2020
portfolio Jacob I Murphy
House in Woods
4
Dogpatch Ship Breaking
8
Exposing the Drosscape
14
Alessandrino Community Center
20
Two X Two
26
Disrupt / Displace
30
Void | Object | Texture | Frame
34
Gymnasium for Iowa State
42
Internships
46
Other Works
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House in Woods Bamesberger Architecture 2020 Valparaiso, IN This minimal, three bedroom, 4000 square foot, single-family home is nestled between large oak trees in a heavily wooded area just north of Valparaiso, IN. The layout responds to the surrounding landscape of the site. The volumes of the house are kept minimal to contrast the intricacy of the vegetation encompassing it. As one follows the drive and approaches the house from the north, the house reveals varying levels of complexity as each of its elevations is observed. The garage is pulled to the south and the great room to the north, creating a front and back of the house relationship while also preserving views to the pond on the site. An artificial stone panel veneer clads the entirety of the first level
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while the upper floor is clad in shou sugi ban cedar. The sports court mass is clad in panelized corten steel. All materials were selected and detailed to provide a clean exterior finish while complimenting the natural textures of the site around the house. The iterative design process started with gathering an understanding of the client’s needs and desires. The program of the spaces allowed for us to create volumes of varying scale. The overlapping edges of the masses create an exterior character in which it is hard to fully understand where each floor level sits. All graphics were created in AutoCAD and Adobe Suite.
2020
0’
north elevation
Jacob I Murphy
5’
10’
20’
5
House in Woods
main level floor plan
upper level plan
6
2020
0’
5’
10’
20’
0’
5’
10’
20’
0’
building section (A301 / 2)
1/2” GYPSUM SHEATHING 2”x 4” STUD WALL CONSTRUCTION TEAR AWAY STRIP
SOLID CORE INTERIOR DOOR, PAINTED SOLID WHITE OAK CASING W/ 1/2” KIRF CUT
METAL FLASHING HOUSE WRAP 1/2” PLYWOOD SHEATHING 2”x 6” BLOCKING METAL DRIP EDGE BLACKENED STEEL WINDOW TRIM
5’
10’
20’
1/2” PLYWOOD SHEATHING 2”x 4” STUD WALL CONSTRUCTION RUBBER ROOF MEMBRANE TAPERED INSULATION 3/4” PLYWOOD SHEATHING MIN. R-50 OPEN CELL SPRAY FOAM INSULATION
1”x 6” T&G OILED, CLEAR CEDAR BENJAMIN OBDYKE HOMESLICKER
typical door jamb detail
3/4” PLYWOOD SHEATHING HOUSE WRAP 3-PLY 2”x 12” SYP WINDOW HEADER 1/2” PLYWOOD SHEATHING
1/2” GYPSUM SHEATHING TEAR AWAY STRIP SOLID WHITE OAK RETURN W/ 1/2” KERF CUT
typical window header detail
BENJAMIN OBDYKE HOME SLICKER 5/8” SHOU SUGI BAN VERTICAL SIDING EBONY CAULK BEAD MARVIN CLAD ULTIMATE CASEMENT WINDOW
2-PLY LVL BEAM CAULK BEAD MARVIN CLAD ULTIMATE SLIDING DOOR
14” TJI 560 SERIES JOIST @ 16” O/C JOIST HANGER 1/2” GYPSUM SHEATHING
great room window header detail
0’
east elevation Jacob I Murphy
5’
10’
20’
7
Dogpatch Ship Breaking Blurring Boundaries - Thermal Baths San Francisco, CA Instructor: Bosuk Hur Team: Zhelei Chen, Rylee Higgins The site is in the location of the earliest and what was once one of the most important industrial facilities in the Western United States. The architectural remnants of this dead ship building industry spot a 69 acre patch of land sandwiched between the Dogpatch neighborhood and the bay of San Francisco. In order for the revitalization of an otherwise uninhabitable site, this project implements the deconstruction of a defunct urban fabric and its boundaries to allow for the insertion of two seemingly antithetical programs: an automated ship breaking plant (a place of labor) and thermal baths (a place of leisure). Our site has a history of ship building and repair. Most of these processes happened from
the late 1800s to the mid 1900s. In response to the site, this project imposes a 2500 foot long megastructure to deconstruct the defunct urban fabric. This axis of architecture penetrates through the existing warehouses creating a circulation corridor through the site. The design process began with visualizing the programs as individual bubbles of space. The absolute geometry of the sphere or similar forms made the spaces feel significant and enticing to occupy. The development of the scaffolding structure system was second nature at this point, and the overall extents of the scaffolding also determined the boundaries of the thermal baths.
H. Kennard Bussard Award (2018) - finalist CSI Competition Award (2018) - finalist 8
2020
conceptual axon - tranquility within tragedy
Jacob I Murphy
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1
2
deconstructed axon - thermal bath
10
2020
hollow steel pipe
program
steel star pin joint connection
sheet metal cladding
insulation & vapor barrier composite structural sheathing scaffolding
steel pin joint connection
edge
steel space frame
1: structure detail volume
locking cap 1/4� spacer deconstruction
rotating locking mechanism high strength plastic pedestal
artificial stone tile
heating elements & drainage
2: bath tile detail
connection
Jacob I Murphy
11
Dogpath Ship Breaking Plant
manifesto physical model
physical model detail
ship entrance from bay
Boundaries can be created on purpose or simultaneously formed by the natural existence of temporal matter. This concept was explored through the creation of a model that represents the intersection of the multiple urban fabrics of the site. A stationary framework remained unchanged throughout the duration of the exploration process. This scaffolding structure in both phases remains unchanged as all else (concrete, blue foam, robots, architecture, humans, or ships) inhabits, moves or dissolves within it. The initial model along with the final proposal is a representation of that exact relationship. One tranquil, pristine world intersects and weaves through the tragedy of destruction. 12
The scaffolding structure not only allows for the freedom to create organic, cloud like structures to awe the human visitors of the thermal baths, but it also acts as a piece of infrastructure for a crew of AI powered robots to move and labor freely within. The result is a space where the existence of two very different occupancy types and their orders of spatial hierarchy are intertwined and mingled within a singular framework system. A single cargo ship enters from the bay side into the void space within the framework system. Through an automated process, the ship moves west through the stages of deconstruction starting first with the scanning and removal of hazardous materials and the 2020
removal of usable materials such as furniture and circuit boards. Finally, the remaining steel structure is cut into progressively smaller pieces and re-purposed for both the construction and maintenance of the thermal baths, and the needs of the city of San Francisco. This project proposes a way in which the artifacts of a defunct economic process come full circle. A ship that was built here returns again and dissolves back into the city that once created it.
site plan
SECTION E
site section
physical model (concrete, resin, 3D print, acryllic) Jacob I Murphy
13
Exposing the Drosscape Manhattan development Chelsea, NYC Instructor: Ivonne Santoyo-Orozco Team: Wentao Zhong
“This studio takes this Brutalist building as an object in which to speculate new forms of habitation, to revise critically the category of mixed used development, and to question the role of public space today” By using the development of Hudson Yards as a comparative tool for analysis, this project studies the use of public space in the Chelsea neighborhood, its privately owned public space, and the way in which the raising of these levels, due to economic and environmental factors, may be used by developers as an instrument of wealth segregation. What factors must a city developer and urban designer consider when creating the cities of tomorrow?
Drosscape:
An urban framework that looks at urbanized regions as waste product of defunct economic and industrial processes ` Drosscapes are created when other interests such as the economy or industry are prioritized over inhabitable environments. There are many drosscapes spotted throughout the city of Manhattan. From unused subway stations to abandoned tunnels that once carried high-class mail between buildings, the forgotten realms of Manhattan’s inner worlds lay dormant, ready for their revitalization.
BWBR Design Competition (2016) - second place
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2020
conceptual site section
Jacob I Murphy
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Exposing the Drosscape
museum of the drosscape
hudson river adaptive pulbic level
dynamic living modules
Directly adjacent to Hudson Yards, the largest private real-estate development in American history, lies a brutalist, 16-story ziggurat shaped tower: 5 Manhattan West. Often noted to as the ugliest building in Manhattan, this city block-sized building no longer serves its purpose for its original design as a storage warehouse. Its 470 x 250 foot floor plates create spaces with little to no use for inhabitation. It has become an urban drosscape. The site sits directly above the Hudson rail yards, which serve as storage and repair tracks for many of the city’s transit trains. The Hudson Yards development, a $20 billion, 28-acre mixed-use real estate development is currently being constructed directly above the storage rails below. 16
site plan 2020
area of infill
commercial
public transit
0’
Jacob I Murphy
250’
500’
1000’
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Exposing the Drosscape
2100 flood line 2050 flood line hurricane sandy flood line contemporary ground level
5 Manhattan West Hudson Yards Development
power / cable High Line Park
forgotten water / steam gas lines
railyards
sewage tunnels
deep water
exploded layers of the site - not to scale
18
2020
0-30’ conceptual render of proposed void
residential units
30-200’ adaptive public platforms
museum of the drosscape
200-800’
conceptual site section - not to scale
Exposing the Layers of the City Manhattan has a unique condition where multiple layers have compiled on top of one another throughout the city’s history. Both the Hudson Yards development and the adjacent Manhattan West development have raised their
public realms by three floors, further hiding the multitude of layers already below the public level of the site.
enlarged axon of layers - not to scale Jacob I Murphy
19
Alessandrino Community Center Rome, Italy Instructor: Simone Capra Team: Rylee Higgins The site within the Alessandrino neighborhood exhibits a historic typology of architecture that represents the way in which many neighborhoods developed on the outskirts of Rome during the mid 20th century. This was an urban ecology where improvised dwellings were constructed under old Roman aqueducts and in other ancient ruins scattered throughout the city. A single collection of shacks hints towards this spontaneous urban landscape of the neighborhood from decades past. In order to link itself to the community and its history, the Alessandrino Community Center transforms the archetype of the shack into architecture of contemporary function. The small street of Via dei Pampini represents a path of circulation that has developed from a historic
footpath into a contemporary street. Placed within Rome’s urban sprawl-ring of poorly planned, inhuman scale developments, the shack and Via dei Pampini demonstrate a way of small-scale urban development in which architecture comes second to the means of pedestrian occupation. By applying this same principle to the development of the community center, this project represents a method of development where the desire lines of circulation footpaths determine the shape of the architecture. The contemporary shack is composed from a single historic material of the shack’s time period: brick. The superimposition of the historic shack’s roofline onto the façade of the contemporary shack determines the areas of transparency.
exhibited at “Back from Italy 2019” presented by The Embassy of Italy, Washington, DC
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2020
utility buildings community center
historic shacks
ancient aqueducts
site plan
Jacob I Murphy
21
Alessandrino Community Center
1960s - Viale delle Mandriole, along Alessandrino Aqueduct
2018 - Via dei Pampini, historical shack along Alessandrino Aqueduct
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2020
existing foot paths on site
plan view of existing shacks on site
inferred floor plan of shacks
initial spontaneous construction of shacks
secondary infill construction of shacks
volumes of shacks
abstracted vernacular volumes
community center volumes
Jacob I Murphy
imposed roofline of historical shack
23
Alessandrino Community Center
office
bath cafe
auditorium
events
new community center
events events
via
de
i pa
mp
ini
historic shacks (gallery space)
ancient aqueduct
0’
ground floor plan
24
2020
10’
20’
50’
exterior render - roofline of historical shacks mirrored on new facade
abstracted roofline of shacks
interior render - view of aqueducts distorted through perforation
Jacob I Murphy
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Two x Two student design-build Ames, IA Instructors: Nick Senske, Renaldo Correa-Diaz, Bosuk Hur, Andrea S Wheeler, Gregory Palermo Team: Arch 201 - 2016 Two x Two explores the relationships between human ergonomics and the success of public spaces. As a five week design-build project incorporating all 77 students in five sections of my Arch 201 course, this project provided the opportunity for us as students to self organize, collaborate ideas, make decisions, and execute a plan. Because the atrium of the College of Design is used on a daily basis, we had to implement phases of construction to minimize the amount of disturbance that we caused.
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A mix of open gathering spaces and enclosed private canopies provide a program of varying interaction. Composed entirely of 2”x 2” lumber, Two x Two transformed the inflexible atrium seating of the ISU College of Design atrium into a versatile, playful environment. Choosen as one of the 36 projects for ArchDaily’s “Best Student Design-Build Projects in the World 2016”. Recognized by SHoP Architects, Archinet, and Iowa State Universtiy Department of Architecture.
2020
Jacob I Murphy
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TWO x TWO
program diagrams: groups 1-4
construction documents
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2020
Jacob I Murphy
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Disrupt / Displace 15th Annual Venice Biennale Sessions 2016 Venice, Italy Instructors: Leslie Forehand, Shelby Doyle Team: Arch 528 Spring 2016 The Venice Biennale curator Alejandro Aravena’s call to action for the 2016 Venice Biennale asked architects to report instances of socially aware architecture from around the world. We were asked to “report from the front”. In response to Aravena’s statement, a front was identified in Iowa: the Bakken Oil Pipeline, a field of action to report in Venice. The construction of the Bakken Oil Pipeline is a spatial condition with social, cultural, and political ramifications. It opened the door for the discourse on the topics of morals in architecture and architecture’s relationship to social and political issues. Rather than providing answers, this
process has stirred up additional frustrations, questions and concerns: can architecture be an agent of social change? The Bakken Pipeline, constructed by Dakota Access, will transport crude oil from the Bakken shale fields in North Dakota to Illinois. When completed, the 1,172 mile long pipeline will leave a 100 feet wide scar across the the gridded landscape, cutting through family farmlands and Native American burial grounds. On either side of the pipeline, 150 feet will be cleared of foliage and buildings during construction and 50 feet on either side will remain as a permanent easement.
http://new.arch.iastate.edu/biennale-sessions/
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2020
Iowan landscape - Story County
Jacob I Murphy
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sign near I-35 in Iowa
module reflects twisting of corn stalk
abstraction of Jeffersonian Grid
Bakken Pipeline across the U.S. grid
path of Bakken Pipeline across Iowa
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2020
1. travel
2. construct
3. assemble
4. disrupt Jacob I Murphy
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Void|Object|Texture|Frame subway station Rome, Italy Instructor: Simone Capra Team: Samuel Contreras, Rylee Higgins The site offers a unique opportunity for the interaction between archaeology from different time periods. Both the Castra of Hadrian (150 A.D.) and the Aurelian Wall (300 A.D.) are located within the project site area (texture). The brief asked us to design a new station for the P line of Rome’s metro while creating a connection between the archaeological history of the site. Rome has a history of layering of time. In some areas of the city this layering can be up to 30 feet. In the case of the site, the original ancient ground level is approximately 24 feet below the contemporary urban
ground plane. In order to create a connection between the two ruins, we have cut a (void) within the urban fabric, exposing both the depth of the site’s layers and the full height of the Aurelian Wall. The arched framework, an abstraction of a typical Italian courtyard, is then placed into this void. This (object) not only creates visual (frame)s of the archaeology of the site, but also showcases the collage of everyday Roman life and its interaction with the city’s history.
exhibited at “Back from Italy 2019” presented by The Embassy of Italy’ Washington, DC
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2020
Jacob I Murphy
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Void|Object|Texture|Frame
site plan
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1/32” : 1’
2020
A
The framework is inserted between the two archaeological areas. The excavated, sunken courtyard meets the level of the Castra of Hadrian on the southern side while exposing the full height of the ancient Aurelian Wall to the north.
existing vertical cores to subway below
Aurelian Wall 300 A.D.
B
A
Castra of Hadrian 150 A.D.
B
lower level floor plan
Jacob I Murphy
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Void|Object|Texture|Frame
section A
1/32” : 1’
section B
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1/32” : 1’
2020
render at contemporary street level
Jacob I Murphy
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Void|Object|Texture|Frame
view from within the framework facing the Castra of Hadrian
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2020
Jacob I Murphy
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Gymnasium for Iowa State a study of precast concrete Ames, IA Instructor: Rob Whitehead Team: Rylee Higgins, Wentao Zhong
The brief for out structures and materials course challenged us to create a structural solution for a gymnasium with the dimensions of 120’ x 80’ while also creating a pleasant space of light and materiality. The solution uses a series of one-way span, pretensioned, precast concrete folded plates. These plates span a total of 80’ with a depth of 6’ in the center (BLUE). The ends of the plates rest directly on the 12 precast concrete vertical “A” shaped members and are secured in place with metal plates and bolts that were precast into both structural members (GREEN). Because of the “A” member’s
triangular shape, it is able to withstand lateral forces and give structural stability to the building in two side-to-side directions. Because the connections of the vertical support to the beams are not enough to resist lateral forces in the perpendicular directions to its longest facade, and the folded plates are not directly attached to each other in a structural way that would make them act as a solid roof, additional lateral support is needed to prevent each “bay” of this building from sliding past one another. The result is diagonal steel structures that attach directly to each “A” member (RED).
Wells Inaugural Precast Concrete Competition (2018) - first place
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2020
interior render
Jacob I Murphy
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Gymnasium for Iowa State
non-structural concrete
rigid insulation layer
stress force diagram
structural concrete
By making the middle cross section of the beam drop lower than the ends, we give a deeper dimension at this point and allow the beam to withstand the max bending force at its center.
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tension tie to prevent bowing of sides windows
2020
steel panel light diffuser
steel window mullions
precast concrete folded plates
structural steel lateral bracing w/ precast concrete cladding
precast concrete vertical structural members
CMU infill wall w/ precast concrete cladding cast-in-place concrete foundation Jacob I Murphy
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Internships Neumann Monson Architects Bostwick Design Partnership During my summer of 2018 with Neumann Monson Architects, a portion of my time was used to create presentation graphics for projects that were currently completed and in the process of being submitted for awards. These graphics would be paired with photography of the project and a short text. In order to create graphics that represented the projects concisely, I had to first fully understand the project and the concepts that needed to be presented. Through the process of creating graphics of existing projects, I was able to develop specific case studies of each. Discussions with the team of each project along with studies of the existing construction documents, allowed me to develop my own understanding of the intent of the project and how to best represent it.
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All of the graphics were created through a process utilizing Revit, Adobe Illustrator, Adobe Photoshop and analong methods. Three of the four projects submitted were awarded at the 2018 AIA Iowa Convention with special jurror comments on the qualtiy of graphical representation. During my time with Bostwick Design Partnership I was able to play an integral role in the design team by providing design ideas and communivating these ideas to clients through renderings. These renderings were created in Revit and used to demonstrate the need for further investment into the renovation in order to compete with other market providers.
2020
UUIC, Iowa City, IA - Perspective Building Section Neumann Monson Architects - Iowa City, IA
Jacob I Murphy
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Internships
Lone Tree Wellness Center, Lone Tree, IA - Ground Level Floor Plan & Perspective Building Section Neumann Monson Architects - Iowa City, IA
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2020
Sabin Townhomes & Parking Garage, Iowa City, IA - Exploded Townhome Module & Exploded Building Axon Neumann Monson Architects - Iowa City, IA Jacob I Murphy
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N
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1 DAVE'S OFFICE CHARTING LL162 STATION 3 119.8 SF LL161 38.1 SF
L
EXAM 6 LL160 105.3 SF
STORAGE LL143 70.7 SF
3
CHARTING STATION 2 LL157 54.7 SF
EXAM 4 LL158 105.3 SF
EXAM 3 LL156 105.3 SF
CORRIDOR LL164
PATIENT T.R. LL163 64.2 SF
2
EXAM 5 LL159 103.5 SF
CORRIDOR LL170
EXAM 7 LL144 104.7 SF
4
J
CASTING 1 LL141 215.3 SF
EXIST. STAIR
4.1
EXAM 1 LL154 107.7 SF
CHARTING STATION 1 LL153 105.1 SF CLEAN LINEN LL152 36.7 SF
CORRIDOR LL164
EXAM 8 LL145 102.9 SF
CORRIDOR LL165
EXAM 9 LL146 104.7 SF
PATIENT T.R. LL151 54.5 SF EXAM 11 LL148 101.6 SF
EXAM 10 LL147 104.7 SF
CORRIDOR LL166
K
EXAM 2 LL155 99.8 SF
EXAM 12 LL149 104.7 SF
CORRIDOR LL171
CORRIDOR LL166
XRAY 1 LL140 346.8 SF
XRAY 2 LL138 348.9 SF
M.A. AREA LL139 254 SF
CORRIDOR LL173
SOILED LINEN LL150 34.5 SF CORRIDOR LL172
SUB WAITING LL136 79.7 SF CASTING 2 LL137 215.2 SF
CHECKI LL101 210.6 SF SCHEDULING OFFICE LL100 505.2 SF
NURSE OFFICE LL135 82.3 SF
COPY ROOM LL102 82.4 SF
5 STAFF T.R. LL142 62.4 SF
CORRIDOR LL167
CHECKOU LL103 85.5 SF
CORRIDOR LL167
H
PATIENT T.R. LL128 64.4 SF
CORRIDOR LL170
EXAM 13 LL129 105.5 SF
STORAGE LL127 58.3 SF
EXAM 14 LL130 105.5 SF
EXAM 15 LL131 105.5 SF
CORRIDOR LL168
CORRIDOR LL169
EXAM 24 LL124 104.8 SF
EXAM 18 LL134 105.5 SF
EXAM 23 LL123 102.2 SF
EXAM 22 LL122 104.5 SF
CHARTING STATION 5 LL121 54.3 SF
EXAM 21 LL120 104.5 SF
EXAM 20 LL119 102.2 SF
7
SOILED LINEN LL114 42.1 SF
CORRIDOR LL171
CORRIDOR LL174
PATIENT T.R. LL115 51.8 SF
CORRIDOR LL169
G
MIKE'S CHARTING OFFICE STATION 6 LL126 LL125 119.3 SF 40.3 SF
EXAM 17 LL133 105.5 SF
EXAM 16 LL132 105.5 SF
EXAM 19 LL118 104.5 SF
CORRIDOR LL172
CLEAN LINEN LL116 34.5 SF CHARTING STATION 4 LL117 75.1 SF
CORRIDOR LL175
PHYS. PHYS. OFFICE OFFICE LL110 LL109 133.1 SF 130.9 SF
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PROGRAM LEGEND
9:46 AM
C:\Users\murphyj\Documents\16041-SVH Orthopedic Surgeons at Hardner_Central_murphyj.rvt
EXAM ROOMS SUPPORT SPACES
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SPECIALTY SPACES RETAIL PUBLIC AREAS CIRCULATION
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ORTHOPEDIC SURGEONS TOTAL SF: 14,111 LOWER LEVEL TOTAL SF: 21,930 Lower Level Floor Plan Orthopaedic Institute Renovation - St. Vincent Hospital - Alleghengy Health Network - Erie, PA Bostwick Design Partnership
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P.A. OFFIC LL107 254.5 SF
CODING OFFICE LL106 55.8 SF
F
B
STAFF T.R. LL105 54.4 SF
2020
LOWER LEVEL FLOOR PLAN
D
D.1
PHY OFF LL1 133.1
SHE
E
F
G
H
H.7
J
1
2
3 PATIENT CARDIO EQUIPMENT
WAITING LL99 1,711.9 SF
IN
94 SEATS
F
CHANGING
4
TOILET
TELE COMM. ROOM
TOILET
TRASH ROOM LL179 99.2 SF
CORRIDOR LL176
STORAGE
OFFICE
NURSE
5 CHANGING
STORAGE
PHONE ROOM LL104 89.4 SF
UT
4.1
STAFF BREAK
EXIST. STAIR
WAITING
CORRIDOR LL177
CE
EXIST. ELEV.
EXIST. ELEV.
CORRIDOR LL178
EXIST. ELEV.
STORAGE LL108 25.5 SF
YS. FICE 111 1 SF
ELEVATOR EQUIP.
CORRIDOR
F
EXIST. STAIR
STAFF LOUNGE LL113 417.7 SF
DME RETAIL LL112 409.4 SF
5.7
CORRIDOR
WOMEN'S LOCKER ROOM
MEN'S LOCKER ROOM
EMERGENCY ELECTRICAL ROOM
ENVIRONMENTAL SERVICES
ELECTRICAL ROOM
SEAL
7
PR
WATER SERVICE REF.
LOCKERS
CORRIDOR
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Site Plan:
ALLEGHENY HEALTH NETWORK SAINT VINCENT HOSPITAL ORTHOPAEDIC INSTITUTE RENOVATION AT LOWER LEVEL HARDNER BUILDING JULY 28, 2016
Saint Vincent Hospital Campus Masterplan
Par
4) Area of Renovation
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B
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ISSUED/
Saint Vincent Hospital Nurse Station Rendering Page 7
Jacob I Murphy
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LO
Other Works Throughout my college career, I have been able to explore other facets of design. I have taken courses in furniture design, 3D modeling, sketching, casting, and sculpting. Human figure sculpting includes three-dimensional problems in visual invetion, organization, and expression emphasizing creative manipulation of tools, materials, and techniques as means for three-dimensional thinking and problem solving.
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Freehand drawing emphasizes on perception, conception, permutation and optimization as design ideas for exploring and discovering solutions. My interest in design extents beyond architecture, and I continuously look for ways to operate at all scales and means of creation.
2020
chair (2019) - recycled plywood, cnc cut
Jacob I Murphy
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Other Works
section cut model
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1/8” : 1’
2020
Jacob I Murphy
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Other Works
Stranger (2019) - photography by Samuel Contreras
Stranger (2019) - Untitled 3 - plaster, bodily discovery through explorative casting
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2020
table (2019)
untitled installation (2019) - undulating light source, fishing line Jacob I Murphy
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Jacob I Murphy Iowa State University