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Pg. 4- Curtis Mafield & “Superfly” Pg. 9- Robert Kennedy famous speech Pg. 10- Earth, Wind & Fire Pg. 13- Nina Simone & Cab Calloway
Yesterday. Today. Tomorrow.
WEDNESDAYS • March 27, 2019
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Black History Imprinted
Curtis Mayfield, Jay-Z, Earth, Wind & Fire, Sylvester and Sam & Dave recordings inducted into National Recording Registry
History has once again been made with the National Recording Registry of the Library of Congress. The Library of Congress is the world’s largest library, offering access to the creative record of the United States — and extensive materials from around the world — both on-site and online. It is the main research arm of the U.S. Congress and the home of the U.S. Copyright Office. The National Recording Registry recognizes and honors music that enhance lives and tell a clear story about
life and circumstance. Since the National Recording Preservation Act of 2000 was instituted, the Library selects 25 titles that are at least 10-years-old and have proven culturally and historically significant. With this edition, The LEGACY will spotlight some of the artists from that list and recognize each one’s marking in music history, as well as certain flashbacks that impacted black history, education and messages towards social justice and equality.
The LEGACY
2 • March 27, 2019
News 2018 National Recording Registry •Yiddish
Cylinders from the Standard Phonograph Company •“GO” (album), Dexter Gordon (1962) of New York and the Thomas Lambert Company (c. 1901-1905) •“War Requiem” (album), Benjamin Britten (1963) •“Memphis Blues” (single), Victor Military Band (1914) •“Mississippi Goddam” (single), Nina Simone (1964) •Melville Jacobs Collection of Native Americans of the •“Soul Man” (single), Sam & Dave (1967) American Northwest (1929-1939) •“Hair” (original Broadway cast recording) (1968) •“Minnie the Moocher” (single), Cab Calloway (1931) •Speech on the Death of Dr. Martin Luther King, Jr., •“Bach Six Cello Suites” (album), Pablo Casals (c. 1939) Robert F. Kennedy (April 4, 1968) •“They Look Like Men of War” (single), Deep River Boys (1941) •“Sweet Caroline” (single), Neil Diamond (1969) •“Gunsmoke” — Episode: “The Cabin” (Dec. 27, 1952) •“Superfly” (album), Curtis Mayfield (1972) •Ruth Draper: Complete recorded monologues, Ruth Draper •“Ola Belle Reed” (album), Ola Belle Reed (1973) (1954-1956) •“September” (single), Earth, Wind & Fire (1978) •“La Bamba” (single), Ritchie Valens (1958) •“You Make Me Feel (Mighty Real)” (single), Sylvester (1978) B:9.75” •“Long Black Veil” (single), Lefty Frizzell (1959) •“She’s So Unusual” (album), Cyndi Lauper (1983) T:9.75” •“Stan Freberg Presents the United States of America, Vol. 1: •“Schoolhouse Rock!: The Box Set” (1996) S:9.75” The Early Years” (album), Stan Freberg (1961) •“The Blueprint” (album), Jay-Z (2001)
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Payment of interest on CDs is based on term: For terms less than 12 months (365 days), interest may be paid monthly, quarterly, semi-annually, or at maturity (the end of the term). For terms of 12 months or more, interest may be paid monthly, quarterly, semi-annually, or annually. A fee for early withdrawal will be imposed and could reduce earnings on this account. Special Rates are applicable to the initial term of the CD only. At maturity, the Special Rate CD will automatically renew for a term of 6 months, at the interest rate and APY in effect for CDs on renewal date not subject to a Special Rate, unless the Bank has notified you otherwise. 1,2. Due to the new money requirement, accounts may only be opened at your local branch. Wells Fargo reserves the right to modify or discontinue the offer at any time without notice. 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March 27, 2019• 3
New National Recording Registry Class is “Superfly”
Jay-Z, Cyndi Lauper and Robert Kennedy are new members of the National Recording Registry Sam & Dave’s 1967 hit single “Soul Man”; Ritchie Valens’ groundbreaking 1958 sensation “La Bamba”; the revolutionary 1968 Broadway musical “Hair”; and Neil Diamond’s 1969 “Sweet Caroline,” which became a popular sports anthem, are the newest recordings inducted into the National Recording Registry of the Library of Congress. The Library of Congress is the world’s largest library, offering access to the creative record of the United States — and extensive materials from around the world — both on-site and online. It is the main research arm of the U.S. Congress and the home of the U.S. Copyright Office.
Librarian of Congress Carla Hayden named these and 20 other recordings as aural treasures worthy of preservation because of their cultural, historic and aesthetic importance to the nation’s recorded sound heritage. “The National Recording Registry honors the music that enriches our souls, the voices that tell our stories and the sounds that mirror our lives” said Hayden. “The influence of recorded sound over its nearly 160-year history has been profound and technology has increased its reach and significance exponentially. The Library of Congress and its many collaborators are working
to preserve these sounds and moments in time, which reflect our past, present and future.” Under the terms of the National Recording Preservation Act of 2000, the Librarian, with advice from the Library’s National Recording Preservation Board (NRPB), is tasked with annually selecting 25 titles that are “culturally, historically, or aesthetically significant,” and are at least 10 years old. The new recordings to the National Recording Registry bring the total number of titles on the registry to 525, a small part of the Library’s vast recorded-sound collection of nearly three million items. The sound recordings recently
named to the registry showcase works across multiple genres, including blues, children’s recordings, classical, comedy, country, radio, jazz, pop, hiphop, rhythm and blues, Latin and Broadway. The spoken-word and musical recordings span a century from 1901 to 2001. The oldest recorded sounds on the 2018 registry are 20 cylinders of the earliestknown recordings of Yiddish songs (1901-1905) and the most contemporary recording is hip-hop mogul Jay-Z’s 2001 album “The Blueprint,” which solidified his reputation as one of the greatest rappers in music.
The LEGACY
4 • March 27, 2019
“Superfly” (album), Curtis Mayfield (1972) “Superfly” is the soundtrack album from the blaxploitation film of the same name. In a shrewd marketing move, the album was released weeks before the movie, increasing the interest of both the audience and film distributors. However, while supporting the film in those ways, songwriter Curtis Mayfield was concerned that the movie glorified drug use and sought to deliberately undercut what he saw as a cocaine commercial. Mayfield wanted to counter the film’s portrayal of drug use with songs that showed the consequences. For example, “Freddie’s Dead” is used in the movie only as an instrumental, but Mayfield not only wrote stinging lyrics for it, he released it as the first single from the soundtrack. Having lived in Chicago’s notorious Cabrini Green public housing project, Mayfield was all too familiar with the damage done by gangs and pushers. Mayfield said, “It was important for me to counter the visuals — to go in and explain it in a way that the kids would not read it as an infomercial for drugs.” Mayfield produced the recording sessions and did all the vocals, but some acknowledgement for the recording’s sound should go to Johnny Pate, credited as an arranger and orchestrator on the album. Pate had previously worked with Mayfield on some of the Impressions’ hits, including “Keep on Pushing.”
More news coverage available online at LEGACYNEWSPAPER.com
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March 27, 2019• 5
“You Make Me Feel (Mighty Real)” (single), Sylvester (1978) Disco was at its peak of popularity in late 1978 when Sylvester (aka, Sylvester James, Jr., The Fabulous Sylvester) released “You Make Me Feel (Mighty Real).” His urgent falsetto reflected his childhood background in both African-American gospel music and his work as a drag performer in San Francisco. To some, “You Make Me…” was evidence that disco was just a mass-produced sound, lacking in depth or personality although, to others, Sylvester’s highly personal and emotional performance gave it gravitas while also pushing gender-bending (which Sylvester reveled in) further into the musical mainstream. Patrick Cowley’s production anticipated later developments in electronic dance music. Together, the result was an anthem that has since been successfully covered many times.
Richmond Road Bikeway and Sidewalk Improvements Project James City County Willingess to Hold a Public Hearing
Find out about the proposed improvements along Richmond Road (Route 60) that will improve bicycle and pedestrian access between Croaker Road and Old Church Road in James City County. Come and see the proposed project plans to construct a new sidewalk on the north side of Route 60 between Croaker Road and Norge Lane, as well as on the south side between Norge Lane and Old Church Road. A pedestrian crosswalk and traffic signal upgrade will be added to cross Route 60 at Croaker Road and Norge Lane, as well as a roadway bike lane on the north side of Route 60 from Croaker Road to the Norge Crossing Shopping Center. Review the project information and Programmatic Categorical Exclusion (PCE) environmental document at the VDOT Hampton Roads District Office located at 7511 Burbage Drive, Suffolk, VA 23435, 757-9563000, 1-800-367-7623, TTY/TDD 711, or at the VDOT Williamsburg Residency Office, 4451 Ironbound Road, Williamsburg, VA 23188, 757-253-5138. Please call ahead to ensure the availability of appropriate personnel to answer your questions. If your concerns cannot be satisfied, VDOT is willing to hold a public hearing. You may request that a public hearing be held by sending a written request to Ms. Dawn Harris, Virginia Department of Transportation, 7511 Burbage Drive, Suffolk, VA 23435 on or prior to April 11, 2019. If a request for a public hearing is received, notice of date, time and place of the hearing will be posted. VDOT ensures nondiscrimination and equal employment in all programs and activities in accordance with Title VI and Title VII of the Civil Rights Act of 1964. For more information or special assistance for persons with disabilities or limited English proficiency, contact VDOT’s Civil Rights Division at 757-9563000 or TTY/TDD 711. State Project: BW00-047-103,P101, P102, R201, C501, C502 Federal Project: STP-5403 (510) UPC: 17633
“Schoolhouse Rock!: The Box Set” (1996) “Schoolhouse Rock” is well remembered as a series of short animated programs that aired on ABC television starting in 1973. They featured infectiously catchy songs cleverly explaining important educational concepts such as multiplication and grammar. The recordings began as an experiment by advertising executive David McCall to help his son remember his multiplication tables as easily as he remembered the lyrics to his favorite pop songs. McCall then enlisted jazz pianist Bob Dorough’s songwriting and singing talents and the result was the song “Three is a Magic Number.” Partnering later with Tom Yohe and George Newall, a series of song and animations were crafted on various subjects for Saturday morning broadcasts, including “I’m Just a Bill,” “Conjunction Junction,” “Elbow Room” and “Interjections!” The programs aired for 12 years. They might have fallen off the radar if not for the reissues produced by Kid Rhino Records in the 1990s followed by a complete box set of the songs in 1996. Parents who grew up watching the cartoons could play the songs for their children in the car, keeping the music alive and relevant for another generation.
6 • March 27, 2019
Op/Ed & Letters
The LEGACY
I’m shocked -- shocked! -- that wealthy parents love their kids too By Thomas L. Knapp
The LEGACY NEWSPAPER Vol. 5 No. 13 Mailing Address 409 E. Main Street 4 Office Address 105 1/2 E. Clay St. Richmond, VA 23219 Call 804-644-1550 Online www.legacynewspaper.com
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In the film version of Forrest Gump Forrest’s mother tries to convince the local elementary school principal that her son belongs at his local elementary school rather than at an institution for what we would now call “special needs” students. The two reach an understanding on Mrs. Gump’s remarkably squeaky bed while Forrest waits on the front porch. That scene popped to mind uninvited in early March when 50 parents, test administrators, and college sports coaches were indicted in a nationwide college admissions bribery scandal. Coaches allegedly took bribes to accept students as fake athletic recruits to get around academic standards. Test prep services supposedly taught students how to cheat on tests and bribed proctors to smooth the way for the cheating. An "admissions consultant," William Singer, is accused of orchestrating the scheme to the tune of $25 million. I’m surprised, though, at the vitriol directed at the parents in particular. I suspect most movie viewers empathized with the fictional Mrs. Gump, who did whatever she felt she had to do to secure the best education possible for her child. Real-life parents like actors Lori Loughlin and Felicity Huffman
-- the two most famous of the indicted parents -- did whatever they felt they had to do to secure the best educations possible for their children as well. The difference, of course, is that the fictional Mrs. Gump was poor, while Loughlin and Huffman are wealthy. The public heartburn over Loughlin and Huffman seems less about them bribing their kids into good schools than about them being able to AFFORD to bribe their kids into good schools. Suppose the scandal had unfolded in a different way. What if, instead of rich people writing checks they could afford, it was working class parents scraping together money they really couldn’t afford, or trading menial work or even sexual favors a la Mrs. Gump, for illicit “admissions assistance?” In that alternative scenario, I suspect most would regard the parents as victims, not as evil-doers. In that alternative scenario, I expect that most parents could see themselves doing exactly the same things in the same circumstances. “Let me tell you about the very rich,” wrote F. Scott Fitzgerald. “They are different from you and me.” True. But not when it comes to loving their children. I won’t.
www.LEGACYnewspaper.com
March 27, 2019• 7
P.T. Hoffsteader, Esq.
Wealthy parents cheating to get their kids into top colleges Let’s break down this outrageous scandal that we learned about where wealthy parents, primarily super wealthy white parents, were indicted on fraud charges for hundreds of different bribes they were making to get their mediocre children into the best colleges and universities around the country. The story went viral, in great part, because several of the parents that were indicted were celebrities and actresses like the woman who played Aunt Becky on the sitcom Full House and the actress Felicity Huffman – best known for her role on Desperate Housewives. I take this scandal personally on so many levels because my wife and I have one daughter that just entered college and another that is a junior in high school that we are preparing for college. Hell – we’re already thinking about college for our 12 year old son – and trying to make sure that he’s on the right path. And for each of our kids – we’ve put an enormous of pressure on them to get A’s in every single class. Our daughter who is a junior in high school this year has never received a single B her entire life. Our daughter who is in college now got a 4.0 her final two years of high school. And
we paid for them to take grueling SAT prep courses – that hardly seemed to help I might add – all so that they would have the best chance at success as they applied for college. For generations in this country, Black parents have taught our children that they have to be twice as good to have the same open doors as white folk – and sometimes I’m not even sure if that’s true – when we learn that white parents across the country are literally paying people $15,000 – $20,000 to take the SAT for their children. In the indictments earlier this week we learned that white parents were literally bribing admissions officials and college coaches – sometimes with millions of dollars – to just let their mediocre children in to the top schools in the nation. Some parents paid a women’s soccer coach at Yale $400,000 to let their daughter on the team. And get this – their daughter literally didn’t even play soccer. And it worked – they got their daughter into Yale. Another parent paid hundreds of thousands of dollars to get her daughter onto a rowing team at a prestigious college – even posting fake pictures of her daughter pretending to train on a rowing
machine – and it worked – even though her daughter had never been on a rowing team a day in her life. One parent paid $6.5 million dollars to bribe their child into a top university. And it’s very frustrating as a parent to know that this is the type of stuff our children are up against. Our teenage daughter has a 4.0 and is absolutely brilliant and we’re still told that she may not even get in to some of the best colleges in the country – yet white parents are basically buying admission seats for their mediocre kids. Most experts say this is just the tip of the iceberg. And really it is – because what we’ve learned over the past few years is that both Donald Trump and his son-in-law, Jared Kushner, got into top colleges in a similar fashion. Pro-Publica did a huge story on Kushner last year, with interviews from his high school counselors and teachers saying that he didn’t have anywhere near the GPA and test scores to get into Harvard, but his father, who eventually went to prison for financial crimes, found a way to use money to make it happen anyway. Same thing with Trump decades ago. It’s not just that white families bribe their way into prestigious
colleges and universities – it’s that they then use the admission as a springboard to catapult their kids to positions of power – all the way to the highest offices in the land. Just for a moment – compare the white mediocrity of Donald and Melania Trump to Barack and Michele Obama -who had to fight and scratch and claw to get into Harvard and Princeton and Columbia – where they were literally the top students there – knowing that they had to be the best of the best of the best to get where they are today. Melania never even went to college. Can hardly even give a speech with plagiarizing. Trump is the first President in a generation to not go to grad school. Even George W. Bush struggled his way through an MBA from Harvard. I’ll close with this thought – the past few weeks have really blown the lid off of white corruption and bribery and fraud – between Michael Cohen, Paul Manafort – and these white families bribing colleges – and we just want to be sure that everybody gets equal justice. Because we’ve seen Black families go to prison for years and years simply for using a different address to get their children into a quality public school.— Shaun King
8 • March 27, 2019
The LEGACY
“Hair” (original Broadway cast recording) (1968) “Hair,” the self-proclaimed “Tribal Love-Rock Musical,” was essentially sex, drugs and rock ‘n’ roll in a Broadway show, with the Vietnam War and racial prejudice thrown in for good measure. Given the cultural division of 1968, depending upon which side of the divide one was on, it was, surprisingly or naturally, a hit, running for 1,750 performances. The book and lyrics were written by James Rado and Gerome Ragni, who appeared in the Broadway cast as Claude and Berger, respectively. Galt MacDermot composed the music. Even leaving politics aside, the Broadway show received some criticism despite its considerable success, such as the complaint that it didn’t have much of a plot or that it was more of a revue than a musical. However, such criticisms are less pertinent to a cast album and they ignore the fact that the songs from “Hair” are extremely catchy. The musical’s original Broadway cast recording was enormously successful. During 1969, The 5th Dimension (“Aquarius/Let the Sunshine In”); The Cowsills (“Hair”); Three Dog Night (“Easy to Be Hard”) and Oliver (“Good Morning Starshine”) all had major hits with covers of songs from the show. The original LP release omitted a few songs, which were later restored on the CD reissue.
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Speech on the death of Dr. Martin Luther King, Jr., Robert F. Kennedy (April 4, 1968)
On the night of April 4, 1968, Sen. Robert F. Kennedy flew to Indianapolis to speak at a rally in a mostly African-American neighborhood of the city in support of his campaign for the presidency. The news of Martin Luther King, Jr.’s death in Memphis reached Kennedy when he landed, but much of the assembled crowd only knew that King had been shot. After sharing the devastating news, Kennedy spoke extemporaneously from brief notes. He called for peace in the face of pain and rage and drew upon his experience of the assassination of his brother five years earlier. The recording of the speech captures the tone and emotion of his delivery and the expressions of the crowd — their dismay at the news of King’s death as well as their support for his calls for the country to pull together in the pursuit of both peace and justice. Kennedy himself would be shot and killed just two months later. His remarks still resonate today and recall a frightening time of political violence as well as a dream for a better future.
More news available at WWW.LEGACYNEWSPAPER.COM
10 • March 27, 2019
The LEGACY
“September” (single), Earth, Wind & Fire (1978) Recording artists Earth,Wind & Fire (L-R) Philip Bailey, Maurice White, Ralph Johnson,Verdine White and Larry Dunn pictured in 2004.
Earth Wind & Fire guitarist Al McKay remembers waking one morning “feeling really good” and picking up his guitar to have the central guitar groove of “September” roll out effortlessly “piece by piece.” When he showed it to Maurice White, the band’s leader and co-writer on the track, White wrote the opening lyric after only a few repetitions. The immediate, buoyant and upbeat mood of this beginning remained imprinted on the track through the final mix and these attributes explain much of its enduring appeal. White also singles out Thomas “Tom-Tom” Washington’s Latin-tinged horn arrangement with opening fanfare and the nonsense “ba-dee-ya” vocalization as contributing to the “feel-good, anthemic qualities” that the band strove for in their songs of the time. The pioneering multi-track techniques employed on this recording sustained the deep groove for which the band was noted. The synthesis of funk, falsetto and forward-driving momentum of just a few chords are powered by the clarity of the individual channels and the punctuation of the horns.
March 27, 2019• 11
www.LEGACYnewspaper.com
“Soul Man” (single), Sam & Dave (1967) Sam & Dave’s biggest hit was inspired by a riot. After watching coverage of the 1967 Detroit riot, songwriters Isaac Hayes and David Porter were determined to respond with a positive song. Hayes said, “... the word ‘soul,’ it was a galvanizing kind of thing for AfricanAmericans, and it had an effect of unity, it was said with a lot of pride.” The result was “Soul Man,” a danceable declaration of Black Pride. The dynamic vocal duo of Sam & Dave were chosen to record it with Hayes and Porter producing and backed by Stax Records regulars Booker T. and the M.G.’s and the MarKeys’ horns. “Soul Man” is instantly recognizable by its first few notes, guitarist Steve Cropper’s trademark sliding sixths. The engine that powers “Soul Man” is Donald “Duck” Dunn’s infectious, ebullient
bassline.
Sam Moore and David Prater
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“Soul Man” was awarded the 1968 Grammy Award for Best Rhythm & Blues Group Performance, Vocal or Instrumental. “Soul Man” was released on the Stax label and was the label’s the most successful single peaking at number one on the Billboard Hot Black Singles chart during that time.
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12 • March 27, 2019
The LEGACY
“The Blueprint” (album), Jay-Z (2001)
As Jay-Z’s fame and mainstream popularity grew, he became a tempting target for other hip-hop artists and his credibility came under threat. He was also facing charges relating to assault and weapons possession that could have dramatically affected his life and career. There was a lot riding on the success of his sixth album, “The Blueprint,” when it was released on Sept. 11, 2001, the same day as the devastating terrorist attacks in New York, Pennsylvania and Washington, D.C. Critics recognized it as a signature achievement. Neil Strauss, writing for Rolling Stone, believed “personal and legal problems have provoked Jay-Z to write what may be his most personal, straightforward album, but also his most self-aggrandizing work.” “The Blueprint” demonstrates Jay-Z’s range, from battle raps throwing shade on his lyrical adversaries such as Nas and Prodigy of Mob Deep, to triumphant anthems about life at the top, to heartfelt examinations of his personal history.
www.LEGACYnewspaper.com
March 27, 2019• 13
“Mississippi Goddam” (single), Nina Simone (1964) Written by Nina Simone in response to the murder of civil rights activist Medgar Evers in Mississippi and the bombing of the Sixteenth Street Baptist Church in Birmingham, Alabama, which killed four young African-American girls, “Mississippi Goddam” is one of the most vital songs to emerge from the Civil Rights era. Though surprisingly upbeat in tempo (Simone said of it, “This is a show tune, but the show hasn’t been written for it yet”), the message of “Mississippi” is brutally clear and addressed racial strife in music without the safety of abstraction and metaphor. Simone often said when introducing the song in concert, “And I mean every word!” Simone’s lyrics and impassioned vocal performance lays out her outrage and though the curse word in its title immediately limited the recording’s radio airplay, the meaning and musicianship of this work has ensured its fame and endurance.
“Minnie the Moocher” (single), Cab Calloway (1931) By 1931, songs about dens of iniquity were nothing new, but one so deliberate, not to mention as entertaining, as Cab Calloway’s “Minnie the Moocher” was indeed remarkable. “Minnie” bears more than a slight resemblance to a 1920s ditty titled “Willie the Weeper,” a song about a “chimney sweeper” with a drug addiction. In the song, Minnie is characterized as both “rough and tough” and big-hearted, and one who associated with types as disparate as “Cokey Joe” and the King of Sweden. An equally unlikely pairing was the wild abandon, yet perfect control, with which Cab Calloway sang this minor-keyed fable. Calloway sang “Minnie” throughout his long career, including the rousing version he performed in the 1980 film “The Blues Brothers,” when he was an agile septuagenarian.
14 • March 27, 2019
The LEGACY
“She’s So Unusual” (album), Cyndi Lauper (1983)
Her debut solo album, “She’s So Unusual,” wasn’t exactly what Cyndi Lauper had in mind, but it may have been just what she needed. After the dissolution of her band, Blue Angel, Lauper faced bankruptcy and losing her voice, hardships that might have forced a less resilient artist to give up, but she persevered. When she finally got another chance, she wanted to make the most of it by recording her own songs although the record company suggested material by others. As the sessions progressed, a mutual respect and trust developed between Lauper and producer Rick Chertoff. As a result, Lauper warmed to some of the proposed cover versions, including “Girls Just Want to Have Fun,” which became the first of her four hit singles from this album. Chertoff encouraged Lauper to work with singer/songwriter Rob Hyman on an additional song for the album. That effort, “Time After Time” became Lauper’s first number-one hit and, in an interesting twist, her most covered song. Lauper’s handling of the covers shows her creativity and the emotional range of her vocal style, which set her apart from other pop stars of the day. She kept the dominant drumbeat of Prince’s “When You Were Mine,” but slowed the tempo to give it a different feel. She brightened Jules Shear’s “All Through the Night” with sparkling synthesizer riffs and, what Rolling Stone’s Kurt Loder christened as her “… wild and wonderful skyrocket of a voice.” Lauper’s version of The Brains’ “Money Changes Everything” hewed close to the original, her take on Robert Hazard’s “Girls Just Want to Have Fun” wasn’t a mere cover, it was a transformation of the song into a joyous feminist anthem.
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March 27, 2019• 15
Diversity Restoration Solutions, Inc.
Million XODUS Movement
Mission Statement
We conduct Homecomings and project development activities in America and Africa to reconnect families and communities previously separated by the institutions of slavery for mutually beneficial social and economic restoration.
Homecoming Network Subscription: ➢ ➢ ➢
$10 per year Supports DRS operations Receive Homecoming Network updates and invitations to events via quarterly newsletter.
Homecoming Highlights: ➢
Diversity Restoration Solutions, Inc. (DRS), a Virginia based business tourism and international project development firm is preparing for the 2019 Africa Homecoming Pilgrimage starting in Hampton Roads NC/VA and traveling to Ghana and Zambia in commemoration of the 400-year milestone of American African enslavement and survival in America under British rule. In early 1995, Eric Sheppard accompanied the late, Rev. John L. Wright to a meeting at the Shoney’s Restaurant in Baltimore, Maryland to meet with Dr. Ben Chavis regarding the Million Man March organizing in Maryland. The legacy of that meeting continues with the Africa Homecoming Pilgrimage and Million XODUS Movement into our next era. One million subscribers to the Homecoming Network is our goal to initiate Homecoming projects and programs in Ghana and Zambia that restore cultural and economic connections between us for current and future generations.
2019 Africa Homecoming Pilgrimage
Hampton Roads – August 1-3, 2019 Ghana & Zambia – August 4-16, 2019 Contact DRS for registration and admission fees
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Hampton Roads: Moses Grandy 1843 Slave Narrative; The Great Dismal Swamp & Canal history of Maroons and the Underground Railroad; The Smith Farm Gathering in Williamsburg, VA. Ghana: Cape Coast Slave Dungeons; Homecoming Network Orientation & Training Institute. Zambia: Barotseland welcome ceremony; Restoration Center ground breaking
Subscribe online: Click on Shopping Cart
www.diversityrestoration.com
Diversity Restoration Solutions, Inc 11815 Fountain Way, Suite 300 Newport News, Virginia 23606 1 (757) 926-5233
For more information, please contact Diversity Restoration Solutions, Inc., Tel: (757) 926-5233 or Email: info@diversityrestoration.com DRS Website: www.diversityrestoration.com
16 • March 27, 2019
Calendar March 30, 11 a.m. POP UP SHOPPING Made In Africa Pop Up Shop is coming to your city for the first time and will be bringing you timeless, unique pieces straight from the Mother land. Come shop, enjoy the music and have fun. Location: Dance Masters 5008 Lakeside Avenue Richmond, VA
Ongoing
The LEGACY
COMMUNITY ACTIVITIES & EVENTS
March 30, 2 p.m. CULTURAL CRAWL Booze. Food. Street Art - Bar Crawl Grab your friends and your camera as you join this unique bar crawl experience. Booze. Food. and Street Art. What better way to spend your Saturday, day drinking and exploring these artsy neighborhoods. Cultural Crawl Include: A complimentary souvesnir cup Exclusive drink and food specials at partnering bars and restaurants An online & printed map to explore murals Good vibes, music and more! More info at www.culturalcrawl.com
ART WORKS
Visit 6 exhibits and 75 artist studios. Free admission Tuesdays - Sundays, 12-6 p.m. The exhibits continue through April 20. Exhibits Include: OK OK by Kevin Sabo OK OK is a collection of gestural figures that twist their way into the perimeter of the canvas. Sabo is insistent on keeping their bodies and limbs squished inside the borders of the painting, which is a challenge to engineer new proportions of the body. The exhibit will be in the Jane Sandelin Gallery. Call 804-291-1400 for more information
Submit your calendar events by email to: editor @legacynewspaper.com.
Include the who, what, where, when and contact information that can be printed.
Deadline is Friday
April 18-21 THEATRE AND DANCE INITIATIVE The University of Richmond has launched a new program to make theatre and dance more accessible. The Department of Theatre & Dance in partnership with the School of Arts & Sciences introduces “UR Free Theatre & Dance,” a free performance series that showcases student talent. Upcoming events include: •April 18-21: “Caroline, or Change” •This musical, written by Pulitzer Prize-winning playwright Tony Kushner, with music by Tony Awardwinner Jeanine Tesori, is a playful, funny, and deeply moving portrait of America on the cusp of momentous social change in 1963.
March 27, 2019• 17
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409 E. Main St. #4 (mailing) • 105 1/2 E. Clay St. (office) The LEGACY Richmond, VA 23219 804-644-1550 (office) - 1-800-782-8062 (fax) Serving Richmond & Hampton Roads ads@legacynewspaper.com 409 E. Main St. #4 (mailing) • 105 1/2 E. Clay St. (office) LEGAL, EMPLOYMENT, ANNOUNCEMENTS, FOR SALE, SERVICES Richmond, VA 23219 804-644-1550 (office) • 800-783-8062 (fax) ads@legacynewspaper.com
18 • March 27, 2019
Classifieds NOTICE IS HEREBY GIVEN THAT THE CITY OF RICHMOND BOARD OF ZONING APPEALS Will hold a Public Hearing in the 5th Floor Conference Room, City Hall, 900 East Broad Street, Richmond, VA on April 3, 2019, to consider the following under Chapter 30 of the Zoning Code:
PUBLIC AUCTION Ad Size: 12 of inches (2 columns X 6 inches) Unclaimed Vehicles
200+/-2 IMPOUNDED Issues - March 20 & 27- ($132 - per run) $264 total AUTOS, LIGHT TRUCKS & Rate: $11 per column inch MOTORCYCLES SOUTHSIDE PLAZA DRIVE-IN
Ad Size: 1 column(s) X 6.48 inches)
2 Issues (3/20 3/27) - $71.28 per ad ($142.56 Rate: $11 per column inch
Includes Internet placement Thank you for your interest in applying for opportunities with The City of Richmond. Gates open 9:00make AMany needed changes and return Please review theatproof, by fax orPlease e-mail. review the proof, make any needed changes and retu If your response is not received by deadline, your ad ma Auction begins at 10:00 AM If your response is not received by deadline, your adTo maysee not bewhat inserted.opportunities are available, please Auction will include the vehicles listed Ok X__________________________________ refer to our website at www.richmondgov.com. below plus many others: Ok X_________________________________________ EOE M/F/D/V
Includes Internet placement
Monday, April 8, 2019
BEGINNING AT 1:00 P.M. BZA 04-2019 (CONTINUED FROM MARCH 6, 2019 MEETING): An application of Nancy and Ernest Bush, Jr. for a building permit to construct a new single-family attached dwelling at 900 NORTON STREET. BZA 12-2019: An application of Corwin W. & Jane A. Cominsky for a building permit to construct a one-story addition (10.5’ x 19.0’) to a single-family detached dwelling at 3420 EAST MARSHALL STREET. BZA 13-2019: An application of Charles Schmidt for a building permit to split a lot and construct a new single-family detached dwelling (#310) at 308 WEST 25th STREET. BZA 14-2019: An application of Cava Capital LLC for building permits to divide an existing lot into two (2) lots and to construct a new singlefamily detached dwelling on each of the vacant lots at 1727 NORTH 28th STREET. BZA 15-2019: An application of Lee Medical Building LLC for a building permit to convert a nonconforming office building to a multi-family dwelling containing 63 dwelling units at 1805 MONUMENT AVENUE. BZA 16-2019: An application of Fresh Start Property Solutions, LLC for a building permit to renovate a single-family detached dwelling at 3004 HANES AVENUE. Roy W. Benbow, Secretary Phone: (804) 240-2124 Fax: (804) 646-5789 E-mail: Roy.Benbow@richmondgov.com
2003 NISSAN ALTIMA 1N4AL11DX3C206776 1999 CHEVROLET TAHOE 1GNEK13RXXJ433191 2001 ACURA TL 19UUA56671A009525 2007 NISSAN ALTIMA 1N4AL21E17N462295 2000 FORD MUSTANG 1FAFP4041YF237546 1997 LEXUS LX 450 JT6HJ88J7V0168549 2000 BUICK LESABRE 1G4HP54K3YU258987 2001 MERCURY COUGAR 1ZWFT603815600065 2000 YAMAHA YFS200 JY43JM036YA013688 2006 SUBARU TRIBECA 4S4WX82C264428919 2001 ISUZU RODEO 4S2DM58W514354137 1998 MERCURY GRAND MARQUIS 2MEFM74W0WX626887 2005 NISSAN ALTIMA 1N4AL11DX5N454615 1995 HONDA CIVIC 2HGEJ1125SH573789 2004 CHEVROLET TRAILBLAZER 1GNES16P946176663 1999 NISSAN SENTRA 3N1AB41D7XL104704 2005 FORD FOCUS 1FAFP34N75W134866 2000 DODGE GRAND CARAVAN 1B4GP54L3YB659358 2003 DODGE STRATUS 1B3EL46X03N544922
Ok with changes X ______________________
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REMINDER: Deadline is Fridays @ 5 p.
One of the strong benefits of newspaper advertising is that newspapers offer a variety of ways to target a particular audience. Whether it’s zoning inserts by zip code or using a niche publication to target a certain ethnic group or behaviorally targeting a certain group on a newspaper website, newspaper products offer a wide range of products to target any audience an advertiser is looking to reach. Talk to us for more information.
REMINDER: Deadline is Fridays @ 5 p.m.
SEIBERT’S is now accepting vehicles on consignment! Reasonable Seller’s Fees.
642 W. Southside Plaza Dr. Richmond (804) 233-5757
WWW.SEIBERTSTOWING.COM VA AL # 2908-000766
Place your“For sale”,“Wanted” and “Service”... ads here. Call 804-644-1550
Serving Richmond & Hampton Roads March 27, 2019• 19 409 E. Main St. #4 (mailing) • 105 1/2 E. Clay St. (of Richmond, VA 23219 804-644-1550 (office) • 800-783-8062 (fax)
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AUCTIONS
AUCTION. Gray Auctions Co. VA#1104 Saturday, March 30, 2019 @ 9 A.M. 14089 Robinson Road, Stony Creek, VA 23882. For all info Visit: www.graycoservices.com or Call Joe Gray at 804-943-3506 ATTN. AUCTIONEERS: Advertise your upcoming auctions statewide or in other states. Affordable Print and Digital Solutions reaching your target audiences. Call this paper or Landon Clark at Virginia Press Services 804-521-7576, landonc@vpa.net
EDUCATION/CAREER TRAINING
AIRLINES ARE HIRING – Get FAA approved hands on Aviation training. Financial aid for qualified students Career placement assistance. CALL Aviation Institute of Maintenance SCHEV certified 877-204- 4130
FOR SALE
G&E Virginia Premium Assured Heifer/Cow Sale. March 30th, 2019 12:00 noon. G&E Test Center Gretna, VA. Call George Winn at 434-489-4458.
HELP WANTED / DRIVERS
NEED CDL Drivers? Advertise your JOB OPENINGS statewide or in other states. Affordable Print and Digital Solutions to reach truck drivers. Call Landon Clark at Virginia Press Services 804-521-7576, landonc@vpa.net
REAL ESTATE FOR SALE
Commonwealth of Virginia Virginia Department of Transportation
156- Procurement 322 HAMPTON SOLICITATION CITY OF HAMPTON Tuesday, May 14, 2019 2:00 p.m. ET – RFP 19-53/CLP On-Call Right of Way Professional Services There will be a mandatory attendance pre-posal meeting on Thursday, April 11, 2019 at 2:00 (ET); Public Works Conference Room, 4th Floor, Hampton City Hall located at 22 Lincoln Street
Ad Size: 8.7 inches (2 columns X 4.35 inches) Request for Proposals 155244-TW 1 Issue (March 27) - $95.7
Set Aside for DSBSD-Certified Business Rate: $11Small per column inch Participation Only For Term Contract for Architect/Engineering Services placement(Statewide for the Central Office Includes LocationsInternet Predominately, at VDOT’s discretion).
Please review the proof, make any needed changes and return by fax or If your response is not received by deadline, your ad may not be ins
For additional information, see our web page at http://www.hampton.gov/bids-contracts
Documents are located at www.eva.virginia.gov and available from the individual indicated below.
A withdrawal of bid due to error shall be in accordance with Section 2.24330 of the Code of Virginia. All forms relating to these solicitations may be obtained from the above listed address or for further information call; (757) 727-2200. The right is reserved to reject any and all responses, to make awards in whole or in part, and to waive any informality in submittals.
Inquiries should be directed to: Tamerra D. Webb at tamerra.webb@vdot.virginia.gov , or (804) 7865325.
Minority-Owned, Woman-Owned and Veteran Businesses are encouraged to participate. Karl Daughtrey, Director of Finance
REMINDER: Deadline is Fridays @ 5 p.m.
Proposals will be received in accordance with the i nformation posted at www.eva.virginia.gov until 2:00 P.M. local time on April 26, 2019.
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SERVICES
DIVORCE-Uncontested, $395+$86 court cost. No court appearance. Estimated completion time twentyone days. Hilton Oliver, Attorney (Facebook). 757490-0126 Se Habla Espanol. BBB Member. https:// hiltonoliverattorneyva.com.
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