.
BRACE YOURSELVES FOR THE IMPACT OF THE SHOCKING WIND-UP TO THIS YARN f
GOOD
LOUD, LADY/
WHAT MADE YOU DO') IT?
J
you'd better TELL us IT, MRS. BERDEEN/ START FROM T HE t
ABOUT
BEGINNING/
A CRIME SuspsnStoky
—
?
E LEANOR
BEROEEN'S FACE
VtHS
A
RIGID WHITE MASK WITH WIDE STARING EYES? SHE GAZED BLANKLY INTO THE SHADOWS OF THE CELLAR WORK SHOP? THE TWO DETECTIVES FROM
I
MARRIED ARTHUR THREE YEARS AGO? I DON'T KNOW
IT? I
YES, ARTHUR?
VERY' BUT... WHERE WILL WE LIVE AFTER THE HONEYMOON -
IS
OVER?
OH. ARTHUR?
WAS GOING TO
[ 1
REALLY
SURPRISE YOUBUT
'
I
HOW WONDERFUL' WHAT
MIGHT AS
WELL TELL YOU
HAPPY, ELEANOR?
HOMICIDE WAITED IN SILENCE FOR HER TO START HER STORY? WHEN SHE BEGAN TO TALK, HER VOICE WAS UNEXPRESSIVE... A LOW DREARY
I...I
DID
ANY CASE, NEVER. LOVED HIM? I JUST NEEDED A J ^HUSBAND... BADLY..! [’...IN \
.NOW' IVE PUT A DEPOSIT ON A
HOUSE
[
IN
BEXELY?
.
--
W
)
LOOK
LIKE?
IS IT
FURNISHED?
w-
'
J
WHY l OID IT... PERHAPS I ^ WAS AFRAID OF THE PROSPECT OF BECOMING AN OLD MA/D..*
OF COURSE I'LL LIKE IT IF
ARTHUR
YOU BOUGHT SEE
IT?
M
COULDN'T WAIT FOR THE HONEYMOON TO BE OVER.' FRANKLY, I WAS] BORED STIFF.' NEVER HAVING LOVED ARTHUR, I FOUND THE J * WHOLE THING QUITE DULL ' I
»’I
...
IT
FOR ME? DEAR? I CAN'T WAIT TO
\
[
LOOKED FORWARD TO THE PLEASURE j OF LIVING IN MY OWN HOUSE WITH I DELIGHTFUL ANTICIPATION? FINALLY | .WE ARRIVED,./ i ’
THERE
IT IS?
ISN'T IT
YES? VERY.. NICE?
.
ATTRACTIVE?
‘Arthur maoe a feeble attempt to carry me across .THE THRESHOLD BUT DIDN'T EXACTLY SUCCEED? AS HE STOOD BESIDE ME- BREATHING HARD... X SURVEYED THE HORROR HE'D DRAGGED ME INTO? THE PLACE WAS FURNISHED, ALL RIGHT-IN FACT IT WAS OVER-FURNISHED' EVERY AVAILABLE INCH OF SPACE WAS OCCUPIED BY SOME NAUSEATING DUST-CATCHER. '
~
COME? LET'S GO INSIDE? IT'S
^ COMPLETELY
|
~
Ml
FURNISHED /you'll r ADORE it?
^
? THE MINUTE I SAW THE \ OH, I PLACE X FELL IN LOVE J WOULDN'T WITH IT, ELEANOR' X CHANGE A WANT IT KEPT JUST THING, | EXACTLY AS IT IS...) ARTHUR' EXACTLY T—7 EVERYTHING ,
^
l
IS
PERFECT?
HATED THE PLACE.' WHEN WE SETTLED DOWN TO A DAILY ROUTINE AND ARTHUR RETURNED TO WORK, I TRIED REARRANGING THE FURNITURE TO MAKE IT LOOK A LITTLE BETTER.' BUT.. THE NIGHT AFTER I DID IT...'' HAVE A HARD DAY) NOT BAD, EL. »T THE OFFICE, WHAT IN y-
'I
r
YOU THOUGHT? NEVER
dear?
W M
WHAT D ID YOU DO? WHO TOLD YOU TO REARRAN6E THE FURNITURE?
blazes?)
MIND
WHAT YOU THOUGHT?1 TOLD YOU I WANTED THIS HOUSE LEFT EXACTLY AS IT WAS? I
HEART
IT'
NOW CHANGE
IT ALL BACK AGAIN?
.
A
Ie WAS - RIDICULOUS.. A FIEND FOR NEATNESS'EVERY NIGHT HE'D COME HOME FROM WORK AND GO THROUGH DRAWERS TO SEE THAT I HADN'T DISTURBED THEIR
HIS
ELEANOR' THE LAUNDRY ’
CAME BACK TODAY, didn't iTawB^rnr
A
PLACE FOR EVERYTHING.. AND EVERYTHING IN ITS PL AGE, ELEANOR? w
HOW MANY TIMES HAVE I TOLD YOU MY SHORTS GO ON THE y-< LEFT...FOLDED IN HALF... ) I
.BUTTONS UP? Hgj
ji
,
'
It WAS MADDENING' HE'D 60 THROUGH THE HOUSE ON A WHITE-GLOVE INSPECTION.. TCH...TCH ? THE A TOP OF THIS DOOR J < JAMB IS DUSTY. ELEANOR f YOU HAVE TO LEARN TO BE >
Less SLOPPY
'He'd
THIS
even criticize the IS
NOT
LOOK AT TH/S TABLE. THE
* THERE'S DUST YOU'LL HAVE TO
ELEANOR
WAY WE FOLD NAPKINS, DEAR?
ON
IT?
BE
NEATER THAN
YOU MUST LEARN TO DO IT R/6HTL-
—r THAT i
r~f^ YES "
~
y
WHEN YOU CLEAN* J
;
'By our first anniversary, he'd made a NERVOUS WRECK OUT OF ME* IT WAS ABOUT THAT TIME THAT HE'D BEGUN BUILDING HIS WORKSHOP HERE IN THE CELLAR...'
spent a small fortune on the MACHINE TOOLS HE'D INSTALLED IN THE WORK-1 'He'd
SHOP*
HE'D
BOUGHT EVERY GADGET AVAILAB LEll IT LOOKS VERY NICE, DEAR J *
IT'S GOING TO STAY J THAT WAY, TOO? TAKE
YES * AND
LESSONS FROM
THE WAY r KEEP THIS PLACE, DEAR* YOU'LL
SEE WHAT NEAT-
NESS
AND
ORDERLINESS
MEAN*
'Oh, lord, he kept that workshop neat* EVERYTHING HAD A SPECIFIC PLACE WHERE IT WAS KEPT, STORED, OR HUNG* HE HAD SHELVES OF VARS. EACH LABELED CAREFULLY, WHERE TINY SCREWS, NUTS, AND OTHER ITEMS WERE SORTED AND FILED...' I KNOW WHERE EVERYTHING IS.1 £ VERYTHING/ THAT'S NEATNESS. YES ELEANOR? ^dr ARTHUR* .
L
'
YOU FORGOT? THAT'S NO EXCUSE / YOU MUSTN'T
THE SECOND YEAR I WAS READY .CHUCK EVERYTHING AND LEAVE/ HE'D KITCHEN WITH HIS PERVERTED MANIA r
FORGET/ DON'T LET HAPPEN A6AIN /
:
r
V
IT J
ELEANOR/ YOU USED A CAN OF TOMATO SOUP AND DIDN'T ) CHECK IT OFF THE LIST/AND A, YOU DIDNâ&#x20AC;&#x2122;T FILL IN THE EMPTY PLACE WITH ONE FROM THE BACK/,
ME/ HE HAD ONE FOR THE FOOD WHICH HE KEPT IN THE PANTRY/ IT WAS AN INVENTORY OF THE CANNED GOODS/ WHEN I USED A CAN, I WAS SUPPOSED TO CHECK IT OFF THE LI ST SO IT COULD BE REPLACED. f HMMM/ RUNNING
BATHROOM ON THE INSIDE OF THE MEDICINE CABINET DOOR/ IT LISTED ALL THE DRUGS AND THEIR QUANTITIES/ REGULARLY HE'D COUNT THE
PILLS IN
THE BOTTLES.'
ELEANOR/ YOU USED TWO ASPIRIN TABLETS AND DIDN'T r
HANDERS SHOULD ALL HOOK OYER THE / ROD FROM THE FRONT AND YOUR ( CLOTHES SHOULD ALL HANG THE SAME V WAY. BUTTON SIDE FACING LEFT& .
w_-
.
THAT'S
NEATNESS/
FROM NOW ON, POTS
AND PANS
WILL BE KEPT IN THEIR PROPER IN THE CUPBOARD/ NO MORE THROWING THEM HAP-
PLACES
HAZAROLY INTO THE STOVE
'll
CHECK THEM OF,
KEEP YOUR UNDIES TO THE RIGHT. STOCKINGS SMALL BOXES... SWEATERS TO THE LEFT. m BLOUSES IN THE MIDDLE... .
IN
r
.
.
.
SEE
IF
HIS
ORDERS HAD ELEANOR' THIS MAGAZ UPSIDE DOWN IN THE STAND? T/TLES UP.. COHENS OUT... tor-1 PLEASE.'
x needed a thumb tack and HAD SEARCHED ARTHUR'S WORKSHOP FOR r ONE? THAT NIGHT...' Y...YES, ARTHUR? X NEEDED A... -y
'One day,
â&#x20AC;&#x201D;
I
ELEANOR.' WERE YOU DOWN HERE /N NY--* to WORKSHOP? jJTll
'Then, yesterday.. .a picture'o come loose from the wall? the nail that
rushed down to the GLAZIER TO HAVE THE BROKEN 'I'd
V 'Then x'o taken down one of the hundreds OF LABELED JARS THAT LINED THE SHELVES... ONE WITH NAILS THAT LOOKED LIKE THE RIGHT SIZE..-'
»
|
‘X TOOK A NAIL OUT OF THE JAR AND STARTED TO PUT IT BACK IN ITS PROPER PLACE ON THE SHELF, WHEN...'
in
'JUST ONE NAIL' HE SURELY ^HASN'T COUNTED THESE '
I BEGAN TO CRY? THE TENSION... THE NERVOUSNESS OF VIOLATING ARTHUR'S WORKSHOP-SANCTUARY WAS TOO MUCH FOR ME? SUDDENLY... UPSTAIRS- A DOOR SLAMMED...' y* GASP? !.T HEN
THOUSAND PIECES ON THE CEMENT CELLAR FLOOR AND THE NAILS LAY SCATTERED CRAZILY ABOUT? FOR A MOMENT X STARED AT THE
MESS- DUMBFOUNDED. .
ARTHUR/
'X COULD HEAR HIM STAMPING TOWARD THE
CELLAR DOOR? HE WAS ANGRY? I COULD TELL? I WAS FRIGHTENED? WHAT WOULD HAPPEN WHEN HE FOUND ME... AND THE
BROKEN JAR...' ELEANOR/ YOU DOWN THERE? ARE YOU
IN
WORKSHOP?
YOU...
ARE
MY
WH AT.. WHAT'S GOING
ter ON HERE?
'I LISTENED TO HIM MOVING
THROUGH THE HOUSE' X HEARD HIM STOP FOR A MOMENT? THEN X HEARD HIM SHOUT...'
ELEANOR.' WHAT’S
HAPPENED TO THE PICTURE...
HERE?*
'HE GLARED AT THE BROKEN JAR AND THE NAILS SCATTERED OVER THE WORKSHOP FLOOR? HIS FACE GREW RED... HIS EYES BLAZED-' f TOLD YOU TO X WANTED. ..TO HANG KEEP OUT OF THE PICTURE BACK HERE... DIDN'T X ? UP...SO YOU WOULDtfT X BE... ANGRY..
I
'His face was crimson' he raved WILDLY-' f you WANTED TO HANG
'I
THE PICTURE UP...SO YOU CAME DOWN HERE FOR A NAIL, EH’ONLY YOU BROKE THE JAR, EH ? ^ SLOPPY. ..SLOPPY ELEANOR...
| BROKE THE JAR/
FELT EVERYTHING SPINNING.
CAN'T YOU DO
ANYTHING NEA1
CAN'T YOU DO ANYTHING NEAT? CAN'T YOU? ,
CAN'T YOU? 1
*1 BACKED AWAY THING... A
PULLED
AND MY HAND CLOSED ON SOMEHANDLE OF ONE OF ARTHUR'S TOOLS ? I FROM ITS PLACE AS EVERYTHING WENT
IT
REMEMBER DOING THAT/ 1 REMEMBER
I
WANTING TO
NEAT/ „
I
SHOW H/N
REMEMBER
I
I COULD BE WANTED IT TO BE
NEAT JOB/ ^EVERYTHING WHEN
CLEANED UP I WAS wwSai
A
21
finished?
The DETECTIVES FROM HOMICIDE TURNED TOWARD THE ROWS OF JARS THAT LINED THE SHELVES' EACH ONE IN ITS
PLACE, BUT ARTHUR'S PRECISE CAREFULLY LETTERED LABELS HAD BEEN REPLACED BY NEW ONES IN ELE*
NERVOUS SCRAWL? THEY EACH BRIEFLY DESCRIBED THE CONTENTS OF THEIR RESPECTIVE YEAH, LADY? YOU^BBTcHOKE... LOOK FOR YOURSELVES? VERY CERTAINLY DID A I CLEANED UP THE Mneat? Jga neat job/ blood every drop/
W
...
w—
JARS...
MUM 1
<J Jjttt]
TllSisa
HERE
IS
A TALE OF TENSION WITH AN ELECTRIFYING FINISH!
-
The colonel strode back TO HIS DESK, LIT A CIGARETTE, ANO POTTED IT ANXIOUSLY' FINALLY, CAPTAIN MILLIKEN
STEPPED THR0U6H THE
MAURER,^ LOOKS REPORTS THAT) LIKE COMMUNICATION WITH /THEY'RE IS 1 TRYING TTO SURPROBABLY MEANS \ ROUND THEY'VE LOCATED 4 US, SIR?
Colonel henoerson pointed
SERGEANT
TO THE MAP... HIS FACE GRIM... THE SITUATION IS SERIOUS, CAPTAIN? THE GERMANS HAVE
HEADOUARTERS
HERE,
IMPOSSIBLE, WHICH
BROKEN THROUGH HERE... HERE— AND HERE? THEY'VE COMPLETELY BY-PASSED OUR LEFT FLANK ANO HAVE BEGUN MOVING THROUGH THE HEOGE ROWS AT OUR REAR? ^
DOORWAY AND SALUTED SHARPLY? COLONEL HENDERSON RETURNED THE SALUTE.
^AT
EASE, CAPTAIN? YOU
OUR PHONE LINES
^
CAN SMOKE IF
YOU LIKE
?
^
EXACTLY? X WANT THOSE PHONE J YES, SIR ? LINES REPAIRED, CAPTAIN... AT I'LL ORDER I ANY COST? WE'VE GOT TO GET A SQUAD THROUGH TO HEADQUARTERS OUT AT ONCE! FOR HELP BEFORE IT'S TOO LATE? ^ ]
J
4K
GOOD ? OH, BY THE WAY, 1 CAPTAIN? HOW'S MARTIN... ER... MY SON, LIEUTENANT HENDERSON, DOING? THIS IS HIS FIRST TIME'lN S
K
COMBAT?
PUT THIS. -BUT... WELL, SOME OF THE MEN IN HIS PLATOON / ARE 6RUMBL/NG / HIS SEP-
ITO
.
6EANT WHO’S AN OLD TIMER. TOLD ME...WELI HE CALLED s YOUR SON. ..THAT
WELL, man:
SPEAK UP? WHAT DID HE CALL HIM?
^
HE CALLED HIM 'YELLOW. SIR? HE ASKEO TO BE TRANSFEREO TO A DIFFERENT PLATOON? HE SAID L/EUTEN-
f
.
C
ART HENDERSON IS A COWARD... SIR?
>
m Colonel
Colonel Henderson saluted sharply, dismissing
henderson studied captain
MILLIKEN... SHOCKED AT WHAT HE'D JUST HEARD.' THEN HE BEGAN TO SPEAK... HIS VOICE WAS LOW AND HUSKY... WITH A GRIM DETERMINED TONE...
THAT MISSION. CAPTAIN.' THE ONE I JUST ASSIGNED to YOU ? I WANT t
THE CAPTAIN ? AS MILLIKEN DISAPPEARED OUT OF THE OPEN DOORWAY, THE COLONEL SANK INTO HIS CHAIR SLOWLY... STARING BLANKLY AFTER HIM? HIS EYES CLOUDED... REFLECTING THE LIGHT OF THE KEROSENE LAMP OVERHEAD... T T nn |
LIEUTENANT HENDERSON TO LEAD THAT SQUAD ON IT IS THAT CLEAR ?
A
Colonel henderson
The colonel watched the
sat, head
HANDS, FOR SOME TIME... LISTENING TO THE DISTANT
IN
DULL REPORTS OF THE ENEMY BARRAGE? SUDDENLY THE CRUNCHING FOOTSTEPS OF MARCHING MEN OUTSIDE MADE HIM LEAP TO HIS FEET? A SQUAD ON A MISSION WAS PASSING BY...
|
jT
BELIEVE IT.' MARTIN.' OWN SON f A COWARD THEY.. MUST BE MISTAKEN.'
THEY
Y0UN6 LIEUTENANT BREAK FROM THE HEAD OF THE SQUAD AND MOVE TOWARD HIM? MARTIN HENDERSON. ..LIEUTENANT... INFANTRY.. U.S. ARMY'HIS SON f YOU HAVE YOUR
ORDERS
SEE THAT YOU CARRY
THEM
OUT. LIEUTENANT
^
,
LIEUTENANT?
LIEUTENANT HENDERSON.'
THE COLONEL WATCHED THE SQUAD MOVE OFF IN
THE OARKNESS? HE WHISPERED UNOER
HIS
Overhead, a shell whined into the night, EXPLODING OFF TO THE WEST? THE COLONEL TURNED AND REENTERED THE SHELL- MARRED
'
MARTY.' MY BOY.' WHAT
I
COULDN'T'
X
GASP... THEY
<~
WERE WAIT!NS
LINES?
US... GASP' WAS A TRAP.' SOB. ..SOB...
FOR IT
W
HAPPENED?J
'
THE LINES' DID YOU
HEPAIN THE
HEADQUAR TERS, GASPING FOR BREATH...
A
. t
It was toward morning when LIEUTENANT MARTIN HENDERSON STUMBLED INTO THE COLONEL'S
.
AMBUSH.'GASP... WIPED OUT THE GET AWAY?
CAPTAIN.' I... I.. J TELL HIM HEFNER? GO WHAT'S HAP-
TO i
f
PENED TO THE
â&#x20AC;&#x201D;
SER6EANT,
THERE?
[The SERGEANT LIFTED HIS EYES... STARING AT THI [COLONEL'S TREMBLING SON? HE GRIMACED IN PAIN. COUGHING UP BLOOD -|r WHAT? IS THAT HE... HE RAN OUT ON US.' TRUE, L /EUTENANT? HE LEFT US... TO FIGHT THEM OFF..COUGH ..WHILE NO.'NOHE HIGH -TAILED IT OUT
^
L
OF THERE'
IT
IS TRUE?
IT. ..COUGH-
COUGH _.it is.'nes YELLOW.' YELLOW.' YELLOW.' YELLOW
-
T AS LIEUTENANT HENDERSONS J
COMMANDING OFFICER
I
SIR, I INSIST HE BE
L PLACED UNDER ARREST r TO FACE COURT-MARTIAL... FOR NE6LECT OF DUTY AND DESERTION OF HIS
MEN WHILE UNDER FIRE'
THAT IS YOUR CHARGE, CAPTAIN Ton YOUR FEET MILLIKEN , LIEUTENANT HENDERSON ) LIEUTENANT? WILL STAND TRIAL... tfJ -
.AHEAD.'TELL
^ ^ HIM'
'
w
IF
IMMEDIATELY
,
a move to COMFORT HIS TREMBLING SON.' SUDDENLY, A SOUND IN THE DOORWAY MADE HIM LOOK UP? CAPTAIN MILLIKEN STOOD THERE.SUPPORTING A WOUNDED DISHEVELED BLEEDING
SERGEANT-
WHOL E SQUAD.. GASP... MANAGED
,
The colonel made
Lieutenant henderson looked at his father.. HIS EYES PLEADING?THE COLONEL TURNED AWAY.
COURT-MARTIAL WILL CONVENE IN TWENTYMINUTES, CAPTAIN? NOTIFY THE OTHER < OFFICERS THAT ARE
im .
AVAILABLE/
>
'
YES, SIR?
LET'S GO,
1
LIEUTENANT?
.
.
Twenty minutes
later, a court-martial
Colonel henderson studied each of the SLIPS HANDED HIM' THE COLONEL WAS ARMYTHROUGH AND THROU6HY NO SIGN OF EMOTION OR FEELING EITHER CROSSED HIS FACE OR COLORED HIS VOICE AS HE ANNOUNCED... LIEUTENANT MARTIN HENDERSON* IT IS THE FINDING OF THIS COURTMARTIAL, THAT, IN VIEW OF THE TESTIMONY 6IVEN HERE, YOU
HEARD THE CHARGES AGAINST LIEUTENANT HENDERSON... p_ LIEUTENANT HENDERSON f HAVE YOU N...N1 ANYTHING TO SAY IN YOUR DENFENSE J SIR! BEFORE THIS COURT PASSES = JUDGEMENT UPON YOU ? ||
u
T
ARE GUILTY AS CHARGED.'
The colonel continued' HE LOWERED HIS GAZE SO HE WOULD NOT HAVE TO SEE THE
LOOK IN HIS SON'S EYES ... THE PENALTY FOR THIS OFFENSE, LIEUTENANT,
CHOICE THAN TO
SQUAD.'
4
HOW f
ORDER THE PEN- COULD ALTY TO BE CAR- i YOU? RIED OUT.'
IS
DEATH BY A FIRING
^7
*
HOW
IN
COULD YOU? SOB
^
They took martin henderson away' the COLONEL LIT A CIGARETTE' THE OTHER OFFICERS OF THE COURT-MARTIAL GOT UP ONE OF THEM LEANED OVER AND SPOKE TO THE COLONEL. SILENTLY.'
X...KNOW HOW TOUGH THIS
MUST BE FOR .
YOU.'
>
GOT TO BE DONE, ^MAJOR.' DISCIPLINE
MUST BE MAINTAINED/ MAY JAVE TO F/6HT OUR WAY OUT OF -jf
we-
.HERE
YET...
VIEW OF THE SITUATION
AT HAND... THE EXECUTION WILL TAKE PLACE AT 0600..
TWO HOURS FROM NOW.'
...
HAVE ANY OF OUR MEN LOSING FAITH IN THEIR COMMANDING OFFICERS. EH? DON'T YOU AGREE. . CAPTAIN
?
^
SURE r WAS
I’M A
COWARD f SOB. STIFF.' I RAN .'
SCARED YOUBETX RAN.'
.
SOB...
AND I’M
SCARED NOR; TOOf I DON'T A
/
f
.
.
AS DAWN LIT OP THE OVERCAST SKY, AND THE ENEMY BARRAGE BEGAN ANEW, A FIRING SQUAD MOVED TOWARD THE SMALL SHACK THAT HOUSED LIEUTENANT MARTIN HENDERSON ? SUDDENLY THE COLONEL CROSSED FROM HIS HEAD-
f
.
THE COLONEL ENTERED THE GUARDED BUILDING. THE SENTRY TO HIS SON LOOKED UP AT HIM
''SHUT UR YOU' fool' you're
NOT GOING J TO DIE.'
RANT TO D/E/ I DON'T WANT TO DIET ^ _ JflM
^
iT?y
^
T IT'S FIXED LISTEN AND L ISTEM CAREFULLY/ IN m AN HOUR I'M GIY/NG ORDERS TO PULL OUTf YOU'LL BE V.
Ibut THE FIRING T THEIR RIFLES ARE LOADED W/T/t I SQUAD/ THEY'RE BLANKS' WHEN MILLIKEN GIVES L_. OUTSIDE.' > THE ORDER TO FIRE, YOU FALL...
AND LAY STILL, FOR GOD'S
SAKE / YOU'LL BE LEFT FOR DEADf I WON'T GIVE THEM A CHANCE TO BURT YOU?
I'M NOT YOU'RE GOING TO /
I...
YOU...
fix
BLANKS'
LEFT BEHIND.. SO YOU BE ON YOUR OWN.'
~ YES
LL
U
^
I DON'T KNOW WHAT'S GOING TO HAPPEN TO YOU... 1 AND FRANKLY, I DON'T CARE/\ MAYBE SOMEDAY WE'LL MEET AGAIN? GOOD-BYE, MARTIN?
MI
1
Colonel henderson turned and WENT OUT OF THE SHACK...
Lieutenant martin henderson MARCHED BESIDE THE FIRING SQUAD TO THE LOW HILL THEY'D CHOSEN' HE SEEMED A LITTLE CALMER NOW... O'ja HEAR?') YELLOW The don't HE CRIED < BELLY. 7 SEEM SO
ALL NIGHT
The captain placed a cigarette IN
IT
SCARED
The CAPTAIN RETURNED TO THE'
LIEUTENANT HENDERSON'S MOUTH IT? THE LIEUTENANT
AND BARKED THE ORDER TO GET READY? MARTIN HENDERSON SEARCHED THE FIRING SQUAD
AND LIT PUFFED
^
^^W^^NOW'.
SLOWLY-
OBSERVERS, FINALLY FINDING HIS FATHER? HE GRINNED AT H IM.,.
A
The firing squad's rifles barked and the 30 calibre LEAD SLUGS RIPPED THROUGH THE LIEUTENANT'S BOD !... KILLING HIM INSTANTLY.' THE GRIN FROZE ON
HIS
FACE AS HIS EYES GLAZED
AND HIS LEGS MELTED TO THE GROUND...
.
As THE COLONEL TURNED
AWAY, THE CAPTAIN PATTED HIM ON THE BACK...
AT LEAST YOU CAN BE I... FELT OF THE FACT <1 THAT HE
'
PROUD
HBY WOULD. SIRj^^APTAIN',
THAT YOUR SON FACED _DEATH LIKE A MAN,
*
.
young Canfield whirled and saw
a sheet of
paper settling to the floor at the base of the
Something the old man must’ve
attic steps.
been writing at the moment
1
Canfield thought to himself.
bum
it
.
.
.
interrupted him, I'll
get
it
body
after I’ve stowed the
.
.
and
.
in the
attic!
His uncle planned to change the provisions of his Will.
Young
tion first-hand
Canfield had the informa-
from
his uncle’s lawyer
.
.
.
last
week's bitter fight was undoubtedly the reason.
At
costs
all
he must keep that
and Testament from being
last
Will
altered, Canfield
It
was ten minutes
young Can-
later that
with the hiding place he had
field, satisfied
found for the body, started to descend from the
On
attic.
the very
first
step his foot en-
countered a slick spot and his legs shot out
from under him. With
his
arms
a scream of surprise issuing from his
forward
field
to inheriting one-half of his uncle's
vast estate, and
now
change
this last-minute
of mind, occasioned by their furious disagree-
ment, threatened to cut
off
young Canfield
without a dollar!
The knob
and
lips,
Can-
plunged headlong down the stairway.
He
his shrill wail stopped simultaneously
on
the landing below the
attic.
A look of surprise
seemed to animate Canfield’s
but except
face,
for that he remained strangely
turned easily under Canfield’s
and
flailing
thought to himself. For years he had looked
His neck
still.
was broken.
hand; the door opened noiselessly and he
From
the back of Canfield's head,
where
it
stepped into his uncle’s second floor library.
The
old
man
looked up in bewilderment, his
ening
"W-What do you
.
.
?"
.
in
a
merged with the rapidly dark-
It
which made
a distinct path
from
the inside of the old man's library to the attic
Before he could complete the question, his
nephew had lunged scooped
trail
oozed
solid floor, blood
had struck the thin trickle.
hawk-eyes glittering suspiciously.
across
the
room and
up the massive iron paperweight
above. still
It
was
fluid ...
his uncle's blood
.
.
.
warm and
on which young Canfield had
skidded. Ironically,
it
was
his victim's
own
which dominated one side of the desk. With-
blood which led to young Canfield's sudden
out pausing for an instant, young Canfield
downfall!
hurled
was his
His
it
directly at his uncle's head.
a sickening crunch
.
.
.
lips
his feet.
worked spasmodically, but not forth.
The
old
man
a
sprawled his
Inches from his stiffening fingers lay the sheet of paper which Canfield's uncle had
clutched even after life had left his body.
Across
it,
in a
Trying to avoid the blood which spurted
"Knowing
wound, Canfield
recent stroke,
fatal
lugged the corpse out of the
library.
His hands
around the old man's ankles, he was dragging his victim
up
the
wavering handwriting, were the
words:
length on the carpet.
from the old man's
to his death!
There
then the old man,
head a bleeding pulp, lurched to
sound issued
And
wooden
attic steps
when he
heard a curious fluttering sound. Startled,
that I,
I
cannot survive
Wendell
Canfield,
this
most
do hereby
my last Will and Testament, as dictated my lawyers only two days ago. To my im-
alter
to
petuous nephew, Meredith Canfield, fore leave
my entire estate
.
I there-
ALIBI! As
they trudged through the rain in single
file,
Merrick thought to himself:
HERE,
was
it
right
only a month ago, that the two pros-
were discovered. The story go-
pectors' bodies
ing around was that the poor dirt-eaters had
and blood-flecked,
tered
hung limply
arms
lacerated
his
at his sides. Slowly, painfully, he
wobbled to his feet and opened the soggy knapsack which had fallen to the ground. His
roamed these lowlands. The two miners had
mud-caked face relaxed in a haggard grin as he removed a long strip of damp leather. Nice of his partner to carry it along and furnish
been strangled to death, their gold dust stolen.
Merrick with such a wonderful
been overrun by the band of
who
killers
Just the alibi Merrick needed!
At
Merrick's eyes slowly focused on the rain-
soaked shirt weaving in front of him. They a thousand dollars in dust
were each toting ... be awful nice
if
Merrick could
job with both thousands!
fermenting
memory
his
in
of those
The
finish this
idea
had been
mind for weeks, and the two strangled prospectors
crystallized the thought. Stealthily Merrick
glanced about him: not a soul
in sight
.
.
.
not
even tumbleweed scudding across the rain-
swept horizon!
It
was now or never!
alibi!
Merrick’s fumbling fingers com-
last
pleted their task: the leathery noose circled
around his victim’s throat. Then Merrick wrapped the remaining leather strip around his own throat. Not tight enough to tightly
choke, yet firmly enough to appear as
was
if
that
purpose. After he had buried the gold
its
in an obscurely marked grave, he sank to the wet ground beside his dead partner. A fleeting thought ran through his mind before he dozed off into exhausted sleep: other miners, soon passing along this path, would find the two
bodies and conclude that once again the ma-
The
was more gruelling than he had
fight
somehow
expected ... his partner had pated the for he
downward plunge
swerved
at the last
antici-
of Merrick's axe,
moment and
blade skiddered past his skull.
Weak
the
as they
were from weeks of maggoty food and makefrom hours of arduous toil in the searing sun and the lashing of sudden and
shift shelter
.
.
.
tempestuous rainstorms
.
.
.
the
two men were
able to call on hidden reserves of strength which even they did not know existed. For it was obvious from the first moment of onslaught that only one of them would survive! It
seemed agonized hours
rick’s fingers finally tightened
ner’s throat,
slump
and he
lifelessly.
pletely exhausted
The him
felt
later that
around
the
man
Mer-
his part-
sag and
epic struggle had com... his clothing
was
tat-
rauding
killers
had struck. They would rejoice
at Merrick's survival
.
.
.
and he could return
later to recover the fortune!
Aeons heat
he awoke, conscious of
later
drumming
against his flesh.
stopped; the sun burned
The
rain
knowing he had
fiery
had
mercilessly. In-
he reached for the noose
stinctively
neck,
down
to relieve the
at his
drowning
sensation which enveloped him. Instinctively
he clawed tried to
at the leather strip
gulp
air.
.
.
it,
tear
Then he understood
it
free.
frantically
.
But even though
pended on
he
his life de-
Merrick was too exhausted to his partner’s
:
had been rawhide, which shrinks in the sun after it has been dampened! He had been too groggy to notice what kind of leather it had been and now it was closing around leather
.
.
his throat
.
.
.
.
tighter
.
.
.
tighter
.
.
THIS SCIENCE -FICTION STORY WITH ITS SURPRISE ENDING SHOULD GIVE YOU A JOLT?
The huge gleaming needle-shaped space-ship STOOD LIKE A GIGANTIC FINGER POINTING SKYWARD ? ITS ROCKET TUBES STILL GLOWED RED-HOT FROM THE LANDING THAT HAD JUST BEEN COMPLETED { OFF ON. THE HORIZON, A TINY CLOUD OF DUST ROSE-DRIFTING LAZILY ...KICKED UP BY A JEEP SPEEDING ACROSS THE ARID WASTES TOWARD THE ALIEN CRAFT... ^
LOOK AT IT fy HURRY
,
ISN'T IT
H INKEL.
HURRY.')
HA SN/F/CENT?
' I'M DRIVING
AS FAST AS ~C
The dusty jeep with its four occupants BOUNCED AND ROLLED ON THE PARCHED NEW MEXICO DESERT SANDS, NEARING THE SILVER SPACE-GIANT... ' TO THINK... THAT THREE DAYS AGO, J > C YES 'THEN MOST OF US WERE DISCOUNT!NS jfTHEY MADE »THE THEORY THAT LIFE EXISTS f RADIO f ON OTHER PLANETS. AN OTHER 'CONTACT wrTH , \ SOLAR SYSTEMS... J 7^T>{ US, AND SHOOK .
J
THE ENTIRE
i
I CANTJji
THINK OF
7
SCIENTIFIC
EWORLD' y
ITT
/ A SHIP FROM OUTER SPACE...] ( FIRST VISITORS FROM ( [ANOTHER WORLD •
> EARTH'S
T HE ING
JEEP ROLLED TO A STOP BELOW THE TOWER-
SHIP—
|
JW ^M BEINGS
IT'S AMAI/NG HOW WELL IT APPEARS THA THEY CAN SPEAK ENGLISH, \EARTHMEN are CONSIDERING THAT THEY WNOT THE MOST LEARNED IT ONLY BY THE f INTELLIGENT
FEW HOURS OF RADIO CONTACT THEY
A
IN THIS
HAD^^A GREAT UNIVERSE, EH, GENTLEMEN? __
Scicnce-Fiction SuspcnStoky
A
;
As SOON AS THE SPHERE TOUCHED THE SANDY SURFACE, A LOUDSPEAKER BOOMED FROM THE SPACECRAFT...
HOW
SEARCH ME WHAT'S) PERHAPS
:
Y_i
<.
|
AWFULLY
CLUMSY <
THAT'S ONE\ SPACE-l
GOING
<1
ON?
it
OF THEM/] SUIT/ WA/Tf
BUT THERE
MUST BE SOME EXPLAHAT/ON
BUT YOU ARE SO MUCH MORE
WE SPENT THREE OAYi ARRANGING FOR THIS LANDING^ ARE THERE TOO MANT OF us
THAN WE' TO LET YOU GO NOW, WOULD MEAN GIVING
RTHMEN HERE
ADVANCED SCIENTIFICALLY UP A THOUSAND YEANS OF PNOGNESS FOR us ON
EARTH? THERE IS SO MUCH YOU COULD TEACH US... SO MUCH WE COULD LEANN.
YES. IT /J* REGRETTABLEFOR YOU f * ]
PERHAPS WE, CAN SIMPLIFY!
OUR REASONS FOR LEAVING SO YOU CAN |
UNDERSTAND
T
—
*
PLEASE DO' WTTHEY ARE* LET X’m SURE -- 3JS SEE IF WE t THEY CAN’T f CAN GIVE YOU g
^SUPPOSE YOUR RACE WAS TL FAR ADVANCED IN A TOM/CS.. 'MORE SO THAN YOU CLAIMED,
BE TOO <t rAN /LLUSTRA - 4 STRONG.'} t TION* SUPPOSE—
YOU
ARE
IN
CONTACTS i
'Suppose that one oay...in ONE OF YOUR ATOMIC LABORATORIES.,.'
OUR RADIO x~< (YES...
GO
GOOD
Zi'ui.
)
IpiiiliilIa^
THAT/LEAN SOME^ RAD!A TION -\W HERE? WE'VE
.LOOK AT '
READING *
^
Ai
l
BEEN -4
EXPOSED / 1
'SupposiiE THAT LATER ON, ONE OF THESE SCIENTISTS THAT WAS EXPOSED TO THE RADIATIONS BECAME A FATHER...’ DOCTOR.' WHAT IS IT? NO, ALEX' YOUR YOU’RE WHITE AS A WIFE IS FINE* IT..: SHEET' MT WIFE'S IT’s THE... THE Ji MY WIFE IS...T— 7" BABYr^SgA I
y
THE BABY
nr dead/
IS
y
V
=
V
^X...X DON'T KNOvT^ TO SAY.
WHAT
IT... IT
ALEX!
MAY NOT vr
'And then, later on, a second scientist tha HAD ALSO BEEN EXPOSED TO THESE RADIATIONS BECAME A FATHER...' you’ve got to take BUT DID YOU SEEK HOLD OF YOURSELF/ IT? IT’S HIDEOUS THESE THINGS -r hideous f mri.
HAPPEN *
j
\
"Suppose the three mutants WERE TAKEN FROM THEIR PARENTS AND SENT TO THE SOVERNMENT LABORATORIES TO BE STUDIED.
.
'Suppose the government LABORATORIES RAISED THE MUTANTS-. STUDYING THEM CLOSELY. ' MUTANTS ARE CARNIVOROUS.. FEEDING ON OTHER FORNS lOF ANIMAL LIFE FOR
MUTANTS HAVE LITTLE -J IN TELL/GENCE' APPEAR J SELFISH. RUTHLESS. SADISTIC. EGOTISTICAL. .
>
.
MUTANTS' MAIN LIFE-DRIVE APPEARS TO BE HEPHODUCT/ON OTHER DRIVES ARE
—-"M
TO THIS'
M
SUSTENANCE/ -pri USH
MUTANTS APPEAR TO DESPISE AND MALTREAT LIFE-FORMS * INFERIOR TO THEIR OWN? IT possible that they would, IF THEY COULD, KILL US
..
Lis
L
DESTROYED
BEFORE THERE
^
X OF THEM 'Tl
WE DON’T SEE HOW YOUR ILLUSTRATION IN ANY WAY
^
U > MENTAL
WE HOPE YOU CAN UNDERSTAND, FRANKLY, NO' ) ^/T'MVE FORMED A ^
(THEREFORE, WHY WE ARE LEAVING.'
1
M
EXPLAINS WHY YOU NO LONGER -DESIRE TO MAKE PHYSICAL -r^ Q CONTACT WITH USf
HOW
A
.gC
PICTURE
( OF THESE MONSTERS -S- AS YOU WERE
THE ROCKET TUBES OF THE ALIEN CRAFT ...SENDING THE FOUR WELCOMING SCIENTISTS SCURRYING TO p* *=T J
SAFETY... ’
I
GOOD LORD.'
’
1
PRIHATIVE '
THEY SHOULD
BE
-ARE TOO MANY
1
SUBSERVIENT "
GOOD-BYE,
H
EARTHLINGS!
*
SEE FOR YOURSELF7
The roar was deafening? the ship shudOERED... RISING INTO THE SKY ABOVE THE SANDS OF NEW MEXICO... SLOWLY l THEN... FASTER AND FASTER... f-7 , S'
-*•
THAT CAPSULE CONTAINS
m TWO OF THEM /
^
CAPSULE
»
V (THAT
^1(3ALL
METAL ) mTHERE THEY ) 60/
<
THEY LOWERED
The SCIENTISTS WATCHED the gray trail OF ROCKET EXHAUST DISAPPEAR INTO THE BLUE...
The metal ball was made up of two HEMISPHERES? A TOUCH OF A BUTTON RELEASED THEM ANO THEY FELL APART. \OOOD LORD/Ja MAN.. YthE ‘HORRIBLE MUTANTS\
NOT GOING TO LOOK AT THE .
H/OEOUS THINGS / NOT
UNARMED/
AND A XJHEY DESCRIBED. THEY'RE] WS?W0 "*n JkHUMAN BEINGS' .
.
.
Off
HERE
IS A STORY, TINGED WITH HORROR, WITH A STARTLING BLOOD-CURDLING CLIMAX'
horror]
\a
[SusmnStokA
Conrad
Conrad cartwright, the wealthy socialite sportsMAN, UNLOCKED THE DOOR OF HIS IMPOSING NORTHWOODS RETREAT AND SWUNG IT OPEN / HE STEPPED ASIDE, ALLOWING HIS SUAVE, MILD-MANNERED COMRANION TO ENTER... U
vcni Ml imviivCi
smiled at his debonair play-boy guest*as HE CLOSED THE DOOR. |
WHAT IN HEAVENS ARE WE GOING TO DO FOR ANUSENENT?
\
HUNTING.'? UGH/
jHOW DISGUSTING/ .
WE'RE HUES A I FROM CIVILIZATION UP HERE/ J J
« CONNIE.' BUT
J
lit one of the polished kerosene LAMPS SCATTERED ABOUT THE LODGE AND THE ROOM GLOWED CHEERILY-
Conrad
OH... COME. COME, REGGIE!
I
ABHOR
IT'
*
YOU'RE NOT SQUEEMISH
ESPECIALLY WHEN
ABOUT
YOU DO THAT TO YOUR VICTIMS'
ARE YOU?
..'j’Twfj
Reggie shuddered as he gazed AT THE BEAR-SKIN RUG? CONRAD BEGAN TO \ OH? WELL, OH; REALLY NOW. REGGIE' THAT BEARJ THEY DO SKIN'S BEEN TANNED ) LOOK SO._ >
SO ALIVE ^ M ARE JUSTJM^I
HEAD STUFFED' THOSE ANO THE
GLASS'
DON'T WORRY, REGGIE t I'LL -
DO THE SHOOTING ANO SKINNING.' YOU JUST COME ALONG FOR THE RIDE.'
MAKE
F WHY '
r
EYES
F WHAT? SKIN
TO
mOW’D YOU
irs
HORRIBLE'
RUGS OUT OF THEM?
A RUG LIKE THAT WORTH A FORTUNE'
IS
1
LIKE
TO OWN A RUG LIKE THAT;
[OH.NO' NOT THAT JNO, THANK ONE t WE'LL GO OUT TOU.'l'O JRATHER NOT TOMORROW AND HAVE ONE, GET YOU ONE'
^
V
^THENf
m
f
f
T HE NEXT MORNING, SHORTLY AFTER SUNRISE, CONRAD AND RE66IE STEPPED FROM THE CABIN INTO THE STILL DEW- LADEN GRASS ANO BEGAN MOVING INTO THE THICK WOODS ALONG AN OVERGROWN TRAIL
^
...
GOOD HEAVENS, CONNIE? I HAVE TO WATCH YOU KILL THE POOR THING?
/
WILL
(
L.
POOR TH/HS f THAT'S LAUGH? ONE OF THOSE BABIES WEIGHS OVER A
THOUSAND POUNDS /
,
f UGH' WHAT A GODFORSAKEN) YOU'LL WAKE > HOUR TO BE PULLED OUT OF "SuP OUICK ENOUGH... BED'
I'M
^n
STILL HALF ASLEEP? J SOON AS YOU SPOT A GRIZZLY*,
BETTER __ WATCH? YOU'VE GOT TO IT KEEP YOUR EYES OPEN WHEN YOU HUNT GRIZZLY?
YES. .YOU'D ...
M
“BEAR-HUG"? WELL, A BEAR'S HUG IS NO SIGN OF AFFECTION f IT USUALLY KILLS r you?
‘
^
IF YOU DON'T HIT HIM JUST RIGHT HE'LL KEEP COMING AT YOU AND CRUSH YOU
B
TO DEATH?
MOVEMENT IN THE THICKET AHEAD OF THEM CAUGHT CONRAD CARTWRIGHT'S
EYE...
wW
'Krarr-lJ
The lumbering brown hulk nosed out into the OPEN? IT STOPPED AS IT CAUGHT THE HUMAN SCENT? IT TURNEO—STUOYING THE TWO HUNTERS WITH ITS CONRAD SLID THE BOLT
TINY BLACK BEADY EYES? |OF HIS RIFLE HOME., j
y
’
HE'S
g
-* ~ TOO EAR AWAY*
GOT TO GET CLOSER.'
I'VE
|
«
Conrad edged toward the bear? the furred GIANT WATCHED HIM... STUPIDLY FASCINATED ...
CONNIE
SHUT UP? JUST A LITTLE CLOSER.. A LITTLE MORE..
LOW GROWL RUMBLED OUT OP THE BEAR'S THROAT WARNING THE HUMANS TO KEEP BACK f CONRAD LIFTED
A
,
The shot exploded through! THE SILENT FOREST f THE BEAR TUMBLED OVER, HOWLING IN PAIN* CONRAD
HIS RIFLE TO HIS SHOULDER...
rBLAST IT.' GET 7 '
MISSED THE
VITAL
SPOT?
GOD.
C
CONRAD.' SHOOT.
SHOOT!
pj
HE'S GOING <
TO CHARGE.'
' Conrad waited until the bear was ALMOST UPON HIM' CAREFULLY HE SIGHTED ALONG THE GLEAMING BLACK BARREL OF HIS
,ThE BEAR TRIPPED FORWARD ON ITS FACE, SKIDDING TO A STOP ALMOST AT CONRAD'S FEET ? HE SMILED DOWN AT IT...
EXPENSIVE RIFLE-THEN...
r
!
IE'S
A
-
CONRAD UNSHEATHED' HIS HUNTING' BENT.OVER THE OE A D A Nl M AL„— .
MY
l
XL,
BACK, REGGIE
r
I
K N IFE
AND
A BEAUTY. REGGIE. REAL BEAUTY.' -
'
Conrad laughed at reggie clinging BEHIND THE NEARBY TREE. RETCHING f ..
THEN HE CALMLY PROCEEDED TO SKIN THE "HEH, HEH ? S'MATTER. REGGIE? EXCITEMENT TOO MUCH FOR YOU 9 HEH...HEH... Jj|
BEAR..
'
—
?
?
?
'got the skin
Y PLEASE/
in
THE ICE-HOUSE. REGGIE
KEEP
IT'S
CLIMB OFF IT, REGGIE DONE EVERY DAY?
LOTS OF PEOPLE HUNT AND SKIN THEIR KILLS ?
IT
.
TILL
CONNIE
don't be s/LLY, Twit's HORREGGIE WHY R/BLE...
w NOT?
^INHUMAN?
SEEJ*
t^tZtThTIRED, CONRAD? X THINK
'
RATHER JNOT HAVE.
A
IT ?
MIST
OUGHT TO
BE STOPPED?
.
(
)
THAT'LL CtfD
FROM
WE CAN GET IT TO A TAX/DER-
^
OH,
?
IT
ROTTING
X SEE THE COLOR'S rx FEEL FINALLY COME BACK' A LITTLE .INTO YOUR CHEEKS, * BETTER, REGGIE? NOW' I
1
WELL,
IT'S
BARBARIC?
I
DON'T
ANYTHING
a
IT?
IF
YOU
WR0N6
IN
DON'T WANT
4
^ GOOD
NIGHT
?
A
MYSELF?
EDOWf^iE^
(JONRAD W ATC H E D REGG E BO V AND ENTER HIS BEDROOM? HE LISTENED • FOR THE SNAP OF THE LOCK? THEN HE LIT A CIGARETTE AND SMILED AS HE. STARED INTO * ^THE DYING FIRE. I
X'LL GO TO BED? ,
THE BEAR SKIN RUG, KEEP IT FOR
X'LL
«•
^H ALL
I
REGGIE'S A
REAL CHARACTER SO TOUCHY.. SO PRUDISH THINKS BEARSKIN RUGS SHOULD BE OUT- 3? ...
,
LAMED? HAH? WHAT A J? RIOT? ixaAO> £3
Conrad sat for a while musing to himSELF? HIS HEAD NODDED SLEEPILY... HIS EYELIDS
GREW
^s/TURN
IN? GETTING TIRED... HO. HUM. ..SLEEPY?
?
?
i
Suddenly the silence outside the cabin was SHATTERED WITH AN EAR-SPLITTING ROAR? CONRAO JUMPED UP.. .REACHING INSTINCTIVELY FOR HIS RIFLE STANDING IN THE GUN-CASE-
|
,
,
Cartwright peered through the cabin window' OUTSIDE, THE NIGHT WAS THICK ANO BLACK? HE SHIELDED OUT THE GLARE OF THE FIRELIGHT... H IS GAZE SEARCHING THE SHADOWS OF THE CLEA RING JHAT SURROUNDEO THEj
WHAT^THE-^WHAT WAS THAT? [lodge. SOUNDED LIKE A GRIZZLY f 4
Conrad spun around .'on the MANTLE OF THE FIREPLACE STOOD A POWERFUL BATTERY LANTERN HE SNATCHED IT... FLICKED IT ON... FLUNG OPEN THE DOOR... AND SENT ITS POWERFUL BEAM KNIFING OFF NTO TIC GLOOM ... J WHAT’S THAT SOMETHING SHINING OUT THERE' I
—
The HUNTER MOVED TOWARD THE ’GLEA MING OBJECT.. .HIS GUN
READY...
Irt/'W^^^LOOKS LIKE^"^| LOOKS L/KE.ZA
'
4 THE OBJECT MORE AND MORE AS CARTWRIGHT NEARED IT? SOON HE COULD MAKE OUT ITS SHAPE QUITE
CLEARLY... ^ SjSSBT IT
^
IS.' IT’S A
iJaP- HUNTING KNIFE'
-
^J
Suddenly a huge hairy paw, claws .
CAN’T MAKE OUT ANYTHING? 1
bared, reached
INTO THE CIRCLE OF LIGHT, CLOSING AWKWARDLY ON THE HUNTING KNIFE...
Cartwright swung the light over? the black [mountainous hairy beast loomed up.„ its tiny RED EYES GLOWING... ITS HIDEOUS MOUTH DRIPPING
.GRIZZLY?^
.
Conrad dropped
his lantern., the beam tilting THE SAVAGE GRIZZLY MOVED TOWARD HIM.' HE RAISEO HIS GUN, BUT...
CRAZILY.'
,|
•Fora moment, conrad shrank back.. .horror CRAWLING UP HIS SPINE.' THEN HE TURNED TO RUN' THE BEAR UTTERED A LOW-THROATED SNARL AN D ,
SPRANG AT HIM...
_
YAAAA aaa hHHj
Conrad slipped tothe\GROUND ... THE BLACKNESS >
The huge beast encircled the STRUGGLING HUNTER WITH ITS GIGANTIC PAWS... CRUSHING THE AIR FROM HIS LUNGS...
.R-G-G-G-H-
\cHOKEch°k£-
j ]
\
CLOSING IN.' JUST BEFORE HE DRIFTED INTO UNCONSCIOUSNESS, HE FELT A STINGING PAIN IN HIS < CHEST AS THE KNIFE CUT TH RO UGH RIPPING DOWN .
.
.
.
OH... MY...
.
^
IN HIS ROOM, REGGIE STARTEO -FROM A SOUND SLEEP.' HE SAT UP, STARING INTO THE DARKNESS..
^
.
A
BLAZES WAS SOUNDED
I
.
.
^ THAT?
LIKE A
1
SCREAM/
GOD/
HE'S... HE'S...
.Reggie rushed down the hall into the cabin living-room.' the fire still glowed faintly. ..casting IT'S eerie glow on the bear-skin rug before it ( BUT NEARBY. BELOW THE CHAIR THAT CONRAD A CARTWRIGHT HAD FALLEN ASLEEPJN... WAS ANOTHER SKIN-RUG. A NEW ONE. .
GOOD 'IORD/HONRAdJ
.
.
-I