The Independent 061020

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June 10, 2020

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Arts & Entertainment

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INDYEASTEND.COM

Rainer Andreesen: Empathy Toward Inner Struggles

By Nicole Teitler nicole@indyeastend.com

MM Fine Art in Southampton welcomes a virtual exhibition that dives into the human condition. Based out of New York City and Sag Harbor, Canadian born artist Rainer Andreesen presents his solo show, “Headspace,” June 20 through July 5, where his work goes beyond the physical likeness of a subject in order to capture the spirit within. Drawing since age five, admiring the works of Rembrandt and John Singer Sargent, the series was ignited last summer when his husband, Victor Garber, was on the precipice of a lifethreatening illness. Upon fearful backand-forths to the hospital, Andreesen took notice of the faces of passersby on the streets and city subways, curious about the internal struggles of individuals. “Headspace” was born out of an empathetic understanding that what we see on the outside is a mere fraction what makes up a person. Each portrait in the series, notable for its contrasts, represents a pivotal relationship in Andreesen’s life, from his husband to the melodies of Mick Flannery.

For me, it was fate that we met that day. My husband Victor and I were living in Southampton at the time and on a walk

VOL 27 NO 39 JUNE 10 2020

Rainer Andreesen’s “Wayne,” oil on canvas.

Andreesen dives into the human condition through portraiture

Describe your first interaction with studio owner, Peter Marcelle.

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Empathy Toward Inner Struggles

to visit some friends around the corner from the gallery, which I had never noticed. I was impressed by the hanging work. I recognized Bo Bartlett, Daniel Sprick, and an Andrew Wyeth painting, and was impressed by the curation of the show. On the visit with our friends who knew and respected the gallery, they said I should show the owner some of my work. I told them it was not near the level of paintings I saw though the window and would be too shy to approach the matter with the gallery. One of the friends we were visiting is a therapist, and immediately went into work mode and convinced me to show Peter and Catherine [McCormick] my work. Victor showed Peter some photos on his iPhone of my paintings and our relationship was born in that moment.

What other life events occurred that incited your dive into the human condition? The subject of the human condition

has been a driving force in my work for many years. It has to be as a portrait painter, but the catalyst was listing to Pink Floyd’s “Dark Side of the Moon” and later watching the making of that album. Roger Waters’ words and explanation of them resonated deeply with me and took me on a journey that carries though every aspect of my work and life. An awareness of empathy, compassion, and lessons learned from the past have been a driving force to hopefully move me forward.

What was it like painting one of the most important relationships of all, your husband Victor? Painting Victor is like doing a selfportrait for me. There is a freedom that somehow allows me to experiment, be more expressive, and not worry so much about capturing the likeness, but more importantly to capture the spirit of him. I try to do that with all my work, but vanity is mysteriously lifted in the

process, when I paint Victor or myself.

You mention the significance of singer Mick Flannery in your artist statement. Care to share other influences? The relationship with Mick Flannery was certainly a pivotal moment for me with painting this series of portraits, as his music guided me through every aspect from the start, to finishing each of these subjects. Patricia Wettig and Ken Olin are two subjects I placed in one painting for the series. They have played a pivotal role in my life and work. They are great friends, and a huge inspiration in our lives. Patricia is an incredible actress and writer. She wrote a play called “F2M” that I saw a few years ago in the Catskills. It dropped me to my knees with its powerful message and brilliant introspection of the human condition. I think about that play constantly. Ken is a great actor and director whose work I also admire and am influenced by. Continued On Page B19.

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