2016-17
THE JOEY ALEXANDER TRIO September 18, 2016 ANN HAMPTON CALLAWAY FROM SASSY TO DIVINE: THE SARAH VAUGHAN PROJECT
September 29, 2016
Philharmonic Society presents
Joey Alexander (Photo by Carol Friedman)
THE NAUGHTON SISTERS October 9, 2016
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WELCOME IT IS MY PLEASURE TO WELCOME YOU TO THE NEW BARCLAY.
These are exciting times, and there are many changes underway at Irvine Barclay Theatre. The 2016–2017 season marks the start of several new programming initiatives that include a Jazz Series and the Great American Songbook Series. In addition, the Barclay is renewing its commitment to family programming, and beginning an expansion of its ArtsReach program that takes artists performing on our stage into classrooms and community outreach programs. The Barclay’s signature International Contemporary Dance Series continues, featuring four companies with international flair, and the theatre will carry on its tradition of programming in world music, flamenco and Hawaiian music. The Barclay is moving forward to have a stronger presence in Irvine and the surrounding Orange County communities and we are indebted to all who help us maintain the Barclay — a truly unique community resource: our staff and our board of directors; our public partners — the City of Irvine and UCI; and you, the audience. Your continued contribution supports the programs we present and allows us to serve you and the entire community. I thank you for being here and hope to see you many times throughout the year.
Jerry Mandel, Ph.D. President, Irvine Barclay Theatre
Board of Directors CHAIR Ken Rohl Chairman/Founder Rohl LLC Ramona Agrela Associate Chancellor University of California, Irvine Francisco J. Ayala Professor and National Medal of Science Laureate University of California, Irvine Stephen Barker Dean, Claire Trevor School of the Arts University of California, Irvine
Karen Cahill Community Leader
Robert Farnsworth CEO, Sonnet Technologies, Inc. Robin Follman-Otta CEO, Markall Inc. COO, R.A. Industries, LLC COO, Katmai Lodge Alaska
Michelle Grettenberg Assistant to the City Manager City of Irvine Sean Joyce City Manager City of Irvine
James C. Lindberg, MD, MBA Chief Medical Officer PersonalCare Physicians, LLC Terry McDonald Community Leader
William Parker Professor Emeritus Physics and Astronomy University of California, Irvine Lynn Schott Mayor Pro Tem City of Irvine
Mickie Shapiro Community Leader Gary Singer Senior Advisor RSI Holding LLC
HONORARY Steven S. Choi, Ph.D. Mayor, City of Irvine
Howard Gillman, Ph.D. Chancellor, UCI
IRVINE BARCLAY THEATRE | 3
9/18
THE JOEY ALEXANDER TRIO September 18, 2016 | Cheng Hall Duration: 75 minutes without an intermission.
This project received support from the California Arts Council; WESTAF, the Western States Arts Federation; and the National Endowment for the Arts. Media Sponsor:
Joey Alexander is a Steinway Artist. WITH
Ulysses Owens Jr. Drums
Dan Chmielinski Bass
Program will be announced from the stage.
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JOEY ALEXANDER Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta. Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight, UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.” At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability
(Photo by Carol Friedman)
(Photo by Signe Roderik)
to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing. Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at wellknown venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia. Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large. His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps,” making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast — far more magical than what was expected — received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere,
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mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams. Through all of this, Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which engages both new and seasoned listeners and reflects the true emotional heart and soul of his musical personality. Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments — and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”
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Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing — his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown. “You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.” Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future. Visit: joeyalexandermusic.com Artist Representation: International Music Network 278 Main Street / Gloucester, MA 01930 www.imnworld.com
Your gift is really an investment. An investment • In our community • In our youth • In the future of the arts in Orange County Irvine Barclay Theatre has been serving the community for over two decades as a leading presenter of diverse and exceptional artists, offering award-winning educational programs, and providing a state-of-the-art venue for community arts and cultural organizations. Together we can continue creating a stronger, more vibrant community, nurturing tomorrow’s leaders with innovative arts education programs, encouraging the development of emerging artists, and of course, presenting powerful performances that will move, touch, and inspire audiences of all ages and backgrounds. Every gift, no matter the size, makes a difference and is deeply appreciated.
Please invest with us today! For information contact: Lori Grayson, Director of Development grayson@thebarclay.org | 949.854.4186 | 949.527.2700
The City of Irvine plays an invaluable role in the successful operation of Irvine Barclay Theatre. We thank the City for its generous support.
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9/29
ANN HAMPTON CALLAWAY
FROM SASSY TO DIVINE: THE SARAH VAUGHAN PROJECT September 29, 2016 | Cheng Hall This performance will include a 15-minute intermission.
Sponsored by:
Frank Wagner and Lynn O’Hearn Wagner, Judy and Wes Whitmore WITH
ANN HAMPTON CALLAWAY
Tamir Hendelman
Ann Hampton Callaway is one of the leading champions of the Great American Songbook, having made her mark as a singer, pianist, composer, lyricist, arranger, actress, educator, TV host and producer. Voted recently by Broadwayworld.com as Performer of the Year, Ann is a born entertainer. Her unique singing style blends jazz and traditional pop, making her a mainstay in concert halls, theaters and jazz clubs as well as in the recording studio, on television, and in film. She is best known for her Tony-nominated performance in the hit Broadway musical Swing! and for writing and singing the theme song to the hit TV series The Nanny. Callaway is a Platinum Award-winning writer whose songs are featured on seven of Barbra Streisand’s recent CD’s. The only composer to have collaborated with Cole Porter, she has also written songs with Carole King, Rolf Løvland and Barbara Carroll, to name a few. Callaway’s live performances showcase her warmth, spontaneous wit and passionate delivery of standards, jazz classics and originals. She is one of America’s most gifted improvisers, taking words and phrases from her audiences and creating songs on the spot, whether alone at a piano or with a symphony orchestra. Ann has been a special guest performer with Wynton Marsalis and the Lincoln Center Jazz Orchestra, with Keith Lockhart and the Boston Pops at Symphony Hall and Tanglewood and is featured in many Carnegie Hall tributes. She has sung with more than 30 of the world’s top orchestras and big bands, and has performed for President Clinton in Washington, D.C. and at President Gorbachev’s Youth Peace Summit in Moscow. Callaway performed with her sister, Broadway star Liz Callaway, in their award-winning show, Sibling Revelry, at London’s
Piano
Trey Henry Bass
MB Gordy Drums
Kim Richmond Sax & Flute
Mike Rocha Trumpet
Program will be announced from the stage.
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(Photo by Bill Westmoreland)
Donmar Warehouse. Their act Boom!, a critically acclaimed celebration of the baby-boomer hits of the 60’s and 70’s, was recorded on PS Classics, which debuted in the top 25 on Billboard Jazz. Ann was featured in the Macy’s Thanksgiving Day Parade telecast watched by 6 million people, singing the Emmy Award-winning song “Yes, Virginia.” She took the symphony world by storm with her show, The Streisand Songbook, which she premiered with the Boston Pops and continues to tour with top orchestras across the country. After performing the show at 54 Below, she garnered two Broadwayworld.com awards and the 2013 MAC Award for Show of the Year. Ann’s latest recordings have garnered great critical acclaim: Ann Hampton Callaway – from Sassy to Divine: The Sarah Vaughan Project in 2014 and The Hope of Christmas in 2015. She is featured on her sister Liz Callaway’s holiday EP Merry and Bright as well as on the CD Johnny Mandel: the Man and His Music (Arbors Records). Her other solo CD’s, At Last, Blues in the Night, Slow and Signature, have received rave reviews as well. She has recorded popular holiday CD’s — Holiday Pops! with Peter Nero and the Philly Pops, and her solo CD, This Christmas. Ann’s other recordings include Easy Living, To Ella with Love, After Ours, Bring Back Romance, Ann Hampton Callaway, and the award-winning live recording, Sibling Revelry. Callaway has also been a guest performer on more than 40 CD’s including Kenny Barron’s CD, The Traveler. Ann’s dream of working in film, TV and radio has been realized in several projects. She made her feature film debut opposite Angelina Jolie and Matt Damon in the Robert De Niro film The Good Shepherd, performing the standard
“Come Rain or Come Shine.” She recorded “Isn’t It Romantic?” and “The Nearness of You” in Wayne Wong’s Last Holiday, starring Queen Latifah. Ann wrote songs for the upcoming movie musical State of Affairs, to be directed by Philip McKinley. And, as a part of her mission to keep the American Songbook thriving, she has produced and hosted two TV specials called Singer’s Spotlight with Ann Hampton Callaway with guests Liza Minnelli and Christine Ebersole for WTTW National. This year, Ann launched a new four-part radio series called This Is Cabaret. Ann celebrates intimate performances and emotionally engaging songs from jazz, the blues, Broadway and the Great American Songbook. Special guests perform and share personal insights with Ann, live from the stage of the legendary Birdland Jazz Club in the heart of New York City. Throughout the series, Ann holds court and engages some of the most interesting singers and songwriters, including Steve Tyrell, Christine Ebersole, Curtis Stigers, and Kurt Elling. Ann devotes much of her time to philanthropic causes, both as a singer performing in numerous benefits, and as a songwriter composing songs in times of need. In September 2005, Ann performed her original composition “Let the Saints Come Marching,” written to honor Hurricane Katrina victims, on a national TV broadcast on the Fox News Channel. Her song “Who Can See the Blue the Same Again?” was released in 2005 as a single, paying tribute to the tsunami survivors and raising much needed money for The Tsunami Fund of The PRASAD Project. In the aftermath of September 11th, Ann composed the stirring anthem, “Believe in America,” which she performed on Larry King Live and released as a CD single. Just days after the tragedy,
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Ann heard an 8,000-year-old prayer from the Rigveda and composed the world renowned “Let Us Be United.” Ann recorded the song with Kenny Werner, the Siddha Yoga International Choir and five-year-old Sonali Beaven, who sang in honor of her father who lost his life on Flight 93. It was released on CD and DVD and its proceeds continue to benefit Save the Children and The PRASAD Project. Ann’s father was Chicago’s legendary TV and radio journalist, John Callaway. Her mother, Shirley Callaway, a superb singer, pianist and one of New York’s most in-demand vocal coaches, was recently featured at New York’s Town Hall, singing with Ann and her sister, Liz.
(Photo by Bill Westmoreland)
Artist Representation: The Kurland Agency 173 Brighton Ave. Boston, MA 02134 www.thekurlandagency.com
Reimagining Creativity st for the 21 Century Fall Highlights Sept. 30
Oct. 1 – Dec. 10
Rosalind Nashashibi Chamber Music | OC Presents: Solo exhibition at the Around the Horn featuring Horn Virtuoso William VerMeulen Contemporary Arts Center
Event calendar & more info: www.arts.uci.edu Purchase tickets: www.arts.uci.edu/tickets Additional questions please contact the Box Office: (949) 824-2787
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Oct. 27
Claire Trevor School of the Arts Annual Open House
Nov. 12 – 20
UCI Drama presents Parade at the Irvine Barclay Theatre
Our Class Nov. 16
Nov. 19
UCI Jazz Orchestra with London Music Club Quartet Bobby Rodriguez Haroutune Bedelian, Lorna Griffitt, Conductor David Chew, Russell Guyver
Dec. 1 – 3
UCI Dance presents New Slate, Graduate Student Choreography
Dec. 1 – 4
UCI Drama presents Our Class at the Experimental Media Performance Lab (xMPL)
Sunday, October 9, 2016, 3pm Irvine Barclay Theatre
SAM B. ERSAN SERIES SPONSOR
THE NAUGHTON SISTERS
Christina Naughton and Michelle Naughton, piano christina and michelle naughton
Allegro Brillante in A major Op. 92
Felix MENDELSSOHN (1809-1847)
11 Chorale Preludes Op. 122, No. 1 “Mein Jesu, der du mich”
Johannes BRAHMS (1833-1897)
Gottes Zeit ist die allerbeste Zeit, BWV 106
J.S. BACH (arr. Kurtág) (1685-1750)
Aus tiefer Not schrei ich zu dir, BWV 687
J.S. BACH (arr. Kurtág) (1685-1750)
Johannes BRAHMS 11 Chorale Preludes Op. 122 No. 10 “Herzlich thut mich verlangen” (1833-1897) Rondo in C major, Op. 73
Frederic CHOPIN (1810-1849)
- INTERMISSION Dos Marchas Militares For Two Pianos Roll Over Beethoven Boogie
Enrique GRANADOS (1867-1916) John ADAMS (b. 1947) Paul SCHOENFIELD (b. 1947)
Baker Artists LLC An Affiliate of Judson Management Group, Inc 145 E 57th St., New York, NY 10022
Laguna Chamber Music Series is generously sponsored by Mr. Sam B. Ersan
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Photographing or recording this performance without permission is prohibited. Kindly disable pagers, cellular phones, and other audible devices. Although rare, all dates, times, artists, programs, and prices are subject to change.
MENDELSSOHN: ALLEGRO BRILLANTE IN A MAJOR, OP. 92 Mendelssohn completed the Allegro brillante on March 23, 1841, during a period when the 32-year-old composer was writing a number of works for piano; later that year he would complete one of his finest piano works, the Variations sérieuses and then go on to compose his “Scottish” Symphony. As its name suggests, the brief Allegro brillante sets out to be brilliant music, and in this it succeeds completely. This is a display piece for two very skillful pianists, polished in its techniques and full of attractive tunes. The themes—there are a progression of them—are generally introduced by the upper hands, but the lower hands play an extraordinary part, full of very rapid runs and requiring the utmost skill to project these clearly without obscuring the upper line. The music seems in constant motion throughout, and it drives to an exciting close. —Eric Bromberger BACH (ARR. KURTAG): GOTTES ZEIT IST DIE ALLERBESTE ZEIT, BWV 106 AND AUS TIEFER NOT SCHREI ICH ZU DIR, BWV 687 On today’s program, music by Bach will be heard in arrangements by György Kurtág. Born in 1926, Kurtág has made a number of arrangements for two-, four-, and six-hand piano of music by Bach, and both arrangements heard today are of the first movements of Bach cantatas. Gottes Zeit ist die allerbeste Zeit was originally the opening Sonatina of Bach’s early Cantata No. 106. Marked Molto adagio, it makes a solemn introduction to that cantata. The equally solemn Aus tiefer Not schrei ich zu dir was originally the opening movement of Bach’s chorale Cantata No. 38, composed in Leipzig in 1724; Bach used the ancient chorale melody to set a text that Martin Luther had drawn from Psalm 130. —Eric Bromberger IRVINE BARCLAY THEATRE | 11
ABOUT THE PROGRAM
BRAHMS: 11 CHORALE PRELUDES, OP. 122, NO. 1 “MEIN JESU, DER DU MICH” AND NO. 10 “HERZLICH THUT MICH VERLANGEN” Bookending the works of Bach are two of Brahms’ 11 Chorale Preludes, which date from the summer of 1896 and are among the very last music he composed. Originally written for organ, Brahms expressed in this piece his devastation over the recent death of Clara Schumann and his own failing health by marrying his dense motivic ideas with Bach’s contrapuntal style. In Mein Jesu, der du mich (“My Jesus calls to me”), the original Lutheran hymn melody is heard as the cantus firmus in the bass, while a chorale fugue embellishes it from above. Similarly, Herzlich tut mich verlangen (“My heart is filled with longing”), is based on an ancient chorale melody that was a particular favorite of Bach, who used it in a number of works, including the Saint Matthew Passion. —Siri Bloom & Eric Bromberger CHOPIN: RONDO IN C MAJOR, OP. 73 Listeners should not be misled by this work’s high opus number—the Rondo in C major is in fact one of Chopin’s earliest works, composed while he was still a high school student in Warsaw. In early 1828, about the time he turned 18, Chopin composed a Rondo in C major for piano solo. Late that summer he was invited to join a family friend on a trip to Berlin, and along the way—in the village of Sanniki—he returned to the rondo and re-wrote it for two pianos. It is Chopin’s only work for two pianos, and he chose not to publish it. But in the years after his death at age 39, some of Chopin’s friends retrieved and published music that the composer had left in manuscript. The Rondo in C major was one of these works—it appeared in Berlin in 1855, six years after the composer’s death, and was assigned the opus number of 73 at that point.
GRANADOS: DOS MARCHAS MILITARES FOR TWO PIANOS Composer and pianist Enrique Granados was born in Lérida, Spain, in 1867. After his early education with teacher Joan Pujol and time at the Paris Conservatoire, Granados formed classical concert societies and his own school, the Academia Granados, in Barcelona. He was also a frequent recitalist, performing popular works as well as his own compositions. It was these performances that brought him more recognition throughout Spain the early 1900’s and eventually brought him to Europe and North America. Sadly, his emerging popularity was cut short by his death in 1916, and today he is most known in his native region of Catalonia. Written for King Alfonso XIII of Spain, Dos Marchas Militares is one of Granados’ few compositions that made it to publication. Rather than evoking a rigid, military mood like the title implies, these pieces are light-hearted and portray an effervescence likely inspired by Granados’ youthful experiences performing in Barcelona cafes and clubs. Although brief, the marches expertly showcase Granados’ love of melody and natural spontaneity. —Siri Bloom ADAMS: ROLL OVER BEETHOVEN “You know my temperature’s risin’ and the jukebox blows a fuse.” Chuck Berry’s “heart beatin’ rhythm” was a paean to the life force of rock ‘n roll, and for American composer John Adams the pulse that drives the music of Beethoven is no less hot. Adams’ two-piano work Roll Over Beethoven takes potent fragments of two late Beethoven piano works and processes them in the unique black box of his own transformative musical language. As he did once before in his recent Absolute Jest for string quartet and orchestra, Adams pays homage to the electric vitality of Beethoven’s intensely physical, expressive world while constructing his own unpredictable musical forms that alternate between moments of delicate lyricism and hard driven, virtuoso brio.
The Rondo in C major is a virtuoso piece for two pianists. It opens with an introduction marked Allegro maestoso that alternates brilliant runs from the first pianist with quiet responses from the second. The music leaps ahead at the rondo proper and offers two virtuoso pianists a chance to display their abilities. There is quiet secondary material along the way that Chopin marks semplice, but the principal impression this music makes is of brilliance: it is full of fast runs (often set in the ringing high register of the first pianist), melodic lines passed between the two players, and full and sonorous textures. Something of Chopin’s conception of this music can be felt in his constant reminders to the pianists: con fuoco (“with fire”), marcato, con spirito. After all this brilliance, the Rondo drives a massive, resounding conclusion.
Roll Over Beethoven, a keyboard version of Adams’ 2014 Second Quartet, employs just a handful of short phrases from two late Beethoven works, the Piano Sonata Op. 110 and the Diabelli Variations, to generate an absorbing twenty-minute structure that, in Adams’ words, “takes these tiny musical fractals through a grand tour of a harmonic and rhythmic hall of mirrors.”
—Eric Bromberger
—Boosey and Hawkes
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SCHOENFIELD: BOOGIE
ABOUT THE ARTISTS
Paul Schoenfield, a professor of composition at the University of Michigan, has been particularly interested in combining quite different styles and traditions: his music can simultaneously be derived from jazz, classical music, klezmer music, popular songs (and many other styles), and these are combined with a great deal of energy and skill. Boogie is the final movement of Schoenfield’s Five Days from the Life of a Manic Depressive, a set of five pieces for piano four-hands published in 2006. This music boils over with energy across its four-minute span. The lower voice often lays down a furious ostinato as the upper contributes a wild melodic energy of its own; at other times the melodic line moves easily between the two players as Boogie rushes to an almost breathless close. —Eric Bromberger
THE NAUGHTON SISTERS CHRISTINA AND MICHELLE NAUGHTON Christina and Michelle Naughton have been hailed by the San Francisco Examiner for their “stellar musicianship, technical mastery, and awe-inspiring artistry.” The Naughtons made their European debut at Herkulesaal in Munich, where the Sueddeutsche Zeitung proclaimed them “an outstanding piano duo.” They made their Asian debut with the Hong Kong Philharmonic, where the Sing Tao Daily said of their performance, “Joining two hearts and four hands at two grand pianos, the Naughton sisters created an electrifying and moving musical performance.” An appearance with the Philadelphia Orchestra led the Philadelphia Inquirer to characterize their playing as “paired to perfection,” while the Saarbrücker Zeitung exclaimed “this double star could soon prove to be a supernova.” They have captivated audiences throughout the globe with the unity created by their mystical musical communication, as featured by the Wall Street Journal in their own words, “There are times I forget we are two people playing together.” Highlights from the Naughtons’ 2015-16 season included performances presented by the New World Symphony, Los Angeles Philharmonic at Walt Disney Hall, at the Classic Festival and the Bonlieu Scène Nationale in Annecy, France, at the Concertgebouw in Amsterdam, and at the Grand Teton Music Festival. In addition to recital tours of Latin America and China, the sisters appeared with the St. Petersburg Philharmonic, Orquesta Sinfonica do Estado São Paulo, the Netherlands Philharmonic, l’Orchestre
christina and michelle naughton
Philharmonique de Strasbourg, the Frankfurter Opern-und Museumsorchester and the Atlanta Symphony. Orchestral engagements include appearances with the Philadelphia Orchestra, Houston, Milwaukee, New Jersey, North Carolina, Nashville, Virginia, Hawaii, Maryland, Toledo, Delaware, El Paso, Napa Valley, Wichita, Tulsa, Gulf Coast, and Madison symphonies; the Buffalo Philharmonic, the Wisconsin Chamber Orchestra, Cleveland’s Red Orchestra, Chicago’s Ars Viva Symphony Orchestra, and Erie Philharmonic; as well as with ensembles such as the Mahler Chamber Orchestra, Hong Kong Philharmonic, Royal Flemish Philharmonic in Belgium, Solistes Européens Luxembourg, Hamburg Chorus, Kiel Philharmonic, and Norddeutsche Philharmonie Rostock. Past and future seasons feature collaborations under the batons of conductors such as Stéphane Denève, Edo deWaart, Charles Dutoit, JoAnn Falletta, Giancarlo Guerrero, Emanuel Krivine, Cristian Macelaru, Andres Orozco-Estrada, and Michael Stern. Christina and Michelle’s recitals include venues in America such as the Kennedy Center’s Terrace Theater, New York City’s Naumburg Orchestral 3 IRVINE BARCLAY THEATRE | 13
AbOuT THE ARTISTS
Concert Series at the Historic Naumberg Bandshell (Central Park) and Le Poisson Rouge, the Schubert Club in St. Paul, Boston’s Isabella Stewart Gardner Museum, the Wharton Center, Houston’s Cullen Theater, South Orange Performing Arts Center, the Kravis Center in West Palm Beach, Ramsey Hall in Athens, and Rockefeller University; as well as on series such as the Fortas Chamber Music Festival, Detroit Chamber Music Series, Harriman Jewell Series, Steinway Society-The Bay Area, Artist Series of Sarasota, UAB Piano Series, ChamberMusic San Francisco Series, Louisville’s Speed Museum Series, and Kingston Chamber Music Festival. European recital highlights for the Naughtons include the Parc Du Chateau de Florans at France’s La Roque d'Anthéron Festival, the Sociedad de Conciertos de Valencia in Spain, Zurich’s Tonhalle, Prague’s Strings of Autumn Festival, Klavierfestival Ruhr, Rheingau Musik Festival, Dresden’s Musikfestpiele, Kissinger Sommer, Berlin’s Kammermusiksaal, Munich’s Herkulesaal, Dusseldorf’s Tonhalle, Hannover’s Kleiner Sendesaal, Ingoldstadt’s Konzertverein, Reutlingen’s Freidrich-List-Halle, Pullach’s Burgerhaus, Concert Series in Ludwigshafen, the Homburg-Saar series, and the Bremen Music Festival.
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THE SEASON
OCTOBER 2016 27 29
NOVEMBER 2016 9 18 20
Havana Cuba All-Stars (RHS) Ray Chen, violin & Members of Berliner Philharmoniker (MUS) Sir Simon Rattle & Berliner Philharmoniker (RHS)
DECEMBER 2016 3 10 12 12 14
Holidays with Vienna Boys Choir (RHS) Preservation Hall Jazz Band: Creole Christmas (RHS) Holidays with Canadian Brass (IBT) Taiwan Philharmonic with Cho-Liang Lin, violin (RHS) Bach Brandenburg Concertos with CMS Lincoln Center (RHS)
JANUARY 2017
The Naughtons recorded their first album in the Sendesaal in Bremen, Germany; released worldwide in fall 2012 by label ORFEO. The album has been praised by Der Spiegel Magazine for “stand(ing) out with unique harmony, and sing(ing) out with stylistic confidence,” and described by Classics Today as a “Dynamic Duo Debut.” Their performances have been broadcast on American Public Media’s Performance Today, Sirius XM Satellite Radio, New York’s WQXR, Chicago’s WFMT, Philadelphia’s WHYY, Boston’s WQED, Atlanta’s WABE, Hong Kong’s RTHK, Latvia’s Latvijas Radio 3, Netherland’s Radio 4 Concerthuis; and Germany’s Bayerischen Rundfunks, Nordwest-Radio Bremen, WDR and NDR Radio.
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Born in Princeton, New Jersey, to parents of European and Chinese descent; Christina and Michelle are graduates of Juilliard School and the Curtis Institute of Music, where they were each awarded the Festorazzi Prize. They are Steinway Artists and currently reside in New York City.
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Zakir Hussain, tabla & Niladri Kumar, sitar (RHS) Gustavo Dudamel & Los Angeles Philharmonic (RHS)
Kronos Quartet (MUS) Itzhak Perlman, violin (RHS) Emanuel Ax, piano (RHS)
FEBRUARY 2017 5 8 8-12 12
St. Lawrence String Quartet (IBT) Kodo: DADAN 2017 (RHS) Laguna Beach Music Festival (LP) Yuja Wang, piano & Leonidas Kavakos, violin (RHS)
MARCH 2017 3 15 22
Mandelring Quartet (IBT) St. Petersburg Philharmonic (RHS) National Symphony Orchestra of Ukraine (RHS) Danish National Symphony Orchestra (RHS)
APRIL 2017 2 19
Alina Ibragimova, violin & Cedric Tiberghien, piano (IBT) Bach’s St. John Passion with Int. Bach Academy Stuttgart (RHS)
MAY 2017 3
Benjamin Grosvenor, piano (RHS)
949.553.2422 | PHILHARMONICSOCIETY.ORG
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Concerts at Renée and Henry Segerstrom Concert Hall, Segerstrom Center for the Arts (RHS), Irvine Barclay Theatre (IBT), Laguna Playhouse (LP), and Musco Center for the Arts (MC). Although rare, all dates, times, artists, programs, venues & ticket prices are subject to change.
ADmiNistrAtive stAff
Since its inception in 1954, the Society has presented the world's most acclaimed symphony orchestras, chamber ensembles, soloists and international artists for the enjoyment and appreciation of Orange County audiences. The Society's Youth Programs, one of the most extensive music education programs of its kind in the country, are offered free of charge to schools, students and parents, and each year reach more than 160,000 students from first grade through high school. The Committees of the Philharmonic Society are the Society's principal fundraising and volunteer force. More than 80,000 hours of in-kind service are provided each year by the 800 volunteer members in implementing and evaluating the music education programs. The Committees also present a wide variety of fundraising events, including the Philharmonic House of Design and the Huntington Harbour Cruise of LightsÂŽ.
Siri Bloom Operations Coordinator Kathy Smith Piano Technician
For more information, please visit us at www.PhilharmonicSociety.org
Artistic oPerAtioNs
DeveLoPmeNt Ronald G. Dufault Vice President of Development Halim Kim Director of Annual Campaign Allison Heinrichs Development Associate
eDucAtioN
Rita Major Director of Education/Grants Administrator Heather Cromleigh Director of Volunteer Services/Board Liaison Madeline Fields Huntington Harbour Office Manager
fiNANce
Roan Alombro Director of Finance
mArketiNG AND PubLic reLAtioNs
Chantel Chen Uchida Vice President of Marketing and Public Relations Jean Hsu Senior Marketing and Public Relations Manager Marie Songco-Torres Senior Marketing and Public Relations Associate
PAtroN services
Jonathan Mariott Director of Patron Services Randy Polevoi Musical Concierge
boArD of Directors officers
Noel Hamilton Immediate Past Chairman
Kimberly Dwan Bernatz Chairman, CEO
Stephen Amendt Secretary/Treasurer
AbOuT THE PHILHARMONIC SOCIETY
About tHe PHiLHArmoNic societY of orANGe couNtY
executive committee
Eleanor Anderson Member-at-Large
Jane K. Grier Member-at-Large
Douglas H. Smith Foundation
Anthony Mastrangelo Development
Donna L. Kendall Member-at-Large
Dr. Daniel Stein Member-at-Large
Hung Fan Laguna Beach Music Festival
Elaine P. Neuss Concerts
Judy Michel President, The Committees
Sabra Bordas Nominating John W. Benecke Joanne Fernbach John Flemming
Margaret M. Gates Jerry M. Harrington Marlene Nielsen
Barbara Roberts David Troob Sandi Wright-Cordes
PresiDeNt AND Artistic Director John Mangum 5 IRVINE BARCLAY THEATRE | 15
FRIENDS
The Philharmonic Society of Orange County gratefully acknowledges the following donors for their generous support of the Fund for Music during the past twelve months. These contributions make up the difference between the income generated from ticket sales and the actual cost of bringing the world’s finest orchestras, soloists and chamber ensembles to Orange County and inspiring 160,000 K-12 students each year with quality music programs. Gifts range from $60 to more than $100,000, and each member of the Philharmonic Society plays a valuable role in furthering the mission of this organization.
HoNorArY seAsoN sPoNsor
Disneyland Resort • Catherine Emmi • Colburn Foundation • Mr. Sam B. Ersan Donna L. Kendall Foundation • Barbara Roberts • Mrs. Michelle Rohé The Henry T. and Elizabeth Segerstrom Charitable Foundation • The Segerstrom Foundation The Committees of the Philharmonic Society • Anonymous (1)
cHAirmAN’s circLe
The Crean Foundation • Ann and Gordon Getty Foundation • Mr. and Mrs. Milton S. Grier, Jr. Maralou and Jerry M. Harrington • Dr. and Mrs. Howard Jelinek • Phillip N. and Mary A. Lyons Mr. and Mrs. Douglas H. Smith • William and Sakura Wang
PresiDeNt’s cLub Bette and Wylie Aitken Mr. and Mrs. James Alexiou Eleanor and Jim Anderson Pete and Sabra Bordas Mr. Gary Capata Mr. Warren G. Coy The Dirk Family Disneyland Resort Mr. and Mrs. James A. Driscoll Mr. and Mrs. Donald P. Evarts Mrs. Joanne C. Fernbach First American Trust Kimberly Dwan Bernatz Margaret M. Gates - In memory of family
PLAtiNum bAtoN Dr. and Mrs. Richard D. Campbell Macy’s
GoLDeN bAtoN
16 | IRVINE BARCLAY THEATRE
Mr. and Mrs. William F. Podlich Richard and Deborah Polonsky Ralph Lauren Corporation Dr. and Mrs. Chase Roh Mr. and Mrs. David Rosenberg Schumann|Rosenberg LLP Segerstrom Center for the Arts Shanbrom Family Foundation South Coast Plaza Ms. Dea Stanuszek Dr. and Mrs. Daniel Stein Lynda Thomas Mr. and Mrs. David Troob U.S. Bank Mr. Stephen Amendt
Wells Fargo – The Private Bank Mr. and Mrs. Noel Hamilton Anonymous (2)
($6,000+) Marcia Kay and Ron Radelet Elizabeth and Justus Schlichting
The Orange County Register Dr. Steven Sorenson
Judy and herb michel at the annual golden Baton celebration event
Hung Fan Frome Family Foundation Elizabeth F. Hayward and Robert M. Carmichael Ms. Sigrid Hecht Milli and Jim Hill Ms. Elizabeth Jones Drs. Siret and Jaak Jurison
Mr. David H. Koontz and Mr. James Brophy Helen and Fritz Lin Regina and John Mangum Drs. Armine and Vahe Meghrouni City of Mission Viejo Mr. and Mrs. Michael D. Nadler Mr. and Mrs. James G. Reynolds Mr. and Mrs. Philip Ridout
Ms. Howard Roop Charles Schwab Ping and Chin-Shun Shih Mr. and Mrs. John Stahr Diane and Michael Stephens Robert A. and Sandra E. Teitsworth Dr. and Mrs. Fritz C. Westerhout Gayle Widyolar and David Scott Bobbitt and Bill Williams
Mr. and Mrs. William F. Kroener III Vicki and Richard Lee Mr. Clark Leonard Susan and Richard Mangum Mr. and Mrs. Orville L. Marlett Millstream Fund Mr. and Mrs. Mike Morris Orange County Community Foundation/ Jane Deming Fund Mr. Patrick Paddon Dr. and Mrs. Paul Qaqundah Mr. and Mrs. Walter Rados Elizabeth Gordon Reinhold Mary Rence Dagmar and Walter Rios
Ms. Jennie Robinson Eva and Fred Schneider Dr. Emmanuel Sharef Mr. and Mrs. Lawrence S. Spitz Elizabeth and Richard Steele Fund Dr. and Mrs. Julio Taleisnik Ms. Judy Tschetter Chantel and Andrew Uchida Dr. Nancy E. Van Deusen Chava and Ted Wortrich Anonymous (2)
($1,200+)
Dr. and Mrs. Daniel L. Abbott Hope Aldrich and Michael Jeffers Mr. and Mrs. Richard D. Allen Barbara and Jerry Andes John W. Benecke The Boeing Company Mr. and Mrs. John C. Carson Dr. and Mrs. David Casey Mrs. Linda Lipman Cassuto Allison Kawamoto Choy Mr. and Mrs. Stewart A. Clark Peter Conlon and Deborah Shaw Dr. Frank A. D'Accone Ms. Carol Dalton Fiorenza and Fernando de la Fuente
6
The William Gillespie Foundation Joan Halvajian Jewish Community Foundation of Orange County Joann Leatherby and Dr. Greg Bates Macy's Charitable Contributions Mr. and Mrs. Anthony Mastrangelo Mrs. Michael McNalley The Isidore & Penny Myers Foundation National Endowment for the Arts Elaine and Carl Neuss Pacific Life Foundation Lauren and Richard Packard Philharmonic Foundation
($3,000+)
American Business Bank Mr. Douglas T. Burch, Jr. Charles Schwab Dr. and Mrs. Shigeru Chino Suzanne and David Chonette Mr. and Mrs. William P. Conlin Mrs. William L. Cook Richard Cullen and Robert Finnerty Marjorie and Roger Davisson
siLver bAtoN
($10,000+)
Disney Worldwide Services, Inc. Mr. and Mrs. Neil B. Donavan Mr. and Mrs. Roger Duplessis Mr. and Mrs. Donald French JoAnn and Peter Fuerbringer Gartley Charitable Foundation Fund Mr. and Mrs. Philip Gold Mr. and Mrs. Michael S. Gordon Mr. and Mrs. Carl Greenwood Wanda Gwozdziowski Bonnie and William S. Hall Carole and Joseph Innes Dr. and Mrs. Tae S. Kim Carolyn and Bill Klein Mr. and Mrs. Louis J. Knobbe
List current as of 7/11/16. Full listing of donors appears in all Segerstrom Center for the Arts program books.
For Your Information Ticket Services Order online 24/7 at www.thebarclay.org or www.facebook.com/IrvineBarclay/events
Call the Box Office at 949.854.4646 Monday through Friday from 10am until 6pm; Saturday and Sunday from noon until 4pm. On days of a performance, the Box Office remains open through intermission. MasterCard, VISA, American Express, and Discover accepted. Late Seating To prevent disruption of a performance in progress, patrons who have not entered the theatre when the performance begins may be asked to wait in the lobby until there is a suitable interval.
Ushers Ushers are located at each auditorium entrance and at designated stations in the lobby. Please consult an usher if you need assistance. If you are interested in joining the usher staff, please contact the Patron Services Manager at: 949.854.4193; darling@thebarclay.org. Public Parking Parking is provided for a fee in the structure located at the corner of West Peltason and Campus Drive.
Restrooms Restrooms are located on the main lobby level near the box office. Drinking fountains are located on either side of the main lobby staircase and on the second level. Listening Devices Listening devices for amplifying stage sound are available at the concessions bar free of charge.
Cellular Phones, Beepers, Watch Alarms As a courtesy to all patrons, please turn these units to off or non-audible before the performance begins. Cameras and Recording Equipment The taking of photographs and use of any mechanical or digital recording devices are strictly prohibited.
Children Children are welcome. However, not all events are appropriate for small children. A paid ticket is required for everyone entering the theatre, including infants and children. The box office can provide advice regarding an event’s suitability.
Theatre Tours Backstage tours of the Barclay are offered through the theatre’s ArtsReach program. For information, or to reserve tours for schools or community groups please call 949.854.4193.
Irvine Barclay Theatre Online Get the latest information on what’s happening at Irvine Barclay Theatre by joining the Barclay’s E-list to receive email updates and special offers. Go to the Barclay’s website at www.thebarclay.org or email us at info@thebarclay.org.
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/IrvineBarclay
Staff Jerry Mandel, Ph.D. President
Gary Payne
Karen Wood
Karen Drews Hanlon
Lori Grayson
Ginny W. Hayward
Production & Facilities Manager
Helena Danovich
Development Assistant
Chief Operating and Finance Officer Artists & Contracts Manager Administration Manager Board Liaison
Lu Bauer
Box Office Manager
Josh Roberts
General Manager
Jeff Stamper Tim Owens
Assistant Production Manager
Robin Darling
Patron Services Manager
Director of Marketing and Communications
Communications Assistant Program Book Editor
Christina Wang
Social Media and Outreach Marketing
Director of Development
Fatima Rivzi
Michael Halpern
Senior Development Consultant
Assistant Box Office Manager
Ingrid Strayer
Finance Assistant IRVINE BARCLAY THEATRE | 17
Annual Fund for
THANK
EXCELLENCE
YOU
Irvine Barclay Theatre gratefully acknowledges the generous contributions of our donors who help support the “big talent” in our “small hall.” Gifts to the Annual Fund for Excellence assist the Barclay in presenting an international roster of performers while keeping tickets reasonably priced. They also support our ArtsReach programs provided to the schools at little or no cost and “family-friendly” programming on stage. The Barclay’s mission also embraces making its beautiful facilities available to diverse community organizations, UCI, and other educational institutions. Thank you to all of our generous donors listed here for their contributions during the previous 12 months! If you would like to join the ranks of those who make it all possible at the Barclay, you may make a donation online at www.thebarclay.org or call (949) 854-4607. PUBLIC PARTNERS City of Irvine University of California, Irvine
BRAVO BARCLAY PRESENTING SPONSOR $10,000 AND ABOVE Allergan Foundation An Anonymous Fund of the Orange County Community Foundation Drs. Francisco and Hana Ayala Karen Cahill Cheng Family Foundation Bobbi Cox Erika Dadura-Crane and Marc Crane Robin Follman-Otta Haskell & White LLP HumanKind Philanthropic Fund Michael Kerr Toni and Terry McDonald National Endowment for the Arts William and Janice Parker Family Fund Rohl LLC – Ken and Amber Rohl Sonnet Technologies, Inc. Richard and Elizabeth Steele Fund Trisha Steele Elizabeth C. and Thomas T. Tierney
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BRAVO BARCLAY PARTNER $5,000 – $9,999 Arts Consulting Group Lynette and Richard Berg New England Foundation for the Arts Salwa and Sabri Rizkalla Michelle Rohe
BRAVO BARCLAY BENEFACTOR $2,500 – $4,999 Milt and Mary Ann Bower Gartley Charitable Foundation Fund Linda I. Smith Foundation Lynda Thomas Frank Wagner and Lynn O’Hearn Wagner Western States Arts Federation Judy and Wes Whitmore BRAVO BARCLAY PATRON $1,000 – $2,499 The Beall Family Foundation Paul and Sandra Findly Barbara Klein Jerry and Whitney Mandel The Millstream Fund Peter and Alexandra Neptune Susan Rhodes and Goran Matijasevic Barbara Roberts Chiyo and Stanton Rowe Deborah and Frank Rugani Vendini, Inc.
ENCORE CIRCLE ENTHUSIAST $250 – $999 Bob and Burnetta Denham Oscar R. Aguirre Richard Alexander Brien Amspoker and Ellen Breitman John W. Ballantyne Robert and Delphi Ballinger Dr. Michael Bear Larry and Sue Ann Beaty Honorable Marian Bergeson Scott and Cheryl Berry Leia Bowers Laurie Brady and Dr. Sam Mary and Dave Bruce Lisa and Robert Burnand Harold and Eleanor Carpenter Deanna Choi Tim Collins John Coyne Roger du Plessis Joel and Melanie Durst Peggie Fariss Nancy Field Carol Foster Mark A. Franzen Ramya Harishankar and Hari Krishnamurthy Dan and Nicole Honigman IBM Matching Grants Program Yvonne and Damien Jordan Judy Kaufman and George Farkas Joanne and Dennis Keith Eung Jin Kim Vicki and Richard Lee
Curtis Ling Nancy Locke Wanda Mendoza Reiko and Mitsuhiko Nakano Mike and Pat Noggle Bruce and Esmeralda Ogilvie Orange County Community Foundation Tom and Amber Orradre Robert Parker Suzanne T. Peltason Omar and Irene Perez Remembering Mel Posin Dennis Repp Dr. Stephen M. Rochford Nancy Lee Ruyter Psychiatry Schaepper Jack and Katharine Schoellerman Frances Segal and Michael Friedson Ellen Semeniuta Nancy Smith Dorothy J. Solinger John Sorich William Spurgeon Kia Stora Diane Stovall Thomas and Marilyn Sutton Jennifer Szabo Urban Kitchen Group — Cucina Enoteca Marilyn and Angelo Vassos Michael Voronel Diane Wick Craig Wickwire Charles and Marilyn Wright Majid and Sohaila Zarrinkelk
ENCORE CIRCLE SUPPORTER $100 – $249 Katherine Ahn Dennis and Cindy Alderson Nick and Sue Alexopoulos Robert Allgeier Patricia Allison Thomas and Virginia Amlie Jan Arnoldus Debbie Aslanian Sarah and David Ball Lindy Balmer Cindy and Steven Bandel Rivka Barasch Shannon Barisoff Betty Barry George and Linda Bauer Shelley Beckham Craig Behrens Linda Berquist Cesar Betancourt Susan and Steven Bierlich Richard H. Bigelow Michael and Margaret Bodeau Suzanne Boras Rosanna Brichta Seth Brindis and Stephanie Reich Scott Brinkerhoff Jon and Donna Brownell Susan Bryant and David Gardiner The Bukaty Family Douglas T. Burch, Jr. Jeff and Cindy Busche Linda and Roland Bye Sandra Jones Campbell Luisa Cano Clifford and Jennifer Cheng Rita Chenoweth Che Chereskin Denise Chilcote Michael and Kate Clark Joseph L. and Kathleen Y. Coleman Kenneth J. Craig, Jr. Frank Crance and Andrea Bouas Anahid Crecelius Madeleine and Alan Crivaro Dr. Edward Deeb Joan M. Donahue Patsy and Douglas Downs Alan and Rosemary Dugard David Dupre Rad and Toni Dwyer
Robert and Nancy Eagan Donna Emmett David Falconer Cathie Fields Donna Fisher Nelson and Elizabeth Flores Walter Scacchi and Christine Fluor-Schacci Ruby Foo Julia and Greg Foster Roberta Fox Lisa Friend Ellen Fujikawa Heather Fuller James Gabelberg Mary Ann Gaido Ismael Garcia David George Shelli and Majid Ghassemieh Marcella Gilmore and Edward Muehl S. Glass Family Valerie Glass Ben and Sandie Goelman Lawrence Goldberg Lloyd Goldwater Jeffrey Gordon Paul and Nancy Groner Sanjiv and Geeta Grover Patrick and Trisha Guinet Matthew and Annemarie Hall Kim and Dennis Hampton Jim and Berri Harris Carole S. Harrison Thomas Hartman Thomas Heinz and Denise Van Horn Barbara Helton Colin Henderson David Herzlinger Richard and Sara Hess Dan and Nicole Honigman Dana Huff JoAnn Iles Robert Ingold Lori Johnstone Korey Jorgensen Christina Kaoh Mishel and Krista Keshishian Clare Kiklowicz Gregory and Maureen Kirkorowicz Jeannine Kouns Kerry Krisher
NATIONAL CHOREOGRAPHERS INITIATIVE
Laurie and Bart Brown David and Beverly Carmichael Bobbi Cox Sophia and Larry Cripe Bronny Daniels Diane Diefenderfer and David Hanlon Roger du Plessis Gale Edelberg and Bob Butnik Henry and Janet Eggers David Emmes and Paula Tomei Kay S. Faranda Cliff Faulkner and Shigeru Yaji Roberta Fox Mary and Andrew Franklin Sandy and Don French Judith A. Gorski Dr. and Mrs. Denis Gray Dana Huff Judy Jones Dr. Burton L. Karson Joanne and Dennis Keith
As a partner in the annual National Choreographers Initiative, Irvine Barclay Theatre is also pleased to acknowledge all those who support this important contribution to American dance.
Betty B. and Roy Anderson Betsy Andrews and Alex Moad Mrs. Alan V. Andrews Diane and Dennis Baker Ballet Barres West William H. Bardens Victoria Barrett Dr. Michael Bear Beau Corps Studio Honorable Marian Bergeson Paul Blank Theodore Bradshaw Stacie Brandt
Arthur S. Kroll Dr. and Mrs. John Lagourgue Martin G. Langer Edwina Lawrence Carter Lee Josephine Lee Benjamin and Sunny Leos Alla Liberstein Wen Nan Lin Neal Littlejohn Anne Llewellyn Christa and Gerry Long Christian and Sharon Maas Robert D. and Pat MacDonald June Maki Carolyn and Kerry Mangano Peggy and Alex Maradudin William and Nancy March Marshall and Marilyn Martinez William McKaig Sherry McKuin Helen McMillan Sharon McNalley Ken and Gisela Meier Kristy and Danny Melita Vivian Mendoza Rob & Carolyn Merritt Mark and Jan Merryfield Dr. Frank and Mrs. Linda Meyskens Mela and Ricardo Miledi Peter Milner Gabriella Miotto Heather Mircheff John and Marjorie Murray Nancy and William Murray John Nahina Julie Nakata Neurocare, Inc Lorrie and John Odell Lauren and Richard Packard Thomas Paris and Lauren Smith Jeri Pauloski Dan Pillasch Leo and Sheila Pinsky Edward Pope and Antoinette Olivera Donna Powell Sharon and Gary Qualls Edward and Betty Quilligan Miriam and Israel Ramirez Elaine Ramsay Michael Recendez Margaret Redmond John and Sheryl Redpath Michael Kerr Robert Labaree and Gillian Finley Dr. Martin G. Langer Kathryn Lynch and Robert McDonnell Molly Lynch and Alan Andrews Debra Maxwell Sharon McNalley John and Margi Murray National Endowment for the Arts Carl Neisser Tom and Marilyn Nielsen Northern Trust Bank of California Anne B. Nutt Marshall Parker Cyrus Parker-Jeannette John and Charlene Pasko James Penrod Jody Pike Dolly A. Platt, PhD Edward and Diana Putz Salwa Rizkalla
Shari Rezai Margaret C. Riggs Francie Rope Michael Rose and Blanca Cervantes Stephanie and Eric Rubery Darsi Rubin Charles R. Rusky Karen Salita De Anne Sbardellati Judith M. Schmidt Carol Schwab Louise Schwennesen Trudy Vermeer Selleck Sandra and Arthur Selvan Dorothea Silavs Diane and Igal Silber Jackie Smiley Frederick Smith Otto Smith Mr. and Mrs. John L. Smith Paul Spas Betty and Hugh Spilsbury Daniel and Jeannette Stokols Robert Stopher John and Margaret Sun Richard and Jane Sungaila Paula Sweet Celia and Julio Taleisnik Michael Talens Steve Tamura Thomas Tancredi Earleen Thomas Andrew and Karen Thornburn Johanna Tilley Eric Tobiessen David and Cheri Tomcheck Gary and Peranza Topjon Torlic Family Catherine and Mark Turkel Marjorie Tussing Lydia and Dennis Tyler Rodger Uchizono Kathy Vickers and Jeremy Freimund Cathy Warner Steven and Carolyn Watanabe Kim Waterson Virginia Weddle Daniel and Courtney Wiercioch Richard and Barbara Wilkes Jing Wu and Wing Wong Sara Yang Chi Zhang Barbara Roberts Robinson Foundation Michelle Rohe Andrew Rose Bruce and Jan Scherer Jack and Katy Schellerman Betty Schweickert Sally Anne and Don Sheridan Igal and Diane Silber Ann Sim Jackie Smiley Don and Grace Laffoon Richard and Elizabeth Steele Fund Jennifer Szabo Chris Thayer Karen and Gary Thorne Barbara and Jack Tingley Mary Vensel White and T. Jason White William Gillespie Foundation Shigeru Yaji
IRVINE BARCLAY THEATRE | 19
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