NIGHT, SHORTLY Curated by Halsey McKay Gallery 9 June 2018 – 27 July 2018
Susan Inglett Gallery, NYC
Installation View, 2018 Susan Inglett Gallery, NYC
Anne-Lise Coste’s paintings have the immediacy of graffiti and allow her to express subjective moods mixed with political criticism. Her dada-influenced language and intensely lyrical images exude irony, rebellion and emotion. She creates seemingly straightforward compositions that actually offer us a catalogue of contemporary anxieties. Her Bones paintings act as a kind of Rorschach as she cites “these bones that in 2001 Space Odyssey are shown to be the tool of the creator or destroyer. These bones that float in Georgia O’Keefe paintings. These bones seem to cut sharply to the center of something that is keenly alive in the desert even though it is vast and empty and untouchable... And knows no kindness with all its beauty.”
ANNE-LISE COSTE Permanent Magenta Little Bone, 2016 Oil paint on canvas 18 x 12 in.
ANNE-LISE COSTE Chromium Oxyde Green Little Bone, 2016 Oil paint on canvas 18 x 12 in.
Ivory B
ANNE-LISE COSTE lack Little Bone, 2016 Oil paint on canvas 18 x 12 in.
ANNE-LISE COSTE Naples Yellow Light Little Bone, 2016 Oil paint on canvas 18 x 12 in.
ANNE-LISE COSTE Vermilion Hue Little Bone, 2016 Oil paint on canvas 18 x 12 in.
Installation View, 2018 Susan Inglett Gallery, NYC
ANNE-LISE COSTE Bone (Yellow), 2016 Oil on canvas 62 1/2 x 46 1/2 in.
The exhibition’s title is borrowed from a sundial motto inscription, one of many that Chris Duncan has sewn into black fabric and placed on his studio roof for a six-month period. These works continue Duncan’s ongoing exploration of the sun as metaphor, inspiration and subject. The stitched fabric absorbs ultraviolet rays, rain, and windblown particles over time and employs the celestial body as fabricator. Without the use of dye, emulsion or any intentionally manipulated chemical process, tightly detailed imagery emerges through time and creates a sun-bleached exposure. Once harvested, the thread is cut and removed, allowing the scrunched fabric to flatten and reveal the ghostly appropriated messages.
Installation View, 2018 Susan Inglett Gallery, NYC
CHRIS DUNCAN One Of These Will Be Your Last, 2018 Direct sunlight on fabric 26 x 18 in.
CHRIS DUNCAN The Sun Provides the Shadow, 2018 Direct sunlight on fabric 26 x 18 in.
CHRIS DUNCAN Not Without Light, 2018 Direct sunlight on fabric 26 x 18 in.
CHRIS DUNCAN Mark Only The Brightest Hours, 2018 Direct sunlight on fabric 26 x 18 in.
CHRIS DUNCAN Without The Sun I Fall Silent, 2018 Direct sunlight on fabric 26 x 18 in.
CHRIS DUNCAN Now Or Never, 2018 Direct sunlight on fabric 26 x 18 in.
CHRIS DUNCAN Night, Shortly, 2018 Direct sunlight on fabric 26 x 18 in.
CHRIS DUNCAN Any Hour For My Friends, 2018 Direct sunlight on fabric 26 x 18 in.
CHRIS DUNCAN Our Times At Hand, 2018 Direct sunlight on fabric 26 x 18 in.
Installation View, 2018 Susan Inglett Gallery, NYC
CHRIS DUNCAN Inside Mask, 2018 Ceramic 8 x 8 x 4 in.
Brie Ruais’ ceramic sculptures embody a transition from action to outcome and they begin with a list of limitations. These controls, determine the weight of the material, the action, the time, and the basic shape of her works. She begins with her body weight in clay and then confronts it in a highly physical process that involves kneeling, kicking, spreading, scraping, and skimming. The body operates as a conduit for receiving and communicating messages that escape the limitations of our material and social reality. As a result, clay and body collapse as subject and material merge. Clay has the ability to address conceptions of the internal body and the body of the earth; it is in this space that her work reflects on the history of shared repression and exploitation of the environment. Ruais’ Craters simultaneously look inward towards primordial movement, outward towards the land, and center on the undeniability of traumatized bodies.
BRIE RUAIS Attempting to Contain the Center, 135 lbs (Red and Yellow), 2018 Glazed stoneware, hardware 44 x 44 x 7 in.
COLBY BIRD Fruit and Bowl, Mahayana Buddhist Temple, Leeds, New York, 2017-2018 Red oak, pine, walnut, poplar, salvaged barn wood, charcoal, photostatic print, wood stain, fixative, wood glue, linseed oil, acrylic, linen tape, insulation sheathing, glass, pencil, drywall screws, brass screws, foam, paint, lightbulbs, light sockets, wiring, metal frame, inkjet print, bricks, Trapa Natans seed pods, double ball-catches, metal wire, copper pipe strap, horseshoe, saloon hinge, Texas Flag, vibrating massage tool box with certificate of authenticity, unspecified IBM recording device, battery, [brick from Orient, NY, wiring, light socket, light bulb], [wood, paint, glass, coin smashed by train, wiring, iron, plant], [wood, linseed oil, wood filler], [brick from artist's studio inside 12 Tribes Community Storage Building, wiring, light socket, light bulb], [wood, wood stain, linseed oil, leatherette, glass door knob, nails, dowel screw, paint], [wood, paint, metal, wood stain, linseed oil], [wood, bug toy, incense], leatherette, bamboo root, acrylic, a dead bee, tile shard from Hudson River, Coxsackie, NY, 4 leaf sprig, paint, wood stain, linseed oil, brass plumbers chain, brass hook, drywall screws, brass hinges, linen, foam, [wood, linseed oil, railroad spike, metal finial, slag glass doorknob, dowel screw, leather and metal hammer holster, hemp rope], [wood, linseed oil, railroad spikes, paint, billiard ball], [crocheted hemp, beads, lampshades, wiring, lightbulbs, light socket, electric knife], [wood, linseed oil, wood stain, food coloring, paint, plastic peach, rubber grapes, wiring, lightbulbs, light socket,hemp rope], light switch, silk flowers, [wood, metal wire, glass dome, leatherette, drywall screws, wiring], leather, Sony Trinitron monitor, VCR, upholstery tacks, [glass, wood, cow bone, flower, water, metal wire, brass screw], [metal, wood, dowel screws, wood stain, wood filler],12 Tribes Community Literature, images/pages from "A World History of Photography", Naomi Rosemblum, 1999, images/pages from "Renoir", by Henry Abrams, 1952. 98 x 77 x 3 in. (wall hung) 98 x 77 x 65 in. (elements un-stowed)
In Colby Bird’s work, the photographic image, here a fruit bowl in a Buddhist temple, becomes a cipher more than a subject. The ornate construction of the frame, the forced-mirroring of the viewer, the object-ness of the photo itself– all of these act in unison to encourage a holistic reading of the works on display. The dark prints topped with glass, combined with the gallery’s overhead lighting, create a mirroring effect, serving to put the viewer “on stage” both inside and outside of the work. Built-in to the reverse side of the work is a tableau of imagined daily activities of the Platonic ideal of “the artist”: casual painting, leisurely reading, and reflective writing.
COLBY BIRD Fruit and Bowl, Mahayana Buddhist Temple, Leeds, New York, 2017-2018 Side View, Back View
Rachel Foullon’s Threshold revolves around the form of a braid. Constructed from dozens of strands of hand-dyed cotton drawcord pulled across a stained cedar frame, Foullon expands on the timeless personal hair sculpture to yield haptic associations. For the artist, the braid is a systematized style of control, a handle, a tail, a vulnerability and a permission. Trunk, alludes to the body’s natural system of replenishment and renewal. Hand-dyed rope resembling the vena cava and aorta weave through pleated linen and cedar as if to supply the work with its own rationale, enabling its continued existence.
RACHEL FOULLON Trunk I, 2016 Western red cedar, upholstery linen, cotton cord, stain, dye 24 1/2 x 22 x 5 in.
RACHEL FOULLON Threshold (braid – strawberry chain), 2015 Polished nickel plated brass, Western red cedar, cotton drawcord, stain, dye, hardware 59 x 15 1/2 x 5 in.
Installation View, 2018 Susan Inglett Gallery, NYC
Joseph Hart’s oversized drawings reflect his physical size and nudge the gestures toward the figurative. The doorlike ratio of these lyrical compositions is determined by the artist’s wingspan. His deft line marks reach from top-tobottom, and left-to-right depending on the positioning of the paper. Drawing is crucially important within the ecosystem of Hart’s studio practice. With the humble materials of graphite and paper, he is able to ignore the pressures of painting, play with line and boundaries, tempo, and be more impulsive and reactionary, which he remarks as a “gratifying way of moving and thinking.”
JOSEPH HART Figure II, 2017 Collage, acrylic and graphite on paper 81 x 32 in. JOSEPH HART Figure I, 2017 Collage, acrylic and graphite on paper 81 x 32 in.
JOSEPH HART Figure III, 2017 Collage, acrylic and graphite on paper 81 x 32 in.
BIOGRAPHY
COLBY BIRD Born in Austin, TX 1978 Rhode Island School of Design, Providence, RI MFA 2004 University of Colorado, Boulder, CO BFA 2000 Lives and Works in New York, NY “Sin-Bin,” Flat Two, Digbyland Studios,
SOLO EXHIBITIONS
London, UK 2017
“Mine Is Not To Reason Why Mine Is But
2016
To Do and Die,” Halsey McKay Gallery,
“November’s Bone,” Halsey McKay
East Hampton, NY 2016
“The Gods Heard Him Cry and Knew He
Gallery, East Hampton, NY 2014
Was in Store for Some Horrible Fate,” Halsey McKay Gallery, NYC 2015
2014
V1 Gallery, Copenhagen, Denmark 2013
Canada “Cisco Sysco Sisqo,” curated by Tom
TX
Simon, Alina Tenser and Kristof Wickman,
“My Hair Is Wet and My Shoes Are Tied,"
The Rockaways, Queens, NY
Grice Bench, Los Angeles, CA
“Consuming Passions,” Hagedorn
“Set Down,” Halsey McKay Gallery, East
“Rose Shoulder,” Halsey McKay Gallery,
Foundation Gallery, Atlanta, GA 2012
Halsey McKay Gallery, East Hampton, NY 2011
“The Anxiety of Photography,” Aspen Art Museum, Aspen, CO; traveling to Arthouse
“A Selection of Lamps,” Lora Reynolds
at the Jones Center, Austin, TX
Gallery, Austin, TX
“Cover Version LP,” Brooklyn Academy of
“Colby Bird: House Lamps,” University
Music, Brooklyn, New York 2010
“Inaugural Exhibition,” CRG Gallery, NYC
Marcos, TX
“Contemporary Prints,” CRG Gallery, NYC
“Double Acting Hinge,” Fitzroy Gallery,
“Big Apple,” Clifton Benevento Gallery,
NYC
NYC
“Dust Breeds Contempt,” Lora Reynolds
“Ends and Means,” Robert V. Fullerton
Gallery, Austin, TX
Museum, California State University, San
2010
“Knoll Sofa,” Real Fine Arts, Brooklyn, NY
2009
“Cold End,” Okay Mountain, Austin, TX
2003
“Sixth Sax,” curated by Patrick Brennan,
East Hampton, NY
Galleries, Texas State University, San
2011
“Static & Scrim,” Cooper Cole, Toronto,
Gallows,” Lora Reynolds Gallery, Austin,
“Clyde Glenn Burns,” Fitzroy Gallery, NYC
2012
“Ghost Current,” curated by Ryan Wallace,
“Hope Goes With Man to the Foot of the
Hampton, NY 2013
“A Plot of Land,” Dutton Gallery, NYC
Bernardino, CA 2009
“QVNOXW//,” 86 Forsyth, NYC
“Colby Bird,” CRG Gallery, NYC
“Guilty Feet,” performance at 179 Canal,
“1994,” The Space at Alice, Providence, RI
NYC “One Every Day,” The Elizabeth
GROUP EXHIBITIONS
Foundation for the Arts, NYC “Gruppenausstellung,” organized by Max
2018 2017
“Night, Shortly,” curated by Ryan Wallace,
Hans Daniel, AutoCenter, Berlin, Germany
Susan Inglett Gallery, NYC
“Contemporary Culture,” Lora Reynolds
“Brass Tacks,” curated by Ryan Wallace,
Gallery, Austin, TX
Anat Ebgi Gallery, Los Angeles, CA
“Single Vision,” presented by
“Art.Now,” Hearst Tower, NYC
ApartmentShow, NYC “FAX,” Drawing Center, NYC
BIOGRAPHY
COLBY BIRD “Dance, Sons And Daughters, Dance! The
Providence, RI
Future Is Ours To Shape And Mold!,” The
“Wall Of Draw,” Sol Koffler Annex,
Physics Room, Christchurch, New Zealand “Purple #’s,” Gallery 533, Los Angeles, CA
Providence, RI 2002
Gallery, Providence, RI
Patiño Museum, Santa Cruz, CA
“Introducing,” Red Eye Gallery,
“Summer Show,” CRG Gallery, NYC “If The Dogs Are Barking,” Artists Space,
Providence, RI 2000
NYC “Strike a Pose,” Stephen Friedman
“Saturate,” CU Art Gallery, Boulder, CO “The Best Art Show Ever,” Core Gallery,
“Word Up,” Broadway Gallery, NYC 2008
“Photography Triennial,” Woods-Gerry
“N-1, transitional friendships,” Simón I.
Denver, CO 1999
“Marriage, Motherhood, Fatherhood,
Gallery, London, UK
Friendship,” Sibell Wolle Fine Arts
“Summer Mixtape Volume 1,” Exit Art,
Building, University of Colorado, Boulder,
NYC
CO
“Alone/Together,” Talman + Monroe, Brooklyn, NY
BIBLIOGRAPHY
“If I told you you were beautiful, would you date me on the regular?,” Oliver Kamm, NYC “The Leisure Suite,” The LeRoy Neiman Gallery, Columbia University, NYC 2007
“In Defense of Ardor,” Bellwether Gallery, NYC “Colby Bird – Joshua Fields,” CRG Gallery, NYC
2006
“Videos on the Street,” Joymore Gallery, Brooklyn, NY “RISD Biennial,” curated by Robert Storr, Exit Art, NYC
2005
“The Kids Have ADD,” Wizard Electronics, Brooklyn, NY
2004
“Mars on Earth,” RKL Gallery, Brooklyn, NY “MFA Thesis Photography,” Sol Koffler Gallery, Providence, RI “Pulp,” Sol Koffler Gallery, Providence, RI “Work In Progress,” Design Center, Providence, RI “MFA Photography,” Sol Koffler Gallery, Providence, RI
2003
“More is Better,” 126 Union Street, Providence, RI “Libertad!,” Sol Koffler Gallery,
MacBride, Caitlin. “Transcendent Functionalism at Jeff Baily Gallery,” The Rib, 28 December 2017. Small, Rachel. “10 Pick From The Dallas Art Fair 2015,” Interview Magazine, 9 April 2015. Wilson, Michael. “Colby Bird: Review,” Artforum, 1 March 2014. Staff. “The Lookout: A Weekly Guide to Shows You Won’t Want to Miss,” Art In America, 27 June 2013. Staff. “Goings on About Town,” The New Yorker, 13 June 2013. van Ryzin, Jeanne Claire. “Artist Captures Awe of Light in Lamp Filled Exhibit,” Austin
360, 13 February 2013. Servin, James. “Rising Stars,” Art Basel Miami
Beach, 6 December 2012. Geha, Katie. “Interview With Colby Bird,” Glasstire, 12 October 2012. “Colby Bird,” SculptureCenter SculptureNotebook, 23 August 2012. Schultz, Charles. “NAC in SOHO: Colby Bird,”
Naked Art Criticism, 20 April 2012. Geha, Katie. “Critics’ Pick,” Artforum, 15 November 2011. Meyers, Allison. “Colby Bird: Dust breeds
Providence, RI
contempt,” Pastelegram, 30 September
“Outside the Bubble,” The Space,
2011.
BIOGRAPHY
COLBY BIRD Quinton, Luke. “Bird’s Thoughtful Compositions,”
Austin American Statesman, 28 September 2011. Fitzgerald, Ali. “Lives and Works in Berlin: Head Shop/Lost Horizon at Exile,” Art 21 Blog, 2 September 2010. Williams, Sam. “Summer Camp,” Frieze Magazine, 4 April 2010. “60th Anniversary Scrapbook,” Art Review, 1 December 2009. Crow, Kelly. “Local Artists Are on The Rise,” Wall Street Journal, 30 October 2009. Watson, Kate. “Colby Bird: Cold End,” Austin Chronicle, 24 July 2009. Linden, Christina. “Colby Bird,” ART LIES, no. 62, Summer 2009. Barna, Daniel. “Q&A with Colby Bird,” Corduroy Magazine, 28 January 2009. Carlin, T.J. “Studio visit: Colby Bird,” TimeOut, 1 January 2009. Weiner, Emily. “Colby Bird,” HEEB, 18 December 2008. Coburn, Tyler. “Evolution,” Art Review, 13 September 2008. Kaelin, Catherine. “One Man’s Art Is Another Man’s Living Room In This Show,” Columbia Spectator, 5 February 2008. McAdams, Shane. “Analogous Logic,” The Brooklyn Rail, 5 September 2007. Smith, Roberta. “Colby Bird and Joshua Fields,” The New York Times, 20 July 2007. Dailey, Megan. “Where the Boys Art,” The Village Voice, 26 June 2007. Cotter, Holland. “Quirks and Attitude to Burn,” The New York Times, 8 June 2007. Cotter, Holland. “Between the Lines,” The New York Times, 24 March 2006. Rodriguez, Bill. “Treasure Trove,” The Providence Phoenix, 28 May 2004. “Seven Days and Seven Nights,” Gay City News, 22 July 2004. PUBLIC COLLECTIONS
Whitney Museum of American Art, NYC
BIOGRAPHY
ANNE-LISE COSTE Born Marseille, France 1973 Hochschule für Gestaltung und Kunst, Zürich 1997-1999 École des Beaux-Arts, Marseille 1995-1997 SOLO EXHIBITIONS
“5 days 5 years,” Nogueras Blanchard, Barcelona, Spain
2017
2016
“More Bones,” Halsey McKay Gallery,
2009
Hauff, Stuttgart, Germany
“La conquête de l’espace, la chute des
“Liberty,” Ellen de Bruijne, Amsterdam,
feuilles, les neiges éternelles, l’avancée
Netherlands
des déserts, la puce électronique,“ Ellen
“Merde, merde, merde, you + you + you,
de Bruijne Projects, Amsterdam,
tell me tell me tell me,” Susanne
Netherlands
Hilberry Gallery, Detroit, MI
“Bones,” Halsey McKay Gallery, East
“Anne-Lise Coste,” Anton Kern Gallery,
Hampton, NY “L’art de la joie,” Galerie Reinhard 2015
NYC 2008
Coste,” FRAC des Pays de la Loire,
“Blue Water,” Nogueras Blanchard,
Carquefou, France
Madrid, Spain
“Save Picasso,” Nogueras Blanchard,
Switzerland
2013
Barcelona, Spain 2007
Projects, Amsterdam, Netherlands
Netherlands
“La vie sur Terre,” Galerie Art:Concept,
Susanne Hilberry, Detroit, MI
Paris, France
“Haiku,” Halsey McKay Gallery, East
“Qui suis-je,” Galerie Reinhard Hauff,
Eleven Rivington, NYC
2011
Stuttgart, Germany 2006
“Parmi les singes et les signes,”
“Gare de l’Est,” Esslinger Kunstverein
Kunstverein Lingen, Lingen, Germany
e.V., Esslingen, Germany
“F R A N C E,” Nogueras Blanchard,
“m,l,e,” toomer labzda gallery, NYC
Barcelona, Spain
“Être en vie l’infini,” Nogueras
“Anne-Lise Coste. Le Retour des
Blanchard, Barcelona, Spain
Colonisés,” Ellen de Bruijne Projects,
“Être en vie–le feu,” Ellen de Bruijne
Amsterdam, Netherlands
Projects, Amsterdam, Netherlands
Centre d’Art Neuchâtel, Neuchâtel,
“d5919bcc3aeeb621e64dafo6b703c10,”
Switzerland
Galerie Reinhard Hauff, Stuttgart,
“You-me,” Kunsthalle St. Gallen, St.
Germany “noir noir noir,” Museo de Bellas Artes
2010
“One day,” Galerie Ellen de Bruijne
Ellen de Bruijne Projects, Amsterdam,
Hampton, NY 2012
“Instantané (69): Anne-Lise
Hauff, Stuttgart, Germany
“Dear Life,” Lullin Ferrari, Zürich, 2014
“To Molly et Twombly,” Galerie Reinhard
NYC
Gallen, Switzerland 2005
“Contre la saturation du visible,” Galerie
de Santander, Santander, Spain
Reinhard Hauff, Stuttgart, Germany
“Seduce & Destroy,” Susanne Hilberry
“loin, loin, loin,” Kunsthaus Glarus,
Gallery, Detroit, MI
Glarus, Switzerland
“A cage is a cage is a cage,” Galerie
Galleria Laurin, Zürich, Switzerland
Gregor Staiger, Zürich, Switzerland
Galerie Philippe Pannetier, Nîmes,
“Là,” Galerie Art Attitude Hervé
France
Bize, Nancy, France
Anna Helwing Gallery, Los Angeles, CA,
BIOGRAPHY
ANNE-LISE COSTE 2004
2003
2002
Wuthering Heights, Malmö, Sweden
“Thirty Nine Years,” Susanne Hilberry
Ellen de Bruijne Projects, Amsterdam,
Gallery, Detroit, MI
Netherlands
“Icons(s),” Maison Particulière, Brussels,
“Fallen from Grace,” Galerie Reinhard
Belgium
Hauff, Stuttgart, Germany
“Road to Ruin,” Cooper Cole Gallery,
Galerie Nicolas Krupp, Basel,
Toronto, Canada
Switzerland
“Family Guys,” Otto Zoo Gallery, Milan,
“Exposition Française,” Galerie Philippe
Italy
Pannetier, Nîmes, France
“i don’t care,” Galerie Reinhard Hauff,
2001
Museum im Bellpark, Kriens, Switzerland
2000
“The Projectroom Is
1999
Stuttgart, Germany 2014
“Living with A LOT OF ART,” Galerie
Everywhere,” Galerie Meyer
Reinhard Hauff, Stuttgart, Germany
Riegger, Karlsruhe, Germany
“Drawn to Language,” Children’s
“Ugly Can Happen,” Kleines Helmhaus,
Museum of the Arts, New York
Zürich, Switzerland
“Black Board-White Page,” Kantonsschule Zürich Nord, Zürich, Switzerland
GROUP EXHIBITONS
“Desiderata,” Aargauer Kunsthaus, 2018
“Night, Shortly,” curated by Ryan Wallace, Susan Inglett Gallery, NYC
2017
2016
Aarau, Switzerland 2013
Toronto, Canada
Barcelona, Spain
“Artists against Aids,” Kunst-und
“Body,” Galerie Reinhard Hauff,
Ausstellungshalle, Bonn, Germany
Stuttgart, Germany
“From the MACBA Collection,”
“Exercises de style #2,” N°5 Galerie,
CaixaForum, Madrid, Spain
Montpellier, France
“Ich bin dein Nachbar! Junge
“True Lies,” Night Gallery, Los Angeles,
Kunstschaffende und das Portrait,”
CA
Bromert Art Collection, Roggwil,
“Simultan / Simultaneous,” Lullin +
Switzerland
Ferrari, Zürich, Switzerland
“Laat je haar neer (Let Your Hair
“Tender Comrades,” Studioli, Rome,
Down),” curated by Pipilotti Rist,
Italy
Boijmans van Beuningen Museum,
“Things Are Getting Better All The
Rotterdam, Netherlands
Time…,” Helmhaus Zürich, Zürich
“Mein Revier|My Territory,” Kunst Raum
“Inside Intensity,” Kurhaus Kleve, Kleve,
Riehen, Riehen, Switzerland
Germany
“Living with MORE Art,” Galerie
“Du Und Ich,” Hospitalhof Stuttgart,
Reinhard Hauff, Stuttgart, Germany
Stuttgart, Germany “Keep Your Eyes Open,” Lullin + Ferrari,
2015
“Endless Sumer,” Cooper Cole Gallery,
“Flatland,” Nogueras Blanchard,
“Print Portfolio,” White Columns, NYC 2012
“Critical Episodes (1957-2011),” Museu
Zürich, Switzerland
d’Art Contemporani de Barcelona,
“Watchdog-Lapdog-Playdog,” Nogueras
Barcelona, Spain
Blanchard, Barcelona, Spain
“Anne-Lise Coste / Molly Stevens: New
“Changing Perspectives,” Lullin +
work,” Studio 509, NYC
Ferrari, Zürich, Switzerland
“Gare de L’Est,” Esslinger Kunstverein,
“Only Lovers,” Le Cœur, Paris, France
Esslingen, Germany
BIOGRAPHY
ANNE-LISE COSTE “I glove U,” Reynolds Gallery, Richmond,
“Shining by Absence,” curated by
VA
Jacqueline Uhlman, Nogueras
“The Quality of Presence,” Chelsea
Blanchard, Barcelona, Spain
Hotel, NYC
“Beginnings, Middles, And Ends,”
“30 Days of Peace, Love and Painting,”
curated by _vienna 09, Engholm
Ellen de Bruijne Projects, Amsterdam,
Englehorn, Georg Kargl Fine Arts,
Netherlands
Christine König Galerie, and Gabriele
“Buy my bananas,” Kate Werble Gallery,
Senn Galerie, Vienna, Austria
NYC
“Event Horizon,” curated by Karma
“Le vicomte pourfendu,” Macelle Alix, Paris, France
2011
International, Raster, Warsaw, Poland 2008
Madrid, Spain
Hauff, Stuttgart, Germany
“Blast From The Past (part 2),” Art
“Entanglement,” Regina Rex, NYC
Attitude Hervé Bize, Nancy, France
Nicole Klagsbrun Gallery, NYC
“Violência Institucional e poetica,”
“A Portrait of the Artist as a Young
Fundación Serralves, Porto, Portugal
Man,” Galerie Reinhard Hauff, Stuttgart,
“Shifting Identities,” Kunsthaus Zürich,
Germany
Zürich, Switzerland; traveling to
“Hysteria, Laughter and a Sense of
Contemporary Art Center, Vilnius,
Seriousness,” Galerie Gregor Staiger
Lithuania
and Karma International, Zürich,
“Order. Desire. Light. An Exhibition of
Switzerland
Contemporary Drawings,” Irish Museum
“Voici un dessin suisse,” Aargauer Kunsthaus, Aarau, Switzerland 2010
of Modern Art, Dublin, Ireland 2007
“Words Fail Me,” curated by Matthew
“Untitled: Über Erfolg in der Kunst,”
Higgs, Museum of Contemporary Art
Substitut – Raum für aktuelle Kunst aus
Detroit, Detroit, MI
der Schweiz, Berlin, Germany
“Destroy Athens: 1st Athens Biennial
“Salon du dessin Contemporain,”
2007,” curated by Xenia Kalpaktsoglou,
Carrousel du Louvre, Paris, France
Poka-Yio and Augustine Zenakos,
“Professionalization is Killing Art,”
Athens, Greece
Kunstmuseum St. Gallen, St. Gallen
“COSMIC Dreams,” curated by
Switzerland
Friedericke Nymphius, Centro Cultural
“Press Art – Sammlung Annette und
Andratx, Andratx, Spain
Peter Nobel,” Kunstmuseum St. Gallen,
“Overtake. The Reinterpretation of
St. Gallen, Switzerland; traveling to
Modern Art,” Lewis Glucksman Gallery,
Museum der Moderne Salzburg,
Cork, Ireland
Salzburg, Austria
“Collection migros museum für
“Out of Line,” Slag Gallery, NYC
gegenwartskunst Part I,” Migros
“Voici un dessin suisse 1990-2010,”
Museum für Gegenwartskunst, Zürich,
Jenisch Museum, Vevey y Musée Rath,
Switzerland
Geneva, Switzerland
“Learn to read,” Tate Modern, London,
“Collection 3,” Fondation Salomon, Alex, France 2009
“Doméstico’08,” El papel del artista,
“Living with Art,” Galerie Reinhard
UK 2006
“Under Pressure,” curated by Bill
“Palindrom,” Hermes und der Pfau,
Cournoyer, Galerie Art Concept, Paris,
Stuttgart, Germany
France
BIOGRAPHY
ANNE-LISE COSTE “Aller / Retour 2,” curated by Peter
2005
2004
2002
Gent, Switzerland
Suisse, Paris, France
“The Collective Unconsciousness,”
“The Youth of Today,” curated by
Migros Museum für Gegenwartskunst,
Matthias Ulrich, Schirn Kunsthalle
Zürich, Switzerland
Frankfurt, Frankfurt, Germany
“Zeitmaschine,” Kunstmuseum Bern,
“Midnight Walkers,” Kunsthaus
Bern, Switzerland
Baselland, Basel, Switzerland and
“Persönliche Pläne,” Kunsthalle Basel,
CREDAC, Ivry-sur-Seine, Paris, France
Basel, Switzerland
Museum voor Moderne Kunst, Arnhem,
“Protest! Respect!,” Kunsthalle St.
Netherlands
Gallen, St. Gallen, Switzerland
“Swiss artists,” Buchmesse, Warsaw,
“Unloaded – Coming Up For Air’Art,”
Poland
Bunker, Oberschan/Wartau, Switzerland
“Global World / Private Universe,”
“8th Baltic Triennial of International
Kunstverein St. Gallen, St. Gallen,
Art,” Vilnius, Lithuania
Switzerland
“In Portraiture Irrelevance Is Ugliness,”
“Lasko,” Centre d’Art Neuchâtel,
Galerie Reinhard Hauff, Stuttgart,
Neuchâtel, Switzerland
Germany
“ID Troubles,” Halle für Kunst e.V.,
“Violence The True Way,” Galerie Peter
Lüneburg, Germany Galerie Donzé Van Saanen, Lausanne,
Kilchmann, Zürich, Switzerland 2001
Switzerland “In Erster Linie…,” Kunsthalle
“Binz 39,” Zürich, Switzerland Wald/Explosion, Helmhaus, Zürich,
Galerie Laurin, Zürich, Switzerland
2003
“Energies de Resistance,” Attitudes,
Fishli and David Weiss, Centre Culturel
Switzerland 2000
“Mixing Memory and Desire,” Neues
Fridericianum, Kassel, Germany
Kunstmuseum Luzern, Luzern,
“twinkle, twinkle,” Galerie Reinhard
Switzerland
Hauff, Stuttgart, Germany
“Flexibilitätsversuche,” Museum
“Zeichnen. Eine Konfiguration,” Museum
Fridericianum, Kassel, Germany
Im Bellpark, Kriens, Switzerland
“Präsentation der städtischen Ankäufe,”
“In Portraiture Irrelevance Is Ugliness,”
Helmhaus, Zürich, Switzerland
Museum Schloss Hardenberg, Velbert-
“Cute,” Kunstraum Walcheturm, Zürich,
Neviges, Germany “Werk-und Atelierstipendien der Stadt
Switzerland 1998
“Freie Sicht aufs Mittelmeer,”
Zürich 2003,” Helmhaus, Zürich,
Kunsthaus Zürich, Zürich, Switzerland
Switzerland
“Körper: Tanz/Performance,”
Galerie Karrer, Zürich, Switzerland
Kunstmuseum Luzern, Luzern,
“Lee 3 Tau Ceti Central Armory Show,”
Switzerland
Villa Arson, Nice, France “Paint,” Galerie Bob van Orsouw, Zürich,
BIBLIOGRAPHY
Switzerland “The bourgeois show – sociala strukturer i stadens rum,” Dunkers Kulturhus, Helsingborg, Sweden
Navarro, Mariano. “Azul Tormenta,” El Cultural, April 2015. Willemin, Alexandre. “Artistes made in
“Luck is for Losers,” Ellen de Bruijne
Switzerland,” Migros Magazine, 13
Projects, Amsterdam, Netherlands
January 2014.
BIOGRAPHY
ANNE-LISE COSTE Zizek, Slavoj. “The Real of Violence, Cynicism, and the ‘Right of Distress,’” The
Synthome 14, Summer 2013. Diamond Hamer, Katy. “Contemporary Art is Alive and Kickin’ in East Hampton,” Flash Art Online, August 2013. Lee, Nathaniel. “Critics’ Pick: Anne-Lise Coste Eleven Rivington,” Artforum, August 2013. Kerr, Merrily. “Anne-Lise Coste,” Time Out New York, 2 August 2013. Staff. “Critics’ Picks,” Time Out New York, 26 June 2013. Fishman, Dan. “Anne-Lise Coste @ Eleven Rivington,” White Hot Magazine, July 2013. “Anne-Lise Coste at Eleven Rivington,” Mousse Magazine Online, 2013. Qiu, Serena. “In the Studio with Anne-Lise Coste,” The WILD Magazine, December 2012. “Anne-Lise Coste, Ian Kiaer: Le Vicompte Pourfendu,” Paris Art, 6 June 2012. Balbona, G. “Anne-Lise Coste se suma al Espacio MeBas,” El Diario Montanes, 10 July 2011. Qiu, Serena. “Between Painting and Text,” Artlog, March 2011. Peran, Martí. “Anne-Liste Coste,” Artforum, September 2010. Gavard-Perret, Jean-Paul. “Supports et Surfaces: Annelise Coste,” Arts -Up, April 2010. Stevenson, Molly. “A Talk with Anne-Lise Coste,” The Donkey Trail, 17 February 2010. de Llano, Pedro. “Violencia institucional y poética,” Exit Express, June/September 2008. Lafont, Isabel. “Un bombardeo de signos,” El País, 22 April 2008. “Anne-Lise Coste: La Vie sur Terre,” Paris Art, 23 October 2007. Spinelli, Claudia. “Annelise Coste,” Weltwoche, 20 July 2006.
“Lingener Kunstpreis an Annelise Coste,”
Kunstbulletin, November 2006. Roy, Corinne. “Portrait: Annelise Coste,” De
Marseille à Zürich, 19 September 2006. Dankow, Karolina. “Annelise Coste,”
Contemporary Magazine, Issue #83, June 2006. Bufill, Juan. “Annelise Coste,” La Vanguardia, 13 May 2006. Molina, Ángela. “Gallo que no canta…,” El País, 29 April 2006. “Kunst Runterladen,” Kunstbulletin, April 2006. Christofori, Ralf. “Annalise Coste,” Frieze, October 2005. Von Burg, Dominique. “Annelise Coste im Kunsthaus,” Kunstbulletin, April 2005. Kaiser Philipp. “Bezeichungsprozesse. Annelise Coste im Museum im Bellpark Kriens,” Kunstbulletin, April 2001, p. 24-25. Steiner, Juri. “Fouiller entre les mots,” Parkett No.57, 1999. PUBLICATIONS
“Pussy Drawing Riot,” Nieves, Zürich, Switzerland, 2016. “Où suis-je,” Edition Patrick Frey, Zürich, Switzerland, 2014. FitzGerald, Michael. “Post Picasso. Contemporary reactions,” Fundació Museu Picasso de Barcelona, Barcelona, Spain, 2014. Radrizzani, Dominique. “Voici un dessin Suisse 1900-2010,” JRP Ringier, Zürich, Switzerland, 2010. Becch, D., Harrison, C., and Hill, W. “Art and Text,” Black Dog Publishing, London, UK, 2009. Colombo, P., Juncosa, E., and Lampert, C. “Order. Desire. Light. An Exhibition of Contemporary Drawings,” Irish Museum of Modern Art, Dublin, Ireland, 2008. Becker, C. “Shifting Identities,” JRP Ringier, Zürich, Switzerland, 2008.
BIOGRAPHY
ANNE-LISE COSTE “Remember,” Edition Patrick Frey, Zürich, Switzerland, 2008. Loock, Ulrich. “Institutional and Poetic Violence,” Museu Serralves, Porto, Portugal, 2008. “Destroy Athens: 1st Athens Biennial 2007,” Futura Publications and Athens Biennial, Athens, Greece, 2007. “Experiments in Pop - Aufbruch in eine neue Alltäglichkeit,” Stiftung Sommerakademie im Zentrum Paul Klee, Bern, Switzerland, 2007. Coste, Anne-Lise. “Annelise Coste: 18 Heads of 2006,” Kunsthalle Lingen, Lingen, Germany, 2006. Hollein, Max and Matthias Ulrich (ed.). “Die Jugend von heute,” Schirn Kunsthalle Frankfurt, Frankfurt, German, 2006. “Poemabout,” Edition Patrick Frey, Zürich, Switzerland, 2005. “Lasko,” Centre d’Art Neuchâtel, Neuchâtel, Switzerland, 2004. “Global World / Private Universe,” Kunstmuseum St. Gallen, St. Gallen, Switzerland, 2004. “Art Bunker,” Edizioni Periferia and Art Bunker Show, Luzern, Switzerland, 2003. “Non,” Edition Patrick Frey, Zürich, Switzerland, 2003. “Zeitmaschine Oder: Das Museum in Bewegung,” Kunstmuseum Bern, Bern, Switzerland, 2002. Jetzer, Gianni. “Personal Cosmologies. Drawings by Annelise Coste and Andro Wekua,” Kunsthalle Basel and Persönliche Pläne, Basel, Switzerland, 2002. Loock, Ulrich. “Mixing Memory and Desire,” Kunstmuseum Luzern, Luzern, Switzerland, 2000. Curiger, Bice. “Freie Sicht aufs Mittelmeer,” Kunsthaus Zürich, Zürich, Switzerland.
BIOGRAPHY
CHRIS DUNCAN Born in Perth Amboy, NJ 1974 Stanford University, Palo Alto, CA MFA 2013 California College of Arts and Crafts, San Francisco, CA BFA 2003 Lives and works in Oakland, CA SOLO EXHIBITIONS
2017
“Our Love Will Still Be There,” Romer Young Gallery, San Francisco, CA
2016
“Night, Shortly,” curated by Ryan Wallace, Susan Inglett Gallery, NYC 2017
NY
NYC 2015
“Mine,” V1 Gallery, Copenhagen,
“The Time It Takes To Take The
Denmark
Time,” V1 Gallery, Copenhagen, Denmark
“Process,” curated by Matthew
“Media Based Time,” Et al., San
Gardocki, Marjorie Barrick Museum of
Francisco, CA “Year,” The Elaine deKooning House, East Hampton, NY 2014
Art, University of Las Vegas Nevada, NV 2016
Davidson College, Davidson, NC “November’s Bone,” Halsey McKay
“A Different Kind of Tension,” Cooper
Gallery, East Hampton, NY
Cole Gallery, Toronto, Canada
“Heliotropes,” curated by Matthew
“New Minimalism,” Cooper Cole Gallery,
Nichols, Geary Contemporary, NYC
Toronto, Canada 2012
“Balance,” Morgan Lehman Gallery, NYC
2011
“Patterns and Light,” Halsey McKay
“I Look For Clues in Your Dreams,” curated by Heather Marx, Berkeley Art Center, Berkeley, CA
Gallery, East Hampton, NY 2010 2008
“Collected,” Pier 24 Photography, San
“Eye Against I,” Baer Ridgway Exhibitions, San Francisco, CA “The Faith Void Split,” Jeff Bailey
Francisco, CA 2015
Francisco, CA 2006
“The Continued Exploitation of Pink and Brown,” Jeff Bailey Gallery, NYC “The Playing Field,” Nakaochiai Gallery, Tokyo, Japan “Dark Times,” Motel Gallery, Portland, OR
2005
“Where We Meet,” Lump Gallery, Raleigh, NC
GROUP EXHIBITIONS
2018
“Pattern::::Chaos,” Cinders, Brooklyn,
“The Beginning, The Middle, The End,” Gregory Lind Gallery, San
“Way Bay 2,” Berkley Art Museum & Pacific Film Archive, University of California, Berkley, CA
“Hear This,” Palo Alto Arts Center, Palo Alto, CA
Gallery, NYC 2007
“Material Matters: Water Pigment and Light,” Van Every/Smith Gallery,
“The Sun and The Air,” Halsey McKay Gallery, East Hampton, NY
2013
“Ernesto Burgos & Chris Duncan,” Halsey McKay Gallery, East Hampton,
“12 Symbols,” Halsey McKay Gallery,
NY 2014
“Openings,” curated by Jessica Silverman, Fused Space, San Francisco, CA “Ghost Current,” curated by Ryan Wallace, V1 Gallery, Copenhagen, Denmark “After Space,” Loyal Gallery, Stockholm, Sweden “The Possible,” curated by Lawrence Rinder and David Wilson, Berkeley Art Museum, Berkeley, CA “Ain’tings,” curated by Ryan Steadman, Robert Blumenthal Gallery, NYC
BIOGRAPHY
CHRIS DUNCAN 2013
“Paint Off, Paint On,” Halsey McKay
“Out Of Order,” curated by Gail Dawson,
Gallery, East Hampton, NY
San Francisco State University Gallery,
“Unseen,” Cult Aimee Friberg
San Francisco, CA
Exhibitions, San Fancisco, CA
“The Sun Ceremony,” curated by David
“Beatnic Meteor,” DiRosa Preserve,
Wilson, Berkeley Art Museum, Berkeley,
Napa, CA
Ca
“Group Show,” Eli Ridgway Gallery, San
“Residency Project I,” Kala Art Institute,
Francisco, CA “MFA Thesis Exhibition,” Thomas Welton
2012
Berkeley, CA 2009
Ridgeway Exhibitions, San Francisco, CA
CA
“Move,” curated by Rich Jacobs, New
“Millennium Magazines,” MoMA, NYC
Image Art Gallery, Los Angeles, CA
“THE SUN (sound gathering),” Liminal
“Infinity,” curated by Andrew Schoultz,
Space, Oakland, CA “Horizon,” San Francisco Arts
2011
Scion Space, Los Angeles, CA 2008
“Kick Out The Jams,” The Luggage
Commission Gallery, San Francisco, CA
Store, San Francisco, CA
“Aura & Angst,” Halsey McKay Gallery,
“Apocabliss,” curated by Maya Hayuk,
East Hampton, NY
Alice, Brussels, Belgium
“Color Theory,” Sonoma Valley Museum
“Surf Zombies,” Cell Project Space,
of Art, Sonoma, CA
London, UK
“Transmission Lines,” Cooper Cole
“Hope Springs Eternal,” 96 Guillespe,
Gallery, Toronto, Canada
London, UK
“RTC Collaborations,” Western
“Americana,” Wattis Institute, San
Exhibitions, Chicago, IL “Abstraction Now,” Berkeley Art
2010
“Hot And Cold-The End Is Here,” Baer
Gallery, Stanford University, Stanford,
Francisco, CA 2007
“Hope and Despair,” curated by Bob
Museum, Berkeley, CA
Matthews, Cell Project Space, London,
“Sound and Shape,” Guerrero Gallery,
UK
San Francisco, CA
“Distinctive Messengers,” curated by
“Beneath The Picture,” curated by Kent
Simon Watson and Craig Hensala,
Baer, Ambach & Rice, Seattle, WA
Scenic, 489 Broome Street, NYC
“Island Press-3 Decades of
“Must Not Know Bout Me” Eleanor
Printmaking,” curated by Karen K.
Harwood Gallery, San Francisco, CA
Butler, Kemper Art Museum, St. Louis,
“All Is Well That Begins Well and Has No
MO
End,” curated by Jan Van Woensel,
“THE SUN (performance),” Southern
Ernesto Burgos, and Jonah Groeneboer,
Exposure, San Francisco, CA
NYU Washington Square East Galleries,
“The Power of Selection Pt. 3,” curated
NYC
by Ryan Travis Christian, Western
“The Unknown Quantity,” Gregory Lind
Exhibitions, Chicago, IL “Default State Network,” curated by
Gallery, San Francisco, CA 2006
“Infinity in Finite Things,” Western
Ryan Wallace, Morgan Lehman Gallery,
Project, Los Angeles, CA
NYC
ZusammenKunst, Galerie Hafemann,
“Paper!Awesome!,” curated by Brion
Wiesbaden, Germany
Nuda Rosch, Baer Ridgway Exhibitions,
“Men and Materials,” Jeff Bailey Gallery,
San Francisco, CA
NYC
BIOGRAPHY
CHRIS DUNCAN “I Used to Believe,” curated by Melissa Diaz, David Castillo Gallery, Miami, FL “West Coast Windows,” curated by Oliver Halsman Rosenburg,Samsøn Projects, Boston, MA “Variegated Radiant Dream Plot,” Gregory Lind Gallery, San Francisco, CA 2005
“Kults, Werewolves and Sarcastic Hippies,” Yerba Buena Center for the Arts,” San Francisco, CA “Shelter From the Storm,” Allston Skirt, Boston, MA “Young Mountain,” The Sharon Arts Center Gallery, Peterborough, NH “Op-Ish,” Samsøn Projects, Boston, MA “Tsunami Relief Auction,” White Box,
2004
Dove, 22 April 2015. Landes, Jennifer. “deKooning House, Subject and Object,” East Hampton Star, 31 March 2015. Small, Rachel. “How The Dallas Art Fair Takes You In,” Interview Magazine, 10 April 2014. Menendez, Franklin. ”Chris Duncan,” Artforum, January 2011. Kesler, Christine. “Chris Duncan: Eye Against I,” Art Practical, September 2010. Tilghman, Parker. “Vertigo,” Art Slant, 11 September 2010. Hudgens, Christopher. “Episode 228: NADA part 1 – Heather Hubbs and Chris Duncan,”
“Gondola Mayo Funnel,” Mimi Barr, San
Podcast, Bad at Sports, 10 January
“Life and Death,” 111 Minna Gallery, San Francisco, CA “Around And Every Day,” Adobe Books, San Francisco, CA “Collectors Edition,” Triple Base, San Francisco, CA “Books!Awesome!,” Mimi Barr, San Francisco, CA “Portrait Show, Needles and Pens,” San Francisco, CA “Heartswork,” Lump Gallery, Raleigh, NC; traveling to Covivant Gallery, Tampa, FL; Space 1026, Philadelphia, PA “Keepsake,” juice design, San Francisco, CA 2002
Kooning House,” Eyes Towards the
New York, NY Francisco, CA
2003
Hamer, Katy. “Chris Duncan at the Elaine de
“Spring to Autumn Period,” Southern Exposure,” San Francisco, CA
2010. Andrews, Brian. “Chris Duncan,” Shotgun
Review, 4 October 2009. Curcio, Seth. “Chris Duncan,” Daily Serving, 30 August 2008. Host, Vivian. “Chris Duncan: Punk Rocker to DIY Mystic,” XLR8R, 15 April 2008. Host, Vivian. “Q&A: Chris Duncan,” XLR8R
Magazine, 16 March 2008. “The NADA Emerging Artist Page: Chris Duncan,” The L Magazine, 31 January 2007, p. 62. Smith, Roberta. “Chris Duncan: The Continued Exploration of Pink and Brown,” The
New York Times, 15 December 2006. Chun, Kimberly. “Goldies 2006 Visual Art: Chris Duncan,” San Francisco Bay Guardian, 8-14 November 2006. Rawlings, Ashley. “Interview with Chris
BIBLIOGRAPHY
Duncan,” Tokyoartbeat.com, 4 November 2006.
Forbes, Alexander. “The 8 Best Booths at Art Cologne,” Artsy Editorial, 15 April 2016. Lutz, Leora. “Review: Chris Duncan Media Based Time at Et al.,” SFAQ, 8 May 2015.
“Review” The Japan Times, 19 October 2006. Lyman, Ian. “The Temple of Light and Sound,” Ping Mag, 4 October 2006. Whiteside, Amber. “Variegated Radiant Dream Plot,” ARTWEEK, April 2006, p.14.
BIOGRAPHY
CHRIS DUNCAN Helfand, Glen. “Variegated Radiant Dream Plot,” Art on Paper, March-April 2006,
2008
Island Press, St. Louis IL
2006
Goldie Award for Visual Art
p. 80-81. Cash, Stephanie. “Report From San Francisco II:
COLLECTIONS
New and Now,” Art In America, January 2006, p. 62. Spalding, David. “Review,” Artweek, April 2001.
Berkeley Art Museum, Berkeley, CA Kemper Art Museum, St. Louis, MO Museum of Modern Art, NYC
PUBLICATIONS
SF MoMA, San Francisco, CA The JP Morgan Chase Collection, NYC
“Grey,” Land and Sea, Oakland, CA, 2015.
Wellington Management Company, Boston, MA
“12 Symbols LP,” Land and Sea, Oakland, CA,
The Progressive Art Collection, OH
2015.
Jaffe Book Arts Collection, Boca Raton, FL
“ACAB,“ Land and Sea, Oakland, CA, 2014. “New American Paintings #79,” Open Studio
PANEL DISCUSSIONS/LECTURES
Press, Boston, MA, pp. 48-51 “Starship Counterforce,” K48, Issue 7, Image,
2011
2008. NY Arts: Vol. 13., Chris Duncan, 2008
San Francisco, CA 2009
“In Lockdown We Bite!,” K48, Issue 6, Image, 2006.
“Artists Books,” Southern Exposure, University of Kansas, Lawrence, KS Washington University, St. Louis, MO
2004
Planet Magazine, Spring 2007, back cover.
“Art of Zines 2004ʹʹ, San Jose Museum of Modern Art, San Jose, CA
“Chris Duncan,” Arrow Magazine, Issue 3, Fall 2006, pp. 42-43, 55-61, back cover.
CURATORIAL PROJECTS
McSweeney’s Quarterly Concern, Issue 20, Fall 2006, p. 60.
2010-Present “Land and Sea,” fine art publishing
“The Zine UnBound: Kults, Werewolves and Sarcastic Hippies,” Yerba Buena Center
and editions 2012
for the Arts, San Francisco, CA, 2005.
gatherings and performances, Berkeley
Lyric poetry journal, Issue 7, 2005. The Drama, Issue 4, 2004.
Art Museum, Berkley, CA 2010
“May the Circle Be Unbroken, Heartswork,”
“!!!THE SUN!!!,” improvisational, audience participatory sound project
exhibition catalog, 2004.
Events occurred: Kala Institute,
Arkitip, Issue 21, Malibu, CA, 2004.
Berkeley Art Museum, Southern
Herbivore Magazine, Issues 2 and 3, Crown, Jeremy, Portland, OR, 2003/2004.
“Sun and Moon,” a series of four
Exposure 2010
“SEEING,” reading about “seeing” included Lawrence Rinder, Ryan
AWARDS & RESIDENCIES
Wallace, Whitney Chadwick, Miranda Mellis amongst others, in conjunction
2015
Headlands Center for the Arts, CA
2014
Elaine deKooning House, East Hampton, NY
2012 2010
with “EYE AGAINST I,” Baer Ridgway, San Francisco, CA 2010
BELIEVING, film screening of October
ACRE, Steuben, WS University of
Country (Donal Mosher), in conjunction
Kansas, Lawrence, KS
with “EYE AGAINST I,” Baer
Kala Institute, Berkeley, CA
Ridgway, San Francisco, CA
BIOGRAPHY
CHRIS DUNCAN 2008
“3, the work of Ernesto Burgos, Kyle Ranson and Derrick Snodgrass,” Gregory Lind Gallery, San Francisco, CA
2002
Keepsake,” curated by Chris Duncan and juice design, San Franciscio, CA
2001
“Sketch,” with juice design, September “Hot and Cold,” zine project with Griffin McPartland, group shows curated to accompany release of each Issue
BIOGRAPHY
RACHEL FOULLON Born in Glendale, CA, 1978 Columbia University, NYC, M.F.A., 2004 New York University, NYC, B.S., 2000 Lives and works in Los Angeles, CA Arranged according to the Laws of Chance),” Fourteen30 Contemporary,
SOLO EXHIBITIONS
Portland, OR 2015
“Hayloft,” Halsey McKay Gallery, East
“Save it for Later,” curated by Ryan
Hampton, NY “Double Gate,” 55 Gansevoort, NYC
Steadman, Sotheby’s S2 Gallery, NYC 2013
“Tenth Anniversary Show,” Wallspace,
2014
“Choker,” Launch Pad, London, UK
NYC
2013
“Shapeners,” Halsey McKay, East
“Remainder,” Philbrook Museum of Art,
Hampton, NY
Tulsa, OK
“Braided Sun,” University Art Museum,
“Double Life,” SculptureCenter, Queens,
2012
University at Albany, Albany, NY “Present Future,” Artissima 19, Torino,
2010 2009
NY 2011
“Raw Materials,” Green Park Gallery,
Italy
Los Angeles, CA
“Ruminant Recombinant,” ltd los
“Double, double,” Workplace Gallery,
angeles, Los Angeles, CA
Gateshead, UK
“An Accounting," ltd los angeles, Los
“Group Show: 7 Sculptors,” Brennan &
Angeles, CA
Griffin, NYC
“Grab a Root and Growl,” Nicelle
“Greg Wilken, Torbjorn Vejvi
Beauchene Gallery, NYC
Lynton…,” curated by Jesse Benson, Las Cienegas Projects, Los Angeles, CA “Becoming Something Found,” curated
GROUP EXHIBITIONS
by Molly Smith and Fabienne 2018 2016
“Night, Shortly,” curated by Ryan
Laserre, Jolie Laide, Philadelphia, PA,
Wallace, Susan Inglett Gallery, NYC
“The Light Show,” Kate Werble Gallery,
“Her Wherever,” curated by Sara Greenberger Rafferty & Sara
NYC 2010
New Art Dealers Association, Canyon
East Hampton, NY
Ranch Miami Beach, Miami, FL
“Just Now Between Positions,”
“Painting and Sculpture: To Benefit the
Fourteen30 Contemporary, Portland, OR
Foundation for Contemporary
“LL | EE,” Galeria Pedro Cera, Lisbon,
Arts,” Lehman Maupin, NYC
Portugal
“De-Nature,” curated by Wendy White,
“Blue Jean Baby,” September, Hudson,
Jolie Laide, Philadelphia, PA
NY
“Curated Prints by Forth Estate,”
“And the Dish Ran Away With the Spoon,” 247365, NYC 2014
“Outdoor Sculpture Garden,” curated by
VanDerBeek, Halsey McKay Gallery,
Frederieke Taylor Gallery, NYC 2009
“Forth Estate Editions,” Rhode Island
“Ghost Current,” curated by Ryan
School of Design Memorial Hall Gallery,
Wallace, V1 Gallery, Copenhagen,
Providence, RI
Denmark “Untitled (Collage with Squares
“On From Here,” Guild & Greyshkul, NYC 2008
“Without Walls,” Museum 52, NYC “Beyond a Memorable Fancy,” Elizabeth
BIOGRAPHY
RACHEL FOULLON Foundation for the Arts Project Space,
Subotnick, Studebaker Building,
NYC
Columbia University, NYC
“what the midnight can show us,”
“Art in the Office,” curated by Matt
Museum 52, NYC
Keegan, The Global Consulting Group,
“Fresh Kills,” curated by Dave KennedyCutler, Dumbo Arts Center, Brooklyn,
2007
NYC 2003
Future,” La Biennale di Venezia, Venice,
“Unfurnished Rooms,” curated by Jacob
Italy
Robichaux, Unit B, San Antonio, TX
“Faking Real,” curated by Stephen
“Workspace Program 2001 07,” Dieu
Hilger, LeRoy Neiman Center, Columbia
Donné, NYC
University, NYC
“Neointegrity,” curated by Keith
“Shangri-la,” curated by Michael St.
Mayerson, Derek Eller Gallery, NYC
John and Jason Duval, Islip Art Museum,
“Sonotube,” Santa Barbara Contemporary Arts Forum, Santa
2006
East Islip, NY 2002
“Process/ion,” curated by Eva
Barbara, CA
Respini, LeRoy Neiman Center and Low
“The Line of Time and the Plane of
Memorial Library, Columbia University,
Now,” curated by Jacob Dyrenforth,
NYC
Ohad Meromi and Halsey Rodman,
“Tricky Adios: Hello to Handmade
Wallspace, NYC
Words,” organized by David
“Thin Walls,” curated by Sara Greenberger Rafferty, Klaus von
Humphrey, K.S. Art, NYC 2001
“The Worst of Gordon Pym
Nichtssagend Gallery, Brooklyn, NY
Continued,” Printed Matter, NYC
“Bring the War Home,” curated by Drew
“To Market To Market,” curated by
Heitzler. Q.E.D., Los Angeles, CA
Robin Kahn, The Rotunda Gallery,
“Material World: New Sculpture for the
Brooklyn, NY
Commons,” Public Art Fund, MetroTech
“White on White,” Quality Gallery,
Center, Brooklyn, NY 2005
“Vivere Venezia II: Recycling the
NY
“Spectrum,” curated by Kate
Brooklyn, NY 2000
“Group Show,” Quality Gallery, Brooklyn,
Shepherd, Galerie Lelong, NYC
NY
“Talk to the Land,” arranged by Matt
“Sophie Spar Sale,” Printed Matter, NYC
Keegan, Andrew Kreps Gallery, NYC
“Great America,” Rosenberg Gallery,
“Bucolica,” Wallspace, NYC
New York University, NYC
“A Slower Time,” Sandroni Rey, Los
“Snapshot,” The Contemporary
Angeles, CA
Museum, Baltimore, MD; Beaver College
“Paper,” Nicole Klagsbrun Gallery, NYC
Fine Arts Gallery, Glenside, PA
“Drama, Romance, Loneliness, Narcissism and Many More Diseases of
BIBLIOGRAPHY
the Soul,” Audiello Fine Art, NYC 2004
“Wallpaper for the 21st Century,”
Messinger, Kate. “Openings and Closings and
Placemaker, Miami, FL
Overused Metaphors: Everything We
“Four-Ply,” Andrea Rosen Gallery, NYC
Saw and Heard at Last Night’s Art
“Gypsies Curse,” curated by José
Events,” Paper Magazine, 14 August
Diaz, Buena Vista Building, Miami, FL
2015.
“MFA Thesis Exhibition,” curated by Ali
BIOGRAPHY
RACHEL FOULLON Diamond Hamer, Katy. “Foullon and Burgos at
Artist contribution, “-ship,” collected by Lauren
Halsey McKay,” flashartonline.com, 7 October 2013.
Mackler, Spring 2008. Sussler, Betsy. “Artists on Artists,”
BOMB Magazine, Spring 2008.
Watts Jr., James D. “Philbrook exhibit ‘Remainder’…,” Tulsa World, 30 June
Keeley, Amanda. “S for Summer in the City, 2007,” White Walls, Summer 2007.
2013. Kane, Tim. “On Exhibit: Rachel Foullon at
“Material World,” Public Art Fund, New York,
UAlbany,” Times Union, 25 October 2012. Jovanovich, Alex. “Rachel Foullon: University
2006. Keegan, Matt. “ETC.,” New York, 2006. “The AI Eye: Editors’ Picks of Art for Sale,” Artinfo, January 2006.
Art Museum, University at Albany,”
Artforum.com, 24 October 2012. Griffin, Johnathan. “Rachel Foullon,” Flash Art, Summer 2012. Mizota, Sharon. “Hanging there at the ready,” Los Angeles Times, 11 May 2012. Soto, Paul. “The Perfect Arrangement,” ArtinAmerica.com, 9 May 2012. “In the Gallery: Rachel Foullon,” Paddle8.com, May 2012. Miller, Leigh Anne. “The Lookout,” ArtinAmerica.com, July 2011 Velez, Pedro. “L.A. Confidential,” artnet.com, January 2011. Holte Ned, Michael. “Best of 2010,” Artforum, December 2010. Gerwin, Daniel. “De-Nature,” artslant.com, November 2010. Lehrer-Graiwer, Sarah. “Rachel Foullon,” Artillery, May/June 2010. Schad, Ed. “A Meandering Reading of Rachel Foullon,” artslant.com, March 2010. O’Neill-Butler, Lauren. “500 Words: Rachel Foullon,” Artforum.com, March 2010. Holte Ned, Michael, text accompanying exhibition at ltd los angeles, March 2010. Wolin, Joseph R. “Rachel Foullon,” Artforum.com, September 2009. Dault, Julia. “Rachel Foullon at Nicelle Beauchene,” Akimbo.ca, September 2009. Plunkett, Megan. “Rachel Foullon,” The Kingsboro Press, Fall 2008. Artist contribution, “Transatlantico 2,” SITE Magazine, Spring 2008.
Smith, Roberta. “Robert Melee/Talk to the Land,” The New York Times, 11 November 2005. Cotter, Holland. “Justin Lowe,” The New York
Times, 5 August 2005. Keegan, Matt. “North Drive Press #2,” North
Drive Press, June 2005. Kramer, Louise. “Youngbloods,” Crain’s New
York Business, 6-12 June 2005, p. 46. Jana, Reena. “Four-Ply,” Time Out New York, 26 August – 2 September 2004, p. 61. Johnson, Ken. “Four-Ply,” The New York Times, 6 August 2004, E32. Ammirati, Domenick. “Art in the Office,”
Artforum.com, 17 April 2004. “Vivere Venezia. 2: Recycling the Future,”
Marsilio Editor, Venice, Italy, 2003. Krudy, Catherine. “Artists at the Neiman Gallery Show Us How to Fake It,” Columbia
Spectator, 30 April 2003. Respini, Eva. “Process/ion,” New York, 2002. Yablonsky, Linda. “To Market To Market,” Time
Out New York, 18-25 October 2001. Smith, Roberta. “The Worst of Gordon Pym Continued,” The New York Times, 16 November 2001, E34. AWARDS AND RESIDENCIES
2014
Launch Pad, London, UK
2012
Foundation for Contemporary Arts Emergency Grant, NYC
2011
Fellow in Craft/Sculpture from the New York Foundation for the Arts, NYC
BIOGRAPHY
RACHEL FOULLON 2005
Workspace Program, Dieu DonnĂŠ Papermill, NYC Grizedale Arts/Wordsworth Trust Residency, Lakes District, UK
2004
Caroline Newhouse Award for Sculpture, Columbia University, NYC
2003
Vivere Venezia 2: Recycling the Future, International Residency and Workshop at IUAV, La Biennale di Venezia, Venice, Italy
BIOGRAPHY
JOSEPH HART Born in New Hampshire, 1976 Rhode Island School of Design, BFA, 1999 Lives and works in Brooklyn, NY “What’s Up, New York,” curated by
SOLO EXHIBITIONS
Lawrence Van Hagen, NYC 2018
“Blood Orange,” Halsey McKay Gallery,
2016
East Hampton, NY 2016
and Ryan Wallace, CODE, Copenhagen,
“Chud Silo,” Halsey McKay Gallery, East Hampton, NY
Denmark 2015
“Pussy Willow,” Romer Young Gallery, San Francisco, CA 2014
Stockholm, Sweden
Angeles, CA
“Volatile,” Galleri Jacob Bjorn, Aaruhus,
“Dread Blush,” David Krut Gallery, NYC
Denmark
“Excavator,” Romer Young Gallery, San
“Joseph Hart & Tamara Zahaykevich,”
“Angel Error,” Halsey McKay Gallery, “The Idea of North,” Federico Luger,
Dieu Donné, NYC 2013
“News from New York,” Galleri Tom Christoffersen, Copenhagen, Denmark
2012
“Sixth Sax,” curated by Patrick Brennan,
Milan, Italy
Halsey McKay Gallery, East Hampton,
“Odd Antique,” Halsey McKay Gallery in
NY
collaboration with 1st Dibs, New York
“Joseph Hart & Mark Delong,” Cooper
Design Center, NYC 2010
“Winter Show,” Steinsland Berliner,
“Kiss Idioms,” Mark Moore Gallery, Los
East Hampton NY
2012
“Pattern :::: Chaos,” Cinders Projects, Brooklyn, NY
2014
Francisco, CA 2013
“Flat Fix,” curated by Ryan Steadman
“Out of Moments,” Galerie Vidal Saint-
Cole Gallery, Toronto, ON Canada 2011
“Forth Estate Editions,” Halsey Mckay
Phalle, Paris, France
Gallery, East Hampton, NY
2009
“Stagecraft,” David Krut Projects, NYC
“Domestic Goods,” curated by Ryan
2008
“Vanitas,” Wild Project, NYC
Wallace, Eric Firestone Gallery, East
2007
“Beautiful Balance,” Galerie Vidal Saint-
Hampton, NY
Phalle, Paris, France
“Go Figure,” curated by Eddie Martinez,
“The Belief Signal,” Loyal Gallery,
Dodge Gallery, NYC
Stockholm, Sweden
“Incognito,” Santa Monica Museum of
2006
Art, Santa Monica, CA “Cover Version LP,” Brooklyn Academy
SELECTED GROUP EXHIBITIONS
of Music, Brooklyn, NY 2018
“Night, Shortly,” curated by Ryan
“Joseph Hart & Ruby Sky Stiler,” Halsey
Wallace, Susan Inglett Gallery, NYC 2017
“What’s Up, The Americas,” curated by
McKay Gallery, East Hampton, NY 2010
“Default State Network,” Morgan
Lawrence Van Hagen, London, UK
Lehman Gallery, NYC
“New York, New Work,” Albada
“All This and Not Ordinary,” Jeff Bailey
Jelgersma, Amsterdam, Netherlands “Brass Tacks,” curated by Ryan Wallace,
Gallery, NYC 2009
“New Prints / Summer 2009,”
Anat Ebgi, Los Angeles, CA
International Print Center, NYC
“Drawing Island,” The Journal, Brooklyn,
“Subverted Genres,” Sue Scott Gallery,
NY
NYC
BIOGRAPHY
JOSEPH HART “North American Print Biennial,” 808
SELECTED BIBLIOGRAPHY
Gallery, Boston University, Boston, MA “With Hidden Noise,” David Krut Projects, NYC 2008
“Forth Estate Editions II,” Klaus Von Nichtssagend Gallery, Brooklyn, NY “Cover Version,” Taylor De Cordoba, Los Angeles, CA “Accident Blackspot,” Freight + Volume, NYC “New Talents,” Art Cologne, Cologne, Germany “I Declare This War Is Over,” Triple Base Gallery, San Francisco, CA “Accident Blackspot,” Galerie Markus Winter, Berlin, Germany
2007
“W.I.P.,” Galleri Magnus Aklundh, Malmo, Sweden “Here And Elsewhere,” The Bronx Museum of The Arts, Bronx, NY
2006
“Forth Estate Editions,” Klaus Von Nichtssangend Gallery, Brooklyn, NY “CRG Presents: Klaus Von Nichtssagend,” CRG Gallery, NYC “You Have To Be Almost Gifted To Do What I Do,” Alexander & Bonin, NYC “Don’t Abandon Ship,” Allston Skirt Gallery, Boston, MA
2005
“Selected Drawings,” Klaus Von Nichtssangend, Brooklyn, NY “Loyal And His Band,” Loyal Gallery, Stockholm, Sweden “Greater Brooklyn,” CRG Gallery, NYC “Young Mountain,” curated by Joseph Hart, Sharon Arts Center, Peterborough, NH “Everybody Knows This Is Nowhere,” Loyal Gallery, Stockholm, Sweden
2004
“Dude Ranch,” SPACE 1026, Philadelphia, PA “Gondola Mayo Funnel,” Mimi Barr Gallery, San Francisco, CA
Butler, Sharon. “Anxiety and the Art Fair: NADA Edition,” Two Coats of Paint, 14 March 2017. Miyazaki, Naoto. MONTEM Magazine #04, September 2014. Quicho, Alex. Free Thinkers #07, September 2014. Osberg, Annabel. “Recontextualizing Pieces of Art History and Scraps of Everyday Life,” Huffington Post, 16 May 2014. Hamer, Katy Diamond. “New York Tales…,” Flash
Art, 20 August 2013. Russeth, Andrew. “Miami Project Arrives,”
GalleristNY, 2012. Donahue, Bridget. “Shapes in Space,” Odd
Antique Catalogue, February 2012. Indrisek, Scott. “Young Blood,” Modern Painters, June 2011. Valli, Marc. “In The Broadest Sense,” Elephant
Magazine, Issue #5, January 2011. Morton, Julia. “Default State Network,” City
Arts, July 2010. Rich, Matthew. “Joseph Hart, and You,”
Stagecraft Catalogue, November 2009. McCrickard, Kate. “History Boy,” Stagecraft
Catalogue, November 2009. Hartig, Frederik. “Das Gefrorene,” Meer No. 4, 2008 Hendeson, Lee. “Bilocation,” Border Crossing, Issue #107, 2008. Chu, Ingrid. “Accident Blackspot,” Time Out New
York, August 2008. Stern, Steven. “Joseph Hart / Fragments,”
Seems Books, July 2008. Loesser, Ernest. “Where The Pieces Fall,” FV
Magazine Vol. 2, 2008. Ribas, João. “Here And Elsewhere,” Bronx
Museum of the Arts, NYC, April 2007. “Beautiful Balance,” Galerie Vidal Saint-Phalle, Paris, France, 2007. Brown, Nick. “The Art of Storytelling,” COLOR
Magazine, October 2006.
BIOGRAPHY
JOSEPH HART Stockwell, Craig. “Young Mountain,” Art New
England, October 2005. Alessandrelli, Irina Zucca. “La risposta di Brooklyn alla Grande NY,” Flash Art, August–September 2005. Bengtsson, K., Giunta, A., Leines, M., Lilja, M. “Loyal And His Band: A Five Year Anniversary,” Loyal Books, Stockholm, Sweden, March 2005.
TEACHING
2007-Present Lecturer, The City College of New York, NYC 2015
Visiting Instructor, Penland School of Craft, Penland, NC
2014
Critic, Rhode Island School of Design, Providence, RI
Printed Illustrations, The New York Times, various dates, sections and authors PUBLIC COLLECTIONS
The Metropolitan Museum of Art, NYC Rhode Island School of Design Museum, Providence, RI Davis Museum at Wellesley College, Wellesley, MA AWARDS, HONORS AND RESIDENCIES
2014
Residency Fellowship, Dieu Donné Papermill, NYC
2010
Juror, Robert Blackburn Printmaking Workshop / Studio Immersion Project, NYC Guest Lecture, Northeastern University / Dept. of Art & Design, Boston, MA
2009
Guest Lecture, Maryland Institute College of Art, Baltimore, MD North American Print Biennial, Selected Artist, Boston University, Boston, MA
2008
Selected Artist, Art Cologne / New Talents, Cologne, Germany Juror, Scholastic Art Awards / Division of Printmaking and Drawing, NYC
2007
Selected Artist, AIM Program / The Bronx Museum of the Arts, Bronx, NY
2006
Guest Lecture, Harvard University / Advocate Arts Presents, Cambridge, MA
2005
Residency Fellowship, Saltonstall Foundation for the Arts, Ithaca, NY
BIOGRAPHY
BRIE RUAIS Born in Southern California, 1982 Columbia University, NYC, M.F.A., 2011 New York University, NYC, B.F.A., 2004 Lives and works in Brooklyn, NY “Squid Ink, with Rosey Keyser,” Romer
SOLO EXHIBITIONS
Young Gallery, San Francisco, CA 2018 2017
“Brie Ruais,” Night Gallery, Los Angeles,
“New Ruins,” curated by Danielle
CA
Mysliwiec and Natalie Campbell,
“Broken Ground,” Halsey McKay Gallery,
American University Museum at the
East Hampton, NY 2016
2015 2014
2013
“According to the Body,” YoungWorld,
Katzen Arts Center, Washington, D.C. 2016
London, UK
“Where You No Longer Are, There is
“3 Sculptors,” Rachel Uffner Gallery,
Your Desert,” Thomas Hunter Project
NYC
Space, Hunter College, NYC
“Splotch,” curated by Eileen Jeng,
“130 lbs. of Proximal Frontage,”
Sperone Westwater, NYC
Mesler/Feuer, NYC
“Blue Jean Baby,” September, Hudson,
“Dugout,” Lefebvre & Fils, Paris, France
NYC
“Brie Ruais,” Cooper Cole, Toronto,
“Mal Maison,” curated by Ashton
Canada
Cooper, Maccarone, NYC
“XO,” Nicole Klagsbrun, NYC
“Low,” curated by Ethan Greenbaum and
“Two Wholes,” Halsey McKay Gallery, East Hampton, NY 2012
“Breather,” Laura Bartlett Gallery,
Detroit, MI
Michael DeLucia, Lyles and King, NYC 2015
“Artists in Crafted: Objects in Flux,”
“Unfolding // Performing Sculpture,”
Museum of Fine Arts, Boston, MA
Vox Populi, Philadelphia, PA
“Road to Ruin,” Cooper Cole, Toronto, Canada “Performative Process,” curated by
GROUP EXHIBITIONS
Ryan Steadman, Halsey McKay Gallery, 2018 2017
“Night, Shortly,” curated by Ryan
East Hampton, NY
Wallace, Susan Inglett Gallery, NYC
“The Familiar and the Indefinable in
“Brass Tacks,” curated by Ryan Wallace,
Clay: The Scripps 71st Ceramic Annual,”
Anat Ebgi, Los Angeles, CA
Ruth Chandler Williamson Gallery,
“True Lies,” Night Gallery, Los Angeles, CA
Claremont, CA 2014
“Next,” Arsenal, Toronto, Canada
“Paper Covers Rock: Brie Ruais, Letha
“Geometries of Intimacy,” curated by
Wilson,” September, Hudson, NY
Jess Wilcox and Clara Halpern, Abrons
“Brie Ruais and Lina Puerta,” Dieu
Arts Center, NYC
Donne, Brooklyn, NY
“EAF14: 2014 Emerging Artist
“I go, you go, good to go,” Unclebrother,
Fellowship,” Socrates Sculpture Park,
Hancock, NY
Queens, NY
“Hand Over Hand,” Dennis Miller, NYC
“Next,” Arsenal, Montreal, Canada
“Post-Election,” September Gallery,
“Anna Betbeze & Brie Ruais,” Marc
Hudson, NY
Selwyn Fine Art, organized with Nicole Klagsbrun, Los Angeles, CA
BIOGRAPHY
BRIE RUAIS “On The Blue Shore of Silence,” Tracy
“Material,” curated by Doru Olowu,
Williams and Fitzroy Gallery, NYC “A Topography of Chance,” curated by
Salon 94 Freemans, NYC 2011
Stedelijk Museum ‘s-Hertogenbosch, ‘s-
Francisco, CA
Hertogenbosch, The Netherlands
“Lovers,” curated by Martin Basher,
“Paul Clay,” Salon 94 Bowery, NYC
Starkwhite, Auckland, New Zealand
“Fabric as Form,” Jack Tilton Gallery,
“Speaking Through Paint: Hans
NYC
Hofmann’s Legacy Today,” curated by
“Columbia University MFA Thesis
Deborah Goodman Davis and Stacey
Exhibtion,” The Fischer Landau Center
Gershon, Lori Bookstein Fine Art, NYC 2013
“BYTS Bosch Young Talent Show,”
Jessica Silverman, Fused Space, San
“Ajar,” curated by Natasha Llorens,
for the Arts, Queens, NY 2010
“Durer’s Rhinocerous,” The LeRoy
Reverse, Brooklyn, NY
Neiman Gallery, Columbia University,
“Come Together: Surviving Sandy Year
NYC
1,” curated by Phong Bui, Brooklyn, NY
“The Record Show,” Public Fiction, Los
“Where The Sun Don’t Shine,” curated
Angeles, CA
by 247365, Interstate Projects,
“B-Sides,” 6-8 Months Project Space,
Brooklyn, NY
NYC
“Vessels,” The Horticulture Society of
“First-Year MFA Exhibition,” Wallach
New York, NYC
Gallery, Columbia University, NYC
“Group Show,” curated by Clarissa
“Tragic Sense of Life,” Westchester
Dalrymple, Marc Selwyn Fine Arts,
Community College Fine Arts Gallery,
Beverly Hills, CA
Rochester, NY
“Tommy Hartung, Jay Heikes, Alfred Leslie, Sarah Lucas, Luther Price, Brie
BIBLIOGRAPHY
Ruais & Ryan Sullivan” curated by Clarissa Dalrymple, Xavier Hufkens, Brussels, Belgium “Omar Khayyam,” Eli Ping Gallery, NYC 2012
“Contemporary Ceramics,” The LeRoy Neiman Gallery, Columbia University, NYC “Peekskill Project V: The New Hudson River School,” The Hudson Valley Contemporary Center for Art, Peekskill,
Schwendener, Martha. “What to See in New York’s Art Fairs this Week,” New York
Times, 2 March 2017. Baumgardner, Julie. “A Guide to America’s Next Great Art Neighborhood,” The New York
Times Style Magazine, 11 January 2017. Hawley, Anthony. “Mail Maison,” Modern
Painters, October/November 2016. Laster, Paul. “Weekend Edition: 12 Things To Do
NY
in New York’s Art World Before
“The LIC Block Party,” SculptureCenter,
February 15,” The Observer, 11 February
Queens, NY “Abject,” 111 Front Space Galleries, Brooklyn, NY “AIRspace Artists in Residence Show,” Abrons Art Center/Henry Street
2016. Steadman, Ryan. “The Top Ten NYC Gallery Shows of 2015,” The Observer.com, 17 December 2015. Cooper, Ashton. “In The Flesh: Brie Ruais’
Settlement, NYC
delicately bruised ceramics offer a gutsy
“Movement in Three Parts,” Nicole
take on the self-portrait,” Cultured
Klagsbrun Gallery, NYC
Magazine, Fall 2015.
BIOGRAPHY
BRIE RUAIS “Goings on About Town, Shortlist,” The New
Yorker, 8 & 15 June 2015, p. 23. Kerr, Dylan. “Full-Contact Ceramics: Sculptor Brie Ruais on Wrestling Conceptual Statements From Mountains of Clay,” Artspace.com, 27 August 2015. “If Walls Could Talk,” Blinnk.com, 5 May 2015. Indrisek, Scott. “5 Must-See Gallery Shows,” Blouin Artinfo.com, 12 June 2015. Duray, Dan. “Untitled and Zack Feuer Galleries Will Merge on the Lower East Side, Artnews.com, 11 March 2015. Trainor, James. “Up and Coming: Through the Medium of Clay, Sculptor Brie Ruais Lays Herself Bare,” Artsy.com, October 2014. Indrisek, Scott., “Kick it, Push it: A Sculptor gets physical with clay,” Modern Painters, November 2014. Trainor, James. “Brie Ruais, Artists on Artists,” BOMB Magazine, Fall 2014. Indrisek, Scott. “Brie Ruais Gets Physical with her Material,” BlouinArtInfo.com, 9 September 2014. Ollman, Leah. “Getting Physical with Clay and Fiber at Marc Selwyn,” The Los Angeles Times, 2 August 2014. Astrauskas, Roman. “Ring of Desire: On Brie Ruais’ Nearly Torn Away,” Magenta Magazine Online, May 2014. Patrick, Kendra Jayne. “Brie Ruais,” TurbulanceArtProject.com, April 2014. Vogel, Wendy. “Brie Ruais, Reviews in Brief: New York,” Modern Painters, March 2014. “Hit List: Things We Like,” Modern Painters, February 2014. Wei, Lilly. “Claytime! Ceramics Find Its Place in the Art-World Mainstream,” Art News, January 2014. Colman, David. “Art Scene: The Next Generation,” Architectural Digest, December 2013. Cowansage, Corydon. “Interview with Brie Ruais,” Art Haps.com, 27 October 2013.
Adams, Abraham. “Critics’ Picks: Ajar,”
Artforum.com, 30 October 2013. Peetz, John Arthur. “Critics’ Picks: “Where The Sun Don’t Shine,” Artforum.com, 18 July 2013. Rossetti, Chloe. “Critics’ Picks: Vessels,”
Artforum.com, 28 June 2013. Rosenberg, Karen. “Vessels,” The New York
Times, 20 June 2013. Jellicoe, Zoe. “Xavier Hufkens presents Clarissa Dalrymple,” The Word, 22 January 2013. “Weekly Artist Feature,” Site95.com, 4 June 2012. Wilson, Michael. “Movement in Three Parts,”
Time Out New York, 24 April 2012. Howe, David Everitt. “Dead Weight,”
SculptureCenter SculptureNotebook, June 2012. Sherman, Joan. “Young Artists Look at Old Masters,” The Huffington Post, 15 August 2011. “Goings On About Town, Paul Clay,” The New Yorker, 15 August 2011. Smith, Roberta. “Paul Clay,” The New York Times, 3 June 2011. “Art Exhibit More Strange Than Standard,” Columbia Spectator, 4 April 2010. PUBLICATIONS
Morril, Rebecca and Louisa Elderton, ed. “Vitamin C: New Perspectives in Contemporary Art, Clay and Ceramics,” Phaidon Press, NYC, 2017. Zilber, Emily. “Crafted: Objects in Flux,“ MFA Boston Publications, Boston, MA, 2015. Ollman, Leah. “The Familiar and the Indefinable in Clay: The Scripps 71st Ceramic Annual,” Ruth Chandler Williamson Gallery, Claremont, CA, 2014. Flam, Jack. “Come Together: Surviving Sandy, Year 1,” Skira, Milan, Italy, 2014. “XO: Brie Ruais,” Nicole Klagsbrun, NYC, November 2013.
BIOGRAPHY
BRIE RUAIS AWARDS & RESIDENCIES
2016
Pizzuti Collection, Columbus, OH
Dieu Donné Papermaking Residency, NYC
2015
Anderson Ranch Arts Center Residency, Snowmass Village, CO
2014
Socrates Sculpture Park Emerging Artist Fellowship, NYC The Shandaken Project Residency, Hudson Valley, NY
2012
Guest Artist Exhibition Series, Vox Populi, Philadelphia, PA
2011
Abrons Art Center & Henry Street Settlement, AIRspace Residency, NYC
2008
Vermont Studio Center, Sculpture Fellowship, Johnson, VT
2005
The Philadelphia Fabric Workshop and Museum, Philadelphia, PA
LECTURES & TEACHING
2017
Visiting Artist Lecture and Critiques, St. Olaf College Department of Art, Northfield, MN
2016
Ceramics for Adults, Abrons Art Center, NYC
2015
Visiting Artist Lecture, Critiques, and Workshop, Indiana University, Ceramics Department, Bloomington, IN
2014
Visiting Artist Lecture and Critiques, Rhode Island School of Design, Ceramics Department, Providence, RI
2013
Sculpture I, Columbia University, NYC
2012
Visiting Artist Lecture and Critiques, New York Studio Residency Program, NYC
2011
Visiting Artist Lecture, Adelphi University, Art Department, Long Island, NY
COLLECTIONS
Burger Collection, Hong Kong, China Dallas Museum of Art, Dallas, TX National Gallery of Canada, Ottawa, Canada
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