Isthmus: Oct 27-Nov 2, 2016 by Isthmus

O C TO B E R 27– N OV E M B E R 2 , 2 0 1 6

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VOL. 41 NO. 43

TWEAKING

LIFE

Scientists can now easily manipulate genes. Should they?

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■ CONTENTS

■ WHAT TO DO

4 IN MEMORIAM

DAVID MEDARIS

The talented and erudite Isthmus alum is remembered.

7-12 NEWS

IT’S ALL OVER NOW

Donald Trump’s chances of carrying Wisconsin look bleak.

NATHAN J. COMP

MARC EISEN

IN MEMORIAM

MARC EISEN began writing for Isthmus in 1978, left for The Capital Times in 1986, and returned two years later to Isthmus as editor. David Medaris started writing for Isthmus in 1976 while still in high school, joined the staff in 1981 as calendar editor, left for travels and adventure abroad, and returned to Isthmus in 1988 as calendar editor, then staff writer. The long, loyal tenures of people like Marc Eisen and David Medaris have always made Isthmus feel like a family. Eisen remembers his longtime colleague and friend, who died Oct. 18.

COVER STORY

NATHAN COMP has been following the developments in gene editing and splicing for years. He writes this week about the potential of a new editing tool — CRISPRCas-9 — which, according to one researcher quoted in the piece, has already “changed the mindset of science.” Comp covers both the promise of this new technology and the ethical concerns it raises.

FUNDING PLEA

Madison school district turns to voters to make ends meet.

14 OPINION

NEXT STEPS

What progressives must do post-Trump.

17 COVER STORY

CUT AND PASTE

Scientists can now precisely edit genetic code. What will they do with the power?

23-26 FOOD & DRINK

IT’S POKE, MAN

Hawaiian raw fish bowls from Miko Poké are taking Monroe Street by storm.

28 SPORTS

DAYS OF GLORY

Three area teams are working to get to the WIAA state football championships.

30-34 MUSIC

DYNAMIC DADS

Lost Lakes combines the folk talents of Corey Mathew Hart and Paul Mitch.

35 STAGE

MOTOWN ONSTAGE

The Poem Is You Thursday, Oct. 27, UW Elvehjem Building (Room L160), 7:30 pm You won’t want to miss this Center for the Humanities lecture from Steven Burt, an English professor at Harvard University. The New York Times called Burt “one of the most influential poetry critics of his generation,” but his criticism is often effusive: He wants people to read poetry. And he’s an out cross-dresser, a women’s basketball expert and published poet in his own right.

Banjo hauntings

Detroit ‘67 looks at a family during the turmoil.

36-37 SCREENS

Saturday, Oct. 29, High Noon Saloon, 3:30-5:30 pm

DRIFTING THROUGH THE PLAINS ALLISON GEYER

American Honey captures the lives of youth.

44 EMPHASIS

NEWS

IN TRYING TO GAUGE how the Badger State may vote in the presidential race come Nov. 8, staff writer Allison Geyer talks with Jennifer Pierotti Lim, the national leader of Republican Women for Hillary. Lim says she’s in contact with plenty of conservative Clinton-backers in Wisconsin, but is not surprised to hear they were reluctant to talk to a reporter. “They don’t feel like they can be public about it,” says Lim.

Boo-Grass for Books is an annual fundraiser for Literacy Network and Lowell Elementary, collecting new and used children’s books and cash donations as an admission fee ($20 maximum for the whole family). There’s also a kids’ costume parade, arts and crafts, a bake sale, and all-ages friendly Americana by Oak Street Ramblers, Brother Rye, Shotgun Mary and Lit Net executive director Jeff Burkhart.

PUT UP YOUR DUKES

Bare Knuckle Arts offers after-school and cross-generational creativity.

IN EVERY ISSUE 8 8 14 15 15

MADISON MATRIX WEEK IN REVIEW THIS MODERN WORLD FEEDBACK OFF THE SQUARE

38 45 46 46 47

ISTHMUS PICKS CLASSIFIEDS P.S. MUELLER CROSSWORD SAVAGE LOVE

Bring me some water PUBLISHER Jeff Haupt ASSOCIATE PUBLISHER Craig Bartlett BUSINESS DEVELOPMENT DIRECTOR Mark Tauscher EDITOR Judith Davidoff NEWS EDITOR Joe Tarr ASSOCIATE EDITOR Michana Buchman FEATURES EDITOR Linda Falkenstein ARTS & CULTURE EDITOR Catherine Capellaro STAFF WRITERS Dylan Brogan, Allison Geyer EDITORIAL INTERN Elisa Wiseman CALENDAR EDITOR Bob Koch ART DIRECTOR Carolyn Fath STAFF ARTISTS Todd Hubler, David Michael Miller, Tommy Washbush

ISTHMUS is published weekly by Red Card Media, 100 State Street, Suite 301, Madison, WI 53703 • Edit@isthmus.com • Phone (608) 251-5627 • Fax (608) 251-2165 Periodicals postage paid at Madison, WI (ISSN 1081-4043) • POSTMASTER: Send address changes to 100 State Street, Suite 301, Madison, WI 53703 • © 2016 Red Card Media, LLC. All rights reserved.

Clean Wisconsin sponsors this appetizer-reception and talk (“The Waters of Wisconsin: Sustaining Our Aquatic Ecosystems”) by Curt Meine, senior fellow at the Aldo Leopold Foundation. Meine will focus on how we use water, and how crucial it is to our culture and economy.

The voting maze Thursday, Oct. 27, Francesca’s al Lago, 111 Martin Luther King Jr. Blvd., 5:30-7:30 pm

In recent years there has been a strong push to, depending on who you believe, protect against voter fraud (according to the right) or restrict voting rights (according to the left). Hear both sides debate Wisconsin’s voter ID statute, current law and recent litigation at a debate sponsored by the American Constitution Society and the Federalist Society. RSVP at acslaw.secure.force.com/events.

FIND MORE ISTHMUS PICKS ON PAGE 38

OCTOBER 27–NOVEMBER 2, 2016 ISTHMUS.COM

CONTRIBUTORS John W. Barker, Kenneth Burns, Dave Cieslewicz, Nathan J. Comp, Aaron R. Conklin, Ruth Conniff, Michael Cummins, Marc Eisen, Erik Gunn, Mike Ivey, Bob Jacobson, Seth Jovaag, Stu Levitan, Bill Lueders, Liz Merfeld, Andy Moore, Bruce Murphy, Kyle Nabilcy, Kate Newton, Jenny Peek, Michael Popke, Steven Potter, Adam Powell, Katie Reiser, Jay Rath, Gwendolyn Rice, Dean Robbins, Robin Shepard, Sandy Tabachnick, Denise Thornton, Candice Wagener, Tom Whitcomb, Rosemary Zurlo-Cuva ADVERTISING PRODUCTION MANAGER Todd Hubler ADVERTISING MANAGER Chad Hopper ADVERTISING ASSISTANT Laura Miller ADVERTISING REPRESENTATIVES Lindsey Bushart, Peggy Elath, Lauren Isely WEB ANALYST Jeri Casper CIRCULATION MANAGER Tim Henrekin MARKETING DIRECTOR Chris Winterhack EVENT DIRECTORS Kathleen Andreoni, Courtney Lovas CONTROLLER Halle Mulford OFFICE MANAGER Julie Butler SYSTEMS MANAGER Thom Jones ADMINISTRATIVE ASSISTANT Carla Dawkins

Wednesday, Nov. 2, Pyle Center, 702 Langdon St., 5:30-7:30 pm

n IN MEMORIAM

Remembering David Medaris The longtime Isthmus staffer cut his own path

ISTHMUS.COM OCTOBER 27–NOVEMBER 2, 2016

BY MARC EISEN

Isthmus has always been a collection of odd and compelling characters. None more so than David Medaris, who began writing for the paper as a West High student and who spent almost three decades as the listings editor and then a staff writer. I was editor. David was David, which is to say he cut his own path. As the arbiter of listings, he functioned like a human algorithm. He precisely sorted and summarized hundreds of disparate and often recondite events that poured into the paper each week. No monk in a priory had a more exacting system of categorization. David lived and breathed by his rules. Yet, paradoxically, he was also an exuberant, free-range thinker. He spied life’s complicated facets like a jeweler with a headlamp. Here was the reporter who would ponder endless questions for a story. David had to know. He had to understand. He was immensely curious about life and people. There was a sense of wonder and pleasure in comprehending both the mundane and the profound. He also had a little sign on his desk: “Just tell the story.” That was David: Painstakingly diligent, yet the faraway flutter of a butterfly in the Amazon might set him off on an intellectual ramble in the Isthmus lunchroom. He took delight in it. His death Oct. 18 at age 57 after many years of beating back brain cancer was like a kick in the guts to his friends. His love affair with his wife, Michana Buchman, Isthmus associate editor, was something any of us would want in this life. He always spoke of her with a tone of awe and respect. If only all of us could be so considerate of our partners. Now he’s gone. As with the recent death of Tom Laskin, another Isthmus original, David was evidence of how the best news and creative venues prosper when they embrace smart, quirky talents. The machine-stamped writers could fit in elsewhere. Isthmus leaves the door open for strays and rebels. In David’s case, he avoided the antisocial compulsions found in too many good reporters. I will always remember him greeting me with an expansive “How are you?” That big loopy smile followed by a penetrating gaze as he read your body language for clues. David really cared. His life was more than the sum of the transactional events that most of us navigate on a daily basis. Locked into a conversation where his thoughts led him down a rabbit hole of digression, David would stop in embarrassment and turn the conversation to others — how was your partner? And the kids, what were they up to? Did you have any travels planned? David was sincerely interested. “How are you?” Not so good, David, now that you’re gone. His many friends will have different memories than mine. But that’s what David did to us. We all had our reasons for loving him. n

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■ COVER STORY

TWEAKING

LIFE ANDY MANIS

Kathy Krentz uses a computer to analyze mouse sperm. For years, Krentz has altered the genetic makeup of mice for experiments, but she now has a much easier and more reliable way to do so with CRISPR-Cas9.

Scientists can now easily manipulate genes. Should they? BY NATHAN J. COMP KATHY KRENTZ HAS PLAYED

“The problem was that it would randomly insert DNA just anywhere on the genome,” she explains. “So as a cell divided, that piece of DNA would be incorporated into the dividing embryo, anywhere.” In 2014, Krentz scrapped the laborious, error-prone process in favor of a new tool known as CRISPR-Cas9, despite her initial skepticism of the hype percolating around it. “As we read scientific articles and looked at the data as to whether this was worth investing in, it became clear very quickly that CRISPR-Cas9 was going to be game changing,” she recalls. “And it has been.” CRISPR-Cas9 is the biochemical equivalent of a magic wand. Compared to transgenics, CRISPR-Cas9 is a far faster and cheaper process. It also reaches targeted points on the genome with unrivaled precision. If the accuracy of transgenics was that of a free-fall bomb, CRISPR-Cas9 is a laser-guided missile, capable of editing.

UW-Madison researchers using CRISPR-Cas9 are circumspect about their ability to now make revisions to evolution’s handiwork over the last 3 or 4 billion years. But having been given the keys to the kingdom, so to speak, scientists around the globe are experimenting with their new creationist powers. It’s the end of the biological world as we know it. “CRISPR has changed the mindset of science,” says Dustin Rubinstein, director of UW-Madison’s Biotechnology Center. “A lot of times technology is very straightforward. But with this, we’re only limited by our own creativity.” The technology has already pointed toward some amazing possibilities. Scientists in London are working on eliminating the species of mosquitos that carry malaria. And the U.S. Food and Drug Administration last year approved for consumption Atlantic salmon that had been engineered to grow double the size of ordinary salmon in half

➡

OCTOBER 27–NOVEMBER 2, 2016 ISTHMUS.COM

Mother Nature for most of her career, tinkering with the genomes of mice embryos before implanting the embryos in the wombs of recipient mother mice. After gestating for 20 days, the mutant litter is delivered to the researchers who ordered mice carrying a specific mutation. “Mice make a good animal model because they reproduce very quickly, and you can get a cohort of animals that are genetically identical very quickly,” says Krentz, who runs UWMadison’s Transgenic Animal Facility. Aided by a powerful microscope, Krentz has injected hundreds of thousands of mice embryos with exogenous genes, inserted through a microscopic glass syringe. This process, known as transgenesis, was developed in the early 1970s. But it doesn’t always work. Exogenous genes are expressed in offspring only if accepted by cells that store the biochemical units of heredity, known as the germline.

n COVER STORY the time. Experiments are being done on pig organs to turn off the genes that prevent cross-species organ transplants, which could eliminate organ-donor waiting lists. Perhaps not since Gutenberg’s printing press have humans entrusted themselves with a tool so powerful, cheap, and timesaving; this may well be a watershed moment in human history — the world before CRISPR-Cas9 and the world after. The ethical issues CRISPR-Cas9 raises don’t differ much from those raised by genetic engineering in general. The difference now is the speed at which these issues will arise. If scientific research was once a long, incremental slog, CRISPR-Cas9 has broken the sluices of discovery wide open. “As it becomes cheaper and more accessible and more available, it’s going to expand the range of people who can pursue this kind of research and for more trivial purposes,” says Robert Streiffer, an associate professor of bioethics and philosophy at UW-Madison. “We’re not going to be able to put a lid on it as much as people might like.”

ISTHMUS.COM OCTOBER 27–NOVEMBER 2, 2016

CRISPR IS AN ACQUIRED IM-

munity found in bacteria, which evolved to fend off predatory viruses. Because viruses are acellular, they reproduce by hijacking the reproductive machinery of host cells, provoking an immune response from the host. In humans, white blood cells are a first line of defense, but in bacteria it’s enzymes. These viral-fighting enzymes are like an army defending the homeland from foreign foes, only its soldiers are weak and therefore victorious far less than 50 percent of the time. When the enzymes kill the foreign invaders, a highly specialized enzyme, Cas9, arrives on the battlefield to retrieve a piece of the snuffed out virus’ DNA. Cas9 then returns to the bacteria’s genome and stuffs the piece of viral DNA in the CRISPR region of the genome. CRISPRs — an acronym for Clustered Regularly Interspaced Short Palindromic Repeats — are segments of repeating base pair sequences. The space between each repeat contains a piece of DNA from a virus defeated by the bacteria’s enzyme army and retrieved by Cas9. The viral DNA stored between repeats then serves as a molecular wanted poster used by Cas9 as it patrols the interior of the bacterial cell reading the genomes of invading pathogens. If it encounters a sequence matching any of those on the wanted poster, Cas9 shreds the virus with its molecular scissors. Seven years after its discovery, researchers at three different institutions independently have begun unlocking CRISPRCas9’s potential. By retooling its cellular

mechanics, researchers soon turned CRISPR-Cas9 from a defensive system in bacteria into an offensive one in mammals and other organisms. They learned to rewire CRISPR-Cas9 cellular circuitry to make precise cuts anywhere along the genome of any organism, including humans. In bacteria, Cas9 is dispatched from CRISPR regions of the genome; in animals — Krentz’s mice for example — CRISPR is a delivery device for Cas9, guided to its target by specially engineered molecules. “Because the genome sequence has been identified, you find the sequence you want to edit and you can synthesize DNA that mimics that exact sequence,” Krentz explains. “Cas9 cuts the genome sequence exactly where we need it to be cut.” Following its set of chemical instructions, it will delete, replace or add genes to the genome. Rubinstein, known on campus as “the CRISPR guy,” performs the biochemical tweaks to CRISPR-Cas9 for Krentz and other researchers. At present, Cas9 is the gold standard among known CRISPR-associated enzymes. But he adds that biotech firms are screening bacteria in search of other enzymes that work differently or even better. “As this technology grows, we’ll discover more CRISPR-associated enzymes, ones more specific so you don’t have to worry about making changes where you don’t want, ones that make the changes more rapidly,” he says. “As we understand this more, we will fill the toolbox with more tools.”

RESEARCHERS ARE CURRENT-

ly using this new tool to identify and tweak genes in plants and humans to do everything from preventing diseases to making improvements in crop quality. And while we have known for some time how genes are ordered — genomes have been sequenced in thousands of organisms, including humans, since the 1990s — we don’t always know what each gene does or how they interact with one another. Before CRISPR-Cas9, researchers like UWMadison biochemist Richard Amasino learned the function of individual genes by blasting an organism — plants, in his case — with mutagenic chemicals or X-rays and then observing what traits were different or unexpressed. “But there’s no way to do it without hitting genes all over the place,” he says. “But you go in with CRISPR and you have a very clearly defined plant at the other end. You know exactly what has been changed; it’s faster and more readily done.” Amasino’s research focuses on how plants measure seasonal cues like sunlight and temperature to coordinate flowering.

Top: Known on campus as the “CRISPR guy,” Dustin Rubinstein performs the biochemical tweaks that allow other researchers on campus to alter genetic code. Bottom: Robert Streiffer, a bioethics and philosophy professor: “We’re not going to be able to put a lid on it.” Opposite: Shawn Kaeppler’s research attempts to identify the genes that influence corn’s resistance to disease and pests.

Once the function of enough genes are identified, the job descriptions for the remaining genes will be written even faster. “It’s like a puzzle,” he says. “You start out turning over the pieces one-by-one, but at some point you’ve turned over enough of them to know you need a piece that looks a certain way because it has to fit over there.” UW-Madison anthropology professor John Hawks expects the first widespread use of CRISPR-Cas9 in humans will be in the development of new gene therapies targeting genetic conditions like Huntington’s disease, a degenerative condition affecting the brain. Hawks says there are thousands of such conditions caused by a single gene mutation, but treatments are rare since, in many cases, sufferers worldwide number less than 100, he says. With CRISPR-Cas9 the genes responsible for these conditions can be deleted and replaced in affected embryos with a fully functional version. “When you know the cause and can potentially splice in a working version of the gene on someone already suffering from the condition, that kind of potential is very exciting,” Hawks says. There are limits to what can be done, however. “For things like Down syndrome, and even autism, I think the utility of CRISPR would be pretty low,” Hawks says. “There’s a developmental process that begins well before birth, and the downstream effects are in part based in the anatomy, not just metabolism. It’s not like something like sickle cell, where turning off the abnormal protein provides an effective therapy or even cure.”

ENVIRONMENTAL PRESSURES,

genetic divergence and natural selection dating back to the single-celled organism from which all organisms descended have resulted in the human genome as it is today.

CRISPR-Cas9, Rubinstein says, places the levers of evolution into the calculated hands of people. “It’s much more proactive,” he says. “Rather than saying, ‘We need more strains of bananas,’ now we can ask, ‘What can we do to improve bananas.’ It empowers us to take the initiative on certain global issues.” About 90,000 years after modern humans emerged, they began planting seeds, not because it suddenly occurred to them to do so, but because localized climate change necessitated new survival strategies. Agriculture, which emerged independently and around the same time, in 11 places around the world, was possible because it fell within the genetically permissible range of behaviors unique to our species. Corn was among the first crops domesticated, but, 10,000 years later, there is still a lot we don’t know about corn or the 35,000 genes packed onto its 11 chromosomes. UW-Madison agronomy professor Shawn Kaeppler is the son of a Wisconsin dairy farmer who has spent his career studying corn genetics. Kaeppler’s research is aimed at identifying the genes that influence corn’s resistance to disease, insects and pests. And in the context of climate change, he is exploring what genes might lead to a cultivar — a variety produced by selective breeding — that has better resistance to drought and heat or can develop root systems more tolerant of nutrient-poor soil. “How can we make cultivars adaptable for not what Wisconsin is like now,” he explains, “but what it might be like 20 years from now.” As with Amasino’s flowering research, CRISPR-Cas9 has accelerated Kaeppler’s research by making the process of gene identification faster and more precise. Already, he says, the gene-editing tool has led to wheat strains that are invulnerable to fungi and produce hardier crop yields. Last month, the world’s largest bioagriculture company, Monsanto, began re-

searching how CRISPR-Cas9 might aid the engineering of seeds to meet specific environmental conditions. The move already is facing controversy, since CRISPR-Cas9 will allow Monsanto to sidestep federal regulations over genetically modified organisms. Kaeppler says the difference between an organism that has been genetically modified and one genetically edited is largely semantics. “Anything that is different from the thing you started with is in some way genetically modified,” he says. Streiffer agrees, but explains that from a regulatory perspective, the government is concerned only with modifications where plant pathogens, like the cauliflower mosaic virus, are introduced into the recipient crop’s genome. CRISPR-Cas9 avoids these regulatory triggers because it doesn’t introduce foreign DNA or plant pathogens into the recipient genome.

KAEPPLER SAYS TECHNOL-

ogy of any kind is neither good nor bad. He doesn’t see any concerns with using CRISPR-Cas9 to genetically modify consumer crop seeds. “When you’re setting out to develop a better product and better modify things, I don’t have substantial concerns,” he says. “If you’re trying to do a good thing, it is highly improbable that you’ll get a negative result.” Streiffer disagrees. He says genetically editing crops can raise a multitude of ethical issues. Modified crops can be a positive thing, if, for example, the yield is increased without having to increase the acreage or nutrients needed to grow it. But the ethical implications can be farreaching, he says. “Maybe you get more profits for those farms, or less profits for farmers that don’t adopt that corn,” he says. “Is it really helping? Or is it just turning some people into

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n COVER STORY

AMONG THE CERTAINTIES OF

winners and others into losers? Then you have to question why we’re investing so many resources into developing these kinds of things.” Genetically modified crops have attracted farmers for a variety of reasons, but without much benefit for consumers. “There was a lot of hype put into the existing genetically engineered crops on the market, and consumers eat them, basically, because they’re there,” he says. “But we don’t search them out because they’re especially attractive and especially good.” Streiffer would like to see companies like Monsanto engineer crops with consumers in mind. Using CRISPR technology to produce fruit that has a longer shelf life is one idea. “That would be wonderful,” he says.

THERE ARE SIMILAR HOPES

and concerns when it comes to gene manipulation in humans. Could one day researchers master the genome so that children won’t throw tantrums? Not anytime soon, Hawks says. He believes it will be a very long time before couples have the option of using CRISPR to select traits in their offspring since “we don’t know which genes make a difference.” “What if someone wanted to design a super-intelligent human?” he asks. “We don’t know the first place to start.” Human embryos have already been edited using CRISPR-Cas9, both in China and Sweden, with limited success. Aside from the mysteries around the complex interplay among genes, CRISPR isn’t 100 percent error-proof. Off-target mutations may not only throw a genome’s biochemical output out of whack, but also risks alterations to the germline, passing mutations onto subsequent generations. “Say you go in and inadvertently mutate a tumor suppressor,” says Kris Saha, a UW-Madison molecular biology professor. “That’s a very troublesome scenario because now...you pass that mutation on to your kids.” The appropriateness of modifications to an animal’s genome, Streiffer says, depends on whether it is good or bad for its welfare.

ANDY MANIS

Kathy Krentz with a mutant mouse: “It became clear very quickly that CRISPR-Cas9 was going to be game changing. And it has been.” “We have examples of breeding where the interests of the animal itself hasn’t really been considered,” he says. “We have breeds of dog, for example, who have a very poor quality of life, but owners like them and they like them to be purebred even though they have various health issues.” The GloFish became the first genetically modified animal on the consumer market four years after a researcher in Singapore gave a zebrafish the gene from a jellyfish that allowed it to glow fluorescent green. Today, GloFish are bred in a variety of eclectic colors and appear to live happy lives. “There are examples where a single gene has a pretty big effect,” says Kaep-

ISTHMUS.COM OCTOBER 27–NOVEMBER 2, 2016

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pler. “We can make a mutation to make corn have 30 to 40 stalks so it looks substantially different from what its progenitor looks like.” Streiffer believes CRISPR-related gene therapies and medical treatments may aggravate existing problems around equitable access, especially if one day rich couples can afford to design a child by making genetic revisions during embryonic development, with the traits in the offspring of poor couples left to chance. “Issues of social justice will have to be addressed so that they don’t only benefit the wealthy, who already have a tremendous array of advantages,” he says. “There is a concern these things are going to exacerbate social and economic inequality.”

CRISPR-Cas9 is that those with certain genetic conditions will one day be cured. In hemophiliacs, mostly men who’ve inherited a nonfunctioning gene on their X chromosome, CRISPR-Cas9 could edit out that gene, replacing it with a new one. “Imagine if with CRISPR we could create normally functioning isolete cells, inject them into Type 1 diabetics and cure diabetes? That sort of thing is where you can see a huge difference being made if you give people more control over how cells work.” One genetic disorder Hawks believes may be promising for CRISPR-related therapy is PKU, an enzyme deficiency that leads to mental retardation in children. “It can be ameliorated with a diet that lacks a certain amino acid, but there is no cure,” he says. “Providing the ability to produce the necessary enzyme for infants and young children would effectively remove this as a disorder.” At the dawn of the transgenics age, researchers not only knew what DNA was, but they could do stuff with it — cut it, stitch back together, implant it. But that doesn’t mean the public liked it. According to a Pew Research Center survey in June 2016, a majority of Americans believe that gene-editing will “change society” and “negatives will outweigh the positives.” From Super Mice in the 1980s and FrankenFoods in the 1990s, to the completion of human genome sequencing in the 2000s and CRISPR-Cas9 today, the public has always been apprehensive about scientists “playing God.” “We’ve gone through these iterations before in biology where we make this powerful new technique and people got concerned,” Rubinstein says. “With transgenics, everyone sat down and came up with a set of guidelines.” That may not be possible with CRISPRCas9. Rubinstein says with so many more labs across the globe, it wouldn’t be hard for poorly funded labs or rogue geneticists to cross ethical lines. “It’s the slippery slope idea,” he says. “Is left-handedness something that needs to be cured? I don’t have any specific concerns.... The concern is more what we don’t know.” n

Participants are needed for a study at UW-Madison looking at whether the cautious use of sleep medication reduces depressive symptoms in people with depression and insomnia. To be eligible, you must be currently experiencing depression and insomnia, be 18-65 years old, and have access to regular care with a primary care provider. Participants will receive up to $400 to $450.

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Temple Beth El’s Food-a-Rama pairs corned beef with matzo ball soup on Election Day BY DYLAN BROGAN ■ ILLUSTRATION BY WESLEY HAMILTON

Temple Beth El prepare sandwiches for the annual luncheon. “It’s a little hard to decipher some of the old recipes. These ladies knew what they were doing, so it’s a pinch of this and a little of that. A few of the details we have to figure out for ourselves,” says Kemp, who has been the chair of Food-aRama for the past seven years. The first Food-a-Rama was held Nov. 8, 1966, when incumbent Republican Gov. Warren Knowles faced a challenge from incumbent Democratic Lt. Gov. Patrick Lucey. (This was before elections for governor and lieutenant governor

were combined onto a single ticket.) Temple Beth El was a polling place that year. “The women of the Sisterhood just began feeding people. It was a way to make a little money by making sandwiches and other food for people who came into vote,” explains Kemp. “Eventually it snowballed into a big production. Now, the whole temple becomes a delicatessen for a day.” The synagogue is no longer a polling place, but more than 1,000 lunches are typically served at Food-a-Rama. Organizers make all items from scratch: potato salad, coleslaw, cabbage soup,

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OCTOBER 27–NOVEMBER 2, 2016 ISTHMUS.COM

Temple Beth El’s Food-a-Rama is the place to be on Election Day. For half a century, the synagogue at 2702 Arbor Drive has celebrated democracy by transforming into a temporary delicatessen that attracts people of all faiths and political persuasions. Corned beef sandwiches. Potato knishes. Matzo ball soup. Fresh chopped liver. Kosher hot dogs. Cabbage rolls. A small army of volunteers comes together once a year to make deli items using recipes passed down through the generations by Temple Beth El members. Before Leslie Kemp could even vote, she was pulled out of school to help the Sisterhood of

■ FOOD & DRINK

Food-a-Rama continued from 23

Mediterranean vegetarian platters, cheesecake, chocolate cake, cookies, pies and brownies. The temple’s social hall is converted into a “restaurant” so people can eat lunch on-site. Patrons can also carry out lunch, buy items à la carte or have food delivered (five lunches or more). Dine-in hours are 11 a.m.-1:30 p.m. The bakery is open 10 a.m-1:30 p.m. Deli sales (which include frozen matzo ball and cabbage soup, chopped liver, challah and corned beef) have been extended this year and run 10:30 a.m.-6 p.m. or until all is sold out. Kemp expects a particularly big crowd this year. “We always see more people during presidential [election] years. The fact that it’s our 50th anniversary, it should be even crazier.”

Proceeds from the event benefit a number of organizations including Temple Beth El, community food pantries, Camp Shalom, Domestic Abuse Intervention Services and the YWCA-Madison’s Third Street women’s housing program. While Food-a-Rama It’s like a bake sale, but be er. Food-a-Rama has is billed “as a delicious complete lunches and other goodies to go. reminder to vote,” it’s held annually in November, reyear. There’s no way we could do it twice gardless of whether there is an election. a year,” says Kemp, laughing. “People hear “I get phone calls near spring elections wondering when the deli will be open. I have ‘election,’ and I start getting calls about matzo ball soup.” to remind people that we only do it once a

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Food-a-Rama has also become an Election Day tradition for politicians in the Madison area. Dave Cieslewicz was a frequent attendee during his tenure as mayor. Dane County Executive Joe Parisi and Congressman Mark Pocan are also regulars. “Russ Feingold is a frequent visitor whether he’s in office or not. If she’s in town, [U.S. Sen.] Tammy Baldwin usually comes by. Mayor Paul Soglin has been coming for a long, long time,” says Kemp. Despite the visiting dignitaries and significance of the day, Kemp says Fooda-Rama is really about enjoying good food and company. “It takes people’s mind off the election. For this year in particular, I know I’m glad to have a break from politics.” ■

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Aloha, Miko Poké The Hawaiian raw fish bowl is Madison’s next trendy dish you practically have to open them pointing away from your face for your own safety. Opening a raw-fish-focused, If you don’t do raw fish, Miko Hawaiian-themed, counter-service Poké offers two cooked proteins restaurant on the cusp of autumn in and a mix of fresh vegetables. The Wisconsin might be seen as a queslatter of these, served as a vegan tionable decision. Yet here we are bowl called the Coco Curry, was with Miko Poké — Food Fight’s newan unexpected success. It’s a trainest spot, in a slice of the former Bluewreck, to be sure; basically every phies — doing quite a solid trade. ingredient that isn’t an animal It’s easy to see how poke would product goes into this one. Dispaeasily become sushi-loving Madison’s rate geographies are represented jam. Poke and sushi are often lumped by tahini, coconut curry, edatogether, particularly as the mainland mame, avocado — yet it all kind of version of poke becomes more asworks. There wasn’t as much yelsociated with its rice base. But with low squash as I expected, given its poke, unlike sushi, the rice is neither top billing in that ensemble cast, vinegared nor sticky. Miko Poké offers but it’s a great meal all the same. both white and brown rice, as well as I’m a sucker for rock shrimp baby salad greens as base options, any time I see it on a menu, and but original-recipe poke refers to just the Banzai Shrimp bowl featured the fish salad atop the base. quite a few of the tenderly cooked A comment here on the word CAROLYN FATH little guys. That Volcano Sauce, “poke.” Defenders of the Hawaiian The Hawaii Style (front) is true to poke’s roots; again, proved non-volcanic. I didn’t language rush to note that there the coco curry is vegan. pick up much teriyaki in the teriis no accent mark on the original yaki chicken bowl, which seems to Hawaiian word that means “to cut serve as the bowl for diners who really don’t crosswise into pieces,” as the dish does with dense and chewy than the ahi, but diced want to experiment. It’s fine. raw fish. But Miko Poké is by no means alone melon and crispy shaved garlic played well Experiment away, though. Build your in the restaurant world in trying to help the off each other. own bowl with the whole ingredient list at Anglo diner differentiate the word from the The Cali Salmon traded in the die-sized your disposal. Sides include salty, thin-sliced, verb meaning “to jab.” cubes of fish for a more imprecise chop, but crisply fried purple sweet potato chips in First on the menu is Hawaii Style, a dish I would have preferred smaller pieces. Yuzu handy little bags at the checkout, and a most true to poke’s roots. This ahi tuna-centric tartness dominated the other ingredients, pleasantly complex Honolulu iced tea. Shave bowl was my favorite of Miko Poké’s six house giving the dish an insubstantial feel. Great ice is served in a handful of flavors. I mixed combinations. The ahi had a clean, fresh taste if you’re looking for a light meal, less so if caramelized pineapple and passionfruit, to and was diced to a consistent and pleasant size. you’re in search of bold flavors. Over brown neither’s benefit. Keep it simple on that front. There’s a lot of soy in the accompanying Poké rice it has a little more heft. Eventually, Miko Poké promises alcohol Sauce, providing a savory base for the more delThere are three sizes of poke bowl availservice, but it doesn’t need it to reel in the icate fresh flavors of cucumber and edamame. able, but I can’t imagine needing more than customers. On dreary October evenings, a The spicy albacore bowl wasn’t particularly a small. Bear in mind that if you order your betting man wouldn’t put a dime on a Wisspicy, even with an additional squirt of Volcano poke to go, you may want to ask for a larger consin poke shop having a line almost out Sauce (red chile paste, peppers, rice wine vincontainer in which to transport it. The staff the door. But behold the power of poke. ■ egar, honey) at the table. The fish was more really cram those things full of ingredients; BY KYLE NABILCY

MIKO POKÉ ■ 2701 Monroe St. ■ 608-416-5241; mikopoke.com ■ $2-$15 ■ 11 am-9 pm Sun.-Thurs., 11 am-10 pm Fri.-Sat.

The DOWNTOWN The neighborhood bar nei

Eats events Pie Palooza

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Sunday, Oct. 30

Raleigh’s Hillside Farm is celebrating the harvest with a five-course vegetarian dinner. Among the menu items: curried carrot soup with crispy chickpeas; kale salad with squash, apple, cheddar and almonds; butternut squash risotto; and fruit pie for dessert. Proceeds benefit Underdog Pet Rescue (which will be bringing some furry friends). At 901 N. Marsh Road in Brodhead, 5-7 pm. Tickets ($40) from tinyurl.com/dinner4underdog.

More than 25 local chefs are baking pies for this fun fundraiser for REAP Food Group. Pick from sweet and savory tarts, quiches, turnovers and fresh salad. Tickets for salad and two pieces of pie ($18/advance, $20/ door) can be reserved at reapfoodgroup. org/events/pie-palooza. At Goodman Community Center, 149 Waubesa St., 9:30-1:30 pm.

Halloween horrors-d’oeuvres Monday, Oct. 31

Isthmus Dining Company is serving up small plates at Gib’s Bar on All Hallows’ Eve. Menu includes beef tartare, pork bao, spinach dip and savoy cabbage rolls. At 1380 Williamson St., 7-11 pm. More info on Gib’s Bar Facebook page.

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■ FOOD & DRINK ROBIN SHEPARD

Bucking the trend New fall drinks at Field Table are anything but seasonal Ah, how we love fall — the magical time of apple orchards, decorative gourds and pumpkin spice everything. At some cocktail establishments, bartenders are breaking out the nutmeg and cranberry bitters for some seasonally inspired libations. But not at Field Table, where bar manager Michael McDonald is going in the opposite direction. His newly revamped menu is full of flavors that are meant to be enjoyed any time of the year. One of the most interesting new creations is Teh Susu, named for a common tea drink from Indonesia. It’s a mix of Plantation rum, Osocalis Heritage Brandy and Batavia Arrack, an obscure molasses and rice-based spirit from the Indonesian island of Java. Lemon and grapefruit add a layer of acidic nuance, and clarified milk lends an interesting texture. It’s refreshing and exoticly spiced all at once. Another unseasonable standout is Vice & Vigor, a heady-yet-elegant cocktail that uses Rittenhouse Rye, Lagavulin 16-year, Door County cherry juice, tea syrup and cherry bark-vanilla bitters. There’s also a zucchini cocktail — somewhat after the peak zucchini month of August. The Zuc-

The tea cocktail Teh Susu has spicy appeal.

Godlike Osiris Oak imperial stout from 3rd Sign

CAROLYN FATH

chero-Zucchine is creative and elegantly garnished with a ribbon of the titular ingredient.

— ALLISON GEYER

Osiris Oak is made with lots of dark malts, which give it its black color and roasted chocolate and toffee flavors. It’s hopped with a combination of Cascade, Northern Brewer and East Kent Goldings. This imperial stout is aged with oak staves, which remain in the beer for about four months before it’s bottled. The beer picks up qualities of whatever type of wood the staves are. In this process the emphasis is on the wood itself, in contrast to barrel-aging (when it’s more about the bourbon or whiskey previously stored in the barrels). I like Osiris Oak for its smooth, dry roastedness and alcoholic warmth. Look for layers

of malt and the subtle hint of oak in the finish. It’s approachable for a range of drinkers without the harsh burnt roastedness sometimes found in other well-known imperial stouts. It pairs well with a slice of chocolate cheesecake with raspberry or cherry topping; you’ll find even more roasted and toffee tones. It also a good match with pumpkin pie. Osiris Oak finishes at 9 percent ABV. It’s available for a limited time this fall in 22-ounce bombers for $8 in the brewery’s taproom in Waunakee and a few of Madison’s more beer-focused liquor stores.

— ROBIN SHEPARD

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The Verona Wildcats, here in their win over Hartland Arrowhead, will take on Badger High School in Round 2 action.

U-rah-rah! La Follette, Middleton and Verona are contenders for state football champs BY MICHAEL POPKE

Teams from 10 Dane County high schools qualified for the first round of the Wisconsin Interscholastic Athletic Association’s football playoffs, but only five made it past the first round of games on Oct. 21. Verona rallied from a 14-0 deficit in the first quarter to beat Hartland Arrowhead, 21-17, in front of a hometown crowd at the Wildcats’ Curtis Jones Field. Longtime followers of Division 1 football probably recall that only a few years ago, Arrowhead was considered among the state’s elite teams, winning championships in 2012 and 2013, and finishing runner-up in 2014 and 2015. Verona will meet Badger High School in Lake Geneva in Round 2 action Oct. 28 at 7 p.m. Another big first-round game involved the Division 1 sectional’s No. 1 seed Sun Prairie and No. 8 Madison La Follette, in a rematch of the previous week’s regularseason finale. The Cardinals won that game, 31-7, but the Lancers invaded Ashley Field and embarrassed Sun Prairie, 40-13, to move on. La Follette senior quarterback Julian Patton blasted the game wide open in the third quarter with three touchdown runs — two of them for more than 60 yards. La Follette plays Middleton, which escaped Oconomowoc with a 20-13 round-

one victory, at Breitenbach Stadium on Oct. 28 at 7 p.m. If La Follette, Middleton or Verona continues the march to Camp Randall and the state title game on Nov. 18, there’s a good chance one of them will face three-time defending champion Kimberly (Division 2 in 2013 and Division 1 the past two seasons). The Papermakers, who haven’t lost a game since 2012, obliterated Milwaukee Vincent/ Destiny, 78-0, in this year’s first round. In Division 2 playoff action, No. 1 seed Waunakee wiped out No. 8 DeForest, 42-7; Monona Grove beat Waterford, 24-14; and Waukesha West shut out Stoughton, 35-0. Marshall, Dane County’s only other representative in the state playoffs, fell hard to Clinton, 42-14, in Division 5. Blowout wins. Tough losses. This is what high school football in late October and early November is all about. Longtime rivalries can take on new life, and major upsets can rattle the brackets. And sometimes — as Verona senior outside linebacker Jared Grassman noted after the Wildcats’ come-from-behind win — motivation can turn to inspiration. He told the Wisconsin State Journal the team was playing for starting offensive lineman Colin Van Altena, who broke his leg earlier that week in a trampoline accident. “He’s one of my best friends,” Grassman said. “We wanted it for him.” ■

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Folk travelers Lost Lakes is a collaboration five years in the making

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A WISCONSIN UNION EXPERIENCE

BY ANDY MOORE

You’ll zoom right past County Road F on the way to Blue Mounds, if you’re not paying attention. That kind of thing happens in the country, especially at night, when your mind wanders out past the headlights and into the coming dark. Once on F, things get quiet. Deathly quiet. County F loops and lifts through the hills, turns into Z, and then it’s official: You’re in the middle of nowhere, otherwise known as Corey Mathew Hart’s house. Hart is County Road Z personified. Meandering. Filled with twists. Hard to follow in the dark and, most of all, quiet. Hart speaks to you from across the room in the same tone as he would if he were whispering in your ear. But when he sings, hoo-boy. Five years in the making, it makes sense that Hart’s new project with fellow folk traveler Paul Mitch is known as Lost Lakes. The record has a woodsy, corduroy feel. Hart and Mitch’s music blends the duo’s respect of traditional folk sensibilities with their own brand of hipster mysticism. Both are sensational singers. Together, their voices define the Lost Lakes sound. Think Milk Carton Kids with a bigger hammer. The two met in 2010 during the 105.5 Triple M performance competition. Hart is a complete nerd when it comes to equipment: amps, mics and the like. “Corey is a tone guy,” says Mitch. Hart is also a savant when it comes to indexing sounds — filing those tones away in his mind and then reaching for them when the time is right. What Hart heard in Mitch’s singing and bass playing in 2010 turned out to be exactly what he sought after his own bass player moved away later in the year. Hart and Mitch became an informal duo. “They are like one engine running in tune when working together,” says Justin Guip, the New York state-based engineer who, previous to mixing Lost Lakes, recorded, among others, Levon Helm. Guip leaves next month on tour to drum with Hot Tuna’s Jorma Kaukonen and Jack Casady. “I like their organic sense of pop music — which comes down to great groove, melody, arranging and, of course, lyric.” Many of the songs that eventually became part of the Lost Lakes project were fashioned and refashioned as Hart and Mitch tested them out in live performance. “Give Up the Ghost” is an example. On the record, the arrangement, lean but fully realized, starts in a hush. Rusty Lee’s piano makes a sweet announcement of forgiveness. The song has a gorgeous weariness to it as the music crescendos in a tide of volume and emotion all the way to the end. Hart says the song was the product of much tinkering, “tightening up the arrangement and ultimately cutting more than a minute in length.”

RATAJ-BERARD

Corey Mathew Hart (le ) and Paul Mitch met at a songwriting competition.

By November 2013, Mitch and Hart were on the verge of turning their songs into the Lost Lakes recording. The band was getting tight. They were playing some bigger shows, including opening for Blind Pilot and the BoDeans. Of course, life has a way of intervening. It was as if their close collaboration included family planning, because both musicians became fathers that month — Mitch for the first time, Hart for the second. Lost Lakes was shelved. Two years later, the fathers finally headed into the studio. A very chilly studio. With the inside temp sometimes dipping down into the low 40s, Eau Claire-based drummer Shane Leonard joined them at Madison’s warehouse music funhouse fondly known as “The Dojo.” The song finessing continued into the recording sessions. “I love writing vocal parts,” says Mitch. “Coming up with interesting ways to lay in background vocals is one of my absolute favorite things to do. Corey comes to it with a really unique, powerful voice. He’s definitely got an idea in his head when it comes to how a song should be, and what kind of tone or sonic color it needs to have.”

Two musicians who know what they want is a powerful thing. Their choice of drummer Shane Leonard is proof. Leonard has been deeply immersed in the explosive creative scene in Eau Claire. His own band, Kalispell, helps define that sound as well as any. He also plays with Milwaukee’s Field Report. Rusty Lee’s piano parts were laid down after the Dojo recordings were complete. His keyboard overdubs included work on a Steinway grand piano captured in Mitch’s inlaws’ living room. Lost Lakes will release its first single, “Digital Tears,” Oct. 28. The quartet will perform on Nov. 3 at a venue perfectly suited for their delicate sounds: the Williamson Magnetic Recording Studio at 1019 Williamson St. “We don’t pretend to play tunes that people get up and dance to,” says Mitch. “It’s critical to make something else happen there. Hopefully we make some moments that make you feel the hair on your arm stand up.” ■

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If you’ve listened to 22, A Million, the new Bon Iver album released Sept. 30, you may have noticed that there’s a lot of saxophone on it. Not so much blistering sax solos or melodic flourishes, but dense layers of subtle atmosphere, much of it heavily processed, which contribute to the overall dreamy tone of the album. The 12-piece sax choir Bon Iver mastermind Justin Vernon assembled for the project — collectively dubbed the Sad Sax of Shit — included four Madtown reedmen: Tony Barba of Youngblood Brass Band; Al Falaschi of Phat Phunktion; Pete Ross of the Jimmys; and Clay Lyons, a Madison native now jazzing it up on the East Coast. Saxophone is nothing new for Bon Iver. Sax ace Michael Lewis has long been part of Vernon’s inner circle. But 12 of ’em? Once the idea of a full-blown sax choir popped into Vernon’s head, it became clear that the circle would have to expand. When you achieve Vernon’s level of success, you can get nearly anybody you want to play on your album. He could have summoned the hottest saxophonists in New York to his studios. But Vernon is the kind of guy who likes to keep it local. So he set Lewis and another saxophonist friend, Matt Douglas, to the task of gathering a dozen sax players from the upper Midwest. Douglas, it turned out, was a college classmate of Barba’s, so he tapped into Barba’s Madison sax network. Lewis, meanwhile, mainly worked his Twin Cities connections. Thus the Sad Sax of Shit were born.

In September 2015 the four Madison musicians loaded a car up with a mess of saxes, from sopranos to tenors (there was no room for a baritone, so they just brought their bari mouthpieces), and headed northwest. The crew spent five days at April Base, a former veterinary clinic in Fall Creek, outside Eau Claire, which serves as both Vernon’s recording studio and his home. Falaschi says the process was quite different from most sax-for-hire recording gigs, where players come in and are dismissed after they play their parts. “They [Vernon and arranger Rob Moose] just started putting charts down and we’d play through it, and Justin and Rob would go off and listen to things, chop things up,” Falaschi says. “Then they’d come back and say, okay we like this, we don’t like that, let’s change this part.... It was really cool to watch him work, just the amount of time they were spending on this thing.” Falaschi was also impressed by how, well, normal Vernon was. No superstar bullshit. “He opened up his house to us, he was hanging out with us...he’s just a good old Wisconsin kid like I would have been friends with in college. Super laid-back.” The final proof of Vernon’s regular ol’ Cheesehead nature came toward the end of the five-day stretch, when the Packers were scheduled to take on the Seattle Seahawks on Sunday Night Football. The Sad Sax wanted to shut down recording to watch the game. To their delight, Vernon was totally on board. “We didn’t know if he was a Packers or Vikings fan, since Eau Claire is so close to Minneapolis,” Falaschi says. “But when he showed up with his Packers shirt on, we were like, ‘Yes!’” n

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■ MUSIC

FOCUSING ON NEW, ORIGINAL MUSIC BY LOCAL & REGIONAL JAZZ ARTISTS

Musical journeys Madison Symphony Orchestra explores new territory

FRIDAY, NOV 4TH, 7:30PM

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groove-based compositions Jon Hoel, saxophone Andrew Traverse, trumpet Vince Faris, keyboards Steve Radtke, keyboards Ben Ferris, bass Kelby Kryshak, drums

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virtuosic display, which Kraggerud dispatched with perfect confidence and fine tone. After the intermission, Kraggerud appeared as composer as well as soloist. He has created a large cycle of 24 “postludes,” plus overture and finale, for solo violin and string orchestra. They run the gamut of the key system. The full set, titled Equinox, was written in coordination with a novel about a hero who travels, with each piece evoking a different setting: We heard excerpts

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Most of Edward Elgar’s music is ignored in this country, save for his popular Enigma Variations. In fact, his symphonic poem, titled alternatively In the South and Alassio, is rarely, if ever, played by American orchestras. But the Madison Symphony Orchestra opened with Elgar’s wonderfully rich piece at its Oct. 21 concert at Overture Hall. In the South reflects impressions from a vacation stay in the town of Alassio on the Italian Riviera. The music suggests the passionate spirit of the land, areas of rustic calm, histories of war and violence and the region’s love for song. At 20 minutes or more, it sounds sprawling at first, but as one gets to know its character and intentions, it becomes a really rich experience. I salute maestro John DeMain for finally bringing this splendid work to our audience. In his fifth appearance as a guest soloist with the MSO, the young Norwegian violinist Henning Kraggerud used Max Bruch’s Violin Concerto No. 1 as his vehicle. Unconventional in form, it allows for plentiful

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from Prague, China and New Orleans. Brief, easily forgettable pieces, their style is essentially conservative, and primarily designed to show off the composer as soloist. The final work was a famiilar and beloved portrait of nature — Beethoven’s Symphony No. 6, the Pastorale. I had a few reservations about some of the tempos and pacings, but DeMain led a handsome projection of the score’s earthy beauties. ■

NOON

FAN APPRECIATION DAY All fans can receive $1 admission by bringing a printed voucher to the match, available through the Men’s Soccer social media accounts. SENIOR DAY Celebrate the 2016 senior class at their last regular-season home game!

■ STAGE

Surviving in Motown

Chelle (Nyajai Ellison) and Sly (Jalen Thomas) begin a romance amid the turmoil.

Detroit ’67 looks at a family in a troubled city BY HOLLY HENSCHEN

An award-winning play set against the racially charged backdrop of the civil rights movement and the Motown era follows a family trying to survive in a conflict-ridden city. The Wisconsin premiere of Detroit ’67, produced by Kathie Rasmussen Women’s Theatre, opens Oct. 27 and runs through Nov. 12 at the Bartell Theatre. Named for the location and year of the third most devastating riot in U.S. history, the play centers around Chelle (Nyajai Ellison) and her brother Lank (Maxton Young-Jones), who operate an unlicensed after-hours joint in their basement to make ends meet. At the time, after-hours joints (also known as blind pigs) served as an alternative to bars, which African Americans were effectively banned from entering and owning. As the siblings risk the threat of police raids and reluctantly employ an enigmatic, out-of-place white woman, the play hints at a budding romance amid the growing civil turmoil. Detroit ‘67 personalizes the tense environment that resulted in five days of massive civil disturbance. When the riots

ended, 43 people had died, 1,189 were injured, more than 7,000 were arrested, and 2,000 buildings were destroyed. The play, penned by Detroit native Dominique Morisseau, won the 2014 Edward M. Kennedy Prize for Drama Inspired by American History. Its classic soundtrack features the Temptations, Marvin Gaye and Gladys Knight & the Pips. Although it was set a generation ago, many of the racial themes in Detroit ‘67 resonate today. “The striking thing about this play is the scenes are still happening in 2016,” says Dana Pellebon, the play’s producer and a fixture in the Madison theater scene since 2000. She has worked with Broom Street Theater and Mercury Players, directed for Forward Theater Company and produced three local plays that traveled to the New York Fringe Festival. In the past year, several reports have identified Wisconsin, a state with a white majority, as having the country’s highest wage and achievement gaps between blacks and whites, as well as the highest black incarceration rate. Pellebon, who is black, says there’s a misperception in Madison that the pool of

actors of color is small. She says the theater community would benefit from casting more people of color as well as staging plays, like Detroit ’67, that speak to their experiences. “Being a different color doesn’t change the fact that we are all living this life together,” says Pellebon. “We all have a family that we are worried about; we all have struggles on a day-to-day basis.” Pellebon says she sees Madison’s culture moving in a more inclusive direction. For example, she was encouraged to see that Theatre LILA’s upcoming production of Big Fish casts people of color in traditionally white roles. “Part of empathy is learning that just because this isn’t your experience doesn’t mean it’s not worthy of hearing,” Pellebon says. A distinguished group of speakers is lined up for post-production discussions, including Sabrina “Heymiss Progress” Madison, creator of Madison’s Black Women’s Leadership Conference and the Black Business Expo; UW-Madison Afro-American Studies Department professor Sandra Adell; and noted UW-Madison education scholar Gloria Ladson-Billings. ■

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18+

BY SCOTT RENSHAW

After more than 20 years of writing about movies, I’ve accumulated a near-infinite list of advice that I would give to filmmakers — from actors they need to cast far more often, to scenes that I would be happy to never ever see again. But one that seems so obvious to me continues to be a danger: You need to think long and hard before you start your film title with “American.” Clearly many such films have been popular and generally lauded over the years, from American Graffiti to American Beauty to American Sniper. It’s a risky proposition, however, because there’s a built-in assumption that you’re going to unfold a narrative that is in some way about The Way Things Are Today. Where you could simply be telling a story, throwing “American” at the front makes it feel like you’re trying to tell the story — the definitive statement. And that’s a burden that even a good movie doesn’t need. American Honey takes its title from a Lady Antebellum song — more about that later — and it’s fairly evident that it’s meant to describe Star (Sasha Lane), writer/director Andrea Arnold’s 18-year-old protagonist. Scraping together a desperate life in Muskogee, Oklahoma — dumpster-diving for food while living with her creepy father — she’s a fierce spirit staring down a life that looks as dead-end as the one that cost her meth

addict mother her life. So it’s easy to understand the appeal when she spots a wild young traveling “mag crew” of youths selling door-to-door magazine subscriptions, and is invited by their top salesman, Jake (Shia LaBeouf) to join them. And join them she does, loading herself into a van filled with fellow drifters, runaways and other assorted misfits, like the Darth Vaderobsessed Pagan (Heaven Knows What’s Arielle Holmes). Arnold does a fine job of capturing the makeshift family vibe of these kids, packed together and getting high on their road trip across the Great Plains in a way that feels even more constricted by Arnold’s use of the TV-square 4:3 ratio. American Honey is at its loosest and most satisfying when simply observing the crew’s dayto-day world, from motel rooms full to bursting, to their expertly tailored door-to-door — and sometimes truck door-to-truck door — sales. It’s also a phenomenal showcase for firsttime actor Lane. This story plays as something of a spiritual companion piece to Arnold’s terrific 2009 drama Fish Tank, which also followed a tough teen girl trying to imagine a better future for herself. The director understands how to navigate the character space between toughness and vulnerability, observing Lane’s watchful performance as she tries to interpret Jake’s feelings for her, or his relationship with the crew’s alpha female boss, Krystal (Riley Keough). Thanks to the defiant edge in her performance, scenes that could have come off as exploitative — like a house party with three cowboys that seems

doomed to a bad end — instead crackle with Star’s determination to become a winner. It all might have added up to a transcendent piece of cinematic realism, if Arnold demonstrated just a bit more trust in her audience. Not content with one scene in which Star’s gentle treatment of an animal conveys the soft center in her soul, American Honey offers up at least two or three such scenes; when Jake and Star attempt a sale in one upper-class home, it becomes a set piece about an uptight Christian mother and her young daughter’s inappropriately sexy dance moves. The movie never feels ponderous at more than two-and-a-half hours, but its epic length — visiting of-the-moment locations like North Dakota oil shale fields — still feels like part of a plan to give it an epic sense of consequence. Late in the film, Star and her friends share one of several sing-alongs that liven up their long drives through flat landscapes: Lady Antebellum’s “American Honey.” They sing lyrics about getting caught in the race of this crazy life, and remembering a simpler, innocent childhood time — a time which, for these kids, almost certainly never existed. Arnold does a fine enough job in American Honey of telling a story about that missing childhood innocence, without having to tell us that she’s been telling us. It can be about these people, in this place, and not have to be about America. n

Film events Hidden Colors 4: The Religion of White Supremacy: International Workers of the World Social Action & Solidarity Committee documentary screening. Central Library, Oct. 27, 6 pm. Iron Jawed Angels: Wisconsin Alliance for Women’s Health screening of historical drama about the women’s suffrage movement. Market Square, Oct. 27, 6:30 pm.

1 . 2 1 . 17

Nosferatu: German director F.W. Murnau’s silent adaptation of Dracula by Bram Stoker, starring the unforgettable Max Schreck as the count. UW Union South-Marquee, Oct. 27, 7 pm.

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The Rocky Horror Picture Show: Screening of the audience participation classic, with the Velvet Darkness cast, Gone Rogue Burlesque. Majestic, Oct. 27, 8:30 pm.

Up to 6 rentals at a time One of each pair may be a new arrival

Halloween: The archetypical low-budget slasher movie from director John Carpenter is a genuine heart stopper, despite shallow scripting. Point, Oct. 27-29, 10 pm.

FOUR STAR VIDEO COOPERATIVE • EXP. 11/10/16 9/29/16

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Ghostbusters: In this classic ’80s comedy starring Dan Aykroyd and Bill Murray, a team of unemployed scientists discovers a gateway to another dimension when they form a ghost-slaying business. Breese Stevens Field, Oct. 28, 7 pm (family activities & food available at 5:30 pm).

449 State St Suite D (on Broom St) Open 10am–Midnight • 608-255-1994

fourstarvideocoop.com

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Nelly & Monsieur Arnaud: The final film by director Claude Sautet tells the story of a young woman’s relationship with a septuagenarian man. UW Cinematheque, Oct. 28, 7 pm. Stories We Tell: Documentary by Sarah Polley, inspired by learning who she thought was her father was not, biologically speaking. Hawthorne Library, Oct. 28, 7 pm. The Rocky Horror Picture Show: Do the “Time Warp” again (audience participation and costumes welcome), with pre-show by Gone Rogue Burlesque. UW Memorial Union-Shannon Hall, Oct. 28, 9:15 pm. Alice in the Cities: Comedy-drama by director Wim Wenders follows a journalist and an abandoned girl searching for her grandmother. UW Cinematheque, Oct. 29, 7 pm.

E L B DOU BLE U O R T

Hush...Hush, Sweet Charlotte: UW Cinematheque: A former Southern belle (Bette Davis) is pushed further into madness by a scheming cousin (Olivia de Havilland). Chazen Museum of Art, Oct. 30, 2 pm.

Elephant Blues

STARTS FRIDAY INFERNO

NO PASSES - CC & DESCRIPTIVE NARRATION

Fri: (1:30, 4:20), 6:55, 9:25; Sat: (11:00 AM, 1:30, 4:20), 6:55, 9:25; Sun: (11:00 AM, 1:30, 4:20), 6:55; Mon to Thu: (1:30, 4:20), 6:55

AMERICAN HONEY

CC & DESCRIPTIVE NARRATION

Fri & Sat: (3:15), 6:30, 9:40; Sun to Thu: (3:15), 6:30 Fri & Sat: (1:15, 4:00), 6:45, 9:35; Sun to Wed: (1:15, 4:00), 6:45; Thu: (1:15, 4:00)

The Best Democracy Money Can Buy: International Workers of the World Social Action & Solidarity Committee screening of documentary by journalist Greg Palast on Republican election rigging scheme. South Madison Library, Oct. 31, 6 pm.

THE HANDMAIDEN (AGASSI)

A MAN CALLED OVE (EN MAN SOM HETER OVE)

Fri: (1:45, 4:15), 7:05, 9:35; Sat: (11:15 AM, 1:45, 4:15), 7:05, 9:35; Sun: (11:15 AM, 1:45, 4:15), 7:05; Mon: (1:45), 4:15); Tue: (1:45, 4:15), 7:05; Wed: (1:45, 4:15); Thu: (1:45, 4:15), 7:05

THE GIRL ON THE TRAIN

JACK REACHER: NEVER GO BACK NO PASSES - CC & DESCRIPTIVE NARRATION Fri: (1:35, 4:30), 7:00, 9:30; Sat: (11:05 AM, 1:35, 4:30), 7:00, 9:30; Sun: (11:05 AM, 1:35, 4:30), 7:00; Mon to Thu: (1:35, 4:30), 7:00

Reel Rock 11: Climbing films screening with Hoofer Mountaineering Club. UW Union SouthMarquee, Nov. 2, 7 pm.

MISS HOKUSAI

London Road: Spotlight Cinema: A series of murders in Ipswitch are recounted via song. Madison Museum of Contemporary Art, Nov. 2, 7 pm.

DOCTOR STRANGE NARRATION Thu: 7:00 PM

Fri: (1:20 PM); Sat & Sun: (11:15 AM, 1:20); Mon to Thu: (1:20 PM)

ELEPHANT BLUES

DIGINEXT SERIES - MOVIES THAT MATTER

Mon: 7:00 PM; Wed: 7:00 PM

NO PASSES - CC & DESCRIPTIVE

Amenity Fees Vary With Schedule - ( ) = Mats. www.sundancecinemas.com/choose LOCATED AT HILLDALE MALL 608.316.6900 www.sundancecinemas.com Gift Cards Available at Box Office

EIGHT YEARS RUNNING

ALLIANT ENERGY CENTER

Showtimes subject to change. Visit website to confirm Closed captioning and descriptive narrative available for select films

Showtimes for October 28 - November 3

Black Girl: Marquee Film Festival: A Senegalese woman takes a job as a governess in France, only to encounter discrimination. UW Union SouthMarquee, Nov. 3, 7 pm. Democracy: Im Rausch der Daten: Documentary about European Union policy-makers attempt to guard against corporate data collection. UW Cinematheque, Nov. 3, 7 pm. Weiner: Marquee Film Festival: Documentary about Anthony Weiner’s 2013 New York City mayoral run. UW Union South-Marquee, Nov. 3, 9 pm.

T I C K E T S AVA I L A B L E AT

ISTHMUSBEERCHEESE.COM

@IsthmusMadison follow for fun photos :)

OCTOBER 27–NOVEMBER 2, 2016 ISTHMUS.COM

Fellini Satyricon: This loose adaptation of Petronius’ Roman satire remains as gratuitous, semichaotic and undeniably eye-catching as ever. Central Library, Nov. 3, 6:30 pm.

CC & DESCRIPTIVE NARRATION

Fri: (1:40, 4:25), 6:50, 9:20; Sat: (11:10 AM, 1:40, 4:25), 6:50, 9:20; Sun: (11:10 AM, 1:40, 4:25), 6:50; Mon to Thu: (1:40, 4:25), 6:50

Elephant Blues: Documentary about a young girl living among forest elephants in India. Sundance, Oct. 31 & Nov. 2, 7 pm.

13th: Documentary about the relationship of the current prison system to slavery. Central Library, Nov. 3, 5:30 pm.

10/31 & 11/2: 7 PM

PICK OF THE WEEK

Freakfest, featuring Anderson .Paak & the Free Nationals

Wisconsin State Music Conference: Annual Wisconsin Music Educators Association event, through 10/29, with concerts open to the public: Thursday: State Honors Band & Orchestra 4:30 pm, State Honors Treble & Mixed Choirs 8 pm, Overture Center ($17.50/concert, 258-4141). Friday: State Honors Jazz Ensemble 11:30 am, Monona Terrace ($15). Saturday: Middle Level State Honors band 1 pm, orchestra 2:15 pm & choir 3:30 pm, Waunakee High School ($15). wmea.com/conference. 850-3566.

Saturday, Oct. 29, State Street, 7 pm The man who “won” SXSW is headlining the city’s annual fam-friendly downtown music fest. .Paak has been swiveling heads and beats with his oldschool, smooth-as-suede jazz and R&B-inflected rap. His meteoric rise is quite literally straight outta Compton — as in his triumphant six-song turn on Dr. Dre’s 2015 album of that name. Getting down and spooky with the dude who’s now collaborating with everyone from ScHoolboy Q to 9th Wonder and the Game is the musical equivalent of getting a king-sized Snickers bar in your treat bag. Be sure to catch one-man dance/ sex party Har Mar Superstar earlier on the Capitol Square stage. Country star Kip Moore headlines the Gilman Street stage just a day after a new EP release, with tourmate Jon Pardi also performing. And the Frances Street stage features a strong Midwest lineup from indie rock (the Kickback) to hip-hop (Trapo, Rich Robbins).

L EC T URES & S EMI N A RS

The Power of Partying Thursday, Oct. 27, High Noon Saloon, 8:30 pm When his single “Party Hard” became an unexpected smash in 2001, Andrew W.K. established himself as alternative rock’s loud, unabashed party animal. But in the years since, he’s gone on to redefine himself as a “party guru and motivational speaker.” W.K. manages to harness his bombastic, oddball energy into an oddly intimate rally to celebrate “our common humanity,” or as he simplifies it, “a party about partying.” Sign us up!

picks

thu oct 27

Stupid Fucking Bird: University Theatre production of Aaron Posner’s “sort of” Chekov adaptation, 10/20-11/6, Vilas Hall-Hemsley Theatre, at 7:30 pm Thursdays-Saturdays and 2 pm Sundays. $20. 265-2787.

T HE AT E R & DANCE

MU S I C

The Dragon: UW Theatre for Youth production, 7:30 pm on 10/27-28 and 2 pm, 10/29-30, Memorial Union-Fredric March Play Circle. $10. 265-2787.

COM EDY

Bos Meadery: Hoot’n Annie, free, 6 pm. Brink Lounge: Madison Jazz Orchestra, 7:30 pm. Cardinal Bar: DJ Jo-Z, Latin, 10 pm.

The Frequency: Glostick Willy, Flowpoetry, Armchair Boogie, Coyote, Eddie Danger, 9 pm.

ISTHMUS.COM OCTOBER 27–NOVEMBER 2, 2016

Liquid: Party Favor, Antics, mindcntrl, Davilla, 9 pm. Louisianne’s, Etc., Middleton: Jim Erickson, jazz, free, 6 pm Thursdays. Mr. Robert’s: Romero, Compact Deluxe, Fiendish Phantoms, Optigan, “Halloweenie Roast” with “Bordello of Horror” cast members, free, 10 pm. Orpheum: Clutch, Zakk Sabbath, Kyng, 7 pm. Paoli Schoolhouse: Thomas Burns, free, 6 pm. Stoughton Opera House: Roy Book Binder, 7:30 pm. Tempest Oyster Bar: Darren Sterud & the New Orleans Tribute, free, 9:30 pm. Up North: Catfish Stephenson, 9 pm Thursdays. Verona Area High School: Verona Area Concert Band, “Dedications,” free/donations, 7:30 pm.

Stephen Burt: Poetry reading, 4 pm, 10/27, UW Memorial Library, Room 126. felixreadingseries.wordpress.com. Rachel Davidson Leigh: Discussing “Hold,” her new LGBT YA novel, 6 pm, 10/27, A Room of One’s Own. 257-7888. Jesse Temple: Discussing “100 Things Every Wisconsin Fan Should Know or Do Before They Die,” his new book, 7 pm, 10/27, Mystery to Me. 283-9332.

S PEC I A L EV EN TS Night of the Living Humanities: Benefit for UW Odyssey Project, 5-7 pm, 10/27, University Club, with staff & students costumed as writers, literary characters & other historical figures, plus appetizers, costume contest. $30 donation. RSVP: odyssey.wisc.edu/rsvp. 262-3733. Laser Shows: Planetarium fundraiser, 10/27-29, MMSD Planetarium, with laser animation set to classic rock music; also Halloween & family shows. $4. Schedule: planetarium. madison.k12.wi.us/lasershows. 663-6102.

Haunted Castle: Madison Metro Jaycees, 7-10 pm, 10/2729, Olin Park. $10. facebook.com/madison.h.house.

Fitchburg Library: Milkhouse Radio, free, 7 pm.

Liliana’s Restaurant, Fitchburg: Ken Wheaton, fingerstyle guitar, free, 5:30 pm Thursdays.

B O O KS

REC REAT I O N & GA MES

Essen Haus: Bill Roberts Combo with Bob Corbit, free, 9 pm.

Ivory Room: Michael Massey, Vince Strong, 9 pm.

S PEC I A L EV EN TS

fri oct 28

Alice Thursday, Oct. 27, Bartell Theatre, 7:30 pm

This is definitely going to rock. Madison Theatre Guild produces a world premiere of a “hard-rock musical” version of Alice in Wonderland, adapted by playwright Dan Myers (Being Human) and with a score by award-winning songwriter and bad-ass riot grrl Meghan Rose (Meghan Rose & the Bones, Damsel Trash). Parental discretion advised. ALSO: FridaySaturday (7:30 pm), Sunday (2 pm) and Wednesday-Thursday (7:30 pm), 10/28-30 & 11/2-3. Through Nov. 5. Playscapes: Nine scenes exploring the disconnect between adulthood & play, 10/14-11/5, Broom Street Theater, at 8 pm Thursdays-Saturdays. $11. 244-8338.

Chris Garcia Thursday, Oct. 27, Comedy Club on State, 8:30 pm

Los Angeles native Chris Garcia got his start in the San Francisco Bay area, and was named “A Comic to Watch” by the San Jose Mercury News. He’s appeared on Adam Devine’s House Party, WTF with Marc Maron, and most recently at the 2016 Montreal Just for Laughs Festival, where he was dubbed “Best of the Fest.” His characters, voices and spot-on accents establish him as a master storyteller who reels audiences in with his familiar and relatable anecdotes. With Mike Brody, Nick Lynch. ALSO: Friday, Oct. 28, 8 and 10:30 pm.

MUS I C

Freakin’ Halloweekend Friday-Saturday, Oct. 28-29, High Noon Saloon, 8 pm

Local bands will be donning their Halloween costumes and performing cover sets at the High Noon Saloon over the course of two wild nights. Friday’s show will include tributes to Bad Company, Queens of the Stone Age, the Breeders, the White Stripes and Merle Haggard, while Saturday will feature Alanis Morissette, Hall and Oates, Weezer, Primus and Buddy Holly.

➡

SAT. OCT 29, 2016 - STATE ST, MADISON, WI GATES 7 PM

FUELED BY MTN DEW

MTN DEW CAPITOL STAGE

ANDERSON .PAAK & THE FREE NATIONALS

STEVE BROWN APARTMENTS 96.3 STAR COUNTRY STAGE AT GILMAN ST

KIP MOORE

JON PARDI ST. PAUL & THE BROKEN BONES WHEELHOUSE HAR MAR GRETA VAN FLEET SUPERSTAR ADAM BARTELS DIANE COFFEE SWEET SPIRIT

BAND

WSUM/IAN’S PIZZA STAGE AT FRANCES STREET

BUY TICKETS ONLINE AT MADFREAKFEST.COM, AT THE COLISEUM BOX OFFICE OR AT THE FOLLOWING OUTLETS: BSIDE RECORDS, KNUCKLEHEADS, RAGSTOCKS, SUNSHINE DAYDREAM, UNIVERSTITY BOOKSTORE, LOS GEMELOS, OSAKA HOUSE, THE JAMESLEASING OFFICE, TAILGATE, THE STATESIDER APATMENTS, THE SOAP OPERA, IAN’S PIZZA, MALLATT’S PHARMACY, AND WALGREENS PHARMACY

TICKETS: IN ADVANCE: $10  DAY OF SHOW: $15

OCTOBER 27–NOVEMBER 2, 2016 ISTHMUS.COM

THE KICKBACK • TRAPO MIC KELLOGG • LUCIEN PARKER RICH ROBBINS

BARRYMORE The Barrymore Theatre presents

THEATRE

2090 Atwood Ave. (608) 241-8864

ScHoolboy Q Friday, Oct. 28, Orpheum Theater, 8 pm

SAT. OCT. 29 - 8PM

Halloween Costume Party & Grateful Dead Celebration

n ISTHMUS PICKS : OCT 28 - 29

featuring music from:

TERRAPIN FLYER (Grateful Dead tribute) EVERGREEN GRASS BAND MISSION (JGB tribute) (Old & In the Way tribute)

$15 advance $20 d.o.s.

THUR. NOV. 10 - 7:30PM Artisan Music Productions presents

ra ) st_ he_ rc_ r O_ _ __ m ___ ng_ Wi_ e_ t a G n __ ND de_ ol_ BA s,G_ nd_ e_ i r M F JA hil_&__ , P_ ur_ th_ NT ur_ (F_ E _ IN ____P R E E M _ _ _ _ ____ A G O ’ S _ _ _ C ___ C H I

NINETEEN THIRTEEN Friday, Oct. 28, Arts + Literature Lab (2021 Winnebago St.), 8 pm

The name comes from the cello, made in 1913. But the music is most definitely from today. This wholly original collaboration between cellist Janet Schiff and percussionist Victor DeLorenzo (from the Violent Femmes) explores uncharted sonic territory. Expect a haunting performance of looping, beats and commentary by the two artists.

You may recognize ScHoolboy Q’s southern [California] drawl from his many collaborations within the rap community, perhaps most notably with fellow Top Dawg artist Kendrick Lamar. Many peers try to repay the favor on all four of Q’s studio albums, including FreakFest headliner Anderson .Paak, who guests on Q’s most recent LP, Blank Face. The rapper’s no-fucksto-give swagger and the drippy, heady beats will seep into your system like an IV and rattle the walls of the Orpheum. Opener Joey Bada$$ is no slouch, either.

ta ark S en, D

4 on the Floor Friday, Oct. 28, Farley’s House of Pianos, 7:30 pm

Horseshoes & Hand Grenades $20 advance, $25 dos

FRI. NOV. 11 - 8PM presents

STEVEN WRIGHT

Friday, Oct. 28, Majestic Theatre, 8 pm

If you’re looking to add some twang to your Halloween weekend, you can’t go wrong here. The bearded wonders of Horseshoes & Hand Grenades, who hail from Stevens Point, pump out classic bluegrass and country sounds, adding a Midwestern flavor. They’re on the rise, too, having placed third at the Telluride Bluegrass Festival, and they’ve shared the stage with Trampled by Turtles, Merle Haggard and Yonder Mountain String Band. With Kind Country.

ISTHMUS.COM OCTOBER 27–NOVEMBER 2, 2016

Brink Lounge: Billy McLaughlin & Jeff Arundel, 8 pm. Cardinal Bar: Tony Castañeda Latin Jazz Quartet, free, 5:30 pm; DJs Chamo, Dock, 9 pm. Chief’s Tavern: The Sparks Band, rock, free, 6:30 pm. Chocolaterian Cafe: Lulu Swing Quartet, free, 7 pm. Club Tavern, Middleton: Charm School Rejects, 9 pm. First Unitarian Society: Ted Reinke, piano, 12:15 pm. The Frequency: Joseph, William Wild, 9 pm. Hody Bar, Middleton: Country Wide Rocks, free, 9 pm. Knuckle Down Saloon: Pistol Pete, blues, 9 pm. Lakeside Street Coffee House: Madison Classical Guitar Society Showcase, free, 7 pm. Mickey’s Tavern: Sinking Suns, Mama, Shadow in the Cracks, Heather the Jerk, rock, free, 10 pm.

Tickets $40 advance

presents

No, it’s not a disco beat. This “4 on the Floor” is a rare chance to hear virtuoso pianists performing on concert grands as part of the Salon Piano Series at Farley’s. International powerhouses Daniel del Pino (pictured), Lucille Chung, Alon Goldstein and Roberto Plano chose the Madison showroom as their only North American performance. ALSO: Saturday, Oct. 29, 7:30 pm.

Mr. Robert’s: The Benders, Dewey Cox & Spinal Tap tribute, free, 10 pm.

SUN. NOV. 13 - 7:30PM

Overture Center: Tony Bennett, 8 pm. Sold out. Stoughton Opera House: Honey Dewdrops, 7:30 pm.

TODD SNIDER ‘EASTSIDE BULLDOG’ WITH SPECIAL GUEST

ROREY CARROLL Tickets $30 advance

Tickets on sale at Sugar Shack, Star Liquor, MadCity Music, B-Side, Frugal Muse, Strictly Discs, the Barrymore, online at barrymorelive.com or call & charge at (608) 241-8633.

Needtobreathe Friday, Oct. 28, Alliant Energy Center Coliseum, 7 pm

With sounds reminiscent of U2 and the Fray, Southern-style Christian rock band Needtobreathe consists of brothers and South Carolina natives Bear and Bryant “Bo” Rinehart. Rivers in the Wasteland, the band’s fifth studio album, peaked at No. 3 on the Billboard album chart, and the song “Multiplied” earned Needtobreathe its first Grammy nomination for Best Contemporary Christian Music Performance/Song. With Mat Kearney, Parachute, Welshly Arms.

Tandem Press: UW Contemporary Jazz Ensemble, Jazz Standards Ensemble, free, 5 pm. Tempest Oyster Bar: Los Chechos, free, 9:30 pm. UW Humanities Building-Mills Hall: Christopher Taylor, performing Bach’s “Goldberg Variations,” 8 pm. VFW-Cottage Grove Road: Universal Sound, 8 pm.

A RT EXH I B I TS & EV EN TS John Riggs: “Entering Old Growth: Meditations from the Ancient Rain Forest of the Pacific Northwest,” photographs, 10/28-12/31, Bos Meadery (reception 5:30-8:30 pm, 10/28, with music by Jane Reynolds & Cliff Frederiksen). bosmeadery.com. Cheng-Po Chen & C.K. Chang: Taiwanese Culture in Madison 2016 exhibit, 10/19-11/2, Overture CenterPlayhouse Gallery (reception 6:30-7:30 pm, 10/28). madabouttaiwan2016.wixsite.com/home.

SEARCH THE FULL CALENDAR OF EVENTS AT ISTHMUS.COM

T HE AT ER & DA N C E

Arts & Literature Laboratory: Amoebageddon, Scott Gordon, 8 pm. Barrymore Theatre: Terrapin Flyer, Evergreen Grass Band, Mission, annual Grateful Dead tribute, 8 pm.

PRESENTS

Bowl-A-Vard Lanes: Vinyl Thunder, classic rock, 9 pm. Brink Lounge: Mike Massey & Francie Phelps, 7 pm; Tom Gullion Quintet,8 pm; Antique Nouveau, 9 pm. Cardinal Bar: DJ Chamo, Latin, 10 pm. Club Tavern, Middleton: DJ Robbie G, free, 9 pm. Come Back In: Bill Roberts Combo, free, 9 pm. Crystal Corner Bar: VO5, ‘70s, 9:30 pm.

The Poe Requiem Friday, Oct. 28, Masonic Center, 8 pm

Always ready with a fresh take on classical repertoire, Fresco Opera Theatre presents an evening of works from master of dark prose Edgar Allan Poe, with a new score by Clarisse Tobia. We have goosebumps already. ALSO: Saturday, Oct. 29, 8 pm. Detroit ‘67: Kathie Rasmussen Women’s Theatre comedy-drama, 10/28-11/12, Bartell Theatre-Evjue Stage, at 8 pm Thursdays-Saturdays and 2 pm Sundays, plus 8 pm on 11/9. $20. 663-5814.

Essen Haus: Brewhaus Polka Kings, free, 8:30 pm. Harmony Bar: People Brothers Band, Frogleg, 9 pm. Hody Bar, Middleton: Midlife Crisis, free, 9 pm. Ivory Room: Luke Hrovat-Staedter, Taras Nahirniak, dueling pianos, 10 pm. Knuckle Down Saloon: Valerie B & the Boyz, 9 pm. Lakeside Street Coffee: Common Chord, free, 7 pm. Lazy Oaf Lounge: Honeyshot, rock/pop, free, 10 pm. Liliana’s: John Widdicombe & Dan Barker, 6:30 pm. Liquid: Hipp, 10 pm. Lucille: DJ Phil Money, free, 10 pm.

Mary’s Wedding: A romance shattered by the war effort, 10/28-11/20, APT-Touchstone Theatre, Spring Green. $75-$54. americanplayers.org. 588-2361.

Mother Fool’s: Open Mic with Angelica Engel, 8 pm.

FU NDRA I S ER S

Stoughton Opera House: Subdudes, 7 pm.

Bat-oberfest: “Battle for Bats” film screening & snacks, 5 pm, 10/28, Capital Brewery, Middleton. Bat-oberfest beer sales benefit Wisconsin Bat Conservation Fund. 866-264-4096. Spaghetti Dinner: Annual fundraiser for the Mujilla Falls Agricultural Education Center in Zambia, 5-8 pm, 10/28, Trinity United Methodist Church, with music by MadFiddle. $8 ($4 child). 257-4591.

sat oct 29 MU SI C

BarrymoreLive.com 608.241.8633

The Frequency: David Ramirez, 7 pm.

Taiyuan Puppet Theatre Company: 7:30 pm on 10/28 and 1 pm, 10/30, Overture Center-Rotunda Stage; 3 pm, 10/29, Oakwood Village-University Woods. Free. madabouttaiwan2016.wixsite.com/home.

Fall Fest: “Creatures of the Night’ themed activities, 5:30-7:30 pm, 10/28 Aldo Leopold Nature Center, Monona, with costume parade, refreshments. $50/ family (includes annual family membership to ALNC). aldoleopoldnaturecenter.org. 221-0404.

oct. 30 barrymore

Edgewater Hotel: Madison County, free, 2 pm.

THIS FRIDAY!

ALLIANT ENERGY CENTER COLISEUM

Majestic: DJs Nick Nice, Mike Carlson, 8 pm. Merchant: DJ Lolo, free, 10:30 pm. Mr. Robert’s: Stone Room, Royal Station, free, 10 pm.

ESPERANZA SPALDING PRESENTS

PETER WOLF NOVEMBER 16

Natt Spil: DJ Trichrome, free, 10 pm. Tavernakaya: DJs Radish, Fuzzy Duck, Lolo, 10:30 pm. Tempest Oyster Bar: John Christensen, free, 9:30 pm. UW Humanities Building-Mills Hall: Breaking Ground, marking groundbreaking for new UW facility, with Jessica Johnson, piano, John Chappell Stowe, harpsichord/organ, Andrew Briggs, cello, Sound out Loud, free, 7 pm. Woof’s: DJ John Murges, free, 10 pm.

T HE AT E R & DANCE Vicki Lawrence & Mama: A Two-Woman Show: 3 & 7 pm, 10/29, Stoughton Opera House. $60. 877-4400.

B OOKS Falling Light and Waters Turning: Adventures in Being Human: Release party for memoir by Mary North Allen, 3 pm, 10/29, The Gardens. fallinglightwatersturning.com.

Tickets available at MajesticMadison.com, 800-514-ETIX, and at the Majestic Theatre Box Office.

ART E XHI BITS & EV ENTS Artful Women Show/Sale: Annual Wisconsin Women’s Network & UW Hospital Art Fund benefit, 10/2912/3, UW Hospital & Clinics-2nd Floor. 263-5992. Fine Art & Craft Sale: Madison Weavers Guild event featuring Wisconsin & Minnesota craftspeople, 10 am-4 pm, 10/29-30, Olbrich Gardens. 238-3425.

S PECI AL E V ENTS

Saturday, Oct. 29, Mickey’s Tavern, 10 pm

A “save the date” notice for Madison rock fans appeared quietly via a post on the previously dormant His & Her Vanities Facebook page: The Madison quartet will reunite to play their first show in more than five years. Also on the bill is Pamphleteers, an excellent Chicago band that includes Rebecca Crawford (the Dials) and Jonathan Ben-Isvy (the Returnables). With Venus in Furs.

Hilldale-O-Ween: All-ages activities, 10/29-31, Hilldale. Saturday: Ken Lonnquist family concert 10:30 am (atrium). Monday: Trick or treating 4:30-6:30 pm, music/laser light show 4:30-6:30 pm (west plaza). More events: hilldale.com. 238-6640. Community Mandala: Help create an earth-made art mandala, 11 am-3 pm, 10/29, Farley Center, with food, music & meditation. Donations support Sarvodaya USA. RSVP: sarvodayausa.org. 567-4421.

SPECIAL GUEST ERIN LYNDAL MARTIN

S PECTATOR SP ORTS UW Football: vs. Nebraska, 6 pm, 10/29, Camp Randall Stadium ($85); pre-game tailgate 3:30 pm, Engineering Mall (free). 262-1440.

➡

NOV 17 • BARRYMORE

BARRYMORELIVE.COM 608.241.8633

FRIDAY • NOV 18 BARRYMORE THEATRE

BarrymoreLive.com • 608-241-8633

OCTOBER 27–NOVEMBER 2, 2016 ISTHMUS.COM

His & Her Vanities + Pamphleteers

Halloween Parade & Party: Primates Inc. fundraiser, 2 pm, 10/29, from Library Mall to Capitol, with costume contest. $10 ($20 per family) RSVP: amy@ primatesinc.com. 220-2166.

n ISTHMUS PICKS : OCT 30 - NOV 3

sun oct 30 MU S I C

Fruit Bats Sunday, Oct. 30, High Noon Saloon, 8 pm

Eric D. Johnson’s musical history is eclectic, to say the least. The Chicago-based musician has played on two classic Shins albums and worked on eight different film scores. But his most consistent work has been with Fruit Bats, a folky-indie rock project that’s released six albums of whip-smart, masterfully crafted jams that sound straight out of 1970s AM radio, the most recent being this year’s Absolute Loser. With Courtney Marie Andrews.

Esperanza Spalding

mon oct 31

Yelawolf

MUS I C

Sunday, Oct. 30, Barrymore Theatre, 8 pm

Seething with disgust for a world that’s screwed him over since birth, Yelawolf is the far-less-popular Eminem of the South. And he owns every bit of it. In his transformation from the awkward cruising anthem “Trunk Muzik” to his unapologetic tantrum on the guitar-heavy “Till It’s Gone,” he’s found his niche in angry, country-esque rap, and it works really, really well for him. With Struggle Jennings, Bubba Sparxxx, Jelly Roll. The Frequency: Kyle Craft, 8 pm.

Sunday, Oct. 30, UW Memorial Union-Shannon Hall, 7:30 pm

The shape-shifting genius of Esperanza Spalding had its roots in her childhood in Portland, Oregon, when she began performing violin with the Chamber Music Society of Oregon at age 5. At 31, the virtuosic bassist/composer/ vocalist has performed at the Oscars and the Grammys (she’s won four), and she’s practically a regular at the White House. Her latest album, Emily’s D+Evolution, is a whimsical, trippy experiment, with exuberant bass lines and vocals evoking the likes of Joni Mitchell.

dick’s thundering bass, you will feel this music deep within your chest cavity. With droning, fuzzy industrial noisemakers HEALTH.

Tricia’s Country Corners, McFarland: Frank James & the James Gang, country, 3 pm. UW Humanities Building-Mills Hall: Wisconsin Brass Quintet, School of Music concert, free, 7:30 pm.

Purity Ring Sunday, Oct. 30, Orpheum Theater, 7 pm

Purity Ring vocalist Megan James’ hauntingly ethereal vocals weave through crisp trap beats constructed by Corin Roddick as if they were forever intended to be united. James’ gothic, often fantastic imagery evokes raw emotion and vulnerability that Roddick shatters with 808 kicks and high hats. Their live show employs custom-built sound and lighting controls, which bring the laptop-style act to another level. Whether it’s the wistful woes of James or Rod-

VFW Post 7591-Cottage Grove Road: Jammin’ for Slammin’ Cancer, fundraiser for local charities (performers RSVP: dennis@inpaksystems.com), donations, 1-7 pm.

F UNDRAISERS Pie Palooza: Annual REAP Food Group fundraiser, seatings hourly 9:30 am-12:30 pm, 10/30, Goodman Community Center. $20 ($18 adv.) includes two slices of sweet or savory pie by local chefs, salad & beverage. RSVP: reapfoodgroup.org. 310-7836.

KIDS & FAM ILY Halloween at the Zoo: Annual event, 9:30 am-3 pm, 10/30, Vilas Zoo, with trick-or-treating, entertainment, activities. Free/donations. 258-9490.

Reel Big Halloween! Monday, Oct. 31, Majestic Theatre, 8 pm

In the 20-odd years it’s been in existence, Reel Big Fish has developed a reputation as a party band. The legendary skapunk outfit burst onto the scene with the ubiquitous single “Sell Out” in 1997, and has since released eight albums of cheeky originals and high-energy covers. In others words: the perfect band to get your Halloween rockin’ (and skankin’). With PPL MVR, Stacked Like Pancakes. East Side Club: Bluegrass Jam, 6:30 pm Mondays. The Frequency: MDC, The Crosses, Wartorn, The Moguls, The Bottles, 8 pm. High Noon Saloon: Megan Bobo & the Lux, Clyde Stubblefield All-Star Band, DJ Vilas Park Sniper, 6 pm. Liquid: Golden Donna, Mr. Jackson, McFabulous, Zed Kenzo, DJs Mando, Evan Woodward, Radish, 9 pm. Mickey’s Tavern: Heavy Looks, North by North, Dash Hounds, rock, free, 10:30 pm. Mr. Robert’s: Open Jam, free, 9:30 pm Mondays. Up North Pub: Eddie Danger, free, 7 pm.

A RTS N OT I C ES Wisconsin Film Festival Entries: Submissions from filmmakers with state ties invited for the 2017 showcase through 12/1; Student Shorts through 12/31. $45$15 entry fee. Rules: wifilmfest.org/entry. 262-9009.

COMPLIMENTARY FOOD & DRINK 2 HOURS BEFORE KICKOFF MUST BE

21+

ISTHMUS.COM OCTOBER 27–NOVEMBER 2, 2016

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Alchemy Cafe: Boo Bradley, blues, free, 10 pm.

tue nov 1

Bandung: Louka, 7 pm. Brink Lounge: Max Hat, Edda Glass, 7 pm; Paul Dietrich Jazz Quintet, 8 pm.

MU SI C Cardinal Bar: Paul Dietrich Ensemble, 6:30 pm; New Breed Jazz Jam, free, 9 pm Tuesdays. High Noon Saloon: Cindy Set My Hair on Fire, 6 pm. The Frequency: Nate Millyunz, 8 pm. Malt House: Cajun Strangers, free, 7:30 pm. Monona Terrace: Gingger Shankar, 8 pm. Up North Pub: The Lower 5th, rock, free, 8 pm.

A RT EX H I B I TS & E VE N TS Dying to Cross: Exhibit commemorating lives lost while attempting to cross the U.S.-Mexico border, 10/20-11/4, Edgewood College Gallery & grounds (Dia de los Muertos discussion 6:30 pm, 11/1; candlelight vigil 8 pm, 11/3). 663-3252.

Cardinal Bar: Foshizzle Family, New Nature Collective, 9 pm. The Frequency: Brian Ray, Starr Moss, Ben Sanders & Mark Hembree, bluegrass, 8 pm. Malt House: The North Westerns, free, 7:30 pm. Mickey’s: Brain Bagz, Sky Urchin, free, 10:30 pm. Opus Lounge: Benjamin Lodahl, free, 9 pm. Up North Pub: Lost Highway All-Stars, free, 8 pm. UW Humanities Building-Mills Hall: UW Wind Ensemble, School of Music concert, free, 7:30 pm.

B OOKS / S POKEN WORD Mike Mentzer & Tom Martinelli: Discussing “Unbreakable Bonds: Edgewood Football, Life Lessons: 1927-2015,” 7 pm, 11/2, Mystery to Me. 283-9332. Day of the Dead Poetry: Workshop by Araceli Esparza 6 pm, open mic at 7 pm, 11/2, Hawthorne Library. 246-4548.

wed nov 2

Nerd Nite: Free social gathering/informal presentations, 8 pm, 11/2, High Noon Saloon. 268-1122.

MU SI C

ART E XHI BITS & EV ENTS Brandon Lee Goral: Paintings, 11/2-30, UW Health Sciences Learning Center, 2nd Floor Lobby. 263-5992. Jan Boelte: Watercolors, 11/2-1/26, UW Health at the American Center-American Bistro. 263-5992.

POL I T I CS & ACTIV ISM League of Women Voters of Dane County Issues Forum: “A Citizen’s Perspective on Climate Change” talk by Dick Smith, 7 pm, 11/2, Oakwood Village-University Woods Center for Arts & Education. 232-9447.

The Staves Wednesday, Nov. 2, Majestic Theatre, 8 pm

The dulcet-toned harmonies of the three Staveley-Taylor sisters have been making their way over the Atlantic. The trio from Watford, England, has its own tour after selling out arenas while opening for Florence & the Machine in the U.K. Their Justin Vernon-produced song “If I Was” helped the sisters gain some well-deserved attention for their melodic folk rock.

thu nov 3 MUS I C The Frequency: Mr. Bill, Circuit Bent, 10 pm. High Noon: Tucker Beathard, Aubrie Sellers, 8 pm. Majestic Theatre: Stick Figure, The Movement, Natty Nation, DJ Trichrome, 8 pm. Overture Center-Capitol Theater: Levi Kreis, 8 pm. Stoughton Opera House: The Cactus Blossoms, country, 7:30 pm.

MAJESTIC LIVE PRESENTS

NOV

8PM

T H E AT R E

TICKETS AVAILABLE AT WWW.MAJESTICMADISON.COM

2090 Atwood Ave. (608) 241-8633 barrymorelive.com

OCTOBER 27–NOVEMBER 2, 2016 ISTHMUS.COM

FRIDAY

n EMPHASIS

Art for the ages ...all ages, that is, at Bare Knuckle BY SARI JUDGE

“In what other job do you get to meet a 9-year-old girl who wants to have a Day of the Dead birthday party because she’s inspired by Frida Kahlo?” asks Amy Mietzel, director of Bare Knuckle Arts, an independent art center on Madison’s east side. “Or an octogenarian excited to be taking her first painting class because the original one she was signed up for was canceled due to the Nazi invasion of Greece?” While she’s grateful for the many years she spent teaching art at Cherokee Heights Middle School, Mietzel always knew she wanted to open her own studio. “I genuinely enjoyed teaching the middle school ages for 20 years,” she says. “But I really wanted to teach 3-year-olds and 83-year-olds, too.” Since its 2013 opening, Bare Knuckle Arts has been a fixture of the Schenk’s Corners neighborhood offering a novel range of art classes with all-ages appeal. Adults and teens who sign up to take the Nov. 18 nuno felting scarf workshop will learn how to combine roving wool (usually used for spinning) into an elegant and fashionable scarf they can sport this coming winter. Or if folks are starting to tire of the whole elf-on-ashelf-as-décor thing, they can stop by Bare Knuckle from 1 to 4 p.m. on Dec. 4 to create a set of whimsical nesting dolls to reflect their own holiday traditions.

After-school art projects include (clockwise from top) a catapult; Minions and a rolling cat.

Youth programming, from workshops to private birthday parties, is still Bare Knuckle’s bread and butter. “I love that I’m able to provide an array of classes for kids that really taps into their interests,” says Mietzel. She is known for incorporating pop culture into many of her kid offerings. In her Pokémon Go workshops, participants bring their favorite character to life through activities like “create-your-own Poké egg,” or they make their own Minions from two-liter soda bottles. “Kids want to talk about and create art around what they know,” says Mietzel. Bare Knuckle also hosts drop-in classes after school on Mondays (when Madison public schools have early release). Instruction for home-schooled students and a Friday morning “Curiosity Club” for toddlers are popular, as well. “Most parents would prefer their toddlers paint here,” rather than at home, says Mietzel with a smile. “I’m pretty used to paint on the walls.” Most special, to Mietzel, is when multiple generations are creating together. “I love to see a grandpa and his granddaughter working on a piece together,” says Mietzel. “Having this center has allowed me to help families make memories. And those memories will likely last longer than whatever they’ve painted, sculpted or decorated in the studio that day.” n

BARE KNUCKLE ARTS 1949 Winnebago St., Madison n 608-852-1394 n bareknucklearts.com

ISTHMUS.COM OCTOBER 27–NOVEMBER 2, 2016

The Best Rec. Basketball League in Madison!

Join Adult Winter Basketball Leagues Today!

Registration open now through November 11 Play begins January 9

ColoniALE Fest November 4 2016 6 – 9 p.m.

OVER 30 BREWERIES AND 60 DIFFERENT BEERS TO SAMPLE

$30 in advance – $40 at the door (ticket price includes food samples)

BUSINESS SPECIAL

Groups of 8 or more $25/person (must purchase as a group at Colonial Club)

Call 204-3024 for information or visit www.mscr.org and click on Adult Sports. MSCR offers a variety of recreation programs for all ages. Now Recruiting Sports Officials. Call 204-3024.

$10 designated driver tickets FREE OVERNIGHT PARKING IN COLONIAL CLUB LOT

Meet members of

MADISON BALLET

at the Colonial Club in Sun Prairie 301 Blankenheim Lane, Sun Prairie

Call 837-4611 for tickets or purchase at Cannery Wine & Spirits at 240 E. Main St. Sun Prairie or at colonialefest2016.eventbrite.com

All proceeds go to support the Colonial Club non-profit senior center

n CLASSIFIEDS

Housing TIMESHARE FOR SALE Beautiful Point Resort and Club on Lake Minocqua, Minocqua, Wisconsin. One bedroom patio, indoor pool, dock space. and more. Must sell $750.00 (715) 614 1111.

Buy-Sell-Exchange Matching people and property for over 20 years. Achieve your goals! Free consult. www.andystebnitz.com Andy Stebnitz 608-692-8866 Restaino & Associates Realtors

FIND YOUR CONDO

SELL YOUR CONDO Chad Sperry, Broker 608-345-0293 Condos for all lifestyles | Condos for all budgets condoshoppe.com Phil Olson Real Estate —Since 1984— Residential Homes, Multi-Family, Condos PhilandBeckyOlson.com 608-332-7814 POlson@RestainoHomes.com Powered by Restaino & Associates UW • EDGEWOOD • ST MARY’S Quiet and smoke-free 1 & 2 bedroom apartments starting at $800. Newer kitchens with dishwashers & microwaves. FREE HEAT, WATER, STORAGE. No pets. On-site office with package service. All calls answered 24/7. Intercom entry. Indoor bicycle parking. Close to bus, grocery, restaurants, and bike trail. Shenandoah Apartments 1331 South Street 608-256-4747 ShenandoahApartments@gmail.com ALL AREAS ROOMMATES.COM. Lonely? Bored? Broke? Find the perfect roommate to complement your personality and lifestyle at Roommates.com! (AAN CAN) All real estate advertised is subject to the Federal Fair Housing Act, which makes it illegal to advertise any preference, limitation, or discrimination based on race, color, religion, sex, handicap, familial status, national origin, or status as a victim of domestic abuse, sexual assault or stalking; or intention to make any such preference, limitation or discrimination. Isthmus will not knowingly accept any advertising for real estate which is in violation of the law. All persons are hereby informed that all dwellings advertised are on an equal opportunity basis.

Services & Sales call

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WELCOMES

Jobs We’re Growing! Help brighten the lives of the elderly in Dane County by providing non-medical in-home care. Flexible shifts. Home Instead Senior Care: (608) 663-2646. AIRLINE CAREERS begin here – Get started by training as FAA certified Aviation Technician. Financial aid for qualified students. Job placement assistance. Call Aviation Institute of Maintenance 800-725-1563 (AAN CAN)

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Happenings “The Adventure of Being You” class in Madison, with Corinna Stoeffl. What if you could wake up every day again with a wild enthusiasm for being alive? Join us for “The Evening Adventure”, Nov. 4, 6:30-9pm, $75 p.person, or “The One-Day Adventure”, Nov. 5, 9:30am-6pm, $350 p. person. No prerequisites. Sheraton Hotel. Pre-registration required! Contact Bettina Madini, bettinamadini@hotmail.com, tel: 608-807-1158 www.BeingInAwareness.com

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ACROSS

1 Crater’s edge 4 Airer of vintage films 7 Cold-weather phenomenon also known as pogonip 13 “What ___ you afraid of?” 14 Paris’s ___ de la Cité 15 Juliet’s family name 17 Rowboat implement 18 With 20-Across, Rocky Road ripple full of a nutty animal? 20 See 18-Across 22 Super Bowl on Feb. 3, 2019 23 “Homer came up with the drink, but I came up with the idea of charging $6.95 for it” speaker 24 Sang from the hilltops, maybe 28 European sports car marque 32 Love letters? 33 Distinctive historical period

ISTHMUS.COM OCTOBER 27–NOVEMBER 2, 2016

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34 Existentialist aquatic animal? 39 “You’re ___ party ...” 40 Tennis’s Bjorn and namesakes (but not the “Star Trek” aliens, plural-wise) 41 “An idea!” 42 Poker hand that beats three field mice of a kind? 45 Common (and unimaginative) first episode title 47 Empty, as a mathematical set 48 It runs between “This American Life” segments 50 Battery terminal 53 Countless centuries 54 Romance/thriller novelist Hoag 55 With 60-Across, anesthesia administered by a small monkey? 60 See 55-Across

64 George Gershwin’s brother and collaborator 65 Like child’s play 66 “As a rule,” in a dict. entry 67 Dart in one direction 68 Final purpose 69 Avery of animation fame 70 Serpentine character? DOWN

1 2 3 4 5 6 7 8 9 10 11

Country in Southeast Asia ... ... and in the Middle East ... ... and in South America Actor central to the movie “Four Rooms” Dry red table wine Nothing other than I, Freudian? GoPro product, briefly Gp. overseeing toxic cleanups Problem for a parker, perhaps Basic skateboarding trick

12 Imaginary surface coinciding with the earth’s sea level 16 Lead-in to light 19 Cagey 21 Nearly twentyyear-old Apple 25 You can’t live without it 26 “And all she wants to ___ dance, dance” (Don Henley lyric) 27 Endo- opposite 28 Classic TV nickname, with “The” 29 Plotting 30 Final purpose 31 “Sounds like a good plan to me” 35 “48 ___” (1982 action-comedy) 36 Fictional account 37 Website with lots and lots of instructions 38 Lab maze runners 40 Hacking tool 43 Drew in 44 “Could you put that in layman’s terms?” 45 Teen’s rental from a menswear store 46 “I’m ___ hurry ...” 49 Examine carefully 50 Craft tapered on both ends 51 Eugene O’Neill’s “___ for the Misbegotten” 52 Animal on Australia’s coat of arms 54 B’way box office purchase 56 August, in Paris 57 11 1/2 wide, e.g. 58 Dwarf planet that dwarfs Pluto 59 License plates 61 “The Jungle Book” snake 62 European designer’s monogram 63 “Popeye” surname LAST WEEK’S ANSWERS

n SAVAGE LOVE

Seven nights BY DAN SAVAGE

I love my wife, but I have a lot of resentment, disappointment and insecurity over our sex life. After four years of marriage, huge angst remains that I have yet to get a handle on. Right now, with kids and our busy lives, she’s content with sex once a week or so, and I need relief pretty much every night to help with my insomnia. What’s more, I really don’t enjoy porn at all, but if we aren’t having intercourse, there’s pretty much no other way for me to get off. Blame it on my fundamentalist evangelical upbringing, but I fear my porn use becoming an addiction. It makes me feel dirty. I would love a solution to this problem that doesn’t involve me jerking off in a dark room by a computer screen after my wife falls asleep every night. All I want to do is feel close to my wife, orgasm and sleep. I think she does sincerely care and wants to help me, but is just so tired and busy with her career and our kids. And yes, I have talked and fought with her countless times. In weaker moments, I’ll admit I have also guilted her for her more “active” sexual past (with prior boyfriends) and for her current “ne-

glect,” which I know is unfair and unhelpful. I just don’t know what to do. When Orgasms Enable Sleep You’ve been married four years, you have more than one child, you both work — and if you divide household labor like most couples, your wife is doing more/most of the cooking, cleaning, and child care. But even if you were childless, living in a hotel suite with daily maid service, eating only room service, and throwing your underpants out the window after one wearing, WOES, it would still be unreasonable to expect PIV intercourse every night of the week. Frankly, WOES, once-a-week PIV is more sex than most young straight dads are getting. And if you’re demanding PIV from your wife as a sleep aid — “ask your doctor if Clambien is right for you” — it’s a miracle you’re getting any sex at all. And the limited options you cite — it’s either PIV with the wife or masturbation in front of the computer — aren’t doing you any favors. Consider PIV from your wife’s perspective: Her husband fucks, comes and falls asleep. She lies there for a while afterward, tingling, and may have to go to the bathroom once or twice. The PIV that puts her husband to sleep after a long day? It puts her sleep off. And if she wanted to get it over with quickly — because

JOE NEWTON

she was exhausted — there wasn’t much foreplay, which means she probably wasn’t fully lubricated (uncomfortable) and most likely didn’t come (unfair). That’s a recipe for resent-

ment, WOES, and resentment kills desire. (Or maybe you should think of it this way: If your ass got fucked every time you said yes to sex, you wouldn’t say yes to sex seven nights a week.) If you expanded your definition of sex, if your options weren’t PIV or nothing, you might not have to masturbate six nights a week. Because if your definition of sex included oral (his and hers), mutual masturbation and frottage—and if these weren’t consolation prizes you settled for, but sex you were enthusiastic about — your wife might say yes to sex more often. Still, you’re never going to get it seven nights a week. So make the most of the PIV you’re getting, broaden your definition of sex and get another night or two of sex in per week, and enjoy porn without guilt the rest of the week. And if you’re concerned about the amount of porn you’re watching, try this trick: Lie on the couch or the floor or the guest bed, stroke your cock (even if it’s soft), and think dirty thoughts. Your cock will get hard, I promise, and you’ll get off. It’s how most people masturbated before the internet came and ruined everything, and it still works. n Email Dan at mail@savagelove.net or reach him on Twitter at @fakedansavage.

Only two weeks until we hire a new President and I heard Trump is looking for a new running mate and his first choice is Bill Cosby.

Hillary called and asked if she could be VP too. 2009 FREEPORT RD. • 271-3827 • NEAR VERONA & RAYMOND ROADS

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OCTOBER 27–NOVEMBER 2, 2016 ISTHMUS.COM

Where is born

No two births are alike. But with over 3,200 babies born at SSM Health St. Mary’s Hospital last year, our birth suites team has the experience to help you through yours. Want the freedom to walk around? We have wireless fetal monitors to keep you moving. Looking for a quieter experience? Turn down the lights and take advantage of soothing aromatherapy or a soak in our jetted tub. All while knowing that we have 24/7 high-risk pregnancy specialists and a Level III NICU right down the hall, if you need them. Our staff is here to help Emory’s mom and 3,199 others have a birth experience uniquely their own.

Visit stmarysmadison.com/babies ISTHMUS.COM OCTOBER 27–NOVEMBER 2, 2016

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