ARCHITECTURAL PORTFOLIO
I SHAN GOYAL VI T’ SPVPCol l egeofAr chi t ect ur ePune
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Community Living
07 DTehseisgins
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EDUCATION 2014-2019 I VI T ’ SP admabhus hanVas ant dadaP at i lCol l e geofAr c hi t e c t ur ePune,Mahar as ht r a
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Bac he l ori nAr c hi t e c t ur e[ B. Ar c h]:64. 80% ( F i r s tCl as s )
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Hi ghe rS e c ondar yCe r t i f i c at e[ H. S . C. ]:80%
2000-2012 I Vi v e k anandaKe ndr aVi dy al ay aHur da,Raj as t han S e ni orS e c ondar yCe r t i f i c at e[ S . S . C. ]:95%
CURRICULAM VITAE
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INTERESTS
02
ACADEMIC WORK
03
01 2 0 1 5 1 6
RESIDENTIAL BUNGALOW YE AR2 IS E M1
Thes i t ei sl oc a t e da tBa j i r a oRoa di nPune . Thebunga l owha sbe e nde i s gne df orMr . Ma ne , abus i ne s s ma na ndMr s . Ma ne , al a wy e rby pr of e s s i on. Thede s i gnbr i e fl i s t e dr e qui r e me nt f orf ourbe dr oomsa l ongwi t hl i v i ng, di ni nga nd c ook i ngs pa c e .Thec l i e ntha sa na ddi t i ona l r e qui r e me ntf ora noffic es pa c ef orMr s . Ma newi t has e pa r a t ee nt r y .Thepr oj e c t r e qui r e spa r k i ngf oraf ourwhe e l e ra l ong wi t hi nt e r e s t i ngl a r gegr e e nl a nds c a pe s .
DESIGN DEVELOPMENT
04
Thef or m de r i v e sasa r e s pons et ot hee x i s t i ng s i t ef e at ur e s ,andt hus c r e at i ngac e nt r al c our t y ar d.
Theangl e dwi ndowson t he s out he r nf ac adec r e at e av i s ual bar r i e rt oapubl i c t oi l e tl oc at e dont hes out h.
Thegl as sbr i c k ss c r e e nst he s out he r nf ac adeoft he c e nt r al c our t y ar dt obr i ng i ndi ffus e dl i ght .
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KALAGRAM A R T I S TV I L L A G E YE AR2 IS E M2
Thepr oj e c tf or mul a t e da f t e rs t udyt ourt oPur i a ndRa ghur a j pur , Or i s s a .Thes i t ei sl oc a t e di n Ra ghur a j purv i l l a geAna r t i s tv i l a ge . Ra ghur a j pur ha sr i c hc ul t ur a la r t&c r a f tc ul t ur ea ndma j or i t y oft hev i l l a gepopul a t i oni si nv ol v e di na r t&c r a f t pr oduc t sma nuf a c t ur i ng.Thepr oj e c ta i mst o pr ov i deapl a t f or mt oe nc our a get he i ra r ta nd c ul t ur e .Thepr oj e c tbr i e fi nc l ude swor k s hop s pa c e sf ora r t i s a ns , me e t i ngs pa c e s , a dmi n s pa c e s , a na mphi t he a t r e, e x hi bi t i onga l l e r y &r e s i de nt i a l f a c i l i t yf orv i s i t or s .
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03 2 0 1 6 1 7
COMMUNITY LIVING YE AR3 IS E M2
Thepr oj e c ti sar e de v e l opme ntpr oj e c tof Ga j a l a x miSoc i e t y, l oc a t e di nSa ha k a rNa ga r , Pune .Thei de awa st oi nc or por a t eas e ns eof c ommuni t yl i v i ngwhi l er e de s i gni ngt he r e s i de nt i a l ne i ghbour hood.Thepr oj e c tpr opos e s uni t sof v a r i ousa r e a sr a ngi ngf r om 5 0s q. m. t o 1 2 5s q. mt oc a t e rt ope opl ef r oma l l s e c t i ons . Thepr oj e c ta i mst oe x pl or ev a r i ousc onďŹ gur a t i ons of t he s euni t st of or mahy br i dc ommuni t y . I ta l s oi nc opor a t e si nt e r a c t i v ec ommuni t y s pa c e st oc r e a t eac ohe s i v ene i ghbour hood.
DESIGN DEVELOPMENT
08
Theuni t sar ede s i gne das dupl e xuni t st hatfit si nan i nt e rl oc k i ngpat t e r nunde r v ar i ousc onfigur at i ons .
Dr awi ngi ns pi r at i onsf r om t heBe l apurHous i ng,an at t e mti smadet oc r e at ea c l us t e rl e v e l c our t y ar ds pac e .
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CONVENTION CENTRE YE AR4 IS E M1
Aspa r tof t heUr ba nDe s i gns t udi o,t hepr oj e c t i ss i t ua t e da tHi nj e wa di , Pune .Thepr oj e c tha s e me r ge da sar e s ul tof c ommongr oups t r a t e gy a nda ddr e s s i ngt ot hel oc a l i s s ue st ohuma ni z e Hi nj e wa di .Thepr oj e c ta i mst opr ov i dea pl a t f or mf ort hei ndus t r i a l c ommuni t yof Hi nj e wa di a r e at ome e ta ndi nt e r a c ta ta l a r ge rpl a t f or m. Thepr ogr a mbr i e f i nc l ude s c onv e nt i onha l l s , a udi t or i ums, me e t i nga nd c onf e r e nc er oomsa l ongwi t hs uppor t i ngs pa c e s .
HUMANIZING HINJEWADI
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HABITAT DESIGN YE AR4 IS E M2
Asa ne x t e ns i ont ot heUr ba nDe s i gns t udi o& t hes t udi e sde v e l ope di nt hee a r l i e rs e me s t e r , t hi spr oj e c ts t r i v et oc a t e rt ot her i s i ngi s s ue sof hous i ngi nHi nj e wa di , Pune . Thepr opos a l i s pr opos e dont hes i t ee a r ma r k e df orr e s i de nt i a l pur pos ei nt hepr opos e ds t r a t e gypl a n. Thepr oj e c t a i mst oc a t e rt oa l l s e c t i onsof t hes oc i e t yl oc a t e d i na nda r oundt hes i t et ha ti nc l ude ss e r v i c ec l a s s , r e nt a l t y pol ogya ndI Twor k e r s . Thes c he me e mpha s i z e sonc r e a t i ngami x e dt y pol ogya nd pe de s t r i a nor i e nt e dc ohe s i v ec ommuni t y .
DESIGN DEVELOPMENT Fr ontc omme r c i al publ i cf oy e r
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Thepr opos al i sl ai dar ound t hee x i s t i ngr e s i de nt i al f abr i c wi t he mphas i sonc r e at i ng gr e e nout doorope ns pac e s .
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DESIGN THESIS YE AR5 IS E M2
Redefining the threshold between the Sacred & the Profane A case of Pushkar, Rajasthan
14
INTRODUCTION
CONCERN
I n d i ai sav a s tc o u n t r y ,wi t hd i v e r s ec u l t u r e s a n da n c i e n tc i v i l i z a t i o n . Th e r ea r ean u mb e r o fr e l i g i o u sg r o u p sr e s i d i n gi nI n d i a .I nI n d i a wefi n dt h eo l d e s tp i l g r i ma g et r a d i t i o ni nt h e wh o l ewo r l d . Th ep r a c t i c eo fp i l g r i ma g ei n I n d i ai ss od e e p l ye mb e d d e di nt h ec u l t u r a l p s y c h e&t h en u mb e ro fs u c hp i l g r i ma g e t o wn si ss ol a r g et h a tt h ee n t i r es u b c o n t i n e n t ma ya c t u a l l yb er e g a r d e da so n eg r a n da n d c o n t i n u o u ss a c r e dp l a c e .
Pu s h k a ri sap l a c ewi t hr i c ht r a d i t i o n a l a r c h i t e c t u r e ,wh e r eo n ec a nfi n dt e mp l e st h a td r e wi n s p i r a t i o nf r o ma r c h i t e c t u r a l s t y l e so ft h eRa j p u t s ,Dr a v i d i a na n dt h eMu g h a l a swe l l . Wi t h t h er e l i g i o u swa t e rb o d yf o r mi n gt h e f o c a l p o i n to ft h et o wn ,i ts h o wc a s e sg h a t sa n dt e mp l e sa sa ni mp o r t a n ta r c h i t e c t u r a l c h a r a c t e ro ft h et o wn .
Bu twh e ne a c ho f t h e s ep i l g r i ma g et o wn sa r e s e e ni naf r a c t i o n a l ma n n e r ,e a c hh a si t so wn i mp o r t a n c ea n dh a se v o l v e di nac e r t a i n ma n n e ri nat i mef r a meo fi t so wn .Th e e v o l u t i o no fs u c hp l a c e s, o f t e ng o v e r n e db y s e v e r a l e x t e r n a l f a c t o r sl e a dt oad e v e l o p me n t wh i c hr e l ymo r eo ni d e a so f‘ i mp o r t e d mo d e r n i s a t i o n ’ ,r a t h e rt h a nc o n t e x td r i v e n a p p r o a c h .
An dt h e r e f o r ei no r d e rt oc a t e rt ot h er a p i d l yc h a n g i n gn e e d s ,Pu s h k a ri sr e s p o n d i n gt ot h et o u r i s mi nab r o k e na n ds c a t t e r e dma n n e r ,l e a d i n gt oac h a n g i n ga r c h i t e c t u r a l s k y l i n et h a t r e l i e smo r eo ni d e a so f ‘ i mp o r t e dmo d e r n i s a t i o n ’ r a t h e rt h a nc o n t e x td r i v e na p p r o a c h .
Pu s h k a rt o wna s p i r e st ob eac e n t r eo fr e l i g i o u sa n dc u l t u r a l t o u r i s mb a s e do nt h eh i s t o r ya n dmy t h o l o g ya s s o c i a t e dwi t ht h et o wn,t r a d i t i o n a l c u l t u r a l e v e n t sa n db yr e t a i n i n gh i s t o r i c a l c h a r a c t e ra n dc o n s e r v i n gt h eb u i l ta n dn a t u r a l h e r i t a g e .I th a ss t r e n g t ho fr e l i g i o u ss i g n i fi c a n c e ,t r a d i t i o no ff e s t i v a l sa n dme a l s .I t sa mb i e n tc l i ma t ea n dn a t u r a l s e t t i n gwi t hg o o d r e g i o n a l r o a dc o n n e c t i v i t ya n dt o u r i s ti n f r a s t r u c t u r ewi t hl o c a l h a n d i c r a f t ss k i l l s ,fl o r i c u l t u r ea n dg a r me n tma k i n g , a t t r a c t sf o r e i g nt o u r i s t s . Wi t hc h a n g i n gt i me s ,t h eu r b a nl a n d s c a p eo f Pu s h k a ri sa l s oc h a n g i n gg r a d u a l l y ,l e a d i n gt o u r i s mt og a i ns u p e r s e d eo v e rt h ec u l t u r eo ft h ep l a c e . Th e r ei sa ni n h e r e n tp a r a d o xi ns p i r i t u a l l ys a c r e dc o n s t r u c t sd u et ot h ef a c tt h ep r e s e r v a t i o no f t h e i rc u l t u r ei swh a ta t t r a c t st h ep i l g r i ms ,b u tt h ep i l g r i mt h e ms e l v e sb r i n gac h a n g e wh i c ha ffe c t st h ec u l t u r ei namy r i a do fwa y s .
T a k i n gc a s eo fo n es u c hp r o mi n e n t p i l g r i ma g e t o wno fPu s h k a r ,Ra j a s t h a n ,t h et h e s i sa i mst o d e v e l o pawo r k i n gmo d e l o f‘ Cu l t u r a l s t a b i l i t y ’ , a n da i mst oe x p l o r et h el a y e r so ft h es a c r e d a n dt h ep r o f a n e-i nt e r mso fa r c h i t e c t u r ea n d t h ea c t i v i t i e s , a n dr e d e fi n et h efi n el i n et h a t d i ffe r e n t i a t e st h es a c r e da n dt h ep r o f a n ei n as e n s i t i v ec o n t e x tl i k ePu s h k a r . Si t eSe c t i on Th ei ma g e s( r i g h t )h i g h l i g h t st h ed i s p a r i t i e si n a r c h i t e c t u r eo fPu s h k a ra tp r e s e n t .
15
ABOUT PUSHKAR
UNDERSTANDING THE TOWN
L o c a t e da t1 0k msf r o m Aj me r ,Pu s h k a ri sa p r o mi n e n tHi n d up i l g r i ma g et o wni nRa j a s t h a n , I n d i a . Th et o wnc u r l sa r o u n dah o l yl a k e ,s a i dt o h a v ea p p e a r e dwh e nBr a h mad r o p p e dal o t u s fl o we r .I ta l s oh a so n eo ft h ewo r l d ’ sf e wBr a h ma t e mp l e s . Wi t h5 2b a t h i n gg h a t sa n d4 0 0mi l k y b l u e t e mp l e s ,t h et o wno f t e nh u mswi t hp u j a( p r a y e r s ) , g e n e r a t i n ga ne p i s o d i cs o u n d t r a c ko fc h a n t i n g , d r u msa n dg o n g s ,a n dd e v o t i o n a l s o n g s .
CHRONOLOGY
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Th eo r i g i no f Pu s h k a r i sg i v e ni nt h ePa d ma Pu r a no f t h eHi n d u swh i c hs a y st h a t Br a h ma t h ec r e a t o r o f t h ewo r l dwa si ns e a r c ho f a s u i t a b l ep l a c et op e r f o r my a g n aa c c o r d i n g t ot h eVe d a s .
Th ee c o n o myo f Pu s h k a r t o wni se n t i r e l y d e p e n d e n t o nt o u r i s mwh i c hi nt u r n p r o mo t e st r a d ea n dc o mme r c e , t r a n s p o r t a t i o na n dv a r i o u sh o u s e h o l d i n d u s t r i e s .
L ang u ag e Hi n d i i st h ema i nl a n g u a g es p o k e ni n Pu s h k a r . Si n c et h ec i t yl i e si nRa j a s t h a n , t h e o t h e r l a n g u a g e st h a t t h el o c a l sa r efl u e n t i n i n c l u d eRa j a s t h a n i , Ma r wa r i , a n dEn g l i s h .
Pu s h k a r i sama j o r h u bt h a t i n v o l v e sal a r g e n u mb e r o f p e o p l ei nt h efi e l do f c r a f t ma k i n g a n ds e l l i n g . , ma k i n gi t av e r yi n t r i g u a l p a r t o f t h el i v e so f t h ec r a f t s me na n dt h ee c o n o my .
Th el o c a t i o no ft h i ss ma l l c i t yma k e si t ama g i c a l p l a c ewh i c ho ffe r sn u me r o u se x p e r i e n c e st ot h e p e r c e i v e r si nt e r mso fp i l g r i ma g e ,c u l t u r e , a d v e n t u r e&Na t u r e . Th e r e f o r e ,Pu s h k a ri sn o t o n l yas i g n i fi c a n tI n d i a np i l g r i ma g et o wn ,b u ta l s o fi n d sas p e c i a l p l a c ef r o mt o u r i s t sf r o ma l l a r o u n d t h ewo r l d .
Cu i s i ne Pu s h k a r o ffe r si t st o u r i s t sawi d er a n g eo f c u i s i n eo p t i o n s , r a n g i n gf r o mt y p i c a l Ra j a s t h a n i c u i s i n et os t r e e t f o o dt ov a r i o u s I n t e r n a t i o n a l c u i s i n e s . F e s t i v al s Th ea n n u a l c a me l f a i r i st h ep r i mea t t r a c t i o n o f Pu s h k a r t h a t a t t r a c t smi l l i o n so f t o u r i s t e a c hy e a r . Pu s h k a r a l s oh o s t st os e v e r a l mu s i ca n dd a n c ef e s t i v a l sr o u n dt h ey e a r .
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16
CONCERN T HE SACRED & T HE PROF ANE ?
T HE CHANNEL?
Th ec o n c e r nt h a t i sr a i s e d , i st h e nf u r t h e r mo r e e x p l o r e di nt h ec o n t e x t o f Pu s h k a r , wh i c hd i s e c t si t i n t ot wol a y e r s , t h eSa c r e d&t h ePr o f a n e . Th et wo wo r d sh e r ec a nb ei n t e r p r e t t e du n d e r t h el e n so fT het r adi t i onal ar chi t ect ur e
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UNDERSTANDING SITE & CONTEXT
APPROACH TO DESIGN
Act i vat i ngAbadoned/ under ut i l i s eds t r uct ur es ont hes i t e
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Thepr opos al r e v ol v e sar oundt wohe r i t aget e mpl es t r uc t ur e s&f or ms t wol ar gec our t y ar ds . Thec our t y ar dar oundRangj iTe mpl ede r i v e si t s ar c hi t e c ur al l anguaget hatr e fle c t st het r adi t i onal ar c hi t e c ur eoft he pl ac e&s i gni fie s‘ t hes ac r e d’ . Whe r east heot he rc our t y ar dde r i v e san e s s e nc eoft r adi t i onal ar c hi t e c t ur ei nas l i ghtc ont e mpor ar ymanne r& s i gni fie s‘ t hepr of ane ’ .Thes ac r e dandt hepr of anec anbee nv i s i one d f ur t he runde rt hel ay e rofac t i v i t e st hathappe nsar oundt hec our t y ar ds .
Ram e empl T A’
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DESIGN RESPONSE
Ar t St udi o
Caf et er i a
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Thet he s i sai mst ohi ghl i ghtt hear c hi t e c t ur al pe r s pe c t i v e wi t hwhi c hmanys uc hpi l gr i maget ownsi nI ndi a,l i k e Pus hk arar ec ur r e nt l yde v e l opi ng&howwe ,asar c hi t e c t s c anhe l pr e de finet hes anc i t yoft he s epl ac e sbyut i l i s i ng t hel oc al e l e me nt sof c r af t .c ul t ur e&ar c hi t e c ut ur e .
Ae r i al v i e w
Dance St udi o
Amphi t heat r e
Publ i c Pl az a
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07 2 0 1 7 1 8
PRACTICAL TRAINING YE AR5 IS E M1
Kanvinde, Rai & Chowdhury Architects & Urban Planners New Delhi
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WORKING DRAWINGS
Toi l e tDe t ai l s ,I I TGandhi nagarRe s e ar c hPar k
St ai r c as eDe t ai l s ,I I TGandhi nagarRe s e ar c hPar k
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WORKING DRAWINGS
Gr oundFl oorPl an&Se c t i ons , Ame ni t i e sBl oc k ,Hi mmat nagarPowde rPl ant
Cons t r uc t i onDe t ai l s , Ame ni t i e sBl oc k ,Hi mmat nagarPowde rPl ant
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PRESENTATION DRAWINGS MODEL MAKING
I I TBhi l ai Hos t e l I I TBhi l ai St ude nt sHous i ng
I I TBhi l ai Hos t e l
I I TBhi l ai Hos t e l Mas t e r pl an
I I TBhi l ai Hos t e l Se c t i on
I I TBhi l ai Mat he mat i c sDe par t me nt
I I TGandhi nagarRe s e ar c hPar k
IUDI DELHI
ETHOS INDIA
SAROJINI NAGAR RE-DEVLOPMENT COMPETITION
ARCHUMEN QUIZ COMPETITION
WINNING ENTRY
NATIONAL CHAMPIONS
TEAM-Ar . Adi t i , Ar . Cha i t a ny a , Ar . Hi ma ns hu, Ar . Ma na s a&I s ha n
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Or ga ni z e dbyt heDe l hi c e nt r eofI ns t i t ut eof Ur ba nde s i gne r sI ndi a( I UDI ) , i n2 01 8, t hec ompe t i t i oni nv i t e de nt r i e st or e a ddr e s st hei de aofr e de v e l opme ntf ort hec r uc i a l s i t eof Sa r oj i ni Na ga r .
Or ga ni z e dbyEt hosI ndi a( Ar . Gi t aBa l a k r i s hna n) &Sa i ntGoba i n, Ar c hume ni sI ndi a ’ sbi gge s t Ar c hi t e c t ur a l Qui z , hos t e da nnua l l y . Ar c hume ni sc onduc t e da saf our z onequi z&t wowi nne r sf r ome a c h z onec ompe t e si nt heGr a ndfina l et obe gt hewi nni ngt i t l e .
Thegr e e nl i v i ngpr oj e c ta tSa r oj i ni Na ga ra i mst or e l ooka tmode l sof r e de ns i fic a t i oni nt hec or eofDe l hi wi t hc l os epr ox i mi t yt or i ngr a i l wa y , me t r os t a t i ona ndma j ora r t e r i a l r oa da but t i ngt hes i t e . Thes i t ebe i ngr i c h i ne c ol ogi c a l he r i t a gewi t h2 5 000T r e e swa st hepr i mede s i gnc ons i de r a t i on. Thede s i gns t r a t e gyf oc us e sonr e t a i ni ngt hede ns egr e e nc ov e rbyr e t a i ni ng t hee x i s t i nggr i doft hes i t e&de v e l opi ngpe de s t r i a nf r i e ndl yl i nk a ge s .
COMPETITIONS
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s t F e br ua r y TheWe s t e r nz onequi zof Ar c hume n1 81 9wa sor ga ni z e don1 a tLSRa he j aSc hool of Ar c hi t e c t ur e , Mumba i , whe r eourt e a m ( I s ha nGoy a l &Uc hc hi t aJ os hi ) s e c ur e dfir s tpos i t i on. t h Thegr a ndfina l eoft heAr c hume n1 81 9wa sor ga ni z e don1 5 Ma r c ha t I TCGr a ndChol a ,Che nna i ,whe r eourt e a m ba gge dt het i t l eoft he Ar c humenNat i onal Champi on.
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BAMBOO WORKSHOP
WORKSHOPS
THE RECYCLE JIGSAW
Ti t l edas‘ Way sofs eei ng s t r uc t ur esi nAr c hi t ec t ur e’ ,t he wor k s hopi sl eadbyP r of .V . R. Shahf r om Ahmedabad.
Thewor k s hopi nt endst o f oc usonr es ear c hont wo as pec t sofur bani s mt hatar e s hel t er s / homeandwas t e.
Thebas i ci deawast oex pl or e t hepot ent i alofbambooasa bui l di ngmat er i aland ex per i ment i ngwi t hdi f f er ent f or ms .Ahy perpar abol oi d s t r uc t ur ewast henmadeout ofbambooatt hec ol l ege c ampus .
Thei deawast odemons t r at e apot ent i albui l di ngmat er i al f r om ones el ec t edi ndi genous mat er i al&onef r om was t e. I nt hi sc as e,c oc onuts hel l s& t her moc olwasut i l i s edi na wayt oc r eat eabui l di ng modul ewi t hi nt er l oc k i ng s y s t em t hatc anbeus edasa pot ent i albui l di ngc ont r uc t i on mat er i al .
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26 Se tde s i gnf orKar andakFas hi on Showc ompe t i t i on
CO-CURRICULAR Se at i ngsmadeus i ngpape r r ol l s&c or r ugat e ds he e t .
Mur al De s i gns f orAr . Char l e s Cor r e a& Ar .BVDos hi Se at i ng& i ns t al l at i on ar ound Vi v e k ananda Mur al .
Se tde s i gnf or Kar andak Fas hi onShow c ompe t i t i on
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PHOTOGRAPHY
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THANK YOU
I ame ag e rt ol e ar nal l as p e c t so far c hi t e c t u r e&att he s amet i mec o nt r i b u t et ot heb e s to fmyab i l i t i e s . I s hal l ac c e p tal l c hal l e ng e si nv o l v e di nt hewo r kp r o c e s so f ap r o j e c t , r i g htf r o mde s i g nde v e l o p me ntt ot he e x e c u t i o no fde s i g n, &wi l l e ns u r et hatI amr e fle c t i ng p r o f e s s i o nal i s mt hr o u g hmywo r k&mai nt ai ni nga l i v e l y&he al t hye nv i r o nme ntwi t hf e l l o wc o l l e ag u e s . I SHAN GOYAL VI T’ SPVPCol l egeofAr chi t ect ur ePune