Samples Sphinx � black quartz: judge my vow. AaBbCcDdEeF f GgHhJjKkLlMmNnOoPpQqRrSsTt UuVvWwXxYyZz [äöüåøæoeç]1234567890(.,;:?!$¢£&-*){ÄÖÜÅØÆOEÇ} Natalya
Sphinx � black quartz: judge my vow. AaBbCcDdEeF f GgHhJjKkLlMmNnOoPpQqRrSsTt UuVvWwXxYyZz [äöüåøæoeç]1234567890(.,;:?!$¢£&-*){ÄÖÜÅØÆOEÇ} Natalya Alternate One
Sphinx � black quartz: judge my vow. AaBbCcDdEeF f GgHhJjKkLlMmNnOoPpQqRrSsTt UuVvWwXxYyZz [äöüåøæoeç]1234567890(.,;:?!$¢£&-*){ÄÖÜÅØÆOEÇ} Natalya Alternate Two
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Copy Snippets Natalya Jacques-Louis David (August 30, 1748 – December 29, 1825) was a highly influen�al French painter in � Neoclassical style. In � 1780’s his cerebral brand � history pain�ng marked a change in taste away from Rococo frivol�y towards a classical auster�y and sever�y, chiming w�h � moral climate � � final years � � ancien régime.
Natalya Alternate One Jacques-Louis David (August 30, 1748 – December 29, 1825) was a highly influen�al French painter in � Neoclassical style. In � 1780’s his cerebral brand � history pain�ng marked a change in taste away from Rococo frivol�y towards a classical auster�y and sever�y, chiming w�h � moral climate � � final years � � ancien régime.
Natalya Alternate Two Jacques-Louis David (August 30, 1748 – December 29, 1825) was a highly influen�al French painter in � Neoclassical style. In � 1780’s his cerebral brand � history pain�ng marked a change in taste away from Rococo frivol�y towards a classical auster�y and sever�y, chiming w�h � moral climate � � final years � � ancien régime.
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Features 1234567890 1234567890
1234567890 1234567890 Old Style Figures
Ligatures: fl fi � ff ffl � ffi � to � � st Swash Endings: e m n r s c l Western European Diacratics Euro Symbol Central European Characters Baltic Characters Turkish Characters Romanian Characters Esperanto Characters Ornaments: ��� Additional Features (available in all weights)
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Overview Natalya is a flashy and rhythmic script. The script has more space between characters than most for be�er legibil�y, and � basis point for � ornate swirls is � golden ra�o. This makes for an especially harmonious typeface w�h �meless appeal. The typeface includes three alternates w�h varia�ons � � ascenders and descenders. All three fonts include OpenType ligatures, oldstyle figures and ending swashes for an even more elaborate appearance.
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