intellect publishers of original thinking
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Performing Arts
contents
Welcome 03 Publish With Us 04 Ordering 19 A Reflective Practitioner’s Guide to (Mis) Adventures in Drama Education 06 Theatre for Youth Third Space 07 Performance Art in Ireland 08 The Only Way Home is Through the Show 09 Double Exposures 10 A Journey of Art and Conflict 10 Dramaturging Personal Narratives 11 Ivar Kreuger and Jeanne de la Motte 11 Justitia 12 The Philadelphia Connection 12 Magnet Theatre 13 Meyerhold and the Cubists 13 Shakespeare Valued 14 Utopia 14 Performing Arts Backlist 15
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Intellect Books
Welcome
“Intellect provides a first-rate service to authors and readers, treating both with respect and with a rare concern for quality and integrity.” Richard Hickman, Author of Why We Make Art
As ever, Intellect is committed to representing the author’s voice and exploring new and emerging areas of study. Many of our titles are cross or multi-disciplinary and international in focus, covering areas previously unexplored. If your interest lies within performing arts, our catalogue will have something for you.
3 Intellect Books | Film Studies | Performing Arts | Visual Arts | Cultural & Media Studies
Intellect’s latest books catalogue is packed full of diverse titles that embody our continuing commitment to original research and quality critical debate. 2015 sees a wide range of books focusing on everything from performance art in Ireland, the work of performance artist Lois Weaver, practices in the theatre of Vsevolod Myerhold and the teaching of Shakespeare.
Publish with us
“Publishing with Intellect has been a pleasure from start to finish. The professionalism, dedication, and energy of Intellect’s staff are outstanding.” Paul Booth, Editor of Fan Phenomena: Doctor Who
Intellect titles are often multidisciplinary, presenting work at the cross section of arts, media and creative practice. All books and journal articles are subject to double peer-review, ensuring all publications are of high quality and of appropriate academic rigour. We aim to support our authors and editors to ensure that they are fully satisfied with the publishing process and to work collaboratively with them from the proposal stage through to marketing. All members of the Intellect team will be happy to discuss your project and address any queries you may have. Intellect is an independent academic publisher. As an independent we are able to move quickly, offer a tailored process and ensure cutting-edge research reaches the market in a timely fashion. We are partnered with the University of Chicago Press. UCP handles Intellect’s marketing, sales and distribution internationally. If you choose to publish with Intellect you will also receive the resources and expertise of the University of Chicago Press. Since 2014, Intellect has been working with the University of Exeter Press. If your project is more suited to their portfolio, you also have the option to publish through the UEP imprint.
publish with us
“A great team and the best part is the respect paid to writers, artists, and contributors. This is a rare thing these days. ...It’s a gem in these days of corporatized publishing.” Amelia Jones, Co-editor of Perform, Repeat, Record
Proposing a New Book Project
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For us to make a proper assessment, we request that authors and editors complete the questionnaire found on the ‘Publish with us’ section of our website. This allows you to best present your idea and allows us to determine whether your book is a good fit for our publishing programme.
Intellect Books | Film Studies | Performing Arts | Visual Arts | Cultural & Media Studies
Your proposal will be reviewed for its originality of thought and merit by our in-house production team, subject portfolio managers, and possibly sent outside to respected academic specialists in the field. It will be given full and careful consideration. To access the forms, visit www.intellectbooks.co.uk/repository/index. Please send an electronic copy of the completed form, along with your CV, to: steve@intellectbooks.com. Once your proposal has been accepted, a contract will be signed and a time scale will be agreed for publication. Peer-review occurs after manuscript submission and is conducted by scholars recognized within the field. There is always an opportunity to have a dialogue after peer-review.
A Reflective Practitioner’s Guide to (Mis) Adventures in Drama Education – or – What was I Thinking? Edited by Peter Duffy
ISBN 978-1-78320-473-1 294pp | £35, $40 Paperback | Spring 2015 170 x 230mm eBook available Part of the Theatre in Education series Peter Duffy Ed.D., is head of the Master of Arts in Teaching Program in Theatre Education at the University of South Carolina.
This collection of essays from many of the world’s pre-eminent drama education practitioners captures the challenges and struggles of teaching with honesty, humour, openness, and integrity. Collectively the authors possess some two hundred years of shared experience in the field, and each essay investigates the mistakes of best-intentions, the lack of awareness, and the omissions that pock all of our careers. The authors ask, and answer quite honestly, a series of difficult and reflexive questions: What obscured our understanding of our students’ needs in a particular moment? What drove our professional expectations? And how has our practice changed as a result of those experiences? Modelled on reflective practice, this book will be an essential, everyday guide to the challenges of drama education.
Performance, Democracy, and Community Cultural Development Stephani Etheridge Woodson
Performing arts
Theatre for Youth Third Space
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Stephani Etheridge Woodson is associate professor in the School of Theatre and Film at the Herberger Institute for Design and the Arts in Tempe, Arizona.
Theatre for Youth Third Space is a practical yet philosophically grounded handbook for people working in theatre and performance with children and youth in community or educational settings. Presenting asset development approaches, deliberative dialogue techniques, and frames for building strong community relationships, Stephani Etheridge Woodson shares multiple project models that are firmly grounded in the latest community cultural development practices. Guiding readers step by step through project planning, creating safe environments, and using evaluation protocols, Theatre for Youth Third Space will be an invaluable resource for both teaching and practice.
Intellect Books | Film Studies | Performing Arts | Visual Arts | Cultural & Media Studies
ISBN 978-1-78320-531-8 249pp | ÂŁ35, $50 Paperback | Autumn 2015 170 x 230mm eBook available Part of the Theatre in Education series
Performance Art in Ireland A History Edited by Áine Phillips
Co-published with the Live Art Development Agency
ISBN 978-1-78320-428-1 100 Illustrations 288pp | £25, $36 Paperback | Spring 2015 170 x 230mm eBook available Contributors André Stitt, Karine Talec, Amanda Coogan, Anthony Sheehan, Danny McCarthy, Megs Morley, EL Putnam, Kate Antosik-Parsons, Helena Walsh, Michelle Browne, Fergus Byrne, Cliodhna Shaffrey, Áine Phillips Áine Phillips is a performance artist and head of sculpture at Burren College of Art at the National University of Ireland, Galway.
www.thisisLiveArt.co.uk
This book, the first devoted to the history and contemporary forms of Irish performance art in the north and south of Ireland, brings together contributions by prominent Irish artists and major academics. It features rigorous critical and theoretical analysis as well as historical commentaries that provide an absorbing sense of the rich histories of performance art in Ireland. Presenting diverse visual documentation of performance art practices, this collection shows how performance art in Ireland engaged with – and in turn influenced and led – contemporary performance and Live Art internationally.
Performance Work of Lois Weaver Edited by Jen Harvie and Lois Weaver
Performing arts
The Only Way Home is Through the Show
Co-published with the Live Art Development Agency
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Jen Harvie is a professor of contemporary theatre and performance at Queen Mary University of London. Lois Weaver is a performance artist, writer, director, and activist.
www.thisisLiveArt.co.uk
Lois Weaver is one of the world’s leading figures in feminist and lesbian performance, a true pioneer in the growing field. This book offers the first book-length assessment of her career and work, tracing its history, aesthetics, principles, inspirations, innovations, and more. Contributors include Weaver’s most important collaborators from throughout her career, as well as many leading feminist theorists, journalists, and performers of the past forty years. The book also includes interviews not just with Weaver, but also with her partner, in life and performance, Peggy Shaw, and groundbreaking theatre-maker Muriel Miguel. The result is a book that is truly unprecedented, a lavishly illustrated and expertly curated celebration of an incredible career.
Intellect Books | Film Studies | Performing Arts | Visual Arts | Cultural & Media Studies
ISBN 978-1-78320-534-9 100 Illustrations 248pp | £24.50, $35 Paperback | Autumn 2015 230 x 200mm eBook available
Co-published with the Live Art Development Agency
Double Exposures Performance as Photography, Photography as Performance Manuel Vason
ISBN 978-1-78320-409-0 40 Illustrations 200pp | £24.95, $36 Hardback | Spring 2015 210 x 300mm eBook available Double Exposures includes commissioned essays on photography and performance by David Bate, David Evans, Dominic Johnson, Lois Keidan, Alice Maude-Roxby, Adrien Sina, Chris Townsend and Joanna Zylinska, and an interview with Helena Blaker.
Double Exposures is a new collaborative venture between Manuel Vason and forty of the most visually arresting artists working with performance in the UK. Ten years after his groundbreaking book, Exposures, Vason has produced another extraordinary body of work, setting out new ways of bridging performance and photography. For Double Exposures, Vason worked with two groups of artists, using two distinct types of collaboration. Artists who had previously worked with Vason were invited to create two images, one of their own practice and another, where they took on the role of photographer, shaping an image with Vason’s body. A second group of new collaborators were invited to create a performance, which could be captured in two photographs. All the images exist as doubles – pairs – diptychs. www.Double-Exposures.com | Published with the support of Arts Council England
A Journey of Art and Conflict Weaving Indra’s Net David Oddie
ISBN 978-1-78320-500-4 272 pp | £28, $40 Paperback | Autumn 2015 170 x 230mm eBook available David Oddie is director of The Indra Congress and a visiting research fellow in applied theatre at the University of Plymouth, UK.
A Journey of Art and Conflict: Weaving Indra’s Net is a deeply personal exploration of David Oddie’s attempts to uncover the potential of the arts as a resource for reconciliation in the wake of conflict and for the creative transformation of conflict itself. It began when Oddie, seeing the fractured world around him, asked himself what he could do to help; that question set him off on travels around the world, including to Palestine, Kosovo, South Africa, India, Northern Ireland, Brazil, and other places. In each location, he met with people with first-hand experience of conflict and worked with them to forge artistic networks that have the potential to transform their situation.
Who am I and Where is Here? Judith Rudakoff
ISBN 978-1-78320-419-9 85 Illustrations 320pp | £37, $53 Paperback | Spring 2015 170 x 230mm eBook available Judith Rudakoff has worked as a dramaturg with emerging and established playwrights throughout Canada and internationally for three decades. A member of Literary Managers and Dramaturgs of the Americas, and Playwrights Guild of Canada, she is professor of theatre at York University in Toronto, Canada.
How do people identify, locate, or express home? Displaced, exiled, colonized, and disenfranchised people the world over grapple with this question. Dramaturging Personal Narratives explores the relationship between personal and cultural identity by investigating how people perceive and creatively express self, home, and homeland through showcasing a variety of innovative artistic processes and resulting projects.
Performing arts
Dramaturging Personal Narratives
Written in clear and accessible language, this book will appeal to professional and community based artists who work in a wide variety of genres, scholars from creative fields, and both students and teachers at all levels of education who are interested in learning more about generating, developing, and disseminating artistic work inspired by personal narratives.
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Two Plays by Jerzy W. Tepa Edited and Translated by Barbara Tepa Lupack
ISBN 978-1-78320-430-4 21 Illustrations 178pp | £45, $64 Paperback | Spring 2015 170 x 230mm eBook available Part of the Playtext series Barbara Tepa Lupack is former academic dean and professor of English at SUNY/ ESC in Rochester, New York.
The 1930s were a period of triumph and turmoil in Poland, yet the decade saw the production of a number of exceptional dramatic works. Some dramatists of the period, among them Jerzy Tepa, are not well-known today because many of their plays were lost, or presumed to be lost, during the war years. However, the recent rediscoveries of Tepa’s Ivar Kreuger and Jeanne de la Motte allow a fascinating glimpse into a rich and vital period of Polish literary culture unfamiliar to most English readers and scholars. This book not only introduces Tepa and his work to new readers but also demonstrates why he was one of the leading voices of the Polish interwar era.
Intellect Books | Film Studies | Performing Arts | Visual Arts | Cultural & Media Studies
Ivar Kreuger and Jeanne de la Motte
Justitia Multidisciplinary Readings of the Work of the Jasmin Vardimon Company Edited by Paul Johnson and Sylwia Dobkowska with Jasmin Vardimon
ISBN 978-1-78320-528-8 30 Illustrations 150pp | £60, $86 Hardback | Autumn 2015 170 x 230mm eBook available
This book offers a series of compelling responses to the Jasmin Vardimon Company’s production of Justitia, a multi-layered, multimedia dance theatre piece. Through an innovative, visually annotated text, which includes the original script by Rebecca Lenkiewicz, the book attempts to record the experience of the performance. Also included are nine critical responses from scholars and theatrical practitioners who consider the performance through lenses relating to time, collaboration, writing, confession, and the law.
Paul Johnson is associate dean of the Faculty of Arts at the University of Wolverhampton, UK, and head of the School of Performing Arts. Sylwia Dobkowska researches visual representations of language in the form of text and visual art, merging academic theory and design practice.
The Philadelphia Connection Conversations with Playwrights B. J. Burton
ISBN 978-1-78320-488-5 15 Illustrations 251pp | £25, $36 Paperback | Autumn 2015 170 x 230mm eBook available B. J. Burton is a playwright whose work has been produced in Philadelphia, Pittsburgh, and New York.
Philadelphia is one of America’s most interesting and innovative cities for theatre. This book paints a picture of the city’s burgeoning scene through interviews with some of Philadelphia’s most influential and successful playwrights. Featuring interviews with Bruce Graham, Michael Hollinger, Thomas Gibbons, Seth Rozin, Louis Lippa, Jules Tasca, Kimmika Williams-Witherspoon, Ed Shockley, Larry Loebell, Arden Kass, Nicholas Wardigo, Alex Dremann, Katharine Clark Gray, and Jacqueline Goldfinger, the book will be a source of inspiration for playwrights in Philadelphia and beyond.
Three Decades of Making Space Edited by Megan Lewis and Anton Krueger
ISBN 978-1-78320-537-0 40 Illustrations 300pp | £31.50, $45 Paperback | Autumn 2015 170 x 230mm eBook available
Cape Town’s Magnet Theatre has been a positive force in South African theatre for three decades, a crucial space for theatre, education, performance, and community throughout a turbulent period in South African history. Offering a dialogue between internal and external perspectives, as well as perspectives from performers, artists, and scholars, this book analyses Magnet’s many productions and presents a rich compendium of the work of one of the most vital physical theatre companies in Africa. Co-publication with UNISA Press.
Performing arts
Magnet Theatre
Co-publication with UNISA Press. Megan Lewis is assistant professor of theatre history and dramaturgy at the University of Massachusetts Amherst. Anton Krueger is a senior lecturer in the Department of Drama at Rhodes University in South Africa.
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Perspectives on Painting and Performance Amy Skinner
ISBN 978-1-78320-191-4 17 Illustrations 190pp | £60, $86 Hardback | Autumn 2015 170 x 230mm eBook available Amy Skinner is a lecturer in drama and theatre practice and director of the MA in drama and theatre practice in the School of Drama, Music and Screen at the University of Hull, UK.
This book offers a rich analysis of collage practices in the theatre of Vsevolod Meyerhold. Focusing on the philosophical and formal tenets of the form, and supporting her analysis with wide-ranging examples from both theatre and fine art, Amy Skinner develops collage as a framework for reading the whole of the theatrical experience, from scenography and mise-en-scène to text and spectatorship. An innovative exploration of the influence of collage on twentieth- and twenty-first-century theatre, Meyerhold and the Cubists will be essential reading for theatre scholars and practitioners alike.
Intellect Books | Film Studies | Performing Arts | Visual Arts | Cultural & Media Studies
Meyerhold and the Cubists
Shakespeare Valued Education Policy and Pedagogy 1989–2009 Sarah Olive
ISBN 978-1-78320-438-0 172pp | £60, $86 Hardback | Spring 2015 170 x 230mm eBook available
Taking a comprehensive, critical, and theoretical approach to the role of Shakespeare in educational policy and pedagogy from 1989 (the year compulsory Shakespeare was introduced under the National Curriculum for English in the United Kingdom) to the present, Shakespeare Valued explores the esteem afforded Shakespeare in the British educational system and its evolution in the twentieth century and into the twentyfirst. Sarah Olive offers an unparalleled analysis of the ways in which Shakespeare is valued in a range of educational domains in England. Essential reading for students and teachers of English and Shakespeare.
Sarah Olive is a lecturer in English in education at the University of York
Utopia Three Plays for a Postdramatic Theatre Claire MacDonald A co-founder of the United Kingdom’s legendary 1980s performance theatre company Impact Theatre Co-op, Claire MacDonald composed Utopia, a sequence of commissioned playtexts, between 1987 and 2008. This edition brings together both the plays and the story of how the plays came to be made and written. ISBN 978-1-78320-462-5 118pp | £30, $43 Paperback | Spring 2015 170 x 230mm eBook available Part of the Playtext series. Claire MacDonald is a founding editor of the journal Performance Research, and a contributing editor to PAJ: A Journal of Performance and Art. She is a writer, critic, academic and performer
With a compelling introduction by the author, and including additional material by Tim Etchells, Deirdre Heddon, and Lenora Champagne, it provides a range of historical and critical materials that put the plays in the context of MacDonald’s career as writer and collaborator, and show how visual practices and poetics, theories of real and imagined space, and new approaches to language itself have profoundly shaped the development of performance writing in the UK.
Applied Drama: A Facilitator’s Handbook for Working in Community By Monica Prendergast and Juliana Saxton ISBN 978-1-84150-740-8 | 144pp £16, $23 | PB | 2013 eBook available
Art of Nick Cave, The: New Critical Essays Edited by John H. Baker ISBN 978-1-84150-627-2 | 220pp £25, $35.50 | PB | 2012 eBook available
AATE Book Prize
Applied Theatre: International Case Studies and Challenges for Practice Edited by Monica Prendergast and Juliana Saxton ISBN 978-1-84150-281-6 | 176pp £25, $35.50 | PB | 2009 eBook available
Audience Experience, The: A Critical Analysis of Audiences in the Performing Arts Edited by Jennifer Radbourne, Hilary Glow, and Katya Johanson ISBN 978-1-84150-713-2 | 160pp £45, $64.50 | HB | 2013 eBook available
Brian Ferneyhough By Lois Fitch ISBN 978-1-78320-018-4 | 175pp £20, $28.50 | PB | 2013 eBook available Part of the Critical Guides to Contemporary Composers series
Bringing Down the House: The Crisis in Britain’s Regional Theatres By Olivia Turnbull ISBN 978-1-84150-208-3 | 192pp £25, $35.50 | PB | 2008 eBook available
Art as Research: Opportunities and Challenges Edited by Shaun McNiff ISBN 978-1-78320-001-6 | 145pp £13, $18.50 | PB | 2013 eBook available
Performing arts
AATE Book Prize
Beyond the Dance Floor: Female DJs, Technology and Electronic Dance Music Culture By Rebekah Farrugia ISBN 978-1-84150-566-4 | 130pp £20, $28.50 | PB | 2012 eBook available
British Pantomime Performance By Millie Taylor ISBN 978-1-84150-174-1 | 208pp £25, $35.50 | PB | 2007 eBook available
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ISBN 978-1-84150-416-2 | 144pp £25, $35.50 | PB | 2010 eBook available Part of the Playtext series
Composed Theatre: Aesthetics, Practices, Processes Edited by Matthias Rebstock and David Roesner
Christoph Schlingensief: Art without Borders Edited by Tara Forrest and Anna Teresa Scheer ISBN 978-1-84150-319-6 | 176pp £25, $35.50 | PB | 2010 eBook available
Contemporary Theatre in Education By Roger Wooster ISBN 978-1-84150-170-3 | 176pp £25, $35.50 | PB | 2007 eBook available
ISBN 978-1-78320-016-0 | 367pp £30, $43 | PB | 2013 eBook available
Directors & Designers Edited by Christine A. White
Directors: From Stage to Screen and Back Again By Susan Beth Lehman
ISBN 978-1-84150-289-2 | 208pp £25, $35.50 | PB | 2009 eBook available
ISBN 978-1-84150-490-2 | 150pp £20, $28.50 | PB | 2012 eBook available
Clown Through Mask: The Pioneering Work of Richard Pochinko as Practiced by Sue Morrison By Veronica Coburn and Sue Morrison ISBN 978-1-84150-574-9 | 292pp £55, $78.50 | HB | 2012 eBook available
Dancing Across the Page: Narrative and Embodied Ways of Knowing By Karen Barbour ISBN 978-1-84150-421-6 | 208pp £20, $28.50 | PB | 2011 eBook available
Disaster Capitalism; or Money Can’t Buy You Love: Three Plays by Rick Mitchell By Rick Mitchell ISBN 978-1-84150-430-8 | 176pp £15, $21.50 | PB | 2011 eBook available
Intellect Books | Film Studies | Performing Arts | Visual Arts | Cultural & Media Studies
Carnival Texts: Three Plays for Ensemble Performance By James MacDonald
Gavin Bolton’s Contextual Drama: The Road Less Travelled
Holistic Shakespeare: An Experiential Learning Approach By Debra Charlton
Howard Barker Interviews 1980–2010: Conversations in Catastrophe Edited by Mark Brown
ISBN 978-1-78320-003-0 | 350pp £25, $35.50 | PB | 2013 eBook available Part of the Theatre in Education series
ISBN 978-1-84150-471-1 | 111pp £16, $23 | PB | 2012 eBook available
ISBN 978-1-84150-398-1 | 218pp £20, $28.50 | PB | 2011 eBook available
Invisible Country: Four Polish Plays Edited and translated by Teresa Murjas
Integrative Alexander Technique Practice for Performing Artists: Onstage Synergy By Cathy Madden
Italian Women’s Theatre, 1930–1960: An Anthology of Plays By Daniela Cavallaro
By Margaret R. Burke
ISBN 978-1-84150-414-8 | 200pp £20, $28.50 | PB | 2012 eBook available Part of the Playtext series
ISBN 978-1-78320-218-8 | 400pp £35, $50 | PB | 2014 eBook available
ISBN 978-1-84150-555-8 | 393pp £20, $28.50 | PB | 2012 eBook available Part of the Playtext series
Lovefuries: The Contracting Sea; The Hanging Judge; Bite or Suck By David Ian Rabey
Martha Graham: Gender & the Haunting of a Dance Pioneer By Victoria Thoms
Modes of Spectating Edited by Alison Oddey and Christine White
ISBN 978-1-84150-184-0 | 96pp £20, $28.50 | PB | 2008 eBook available
ISBN 9781841505084 | 200pp £45, $64.50 | HB | 2013 eBook available
ISBN 978-1-84150-239-7 | 188pp £25, $35.50 | PB | 2009 eBook available
Octave Mirbeau: Two Plays: Business is Business and Charity By Richard J. Hand
Performing Dark Arts: A Cultural History of Conjuring By Michael Mangan
ISBN 978-1-84150-486-5 | 194pp £20, $28.50 | PB | 2012 eBook available Part of the Playtext series
ISBN 978-1-84150-149-9 | 280pp £25, $35.50 | PB | 2007 eBook available
Performing Violence: Literary and Theatrical Experiments of New Russian Drama By Birgit Beumers and Mark Lipovetsky
Philosophical Actor, The: A Practical Meditation for Practicing Theatre Artists By Donna Soto-Morettini ISBN 978-1-84150-326-4 | 224pp £23, $33 | PB | 2010 eBook available
Red Sun and Merlin Unchained By David Rudkin ISBN 978-1-84150-427-8 | 144pp £25, $35.50 | PB | 2010 eBook available Part of the Playtext series
Live Art Development Agency
Pleading in the Blood: The Art and Performances of Ron Athey Edited by Dominic Johnson ISBN 978-1-78320-427-4 | 216pp £25, $35.50 | PB | 2013 eBook available Part of the Intellect Live series
AATE Book Prize Reflexive Teaching Artist (The): Collected Wisdom from the Drama/Theatre Field Edited by Kathryn Dawson and Daniel A. Kelin, II ISBN 978-1-78320-221-8 | 320pp £28, $40 | PB | 2014 eBook available Part of the Theatre in Education series
ISBN 978-1-84150-269-4 | 240pp £20, $28.50 | PB | 2009 eBook available
Practising the Real on the Contemporary Stage By José Antonio Sánchez Translated by Charlie Allwood ISBN 978-1-78320-416-8 | 130pp £30, $43 | PB | 2014 eBook available
Refugee Performance: Practical Encounters Edited by Michael Balfour ISBN 978-1-84150-637-1 | 224pp £45, $64.50 | HB | 2012 eBook available
ISBN 978-1-84150-556-5 | 112pp £20, $28.50 | PB | 2012 eBook available Part of the Playtext series
Resetting the Stage: Public Theatre Between the Market and Democracy By Dragan Klaic ISBN 978-1-84150-547-3 | 176pp £25, $35.50 | PB | 2012 eBook available
Reverberations across Small-Scale British Theatre: Politics, Aesthetics and Forms Edited by Patrick Duggan and Victor I. Ukaegbu ISBN 978-1-78320-297-3 | 250pp £35, $50 | HB | 2014 eBook available
Russia, Freaks and Foreigners: Three Performance Texts By James MacDonald
Serbian & Greek Art Music: A Patch to Western Music History Edited by Katy Romanou
ISBN 978-1-84150-186-4 | 224pp £20, $28.50 | PB | 2008 eBook available Part of the Playtext series
ISBN 978-1-84150-278-6 | 213pp £30, $43 | HB | 2009 eBook available
Sex on Stage: Gender and Sexuality in Post-War British Theatre By Andrew Wyllie
Signs of Change: New Directions in Theatre Education By Joan Lazarus
ISBN 978-1-84150-203-8 | 188pp £20, $28.50 | PB | 2008 eBook available
ISBN 978-1-84150-629-6 | 200pp £20, $28.50 | PB | 2012 eBook available Part of the Theatre in Education series
Staging Ageing: Theatre, Performance, and the Narrative of Decline By Michael Mangan
Student Actor Prepares (The): Acting for Life By Gai Jones
Teaching Actors: Knowledge Transfer in Actor Training By Ross W. Prior
ISBN 978-1-78320-013-9 | 220pp £20, $28.50 | PB | 2013 eBook available
ISBN 978-1-78320-190-7 | 459pp £33.50, $48 | PB | Spring 2014 eBook available Part of the Theatre in Education series
ISBN 978-1-84150-570-1 | 224pp £20, $28.50 | PB | 2012 eBook available
Temporary Stages II: Critically Orientated Drama Education By Jo Beth Gonzalez
Theatre and Performance in Small Nations Edited by Steve Blandford
Theatre in Passing: A Moscow Photo-Diary By Elena Siemens
ISBN 978-1-78320-011-5 | 175pp £20, $28.50 | PB | 2013 eBook available Part of the Theatre in Education series
ISBN 978-1-84150-646-3 | 180pp £25, $35.50 | PB | 2012 eBook available
Theatre in Passing 2: Searching for New Amsterdam By Elena Siemens
Trans(per)forming Nina Arsenault: An Unreasonable Body of Work Edited by Judith Rudakoff
Performing arts
Rehearsal, The: Pigeon Theatre’s Trilogy of Performance Works on Playing Dead Edited by Anna Fenemore
Serious Play: Modern Clown Performance By Louise Peacock ISBN 978-1-84150-241-0 | 224pp £20, $28.50 | PB | 2009 eBook available
Sonic Multiplicities: Hong Kong Pop and the Global Circulation of Sound and Image By Yiu Fai Chow and Jeroen de Kloet ISBN 978-1-84150-615-9 | 200pp £45, $64.50 | HB | 2012 eBook available 17
ISBN 978-1-84150-571-8 | 272pp £20, $28.50 | PB | 2012 eBook available
Trustus Plays, The By Jon Tuttle ISBN 978-1-84150-224-3 | 176pp £20, $28.50 | PB | 2009 eBook available Part of the Playtext series
Intellect Books | Film Studies | Performing Arts | Visual Arts | Cultural & Media Studies
ISBN 978-1-84150-743-9 | 216pp £25, $35.50 | PB | 2013 eBook available
ISBN 978-1-84150-374-5 | 176pp £25, $35.50 | PB | 2010 eBook available
Live Art Development Agency
Throwing the Body into the Fight: A Portrait of Raimund Hoghe Edited by Mary Kate Connolly ISBN 978-1-78320-034-4 | 140pp £15, $21.50 | PB | 2013 eBook available Part of the Intellect Live series
Performing Arts
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Walking, Writing and Performance: Autobiographical Texts by Deirdre Heddon, Carl Lavery and Phil Smith Edited by Roberta Mock
Who’s Who in Research: Performing Arts ISBN 978-1-84150-494-0 | 400pp £90, $128.50 | HB | 2012 eBook available
ISBN 978-1-84150-155-0 | 184pp £25, $35.50 | PB | 2009 eBook available
Wise Body, The: Conversations with Experienced Dancers Edited by Jacky Lansley and Fergus Early
Zapolska’s Women: Three Plays – Malka Szwarcenkopf, The Man and Miss Maliczewska Edited by Teresa Murjas
ISBN 978-1-84150-418-6 | 176pp £17, $24.50 | PB | 2011 eBook available
ISBN 978-1-84150-236-6 | 192pp 2009 | eBook available
Theatre in Education Series This series of handbooks and textbooks are written by teachers, for teachers. Encouraging theatre educators to experiment with form, shape and content, each book in this exciting series includes practical classroom exercises and lesson plans. The series aims to empower students to see themselves as responsible agents.
AATE Book Prize
A Reflective Practitioners Guide to (Mis) Adventure in Drama Education ISBN 978-1-78320-473-1 £30, $43 eBook available
The Reflexive Teaching Artist ISBN 978-1-78320-221-8 £28, $40 eBook available
A Student Actor Prepares ISBN 978-1-78320-190-7 £33.50, $48 eBook available
Also in the series: Signs of Change, Temporary Stages II, and Gavin Bolton’s Contextual Drama. Find details at www.intellectbooks.com
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All Intellect books are also available as eBooks
For orders from the UK, Europe, Middle East, India, Pakistan, and Africa The University of Chicago Press: www.press.uchicago.edu The University of Chicago Press c/o John Wiley & Sons Ltd. European Distribution Centre New Era Estate Oldlands Way Bognor Regis, West Sussex P022 9NQ, UK Tel: 01243 779777 Fax: 01243 820250 E-mail: cs-books@wiley.co.uk
For orders from North America and Rest of world The University of Chicago Press: www.press.uchicago.edu The University of Chicago Press 11030 S. Langley Avenue Chicago, IL 60628, USA Tel: 1-800-621-2736; (773) 702-7000 Fax: 1-800-621-8476; (773) 702-7212 PUBNET@202-5280 E-mail: custserv@press.uchicago.edu
eBooks
As part of Intellect’s commitment to innovation, all the books in this catalogue, as well as our backlist, are available as eBooks for libraries and individuals to purchase through a variety of platforms. For a full list of where to buy Intellect eBooks for individuals and libraries see the eBook section on our website.
UK & International Intellect, The Mill, Parnall Road, Fishponds, Bristol, BS16 3JG, UK Tel: +44 (0) 117 958 9910 | E-mail: info@intellectbooks.com USA Intellect, 601 South College Road, King Hall, Suite 103A, Wilmington, North Carolina 28403, USA | E-mail: info@intellectbooks.com
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