Architectural Portfolio by Jacob Romero Medina

SELECTED WORKS 2020 - 2023

Portfolio J AC OB ROMERO M EDI NA

C O N TA C T Manizales, Caldas, Colombia jacobe.romero23@gmail.com www.jacromerome.weebly.com +57 300-883-2969

E D U C AT I O N Universidad Nacional de Colombia (UNAL) Architecture (BArch) 2018 - 2023 École Nationale d’architecture de Nantes (France) International Exchange 2022

ACHIEVEMENTS Best project of the Technical Architecture Workshop course Universidad Nacional de Colombia (UNAL) 2021 After designing the “Cabo de la Vela” Astronomical Observatory made of self-sustainable materials in La Guajira, Colombia, we were awarded with the highest grade of the course.

P U B L I C AT I O N S Borrero, Zamorano & Giovanelli | 30 Residential Architecture Projects Joint Research Thesis 2023

EXPERIENCE Investigation Internship TICCIH Colombia 2021 - 2022 Internship as a researcher at The International Committee for the Conservation of the Industrial Heritage, in charge of registering, identifying and cataloguing industrial buildings & complexes in Colombia, during the second half of the 20th century and during the 21st century. International student exchange coordinator Universidad Nacional de Colombia (UNAL) 2021 - 2022 Support to the university community in the diffusion and promotion of calls for proposals and agreements for international academic exchanges through social networks, events and advisory services. Research Student Architecture Research Group (UNAL) 2022 - 2023 Analysis of works and projects as a basis for artistic creation. Critical review of the work of Borrero, Zamorano and Giovanelli, between 1953 and 1963. Engineering Customer Representative Sunergy 2023 - Now Responsible for reviewing solar projects, addressing concerns, providing technical assistance, and facilitating effective communication between the engineering team and the customer.

SKILLS Computer aided design software AutoCAD / Revit / SketchUp / ArchiCAD

LANGUAGES English (Native) Spanish (Native) French

Graphic design software Illustrator / InDesign / Photoshop Visualization software Twin-Motion / Lumion / Vray / Enscape Other softwares QGIS / Office Package

Contents

Tango Cultural Center: Mamá Bertha

14.

Astronomical Center Cabo de la Vela

24.

Borneo House

32.

International Center of Manizales

Tango Cultural Center: Mamá Bertha

Location: Manizales, Colombia Workshop: Heritage site architecture Professors: Maria Del Pilar Sanchez Beltran Juan Manuel Sarmiento Nova Partners: Juan Esteban Ramírez Garcia Year: 2020 Heritage, Tango, Culture

Manizales is historically known for having integrated tango as a fundamental part of its identity, bringing together music lovers, dancers and singers, who have found in this place the passion given by the drama and seduction that tango culture generates. Therefore, it was essential to understand what kind of needs were required to be able to transmit that bohemian feeling in a contemporary work.

UNIVERSIDAD NACIONAL DE COLOMBIA

Rendering, main facade view on Carrera 22, watercolor style.

Historical sites of interest in the historic center of Manizales

La Calle del Tango, with its nostalgic charm, is a peculiar corner of the city. Its narrow sidewalks are lined with music stores, dance studios and cozy corners where tango lovers gather to share their passion for this captivating musical and dance genre.

Carrera 22 is a vibrant street that is packed with a variety of local stores and small businesses. From cozy cafes to colorful stores, this bustling street reflects the vitality and diversity of the community.

Casa Estrada’s unique architecture, is a historical jewel in the city. Built decades ago, this colonialstyle house stands as a testament to our rich architectural heritage. Its artistic details make it a distinctive landmark in the area.

The Cathedral of Manizales rises on the skyline, dominating the city center with its presence. With its towers and Gothic architecture, the cathedral is an iconic landmark. Its interior, filled with religious details, attracts visitors from all over the world.

Tango arrived in Manizales as part of a cultural flow that enriched the city. The music, dance and poetry resonated with the sensibility of the inhabitants, offering an artistic expression that transcended geographical borders and became deeply embedded in the local community.

Strategically located on the emblematic Calle del Tango Street, this center would not only be a meeting place for lovers of this artistic expression, but also a pillar to preserve, celebrate and disseminate the history, culture and tradition of tango in the region.

The creation of a tango cultural center in the city of Manizales, Colombia, stands as a tribute to the cultural richness that this dance brings to the social structure.

Urban section of Carrera 22

Diagram of regulatory determinants

4. 1.

1. The regulation of paramenting with adjacent properties implies that the architectural design of the cultural center on the main corner of Calle del Tango and Carrera 22 must harmonize with the adjacent structures. Respecting the aesthetics and architectural characteristics of the surrounding buildings ensuring a proper visual and cultural integration into the urban environment, promoting an aesthetic coherence and preserving the identity of the area. 2. The conservation of the facade when faced with a previous isolation implies maintaining the integrity and architectural characteristics of the existing building on the corner. By respecting the previous design and the history of the site, the cultural center becomes an element that dialogues with the past, contributing to the preservation of the architectural heritage 3. The regulations requiring the corner presence of the ochave as an active façade underscore the importance of a design that takes advantage of the intersection of Calle del Tango and Carrera 22. The corner should be conceived as a dynamic and attractive space, possibly with prominent visual access, windows that connect with the interior activity and architectural elements that highlight the identity of the cultural center, making the corner an active and attractive focal point. 4. The restriction of not exceeding the first 9 meters in height of the Cathedral is essential to preserve the visual hierarchy and iconic character of this historic monument. Respecting this regulation ensures that the cultural center does not dominate the cathedral’s skyline and maintains visual harmony.

Diagram of volumetric configuration and implantation

For the volumetric configuration and implantation of the project, three different modules have been proposed, each one adjusted to specific conditions of location and regulatory requirements. This strategy seeks to achieve a harmonization that highlights the singularities of each module in relation to the others, in order to promote mutual enhancement and esthetical coherence. The building is organized through a distinction of three architectural domains: public spaces, marked in green, contain areas that are open and accessible to all, such as lobbies, corridors, the theater and the clubhouse, encouraging free interaction. Semi-public spaces, identified in blue, occupy an intermediate level, offering a certain degree of restriction in places shared by specific groups, such as dance halls. Finally, private spaces, highlighted in red, guarantee total privacy and are reserved for specific individuals or teams, such as warehouses, offices and museum rooms.

Diagram of volumetric configuration

Diagram of spatial domains

Communications within the project are provided in two ways, the first corresponds horizontally, through corridors that direct the visitor usually to a central courtyard, while the second is a system of vertical routes, through an elevator of between 8 to 12 people which communicates all levels of the building. The project also has its own stairways in some of its spaces for access to different rooms inside the building. In terms of safety and prevention measures, it is agreed that the emergency staircase would be located next to the elevator, initially because of its proximity to the main exits, this also allows the generation of a compact mobility block that serves as the axis of the project.

Plan level 2 - 3,00m

Plan level 1 - 0,00m

Plan level 3 - 6,00m

Plan level 4 - 9,00m

Detail section (Theater, Courtyard & Dance hall)

Astronomical Center Cabo de la Vela

Location: Workshop: Professors: Partners: Year:

La Guajira, Colombia Technical architecture Gilberto Flórez Restrepo Heidy Vanesa Nuñez Naeder 2021

Astronomy, Eco-Hotel, Dessert

The astronomical observatory “Cabo de la Vela” is a space conceived for the scientific and academic study of the stars, on the rocky formations on the edge of the coast also uses topographic conditions never seen before in a project of this magnitude, in the imagination is defined by the wide optical perception of the sea and the sky, which make it an attractive complement to existing activities such as tourism and indigenous traditions.

UNIVERSIDAD NACIONAL DE COLOMBIA

Rendering, aerial view of the astronomical center.

The design of the astronomical observatory in Cabo de la Vela, seeks a harmonious fusion between science and Wayuu culture,, highlighting distinctive elements of this indigenous community: Inspired by Wayuu rancherías, the design incorporates the concept of open and covered spaces, where enramada structures act as architectural transitions, using yotojoro to roof these spaces, creating a symbiosis between modern and traditional architecture. The presence of the Wayuu chinchorro (hammock) plays an integral part of the design. In addition to being used as a resting area, its aesthetics are explored in the formation of outdoor relaxation zones. This approach aims not only to provide comfort to visitors but also to convey the cultural identity of the community, creating spaces that invite reflection and connection with the surroundings.

Adobe and earthen walls

The choice of walls constructed with traditional adobe and earth techniques not only pays homage to Wayuu architectural roots but also promotes sustainability and integration with the natural environment. The use of these materials adds cultural authenticity, connecting the observatory with the history and traditions of the region.

Ventilation, another key feature, is addressed by drawing inspiration from rancherías. The aim is to create a design that allows for proper airflow, maximizing comfort for visitors and ensuring optimal conditions for celestial observation.

The yotojoro, beyond being an aesthetic element, becomes a functional component when used in the observatory’s roof. Its ability to adapt to the local climate and provide shade is carefully considered, ensuring a comfortable environment for astronomical observation.

Night view of a “rancheria” in La Guajira

Openwork wall

Hammock patio

Yotojoro poles for roofing

Volumetric diagram

“The volume arises from the prolongation of a bar on the top of a cliff, this being guided by part of its own topography allows it to adapt the model to its main adjacent visual, the ocean”.

Situated on top of a cliff, the site offers a privileged position with wide panoramic views of the sea and sky, providing an ideal environment for astronomical observation. The visual aspect was a primary consideration in choosing this site, as the expansive perception of the landscape not only adds a captivating dimension to the observatory, but also contributes to a broad immersion. Adapting to the climatic conditions of the arid environment posed challenges and opportunities. The absence of significant rainfall was an advantage in minimizing atmospheric interference, however, the harsh conditions also demanded resilient building materials and techniques, which led to incorporating sustainable elements such as adobe and earth, in keeping with the site’s characteristics. In addition, the strategic location of the observatory in a region characterized by a strong presence of indigenous hospitality trade, tourism services and support services played a key role in its selection.

Lengthwise section

Detail Section of the retrackeable roof

When conceiving the observatory tower, a significant challenge emerged in balancing the use of traditional adobe for construction with the incorporation of a retractable roof. This involved ensuring the roof’s adaptability to avoid the entrance of sand particles and modulate solar intensity, for which, we use a system of fabrics on aluminum rails in order to cover the surface and still provide a view of up to 90° of inclination.

The project has 3 relevant areas subject to different spatial conditions according to their respective location and function: 1. The first corresponds to the administrative and recreational building in which the tourist activities of the complex are developed. 2. The second block can be appreciated when descending by means of ramps allowing access to the group of lodging cabins. 3. Finally, the third area corresponds to the scientific dependencies of the project, of which the observatory stands out as the hierarchical element of the astronomical complex.

Rendering, main entrance

Rendering, terrace with sea view

Rendering, path to the lodgings

The first and third blocks are linked by means of a roof designed in yotojoro, which allows a permeable route and thus connects the most representative buildings of the project.

General floor plan

Borneo House

Location: Workshop: Year:

Amsterdam, Netherlands Computational tools 2022

MashUp, Narrow Dwelling, Port

Inspired by the urban environment of BorneoSporenburg in the Netherlands, this creative exercise seeks to combine the typology of semidetached houses with artistic works or distinctive architectural styles. The proposal involves the adaptation of stylistic elements to the residential structure, thus generating a unique synthesis that celebrates creativity, functionality and aesthetics in contemporary architectural design.

École Nationale Supérieure d’Architecture de Nantes

Photomontage, facades of the houses type of Borneo-Sporenburg.

Plan level 2

Borneo-Sporenburg, located in Amsterdam, the Netherlands, is a fascinating example of contemporary urban development and innovative architecture. This neighborhood, part of the regeneration project of the city’s old harbor area, is characterized by its avant-garde design and focus on high-density housing. Built in the 1990s, Borneo-Sporenburg has become an international benchmark in urban planning.

Plan level 3

Plan level 4

One of the most distinctive features of this district is the housing typology. Instead of the typical terraced houses, the neighborhood features a variety of row houses that are organized in a unique way. These houses are arranged in rows, some facing the canals, while others face the interior of the neighborhood. This arrangement creates a dynamic and diverse urban fabric, encouraging interconnectedness between residences and providing residents with panoramic views of the water.

Plan level 5

Plan level 6

Roof plan

Many feature brightly colored facades and clean architectural lines, creating a modern and vibrant aesthetic. The commitment to flexibility in design aligns seamlessly with the principles of urban sustainability, allowing spaces to evolve and cater to changing lifestyles. These homes, become not just places of residence but integral components in the larger ecosystem of a sustainable and interconnected community.

Site plan

“La Muralla Roja” is a 50-story complex that has emerged from the rocky cliffs of the Costa Blanca in southern Spain. This residential complex was built in the late 1960s and is characterized by very bright colors and precise, clear and aesthetic lines. The architect, Ricardo Bofill, was inspired by Arab kasbahs. Kasbahs are traditional North African fortresses built by local chiefs and wealthy families to protect themselves in case of attack. Like traditional kasbahs, The building has high walls and small windows, ideal for the hot Spanish sun.

The layout of “La Muralla Roja” has a geometric base that could be compared to a labyrinth. The exterior and interior facades are covered in vivid colors ranging from pink to indigo blue. The building is clearly focused on the interior, with a series of seamlessly intertwined staircases and bridges that give access to all 50 floors and lead from the small alleys to the main street. from the small alleys to the roof terrace. roof terrace. The rooftop terrace offers breathtaking views of the different parts of the Red Wall and the sea.

Perspective model view

The choice of this work is based on its fascinating maze-like sensation and its spatial configuration that unfolds through intricate corridors and staircases. The architecture masterfully plays with visual perspective, creating a labyrinthine effect that is enhanced by the use of simple colors. The palette of primary and secondary tones is harmoniously deployed, turning every corner into a unique visual experience. As you walk through this surreal space, the work becomes an abstract painting in itself. The openness to the landscape is achieved through strategically placed terraces, offering captivating views that break the barrier between the architecture and the natural surroundings.

Perspective section

Visual projection to the sky

Appearance of the terrace and spans

Labyrinthine sensation

International Center of Manizales

Location: Manizales, Colombia Workshop: Emphasis from detail to project Professors: Edison Henao Carjaval Isabel Llanos Chaparro Partners: Sara Gabriela Monsegny Garzon José Alejandro Quintana Moreno Year: 2023 Skyscraper, Pavilion, Platform, Tectonicity, Urbanity, Habitability

The International Center of Manizales is presented as a monumental work that encompasses an impressive magnitude. The combination of a skyscraper and a pavilion, both connected by a large-scale platform, represents a cuttingedge approach to architectural design that not only seeks to be aesthetically striking but also to be functional and adaptable to different needs and uses, creating a project that redefines the experience of the urban landscape in the city.

UNIVERSIDAD NACIONAL DE COLOMBIA

Rendering, seated view next to the pavilion.

Sketch drawing of the skyscraper’s structure / Photograph of the structural model

The H-shaped floor plan of the skyscraper, with its enclosed concrete core and cantilevered beams connected by tensors, reflects a marked tectonicity. The structural layout provides not only stability but also a visual expression that defines the building’s identity.

1 2 3 4 5 6 7

8 9 10

11 12 13

1. STEEL PROFILES 2. DUAL TEMPERED INSULATING GLASS 3. IPE BEAM 4. METAL WINDOW MULLION 5. BAFFLE METAL CEILING 6. FLOOR FINISH 7. STEEL DECK METAL SLAB 8. STEEL DECK METAL MULLION 9. CANTILEVER BEAM 10. STRUCTURAL TENSIONER 11. GLASS PARAPET 12. IPE METAL BEAM 13. CEILING ANCHORAGE 14. C-PIPE FOR CEILING 15. STRUCTURAL CORE

Structural section detail

Facade

The beams that compose the spatial structure of the pavilion unfold from the center to the edges, creating a visual effect of openness and expansion. This dynamic design is harmoniously complemented by the extension of perimeter columns to the pavilion pit, allowing no part of this space to be crisscrossed by structural elements.

Sketch drawing of the pavilion’s roof structure

Sketch drawing of the pavilion design

The strategic location of the project on an artery of the city and its design configured around its vegetation, courtyards and commercial spaces encourage community activity and urban life around the project. Whether it is the staircase that unfolds as a grandstand in front of the auxiliary track or the flexibility of the spaces that adapt to various uses, the project positions itself as a dynamic meeting point in the city. Likewise, the inclusion of a bike path and the creation of new roads reinforce the project’s commitment to sustainable mobility and accessibility, contributing to the vitality and integral connection of the complex with its urban context.

Sketch drawing of the urbanity of the project

Urban plan

CARRERA 27

27 ERA CARR

CARRERA 27

Detail photograph of the urbanity of the model

CAM

CAINM

ARCHIVO RODANTE

From the diversity of options available in the floors of the skyscraper, which offer different typologies for housing, offices and commercial services, to the opening of the platform to citizens through its green areas, courtyards and galleries, and highlighting the internal versatility of the pavilion, capable of hosting a wide range of sporting, cultural and commercial activities, the project stands out by creating pleasant and livable environments. These spaces not only promote functionality, but also contribute to a dynamic and diverse environment, focusing on creating meaningful experiences for those who inhabit and visit them.

Ground floor plan

CAM

CARRERA 27

First floor plan

Lodging type plant

Rendering, view from an office type plant

Restaurant type plant

Office type plant