ERIC FERTMAN 13 September 2018 – 20 October 2018
Susan Inglett Gallery, NYC
ERIC FERTMAN Drift, 2018 Plywood 20 x 12 x 6 in.
ERIC FERTMAN Overcast, 2018 Plywood 19 1/2 x 15 1/2 x 5 3/4 in.
ERIC FERTMAN Slo Mo, 2018 Plywood 19 x 12 x 6 in.
Installation View, 2018 Susan Inglett Gallery, NYC
ERIC FERTMAN Hush, 2018 Plywood, stain 97 1/4 x 22 1/2 x 19 1/2 in.
ERIC FERTMAN Whisper, 2018 Plywood, stain 73 1/4 x 27 x 17 in.
ERIC FERTMAN Charmer, 2018 Plywood and ash, stain 82 x 31 x 18 in.
ERIC FERTMAN Yours Truly, 2018 Plywood, clear coat 36 1/2 x 13 x 9 in.
ERIC FERTMAN Offspring, 2018 Plywood, clear coat 36 x 17 x 7 in.
ERIC FERTMAN Flamingo, 2018 Plywood, clear-coat 37 x 6 x 4 in.
ERIC FERTMAN Baby Tears, 2018 Plywood, stain 19 3/4 x 14 x 3 in.
ERIC FERTMAN Magician, 2018 Ash, stain 19 1/2 x 13 1/2 x 7 1/2 in.
ERIC FERTMAN Potpourri, 2018 Plywood, stain 19 3/4 x 20 3/4 x 4 1/2 in.
ERIC FERTMAN After-hours, 2018 Ash, stain 20 x 15 x 8 in.
ERIC FERTMAN Nimbus, 2018 Plywood, stain 19 3/4 x 12 x 3 1/2 in.
Installation View, 2018 Susan Inglett Gallery, NYC
ERIC FERTMAN Flirt, 2018 Plywood, stain 20 x 10 x 4 in. without pedestal
ERIC FERTMAN #5, 2018 Plywood, stain 19 3/4 x 15 x 6 in.
ERIC FERTMAN Playtime, 2018 Ash, stain 20 x 11 1/4 x 3 1/2 in.
ERIC FERTMAN Sweet Talk, 2018 Plywood, stain 19 3/4 x 8 1/4 x 4 1/4 in.
ERIC FERTMAN Secret, 2018 Plywood, stain 19 3/4 x 17 x 3 1/2 in.
Installation View, 2018 Susan Inglett Gallery, NYC
ERIKA ROTHENBERG 13 September 2018 – 20 October 2018
Susan Inglett Gallery, NYC
ERIKA ROTHENBERG America, a Shining Beacon to the World, 2018 Aluminum, acrylic and felt signboard and plastic letters 36 x 24 in. Edition of 10 plus 2 artist’s proofs
ERIKA ROTHENBERG Konservative Kleenex, 2018 Acrylic on wood 6 x 5 x 5 in. Edition of 10
ERIKA ROTHENBERG Greetings: Misogynist/Feminist, 2015-2018 Gouache and ink on paper, digitally printed signs and acrylic shelves Installation of 8 cards ranging in size from 6 x 10 in. to 9 1/4 x 12 in. 21 x 48 in. overall installed on two shelves
ERIKA ROTHENBERG House of Cards, 1992 Gouache and ink on paper, digitally printed signs Installation of 90 cards ranging in size from 6 x 8 (45 cards shown here) 48 x 216 in. overall on four shelves
and acrylic shelves 1/2 in. to 7 1/2 in. x 20 in.
ERIKA ROTHENBERG You’re a Liar, 1992 Gouache and ink on paper 8 x 10 3/4 in.
ERIKA ROTHENBERG Solve the Problems, 1992 Gouache and ink on paper 8 x 11 in.
ERIKA ROTHENBER Penis, 1992 Gouache and ink on 8 x 11 in.
G paper
ERIKA ROTHENBERG Hey Boss, 1992 Gouache and ink on paper 9 x 12 in.
ERIKA ROTHENBERG Don’t Go Alone, 1992 Gouache and ink on paper 8 1/2 x 11 in.
ERIKA ROTHENBERG Freedom of Expression Drugs, 1989 Painted labels, jars, boxes and bottles 11 x 24 x 18 in. overall
BIOGRAPHY
ERIC FERTMAN
Born in Boston, MA, 1974 The Cooper Union, BFA, 1997 Lives and Works in Brooklyn, NY SOLO EXHIBITIONS
“On From Here,” Guild and Greyshkul, 2018
Susan Inglett Gallery, NYC
2016
Susan Inglett Gallery, NYC
2015
“Tropical Burnout,” Susan Inglett
NYC 2008
“Where are we?” The Pearl Arts
Gallery, NYC 2014
2012
“A Comic Turn,” Southeastern Center
“Without Walls,” Museum 52, NYC Gallery, Stone Ridge, NY
2007
“Overbite/Underbite,” Ritter/Zamet
for Contemporary Art (SECCA),
Gallery, London
Winston-Salem, NC
“To Build a Fire,” Rivington Arms
Susan Inglett Gallery, NYC Kemper Museum, Crossroads, Kansas
Gallery, NYC 2006
City, MO 2010
Susan Inglett Gallery, NYC
2009
Susan Inglett Gallery, NYC
“Jack Be Nimble Jack Be Quick,” Roberts and Tilton Gallery, Los Angeles, CA
2005
“How Bad Do You Want It,” Geoffrey Young Gallery, Great Barrington, MA
GROUP EXHIBITIONS
2004
2017
1997
“In Practice Projects,” Sculpture Center, NYC
“Joseph Yoakum + Robyn O’Neil + Gallery II: Eric Fertman,” Susan
“The Early Works,” Houghton Gallery, The Cooper Union, NYC
Inglett Gallery, NYC 2016
“Stark Imagery: The Male Nude in
SELECTED BIBLIOGRAPHY
Art,” The William Benton Museum of Art, University of Connecticut, CT 2014
“Dialogue: Eric Fertman and Nick Hornby,” Time Equities, Inc. Art-inBuildings Program, NYC
2012
“To the Stars on the Wings of an Eel,” Gowanus Ballroom, Brooklyn, NY
2011
“Thisorganized,” curated by Hope Gangloff, Susan Inglett Gallery, NYC “Incongruent Sum,” Mathematics Collective, NYC
2010
“Brucennial” 2010, NYC
2009
“Kings County Biennial,” Kidd Yellin, Brooklyn, NY
Haque, Abid. “Manhattan Muse | Inside Noor Fare’s New York City Home,” Harper’s
Bazaar, 22 January 2017. Best, Kenneth. “Exploring Masculinity Through Art,” UConn Today, 11 February 2016. Patterson, Tom. “Eric Fertman: A Comic Turn at SECCA,” Winston-Salem Journal, 27 April 2014. Aichele, K. Porter, “A Comic Turn: Eric Fertman at SECCA,” CVNC, 15 April 2014. Staff. “Itinerary - Kemper Museum of
“Garish,” Geoffrey Young Gallery,
Contemporary Art - Kansas City, MI:
Great Barrington, MA
Eric Fertman,” Sculpture Magazine,
“Smithumenta,” Brooklyn, NY
June 2012, vol. 31, no. 5. p. 15.
“Off The Books!,” curated by
Kirsch, Elisabeth. “Eric Fertman Tips his hat
Benjamin Degen, Frederieke Taylor
to the surreal in Kemper at the
Gallery, NYC
Crossroads exhibit,” Kansas City Star,
BIOGRAPHY
ERIC FERTMAN
17 March 2012.
AWARDS
Staff. “Eric Fertman : Kemper at the Crossroads,” Kansas City Star, 2
1997
February 2012, Weekend Preview, p. 19. Kourlas, Gia. “Through a Portal, to a World
The Elliot Lash Award for Excellence in Sculpture, The Cooper Union.
1993
The Ralph Bradley Award, The School of the Museum of Fine Arts.
Where Listless Blue Creatures Await,”
The New York Times, 24 July 2011. Karamat, Ambereen. “Eric Fertman at Susan Inglett,” SVA School of Visual Arts Art Criticism and Writing Blog, 20 December 2010. Wilson, Michael. “Reviews: Eric Fertman, Susan Inglett Gallery,” Artforum, November 2010, p. 264. Staff. “Eric Fertman,” Artdaily.org, 14 September, 2010. Stern, Melissa. “Ending the Year on an Outside Note,” New York Press, 30 December 2009. Castro, Jan Garden. “Review : Eric Fertman,”
Sculpture Magazine, September 2009, p. 69. West, Paige. “Buy,” Art Addict, 29 January 2009. Johnson, Ken. “Art in Review,” The New York Times, 20 January 2009. Staff. “Nine Lumps,” Article Magazine, Winter 2007. Mao, Lady. “Turn Trash into Treasure,” PetitMort. Staff. ”Bangkok Lunchboxes,” More or Less, September 2002. Staff. “Interview with Eric Fertman: The Object Worshiper,” Arcade, Summer 2002. Yoon, Prabda. “Don’t Read, Carefully,” Illustrator, (Bangkok: Open Books), 2002. PUBLIC COLLECTIONS
Fidelity Corporate Art Collection, Boston, MA The Cleveland Clinic, Beachwood, OH
BIOGRAPHY
ERIKA ROTHENBERG Born in NYC, 1950 University of Chicago Lives and works in Los Angeles, CA SOLO EXHIBITIONS
1986
2018
Susan Inglett Gallery, NYC
SELECTED GROUP EXHIBITIONS
2016
Charlie James Gallery, Los Angeles, CA
2015
Zolla/Lieberman Gallery, Chicago, IL
2008
Zolla/Lieberman Gallery, Chicago, IL
1980s,” Hirshhorn Museum, Washington,
2005
Rosamund Felsen Gallery, Los Angeles, CA
D.C.
2001
Zolla/Lieberman Gallery, Chicago, IL
2000
Rosamund Felsen Gallery, Los Angeles, CA
1999
P.P.O.W. Gallery, NYC
New York, NYC
1997
Galerie Praz-Delavallade, Paris, France
Museum of Contemporary Art, Chicago, IL
1996
P.P.O.W. Gallery, NYC
Orange County Museum of Art, Newport
Rosamund Felsen Gallery, Los Angeles, CA
Beach, CA
1995
2018
Laguna Art Museum, Costa Mesa, CA
“I.C. Editions 25th Anniversary,” Susan Inglett Gallery, NYC
2014
Janus Avivson Gallery, London, U.K. 1993
“Art in the Open,” Museum of the City of
Milwaukee Art Museum, Milwaukee, WI 2016
Scottland 1994
“Brand New: Art and Commodity in the
Into Action, Los Angeles, CA 2017
Rosamund Felsen Gallery, Los Angeles, CA Centre for Contemporary Arts, Glasgow,
P.P.O.W., NYC
Gildar Gallery, Denver, CO Westmont Museum Of Art, Santa Barbara,
Gallery 210, University of Missouri, St.
CA
Louis, MO
2013
Onomatopee, Eindhoven, Netherlands
Rosamund Felsen Gallery, Los Angeles, CA
2012
“Truth vs. Family,” Onomatopee, Eindhoven,
Jewish Musuem of San Francisco, San
Netherlands
Francisco, CA
“Fix-it-up,” a benefit for Sassas, Blum & Poe
P.P.O.W. Gallery, NYC
Gallery, Los Angeles, CA
Zolla/Lieberman Gallery, Chicago, IL
“Beasts of Revelation,” DC Moore Gallery,
Museum of Modern Art, NYC
NYC
P.P.O.W., NYC
“Read Into it,” Dorfman Projects, NYC
Galerie Hubert Winter, Vienna, Austria
“Go Tell It On The Mountain,” California
Rosamund Felsen Gallery, Los Angeles, CA
African American Museum, Los Angeles and
Zolla/Lieberman Gallery, Chicago, IL
Charlie James Gallery, Los Angeles, CA
1990
P.P.O.W., NYC
“Public Domain,” a project for the
1989
“New California Artist XV,” Newport Harbor
Stockholm Independent Art Fair
1992
1991
Art Museum, Newport Beach, CA Rosamund Felsen Gallery, Los Angeles, CA
“Read Into It,” Dorfman Projects, NYC 2011
“Have You Attacked America Today?” New Museum, NYC
“A Show About CoLab,” Printed Matter, NYC
2010
“Sense of Humor,” Kohler Arts Center,
1988
Rosamund Felsen Gallery, Los Angeles, CA
Sheboygan, WI
1987
W.P.A., Washington, D.C.
“No Laughing Matter,” Los Angeles Valley
San Francisco Airport, San Francisco, CA
College Art Museum, Los Angeles, CA
P.P.O.W. Gallery, NYC
BIOGRAPHY
ERIKA ROTHENBERG 2009
“2,191 Days and Counting,” Powerhouse Arena, Brooklyn, NY
2008
Arts, Pasadena, CA
Museum of Contemporary Art Chicago,
“Selections from the Permanent
Chicago, IL
Collection,” Los Angeles County Museum of
“Index: Conceptualism in California from the
Art, Los Angeles, CA 2001
DeCordova Museum, Lincoln, MA
Japanese American Museum, Los Angeles,
Group Exhibition, Zolla/Lieberman, Chicago,
CA
IL
“Multiple Vantage Points: Southern
“Artist Writing Reading Room,” Side Street
California Women Artists 1980-2007,”
Projects, Los Angeles, CA
Municipal Art Gallery, Barnsdall Park, Los
“Amusement” Carrie Secrist Gallery,
Angeles, CA
Chicago, IL
“40 Years of Public Art,” New York City
“Beverly Hills Collects,” Beverly Hills
Angeles, CA
2005
Municipal Gallery, Beverly Hills, CA 2000
County Museum of Art, Los Angeles, CA
Art Gallery, San Marcos, TX
“Made in California 1980-2000,” Los
“Copilandia,” Centro de Arte de Sevilla,
Angeles County Museum of Art, Los
Seville, Spain
Angeles, CA
Burlington City Arts, Burlington, VT
“Private to Public: Gifts to the Boise Art
“Situation Comedy,” Contemporary Art
Museum from Eileen and Peter Norton,”
Cultural Center, Chicago, IL; Winnipeg Art
Boise Art Museum, Boise, ID 1999
Gallery, Winnipeg, Canada; Museum of Art Museum of Contemporary Art, San Diego, permanent installation, sculpture garden 2004-present Museum of Contemporary Art San
“Billboard,” MassMoca, North Adams, MA Group Exhibition, Zolla/Lieberman Gallery,
Fort Lauderdale
2003
“Made In California: Now,” Los Angeles
“Loyal Opposition,” Texas State University
Museum Honolulu, HI; traveling to Chicago
2004
“Lighten Up: Art with a Sense of Humor,”
Contemporary Art, Los Angeles CA
Cultural Affairs Dept. Track 16 Gallery, Los
2006
“Show: the Flag,” Armory Center for the
Selected Works from the Collections,
Permanent Collection,” Museum of
2007
“Me, We,” Art In General, NYC 2002
Chicago, IL 1998
“Taboo, Repression and Revolt,” Galerie St. Etienne, NYC “5729-5756: The Jewish Museum List
Diego, permanent installation of Monument
Graphic Commission,” The Jewish Museum,
to a Bear in sculpture garden, la Jolla
NYC
“Artists Interrogate: Politics and War.”
“The Bean Show,” Dirt Gallery, Los Angeles,
Milwaukee Art Museum, Milwaukee, WI
CA
“A Sharp Eye: An Art Dealer’s 40 year
Group Exhibition, Zolla/Lieberman Gallery,
Journey,” Evanston Art Center, Evanston,
Chicago, IL
IL
“Draw, Stranger, Draw,” Plug in, Winnipeg,
“100 Artists See Satan,” Fullerton Art
Canada
Museum, Fullerton, CA
“Original Accounts of the Lone Woman of
“American Dreams,” Ronald Feldman
San Marcos Island,” Side Street Projects,
Gallery, NYC
Los Angeles, CA
“Whiteness: A Wayward Construct,” Laguna
“Life lessons: The Judy and Stuart Spence
Art Museum, Laguna Beach, CA
Collection,” Laguna Art Museum, Laguna
Zolla/Lieberman, Chicago, IL
Beach, CA
BIOGRAPHY
ERIKA ROTHENBERG Group Exhibition, Susan Inglett Gallery, NYC
1997
1994
Contemporary Art, NYC
Collection,” Los Angeles County Museum of
“Bad Girls West,” Wight Art Gallery, UCLA,
Art, Los Angeles, CA
Los Angeles, CA
“The End of the Century: Prints 1970-1997,”
“Can You Always Believe Your Eyes?” de
Los Angeles County Museum of Art, Los
Beyerd, Rotterdam, Holland
Angeles, CA
Group Exhibition, Zolla/Lieberman Gallery,
“Selections from the Permanent
Chicago, IL
Collection,” Museum of Contemporary Art,
“Disorderly Conduct,” Hobart and William
Los Angeles, CA
Smith College, Geneva, NY
“20/20: CAF looks forward and back,”
“Three Curators, Three Visions” Sonnabend
Santa Barrbara Contemporary Arts Forum,
Gallery, NYC
Santa Barbara, CA
“Old Glory: The American Flag in
“Auto-portrait,” Exit Art, NYC
Contemporary Art,” Cleveland Center for
“Wit, Whimsy and Humor,” Castle Gallery,
Contemporary Art Cleveland, OH, (traveled
College of New Rochelle, New Rochelle, NY
US 1995-96)
“Bioethics,” Side Street Projects, Los Angeles, CA 1996
1995
“Bad Girls,” The New Museum of
“Selections from the Permanent
“Red Windows,” Barney’s, NYC 1993
“L.A. Stories,” Jack Rutberg Fine Arts, Los
“New Building Inaugural Exhibition,”
Angeles, CA
Museum of Contemporary Art, Chicago, IL
“Fusion ‘93,” Pauline Hirsch Gallery, Los
“Cultural Economies: Histories from the
Angeles, CA and Zolla/Lieberman Gallery,
Alternative Arts Movement,” The Drawing
Chicago, IL
Center, NYC
“The Elegant, Irreverant and Obsessive:
Group Exhibition, Zolla/Lieberman Gallery,
Drawing in Southern California,” Cal State
Chicago, IL
Fullerton, Fullerton, CA and Dorothy
“Sex in America.” Galerie Im, Munich,
Goldeen Gallery, Santa Monica, CA
Germany
“The Stationery Store,” Renee Fotouhi Fine
“Watercolors” P.P.O.W., NYC
Art, East Hampton, NY
“Private Spaces, Public Rooms: Freewaves
“Disorderly Conduct,” P.P.O.W., NYC
Video Festival” Museum of Contemporary
“Money,” Nancy Drysdale Gallery,
Art, Los Angeles, CA
Washington, D.C.
“Blessings and Beginnings,” Skirball
“Multiplicities,” Bobbie Greenfield, Los
Museum, Los Angeles, CA
Angeles, CA
“Re-inventing the Emblem: Contemporary
“The Exquisite Corpse,” The Drawing
Artists Recreate a Renaissance Idea,” Yale
Center, NYC
University Art Gallery, New Haven, CT
“Uber-Leben,” Bonner Kunstverein, Bonn,
“Oppose Any Authority,” Janus Avivson Gallery, London, U.K.
Germany 1992-2015 Museum of Contemporary Art, Chicago,
Group Exhibition, Zolla/Lieberman Gallery,
permanent collection exhibition of
Chicago, IL “Temporarily Possessed,” The New Museum, NYC “From L.A. With Love,” Galerie PrazDelavallade, Paris, France
America’s Joyous Future 1992
Documenta IX, Museum Fridericianum, Kassel, Germany
BIOGRAPHY
ERIKA ROTHENBERG “Rosamund Felsen Clinic & Recovery
Oklahoma City Art Museum, Oklahoma City,
Center,” curated by Ralph Rugoff,
OK; Contemporary Arts Museum, Houston,
Rosamund Felsen Gallery, Los Angeles, CA
TX
“Empowering The Viewer: Art, Politics and
“Taking Liberties,” The Woman’s Building,
The Community,” Temple Gallery, Temple
Los Angeles, CA
University, Philadelphia, PA
“AIDS Timeline,” A Group Material Project,
“Breaking Barriers: Revisualizing the Urban
San Francisco Museum of Contemporary
Landscape,” Santa Monica Museum, Santa
Art, San Francisco, CA
Monica, CA
“Food, from Pleasure to Politics,” Goddard
“Good-bye to Apple Pie: Contemporary Artists View the Family in Crisis,”
Riverside Community Center, NYC 1989
Francisco, CA
Lincoln, MA
“Media Talk,” Security Pacific Gallery, Costa
“Getting to kNOw you,” curated by Christof
Mesa, CA
Tannert and Dean McNeil, Kunstlerhaus
“Past & Present - Selected Works by Gallery
Bethanien, Berlin, Germany; travelling to
Artists,” Rosamund Felsen Gallery, Los
Liepzig, Germany “Vote,” Terry Dintenfass, NYC
1991
Angeles, CA 1988
“Committed to Print,” Museum of Modern
Group Exhibition, Zolla/ Lieberman,
Art, NYC
Chicago, IL
“Home Show,” Santa Barbara
“1991 Whitney Biennial,” AIDS Timeline, A
Contemporary Arts Forum, Santa Barbara,
Group Material Project, Whitney Museum of
CA
American Art, NYC
“AGIT/POP,” Otis Art Institute, Los
“No Laughing Matter,” University Gallery,
Angeles, CA
University of North Texas, Denton, TX;
“New Works on Paper,” Rosamund Felsen
travelling to Sheldon Memorial Art Gallery,
Gallery, Los Angeles, CA
Lincoln, Nebraska; University Art Gallery, Tufts University, Medford, MA
“Democracy,” Dia Foundation, NYC 1987
“Press /Art,” University Art Museum, Long
“Art of Advocacy,” Aldrich Museum,
Beach, CA
Ridgefield, CT
“Connections,” Museum of Contemporary
“To Wit,” Rosa Esman Gallery, NYC
Hispanic Art, NYC
“Quick Coagulation Forms The August
“Madness in America,” Elizabeth Galasso,
Corpse,” Rosamund Felsen Gallery, Los Angeles, CA
1990
“Art Against AIDS,” Billboard project, San
Decordova Museum and Sculpture Park,
NYC 1986
“Outside LACE,” Los Angeles Contemporary
“Addictions,” Contemporary Arts Forum,
Exhibitions, Los Angeles, CA
Santa Barbara, CA
“Reinventing Politics,” Telluride Institute,
“Artists of Conscience: 16 Years of Soc 16
Telluride, CO
Years of Social and Political Commentary,”
Group Exhibition, P.P.O.W., NYC
The Alternative Museum, NYC
“Oppression Expressions,” Contemporary
“Selections from P.P.O.W.,” Weatherspoon
Arts Center, New Orleans, LA
Gallery, University of North Carolina,
“Products and Promotion,” Camera Work,
Greensboro, NC
San Francisco, CA
“Word as Image: 1960-1990,” Milwaukee Art
“Corporate Lobby Show,” Mokotoff Gallery,
Museum, Milwaukee, WI; traveling to
NYC
BIOGRAPHY
ERIKA ROTHENBERG “Mass,” curated by Group Material, The New
“Art Against Apartheid,” Bronx Museum of
Museum, NYC
the Arts, NYC
“Television and the Artist’s Imagination,”
Group Exhibition, Y.M.C.A., Bus Station and
Home Box Office Building, NYC
Welfare Office, Seattle, WA
“Telling Tales,” Allegheny College, Meadville, PA
1985
“Artists Call,” Judson Church, NYC 1983
Arts, NYC
CT
“Language, Drama, Source and Vision,” The
“Feminists and Misogynists,” Center on
New Museum, NYC
Contemporary Art, Seattle, WA
“Artists’ Use of Language,” curated by
Group Exhibition, Rosemont College, PA
Barbara Kruger, Franklin Furnace, NYC
“Three Artists in Offset,” UCLA Library, Los
“Subculture,” Subway Cars, NYC
Angeles, CA
“Contra Media,” The Alternative Museum,
“Disinformation,” The Alternative Museum,
NYC
NYC
Het Appollohuis, Eindhoven, Holland
“Guerrilla Girls,” Palladium, NYC
“Products and Promotion,” Franklin
“Art and Advertising,” Center of
Furnace, NYC
Contemporary Art, Seattle, WA
“Art and Law,” travelling exhibition
“Not Just Another Pretty Picture,” P.S. 122,
“CoLab,” the Ritz, Washigton D.C.
NYC
“Fresh from New York,” Artspace,
“Feminists and Misogynists,” Avenue B
Auckland, New Zealand
Gallery, NYC
“Signs of the Times,” Bread and Roses
“Private Gone Public,” curated by Ellen Lubell, SoHo 20, NYC 1984
“1984...A Preview,” Ronald Feldman Fine
Group Exhibition, Real Art Ways, Hartford,
Cultural Center, NYC 1982
“The Atomic Salon,” Ronald Feldman Fine
“Freedom of Expression National
Arts, NYC
Monument,” Art on the Beach, NYC and
Group Exhibition, Heller Gallery, University
Westchester Community College, NYC
of California, Berkeley, CA
“Artists’ Weapons,” curated by Donald
“Decision by Arms,” Just Above Midtown,
Kuspit and Ted Greenwald, Ted Greenwald
NYC
Gallery, NYC
“The Future is Ours,” The Arsenal, NYC
“Public Relations,” Franklin Furnace, NYC
“Radical Humor,” Loeb Student Center,
“Objectivity,” Hallwalls, Buffalo, NY Window installation, curated by Lucy
NYC, travelled 1980
Group Exhibition, White Columns, NYC
Lippard, Printed Matter, NYC
Group Exhibition, Art Something Gallery,
“Women and the Media,” curated by William
Amsterdam, Holland
Olander, Allen Memorial Art Museum,
“Not Just for Laughs...The Art of
Oberlin, OH
Subversion,” The New Museum, NYC
“In the Shadow of the Bomb,” Mount
“Selections,” Artists Space, NYC
Holyoke College Art Museum, South Hadley,
Group Exhibition, 55 Mercer Invitational,
MA
NYC
“Telling Tales,” University of Massachusetts
“Words and Images,” Philadelphia Art
Art Gallery, Amherst, MA
Alliance, Philadelphia, PA; travelling to
“The Power to Provoke,” S.U.N.Y., Old
Pittsburgh Center for the Arts, Pittsburgh,
Westbury, NY
PA; Southern Alleghenies Museum of Art
BIOGRAPHY
ERIKA ROTHENBERG 1979
Group Exhibition, Books & Co., NYC “Artists Books, USA,” curated by Franklin Furnace, travelling exhibition
her peers prefer not to grapple with," Los
Angeles Times, 25 March 25, 2005. Ammirati, Dominick. “Freedom of Expression National Monument,” ArtUS, February
SELECTED BIBLIOGRAPHY
2005. Ebony, David. “Creative Time’s Free Speech Zone.”
Miranda, Carmen A. "Art Came Down: An angry debate about diversity and power threatened artists' freedom," Los Angeles
Times, 17 December 2017. Ryzik, Melena, et al. "Harvey Weinstein’s Fall Opens the Floodgates in Hollywood," New York Times, 16 October 2017. Knight, Christopher. “Hollywood & Highland censors sculpture in response to Weinstein Scandal,” Los Angeles Times, 14 October 2017. Zellen, Jody. “Review,” Artillery, January 2017. Dambrod, Shana Nys. "Top Ten Los Angeles Shows of 2016," Art Ltd., January 2017. Ollman, Leah. “Review,” Los Angeles Times, 28 November 2016. Grabner, Michelle. Artforum, Summer 2015. Earle, David P. “The Open Daybook,” Mark Batty Publisher, NYC, 2010. Artner, Alan G. “Rothenberg exhibits eye for bleak humor,” Chicago Tribune,26 September 2008. Lovelace, Carey. “Girls, Girls, Girls,” Art in America, June 2007. Myers, Holly. “Dynamically capturing the feminist spirit,” Los Angeles Times, 13 March 2007. Fleming, Ronald Lee. “The Art of Placemaking,” Merrell Publishers, London, U.K., 2007. Rothenstein, Julian and Mel Gooding, ed. “Redstone Diary,” Redstone Press, UK, 2006. Glaser, Milton and Ilic, Mirko. “The Design of Dissent,” Rockport Publishers, Gloucester, MA 2005. Frank, Peter. LA Weekly, 8-14 April 2005. Freudenheim, Susan. "Casting a cold eye...on life and death, artist Erika Rothenberg addresses serious questions that some of
Art in America, October 2004. Trainor, James. “Freedom of Expression National Monument,” Frieze, November/December 2004. “Freedom of Expression National Monument,” Sculpture Magazine, October 2004. Hagber, Eva. “Shout It Out: Supersized Megaphone in Foley Square Encourages People to Speak Their Mind.” The Architects
Newspaper, 21 September 2004. Segal, David. “NY Expressionism,” Washington Post, 2 September 2004. Gray, Katti. “Stand Up, Speak Up, Speak Out,”
Newsday, 31 August 2004. Zuckerman, Alisha. NPR Morning Edition, 29 August 2004. Gibson, Eric. “The High Art of Highbrow Protest,”
Wall Street Journal, 27 August 2004. Smith, Roberta. “Caution: Angry Artists at Work,”
New York Times, 27 August 2004. AP. “Forget the GOP: Biggest NY Parties in the Streets,” Chicago Sun-Times, 27 August 2004. Lehr, Brian. “Artful Protests,” Brian Lehr Show,
WNYC, 26 August 2004. “Stars Come Out and Respond to GOP,” MSNBC, 25 August 2004. Time Out New York, 25 August 2004. Koolhaas, Jeroen. The New Yorker, 23 August 2004. Yah/Nay Show, WPS1, 23 August 2004. Dobnik, Verena. “NYC Stages a Star-Studded Response to the GOP Convention (AP),” Newsday, 25 August 25 2004. “Time Out Picks,” WABC-TV News, 25 August 2004. Kaysen, Ronda. New York Observer, 4 August 2004. Vogel, Carol. “Inside Art: A Vocal Expression,” The New York Times, 30 July 2004.
BIOGRAPHY
ERIKA ROTHENBERG Haithman, Diane. “The Show From Hell,” Los
Angeles Times, 25 July 2004. Chang, Richard. “Good & Evil,” Orange County Register, 18 July 2004. Takhar, Amrieka. “Whiteness: A Wayward Construction,” Stretcher, 5 January 2004. Muschamp, Herbert. “Picturing the new Ground Zero,” New York Times, 31 August 2003. “Life and Times,” KCET, 7 May 2003. Roedger, David. “I Came for the Art” ArtPapers, May/June 2003. Ed. LA Weekly, 25 April 2003. Wilette Jeanne S.M. “Whiteness: A Wayward Construction,” Art Scene, March 2003. Chang, Richard. “Shining a Light on White,” Orange County Register, 31 March 2003. “The City Observed,” KCRW Radio, Los Angeles, 20 March 2002. Knight, Christopher. “The ‘Road’ Daringly Traveled,” Los Angeles Times, 30 November 2001. “Art Talk,” KCRW Radio, LA, 19 September 19 2001. “Lighten Up: Art with a Sense of Humor,” Boston Globe, 1 February 2001. Kuklenski, Valerie. “Into Good Hands,” Los Angeles Daily News, 21 September 2000. Campbell, Clayton. “Review,” Flash Art Summer, 2000. Yoblonsky, Linda. “Review,” Time Out New York, 19 May 1999. Frank, Peter. “Art Pick of the Week,” LA Weekly, 19 May 2000. Ed. “Ten Top LA Artists Create the City of the Future,” Los Angeles Magazine, December 1999. Kozloff, Joyce. “Best Public Art Project of 1998,” ArtNews, January 1999. Ise, Claudine. “Review,” Los Angeles Times, 11 December 1998. Roth, Charlene. “Review,” Artweek, November 1998. Ollman, Lea. “Review,” Los Angeles Times, 2 October 1998. Ed. “Erika Rothenberg,” Time Out New York, 3 July 1997. Otto, Susan. “Review,” Art in America, June 1997.
Woodard, Josef. “Up the Coast,” LA Times, 10 April 1997. Walker, Maria. “Review.” Santa Barbara News-
Press, 8 March 1997. Solin, Allison Lee. “Past and Future,” Santa Barbara
Independent, 20 February 1997. Forgacs, Eva “Review,” Art Issues, January/February 1997. Rothenberg, Erika. “Sympathy Card: Weeping with the Enemy,” Harpers Magazine, January 1997. Vogue Germany, April 1996. Schwendener, Maria. “Review,” Time Out New York, 10-17 April 1996. Kahn, Robin, Ed. “Time Capsule: A Concise Encyclopedia by Women Artists,” Creative Time/SOS International, NYC, 1995. Lewis, Joe. “Take the Green Line,” Art in America, November 1995. Barrett, David. “Review.” Art Monthly, April 1995. Colin, Beatrice. “Fascination With Death Wishes,” The Scotsman, 25 January 1995. Ed. “Art Out of Torment,” The Independent, 28 January 1995. Jinks, Peter. “Goodbye Cruel World. Hello Glasgow Art-Lovers,” The Scotsman, 28 January 1995. “Sunday Religion Programme,” BBC Scotland, 22 January 1995. Rayment, Tim. “Uproar Greets Art Show of Stolen Suicide Notes,” The Sunday Times, 22 January 1995. “Bishop Attacks Suicide Note Exhibition,” The Sunday Telegraph, January 22, 1995. “Today,” BBC 4 London, 21 January 1995. “Morning News,” BBC Scotland, 21 January 1995. “World News Hour,” BBC, 21 January 1995. Snodgrass, Susan. “Review,” New Art Examiner, September 1994. Von Blum, Paul. “Erika Rothenberg’s Satire,” Z Magazine, July/August 1994. Sichel, Berta. “Notas de Suicidio,” Poliester, Mexico, Summer 1994.
BIOGRAPHY
ERIKA ROTHENBERG Artner, Alan G. “’Rothenberg’s Bits On the Sexes Are Anything But Routine,” Chicago
Tribune, 1 July 1994. Morrison, Mandy. “Feminism in Your Face,” Chicago Reader, 8 July 1994. “Color This! A Collection of Los Angeles Artists’ Drawings,” FAR, 1994. Knaff, Devorah. “Caring Enough to Send the Very Strangest,” Orange County Register, 30 March 1994. Tullenaar, Thom. “Review,” Brabants Nieuwsblad, 29 April 1994. “Review,” Haagschen Courant, 29 April 1994. de Coninck, Door Frits. “Tekeningen uit Amerika,” De Stem, 5 March 1994. Rugoff, Ralph. “Beep Beep, Toot Toot,” LA Weekly, 18 February 1994. Knight, Christopher. “Bad Girls: Feminism on Wry,” Los Angeles Times, 8 February 1994. Glueck, Grace. “A Broader View of Feminism,” The New York Observer, 7 February 1994. Wallach, Amei. “`Bad Girls’ Just Wants to Have Fun,” New York Newsday, 4 February 1994. Hess, Elizabeth. “Bad Girls,” The Village Voice, 1 February 1994. McGee, Micki. “Disorderly Conduct,” Art + Text 47, 1994. Nesbitt, Lois. “Review,” Artforum, January 1994. Bonami, Francesco. “Review,” Flash Art, January 1994. Peterson, Thair. “Wall of Unfame Readied for Rail,” Long Beach Press-Telegram, 11 November 1993. Von Blum, Paul. “New Visions, New Viewers, New Vehicles: Twentieth Century Developments in North American Political Art,” Leonardo, Vol. 26, 1993. Baker, Kenneth. “Review,” SF Chronicle & Examiner, 24 October 1993. Roche, Harry. “Review,” San Francisco Bay Guardian, 20 October 1993. Thym, Jolene. “Review,” Oakland Tribune, 12 October 1993. Helfand, Glen, Review, SF Weekly, October 6, 1993.
Peterson, Thair. “Wanted: Names, Prints for Station,” Long Beach Press-Telegram, 17 August 1993. Dulin, Beth. “Greetings - It’s the Thought that Counts,” New Directions for Women, JulyAugust 1993. Urban, Hope. “The Art that Refreshes,” Los Angeles
Reader, 16 July 1993. Brody, Jacqueline. “Review,” Print Collector’s
Newsletter, May-June 1993, p.66. Ed. ”People Art Talking About,” Vogue, May 1993. Geer, Suvan. “Review,” Artweek, 18 March 1993. Kapitanoff, Nancy. "Pain and Grief Emerge in Exhibit of Suicide Notes," Los Angeles Times, 27 February 1993. Urban, Hope. "Check-Out Time," Los Angeles
Reader, 26 February 1993. Kandel, Susan. “Review,” Los Angeles Times, 25 February, 1993. Corrigan, Patricia. "Greetings: 'House of Cards' Display Sends Mischievous Messages," St.
Louis Post-Dispach, 24 January 1993. “Review,” New Art Examiner, April 1993. Phillips, Particia C. “Review,” Artforum, October 1992. Princenthal, Nancy. “Review,” Art in America, July 1992. Yood, James. “Review,” Artforum, January 1992. Zellen, Jody. “Review,” Arts, November 1991. Kandel, Susan. “Review,” Art Issues, September/October 1991. McCracken, David. “Review,” Chicago Tribune, 8 November 1991. Curtis, Cathy. "Mordant Observations on Life From Rothenberg," Los Angeles Times, 15 July 1991. Frank, Peter. "Pick of the Week," LA
Weekly, 26 July - 1 August 1991. Knight, Christopher. "Erika Rothenberg's Delights of Dissent," Los Angeles Times, 13 September 1990. Avalos, Andy. "They get message across in a big way," Los Angeles Times, 11 August 1990. Nilson, Lisbet. "Erika Rothenberg: The Message is the Media," Angeles, May 1990.
BIOGRAPHY
ERIKA ROTHENBERG Weissman, Benjamin. “Review,” Artforum, February 1990. Ed., "Protest Art Vandalized at New Museum,"
Village Voice, 26 December 1989. Curtis, Cathy. “Review,” Los Angeles Times, 24 November 1989. Curtis, Cathy. "Coloring-Book Critique of 'America, the Perfect Country,'" Los Angeles Times, 19 August 1989. Curtis, Cathy. "The Passionate Statements of Social Activism," Los Angeles Times, 14 October 1988. Knight, Christopher. "In Santa Barbara, home is where the art is," Los Angeles Herald
Examiner, 11 September 1988. Spiegel, Judith. "Wry, Sly and to the Point," Artweek, 9 April 1988. Conal, Robbie. "Art Imitates Lifestyle," L.A. Weekly, 1-7 April 1988. Wilson, William. “Review,” Los Angeles Times, 25 March 1988. Linker, Kate. “Review,” Artforum, November 1987. Levin, Kim. “Review,” The Village Voice, 6 October 1987. Hess, Elizabeth. “Review,” The New York Observer, 5 October 1987. Brenson, Michael. “Review,” The New York Times, 2 October 1987. Ed., Appearances, Winter, 1987. Heartney, Eleanor. “Review,” Art in America, July 1986. Baker, Kenneth. “Review,” San Francisco Chronicle, 9 September 1986. Brenson, Michael. “Review,” The New York Times, 28 March 1986. Ed., Heresies, #20, 1986. Mueller, Cookie. “Review,” Details, May 1986. Rosenblatt, Roger. “Review,” Time, 29 July 1985. Levin, Kim. “Art Pick,” The Village Voice, 2 April 1985. Levin, Kim. “Art Pick,” The Village Voice, 22 January 1985. Phillips, Patricia. “Review,” Artforum, November 1984.
Mittelmark, Howard. “Review,” Art & Antiques, November 1984. Zelevansky, Lynn. “Review,” Art & Auction, October 1984. Adler, Margot. “All Things Considered,” NPR, 10 September 1984. Dunning, Jennifer. “Review,” The New York Times, 7 September 1984. Levin, Kim. “Art Pick,” The Village Voice, 14 August 1984. Larson, Kay. “Review,” New York Magazine, 30 July 1984. Glueck, Grace. “Review,” The New York Times, 13 July 1984. Brenson, Michael. “Review,” The New York Times, 29 April 1984. Yard, Sally. “Review,” Arts, April 1984. Lippard, Lucy. “Review,” The Village Voice, 10 April 1984. Brenson, Michael. “Review,” The New York Times, 6 January 1984. Princenthal, Nancy. “Review,” Artnews, January 1984. Ed. Reproduction, Art in America Annual, 1983-4. Ed. The Village Voice, 14 June 1983. Gambrell, Jamey. “Review,” Art in America, April 1983. Glueck, Grace. “Review,” The New York Times, 25 February 1983. Lippard, Lucy. “Review,” The Village Voice, 8 February 1983. Ed. Heresies, #17, 1983. Ed. On 1984, Stanford, 1983. Ed. O.ARS, Winter, 1982-3. Ed. Reproduction, “The Un/Necessary Image,” M.I.T. Committee on the Visual Arts & Tanam Press, NYC, 1982. Ed. Reproduction, The
Village Voice, 26 January 1981. Ed. Benzene, Vol. I, No. 3, 1981. Rickey, Carrie. “Art Pick,” The Village Voice, 27 August 1980. Gibbs, Michael. “Review,” Artzien Amsterdam, June 1980.
BIOGRAPHY
ERIKA ROTHENBERG Ed. “The Poet’s Encyclopedia,” Unmuzzled Ox Editions, NYC, 1979.
“Have You Attacked America Today?,” (photographic reproductions), Framework, Vol 3, 1990, pp. 63-65.
PUBLIC PROJECTS AND COMMISSIONS
“Abandon the Good Life for a Life of Goodness,” Artforum Artists Project, Feb. 1989.
First International Outdoor Sculpture Biennale.
Morally Superior Products: A New! Idea for
Mesoamerican Cultural Center Merida, Mexico,
Advertising, S/Z Press, New York, NY, 1983.
2009-12. Friend Paper Company, Pasadena, “Modern Screen”
PUBLIC COLLECTIONS
permanent public art work, 2007. Foley Square, New York City, “Freedom of
Allen Museum, Oberlin College, Oberlin, OH
Expression National Monument,” August 2004.
Art Institute of Chicago, Chicago, IL
Hollywood & Highland, Los Angeles, permanent
Berkeley Art Museum, University of California,
public art work, “The Road to Hollywood” 1999-
Berkeley, CA
2001.
Boise Art Museum, Boise, ID
Los Angeles Public Library Robertson Branch
Getty Research Institute, Los Angeles, CA
permanent public art work, “Under the Covers,”
Hammer Museum at UCLA Grunwald Center, Los
1994-1998.
Angeles, CA
Billboard for Hartford, CT and Philadelphia, PA,
Los Angeles County Museum of Art, Los Angeles,
1992: “There are Still Traditional Families” Los
CA
Angeles County Metropolitan Transportation
Milwaukee Art Museum, Milwaukee, WI
Commission, Lakewood Boulevard Green Line
Musee d’Art Contemporain, Lausanne, Switzerland
Station, permanent sculpture installation, “The Wall
Museum of Contemporary Art, Chicago, IL
of (Un)fame,” 1991-7.
Museum of Contemporary Art, Los Angeles, CA
Los Angeles Festival: Billboard: “There Are Still
Museum of Contemporary Art, North Miami, FL
Traditional Families,” Van Nuys Boulevard, Los
Museum of Contemporary Art, San Diego, CA
Angeles and Window Installation: “Have You
Museum of Modern Art, NYC
Attacked America Today?,” SoapPlant, Los Angeles
National Museum of Women in the Arts, Washington,
Billboard for Art, 1990.
D.C. New Museum of Contemporary Art, NYC
EDITIONS AND BOOKS BY THE ARTIST
Oakland Museum of California, Oakland, CA The Jewish Museum, San Francisco, CA
“Monument to a Bear” outdoor sculpture, edition of
The New School for Social Research, NYC
2, 2003.
The New York Public Library, NYC
“Paradise Lost” 2-part Iris print, Muse X Editions,
Toledo Museum of Art, Toledo, OH
1996.
University Art Museum, California State Long
“Smoke Gets In Your Eyes” series of Iris prints,
Beach, Long Beach, CA
Muse X Editions, 1996.
University Art Museum, Santa Barbara, CA
“Nobody need wait a single moment before starting
Van Abbemuseum, Ghent, Belgium
to improve the world,” silkscreen edition, 22x28
Weatherspoon Gallery, University of North Carolina,
The Jewish Museum List Graphic Commission, NYC,
Greensboro, NC
1994. “Greetings,” silkscreened box set of greeting cards, I.C.Editions, NYC, 1993.
BIOGRAPHY
ERIKA ROTHENBERG TEACHING AND LECTURES
Akademie Der Bildenden Kunste, Vienna, Austria Armory Center for the Arts, Pasadena, CA California Insitute of the Arts, Valencia, CA Camera Work, San Francisco, CA Carleton College, Northfield. MN Glasgow School of Art, Glasgow, Scotland Los Angeles County Museum of Art, Los Angeles, CA Museum of Modern Art, NYC New Museum of Contemporary Art, NYC Notre Dame University, Notre Dame, IN Otis College of Art, Los Angeles, CA Phoenix Art Museum, Phoenix, AZ Pratt Institute, NYC Santa Barbara Contemporary Arts Forum, Santa Barbara, CA Santa Monica Museum of Art, Santa Monica, CA School of Visual Arts, NYC Sci-Arc, Los Angeles, CA Skirball Cultural Center, Los Angeles, CA University of California, Los Angeles, CA University of California, Santa Barbara, CA University of Missouri, St. Louis, MO University of Southern California, Los Angeles, CA GRANTS
Getty Center Artist’s Fellowship, 1993 Art Matters Project Grant, 1990 Norton Family Foundation Grant for LA Festival Billboard, 1990
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