INsite Atlanta August 2010 Issue by INsite Magazine

AUGUST 2010

www. insiteatlanta .com

VOL. 19, NO. 1 FREE

Guide to the Best Standup & Improv Shows

e ThATLANTA

y d e m CoSCENE Featuring

MARGARET CHO • MARC MARON STEVE CARELL • PAUL RUDD

An Exhibition of Real Human Bodies This striking Exhibition showcases real human bodies, dissected and preserved through a revolutionary process allowing visitors to see themselves in a fascinating way like never before. BODIES...The Exhibition will enlghten, empower, and inspire.

www.BodiesAtlanta.com EXPERIENCE YOUR

LIFE IN THE DARK

An Exhibition That Reveals The Strength of Your SENSES

INTERNATIONAL BLOCKBUSTER - U.S.A. DEBUT ONLY IN ATLANTA

“For about an hour, visitors navigate diﬀerent environments incomplete darkness, relying on all senses except sight, and ask questions of their visually impaired guide, whose faces they don’t see until leaving. Stumbling in darkness makes the Dialog visitor appreciate how visually oriented the world is - how would you go grocery shopping? How would you cross the street? - as well as the reliance on other senses such as sound and touch to navigate the world.” - Elizabeth Landou, CNN

www.DialogTickets.com

BOTH EXHIBITIONS AT ATLANTIC STATION! PREMIER EXHIBITION CENTER PRODUCED BY:

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CONTENTS • AUGUST 2010 • VOLUME 19.1 Atlanta’s

Entertainment Monthly

September 3-6, 2010 * Atlanta, Georgia

INTERVIEWS 06 P. RUDD / S. CARELL 10 AARON SCHNEIDER 15 C. NOLAN / L. DICAPRIO 16 MARGARET CHO 16 MARC MARON 23 THE PIXIES 27 A. MCCORD / S.V. KEMPEN 27 OMARI HARDWICK 28 JUSTIN CURRIE 28 TRANCES ARC 29 GSU BILL CURRY 30 RODDY WHITE

Stan Lee Alaina Huﬀman

FEATURES 08 RESTAURANT GUIDE 11 PIZZA 17 ATLANTA COMEDY GUIDE 25 DRAGON*CON 26 COSTA RICA

Sam Trammell

COLUMNS 04 AROUND TOWN 05 ON TAP 05 ON A DIME EVENTS 07 UNDER THE LIGHTS 10 FASHION 12 VIDEO GAMES 13 MOVIE REVIEWS 14 FAVORITE THINGS 14 VIDIOTS 18 CONCERT CALENDAR 19 ROAD WARRIORS 19 WE GOT NEXT 20 ALBUMS 31 FANATIC

Saul Rubinek

Morena Baccarin

DRAGON*CON is a star studded event with something for absolutely everyone, including our annual Dragon*Con Parade, Masquerade, Costuming Contest, Cosplay Contest, Miss Star Trek Universe Pageant, Live Bands and DJs, Gaming, huge Dealers/ Exhibitors Halls, Comics & Pop Art, Comics Artists Alley, Art Show and Exhibits, Independent Short Film Festival, Triple X-treme Wrestling, World Records, Walk-of-Fame, over Thirty-five Fan Tracks making up over 3,700 hours of programming, and over 400 Guests, visit the website for details!

Adrian Pasdar

www.insiteatlanta.com STAFF LISTING Publisher Stephen Miller steve@insiteatlanta.com Managing Editor Bret Love bret@insiteatlanta.com Art Director / Web Design Michael Thompson graphics@insiteatlanta.com Sports Editor DeMarco Williams demarco@insiteatlanta.com Local Events Editor Marci Miller marci@insiteatlanta.com Music Editor Sacha Dzuba sacha@insiteatlanta.com

Contributing Writers / Interns: John Moore, Jon Latham, Ryan Loftis, Matt Goldberg, Rodney Hill, Alex S. Morrison, Alec Wooden, Roger Presswood, Dave Cohen, Russ Marshalek, Jennifer Sefa-Boakye, Jessica Cole, Jennifer Williams, Matt Connor, Rebecca Crosby and Brad Binkley CONTACT US 2250 North Druid Hills Rd. #234 Atlanta, GA 30329-3118 phone 404-315-8485 website insiteatlanta.com ADVERTISING INFORMATION �� Editorial content of INsite is the opinion of each writer and is not necessarily the opinion of INsite, its staff, or its advertisers. INsite does not knowingly accept false or misleading advertising or editorial content, nor do the publisher or editors of INsite assume responsibility should such advertising or editorial appear. No content, i.e., articles, graphics, designs and information (any and all) in this publication may be reproduced in any manner without written permission from publisher.

Chaske Spencer Adam Savage

Erica Cerra

DRAGONCON.org

www.

Check out our Atlanta Comedy Guide on page 17. PG 3 • insiteatlanta.com • August 2010

Around Town Catch “Roar” all month long at the Fernbank Museum IMAX theatre. The documentary follows a lion pride in Botswana’s Kalahari Desert. There will be daily showings at 4pm and 5pm. Tickets are $9 for adults. For more showtimes, visit fernbankmuseum.org.

ALL AUG

The Stone Mountain Park Lasershow Spectacular will be on display all month long. The Atlanta tradition is the longest running lasershow in the world, featuring 45 minutes of fireworks, lighs and laser effects. Vehicle entry is $10 to park or $35 for the season. Dates include Aug. 1-8, 14, 21 and 28. Call 770-498-5690.

ALL AUG

The Center Theatre at the MJCCA will present “STILL in Therapy” from Aug. 5-15 in the Morris & Rae Frank Theatre. The story – written and performed by Steve Solomon – follows the protagonists experiences with a Italian mom, Jewish father and enough odd family moments for a one-man comedy. For the box office, call 678-812-4002.

AUG 5-15

If you didn’t like the character’s imagining in “Shrek Forever After,” check out the Center for Puppetry Arts version of “Rumpelstiltskin” this month. The show opens on Aug. 6 and runs through Sept. 12. Tickets are $16 for the timeless children’s tale. Go online to puppet.org for more details.

AUG 06

Big Mike Geier’s “Elvis Royale” is Atlanta’s premier tribute to The King on the day of his passing. (Or so we think.) Check out Mike with Kingsized Orchestra and Dames Aflame at Vari-

AUG 13-14

Theatre/Film

ety Playhouse on Aug. 13-14 at 8:30pm. Tickets are $27.50 in advance. Visit variety-playhouse.com. The Atlanta Symphony Orchestra will join the power of cinema on Aug. 14 with its amazing sound as the symphony members perform “The Wizard of Oz” at Verizon Wireless Amphitheatre. The show begins at 8:30pm. Tickets are $27-$59. Visit atlantasymphony.org for more.

AUG 14

The race in the NL East is getting tense, and the Atlanta Braves need support and wins. Cheer on the Bravos against the Washington Nationals Aug. 17-19. Any series win is important to hold off the Phillies. Get your tickets and check times at braves.com.

AUG 17-19

The High Museum of Art will hold a film series to celebrate the life of Salvador Dali in conjuction with its current exhibition – Dali: The Late Work – on display this month through Jan. 9. Films will play in the Memorial Arts Building begins on Aug. 21 with “Dali the Filmmaker.” Go to high.org for more info.

AUG 21

The Atlanta Free to Breathe 5K Run/Walk on Aug. 21 is a worth cause for your attention. The event will support the National Lung Cancer Partnership. Registration begins at 7am at the corner of Greencover and Virginia Avenue in the Highlands.

AUG 21

AUG 25

Museums/Exhibits/Arts

Music/Comedy/Sports

John Mulaney and Adam Newman will perform at the Laughing Skull Lounge Aug. 26-29. Mulaney has appeared on Saturday Night Live, Late Night with Jimmy Fallon and VH1’s popular Best Week Ever. Tickets are only $15$20 for the Thursday show and $20-$25 the rest of the weekend.

AUG 26-29

The Atlanta Zoo offers outsiders a chance to see what life is like for those that work behind the bars and cages. “Keeper for a Day” – available to anyone over the age of 14 – gives participants a first-hand look into the daily routines, food prep, cleaning and animal care. On Aug. 28, the specific program will be for “Australia & Carnivores.” Visit zooatlanta.org for other dates.

AUG 28

Other Stuff

Eddie’s Attic will hold its 10th Annual Birthday Party with a live recording by Doria Roberts on Aug. 31 at 8pm. Tickets are $12 in advances, and meal combos are also available. Go to eddiesattic.com for more.

AUG 31

Atlanta’s annual NASCAR event returns on Sept. 5 with the Emory Healthcare 500 at the Atlanta Motor Speedway. See Jimmie Johnson, Carl Edwards and all your favorite drivers. Visit atlantamotorspeedway.com for tickets.

SEPT 05

The Atlanta Rollergirls will hold a double bout on Aug. 28 beginning at 5pm athe Yaraab Shrine Center, located at 400 Ponce De Leon Ave. Call 404-872-5818 or visit atlantarollergirls.com for tickets. Don’t wait. Tickets usually sell out quickly.

AUG 28

Don’t miss a chance to support Atlanta’s professional women’s soccer team – the Atlanta Beat – on Aug. 28 as it faces the FC Gold Pride at 7pm. All games are held at Kennesaw University soccer stadium.

AUG 28

Don’t miss Bernadette Seacrest and her Provocateurs at the Highland Inn Ballroom Lounge on Aug. 25 at 8pm. Tickets are $8 for the 21-and-up only show.

agave restaurant

an eclectic southwestern eatery & tequila bar . est. 2000

Reservations at 404 588 0006 or online at : www.agaverestaurant.com 242 Boulevard S.E. Atlanta . 30312

Consistently Voted One Of Atlanta’s Best Restaurants INsite Magazine Best of Atlanta Winner Best Southwestern Cuisine & Best Margarita !! PG 4 • insiteatlanta.com • August 2010

LOCAL

LOCAL EVENTS

On Tap this Month EMAIL EVENTS TO ONTAP@INSITEATLANTA.COM

August 7: Aaron’s Amphitheatre

FLASHBACK FESTIVAL

Retro funk returns to Atlanta on Aug. 7 as part of the KISS 104.1 Flashback Festival at Aaron’s Amphitheatre at Lakewood. It’s basically the area’s biggest R&B concert event. There will be several of your favorite soul bands and acts there, such as Doug E. Fresh, Midnight Starr, Zapp & The Whispers and Club Nouev. The concert takes place rain or shine. Tickets range from $10-$60. Visit kiss1041fm.com for more info.

August 12: Piedmont Park

DOG PARK REOPENING

Let your pet be one of the first to experience the newly renovated Piedmont Dog Park at the grand opening on Aug. 12. From 6-8pm, expect a fun filled evening and be the first to explore Atlanta’s favorite dog park. The renovated dog park boasts a nearly 3-acre dog run and separate enclosures for large and small dogs. It will also have new trails and landscaping along with benches and restrooms for loyal owners.

August 27-29: Turner Field

FLORIDA MARLINS V. BRAVES

The Braves are enjoying a magical season. With one of the hottest rookies in baseball and a manager entering his swan song, it’s been impressive to watch this team battle for the top spot in the NL East. Can they ﬁnish the season ahead of the Phillies? Wins against division foes will help, and here’s an important three-game series for fans to keep an eye on. Don’t miss the Marlins coming to Turner Field. Tickets can be found at braves.com

August 28-29: Grant Park

SUMMER SHADE FESTIVAL

As the heat settles and fall begins to sneak in, you’ll still enjoy the comfort of shade. This festival embraces the shaded pedestrian roadways of Grant Park for a weekend ﬁlled with activity. There will be food vendors, an artist market, a 5K that raises funds for the park, a children’s center and live musical performances. The Corks & Forks event, pairing wine and food, will also be a highlight. Call 404-521-0938 for details.

September 3-6: Downtown Atlanta

DRAGON-CON

Hear ye, hear ye. Calling all nerds, dorks and fans of cosplay. It’s time for Atlanta’s annual gathering of pop culture. While Dragon-Con doesn’t have the size or celebrity attendance of San Diego’s Comic-Con, this city’s event is nerdom at it’s purest level. Check out the thousands of vendors, costumed fans and random celebrity autograph and speaking engagements. It’s an underrated time that can be enjoyed with the whole family. For more information, visit dragoncon.org.

September 4: Georgia Dome

CHICK-FIL-A KICKOFF

It’s finally time for college football, and Atlanta serves as host of one of the most interesting and important games of the year. LSU and North Carolina come to the Georgia Dome and the fertile recruiting grounds of this state to unofficially kickoff the season. The Tar Heels enter as a darkhorse national championship contender, and LSU looks to continue the SEC’s dominance over other conferences. Go to cfack.com for ticket info.

EVENTS HAPPENING FOR SMALL CHANGE IN ATLANTA

Know of a low cost event of happening? Event@AtlantaOnADime.com

By Marci Miller

FALCONS ALL-ACCESS WEEKEND Friday, Aug. 6, 7:30pm, Free North Gwinnett High School 20 Level Creek Road, Suwanee atlantafalcons.com/training-camp

For the third straight year, Falcons head coach Mike Smith will bring his team to the fans during Russell Falcons Training Camp. This grass roots event includes a fan fest with interactive inflatable games, sponsor offers and giveaways, a post-event autograph session and a spectacular fireworks show. During the live scrimmage, Coach Smith, Falcons quarterbacks, and certain position players will be fitted with microphones broadcasting over the stadium PA so fans can get an in depth look “inside the huddle” during the scrimmage. Also, many of the Falcons’ August practices are open to the public. Check the website for a complete schedule.

YELLOW JACKET FAN DAY

Saturday, Aug. 7, 3-6pm, Free Bobby Dodd Stadium at Grant Field 150 Bobby Dodd Way NW, Atlanta ramblinwreck.cstv.com At this event, the 2010 Georgia Tech Yellow Jacket football, volleyball players and coaches will be available to sign autographs. Festivities begin at 3 p.m. on Callaway Plaza, located behind the North end of the stadium. There will be games and activities for kids of all ages. Fans can enter the stadium to meet the team beginning at 4pm. Football players will be seated with their position groups at various points on the playing ﬁeld. Head football coach Paul Johnson will sign autographs from 4-5pm.and will be available for photographs from 5-6pm. Please limit autographs to one item per player or coach. Most campus parking lots will be available for the afternoon.

KILLER CREEK HARLEY-DAVIDSON CRUISE ‘N BLUES Sunday, Aug. 15, 12pm - 5pm, Free Killer Creek Harley-Davidson 11480 Alpharetta Highway, Roswell killercreekharley.com

Cruise on down to Killer Creek Harley for a free Rockabilly Party featuring live music with The Psycho Devilles, good food and cold beverages from Ethyl’s Diner, in-store sales, giveaways, vendors, patch sewing, and much more.

PIGS & PEACHES BBQ FESTIVAL

Aug. 20 & 21, Fri. 5-11pm, Sat, 10am-10pm, Free Ben Robertson Community Center 2753 Watts Drive, Kennesaw facebook.com/PigsAndPeaches Smoke-cooked barbequed meats, tasty desserts, family fun and live entertainment will take center stage during the City of Kennesaw’s annual Pigs & Peaches BBQ Festival. The event features a

non-sanctioned Backyard BBQ, Anything Butt and Peach Dessert Contest, as well as a Kansas City Barbeque Society sanctioned Professional Contest, which is recognized as a Georgia State Championship Barbeque Cook-oﬀ. Over $14,000 in cash and prizes will be awarded to contest winners. Besides food for sale, and free music from a number of local and national acts, festival goers will be treated to a large Kid Zone, unique vendor booths and sponsor exhibits.

ATLANTA ICE CREAM FESTIVAL Saturday, Aug. 28, 1-7pm, Free Piedmont Park, Charles Allen Gate atlantaicecreamfestival.com The Atlanta Ice Cream Festival moves into the Atlanta community focusing primarily on Youth Activities, Health & Fitness, Ice Cream, and good old-fashioned outdoor family fun. There will be a Kids Zone, school bands, kid art vendors, silly competitions and much more!

FAMILY FESTIVAL KID’S CLASSIC RACE

Family Festival - Saturday, Sept. 4 10 am - 6 pm & Sunday, Sept. 5, 12pm - 5 pm, Sept. 4 Kid’s Classic Races, Sept. 6 - Adult Race Day Cobb Galleria Centre, Galleria Parkway us10k.org This is Atlanta’s premier multi-event road race. Each year runners, walkers, in-line skaters, wheelchair athletes and professional cyclists compete to raise awareness and funds for children’s charities in Georgia and for the future development of the World Children’s Center. The Family Festival is the Oﬃcial Race Expo for the U.S. 10K Classic and is free to the public. The festival features an Artists Market, huge interactive kids’ area, Kid’s Classic Races (on Saturday) plus many interactive displays, free samples and prizes, and great bargains on apparel and ﬁtness gear. The Family Festival is also the last chance for registered runners to pick up their race packets and timing chips.

FESTIVAL PEACHTREE LATINO Sunday, Aug. 29, Noon-8pm, Free Underground Atlanta 50 Upper Alabama Street, Atlanta festivalpeachtreelatino.com

With more than 70,000 visitors expected, this event is billed as one of the largest family & multicultural events in the southeast, Festival Peachtree Latino will feature hundreds of exhibitions, family activities, sporting events, parades, arts & crafts, ethnic foods and outdoor musical performances on two stages at Underground Atlanta. This year, the festival has more to oﬀer, with new attractions and a larger schedule of musical performances.

ATLANTA ON A DIME! Receive updated events weekly. Sign up by e-mailing Subscriptions@AtlantaonaDime.com Enter on subject line: Sign Me Up INsite!

PG 5 � insiteatlanta.com � November 2009 PG 5 • insiteatlanta.com • August 2010

FILM

A TABLE FOR TWO CRACK-UPS

Your RSVP for a Chat with Paul Rudd and Steve Carell, the Stars of the Summer Comedy Dinner for Schmucks BY DEMARCO WILLIAMS

HE CHEMISTRY THAT PAUL RUDD AND Steve Carell cooked up in two contemporary comedic classics, Anchorman and The 40-YearOld Virgin, isn’t lost a bit in their latest dish, Dinner for Schmucks. With Rudd as the promotion-obsessed tight suit going to dinner and Carell as the, well, schmuck we’re supposed to be amused by, the guys effortlessly bounce laughs off each other all night. The two Northeast natives keep to the same levels of chuckles-per-minute during a press conference covering everything from movie parts to our obsession with male sexual parts. And even when somewhat meatier issues go from Rudd, 41, always playing the straight-laced fellow to Carell, 47, calling it quits on The Office next May, the guys manage to still serve plenty of laughs over a side of sarcasm. What is the most challenging think you had to do in this picture because it was a different role for you, Steve, and a broader role for you, Paul? Steve: The most challenging aspect of this? We shot the scene where Paul had injured his back, and essentially we shot it for about a day and a half. And I had to hug Paul for a day and a half. That can be challenging for anyone, and to lift him and…because he was giving me nothing. Paul: No, because the only way to sell it is to go dead weight. Steve: So, that was probably the most physically challenging part of the movie. Uh, terrible, terrible answer. Don’t write that. Paul: Boy, you know, just to try and sustain a performance and not make it [feel forced], it’s always challenging. Anything you work on is challenging to just try and be real, and to show up and look like I’m not plain acting everything. So, just trying to be the character is always work. Now, Paul, to follow up on that, talk to me about the challenge of playing a straight man in a situation like this where Steve seemingly gets to have more fun. Paul: It’s a challenge not to ruin a take by laughing. I didn’t rise to that challenge on many occasions. But you’ve kind of built a career on playing straight men. Paul: Well, you know, it’s weird. My definitions of comedy and drama and straight men and… they’re all blurry for me. I don’t really think of it in those terms. It is true that the character that I’m playing has some horrible stuff happen to him, things we’re not planning. So, there is a bit that has to be reacted, but hopefully not passive so that it’s constant reaction. That’s tough to sustain over the course of a movie. It’s finding moments, relationships. I’m thinking the movie as a whole and not so much in terms of joke, but just character driven stuff. I just tried to operate from that. And secondly, what’s with the beard? Paul: Well, I’m getting ready to start a movie on Monday… Steve: That’s a lie! Paul: So, I’m just kinda doing it for fun. I came in this morning and they applied it with spirit gum and hair from my back. It took about an hour. It was just like, “What would be fun to wear in the summer heat?” Steve, what was it about this story and your character that persuaded you to sign onto this project. Steve: Well, working with Jay [Roach, Dinner For Schmuck’s director], working with Paul. Those were enormous factors for me. And I liked the storyline, too. I thought it was funny, a little weird. It had a heart to it, and I tend to like things that have a grey area to them. Like the character that Paul plays. Here’s a guy that’s very conflicted. He’s not a bad guy, but he’s at a moral impasse in his life. I think that’s a really amazing aspect of this story. I thought it was a really intriguing story line and I think it actually said something very kind ultimately and that’s what I responded to. I think it’s a very kind story and a great relationship between these two characters. Paul : [I chose it because of ] the people involved. I PG 6 • insiteatlanta.com • August 2010

JUST TO TRY AND SUSTAIN A PERFORMANCE AND NOT MAKE IT [FEEL FORCED], IT’S ALWAYS CHALLENGING. ANYTHING YOU WORK ON IS CHALLENGING TO JUST TRY AND BE REAL, AND TO SHOW UP AND LOOK LIKE I’M NOT PLAIN ACTING EVERYTHING. SO, JUST TRYING TO BE THE CHARACTER IS ALWAYS WORK. thought it was really funny, and that was really it. It was kinda a no-brainer. I was so excited to get offered that part… yeah that’s it really. Steve, could you talk about your last season of The Office? Steve: Uh, yeah, this will be my last season on The Office but it will be Season 7 and my contract expires at the end of the year. I always wanted to honor my contract and I feel like now is a good time for the character to move on and for me to move on personally. I want to spend more time with my wife and kids. That’s really the impotence behind the decision there. Paul: And, actually, Steve will be playing for the Miami Heat next year. This is a very exciting time in his life. Steve: Yes, and Scranton is burning my jersey. Paul, you have an upcoming movie with Reese Witherspoon called Everything You’ve Got. Can you talk about what character you play? Paul: Yeah, It’s called Everything You’ve Got right now, but I don’t know if it will change. It’s changed a few times. It’s with James Brooks who directed. I play a character named George whose whole life is kinda falling apart and I meet Reese Witherspoon on the worst day of my life and it’s also the worst day of her life. We have this blind date and I immediately fall in love with her. I don’t think the feeling is quite reciprocated. But that’s the idea behind the movie—two people that meet on the worst day of their life. Can you tell me what the word means? Paul: Penis! Right? Is that what you’re looking for? That’s correct. Paul: Pardon the way I just said that. I think it’s one of those things like putz? I remember growing up thinking putz was such a funny word and I always thought putz was an idiot. I remember my dad saying it actually is a penis. What’s up with all the words, by the way, for penis? But it always took on not so much a specificity as it does just a general “Aw, you’re being an idiot,” or “You’re being stupid,” or “Quit acting like a schmuck.” So, It was strange being

Jewish and knowing that there are some people who might take offense because I read too. It was called Dinner for Schmucks but it wouldn’t have even crossed my mind that somebody might find that offensive because I don’t associate it, being Jewish. But also Dinner for Wieners didn’t test well. It means Hot dogs! Steve, do you have any plans for projects later this year or 2011 where you kinda create the project yourself, you know, do more screenplays and personal projects? Steve: I just completed a movie with Ryan Gosling and Julianne Moore [called Crazy, Stupid, Love] that’s the first movie that my production company is producing and that’ll come out sometime next year. So yeah, I hope that I am able to start writing again as well. Once The Office is over, that should free me up to be able to do some more writing. Can you name your favorite Jay Roach film? Steve: Austin Powers was one of the funniest movies I’ve ever seen and it was such a surprising movie. Paul: One of the things that I think is amazing about Jay is how versatile he is. He’s done so many funny movies. He’s just such a smart guy that it’s a horrible thing to do to somebody but I will often sing his praises because he has all of this talent and yet he is the most self-effacing guy and stealthy with his humor, his abilities to write and edit. What special quality or talent do you possess that, if you really believed in it, might get you invited to a dinner for schmucks? Steve: I play the baritone horn, so that could get me invited to one of these dinners. Baritone Horn is like a mini tuba, and it’s probably the least sexy instrument that you can play. And when people ask whether I can play a musical instrument, I generally say that I don’t so I don’t have to acknowledge that I play the baritone. And I also play the fife which is no more sexy than the baritone, so those both might qualify me. Paul: I can do this with my tongue. (He begins moving his tongue in a rolling fashion.) I think I know I’d get the trophy. And I also play baritone horn.

Under The Lights New Theatrical Performances A CONFEDERACY OF DUNCES August 11 - Sept. 5 The Balzer Theatre at Herren’s Box Office 678.528.1500 www.TheatricalOutfit.org

Set in the 1960’s New Orleans A CONFEDERACY OF DUNCES chronicles the eccentric world of Ignatius J. Reilly, perhaps one of literature's most enduringly rendered antiheroes. A lumbering, loutish mountain of a man, Ignatius spouts and spews his disdain of the social, racial, economic and religious states of contemporary America. A string of jobs and outlandish events forces him to function in a culture he loathes creating a masterful portrait of a modern-day prophet bellowing in the wilderness. Tom Key bring’s John Toole’s Pulitzer Price winning work of fiction to the stage.

A SOUND OF MUSIC

Aug 24 - Aug 29 Fox Theatre Box Office 800-982-2787 www.theaterofthestars.com

Rodgers and Hammerstein’s beloved musical THE SOUND OF MUSIC tells the story of Maria, a high-spirited nun living in 1930’s Austria, whose enthusiasm for life is both admired and resented by the nuns at the Abbey. The Mother Abbess receives a request from widowed Naval Officer to find a Governess for his seven children. She decides

this is an ideal opportunity for Maria to experience life in the outside world before taking her final vows. Maria sets out with confidence to do an exemplary job and finally gain the approval of the photo by Joan Marcus Mother Abbess and the other nuns. She soon wins the hearts of the children, and eventually that of the Captain himself with music, singing and laughter. But it is short lived as Hitler’s army advances.

TWIST

Sept. 1 - Oct. 3 Alliance Stage Box Office 404.733.5000 www.alliancetheatre.org

TWIST brings audiences back to 1928 New Orleans. As the Roaring Twenties dance their way down Bourbon Street, an orphan in search of home finds family in the most unexpected places. Tony Nominee William F. Brown joins forces with Grammy Award winning composer/lyricist Tena Clark and legendary director and choreographer Debbie Allen in an exciting new musical twist on the Dickens classic. APPROPRIATE FOR ALL AGES

Sept. 17– 19 Horizon Theatre

AT THE

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ticketmaster.com LIVE ON GROUP SALES 881-2000 STAGE 800-982-2787 (404)

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September 21 – 26

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TICKETS ON SALE AT FOX THEATRE BOX OFFICE AND ALL TICKETMASTER OUTLETS, CHARGE BY PHONE 800 745-3000 OR ONLINE AT TICKETMASTER.COM

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WE PAY MORE $ FOR USED CLOTHES PG 7 • insiteatlanta.com • August 2010

ATLANTA ON A DIME!

GREAT DEALS BEING OFFERED AT RESTAURANTS AROUND ATLANTA. Atlanta on a Dime is a monthly print column and weekly email newsletter that highlights low cost events and deals oﬀered around town. Sign up by emailing Subscriptions@AtlantaonaDim.com or on our website insiteatlanta.com. Atlanta on a Dime subscriptions are free and email addresses are not sold or given out to third parties.

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PG 8 • insiteatlanta.com • August 2010

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FILM

THE LOW DOWN

Director Aaron Schneider On Winning An Oscar, Landing Bill Murray & Working With Robert Duvall on Get Low BY B. LOVE

FIRST SAW GET LOW AT LAST YEAR’S Toronto Film Festival, where the little indie film (which, at the time, didn’t even have a distributor yet) built big buzz thanks to stellar performances from Robert Duvall, Bill Murray and Sissy Spacek. The story, which follows a mysterious hermit in early 20th century Tennessee who plans his own funeral just so he can hear the town folk tell stories about what a curmudgeonly bastard he is, offered the sort of character-driven redemption that led to early Oscar talk. But when Sony Classics (who eventually bought the film) kept it on the shelf for nearly a year, some people wondered if Get Low would ever see the light of day. Fortunately the film, which was shot near Newnan, is finally coming to an art house cinema near you this month. We recently had the pleasure of speaking to director Aaron Schneider, who won an Academy Award for his debut short film, Two Soldiers. He gave us the inside scoop on why it took six years for Get Low to make it to the big screen, how hard it is to track down Bill Murray, and why Georgia is rapidly emerging as the East Coast’s Hollywood. How did you get involved with Get Low as your first feature? During that period I met Dean Zanuck– the son of [film producer] Richard Zanuck and grandson of [legendary 20th Century Fox co-founder] Darryl Zanuck– and read Get Low. Dean took me to a

ballgame with his Dad: I’m sitting there watching a Dodgers game with the producer of Jaws and his son! We hit it oﬀ and decided to go for it. Dean had just left his father’s company to strike out on his own, and I was kind of in the same spot. I’d had a successful career in one arena, but had hopes and dreams for something else, and Dean did too. So there was a natural chemistry there. We both wanted the same things and needed to ﬁnd the same opportunities.

When was this? The Oscar was in February of 2004, and I met Dean towards the end of that year. He gave me the job, and that began a five-year journey of developing the screenplay and rolling the financial rock up the hill. When the dust settled after the Oscar, the only opportunity that I felt was meaningful in any way in terms of the type of movie I wanted to make as my first feature was Get Low. It was with this independent producer, and we teamed up and off it went. What was it about this particular project that appealed to you? Robert Duvall had expressed interest in the lead role of Felix Bush. I don’t know that he was officially attached, but Dean had been corresponding with him and I got a chance to meet him. We had a lovely time over at the Four Seasons in L.A. I said, “I’m going to turn this into a project that’s worthy of your time, and we’re going to make a great movie.” I think we did, except it took five years. What was it about the story that you connected with?

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The character of Felix intrigued me. Growing up, I had a lot of mentors. I was friends with a lot of older men when I was young, and some of them were a bit elusive and hard to get to know. So I had aﬀection for the character. There were also themes of forgiveness and redemption that I think are worthy of investing your time in. I think it’s a worthy story to tell, just in terms of the energy you put out into the world with a movie. I was really compelled by the idea of a man whose life had changed so dramatically because of tragedy so early on in his life– having lost somebody really meaningful to him– and how that steered his life in a direction he thought it never would go. That he would wake up late in life and realize how far oﬀ course he was, both spiritually and emotionally, and then have the strength to do something about it? I love that idea!

Within two weeks, Bill had gotten it, read it, liked it, and called Dean back. They had a conversation, which was just lightning striking. What was the allure of filming in Georgia? I think there are several reasons you see a lot of production in Georgia these days. One is that the crew is terrific, because the people down here are great. Another reason is that the state has a very good tax rebate plan for filmmakers. We also wanted to shoot in Georgia because of creative reasons: We saw a beautiful little town in Crawfordville that worked perfectly for us three or four years before the rebate came about, so it was just a coincidence that Georgia passed this law 3 or 4 months before we shot.

I’ve read how hard it is to get face time with Bill Murray. How did the journey of landing him go? If you put a gun to our head six months before ﬁlming and said, “Who do you want to play Frank? Decide now,” we’d have said Bill Murray. We worked so hard getting the ﬁnancing and we’d been through so many battles. Dean called up Bill’s attorney, which is his only rep, and said, “How do you get into the Bill Murray business?” His rep said, “Well, you don’t. Send me a resume and I’ll send it to Bill, but you probably won’t hear back.” He wasn’t being facetious; he was just didn’t want to waste people’s time. Bill’s very elusive and Dean basically said, “OK, never mind,” because nobody gets him. On a whim, Dean sent Bill’s attorney the synopsis a couple weeks later.

COLUMN

THE CASUAL OBSERVER: Thoughts on Functional Fashion BY REBECCA CROSBY

OR STUDENTS AND THEIR PARENTS, August brings back-to-school shopping to pick up basics for the upcoming year. Most of us stopped taking this trip once the tassels on our caps turned, but why? Shopping for smart, solid pieces at the beginning of a season builds a great foundation for your wardrobe. Key staples can go from work to play, day to night, freezing to humid, and make you look well-put together no matter what the occasion. Not only does dressing for a bipolar autumn in Atlanta require flexibility, the recession requires smart shopping. Here’s a list of the 5 basics for women that will allow you to transition from summer to winter without breaking the budget. LITTLE NOT-BLACK DRESS – Most women already own a versatile little black dress. This season, try a dress in a pseudo-neutral color. Burgundy, forest green, slate gray and navy are versatile, while still adding depth to an outfit. Pinkish skin tones will look great in navy and gray, while warmer olive and brown complexions will be flattered with burgundy and green. When selecting a dress, choose a solid or a subtle print and texture to get the most wears out of it. A style that errs on the side of casual can be made more formal with tights, a belt and the right shoes; a formal dress can be downplayed with a loose scarf and flats. FITTED JACKET – Rather than investing in pricey sweaters, buy one or two great jackets

and layer them over less expensive blouses and knits. If you tend to dress more formally, a ﬁtted, feminine blazer will work with everything from dresses to jeans. If you’re more casual, opt for a classic safari or military-style jacket. Don’t limit yourself to black, either. Check discount stores like T.J. Maxx or Marshall’s before hitting the mall, as they typically have great deals on past-season jacket styles.

GREAT BLACK HEELS – Finding the perfect pair of heels can be tricky, but the result is definitely worth the effort: Heels can propel an outfit into a new, polished direction. Look for a style with a platform on the ball of the foot, which will keep your posture from feeling pushed forward and make 3” heels feel like 1 ½”. Jessica Simpson’s line has a lot of options, most under $100. Try a faux-croc print to add a little texture. JEANS – Invest in two great pairs of jeans and have them hemmed, one for flats and one for heels. Ask a tailor to use the original hem, which is usually $5 more. To save money, you can buy hem tape on Amazon.com for $10. Just put it around the inside cuff of the jeans and run an iron over the new hem for a quick fix.

GRANDPA-STYLE CARDIGAN – A grandpa cardigan is a great option for layering. Choose a lightweight, long style and the possibilities are endless– buttoned with a belt, open over a camisole, over leggings for a casual look, etc. Make sure you pair it with feminine pieces so you’re not entering Mr. Rogers’ neighborhood. Forever 21, Gap and H&M have great BACK TO SCHOOL FOR ones, usually under $40.

GROWNUPS

Taste of the Month-Pizza! Johnny’s NY Style Pizza Multiple Area Locations www.johnnysPizza.com

Johnny’s Pizza is synonymous with great pizza and subs in Atlanta. The secret to their success is in the preparation. They always use the finest ingredients. Johnny’s specializes in NY style pizza, which is thin in the middle and thick around the edges. They have several house specialties including the Johnny’s Deluxe, Italian Special, Veggie Deluxe, Steak & Cheese, Pesto and Buffalo Chicken. Johnny’s also offers plenty of individual toppings to create your own masterpiece. In addition, Johnny’s offers subs, salads, sandwiches, and other popular Italian dishes including calzones, strombolis, and lasagna. The Cheshire Bridge location featured now serves Yuengling on draft. Johnny’s restaurants offer dine-in, take-out and delivery.

Savage Pizza 484 Moreland Ave. 404.523.0500 115 Laredo Dr. @ Clarendon 404.299.5799 www.savagepizza.com

With their homage to comic book super heroes adorning the walls and hip staff, Savage Pizza fits right in with the Little Five Points neighborhood. They prepare all the recipes using only freshest vegetables and first quality meats, cheeses, breads and pastas. Savage’s hand-tossed crusts are thrown with real hands and get enough air to make Tony Hawk jealous. In addition to their famous pizzas, they also have calzones, salads, subs and pasta. Savage serves both lunch and dinner with indoor and outdoor seating and offers catering and delivery. Check out their newest location in Avondale Estates. This location offers the same great menu as the original as well as patio seating and delivery to the area.

Mo’s Pizza

3109 Briarcliff Rd. 404.320.1258 www.mospizza.com You may know about the burrito chain with the same name, but the original Mo’s resides on the corner of Briarcliff and Clairmont Roads.

They have been serving up great pizza in Atlanta for over 30 years! Mo’s menu isn’t limited to pizza either: sandwiches, subs, wings, nachos and salads ensure that anybody who comes here can find something they like. Mo’s Pizza uses only

the freshest ingredients. They make their own dough and grind their cheese daily. Come to Mo’s this fall to watch all your college and pro football games. They have a great deck to hang out on and plenty of HD Flat Screens offering great views from any table. Stop in Monday nights and get a Large Cheese Pizza for just $7.50. Mo’s is one of the longest running pizza joints in Atlanta, come in and see why they are one of the best.

Fritti 309 N. Highland Ave. 404.880.9559 www.frittirestaurant.com

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• Dine In or Take Out • Lunch & Dinner Specials • Zagat Rated Located in the heart of Inman Park, Fritti is Atlanta's most elegant pizza restaurant. They are nationally recognized for their pizza with continuous outstanding reviews and awards. Among them are “Best Pizza” by Citysearch and Creative Loafing as well as John Kessler’s Top 50 restaurants. Fritti serves authentic Neapolitan Pizza that is prepared according to traditional artisan methods. The dough is made with Caputo flour and natural yeast. They use San Marzano tomatoes, buffalo mozzarella and bake their pizzas in a 700 degree wood burning oven. Try their Salsiccia e Pepperoni (Italian sausage and roasted peppers) or the Estiva (fresh tomato, red onion & arugula). Along with the award winning menu, Fritti is known for their great value. For lunch Fritti offers a variety of Anti-pasta dishes for $10 or less.

Your Neighborhood Pizzeria!

Athens Pizza House 1341 Clairmont Rd. Decatur 404.636.1100 athenspizzaatlanta.com For more than 30 years, the Papadopoulos family has been serving up great Greek and Italian cuisine to the Emory / Decatur area. Athens Pizza is Zagat rated and winner of sev-

PLENTY OF OUTDOOR SEATING ON OUR LARGE DECK! Great Subs, Sandwiches, Salads & Wings

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Multiple Atlanta Locations: www.JohnnysPizza.com PG 11 • insiteatlanta.com • August 2010

Mellow Mushroom

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eral awards including Best Greek Cuisine. So don’t let the name fool you, there is much more here than great pizza. Some of the favorite recipes on their Greek dishes go back 50 years! Athens Pizza offers daily specials for lunch and dinner. They have an extensive catering menu. The restaurant can also accomodate parties large and small with their private room.

Pizzeria Venti 2770 Lenox Rd. Lenox Village Shopping Center 404.228.2013 pizzeriaventi-atlanta.com

Pizzeria Venti serves authentic Italian pizza, delicious baked pastas, premium salads, soups, Italian pastry desserts & gelato. They also have a great selection of domestic and Italian beer & wine. Recipes for the restaurant’s pizzas and baked pastas come from the hill towns of Tuscany and Umbria. Customers are treated as guests just like in the trattorias in Italy. Enjoy the atmosphere of the region in the restaurant and on their patio. Or order Pizzeria Venti for your next event from their Party Pak menu found on their site. Don’t miss their $20 Family Night Special on Monday and Wednesdays. Kids eat free on Sundays. Receive one free kids meal with an adult purchase. Free kids meal includes a drink & mini-gelato.

Mellow Mushroom is a great place to gather with friends this fall. They offer an affordable menu with extensive selection of pizzas, hoaggies, salads and calzones. The Brookhaven location holds events each weeknight. Monday’s at 7:30pm features a Texas Hold'em Tournament where the winner takes home Mellow house cash. NTN Texas Hold'em is held on Tuesday & Thursday nights starting at 8:00pm. Team Trivia is every Wednesday Night. Thursday is also Cup Night, $5 drink specials & keep the cup! So grab the gang and head up to the Shroom to watch all of your favorite sporting events on one of their many new TV's.

1770 Peachtree St. Buckhead 404.687.4766 mellowmushroom.net Come enjoy the Beer of Month…buy a pint and keep the glass while supplies last. The Buckhead location features 35 beers, many American craft beers and others from all over the world. Have a drink on their shaded patio. Meet up with friends on their inside patio with fish pond and big HD TV. Bring in the kids and let them watch the suspended train travel across the tracks around the private dining room.

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PG 12 • insiteatlanta.com • August 2010

FILM FILM

TRUMP Movie Reviews CARD CHARLIE ST. CLOUD (PG-13)

THE DISAPPEARANCE OF ALICE CREED (R)

★✩✩✩✩ Release Date: July 30

★★★★★ Release Date: Aug. 6

This film lived up to everything I thought it would be – a modest bit of teenage cheese and a little bit of creepy, all rolling into one fabulous display of just how attractive 22-year-old star Zac Efron is. Director Burr Steers’ (17 Again) latest tells the story of a small town hero who gives up his promising future to work in the neighborhood cemetery where his younger brother Sam is buried. We don’t get much explanation for why he finds comfort in this habitat, only that he can still interact with this brother and vows to play catch every day at sunset. Seems simple enough, until Tess Carroll– a young sailor living out the dreams Charlie BY LOVE onceB.had– catches his attention and his heart. Pretty soon, we Sfind him OF having to choose between ONE AMERICA’S MOSTSam and a real future with living Efron isbusinessfabulously successful andpeople. high profile convincing as the emotionally wrought Charlie, men, Donald Trump was well known Amanda Crew is a breath of fresh air as Tess, and long before Survivor producer Mark Burnett we’re even from Ray tapped himtreated to startoinappearances The Apprentice. ButLiotta and Kim complaint is the lack there’s noBasinger. denyingThe thatbiggest the reality show of character development. The movie offers a shallow turned Trump from a cartoonish curiosity grasp at deep emotions, leaving me creeped out and into a bona fide phenomenon, with his signaunenthused. Pre-teens and Efron fans will eat it up. ture catchphrase– “You’re Fired!”– inextricaButentering if you’re not those, simply expect a dismal bly theone popof culture lexicon. adaptation masked by gorgeous British Colombia Although The Apprentice initially flouncinematography. dered a bit in the ratings, Burnett and Trump –Jenni Williams stumbled upon a winning formula by recruiting second- and third-tier actors, athletes, models and musicians a celebrity COUNTDOWN TOfor ZERO (PG)edition of★★★✩✩ the show. Now in its third incarnation, Release Date: July 23 The Celebrity Apprentice tosses disparate Brought to you by the Bret sameMichaels, folks who produced stars such as rocker wrestlerAn Inconvenient Truth, this documentary explores the Goldberg, baseball legend Darryl Strawberry, nuclear threat in the post-Cold War world. Narrated former governor Ron Blagojevich and Sharon by an all-star cast of experts, we’re given insight from Osbourne together for a variety of teamthe fieldsexercises of foreign policy, physics, anddesigned military. The building and challenges to film is divided into thirds. The first is about the past, test their business mettle. showing us the development of nuclear weapons “The Donald, ” as the crazy-coiffed real and their spread across the globe. The second hasheld to do estate magnate if often known, recently with the current threat posed by the lack of nuclear court with reporters to discuss the show’s controls,season. concerning widespread theft and the current availability of materials with which to manufacture nuclear weapons. The final section deals with the Can you tell us a little bit about the selecdesperate need to remove nuclear weapons from tion process? the planet. This documentary has many positive It’s very interesting, because so many aspects, showing us the foreign policy implications celebrities want to be on the show after the of disarmament and the ignorance of the general success of the previous two seasons. We public regarding current nuclear arsenals. But there wanted some athletes, some some are shortcomings: The film is fullactors, of images intended models and some wrestlers, so I would say as to elicit emotional responses, but they come across probably six or seven people per spot we blatant affronts to the intelligence of those who want were down. The of hardest is that facts.turning The greatest benefit seeing thing this film is the we really have some good people that want conversation that can follow, but it offers no cohesive toargument go on very badly. But Iview guess maybepolicy. we’ll for any particular of nuclear save them for the next show, because it looks –Justin Patterson like that’s going to happen.

This film opens with two men preparing a room, boarding up the windows, soundproofing the walls, laying out rope and a ball gag. If you read past that, you know what you’re getting into. The guys kidnap a young woman from a family of means and hold her for ransom. Things turn interesting as relationships between the three unfold. This film is gritty, dirty, raw and very well done. There are only three actors in the film, and that feels about perfect. The set is simple. The plot is simple. The relationships between the three, though, are what drive the story. Seeing a terrified, nude woman gagged and tied to a bed is not through reading themarefor so images many here for the faint of heart,about and there other years, but a lot of times somebody that that will stick with the viewer for a long whileyou after don’t thinkhave of sorolled. highly turns out toJ.beBlakeson a star. the credits Writer/director You just don’t knowforwhat happen with deserves real notice this will project. Occasionally pressure and the heat of battle. films show up that impress by virtue of their simplicity. Gemma Arterton as Alice does quite well, as does What a celebrity have really Martindoes Compston as Danny. Butto thedo realtonotice goes set themselves apart and show that to Eddie Marsan as Vic, the older of the twothey’re men. The in it to win it? kidnapper is remorseless, brutal and focused, but it can tellmoment you from Seasons 1that andunderscores 2 and isIhis brief of vulnerability from the regular Apprentice, people how well he gradually makes the viewerreally believe want to win. Every while harsh you’llcrime everything about him.once If youin cana handle have a quitter, butfilms it doesn’t drama; if you like that cuthappen out the often. fluff and Iinstead think just the draw reason is the levelwant of to youthey into do the itstory; if you intensity theygripping feel forthat their Unlike see something isn’tcharity. constantly propped the regular where up by special Apprentice, effects, big-name stars somebody and media hype; works for me for a pretty good salary for a this is definitely worth your time. year, with this one the money goes to Patterson char–Justin ity. Last year we raised millions of dollars. Everybody has a charity that they love; some GET LOW (PG-13) are foundations they’ve set up themselves years in advance of theDate: show.July So 30 I think they ★★★★✩ Release really fight more intense because it’s a charLike its central character, Felix Bush (Robert Duvall), ity they’re fighting for. Get Low gets right down to business with its opening shot of a house engulfed in flames as a frantic figure What are your favorite challenges to watch runs through the dark directly towards the camera. the celebrities tackle? Bush is described by his former paramour (Sissy Well, we a lotthat of different challengSpacek) as “adobighave ol’ cave just went deeper and es, whether we go back to the selling of film the as deeper,” and that’s an apt description of the lemonade doing something else very basicof well. Bush or is known as “the Mysterious Hermit without having to deal with Proctor & GamCaleb County,” a rustic Southern setting in the early ble Kodak,where etc. everyone Sometimes [sponsor-based knows everyone and 20thorcentury challenges] are sort of interesting, buthisthey’re rumors spread like wildfire. He’s lived on rustic expensive for us to do. The ratings suggest 300-acre timber farm for over 40 years, his sleep that the by fans’ favoritewith partphotos of theofshow by haunted memories, an unknown far is thehisboardroom, and the boardroom woman only companion. When he goes to a has gotten longer over thehisyears because of in church in hopes of planning own funeral party that. The challenges still have plenty of time order to hear others tell stories about him, he meets and we’re focused(Lucas on both aspects, but funeral we Buddy Robertson Black), a young have tryingwhose to lengthen boardroom parlorbeen employee soul is asthe pure as Bush’s is because of strong viewer requests. tainted. Buddy and money-hungry boss Frank Quinn (Bill Murray) offer to help, getting Bush on the radio You’re a prosecuting to offerlike a chance at winningattorney his estateintothe anyone boardroom. Do$5you yourabout approach to willing to donate andmeter tell a story Bush (who different personalities? supposedly killed several men in a fistfight). Directed I think Aaron you deal with different peopleout byYes, newcomer Schneider, the film parses differently. withlaconic Goldberg differently info sparinglyI atdeal its own pace, with Duvall ably than I dealthewith Governor I capturing subtle nuances ofBlagojevich. a man who secretly dealt Dennis Rodman anddoesn’t Joan Rivers yearnswith for forgiveness, but honestly believe he differently some of the deserves it. It’than s easily his best turnother since contesThe Apostle, tants. You have topromising have thatfeature ability. and a wonderfully film debut for Schneider. How do you feel going back in the board–B. Love room after a little hiatus? I just get a great kick out of it. I really like (PG-13) itINCEPTION a lot. They want to renew it for another two or three seasons, we’re ★★★★★ Releaseand Date: Julythinking 16 about that. I like having a little bit of a break “True inspiration is impossible to fake,” explains a between shows, where it goes on once a year. character in Christopher Nolan’s existentialist heist film. If that’s the case, then Inception is one of the Do you ever feel bad about firing someone, most honest films ever made. Nolan has crafted or is it just part of the job? a movie that requires the audience to take in a I always offeel bad… No, notlocations, always. Somecollection rules, exceptions, jobs, and times people. The ones arethe abilitiesI don’t in orderlike to understand thehard text, let alone when you really like and respect somebody subtext. This is the first major blockbuster in over a and they make a mistake. asconcentration, an exdecade that’ s demanded intenseLike, viewer

The Donald Waxes Rhapsodic On The Celebrity Apprentice, “You’re Fired!” & Fixing NBC SCOTT PILGRAM VS. THE WORLD

How is this season going to be different than DINNER FOR SCHMUCKS (PG-13) past seasons? ★★★✩✩ Release Date: July 30 Well, when you have a success like we’ve At three four like timestoindo thistoo occasionally funny ﬁlm, had, you or don’t many changes. director the Parents, Austin What weJay doRoach have(Meet is a different tone. ThePowers) cast doesbeen a little toointeresting: much. With They’ve the ridiculous has very beenpremise very of ladder-climbing Barrybut (Paul Rudd)also befriending tough and very nasty, there’s a lot of a unique named Tim (Steve Carell) to laugh fun andtaxidermist humor with respect to what happens, at during some wealthy execs’ show ‘n tell, which I don’t think we had in the last one.Roach is already a lot.and He with only adds the comedic With Joandoing [Rivers] Piersto[Morgan], over-the-top auditor (Zach itcombustion was reallywhen nastyanpeople reallyIRS hating each Galifanakis), goat-loving Clement) other. These apeople hateartist each(Jemaine other, but it’s and funny. a deranged ex-lover (Lucy Punch) come into also I think that might be the biggest the picture. But once Tim gets to fumbling differentiation in terms of the three casts.things up in Barry’s life even more, what was once silly fun just you turnsusually stupid. Still, awesome Can tell Carell right is offmostly the bat who isas the lovable lame, and Clement is marvelously odd going to do well and who isn’t? throughout. And when we see the movie again That’s always the most interesting ques- one day we’re sure we’ll of ﬁndmyself a moral tion on to Showtime, me because I’dpretty like to think nugget somewhere in the story too. But as it as being okay with people. But often I’ll stands, say, Dinnerone for isSchmucks too” much to behe taken “This going todoes be way a star, and then seriously. turns out to be a dud. You never really know. Williams You feel like you’ve known these –DeMarco celebrities

Starring: Michael Cera, Mary Elizabeth Winstead, Kieran Culkin, Chris Evans, Brandon Routh, Jason Schwartzman. Director: Edgar Wright. Release Date: Aug 13. Rating: PG-13 ★★★★✩

It has become crystal clear over the past six years that British writer-director Edgar Wright’s raison d’etre is gleefully flipping classic film genres on their stale arses. He skewered zombie movie clichés in “Shaun Of The Dead,” buddy cop tropes in “Hot Fuzz,” and now he’s taking teen rom-coms out for a delirious whirlwind of a spin. The title character (Michael Cera) is an indie-rock nerd who falls for a cute hipster chick (Mary Elizabeth Winstead), only to realize he must defeat her seven evil exes if he wants to win her heart. Wright wisely recognizes that the last thing audiences expect from Cera is asskicking, and he cleverly toys with our milquetoast expectations by casting Pilgrim as a character who only comes alive when he’s fighting for love.Wright incorporates the concept’s comic book origins with “Biff! Pow!”-style onscreen exclamations, using lightning-fast editing to emphasize the rollercoaster ride fueled by post-adolescent adrenaline and emotion. There are lots of laughs here that you do not need to know the comic book in order to appreciate, and having defeated enemies turn into coins like some sort of vanquished video game foe ensures that the hyper-stylized action remains PG-13 accessible. Silly but not stupid, stylish but not shallow, sweet but not saccharine, “Scott Pilgrim Vs. The World” is yet another fine feather in Edgar Wright’s impressive auteur cap. –B. Love raised complex ideas, and wrapped everything in a MAO’S LAST DANCER (PG) IT TURNED TO BEmayAbeGOOD PHRASE, BUT IT WAS A breathlessly exciting actionOUT film. Inception ★★✩✩✩ Release Date: A Aug. 20 THE SHOW I WAS LITTLE FLUKE. DURING complicated, but simply put it’s one of the bestVERY movies FIRST Ballet is not for everyone. Unfortunately, the true of EXASPERATED the year. The story centers on a team of individuals WITH ONE OF THE CONTESTANTS AND I USED story behind Mao’ s Last Dancer will probably only win led byTHE an “extractor” named Cobb (Leonardo LINE, “YOU’RE FIRED!” WHEN [PRODUCER] MARK DiCaprio) who, through the use of a special device, over ballet lovers, who will appreciate the impressive HAVE BURNETT AND AGREED THE SHOW WEfollows DIDN’T sequences. The film Li Cunxin (played construct the dreams of a Itarget and use TO those DOdance SAY, “GET HELL OUT Chi Cao) as he THE dances his way from poverty in dreams toTHAT. implant an WE idea soTHOUGHT that the target willWE’D make by China to the limelight in the capitalistic a decision beneficial to the individual who hired theOR Communist SOMETHING. OF HERE” team. The film layers dreams on top of dreams to United States. Throughout the film, Li battles his own from the lasta “totem” season.is physical ample, fact that you raised such self-sufficient strength and the Chinese government while the pointScott whereHamilton, a unique keepsake called Irequired had to inletorder Scott go. I’ma acharacter great fan ofwhether Scott: shouldering children? the burden of worrying whether his to inform as to He wonheOlympic medals and he’syou a great lot of credit on thetochilWell, hasI’m beengetting harmedabecause of his decision stay or not or she is gold still dreaming. Then have family America. The problem the Bruce champion. But he roles understood he made Everybody’s beenwith asking aboutBeresfordIvanka people in particular like “Thethat Architect”, “The indren. (which also she’ll stars Bruce Greenwood, andon “The in Iorder to had pull no off the directed aForger”, mistake theChemist” show and and thefilm answer is yes, be back on the really MacLachlan andvery Joan Chen) is not They Li’s personal job. It’s not a confusing movie if you provide it with Kyle show. But they’re good kids. choice. I felt very badly about that, because went journey, itself, is and inspiring. The problem full attention set pieces so intricate Iyour to verywhich, good in schools, they were great is considered himand, to bewith a great person, but I it rarelyIdelves deeper intotothe and and jaw-dropping, findIt’s thatnever there’fun, s no exertion students. have to do what’syou’ll right. but it’s that couldn’t wait getrelationships them on the surrounding Li’s journey from needed when to stay Ifocused. DiCaprio will takeorsome flack circumstances easier show. I had no don’t like somebody when idea the show wouldaway be into the topseason, of the American world. for playing a similar character they’re really, really bad. to his one in Shutter communism itsninth andto tenth which isballet pretty film plays out world almost of liketelevision. a Power Point outline: Island, but he’s great in both movies. Joseph Gordon- The amazing in the Levitt line, and Tom Hardy both deserve to find cultheir We’re given an overview of the major plot points, That “You’re fired, ” became a pop then been we move The director uses obvious careersphenomenon. at the next level after here.theThe and ture There’s lots on. of news surrounding NBC Can youtheir talkturns about an attempt to heighten thethem. emotion only actor who’s a little shaky is Ken Watanabe as misdirection lately, andinyour show does well for origin of it? later you reveals, but NBC in theneeds end it to all do feelstocontrived Saito, the team’ s employer: His performance great, ofWhat think get back It turned out to be a good phrase, butis it confusing. dancing in the film is beautiful, but his Japanese accent the is sovery thickfirst that it’show s sometimes in the ratingsThe game? was a fluke. During I was and it doesI know have rare do this true to make out what s saying. In a movie andWell, adifficult little exasperated with he’ one of the conJeffmoments Gaspinthat (Chairman ofstory NBC But unfortunately the film overall justand, seemed where theand dialogue as line, delicately crafted as the justice. testants I usedisthe Universal Television Entertainment) “You’re fired!” as rest of the film, it’s unfortunate to lose due to disconnected. When [producer] Mark Burnett you know, he’s new to the role. I think he’s andlines I agreed something as simple pronunciation. to do the show we as didn’t have that.When We I said going to do a spectacular job at NBC. –BradThey Binkley that Inception firstthe movie overof a decade thought we’dwas say,the“Get hellin out here” to or need more shows like The Apprentice. Not mix breathtaking thoughtful subtext, Iwent was necessarily from a reality standpoint, but something. Andaction all ofwith a sudden America OTHER (PG-13) of course referring to The Matrix. The comparisons crazy over the show. It happens to be a great THE they need showsGUYS that capture the imaginaare inevitable. TV BothGuide moviesordeal the nature Release Date: Aug. 6 tion. catchphrase. onewith of the major of ★★★✩✩ reality combined with pulse-pounding set pieces that Frankly,Allen entertainment magazines did a poll and, after certain shows(Will thatFerrell) are onand should Gamble Terry will be included in any action-scene highlight reel. But Detectives “Here’s Johnny!” and one other great, it was be changed because, while they get some Hoitz (Mark Wahlberg) have never been heroes. Theon Matrix was a100 freshman levelincourse compared #3 the Top reviews, they paper don’t and get people phrases television his-to Inpretty fact, good one thrives pushing crunching the doctorate takesIt’s multiple watching. It’s tory! So thatheld wasbyaInception, pretty bigwhich honor. been numbers, nice tois get both. We’ve had and the other famous for shooting Derek genres, settings, ideasand and emotions and weaves an amazing thing an amazing phrasethem that Jeter. Emmy nominations and a lot of good ac- they Basically, these guys don’t just get ignored, into aseems rich tapestry thatIt will havecaught folks talking long colades passed our way, and that’s always just to work. really on, and tortured, and their tied to their desks while the after the credits roll. You’ve never seen anything like get nice. ButDetectives ultimatelyChristopher you have Danson to have and people it’s been an amazing thing to watch. big guns, P.K. Inception, and you’ll want to see it again and again. watch. NBC is going to really do well. I know Highsmith (Dwayne Johnson and Samuel L. Jackson) –Matt Goldberg rake What do you think is your biggest accomtheirinleadership thinkcase. they’re glory with and case Iafter Total winners, opposites plishment, your business success or the so Iunmatched think they’ll turn itHoitz around. and partners, and Gamble finally PG 13 • insiteatlanta.com • August 2010

“THE SUMMER’S FUNNIEST MOVIE.” Mark S. Allen, CBS/CW STATIONS

stumble upon a case that may serve as their ticket back into a respectful reputation, if they can just find a way to do good without somehow screwing it up. The chemistry between Marky Mark and Will Ferrell is tremendous, delivering humor in all degrees and with almost every line. Be prepared to laugh out loud and chuckle to yourself in between. Sure, with every ridiculous movie there are some lame lines, forced comedy and hyperbolic scenarios, but overall, you’ll leave satisfied and cracking up. Enjoy an unlikely performance from Eva Mendez, an amusing one by Michael Keaton, and appearances by all those guys that are always in funny movies but whose names you never really learn. You’ll even learn more facts than you ever wanted to know about the catastrophic salaries of AIG employees if you stay through the credits. Bottom line – this film is easy to take, absolutely hilarious, action-packed and utterly ridiculous, all adding up to your perfect summer flick. It’s 107 minutes of comic bliss, proving that Director Adam McKay’s love fest with Ferrell might just be his smartest decision yet. –Jenni Williams

SALT (PG-13) ★★★✩✩ Release Date: July 23

COLUMBIA PICTURES PRESENTS A GARY SANCHEZ/MOSAIC PRODUCTION A FILMMUSICBY ADAM McKAY EXECUTIVE “THE OTHER GUYS” EVA MENDES MICHAEL KEATON STEVE COOGAN RAY STEVENSON WITH SAMUEL L. JACKSON AND DWAYNE JOHNSON BY JON BRION PRODUCERS DAVID HOUSEHOLTER CHRIS HENCHY KEVIN MESSICK WRITTEN PRODUCED DIRECTED BY ADAM McKAY & CHRIS HENCHY BY WILL FERRELL ADAM McKAY JIMMY MILLER PATRICK CROWLEY BY ADAM McKAY INCLUDES “PIMPS DON’T CRY” PERFORMED BY CEE-LO GREEN FEATURING EVA MENDES

CHECK LOCAL LISTINGS FOR THEATERS AND SHOWTIMES

COLUMN

OUR FAVORITE THINGS T BY B. LOVE

rying to watch your waistline, but still want to get your drink on? We’re loving SINLESS MARGARITA, an all-natural margarita mix with only 5 calories per serving. Produced by a Marietta-based company, the mix is made with Stevia rather than sugar, but tastes great with tequila and will make you look even better when your clothes fall off. Available at dozens of local bars and bottle shops, and online at www.sinlesscocktails.com. Ranking right alongside Inception for our favorite film of 2010, Toy Story 3 proved that the brilliant minds at Pixar are sheer genius at making a kids movie that appeals to all ages. That’s why we’re not ashamed to love the new TOY STORY 5-IN-1 BAKER from Pop Art, which makes cakes, muffins, biscuits and donuts in the shape of Buzz, Woody and 3 other Toy Story characters. OK, so we “supposedly” got it for the kiddos, but we have a feeling we’ll have just as much fun with it. Available at Target, or online at www. poparttoasterstore.com.

PG 14 • insiteatlanta.com • August 2010

Rockin’ a Swatch was cool back in the day, and Timex kept it tickin’ during our college years. But a grown man needs a grown-up watch, and the new line of TW Steel watches at WORTHMORE JEWELERS (www. worthmorejewelers.com) have certainly helped us garner our fair share of compliments. Sleek, sexy and manly without seeming ostentatious, these formidable timepieces send a loud, clear message that you’re not a boy anymore, but still know how to play. Speaking of play, who doesn’t love sexy clothes? We’ve fallen in love with LIVI RAE LINGERIE (www. liviraelingerie.com), which was started by former Intimacy employees and offers better service and better pricing on custom-fit lingerie and ladies clothes. This month they’re moving to a bigger Kennesaw location, launching the brand new Chárae fashion line by in-house designer Cynthia Richards, and celebrating both developments with another one of their knock-out lingerie fashion shows at Tongue & Groove on August 26. Trust us, we’ll be there!

Angelina Jolie’s latest pulse-pounding picture starts out with our lead being waterboarded in a North Korean prison. You hear something about “a spy” over the ruckus. You don’t have all the details, but your civilian cinematic training can tell you the lady’s knee-deep in some kind of mess. Thankfully for Evelyn Salt, an 11th hour reprieve happens when a U.S. government agent (Liev Schreiber) hands over an Asian prisoner in exchange for Salt. The rest of the ride from director Phillip Noyce (Catch a Fire, The Bone Collector) ﬁnds Salt in incalculable moments of similar peril. But that’s generally how things work when you mesh a script with presidential assassinations, CIA cover-ups, Russian double agent plots and a breathtaking highway chase scene that rivals anything Hollywood’s done over the past 10 years. Salt, who’s equal parts mastermind, mercenary and magician, somehow escapes the freeway carnage

and Korean torture traps in one piece, leading us to give the movie pretty poor marks on the believability scale. However, with a glorious, Jason Bourne-inﬂowing-tresses act throughout, Angelina Jolie’s action star wattage simply goes through the roof. –DeMarco Williams

STEP UP 3D (PG-13) ★★★★✩ Release Date: Aug. 6 This film opens with shots of dancers talking to the camera, telling us what dancing means to them and why it figures so prominently in their lives. The final shot before the opening credits is a close-up of an old school boombox, the kind I had back in the day when new music came on cassette tapes and we went out to the theaters to see the earliest breakdancing movies like Breakin’. The dance moves and plot lines have changed little since then, but the crowd pleasing elements that often seem to be present in movie musicals remains. The story is the only weak element. It’s clichéd and just barely above kiddie channel cheese. A few actors do stand out. Sharni Vinson as Natalie and Adam G. Savani as Moose both show winning screen presences, and a pair of identical twin dancers provide some affable comic relief. But people aren’t going to a movie like this with the highest expectations of a groundbreaking narrative and award winning performances. They’re going for the 3D and the dancing, and on those two levels the film delivers like a pro. Dancing lends itself well to the stereoscopic effect, and the 3D production here is top notch. The dancers themselves were excellent, and the filmmakers were confident enough to break up the action a little bit with a formal ballroom dance number followed by a charming little dance down the street that’s right out of a ‘40’s musical. There’s an innocent, old-fashioned, pleasingly retro vibe all over this movie, from the 3D process itself right down to the comfortably predictable screenplay. Those who are already fans of the series will likely find something to enjoy, and those not really in the target demographic might end up not ripping their eyeballs out in horror. Hey, what more could you want from a breakdancing movie? –Jay Wayne

GAMES PEOPLE PLAY UPCOMING VIDEO GAME RELEASES AND REVIEWS

BY B. LOVE

ARC RISE FANTASIA (Ignition)

System: Wii This Japanese fantasy RPG from the creators of Luminous Arc casts players as L’Arc, a cool-as-ice mercenary charged with defending the Meridian Empire from invading “Contaminant Dragons.” The story follows L’Arc as he assembles a party of warriors, exploring deadly dungeons and kicking dragon ass to help save best buddy Prince Alf’s kingdom. The 3D graphics and dynamic soundtrack are exceptional and the storyline is intriguing, but the horrible voice acting prevents it from being a must-have.

GREEN DAY: ROCK BAND (MTV Games) Systems: PS3, Wii, X360 At this point most gamers have decided if they prefer the Rock Band or Guitar Hero franchises, so the only question here is whether or not you’re a Green Day fan. Those who are can play through 47 songs by the punk-pop icons, unlocking more than 100 photos and over 40 minutes of rare video interviews and performances along the way. It’s nowhere near as unique and innovative as the Beatles: Rock Band, but the 3D graphics and archival material should make it a hit among fans of the band. NCAA Football 11 (Electronic Arts)

Systems: PS2, PS3, X360 I’ve never been a lover of college football (I’ve always found its fans a bit too fanatical), but it’s hard to deny the bone-crunching visceral appeal of the latest title from EA Sports. Their TruSchool system creates a sense of immersive authenticity, allowing you to choose from 120 colleges and faithfully recreating their oﬀensive styles, coaching strategies, stadiums and traditions. With the new ESPN Broadcast Package Integration, the game

feels just like being there… without all the spilled beer and loudmouthed oafs.

SECRET FILES: TUNGUSKA (Deep Silver) Systems: DS, Wii This classic point-and-click adventure got our attention right off the bat with a haunting look and feel that reminded us of The X-Files. The story follows Nina Kalenkow, daughter of a Russian scientist, as she tries to solve the mysteries of her father’s kidnapping and its connection to the (reallife) obliteration of the Siberian region of Tunguska in the early 20th century. Creepy, cool and utterly engrossing, this is one of the most original games developed exclusively for the Wii we’ve seen. TIGER WOODS PGA TOUR 11 (Electronic Arts) Systems: PS3, Wii, X360 It must be interesting trying to market a game in which your star athlete is going through a huge scandal, but fans of this enduring EA franchise likely couldn’t care less about Tiger’s extramarital affairs. What they do care about is the addition of a Ryder Cup team, the True Aim gameplay style (which forces you to navigate courses strategically), the Precision putting method and 17 different courses from which to choose. It’s only a marginal improvement over last year’s version, but for Tiger’s fans it’s good enough. OTHER GAMES BEING RELEASED IN AUGUST

Disney Sing It: Family Hits (PS3/Wii, 8/3)� �� Academy (DS, 8/6)� �� (DS/Wii, 8/6)��(DS/PS3/PSP/ Wii/X360, 8/9)��(DS, 8/17)� �� (PC/PS3/X360, 8/17)��(Wii, 8/20)�� Hero Of The Rails (PC/DS/Wii, 8/20)��(DS/ Wii, 8/24)��(PC/PS3/X360, 8/24)�� The Lords of Nature (DS/Wii, 8/27)� �� Coach: Dance Workout (Wii, 8/27)�� M (Wii, 8/30)��(Wii, 8/31)

FILM

THE INSIDE SCOOP ON INCEPTION

Christopher Nolan and Leonardo DiCaprio Open Up About The Year’s Most Thought-Provoking Film BY B. LOVE

EW FILMS IN RECENT MEMORY have provoked as much thought and discussion as Inception, the latest mind-boggler from indie auteur-turnedblockbuster director Christopher Nolan. From Memento and Insomnia to The Prestige and The Dark Knight, Nolan has built a career on well-crafted thrillers that never pander to the lowest common denominator. His latest film, which stars Leonardo DiCaprio, Ellen Page, Tom Hardy and Joseph Gordon-Levitt, is arguably his best yet, earning a 9.2 rating on IMDB. com and an 87% ranking on Rotten Tomatoes while bringing in over $200 million at the U.S. box office in its first three weeks of release. Here, we present the highlights of a recent press conference in which Nolan and DiCaprio discuss their thoughts on Inception, dreams and intelligent filmmaking. Have you been fascinated by dreams in your lifetime, and do you think differently about them since working on this film? Christopher Nolan: I’ve been fascinated by dreams my whole life, and the relationship between movies and dreams is something that’s always interested me. I liked the idea of trying to portray dreams on film. I’d been working on the script for about 10 years in the form that you’ve seen it, where [there’s] this heist structure. I think the primary interest is this notion that your mind while you’re asleep can create an entire world that you’re experiencing without realizing that you’re doing that. I think that says a lot about the potential of the human mind, especially the creative potential. Leonardo DiCaprio: It was interesting being part of this film, because I’m not a big dreamer. I never have been. So I tried to take a traditional approach to researching this project and doing preparation for it. But I realized that this is Chris Nolan’s dream world, with its own structure and its own set of rules. I was able to sit down with Chris for two months every other day and talk about the structure of this dream world, and how the rules apply in it… The only thing I extracted from my research is that I don’t think there’s a specific science you can put on dream psychology. I think it’s up to the individual. Obviously, we suppress things– emotions– during the day that we haven’t thought through enough, and in that state of sleep our subconscious mind randomly fires off different surreal story structures. When we wake up, we should pay attention to these things. Christopher, you’ve done a great job of keeping this film mysterious. Is there a danger that at a certain point even secrecy becomes a form of hype? How do you balance that with what you want people to know about this film? CN: Well, it’s certainly difficult to balance marketing a film with wanting to keep it fresh for the audience. My most enjoyable moviegoing experiences have always been going to a movie theater, sitting there and the lights go down and a film comes on the screen that you don’t know everything about, and you don’t know every plot turn and every character movement that’s going to happen. I want to be surprised and entertained by a movie, so that’s what we’re trying to do for the audience. Obviously, we also have to sell the film. It’s a balance that I think Warner Bros is striking

very well. I suppose that at a point, keeping something secret does lend itself to its own degree of hype, but I don’t really think of it as secrecy. We invite the audience to come and see it based on some of the imagery and plot ideas, but we don’t want to give everything away. I think too much is given away too often in movie marketing today.

Were there any moments during filming where it was so complex that it was confusing? LD: This story structure was extremely ambitious in the fact that simultaneously, you had four different states of the human subconscious that represented different dream-states, and each one affected the other. What Chris talked about early on was being able to go to these six different locations around the world, [and what] was startling to me was seeing it in a visual format. That’s the magic of moviemaking. You clearly identify one scenario with the other, and it’s a completely different experience. The snow-capped mountains of Canada, a van or an elevator shaft, Paris or London– you experience it because you have a visual reference. It was a lot easier to understand than I ever thought it would be. That’s a testament to how engaging the visual medium is. Leo, what did you love about this character? LD: This was an extremely ambitious concept Chris was trying to pull off here. There are very few directors that would pitch to a studio a multi-layered, existential, high action, surrealistic drama that [takes place] inside the mind. To have an opportunity to do that is a testament to the work he’s done in the past. Watching Memento and Insomnia, he’s able to portray these highly complicated plot structures and give them an emotional weight that has the audience fully engaged. So for me, it was a matter of sitting down with Chris and being able to really form the backbone of a character that had a real cathartic journey. These different layers of the dream do represent psychoanalysis– him getting deeper and closer to the truth of what he needs to understand about himself. This feels like a film that could only get made because of the commercial success you’ve enjoyed. Does that freedom empower you to push boundaries, or does it put pressure on you to fit it into a more conventional shape so the studio can sell it? CN: I was asked after doing The Dark Knight whether I felt any pressure on the next film, and it’s not really the case. I felt a responsibility, because it’s not often that you get to have a large commercial success and then have something you want to do that you can excite people about. So it’s a great opportunity, and the responsibility we felt was to make the best film possible. Obviously, with the success of The Dark Knight, the studio was prepared to put a lot of faith and trust in us to do something special. Those opportunities are very rare for filmmakers, so I felt a responsibility to do something memorable with it. Leo, you previously referred to your work in this film and Shutter Island as a sort of therapy session. When you’re playing a character operating in an imaginary world, how does that change your performance? And when you do two films like that back-to-back, does one influence the other?

LD: It was certainly something I was aware of. But as far as both of them being locked in this dream world and going on some kind of cathartic journey, that’s where the similarities ended. But to answer your question about how one acts in that world and if there’s something you need to do differently, I would say absolutely not. That’s what was exciting about even attempting my first science fiction film. Chris and I both have a hard time with science

fiction, because it’s hard for us to emotionally invest in worlds that are too far detached from what we know. But Chris Nolan’s science fiction worlds are deeply rooted visually in things we’ve seen before. But emotionally, as far as the character’s journey, I took everything as if it was based in reality. You have to. Otherwise you’re not invested in the character and the character’s journey, and you’re not going to make it believable to an audience.

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IN THEATERS AUGUST 13!

PG 15 • insiteatlanta.com • August 2010

COMEDY

CHO DEPENDENT

Margaret Cho On Her Love For Weird Al, Al Gore & Drop Dead Diva BY B. LOVE

ARGARET CHO HAS BEEN ONE of our favorite comedians for over a decade now, ever since 1999’s “I’m The One That I Want” established her as one of the most unique, edgy and downright funny females in the business. Cho covers controversial topics ranging from bisexuality, drug abuse and her fascination with gay men like a much sexier Bill Hicks, but she also mines comedic gold from such seemingly mundane subjects as body issues, Asian-American stereotypes and her much-maligned mother. These days, the outspoken Cho has been busier than ever. In the last year alone she’s appeared in the Zac Efron film 17 Again and in a guest spot on The Ghost Whisperer; she’s currently filming her second season on Lifetime’s hit series Drop Dead Diva; and later this month she’s release Cho Dependent, an album of comedy songs recorded with indie-rock icons ranging from Brendan Benson and Fiona Apple to Andrew Bird and Tegan & Sara. We recently caught up with Cho, who lives in Atlanta while filming Drop Dead Diva, as she prepared to launch her U.S. tour in Portland on August 26. I read that you’re living in rural Georgia now. What’s that like for you? I’m the blackest person there. My apartment is the gay neighborhood, the ghetto and Chinatown– all three. But I recently moved, actually. Now I live in Atlanta, which is a bit of a commute. Our set is right in the middle of Peachtree City, but the entire cast now lives here. A lot of us don’t work every single day. We have a nice little community that includes all the cast except for Brooke, who works so much she has to be there all the time. We get together for dinner all the time and we’re very, very close. Have you found any favorite places in Atlanta yet? We have been known to take over Miller

Union and Holman & Finch. We also go to TWO Urban Licks. We’re all big foodies and drunkies. Atlanta is a good town for that. It’s quite incredible, the food here. It’s unexpected that it’s such a foodie town, but it really is. You’ve flirted on and off with TV over the years. What made you decide that Drop Dead Diva was the right show for you? I think it’s very important. It’s something I have talked about a lot in my work– weight and the issues surrounding it, self-esteem and women. It just makes sense to me that I should be on the show.

When you did your sitcom all those years ago, obviously the TV landscape was significantly different. How do you feel the business has changed in the wake of cable networks like Lifetime and TNT becoming more prominent in developing original programming? It’s made it so great! Before, we didn’t have such quality programming on all these different networks. Now you have such great shows. You have great writing and then great stars. The show that I’m doing now, Drop Dead Diva, I believe in it. I think it’s a great show and I think that, because television has changed so much, it can sustain an audience like this. This is an outsider show. It’s definitely something that different types of audiences can identify with, and I love that. Talk to me about your album. You’ve put together an amazing list of collaborations: How did all this come about? Well, I’ve always wanted to make a comedy album that was about music. I’m a big fan of Weird Al Yankovic, but I wanted to make comedic songs, not song parodies. I wanted to make good music that had the spirit of Dr. Demento, but the lavish production of Weird Al Yankovic’s songs. People don’t think about this, but Weird Al is an incredible musician and an incredible producer. I wanted to create my

WE’RE ALL BIG FOODIES AND DRUNKIES. ATLANTA IS A GOOD TOWN FOR THAT. IT’S QUITE INCREDIBLE, THE FOOD HERE. IT’S UNEXPECTED THAT IT’S SUCH A FOODIE TOWN, BUT IT REALLY IS.

PG 16 • insiteatlanta.com • August 2010

own thing, so I brought together the people that I not only listen to, but that I’ve worked with and been friends with for many years, like Jon Brion, Grant Lee Phillips and Ani DiFranco, who I used to tour with. Everybody on the record is somebody that I really admire. What I love about it is that their fans can see a different side of them, which I love.

WTF IS UP WITH COMEDIAN MARC MARON? BY MARSHALL CHILES

Is blending music and comedy something you want to do more of in the future, or is this a one-off experiment? It’s definitely something I want to continually explore. I’ve been doing music and experimenting with it in my comedy shows for the last several years. It’s always been a part of what I do, but now I’m devoting a little more time to it. It’s been part of my work for a while and it will continue to be. You’ve seen the comedy scene evolve over the decades, how do you feel about the comedy scene today? I think it’s great. I think there’s a lot of variety. I love these music guys coming in and doing all this different stuff. It’s very exciting. In a way, it’s very old fashioned. You think of it as a new movement, but really if you look back at people like Steve Martin and the Smothers Brothers, they always did music and that was always a part of who they were. Steve Martin is returning to the stage doing his own blend: It’s high market bluegrass, but at the same time there’s a comedy element to it as well. Comedy and music is a very harmonious combination.

ARC MARON HAS BEEN performing stand-up comedy longer than most college kids have been alive. He has always been “on the fringe” of the social conscious for his entire career. But now, he is a front-runner in the newest entertainment medium: Podcasting. His show is one of the top comedy podcasts and you can hear it for yourself at WTFpod.com. I asked him some questions so that you too can know more about the man behind the movement.

How do you find time to balance touring, clothes, TV and everything else you’re doing? Now that I’m working on Drop Dead Diva, it’s an interesting thing because it brings me to a different city and I have a lot of downtime in Atlanta when I’m not shooting. I spend a lot of that time writing music and writing jokes. Last year, when I was working on the show, that’s when I was writing a lot of songs and learning how to play guitar, which is another big challenge. Through this whole experience of putting out this album I actually learned how to sing and how to play. That’s a testament to the musicians who played with me. They taught me everything.

What made you decide to do a podcast? I had just been fired from a radio/internet job and they didn’t take back my security pass key. So, my producer and I, Brendan McDonald, who was also fired, went in after hours and produced the first handful of WTFs. Just to try it out.

What can people expect from your tour in August? Will it be a mixture of standup comedy and music? I think there will be more standup than music because that’s so what I’m used to. It’s just who I am, and what I normally love to do. Hopefully along the way we’ll have some people from the record joining me. It’s going to be a blend of different things. I’m talking a lot about what’s happening right now with the environment, which is so crazy with this oil spill. Trying a little Al Gore, who is a big hero of mine. It’s going to be a lot of good things– a lot of current events, politics and music.

How long have you been doing stand-up comedy? How old are you? A long time.

What can fans expect from this season of Drop Dead Diva and where do you expect to go from here? Well, I love the show. I hope to do more. We all have a great time with it. We really love each other. The cast is all fantastic friends. We’ve got some wild crazy guest stars coming up this season, like Cybil Shepard and the great Rosie O’Donnell will be back with us. It’s going to be a lot of fun!

Why did you decide to call it WTF Podcast? It just seemed to be the most asked question. How long have you been doing it and how many downloads do you get? We’ve been doing it since September 09. We get a couple hundred thousand downloads each week and we’ve had more than 5 million downloads since we launched.

What do you think has been the biggest boast to your comedy career over the years? How does the podcast boast compare? Do you mean boost? If so, the podcast. What would you like INsite readers to know about WTF Podcast? It’s the best thing I have done in my 22 year career--damn, I said how many years I have been doing it. See Marc perform his comedy at The Laughing Skull Lounge inside the Vortex Midtown August 12-15 www.VortexComedy. com or 877.LAFF.AT.U (877.523.3288).

COMEDY

COMEDY TONIGHT! How The ATL’s Improv & Standup Scenes Are Putting Atlanta On The Comedy Map BY BRAD BINKLEY

TLANTA’S COLLECTIVE LAUGH is starting to get a little louder, because the city’s comedy scene is growing like it never has before. There was a time when local comedic talents could only perform sporadically due to a lack of quality venues, but lately an influx of comedy clubs, open mic nights, improv troupes and sketch shows have turned Atlanta into a city that can tickle your funny bone seven nights a week. Where once The Punchline was the only reputable comedy club on the scene, these days the city’s standup comics are roaming around like a pack of funny wolves from an old Tex Avery cartoon. While The Punchline still draws top nationallyknown talent, comedy clubs such as the Funny Farm, Laughing Skull Lounge and Uptown Comedy Corner are also bringing in big names who have performed on Comedy Central, HBO, and all the latenight talk shows. After serving as opening acts at those clubs for years, local comedians are now building their own buzz, bringing their hilarious talent to unexpected venues such as the Star Bar (which hosts a regular Open Mic Night), Smith’s Olde Bar (the Seriously Funny show), Relapse Theatre, Apache Café and, starting in September, even the Cheyenne Grill sports bar. To put some icing on this comedy cake, the Laughing Skull Lounge recently hosted the first annual Laughing Skull Festival. The man behind this festival, Marshall Chiles (owner of the Laughing Skull Lounge as well as the Funny Farm), sees Atlanta gradually gaining national respect in the industry. “The industry sees Atlanta as one of the emerging comedy markets, and I’ve received great interest from managers and agents interested in coming to the next Laughing Skull Festival in hopes of finding the next breakout star.” If you’ve seen any comedy shows around town lately, you know it won’t be hard to find potential stars in Atlanta, with local comedians already popping up on radio, TV and film. And when you have a local pool of talent richer than the pitching in the Atlanta Braves farm system, why not showcase it? “Some of our best-selling shows are the Marshall Chiles & Friends shows. I polled the audience and found that they loved the idea of seeing ten local comedians on each show,” Chiles adds. But the standup scene isn’t the only area in which ATL comedy is starting to get some national love. The improv comedy scene here has spread like wildfire over the years since Laughing Matters, Dad’s Garage and Whole World Theatre helped introduce the city to the form. Atlanta audiences have totally embraced the spontaneous style based on audience suggestions, and now new theatres, troupes and talents are sprouting up like kudzu in the summertime. Relapse Theatre, located on 14th St by Georgia Tech, has emerged as a major player on the scene, housing JaCKPie Theatre (which is rooted n Chicago-style long-form improv), 2 Girls 3 Eyes, Automatic Improv, Cineprov and other teams. PushPush Theatre, the Village Theatre and the Basement Theatre are all steadily building local followings, while The EARL’s monthly Catch 23 shows bring together the best local improvisers for a friendly competition. Annual festivals such as Georgia Tech’s Black Box Comedy Festival and Dad’s Garage’s World Domination Improv Tournament (both in September) even bring major players from the U.S., Canada and even Europe to Hotlanta for some seriously funny spontaneous silliness. A lot of people in the local community think this is just a drop in the bucket of Atlanta’s potential as a major improv city. Josh Warren, co-founder of the Village Theatre and star of Atom.com’s cop show parody M’larky, says, “Atlanta resembles Chicago in the ‘60s,

right before it became the improv beacon we know today. The more we all work together, the more successful the improv community as a whole will be. Join us or be destroyed!” Warren adds with a laugh. Atlanta’s growth has not gone unnoticed: Chicago’s powerhouse Second City– the improv and sketch comedy mecca that has produced myriad Saturday Night Live alumni– is entering its third year of joining with the Alliance Theatre to cast local improvisers in an Atlantabased revue. Second City cast member and JaCKPie Theatre improviser Amy Roeder also sees parallels between the Atlanta and Chicago scenes. “Atlanta hosts festivals, just like Chicago. Atlanta has audiences that support improvisation, just like Chicago. Atlanta has talented performers, just like Chicago. What we don’t have is the wind chill factor, and I think we’re all just ﬁne with that,” Roeder says with a smile. The Atlanta comedy scene has come an awfully long way in the last 10 years, and the relentless momentum and bumper crop of rising talent should only serve to ensure that it keeps growing. As the city’s collective laugh continues getting louder, more and more comedians, improvisers and audience members are being drawn in the scene’s whirlwind of activity. So get out and see a show tonight, so you can say you saw these Steve Carells, Tina Feys and Dane Cooks-in-themaking before they’re Gone With The Wind.

COMEDY LINKS

LOCA HOUR LOCA LUNA! at

TAPAS 1/2

OFF!

5-7pm Wed-Sun

550 Amsterdam Ave NE. www.Loca-Luna.com (404) 875-4494

ATLANTA STANDS UP

www.atlantastandsup.wordpress.com

AUTOMATIC IMPROV

www.automaticimprov.com

BASEMENT THEATRE

www.thebasementtheatre.com

BLACK BOX COMEDY FESTIVAL www.blackboxcomedy.com

CATCH 23

www.facebook.com/group.php?gid=45510863388

DAD’S GARAGE THEATRE www.dadsgarage.com

FUNNY FARM COMEDY CLUB www.funnyfarmcomedyclub.com

JACKPIE THEATRE WORKSHOP www.jackpie.com

LAUGHING MATTERS

www.laughingmatters.com

LAUGHING SKULL LOUNGE www.vortexcomedy.com

THE PUNCHLINE www.punchline.com

PUSH PUSH THEATER www.pushpushtheater.com

RELAPSE THEATRE

www.relapsecomedy.com

SKETCHWORKS THEATRE www.sketchworkscomedy.com

UPTOWN COMEDY CORNER www.uptowncomedy.net

VILLAGE THEATRE

www.villagecomedy.com

WHOLE WORLD THEATRE www.wholeworldtheatre.com.

PG 17 • insiteatlanta.com • August 2010

CONCERT C LENDER

FRIDAY AUGUST 6 529 Otis Redding III ANDREWS UPSTAIRS Yacht Rock Revue APACHE CAFÉ Flood the Market BUCKHEAD SALOON Brian Collins CHASTAIN Cyndi Lauper EARL Here We Go Magic EDDIE’S ATTIC Nathan Beaver FAT MATT’S Atlanta Boogie FIVE SPOT Soulhound MASQUERADE Asking Alexandira NORTHSIDE TAVERN Zydefunk PEACHTREE TAVERN Granger Smith SMITH’S The Last Waltz Ensemble STAR BAR Prima Donnas VERIZON ASO: Disney in Concert VINYL Nic Cowan SATURDAY AUGUST 7 529 Barreracudas AARON’S Flashback Festival APACHE CAFÉ Urban Field Operatives BUCKHEAD SALOON Brian Collins EARL The Poison Arrows EDDIE’S ATTIC Robinella FAT MATT’S Tomi Isobe FIVE SPOT Dead Prez THE FRED Jose Feliciano MASQUERADE Lord of Acid NORTHSIDE TAVERN Eddie Tigner’s PEACHTREE TAVERN Josh Newcom Band SMITH’S The Anti-Disco Ball STAR BAR Blair Crimmins & The Hookers VINYL No Parachute SUNDAY AUGUST 8 APACHE CAFÉ Yah-Key EARL Dang Dang Dang EDDIE’S ATTIC Caroline Herring FAT MATT’S Tony Bryant MASQUERADE Guttermouth SMITH’S 3 for $5 Night MONDAY AUGUST 9 529 Abby Go-Go EARL Ty Segall EDDIE’S ATTIC Songwriter’s Open Mic FAT MATT’S Kat & Bones FIVE SPOT Atlanta Funk Society SMITH’S Hamell On Trial VERIZON Green Day w/ AFI TUESDAY AUGUST 10 529 Gold-Bears APACHE CAFÉ BFD’s Hip Hop Jam BUCKHEAD SALOON Karaoke EARL Dax Riggs EDDIE’S ATTIC King Richard’s Sunday Best FAT MATT’S Crosstown Allstars FIVE SPOT Kevin Scott MASQUERADE Cynic SMITH’S A Seriously Funny Show, Seriously VINYL Leah Marie WEDNESDAY AUGUST 11 529 The Vaginas APACHE CAFÉ Al SMITH’S Midtown Jam EARL What Happened to Your, Tiger? FAT MATT’S Frankies Blues Mission FIVE SPOT Holidays in London MASQUERADE Stereo Skyline PEACHTREE TAVERN The Rez PHILIPS Tom Petty w/ Crosby, Stills & Nash SMITH’S Rehearsal STAR BAR The N.E.C. VARIETY Arcade Fire VERIZON Arcade Fire w/ Spoon THURSDAY AUGUST 12 529 Tous Les Jour APACHE CAFÉ Time 2 Shine EDDIE’S ATTIC Atlanta Queer Lit Fest Fundraiser FAT MATT’S Chickenshack FIVE SPOT Micah Schnabel PEACHTREE TAVERN Bodega Roja MASQUERADE The Maine SMITH’S A Tribute to Piano Red FRIDAY AUGUST 13 529 Social Espionage ANDREWS UPSTAIRS DJ Dreams APACHE CAFÉ Strange Fruit V CHASTAIN .38 Special EARL Bomber City EDDIE’S ATTIC Lissy Rosemont FAT MATT’S Johnny Scales FIVE SPOT Delta Moon MASQUERADE Brazen Angel NORTHSIDE TAVERN Holliday Brothers PEACHTREE TAVERN Kingbilly

PG 18 • insiteatlanta.com • August 2010

SMITH’S The Industry STAR BAR Today the Moon, Tomorrow the Sun VARIETY Big Mike Geier’s Elvis Royale VINYL Outrageous Fortune SATURDAY AUGUST 14 529 Sorry No Ferrari APACHE CAFÉ The Mighty Experience 4 CHASTAIN Erykah Badu EARL Trances Arc EDDIE’S ATTIC Roxie Watson FAT MATT’S Ralph Ellis & Friends FIVE SPOT The Green Show THE LOFT Little Brother MASQUERADE Strange Daze Music Fest4 NORTHSIDE TAVERN Ike Stubbleﬁeld PEACHTREE TAVERN Thomas Tillman SMITH’S The Old Ceremony VARIETY Big Mike Geier’s Elvis Royale VERIZON ASO: Wizard of Oz VINYL Straight Out of Line SUNDAY AUGUST 15 EARL Al Shelton EDDIE’S ATTIC Don Schlitz FAT MATT’S Tony Bryant FIVE SPOT Hanoman MASQUERADE Something Corporate SMITH’S 3 for $5 Night VERIZON O.A.R. w/ Citizen Cope MONDAY AUGUST 16 529 Fielded EARL Carnivores EDDIE’S ATTIC The Civil Wars FAT MATT’S Kat & Bones FIVE SPOT Atlanta Funk Society SMITH’S Beneﬁt for Dave Mega TUESDAY AUGUST 17 529 In Ruins APACHE CAFÉ BFD’s Hip Hop Jam BUCKHEAD SALOON Karaoke EARL Twin Sister EDDIE’S ATTIC Granville Automatic FAT MATT’S Crosstown Allstars FIVE SPOT Kevin Scott MASQUERADE Red Bull Emcee Battle SMITH’S A Seriously Funny Show, Seriously WENDESDAY AUGUST 18 529 Doomsayer APACHE CAFÉ Al SMITH’S Midtown Jam CHASTAIN Heart EARL Thee Crucials EDDIE’S ATTIC Matthew Kahler FAT MATT’S Frankies Blues Mission FIVE SPOT Ugly Radio Rebellion SMITH’S Tab Benoit STAR BAR Deadstring Brothers VARIETY The Original Asia

MASQUERADE Mumiy Troll NORTHSIDE TAVERN Mudcat PEACHTREE TAVERN Mama’s Love SMITH’S The Dirty Guv’nahs TABERNACLE Patton Oswalt VARIETY Beth Orton VERIZON Maroon 5 SUNDAY AUGUST 22 AARON’S Brooks & Dunn EDDIE’S ATTIC Pat Terry FAT MATT’S Tony Bryant FIVE SPOT DocuFest MASQUERADE Karnivool SMITH’S 3 for $5 Night

MONDAY AUGUST 23 529 Wolves & Jackals EDDIE’S ATTIC Songwriter’s Open Mic FAT MATT’S Kat & Bones FIVE SPOT Atlanta Funk Society MASQUERADE Outlaw Nation SMITH’S Josh Hoge TUESDAY AUGUST 24 529 Mermaids APACHE CAFÉ BFD’s Hip Hop Jam BUCKHEAD SALOON Karaoke FAT MATT’S Crosstown Allstars FIVE SPOT Kevin Scott MASQUERADE Bobaﬂex SMITH’S Juliette Lewis WEDNESDAY AUGUST 25 APACHE CAFÉ Al SMITH’S Midtown Jam CENTER STAGE Wale CHASTAIN The B-52’s & Blondie EARL HELL NAW EDDIE’S ATTIC Jim Bianco FAT MATT’S Frankies Blues Mission FIVE SPOT LAST SMITH’S Please Please Rock Me STAR BAR Sodajerk VARIETY The English Beat Bad THURSDAY AUGUST 26 529 American Gun APACHE CAFÉ The Phixx EARL Cedric Burnside EDDIE’S ATTIC Thad Cockrell FAT MATT’S Chickenshack FIVE SPOT Tubby Love MASQUERADE Hank III & Assjack PEACHTREE TAVERN The Family Funk SMITH’S The Sixxis TABERNACLE Michael Franti VERIZON The Dukes of September VINYL Waketoday

FRIDAY AUGUST 27 529 Guyliner ANDREWS UPSTAIRS DJ Dreams APACHE CAFÉ Funny Friday CHASTAIN Train EARL Georgia Fireﬂies EDDIE’S ATTIC WILD WEST Picture Show FAT MATT’S Spanky & The Love Handles FIVE SPOT Joe McGuinness MASQUERADE Chromeo NORTHSIDE TAVERN Stoney Brooks PEACHTREE TAVERN Cage @ 6 SMITH’S Mac Arnold & Plate Full O’ Blues STAR BAR Bigfoot VINYL Siberia My Sweet SATURDAY AUGUST 28 529 Mad Mad World APACHE CAFÉ 4 Poets & A Band CENTER STAGE Who’s Bad EARL Oryx & Crake EDDIE’S ATTIC Jackson County Line FAT MATT’S John Sosebe FIVE SPOT CONVOLVE THE LOFT Chip Tha Ripper MASQUERADE Heavy Mojo NORTHSIDE TAVERN Colonel Bruce SMITH’S Indecision STAR BAR Hillbilly Casino VARIETY Paul Thorn VERIZON STS9 VINYL Ultradrive SUNDAY AUGUST 29 AARON’S Creed EDDIE’S ATTIC Jef Jel Project Beneﬁt FAT MATT’S Tony Bryant FIVE SPOT Rock More Music SMITH’S 3 for $5 Night MONDAY AUGUST 30 529 Black Panther Party CENTER STAGE Dir En Grey & Apocalyptica EDDIE’S ATTIC Songwriter’s Open Mic FAT MATT’S Kat & Bones FIVE SPOT Atlanta Funk Society MASQUERADE Fu Manchu SMITH’S Chris Jackson TUESDAY AUGUST 31 529 Bukkake Boys AARON’S Kiss EDDIE’S ATTIC Doria Roberts FAT MATT’S Crosstown Allstars FIVE SPOT Kevin Scott MASQUERADE Hot Hot Heat SMITH’S 3 for $5 Night VARIETY Xavier Rudd & Izintaba

THURSDAY AUGUST 19 529 Pet Cobra APACHE CAFÉ Soul Shack EARL Young Antiques EDDIE’S ATTIC Brother Henry FAT MATT’S Chickenshack FIVE SPOT Soul Shack MASQUERADE Secrets Behind Stitched Lips SMITH’S The Best Brothers Band TABERNACLE Slightly Stoopid VERIZON Sheryl Crow w. Colbie Caillat VINYL Allstar Weekend FRIDAY AUGUST 20 529 Hawks AARON’S Jack Johnson ANDREWS UPSTAIRS DJ Dreams APACHE CAFÉ International Soul Music Summit EARL Colour Revolt EDDIE’S ATTIC MUTLU FAT MATT’S Bones FIVE SPOT 1320 THE LOFT Lil B MASQUERADE I.O.Z. NORTHSIDE TAVERN Mudcat PEACHTREE TAVERN Crash Davis SMITH’S The Whiskey Gentry STAR BAR Miniature Tigers VARIETY Dubconscious VINYL Fiend Without A Face SATURDAY AUGUST 21 529 Baby Baby APACHE CAFÉ Noot D’ Noot EARL All Night Drug Prowling Wolves EDDIE’S ATTIC Bernadette Seacrest FAT MATT’S Deacon Brandon Reeves FIVE SPOT Books for Cameroon

STS9 VERIZON AMPHITHEATRE AUGUST 28

Road Warriors

This Month’s Hottest Shows BY SACHA DZUBA

AUGUST 07 – LORDS OF ACID, MY LIFE WITH THE THRILL KILL KULT

The Masquerade The sexually charged Lords of Acid started subverting listeners with their sexy/funny lyrics and irresistibly danceable industrial/techno in the ‘90s, and continue still today. My Life with the Thrill Kill Kult is an industrial band whose sound continued to evolve to become an afterburn of disco and funky electronic club music, full of throbbing beats and aggressiveness. 15 years ago these two bands toured together for the same event, so this is a VERY sexy anniversary. This is going to be an erotic and fun Greatest T*ts tour, make no mistake. Is that a banana in your pocket?

AUGUST 09 – AFI, GREEN DAY

Verizon Wireless Amphitheater Green Day is an All-American punk rock trio that has been around since the late 80’s. Their major label debut Dookie became a breakout success and eventually sold over 10 million copies in the U.S. and 15 million worldwide. Subsequent albums, while not as commercial successful as the previous, became double plantinum and gold. Though they’ve been called derivative and fake by members of the Sex Pistols and Oasis, say what you like

about ‘em, they’ve got great songs. I replayed Dookie over and over… Their popularity has recently reignited in the past few years and they even have a Broadway show based around their rock opera album American Idiot. I have no doubt it will be a great concert evening of favorites, past and present, as well as some fantastic cover medleys. They’ve also got gothic punkers AFI with them, whose horror punk I really love. Go on, conform, be “punk”.

AUGUST 09 – JUSTIN BIEBER

The Arena at Gwinnett Center Canadian pop singer Justin Biebe, gained attention through his own postings and performances on YouTube. After a meeting with Usher, Bieber was signed. His debut EP release, My World, went platinum, with seven of his songs going on to chart on the Billboard Hot 100. My World 2.0 was released early this year, debuting at #1 and certified platinum in less than two months. He’s got a good sound, but just remember this is groomed and stylized pop. Bring your Tiger Beat magazine…maybe you can get it signed!

August 11 – Spoon, The Arcade Fire Verizon Wireless Amphitheatre The Arcade Fire is led by the husband and wife team of Win Butler and Régine Chassagne, along with numerous other musicians playing

glockenspiel, French horn, hurdy-gurdy, mandolin, strings, etc., in addition to the usual guitar, bass and drums. Musically they’re reminiscent of the Pixies covering New Order, with the colors of an orchestra washing behind them. The excellent indie-rock band Spoon are with them: check out YouTube for the meme of Japanese robot Keepon dancing to Spoon’s “I Turn My Camera On.” These are two great bands at the top of their game.

AUGUST 19 – SHERYL CROW

Verizon Wireless Amphitheatre Sheryl Crow’s got that kind of Adult Contemporary sound where you and your mom can meet in the middle and both enjoy the music. And yes, I mean that as a good thing. Her latest album, 100 Miles from Memphis, veers into R&B. A horn section, funky bass and some nice cameos, make her new album sound like she’s been taking P-funk injections from George Clinton. Check out her new sound, mixed with her classic hits. Say hi to your mother for me.

AUGUST 21 - SCISSOR SISTERS

Buckhead Theatre Take a mix of disco, glam rock, KC and the Sunshine Band, Elton John, and some 80’s new wave and you’ve got the SS sound. Initially I became aware of them through their fantastic disco take on “Comfortably Numb,” but they’ve managed to maintain my interest and come out with lots of songs that get stuck in my head. Their latest album, Night Work, shifts towards a more club-friendly sound. For some reason, there are moments that make me think of the Neverending Story theme song. Bring your outlandish glam/disco gear, a feather boa, and get to dancin’!

WE GOT NEXT HEARTSOUNDS

Chastain Park Amphitheater Everybody may want to rule the world, but Tears for Fears have sold more than 22 million albums worldwide. Roland Orzabal and Curt Smith formed the band back in the early 1980s, but their musical inﬂuence is still felt today. Songs from the Big Chair brought us some fantastic hit singles, including “Shout,” which still gets stuck in my head even today. Blend Joy Division, New Order, and classic Depeche Mode with some punchy rock in a large saucepan under medium heat and stir¬– that’s their sound. The two had a falling out in ’91, but they’ve patched up their diﬀerences. Come fall “Head Over Heels” in love with them all over again.

AUGUST 30 – DIR EN GREY AND APOCALYPTICA

Center Stage Theatre The theatrical Japanese band Dir En Grey has been creating music since 1997. Their music has navigated many different genres, but stayed near the vein of alternative metal, experimental and alternative rock. These musicians have transcended the language barrier and gained an audience even without singing in English. Kyo’s singing is one of the band’s most distinctive elements. His distinctive range and versatility allows him to howl, croon, scream, shriek, growl, bellow, like my favorite avant garde singer, Mike Patton. The amazing Apocalyptica are with them, and worth your money alone. Classically trained cellists playing Metal?! Yes please! I’ve listened to these guys since their album Inquisition Symphony, and they’ve just gotten better over the years. Come out for a great night of metal!

Artists on the verge of making it big

Latest Project: Until We Surrender (Epitaph) For Fans of: Hot Water Music, Bad Religion, Propgandhi, Strung Out Why You Should Care: Because former death metal stalwarts Ben Murray and Laura Nichol are reinventing the sounds of ‘80s thrash and ‘90s punk with a unique style that’s all their own.

BY JOHN B. MOORE

AUGUST 28 – TEARS FOR FEARS

FTER PUTTING IN SIX YEARS WITH melodic death metal group Light This City, longtime collaborators Ben Murray and Laura Nichol decided to call it quits and go back to their ﬁrst love: punk rock. They gave notice, picked up guitars and stumbled their way through writing one of this year’s best punk rock records. Signing with Epitaph Records was the furthest thing from their mind as they went back to school and kept plugging away at Heartsounds, their newest band. But a once-in-a-lifetime e-mail from

Epitaph founder and Bad Religion guitarist Brett Guerwitz led to a label deal and opening for their musical heroes. Murray and Nichol spoke recently about the new band, putting their death metal past behind them and learning to embrace punk rock.

performing in front of people. When Light This City ﬁrst started, I faced Ben the whole time, and never moved (laughs). But by the time we broke up, I had done numerous tours and I pride myself in knowing more about controlling a crowd, no matter the size. I’m glad I don’t have to start from scratch there.

Just to get this out of the way up front, why did Light This City break up? Murray: Laura and I got to a point on the road where we were just completely burnt out… ﬁnancially, emotionally, and musically. We didn’t have the passion to play melodic death metal anymore, and felt that the band had released four solid records. It was just time for it to be over, and we didn’t want to deal with the politics of the heavy metal touring scene anymore. It was really discouraging, and annoyingly competitive. All of these factors just built up and erupted one night while we were on tour with Death Angel, and we knew in our gut what we had to do. We knew we wanted to return to playing punk, and allow our musical careers to be fun again, and not so business oriented.

What was it like to play those shows with Bad Religion last month? Murray: Those shows were absolutely insane. Bad Religion single-handedly got me into punk rock when I was 10 years old upon first hearing Stranger than Fiction. They are such a timeless and influential band, and especially paramount to my musical upbringing. I was in shock when I heard that we got offered the shows, and I never thought in a million years that any band of mine would open for Bad Religion. The shows were both sold out, and so much fun and Bad Religion absolutely killed it live. They seem to keep getting better with age, which is really inspiring. We had the time of our lives.

Laura, your vocals sound a lot diﬀerent on this record. Did you have to learn to change the way you approach singing? Nichol: I had to start completely from scratch. People get really confused now when I tell them I’m a newbie. They’re always like, “Weren’t you in a band for ﬁve years?” And my answer is, yes, but that didn’t give me any experience in the type of singing I do now; it only gave me training in

How did you end up on Epitaph? Murray: We actually didn’t send the record to any labels. I put it out myself and we wanted to take the band one step at a time, to let it run sort of a natural course. We also wanted to ﬁnish up school, and not really rush back out on the road full-time. This was a band that we didn’t want to “shove in people’s faces” so to speak, and basically let people start to spread the word on their own if they really liked

the band. Everything was going great, and then I got an e-mail from Brett Gurewitz one morning on my phone. I started freaking out and called Laura right away. A few days later we were on a plane to LA to have a meeting with Epitaph. They really impressed us with how nice everyone was, and how passionate they seemed about their bands and their respective jobs. Obviously, Epitaph has put out almost all the releases that inspired the sound of this band. We were shocked about the situation, and feel so humbled that our band is a part of such a legendary organization. Is there a big change in the audiences for metal vs. the crowds you get from Heartsounds? Murray: In our experience so far, it seems that punk crowds are a lot more accepting and friendly. It took Light This City a long time to win over any kind of significant audience. They saw Laura and didn’t think that the band was “heavy” enough because we had a girl singer. Right off the bat with Heartsounds though, kids were singing along, rockin’ out, and making us feel right at home within the new genre. Laura and I both feel that the live shows have been really fun up to this point. Do you have tour plans for the rest of the year yet? Murray: There are no solid plans as of yet, but really exciting things are in the works as we speak. We are definitely going to be hitting the road in the States in support of Epitaph’s re-release of Until We Surrender, and hopefully Europe later in the year. We can’t wait! PG 19 • insiteatlanta.com • August 2010

MUSIC

Album Reviews

By B. Love, John Moore, DeMarco Williams, Matt Conner & Ed Morales

AQUALUNG – MAGNETIC NORTH (Verve Forecast) Brit-popster hearkens back to sparse, summery debut MC: Matt Hales’ first outing as Aqualung, Strange & Beautiful, introduced an impressive new face in the Britpop scene with minimal, moody tunes like the title track and “Easier to Lie.” Memory Man was 2007’s follow-up and expanded Hales’ sonic palette with a layered electric approach that seemed a complete about face. Now Aqualung (Hales’ musical moniker) blends both albums in a new mature, focused effort that stands as his best yet. The gospel romp of lead single “New Friend” kicks off Magnetic North with impressive energy, yet the new buzz quickly fades into the familiar. That’s a good thing. The tender “Sundowning” feels like an outtake from his debut, “Remember Us” might be the most beautiful tune he’s ever penned, and “36 Hours” builds like the best of Memory Man. Magnetic North is another solid pop album from an artist who hasn’t missed yet. ATTENTION SYSTEM – WAIT FOR MY SIGNAL (Surrounded By Light) Post-punk, ATL-style BL: It’s 1986 and I’m dressed all in black, hair dyed black, skin as pale as a porcelain doll’s, dancing my ass off to the sounds of Bauhaus, Echo & the Bunnymen, Joy Division and The Cure. This is the memory that comes to mind when I listen to the debut from Attention System, an Atlanta-based band comprised of former members of Siberia My Sweet, Slow Motion Crash and Creve Coeur. Given these 24-year-old flashbacks, it’d be difficult to describe their mixture of postpunk, new wave, synth-pop and darkwave as distinctive (The Faint and The Bravery have trod similar ground). But it is effective, conjuring up visions of Wall Of Voodoo’s Stan Ridgeway fronting “Girls On Film”-era Duran Duran. The first release from Stickfigure Recordings’ Surrounded By Light imprint, Wait For My Signal is an impressive debut that bridges the gap dividing the city’s indie-rock and electro scenes, urging everyone onto the dance floor. OASIS – TIME FLIES… 1994-2009 (Legacy) A legendary Brit-pop band’s swan song JM: The Gallagher brothers are assholes. That’s not exactly news to anyone, but I wanted to get that out of the way up front. Yes, they thought they were God’s gift to music listeners everywhere and wanted the world to know it. Yes, they were slavishly devoted to recreating The Beatles’ sound on every single album. And yes, despite millions of fans around the world, the brothers were hated with just as much passion (though no one hated them more than they hated each other). PG 20 • insiteatlanta.com • August 2010

The Dean’s List

All that aside, they did manage to churn out some truly great songs in the 15 years they were together. The biggest surprise of Time Flies, the band’s 2-CD greatest hits collection, is just how many popular songs Oasis turned in over the years. From “Champagne Supernova” and “D’You Know What I Mean” to “Cigarettes & Alcohol” and “Wonderwall” the band had the recipe for putting together fantastic pop songs with strong hooks and choruses that stuck in your head for days. Lyrically, the band is on their own in trying to defend themselves (just try and makes sense out of the words to “Champagne Supernova”), but R.E.M. has the same rep for writing nonsensical tunes and they are arguably one of the best American bands to come out of the 80’s/90’s. If Oasis had not broken up last year (and let’s take a moment to acknowledge what a remarkable feat it was that they had managed to stay together up to that point), they would likely have enough material for a whole new collection of hits 10 years from now. In the meantime, I’ll just be patiently waiting for the reunion. FREELANCE WHALES – WEATHERVANES (Frenchkiss) Organic five-piece deftly blends folk/rock hybrid

RICK ROSS – TEFLON DON (Def Jam) Putting facial hair and a southern sway to Biggie’s legacy DW: On the surface, NY’s Christopher Wallace and MIA’s William Leonard Roberts II might only have girth and skin tone in common. But anyone who’s taken the time to break down the qualities in the two dynamic rapper’s musical stylings will hear that the Notorious B.I.G. and Rick Ross are similar sonically too. Biggie made a career out of intertwining tales of dope and dames over bars with odd rhyming patterns. And you remember how the dude would swap double and triple entendres like other MCs changed socks. On Teflon Don, Ross’ fourth straight thumper, Ricky shows evolution in his trademark flow. While last words are still rhymed three and four lines at a time, Ross’ verbiage feels sleeker. Nah, nothing’s over two syllables on “Super High” and there are some basic sports references on “I’m Not a Star.” Still, when the homie rubs elbows with respected cats like Jay-Z (the masterfully-penned “Free Mason”), his flow feels grown up. If you recall Biggie’s second opus, Life After Death, his beats were colder, almost menacing. On this one, Rozey tells more chilling stories with the sounds. Be the mood an aggressive, heavy one (“BMF” and “All the Money in the World”) or mellow and insightful (the T.I.backed “Maybach Music II” and the sensational “Tears of Joy” with Cee Lo green on the hook), we’ve rarely heard Rick Ross any better. But that’s not to say Teflon Don isn’t without its tears. For all of the aforementioned heat, there’s a disappointing filler with Kanye (“Live Fast, Die Young”) and a despicable party cut with Diddy (“No. 1”). But hey, not even the late great Notorious B.I.G. could make Puff sound good all of the time, could he? GRADE: B

MC: The Queens quintet known as Freelance Whales have experienced quite a wordof-mouth buzz this year. After initially releasing We a t h e r v a n e s on their own, Frenchkiss Records (Passion Pit, Local Natives) picked up the band and re-released their debut to broaden the audience for the folk/rock act. Weathervanes is one of the most pleasant DEVO – SOMETHING FOR EVERYBODY (Warner Bros) releases of 2010 with a whimsical, organic New Wave legends return with a familiar sound vibe buoying its summery harmonies. Fans of Anathallo will find lots to love here, although EM: Midway Death Cab electrotones appear on “Starring” though Fresh, and “Kilojoules.” An impressive array of the first song instruments keeps things fresh and inventive on Devo’s ninth throughout as a glockenspiel, banjo, xylophone, studio album, harmonium and mandolin all play prominent lead singer Mark roles. Mothersbaugh sings in his familiar staccato “So fresh it almost makes me want to cry/So fresh it’s giving me a second life”. AUTHORITY ZERO– STORIES OF SURVIVAL It’s been two decades since Devo’s last studio (Suburban Noize) release, and while there’s plenty of adjectives Ska band wears out their welcome to describe Something for Everybody, fresh is not one of them (sorry Mark). That’s not to say JM: At one time, Authority Zero was probably Something is a poor effort – it’s not – but the best known for drawing on reggae music as ground traversed here is already trampled. Of much as they did skate-punk. In the years and course the album’s ubiquitous sound (which can albums since their debut, the band has certainly be heard in newer bands such as the Ting Tings toned down those disparate influences, drawing and Hot Chip) was created by Devo 30 years ago, more on their punk side. so the band has only themselves to blame. The result is that the one thing that helped But Devo, which re-assembled the classic lineup this Mesa, AZ-based collective stand out to create Something, isn’t firmly entrenched in amongst their peers is now gone. Leaving them the past, as some of the lyrics and hooks bear nearly indistinguishable from all the other punk out. Human Rocket offers an amusing dichotomy bands that grew up listening to Pennywise and as electronic pings and pops meld with a chorus Bad Religion. comfortable in any country song; Mind Games Stories of Survival is a decent enough album, would perfectly fit on any LCD Soundsystem but not exactly what you’d call original. Songs record – there is evidence Devo is pushing new like “Brick in the Wave” and “Get it Right” are boundaries. As for lyrics – which have never actually among the best the band has recorded been the band’s strong suit – references to “nasty over the past eight years, but a couple of strong blogs” (Later is Now) “hybrid cars” and “don’t songs are unfortunately not enough to prop taze me bro” (Don’t Shoot (I’m A Man)), give the up the entire album. It might be time to pull album a clear time reference. out the old Jimmy Cliff records for a refresher There are some bumps on the comeback course in their original roots. GRADE: C+ road. What We Do is an example of 1980s music

Rest of the Class

at it worst (remember Flash and the Pan? No? There’s good reason for that), while Step Up is a cliched piece comfortable in any 80s movie montage (Real Genius, perhaps). But there’s a certain ingenuity in No Place Like Home as it takes the ballad to a new, futuristic level, while Sumthin’ is a fun party song, even as it remarks on the New World Order, which is so 1984. Like an old friend, Devo is back– maybe not as fresh as it thinks it is, but back nonetheless– sharing good stories and lasting memories. Welcome home, fellas. GRADE: B THE WHITSUNDAYS – SAUL (Friendly Fire) Indie-rockers being odd just for the sake of being odd JM: I’m not sure if it’s the cold, the hockey or the higher alcohol content beer, but there’s something about Canada that brings out the quirkiness in its musicians. Think Crash Test Dummies, Barenaked Ladies… and now the oddest of them all, Alberta’s The Whitsundays. On Saul, their second album, which was recorded in the basement of frontman/bassist Paul Arnusch during a snowy winter (see, I knew the weather had something to do with it!), the band manages to stretch cacophonous dissonance, odd synth beeps and droning vocals over 10 tracks. Vaguely drawing on ‘60s pop for inspiration, there are certainly a couple of decent tracks on the album (“You Feel For it” and “Silent in the Wind” stand out simply for being the most accessible). But, taken as a whole, Saul is the sound of a band trying its best to be as quirky as possible, almost daring listeners to turn it off. GRADE: C BROKEN BELLS – SELF-TITLED (Columbia) Killer creative collaborations BL: A former college radio DJ who initially recorded trip-hop under the pseudonym of Pelican City, Danger Mouse’s (a.k.a. Brian Burton) career has become increasingly diverse in recent years. Whether remixing Elephant 6 favorites Neutral Milk Hotel, collaborating with underground rapper Jemini or smashing up Jay-Z and The Beatles on his landmark Grey Album, he has seemed determined to avoid pigeonholing from the very start. Burton’s more recent work with artists such as animated Brit-poppers Gorillaz, stylistic chameleon Beck and hip-hop oddball MF Doom served to reinforce his remarkable range, while the soulful sound of Gnarls Barkley (his collaboration with Green) showcased his burgeoning skills as a songwriter and multi-instrumentalist. But his latest album, which finds him collaborating with Shins frontman James Mercer as Broken Bells, reveals Burton to be precisely what he has claimed to be all along: An auteur. Broken Bells bursts with the promise of being the first chapter in an ongoing musical collaboration between two indie talents most fans would never have imagined together. At its best, the band’s sound is a perfect balance between the Shins’ bittersweet pop melodies and Danger Mouse’s mellow trip-hop atmospheres, with equal emphasis on emotionally intimate songwriting and lush, hazy production. Opening single “The High Road” sets the down-tempo tone, with organs, synth bleeps and blips and warm reverb augmenting what is essentially a really great (but simple) acoustic folk song. Mercer’s vocals remain as strong as ever, with Burton pushing him outside his comfort zone on the surprisingly funky “The Ghost Inside,” but the album at times has the unsure sound of a new band still trying to find its footing. Given their respective pedigrees, however, you get the feeling that Broken Bells will soon add yet another classic album to Burton’s already impressive catalogue. GRADE: A+

PRESENTED BY WINDSTORM AND OK PRODUCTIONS

A portion of each ticket sold will go to Partners in Health, www.pih.org

MONDAY, AUGUST 9

JACK JOHNSON

G Love - Solo and Acoustic; Alo

AUG 20

SUNDAY, AUGUST 15

WEDNESDAY, AUGUST 11

DONALD FAGEN, MICHAEL McDONALD & BOZ SCAGGS TOGETHER ON ONE STAGE!

THURSDAY, AUGUST 19

SATURDAY, AUGUST 21

THURSDAY, AUGUST 26 An Evening with Wed

BROOKS & DUNN Miranda Lambert

DISCO BISCUITS

AUG 22

World Vision Presents

Sat A Difference Tour 2010 OCT Make 2 Featuring MAX LUCADO,

� BIG GIGANTIC � JOHN HUGHES

MICHAEL W. SMITH, THIRD DAY & TOBYMAC

Sun

CREED

Theft; Skillet

RUSH

SEP Featuring for the ﬁrst time ever, 29 MOVING PICTURES in its entirety

NEW STUDIO ALBUM AVAILABLE NOW!

AUG 29

2CD/3LP SETAVAILABLE SEPTEMBER 28TH

A FOOD DRIVE EVENT

SATURDAY, AUGUST 28

FRIDAY, SEPT 24 SATURDAY, SEPT 25

OCT 3

Project 9-6-1 Family Reunion 2010 Featuring

STONE TEMPLE PILOTS, SHINEDOWN, SEVENDUST, BULLET FOR MY VALENTINE & TADDY PORTER

Tickets available at all Ticketmaster outlets including Publix Super Markets.

TICKETMASTER.COM��1.800.745.3000

KISS

The Academy Is...; The Envy

TOBY KEITH Trace Adkins

Tickets also at the box office (M-F: 10am-6pm; Sat: 10am-2pm; Closed Sunday). The venue is conveniently located off GA-400 in Alpharetta. Venue info: VZWAMP.COM

AUG 31

All artists and schedules subject to change without notice. All tickets subject to service charge. Concerts rain or shine.

Owned and operated by the Atlanta Symphony Orchestra

Sing Tickelte ON SALs NOW! E

SEP 2

UPROAR FESTIVAL Disturbed; Avenged Sevenfold Stone Sour; Halestorm and many more!

SEP 4 WITH SPECIAL GUEST

with ALSO DAVID

RHODES

FRIDAY, AUGUST 6

JOHN MAYER

SEP 8

KINGS OF LEON

SEP 15

Owl City

The Black Keys

www.heart-music.com

ALICE IN CHAINS Deftones; Mastodon

new album “red velvet car” available now

WEDNESDAY, AUGUST 18

DRIVIN’ N CRYIN’ and

with special guest BILAL

SONIA LEIGH www.38special.com

FRIDAY, AUGUST 13

TheB52s.com

SATURDAY, AUGUST 14

Blondie.net

WEDNESDAY, AUGUST 25

SEP 28

FRIDAY, AUGUST 27 Tickets available at all Ticketmaster outlets including Publix Super Markets.

TICKETMASTER.COM

1.800.745.3000

Woodruff Arts Center Box Office

with

Brandi Carlile www.theavettbrothers.com

FRIDAY, SEPT 10

Reserved seating only. No tables, coolers or carry-ins.

CHARLIE WILSON WITH SPECIAL GUEST

ANGIE STONE SATURDAY, SEPT 11

(M - F: 10AM - 8PM; Sat: Noon - 8PM; Sun: Noon - 5PM)

Group Sales 404.733.4848 Delta Classic Chastain Concerts promoted by ASO Presents support the Atlanta Symphony Orchestra Concerts take place rain or shine. Artists and schedules are subject to change. All sales ﬁnal. No exchanges or refunds.

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CHARGE BY PHONE : 800-745-3000. All dates, acts and ticket prices subject to change without notice. Ticket prices subject to applicable fees.

PG 21 • insiteatlanta.com • August 2010

Fri, August 13 Sat, August 14 Fri, August 20

DISCO BISCUITS �

BIG GIGANTIC � JOHN HUGHES

KINGBILLY (Country)

THOMAS TILLMAN (Country) w/ Tammy Luchich

CRASH DAVIS (Southern Rock)

Sat, August 21 Thr, August 26 Fri, August 27

SATURDAY, AUGUST 28

MAMA’S LOVE (Jam Rock)

DOWNSTROKE (Rock Cover)

Cage @6 (Rock Cover)

NO COVER WEEKNIGHTS! Tickets available at all Ticketmaster outlets including Publix Super Markets.

TICKETMASTER.COM � 1.800.745.3000

ON S NO ALE

Tickets also at the box ofﬁce (M-F: 10am-6pm; Sat: 10am-2pm; Closed Sunday). The venue is conveniently located off GA-400 in Alpharetta. Venue info: VZWAMP.COM

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All artists and schedules subject to change without notice. All tickets subject to service charge. Concerts rain or shine.

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Join us this summer at the Mable House Barnes Amphitheatre

Survivor &

Starship w. Mickey Thomas

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Sept. 10

Aug. 13

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John Michael

Montgomery Pack a picnic and bring the whole family!

Hippiefest Aug. 26 SEPT. 4 Wade Ford presents Sheila E, Nick Colionne & Marion Meadows

Oct. 15

Sept. 4

Sept 17-18

Cirque D’or

Sheila E

ATLANTA SMOOTH MUSIC FEST

smoothjazzgrooves. com featuring Paul Taylor, Pieces of A Dream, Jessy J, Gregg Karukas, Althea Rene and Sekou Bunch.

See complete listing on

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PG 22 • insiteatlanta.com • August 2010

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MUSIC

DOOLITTLE

Alt-Rock Legends The Pixies Reunite for The 20th Anniversary of Their Classic Album BY B. LOVE

HERE WERE MANY BANDS AMONG THE ‘80S alt-rock invasion that lasted longer, sold more albums and had more Top 40 hits than The Pixies. But the Boston-based band– frontman Charles Thompson (a.k.a. Black Francis/Frank Black), guitarist Joey Santiago, bassist Kim Deal and drummer David Lovering– was to the Lollapalooza crowd what the Velvet Underground had been to the garage-rock scene, inﬂuencing thousands of alt-culture outsiders to pick up instruments and form their own bands (including notable fans such as Nirvana, Weezer and Radiohead). Formed in 1986, The Pixies had a notoriously tempestuous interpersonal dynamic that mirrored their quiet-loud shifts in sound, and by 1993 the band had broken up just as they seemed to be on the verge of a mainstream breakthrough. They released only four albums, but 1989’s Doolittle remains one of rock’s most enduring classics, ranking on both Rolling Stone and Q Magazine’s list of the greatest albums of all-time thanks to memorable tunes such as “Debaser,” “Here Comes Your Man” and “Monkey Gone To Heaven.” Thankfully, The Pixies are finally realizing the commercial success that eluded them during their critically acclaimed heyday. The band’s 2004 reunion tour sold out venues around the world to the tune of $14 million in ticket sales. Now, the combustible quartet has re-formed once again for a world tour on which they will play Doolittle in its entirety. We recently spoke with Lovering to get the inside scoop on the legendary band’s bumpy past, profitable present and potential future. I want to start out by asking about the early years. You were the last one to join the band, coming into this trio that had been working together. What were your initial impressions? I remember back in 1986, I got a call from Charles (a.k.a. Black Francis/Frank Black) and I went over. The three of them were there. There wasn’t even a drum set– I basically had a pair of drumsticks and listened to Charles on acoustic guitar, a little bass, and heard what they were doing. To me it was interesting because I was into Rush and Led Zeppelin and all that stuff. So it took me back because it was a little different, but I liked it for being different. That’s what really caught me about it.

WE WERE JUST DOING WHAT WE WERE DOING. EVERY ALBUM WE WERE JUST GETTING FASTER AND FASTER, PUMPING UP THE ALBUMS. IT’S THE WAY WE WERE. WE NEVER EVEN THOUGHT OF THE CRITICAL ACCLAIM WE WERE GETTING. IT WAS JUST ALL JUST WONDERFUL TO US. WE WERE DOING SOMETHING GOOD. we’ve got something under our belt that’s a really nice album. We’re having turkey dinner in the studio and just having a great time. It’s a fond memory that I won’t ever forget.

show happened in 2004, that was eye-opening as far as how people were receiving us and how well we were doing. It just blew us away completely.

How were you initially received in your early days on the Boston scene? In Boston we played all the little bars and we developed a little following. After about a year, we kind of sky rocketed because we had a demo tape which helped move us forward. It just went BANG from there. In Boston, a lot of people might not have paid us a lot of respect just because we were a band that hit it so fast. We were really in the trenches doing it for about a year, but a lot of Boston bands didn’t respect us. But it was all a great experience. I loved playing in Boston. I loved playing with all the other bands playing there. Even though I’m biased from being from there, I can’t think of a better place. It was a great place to play with all the venues and all the colleges in the area.

Did that tour feel like it was a step up for the band’s career at that time? I think it did. I think that while we were very happy with Doolittle, we had a lot of expectations for it. But nothing really happened at the time. It wasn’t until years later that people looked up at Doolittle, but at the time the record company’s efforts didn’t meet the expectations I had for that album.

Did you have an understanding of your place in alternative music history in 2004, or was it a complete shock that people were basically worshiping the ground you walk on? That was a shock, but then again we were aware of all the influence we had on Nirvana and other bands like that. When we were thinking about getting back in 2004, that was eyeopening. We couldn’t believe it.

What was it like for you when Kim and Charles started to have a clash of personalities? It was just the norm. You don’t know any better because you’re in it. I think every band is dysfunctional in some way. As you get older and wiser I think you learn a lot of things. As you get older you try to avoid all that stuff.

Did the time away heal some of the personal rifts? I think time heals all wounds. It did.

Were you aware then that your music was going to have this huge cultural impact? Was there any thought given to the long lasting impact it was going to have? Of course, like every band we wanted to make it big, but we weren’t plotting away. We were just doing what we were doing. Every album we were just getting faster and faster, pumping up the albums. It’s the way we were. We never even thought of the critical acclaim we were getting. It was just all just wonderful to us. We were doing something good.

Was there a feeling that you would get back together during the Frank Black years, or was it a “never” kind of thing? It was always a “never” thing. For years and years, I didn’t even harbor the thought. When it did come around in 2004, it was very surprising, I can tell you that!

So it was definitely a mission to be a big band? Oh yeah, I think with any band you want to play bigger venues and bigger audiences. That was the idea. I think for any young band, you don’t want to be stuck playing all the bars. What are your fondest memories of the Doolittle era in the band’s history? The memories I have are about making Doolittle. I remember recording it and mixing it over Thanksgiving weekend. We just knew that we had a great album. It was that luxury of knowing

What was the impetus for them changing their minds about it? I think Charles may have thrown it out first and then just thinking about it. I think everything about it seems to be right– it’s fun and lucrative. I think it was the right time for everyone involved regarding our positions in life.

Tell me about revisiting Doolittle and how you’re doing it live in concert? It was around the first show in 2004 that we toyed with the idea of just going out and doing one album. It was only going to be one show somewhere in the world– to just do Doolittle once. That sat on the back burner for a while, then about two years ago we started thinking about actually putting together a show with a big production and taking that around. I think other bands had done it or were starting to do it. It was the 20th anniversary of Doolittle, so it was an apt time to do that album, and if we were going to do any album that was it. It’s probably the biggest production we’ve ever had. It’s a really nice show. It starts off with B- sides and then goes into Doolittle, then ends with B-sides. We’ll probably do encores of our older stuff and other Pixies stuff. It’s definitely an impressive show.

What was it like playing together in 2004? Was it like redemption for the band because you weren’t as popular the first time around? It did, and it was surprising to us. When we got back together, even in rehearsal, it was like time hadn’t passed. It was like riding a bike. You don’t forget it. It was just very easy. We went right back in track. It was a little rough in parts with the melody and stuff, but we basically had it down. When the

Have you guys talked about doing any new music after this? What’s the plan as far as that goes? We have talked about it, but we have to actually be productive about it. So far there’s been nothing yet. This year is pretty much gonna be busy with touring. We’re doing Doolittle all the way through October in different countries. So once this year ends, I think 2011 might be a different story. I don’t know for sure, but it’s looking likely… PG 23 • insiteatlanta.com • August 2010

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EVENTS

DRAGON*CON 2010 BY MARCI MILLER

HE 24TH ANNUAL DRAGON*CON is the largest multi-media, popular culture convention focusing on science fiction and fantasy, gaming, comics, literature, art, music, and film in the US. Dragon*Con 2010 is happening Labor Day weekend (September 3– 6) at the Hyatt Regency Atlanta, Marriott Marquis Atlanta, the Hilton Atlanta and the Sheraton Hotel Atlanta, all in Downtown Atlanta. Registration will take place at the Sheraton. Dragon*Con 2010 is expected to draw more than 40,000 fans, dealers, exhibitors, artists, guests, and volunteers from all over the world. Major events include the Annual Parade down Peachtree Street, Friday Night Costume Contest, Awards Banquet and Ceremony, Masquerade, and Guinness World Record Attempt. Dragon*Con programs contain over 3,500 hours of panels, workshops, and contests from over thirty-five different fandoms. Panel subjects include comics and pop art, designer toys, gaming, costuming, alternate history, steampunk, anime, manga, sci-fi,

fantasy, young adult literature, space, science, pirates, skeptics, podcasting, classic and modern sci-fi fantasy television, and paranormal activity. Workshops include writers’ workshops, belly dancing, and art programs. Additional programming content includes late night parties, live concerts, and DJ hosted dances.

Other highlights of the convention include:

DRAGON*CON DEALERS ROOM AND EXHIBIT HALL

Located at the Atlanta Marriott Marquis, over a hundred dealers and exhibitors will offer a huge assortment of hardbound and paperback books, games and accessories, Bronze, Silver and Golden Age comics, original crafts, costumes, medieval arms and artifacts, posters, models, collectible toys, celebrity photos, animation cells and imported Japanese animation tapes and merchandise.

DRAGON*CON PARADE

Every year several hundred costumed Dragon*Con members gather in the early Saturday morning hours, ready to take cen-

ter stage on Peachtree Street in downtown Atlanta for the largest event at Dragon*Con - the annual costume parade. Thousands more line the parade route to participate in the fun and to cheer on their favorites. Plan to be there Saturday, September 4 as a participant or onlooker. The parade starts promptly at 10:00 AM and the route follows Peachtree Street from Woodruff Park (at Auburn Avenue) to the Hyatt, then continues down Baker Street and concludes at the Marriott.

DRAGON*CON HAS TALENT

Dragon*Con’s Got Talent will take place on Monday, September 6 at 1pm in the Centennial ballroom at the Hyatt. There will be cash prizes in multiple categories. If you have a special talent and you think you could be the most talented con-goer out there, send an email to dctalent@dragoncon.org. They are also accepting submissions for a fan judge on the judging panel. All submissions will be accepted through August 9th.

DRAGON*CON NIGHT AT THE GEORGIA AQUARIUM

The convention will once again offer Dragon*Con Night at the Georgia Aquarium on Saturday, September 4. There will be an exclusive $17 admission price for all Dragon*Con attendees. There will be special “after hours” from 7pm – 11pm and all exhibits will be open. Both food court and cash bars will be available as well. All costumes and gear welcome – no weapons please!!

CELEBRITY GUESTS

Celebrity guests are also a big part of Dragon*Con. This year’s convention is no exception with hundreds of speakers scheduled to appear at this years show. Some of the big names on hand include: Sean Astin, Kristin Bauer, Daniel Cudmore, John DiMaggio, Barbara Eden, Larry Hagman, Stan Lee, Sean Maher, Edward James Olmos, Luke Perry, Kevin Sorbo and many, many more! Finally, Dragon*Con will also feature live concerts, dances, and DJs until 6:00 AM, multiple costuming contests, pop art, classic comic art exhibition, comic book quick sketch competition, art show, banquet and awards ceremony, robot battles competition, independent short film festival, beauty pageants and gaming events. For more information and to purchase tickets, visit www.dragoncon.org.

August 28th & 29th

The Grant Park Summer Shade Festival Is Putting Some Of Atlanta’s Best Chefs In The Shade And Cool Beers & Wines On The Tables ��

Corks & Forks is a featured event during the Grant Park Summer Shade Festival. Enjoy Food from Atlanta’s top chefs and Wine & Craft Beer Tasting from 1:00pm-5:00pm each day. Then enjoy the art, music and fun of the Festival. Proceeds beneﬁt the Grant Park Conservancy and its efforts to restore Atlanta’s oldest park. Participating restaurants include: Canoe Dogwood Empire State South

Goin’ Coastal Il Mulino Legal Sea Foods Livingston Restaurant & Bar Market Milton’s Cuisine & Cocktails

Murphy’s ONE Midtown Kitchen Peasant Bistro Rathbun’s Rosebud Serpas Restaurant

Six Feet Under Pub & Fish House Sun Dial Restaurant, Bar and View TAP The Cake Hag TWO urban licks

$35 in advance/$45 at the door (if available). Separate tickets sold for Saturday & Sunday. For a complete listing and ticket purchase please visit www.summershade.org or call 404-521-0938.

PG 25 • insiteatlanta.com • August 2010

TRAVEL

WELCOME TO THE JUNGLE Exploring Costa Rica’s Remote Caribbean Coast BY BRET LOVE • PHOTOS BY BRET LOVE & MARY GABBETT

E’RE SPEEDING DOWN A RIV ER in Tortuguero National Park, a pristine 77,000-acre protected area at the heart of efforts to conserve the remarkable biodiversity in Costa Rica’s northeastern Limón Province. We’re far from anything you’d call “civilization,” over 2 hours by boat from the nearest road, in remote rainforests that receive up to 250 inches of rain a year. My eyes scan the dense thicket of trees that line the river, scoping for signs of movement amidst the verdant green, and I crane my ears to listen for the unmistakable call of howler monkeys. I see nothing. I hear nothing. Suddenly the boat stops, reverses and heads straight for the forest to our left. As we get closer I spot a brown lump camouflaged by the brush right at eye level, but only when we’re within 20 yards do I realize it’s a three-toed sloth. We’re within 10 yards before we notice the furry lump on top of the sloth, and everyone lets out a collective gasp as we realize it’s a mother and baby. The boat inches closer and closer until my kiddo could reach out and touch the sloth– she doesn’t– but the mother seems unconcerned by our presence. She checks us out briefly, then goes back to munching her leaves. Five minutes later, we’re close enough to an 8-foot crocodile that my daughter could jump off the boat and onto its back. She doesn’t. To an 8-year-old, phrases such as “deforestation” and “endangered species” seem like abstract concepts. Our educational system ensures that third graders know the terms well enough to define them on a multiple-choice test. But when even grown-ups can’t agree on simple scientific principles such as evolution and global warming, how can we expect our children to fully understand the role their generation will play as stewards responsible for the Earth’s ecological and environmental future? That’s why I’ve brought my family to MWAMBA LODGE (www.grupomawamba.com), an ecotourism haven situated on a sand bar dividing the canals of Tortuguero from the Caribbean Sea. The remote lodge is rustic and luxurious, offering spacious rooms surrounded by a rainforest teeming with birds, butterflies, lizards and frogs. A swim in their freshwater pool provides plenty of wildlife-watching opportunities, as colorful kiskadees and hummingbirds flit about in search of an evening meal, and gaudy leaf frogs sing songs at sunset, their big red eyes and bulging

throats making them a comical presence on the pool’s “Frog Island.” This is a nature lover’s paradise, with nighttime tours in search of turtles coming on the beach to nest producing spectacular views of star-lit skies. In the mornings we explore the canals, getting up close and personal with baby caimans, camera-shy river otters, toucans, tiger herons and roseate spoonbills. Afternoon walks in the dense Tortuguero woods feel like stepping into scenes from Jurassic Park, with howler monkeys feeding in the treetops and sending out haunting calls. It’s a taste of nature as primitive and unspoiled by human intervention as anything I’ve even experienced, and the sight of wonder in my child’s eyes tells me she gets it, even if only on a subconscious level: THIS is what we must fight to preserve. Departing Mwamba, we make the 6-hour journey to HOTEL LA QUINTA DE SARAPIQUI (www. hotellaquintasarapiqui.com), a nationally certified eco-lodge and our base of operations for the second leg of our trek. Their 10-acre property isn’t quite as rustic or remote as Mwamba, but is equally full of wildlife and offers the welcome blast of A/C after days of high heat and humidity. From there we explore nearby TIRIMBINA BIOLOGICAL RESERVE (www.tirimbina.org), which offers educational and research opportunities for scientists and tourists alike. Their guided walks through 9km of hiking trails offer a wealth of information about the remarkably diverse flora and fauna, subtly emphasizing conservation and sustainability. Their massive suspension bridge, which takes you over raging rapids and through the forest canopy, reinforces the message beautifully, offering exceptional views of howlers moving through the treetops, sloths taking afternoon naps, and myriad birds and insects. After a week in Costa Rica, it seemed almost impossible for any of us to sum up our wild, wonderful experiences there. How do you describe the feeling of petting an alcoholic boar on Tortuga Island, riding in an aerial tram 200 feet above the rainforest floor during a torrential downpour, or watching spider monkeys leap from tree to tree? I’m not sure how much of an impact the trip will have on my daughter in the long run. But I do know that only through encouraging kids to protect our planet’s precious natural resources, and by giving them hands-on exposure to what they’re protecting, do we have a chance of planting the seeds of environmental conservation that will hopefully continue to blossom for generations to come.

THE ATLANTA BEAT Women’s Professional Soccer

Individual Game Tickets Available NOW!

678.298.4780

www.theatlantabeat.com PG 26 • insiteatlanta.com • August 2010

HOW I SPENT MY SUMMER VACATION By Alexandra Love

Tortuguero was very hard to get to: You have to go two hours by highway, two hours by gravel road and two hours by boat. You’re not allowed in the river or ocean because the river has crocodiles and the ocean has sharks and barracudas. Mwamba Lodge has a butterfly farm and a frog farm: A red-eyed tree frog jumped on my leg once and at first I was so surprised I screamed. But I didn’t want to scare him off, so I stayed

quiet and he got so comfortable he curled up and went to sleep. My favorite part about Costa Rica was when we got to the see howler monkeys, coatimundi (which looks like a raccoon) and a mama and baby sloth. We got so close I could touch it, but I didn’t because I didn’t want to scare them. I also loved going on the big boat to TORTUGA ISLAND (www.bayislandcruises.com), where we got to snorkel, ride on a Banana Boat and pet a wild boar. Costa Rica was an awesome trip: It was so cool to experience nature and learn about wildlife. I’ll never forget it!

REAL HOUSEHOLD A BADGE WITH OF NYC BALLS

Introducing Omari Hardwick, certiﬁed sports nut Bravo’s most infamous love-to-hate-them couple, Alex McCord and Simon Van Kempen and co-star of the winning TNT drama Dark Blue BY JENNI WILLIAMS

BY DEMARCO WILLIAMS

HE REAL HOUSEWIVES OF NYC’S quirky, fashion-frenzied parents of two boys are at the helm of a family with habits that have attracted all kinds of attention and opinions. Both were born and raised in places around the globe. They’ve honed in on their experiences to make a simple, yet anything but average life for their family of four in the big city. In doing so they’ve developed a fan base separate from the catty drama and haute couture of The Housewives. The couple focuses on their tribulations, crisis and parental successes in a new book, Little Kids, Big City: Tales from a Real House in NYC. The book is a collection of Alex and Simon’s personal experiences, told in story form and derived from their most candid moments. It’s an interesting peak into the lives of the breakout reality pair, as well as an altogether inspiring account of what makes parenting so unique from any other life experience – something either future parents, weathered veterans, or fans of the show can enjoy. We recently chatted with the power parents to chat about their show, the book and how a big city how-to book can relate to the real moms and dads of Atlanta.

HE DAY OF INSITE’S INTERVIEW with budding action star Omari Hardwick happened to be the same day college football powers Florida, South Carolina and Georgia were called out for unscrupulous player and pro agent dealings. The subject matters to Hardwick not just because he’s a big-time football fan, but because he once was a big-time football player at UGA. “I don’t wanna say it’s a slave system,” laments Hardwick of the strained relationship between wealthy universities and their football stars. Hardwick himself had realistic NFL dreams in the late 90s. “But for a lack of better words,” Omari adds, “it can be looked at as a slave system. It’s pretty embarrassing that [college athletes are] not offered $50 per day for the work they put in. I say it’s embarrassing, but to be honest with you, it’s kinda humorous that you expect these guys to compete at those levels and not pay them anything.” Thankfully for Hardwick, his story didn’t end like so many other players’ tales have. Omari’s hard work and dedication would ultimately lead him to Hollywood. The young man landed bit movie parts (Miracle at St. Anna) that led to bigger roles (Next Day Air, The A-Team) that led to his current position as undercover cop Ty Curtis on TNT’s underappreciated drama Dark Blue. In this one-onone, the proud country boy speaks on being a part of one of TV’s best kept secrets, being well-rounded and being a Georgia Bulldog.

What was the inspiration for the new book? You know, on the first season, we really had a rough time. We weren’t portrayed the way we wanted to be, it was our first time doing something like that, and unfortunately, all of our issues were on display and we had no idea how to control it. But the truth was that after that, we’d already been through all the criticism; so we were just ready to sort of let it all hang out. Now we’re having fun with it. We can laugh and cry along with other parents going through the same things. How have you learned to shield Johan and François from the craziness of the show? It wasn’t ever a matter of shielding them from anything. This show has always been a side gig for us, so we weren’t really worried about becoming a reality star and having to raise children in the meantime. We both have full-time jobs and are full-time parents, first and foremost. Plus, when we started filming, they were really too young for it to mean much. They’re too young to watch it, even now. We’re lucky in that we’ve had little turnover with the film crew, so they’re used to the lifestyles. This last season, the kids were rarely seen. Was that on purpose? Not really. We didn’t do anything different, or make any special requests. This season—I think it was obvious—that the kids were just not the focus. Not only did you not see our kids, but you rarely saw anyone else’s either. It was just a shift in content. So, what’s the secret to raising kids in the city? There is no secret. We’re rigorously honest in our book about what goes on in raising kids. We talk about the good, the bad and the ugly, and fully admit that child rearing is never-- and never will be-- picture-perfect. How have you managed to spend time as a family doing so much traveling? We usually bring the kids with us. It’s been great to treat it like family vacation. We’ve been to Boston, where they joined us at the sign-

ing, Baltimore, where we went to The National Aquarium, D.C., Chicago… We try and do as much stuff together as we can. What’s the most important thing you can say about parenting? Consistency. Consistency. Consistency. For 2-parent families, you have to be together on everything. Even when we disagree with the way one of us is handling a situation with the boys, we remain a united front and discuss it later. If you disagree in front of them, the kids will notice, and then they’re always going to the lenient one to get their way. How do you relate big city family dwelling to those living, say, in Metro Atlanta? Parenting is all the same. It’s the same stories; the joys and frustrations are identical, just in a different scene, a different location. Our boys do the usual stuff. They take piano. They play sports. We take them with us to dinner or to hear music. We cherish mealtime. It’s a special time that we are all together, with no distractions, and can hear about each other’s days. You can do that in any environment. Do the boys get to see their extended family much, with the McCord/Van Kempen roots being so spread out? You know, it’s a great thing to raise kids in the 21st Century. We have Skype. The boys get to talk to their grandparents and their cousins and actually see them at the same time. Plus, Simon’s family is globetrotters. We often will meet up with them somewhere, and we take turns going to Australia for them, or having them in New York. What’s the bottom line for people who read your book? We’re all in this together. There is no right way to be a parent. You can read how-to books, read other people’s books to share in the experience, but the bottom line is that you have to work it out for yourself. We also emphasize that you have to be confident in yourself and in yourself as a parent. It is actually possible to have children and not lose yourself in the process.

What have been some of the best parts of your journey? You know, I think the initial first two years of trying to get acclimated and trying to figure out [things] and just the adjustments alone meant a lot. Whether it was to waiting tables or substitute teaching, it was just some of the things you’ve got to do to maintain your dream. I went from trying out with the NFL and having a couple of dollars in my pocket to being broke as a joke. I truly believe that’s been the biggest part of my journey. I remember when there were pennies in my pocket. And to this day, I keep a penny in my right pocket, no matter what I’m wearing. It’s there just to remind me of where it all began and how far I’ve come.I look at the faces of family members who are now so proud of where I’m at. I’m actually able to support myself and them, in part, by doing exactly what I set my sights on doing when I came 3,000 miles away. Seeing my grandparents’ and my parents’ faces makes it all kind of worth it, really.

The same stuff I hate about it. What I love most about it is the research that’s required. As an actor, you ain’t dealin’ with locker room prep or dealin’ with coaches on a constant basis. What you are doing is you’re taking all the stuff that those folks ever gave you and all those experiences and you’re walking onto a set. You’re researching a character and you’re able to play him. You’re able to play them and be outside of yourself. But at the end of the day, that makes it a very difficult thing to be an actor. Often times I come home and I’m very hurt by the same research experience. You give so much away [emotionally] that people in the audience aren’t going to be able to view. For my readers who haven’t seen an episode of Dark Blue yet, what are they missing? They’re missing a mini movie every week. This year’s [season] starts on August 4. You got Jerry Bruckheimer at his best, in terms of production value. It looks like a movie. A lot of folks will ask, “What’s different about it? It’s a cop show.” What’s different about it is that the characters are so highly developed that you’re really watching these five characters come to life. There’s a lot of action. There’s a lot of movie regalia, in terms of shoot’em ups and bang-bang and lights and they way it’s colored. I applaud you for roles in movies like KickAss and The A-Team. How do you see your movie career progressing over the next few years? Bigger roles. Bigger movies. I want to become more well-rounded. I want to do bigger, better roles. Leading roles. I want to do characters that are leading the movie, leading the story. Diversity is really big for me. If I’ve done [the role] before, I look at it and see if I can do something differently to it. I typically like doing stuff that I haven’t done before.

I WANT TO DO CHARACTERS THAT ARE LEADING THE MOVIE, LEADING THE STORY. DIVERSITY IS REALLY BIG FOR ME.

How close were you to actually joining the San Diego Chargers in the NFL? I was a cut away. I was on the developmental squad. I played defensive back. I tore my leg up my senior year at the University of Georgia. That definitely dropped my opportunity to be drafted. I still did very well at the [NFL] Combines, so I went ahead and tried out with San Diego and I was a cut away [from making the team]. I was pretty close. I definitely hear the passion you have for football. Let’s talk about your love of acting. What do you like most about your profession? PG 27 • insiteatlanta.com • August 2010

MUSIC

TRANCES ARC

Frontman Eric Toledo Opens Up About The Band’s New Label, New Album & The ATL Rock Scene BY JOHN B. MOORE

OT ONES TO SIMPLY SIT AROUND and wait to be discovered, Atlanta’s Trances Arc have taken the rock DIY ethos to heart. The band started Slush Fund Records two years ago to put out not only their records, but those by other bands in their scene. And when it came to work on the new record, Trances Arc looked no further than the audiences that came to their shows and bought their earlier records to help fund the project through donations and a series of contests and give aways. In no time, the band– singer Eric Toledo, drummer Brad Hagen, guitarist Michael Dorio and bassist Danny Silvestri– was in the studio working on the album. The result, their self-titled full length, is a stellar collection of rock songs that bring to mind everyone from the Replacements to T. Rex. Toledo spoke with us recently about funding their latest record through fans, living in the shadow of hip-hop and bringing back arena-ready rock. So why did you guys decide to start your own label? Slush Fund started out as an imprint that basically represented all of the hard work we were putting into this thing behind the scenes and most importantly the support of our good friends and contributors, David Prasse and Randy Sabiston who head up the label. We wanted people to know that we had a loyal team behind our record and it wasn’t just another lone star band putting another record out into the nebulous ether. Since then, (Slush Fund) has grown to become a home for our good friends, The Empties, Part Bear and The Judies. We’re proud of these bands and feel thankful to be a part of a growing local scene... and we like to party. What surprised you the most about going it alone?

There hasn’t been much of any surprises in the way we’ve operated over the years... you get a break here, you miss a beak there, some people are willing to help, most people aren’t. I don’t imagine the struggle being all that different if we were on a big label. So we haven’t really encountered much in the way of surprises going at it alone, but hey, we’ve never really known any different. Do you think labels are still necessary for most bands? There’s so many different types of labels out there; some that cater to their bands in more effective ways than others. I certainly think more heads and hands working in your best interest are better than none regardless of whether these heads and hands are a “label” or not. So maybe it’s more about whether the right team is still necessary for most bands. If so, then YES, the right team is always necessary for most bands to survive and succeed out there. Tell me a little bit about how you funded this record? We used a fundraising site called kickstarter to raise funding for TA. Kickstarter provided us with a tool to communicate a need to our fans/shamelessly beg and then offer prizes for donations. It was pretty simple to set up and just required that we put some good thought into getting the message right.

and which prizes they were eligible to collect, so by the end of the campaign we were a distribution machine, packaging prizes, CDs, posters, t-shirts, old instruments, etc. It was madness.

Is this something you’d do again? I’d say that if it weren’t a totally abused option by the time a new record rolls around, we’d certainly give it a shot. We were pretty lucky to be a fairly early adopter of the platform... relative to the projects funded in our area and amongst our friends anyways. I’d like to think that it’s a sustainable model, and that our fans will continue to contribute to help make what we do possible, but we’ll just have to cross that bridge when the time comes. How does this record compare to XOXOX or last year’s EP? When we put XOXOX out, we were still adjusting to writing songs with a new line up: new guitar player, new bass player... it was a very transitional time for us. We were very heady about what we did on that record, over analyzed every note, tracked, re-tracked, and re-tracked again. It was a very arduous process. We’ve grown a lot since we’ve put out XOXOX, lost a member, had the opportunity to road wear these songs and get some good feedback. I’d say

Were you guys listening to anything in particular that had a strong influence on this record? I think touring over the past year has certainly influenced the way we approached the song writing process. We drastically simplified the chord structures and arrangements after our last run up the east coast and through the Midwest, saw how kids were reacting to big rock in a big way, and forced ourselves to capture that energy we experienced there. What’s the current state of the rock scene in Atlanta? I feel like there’s always good rock music being made here in Atlanta, just as good as any other big or small town. We just happen to live in the shadow of the hip hop scene that this city is so well known for. But even in the shadow, we stumble upon random flickers of brilliance, bands that burn bright, then die out quickly, but feel fortunate to become good friends with a few bands that have stuck with it and built a name for themselves here and I guess that’s what building a scene is all about.

How did you bring in the donations? After the pitch was set up, it was all about getting the word out. We put a lot of behind the scene video footage together and kept everyone posted on all the latest and greatest as the record progressed, and posted rough versions of the songs that would eventually end up on TA. Kickstarter handled all the transactions and gave us a means to get all the info we needed from donors

SOLO JOURNEY BY JOHN B. MOORE

OR NEARLY TWO DECADES, JUSTIN CURRIE PLAYED a phenomenal catchy blend of pop and rock with the Scottish group Del Amitri that rivals just about anything bands like Squeeze or Big Country ever put out. Best known for playing Woodstock ’94 and 1995’s infectious “Roll To Me,” the band released a slew of albums that earned the group a loyal following across the globe. But when the obvious radio singles dried up, they were dropped by their ﬁckle label in the U.S. in 2002. Singer Currie spent time playing tours with other friends and musicians, and sat in with other bands before recording his ﬁrst solo record in 2007. He’s back again with The Great War, arguably his best set of songs in decades. Currie took time recently to discuss the new record, Del Amitri and what the future holds.

IF YOU TAKE TWO GUITARISTS, TWO DRUMMERS AND TWO BASS PLAYERS AND ADD THEM TO ONE PIANO PLAYER, CHAOS ENSUES.

Justin Currie On Life After Del Amitri

Did Del Amitri ever officially split up? There was no split; we just stopped operating as an entity. We lost the recording deal which had kept us afloat for fifteen years and saw no real reason to go and make another Dels album. I suppose you could say bands cost money and the supply was cut off. How difficult was to it go from being part of a band to a solo artist? Simple in that I knew how to make a record on my own. Much of the last things the Dels did were home recordings either Iain (Harvie) or I had done which we spruced up a bit in the studio. Many of the B-sides were essentially produced by me or me and Iain and in some ways those things remain the best of what we did. Difficult in that losing one’s main creative collaborator leaves a space in the sound. I didn’t even try to fill it. Do you feel more pressure knowing that your name is the only one on the marquee? No, although that’s a very canny question. I think most of the pressure is on the singer whatever happens. There’s nowhere to hide as a singer and your instrument is prey to the vicissitudes of Mother Nature. Mind you, I’d hate to be a drummer - that’s a real confidence game. And you have to sit at the back and watch the singer’s arse all night. Del Amitri was a big part of your life for two decades, do you miss working with those guys or playing those songs? I still play a lot of Dels songs. I miss Iain and Andy (Alston) for their playing and their friendship. The Great War sounds much more positive than your last effort. Was that a conscious decision or were you just going through a tougher period during What is Love For? I don’t subscribe to the idea that the writer’s personal life around the time of making an album is going to be reflected in that mate-

PG 28 • insiteatlanta.com • August 2010

we were a lot more conﬁdent this time in the studio which I feel translates in the execution and overall attitude of the collection.

rial. Songs come from all over the place and you will use any part of your internal biography to mine feelings. And I’ve never had a “tough period” in my life! I’ve been a lucky bugger thus far. I would say, however, that it is the writer’s responsibility to manufacture loneliness or melancholy. You might wish to explain the prevalence of various addictions amongst creative types by this. I did deliberately set out to make a more varied record than the first solo album which meant prioritizing anything in a major key not in a funereal tempo. Aside from the vocals, you played a number of different instruments on this record didn’t you? Actually I played very little on this album, unlike the first one: A bit of acoustic guitar, one bass track and a bit of piano. A lot of my piano parts were re-done by Peter Adams so we could open them out a bit. I’m not a musician. I don’t play instruments, I hit them with intention.

You’ve been a part of a number of other projects since Del Amitri stopped recording (like Button Up and The Uncle Devil Show). Any type of music you want to try and tackle in the future? I recently toured Scotland singing with a big band doing jazz standards and new arrangements of my own tunes. The bandleader, Ryan Quigley is a wonderfully talented arranger and trumpeter. I’ll do anything for a laugh… Any chance of Del Amitri getting back together again? Never say never but next to none. What is next for you? I am going to step oﬀ this train in Manchester, England and breathe the northern air. Anything else you want to add? If you take two guitarists, two drummers and two bass players and add them to one piano player, chaos ensues.

SPORTS

GEORGIA STATE UNIVERSITY LAUNCHES INAUGURAL FOOTBALL SEASON G BY DAVE COHEN

EORGIA STATE HAS NEVER fielded a football team in its ninety-plus year history. This fall, that’s all about to change. Led by veteran head coach Bill Curry, who’s had previous coaching stops at Georgia Tech, Alabama, and Kentucky, the Panthers squad will see a years worth of work and preparation become reality when they take the field for the first time ever on Thursday night, September 2nd against Shorter University. One of the players to emerge as a leader has been center Ben Jacoby. A product of the successful program at Buford High School, Jacoby signed with Ball State coming out of high school and was a reserve on the Cardinals 2008 team that played in that year’s GMAC Bowl. A coaching change there and good timing at Georgia State prompted his decision to transfer back and become a Panther. I had a chance to talk to both coach and player as the team gets ready for its inaugural season. Coach Curry, your thoughts on Georgia State playing football and how it will benefit the university beyond just the final score of the games. One way to look at it is the law of supply and demand. Fundraising and building libraries and the kinds of things that can be done by quality football programs. I use Penn State as an example all the time because the football program can help build a quality academic institution if things are geared the right way. Then it makes more sense to spend the money to get the hundred thousand people in, or in Georgia State’s case, the students are spending

the money. So these are not state funds. This is money that the students voted for themselves to pay so that they can have another rallying point to bring people back on campus to improve the value of the degree, have a good time at a football game, understanding that the football is not what matters. It’s the educational mission that matters. After practicing all of last season with no games to be played, how does he feel now that there are twenty-nine practices remaining before the opening game against Shorter on September 2nd? Honest to goodness I can’t wait to get out there with our whole team in place for the first time because a bunch of the guys that we signed, over half of our signed grant-in-aid players, have not been on the football field with us yet but they will be in August and I can’t wait to have the whole team, look them in the eye and say, “Here’s what you got to do to play,” and then get them ready to play. We’ve got twenty-nine practices to get them ready and then go play. Twenty-nine practices does not seem like enough time to get ready for the season opener. Does that worry you a little? No coach ever has enough practices. We’ll work them as long and as hard as well can and as much as they can tolerate and get ourselves ready and then we get to actually go play. There has been a lot of publicity with regards to the transfers the program has been able to add. Two offensive lineman from Georgia Tech,

quarterback Star Jackson from Alabama and Bailey Woods from Auburn as well as some highly touted junior college players. Makes me feel wonderful and it makes me surprised. I didn’t know that this kind of situation could exist, especially the ones that have already graduated after three years, talking about Clyde Yandell, Joseph Gilbert, and Bailey Woods. They graduated from a great school and now that have two years yet to play and they choose to come with us, I just think that’s wonderful. As a transfer from Ball State I would imagine that you are more than ready to get back on the playing field after being away from game action last year? I can’t wait. The practice sessions last year were necessary and it’s going to help us be a better team but there was also another side to it. It was hard to go week by week without a goal at the end of the practice week. Just being able to finally hit someone in a different colored jersey, I cannot wait! As a center you’re in a good position in that your head coach, Bill Curry, played the position at the highest level in the NFL. How has it been to be in a position to learn from a coach with his experience? Absolutely. He’s always got an eye on me so somehow or someway if I make a mistake he’s right there helping me correct it and that really been good. In addition to that he’s keeping an eye on us off the field too in terms of academics and things like that.

GSU Center Ben Jacoby

Anybody who has had the opportunity to see this team at practice or who saw the spring game knows that this team will be better than what a lot of people expect from a start-up program. Agreed? It’s funny that you say that because that’s our main goal. To not come out and be, “Oh, we’re a start-up program.” It’s to come out and be a good football team, to define Georgia State football in our first season. We’ve got guys who are working their butt off, guys who are studying the playbook for hours. The dedication that we have right now really goes in line with our team goal which is to come out and be a great team in our first season. It’s an interesting schedule for the first season with Shorter in the opener and then playing at Alabama in the season ending game. Definitely. You can’t say that somewhere the Alabama game isn’t in the back of our minds throughout the preparation but we’re going to take it on a week by week basis. We start with Shorter and that’s who we are worried about and that’s who we are preparing for and it’ll go week by week after that.

PG 29 • insiteatlanta.com • August 2010

SPORTS

BACK TO PRETTY FLY FOR A SCHOOL! WHITE GUY

If the Falcons are to soar this year, star receiver Roddy White needs to take his game to new heights. BY DEMARCO WILLIAMS

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�� Tantra:�� PG 30 • insiteatlanta.com • August 2010

TLANTA FALCONS STANDOUT Roddy White is standing outside of a large camper. He exchanges a few pleasantries with people on the grass, all behind-the-scenes folks of a Reebok photo shoot about to take place. The South Carolina native, who’s at home in pretty much any situation, marches inside the RV and immediately notices some grub on the counter. “Who’s is this,” asks the 6-1, 200-pound package of hands and horsepower, pointing towards a foil-wrapped breakfast burrito. No one claims it. White digs in. The whole scene might remind fans of how the 28-year-old came to the Falcons huddle back in 2007 and simply snatched the No. 1 receiver role. After a ’08 year of 1,382 receiving yards and an ’09 campaign of 11 receiving TDs, he’s now not only the consensus top long-ball threat in Atlanta, the two-time Pro Bowler is arguably a top five wideout for the entire NFL. And between breakfast bites, White lets us know that his devouring of opposing defenses isn’t done. In fact, with a healthy Matt Ryan and Michael Turner by his side, the sky’s probably the limit for this Falcon. That is, of course, if he doesn’t permanently cramp up from inhaling the burrito first. What’s a realistic goal for the Falcons this season? We just want to get back to where we were in ’08. We want to get back to the playoffs. Every year we want to be productive, get to the playoffs and give ourselves a chance to get to the Super Bowl. That’s our goal. Your career seemingly turned a page from ’06 to ’07. What helped you do it? Just getting in there and doing what I was supposed to do, getting more football-oriented instead of being the fun-loving guy who does as least as possible. I wanted to get ready for games and just be a pro. That’s what they call it. Just doing extra in the weightroom, doing extra film work, watching tape and going out there and practicing hard on a consistent basis. Day in and day out, I just get myself

WE JUST WANT TO GET BACK TO WHERE WE WERE IN ’08. WE WANT TO GET BACK TO THE PLAYOFFS. EVERY YEAR WE WANT TO BE PRODUCTIVE, GET TO THE PLAYOFFS AND GIVE OURSELVES A CHANCE TO GET TO THE SUPER BOWL. THAT’S OUR GOAL.

ready mentally to go out there and prepare myself for Sunday games.

What’s a typical day of preparation like? I stay about 10 minutes from the [Falcons training] facility, so it takes me about 20 minutes to get dressed. I brush my teeth, wash my face. I get up, put on my jogging suit and hop in my car. There my day starts. I get to my locker and throw on my workout clothes. I go in there and get my movement prep in. I just get my body activated and my muscles working right before meetings. I go in the weightroom and do what the coaches want me to do. After that, it’s straight meetings. Time for team meetings and individual meetings. We meet for about three hours and then we go on the ﬁeld. Really, this is when my day starts because that’s when I’m in grind mode. That’s when I’m locked and loaded. I get on the practice ﬁeld a little bit earlier than most guys. I do my four-cone drills and I catch passes and things like that before practice. When they blow the horn, I’m ready to go. We start stretching and practice goes from there. A lot of high school and college kids look up to guys like you. What are a few words of wisdom you can give them about staying focused with school and football? You gotta stay focused all of the time, especially at the high school level. You can’t get into college without good grades. To even give yourself an opportunity at the next level, you gotta go hard in the classroom. As far as the football thing, just listen to the coaches. Do what they ask you to do and do a little bit more. You gotta do things when people aren’t watching. That’s what separates the good guys from the average guys. Once you get to that level, you become an elite player. Speaking of which, would you rather have a Super Bowl win or a Hall of Fame career? Everybody wants to win the Super Bowl. I mean, like two percent of the league is in the Hall of Fame. The Hall is all about consistency, putting up numbers and being at the top of your class. But when you win the Super Bowl, you are etched in [history]. I would rather win the Super Bowl. But both ain’t bad!

SPORTS

FANATIC A Monthly Sports Wrap-up BY DEMARCO WILLIAMS Now that much of the dust has settled with all of the NBA trades and signings, it’s time to rank the teams that did the best with the moving, shaking and drafting: 1) Miami 2) Chicago 3) Boston 4) Utah 5) New Jersey 6) Philadelphia 7) Sacramento 8) Dallas 9) LA Clippers 10) Milwaukee. “The foot injury will not allow me to play so many games anymore. Like I said before, I will quit the national team and the sport one day. It’s what happens to every athlete.” –HOUSTON ROCKETS STAR YAO MING, who’s contemplating retirement if an ailment that caused him to miss the entire ’09-10 season hasn’t properly healed “When his stuﬀ is working the way it can, he is as much a force of will as he is a pitcher. He has that gunslinger vibe, with a here-it-is-but-youcan’t-hit-it attitude. Anyone who has watched him the past 2 1/2 seasons understood that if the stars aligned, Garza had the stuff to make an ordinary night into something special… So, welcome to something special.” –Tampa Tribune writer Joe Henderson, after RAYS PITCHER MATT GARZA tossed the fifth no-hitter of the 2010 MLB season on July 26 “I would rather have him line up on our side of the ball compared to the other side. He’s a good

Yao Ming

player. He changes field position. He makes a lot of long plays that win games. I’ve seen him do it against us. I’d like him to be here and do it against someone else.” –CINCINNATI BENGALS TEAM PRESIDENT MIKE BROWN after his team agreed to sign wide receiver Terrell Owens And finally… Louis Oosthuizen’s seven-stroke win at St. Andrews was the lowest TV-rated final round in British Open history… Minnesota’s Joe Mauer went 5-for-5 on July 26, becoming just the third catcher in 45 years with that many hits in one contest… Tiger Woods PGA Tour 11 video game sales are down 32 percent from the version of the game from a year ago…Three-time Tour de France winner Alberto Contador won the ’10 event by cycling 2,263 miles in 91 hours, 58 minutes and 48 seconds…RIP longtime Oakland Raider Jack Tatum and New York Yankees legends George Steinbrenner and Bob Sheppard.

Must-See TV tourney’s 92nd edition.

2. Pro Football Hall of Fame Induction (Aug 7, TBA, NFL Network) The NFL’s all-time leaders in receiving (Jerry Rice) and rushing yards (Emmitt Smith) are formally thanked.

3. ByNYthe time Mets at Atlanta Braves (Sept 1, 7:10PM, ESPN) this divisional battle unfolds, the Mets may be too far back from the Braves and Phillies to much matter.

4. NBA’s Team USA at Croatia (Aug 28, TBA, TBA) Kevin Durant and the next stars go to Turkey to prove they can win World Championship bling without Kobe and the King.

5. San Diego Padres at San Francisco Giants (Aug 14, 4:10PM, FOX) Two of the Majors’ biggest surprises square oﬀ in a NL West series that may determine a playoﬀ spot.

Top 5 Games This Month

1. PGA Championships (Aug 12-15, TBA, TNT and CBS) As has been the case with other majors of late, Fanatic bets some unknown will win this

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�� PG 31 • insiteatlanta.com • August 2010

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