Isaac Kim_M.Arch Application Portfolio_2016 by Isaac Kim

PORTFOLIO

ISAAC KIM M. Arch Applicaton

CONTENTS

PIERSIDE NORTH

EL COLORADO SKI RESORT

18TH & MARKET APARTMENTS

CHARLOTTESVILLE CLAYWORKS

ESCAPE TO SUGAR HOLLOW

RICHMOND MUSEUM OF IRON & STEEL

SKETCHES

PHOTOGRAPHY

PIERSIDE NORTH

Professional Work | Johnson Nathan Strohe | 2014 - Present Location: Block 18, Oceanside, CA

PHASES ACTIVE IN »» Conceptual Design »» Schematic Design »» Design Development »» Construction Documents »» Construction Administration

ROLE »» Primary Building Designer »» Architectural Staff

TEAM »» Jim Johnson (Principal-In-Charge) »» Nicole Nathan (Design Principal) »» Katie Sanchez (Project Architect)

Concept sketches with lessons from L.A.’s Mission Revival Union Station

Rendering of original design rejected by the city due to the con-conforming building style for the block

Pierside North

Pierside North is a mixed-use urban infill project part of a five-block redevelopment in downtown Oceanside, CA. Only a few hundred feet from the Pacific Ocean, the 4 story, 66 unit building is centered around an expansive second level courtyard oriented towards views of the ocean. The project was originally designed as a contemporary building inspired by select elements of historic California missions. However, the city required a traditional “Mission Revival” style including additional arches, cornices, and towers. The present design compromises by including these elements but restraining and modernizing the overall architectural palette. My involvement in the project included acting as the primary architectural designer with oversight from the firm’s Design Principal. I was also part of the architectural staff creating the construction documents and overseeing construction during the Construction Administration phase.

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3.3 5.7 5.17 6.11 8.5 10.26 13.11 23.1

PIER VIEW WAY

CAST-IN-PLACE CONCRETE COLUMN STEEL STAIR WITH CONCRETE TREAD AND LANDING METAL LADDER PEDESTAL PAVERS, RE: LANDSCAPE OVERHEAD COILING GRILLE 5'-0" GLASS RAILING SPA, RE: MISSION POOLS DRAWINGS CONDENSER UNIT, RE: MECHANICAL

1ZC

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T.O. LOW PLATE 144' - 6"

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UNIT B-2 427

COPYRIGHT BY J G JOHNSON ARCHITECTS, P.C. (JGJA). ALL DRAWN AND WRITTEN INFORMATION APPEARING HEREIN SHALL NOT BE MODIFIED, DUPLICATED, DISCLOSED, USED FOR ANOTHER PROJECT, OR OTHERWISE USED WITHOUT THE WRITTEN CONSENT AND INDEMNIFICATION OF JGJA

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MISSION AVENUE

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UNIT A-1 231

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OCEANSIDE - BLOCK 18

3RD LEVEL 124' - 4"

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T.O. LOW PLATE 144' - 6"

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LIVE/WORK 113 ELEC. 239

ACCESSIBLE STORAGE 224

LIVE/WORK 114

WASH / BIKE SHOP 133

STORAGE 132

L1 PARKING 100

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MEN'S 235

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UNIT A-2 226

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BUILDING SECTIONS

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BUILDING SECTION - N/S 1/8" = 1'-0"

Description

50% DD SET 100% CD BUILDING PERMIT SET 09/28/15 BUILDING PERMIT RESUBMITTAL #1 10/30/15 ASI #2

P1 PARKING LEVEL 89' - 0"

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OCEANSIDE - BLOCK 18

4TH LEVEL 134' - 8" UNIT A-1.1 UNIT B-2 219 330

UNIT B-2 327 1ZA

CORRIDOR 200

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STORAGE 238

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TRASH 208

ELEVATOR 2 204b

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FOR CONSTRUCTION

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1600 Wynkoop st., Suite 100 Denver, Colorado 80202 www.jgjohnson.com Studio 303.892.7062

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PIER VIEW WAY

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1/8" = 1'-0"

GFP OCEANSIDE BLOCK 18, LLC

1ZA

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UNIT B-2 327

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BREEZEWAY 244

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STAIR 2 225

CORRIDOR 200

UNIT A-1 228

STAIR 3 224D

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STAIR 4 224C

1600 Wynkoop st., Suite 100 Denver, Colorado 80202 www.jgjohnson.com Studio 303.892.7062

STAIR 1 206

ELEVATOR LOBBY 204

BREEZEWAY 200

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ISSUES/REVISIONS Date

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02/01/16 ASI #4 03/31/16 ASI #6 05/05/16 ASI #7

Level 2 floor plan 2ND LEVEL

SHEET TITLE

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Rendering of Level 2 courtyard

OCEANSIDE BLOCK 18

FOR CONSTRUCTION

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Level 2 courtyard seating Pierside North

DESIGN FEATURE | MISSION STYLE MOTIF Inspired by the proportions of openings and the recurring motif of overlapping geometries in historic California missions, Pierside North incorporates these elements through window dimensions and in water-jet-cut metal panels used in balcony railings and feature elements throughout the building.

Window and tile from historic missions

Sketches and diagrams of motifs

Water-jet-cut balcony railing panel

Water-jet-cut feature element with enlarged pattern

Nighttime view exhibiting lighting selected for both streetscape activation and code-compliance

Pierside North

Views toward the Pacific Ocean as seen from the Level 4 elevator lobby (left) and at the ends of all corridors (right)

View from Mission Ave. and railroad tracks Pierside North

EL COLORADO SKI RESORT Professional Work | Johnson Nathan Strohe | 2014 Location: Santiago, Chile

PHASES ACTIVE IN »» Conceptual Design

ROLE »» Designer »» Architectural Staff

Concept exploring how the slope of the terrain informs the building

Perspective of site

El Colorado Ski Resort

TEAM »» Nicole Nathan (Principal-In-Charge) »» Lukasz Ciesielski (Designer)

The growth in demand for accomodations and higher quality facilities at El Colorado Ski Resort in Santiago, Chile, led the resort to commission JNS for a design study. The project includes a multi-phase, 9 story, 120 unit condo-hotel spread across two buildings and the renovation of an existing facility inbetween named El Parador. The new buildings take cues from the butterfly roofed El Parador and the surrounding Andes Mountains, most notably through a sloped roof parallel to the terrain spanning the length of the main building. The main building includes an indoor rooftop pool providing dramatic views to both the ski slopes and the nearby capital city. Slopeside amenities activate the pedestrian level experience and include apres-ski, a ski shop, a cafe, a member lounge, and locker rooms. Site planning also addresses the present issues of vehicle congestion and poor pedestrian flow. My involvement in the project included being part of the design team, collaborating with other designers to create the overall concept and design intent, and producing the documentation for the project.

Level 2 (slopeside) floor plan

Level 3 floor plan

Building section

Aerial view of site highlighting the opening that allows views to the city and Andes Mountains from the rooftop indoor pool

Rendering of building from ski slopes El Colorado Ski Resort

18TH & MARKET APARTMENTS Professional Work | Johnson Nathan Strohe | 2016-Present Location: 18th St. & Market St., Denver, CO

PHASES ACTIVE IN »» Entitlements

Mass, Form, & Scale Massing diagrams illustrating design rationale

18th & Market Apartments

ROLE »» Graphic Design »» Rendering »» Architectural Staff

TEAM »» Nicole Nathan (Principal-In-Charge) »» Jovina Amor (Designer) »» Sarah Linback (Project Architect)

The Lower Downtown (“LoDo”) Historic District, Denver’s oldest neighborhood, is a vibrant mix of turn-ofthe-century buildings. Any new buildings proposed in the district require stringent review by the Lower Downtown Design Review Board (LDDRB) in order to ensure that the character of the neighborhood is preserved. The two major review processes are the initial Mass, Form, & Scale review and then the Design Details review. 18th & Market Apartments is a proposal in LoDo for a mixed-used, 11 story, 305 unit building occupied by a surface parking lot the length of one city block. Per the design guidelines, the building is required to be broken up into several massings. Other requirements include a sense of scale relating to the district’s historic buildings, the establishment of rhythm and relief, and the activation of the street with a “grand story”. My involvement in the project entailed creating the conceptual diagrams, the presentations, and the renderings to present to the LDDRB. All elements were to be as clear as possible for the majority of the non-architects of the board. Working with the design team, the project was able to attain approval in both reviews. It was those reviews the board commented on the effectiveness of the diagrams in aiding their understanding of the project at large, thus leading to their vote for approval.

Mass, Form, & Scale Building height comparison diagram

Mass, Form, & Scale Elevation diagram showing relationships to an existing historic block in the district

Design Details Market St. elevation

Design Details Section perspectives at the scale of the building and the street

Design Details Example of detail callouts from presentation

Rendering from corner of 18th St. & Market St. 18th & Market Apartments

CHARLOTTESVILLE CLAYWORKS Academic Work | ARCH 4020: An Institute for Materials Research | Spring 2013 Instructor: Shiqiao Li

REV SOU P MAR CO &L UCA

MATERIAL I chose to explore clay, an archaic yet foundational material that has little intrinsic value. However, in its final form as ceramics, clay can be understood to be valuable because of the subjective, personal attachment of an artisan. This led to an exploration of how architecture can function beyond a mere pottery studio and acts as a stage of spectacle in order to imbue clay with newfound vigor and value appreciated by a wider audience.

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PREMISE How does a material gain value economically, experientially, and artistically? In addition, how can these senses of value be incorporated into a program merging a workshop, classrooms, artists’ studios, and a farmers market into a single site currently occupied by a parking lot and the seasonal Charlottesville’s City Market?

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Location: Downtown Charlottesville, VA

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Site Study Diagram The program was aligned by the extension and intersection of existing dining (red), performance (blue), and commercial (green) spaces surrounding the site

ARCH 4020 | Charlottesville Clayworks

CONCEPT An individual follows the path of this material as it journeys out of the earth, into the kiln, and towards the sky to become a work of art. A conveying system weaves the clay around a traditional Japanese Noborigama (“stepping”) kiln - a dragon-like character spewing fire and smoke - and around towering chimneys that anchor the many elements of the project. A farmers market, theater, and educational spaces diversify the functions of the site to create a vibrant block where merchants are able to sell their wares while visitors take in the show.

1. The act of shaping the earth. Following the topography, a sheltered green area is created with berms in order to accomodate a park and the famer’s market. On the other side excavations are made for the kiln and auditorium thatcan open to a gentle slope for outdoor performances and gatherings.

2. Program is built up alongside the excavations, creating a close relationship to the earth. Multiple entrances are created, as well, from either ends of the long promenade or underneath the center in order to create multiple choices for experiencing the site.

RA M

FA R

ER ’S

Initial concept examining a workshop with the kiln as its beating heart

Exploration of an assembly line as a source of spectacle

Perspective view of the adjacency of the farmers market to the Clayworks

3. Two large walls are built alongside the excavation in order to create drama in the process of creation and to create a threshold between the more active program adjacent to the Downtown Mall and the slower-paced park and seasonal farmer’s market.

4. A system of frames is created in order to facilitate transportation of materials and to provide ample natural daylight in otherwise cave-like spaces. These light structures contrast to the permanence of the Noborigama Kiln

5. The final layout creates a spatial dialogue between the deep foundations of the productive ceramics facility and the lightweight structures that form a space for the farmer’s market. One learns that caves as well as tents have deep connections to each other through the earth.

ARCH 4020 | Charlottesville Clayworks 10

Water Street

5 A 14 1

2nd Street

5 A

3 1. Noborigama Kiln 2. Clay Pits 3. Studio 4. Gallery 5. Artist Residences 6. Cafe 7. Farmers Market Stalls 8. Library 9. Media Center 10. Office 11. Classroom 12. Theater 13. Restroom 14. Entrances

7 14

First Floor Plan

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Second Floor Plan

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11 ARCH 4020 | Charlottesville Clayworks

View from the park to the Clayworkâ&#x20AC;&#x2122;s core

Section sketch

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ARCH 4020 | Charlottesville Clayworks 12

1. Initial sketch on making ceramic-making dynamic 2. Excavating clay from deep within the earth to be formed and fired above 3. A view of the kiln, promenade, and the city

4. Entrance on Water Street

2 13 ARCH 4020 | Charlottesville Clayworks

4 ARCH 4020 | Charlottesville Clayworks 14

ESCAPE TO SUGAR HOLLOW Academic Work | ARCH 4010: The End of the World as We Know It | Fall 2012 Instructor: Matthew Jull Location: Charlottesville (Sugar Hollow) Reservoir, Albermarle County, VA

PREMISE What is an architectural response to uncertainty, especially in the face of the potential apocalypse? Create your own vision of the end of the world and your architectural response to it. MY APOCALYPSE The exponential growth of energy demand has severely strained the electrical grid - demand is quickly out-pacing supply. Ominously, the sun will reach the peak of its solar activity cycle in 2013, threatening to irreperably damage the grid in a solar storm. A group of 100 people agree to unplug and flee to the shelter of the Sugar Hollow Resoir to live off the land to be free of the coming chaos. CONCEPT A series of self-enclosed systems such as the Living Machine naturally recycle wastewater to provide clean, non-potable water. Greenhouses and cultivated land provide provide food. This settlement also creates a rich sense of place by containing a range of communal experiences including a healing center, an amphitheater, and lounges. Individually, residents can choose to live upslope in the forest, experiencing the change of light and the seasons as the trees bloom and shed their leaves. Or they can live downslope underwater and witness the shifting colors of light as the water freezes and thaws through the year. Thus the new inhabitants of Sugar Hollow learn not to depend on the cycle of charging their smartphones but instead tune themselves to the rhythms of the landscape they now inhabit. Concept models of responses to uncertainty including: preservation, adaptation, defense, mobility, communication

15 ARCH 4010 | Escape to Sugar Hollow

Program

5 54 47 0

ft.

KEY LIVING

HEALING ROOM

WORKSHOP

PERFORMANCE

LIVING MACHINE

COMMUNAL

GREENHOUSE

MEDITATION

DINING

STORAGE

2. A series of plants and animals ihnabit specially constructed micro-ecosystems in the living machine cells. The cells are alternately flooded and drained to create multiple tidal cycles each day, resulting in non-potable water.

Systems

LIVING MACHINES

THIS OR THAT?

Concept diagram

1. Gray and blackwater from the greenhouses and the community enter a septic tank and is pumped into the living machine.

GREENHOUSES

Residences are dug partway into the ground in order to passively maintain temperatures throughout the year.

3. The community uses the non-potable water for hygene, for irrigation of the greenhouses, etc., producing gray and blackwater Interventions are made in the stream in order to control water flow, raise fish, and create areas of rest and play.

Circulation Paths

Re-connection - experiencing the depths of the earth and the height of the sky ARCH 4010 | Escape to Sugar Hollow 16

SUGAR HOLLOW RESERVOIR

SITE PLAN

9 8

11 7

1 1

10 1 2 B

2 11

3 1. Living Machine 2. Greenhouse 3. Cultivated Land 4. Dining Hall 5. Healing Rooms 6. Meditation Space (below grade) 7. Amphitheater 8. Workshop 9. Communal Space 10. Living Spaces (below grade) 11. Living Spaces

Section A-A

17 ARCH 4010 | Escape to Sugar Hollow

Section B-B

(Above) The private refuge of a room tuned into an ever-changing landscape (Below) Viewing a lakeside performance in the amphitheater

ARCH 4010 | Escape to Sugar Hollow 18

MODEL Materials

Methods

1/16” Chipboard 1/32” Plastic Sheet Matte White Spray Paint

Hand-cut Laser-cut

19 ARCH 4010 | Escape to Sugar Hollow

ARCH 4010 | Escape to Sugar Hollow 20

RICHMOND MUSEUM OF IRON & STEEL ARCH 2020: The Analysis of Artifacts | Spring 2011 Instructor: Zaneta Hong Location: Near Main St. & 20th St., Richmond, VA

PREMISE First examine an artifact of your choice. Map its materials and production at different scales. Apply those discoveries to the scale of a museum in the city of Richmond.

ARTIFACT A simple tape measure. The production of this tool is a perfect indicator of the far-reaching exchange of raw materials and goods in the world. The steel used in a tape measure alone is the result of an industry that has had profound influence on the development of cities such as Richmond. However, the city lacks a museum examining the history of this industry and its impact.

Tape measure axon (modeled in Rhino) Diagram of distribution of worldâ&#x20AC;&#x2122;s largest steel producers and consumers Mapping civic, commercial, and industrial nodes in Richmond, 1878 & present-day

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1878 Commercial 2012 Commercial 1878 Institutional 2012 Institutional 1878 Industrial 2012 Industrial Site

21 ARCH 2020 | Richmond Museum of Iron & Steel

CONCEPT The museum focuses on the history of iron and steel in Richmond by depicting historical transitions of the industry and the city through light. A winding circulation route begins in literal darkness, navigating through the harsh, crude processes of early industry along the banks of the James River. Rough brick walls and unfinished materials preserve the grit and grime of this era. As visitors ascend through the winding paths of the museum, they journey through the industryâ&#x20AC;&#x2122;s growing impact on the prosperity of the city. And armed with new knowledge, visitors reach the top of the building full of light, with refined, reflective steel, and views of the city to illustrate the visionary possibilities of the 21st century steel industry and the larger city.

Gallery Partitions

FROM TAPE MEASURE TO MUSEUM | CONCEPT MODEL The dissection of a tape measure inspired three concepts integral to the tool: precision, repetition, and interlocking. This led to the creation of an abstract concept model embodying these ideas. Several uniform basswood units were notched to produce an interlocking system that has a sense of direction, measurement, rhythm, and a degree of porosity that later informed the nature of the exhibition spaces.

Floor Plates

Vertical Circulation

Steel Structure

EXPLODED AXONOMETRIC ARCH 2020 | Richmond Museum of Iron & Steel 22

7 Section A-A

1. Entry Hall 2. Cafe B

Section B-B

3. Gallery: The Industrial Revolution 4. Gallery: 20th Century Growth

5. Gallery: The 21st Century& Beyond 6. Storage & Mechanical

7. Office 8. Classroom

4th Floor UP

3rd Floor UP

2nd Floor

1st Floor

Basement

Section C-C 8 6

23 ARCH 2020 | Richmond Museum of Iron & Steel

View down through the exhibition space

1 2

ARCH 2020 | Richmond Museum of Iron & Steel 24

SKETCHES

Vicenza Study Abroad Program | Summer 2012 Location: Veneto and Tuscany, Italy

Villa Capra “La Rotonda”| Vicenza

Basilica Palladiana | Vicenza 25 Sketches

The Frari | Venice

Diagram of market day vans | Vicenza

Palazzo Vecchio from the campanile of the Duomo | Florence

Palazzo Vecchio from the Uffizi | Florence Sketches 26

Teatro Olimpico Axonometric | Vicenza 27 Sketches

Palazzo del Capitaniato | Vicenza

Baptistery | Florence Sketches 28

PHOTOGRAPHY

Traditional photography and manipulations in Photoshop Vertigo | New York City, NY

Seattle Public Library | Seattle, WA

29 Photography

Reflecting Absence | New York City, NY

Photography 30

Clyfford Still Museum | Denver, CO

31 Photography

Day and Night | Las Vegas, NV

Colorization of the University of Virginia Rotunda Fire, Oct. 27, 1895 | Charlottesville, VA

Original

Photography 32