INFOCUS | INTERVIEW| JACKIE CHAN
Art of using
soft power Shaking hands on Screen
I
CEC in association with FICCI, organised a round table interaction between the Chinese film delegates of SAPPRFT (State Administration of Radio, Press, Publication, Film and Television) and the Indian film makers at New Delhi. The objective was to discuss the problems that both the film industries face in each other’s country. The discussions centered on finding a solution in order to enhance and strengthen the film ties between the two countries. Speaking at the occasion, Mr. Atul Shunglu, Asst. Secretary General, FICCI said that there are a lot of issues that need to be solved to pave the way for improved bi-lateral ties in the film industries’ of both the countries. The leader of the Chinese delegation, Mr. Zhang Hongsen, Director General, Film Bureau, SAPPRFT emphasized the role of Indian film industry in recent times. Indicating the potential of the massive growth of Sino-India film trade, he said that Indian movies such as ‘Three Idiots’ and ‘My Name is Khan’ have garnered a lot of attention in China. Supported by the fact that the Chinese film industry has produced 745 feature films, the 108-year old Chinese film industry has steadily climbed up to register a high growth trajectory over the past few years. He emphasized that if documentaries and animated films were to be included, the number would add up to a whopping 879. The Chinese film industry netted $2.8 billion in 2012 and this figure is expected to reach $3 billion by the end of this year; said Mr. Hongsen. Chinese film industry has grown at 50% every year. Talking about the Indian film industry, Ms Nidhi Maheshwari of KPMG (Media and Regulatory Practices) stated that it has achieved the size of $ 2 billion with the CAGR of 11.3% per year.
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Domestic films garnered 76% of the revenue from digital format films with its share increasing from 50% in 2010 to 80-90 % in 2012. There are 800-900 3D screens in India and 3D movies are received very well in India. Ms. Maheshwari stated that even less funded movies had shown a tremendous growth leading to a new growth story of Indian film industry. The growth has also been witnessed as the movies are being viewed by international crowd and stereotypes are being broken. The major reason behind the success of the Indian domestic films is that they are filled with the likes of Indian music and emotional drama. Mr. Sawahiq Siddiqui, president, ICEC, took forward the point that greater presence of Indian movies in China is possible if China could relax its regulation that limits the number of foreign movies screened in a year. “Keeping the growing India China cultural exchange in mind, there could be a provision to allow more Indian movies to be released in China,” he said. Mr. Samir Gupta, managing director, Cinema Capital said that both Indian and Chinese movie stars could make an impact on the success of films by working together. Mr. Han Sanping, Chairman of the China Film Group Corporation, stressed that a window should be opened for international movies in the domestic market. He further said that there is lack of publicity of Chinese movies in the Indian market. There were also talks about the role of Chinese consulates based in India to promote Chinese movies in India. The quota system has restricted the presence of Indian movies in China. Most of the quota of imported movies is used up by western movies causing roadblock for Indian movies. An urgent need was emphasized for collaboration in movie sector.
for hard presence America has spread its cultural hegemony and valuess through its open media that has VWUDWHJLFDOO\ EHQH¿WHG G America and contributed uted to the collapse of socialism. China too is using Soft power or ruanshili to achieve the desired goal with the least objection. Priyadarshini Rawal
T
he arena of World d politics has been wittnessing vibrant changges in the last two decades. es. For centuries, power has been een measured in terms of military itary and economic might, but the he realistic measurement of power ower by these resources seems to have ave completely ignored the powerr of attraction. In the international arena, power is shifting from the harder version to a softer one. In the nuclear age, modern and developing technology gy has made war more expensive and destructive and thus it is no longer an instrument for shaping the dos and don’ts n’ts of other September 2013 India-China Chronicle |29|