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through the een portrayed how it has b history. Western art male gaze in orks in the w tures and lp u sc te ea “I cr (from video of animation them whole range ) and most of and the e to feature film ap sc ith the land imals, have to do w an d an of people ce n te is ex co ead.” living and d ting who we tly renegotia an st n co ty, am “I and mortali t, animalism is ex e s u w g n ow are and h ities that bri create similar d to the and I try to her beings an ot to , re u at n closer to our t”. as humanenvironmen our existence ed iv ce types of life, er p e We hav ing out other av le , ic tr en oc exist. centered, eg we could not without whom
th aks at leng e p s u o n e Joà Gramm reek artist G ly n o e h t fa, of Dreams to Janis Ra k l i M e h T ng in participati anni, at the m e l A a i l i c Ce curated by Biennale. e c i n e V t n e curr at eo presented te, Rafa’s vid ra e, ce ac a sp L s ed es tl el nti tim takes us to a the Arsenale, ith a herd of w , on si an m g n ped li b m u to a cr haps, entrap ing it (or per it ab h in s og hunting d in it). e absence of reveal, in th es ag im e g around, th , Gradually imals sniffin an e th s, xt or te have been voice-overs ho seems to w an g m a of y oman lookin and the bod ots show a w sh s. w og fe d e st th la killed. The leaving with e viewer and women directly at th ence against ol lk about vi tion to the ta la to re d in te an ce “I w out violen ab , lly by the ra ed ne mmission and more ge work was co s video hi a T t. te en ea cr environm rt Film to A n ee tic w et B m In tes to do es Fondazione d how it rela an n io an us om cl w related to in t to show the I did not wan My main s. le ro e th violence. As ain, I reversed intings, Renaissance as a victim ag h pa e the Flemis er e painter references w e work of th th ly al ci pe es isia d em an rt period A paintings, an Baroque nd the om ou R ar y rl ed ea er of the have cent ks or w se ho x.” Gentileski, w t the male se venge agains subject of re g new in my not somethin is ce en ol vi , so touches on As a subject , the work al se ca is th in work, but
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Requiem to a Shipwreck (Requiem#1), 2014. Film still, single channel video with sound, 11 min. Courtesy the Artist; Museum Voorlinden
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