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佐垣慶多 SAGAKI Keita
個展 2019 My Girl：佐垣慶多來台個展，多納藝術，台北 2018 Baroque Deconstruction，Fabrik藝廊，香港 2016 花鳥風月 / 百鬼夜行，東京日本橋三越本館6樓藝術空間，日本 2016 MERONYMS，MICHEKO GALERIE，慕尼黑，德國 2015 MASTERS，MINNA NO GALLERY，東京，日本 2014 Convertism，CASHI，東京，日本 2010 Obit，CASHI，東京，日本 2008 Birthday，CASHI，東京，日本 2004 9 ～INSIDE AND OUTSIDE～，福島大學圖書館，日本
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公共收藏 昭和殼牌 Sekiyu
日本藝術家佐垣慶多Keita Sagaki於今年西洋情人節初次在台舉辦個 展，並受到國內外各大雜誌媒體瘋狂報導。佐垣慶多在創作中同時展 現漫畫家與藝術家兩種身分，並且巧妙的揉合隨之而來的對立，例如 高與低、東與西及近與遠。他之所以將西方古典大師與日本漫畫結合， 源自於他對東、西繪畫根本差異的思考：「西方繪畫與日本藝術包含著 許多衝突的概念。西方繪畫提供了深度，而我的漫畫角色卻是平的。即 便在許多日本古典繪畫中，透視也不常被使用。」此殊異的空間處理方 式，讓西方藝術家對日本藝術驚艷不已。西方藝術與日本文化的匯聚 已有百年以上的歷史，佐垣慶多的作品可說是更新了這個議題，將漫 畫角色串聯成古典名作一般，模糊了高藝術與低藝術的界線。二者之 間的區別，尚需遠看或近看的視角，方能清楚分辨。
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b.1984 Japan
佐垣慶多 SAGAKI Keita 回眸(局部) Evergreen (detail) 硬筆，Classico Fabriano紙，木板 pen on classico fabriano paper mounted on board 91 x 162 cm 2018
1984 2006 2008
Born in Ishikawa, Japan Graduated from in Art education, Fukushima University Completed master program in Art education, Fukushima University
SOLO EXHIBITIONS ( selection )
2019 "My Girls", Donna Art, Taipei, Taiwan 2018 "Baroque Deconstruction" Fabrik Gallery, Hong Kong 2016 "Flowers and birds poetic genius / crime wave ＂ Nihonbashi Mitsukoshi Main building 6 F art spot,Tokyo 2016 "MERONYMS" MICHEKO GALERIE, Munich 2015 "MASTERS" MINNA NO GALLERY, Tokyo 2014 "Convertism" CASHI, Tokyo 2010 "Obit" CASHI, Tokyo 2008 "Birthday" CASHI, Tokyo 2004 " 9 ～ INSIDE AND OUTSIDE ～ " Fukushima University Library, Fukushima
Public Collection
Showa Shell Sekiyu
Japanese artist Keita SAGA K I features his f irst solo in Ta ipei in Februar y 2019, leading insane exposures from international media press like CNN, Elle, Taiwan Tatler, Prestige magazine, etc. Keita constantly tries to figure out a way to become both Manga artist and artist in his creations. Further, he cleverly blends some contrast at hands, such as high and low, west and east, near and far (distance of viewing). From his interview, we can understand the conjunction of Western masterpiece and Japanese manga is originated from his ref lections on the essential differences between Eastern and Western paintings. “Western paintings and Japanese art contain many conf licting concepts,” Keita SAGA KI explained in an email interview for CNN style. “Western paintings offer depth, while my characters are f lat. Even in many classical Japanese paintings, perspective is not applied quite as much.” This is why western artists are often amazed by the so-called Japonisme for the extraordinary style of spaces. The convergence of Western art and Japanese culture has a history over 100 years. Nevertheless, Keita’s work can be said to have turned a new leaf for it. If Ukiyo-e enters the hall of art in the form of profiling ordinary people’s daily life, we could say Keita Sagaki blurs the boundary between high art and low art with his creations that composing manga characters into the masterpiece. The distinction of two (high & low art) can simply tell from the distance of viewing to Keita’s works.
佐垣慶多 SAGAKI Keita 回眸 Evergreen 硬筆，Classico Fabriano紙，木板 pen on classico fabriano paper mounted on board 91 x 162 cm 2018
佐垣慶多 SAGAKI Keita 山徑春行圖 /馬遠(1160-1225) Ma Yuan's Walking on a Mountain Path in Spring 硬筆，台灣咖啡，Classico Fabriano紙，木板 pen & coffee(made in taiwan) on Classico Fabriano paper on board 27.4 x 43.1 cm 2019
佐垣慶多 SAGAKI Keita 女力之泉 The Power Source 硬筆，Classico Fabriano紙，木板 pen on classico fabriano paper mounted on board 163 x 80 cm 2018
佐垣慶多 SAGAKI Keita 仿黃公望山水圖 /王原祁 (1642-1715) Landscape after Huang Gongwang by Wang Yuanqi 硬筆，台灣紅茶，Classico Fabriano紙，木板 pen & black tea (made in taiwan)on Classico Fabriano paper mounted on board 66.7 x 46 cm 2019
