CHARLES FREDERICK GOLDIE 1870 - 1947
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Consign Today Selling New Zealand Art? Contact the specialists in resale Auction - Private Treaty Richard Thomson Email richard@artcntr.co.nz + 64 9 379 4010 Toll Free 0800 800 322 NZ mobile 0274 751 071 www,internationalartcentre.co.nz
‘Forty Winks’ fetched $573,000 at International Art Centre Formally in the collection of Dame Kiri Te Kanawa
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CHARLES FREDERICK GOLDIE Selected works sold by auction at International Art Centre
International Art Centre is the worlds leading auction house for the sale of
and immortalised their leaders. Following his visits to Rotorua between 1901
works by Charles Frederick Goldie holding not only the highest price ever ($1
and 1906, models often sat for Goldie in his Auckland studio. Today these
million) but also the top three prices at auction, one of the sales being New
portraits, of which Goldie considered a dying race, hold a paramount
Zealand’s highest price painting at auction. Total Goldie auction sales at
position in the history of New Zealand Art. In the 1920s Goldie faced ill health
International Art Centre have exceeded $6 million in recent years.
and criticism of his work. It is thought that he suffered from lead poisoning. In 1934 encouraged by Lord Bledisloe he exhibited with the Royal Academy,
Charles Frederick Goldie is New Zealand’s most celebrated artist. Born in
London and the Paris Salon. Acknowledgments included the award of King
Auckland, Goldie showed artistic talent from a early age and on leaving
George V’s Silver Jubilee Medal and an OBE in 1935. Goldie died in 1947. In
school studied under Louis John Steele. Governor Sir George Grey was much
1997 Roger Blackley curated a major Goldie retrospective at Auckland City
impressed by two still life paintings by the young Goldie and encouraged
Art Gallery.
his father to send the 22 year old to the Academy Julian, Paris. Goldie lived and studied in Paris for four years receiving a thorough academic training.
A record price for Goldie was achived by International Art Centre in
By 1898 Goldie had returned to Auckland and established a studio with
November 2013. Kahwena - the earliest known Maori portrait by Goldie
his former teacher Steel. It was here that the collaboration on the large,
fetched $732,800.
dramatic work which hangs in Auckland Art Gallery, The Arrival of the Maoris in New Zealand took place.
All prices quoted include buyers premium and GST on premium
Goldie was a great friend of the Maori people, he spoke their language
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CHARLES FREDERICK GOLDIE
Goldie understandably stood aloof from the following year's exhibition
Kawhena, native of the Ngati Mahuta Tribe
for which he had settled on Paris. Steele had trained at the Ecole des
known also as ‘Johnny Coffin’ 189 2 Oil on canvas 77.3 x 67
of the Society of Arts. He was busy preparing for his overseas education, Beaux-Arts and subsequently worked as an artist in Paris, delighting Goldie with his tales of Bohemian life in the great city. Goldie also painted two outstanding works which appeared at the Academy's third and final exhibition of December 1892. One was an exquisite landscape depicting
SOLD $732,800
fern trees in Cemetery Gully, the area beneath the present Grafton Bridge, which received rave reviews for its exceptional detail. And for the first time he entered a work in the category of 'Maori Head', a depiction of Kawhena from Mangere (known also as Johnny Coffin). This is Goldie's first recorded Maori portrait and drew the following comment from the Star's jaded reviewer. Not knowing the original, one cannot say whether it is a good portrait of the individual or the reverse, but as a picture of a type it is fair. The painter has managed to fix in the eyes something of that expression of conscious mental inferiority which lurks in the eyes of the most intelligent of the lower animals and in semi-civilised man. He, however, has had some trouble to know what to do with his light. The figuring on the mat is a careful piece of work, and the effect is very successful. The writer evidently did not anticipate Kawhena numbering among the readers of his column. In the Academy’s list of prizes, the result of a democratic ballot among the members, Goldie received a silver medal for both New Zealand Trees and Kawhena. Goldie missed the exhibition, receiving his medals in absentia, for he had already left Auckland. His first port of call was Sydney, where in late November he attempted to sell his still life painting through Callan and Sons, prominent art dealers in George Street. Text: p. 6 & 7, GOLDIE Roger Blackley, Auckland Art Gallery Toi o Tamaki, Bateman 1997
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CHARLES FREDERICK GOLDIE
Forty Winks is the only known work by C F Goldie of Rutene Te Uamairangi,
Forty Winks - Rutene Te Uamairangi - 1939
more than one version of his subjects. In this full frontal portrait, the resting
Oil on canvas 44 x 38
a Kingite Warrior of Taupo. A noteworthy point, as Goldie typically painted warrior bears Maoridom’s powerful symbols of integrity, identity, and mana. The moko, or tattoo conveys his ancestral history and tribal affiliations whilst making the warrior fierce in battle. The hand-woven cloak is a mantle of
SOLD $573,000
honor and like the greenstone, or pounamu tiki, a revered and treasured possession. Here, the tiki is worn close to the throat to absorb the life force of its wearer. Charles Frederick Goldie (1870 - 1947) is New Zealand’s best known artist. Born in Auckland, the son of a prominent timber merchant and politician, he was educated at Auckland Grammar School. Goldie studied art under Louis John Steele. On seeing two still life paintings by the young artist, the Governor General Sir George Grey encouraged Goldie to attend the prestigious Académie Julian in Paris. It was here that the young artist gained a strong grounding in traditional technique. Both these early works have been sold by International Art Centre in recent years. Returning to New Zealand in 1898, Goldie established his studio in Shortland Street, Auckland. In 1901 he made the first of many sketching trips to Rotorua. A respect and understanding for Maori, whose language he spoke, coupled with the widely held belief that the old chiefs and warriors were members of a vanishing race, saw Goldie devote his life to the painting of their portraits. In 1935, supported by Governor General Lord Bledisloe, Goldie sent three paintings to the Royal Academy, London. These works met with acclaim and that year Goldie received the King George V’s Silver Jubilee Medal and OBE. The same year he exhibited at the Paris Salon and won the Prix Julian Medal. In 1937 two Maori portraits were accepted by the Paris Salon. The shy and retiring Goldie died at his home in Upland Road Remuera in 1947.
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CHARLES FREDERICK GOLDIE Hori Pokai - Sleep, ‘tis a Gentle Thing, 1933 Oil on canvas 40.9 x 35.7
SOLD $454,000
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CHARLES FREDERICK GOLDIE Atama Paprangi Oil on canvas 25 x 20
SOLD $352,000
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CHARLES FREDERICK GOLDIE Ahinata Te Rangitautini - Kapi Kapi, 1911 Oil on panel 20 x 14.5
SOLD $330,285
CHARLES FREDERICK GOLDIE Relics of a Bygone Age, Mere Werohia, A Chieftainess of the Ngati te Rori te Rangi Hapu of the Ngatiwhakane Tribe, Rotorua, 1933 Oil on canvas 30 x 25
SOLD $284,800
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CHARLES FREDERICK GOLDIE The Aristocrat Te Kamaka, Ngati Maniapoto Tribe, Aged 90 Years, 1921 Oil on canvas 26.5 x 21.8
SOLD $287,400
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CHARLES FREDERICK GOLDIE Still Life 1886 Watercolour 26.4 x 37
SOLD $43,300 CHARLES FREDERICK GOLDIE Self Portrait, 1896 Oil on canvas 53.5 x 43
SOLD $58,170
CHARLES FREDERICK GOLDIE Tumai Tawhiti, A Chieftain of the Ngatihiwi Ngatitenaakau, 1938 Oil on canvas 43 x 38
SOLD $266,700
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