ï Ã³·³íáñÝ Çñ ѳí»ñųÍÇÝ...

àñ ã³ñÛáõÝáïí»ë ¿É ³ÛëáõÑ»ï»õ... سëÛ³ó ÓÛáõÝÇ å»ë Ù³ùáõñ »ë »Õ»É, ѳí»ñÅí»°ë Ù³ùáõñ`

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¶»Ã Éáõë³ëïÕÇ ã³÷ ÉáõÛë ï³ë ³ÝëÝ·áõÛñ,

ÈáõëÇÝÝ ¾É ³ÛÅÙ ÑáõÛëÇ Ï³ÝÃ»Õ ¿ñ.-

àñ سëÇëÝ ÇÝùÁ í»ñëïÇÝ ¹³éݳ ó·Ý

ºí ³ÝóÝáõÙ ¿ÇÝù ßáÕ»ñáí ÉáõëÝÇ,

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´á¹ÇÉ ´áñÝ

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Bodil Born

95 th Anniversary of the Armenian Genocide

²ñÙÇÝ ì»·Ý»ñ ÀÝÏ»ñáõÃÛ³Ý Ñ³í³ù³Íáõ

Collection of Armin Wegner Society

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²ñ³µ íϳݻñÇ Ñ³í³ù³Íáõ

1. Ð³Û µ³ÝíáñÝ»ñÇ íñ³ÝÝ»ñÁ º÷ñ³ïÇ ³÷ÇÝ 2. Ð³Û µ³ÝíáñÝ»ñÇ íñ³ÝÝ»ñÁ º÷ñ³ïÇ ³÷ÇÝ 3. Ð³Û ·³ÕóϳÝÝ»ñÁ úëÙ³ÝÛ³Ý µ³Ý³ÏÇ Ñ³Ù³ñ ݳí»ñ å³ïñë³ï»ÉÇë 1. Armenain workers' tents on bank of Ephrata 2. Armenain workers' tents on bank of Ephrata 3. Armenian emigrant preparing boas for Ottoman army 166

Collection of Arab eyewitness

95 th Anniversary of the Armenian Genocide

ìÇÏïáñ öÇãÙ³ÝÇ Ñ³í³ù³Íáõ

Collection of Victor Pitchman

167

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

È»ëÉÇ ¸&ÇëÇ Ñ³í³ù³Íáõ

168

Collection of Lesley Davis

95 th Anniversary of the Armenian Genocide

Genocide Map Printable

169

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

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95 th Anniversary of the Armenian Genocide

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ܳٳÏ` êï»÷³Ý øÇÉÇùë»ÃÛ³Ý` íÇñ³µáõÛÅ 1915Ã. µ³ÝïÇó ÁÝï³ÝÇùÇÝ áõÕÕ³ñÏí³Í (µÝûñÇݳÏ)

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Letter to his family from Surgeon Stepan Kiliksethyan sent in 1915 from the prison (original)

95 th Anniversary of the Armenian Genocide

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95 th Anniversary of the Armenian Genocide

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гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

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95 th Anniversary of the Armenian Genocide

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95 th Anniversary of the Armenian Genocide

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95 th Anniversary of the Armenian Genocide

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95 th Anniversary of the Armenian Genocide

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95 th Anniversary of the Armenian Genocide

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95 th Anniversary of the Armenian Genocide

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187

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188

¸. Þñç³Ý 1922 - ¿Ý Û»ïáÛ

95 th Anniversary of the Armenian Genocide

Þ²Ð²Ü Ü²Â²ÈÆ, ÂáõñùǽÙÁ ²Ý·áñ³Û¿Ý ä³ùáõ »õ Ãñù³Ï³Ý úñÇ¿ÝóëÇáÝ, ºñ»õ³Ý, 1992

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S. Muradyan, Shahan Natali, 1965, 90x70cm 189

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

Quotes stated by heads of states and witnesses of the first genocide of the 20th century, the Armenian Genocide.

Adolf Hitler August 22, 1939

In preparation for the impending invasion of Poland, to Reichmarshal Hermann Goering and the commanding generals at Obersalzberg...

"Our strength consists in our speed and in our brutality. Genghis Khan led millions of women and children to slaughter - with premeditation and a happy heart. History sees in him solely the founder of a state. It's a matter of indifference to me what a weak western European civilization will say about me.

I have issued the command - and I'll have anybody who utters but one word of criticism executed by a firing squad - that our war aim does not consist in reaching certain lines, but in the physical destruction of the enemy. Accordingly, I have placed my death-head formations in readiness - for the present only in the East - with orders to them to send to death mercilessly and without compassion, men, women, and children of Polish derivation and language. Only thus shall we gain the living space (Lebensraum) which we need. Who, after all, speaks today of the annihilation of the Armenians?"

Henry Morgenthau, Sr.

U.S. Ambassador to the Ottoman Empire, Ambassador Morgenthau's Story, 1919 "When the Turkish authorities gave the orders for these deportations, they were merely giving the death warrant to a whole race; they understood this well, and, in their conversations with me, they made no particular attempt to conceal the fact... I am confident that the whole history of the human race contains no such horrible episode as this. The great massacres and persecutions of the past seem almost insignificant when compared to the sufferings of the Armenian race in 1915."

Count Wolff-Metternich

German Ambassador to the Ottoman Empire July 10, 1916, cable to the German Chancellor "In its attempt to carry out its purpose to resolve the Armenian question by the destruction of the Armenian race, the Turkish government has refused to be deterred neither by our representations, nor by those of the American Embassy, nor by the delegate of the Pope, nor by the threats of the Allied Powers, nor in deference to the public opinion of the West representing one-half of the world."

Theodore Roosevelt

May 11, 1918, letter to Cleveland Hoadley Dodge "...the Armenian massacre was the greatest crime of the war, and the failure to act against Turkey is to condone it... the failure to deal radically with the Turkish horror means that all talk of guaranteeing the future peace of the world is mischievous nonsense."

Gerald Ford

Addressing the US House of Representatives "Mr. Speaker, with mixed emotions we mark the 50th anniversary of the Turkish genocide of the Armenian people. In taking notice of the shocking events in 1915, we observe this anniversary with sorrow in recalling the massacres of Armenians and with pride in saluting those brave patriots who survived to fight on the side of freedom during World War I." - Congressional Record, Pg. 8890

Jimmy Carter

May 16, 1978, White House ceremony "It is generally not known in the world that, in the years preceding 1916, there was a concerted effort made to eliminate all the Armenian people, probably one of the greatest tragedies that ever befell any group. And there weren't any Nuremberg trials."

Ronald Reagan

April 22, 1981, proclamation "Like the genocide of the Armenians before it, and the genocide of the Cambodians which followed it,... the lessons of the Holocaust must never be forgotten."

190

95 th Anniversary of the Armenian Genocide

George W. Bush

In a letter dated February 19, 2000 to two of his leading Armenian American supporters, then presidential candidate George W. Bush stated...

"The twentieth century was marred by wars of unimaginable brutality, mass murder and genocide. History records that the Armenians were the first people of the last century to have endured these cruelties. The Armenians were subjected to a genocidal campaign that defies comprehension and commands all decent people to remember and acknowledge the facts and lessons of an awful crime in a century of bloody crimes against humanity. If elected President, I would ensure that our nation properly recognizes the tragic suffering of the Armenian people."

Various quotes by Turkish leaders, beginning with multiple quotes from the three rulers of wartime (WWI) Turkey: Enver Pasha

One of the triumpharate rulers publicly declared on 19 May 1916...

"The Ottoman Empire should be cleaned up of the Armenians and the Lebanese. We have destroyed the former by the sword, we shall destroy the latter through starvation."

In reply to US Ambassador Morgenthau who was deploring the massacres against Armenians and attributing them to irresponsible subalterns and underlings in the distant provinces, Enver's reply was...

"You are greatly mistaken. We have this country absolutely under our control. I have no desire to shift the blame onto our underlings and I am entirely willing to accept the responsibility myself for everything that has taken place."

Talat Pasha

In a conversation with Dr. Mordtmann of the German Embassy in June 1915...

"Turkey is taking advantage of the war in order to thoroughly liquidate (grundlich aufzaumen) its internal foes, i.e., the indigenous Christians, without being thereby disturbed by foreign intervention."

After the German Ambassador persistently brought up the Armenian question in 1918, Talat said "with a smile"...

"What on earth do you want? The question is settled. There are no more Armenians."

Cemal Pasha

To a German officer upon seeing the deportations in Mamure said...

"I am ashamed of my nation (Ich schame mich fur meine Nation)."

Minister of the Interior of Turkey publicly declared on March 15 that on the basis of computations undertaken by Ministry Experts...

"800,000 Armenian deportees were actually killed... by holding the guilty accountable the government is intent on cleansing the bloody past."

Prince Abdul Mecid

Heir-A Apparent to the Ottoman Throne, during an interview...

"I refer to those awful massacres. They are the greatest stain that has ever disgraced our nation and race. They were entirely the work of Talat and Enver. I heard some days before they began that they were intended. I went to Istanbul and insisted on seeing Enver. I asked him if it was true that they intended to recommence the massacres which had been our shame and disgrace under Abdul Hamid. The only reply I could get from him was: 'It is decided. It is the program.'"

Mustafa "Ataturk" Kemal

Founder of the modern Turkish Republic in 1923 and revered throughout Turkey, in an interview published on August 1, 1926 in The Los Angeles Examiner, talking about former Young Turks in his country...

"These left-overs from the former Young Turk Party, who should have been made to account for the millions of our Christian subjects who were ruthlessly driven en masse, from their homes and massacred, have been restive under the Republican rule."

191

гÛáó Ø»Í ºÕ»éÝÇ 95-³ÙÛ³Ï

192

Ìñ³·ñÇ Ñ»ÕÇݳÏÝ»ñ

Authors

î. ܳí³ë³ñ¹

Archbishop Navasard

²ñù»åÇëÏáåáë Î×áÛ³Ý

Ktchoyan

²Ý³ÑÇï ØËÇóñÛ³Ý

Anahit Mikhitaryan

Ô³½³ñ ØÇñ½áÛ³Ý

Ghazar Mirzoyan

Ìñ³·ñÇ Ï³½Ù³Ï»ñåÇãÝ»ñ

²ñ³ñ³ïÛ³Ý Ñ³Ûñ³å»ï³Ï³Ý û٠²ß˳ñÑÇ Ñ³Û ÝϳñÇãÝ»ñÇ Ùdzíáñáõ٠гÛáó ó»Õ³ëå³ÝáõÃÛ³Ý

Organizers

Araratian Pontifical Diocese of Armenia Armenian Painter's Union of the World Armenian Genocide Museum-Institute

óݷ³ñ³Ý-ÇÝëïÇïáõï

¶É˳íáñ Ñáí³Ý³íáñª

BeelineTM,

With sponsorship of

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§îÇ·ñ³Ý ػͦ

BeelineTM, (ArmenTel) CJSC

With support of

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"Tigtan Mets" Publishing House

Èáõë³ÝϳñÝ»ñÁª

²ñÃáõñ ì³ñ¹³ÝÛ³ÝÇ

Photos:

Arthur Vardanyan

Ò&³íáñáõÙÁª

Ô³½³ñ ØÇñ½áÛ³ÝÇ,

Design:

Ghazar Mirzoyan

²ñ³Ù àõéáõïÛ³ÝÇ

Aram Urutyan

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Armenian judgment is a judgment of all people.

A. Frans