Porto Academy Summer School 2019 :: ATELIER DA BOUÇA Studio

Page 1

ATELIER DA BOUÇA

PORTO ACADEMY FAUP

2019 19–26 JULY


03 Brief 07 L, Ioannis Antonios Moutsatos 11 The Terrace, A. Christina Neudolt 15 Moonrise Kingdom, J. Bruno Montañez 19 The window on the edge, Marianela Gutiérrez, Patricia M. Ferri 23 Camping site by the Coura river, Elene Nemsadze, Mariam Gongladze, Irina Maskhulia 29 Natural Theatre, Rossela Gioda 33 Two walls, two views, Junyi Gao 37 Along the trees, Jingliang Du 41 Coura's Curves, Gabriela Emi Kunieda Suzuki 45 Between streams, Lourdes Soraia Sebastião 49 Hidden Ocean, José Simo Miñana 53 The Valley, the Slopes and the Hilltop, Javier Mogollón, Leonor Cordero

ATELIER DA BOUÇA

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The act of considering the territory as something abstract and uniform where objects and activities can be placed freely is a risky process that produces superficial approaches to the places, favouring autonomous and preconceived schemes. We refuse to read the territory as an abstract space, over considering the richness of its places. The richness and complexity of the metaphor of Palimpsest, through its coherence with the Territory’s process of construction and its translation to a representation , sounds to us specially effective as a proposal of the interpretation possibilities of its writing sets with its inconstant levels of legibility, and the clarity with which it transmits a need for a special care as intervention in a finite and irreplaceable object. We advocate that considering the “Territory as a Palimpsest” that one should decipher is a valuable contribute to a methodology of approaching a given project, objectively integrating in its premises, the information given by the site analysis. We are interested in cities and buildings which projects use and promote the legibility of its territory, projects that are inscribed in the Palimpsest allowing the reading in its various layers. We propose and exercise about the fist level of this inscription: the choosing of a site to be a place3. The motto is designing a camping site, a composition surrounding an empty gathering space of a community, the insertion of a collective space in the landscape. The exercise is divided in 4 moments: Site analysis Camp simulation Definition of the empty gathering space The synthesis of the gesture

ATELIER DA BOUÇA

.the choosing of the place .ephemeral occupation .structuring void .the inscription of the place


The main theme is the economy of resources, concentrating various intentions in minimum elements, achieving the conformation of a void in the wilderness of the landscape: The portuguese gesture is more gentle, but equally definitive. Less “build all”: What nature gives doesn’t need to be done. [...] There’s always a hillside to support the fragilities and arrogances of Architecture. It is worth to re study this way of building. And it is urgent: intuition does not explain nor teaches Álvaro Siza “Brasil”, 1995. in 01 textos. Civilização Editora, Porto, 2009. p.51. The assignment doesn’t stop here, it composes an architectural exercise so essential that allows assembling references in different scales, from a room or a house to an urban plaza, as the studied strategies can be further applied in other contexts of project.

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ATELIER DA BOUÇA


IOANNIS ANTONIOS MOUTSATSOS

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ATELIER DA BOUÇA


50m 100m

200m

09


THE TERRACE

The Terrace

Anna Christina Neudolt - Atelier da Bouรงa Porto Academy 2019

ATELIER DA BOUร A


A. CHRISTINA NEUDOLT Main ridge road

secodary road

Trees as additional physical boundary

Clusters of tents with internal community Space Community Space

View towards Valley and River

Concept Anna Christina Neudolt - Atelier da Bouรงa Porto Academy 2019

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PRODUCED BY AN AUTODESK STUDENT VERSION

442.0

Concaptual Section

Vale Fontão

440.5

PRODUCED BY AN AUTODESK STUDENT VERSION

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435.5 437.0

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Groundfloorplan

428.0 Anna Christina Neudolt - Atelier da Bouça Porto Academy 2019

ATELIER DA BOUÇA

PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

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PRODUCED BY AN AUTODESK STUDENT VERSION

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Vale de Assado

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PRODUCED BY AN AUTODESK STUDENT VERSION

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Costa das Vinhas

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305.0 Costa da Gata 270.0

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238.5

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Telheira

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163.5

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Casa do Orjal

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Grelha

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Chã do Vale Dianteira

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Presas

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Lapeir

402.0

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Vale Fontão78.5

433.5

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Coutada

Sobral

170.5

135.5

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Viso das Alhosas

442.0 38.0

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Alto do Peligueiro 402.0

318.0

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Alto do Poço da Mina

Vale de Assado

412.0

416.5

446.5

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Porto da Lapa

405.5

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Viso das Alhosas

442.0

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Cabeço da Vela

Corga Vale Fontão

440.5

Lapeir

402.0

434.5

436.5

Coutada

Sobral

170.5

439.0

441.5 434.0

435.5

Presas

381.0

437.0 324.5 438.0 336.5

307.5 311.5

369.0 428.0

322.0

429.0

287.0 371.5 417.0

418.5 430.5 443.0

Landscape without Tents

442.0

Anna Christina Neudolt - Atelier da Bouça Porto Academy 2019

348.0 296.5

200m

454.5

422.0

Castelo

Santo Aginha

379.5

368.5

384.5 381.0

431.5

461.0

443.0

436.5

407.0

336.0

431.5

318.0

446.5

282.5 430.5

329.5 458.0

423.0

454.0

421.5

Chão de Franqueira

353.0

347.0 428.5 457.5

278.5 268.0

412.5

Grelha

392.0

428.0

50m 100m

338.0

432.5

306.5

416.0

Chã do Vale Dianteira

317.0

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PRODUCED BY AN AUTODESK STUDENT VERSION


MOONRISE KINGDOM

Placing strategy | void vs. full

camp layout | linear distribution

relation to nature | vievs

winds | protection

physical model

ATELIER DA BOUÇA


J. BRUNO MONTAÑEZ

camp layout | positive print

negative print

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Moonrise Kingdom bruno montaĂąez. porto pcademy 2019

Untouched places. I cannot keep happiness for myself. I have to share it with everyone. A pure place becomes poisoned by their footprints. Memories of them cover the ground in the form of weeds. I could try to tear them from the dirt but what is the use? I bring someone new to. them for me but no! Their roots are tangled. How will I rip them out now? I try again. - Sarah Foster

section

ATELIER DA BOUÇA


62.5

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P. de S. JoĂŁo

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das Vinhas

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Assembly plan


A WINDOW ON THE EDGE

Ou lan mo Ou him lan on mo him Ou on

lan mo him on

Following the way of the river, we find a mountain facing another that causes the fork of the river, the mountain next to it becomes a box to Following the way thebeauty river, weof find a mountain facing another that causes the fork of the river, contemplate the this meeting, the dirt road stops accompanying Following theof way of the river, we find a mountain facing another that Following the way ofslope, the river, we receives findbeauty a mountain facing another that theus mountain next to it of becomes athe box to contemplate the ofbecomes this the dirtto road shortlythe before reaching which the sunmeeting, everyamorning causes fork the river, the mountain next to it box protection causes the fork of the river, the theslope, mountain next to it becomes a box toposition stops usbeauty shortly before reaching which receives sun every andaccompanying for almost all day. It is this the perfect place to be. This isthe where wemorning will contemplate the of meeting, the dirt road stops accompanying contemplate the beauty of this meeting, the dirt road stops accompanying and for almost all day. It is the perfect place to be. This is where we will place the site, a magical place the site, a magical place with easy access, south-east orientation, us shortly before reaching the slope, which the sun every morning us shortly before reaching the slope,receives which receives the sun every morningposition position protection protection place access, from the winds and rightisnext to the river protected from the winds and right next toto the river. andwith foreasy almost allsouth-east day. It all isorientation, the perfect place to be. This is This where we will and for almost day. It is protected the perfect place be. where we will POSITION PROTECTION place site, a place magical place with easy access, south-east orientation, place the site, a the magical with easy access, south-east orientation, from the winds and right the river. protectedprotected from the winds and right next tonext theto river.

ATELIER DA BOUÇA

resources resources resources RESOURCES


n

MARIANELA GUTIÉRREZ VARGAS PATRICIA MART�NEZ FERRI Our proposal is to create a complete experience of the place, we draw a line Our proposal is to create of to the place, we draw a line in the in the landscape that takes you toaacomplete tour fromexperience beginning end, guided by the landscape that takes you to a tour from beginning to end, guided by the contours of the contours ofmountain, the mountain, line is into transformed wall thatand leads this line isthis transformed an imposinginto wall an thatimposing welcomes the visitor Our proposal isdown to create a complete experience of theopens place,and we adraw aplain line in the us to stay him aand narrow pathhim to the light. a The road invites welcomes the visitor leads down narrow path to thelarge light. The road landscapeon that takes you to a forward tour fromuntil beginning to end, guided by the contours of the the site or move we reach the limit to enchant the beautiful landscape. mountain, line is transformed intous anto imposing that welcomes theforward visitor and leads opens and this a large plain invites stay onwall the site or move until we him down a narrow path to the light. The road opens and a large plain invites us to stay reach the limit to enchant the beautiful landscape. on the site or move forward until we reach the limit to enchant the beautiful landscape.

resources

ces

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ATELIER DA BOUÇA


50m 100m

200m

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CAMPING SITE BY THE COURA RIVER

ATELIER DA BOUÇA


ELENE NEMSADZE MARIAM GONGLADZE IRINA MASKHULIA

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ATELIER DA BOUÇA


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200m

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ATELIER DA BOUÇA


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NATURAL THEATRE

ATELIER DA BOUÇA


ROSSELA GIODA

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TWO WALLS, TWO VIEWS

The camping site lies on a gentle hill with several big mountains around it. It aims to provide the campers two different ways to observe the landscape by two long walls. The narrow end frames the valley between the mountains, and the open end guides people to the top of hill to enjoy the panorama.

ATELIER DA BOUÇA


JUNYI GAO

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1 entrance

2 scenery in frame

3 panoram

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1

3

2

50m

before after

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ALONG THE TREES Located in the valley, the camping site is next to a row of trees which is extending to

the distance. The endpoint of the view is the Mosteiro on the top of the mountain. I put Located in the thethe camping site is The nextshorter to a row of provides trees which is extending to a L-shaped wallvalley, to direct perspective. part a subtle enclosure the distance. The endpoint of the view is the Mosteiro on the top of the mountain. I put for the campers while the longer part serves as a linear visual guidance, disappearing a L-shaped wallittoextends. direct the perspective. The shorterplatform part provides a subtle gradually when There is also a secondary for other views. enclosure for the campers while the longer part serves as a linear visual guidance, disappearing gradually when it extends. There is also a secondary platform for other views. the valley the valley

area of camp area of camp

Mosteiro Mosteiro

arriving path

water stream

arriving path

water stream

ATELIER DA BOUÇA


JINGLIANG DU

Camp plan 1:10000

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b

a a

b Ruin plan 1:2000

ATELIER DA BOUÇA

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Section a 1:2000

Section b 1:2000

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COURA'S CURVES

ATELIER DA BOUÇA


GABRIELA EMI KUNIEDA SUZUKI

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BETWEEN THE STREAMS The choosing of the site was based on the necessity to find a place that by itself would respond to the premises established by the exercise without the need of a complex intervention on it.

Water stream - a natural barrier between the camping space and the rest of the landscape and a spontaneous axis for the campers to settle in.

Grown trees surrounding the place - shading and a natural sense of protection)

ATELIER DA BOUÇA


LOURDES SORAIA SEBASTIĂƒO The biggest gesture made was the construction of a small wall to delimit the part of the site not covered by the grown trees.

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2

1

1

2

PLAN: 1-1250

SECTION 1: 1-1250

ATELIER DA BOUÇA

SECTION 2: 1-1250


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HIDDEN OCEAN

HIDDEN OCEAN SITE PLAN

THE RICHNESS OF THE SPACE HAS BEEN FACED FRAMING THE SITE, AND PRIVATIZING THE VIEW OF THE OCEAN. THIS CAN’T HAPPEN WITHOUT THE COMMON SPACE, WHICH RISES THE EFFECTIVENESS OF BOTH SPACES. THIS WAY, THE LEGIBILITY OF THE TERRIORY IS TRANSMITED BY 2 WALLS AND ENHANCED BY THE TRANSITION STAIRS.

ATELIER DA BOUÇA


JOSÉ SIMO MIÑANA

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THE VALLEY

“... it was a drama to break down the mountain and make concrete from the stone. The concrete is the mountain, no longer in natural form, but in man-made form”. Souto de Moura

ATELIER DA BOUÇA


JAVIER MOGOLLÓN LEONOR CORDERO

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200m

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VOID

TENSION

ATELIER DA BOUÇA

PATH


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THE SLOPES

“The architect role is to make shine what was already been there but didn´t ”. Paulo Mendes da Rocha

ATELIER DA BOUÇA


JAVIER MOGOLLÓN LEONOR CORDERO

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200m

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VOID

TENSION

ATELIER DA BOUÇA

PATH


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THE HILLTOP

“Architects don´t invent anything; they transform reality”.

Alvaro Siza

ATELIER DA BOUÇA


JAVIER MOGOLLÓN LEONOR CORDERO

50m 100m

200m

61


VOID

TENSION

ATELIER DA BOUÇA

PATH


63


ATELIER DA BOUÇA

ANNA CHRISTINA NEUDOLT ELENE NEMSADZE FILIPA GUERREIRO GABRIELA EMI KUNIEDA SUZUKI IOANNIS ANTONIOS MOUTSATSOS JAVIER MOGOLLÓN JINGLIANG DU JORGE BRUNO I MONTANEZ JOSE SIMO MIÑANA JUNYI GAO LEONOR CORDERO LOURDES SORAIA SEBASTIÃO MARGARIDA MARQUES MARIAM GONGLADZE MARIANELA GUTIÉRREZ VARGAS PATRICIA MARTÍNEZ FERRI ROSSELLA GIODA TIAGO CORREIA

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