exposures: new talent in moving image 2009

Tue 17 – Th u www.expos

19 Novemb e

uresfestival.

r 2009, Man

A partnership between:

co.uk

chester

Sponsors and supporters

Welcome to exposures, the UK’s largest festival of students’ moving image work.

A partnership between:

Main sponsor

Supporters

Accommodation sponsor

Event partners

Venue partner

Manchester City Centre (Portland Street)

exposures connects with me on many levels – as someone who’s developed scripts and produced for television and film over the past 25 years now, I haven’t lost sight of just how hard it is to get started.

The beginnings of a project can be a tricky place to be, but at the same time tremendously exciting.

Cornerhouse funders

exposures is a place to show your work off to an audience, and to see how it works – or doesn’t – on the big screen. That’s pretty unique.

And its late night parties give it a special flavour; it’s a place to strike up friendships, to forge creative alliances and to cook up new ideas.

Information

Unlike any other film festival of its kind in the UK, exposures gives a unique insight into how the TV and film industry works. This year, there are opportunities to engage with established TV writers and Directors and take part in numerous other activities, a copybook full of your creative ideas to explore

Venues Cornerhouse 70 Oxford Street Manchester M1 5NH www.cornerhouse.org

I am really delighted to be joining exposures in its 16th year as a patron.

In those 16 years, exposures has worked hard to establish itself as a top-flight festival attracting students and first time young filmmakers from across the UK. The days and nights of exposures are fast, frenetic, creative, chaotic. Just as a film festival should be.

Urbis Cathedral Gardens Manchester M4 3GB www.urbis.org.uk

Tickets and Box office

Transport and Accommodation

By phone (12:00 – 20:00 daily): 0161 200 1500 In person at Cornerhouse (12:00 – 20:00 daily) Online: www.cornerhouse.org

Detailed information and relevant links on how to get to Manchester, Urbis and Cornerhouse can be found on www.exposuresfestival.co.uk/about

Please note tickets for Urbis event will be sold at Cornerhouse up to an hour before the event starting time. After that time, please go to Urbis directly.

Group offer: Buy 9 tickets for the same event/ screening and get the 10th free.

If you stay overnight, we recommend our accomodation partner Premier Inn, Portland Street (0870 238 3315), just a minute walk from Cornerhouse.

Again this year, exposures will stretch across the city, connecting two Manchester venues – with film and events running both at Cornerhouse and Urbis. exposures is a vibrant and innovative festival for students and fresh young talent from across the country. And I’m very honoured to be part of it.

See you there.

Paul Abbott, exposures festival patron

Front cover image: Yellow Belly End; Dir. Philip Bacon; National Film and Television School.

2

Greater Manchester Arts Centre Ltd. Registered Charity No 514719. Registered Company No 1681278 England

Design by hello@decafnomilk.com

3

Sponsors and supporters

Welcome to exposures, the UK’s largest festival of students’ moving image work.

A partnership between:

Main sponsor

Supporters

Accommodation sponsor

Event partners

Venue partner

Manchester City Centre (Portland Street)

exposures connects with me on many levels – as someone who’s developed scripts and produced for television and film over the past 25 years now, I haven’t lost sight of just how hard it is to get started.

The beginnings of a project can be a tricky place to be, but at the same time tremendously exciting.

Cornerhouse funders

exposures is a place to show your work off to an audience, and to see how it works – or doesn’t – on the big screen. That’s pretty unique.

And its late night parties give it a special flavour; it’s a place to strike up friendships, to forge creative alliances and to cook up new ideas.

Information

Unlike any other film festival of its kind in the UK, exposures gives a unique insight into how the TV and film industry works. This year, there are opportunities to engage with established TV writers and Directors and take part in numerous other activities, a copybook full of your creative ideas to explore

Venues Cornerhouse 70 Oxford Street Manchester M1 5NH www.cornerhouse.org

I am really delighted to be joining exposures in its 16th year as a patron.

In those 16 years, exposures has worked hard to establish itself as a top-flight festival attracting students and first time young filmmakers from across the UK. The days and nights of exposures are fast, frenetic, creative, chaotic. Just as a film festival should be.

Urbis Cathedral Gardens Manchester M4 3GB www.urbis.org.uk

Tickets and Box office

Transport and Accommodation

By phone (12:00 – 20:00 daily): 0161 200 1500 In person at Cornerhouse (12:00 – 20:00 daily) Online: www.cornerhouse.org

Detailed information and relevant links on how to get to Manchester, Urbis and Cornerhouse can be found on www.exposuresfestival.co.uk/about

Please note tickets for Urbis event will be sold at Cornerhouse up to an hour before the event starting time. After that time, please go to Urbis directly.

Group offer: Buy 9 tickets for the same event/ screening and get the 10th free.

If you stay overnight, we recommend our accomodation partner Premier Inn, Portland Street (0870 238 3315), just a minute walk from Cornerhouse.

Again this year, exposures will stretch across the city, connecting two Manchester venues – with film and events running both at Cornerhouse and Urbis. exposures is a vibrant and innovative festival for students and fresh young talent from across the country. And I’m very honoured to be part of it.

See you there.

Paul Abbott, exposures festival patron

Front cover image: Yellow Belly End; Dir. Philip Bacon; National Film and Television School.

2

Greater Manchester Arts Centre Ltd. Registered Charity No 514719. Registered Company No 1681278 England

Design by hello@decafnomilk.com

3

Screenings exposures gives you the opportunity to discover new work by emerging filmmakers on the big screen. Central to our programme are the 8 competition screenings, packed with an array of short films from all genre, all produced by talented students from universities across the UK. Each screening is programmed to give you an idea of the breadth of work developed by the next generation of filmmakers. They also allow aspiring creatives to see the level of the competition in preparation for entering their work in next year’s festival!

The H indicate works that have been selected for an award. One of the most treasured awards, the Corona Extra audience award, is down to you: so come in, watch the films and vote for your favourite! All winners will be revealed at the Corona Extra Best of the Fest Awards evening with a great party to follow (see p.17).

For details of the awards and juries, please see www.exposuresfestival.co.uk

University of Salford Showcase

Special suprise screening

Tue 17 November, 18:00

Thu 19 November, 18:00

Cornerhouse Cinema 2 £3.50 full / £2.50 concs

Cornerhouse Cinema 2 £3.50 full / £2.50 Concs.

exposures is a partnership between Cornerhouse and The University of Salford.

Both institutions are committed to nurturing and developing creative talent and The University of Salford Showcase aims to celebrate that by screening a selection of the films produced by the University’s postgraduate students.

We could not fully confirm details of this very special event at the time of going to print.

Join us after the screening for a networking session with the MA postgraduate team and Cornerhouse staff.

4

Please check our website for updates, all will be revealed soon...

Competition Screening: Programme 1 (15) Tue 17 November, 13:00 Cornerhouse Cinema 2

| £3.50 full / £2.50 concs | Approx Running Time: 55 mins

August H

The Sun Seekers

Dir. Matthias Hoegg; Royal College of Art

Dir. Jason Bradbury; The Arts University College Bournemouth

The tranquility of a campsite at the height of summer is disturbed by the arrival of unwanted guests.

Listening to the Silences Dir. Pedro Flores; London Film School

How does it feel to live with someone else inside your head?

Waiting for the End of the World H Dir. Lee Deaville; Staffordshire University

Deprived of human contact, and with only an overactive imagination to keep him company, Petr sets about his monotonous nightshift at his local supermarket.

Top (from left to right): HEARTSTRINGS, PAULA Bottom: THE SUN SEEKERS, WAITING FOR THE END OF THE WORLD

In a world with no sun, two strangers race against time to ensure the restoration of daylight.

Heartstrings H Dir. Rhiannon Evans; University of Wales, Newport

Falling in love only lasts as long as a piece of string…

Paula H Dir. Guillermo Ibanez; Sheffield Hallam University

A trip to the Fir brings nine year old Paula more thrills and spills than she bargained for.

5

Screenings exposures gives you the opportunity to discover new work by emerging filmmakers on the big screen. Central to our programme are the 8 competition screenings, packed with an array of short films from all genre, all produced by talented students from universities across the UK. Each screening is programmed to give you an idea of the breadth of work developed by the next generation of filmmakers. They also allow aspiring creatives to see the level of the competition in preparation for entering their work in next year’s festival!

The H indicate works that have been selected for an award. One of the most treasured awards, the Corona Extra audience award, is down to you: so come in, watch the films and vote for your favourite! All winners will be revealed at the Corona Extra Best of the Fest Awards evening with a great party to follow (see p.17).

For details of the awards and juries, please see www.exposuresfestival.co.uk

University of Salford Showcase

Special suprise screening

Tue 17 November, 18:00

Thu 19 November, 18:00

Cornerhouse Cinema 2 £3.50 full / £2.50 concs

Cornerhouse Cinema 2 £3.50 full / £2.50 Concs.

exposures is a partnership between Cornerhouse and The University of Salford.

Both institutions are committed to nurturing and developing creative talent and The University of Salford Showcase aims to celebrate that by screening a selection of the films produced by the University’s postgraduate students.

We could not fully confirm details of this very special event at the time of going to print.

Join us after the screening for a networking session with the MA postgraduate team and Cornerhouse staff.

4

Please check our website for updates, all will be revealed soon...

Competition Screening: Programme 1 (15) Tue 17 November, 13:00 Cornerhouse Cinema 2

| £3.50 full / £2.50 concs | Approx Running Time: 55 mins

August H

The Sun Seekers

Dir. Matthias Hoegg; Royal College of Art

Dir. Jason Bradbury; The Arts University College Bournemouth

The tranquility of a campsite at the height of summer is disturbed by the arrival of unwanted guests.

Listening to the Silences Dir. Pedro Flores; London Film School

How does it feel to live with someone else inside your head?

Waiting for the End of the World H Dir. Lee Deaville; Staffordshire University

Deprived of human contact, and with only an overactive imagination to keep him company, Petr sets about his monotonous nightshift at his local supermarket.

Top (from left to right): HEARTSTRINGS, PAULA Bottom: THE SUN SEEKERS, WAITING FOR THE END OF THE WORLD

In a world with no sun, two strangers race against time to ensure the restoration of daylight.

Heartstrings H Dir. Rhiannon Evans; University of Wales, Newport

Falling in love only lasts as long as a piece of string…

Paula H Dir. Guillermo Ibanez; Sheffield Hallam University

A trip to the Fir brings nine year old Paula more thrills and spills than she bargained for.

5

Competition Screening: Programme 2 (12A)

Competition Screening: Programme 3 (18)

Tue 17 November, 14:30

Tue 17 November, 20:00

Cornerhouse Cinema 2

Cornerhouse Cinema 2

| £3.50 full / £2.50 concs | Approx Running Time: 56 mins

| £3.50 full / £2.50 concs | Approx Running Time: 58 mins

I Wear His Shirt H

Mère

Bullet Wound H

Dir. Jim Morgan; Manchester Metropolitan University

Dir. Richard Turner; Staffordshire University

Dir. Phil Meachem; University of Central Lancashire

An exploration of the vulnerability of family life through the story of two brothers killing time on the streets of Salford.

A short film concerning the burden of a dependent mother.

A “Fern Natal” thriller about a hostage situation gone wrong.

Dir. William McGregor; University for the Creative Arts, Farnham

Nocturne H

Like Father Like Son

Dir. Andrew Parker; Staffordshire University

Dir. Martin Rath; Edinburgh College of Art

A dark and moving folk tale that unfolds the intertwined fates of a young girl, a blacksmith and a malevolent water sprite.

A visual journey through the night with the use of time-lapse photography.

Andrej receives a parcel with tape recordings made by his father, a man he never knew.

Listening back to his father’s reflections, Andrej gains a new understanding of his life and himself.

Yesterday’s Colours

Surface H

Just Another Day

On/Off Dir. Avgousta Zourelidi; National Film and Television School

A humorous take on the effects of OCD on a young woman’s daily life.

Tears of the Son H Dir. Dean Threadgold; University of Westminster

A boy believes that the tears of 80s action star Buck Harris can save his friend from cancer.

Quarrymen H Dirs. Samuel Poore & Hannah Morgan; University of Wales, Newport

A documentary that explores the working environment at Whatley Quarry (Somerset) and what the men who work there face as they are slowly replaced by machines.

Dir. Sam Spreckley; University of Dundee

An experimental visual study based upon the manipulation of a celluloid surface.

Being H

Who’s Afraid of the Water Sprite? H

Dir. Jasmine Hetherington-Wilkes; The Arts University College Bournemouth

A journey through love and heartbreak.

Dir. Muriel d’Ansembourg; London Film School

15 year olds Nina and Faye spend all their time together sharing gossips. But it is not the only way they like to kill time.

Dir. Sam Spreckley; University of Dundee

An experimental visual journey that explores the human form both internally and externally.

6

Top (from left to right): BEING, MÈRE Bottom: QUARRYMEN, TEARS OF THE SON

Top (from left to right): BULLET WOUND, SURFACE Bottom: YESTERDAY’S COLOURS, BULLET WOUND

7

Competition Screening: Programme 2 (12A)

Competition Screening: Programme 3 (18)

Tue 17 November, 14:30

Tue 17 November, 20:00

Cornerhouse Cinema 2

Cornerhouse Cinema 2

| £3.50 full / £2.50 concs | Approx Running Time: 56 mins

| £3.50 full / £2.50 concs | Approx Running Time: 58 mins

I Wear His Shirt H

Mère

Bullet Wound H

Dir. Jim Morgan; Manchester Metropolitan University

Dir. Richard Turner; Staffordshire University

Dir. Phil Meachem; University of Central Lancashire

An exploration of the vulnerability of family life through the story of two brothers killing time on the streets of Salford.

A short film concerning the burden of a dependent mother.

A “Fern Natal” thriller about a hostage situation gone wrong.

Dir. William McGregor; University for the Creative Arts, Farnham

Nocturne H

Like Father Like Son

Dir. Andrew Parker; Staffordshire University

Dir. Martin Rath; Edinburgh College of Art

A dark and moving folk tale that unfolds the intertwined fates of a young girl, a blacksmith and a malevolent water sprite.

A visual journey through the night with the use of time-lapse photography.

Andrej receives a parcel with tape recordings made by his father, a man he never knew.

Listening back to his father’s reflections, Andrej gains a new understanding of his life and himself.

Yesterday’s Colours

Surface H

Just Another Day

On/Off Dir. Avgousta Zourelidi; National Film and Television School

A humorous take on the effects of OCD on a young woman’s daily life.

Tears of the Son H Dir. Dean Threadgold; University of Westminster

A boy believes that the tears of 80s action star Buck Harris can save his friend from cancer.

Quarrymen H Dirs. Samuel Poore & Hannah Morgan; University of Wales, Newport

A documentary that explores the working environment at Whatley Quarry (Somerset) and what the men who work there face as they are slowly replaced by machines.

Dir. Sam Spreckley; University of Dundee

An experimental visual study based upon the manipulation of a celluloid surface.

Being H

Who’s Afraid of the Water Sprite? H

Dir. Jasmine Hetherington-Wilkes; The Arts University College Bournemouth

A journey through love and heartbreak.

Dir. Muriel d’Ansembourg; London Film School

15 year olds Nina and Faye spend all their time together sharing gossips. But it is not the only way they like to kill time.

Dir. Sam Spreckley; University of Dundee

An experimental visual journey that explores the human form both internally and externally.

6

Top (from left to right): BEING, MÈRE Bottom: QUARRYMEN, TEARS OF THE SON

Top (from left to right): BULLET WOUND, SURFACE Bottom: YESTERDAY’S COLOURS, BULLET WOUND

7

Competition Screening: Programme 4 (PG)

Competition Screening: Programme 5 (15)

Wed 18 November, 13:30

Wed 18 November, 15:00

Cornerhouse Cinema 2

Cornerhouse Cinema 2

| £3.50 full / £2.50 concs | Approx Running Time: 58 mins

Elton’s Coming

The Land on Which We Stand H

Familiar Faces

Static

Dir. Harry Farnham; University of Salford

Dir. Becky Payne; University of Manchester

Market traders of Manchester’s Smithfield Market recount their stories about Elton John’s passion for the market and the people who occupy it.

This documentary follows the life of a community developing an off-grid self sufficient permaculture project in rural Devon as they fight for planning permission.

Dir. Frank Madone; University of the Arts, London College of Communication

Dir. Dan Grover & Matthew Beech; University of Hertfordshire

The same café, the same pet-shop, the same TV shows, the same conversations… Arthur’s small town life is consuming him.

Inside the walls of a man’s mind and flat, the squirrels are coming.

The Fisherman

On The Edge H

Tape

Dir. Derek Beaumont; University of Bradford

Dir. Tom Day; University of Bristol

A holiday souvenir seizes his chance to escape from the confines of life on a desk.

After months of meticulous planning, Gary wants everything to be just right. Is that really too much to ask?

Dir. Eleanor Marechal; Manchester Metropolitan University

Sanctuary H Dir. Kris Walker; University of Salford

A 14 year old boy who lives on the streets and steals what he can tries to evade the men who pursue him.

8

| £3.50 full / £2.50 concs | Approx Running Time: 55 mins

Top (from left to right): THE FISHERMAN, ON THE EDGE Bottom: SANCTUARY, THE LAND ON WHICH WE STAND

The linear of the narrative of the magnetic tape is broken into pieces to create something new.

Waiting for Women H Dir. Estephan Wagner; National Film and Television School

In the remote Spanish village of Riofrio women are scares and men have little hope to find a relationship. Unable to bear it any longer they come up with the most incredible idea…

Temptation Dir. Dominic Durham; South Cheshire College

A man’s discovery of a briefcase full of money spirals him into a state of paranoia and despair.

Top (from left to right): FAMILIAR FACES, STATIC Bottom: TAPE, FAMILIAR FACES

9

Competition Screening: Programme 4 (PG)

Competition Screening: Programme 5 (15)

Wed 18 November, 13:30

Wed 18 November, 15:00

Cornerhouse Cinema 2

Cornerhouse Cinema 2

| £3.50 full / £2.50 concs | Approx Running Time: 58 mins

Elton’s Coming

The Land on Which We Stand H

Familiar Faces

Static

Dir. Harry Farnham; University of Salford

Dir. Becky Payne; University of Manchester

Market traders of Manchester’s Smithfield Market recount their stories about Elton John’s passion for the market and the people who occupy it.

This documentary follows the life of a community developing an off-grid self sufficient permaculture project in rural Devon as they fight for planning permission.

Dir. Frank Madone; University of the Arts, London College of Communication

Dir. Dan Grover & Matthew Beech; University of Hertfordshire

The same café, the same pet-shop, the same TV shows, the same conversations… Arthur’s small town life is consuming him.

Inside the walls of a man’s mind and flat, the squirrels are coming.

The Fisherman

On The Edge H

Tape

Dir. Derek Beaumont; University of Bradford

Dir. Tom Day; University of Bristol

A holiday souvenir seizes his chance to escape from the confines of life on a desk.

After months of meticulous planning, Gary wants everything to be just right. Is that really too much to ask?

Dir. Eleanor Marechal; Manchester Metropolitan University

Sanctuary H Dir. Kris Walker; University of Salford

A 14 year old boy who lives on the streets and steals what he can tries to evade the men who pursue him.

8

| £3.50 full / £2.50 concs | Approx Running Time: 55 mins

Top (from left to right): THE FISHERMAN, ON THE EDGE Bottom: SANCTUARY, THE LAND ON WHICH WE STAND

The linear of the narrative of the magnetic tape is broken into pieces to create something new.

Waiting for Women H Dir. Estephan Wagner; National Film and Television School

In the remote Spanish village of Riofrio women are scares and men have little hope to find a relationship. Unable to bear it any longer they come up with the most incredible idea…

Temptation Dir. Dominic Durham; South Cheshire College

A man’s discovery of a briefcase full of money spirals him into a state of paranoia and despair.

Top (from left to right): FAMILIAR FACES, STATIC Bottom: TAPE, FAMILIAR FACES

9

Competition Screening: Programme 6 (12A)

Competition Screening: Programme 7 (18)

Wed 18 November, 16:30

Wed 18 November, 20:00

Cornerhouse Cinema 2

Cornerhouse Cinema 2

| £3.50 full / £2.50 concs | Approx Running Time: 59 mins

| £3.50 full / £2.50 concs | Approx Running Time: 58 mins

Lift H

Moments

Yellow Belly End H

“8.15”

Dir. Nathan Rae; Manchester Metropolitan University

Dir. Martin B. Gulnov; International Film School of Wales

Dir. Philip Bacon; National Film and Television School

Dir. Jardine Sage; University of Sunderland

A portrait of Britain on the move, told from the unusual perspective of a hitchhiker and the strangers who invite him into their cars and their lives.

Experimental film. A girl’s naivety changes into an overwhelming self awareness when the outside world starts to affect her persona.

An enormous cliff top, blue sky, multiple deaths and a man keeping a meticulous note of it all.

Two young boys use their post apocalyptic surroundings to create flights of imagination.

The Monster in the Toilet H

Behind The Eyes H

Train of Thought Dirs. Leo Bridle & Ben Thomas; The Arts University College Bournemouth

In a world made entirely out of paper, the wistful drawings in a man’s sketchbook are brought to life by the rhythm of a train journey.

James Dir. Connor Clements; Queens University Belfast

The answers James seeks will never be found at home. Will he find them at school?

Dir. Ania Leszczynska; Edinburgh College of Art

The story of a little girl, a strange creature dwelling in the school toilet and what monsters are.

Smarter than the Average Bear

Dir. Jameel Kazmi; The Manchester College

Jonas is awoken by the arrival of Jelly.

Disturbed by events he witnessed the previous night, Jonas attempts to relay his feelings to Jelly.

Dir. Tomas Fuller; University of Gloucestershire

Abandoned

A film about kung-fu, mad science, love, honour and teddy bears.

Dir. David Tomkins; Staffordshire University

Kokiri H

There is a certain romance about an abandoned railway…

Lift Dir. Jack Tew; Staffordshire University

A short experimental documentary showing the experience and emotion that skydivers and spectators go through when skydiving is taking place.

Prick H Dir. Ryan Vernava; University of Westminster

John, Jess and Chris find themselves in a twisted love triangle at a wild student party.

Dir. Daniel McPake; Manchester Metropolitan University

A lone character, in a world no less real, and yet much more magical than ours, is on the hunt for something unseen.

10

Top (from left to right): KOKIRI, JAMES Bottom: SMARTER THAN THE AVERAGE BEAR, THE MONSTER IN THE TOILET

Top (from left to right): “8.15”, PRICK Bottom: LIFT, YELLOW BELLY END

11

Competition Screening: Programme 6 (12A)

Competition Screening: Programme 7 (18)

Wed 18 November, 16:30

Wed 18 November, 20:00

Cornerhouse Cinema 2

Cornerhouse Cinema 2

| £3.50 full / £2.50 concs | Approx Running Time: 59 mins

| £3.50 full / £2.50 concs | Approx Running Time: 58 mins

Lift H

Moments

Yellow Belly End H

“8.15”

Dir. Nathan Rae; Manchester Metropolitan University

Dir. Martin B. Gulnov; International Film School of Wales

Dir. Philip Bacon; National Film and Television School

Dir. Jardine Sage; University of Sunderland

A portrait of Britain on the move, told from the unusual perspective of a hitchhiker and the strangers who invite him into their cars and their lives.

Experimental film. A girl’s naivety changes into an overwhelming self awareness when the outside world starts to affect her persona.

An enormous cliff top, blue sky, multiple deaths and a man keeping a meticulous note of it all.

Two young boys use their post apocalyptic surroundings to create flights of imagination.

The Monster in the Toilet H

Behind The Eyes H

Train of Thought Dirs. Leo Bridle & Ben Thomas; The Arts University College Bournemouth

In a world made entirely out of paper, the wistful drawings in a man’s sketchbook are brought to life by the rhythm of a train journey.

James Dir. Connor Clements; Queens University Belfast

The answers James seeks will never be found at home. Will he find them at school?

Dir. Ania Leszczynska; Edinburgh College of Art

The story of a little girl, a strange creature dwelling in the school toilet and what monsters are.

Smarter than the Average Bear

Dir. Jameel Kazmi; The Manchester College

Jonas is awoken by the arrival of Jelly.

Disturbed by events he witnessed the previous night, Jonas attempts to relay his feelings to Jelly.

Dir. Tomas Fuller; University of Gloucestershire

Abandoned

A film about kung-fu, mad science, love, honour and teddy bears.

Dir. David Tomkins; Staffordshire University

Kokiri H

There is a certain romance about an abandoned railway…

Lift Dir. Jack Tew; Staffordshire University

A short experimental documentary showing the experience and emotion that skydivers and spectators go through when skydiving is taking place.

Prick H Dir. Ryan Vernava; University of Westminster

John, Jess and Chris find themselves in a twisted love triangle at a wild student party.

Dir. Daniel McPake; Manchester Metropolitan University

A lone character, in a world no less real, and yet much more magical than ours, is on the hunt for something unseen.

10

Top (from left to right): KOKIRI, JAMES Bottom: SMARTER THAN THE AVERAGE BEAR, THE MONSTER IN THE TOILET

Top (from left to right): “8.15”, PRICK Bottom: LIFT, YELLOW BELLY END

11

Events PRACTICAL/WORKSHOPS Writers Forum Tue 17 November, 10:30 – 16:00

Directing Actors for TV Wed 18 November, 12:00 – 14:00

Urbis Learning Suite £15 full / £10 concs.

Urbis Level 4 £3.50 full / £2.50 concs.

Limited capacity. Recommended for students enrolled in script/screen/creative writing courses.

Competition Screening: Programme 8 (PG) Thu 19 November, 14:30 Cornerhouse Cinema 2

| £3.50 full / £2.50 concs | Approx Running Time: 59 mins

Minute

Recovered

Dir. Jennifer Marguerite Hargrave; Edinburgh Napier University

Dir. Alfredo Cozzi & Joe Efstathiou; University of Hertfordshire

A little girl begins to realise that time is constant, living things grow old and die and that the moment experienced never quite lives up the moment imagined.

Footage recovered from a video camera in a ruined city reveals disturbing scenes.

Body

Dir. Richard Webb; Manchester Metropolitan University

Dir. Zhivko Dimitrov; Central St Martins College of Art and Design, London

A little lonely guy on a journey to himself.

My Favourite Things Dir. Edward Styles; University of Leeds

A young girl and boy’s lives cross paths in a touching and beautiful manner.

12

Top (from left to right): BODY, MY FAVOURITE THINGS Bottom: WISHFUL EXPECTATIONS, STUCK ON THE EDGE

Wishful Expectations H Hand-drawn animation illustrating opposing views of Christmas, as seen through the eyes of a child and a single parent.

Stuck on the Edge H Dir. Jennifer Fearnley; Goldsmiths, University of London

Recently discharged from hospital, 100 yearold Mavis returns to her London home where she is lonely. Visiting her 99 year-old brother in a care home she reveals issues we will all inevitably face.

Join the gang from Channel 4’s flagship series, Shameless, as they discuss being professional writers on one of television’s most successful shows. Find out what it is like writing for a living, hear how they got started in the industry and learn invaluable writing tips in this one day workshop where you will also get the chance to develop your ideas.

Shameless writers Emma Taylor, Kerry Peers and Sarah Hooper will lead this engaging event and help to develop your skills and ideas throughout the course of the day

How do you get the best from Frank Gallagher in front of a packed TV studio?

Where do you begin an intimate scene on Waterloo Road with a hundred extras standing behind you? TV production is a fast-paced and hectic environment and this workshop promises to reveal the secrets used by TV directors to get the best results.

Take part in this interactive workshop to gain first-hand hints and tips from TV top professionals.

Filming schedule permitting, guests will include Tim Hopewell (director, Waterloo Road) and Paul Murphy (director, Casualty) and more to be announced.

Pitching to Producers Tue 17 November, 12:30 Urbis Free.

To enter, download the entry form from www.exposuresfestival.co.uk

Have you got the next big programme idea and are you looking for feedback? Pitching to Producers is an essential event for you. No matter what stage your idea is at, our panel of producers will give you one to one advice on how to develop your ideas and where to take them, plus how to improve your presentation and pitching skills. The catch: this is a speed pitching event SO, pitch it quickly, be concise, make it sexy, and make it sell!

You will have the chance to pitch to either Cat Lewis, Executive Producer & Managing Director, Nine Lives; Sarah Murch, Executive Producer, Blakeway North; Darrell Olsen, Producer, BBC, or Charisse Holder, Content Editor, Channel M. 13

Events PRACTICAL/WORKSHOPS Writers Forum Tue 17 November, 10:30 – 16:00

Directing Actors for TV Wed 18 November, 12:00 – 14:00

Urbis Learning Suite £15 full / £10 concs.

Urbis Level 4 £3.50 full / £2.50 concs.

Limited capacity. Recommended for students enrolled in script/screen/creative writing courses.

Competition Screening: Programme 8 (PG) Thu 19 November, 14:30 Cornerhouse Cinema 2

| £3.50 full / £2.50 concs | Approx Running Time: 59 mins

Minute

Recovered

Dir. Jennifer Marguerite Hargrave; Edinburgh Napier University

Dir. Alfredo Cozzi & Joe Efstathiou; University of Hertfordshire

A little girl begins to realise that time is constant, living things grow old and die and that the moment experienced never quite lives up the moment imagined.

Footage recovered from a video camera in a ruined city reveals disturbing scenes.

Body

Dir. Richard Webb; Manchester Metropolitan University

Dir. Zhivko Dimitrov; Central St Martins College of Art and Design, London

A little lonely guy on a journey to himself.

My Favourite Things Dir. Edward Styles; University of Leeds

A young girl and boy’s lives cross paths in a touching and beautiful manner.

12

Top (from left to right): BODY, MY FAVOURITE THINGS Bottom: WISHFUL EXPECTATIONS, STUCK ON THE EDGE

Wishful Expectations H Hand-drawn animation illustrating opposing views of Christmas, as seen through the eyes of a child and a single parent.

Stuck on the Edge H Dir. Jennifer Fearnley; Goldsmiths, University of London

Recently discharged from hospital, 100 yearold Mavis returns to her London home where she is lonely. Visiting her 99 year-old brother in a care home she reveals issues we will all inevitably face.

Join the gang from Channel 4’s flagship series, Shameless, as they discuss being professional writers on one of television’s most successful shows. Find out what it is like writing for a living, hear how they got started in the industry and learn invaluable writing tips in this one day workshop where you will also get the chance to develop your ideas.

Shameless writers Emma Taylor, Kerry Peers and Sarah Hooper will lead this engaging event and help to develop your skills and ideas throughout the course of the day

How do you get the best from Frank Gallagher in front of a packed TV studio?

Where do you begin an intimate scene on Waterloo Road with a hundred extras standing behind you? TV production is a fast-paced and hectic environment and this workshop promises to reveal the secrets used by TV directors to get the best results.

Take part in this interactive workshop to gain first-hand hints and tips from TV top professionals.

Filming schedule permitting, guests will include Tim Hopewell (director, Waterloo Road) and Paul Murphy (director, Casualty) and more to be announced.

Pitching to Producers Tue 17 November, 12:30 Urbis Free.

To enter, download the entry form from www.exposuresfestival.co.uk

Have you got the next big programme idea and are you looking for feedback? Pitching to Producers is an essential event for you. No matter what stage your idea is at, our panel of producers will give you one to one advice on how to develop your ideas and where to take them, plus how to improve your presentation and pitching skills. The catch: this is a speed pitching event SO, pitch it quickly, be concise, make it sexy, and make it sell!

You will have the chance to pitch to either Cat Lewis, Executive Producer & Managing Director, Nine Lives; Sarah Murch, Executive Producer, Blakeway North; Darrell Olsen, Producer, BBC, or Charisse Holder, Content Editor, Channel M. 13

Documentary Forum Thu 19 November, 11:30 – 13:00

NETWORKING

TALKS

Cornerhouse, Cinema 2 £3.50 full / £2.50 concs.

Our networking events are a great opportunity to meet fellow filmmakers, students and seasoned professionals in an informal atmosphere. So don’t be shy join us in the bar!

CGI in Documentaries

Alex Connock

presented by Red Vision

presented by The Media Festival

Wed 18 November, 11:00

Wed 18 November, 15:30

Urbis Learning Suite £3.50 full / £2.50 concs.

Urbis Level 4 £3.50 full / £2.50 concs.

Writers Networking Event Tue 17 November, 17:00

CGI often defines big budget productions.

For smaller ones, it can be the first line in a budget that a producer will ask to be cut. So how can you afford to use CGI in your films?

Alex Connock, Chief Executive of Ten Alps Plc talks about the world of 360-degree media and the opportunities it offers for those starting out in the industry. Innovative and encouraging, Alex always tries to provoke and inspire his audience. He is a great advocate for the next generation of creatives!

Followed by a Q&A session.

Do you aspire to make thought-provoking and entertaining documentaries to be watched by millions via cinema, the internet or television? If so, then this forum is a definite must.

This special event brings together some of the best contemporary documentary filmmakers to discuss their work and the future of documentary filmmaking in the UK. Director Rupert Murray (The End of The Line); Kerry Brierley, Nine Lives Media producer/ director (Extraordinary People: The World’s Oldest Conjoined Twins), independent producer / director Paul Sapin (Islam in America), and Richard Macer, Platform Productions (The Department Store) will be there to raise your aspirations and answer your questions.

The event, chaired by University of Salford’s, Kirsty Fairclough, aims to entertain, enlighten and encourage those who are passionate about the craft of documentary filmmaking.

Cornerhouse Bar Free (Drop in) Calling all writers … don’t miss the opportunity to meet professionals from across the industry and the BBC Writersroom.

Networking is an important aspect of the media and this event offers writers of all levels the chance to discuss their work, make new contacts and swap ideas.

Festival catch up Wed 18 November, 19:00 Cornerhouse Bar Free (drop in) Have you had a good time so far? Do you want to find out more about what is involved in programming exposures? Do you still have unanswered questions for Wednesday’s guests?

Join the festival team and guests from the day in the bar for a drink and a catch up.

Join Cat Lewis (Nine Lives Media) and JP Hersey (Red Vision) as they attempt to broaden your creative horizons. Find out what independent producer Cat can and can’t have for her money as JP showcases the latest CGI techniques.

Paul Abbott In Conversation Thu 19 November, 16:00 Cornerhouse Cinema 2 £3.50 full / £2.50 concs Join exposures festival Patron Paul Abbott as he discusses his work and the future of scriptwriting.

BAFTA award-winning scriptwriter and producer Paul Abbott continually champions fresh talent nationally, supporting and developing new writers’ creative skills and ambitions.

This is a great opportunity to hear Paul Abbott talk about his experience and ask the questions you’ve always wanted him to answer.

www.tenalps.com

Michelle Clothier presented by The Media Festival

Thu 19 November, 12:30 Cornerhouse Cinema 1 Education Space £3.50 full / £2.50 concs.

Michelle Clothier talks about the future of multi platform media and her experience of working with young people. Michelle Clothier is a director and co-owner of three companies: Livity, a socially responsible youth marketing agency; Live Futures, a not-for-profit vocational youth engagement organisation that incorporates a magazine and a record label run by under-21s, and Dubplate, a multiplatform production company which created the first interactive youth drama for Channel 4, MTV and 3 Mobile.

The End of the Line (Documentary Forum)

14

15

Documentary Forum Thu 19 November, 11:30 – 13:00

NETWORKING

TALKS

Cornerhouse, Cinema 2 £3.50 full / £2.50 concs.

Our networking events are a great opportunity to meet fellow filmmakers, students and seasoned professionals in an informal atmosphere. So don’t be shy join us in the bar!

CGI in Documentaries

Alex Connock

presented by Red Vision

presented by The Media Festival

Wed 18 November, 11:00

Wed 18 November, 15:30

Urbis Learning Suite £3.50 full / £2.50 concs.

Urbis Level 4 £3.50 full / £2.50 concs.

Writers Networking Event Tue 17 November, 17:00

CGI often defines big budget productions.

For smaller ones, it can be the first line in a budget that a producer will ask to be cut. So how can you afford to use CGI in your films?

Alex Connock, Chief Executive of Ten Alps Plc talks about the world of 360-degree media and the opportunities it offers for those starting out in the industry. Innovative and encouraging, Alex always tries to provoke and inspire his audience. He is a great advocate for the next generation of creatives!

Followed by a Q&A session.

Do you aspire to make thought-provoking and entertaining documentaries to be watched by millions via cinema, the internet or television? If so, then this forum is a definite must.

This special event brings together some of the best contemporary documentary filmmakers to discuss their work and the future of documentary filmmaking in the UK. Director Rupert Murray (The End of The Line); Kerry Brierley, Nine Lives Media producer/ director (Extraordinary People: The World’s Oldest Conjoined Twins), independent producer / director Paul Sapin (Islam in America), and Richard Macer, Platform Productions (The Department Store) will be there to raise your aspirations and answer your questions.

The event, chaired by University of Salford’s, Kirsty Fairclough, aims to entertain, enlighten and encourage those who are passionate about the craft of documentary filmmaking.

Cornerhouse Bar Free (Drop in) Calling all writers … don’t miss the opportunity to meet professionals from across the industry and the BBC Writersroom.

Networking is an important aspect of the media and this event offers writers of all levels the chance to discuss their work, make new contacts and swap ideas.

Festival catch up Wed 18 November, 19:00 Cornerhouse Bar Free (drop in) Have you had a good time so far? Do you want to find out more about what is involved in programming exposures? Do you still have unanswered questions for Wednesday’s guests?

Join the festival team and guests from the day in the bar for a drink and a catch up.

Join Cat Lewis (Nine Lives Media) and JP Hersey (Red Vision) as they attempt to broaden your creative horizons. Find out what independent producer Cat can and can’t have for her money as JP showcases the latest CGI techniques.

Paul Abbott In Conversation Thu 19 November, 16:00 Cornerhouse Cinema 2 £3.50 full / £2.50 concs Join exposures festival Patron Paul Abbott as he discusses his work and the future of scriptwriting.

BAFTA award-winning scriptwriter and producer Paul Abbott continually champions fresh talent nationally, supporting and developing new writers’ creative skills and ambitions.

This is a great opportunity to hear Paul Abbott talk about his experience and ask the questions you’ve always wanted him to answer.

www.tenalps.com

Michelle Clothier presented by The Media Festival

Thu 19 November, 12:30 Cornerhouse Cinema 1 Education Space £3.50 full / £2.50 concs.

Michelle Clothier talks about the future of multi platform media and her experience of working with young people. Michelle Clothier is a director and co-owner of three companies: Livity, a socially responsible youth marketing agency; Live Futures, a not-for-profit vocational youth engagement organisation that incorporates a magazine and a record label run by under-21s, and Dubplate, a multiplatform production company which created the first interactive youth drama for Channel 4, MTV and 3 Mobile.

The End of the Line (Documentary Forum)

14

15

PANEL DISCUSSIONS Making Music Work presented by BAFTA and Northwest Vision & Media

Tue 17 November, 16:30

How to succeed as a moving image artist

Meanwhile at Urbis...

We are delighted that Urbis once again is co-hosting exposures. Why not check out related free events happening at our partner venue while the festival is on?

This event is all about music in film, TV and games.You’ve written great music, how will you get it used on screen? As a filmmaker or games designer how can you get great music for your creation and not infringe any copyright law?

This event is open to all, however, it will be particularly useful if you are a young filmmaker, games designer or musician, or if you work with young people on filmmaking, games or music projects. This session will provide you with insight into how music works in the film, television and games industries.

www.bafta.org/accessallareas This event forms part of BAFTA’s learning and events programme and is supported by Northwest Vision and Media

Manchester, Television and The City: Ghosts of Winter Hill Wed 4 November 2009 – April 2010

Cornerhouse Galleries £3.50 full / £2.50 concs

Panelists include: Debbie Chan, Coordinator of media arts network; Steve Hawley, artist who has been making video artworks since 1980, Ruth McCullough, AND Festival Producer and Jennifer Stoddart, Programme Manager, folly, Lancaster.

Cornerhouse Cinema 2 £3.50 full / £2.50 concs You’ve made your film, now what?

Entrepreneurial filmmakers discuss the limitless possibilities and potential pitfalls that have been opened through new formats of distribution. Our panel of film directors will be able to share their wide ranging experience (good and bad) with you, from using the “classic” cinema circuit to self-distributing on the internet or offering free download on The Pirate’s Bay P2P network. This engaging discussion will not only provide an insight into how new filmmakers can get their movies seen by a wide audience but will also explore what this means for the future of cinema.

Guest include Erik Knudsen (Heart of Gold, Sea of Madness) will be joined by Jamie King (Steal This Film) and Lindy Heymann (Kicks).

Challenge the Commissioners Thu 19 November, 13:20 Cornerhouse Cinema 2 £3.50 full / £2.50 concs

As the analogue signal is switched off, and our region embraces the Digital Age, Urbis celebrates Manchester’s invaluable contribution to the history of Television. We examine the cultural impact of TV on the city, and look at the ways it fine tuned our distinctive voice and identity.

Urbis Research Forum: Visualising the City Tue 17 November, 18:00 More information on www.urbis.org.uk

16

Tue 17 November, 18:30

What’s next for graduates who want to develop a successful artistic practice in moving image? This panel discussion will give attendants avenues to explore and tips from practitioners and curators on how to make your work known, what makes curators tick, the importance of networks, who you need to be aware of in the North West and what opportunities are coming up for emerging talents.

Cornerhouse Cinema 2 £3.50 full / £2.50 concs

Guests include BAFTA-nominated composer Daniel Pemberton who has worked on TV (Peep Show, Hell’s Kitchen and many more); Video Games (Little Big Planet, The Movies) and feature films (Big Kiss).

presented by media arts network

How to get your film distributed Wed 18 November, 18:00

Jo Ball

Strictly Come Dancing lost its X-Factor? Stuffed full of cookery programmes?

Think you know what the nation wants to watch? Join the commissioners from Britain’s major broadcasters as they reveal what makes them tick. Have your say about the current state of British broadcasting.

Steve Hewlett of Radio 4’s The Media Show chairs what promises to be a stimulating media discussion with the people who decide what we watch: Jo Ball, BBC Commissioning Editor, Factual Features and Formats; Pam Cavannagh, Commissioning Executive Producer BBC Daytime and one of UK’s top commissioning editor (to be announced).

17

PANEL DISCUSSIONS Making Music Work presented by BAFTA and Northwest Vision & Media

Tue 17 November, 16:30

How to succeed as a moving image artist

Meanwhile at Urbis...

We are delighted that Urbis once again is co-hosting exposures. Why not check out related free events happening at our partner venue while the festival is on?

This event is all about music in film, TV and games.You’ve written great music, how will you get it used on screen? As a filmmaker or games designer how can you get great music for your creation and not infringe any copyright law?

This event is open to all, however, it will be particularly useful if you are a young filmmaker, games designer or musician, or if you work with young people on filmmaking, games or music projects. This session will provide you with insight into how music works in the film, television and games industries.

www.bafta.org/accessallareas This event forms part of BAFTA’s learning and events programme and is supported by Northwest Vision and Media

Manchester, Television and The City: Ghosts of Winter Hill Wed 4 November 2009 – April 2010

Cornerhouse Galleries £3.50 full / £2.50 concs

Panelists include: Debbie Chan, Coordinator of media arts network; Steve Hawley, artist who has been making video artworks since 1980, Ruth McCullough, AND Festival Producer and Jennifer Stoddart, Programme Manager, folly, Lancaster.

Cornerhouse Cinema 2 £3.50 full / £2.50 concs You’ve made your film, now what?

Entrepreneurial filmmakers discuss the limitless possibilities and potential pitfalls that have been opened through new formats of distribution. Our panel of film directors will be able to share their wide ranging experience (good and bad) with you, from using the “classic” cinema circuit to self-distributing on the internet or offering free download on The Pirate’s Bay P2P network. This engaging discussion will not only provide an insight into how new filmmakers can get their movies seen by a wide audience but will also explore what this means for the future of cinema.

Guest include Erik Knudsen (Heart of Gold, Sea of Madness) will be joined by Jamie King (Steal This Film) and Lindy Heymann (Kicks).

Challenge the Commissioners Thu 19 November, 13:20 Cornerhouse Cinema 2 £3.50 full / £2.50 concs

As the analogue signal is switched off, and our region embraces the Digital Age, Urbis celebrates Manchester’s invaluable contribution to the history of Television. We examine the cultural impact of TV on the city, and look at the ways it fine tuned our distinctive voice and identity.

Urbis Research Forum: Visualising the City Tue 17 November, 18:00 More information on www.urbis.org.uk

16

Tue 17 November, 18:30

What’s next for graduates who want to develop a successful artistic practice in moving image? This panel discussion will give attendants avenues to explore and tips from practitioners and curators on how to make your work known, what makes curators tick, the importance of networks, who you need to be aware of in the North West and what opportunities are coming up for emerging talents.

Cornerhouse Cinema 2 £3.50 full / £2.50 concs

Guests include BAFTA-nominated composer Daniel Pemberton who has worked on TV (Peep Show, Hell’s Kitchen and many more); Video Games (Little Big Planet, The Movies) and feature films (Big Kiss).

presented by media arts network

How to get your film distributed Wed 18 November, 18:00

Jo Ball

Strictly Come Dancing lost its X-Factor? Stuffed full of cookery programmes?

Think you know what the nation wants to watch? Join the commissioners from Britain’s major broadcasters as they reveal what makes them tick. Have your say about the current state of British broadcasting.

Steve Hewlett of Radio 4’s The Media Show chairs what promises to be a stimulating media discussion with the people who decide what we watch: Jo Ball, BBC Commissioning Editor, Factual Features and Formats; Pam Cavannagh, Commissioning Executive Producer BBC Daytime and one of UK’s top commissioning editor (to be announced).

17

PARTY!

CALENDAR

Corona Extra Best of The Fest Awards and Party Thu 19 November, 20:30 til late

Tue 17 November

Urbis Level 2 £3.50 / £2.50 (free Corona Extra on arrival) Join in the celebration as this year’s winners receive their award (including the Corona Extra Audience Award that you have voted for) before partying the night away with our guests.

10.30 Workshop

Writers Forum

Urbis Learning Suite

p.13

12.30 Workshop

Pitching to Producers

Urbis

p.13

13.00 Screening

Competition Prog. 1 (15)

Cornerhouse C2

14.30 Screening

Competition Prog. 2 (12A)

Cornerhouse C2

p.6

16.30 Panel Discussion

Making Music Work

Cornerhouse C2

p.16

17.00

Networking

Writers Networking Event

Cornerhouse Bar

p.14

18.00

Screening

University of Salford Showcase

Cornerhouse C2

p.4

18.30 Panel Discussion

How to succeed as a moving image artist

Cornerhouse Galleries

20.00 Screening

Competition Prog. 3 (18)

Cornerhouse C2

p.5

p.17 p.7

The awards will be presented by very special guests, check out our website nearer the time for more details.

Wed 18 November

This event is extremely popular so we recommend that you book in advance.

11.00

exposures o8 award winners

CGI in Documentaries

Urbis Learning Suite

p.15

12.00 Workshop

Talk

Directing Actors

Urbis Level 4

p.13

13.30 Screening

Competition Prog. 4 (PG)

Cornerhouse C2

p.8

15.00 Screening

Competition Prog. 5 (15)

Cornerhouse C2

p.9

15.30

Alex Connock

Urbis Level 4

p.15

16.30 Screening

Talk

Competition Prog. 6 (12A)

Cornerhouse C2

p.10

18.00

Panel Discussion

How to get your film distributed Cornerhouse C2

p.17

19.00

Networking

20.00 Screening

Festival catch up

Cornerhouse Bar

p.14

Competition Prog. 7 (18)

Cornerhouse C2

p.11

Documentary Forum

Cornerhouse C2

p.14

Thu 19 November 11.30 Workshop 12.30

Talk

Michelle Clothier

Cornerhouse C1 Ed Space p.15

13.20

Panel Discussion

Challenge the Commissioners

Cornerhouse C2

p.17

14.30 Screening

Competition Prog. 8 (PG)

Cornerhouse C2

p.12

16.00 Talk

Paul Abbott In Conversation

Cornerhouse C2

p.15

18.00

To be announced

Cornerhouse C2

p.4

Corona Extra Best of The Fest

Urbis Level 2

Screening

20.30 Party

18

p.18

19

PARTY!

CALENDAR

Corona Extra Best of The Fest Awards and Party Thu 19 November, 20:30 til late

Tue 17 November

Urbis Level 2 £3.50 / £2.50 (free Corona Extra on arrival) Join in the celebration as this year’s winners receive their award (including the Corona Extra Audience Award that you have voted for) before partying the night away with our guests.

10.30 Workshop

Writers Forum

Urbis Learning Suite

p.13

12.30 Workshop

Pitching to Producers

Urbis

p.13

13.00 Screening

Competition Prog. 1 (15)

Cornerhouse C2

14.30 Screening

Competition Prog. 2 (12A)

Cornerhouse C2

p.6

16.30 Panel Discussion

Making Music Work

Cornerhouse C2

p.16

17.00

Networking

Writers Networking Event

Cornerhouse Bar

p.14

18.00

Screening

University of Salford Showcase

Cornerhouse C2

p.4

18.30 Panel Discussion

How to succeed as a moving image artist

Cornerhouse Galleries

20.00 Screening

Competition Prog. 3 (18)

Cornerhouse C2

p.5

p.17 p.7

The awards will be presented by very special guests, check out our website nearer the time for more details.

Wed 18 November

This event is extremely popular so we recommend that you book in advance.

11.00

exposures o8 award winners

CGI in Documentaries

Urbis Learning Suite

p.15

12.00 Workshop

Talk

Directing Actors

Urbis Level 4

p.13

13.30 Screening

Competition Prog. 4 (PG)

Cornerhouse C2

p.8

15.00 Screening

Competition Prog. 5 (15)

Cornerhouse C2

p.9

15.30

Alex Connock

Urbis Level 4

p.15

16.30 Screening

Talk

Competition Prog. 6 (12A)

Cornerhouse C2

p.10

18.00

Panel Discussion

How to get your film distributed Cornerhouse C2

p.17

19.00

Networking

20.00 Screening

Festival catch up

Cornerhouse Bar

p.14

Competition Prog. 7 (18)

Cornerhouse C2

p.11

Documentary Forum

Cornerhouse C2

p.14

Thu 19 November 11.30 Workshop 12.30

Talk

Michelle Clothier

Cornerhouse C1 Ed Space p.15

13.20

Panel Discussion

Challenge the Commissioners

Cornerhouse C2

p.17

14.30 Screening

Competition Prog. 8 (PG)

Cornerhouse C2

p.12

16.00 Talk

Paul Abbott In Conversation

Cornerhouse C2

p.15

18.00

To be announced

Cornerhouse C2

p.4

Corona Extra Best of The Fest

Urbis Level 2

Screening

20.30 Party

18

p.18

19