Contemporary & Modern Art Auction 22 May 2014

Contemporary & Modern Art 22:05:2014

Contemporary & Modern Art 6:30pm Thursday 22 May

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272 Parnell Road Auckland Tel +64 9 379 4010 www.fineartauction.co.nz

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Auction Venue 6:30pm Thursday 22 May Scarborough Gallery, International Art Centre Lower Ground Level 272 Parnell Road, Auckland

Viewing Times Thursday

15 May

5:30pm - 8:00pm

Friday

16 May

9:00am - 5:00pm

Saturday

17 May

11:00am - 4:00pm

Sunday

18 May

11:00am - 4:00pm

Monday

19 May

9:00am - 5:30pm

Tuesday

20 May

9:00am - 5:30pm

Wednesday

21 May

9:00am - 5:30pm

Thursday

22 May

9:00am - 1:00pm

Absentee Bids Absentee Bidding Form - page 85 Fax to (09) 307 3421 Email bidding instructions info@fineartauction.co.nz Bid via website www.fineartauction.co.nz

Directors: Grahame Chote, Richard Thomson & Frances Davies 272 PARNELL RD, AUCKLAND, PO BOX 37 344 TEL +64 9 379 4010 FAX +64 9 307 3421 www.fineartauction.co.nz 3

Gabryel Harrison

Passionata

An exhibition of twenty two masterpieces

Opening Preview Thursday 15 May 5:30pm - 8:00pm

For Callas Oil on canvas 102 x 152 cm

15 May - 25 May 2014 View online www.internationalartcentre.co.nz enquiries fran@artcntr.co.nz

272 Parnell Road Auckland Tel +64 9 366 6045 4

Preview Invitation Please join us for a glass of wine and preview of works in this catalogue Thursday 15 May 5:30 pm - 8:00 pm

LOT 27 DICK FRIZZELL Red Haring 1

Estimate $55,000 - 75,000

272 Parnell Road Auckland Tel +64 9 379 4010 www.fineartauction.co.nz 5

CHARLES FREDERICK GOLDIE Kawhena 1892 Fetched $732,800 November 2013 Record price achieved for a painting at auction in New Zealand www.fineartauction.co.nz 6

RON SANG PUBLICATIONS ANNOUNCE

lost for words

A major survey of the career of

MERVYN WILLIAMS Dr Edward Hanfling

Available from September 2014 Ron Sang Publications www.ronsangpublications.co.nz

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Forthcoming Auction Announcement

Collectable Art

Wednesday 25 June

Affordable Traditional & Representational Art, Artist’s Estates & Foreign Pictures - many unreserved

Consign Today Luke Davies luke@artcntr.co.nz Phone +64 9 379 4010 Toll Free 0800 800 322 Catalogue closes 29 May

Owen R Lee

Peter Beadle 8

Jos Kivits

Peter O’Hagan

Forthcoming Auction Announcement

Important, Early & Rare July 2014 Fine New Zealand Paintings & Contemporary Masterpieces

Consign Today Richard Thomson richard@artcntr.co.nz M 0274 751 071 Phone +64 9 379 4010 Toll Free 0800 800 322 Catalogue currently open

RITA ANGUS CHRISTOPHER AUBREY CHARLES BLOMFIELD DON BINNEY C F GOLDIE JOHN GULLY FRANCES HODGKINS RALPH HOTERE J C HOYTE JOHN KINDER COLIN MCCAHON PETER MCINTYRE PETER SIDDELL SYDNEY THOMPSON

FRANCES HODGKINS Feeding the Hens Watercolour 33.5 x 22 Signed & dated 1890 Estimate $25,000 - 35,000 9

Important, Early & Rare Held 10 April at a glance Outstanding results. This well attended sale achieved $1.57 million including post auction sales. Full results online.

Entries now invited for the next Important, Early & Rare - July 2014 Prices below are hammer price which attract buyers premium of 15% + GST on premium

Charles F Goldie fetched $301,000

Raymond McIntyre fetched $47,000

Robin White fetched $36,000

Peter Siddell fetched $58,000

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Peter McIntyre fetched $32,000

Colin McCahon fetched $285,000 Evelyn Page fetched $49,500

Garth Tapper fetched $17,250

Charles Blomfield (pair) fetched $90,000 11

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1

CHRIS HEAPHY Mind’s Eye Screenprint, edition of 25, 76 x 56 Signed, inscribed & dated 2012

Estimate $600 - 800

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JEFFREY HARRIS Portrait of a Women Oil on paper 37 x 24 Signed and dated 1973

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PEATA LARKIN Tuhourangi Rose (BLK Poutama Version 3) Acrylic on tapestry canvas 50.8 x 50.8 Signed, inscribed & dated 2010 verso

Estimate $2,750 - 3,250

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ANDRE HEMER Too Many Prospects Acrylic on canvas 201 x 201 Signed & dated verso

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MICHAEL SMITHER 3 Harmonic Panels, Y, B, G, Oil on three sheets of paper 31.5 x 20 (each) Signed, inscribed & dated 1982 verso

Estimate $2,500 - 3,500

Estimate $4,000 - 6,000

Exhibited:

Colour Can Be Sound, TSB Bank, Wallace

Arts Centre, November 2013 2

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Estimate $1,200 - 1,800

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MIKE PETRE Field Study 232 Oil, acrylic, ink & graphite on canvas 111.5 x 145.2 Signed, inscribed & dated 2012 verso

Estimate $14,000 - 16,000

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ANDRE HEMER I’m a Clean-Cut Sweet-thing in a Land of Murky Acrylic on canvas 40 x 40 Signed, inscribed & dated 2006 verso

Estimate $1,500 - 2,000

8 ANDRE HEMER

The Current State of Painting, and

Implications for the Future Of Round Table Discussions…

Acrylic on canvas 40 x 40

Signed, inscribed & dated 2006 verso Provenance:

Purchased from Vavasour Godkin Gallery 2007

Estimate $1,500 - 2,000

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Provenance:

Purchased from Vavasour Godkin Gallery 2007

RIDUAN TOMKINS Untitled 7 (1986/87) Oil on canvas 137.5 x 137.8 Signed verso Estimate $4,000 - 6,000 15

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ANDRE HEMER Art World (Hitting Las Vegas with a Two Inch Brush), 2007 Acrylic on three stretched canvas panels 191 x 572 Signed & dated 2007 verso Estimate $8,000 - 12,000

Provenance: Formally in the collection of Fontainebleau Resort, Las Vegas, Nevada, USA

11 SAFFRONN TE RATANA

L.L.P.BLK 1 2001 - Diptych

Mixed media on two boards

31 x 120 each panel

Signed, inscribed

& dated July 2001 verso

Exhibited:

Purangiaho: Seeing Clearly,

Auckland Art Gallery,

September - November 2001

Estimate $3,000 - 5,000

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MICHAEL SMITHER After Seurat Oil on canvas 70.5 x 70.5 Signed, inscribed & dated 2009 verso

Estimate $2,000 - 3,000

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13 MIRANDA PARKES Stormer

Acrylic on canvas 183 x 183

Signed, inscribed & dated 2007 verso

Estimate $4,000 - 6,000

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BILL HAMMOND Head Bone 2 Acrylic, oil, pastel and pencil on paper 120.5 x 79.5 Signed, inscribed & dated 1989

Estimate $10,000 - 15,000

Head Bone II springs from the feverish imagery of the 1980s pop-surrealist comic world, an anxious work dealing with what Louise Wilton describes as a state of extreme personal disintegration

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PETER STICHBURY Untitled Portrait, 1999/2000 Acrylic on linen 60.5 x 60.5 Signed & dated 1999/2000 verso Estimate $17,000 - 20,000

16 MIRANDA PARKES Licker

Acrylic on canvas 183 x 183

Signed, inscribed & dated 2008 verso

Estimate $4,000 - 6,000

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17 BILLY APPLE

Untitled, 1969

Neon light and box, edition of 10, 33. x 45.5

Signed on original artist’s label

Estimate $4,000 - 8,000

Untitled was commissioned by contemporary art dealer Marian Goodman for Multiples, New York.

Goodman established Multiples in 1965 to publish prints, multiples and books initially by leading American artists such at Roy Lichenstein and Andy Warhol. Billy Apple was one of the first artists to use neon as a conceptual art form, typically breaking new ground. Billy Apple says The Pasadena Art Museum, renamed and now known as the Norton Simon Museum had acquired an edition of Untitled.

Barrie Bates was born in Auckland in 1935. By 1962, based in London he had created a new identity as Billy Apple and, as a member of the Young Contemporaries was at the vanguard of British Pop art. In 1964, Billy Apple crossed the Atlantic, exhibiting regularly in New York's museums and galleries such as Leo Castelli Gallery.

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From 1969 until 1973 he established and ran Apple, one of the first alternative exhibition spaces, showing his own work, and that of other avant-garde artists. In 1974 London's Serpentine Gallery hosted a survey of his work and in 2007 Billy Apple became a registered trademark.

Billy Apple is widely represented Internationally in public collections such as the Guggenheim Museum, New York, Detroit Institute of Arts, Detroit, The Chrysler Museum of Art, Norfolk, Virginia and the Mayor Gallery, London. He is represented in major New Zealand art institutions, such as Te Papa Tongarewa, Museum of New Zealand, Wellington; Auckland Art Gallery, Toi o Tamaki, Auckland and the Govett-Brewster Art Gallery, New Plymouth.

18 MIRANDA PARKES Lister

Acrylic on canvas 183 x 183

Signed, inscribed & dated 2007 verso

Estimate $4,000 - 6,000

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19 SYLVIA SIDDELL

Cooked Breakfast

Oil on paper 41.4 x 30

Signed & inscribed

Estimate $1,200 - 1,600

20 SYLVIA SIDDELL

Kitchen Queen

Oil on paper 41.4 x 30

Signed & inscribed

Estimate $1,200 - 1,600

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PETER SIDDELL Stained Glass Window Oil on canvas 42.5 x 22.5 Signed & dated 1990

Provenance:

Private Collection, Northland

Purchased directly from the artist

by the current owner, 1990

Estimate $10,000 - 15,000 24

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22 MILAN MRKUSICH

Painting IV Purple

Acrylic-vinyl on canvas 122 x 91.5

Signed, inscribed & dated 2000 verso

Provenance:

Private Collection, Auckland

Sue Crockford Gallery, Auckland

Exhibited:

Milan Mrkusich, New Paintings:

Six Works 2000/01

Sue Crockford Gallery, Auckland,

27 May – 21 June, 2004

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Illustrated: pl. 89 Mrkusich: The Art of Transformation, Alan Wright and Edward Hanfling, Auckland University Press, 2009

Estimate $35,000 - 45,000

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BRENT WONG The Inquiry Acrylic on board 63 x 105 Signed & dated 1970 Inscribed verso

Provenance:

Private Collection, Auckland

Estimate $55,000 - 75,000 Even though there is a picturesque charm to ‘The Inquiry, with its open sky, serene sand dunes and sea view, there is also a palpable sense of isolation and loss. The work seems haunted by powerful feelings and undercurrents; and Wong’s reputation as New Zealand’s under-rated surrealist alerts us to the probability of the scene’s symbolism.

While Wong’s Surrealist antecedents are from early 20th century Europe, there is something distinctly of his own time in the gesture of staging his psychological drama on a local sandy shore. With the relation of the house to the sand there are echoes of similarly powerful and symbolic scenes in movies which were released in the years immediately prior to Wong’s painting; and these may shed coincidental light on Wong’s symbolism.

In Hiroshi Teshigahara’s ‘The Woman in the Dunes’ (1964) a school teacher is entrapped in a house deep within a sand quarry that constantly threatens to engulf the house and its other occupant, the woman of the title, who must dig the sand in return for water from the villagers above. It is a vision of a suffocating, claustrophobic hell; and yet it becomes a world that the man adapts to and chooses to inhabit.

In the closing scene of Franklin J. Schaffner’s ‘Planet of the Apes’ (1968) the Earth astronaut George Taylor and his companion Nova follow the shoreline of the Forbidden Zone and eventually discover the beachcovered remains of the Statue of Liberty, revealing that the supposedly alien planet is actually postapocalyptic Earth. Realising that he is doomed to remain at a destination that is both alien and his former home, Taylor falls to his knees in despair and anger.

What both movies share is the powerful visual trope of sand dunes engulfing an object symbolising the impossibility of return. The house in the dunes and the whole planet of the apes dominate and constantly remind that hope for somewhere else has been extinguished. But even in this bleak realisation there is a kernel of hope, perhaps as small as a grain of sand, but hope all the same: that there is the possibility of something new from within even troubling present circumstances. It is a sentiment that seems to be shared by Wong, where the foreground post which may mark an imaginary way out, certainly marks a way into the landscape; and therefore towards reconciliation rather than only despair.

ROB GARRETT 29

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PAT HANLY Full Garden Watercolour and gouache on paper 53 x 58 Signed, inscribed & dated 1986

Provenance:

Purchased by the current owner from

Ferner Galleries, circa 1997

Estimate $15,000 - 20,000 25

MICHAEL SMITHER Monbretias, Spring Oil on board 115 x 90 Signed & dated 1991

Provenance:

Purchased by the current owner from

John Leech Gallery, Auckland 1994

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Estimate $45,000 - 70,000

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ALLEN MADDOX Bysshe’s Eagle (Ochre & Turquoise) Oil on canvas 91 x 91 Signed & dated 1995

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DICK FRIZZELL Red Haring I Oil on canvas 160 x 160 Signed & dated 2008

Provenance:

Private Collection, Auckland

Gow Langsford Gallery, Auckland

Provenance:

Private Collection, Auckland

Gow Langsford Gallery, Auckland

Estimate $15,000 - 20,000

Frizzell’s Red Haring I is a gleeful example of pop art at its best. With cartoon eyes twinkling and thick red striations indicating vigorous movement the tiki, with a maniacal smile, practically bursts from the canvas with enthusiasm. Following on from the infamous Tiki works and forming an integral part of the Red Haring series, this painting unites many of the characteristics considered quintessentially Frizzellian. Frizzell has returned to this series periodically since his 1992 Gow 32

Estimate $55,000 - 65,000

Langsford Tiki exhibition. Renowned for the controversy they aroused during their first showing, the works have long provided the artist a foundation from which to tackle a range of artistic influences and stylistic challenges. From Pablo Picasso and Georges Braque to Alexander Archipenko, Frizzell’s Tiki works most commonly reflect the style of the twentieth century’s cubists.

However, in Red Haring I the artist selects a rather different master to mimic, drawing, in both style and title, from the work of pop artist Keith Haring. Haring, active in New York during the 1980s, employed canvas, wood, vinyl and inner city subway tunnels with equal pleasure in his work. He achieved global recognition for his cartoon and animation-style figures characterised by bright colours, bold delineation and vivacious characters.

It is easy to see how Haring's aesthetic could appeal to Frizzell who has aligned himself with pop culture for the majority of his career, bringing much-loved personalities from his time in the advertising industry into his paintings and editions with relish. Frizzell has also often utilised cartoons and comic books as a source of inspiration, as seen in both his long-running Phantom series and in the notorious From Mickey to Tiki edition. Like Frizzell, Haring saw no need to differentiate between commercial art and “fine art�, enthusiastically extracting inspiration from each.

In typical Frizzell style, this work's apparent simplicity in fact relies upon a carefully constructed composition. The tiki's head, mouth, nose and eyes are painted with the same rounded smoothness, the shapes echoing and bouncing off one another, enhancing the work's lively, playful impression with every curve.

Frizzell replicates the bright acid yellow and vermillion used by Haring in some of his most iconic works.

Conveying jubilation and energy, such colours are also important tools of the advertising trade through which an everyday commodity can be given renewed appeal and, ideally, fill consumers with the irresistible desire to "buy now". This multifaceted work therefore not only recalls pop and graphic art but also becomes a wry caricature of the way in which the tiki, once principally a sacred symbol for Maori, has in many ways become a symbol of commercial tourism in New Zealand.

Text: Gow Langsford Gallery exhibition brochure

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HENRYK SZYDLOWSKI The Water Birds in the Blue Night Pond Oil on canvas 59 x 74 Signed & dated 6/2008

Provenance:

Purchased by current owner from

International Art Centre, 2002

Estimate $4,500 - 6,500

29 LORRAINE RASTORFER Dropped

Acrylic on board 150 x 120

Signed & dated 2006 verso

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Estimate $4,500 - 5,500

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PAT HANLY Two Tamarillo’s Oil on canvas 106 x 93.5 Signed & dated 1968

Provenance:

Purchased by the current owner from

RKS Gallery, circa 1973

Estimate $60,000 - 80,000

Reference: p. 157 Hanly: A. New Zealand Artist, Russell Haley, Hodder & Stoughton, Auckland, 1989 ‘In the most humble and ordinary object can be found the most remarkable visual adventure’ Pat Hanly

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31 HANNAH KIDD Loxy

Steel & corrugated iron 66.8 x 102.5 Signed

Estimate $4,500 - 6,000

32 JOHN S PARKER Untitled

Acrylic on paper 73 x 53

Signed & dated 1992

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Estimate $2,000 - 3,000

33 PAUL DIBBLE

From the Calici Smile Series

Bronze, edition of 3, 49 x 58 Signed

Estimate $11,000 - 14,000

34 MERVYN WILLIAMS Epicentre

Acrylic on canvas 51.3 x 42.2

Signed, inscribed & dated 2003 verso Provenance:

Private Collection, Auckland since 2003 Exhibited:

Southern Oscillation, Milford Galleries

Dunedin, 2003

Estimate $2,500 - 3,500 37

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HENRYK SZYDLOWSKI Winter Puppet in the White Socks Oil on canvas 59 x 74 Signed & dated 2000 / 2001

Provenance:

Purchased by current owner from

International Art Centre, 2002

Estimate $4,500 - 6,500

36 PAT HANLY Vacation

Screenprint, edition of 37, 52 x 73

Signed, inscribed & dated 1986

Estimate $2,000 - 3,000 38

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ALAN PEARSON Lady Reclining Oil on board 29 x 38 Signed, inscribed & dated 1996 verso

Provenance:

Purchased directly from the artist 1996

Estimate $3,500 - 5,000

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JOHN TOOTHILL Red Saftey Rail Acrylic on canvas 32 x 40 Signed, inscribed & dated 2003 Estimate $900 - 1,200 39

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MICHAEL SMITHER Seated Lady, Blue on Red Mixed media on paper 92 x 58 Signed & dated 1970

Provenance:

Purchased by the current owner at

One Man Exhibition,

John Leech Gallery, 1970

Estimate $8,000 - 12,000

40 STEPHEN ALLWOOD

Back and Wings

Oil on canvas 85 x 65

Signed, inscribed & dated 1999

Estimate $1,200 - 1,800

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KARL MAUGHAN Untitled Garden Painting 8/8/88 Oil on canvas 110 x 90 Signed & dated 8/8/1988

Estimate $12,000 - 16,000

Provenance: Private collection Wellington Purchased by current owners from an exhibition at the Brooker Gallery, Wellington, 1988

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HENRYK SZYDLOWSKI Sunrise Theatre in the Red Hill Valley Oil on canvas 70 x 100 Signed & dated 2002

Provenance:

Purchased by current owner from

International Art Centre, 2002

Estimate $8,000 - 12,000

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SYLVIA SIDDELL Domestic Goddess Oil on paper 46 x 36 Signed & inscribed

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NIGEL BROWN Problems of Nationalism Acrylic on canvas 135 x 74 Signed, inscribed & dated 1997

Estimate $2,500 - 3,500

Provenance:

Private Collection, Auckland 43

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Estimate $12,000 - 14,000

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ROBERT ELLIS Untitled City Mixed media on paper 54.5 x 76 Signed & dated 1962

Estimate $3,000 - 5,000

46 TONY LANE

Untitled diptych

Pastel on paper 48 x 63 Signed

Estimate $800 - 1,200

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MICHAEL SMITHER Portrait of Ted Harrington (Artist’s father-in-law) Oil on board 92 x 64 Signed, inscribed Father in Law & dated 1977 - 1978 verso

Provenance:

Private Collection, Taranaki

Illustrated : Michael Smither Painter, Trish Gribben Ron Sang Publications 2004 - image in book mirrored

Reference :

Elizabeth’s father was a wharfie. A strong

belligerent man who always had his clock

set half an hour early, who frightened his

grandchildren with his affection and

always bought Elizabeth a pair of men’s

pyjamas for her birthday,

Michael Smither

Text: Michael Smither Painter, Trish Gribben

Ron Sang Publications 2004

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Estimate $26,000 - 32,000

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48 RALPH HOTERE Biko

Dyed silk scarf 181 x 26.5

Signed & dated 1988

Estimate $14,000 - 16,000

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BRIDGET BIDWELL Jute Series I Oil on jute 82 x 61 Signed, inscribed & dated 1999 verso

Estimate $800 - 1,200

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BRIDGET BIDWELL Jute Series III Oil on jute 82 x 61 Signed, inscribed & dated 1999 verso Estimate $800 - 1,200

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FATU FEU’U To’osavili Fono Oil on canvas 102 x 102 Signed & dated 2012

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ROBIN KAHUKIWA Taranga Oil on canvas 46 x 61 Signed & dated 2012

Estimate $2,400 - 2,800

Estimate $4,000 - 6,000

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KIT WILLIAMS British b. 1946 Madonna of the Snails Oil on canvas board 184.5 x 56.5 Signed & dated 1991

Provenance:

Private Collection, Auckland

Purchased from Portal Gallery, London

Portal Gallery label affixed verso

Estimate $30,000 - 40,000 Christopher ‘Kit’ Williams is an English artist, illustrator and author best known for his 1979 book Masquerade, a pictorial storybook which contains clues to the location of a golden 18 carat jewelled hare created

by Williams and then buried “somewhere in Britain” Williams published three other books and was commissioned to create three public clocks with elaborate mechanisms and moving parts, such as animals, for visual interest.

Williams continues to paint figurative art at his studio in Gloucestershire, England, now primarily working as a figurative painter in which he uses traditional oil painting techniques, fashioning first a wooden panel covered in linen and oil jesso. He then uses many layers of opaque and transparent Dutch oil paint to create highly luminous images. Williams likes to maintain complete control of every aspect of his artwork including making the clothes worn by the models, creating sets and props, and often making mechanisms either within the frame of the painting that reveal moving elements of the artwork and encourage interaction by the viewer.

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GLENDA RANDERSON Terry Stringer Working from the Model Oil on linen canvas 145 x 145 Signed & dated 1990 Inscribed verso

Provenance:

Private Collection, Wellington

Purchased by the current owner from

Jane Laand Gallery, Wellington

Estimate $8,000 - 12,000 48

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55 SIMON CLARK Endeavour

Oil on panel 81 x 110

Signed, inscribed & dated 2009

Estimate $4,000 - 5,000 49

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GEOFFREY NOTMAN Lord Grant Enamacryl on hardboard 45.4 x 89.5 Signed, inscribed & dated 2004

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PAUL MARTINSON Predator and Prey in Sleeping Paradise Watercolour & pencil on paper 42 x 66.5 Signed, inscribed & dated 2011

Estimate $12,000 - 14,000

Estimate $4,000 - 5,000

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58 DICK FRIZZELL

Micky to Tiki Tu Meke

One off gouache on lithographic

proofing sheet 48 x 73

Signed, inscribed & dated 22/2/2001

Provenance:

Acquired directly from the artist by the

present owner

Estimate $9,000 - 12,000

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JENNA PACKER Low Tide Acrylic on canvas 55.5 x 71.3 Signed & dated 2011

Estimate $3,750 - 4,250

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COLIN MCCAHON North Otago Landscape Screenprint from the Barry Lett Gallery Multiples Screenprint 56 x 76

Exhibited:

Barry Lett Galleries, Auckland

November 1968

Estimate $2,500 - 3,500

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62 JUSTIN SUMMERTON

The Long Day Closes, Te Henga

Oil on canvas 71 x 91 Signed

61 GEOFF WILLIAMS

Stone Jar & Apples

Acrylic on board 59 x 73 Signed

Estimate $3,200 - 4,200

Estimate $4,500 - 6,500

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PAUL HARTIGAN Bleu Poise Ultrachrome print, edition of 10, 60 x 33 Signed, inscribed & dated 2008

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PAUL HARTIGAN King Carmine Ultrachrome print, edition of 10, 60 x 33 Signed, inscribed & dated 2008

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PAUL HARTIGAN The Challenge Ultrachrome print, edition of 10, 60 x 33 Signed, inscribed & dated 2008

Estimate $800 - 1,200

Estimate $800 - 1,200

Estimate $800 - 1,200

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A balmy tropical summer evening on the west coast of Auckland. Lithe bodies silhouetted by the final ember glow of the sun disappearing into the warm Tasman. No one wants to go home yet, refusing to give in to the passing of the day. The life guard tower and it's sole keeper looks out dreamily at the waves, waiting to close the beach.

Justin Summerton

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JEFFREY HARRIS Two People in Love Acrylic, crayon & pastel on paper 42.5 x 69 Signed & dated 1970

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NEIL FRAZER Tide Pull Oil on canvas 54.5 x 105 Signed, inscribed & dated 2011 verso

Estimate $10,000 - 12,000

Estimate $8,000 - 10,000

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JOANNA BRAITHWAITE All Sorts Sootie Oil on canvas 86 x 125.6 Signed, inscribed & dated 2006 verso

Estimate $8,000 - 12,000

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JOHN PULE The Sun is Happy...

Lithographic etching, edition of 30, 41 x 28.5 Signed & dated 2002

Estimate $800 - 1,200 55

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70 ELIZABETH REES

Descending Road

Oil on linen 61 x 60.8

Signed & dated 2005

Estimate $6,500 - 8,000

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JAN NIGRO Female Nude – Model 2 Oil on paper 78 x 58.5 Signed & dated 1992

Estimate $2,000 - 3,000

71 RALPH HOTERE Black

Lithograph, edition of 20, 76 x 57

Signed, inscribed & dated 1997

Estimate $2,500 - 3,500

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CAROLE SHEPHERD Uncovering the Past - Rock Mixed media on paper 76 x 58 Signed, inscribed & dated 1987

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Estimate $400 - 600

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DICK FRIZZELL Another Big Kiss Screenprint, edition of 100, 70 x 70 Signed, inscribed & dated 2009 Estimate $2,400 - 2,700

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75 JOHN BADCOCK Claire

Oil on board 58.5 x 44.5

Signed & dated 1994

Estimate $1,000 - 1,500

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JOHN WEEKS Cube on Trays Tempera on board 20 x 25 Certificate of Authenticity from Artist’s Estate affixed verso Estimate $1,500 - 2,500

77 FRANCES D ELLIS Landscape

Oil on board 39 x 34 Signed

Estimate $2,500 - 3,500

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78 GARTH TAPPER

Still Life

Acrylic on board 21 x 26 Signed

Estimate $1,200 - 1,500 79 WILLIAM JAMES REED

Self Portrait with Jug and Lamp

Oil and collage on board 54 x 41 Signed

Estimate $1,000 - 2,000 80 JOHN WEEKS

Urban Landscape

Watercolour 25 x 21 Signed

Estimate $500 1,000 81 WILLIAM JAMES REED

Untitled Still Life

Oil on board 61 x 43 Signed

Certificate of Authenticity from

Artist’s Estate affixed verso

Estimate $800 - 1,200 82

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HENRYK SZYDLOWSKI Still Life on Red Table Oil on canvas 38 x 37.5 Signed & dated 1991. Inscribed verso Estimate $2,600 - 3,200

83 JOHN WEEKS

The Mystic

Oil on board 36.5 x 33.5 Signed

Estimate $2,000 - 3,000 84

KEITH PATTERSON Golden Sun Mixed media on board 65 x 50 Signed & dated 1988 Estimate $1,000 - 1,500

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KEITH PATTERSON Golden Landscape Mixed media on board 64 x 49 Signed & dated 1990 Estimate $1,000 - 1,500

86 JOHN WEEKS

Untitled Abstract

Oil on canvas 15 x 11 Signed

Estimate $800 - 1,200

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84

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85

86

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DONALD FRIEND Australian 1915 - 1989 The Castle Ischia Gouache and ink on paper 29.5 x 47 Signed, inscribed & dated 1952

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DONALD FRIEND Australian 1915 - 1989 Mosaics Venice Gouache on paper 31.5 x 47 Signed, inscribed & dated 1952

Estimate $3,000 - 4,000

Provenance Lots 85 & 86: Ex Catherine Gaskin Collection, UK

Estimate $3,000 - 4,000

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ROY DALGARNO Paris Bistro Bar Etching, edition of 50, 27 x 31.5 Signed & inscribed

Estimate $300 - 500

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90 WILLIAM JAMES REED

Self with Bottles

Oil on board 46 x 54 Signed

90

60

91

Estimate $1,000 - 2,000

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TOSS WOOLLASTON Untitled Landscape Ink on paper 13 x 21 Signed & dated 1936

Estimate $1,100 - 1,400

92

GARTH TAPPER Steel Magnolias Oil on canvas 74 x 98 Signed & dated 1990

Estimate $8,000 - 12,000

93 PETER MCINTYRE

Southern Girl

Oil on canvas 75 x 54 Signed

Estimate $2,000 - 3,000 93

61

94

94 ANDREW DRUMMOND

Ngauranga Set 78,

1978 - 2007

‘20 Directions in an Enclosure’

Ink on four archival di-bond

panels 140 x 140

Signed & dated 1978 - 2007 verso

Provenance:

Vavasour Godkin Gallery,

Auckland, label affixed verso 95

62

Estimate $2,000 - 3,000

96

98

95 KARL MAUGHAN

Colyton, 2010

Screenprint, edition of 100, 64 x 107.5

Signed & inscribed

Estimate $2,400 - 2,800 96

GARY WALDRUM Life Study III (2008) Oil pastel and colour pencil on paper 80 x 70.5 Signed & dated 2008

Estimate $3,400 - 3,800

97

CHARLOTTE GRAHAME Kei Maunawa Mixed media on paper 55 x 80 Signed, inscribed & dated 2003

98

MICHAEL SMITHER Harmonic Cube Oil pastel on paper 51 x 51 Signed, inscribed & dated 2013

97

99 GRAHAME SYDNEY

Standing Model (Muddle)

Etching with watercolour, edition of 25,

Artist’s Proof, 37 x 25

Signed, inscribed & dated 1987 Inscribed To celebrate (belatedly)

your birthday Jack from Syd

Estimate $800 - 1,200

100

GRAHAME SYDNEY Standing Model Etching, edition of 25, Artist’s Proof, 34 x 24.8 Signed, inscribed & dated 1987

Estimate $800 - 1,200

Estimate $800 - 1,200

Estimate $800 - 1,200

99

100

63

101

101 GEOFF WILLIAMS

Cabbages & Capsicums

Acrylic on board 40 x 68 Signed

Estimate $3,500 - 4,500

102

TONY LANE Small Tree with Stigmata Oil on gesso panel 44 x 53 Signed & dated 5/92 Signed, inscribed & dated 1992 verso

Estimate $800 - 1,200

103

FATU FEU’U Filisa I Oil on canvas 91 x 71 Signed & dated 2007

Provenance: Warwick Henderson Gallery label affixed verso

Estimate $3,500 - 4,500

64

104

NANCY DE FRIETAS Anathema / Anima Acrylic on linen 110 x 130 Signed & dated 1992

Provenance: Winner of the Norsewear Art Award, Painting Section, 1993

Estimate $800 - 1,200

105

KARL MAUGHAN Chrysanthemums Oil on canvas 39 x 39 Signed & dated 30/10/1991 verso

Estimate $2,000 - 3,000

106

PAUL HARTIGAN FAG by day H-type Ultrachrome print, edition of 8, 60 x 60 Signed & dated 2005

107

STEPHEN LYNCH Rush Hour Oil on board 40 x 40 Signed & dated 2007

Estimate $500 - 1,000

Estimate $800 - 1,200

102

105

106 103

104

107

65

108

108

PAMELA WOLFE Over Blown Peony Oil on canvas 110 x 120 Signed, inscribed & dated 2006

109 DES ROBERTSHAW

Meeting Places

Acrylic on board 80 x 122 Signed

Estimate $9,000 - 12,000

Estimate $2,000 - 3,000

110 MICHAEL ILLINGWORTH Untitled

Oil on canvas 90 x 50

109

66

Provenance:

Acquired directly from the artist by the

late Ronald Barker, director of CAS

Community Arts Service, Auckland.

Same family collection since.

Estimate $12,000 - 15,000

111

110

111 LOUISE HENDERSON

Indian Girl

Pencil drawing on paper 32.3 x 21

Signed, inscribed & dated 1960

Provenance:

Purchased directly from the artist by

current owner

Estimate $1,500 - 2,200

112

JAN NIGRO Benny South Street and Miss Lily Oil on paper 81 x 62 Signed & dated 1997

Exhibited:

Jan Nigro Guys and Dolls,

Jonathan Grant Galleries, Auckland 1997

Estimate $1,800 - 2,500

112

67

113 BRUCE RICKARD

Shield Bug

Oil on canvas 90 x 152 Signed Provenance:

Purchased in Auckland by the current

owner, early 1990s

Estimate $5,000 - 8,000

114 JUSTIN SUMMERTON

City Pad

Oil on canvas 76 x 60 Signed

68

Estimate $2,500 - 3,500

115

JENNY DOLEZEL Protected Vision Oil pastel on paper 82 x 116 Signed, inscribed & dated 1988

117

DICK FRIZZELL Red Haring Screenprint, edition of 80, 60 x 55 Signed, inscribed & dated 2010

Estimate $5,000 - 7,000

Estimate $800 - 1,200

116

GAVIN CHILCOTT Opiated Wine Jars Acrylic on paper 49 x 64 Signed, inscribed & dated 1990

Estimate $700 - 1,000

69

I pitched a tent down here when I was a student on a surf mission. I’ve revisited many times. There’s a profound sense of isolation here as the bay points directly south. You’re aware that just over the horizon is Antarctica, and the wind that comes from it is untainted. The only man made object in the bay is this small Bach - maybe a conservation hut. I painted the cliffs and waves from this hut perspective - the only wind protection in the stark bay.

Four walls carefully elevated from the high tide mark, close to the stream which runs down the valley.

Justin Summerton 118 JUSTIN SUMMERTON

Purakanui Bay, the Catlins

Oil on canvas 71 x 91 Signed

119

70

Estimate $3,000 - 4,000

120

121

119 MATT PALMER

Church Reefton Looking South

Pigmented ink print and enamel

on paper 25 x 48

Signed, inscribed & dated 2009

Estimate $1,200 - 1,400 120

122

STANLEY PALMER Bell - Marae Pahaoa Bamboo engraving & lithograph, edition of 100, 34.5 x 59 Signed, inscribed & dated 2010 Estimate $1,500 - 1,800

121 GEOFF WILLIAMS

Aubergines in Pot

Acrylic on board 25 x 30 Signed

Estimate $1,500 - 2,000

122 JAN NIGRO Choosing

Pencil on paper, mounted on

board 87.5 x 64

Signed, inscribed & dated 1985

Estimate $1,500 - 2,500

123 DAME EILEEN MAYO

Future Harvest

Lithograph, Artist’s Proof II

49 x 30

Signed & inscribed

Estimate $1,500 - 2,000

123

71

124 BRIAN BADCOCK Lyttelton

Oil on board 43 x 61 Signed

Estimate $3,000 - 4,000

125 JAN NIGRO Sunbather

Pastel on paper 82 x 82 Signed

72

Estimate $1,300 - 1,600

126

JANE EVANS Mixed Vase on Tablecloth Gouache on paper 56 x 74 Signed & dated 1984

Estimate $4,500 - 6,500

127 GEOFF WILLIAMS

The Dinghy

Acrylic on board 90 x 75 Signed

Estimate $5,500 - 7,000 73

128

131

128 JAMES WILLEM WILLEBRANT Paradise

Oil on canvas 80 x 60

Signed & dated 1993

Estimate $1,500 - 2,500

129 FATU FEU’U

Tala Aga

Oil on canvas 120 x 84 Signed

Estimate $4,000 - 5,000 129

130

74

132

133

130

HELEN BROWN Railway Station Watercolour 19 x 25.5

131

JANE EVANS Boy Crouching No. 4 Mixed media on paper 54 x 37 Signed & dated 1974

Estimate $3,000 - 5,000

Estimate $600 - 800

132

JANE EVANS Untitled Landscape Oil on board 58 x 70 Signed & dated 1968

Estimate $1,500 - 3,000

133 BRIAN BADCOCK

“Wheatfields” Wairau Valley, Marlborough

Oil on board 49 x 68

Signed verso

Estimate $4,000 - 5,500

75

134

134

KURA TE WARU REWIRI 137 KURA TE WARU REWIRI 140 GRANT HANNA Beyond the Veils II Formation

Queves Acrylic on canvas 150 x 195 Acrylic on canvas 93 x 71

Oil on board 15.5 x 20

Signed, inscribed Signed Provenance:

& dated 07/02 verso

Ferner Galleries, Auckland

Estimate $400 - 600

label affixed verso Provenance:

Ferner Galleries, Auckland 141 JOANNA BRAITHWAITE

Estimate $3,000 - 5,000

label affixed verso

Flock Together #II

Oil on canvas 30.3 x 35.5

Estimate $1,500 - 2,500 135 RALPH HOTERE

Signed, inscribed

Woman RM VIII

& dated 2011 verso 138 MICHAEL SMITHER

Litho drawing on paper

Diana

37.5 x 27

Estimate $1500 - 2,000

Pencil on paper 58 x 45

Signed, inscribed &

Signed, inscribed & dated 1970

dated 1990 142 EUAN MACLEOD

Frontwards, Backwards, Provenance:

Estimate $2,000 - 3,000 Sidewards (3)

Sarjeant Gallery Loan Collection

Lithograph, edition of 22,

label affixed verso 136 GRANT HANNA

32 x 39

The Defeat of the

Signed, inscribed

Estimate $1,000 - 1,500

Black Queen

& dated 1992

Oil on canvas 25 x 19 139 GRANT HANNA Signed

Estimate $1,400 - 1,600

The Electric Toilet Roll

Oil on canvas 19.5 x 23

Estimate $400 - 600

Signed & dated 1974

Estimate $400 - 600 76

139

135

137

140

136

138

141

142

142

142

143 GRANT WHIBLEY Serene

Oil on canvas

30 x 70.5

Signed, inscribed

& dated 2002 verso Provenance:

Milford Galleries, Auckland

label affixed verso

Estimate $1,000 - 1,500

143

77

144

145

144 DAME DOREEN BLUMHARDT

Studio Pottery Handle

Vases (3) Pottery

Signed on base

Estimate $800 - 1,200

148

145

149 MARY MCINTYRE

Flower Seed Head I

Oil on board 35.5 x 25 Signed

LEN CASTLE Hanging vessel, a sculptural fossil style vessel and a small pot with cover, (3) Stoneware 15cm wide, 14.5cm wide & 7.5cm wide Impressed potter’s seal Estimate $800 - 1,200

DAVID BARKER The Bend in the River Acrylic on board 61 x 91.5 Signed & dated 1978 Estimate $1,500 - 2,000

Provenance:

New Vision Gallery

Estimate $600 - 800

146 MIKAERE GARDINER

aka ENO Untitled

Acrylic on steel 90 x 60 Signed

Estimate $500 - 800

150

PAUL MASEYK The Ship Acrylic on canvas 81 x 53 Signed, inscribed & dated 2008 verso

147

MARY MCINTYRE Mary’s Friends Oil on five circular panels 24.5 x 52.5 Signed, inscribed & dated 2010 on frame

151

PETER STICHBURY Black Vase Salt Glazed vase 35 x 20 Potter’s mark on base

Estimate $500 -800

78

Estimate $500 - 1,000

Estimate $450 - 650

152

PATTERSON PARKIN Lute Player Men in Black Series Oil on board 26.5 x 20.5 Signed & dated 2002

153

AGNES WOOD Santorini Still Life with Moon Flowers II Watercolour 28 x 33.5 Signed & dated 1987

Estimate $450 - 650

Estimate $400 - 600

154 MARY MCINTYRE

Flower Seed Head II

Oil on board 51 x 17 Signed Provenance:

New Vision Gallery

Estimate $600 - 800

152

146

150

153

147

148

149

151

154

79

155

155

MICHAEL SMITHER Squall and Golden Cloud Oil on board 32 x 49 Signed & dated 1978 Inscribed verso

156

PHILIP CLAIRMONT Study for Hawknose Harlequin Mixed media on card 27.4 x 18 Signed, inscribed & dated 1973

Estimate $2,500 - 3,500

Provenance:

Formerly in the collection of Elva Bett Exhibited:

Philip Clairmont, Sarjeant Gallery

Gallery Touring Exhibition, label affixed verso

Estimate $2,000 - 3,000 157 JAN NIGRO

Old Mission House

Oil on board 61 x 81.3 Signed Provenance:

Ex Property of the Smith-Barry Estates, Old

Priory, Gloucestershire & Property of St

Mary’s University College, removed from

Strawberry Hill, Twickenham Exhibited:

Jan Nigro Exhibition, John Leech Gallery,

Auckland, March 1965

Estimate $2,000 - 3,000

156

158

HENRYK SZYDLOWSKI The Theatre of the Bird Puppets Oil on canvas 37 x 42 Signed & dated 1989 Inscribed verso

Estimate $2,000 - 3,000

159 MICHAEL SMITHER Landscape

Oil on board 56 x 58

Signed & dated 1965

157

80

Estimate $1,500 - 2,500

160 MICHAEL SMITHER

Okahu Bay

Watercolour 65 x 87

Signed & dated 1995

Estimate $1,000 - 2,000

158

161 DES ROBERTSHAW Figures

Acrylic on board 120 x 81 Signed

159

Estimate $1,500 - 2,500

162 DES ROBERTSHAW

Fire Dancers

Acrylic on board 96 x 75 Signed

Estimate $1,500 - 2,500 160

161

162

81

166

CHARITO HELGASON After a Long Day II Oil on canvas 80 x 100 Signed & dated 2013

Provenance: Exhibited Smyth Galleries 2013

Estimate $500 - 1,000

167

CHARITO HELGASON Casual Sunday Oil on canvas 80 x 100 Signed & dated 2013

Provenance: Exhibited Smyth Galleries 2013

Estimate $500 - 1,000

168 DENYS WATKINS

Conversation with a Terrorist

Oil on canvas 76 x 160 Signed

Inscribed & dated 1986 verso

163 KASHIN & BURMA - THE ELEPHANTS

Untitled, 2007

Oil on canvas 100 x 80

Provenance:

Purchased at a charity sale, 2007, to benefit

Auckland Zoo Conservation Fund

Believed to be one of two works of this size,

the other in the Collection of ASB Bank.

Estimate $2,000 - 3,000

Kashin the elephant was a greatly loved resident of Auckland zoo from 1973 until her death in 2009.

She is fondly remembered by many New Zealanders as the ASB elephant and a star of the television programme The Zoo. A female Asian elephant, Kashin was born in NorthEast Thailand in 1968. She was four years old when she arrived in Auckland aboard a jumbo jet from Como Zoo in the United States.

With her friend, fellow-elephant Burma (still residing at Auckland Zoo) Kashin raised critical funds for valuable conservation projects and the protection of endangered species. The day of her death, Auckland Zoo closed its doors for day and later a special memorial day was held with over 18,500 visitors paying their respects and celebrating the life of this extraordinary elephant who touched so many lives.

164 SIMON PAYTON

Yellow Talk

Acrylic on canvas 153 x 122 Signed

Estimate $1,000 - 1,500

165

INGRID BERZINS Things Don’t always Happen for a Reason, Do They?

Acrylic on board 80 x 60 Signed & dated 2009

Estimate $500 - 1,000

82

Estimate $800 - 1,200

169

ROBERT MCLEOD Buttered Rolled - Shielded Oil on canvas 107 x 34.2 Signed & dated June 1981 Inscribed verso

Estimate $400 - 600

170

MICHAEL SMITHER Harmonogram Screenprint, edition of 50, 50 x 50 Signed, inscribed & dated 2009

Estimate $400 - 600

171 TONY LANE Untitled

Pastel on paper 54.5 x 44 Signed

Estimate $400 - 600

172 SHANE COTTON Pararaiha

Lithograph on BKF Rives paper,

edition of 40, 56 x 76

Signed, inscribed

& dated 2004

Estimate $1,000 - 1,500 173 ANNA HOLLINGS

Home Invasion

Oil on board 12 x 19

Signed & dated 2000

Estimate $250 - 350

168

164

170

165

171

166

172 169 Thank you - End of Sale Next Auction: Collectable Art 25 June www.fineartauction.co.nz 167

173

83

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272 Parnell Road Auckland New Zealand Tel +64 9 379 4010 www.fineartauction.co.nz T H E O N L Y A U C T I O N E E R S O F P I C T U R E S E X C L U S I V E L Y 84

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Absentee Bid Form Contemporary & Modern Art Auction 6:30pm 22 May 2014

Alternatively, register, then bid online www.fineartauction.co.nz

I instruct International Art Centre to bid on my behalf for the following lots up to the prices indicated below.

My bids are to be executed at the lowest attainable price level.

All bids are subject to Conditions of Sale printed in this catalogue.

Registration Bidding Number Name Address Telephone Home

Lot Number

Mob

Email

Artist and Title

Signature........................................................

Bid $NZ (excl. premium)

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International Art Centre offers this service to clients unable to attend sale.

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Fax +64 9 307 3421 or post to PO Box 37344 Parnell, Auckland 1151 before 3pm 22 May

272 Parnell Road Auckland New Zealand Tel +64 9 379 4010 www.fineartauction.co.nz T H E O N L Y A U C T I O N E E R S O F P I C T U R E S E X C L U S I V E L Y

Index ALLWOOD S...................................40

HEAPHY C........................................1

PULE J.............................................69

APPLE B..........................................17

HELGASON C......................166, 167

RANDERSON G.............................54

BADCOCK B........................124, 133

HEMER A............................ 4, 7, 8, 10

RASTORFER L..................................29

BADCOCK J..................................75

HENDERSON L.............................111

REED W J............................ 79, 81, 90

BARKER D.....................................148

HOLLINGS A................................173

REES E ............................................70

BERZINS I......................................165

HOTERE R......................... 48, 71, 135

REWIRI K T W .......................134, 137

BIDWELL B................................49, 50

ILLINGWORTH M..........................110

RICKARD B...................................113

BLUMHARDT D.............................144

KAHUKIWA R..................................52

ROBERTSHAW D........... 109, 161, 162

BRAITHWAITE J.......................68, 141

KIDD H............................................31

SHEPHERD C..................................73

BROWN H.....................................130

LANE T............................46, 102, 171

SIDDELL P.......................................21

BROWN N......................................44

LARKIN P..........................................3

SIDDELL S...........................19, 20, 43

CASTLE L......................................145

LYNCH S.......................................107

SMITHER M........ 5, 12, 25, 39, 47, 98,

CHILCOTT G.................................116

MACLEOD E................................142

.....................138, 155, 159, 160, 170

CLAIRMONT P.............................156

MADDOX A...................................26

STICHBURY P..........................15, 151

CLARK S.........................................55

MARTINSON P................................57

SUMMERTON J...............62, 114, 118

COTTON S....................................172

MASEYK P....................................150

SYDNEY G..............................99, 100

DALGARNO R................................89

MAUGHAN K................... 41, 95, 105

SZYDLOWSKI H.....28, 35, 42, 82, 158

DE FRIETAS N................................104

MAYO E........................................123

TAPPER G.................................78, 92

DIBBLE P.........................................33

MCCAHON C................................60

TE RATANA S..................................11

DOLEZEL J....................................115

MCINTYRE M............... 147, 149, 154

THE ELEPHANTS K & B..................163

DRUMMOND A.............................94

MCINTYRE P...................................93

TOMKINS R.......................................9

ELLIS F.............................................77

MCLEOD R...................................169

TOOTHILL J.....................................38

ELLIS R............................................45

MRKUSICH M.................................22

WALDROM G................................96

EVANS J....................... 126, 131, 132

NIGRO J.........72, 112, 122, 125, 157

WATKINS D...................................168

FEU’U F........................... 51, 103, 129

NOTMAN G...................................56

WEEKS J........................76, 80, 83, 86

FRAZER N.......................................67

PACKER J.......................................59

WHIBLEY G...................................143

FRIEND D.................................. 87, 88

PALMER M...................................119

WILLEBRANT J W..........................128

FRIZZELL D.................. 27, 58, 74, 117

PALMER S.....................................120

WILLIAMS G........... 61, 101, 121, 127

GARDINER AKA E M................... 146

PARKER J S ....................................32

WILLIAMS K....................................53

GRAHAM C...................................97

PARKES M...........................13, 16, 18

WILLIAMS M...................................34

HAMMOND B................................14

PARKIN P......................................152

WOLFE P......................................108

HANLY P.............................24, 30, 36

PATTERSON K...........................84, 85

WONG B........................................23

HANNA G....................136, 139, 140

PAYTON S.....................................164

WOOD A.....................................153

HARRIS J.....................................2, 66

PEARSON A...................................37

WOOLLASTON T............................91

HARTIGAN P..............63, 64, 65, 106

PETRE M...........................................6

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