Impact Magazine - Issue 202 - Mar 2010 by Impact Magazine

ISSUE 202 | MARCH 2010 | WWW.IMPACTNOTTINGHAM.COM

EVICTED WHERE’S DAVINA WHEN YOU NEED HER?

PASSPORT CONTROL

IS THE UK CITIZENSHIP TEST FIT FOR PURPOSE? WE GIVE IT A TRY

SPIKED FOR £1600 A HELL OF A NIGHT OUT FOR ONE NOTTINGHAM STUDENT

EDITORIAL

t’s the time of year when people begin to think about changes - whether it’s changes to our career or changes in our social circumstances we all need to re-assess our goals and focus our efforts on what really matters.

In this stead, I was pleased to hear that our Students’ Union are beginning their ‘big review’ of how they operate. Like it or not, around £50 per year of our student fees go into the SU and it’s arguable as to how many of our 36,000 students benefit regularly. Impact, for example, is funded by the Union to the tune of thousands and we reach many students both online and in-print, but how many of our loyal readers are aware of the other opportunities within the Union? Is it just a few thousand ‘keen beans’ that actually care about the student voice, or is there a more endemic problem? The SU’s ‘Big Review’ is your chance to change the Union for the better. Whether that’s making individuals more accountable, increasing cross-campus spending or reviewing services, it’s time to stop our widespread apathy and actually get off our backsides. Honestly, I

haven’t taken a back-hander from union mandarins to mention this, but you could win yourselves some cash just for taking part. That aside, let’s get on with the issue in hand. You’re currently holding an 80-page bonanza of student news and views, sufficiently large enough to keep you entertained on the toilet for twice as long. If you think your landlord is dodgy, turn to page 16 for some peace of mind. Impact has also been busy showcasing the plushest pads in Nottingham; prepare yourselves for a whistle-stop tour of student luxury. For those of us who are feeling lonely, we may have a solution for you on page 28. In the sections this month, pay particular attention to Film’s guide to winning an Oscar and Music’s nostalgic 80s decade profile, you’d be silly to miss out on a bit of The Bugles. Winner of the Sanderson literary prize this issue is Mr Stephen Lovejoy for writing his fingers to the bone, and even managing to be interviewed by the News section.

James

Signing off,

EDITORIAL

DESIGN

WEB

Editor-in-Chief James Sanderson

Design Editor Charles Walker

Web Editor Philip Morton

Editor Lucy Hayes

Associate Design Editors Andrew Speer Zehai Peng

Associate Web Editor Steph Hartley

Image Editors Bruno Albutt Clarita Floyd-Sanchez Caroline Wijnbladh

PR and Distribution Manager Martha McNaughton

Managing Editor Scott Perkins Associate Editors Sophia Levine Hattie Hamilton Libby Galvin

PUBLICITY

SECTION EDITORS News Editors Dave Jackson Ben McCabe Justine Moat Sports Editors Thomas Allnutt Jean-Luc Bragard Max McLaren Travel Editors Alex Kasozi Chloe Painter

ISSUE 202

Style Editors Paul Barlow Grace Gordon

Music Editors Angus Drummond Chris Jones

Arts Editors Victoria Carter Anne Moore

Nights Editors Nina Sorensen Katie Cook Sam Tully

Film Editors Hannah Coleman Joe Cunningham

Science and Technology Editors Ben Griffin Aarohi Sharma

202

CONTENTS 2 EDITORIAL 5 NEWS & COMMENT Lenton hopper bus abandoned Safe as H.O.U.S.Es In Comment: Mandy on Campus

12 SPORT You cheating b*****d Tales from across the pond A look into racism in sport

FEATURES

16 EVICTED

The good, bad and the ugly of student landlords in Nottingham

19 PASSPORT CONTROL The UK Citizenship test- a legitimate examination or a farce?

24 STUDENT

SANCTUARIES Can you feel the envy?

26 SELF DEFENCE

A call to arms or a white flag?

28 SHE KNOWS HOW YOU LIKE IT

20 THE RISE AND RISE

RealDolls - Everything you’d want in a woman, bar the pulse

OF MKAT

A profile of the trending drug, Mephedrone

21 GETTING THE SCOOP Impact’s Anne Moore talks to the associate editor of The Times newspaper

22 IN THE RED Alex Freide gives his judgement on our mountain of public debt.

30 SHY BLADDERS

When you just can’t push it out

32 MY £1600 NIGHT OUT

One unfortunate student recounts the consequences of drink spiking

REGULARS 34 SPARE PARTS

61 TRAVEL

37 STUDENTS’ UNION

66 FILM

Vent your spleen: The Little People Impact’s guide to funding your PhD

Cuba: A changing society Splurge in Stockholm Cinema from around the world Why Avatar is 2009’s ‘Best Picture’

71 NIGHTS 39 EXPOSURE

The best of Notts student photography

43 STYLE

City Siren The death of an icon

THE RISE OF MEPHEDRONE. PAGE 20 !"#$%&'(&)*+,-#.&/%0#1.

50 MUSIC

Decade profile: 80s NME live review

56 ARTS

Impact Arts competition Art to die for

High Jinx at High Spirits Life behind bars

75 SCIENCE

On our obsession with caffeine iMust have one

78 GRATIS Win Beach Break Live Tickets Mad but True

79 FAMOUS LAST WORDS

Britain’s Got Talent winner, George Sampson MARCH 2010

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ISSUE 202

NEWS

IMPACTNOTTINGHAM.COM/NEWS

BUDGET CUTS TO CHANGE LANDSCAPE OF HIGHER EDUCATION LOUIS HEMSLEY

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SAFE AS H.O.U.S.Es DANIEL GADHER

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!*(#-"3'#31,&1:$+&'#-"'1"&#.+3#'*(# <*7<7,#4&-3#-&.7&;6**%.-&7*&:7*"%*& [@($%'1D(#a5:$()8#=+$%/'0#g"O")71&+'")# ")#V(2)(3(&'+'1D(#a5:$()#."%/7#4(# #'4%&-7&<*7<7,%8&,%;7.5&7*&#;-&+.& 3%22")'#"5#+#$+&717+'(#5")#(/($'1"&A#9'3# #+"&1#,&-7&"#9%&-3%&1374%&,(,-%"& :#+*%*&'(&,-7<<+.$&#.('75(&137&"#(& *+D(#+&#1&`%(&$(#1&#(/($'1"&3#5)"-# 2%4/1$/0#3%22")'1&,#+#$+&717+'(A# S".(D()8#1'#.+3#5(/'#'*+'#1'#.+3#%&5+1)#'"# 2)(D(&'#5")-()#=+$%/'0#g"O")71&+'")3# +&7#V(2)(3(&'+'1D(#a5:$()3#5)"-# 3%22")'1&,#$+&717+'(3A# T3#'*(#-+1&#-"'1D+'1"&#"5#'*(#-"'1"&# .+3#'"#2)(D(&'#$%))(&'#"5:$()3# $*77"+.$&-3%+*&,6;;%,,7*,8&-3+,& +-(&7-(&'#.+3#+22/1(7#+&7#c#7(321'(# "7"%.-#*(&;7.:6,+7.&#,&-7&13#-& .+3#4(1&,#D"'(7#5")#c#'*(#-"'1"&# .+3#2+33(7A#=)"-#&".#"&8#=+$%/'0# g"O")71&+'")3#+&7#V(2)(3(&'+'1D(# a5:$()3#+)(#%&+4/(#'"#2%4/1$+//0#4+$6# $+&717+'(3#1&#'*(#Nb#[/($'1"&3A N1-1/+)/0#$"&')"D()31+/#.+3#'*(# <*7<7,#4&-7&*%<4#;%&36,-+.$,&#-& '*(#oEg#+&7#Q%41/((#$+-2%3(3# 1+-3&;7"<64,7*(&;#"<#+$.+.$&-+"%& 1&#$()'+1&#+)(+3A#!*(#1&'(&'1"&#"5# -3+,&<*7<7,#4&1#,&-7&;*%#-%&'%--%*& 7<<7*-6.+-+%,&:7*&;#.5+5#-%,&-7&%.$#$%& .1'*#3'%7(&'3#+&7#2)"32($'1D(#D"'()3A# S".(D()8#+5'()#$"&317()+4/(#"22"31'1"&# c#2+)'1$%/+)/0#5)"-#)(2)(3(&'+'1D(3# "5#"'*()#$+-2%3(3#c#'*(#-"'1"&#5(//# +&7#.+3#3%43(;%(&'/0#.1'*7)+.&#5")# )(D1(.A !*(#g"%&$1/#-(('1&,#.+3#+/3"#&"'+4/(# 5")#'*(#(55")'#-+7(#'"#1-2)"D(#2%4/1$1'0# 40#$"&7%$'1&,#+#/1D(#4)"+7$+3'#"5#'*(# -(('1&,#"&/1&(A#!*(#+''(-2'#(&7(7# 1&#5+1/%)(#*".(D()8#+3#'*(#'($*&"/",0# "#4:6.;-+7.%5&56*+.$&-3%&"%%-+.$&+-,%4:& +&7#$"%/7#&"'#4(#)(3%))($'(7A MARCH 2010

SYRIAN AMBASSADOR VISITS NOTTS CAMPUS DANIEL GADHER

0)1+&#T-4+33+7")#'"#'*(#b&1'(7#m1&,7"-# P)#N+-1#m*10+-1#*+3#4($"-(#'*(# /+'(3'#E177/(#[+3'()&#712/"-+'#'"#D131'# '*(#b&1D()31'0#"5#U"''1&,*+-A#a&#'*(#IK'*#"5# =(4)%+)0#*(#,+D(#+#2)(3(&'+'1"&#(&'1'/(78#?N0)1+># X+'(.+0#'"#'*(#T)+4#<")/7CA#!*(#2)(3(&'+'1"&# .+3#*(/7#+'#Q%41/((#$+-2%38#$"%)'(30#"5#'*(# b&1D()31'0#"5#U"''1&,*+-F3#T)+41$#N"$1('08#+&7# 1#,&;3#+*%5&'(&-3%&1%44&9.71.&;7=:76.5%*&7:&-3%& T)+41$#3"$1('0#S1$*+-#H(ff+A !.&;7.-*#,-&-7&-3%&3+$34(&;3#*$%5&#-"7,<3%*%& 3%))"%&71&,#'*(#D131'#"5#93)+(/1#T-4+33+7")#V"&# l)"3")#/+3'#U"D(-4()8#'*(#(D(&'#'""6#2/+$(#1&#+# 3(7+'(#(&D1)"&-(&'#+&7#$"&313'(7#"5#+#32(($*# 5"//".(7#40#+&#(@'(&31D(#o%(3'1"&#+&7#T&3.()# 3(331"&A#!*(#T-4+33+7")F3#32(($*#+77)(33(7# #&.6"'%*&7:&+,,6%,&,-#*-+.$&1+-3&13#-&;7645& 4(#7(3$)14(7#+3#+&#1&')1,%1&,#2()32($'1D(#"&# N0)1+F3#)"/(#1&#*13'")0#+&7#'*(#7(D(/"2-(&'#"5# $%/'%)(#1&#'*(#-"7()&#.")/78#+),%1&,#1&#5+D"%)#"5# N0)1+F3#1&`%(&$(#"&#4"'*#T)+41$#+&7#[%)"2(+&# $%/'%)(3A#P17#'*(#2)+$'1$(#"5#(-2/"01&,#+'')+$'1D(# .+1')(33(3#1&#$+5q3#")1,1&+'(#1&#N0)1+e#!"#$%&& 13&F'#3"#3%)(d

DESCRIBING FUNDAMENTAL EXTREMISTS AS “LUNATICS” WITH “DISTURBED MINDS”, THE AMBASSADOR ALSO RESERVED CRITICISM FOR THE GEORGE W. BUSH ADMINISTRATION E"D1&,#"&#5)"-#'*13#*(#.(&'#"&#'"#+77)(33#-")(# ;7.-%"<7*#*(&<74+-+;#4&+,,6%,&+.;465+.$&!,*#%48& 3+$34+$3-+.$&-3%&-17&,+5%,&7:&-3+,&<#*-+;64#*&"+554%& (+3'()&#$"&`1$'>#"&#"&(#317(8#93)+(/8#+&7#"&#'*(# "'*()8#'*(#)(3'#"5#'*(#E177/(#[+3'A#P(3$)141&,# 5%&7+-(&'+/#(@')(-13'3#+3#?/%&+'1$3C#.1'*# ?713'%)4(7#-1&73C8#'*(#+-4+33+7")#+/3"#)(3()D(7# $)1'1$13-#5")#'*(#X("),(#<A#B%3*#+7-1&13')+'1"&A# m*10+-1#*+7#$)1'1$13(7#'*(#b&1'(7#N'+'(3#+&7# 93)+(/#7%)1&,#'*(#]\\K#93)+(/1#1&D+31"&#"5#W(4+&"&8# +),%1&,#'*+'#?!*(0#.+&'#+#&(.#E177/(#[+3'8# *".(D()#&"'#+#E177/(#[+3'#"5#7(-"$)+$0#+&7# 2(+$(r4%'#+#E177/(#[+3'#"5#D1"/(&$(AC !*(#2)(3(&'+'1"&#2)"D17(7#+#%3(5%/#1&31,*'#+&7# 6.5%*,-#.5+.$&7:&-3%&;6**%.-&2(*+#.&,+-6#-+7.8& +3#.(//#+3#,(''1&,#+&"'*()#2()32($'1D(#"&#'*(# 1-2")'+&'#133%(#"5#E177/(#[+3'()&#2"/1'1$3A#<*1/(# -3%&#"'#,,#57*&1#,&.7-&%.-+*%4(&7<-+"+,-+;& :7*&-3%&:6-6*%&7:&-3%&*%$+7.8&3%&:76.5&,7"%& *"2(#1&#'*(#?,""7#1&'(&'1"&3C#"5#'*(#a4+-+# +7-1&13')+'1"&A

ISSUE 202

‘DONATION NOT DISCRIMINATION’

IMAGE BY MATT BUCK

5%"7.,-*#-7*&,-#.5,&76-,+5%&-3%&)*%.-&/6+45+.$&56*+.$&#&<*7-%,-& +,+1&3'#'*(#4+&#"&#,+0#+&7#413(@%+/#-(&#7"&+'1&,#4/""7A#!*(# <*7-%,-7*,&#+"%5&-7&%.;76*#$%&<%7<4%&-7&57.#-%&13+4,-&5*#1+.$& +''(&'1"&#'"#'*(#713$)1-1&+'1"&A

COMMENT

g+&717+'(3#5")#N'%7(&'3F#b&1"&#l)(317(&'#/1&(#%2#+*(+7#"5#g+&717+'(#o%(3'1"&#!1-(

IMPACTNOTTINGHAM.COM/NEWS

9-+,(#40#E+''#!%)&()

THE END OF TRADITIONAL CAMPAIGNING? DAVE JACKSON

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MARCH 2010

9-+,(#40#T&7)(.#S+//3.")'*

REASSURANCE NEEDED FROM MANDELSON ON FEES

DANIEL COWLING

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ISSUE 202

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IMPACTNOTTINGHAM.COM/NEWS

TELEVISION DEBATES KEEP FOCUS ON LEADERS, NOT POLICIES MARK STUART

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MARCH 2010

SPORT BEAT THE CHEATS

TOM ALLNUTT

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ISSUE 202

*+D(#+#)(+/13'1$#$*+&$(#"5#.1&&1&,#+# $*+-21"&3*12A#9&#'*(#U=W#5")#(@+-2/(8# '*(#/+3'#5"%)#N%2()4"./3#*+D(#4((&# ."&#40#5"%)#$"-2/('(/0#7155()(&'#'(+-3A# 9&#$"&')+3'8#1&#'*(#[&,/13*#l)(-1()# W(+,%(8#"&/0#[D()'"&#*+D(#3%$$((7(7#1&# )(/(+31&,#'*(#,)12#"5#E+&$*(3'()#b&1'(78# g*(/3(+8#W1D()2""/#+&7#T)3(&+/#"&#'*(# '"2#5"%)#1&#'*(#/+3'#:D(#0(+)3A a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IMPACTNOTTINGHAM.COM/SPORT

IGNORANCE IS NOT BLISS: A LOOK INTO RACISM IN SPORT JOSH JACKMAN

"O"&(#."%/7#$/+1-#'*+'#B+)+$6#a4+-+F3#')1%-2*+&'# (/($'1"&#'"#'*(#<*1'(#S"%3(#/1''/(#"D()#+#0(+)#+,"# )(2)(3(&'(7#+#-+,1$+/#3"/%'1"&#'"#:&+//0#(&7#)+$13-#1&# T-()1$+8#+&7#&"O"&(#+33%-(3#'*+'#.*(&#'*(#3(/5O2)"$/+1-(7# X)(+'(3'#N*".#"&#[+)'*#)"/(3#1&'"#N"%'*#T5)1$+#'*13#0(+)8# )+$13-#.1//#3%77(&/0#D+&13*#5)"-#32")'A#P"&F'#,('#-(#.)"&,8# +#<")/7#g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g+/15")&1+A#!*(#313'()3#%&7()3'+&7+4/0# 7($17(7#'"#4"0$"''#'*(#(D(&'#1&#5%'%)(#0(+)3A#!*(0#.()(#'*(&# "%-&1+-3&#&'#;94#,3&7:&;*+-+;+,"&13%.&-3%(&#..76.;%5&-3#-& 7(321'(#9&71+&#<(//3#4(1&,#-+7(#+#$"-2%/3")0#'"%)&+-(&'#5")# ]\\J8#'*(0#."%/7#$"&'1&%(#'"#3'+0#+.+0#5)"-#'*(#g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

IF THERE’S ANY EVIDENCE OF RACISM, THE RED CARD IS NOT ENOUGH, WE WILL HAVE TO ELIMINATE THE TEAM FROM THE COMPETITION OR DEDUCT POINTS -3*%%&"#.#$+.$&<*7:%,,+7.#4&;46',&=&#47.$&1+-3&-3%&<*%,%.;%& "5#"&/0#3(D(&#T31+&#2/+0()3#1&#[&,/13*#5""'4+//#3*".3#'*+'#'*(# 133%(#13#5+)O)(+$*1&,A#=9=T#*+D(#'+6(&#%2#'*(1)#%3%+/#+&'1O )+$13-#2"31'1"&#1&#+7D+&$(#"5#'*(#<")/7#g%28#.1'*#l)(317(&'# N(22#B/+''()8#"5#?'1,*'()#3*")'3#5")#5(-+/(#5""'4+//()3C#5+-(8# 7.;%&#$#+.&-%44+.$&-3%&"%5+#&-3#-&3+,&7*$#.+,#-+7.&1+44&;7"%& 7".&#*+)7#"&#)+$13'#5+&3>#?95#'*()(F3#+&0#(D17(&$(#"5#)+$13-8# '*(#)(7#$+)7#13#&"'#(&"%,*8#.(#.1//#*+D(#'"#(/1-1&+'(#'*(#'(+-# 5)"-#'*(#$"-2('1'1"&#")#7(7%$'#2"1&'3AC#a&#'*(#5+$(#"5#1'8#'*13# +,&#&<71%*:64&,-#-%"%.-&#$#+.,-&*#;+,"8&'6-&7.4(&+:&+-&+,&'#;9%5& 6<&1+-3&#;-+7.,8&#.5&!&:7*&7.%&1+44&.7-&'%&3745+.$&"(&'*%#-3& $"-(#Q%&(A#!*13#138#+5'()#+//8#'*(#3+-(#*(+7#"5#=9=T#.*"#:&(7# !*(#g)"+'1+&#=""'4+//#=(7()+'1"&#hIi8J]\8#+#-1&13$%/(#3%-8#5")# )+$13'#$*+&'1&,#40#'*(1)#5+&3#+,+1&3'#[-1/(#S(36(0#1&#[&,/+&7F3# iOI#D1$'")0#1&#]\\L8#+&7#$)+33/0#)(5())(7#'"#E+&#b&1'(7F3# ')(+'-(&'#"5#g)13'1+&"#V"&+/7"#+3#?-"7()&#3/+D()0CA#=""'4+//8# #,&1%44&#,&,<7*-&+.&$%.%*#48&;4%#*4(&,-+44&3#,&,7"%&1#(&-7&;7"%& 1&#'()-3#"5#'+$6/1&,#)+$13-A

BRAGARD’S NUMERICAL BONANZA

32 7 210,000

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!"#$%&&$'"(#$)%#*+,'$-"./#%0/$0"$,"$1112+34%-,5",,+506%32-"37)%#*+,' MARCH 2010

Lets, Debts and Threats

Hattie Hamilton explores some tales of tenancy turmoil Images by Bruno Albutt Model David Edgcumbe

ISSUE 202

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

E0#".&#/+&7/")7#)+6(3#1&#+#$+3%+/# h_\8i\\#+#0(+)#5")#G%3'#'."#2)"2()'1(3# *(#".&3#1&#W(&'"&A#N%$*#:,%)(3#(@2/+1&# 3(D()+/#1&3'+&$(3#"5#3'%7(&'3#+361&,# <#*%.-,&:7*&376,%,&+.&A%.-7.&#,&-3%+*& ]I3'#41)'*7+0#2)(3(&'3A#YH(3#%&4(/1(D+4/(# !&9.718&'6-&1%&#*%&7.%&7:&-3%&"7,-& .7-7*+76,4(&"+554%=;4#,,=57"+.#-%5& %&1D()31'1(38#3($"&7#"&/0#'"#'*(#%/'1-+'(# 4"+)71&,#3$*""/#+/%-&1#*+D(&n#B)13'"/# b&1D()31'08#9#3+/%'(#0"%AAAZ#B%'#,1D(&#'*(# $%))(&'#(@'")'1"&+'(#)(&'#$*+),(3#1&# W(&'"&8#.*"#."%/7&F'#.+&'#'"#4($"-(#+# 3'%7(&'#/+&7/")7e#9'F3#.(//#.")'*#)(+21&,# +.&36.5*%5,&7:&<76.5,&#&"7.-3&:7*&-3%& $"3'#"5#+#5(.#+&&%+/#)(2+1)3A <*1/(#'*()(#+)(#-+&0#)(+3"&+4/(# 4#.547*5,&-*(+.$&-7&"#9%&#.&37.%,-& /1D1&,8#'*(#"77#3.1&(#'+6(3#+7D+&'+,(#"5# 3'%7(&'3F#1&(@2()1(&$(#1&#'*(#2)"2()'0# -+)6('A#T#=+$(4""6#,)"%2#$+//(7#Rg)+2# W+&7/")7pS"%3(#T.+)(&(33F8#3('#%2# 1&#]\\K#40#(@OU"''1&,*+-#3'%7(&'# !1-#B+&*+-#*+3#2)"D17(7#3'%7(&'3# .1'*#1&D+/%+4/(#*"))")#3'")1(3#'"#.+)&# <7-%.-+#4&-%.#.-,&#'76-&-3%&5#.$%*,&7:& 7"7,0#/+&7/")73A#B+&*+-#(@2/+1&38#?9# 3#5&+,,6%,&$%--+.$&#&5#"#$%&5%<7,+-& 4+$6#5)"-#+#/+&7/")7#5")#%&G%3'1:+4/(# )(+3"&3A#9#3((-#'"#)(-(-4()#'*+'#'*(# /+&7/")7#1&#;%(3'1"&#*+7#3"-(#"'*()# *"%3(3#+7D()'13(7#"&#'*(#b&1D()31'0F3# )($")73#+'#'*(#+$$"--"7+'1"&#"5:$(A#9# ;7.;465%5&-3#-&+:&3%&1#,&7.&-3%*%8&-3%.& -3%*%&"6,-&'%&;76.-4%,,&7-3%*&4#.547*5,& 7:&56'+76,&*%<6-#-+7.&#4,7&'%+.$& *%;7""%.5%5&'(&-3%&#;;7""75#-+7.& "5:$(AC <(#+//#)(+7#+&7#)()(+7#"%)#'(&+&$0# #$*%%"%.-&'%:7*%&,+$.+.$&7.&-3%&57--%5& 4+.%8&'6-&:%1&<%7<4%&17645&-3+.9&-7& 3(+)$*#5")#32($1:$#7('+1/3#"5#+22/1+&$(3# 1&#'*(1)#$"&')+$'A#V+G#M")+8#+#,)+7%+'(# /+3'#0(+)8#(@2/+1&(7#*".#%2"&#-"D1&,# 1&'"#*13#*"%3(#"&#W(&'"&#B"%/(D+)7#1&# N(2'(-4()#"5#/+3'#0(+)8#'*(#D(1/(7#,%/5# 1&#'*(#$"&')+$'#3""&#4($+-(#(D17(&'#1&# -3%&:7*"&7:&-17&$4#*+.$&%"<-(&,<#;%,& 1&#'*(#61'$*(&AAA#<*()(#'*(#5)17,(#+&7# .+3*1&,#-+$*1&(#*+7#"&$(#4((&A#<*(&# -3%&$*76<&3#5&4779%5&*76.5&-3%&376,%& 4(5")(#'*(#3%--()#(D()0'*1&,#*+7#4((&# 1&#1'3#2/+$(8#*".(D()8#?'*)((#1)+'(#2*"&(# ;#44,&1+-3&-3%&4#.54#5(&4#-%*8&+-&1#,&,77.& %,-#'4+,3%5&1%&3#5&.7&*%;76*,%&#,& -3%*%&1#,&.7&"%.-+7.&7:&-3%&$775,&+.& '*(#/(+3(CA#<1'*"%'#+#5)17,(8#5)((f()#")# 1#,3+.$&"#;3+.%&-3%&$*76<&1%*%&:7*;%5& '"#4%0#")#$""6#(D()0'*1&,#5)(3*#")#")7()# '+6(+.+03#+&7#-+6(#(&7/(33#D131'3#'"# '*(#/+%&7)(''(#7".&#'*(#)"+7A# ?=%)'*()-")(#'*)"%,*"%'#'*(#0(+)#'*(# /+&7/+70#&(D()#+&3.()(7#*()#2*"&(#+&7# 13%.&,3%&;#44%5&'#;9&#&5#(&4#-%*&,3%& +/.+03#3+17#3*(#$"%/7&F'#7"#+&0'*1&,# 2()3"&+//0#+3#3*(#/1D(7#1&#[33(@A#B(.+)(# "5#/+&7/")73#.*"#+)(&F'#/"$+/AC#W16(#-+&0# #&*%4#-+7.,3+<&'%-1%%.&4#.547*5,&#.5& '(&+&'38#+&0#$1D1/1'0#)+217/0#D+&13*(7#

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MARCH 2010

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bA#!*(0#3+17#'*(0#*+7#*+7#+#/"'# "5#$"-2/+1&'3#+4"%'#*13#2)"2()'1(3A#<(# 7($17(7#'"#&"'#2+0#*1-#'*(#:&+/#-"&'*F3# *%.-&#.5&,#+5&3%&;7645&9%%<&-3%&5#"#$%& 7(2"31'3#1&#(@$*+&,(A

=+0(#N.+&.1$68#T$$)(71'+'1"&#a5:$()# +'#'*(#b&1D()31'0#"5#U"''1&,*+-#b&12"/# "5:$(#(@2/+1&3#'*+'#15#/+&7/")73#+)(&F'# *%<7*-%58&-3%.&-3%(&1+44&*%"#+.&7.&-3%+*& .(431'(F3#/13'#"5#+22)"D(7#/+&7/")73# ...A%&12"/A"),A%6p&"''1&,*+-A# ?W+&7/")73#*+D(#'"#+22/0#5")# #;;*%5+-#-+7.&#.5&'(&57+.$&,7&-3%(&"6,-& #$*%%&-7&#'+5%&'(&76*&;75%&7:&;7.56;-& +.&-%*",&7:&<3(,+;#4&#.5&"#.#$%"%.-& 3'+&7+)73n#,1D(&#'*+'#'*13#13#D"/%&'+)0# +-&-%.5,&-7&'%&-3%&$775&7.%,&-3#-&57& 3"A#<(#'*(&#1&32($'#'*(1)#2)"2()'1(3# #.5&,<%#9&-7&,7"%&7:&-3%+*&-%.#.-,&-7& (&3%)(#'*+'#(D()0'*1&,F3#amAC#9&$17(&'3# 7:&#;;*%5+-%5&4#.547*5,&.7-&;7"<4(+.$& 1+-3&-3%,%&*64%,&;#..7-&'%&#55*%,,%5& 15#'*(#3'%7(&'3#.*"#(@2()1(&$(#3%$*# <*7'4%",&57&.7-&*%<7*-&-3%"8&3%.;%&-3%& 4#.547*5,&1+44&*%"#+.&7.&-3%&4+,-&:7*&7-3%*& 6.9.71+.$&,-65%.-,&-7&1#49&'4+.54(& +.-7&#&'+.5+.$&;7.-*#;-&1+-3&#&575$(& ;3#*#;-%*8&;7"<4%-%&1+-3&4%#9(&;%+4+.$,& +&7#-1$(#1&5(3'+'1"&3A E(/+&1(#=%'()#+/3"#+$6&"./(7,(3#'*(# 5#.$%*,&<*%,%.-%5&-7&,-65%.-,&7.&-3%& *"%3(#*%&'8#5")#(@+-2/(#'*"3(#.*"# +)(#+$$"3'(7#40#'+@1#7)1D()3#"55()1&,#

ISSUE 202

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Passport

Control by James Adams-Pace

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MARCH 2010

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The Rise and Rise of MKat by Sian Boyle

Image by Tristan Bejawn Model Louise Carmen Ford

M 20

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ISSUE 202

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Sanctua tudent

)$'%$'*%*Z&*5$)(-%(+%$'*%'*&$)&%4)-$*"% '(0#*3'0-$)-6%5*")(,:%#$0,*-$% %--"33"9%,+"5$+*$#%#/&'$"5$"(#$3+59*2$ D')/#$%$'*%7.R(")$>%(+%0#%/)2*%(-%.% &+3+,/9$8(90/,:$%*$&"50$%*$1/$6%./$6",$1%,/#:$%5$ )75*"7*.1/*%"((+:%[#(7*\%'*.$)-6%.-,%.%4("<)-6% >+,-6/5$1/$%#/$-"5,/5,2$N"1/./#:$5",$%&&$*,(9/5,*$ ."*%'(/*,305%)-%>(0"%1(63#$.-,.",%$*"".&*8%&!"#$%?*$ "*#),*-$%."&')$*&$0"*%#$0,*-$#%U$*5'*-%;(2*R(>%.-,% P9$N%##+*$,#%->$9"15$,6"*/$*,(9/5,$6"3/*$,6%,$%#/$ /)$$/*%(0$%(+%$'*%(",)-.">8

House, Derby Road

<*1/3'#-%$*#"5#'*(#1&'()1")#,)+&7(%)#"5#'*(#*"%3(#*+3# 4((&#/"3'8#'*(#"+6#4(+-3#+&7#2+&(//(7#.+//3#,1D(#1'#+#/"'#"5# +'-"32*()(A#N"-(#"5#'*(#")1,1&+/#5(+'%)(3#3'1//#(@13'8#3%$*#+3# -3%&,-#+.%5&$4#,,&1+.571,&+.&-3%&,<#;+76,&%.-*#.;%&;7**+57*& +&7#+#$*+)-1&,#:)(2/+$(#1&#.*+'#.+3#"&$(#'*(#-+3'()# 4(7)""-#c#2)"D171&,#+#D+,%(#($*"#"5#*".#'*(#*"%3(#"&$(# .+3A

Gothic Cottage <+/61&,#+/"&,#+#$"-2/('(/0#&")-+/#3%4%)4+&#3')(('#"5#3(-1O 5%-#;3%5&376,%,8&(76&#'*6<-4(&;7"%&#;*7,,&-3%&#<-4(&.#"%5& X"'*1$#g"''+,(A#<1'*#'*(#*"%3(F3#4/+$6#3*%''()38#/(+7(7# -17=4+$3-&4#.;%-&1+.571,8&#*;3%5&577*,&#.5&1775%.&<#.%44%5& 61'$*(&#"&(#13#,1D(&#'*(#1-2)(331"&#"5#+#-"7()&13(7#.1'$*F3# $"''+,(#c#$"-2/('(#.1'*#)(317(&'#,+),"0/(d

Living Room, Lenton YT/3"#21$'%)(7#4(*1&7#'1'/(Z#!*(#($/($'1$#$"//($'1"&#"5#"4G($'3# 1&#'*(#/1D1&,#)""-#"5#'*13#*"%3(#$)(+'(3#+#D13%+/#'+2(3')0#'*+'# (@%7(3#'*(#2()3"&+/1'1(3#+&7#/15(3'0/(3#"5#'*(#"$$%2+&'3A# [D()0'*1&,#1&317(#'(//3#+#3'")0#c#5)"-#'*(#?4"))".(7C# Qt,()-(13'()#2"3'()#+&7#g+)&+,(#4+&&()#'"#'*(#)".#"5#/+71(3# %&7().(+)#5)"-#2+3'#3(@%+/#$"&;%(3'3A#!*(1)#2('#,"/7:3*8# M/+78#3.1-3#3/"./0#+)"%&78#$"&'(&'#1&#'*(#,1+&'#D"76+# 4"''/(#'*+'#13#*13#*"-(A#!*(#)""-#13#(D(&#$"-2/('(#.1'*#+# ?7(32()+'1"&#$"&7"-C#Y'*"%,*#3((1&,#+3#*".#'*(#&+1/#:@1&,# 1'#'"#'*(#.+//#21()$(3#'*(#$"&7"-8#"&(#."%/7#*+D(#'"#4(#D()0# 7(32()+'(#1&7((7ZA

ISSUE 202

aries

by Stephen Lovejoy Images by Edward Harris

Apartment, The Park P(:&1'(/0#&"'#0"%)#'021$+/#3'%7(&'# *%,+5%.;%8&-3+,&,1+,3&"+.+"#4+,-& +2+)'-(&'#13#'*(#(21'"-(#"5#$""/A#!*(# $"&D()'(7#'"2#`"")#"5#+#,)+&7#"/7# *"%3(n#'*(#32+$1"%3#)""-3#.1'*#'*(1)# $/(+&#.*1'(#.+//38#.""7#2+&(//(7#`"")38# 3/"21&,#$(1/1&,3#+&7#21$'%)(3;%(#D1(.3# $)(+'(#+&#1-2)(331"&#"5#/%@%)0#+&7# 7(31)+4/(#/1D1&,A

House, Lenton Boulevard )3%&7;-#$7.#4&-6**%-&*6..+.$&571.&7.%& $")&()#"5#'*13#*"%3(#$/(D()/0#-+@1-13(3# -3%&<7-%.-+#4&7:&+-,&47;#-+7.8&#-&-3%& $)"33)"+73#"5#W(&'"&#B"%/(D+)7#+&7# P()40#V"+7A#!*13#13#2+)'1$%/+)/0#+22+)(&'# 1&#'*(#'"2#`"")#4(7)""-#c#.*()(#'*(# "$$%2+&'#13#')(+'(7#'"#+#2+&")+-1$#D1(.# #;*7,,&A%.-7.8&13+4,-&,-+44&*%-#+.+.$&#& 7($(&'#7(,)((#"5#2)1D+$0A MARCH 2010

Self defence or c Defend Yourself and Iâ&#x20AC;&#x2122;ll Sue by Eric John

Image by Christian Brailey

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ISSUE 202

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criminal offence? I love my laptop, but I wouldn’t kill for it by Lucy Hayes

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SHE C KNOWS HOW YOU LIKE IT

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by Lily Bowden Image by Bryony Blackler Model Ceri Baker

Digital Editing Tristan Bejawn

ISSUE 202

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He especially enjoys sharing these hobbies with the five most important people in his life â&#x20AC;&#x201C; his five RealDolls. !&#,,6"%5&-3%,%&;*%#-+7.,&1%*%&,74%4(& +.-%.5%5&:7*&,#58&47.%4(&"%.8&<*7'#'4(& +.&"+554%=#$%8&1+-3&,6',-#.-+#44(&+.%<-& 3"$1+/#('1;%(''(8#.*"#$"%/7&F'#-+1&'+1&# +#&")-+/#)(/+'1"&3*12#.1'*#+#)(+/#."-+&A# 9'#3%)2)13(7#-(#'"#:&7#'*+'#+$'%+//0# "#.(&"%.8&#.5&+.5%%5&17"%.8&137& #*%&%.$#$%5&+.&*%4#-+7.,3+<,&1+-3&7-3%*& *%-+&#4(1&,38#(&G"0#%31&,#'*(#V(+/P"//3# '"#D+-2#%2#'*(1)#3(@#/1D(38#.1'*#+# .6"'%*&7:&17"%.&3%*#45+.$&-3%&5744,& +3#'*(#6(0#'"#'*(1)#-+))1+,(F3#3%)D1D+/A# l()*+23#'*(1)#1&*()(&'#7(/1,*'#"5# ;744%;-+.$&5744,&+.&;3+453775&<*7$*%,,%,8& +&7#'*(0#-()(/0#3.+2#'*(1)#B+40#T//O X"&(3#.1'*#RE(/133+#c#_FkC8#5+$(#'02(# IiAF# B%'#1'F3#&"'#+//#+4"%'#'*(#3(@A#a&(#"5# '*(#V(+/P"//#$)(+'")3#RE+''F#$"-2+)(3# *13#7"//3#'"#3*"(#1&3"/(3#c#R(D()04"70#

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:%%4+.$,&7:&5+,$6,-&#.5&;*%%<%5=76-.%,,& ;3#.$%&-7&-3#-&7:&<+-(&#.5&#4"7,-& $"-2+331"&A#!*(#(-"'1"&+/#4"&7# 4('.((&#-+&#+&7#7"//8#*".(D()#/""&0# +-&"#(&,%%"&-7&#.&76-,+5%*8&+,&,6*%4(& 2)(5()+4/(#'"#71,(3'#'*+&#+#R)(/+'1"&3*12F# 4+3(7#%2"&#2%)(/0#2*031$+/#3+'135+$'1"&A# !-&,%%",&,7"%371&"7*%&"7*#44(& +$$(2'+4/(A U(D()'*(/(338#9#+-#&"'#0('#+#5%//#$"&D()'# '"#7"//#/"D1&,A#P(321'(#-0#4%771&,# ,("<#-3(&:7*&-3%,%&<#*-+;64#*&;#,%,8& -3%*%&#*%&7:&;76*,%&06,-&#,&"#.(&"%.& 137&6,%&-3%&5744,&,74%4(&:7*&-3%+*&<*+"#*(& <6*<7,%8&#.5&-3%(&#<<%#*&#44&-3%&"7*%& #'37**%.-&13%.&;7"<#*%5&-7&-37,%& .*"#/"D(#'*(-A#RE16(F#13#+#$"//($'")#.*"# *+3#+$;%1)(7#(1,*'#V(+/P"//3A#b&/16(# 7-3%*&%.-36,+#,-,8&3%&9%%<,&3+,&5744,& *+2*+f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f(7#B+)41(A#9F7# <*%:%*&+-&+:&3%&9%<-&3+,&<4#,-+;&:%-+,3&-7& 3+",%4:8&7*&#-&4%#,-&-*+%5&-7&5+,$6+,%&+-&#,& R/"D(F8#/16(#*13#V(+/P"//#$"&'(-2")+)1(3A# T/'*"%,*#E16(#13#"&/0#%31&,#'*(#7"//3# :7*&-3%&<6*<7,%&-3%(&1%*%&#5"+--%54(& ;*%#-%5&:7*&C13(&%4,%&17645&-3%(&;7"%& (;%122(7#.1'*#'*)((#R(&')1(3Fe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f(7#2()3"&+/1'1(3#$+&#4(#3*+)(7# .1'*#"'*()3#"&/1&(A#?Q%3'#'*1&6#+4"%'#.15(# 7*&$+*4:*+%.5&,1#<<+.$&1+-376-&#;-6#44(& ,1D1&,#'*(#2()3"&#'"#3"-("&(#(/3(AC g+//#-(#"/7#5+3*1"&(78#4%'#9#'*1&6#9F//#,1D(# ;('%*&,+4+;7.%=,1+.$+.$&#&"+,,&:7*&-3%& '1-(#4(1&,A MARCH 2010

Tales of a Bashful Bladder I

'#13#3'1//#;%1'(#(+)/0#"&#1&#-0#&1,*'#"%'8#4%'#'*(#21&'3#"5# /+,()#9#*+7#3"-(#*"%)3#+,"#*+D(#+/)(+70#-+7(#'*(1)# .+0#'*)"%,*#'*(#D+)1"%3#'%4(3#+&7#2+33+,(3#'*+'# $"-2)13(#-0#71,(3'1D(#303'(-#+&7#9F-#3'+)'1&,#'"#5((/# +#'.1&,(#7".&#1&#-0#/".()#)(,1"&3A#9#.+/6#'*)"%,*#'*(# 4+)8#/"$+'(#'*(#'"1/('#+&7#(&'()A#9#1,&")(#'*(#-%/'12/(#+D+1/+4/(# %)1&+/3#+&7#1&3'(+7#5"$%3#"&#'*(#$%41$/(3A#a&(#$%41$/(#13#5)((8# 4%'#1'#*+3#&"#7"")A#9#.+/6#2+3'A#T//#'*(#"'*()3#+)(#'+6(&A#N"#9# 3'+&7#+&7#.+1'A#=1&+//08#3"-("&(#:&13*(3#+&7#5)((3#%2#"&(#"5# '*(#$%41$/(3A#T'#/+3'#9#$+&#)(/1(D(#-03(/5A !*13#/1''/(#)1'%+/#13#"&(#'*+'#9#%&7()'+6(#.*(&(D()#9#+-#"%'#1&# 2%4/1$#+&7#&+'%)(#$+//3A#N"-('1-(3#15#'*(#'"1/('#13#$"-2/('(/0# (-2'0#9#'+6(#+#,+-4/(#+&7#')0#%31&,#"&(#"5#'*(#%)1&+/3#c# *"21&,#9#$+&#,('#'*(#`".#,"1&,#4(5")(#3"-("&(#$"-(3#1&A# <*0#13#'*13#2)"4/(-+'1$#5")#-(e#T-#9#+#5)(+6e#<(//8#-+04(AAA# B%'#&"'#5")#'*13#)(+3"&A#9&#5+$'8#3"-(#"5#0"%#)(+71&,#'*13# .1//#:&7#'*+'#-0#/1''/(#'+/(#"5#'"1/('#')"%4/(#)1&,3#D()0#')%(A#95# 3"8#'*(&#0"%#'""8#3%55()#5)"-#l+)%)(313#Y+/3"#6&".&#+3#3*0# ")#4+3*5%/#4/+77()#30&7)"-(ZA#B%'#7"&F'#."))08#0"%F)(#&"'#

ISSUE 202

+/"&(A#T$$")71&,#'"#'*(#?9&'()&+'1"&+/#l+)%)(313#T33"$1+'1"&C# +4"%'#j^#"5#'*(#2%4/1$#3%55()#5)"-#l+)%)(313#c#.*1$*#(;%+'(# '"#)"%,*/0#I#1&#IiA#95#'*+'F3#')%(#+$)"33#'*(#,/"4(8#'*(&#+# .*"221&,#ijK#-1//1"&#2("2/(#"%'#'*()(#$+&F'#2((#;%1'(#3"# 5)((/0A l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b)1&+'1&,#*+41'3#7"&F'#'(&7#'"#$"-(#%2#D()0#"5'(&#1&#3'+&7+)7# 71&&()#$"&D()3+'1"&#Y'*"%,*#4)1&,1&,#1'#%2#9N#+&#(55($'1D(#.+0# "5#,(''1&,#+#7+'(#'"#/"3(#+&0#1&'()(3'#1&#0"%ZA#!*()(#13#+/3"#

by Stephen Lovejoy Image by Tara Wallace

-3%&,-+$"#&#,,7;+#-%5&1+-3&<*7'4%",&6*+.#-+.$8&%,<%;+#44(& +-"&,#-+/(3A#T&#1&+41/1'0#'"#%3(#%)1&+/3#13#"5'(&#+33"$1+'(7# .1'*#)(2)(33(7#*"-"3(@%+/1'0#")#133%(3#.1'*#31f(#Y+&7#9F-#&"'# '+/61&,#*(1,*'8#*()(ZA#<*1/3'#1'F3#')%(#'*(&#(1'*()#"5#'*(3(#133%(3# $+&#1&7((7#$+%3(#l+)%)(3138#"5'(&#1'F3#&"'#'*(#$+3(A#!*(3(#+)(# G%3'#'."#"5#-+&0#2"'(&'1+/#$+%3(3A#!+6(#-(8#5")#(@+-2/(A#T-# 9#1&3($%)(#+4"%'#-0#3(@%+/1'0e#U"2(A#T-#9#1&3($%)(#+4"%'#'*(# 31f(#"5#-0#2(&13e#U"8#&"'#)(+//0A#Ya&#+&#(&'1)(/0#%&)(/+'(7#&"'(8# 9#*+D(#31f(#I]#5(('AAAZ N"#.*0#$+&F'#9#2((#+'#%)1&+/3e##9&#-0#$+3(8#9#4(/1(D(#'*(# $"&71'1"&#3'(-3#5)"-#-0#715:$%/'1(3#)(/+@1&,#+)"%&7#2("2/(A# <*1/3'#'*13#+)'1$/(#-+0#3%,,(3'#"'*().13(8#9#$+&#4(#;%1'(#3(/5O $"&3$1"%3A#9&#5+$'8#1'F3#3"-('*1&,#"5#+#D1$1"%3#$1)$/(A#<*(&# !&#--%"<-&-7&6*+.#-%&1+-3&7-3%*&<%7<4%&#*76.58&!&17**(&-3#-&!& ."&F'#4(#+4/(#'"A#B($+%3(#9F-#."))01&,8#9#'*(&#$+&F'#%)1&+'(A# B+$61&,#%2#'*13#'*(")08#.*(&#9F-#$"-2/('(/0#1&(4)1+'(7#9#*+D(# +43"/%'(/0#&"#2)"4/(-#.*+'3"(D()#%31&,#%)1&+/3A =")#-(8#+&7#'*(#-+G")1'0#"5#3%55()()38#l+)%)(313#13#"&/0#+#-1&")#

&%13+&$(#c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l+)%)(313# 3%55()()3A#S(/2#13#+'#*+&78#*".(D()A#T#,)"%2#"5#l+)%)(313# 3%55()()3#*+D(#5")-(7#'*(#bm#l+)%)(313#!)%3'8#+#)(,13'()(7# $*+)1'0#?7(71$+'(7#'"#*(/21&,#-(&#+&7#."-(&#5")#.*"-# %)1&+'1&,#1&#'*(#2)(3(&$(#")#D1$1&1'0#"5#"'*()#2("2/(#13#715:$%/'# 7*&+"<7,,+'4%8&#.5&5%#4+.$&1+-3&-3%&<*7'4%",&-3+,&'*+.$,& +4"%'CA#T#,%+)+&'((7#$%)(8#*".(D()8#/""63#%&/16(/0A N"8#&(@'#'1-(#0"%#.*12#"%'#0"%)#.+&,#")#3;%+'#"D()#'*(#4"./# -+04(#3'"2#5")#+#-"-(&'#+&7#'*1&6#+4"%'#0"%)#,""7#5")'%&(A# T#5(.#+)(&F'#;%1'(#3"#/%$608#+&7#7"&F'#:&7#1'#'"#4(#+3#&+'%)+/#+# 2)"$(33A#!*+'F3#l+)%)(313#5")#0"%A MARCH 2010

Night Out by Joe Lobo

Image by Tara Wallace

'*%7("-)-6%.+$*"%.%-)6'$%(0$%4)//%6"**$% /%-6$4/#*"5$1+,6$,6/$+59+.+9(%&$*'34,"3*$ (+%.%'.-6(2*":%4'*$'*"%$'.$%)-&/0,*#% 6/%9%-6/*:$9/6'9#%,+"5$"#$0/5/#%&$ 5%(*/%$%3"50*,$",6/#$+59+-%,"#*2$

<+61&,#%2#"&#'*13#5+'(5%/#N%&7+0#-")&1&,#+5'()#D131'1&,# U"''1&,*+-#!)(&'#Nb#9#1--(71+'(/0#5(/'#D1"/(&'/0#31$6#+&7# 3')%,,/(7#'"#3'+0#"&#-0#5(('#.1'*"%'#5((/1&,#5+1&'A#T#5(.# *"%)3#/+'()#+5'()#5%)'*()#)(3'8#*+D1&,#3*)%,,(7#1'#"55#+3#+#5)(+6# 7;;6**%.;%8&!&5%;+5%5&-7&$%-&,7"%&46.;3&:*7"&-3%&47;#4&;7*.%*& 3*"2A#<*(&#)(+$*1&,#'*(#$"%&'()#5")#2+0-(&'#9#&"'1$(7#'*+'#

ISSUE 202

-0#7(41'#$+)7#.+3#-1331&,#+&7#+33%-(7#1'#-%3'#*+D(#4((&# 4+$6#1&#-0#)""-A#T&#(@'(&31D(#3(+)$*#/(7#-(#'"#'*(#"4D1"%3# $"&$/%31"&#'*+'#9#-%3'#*+D(#/"3'#1'#'*(#&1,*'#4(5")(A#9#$+//(7#%2# -0#4+&6#'"#7($/+)(#1'#/"3'>#+5'()#+&3.()1&,#-+&0#"5#'*(#)"%'1&(# ;%(3'1"&3#9#&"&$*+/+&'/0#'"/7#'*(#"2()+'")#.*(&#2)"-2'(78# '*+'#+3#5+)#+3#9#)(-(-4()(7#'*()(#.+3#+)"%&7#hJ\\#1&#-0#4+&6# +$$"%&'#)(-+1&1&,A#9#$+&#3'1//#'"#'*13#7+0#)($+//#'*(#*(31'+'1"&# 1&#*()#D"1$(#+3#3*(#$"))($'(7#-(#+&7#3+17#'*+'#9#.+3#1&#5+$'# hK\\#1&#'*(#)(7A#l%''1&,#'*(#2*"&(#7".&#9#3.15'/0#$*($6(7#-0# +$$"%&'#"&/1&(#+&7#3+.#5")#'*(#:)3'#'1-(#'*(#7('+1/3#"5#.*+'# (@+$'/0#*+7#')+&321)(7#'*(#&1,*'#4(5")(#.1'*#2+0-(&'3#)+&,1&,# 5)"-#hI]J#+'#lg#<")/7#'"#+&#+-+f1&,#hiLj#1&#Bvo>#+//#"&#'*+'# N%&7+0#-")&1&,#.*1/3'#9#.+3#+3/((2A

I swiftly checked my account online and saw for the first time the details of what exactly had transpired the night before with payments ranging from ÂŁ129 at PC World to an amazing ÂŁ487 in B&Q: all on that Sunday morning whilst I was asleep <*(&#3%--"&1&,#'*(#1-+,(#"5#0"%)# '021$+/#7)1&6#32161&,#D1$'1-#0"%#."%/7# 4(#5"),1D(&#c#)(,+)7/(33#"5#+,(8#/""63# ")#$"/"%)#c#5")#+33%-1&,#'*(0#."%/7#4(# 5(-+/(A#U(D()#4(5")(#*+7#1'#"$$%))(7# -7&"%&-3#-&!&;7645&'%&#&-#*$%-&:7*& 7)1&6#32161&,A#T$$")71&,#'"#'*(#V"":(# ="%&7+'1"&8#.*1$*#+$'1D(/0#$+-2+1,&3# :7*&+.;*%#,%5&*%;7$.+-+7.&+.&-3%&5#.$%*,& "5#7)%,#)+2(#32($1:$+//08#+)"%&7#K\\# ;#,%,&7:&5*6$&*#<%&#*%&*%<7*-%5&%#;3& 0(+)#.1'*#+#3'+,,()1&,#Li^#"5#D1$'1-3# 5+1/1&,#'"#)(2")'#'*(#$)1-(A#b&5")'%&+'(/08# 1&3'+&$(3#"5#7)1&6#32161&,#.1'*"%'#3(@%+/# #,,#64-&#*%&.7-&*%;7*5%5&#4-376$3&-3%& :76.5#-+7.&#5"+-&-3#-&-3%&.6"'%*&7:& ;#,%,&*%<7*-%5&*+,%,&+.-7&-3%&-376,#.5,& .*(&#'+61&,#'*+'#1&'"#+$$"%&'A# 27"%-3+.$&-3#-&,6*<*+,%5&"%&1#,&-3#-& +3#-%$*#+3#I\^#"5#'*(#$)1-(3#)(2")'(7# 1&D"/D(7#+#-+/(#D1$'1-A !""%5+#-%4(&#:-%*&-3+,&#<<#44+.$& 713$"D()0#9#)(2")'(7#'*(#$)1-(#+&7# '%$#.&-3%&5#6.-+.$&<*7,<%;-&7:& )($"D()1&,#'*(#h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gg!M#5""'+,(#7%(#'"#+#2"/1$0# +"<4%"%.-%5&'(&#&"#07*+-(&7:&;7"<#.+%,& .*"#)($0$/(#'*(1)#5""'+,(#(D()0#'."# 1%%9,&"%#.+.$&#.(&<7-%.-+#4&;4+<,&

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d#T&"'*()#3')+'(,0#-0#5)1(&73# *+D(#(-2/"0(7#13#'"#$)(+'(#+#3(2+)+'(# 4+&6#+$$"%&'#.1'*#&"#"D()7)+5'#+&7# 7.4(&#&4+--4%&"7.%(&+.,+5%&+-&#.5&-7&-#9%& '*+'#$+)7#"&/0#"&#&1,*'3#"%'>#(&3%)1&,# -3#-&+:&"7.%(&+,&47,-&+-&1+44&'%&9%<-&-7&#& -1&1-%-A 9&#'*(#/+3'#-"&'*#9#*+D(#4((&#'"/7#40# "(&'#.9&-3#-&!&1+44&.%%5&-7&*%<#(&-3%&

Having been completely honest with all my experiences, the fraud department concluded a fortnight after the event that there was not sufficient evidence to accept my claim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

"D()7)+5'#5)"-#'*(#+$$"%&'#1&#'*(#&(@'# ;76<4%&7:&1%%9,&7*&*+,9&'%+.$&-#9%.&-7& $"%)'#"D()#'*(#-+''()A#9#+-#$%))(&'/0# )($(1D1&,#3%22")'#5)"-#'*(#N'%7(&'3F# b&1"&#.*"#*+D(#4((&#1&$)(714/0#*(/25%/# +&7#3%22")'1D(#1&#*(/21&,#-(#)(4%1/7# #&;#,%&#$#+.,-&-3%&'#.9&-7&%.,6*%&-3#-& -3%&"7.%(&!&"6,-&*%<#(&+,&9%<-&-7&#& -1&1-%-A#E0#/(33"&#*+3#4((&#/(+)&'># /(+D(#0"%)#7(41'#$+)7#+'#*"-(8#6((2#+&# (0(#"&#0"%)#7)1&6#+'#+//#'1-(3#+&7#&(D()# ')%3'#4+&6()3#.*"#.1//#:&7#+&0#)(+3"&#'"# (&3%)(#'*(1)#2)":'#-+),1&3#)(-+1&#G%3'#+# 5(.#(@')+#2"%&73#*1,*()A# MARCH 2010

SPARE PARTS

IMPACT’S GUIDE TO… FUNDING YOUR PHD

EMI DAY

VENT YOUR SPLEEN: THE LITTLE PEOPLE GABBY DEMATTEIS

,&+-&06,-&"%8&C#.5&!&*%#44(&3#-%& -7&'%&-3#-&<%*,7.&-3#-&,-#*-,&#.& +)'1$/(#.1'*#'*(#.")73#?93#1'#G%3'# -(C#1'F3#+/-"3'#+3#4+7#+3#?9F-#&"'#+# )+$13'8#4%'rCZ#4%'#+)(#$*1/7)(&#'+61&,# "D()#'*(#.")/7e#!1&08#'1&08#$(/(4)1'0# ;3+45*%.&-3#-&,+.$&#.5&5#.;%&#.5&$%-& 1&#0"%)#5+$(#"&#!M#+&7#(D()0.*()(# %4,%&13%.&-3%(&,37645&'%&<4#(+.$& 1+-3&A%$7&7*&/#*'+%&7*&,7"%-3+.$& 31-1/+)A#V1,*'#&".8#'*(#41,,(3'#&(.# 3'+)#1&#'*(#N'+'(3#13#:5'((&O0(+)O"/7# H"%!%4(#31&,()#Q%3'1&#B1(4()A#S(F3# =9=![[U#+&7#*(#&((73#+&#+)-0#"5# 3($%)1'0#2()3"&&(/#(D()0.*()(#*(# ,"(3#4($+%3(#*(F3#3"#5+$(O-(/'1&,/0# 5+-"%3n#9F-#+-+f(7#*13#*(+7#7"(3&F'# +"<475%&1+-3&-3%&,3%%*&:7*;%&7:&3+,& 71.&*+5+;6476,4(&5+,<*7<7*-+7.#-%& +,(O'"O(-1&(&$(#)+'1"A#9#)(-(-4()# #&-+"%8&.7-&#44&-3#-&47.$&#$78&13%.& (76&3#5&-7&'%&#.&#564-&-7&'%&<*7<%*4(& 5+-"%3A#X"/7(&#7+038#'*(0#.()(A# N'(23#-1,*'#*+D(#4((&#3*1'#4%'#+'# 4%#,-&-3%(&1%*%&745&%.76$3&-7&5*+.9& '*(#/0)1$3#'"#_8#K8#j8#L#1&'"#"43$%)1'0# (D()0#&1,*'8#15#'*(0#3*"%/7#*+D(#3"# .13*(7A 9#4/+-(#E1/(0#g0)%3A#N*(#*1'#'*(#41,# '1-(#+'#:5'((&8#+&7#1'F3#*+)7#'"#4(/1(D(# 3*(F3#"&/0#3(D(&'((&#&".#.*(&#0"%# ;7.,+5%*&-3#-&-3#-&"#9%,&+-&06,-&-17& 0(+)3#31&$(#'*(#<(3'()&#-(71+#.+3&F'# 3+'%)+'(7#.1'*#*()#2)(3(&$(A#9F-# ,-*6$$4+.$&-7&*%"%"'%*&#&-+"%&'%:7*%& (D()0"&(#6&(.#.*"#3*(#.+3A#S()# +,(#13#(D(&#*+)7()#'"#4(/1(D(#7%)1&,# *()#"$$+31"&+/#4"%'3#"5#1//O+7D13(7# <*7"+,;6+-(8&.#"%4(&-37,%&-7<4%,,& 21$'%)(3#1&#M+&1'0#=+1)#")#*()#D()0#

ISSUE 202

)($(&'#+&7#D()0#"77#1$(O$)(+-#$+)'# 2"/(#,0)+'1"&8#/1D(#"&#'*(#!((&#g*"1$(# T.+)73A#!*()(F3#3"-('*1&,#&"'#;%1'(# )1,*'#+4"%'#+#:5'((&#0(+)#"/7#31&,1&,# 3"&,3#+4"%'#(D(&#+&#1&&"$(&'#3()1"%3# )"-+&'1$#1&D"/D(-(&'#+&0.+0n#'."# 6133(3#5)"-#+#Q"&+3#4)"'*()#7"(3&F'# ;%+/150#+3#+#)(/+'1"&3*12#E1/(08#3"#3'"2# 31&,1&,#+4"%'#*".#1&#/"D(#0"%#+)(p .()(p.1//#4(#+3#3""&#+3#0"%#3((#*1-# +,+1&A#B1(4()F3#D17("3#5")#31&,/(3#a&(# !1-(#+&7#a&(#W(33#W"&(/0#X1)/#4"'*# 1&D"/D(#*1-#G1,,1&,#+)"%&7#&(+)40# D+)1"%3#0"%&,#/+71(3#.1'*#+#)"-+&'1$# +&7#D+,%(/0#3(@%+/13(7#-+'%)1'0# -3#-&"#.#$%,&-7&'%&;7.;%*.+.$4(& +.#<<*7<*+#-%&#.5&'*%#-3-#9+.$4(& +&&"01&,#+'#'*(#3+-(#'1-(A#9#7"&F'# $+)(#15#9#3"%&7#/16(#+&#"D()2)"'($'1D(8# -177/(O+,(7#-"'*()>#1'F3#.(1)7#+&7# .)"&,A#N'(2#+.+0#5)"-#'*(#%&7()+,(# ,1)/38#B1(4()A#<(//#+.+0A 9'F3#"&/0#+#-+''()#"5#'1-(#4(5")(#'*(# +D()+,(#+,(#"5#'*(#$(/(4)1'0#7)"23# '"#'*(#3+-(#)"%&7+4"%'#:,%)(#1&#'*(# bm8#40#.*1$*#'1-(#"&/0#5"('%3(3#.1//# 4(#+4/(#'"#-+6(#1'#41,#1&#T-()1$+A#9'F3# +/)(+70#*+22(&1&,#1&#5+$'A#T22+)(&'/0# l1@1(#W"''8#+,(7#IJ8#G%3'#13&F'#0"%&,# %.76$3&-7&'%&-3%&57"+.%%*+.$&<*%--(& '47.5%&:%"#4%&7:&-3%&/*+-+,3&;3#*-,8& 3"#'*13#0(+)#UE[#.1//#4(#7)+5'1&,#1&# P+130#P+)(3#H"%8#+6+#=9=![[UO0(+)O "/7#5+1)O*(+7(7#$*1/7#"5#4"*(-1+&p 1&71(#7($/(&31"&#P+130#g"/4%)&8#+3#+# )(2/+$(-(&'A#T'#'*(#-1&%'(#3*(#"&/0# /""63#+4"%'#'(&8#3"#3*(#3*"%/7#*+D(# #&$775&:%1&"7.-3,&+.&-3%&<6'4+;&%(%& +*(+7#"5#*()#0('A

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IMPACTNOTTINGHAM.COM

DISUNITED STATES OF AMERICA MARK LAUTMAN

-&'%;#"%&#'6.5#.-4(&#<<#*%.-& .1'*1&#-0#:)3'#5(.#.((63#1&# T-()1$+#'*+'#'*()(#13#&"#$"&$(2'# -")(#+/1(&#'*+&#'*(#17(+#"5#;%(%1&,A# =")-1&,#+#;%(%(#'*13#317(#"5#T'/+&'1$#13# ,7&6--%*4(&#4+%.&-3#-&-3%&17*5&+-,%4:&3#,& 4((&#(@2%&,(7#5)"-#'*(#D"$+4%/+)0# "5#'*(#$"&'1&(&'A#9#:&7#'*13#'"#4(#+# ,)+D(#3*+-(A#9#/16(#'*(#.")7#2()*+23# -")(#'*+'#'*(#$"&$(2'A#9#+-#41,#5+&#"5# '*(#/(''()#RoFA#9#:&7#'*()(#13#3"-('*1&,# D()0#2)"%7#1&#'*(#+41/1'0#'"#4(#5"//".(7# 40#'."#2+1)3#"5#D".(/38#/(''1&,#&(1'*()# )(-"'(/0#1-2+$'#0"%)#3"%&7A##RoF#13#+# /(''()#.*1$*#6&".3#1'F3#.")'*#'(&#2"1&'3# "&#+#3$)+44/(#4"+)7A#<1'*"%'#1'8#Q+-(3# B"&7#."%/7#%&7"%4'(7/0#4(#7(+7A <*1/(#+.+1'1&,#'*(#+))1D+/#"5#+# B*%(376.5&;7#;3&.7*-3'76.5&-7& g*1$+,"8#1'#4($+-(#$/(+)#'*+'#'*(#$"+$*# 56%&#.&376*&'%:7*%&"+.%&5+5&.7-&,371& 6<8&*%,64-+.$&+.&#&"7'&:7*"%5&'(&-17& )1D+/#$"+$*/(33#,)"%23#"5#$"+$*/(33#

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OVERHEARD IN HALLWARD MARK LAUTMAN

MARCH 2010

Students’ Union STUDENTS’ UNION ELECTIONS 2010

CHOOSE WHO RUNS YOUR STUDENTS’ UNION www.su.nottingham.ac.uk/elections

nd can reallyThe sway the election. Students’ UnionSometimes Elections are here! If you’ve not heard about them

yet, you will soon. The Students’ Union Elections involve a huge annual campaign that lasts for a very exciting two weeks and they’re your ere’s a real threat that they’ll sky-rocket. Proposals chance to choose who the leaders of your Students’ Union are going entirely, leaving students in even more debt. It’s to be for the coming year. st institutions are reserved for the richest students. You’ll be able to vote for the winners from Monday 8th to Friday 12th March. Elections is a hectic and gossip filled time when you’ll see candidates ‘battling it out’ (in athecampaigning sense!) to get your vote. r Students’ Union to raise awareness about are always some ling station There on election day it will putinteresting pressure oncampaign tactics, which, in previous have ranged from giving away sweets to campaigning in a important toyears, students. There are 32,000 students spongebob suit, University playing instruments (the area that encompasses Park and to doing street magic tricks and u take part! baking cakes to taking a sofa around on the top of a car. We don’t want to give too much away because we know the candidates have got some great things up their sleeves for this year... but it’s going to be a good one!

So, why are these elections so big and important? The students elected by you run your Students’ Union for a year. This involves being the student voice to, and getting the best 10 12-4pm deal for students from, the University and external organisations. They make changes which improve student life and run and the opportunities that the SU provides to you, its students (for example, the SU’s Athletic Union, societies and student-run Nottingham develop city centre services). They also develop and help run the SU’s services, such as the Student Advice and Representation Centre, Mooch, The Den and the SU Shops, so it’s super important that you vote for the people you think will do the best job and will push for the things in that you want.city Don’t forget, g a day of action Nottingham centre to the people who are elected end up being the Directors of a £6.8 million organisation with over fees. 100 There’ll staff too, you should be confident that they are competent to fill such responsible shoes! crease in tuition beso performances,

ore. The more people who join in, the more of an ke, so comeWhy along your support. is and it soshow important to vote Look in the elections? ails in the Students’ Union at of the Students’ Union and its elected Officers is being the student voice. This is where the By far the moste-newsletter important and function ingham.ac.uk. SU makes the biggest difference. Your elected Officers are involved in decision making in all levels of the University and have

a large influence in many external businesses and organisations that affect students. The reason their efforts are so effective is because they are backed by the thousands of students who have voted for them. They are there to represent YOU and the more people that vote, the more proof there is that the direction they take and the efforts they make are what you, the student population want. So, where can I keep up to date with the elections and go and vote? The whole election – all the gossip, campaign shenanigans and events – are going to be covered by the Students’ Union’s media services – URN (radio), NUTS (TV station) and Impact (this magazine!). You can get access to all different types of content, from videos, podcasts and articles of the candidates to the Official Facebook page, and from the forum (where you can ask any of the candidates questions) to the University Portal (where you can vote). And don’t forget, we’ll also be broadcasting several ‘Candidate Question Times’ LIVE! You can access everything at www.su.nottingham.ac.uk/elections.

THE SU BIG REVIEW WE DO WHAT YOU DECIDE Win £250

THE S.U. BIG REVIEW su.nottingham.ac.uk su.nottingham.ac.uk

ISSUE 202

From 8th – 21st March you can also help to shape your Students’ Union’s future with the SU Big Review, a survey which is your chance to influence the way your Students’ Union develops over the coming years. The survey only takes about 5 minutes to complete and everyone who takes part will be entered into a prize draw. One lucky student will win £250 and five will win £50 – not bad for a few minutes of your time!

You can complete the survey at: www.su.nottingham.ac.uk/survey.

THE GENERAL ELECTION: THE GENERAL ELECTION: ONS 2010 ION FIGHTING HIGHER FIGHTING FEES HIGHER FEES STANDING UP FOR STUDENTSSTANDING UP FOR STUDENTS

The general election will soon be here. Students hold a huge Thechunk general of the election UK’s votes will soon and be canhere. reallyStudents sway the hold election. a hugeSometimes chunk of the UK’s votes and students can fade into the background but this time we havestudents something can to fade shout intoabout! the background but this time we have something to shout about!

The future Government will be making a decision on the cost Theoffuture your tuition Government fees and willthere’s be making a realathreat decision that on they’ll the cost sky-rocket. of yourProposals tuition fees and there could see the home students’ £3,225 cap increased to £5,000, could see £7,000, the home or removed students’entirely, £3,225leaving cap increased students in to even £5,000, more£7,000, debt. It’sor removed ent likely that higher fees will push higher education out of reach likely of many that higher and mean fees will the best push institutions higher education are reserved out of for reach the of richest manystudents. and mean the best Does that sound fair to you? Does that sound fair to you?

That’s why we’re launching Debtonate, a campaign and series That’s of why big events we’re launching run by your Debtonate, Students’ Union a campaign to raiseand awareness series of about big events the run by your S importance of the student vote in the general election. If youimportance commit to of going the student to the polling vote in station the general on election election. dayIf ityou willcommit put pressure to going on to the polling the MP candidates, who want your vote, to make a pledgethe in favour MP candidates, of issues that whoare want important your vote, to students. to make There a pledge are in 32,000 favour students of issues that are imp at the University of Nottingham alone. In the 2005 generalatelection, the University Nottingham of Nottingham South (thealone. area that In the encompasses 2005 general University election, Park Nottingham and South (th Lenton) had only 42,000 votes so students can easily decide Lenton) who had wins.only Make 42,000 sure you votes take so part! students can easily decide who wins. Make sure you ta Register to vote Register to vote You can register to vote in Nottingham and in your home town You can register to vote in Nottingham and in your home town (assuming these are different places, obviously) so wherever(assuming you these are different places, obviously) so wherever you are on elections day, you’ll be able to vote. are on elections day, you’ll be able to vote.

g the student voice to, and getting the best can register vote now www.aboutmyvote.co.uk. You can register vote now www.aboutmyvote.co.uk. ges which You improve studenttolife and runatand 27th to March 2010at12-4pm 27th March 2010 SU’s Athletic Union, societies and student-run Market Square, Nottingham city centre Market Square, No Big Debate The Big Debate vice and The Representation Centre, Mooch, The FREE FREE Tuesday 23rd, 7-9pm Tuesday March 23rd, 2010 7-9pm k will do the best March job and will 2010 push for the Midlands Conference Centre, East Midlands Conference Centre, Nottingham irectors ofEast a £6.8 million organisation withUniversity Park, Nottingham We’re organising a dayUniversity of action Park, in Nottingham city centreWe’re to organising a FREE FREE esponsible shoes! say NO to an increase in tuition fees. There’ll be performances, say NO to an incre

speakers and more. The more people who join in, the morespeakers of an and more We’re organising a prospective parliamentary debate and We’re we’re organising parliamentary andyour we’re impactait prospective will make, so come along debate and show support.impact Look it will make, inviting all the Nottingham South MP candidates. This will be inviting all the SouthinMP This e-newsletter will be out Nottingham for more details the candidates. Students’ Union and out at for more details being the student voice. This is where the your opportunity to grill them, ask them questions and find out your opportunity to grill them, ask them questions and find out www.su.nottingham.ac.uk. www.su.notting king in allwhat levels of the University and have they really stand for. what they really stand for.

. The reason their efforts are so effective is hey are there to represent YOU and the more s they make are what you, the student

ANY-BODY MONTH ANY-BODY MONTH THROUGHOUT MARCH

THROUGHOUT MARCH

g to be covered by the Students’ Union’s media t access to all different typesMonth, of content, March is Any-Body a newfrom series of events to get students, March is Any-Body Month, a new series of events to get students, d from thestaff forum (where you can ask of and local residents to try any out inclusive sports like boccia,staff and local residents to try out inclusive sports like boccia, orget, we’ll also be broadcasting wheelchair rugby, football,several archery and wheelchair basketball. wheelchair rugby, football, archery and wheelchair basketball. gham.ac.uk/elections.

Events will be held across all three of the University’s campuses, Events so will be held across all three of the University’s campuses, so wherever you’re based, you’ll be able to take part. People of wherever all you’re based, you’ll be able to take part. People of all arehelp welcome, so your whether you’re a complete beginner abilities or a are welcome, so whether you’re a complete beginner or a March youabilities can also to shape Students’ seasoned you can come along and give it a go! seasoned pro, you can come along and give it a go! h the SU Big Review,pro, a survey which is your nce the way your Students’ Union develops over s.

Any-body Month Events: Any-body Wednesday 10th March – Sutton Bonington Wednesday akes about 5 minutes to complete and everyone Wednesday 17th March – Jubilee Sports Centre Wednesday will be entered into a prize draw. One lucky £250 and Wednesday five will win £5024th – not March bad for a– few University Park Wednesday

me!

Month Events: 10th March – Sutton Bonington 17th March – Jubilee Sports Centre 24th March – University Park

Visit www.nottingham.ac.uk/sports/ Visit www.nottingham.ac.uk/sports/ ete the survey at: anybodymonth for more details and to reserve anybodymonth for more details and to reserve ttingham.ac.uk/survey. your place on any of the events.

your place on any of the events.

su.nottingham.ac.uk MARCH 2010

Are you looking for an opportunity that offers a good wage, an excellent CV addition and a chance to enhance your employability skills? Are you considering a career in teaching? Furthermore, would you like an opportunity that you enjoy, an opportunity that makes you !""#$%&&'$()'$()$&**&+,-).,/$.)$01.21$/&-3+"$4&5,$'"6).,"#/$(**+"2.(,"'7 If so, then we could have just what you’re looking for! We are delighted to offer two exciting initiatives that allow students studying at the University of Nottingham to work with local young people.

Student Associates Scheme As part of an exciting national project, Student Associates work alongside an established classroom teacher in a primary or secondary school. Student Associates undertake activities such as helping small groups of pupils with class work, working 11 with pupils to improve attainment and some experience of non teaching aspects such as planning and preparation. The scheme allows individuals to gain experience in the classroom environment, help local young people and explore teaching as a possible career.

Commitment required Phase 2Phase 2 will run as a block placement at the end of the academic year, during June and July. Associates are expected to attend their placement for 15 days, which will be undertaken full time for 3 weeks.

Location Placements take place in schools across Nottingham and the surrounding area. Should you be successful you are assigned to a school, after taking account of a number of key factors.

Who can apply? !"#$%&"#'#$(%$)*#+$,)$-..$%,/0#+,%$%,/01(+2$3(2"#4$50/&-,()+$6/-.(7&-,()+%8$#9&#*,$,")%#$:")$"-;#$ already achieved, or are already on a course, leading to QTS, or those who have undertaken the scheme previously. Applications are welcome from students of all courses, although subjects with some relation to those taught in schools are at an advantage for secondary placements. Applications are particularly welcomed from students studying maths related subjects, science (particularly chemistry & physics related courses), modern languages, design and technology, religious education, music and information technology.

How much will I earn? Student Associates will receive £200 per week, which is paid as a weekly tax free bursary.

You must attend an awareness raising meeting to be eligible to apply. Various meetings are taking place on 17th, 19th and 23rd March. Please visit our website for exact details – www.ntu.ac.uk/http://www.ntu.ac.uk/current_students/while_here/students_classrooms You are welcome to attend any of the meetings taking place at any of the campuses. For further information, please contact lucy.ingham@nottingham.ac.uk or nicola.obrien@ntu.ac.uk or telephone 0115 848 4203

EXPOSURE

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R6#+*,+%5$B#%+&/'$#g+)31&,'"&#<+'()#1&#P()403*1)(#+'#7%36 ISSUE 202

R6#+*,+%5$B#%+&/'$#X)(+'#B/%(#S()"&8#!")'"/+8#g+)144(+& ISSUE 202

THE DEATH OF AN ICON INTERVIEW STYLE THE RISE OF THE WEB

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THE RISE OF THE INTERNET: ARE FASHION MAGAZINES OUTDATED? TESSA SAMPSON

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ISSUE 202

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MUSIC

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ISSUE 202

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THE NME TOUR, 9TH FEBRUARY 2010 SARAH DAWOOD

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IF MUSIC BE THE FOOD OF LOVE . . . ROSIE KYNMAN

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THE RECORD STORE LIVES ON DAISY MASH

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THE MUSIC EXCHANGE

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MARCH 2010

ARTS

CAN ART CHANGE THE WORLD? VICTORIA CARTER

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A VIEW OF NOTTINGHAM: IMPACT ARTS COMPETITION

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IMPACTNOTTINGHAM.COM/ARTS

HOW ARE YOU? STEPHEN LOVEJOY

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MARCH 2010

THE MEANING OF STYLE @ THE NEW ART EXCHANGE GISELLE KENNEDY

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ANNUAL OPEN 2010

@NOTTINGHAM CASTLE SOPHIE WATSON

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ALTERED BOOKS –ART FOR THE INARTISTIC KIMBERLEY SMITH

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MARCH 2010

IMPACTNOTTINGHAM.COM/ARTS

ART TO DIE FOR?

IMPACT WRITERS ROSIE HENDRY AND VERENA VIEREGGE EXPLORE THE ARGUMENTS FOR AND AGAINST THE DIVISIVE ART OF THE GERMAN ARTIST GERORGE SCHNEIDER

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CUBA: A SOCIETY ON THE BRINK OF CHANGE? RICHARD MAGENNIS

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MARCH 2010

COLOMBIA: NEVER JUDGE A BOOK BY ITS COVER

RUTH EDWARDS

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ISSUE 202

5")#31@#0(+)38#.+3#:&+//0#5)((7#+/"&,#.1'*# Ii#"'*()#*"3'+,(3#1&#+#7+)1&,#)(3$%(#40# g"/"-41+&#5")$(3A <*+'#)(+//0#1-2)(33(7#%2"&#-(# -3%&+.#;;6*#;(&7:&-3%&,-%*%7-(<%&7:& g"/"-41+#.+3#'*(#.+0#g"/"-41+&3# )(+$'(7#'"#%3#4(1&,#'*()(A#=+)#5)"-# 4(1&,#D1(.(7#+3#G%3'#+&"'*()#,)"%2#"5# +&&"01&,#,)1&,"38#-+&0#g"/"-41+&3# +)(#3"#7('()-1&(7#'"#)17#'*(-3(/D(3#"5# -3%+*&*%<6-%&-3#-&-3%(&#<<*%;+#-%&#.(& "22")'%&1'0#'"#3*".#g"/"-41+F3#')%(# &+'%)(A#9'#.+3#*%-4/1&,#'"#4(#'*+&6(7# -()(/0#5")#D131'1&,#+#$"%&')08#+&7#1'# '*76$3-&37"%&-7&6,&06,-&371&+"<7*-#.-& +-&+,&-7&-3%"&:7*&-3%+*&;76.-*(&-7&47,%&-3+,& 1&5+-"%3#)(2%'+'1"&A# 9'#13#&"'#"&/0#'"%)13'3#'*+'#+)(#2%'#"55n# g"/"-41+#*+3#3%55()(7#7%(#'"#5")(1,&# 1&D(3'")3F#%&.1//1&,&(33#'"#,"#1&'"# 4%31&(33#.1'*#'*13#$"%&')0A#<*(&# 9#')+D(//(7#'*()(8#9#(@2()1(&$(7#+# g"/"-41+#'*+'#13#'""#)(+71/0#"D()/""6(7# #,&76*&#--%.-+7.&+,&5*#1.&-7&+-,& )(2%'+'1"&#5")#7)%,3#+&7#D1"/(&$(n#+# )(2%'+'1"&#'*+'#7"(3#&"'#)(`($'#'*(#')%(# $*+)+$'()#"5#g"/"-41+A#9&#)(+/1'08#1'#13#+# ;76.-*(&-3#-&<7,,%,,%,&#&;7476*:64&#.5& D14)+&'#$%/'%)(A#9'#13#+#$"%&')0#"5#3+/3+8# $"55((8#/1D(/0#-"7()&#$1'1(3#+&7#4(+%'15%/# g+)144(+&#4(+$*(3n#+&#+-+f1&,#2/+$(# '"#D131'#1&#321'(#"5#1'3#1&5+-"%3#*13'")0A

VALENTINE’S DAY TRAVELS: MISHAPS AND MAYHEM

NASREEN JANMOHAMED

*(#17(+/#M+/(&'1&(F3#P+0#3*"%/7#4(# 2()5($'A#!*13#7"(3#&"'#&($(33+)1/0# -(+&#(@')+D+,+&$(8#1'#G%3'#-(+&3# '*+'#(D()0'*1&,#3*"%/7#)%&#3-""'*/0n# $+'+3')"2*(3#3*"%/7#&"'#4(#"&#'*(#-(&%d# !)+D(//1&,#13#+/.+03#D%/&()+4/(#'"#-13*+238# +3#+)(#3%)2)13(3A#!*(#$"-41&+'1"&#"5# M+/(&'1&(F3#P+0#+&7#')+D(//1&,#13#+#)1360# 7<-+7.8&'6-&57.%&1%44&+-&-+;9,&#44&-3%& 4"@(3#"5#+#)"-#$"-#M+/(&'1&(F3#P+0A# S".(D()8#15#'*1&,3#,"#.)"&,#.1'*#3%)2)13(# M+/(&'1&(F3#P+0#')123#+.+08#1'#32(//3#'*)((# P3>#P13+22"1&'-(&'8#P13+3'()8#+&7#RP"&F'O .+&&+O'+/6O+4"%'O1'F#Y%&'1/#0"%#$+&#/+%,*# +4"%'#1'#/+'()ZA#

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1'3#*"'#$*"$"/+'(#1&#+#4"./A & <*(&#(+'1&,#"%'#1&#N'"$6*"/-8# ')0#+&7#7"#1'#7%)1&,#/%&$*'1-(A#T'# IJ,/+3#1&#'*(#"/7#'".&#9#'%$6(7#1&'"# "+.%,-*7.%&,76<&#.5&#&5%4+;+76,& *%+.5%%*&97:-%&9%'#'&:7*&#&"%*%& hIIA#9'#'+3'(7#+#41'#/16(#D(&13"&#+&7# .+3#2()*+23#'*(#-"3'#41f+))(#'*1&,# 9FD(#(D()#(+'(&n#4%'#+43"/%'(/0# 7(/1$1"%3A & A+9%&#.(&-71.8&2-7;9374"&#4,7& *+3#-")(#(@2(&31D(8#2"&$(0#+&7# 2)('(&'1"%3#2/+$(3A#9#.+/'f(7#1&'"# +#2%4#'*+'#4"+3'(7#IK#$+36#+/(38# +//#5)"-#N.(7(&A#W16(#+#-"'*#'"#+# `+-(#9#$"%/7#&"'#)(313'8#4%'#+/-"3'# 3#5&#&3%#*-&#--#;9&13%.&-3%& 4+)-+&#+36(7#5")#hL#1&#)('%)&#5")# +&#+D()+,(#21&'A#P"#0"%)#)(3(+)$*# '%:7*%&3%#5+.$&76-8&7-3%*1+,%&#& ;3%#<&$%-#1#(&;7645&<7-%.-+#44(& '+6(#+#-+331D(#$*%&6#"%'#"5#0"%)# 3'%7(&'#/"+&A

MARCH 2010

FILM

CELEBRATING 10 YEARS OF MEXICAN CINEMA BEN TAYLOR

*)"%,*"%'#:/-#*13'")08#.+D(3#+&7# -"D(-(&'3#*+D(#)(1&D1,")+'(7# '*(#-(71%-A#=)"-#'*(#=)(&$*# U(.#<+D(8#'"#X()-+&0F3#U(.#g1&(-+8# ;*+-+;,&#*%&;7.,-#.-4(&7.&-3%&4779&76-&:7*& '*(#&(@'#41,#$0$/(A )3%&4#,-&5%;#5%&"#*9%5&-3%&-6*.&7:& '*(#E(@1$+&38#+&7#*+3#4((&#(D()# 31&$(#T-")(3#l())"3#.+3#)(/(+3(7# 40#T/(G+&7)"#X"&f{/(f#9|{))1'%#4+$6# 1&#]\\\8#'*(#:)3'#1&#+#')1/",0#'*+'#+/3"# 1&$/%7(3#B+4(/#+&7#]I#X)+-3A#!*(#:/-#13# 32/1'#1&'"#'*)((#713'1&$'1D(#3(,-(&'3#'*+'# (@2/")(#+&#($/($'1$#-1@#"5#$*+)+$'()3# 1&$/%71&,#a$'+D1"8#+#0"%&,#-+&#1&D"/D(7# +.&-3%&;7**6<-&6.5%*=17*45&7:&57$= :,*'1&,8#M+/()1+8#+#$)122/(7#3%2()O-"7(/8# +&7#:&+//0#[/#g*1D"8#+&#(@O2)1D+'(#3$*""/# '(+$*()#'%)&(7#D+,)+&'#/1D1&,#1&#'())14/(# 3;%+/")#.*"#(+)&3#-"&(0#+3#+#*1'#-+&A# !*(#:/-#+''(-2'3#'"#$"D()#+//#+32($'3#"5# /1D1&,#1&#E(@1$"#g1'08#5)"-#'*(#2"")(3'#'"#

'*(#)1$*(3'#+&7#(D()0'*1&,#1&O4('.((&A# !*(#1&'()."D(&#&+))+'1D(#2+D(7#'*(#.+0# 5")#+#&%-4()#"5#3%$$(335%/#R*02()/1&6# :/-3F#3%$*#+3#g)+3*#+&7#g1'0#"5#X"7A# 9|{))1'%F3#3%43(;%(&'#:/-3#+)(#4+3(7#1&# S"//0.""7#+&7#(@2/")(#'*(#)(/+'1"&3*123# +&7#'(&31"&3#4('.((&#E(@1$"#+&7#'*(1)# U")'*()&#&(1,*4"%)3A T#0(+)#/+'()#$+-(#'*(#)(/(+3(#"5#H#'%# -+-{#'+-41q&#5)"-#T/5"&3"#g%+)}&8# +#3%2()4#$"-1&,O"5c+,(#:/-#7(21$'1&,# -17&"+554%&;4#,,&-%%.#$%&'7(,&137& <%*,6#5%&#&'%#6-+:64&745%*&17"#.&-7& (-4+)6#"&#+#)"+7#')12#.1'*#'*(-A#a&# '*(#.+0#'*(0#/(+)&#+4"%'#3(@8#-")+/1'0# +&7#5)1(&73*12A#!*(#:/-#13#5+)#31-2/()# 1&#$"&$(2'#'*+&#'*+'#"5#T--")(3# l())"38#0('#G%3'#+3#(55($'1D(#+'#$+2'%)1&,# E(@1$"F3#713'1&$'#$%/'%)(A#!*(#)(+/13'# 3'0/(#"5#g%+)}&#+&7#9|{))1'%#+)(#4"'*# D()0#31-1/+)#+&7#$+&#4(#3((&#'*)"%,*"%'# '*(1)#.")6A

]\\I#+/3"#-+)6(7#'*(#)(/(+3(#"5#P(D1/F3# /#;9'7.%8&"#5%&'(&-3%&-3+*5&7:&-3%& R+-1,"3F8#X%1//()-"#P(/#!")"#Y.*"#.(&'# "&#'"#-+6(#S(//4"0ZA#S".(D()8#.17(/0# )(,+)7(7#+3#P(/#!")"F3#4(3'#.")6#'"# 7+'(8#l+&F3#W+40)1&'*#3%$$(335%//0# +.-%*-1+.%,&17*45,&7:&:#.-#,(&#.5&*%#4+,"& 1&'"#+#3'")0#+4"%'#2"3'#$1D1/O.+)#N2+1&# '*)"%,*#'*(#(0(3#"5#a5(/1+8#+#0"%&,#,1)/# 137&6,%,&-3%&:#.-#,(&17*45&#,&#&"%#.,& "5#(3$+2(A 2+.;%&-3%+*&,6;;%,,&%#*4+%*&+.&-3%& 7($+7(8#'*(3(#+$$/+1-(7#:/-#-+6()3# *+D(#$"-(#'",('*()#'"#3%3'+1&#'*(#.")6# *#-%&7:&-3%+*&+.56,-*(&'(&;*%#-+.$&-3%+*& ".&#2)"7%$'1"&#$"-2+&08#g*+#g*+#g*+# :/-38#.*1$*#*+3#+/)(+70#-+7(#'*(#.(//O )($(1D(7#V%7"#0#g%)31A#]\I\#-+)63#'*(# '(&'*#0(+)#"5#'*(#.+D(8#+&7#'*(#E(@1$+&# +.56,-*(&71%,&"6;3&7:&+-,&,6;;%,,&-7&-3%& R'*)((#+-1,"3F8#.*"#)+13(7#'*(#2)":/(#"5# E(@1$+&#:/-#'"#3')+'"32*()1$#/(D(/3A

EASTERN BLOCK(BUSTERS)

HANNAH COLEMAN

7.,+5%*+.$&-3%&#;;74#5%,&6,6#44(& 4(3'".(7#"&#:/-3#5)"-#<(3'()&# [%)"2(8#'*(#B+/6+&#3'+'(3#*+D(# *+7#'"#.")6#*+)7#'"#,('#'*(1)#D"1$(3# *(+)7#+&7#'*(1)#:/-3#3((&A##=1/-#5(3'1D+/3# 3%$*#+3#'*(#N+)+G(D"#=1/-#=(3'1D+/#+&7# '*(#WG%4/G+&+#9&'()&+'1"&+/#=1/-#=(3'1D+/# 57&#&$*%#-&5%#4&-7&*%;7$.+,%&-3%&17*9& 2)"7%$(7#1&#'*(#)(,1"&A#!*(#B+/6+&3# ;+.%"#-+;&76-<6-&+,&;7.,+5%*#'4(&,"#44%*& '*"%,*8#+'#+4"%'#k\^#"5#'*(1)#.(3'()&# $"%&'()2+)'3A B%'#13#'*13#)(+//0#'*(#$+3(e#9&#=)+&$(#5")# (@+-2/(8#'*(#3'+'(#1-2"3(3#+#$()'+1&# ;%"'+#"5#=)(&$*#:/-3#'*+'#3*"%/7#4(#

ISSUE 202

-+7(#2()#0(+)A#9&(D1'+4/08#'*13#-(+&3# +#/"'#"5#)%4413*#:/-3#+)(#-+7(8#4%'# 13%*%#,&7.%&"+$3-&'%&#'4%&-7&-3+.9&7:& "&(#")#'."#7($(&'#:/-3#2)"7%$(7#1&# B)1'+1&#1&#+#0(+)8#'*(#+D()+,(#1&#=)+&$(# 13#2)"4+4/0#-%$*#*1,*()A#P(321'(#'*13# $"-2('1'1"&8#'*(#B+/6+&#:/-#1&7%3')0#13# 7"1&,#.(//A#9&#N/"D(&1+8#.*()(#'*(#'"'+/# <7<64#-+7.&+,&*76$34(&-17&"+44+7.8&-3%+*& <*756;-+7.&76-<6-&+,&$7+.$&-7&'%&"6;3& /(33#'*+&#<(3'()&#[%)"2(F3A#U(D()'*(= /(338#1&#)($(&'#0(+)38#:/-3#3%$*#+3#m)%*# 1&#E/(6"#+&7#m+G-+6#1&#E+)-(/+7+8# *+D(#4((&#3%$$(335%/#+'#'*(#4"@#"5:$(# +&7#."&#+.+)73#+'#2)(3'1,1"%3#5(3'1D+/3# 3%$*#+3#'*(#M(&1$(#=1/-#=(3'1D+/A

!*(#$"O2)"7%$(7#:/-8#U"#E+&F3#W+&78# 13+;3&:7;6,%,&7.&-3%&/7,.+#.&1#*&7:&-3%& IJJ\38#."&#'*(#B(3'#=")(1,&#=1/-#a3$+)# 1&#]\\]#+&7#.(&'#+#/"&,#.+0#'".+)73# 7<%.+.$&-3%&%(%,&7:&-3%&*%,-&7:&-3%&17*45& '"#'*(#'+/(&'#+&7#:/--+61&,#(-(),= 1&,#5)"-#'*(#B+/6+&3A#!*(#3%))(+/#+&7# $"-1$+/#b&7(),)"%&7#40#[-1)#m%3'%)1$+# 13#+&"'*()#,(-A#9'#$*+)'3#'*(#*13'")0#"5# H%,"3/+D1+#31&$(#'*(#N($"&7#<")/7#<+)# '*)"%,*#'*(#/1D(3#"5#'."#5)1(&73A#N'1//8#1'F3# 7(4+'(+4/(#.*('*()#B+/6+&#:/-3#$+&# 4(#$/+33(7#1&#+#$+'(,")0#/16(#U")71$#$1&= (-+A#[D(&#3"8#15#B+/6+&#$1&(-+#13#G%3'#+# ,(",)+2*1$#$/+331:$+'1"&8#")#3"-('*1&,# -")(8#1'#3*"%/7&F'#4(#%&7()(3'1-+'(7A##

IMPACTNOTTINGHAM.COM/FILM

FIVE MUST-SEE ASIAN HORROR FILMS ROBERT MATHERS

AUDITION 95#'*()(#.()(#(D()#+#:/-#'"#+7D13(#+,+1&3'#.+'$*1&,#"&#+#4/1&7#7+'(#'*13#."%/7#4(#1'A# N*1,(*+)%#T"0+-+#YV0"#93*14+3*1Z#/"3'#*13#.15(#3(D(&#0(+)3#+,"#'"#1//&(33#+&7#7($17(3# '"#3'+)'#7+'1&,#+,+1&A#S(#3(+)$*(3#5")#*13#17(+/#."-+&#40#*"/71&,#+&#+%71'1"&#5")#+#5+6(# :/-8#.*1$*#-+&0#."-(&#+''(&7A#S(#5+//3#1&3'+&'/0#5")#+#]iO0(+)O"/7#."-+&#&+-(7#T3+-1# H+-+f+61#Y[1*1#N*11&+Z#+&7#'*(#$"%2/(#4(,1&#'"#7+'(A#!*1&,3#+)(#,"1&,#,)(+'#%&'1/#T3+-1F3# -+7&(33#13#)(D(+/(7A#!*(#:&+/#:5'((&#-1&%'(38#.1'*#'*(#*(/2#"5#+#2+)+/031&,#1&G($'1"&8#+#4"@# "5#&((7/(3#+&7#+#/(&,'*#"5#)"2(#.1)(8#+)(#.*+'#-+6(#'*13#:/-#3"#713'%)41&,A#B($+%3(#"5# '*13#(&71&,8#'*(#:/-#.+3#D"'(7#~II#"&#B)+D"F3#?I\\#N$+)1(3'#E"D1(#E"-(&'3C8#+&7#7%)1&,# 3*".3#1&#]\\I#+'#'*(#9)13*#=1/-#9&3'1'%'(#3"-(#D1(.()3#$"//+23(7#1&#3*"$6A#a&(#+%71(&$(# -(-4()#.+3#(D(&#)%3*(7#'"#*"321'+/8#3"#'*13#"&(#13# 7(:&1'(/0#&"'#5")#'*(#5+1&'#*(+)'(7A#

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

JU-ON: THE GRUDGE E"3'#2("2/(#)(+71&,#'*13#.1//#+/)(+70#*+D(#3((&#'*(# T-()1$+&#)(-+6(#"5#'*13#:/-8#4%'#9#%),(#0"%#'"#,"#4+$6# +&7#/""6#+'#'*(#")1,1&+/#D()31"&#5")#"&(#,""7#)(+3"&n#'*(# ")1,1&+/#13#3$+)0A#!*(#3'")0#'+6(3#"&#'*(#"5'(&O)(2(+'(7# -"7(/#"5#'*(#*+%&'(7#*"%3(8#4%'#3"-(*".#Q%Oa&#3'+&73#"%'#.1'*#1'3#$/(D()#+&7#3%4'/(# %3(#"5#3%32(&3(8#3"%&7')+$6#+&7#$+-()+#+&,/(3#'"#,('#'*(#-"3'#"%'#"5#'*(#,*"3'3A#!*13# :/-#13#*(+D0#"&#*"))")8#4%'#/1,*'#"&#2/"'n#15#0"%#+)(#/""61&,#'"#4(#3$+)(7#1'#7"(3#'*(#G"4#.1'*# (+3(8#*".(D()8#15#0"%#.+&'#+#41'#-")(#"%'#"5#+#*"))")#:/-8#'*(&#'*13#&(@'#:/-#-1,*'#4(#-")(# 3%1'+4/(A#

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

IT’S CINEMA JIM BUT NOT AS WE KNOW IT! AVATAR: THE END OF CINEMA? JACK JONES

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WHY AVATAR IS 2009’S ‘BEST PICTURE’ JOE HALL

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ISSUE 202

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IMPACTNOTTINGHAM.COM/FILM

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LUCY KENDERDINE

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HOW TO WIN AN OSCAR EMMA LAUTMAN

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MARCH 2010

IMPACTNOTTINGHAM.COM/FILM

MOMENT IN THE SUN

JACK JONES

"#1'F3#'*+'#'1-(#"5#0(+)#+,+1&#.*(&#'*(# a3$+)3#$"-(#+)"%&7#+&7#+//#"5#'*(# 2"'(&'1+/#.1&&()3#+1-#5")#+.+)73#+'#(D(&'3# ,6;3&#,&-3%&B745%.&B47'%,8&-3%&?+*%;-7*,&B6+45& "5#T-()1$+8#'*(#BT=!TF3#O#+&7#3"-('1-(3#(D(&# +#V+ff1(#15#'*(0F)(#'())14/0#/%$60A#B%'#.*()(#7"# +//#'*(3(#:/-3#,+1&#3%$*#$)1'1$+/#+$$/+1-#+&7# (@2"3%)(e#N1-2/(A#=1/-#5(3'1D+/3A

THAT WOULD NEVER HAPPEN… STEPHEN LOVEJOY

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MARCH 2010

A LIFE BEHIND BARS BEN HAYES

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7.00pm

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ISSUE 202

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8.30pm

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MARCH 2010

IMPACTNOTTINGHAM.COM/NIGHTS

9-+,(3#40#g*)13'1+&#B)+1/(0

TILT: BLUES AND COCKTAILS SCOTT PERKINS

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IMPACTNOTTINGHAM.COM/SCIENCE

GAMES ROUNDUP

BEN GRIFFIN

BIOSHOCK 2

iMUST HAVE ONE? MARK WAINWRIGHT

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ISSUE 202

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DANTE’S INFERNO 9'F3#X"7#"5#<+)AAA<1'*#+#3$0'*(d#V1,*'8# .71&-3#-&;7"<#*+,7.&+,&76-&7:&-3%&1#(8& P+&'(F3#9&5()&"#$+&#4(#-(+3%)(7#"&#1'3# ".&#-()1'3A#T22+)(&'/0#'*(#:)3'#,+-(# '#,%5&7.&#.;+%.-&4+-%*#-6*%&C6.4%,,&-3%*%& .+3#+#414/1$+/#:,%)(#.1'*#+#-"%3'+$*(# +&7#4/%(#7%&,+)((3#.(#7"&F'#6&".# #'76->&-3#.9:644(&4+'%*-+%,&#*%&-#9%.& 1+-3&+-,&17*5(&,76*;%&'(&076*.%(+.$&(76& '*)"%,*#&1&(#$1)$/(3#"5#S(//#+&7#+361&,# 0"%#'"#-%)7()#(D()0'*1&,A#!*(#1-+,()0# 13#(@2($'(7/0#'())1501&,8#15#+#/1''/(#2"")#1&# '+3'(8#+3#%&4+2'1f(7#4+41(3#)%3*#0"%#1&# A+"'7&#.5&"64-+="76-3%5&37**7*,&-*(& #.5&%#-&(76&+.&B46--7.(8&'6-&,3#44718& )(2('1'1"%3#:,*'1&,#+&7#/1&(+)#/(D(/3#/1-1'# '*(#(@2()1(&$(A V+'1&,

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)(#0"%#+#4%771&,#.)1'()#.1'*"%'#+&#"%'/('#5")#0"%)#$)(+'1D(#1-2%/3(3e#T)(#0"%#+#7(31,&()8# +#2*"'",)+2*()8#")#3"-("&(#.*"#$+&#$"-(#%2#.1'*#-('+2*")3#5+3'()#'*+&#E+/$"/-# !%$6()e#!*(&#G"1&#!"#$%&d#S()(#+)(#"%)#-(('1&,#'1-(3> =(+'%)(3# i2-##<(7&(37+0 U(.3# _2-##E"&7+0 N2")'# k2-##E"&7+0 !)+D(/## I2-##E"&7+0 T)'3# I2-##!%(37+0 N'0/(# k2-##!%(37+0 =1/-# i2-##E"&7+0 E%31$# _2-##!*%)37+0 U1,*'3# i2-##!*%)37+0 N$1(&$(## _2-##<(7&(37+0 9-+,(3#+&7#P(31,&##]2-#=)17+0

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GRATIS

IMPACTNOTTINGHAM.COM

MAD BUT TRUE LUCY HAYES

ISSUE 202 CONTRIBUTORS W"%13#S(-3/(08#P+&1(/#X+7*()8#B(&#E$g+4(8# Q%3'1&(#E"+'8#W".)1#E"),+&8#P+&1(/#g"./1&,8# E+)6#N'%+)'8#P+D(#Q+$63"&8#E+''#<1/638# T&7)(.#S"/7()OV"338#Q"3*#Q+$6-+&8#Q+-(3# T7+-3Ol+$(8#N1+&#B"0/(8#T&&(#E"")(8#T/(@# =)1(7(8#g*+)/"''(#X(/12'()8#V"31(#m0&-+&8# P+130#E+3*8#!(33+#N+-23"&8#g+)/+#[/# X+./08#B(&#!+0/")8#[/(+&")#N1-23"&8#!+&1# Q%-&""7""8#Q(331$+#g"*(&OS+)D(08#V"31(# S(&7)08#M()(&+#M1()(,,(8#V1$*+)7#E+,(&&138# V%'*#[7.+)738#U+3)((&#Q+&-"*+-(78#X13(//(# m(&&(708#N"2*1(#<+'3"&8#S"//0#B)".&8# N'(2*+&1(#N"*8#m1-4()/(0#N-1'*8#M1$'")1+# g+)'()8#N'(2*(&#W"D(G"08#g*+)/"''(#m)"/8# N"2*1+#N'+'"&#H"%&,8#V"31(#m0&-+&8#P+130# E+3*8#X+440#P(-+''(138#[-1#P+08#E+)6# W+%'-+&8#Q"(#W"4"8#W1/0#B".7(&8#[)1$#Q"*&8# Q+$6#Q"&(38#Q"(#S+//8#W%$0#m(&7()1&(8#[--+# W+%'-+&8#<1//#T6()38#B(&#S+0(38#E+@1-1/1+&# N%'$/155(8#l*1/12#B".0()8#T%3'1&#B""'*8##E+)6# <+1&.)1,*'#+&7#W13+#<1/3"&A

IMAGES & DESIGN B)%&"#T/4%''8#g*)13'1+&#B)+1/(08#E+''#B%$68# T&7)(.#S+//3.")'*8#!)13'+&#B(G+.&8#!+)+# <+//$(8#P+D17#T7()8#W("&#Q+$"48#T/(@# E$B)17(O<1/3"&8#T/(@+&7)+#W(D1&(8#V+$*(/# =((&(08#V+$*(/#N*+)-+&8#[7.+)7#S+))138# N'(2*(&#W"D(G"08#B)0"&0#B/+$6/()8#T0(3*+# w+-+/8#E+''#!%)&()

COVER IMAGE l*"'",)+2*0>#B)%&"#T/4%'' E"7(/>#P+D(#[7,($"-4( T)'#P1)($'1"&>#!+)+#<+//+$(8#g*+)/1(#<+/6()# +&7#S+''1(#S+-1/'"&

APOLOGIES !"#N'(2*(&#l1&:(/7#+&7#"'*()#b&1D()31'0#3'+55# 137&1%*%&5+,<4%#,%5&7*&7::%.5%5&'(&-3%& S+//.+)7#S1'/()3#+)'1$/(#"5#933%(#]\IA#!"#$%&& #<747$+,%,&:7*&-3+,&#.5&*%+-%*#-%,&-3#-&-3%& #*-+;4%&1#,&+.-%.5%5&+.&0%,-&'6-&-3#-&1%&:644(& %&7()3'+&7#.*0#$"-2/+1&'3#-+'()1+/13(7A !"#N*)((0+#l+'(/#+&7#m())0&#l)"4()'8#.*"# 1%*%&#;;+5%.-#44(&7"+--%5&:*7"&-3%&2-(4%& 3($'1"&#1&#933%(#]\IA

CONTACT !*(#4(3'#.+0#'"#$"&'+$'#%3#13#D1+#(-+1/8#"&# 7.6.L)-*h)75.&$-($$)-6'.78&(7#=+1/1&,# '*+'8#0"%#$+&#:&7#%3#%31&,#.*1$*(D()#"5#'*(# 5"//".1&,#7('+1/3#'+6(3#0"%)#5+&$0> 9-2+$'#E+,+f1&(8#l")'/+&7#B%1/71&,8# b&1D()31'0#l+)68#b&1D()31'0#"5#U"''1&,*+-8# U"''1&,*+-8# UXj#]VP !(/>#\II_#LiKLjIK P3%+&M& $*1(5x1-2+$'&"''1&,*+-A$"(71'")x1-2+$'&"''1&,*+-A$"-

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5(+'%)(3x1-2+$'&"''1&,*+-A$"7(31,&x1-2+$'&"''1&,*+-A$"&(.3x1-2+$'&"''1&,*+-A$"-## 32")'3x1-2+$'&"''1&,*+-A$"3'0/(x1-2+$'&"''1&,*+-A$"+)'3x1-2+$'&"''1&,*+-A$"')+D(/x1-2+$'&"''1&,*+-A$"&1,*'3x1-2+$'&"''1&,*+-A$"-# -%31$x1-2+$'&"''1&,*+-A$"-# 3$1(&$(x1-2+$'&"''1&,*+-A$"-# :/-x1-2+$'&"''1&,*+-A$"-

8%1#"9&/-#26#"'#)*-#)",#5""1#"9#:"1).+'(3#1""0# >N<*.-;3#/.&24*9(/"*23&($3%2A l%4/13*(7#40#!*(# b&1D()31'0#"5# U"''1&,*+-#N'%7(&'3F# @.+7.

ISSUE 202

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WIN TICKETS TO BEACH BREAK LIVE FESTIVAL!

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QUOTABILITY ?9FD(#&(D()#4((&#3"# #.$*(&#-&-3%&;7.;%<-&7:&#& '*)((3"-(C

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FAMOUS LAST WORDS

CATCHING UP WITH GEORGE SAMPSON EMILY LYDFORD

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9#/%3*K !&06,-&-3+.9&57&13#-&(76&1#.-&-7&578&#.5& 7"&F'#/('#+&04"70#3'"2#0"%A#9#*"2(#9#$+&# 6((2#'"#'*+'#-0#.*"/(#/15(A#9#+/.+03#'*1&6# '*+'#0"%F)(#+&7#1&7(2(&7(&'#2()3"&8# &"4"70#$+&#'(//#0"%#.*+'#'"#7"A#95#0"%# .+&&+#7+&$(8#7+&$(d#

MARCH 2010