cv_Jade Chen by Jade Chen

YEARS 2019 - 2024

CONTENTS BENOY Hospitality 01 Al Othaim 5 Star Hotel, Damma City 02 Royal Overlook, KSA (PREVIOUS) 03 Qiddiya Speed Park Paddock Club, Saudi Arabia Hospitality - F&B 01 Qiddiya Speed Park Paddock Cafe, Saudi Arabia 02 Elan Retail Foodcourt, India 03 CCM Foodcourt, Prague Retail 01 Canada Goose, UK 02 Canada Goose, Germany/Turkey/ Zurich 03 Endy Bed Mattress Retail, Canada / Silk & Snow Retail, Canada Workplace 01 Mall of Saudi Management Suite, Saudi Arabia Commercial 01 Westfield Walking Net, UK Others Prayer Room/Washroom/Locker Room

SCHOOL WORK 01 School Projects: Inclusion - Market Renovation 02 Research Projects: Sconography 03 Research Projetcs: Surveillance 04 Design Competition: Interactive Public Art Installation Design 05 Design Projects: Encore Urban Flux 06 Design Projects: Encore 07 Design Competition Kindergarten Architectural Design Other Works _ Photography / Diagramming / Technical Drawings

2020.10 _ 2021.09

not only from the details of life, the places I have visited, but also the experience of space. So I am capable to describe the design through the 3D software design environment, and to use 2D graphic telements for supplement. Also I am continue on learning more

< Master of Interior and Spatial Design > RMIT University 2016.03 _ 2019.11 < Bachelor of Interior Design (Honours) >

software and some offline workshops to fulfill my own integrity of the

2020.02 _ 2020.05

COMPETITION PROJECTS

UAL Camberwell College of Arts

and mainly focus on interior perception. My passion for design comes

EDUCATION

URS China Interactive Public Art Installation Design Competition 2020 LINGYUN LANE (SHORTLISTED) 2020.08 National Innovation Games:Creative Digital Solutions (PARTICIPANT) 2018.06 _ 2018.10

spatial experience. I am able to complete some of the necessary

Kindergarten Design — “Stop the Violations on Children”

projects independently and integrate well into the team setting.

Architectural Competition

... and more

Benoy I Architecture & Masterplanning < Assistant Interior Designer > PERMANENT GRAPHIC & PRESENTATION DESIGN:

2022.03 _ Present Interior creativity design, 2D drawing, 3D modelling, FF&E, supplier greeting, meeting preparation and presentation.

SKILLS

EXPERIENCE

Jade . QIXIN CHEN

Adobe Illustrator Adobe Indesign Adobe Photoshop

OnLand Studio I International Design Institute

DRAWING SKILLS:

< Wechat account website editor > CONTRACT

AutoCAD

2021.09 _ 2022.02

Rhino

Design content & resource organisation, research,

Revit

blog editing and webiste updating.

Sketch-up

Mark Jordan architecture & design

VIDEO SKILLS:

< Social Media / Graphic / Interior designer >

Adobe Premiere

INTERNSHIP

Adobe Effects

2021.06 _ 2021.09

Final Cuts Pro

3D illustration on design, furniture design, product

interior design, graphic, interior architecture

OTHER SKILLS:

selection, social media, videos editing.

Adobe Lightroom, Microsoft Office 2017.11 _ 2018.04

Tel: +44 7305203580 Email: jadechenx@gmail.com

Airbnb Consultant < Design consultant & installation supporting >

Instgram: jade_qixin

STUDENT INTERNSHIP LONDON, United Kingdom

2017.05 _ 2017.10 Photographer of RENO Station

Personal Portfolio: https://issuu.com/jadecx/docs/resume

2017.03 _ 2017.05 Brand designer of Melmel Consulting Pty Ltd

LANGUAGES

ABOUT ME

I have been considering myself as a major observer of space design

Chinese - native. English - advanced. Japanese - basic.

01 Al Othaim 5 Star Hotel, Dammam City

HOSPITALITY

The hotel uses purple as its overall theme and style color. Purple is a color renowned for its scarcity and expense throughout history. More than just an aesthetic choice, the integration of purple conveys a commitment to timeless elegance and refinement. The entire project covers a very diverse range, not only hotel standard rooms, but also double Bed rooms, three-bed rooms, suites, royal suites, various gourmet restaurants, shopping shops and health and leisure entertainment centers.

SkETCH UP / LUMION / AUTOCAD / PHOTOSHOP

ROYAL OVERLOOK OVERALL CIRCURATION

02 Royal Overlook, KSA (PREVIOUS) SUITES

L16

OFFICE

SUITES

L15

Proposing a concept design for The Royal and VVIP hospitality environments in Qiddiya Development, North of Riyadh, KSA. It is about celebrating, sports, entertainment and culture with a thought through journey from Arrival to Destination to achieve the functional and aspirational elements. 17 floors with Helipad, Observation Deck at Roof Terrace. Royal and VVIP sections and hospitality offerings. It is designed for the royals, and their guest and guards, and also for VVIP to view the race tracks. In addition, the Royal Overlook will also be available for VIP guests to use on off race days.

L14

L12

VIP GALLERY

L11 L10

ROYAL MAJLIS

ROYAL RECEPTION

L7 L6 ROYAL DINING

ROYAL GALLERY

ROYAL CIRCULATION

L5 L4

OFFICE

L3 VIP DINING

VIP CIRCULATION

VIP MAJLIS RECEPTION & LOBBY

L1 GF

ARRIVAL LOBBY

HOSPITALITY (L5) ROYAL DINING VIEW 05

HOSPITALITY (L5) ROYAL DINING VIEW 01

HOSPITALITY (L5) ROYAL DINING ISO

SUITES OFFICE VIP GALLERY ROYAL DINING ARRIVAL

HOSPITALITY

HOSPITALITY (L5) ROYAL DINING VIEW 06

HOSPITALITY (L5) ROYAL DINING VIEW 04

ROYAL HOSPITALITY DINING & MAJLIS MATERIAL 2

5 4

1. GREY MARBLE FLOORING 2. WARM BEIGE TRAVERTINE STONE WALL 3. BLUE ACCENT CARPET 4. CHAMPAGNE H/L STAINLESS STEEL 5. BRASS METAL MESH 6. MIRROR FINISH FOR PARTITION 7. MARBLE TABLE TOP 8. LIGHT BEIGE LEATHER FOR SEATING

SkETCH UP / ENSCAPE / AUTOCAD / PHOTOSHOP

PADDOCK CLUB

Hospitality Area

Look & Feel

03 Qiddiya Speed Park Paddock Club, Saudi Arabia Qiddiya Motorsport And Speed Park Buildings will be born in Suadi Arabia. This project is designed to hose Formula 1 and aim at the MotoGP World Championship. The project is one of the tourism mega projects to be established in Saudi Arabia in the framework of the Saudi Vision 2030 which aims to diversify the income resources of the country. As the Paddock Club is using for race day to watch the F1 race and for non-race day to treat as general hospitality areas for events and activities.

Rammed Earth Effect

Ceiling

Plaster

Drop lights Ceiling

Vinyl Carpet Floor

Champagne Metal

Vinyl Carpet Floor

41 QC02019120-WSP-REP-DSR-INT-00-SPB-00001-0B Motorpark & Speedpark Buildings Interior Design

Media Center Pit Garages

Race Control

Marshal’s Areas TBC Paddock Club Team Building Promotor Lounge Catering Compound Paddock Cafe Medical Center TBC

188 QC02019120-WSP-REP-DSR-INT-00-SPB-00001-0B Motorpark & Speedpark Buildings Interior Design

189 QC02019120-WSP-REP-DSR-INT-00-SPB-00001-0B Motorpark & Speedpark Buildings Interior Design

PADDOCK CLUB

Overview Plans

Pa ddoc k Clu b Area

15,000 sqm(indoor) 3,600 sqm(outdoor)

Capacity

5000 Pax

Level

Level 00 (+680.8) Level 01 (+686) Level 02 (+691) Level 03 (+697)

Level 3 (+697) Food T erra c e

24450

28600

HOSPITALITY

+ COM POUND A

Level 2 (+691)

470700

Tea m Bui ldi ng

Level 1 (+686)

R a c e C ontrol 395150

Note. Plans included for communication purposes only. Please review architectural package for plan information. 183 QC02019120-WSP-REP-DSR-INT-00-SPB-00001-0B Motorpark & Speedpark Buildings Interior Design

183 QC02019120-WSP-REP-DSR-INT-00-SPB-00001-0B Motorpark & Speedpark Buildings Interior Design

15 QC02019120-WSP-REP-DSR-INT-00-SPB-00001-0B Motorpark & Speedpark Buildings Interior Design

REVIT / SkETCH UP / ENSCAPE / POWERPOINT / PHOTOSHOP

01 Qiddiya Speed Park Paddock Cafe, Saudi Arabia

HOSPITALITY - F&B

Paddock Cafe is part of Qiddiya Speed Park buildings, which is useful for serving visitors who coming in for F1 race day events and general uses. As somehow it follows silmilar design language as Paddock Club.

SkETCH UP / ENSCAPE

Offices

02 Elan Retail Foodcourt, India

Furniture Board – Option 1

Elan Retail is aiming to Creating an iconic, landmark, retail-led lifestyle destination, which located alongside the Dwarka Expressway, one of the most prominent real estate corridors in Gurugram. And a waterfront development featuring unique water installations which inspire awe and delight. Therefore, the foodcourt within this fantastic mixed use shopping mall and office buildings was going to follow the same waterfall feature as design language. Not only able to fit all people to visit the mall, but also the office people. And introduced different sectors inside the foodcourt level, such as garden seatings, dessert cluster, family hub and premium seating.

DESIGN NARRATIVE Material Board CH - Ester-690 (Furniture Fushion)

Terrazzo

Porcelain Tile

TB-0 ANISH WOOD | Minotti (archi)

SF -0 Lapis Sofa (Amura)

13 11

Marble

Champagne Metal

CH - Natuzzi Italia BEAT (Archi)

CH-0 RUFF | Moroso (archi)

TB - Linteloo ALTER (Pedrali)

Textured Plaster 3

8 Development, Sector 106 Interior Design 90% Concept 58 Elan Retail

Black Metal

7 9

Fluted Glass 6

Leather Fabric

Ceramic Tile

Fluted Concrete

Rippled Metal

Paint

Greenery

5 4

12 Elan Retail Development, Sector 106 Interior Design 90% Concept

Food Court Massing Study Total Area: 7, 690m2

HOSPITALITY - F&B

Total Seating

| 2, 530 m2

Total GLA

| 1,030 m2

Washroom

| 630 m2

Circulation

| 2, 608 m2

BOH

| 612 m2

Public Access

| 280 m2

Tenants Block indicating Area Only. Retail Plan by Others

*BoH Area including Corridor, Lifts Riser and Mechanical Rooms (if any) *Circulation Area including Landscaping & Tenants Circulation

Target Seating Capacity: 1, 580 pax

Least Accessible Area (Blind Spot)

Cinema Access

Primary Public Access (via Lift)

Primary Public Access (via Escalator)

22 Elan Retail Development, Sector 106 Interior Design 90% Concept

Food Court Area Plan

Premium Seating

Washroom

Family Hub

The Garden

Washroom Dessert Cluster

Food Court Typical Shopfront Type B Option 2

25 Elan Retail Development, Sector 106 Interior Design 90% Concept

Anodised Metal Counter in Satin Finish

Polished Fluted Aluminium

Back Lit Reeded Glass Signage Bulkhead

Demise Wall Cladding in GRG

Grey Terrazzo Flooring

3 4 1

2 5

SkETCH UP / ENSCAPE / POWERPOINT / PHOTOSHOP 29 Elan Retail Development, Sector 106 Interior Design 90% Concept

Grand Kitchen Layout Plan

03 CCM Foodcourt, Prague

Total target seat numbers: 800 - Total achieved seat numbers: 750 (without tenant seating) 934(With tenant seating)

VIP CINEMA

Establishing a new beating heart for Centrum Černý MosT, Prague. A flexible, curated space, tailored to creating memorable moments. Offering an exciting, inclusive environment full of varying social spaces. A place that invigorates and positively impacts the health & well being of it’s users. Flooding in natural light Iconic feature tying together old and new.

FRUITISIMO

THAI THAI

RAMEN

BILBO SMAK

CINESTAR

PIZZA HUT

KFC

D LOUNGE

KOBE mm

00 1800

SPICY MAMA

3000mm

3500mm

3750

LOVING HUT

BURGER KING

BOMBAY

I’M FIT

TRADICE

LAMBORGHINI CAFE

1800

TOM’S BURGER m

Low chairs : 258 I LOVE PHO

Banquette seats : 215

RANCHERO

CHARLIE FOOD AND FRIENDS

BAHN-MI-BA

3000mm

1800m

3000mm

MULTI-FOOD

Seat Typologies

mm 3450

Seat Typologies

NORTH FISH

MERKUR CASINO

PUZZLE SALAD

MAKAKIKO RUNNING SUSHI

Bench seats : 161 WC

High stools : 96 Lounge chairs : 4 Podium : 16 Tenant seating : 184

The Garden Room - Kids Playground Elevation & Section

AXO View B

300mm 600mm

AXO View A

Plan Section View

Grand Kitchen Floor Pattern

0m 15

Plan View

300mm

200mm

100mm

600mm

Plants

45 0m

The Garden Room - Kids Playground Perspective

CCM Extension, Prague, Czech Republic

5690 MM

50x50(mm) Black Metal Frame

Front View C

Planting Species : Philodendron Green Beauty, Philodendron Green Wonder, Monstera Deliciosa, Philo. Xanadu, Philodendron Scandens, Philodendron Red Beauty Feature Specie: Philodendron Selloum

Section View

Terrazzo Top 3495 mm

3495 mm 3495 mm

3495 mm

Terracotta Tiles / Ceramic Tiles

Materials

Custom Plant Pots 3495 mm

3495 mm

Planter Intervention

3495 mm

Children Play Mats

600mm 600mm

3495 mm

760 mm

Children Area Barrier

3. TL-03

4. TL-04

5. ST-01

1. Porcelain Floor Tile Inopera Product : Lithos Size : 600x300mm

2. Porcelain Floor Tile Inopera Product : Oyster Size : 600x300mm

3. Porcelain Floor Tile Inopera Product : X-Benton Size : 600x200mm

4. Porcelain Floor Tile Inopera Product : Buxy Size : 600x100mm

5. Natural Stone Floor Natural Granite Product : Verde Marina, Flamed Size : 300 x 100 mm

Floor Expansion Joint Width: 14.3mm Depth: 15mm

Metal Skirting 3495 mm

23 CCM Extension, Prague, Czech Republic

2. TL-02

Children play mats

Existing white marble

Black S/S Skirting

1. TL-01

Countertop Serve

3495 mm

24 CCM Extension, Prague, Czech Republic

The Podium Axo & Materials

3495 mm

3495 mm © BENOY 2023

The Podium Axo & Materials

Grand Kitchen Floor Pattern AXO View A

Top View Plants

CCM Extension, Prague, Czech Republic

2900 mm

1900 mm

1065

Terrazzo Top

300mm m m

200mm

100mm

0m 15

600mm

65 mm

Black S/S Skirting

600mm

300mm

0m 10

600mm

Terracotta Tiles / Ceramic Tiles

44 CCM Extension, Prague, Czech Republic

300mm m

14345 mm

Light grey concrete textured paint

30 0

17618 mm

30 0

Upholstery fabric

6392 mm

13643 mm

Timber Structure

600mm

HOSPITALITY - F&B

Timber Planter

SkETCH UP / ENSCAPE / AUTOCAD / PHOTOSHOP / ILLUSTRATOR 55 CCM Extension, Prague, Czech Republic

45 CCM Extension, Prague, Czech Republic

01 Canada Goose, UK

RETAIL

This Canada Goose retail shop is located at Regent Street, London, UK. As the store intends to follow the brand’s story and bring the function to fashion, so it will be a renovated. The aim for this project is to give some design concept, based on what currecnt store elements and condition to enrich a new fashion design brand like it used to be.

SkETCH UP / ENSCAPE

02 Canada Goose, Germany / Turkey / Zurich From the humble beginnings in a small Toronto warehouse, to a multi billion dollar global brand, Canada Goose has shown how being authentic and building a remarkable product can connect with their constumers to truly build a cult brans. These are Canada Goose fit out retail shop design proposal in different location around the world, as it may follow the original Canada Goose brand’s story, but they are all different to each other.

Notes: dimensions to be verified on site. Do not scale this drawing. All discrepancies to be clarified with the project Designer. This drawing is the property of Benoy US Inc. and is issued on the condition it is not reproduced, retained or disclosed to any unauthorised person, either wholly or in part without written consent of Benoy US Inc.

Ordnance Survey material is used with the permission of The Controller of HMSO, Crown copyright AR 159670.

The CDM hazard management procedures for the Benoy aspects of the design of this project are to be found on the "Benoy - Designer's Hazard Identification and Management Sheet" and/or drawings. The full project design teams comprehensive set of hazard management procedures are available from the Planning Supervisor/Safety Coordinator appointed for the project.

DESIGN INTENT ONLY

℄

DESIGN INTENT ONLY

North Point

Key Plan

Consultants

FT01 ℄

Rev

Date

Description

Chk'd

Rev

Date

Description

Benoy

Design Architecture Masterplanning Interiors Graphics

Client

CANADA GOOSE HOLDINGS INC.

Project

CANADA GOOSE FIT OUT UNIT F6-21, ZONE 6 NEW AIRPORT ISTANBUL, TURKEY

Drawing Title

FLOOR DETAILS

BACKLIT DISK LOGO

Drawn By

Checked By

Drawn By

AC Scale

Comp. File No. XX

Date

1:1@A1 Revision

Project No.

31.08.2023 Drawing No.

Revision

15176 700

C04

Status

C04

Status

PHASE 3 - CONSTRUCTION DRAWING SET

PHASE 3 - CONSTRUCTION DRAWING SET E: london@benoy.com T: +44 (0)20 7726 8999

Checked By

Scale

31.08.2023

Drawing No.

15176 722

Date

1:25@A1 / 1:100@A3 Project No.

Chk'd

Benoy

Design Architecture Masterplanning Interiors Graphics

CANADA GOOSE HOLDINGS INC.

CANADA GOOSE FIT OUT UNIT F6-21, ZONE 6 NEW AIRPORT ISTANBUL, TURKEY

www.benoy.com

E: london@benoy.com T: +44 (0)20 7726 8999

Comp. File No. XX

BNY_15176_700 DETAILS.dwg

Canada Goose, Frankfurt, Germany

TECHNICAL DRAWINGS RCP LIGHTING PLAN

TECHNICAL DRAWINGS ELEVATIONS 2 OF 2

KEY

KEY CC

EXISTING BV LIGHTING L01 - BV 070 housing frame black internal hole 180 x 180mm

L02 - BV dia. adjustable recessed downlight L03 - BV 50mm dia. adjustable recessed downlight L04 - BV 1600mm length track lighting NEW CG LIGHTING BA - CG two headed adjustable accent light

Canada Goose, Zurich Temp, Zurich, Switzerland

BH - CG suspended linear light 4’-0”

SHOP FRONT SIGNAGE DETAILS PROJECTING BLADE SIGN

18 Canada Goose , International Airport Frankfurt .

B Double sided acrylic filled blade•signDesign: Double sided acrylic filled blade sign Outdoor • Applica�on: Outdoor • Material casco: Stainless steel AISI304 Stainless steel AISI304 700 • Finish le�ers: Opal acrylic Opal acrylic AISI304 Stainless SteelWhite • LED color: 3000K (+/- 300K) White 3000K (+/- 300K) • LED driver: MEANWELL ELG 12 Volt MEANWELL ELG 12 Volt RAL9005 Painted • Moun�ng: M8 holes - backside (available on request) 150 M8 holes - backside (available on 700 • request) Cable: 5m power cable per le�er (according to artwork) 5m power cable per le�er (according to artwork) AISI304 Stainless Steel • Including 1: M8 expansion bolts AISI304 Stainless Steel Painted RAL9005 (0% gloss) M8 expansion bolts • Including 2: Moun�ng template scale 1:1 • Including 3: Moun�ng & Installa�on manual Painted RAL9005 (0% gloss) Moun�ng template scale • 1:1Design: Double sided acrylic filled blade•signDesign: (the dimensions shown below are for reference only) Double sided acrylic filled blade sign Moun�ng & Installa�on• manual Applica�on: Outdoor • Applica�on: Outdoor

ůƵŵ͘ ^ƵƉƉŽƌƚ

700

• • • • • • • • •

100 80

.6mm ZĂŝƐĞĚ 'ƌĂƉŚŝĐƐ 13 Canada Goose , Zurich ;ůĞ ĞƌƐ͕ ůĞĂǀĞƐ͕ ͞ƐƉŽŬĞƐͬ͟ĐŽŶƚĞŶĞŶƚͿ

300 300

150 GENERAL 10 DESCRIPTION

Solid acrylic

PMS 187C

• Material casco: Stainless steel AISI304 • Finish letters: Opal acrylic

• LED driver: MEANWELL ELG 12 Volt

^ d />

ŽĨ property ƌŽƉͲŝŶ of brandsigns b.v. The informa�on contained in this drawing is 3mm the sole 3mm ŽĨ ƌŽƉͲŝŶ ZŝŶŐ ĞǆƉŽƐĞĚ ŽŶ Any reproduc�on in part or whole without the wri�en permission of brandsigns b.v. is prohibited PMS 3005C ƌŽƉͲ/Ŷ ĐƌǇůŝĐ ;ϭΗͿ ZŝŶŐ ƚŽ ďĞ

ZŝŶŐ ĞǆƉŽƐĞĚ ŽŶ ƚŚĞ ĞĚŐĞ

ƚŚĞ ĞĚŐĞ

American projec�on ƐŚŽƵůĚĞƌͲĐƵƚ ĂƌŽƵŶĚ ƉĞƌŝŵĞƚĞƌ ĂŶĚ ƉŽĐŬĞƚͲƌŽƵƚĞĚ

Drawn by:

Date:

T Valen�jn

10-11-2021

ƉŽĐŬĞƚͲƌŽƵƚĞĚ

Name: .3 CANADA

ƌŽƉͲ/Ŷ ĐƌǇůŝĐ ;5mmͿ ZŝŶŐ ƚŽ ďĞ ^ d /> ƐŚŽƵůĚĞƌͲĐƵƚ ĂƌŽƵŶĚ ƉĞƌŝŵĞƚĞƌ ĂŶĚ Drawing number:

20211110-001

700

20211110-001

GOOSE FS BS DL L600

Opal white lit acrylic

PMS 2747C

PMS 187C

PMS 2747C

PMS 187C

PMS 3005C American projec�on

The informa�on contained in this drawing is the sole property of brandsigns b.v. Any reproduc�on in part or whole without the wri�en permission of brandsigns b.v. is prohibited PMS 3005C

Scale:

1:5

Unit:

Weight:

100

10-11-2021

750

Name: CANADA GOOSE FS BS DL L600

20211110-001

M8 moun�ng hole

10-11-2021

Drawing number:

Name: CANADA GOOSE FS BS DL L600

20211110-001

5 mm cable hole

Scale:

1:5 mm

Weight:

(4x)

AISI304 StainlesslitSteel acrylic Painted RAL9005 (0% gloss)

Scale:

1:5

Weight:

PMS 2747C mm PMS 187C Unit:

PMS 3005C

Opal white lit acrylic

PMS 2747C

1:5 mm

Opal white lit acrylic

PMS 2747C

PMS 187C

PMS 3005C

(1x)

(4x) (1x)

600

PMS 3005C

Demountable fr

Demountable frame

Any reproduc�on in part or whole without the wri�en permission of brandsigns b.v. is prohibited

M8 moun�ng hole

Drawn by:

Date:

T Valen�jn

10-11-2021

Drawing number:

Name: CANADA GOOSE FS BS DL L600

(1x)

5 mm cable hole Scale:

1:5

Unit:

Weight:

AISI304 Stainless Steel Painted RAL9005 (0% gloss)

brandsigns b.v. Ohmweg 1A 3442 AA Woerden The Netherlands

American projec�on

Drawn by:

Date:

T Valen�jn

10-11-2021

Drawing number:

Name: CANADA GOOSE FS BS DL L600

20211110-001

M8 moun�ng hole 5 mm cable hole Scale:

1:5

Unit:

Weight:

brandsigns b.v. Ohmweg 1A 3442 AA Woerden The Netherlands

American projec�on American projec�on

The informa�on contained in this drawing is the sole property of brandsigns b.v. Demountable frame

Ohmweg 1A 3442 AA Woerden The Netherlands

AISI304 Stainless Steel Painted RAL9005 (0% gl

AISI304 Stainless Steel Painted RAL9005 (0% gloss)

Drawn by:

The informa�on contained in this drawing is the sole property of brandsigns b.v. Any reproduc�on in part or whole without the wri�en permission of brandsigns b.v. is prohibited

Weight:

T Valen�jn

20211110-001

AISI304 Stainless Steel Solid acrylic Painted RAL9005 (0% gloss) See color scheme

(4x) (1x)

(4x)

mm(1x)

Dem

PMS 187C

(1x)

Weight:

5 mm cable hole A3 1:5

(4x) Weight:

Opal white PMS 2747Cis the PMS 3005C The informa�on contained in this drawing sole187C property PMS of brandsigns b.v. acrylic informa�on contained inofthis drawing is b.v. the sole property of brandsigns b.v. Any reproduc�on inlitpart or whole withoutThe the wri�en permission brandsigns is prohibited

Demountable frame Scale: Unit:

1:5

600

300

Name: Opal CANADA GOOSE FS BS DLwhite L600

American projec�on

Unit:

(4x)

Scale:

AISI304 Stainless Steel Painted RAL9005 (0% gloss)

M8 moun�ng hole 3442 AA Woerden The Netherlands The informa�on contained in this drawing is the sole property of brandsigns b.v. Any reproduc�on in part or whole without Drawn by: Date: the wri�en permission of brandsigns b.v. is prohibited 5 mm cable hole

Date:

T Valen�jn

20211110-001 10-11-2021

M8 moun�ng hole

(1x)M8 moun�ng hole

CANADA GOOSE FS BS DL L600 Unit: hole mm 5 mm cable

Scale: 1:5 Weight: Name: (1x) 5 mm cable hole CANADA GOOSE FS BS DL L600 Unit: mm

• LED driver: MEANWELL ELG 12 Volt

Drawing number:

ƌŽƉͲ/Ŷ ĐƌǇůŝĐ ;5mmͿ ZŝŶŐ ƚŽ ďĞ 150 10 10 Opal white PMS 2747C PMS 3005C PMS 187C ƐŚŽƵůĚĞƌͲĐƵƚ ĂƌŽƵŶĚ ƉĞƌŝŵĞƚĞƌ ĂŶĚ lit acrylic brandsigns ƉŽĐŬĞƚͲƌŽƵƚĞĚ b.v. Ohmweg 1A

Drawn by:

DrawingDate: number:

20211110-001

Date: 20211110-001

M8 moun�ng hole Scale: 1:5 kg Weight: 3442 AA Woerden Name: T Valen�jn 10-11-2021 Solid acrylic The Netherlands • LEDSee color: White 3000K (Warm)(+/- 300K) colorFS scheme CANADA GOOSE BS DL L600 Unit: mm

T Valen�jn

(4x) (1x)

• Finish le�ers: Opal acrylic • M8LED color: White 3000K (4x)(+/- 300K) moun�ng hole • LED driver: MEANWELL ELG 12 Volt • Moun�ng: M8 holes - backside (available on request) • Cable: 5m power cable per le�er (according to artwork) (1x) bolts Demountable frame • 5 mm Including 1: holeM8 expansion cable • Including 2: Moun�ng template scale 1:1 • Including 3: Moun�ng & Installa�on manual

Drawing number: brandsigns b.v. Ohmweg 1A 3442 AA Woerden The Netherlands

American projec�on

Ohmweg 1A

Drawn by:

Weight:

5 mm cable hole CANADA GOOSE FS BS DL L600 Unit:

20211110-001 10-11-2021

brandsigns b.v.

Ohmweg 1A T Valen�jn 3442 AA Woerden

brandsigns b.v. Drawn by:

20211110-001

Demountable frame 80

(4x) Name:

Drawing number: Date:

Drawn by:

5 mm cable hole The Netherlands • Finish letters: Opal acrylic Drawing number: Name:

10-11-2021

American number: projec�on Drawing

• Design: Double sided acrylic sign Scale: ﬁlled 1:5 bladeWeight: Name: • Applica�on: Outdoor • Material Stainless AISI304mm CANADA GOOSEcasco: FS BS DL L600 steel Unit:

Drawing number:

brandsigns b.v. Ohmweg 1A 3442 AA Woerden The Netherlands

American projec�on

3442 AA Woerden The Netherlands • Material casco: Stainless steel AISI304 M8 moun�ng hole

American projec�on Date:

750 T Valen�jn

(1x)

5 mm cable hole brandsigns b.v. Ohmweg 1A150 3442 AA Woerden The Netherlands

Name: Drawn by: Date:Scale: 1:5 brandsigns b.v. Ohmweg CANADA GOOSE FS1ABS DL L600 10-11-2021 Unit: mm T Valen�jn

Drawing number:

20211110-001

brandsigns b.v.

AISI304 Stainless Steel Ohmweg 1A Painted RAL9005 (0% gloss)

Drawn by:

150

ZĂŝƐĞĚ >ĞƩĞƌƐ͕ >ĞĂǀĞƐ͕ ĞƚĐ͘ ;ƚŚĞƐĞ ŵĂǇ Any reproduc�on in part or whole without the wri�en permission of brandsigns b.v. is prohibited brandsigns b.v.Painted RAL9005 (0% gloss) Ohmweg 1A ďĞ ĞŝƚŚĞƌ ŵĞĐŚĂŶŝĐĂůůǇ ĨĂƐƚĞŶĞĚ Žƌ American projec�on M8 moun�ng hole 3442 AA Woerden ZĂŝƐĞĚ >ĞƩĞƌƐ͕ >ĞĂǀĞƐ͕ ĞƚĐ͘ ;ƚŚĞƐĞ ŵĂǇ The Netherlands The informa�on contained in this drawing is the sole property of brandsigns b.v. ƌŽƵƚĞĚ ŽƵƚ ĂĐƌǇůŝĐ ƉĞŶĚŝŶŐ ďĞ ĞŝƚŚĞƌ ŵĞĐŚĂŶŝĐĂůůǇ ĨĂƐƚĞŶĞĚ Žƌ Drawnof by: AISI304 Stainless Any reproduc�on in part or whole without the wri�en permission brandsignsSteel b.v.Date: is prohibited 5 mm cable hole ƌŽƵƚĞĚ ŽƵƚ ĂĐƌǇůŝĐ ƉĞŶĚŝŶŐ .3 ĞŶŐŝŶĞĞƌŝŶŐ Painted RAL9005 (0% gloss) ĞŶŐŝŶĞĞƌŝŶŐ T Valen�jn 10-11-2021

300

Double sided acrylic ﬁlled blade sign

Any reproduc�on in part or whole without the wri�en permission of brandsigns b.v. is prohibited PMS 3005C Demountable frame 80

PMS 187C

300

Design:

3442 AA Woerden • The Including 3: Moun�ng & Installa�on informa�on contained in this manual drawing is the sole property of brandsigns b.v. See color scheme The Netherlands Any reproduc�on in part or whole without the wri�en permission of brandsigns b.v. is prohibited PMS 3005C

See color scheme ůĞĐ͘ ǆŝƚƐ dŚƌŽƵŐŚ The informa�on contained in100 this drawing is the sole property of brandsigns b.v. .6

The informa�on ĞŶŐŝŶĞĞƌŝŶŐ contained in this drawing is the sole property of brandsigns b.v. ƉŽĐŬĞƚͲƌŽƵƚĞĚ AISI304 Stainless Steel

The informa�on contained in this drawing is the sole property of brandsigns b.v. Any reproduc�on in part or whole without the wri�en permission of brandsigns b.v. is prohibited

Opal white lit acrylic

700

600

700

600

•

5mm ĞĞƉ ůƵŵŝŶƵŵ ^ƵƉƉŽƌƚ ŽǀĞƌ ǁŝƚŚ ŵŽƵŶ ŶŐ ƉůĂƚĞ Θ ŚĂƌĚǁĂƌĞ

ƐŝŐŶ ŝŶƐƚĂůůĞĚ ŽŶƚŽ ŝŶƚĞƌŝŽƌ ĨĂƐĐŝĂ ǁŝƚŚ ŶŽŶͲĐŽƌƌŽƐŝǀĞ Opal white PMS 2747C PMS 187C ĨĂƐƚĞŶĞƌƐ Ͳ ƐƉĞĐŝĮĐ ŚĂƌĚǁĂƌĞ ŝƐ d ͘ Solid acrylic lit acrylic

Opal white PMS 2747C DŽƵŶƟŶŐ WůĂƚĞ

ZĂŝƐĞĚ >ĞƩĞƌƐ͕ >ĞĂǀĞƐ͕ ĞƚĐ͘ ;ƚŚĞƐĞ ŵĂǇ

300

700

ƚŚĞ ĞĚŐĞ

ůĞĐ͘ ǆŝƚƐ dŚƌŽƵŐŚ DŽƵŶƟŶŐ WůĂƚĞ PMS 3005C PMS 187C .3mm ŽĨ ƌŽƉͲŝŶ ZŝŶŐ ĞǆƉŽƐĞĚ ŽŶ ƚŚĞ ĞĚŐĞ

600

ǀŝŶǇů

PMSǀŝŶǇů 2747C

.3mm ŽĨ ƌŽƉͲŝŶ

600

dƌĂŶƐ tŚŝƚĞ dƌĂŶƐ tŚŝƚĞ

Opal white lit acrylic

.3mm ŽĨ ƌŽƉͲŝŶ Opal white PMS 2747C lit acrylicZŝŶŐ ĞǆƉŽƐĞĚ ŽŶ ƚŚĞ ĞĚŐĞ

Drawn by: sided acrylic Date: filled blade • Design: Double 10 10 American projec�on T Valen�jn 10-11-2021 sign

WŽǁĞƌ ƐƵƉƉůǇ;ƐͿ ŝŶƐƚĂůůĞĚ ƌĞŵŽƚĞůǇ ;ďĞŚŝŶĚ ĨĂƐĐŝĂͿ ůĂĚĞ Opal white OutdoorPMS 2747C PMS 3005C PMS 187C KƵƚĞƌ ƌĞĚ ƌŝŶŐ ŐƌĂƉŚŝĐ ;ŽĨ ǁŚŝƚĞ ĂĐƌǇůŝĐͿ ƚŽ ďĞ • Applica�on: • Material casco: Stainless steel AISI304 ƐŝŐŶ ŝŶƐƚĂůůĞĚ ŽŶƚŽ ŝŶƚĞƌŝŽƌ ĨĂƐĐŝĂ ǁŝƚŚ ŶŽŶͲĐŽƌƌŽƐŝǀĞ lit acrylic ͞ĚƌŽƉƉĞĚ ŝŶ ƚŽ 5mm ĚĞĞƉ ĂůƵŵŝŶƵŵ ƌĞƚƵƌŶ͘ /ƚ ǁŝůů ĂůƐŽ • Finish le�ers: Opal acrylic 850 ZĂŝƐĞĚ >ĞƩĞƌƐ͕ >ĞĂǀĞƐ͕ ĞƚĐ͘ ;ƚŚĞƐĞ ŵĂǇ ĨĂƐƚĞŶĞƌƐ Ͳ ƐƉĞĐŝĮĐ ŚĂƌĚǁĂƌĞ ŝƐ d ͘ • LED color: White 3000K (+/- 300K) HĂǀĞ Ă ϭƐƚ ƐƵƌĨ͘ ĂƉƉůŝĐĂ ŽŶ ŽĨ ƚƌĂŶƐ ƌĞĚ ǀŝŶǇů Θ Ă ϮŶĚ ďĞ ĞŝƚŚĞƌ ŵĞĐŚĂŶŝĐĂůůǇ ĨĂƐƚĞŶĞĚ Žƌ • sole LED property driver: MEANWELL ELG 12 Volt The informa�on contained in this drawing is the of brandsigns b.v. on request) ƐƵƌĨ͘ ĂƉƉůŝĐĂ ŽŶ ŽĨ ĚŝīƵƐĞƌ Įůŵ Moun�ng: M8PMS holes187C - backside (available ƌŽƵƚĞĚ ŽƵƚ ĂĐƌǇůŝĐ ƉĞŶĚŝŶŐ Opal white • PMS 2747C PMS 3005C Any reproduc�on in part or whole without the•wri�en of brandsigns is prohibited Cable: permission 5m power cable per le�er b.v. (according to artwork) PMS 3005C PMS 187C ĞŶŐŝŶĞĞƌŝŶŐ /ŶƚĞƌŶĂů ŝůůƵŵŝŶĂtiŽŶ ďǇ ǁŚŝƚĞ > ŵŽĚƵůĞƐ (3000K) lit acrylic • Including 1: M8 expansion bolts Demountable frame • Including Moun�ng template scale 1:1 Solid 2:acrylic WŽǁĞƌ ƐƵƉƉůǇ;ƐͿ ŝŶƐƚĂůůĞĚ ƌĞŵŽƚĞůǇ ;ďĞŚŝŶĚ ĨĂƐĐŝĂͿ ůĂĚĞ American projec�on

ƚŚĞ ĞĚŐĞ ůĞĐ͘ ǆŝƚƐ dŚƌŽƵŐŚ DŽƵŶƟŶŐ WůĂƚĞ 5mm ĞĞƉ ůƵŵŝŶƵŵ ^ƵƉƉŽƌƚ ŽǀĞƌ ǁŝƚŚ ŵŽƵŶ

lit acrylic ŶŐ ƉůĂƚĞ Θ ŚĂƌĚǁĂƌĞ The informa�on contained in this ƌŽƉͲ/Ŷ ĐƌǇůŝĐ ;5mmͿ ZŝŶŐ ƚŽ ďĞ drawing is the sole property of brandsigns b.v. ďĞ ĞŝƚŚĞƌ ŵĞĐŚĂŶŝĐĂůůǇ ĨĂƐƚĞŶĞĚ Žƌ ZŝŶŐ ĞǆƉŽƐĞĚ ŽŶ Any reproduc�on in part or whole without theƌŽƵƚĞĚ ŽƵƚ ĂĐƌǇůŝĐ ƉĞŶĚŝŶŐ wri�en permission of brandsigns b.v. is prohibited ƐŚŽƵůĚĞƌͲĐƵƚ ĂƌŽƵŶĚ ƉĞƌŝŵĞƚĞƌ ĂŶĚ

T Valen�jn

RETAIL

• Design: Double sided acrylic filled blade

sign color: • Material casco: Stainless steel3 • LED White 3000K (Warm)(+/-

See color scheme

600

300

700

ƌŽƉͲŝŶ ZŝŶŐ

750

Opal 5mm white ĞĞƉ PMS 2747C ůƵŵŝŶƵŵ 150 5mm ĞĞƉ 10 ^ƵƉƉŽƌƚ ŽǀĞƌ ǁŝƚŚ ŵŽƵŶ 3mmlitŽĨ acrylic ƌŽƉͲŝŶ ůƵŵŝŶƵŵ ZĞƚƵƌŶ ŶŐ ƉůĂƚĞ Θ ŚĂƌĚǁĂƌĞ ZŝŶŐ ĞǆƉŽƐĞĚ ŽŶ ^ d />

300

ǀŝŶǇů

.3mm ŽĨ ƌŽƉͲŝŶ ZŝŶŐ ĞǆƉŽƐĞĚ ŽŶ ƚŚĞ ĞĚŐĞ

The informa�on contained in this drawing is the sole property of brandsigns b.v. Any reproduc�on in part or whole without the wri�en permission of brandsigns b.v. is prohibited

• Design: Double sided acrylic fi

• Finish letters: sign Opal acrylic

AISI304 Stainless Steel Solid acrylic Painted Solid acrylic RAL9005 (0% gloss) See color scheme

600

ƌŽƉͲŝŶ ZŝŶŐ dƌĂŶƐ tŚŝƚĞ

^ d /> .6mm ZĂŝƐĞĚ 'ƌĂƉŚŝĐƐ ;ůĞ ĞƌƐ͕ ůĞĂǀĞƐ͕ ͞ƐƉŽŬĞƐͬ͟ĐŽŶƚĞŶĞŶƚͿ

• Material casco: Stainless steel AISI30

Solid acrylic See color scheme

750

CABINET INTERIOR

Canada Goose , Zurich

.6mm ZĂŝƐĞĚ 'ƌĂƉŚŝĐƐ DŽƵŶƟŶŐ WůĂƚĞ Θ ,ĂƌĚǁĂƌĞ ;ůĞ ĞƌƐ͕ ůĞĂǀĞƐ͕ ĐŽŶĐĞĂůĞĚ ǁŝƚŚŝŶ ĐŽǀĞƌ ͞ƐƉŽŬĞƐͬ͟ĐŽŶƚĞŶĞŶƚͿ

130 10

150

ŽŵƉĂƐƐ ^ǇŵďŽů 10 ĂƉƉůŝĞĚ ƚŽ ĨĂĐĞ ǁͬ ƌĞĚ ǀŝŶǇů ƌŽƉͲŝŶ ZŝŶŐ

DŽƵŶƟŶŐ WůĂƚĞ Θ ,ĂƌĚǁĂƌĞ ĐŽŶĐĞĂůĞĚ ǁŝƚŚŝŶ ĐŽǀĞƌ

5mm ĞĞƉ DŽƵŶƟŶŐ WůĂƚĞ ůƵŵŝŶƵŵ ZĞƚƵƌŶ

150

ƌĞĚ ǀŝŶǇů

80 dƌĂŶƐ tŚŝƚĞ ǀŝŶǇů 10

.6mm ZĂŝƐĞĚ 'ƌĂƉŚŝĐƐ ;ůĞ ĞƌƐ͕ ůĞĂǀĞƐ͕ ͞ƐƉŽŬĞƐͬ͟ĐŽŶƚĞŶĞŶƚͿ

ŵŽƵŶƟŶŐ ƉůĂƚĞ SECTION BB

.3mm ŽĨ ƌŽƉͲŝŶ ZŝŶŐ ĞǆƉŽƐĞĚ ŽŶ ƚŚĞ ĞĚŐĞ

ƌĞĚ ǀŝŶǇů

ŽŵƉĂƐƐ ^ǇŵďŽů ƌŽƉͲŝŶ ZŝŶŐ

100 ĂƉƉůŝĞĚ ƚŽ ĨĂĐĞ ǁͬ

dƌĂŶƐ tŚŝƚĞ ǀŝŶǇů Ͳ Z ^^

CABINET INTERIOR CABINET INTERIOR

Canada Goose, Istanbul Airport, Istanbul, Turkey

700 dƌĂŶƐ tŚŝƚĞ ǀŝŶǇů Ͳ Z ^^

DŽƵŶƟŶŐ WůĂƚĞ Θ ,ĂƌĚǁĂƌĞ ĐŽŶĐĞĂůĞĚ ǁŝƚŚŝŶ ĐŽǀĞƌ

ůĞĐ͘ ƚŽ Ğǆŝƚ ǁŝƚŚŝŶ ƐƵƉƉŽƌƚ ĂŶĚ ƚŚƌŽƵŐŚ ŵŽƵŶƟŶŐ ƉůĂƚĞ

DŽƵŶƟŶŐ WůĂƚĞ Θ ,ĂƌĚǁĂƌĞ ůĞĐ͘ ƚŽ Ğǆŝƚ ǁŝƚŚŝŶ ĐŽŶĐĞĂůĞĚ ǁŝƚŚŝŶ ĐŽǀĞƌ ƐƵƉƉŽƌƚ ĂŶĚ ƚŚƌŽƵŐŚ

700

300

ůĞĐ͘ ƚŽ Ğǆŝƚ ǁŝƚŚŝŶ ƐƵƉƉŽƌƚ ĂŶĚ ƚŚƌŽƵŐŚ ŵŽƵŶƟŶŐ ƉůĂƚĞ

300

ůƵŵ͘ ^ƵƉƉŽƌƚ ŽǀĞƌ ĮŶŝƐŚĞĚ ƚŽ ŵĂƚĐŚ ƌĞƚƵƌŶ ;EK s/^/ > & ^d E Z^Ϳ

ůĞĐ͘ ƚŽ Ğǆŝƚ ǁŝƚŚŝŶ ƐƵƉƉŽƌƚ ĂŶĚ ƚŚƌŽƵŐŚ ŵŽƵŶƟŶŐ ƉůĂƚĞ

10 700 dƌĂŶƐ tŚŝƚĞ ǀŝŶǇů Ͳ Z ^^ 700

ůƵŵ͘ ^ƵƉƉŽƌƚ ŽǀĞƌ ĮŶŝƐŚĞĚ ƚŽ ŵĂƚĐŚ ƌĞƚƵƌŶ 150 ;EK s/^/ > & ^d E Z^Ϳ

• Design: Double sided acrylic filled bl sign

ĂƉƉůŝĞĚ ƚŽ ĨĂĐĞ ǁͬ ƌĞĚ ǀŝŶǇů

850

130

150

300

700

ůƵŵ͘ ^ƵƉƉŽƌƚ ŽǀĞƌ ĮŶŝƐŚĞĚ ƚŽ ŵĂƚĐŚ ƌĞƚƵƌŶ ;EK s/^/ > & ^d E Z^Ϳ

150 dƌĂŶƐ tŚŝƚĞ ǀŝŶǇů Ͳ Z ^^

See color scheme

750

150

AISI304 ;ϮͿ ŽƵďůĞ ĨĂĐĞ͕ ŝŶƚĞƌŶĂůůǇ ŝůůƵŵŝŶĂƚĞĚ ďůĂĚĞ ƐŝŐŶ See colorStainless scheme Steel • Finish letters: Opal acrylic • LED color: White 3000K (Warm Painted RAL9005 (0% gloss) ĐŽŶƐƚƌƵĐƚĞĚ ŽĨ ĂůƵŵŝŶƵŵ GENERAL DESCRIPTION AISI304 Stainless Steel • Design: Double sided acrylic filled blade sign • Design: Double sided acrylic filled blade Painted RAL9005 (0% gloss) 100 dŚĞ ďůĂĚĞ ƐŝŐŶ ĨĞĂƚƵƌĞƐ ƉƵƐŚͲƚŚƌƵ ǁŚŝƚĞ ĂĐƌǇůŝĐ ŐƌĂƉŚŝĐƐ • Applica�on: ƌŽƉͲŝŶ ZŝŶŐ Outdoor 80 150 ;ϮͿ ŽƵďůĞ ĨĂĐĞ͕ ŝŶƚĞƌŶĂůůǇ ŝůůƵŵŝŶĂƚĞĚ ďůĂĚĞ ƐŝŐŶ • Material casco: Stainless steel AISI304 • LED color:• White 3000K (Warm)(+/- ELG 300K1 LED driver: MEANWELL sign 850 ĐŽŶƐƚƌƵĐƚĞĚ ŽĨ ĂůƵŵŝŶƵŵ • Finish le�ers: Opal acrylic ůů ƉƵƐŚͲƚŚƌƵ ŐƌĂƉŚŝĐƐ ƚŽ ƌĞĐĞŝǀĞ ϭƐƚ ƐƵƌĨĂĐĞ ĂƉƉůŝĐĂtiŽŶ 100 • LED color: White 3000KStainless (+/- 300K) Steel 130 80 dŚĞ ďůĂĚĞ ƐŝŐŶ ĨĞĂƚƵƌĞƐ ƉƵƐŚͲƚŚƌƵ ǁŚŝƚĞ ĂĐƌǇůŝĐ ŐƌĂƉŚŝĐƐ AISI304 AISI304 Stainless SteelELG • LED driver: MEANWELL 12 Volt 750 Painted RAL9005 (0% gloss) ůů ƉƵƐŚͲƚŚƌƵ ŐƌĂƉŚŝĐƐ ƚŽ ƌĞĐĞŝǀĞ ϭƐƚ ƐƵƌĨĂĐĞ ĂƉƉůŝĐĂtiŽŶ ŽĨ ƚƌĂŶƐůƵĐĞŶƚ ǀŝŶǇů Įůŵ ĂŶĚ Ă ϮŶĚ ƐƵƌĨĂĐĞ ĂƉƉůŝĐĂtiŽŶ ŽĨ • Moun�ng: M8 holes - backside (available on request) Painted RAL9005 (0% gloss) 150 Cable: 5m power cable per le�er (according to artwork) ŽĨ ƚƌĂŶƐůƵĐĞŶƚ ǀŝŶǇů Įůŵ ĂŶĚ Ă ϮŶĚ ƐƵƌĨĂĐĞ ĂƉƉůŝĐĂtiŽŶ ŽĨ 80 • LED driver: MEANWELL ELG 12 Volt 10 10 Solid acrylic • Material casco: Stainless ••steel AISI304 AISI304 Stainless Steel Including 1: M8 expansion•boltsDesign: ĚŝīƵƐĞƌ Įůŵ͘ Double sided acrylic filled blade sign ĚŝīƵƐĞƌ Įůŵ͘ Demountable frame Painted RAL9005 (0% gloss) •dƌĂŶƐ tŚŝƚĞ Including 2: Moun�ng template scale 1:1 See color scheme • Applica�on: Outdoor AISI304 Stainless Steel KƵƚĞƌ ƌĞĚ ƌŝŶŐ ŐƌĂƉŚŝĐ ;ŽĨ ǁŚŝƚĞ ĂĐƌǇůŝĐͿ ƚŽ ďĞ • Including 3: Moun�ng & Installa�on manual 150 • Material casco: Stainless steel AISI304 KƵƚĞƌ ƌĞĚ ƌŝŶŐ ŐƌĂƉŚŝĐ ;ŽĨ ǁŚŝƚĞ ĂĐƌǇůŝĐͿ ƚŽ ďĞ ǀŝŶǇů(0% gloss) 10 GENERAL DESCRIPTION • Finish le�ers: Opal acrylic Painted RAL9005 Solid acrylic ͞ĚƌŽƉƉĞĚ ŝŶ ƚŽ 5mm ĚĞĞƉ ĂůƵŵŝŶƵŵ ƌĞƚƵƌŶ͘ /ƚ ǁŝůů ĂůƐŽ • LED color: White 3000K (+/- 300K) • Design: Double sided acrylic filled blade•signDesign: DŽƵŶƟŶŐ WůĂƚĞ Θ ,ĂƌĚǁĂƌĞ Double sided acrylic filled blade signHĂǀĞ Ă ϭƐƚ ƐƵƌĨ͘ ĂƉƉůŝĐĂ ŽŶ ŽĨ ƚƌĂŶƐ ƌĞĚ ǀŝŶǇů Θ Ă ϮŶĚ See color scheme • LED driver: MEANWELL ELG 12 Volt • Finish letters: Opal acrylic ͞ĚƌŽƉƉĞĚ ŝŶ ƚŽ 5mm ĚĞĞƉ ĂůƵŵŝŶƵŵ ƌĞƚƵƌŶ͘ /ƚ ǁŝůů ĂůƐŽ • Design: Double sided acrylic filled blade sign- backside (available on request) • Applica�on: Outdoor • Applica�on: 5.5 Outdoor • Moun�ng: M8 holes ;ϮͿ ŽƵďůĞ ĨĂĐĞ͕ ŝŶƚĞƌŶĂůůǇ ŝůůƵŵŝŶĂƚĞĚ ďůĂĚĞ ƐŝŐŶ ĐŽŶĐĞĂůĞĚ ǁŝƚŚŝŶ ĐŽǀĞƌ ƐƵƌĨ͘ ĂƉƉůŝĐĂ ŽŶ ŽĨ ĚŝīƵƐĞƌ Įůŵ • Applica�on: Outdoor • Cable: 5m power cable per le�er (according to artwork) • Material casco: Stainless steel AISI304 • Material casco: Stainless steel AISI304 •100 Material casco: Stainless steel AISI304 AISI304 Stainless Steel ĐŽŶƐƚƌƵĐƚĞĚ ŽĨ ĂůƵŵŝŶƵŵ • Including 1: M8 expansion bolts /ŶƚĞƌŶĂů ŝůůƵŵŝŶĂtiŽŶ ďǇ ǁŚŝƚĞ > ŵŽĚƵůĞƐ (3000K) HĂǀĞ Ă ϭƐƚ ƐƵƌĨ͘ ĂƉƉůŝĐĂ ŽŶ ŽĨ ƚƌĂŶƐ ƌĞĚ ǀŝŶǇů Θ Ă ϮŶĚ • Finish le�ers: Opal acrylic • Finish le�ers: Opal Demountable Approx • 2780 Finish le�ers: Opal acrylic Painted RAL9005 (0% gloss) 750 frame • acrylic Including 2: Moun�ng template scale 1:1 5mm ĞĞƉ • LED color: White (+/- 300K) dŚĞ ďůĂĚĞ ƐŝŐŶ ĨĞĂƚƵƌĞƐ ƉƵƐŚͲƚŚƌƵ ǁŚŝƚĞ ĂĐƌǇůŝĐ WŽǁĞƌ ƐƵƉƉůǇ;ƐͿ ŝŶƐƚĂůůĞĚ ƌĞŵŽƚĞůǇ ;ďĞŚŝŶĚ ĨĂƐĐŝĂͿ ůĂĚĞ ŐƌĂƉŚŝĐƐ ůĞĐ͘ ƚŽ Ğǆŝƚ ǁŝƚŚŝŶ • LED color: 5 White 3000K (+/- 300K) • 3000K Including 3: Moun�ng & Installa�on manual .6mm ZĂŝƐĞĚ 'ƌĂƉŚŝĐƐ Demountable frame • LED color: White 3000K (+/- 300K) • 80 LED driver: MEANWELL ELG 12 Volt ůƵŵŝŶƵŵ ZĞƚƵƌŶ ƐƵƌĨ͘ ĂƉƉůŝĐĂ ŽŶ ŽĨ ĚŝīƵƐĞƌ Įůŵ • LED color: White 3000K (Warm)(+/300K) ůů ƉƵƐŚͲƚŚƌƵ ŐƌĂƉŚŝĐƐ ƚŽ ƌĞĐĞŝǀĞ ϭƐƚ ƐƵƌĨĂĐĞ ĂƉƉůŝĐĂtiŽŶ • LED driver: MEANWELL ELG 12 Volt ƐŝŐŶ ŝŶƐƚĂůůĞĚ ŽŶƚŽ ŝŶƚĞƌŝŽƌ ĨĂƐĐŝĂ ǁŝƚŚ ŶŽŶͲĐŽƌƌŽƐŝǀĞ ƐƵƉƉŽƌƚ ĂŶĚ ƚŚƌŽƵŐŚ • Moun�ng: M8 holes - backside (available on request) GENERAL DESCRIPTION •Match LED driver: MEANWELL ELG 12 Volt ŽŵƉĂƐƐ ^ǇŵďŽů Existing ;ůĞ ĞƌƐ͕ ůĞĂǀĞƐ͕ • Cable: 5m power cable per le�er (according to artwork) • Moun�ng: M8 holes - backside (available on request) ĨĂƐƚĞŶĞƌƐ Ͳ ƐƉĞĐŝĮĐ ŚĂƌĚǁĂƌĞ ŝƐ d ͘ ŽĨ ƚƌĂŶƐůƵĐĞŶƚ ǀŝŶǇů Įůŵ ĂŶĚ Ă ϮŶĚ ƐƵƌĨĂĐĞ ĂƉƉůŝĐĂtiŽŶ ŽĨ 150 AISI304 Stainless Steel • Including 1: M8 expansion bolts 10 10 • Moun�ng:ĂƉƉůŝĞĚ ƚŽ ĨĂĐĞ ǁͬ M8 holes - backside (available on request) ŵŽƵŶƟŶŐ ƉůĂƚĞ Solid acrylic AISI304 Stainless Steel /ŶƚĞƌŶĂů ŝůůƵŵŝŶĂtiŽŶ ďǇ ǁŚŝƚĞ > ŵŽĚƵůĞƐ (3000K) • Cable: Demountable frame 100 5m power cable per le�er (according to artwork) Painted RAL9005 (0% gloss)See color scheme • Including 2: Moun�ng template scale 1:1 ĚŝīƵƐĞƌ Įůŵ͘ ƌĞĚ ǀŝŶǇů 5m power cable per le�er (according ;ϮͿ ŽƵďůĞ ĨĂĐĞ͕ ŝŶƚĞƌŶĂůůǇ ŝůůƵŵŝŶĂƚĞĚ ďůĂĚĞ ƐŝŐŶAISI304 Stainless Steel • Cable: to artwork) Painted RAL9005 (0% gloss)͞ƐƉŽŬĞƐͬ͟ĐŽŶƚĞŶĞŶƚͿ 100 manual height • Including 1: M8 expansion bolts • Including 3: Moun�ng & Installa�on 5mm ĞĞƉ KƵƚĞƌ ƌĞĚ ƌŝŶŐ ŐƌĂƉŚŝĐ ;ŽĨ ǁŚŝƚĞ ĂĐƌǇůŝĐͿ ƚŽ ďĞ 750 AISI304 Stainless Steel 5mm ĞĞƉ ůƵŵŝŶƵŵ ĐŽŶƐƚƌƵĐƚĞĚ ŽĨ ĂůƵŵŝŶƵŵ Painted RAL9005 (0% WŽǁĞƌ ƐƵƉƉůǇ;ƐͿ ŝŶƐƚĂůůĞĚ ƌĞŵŽƚĞůǇ ;ďĞŚŝŶĚ ĨĂƐĐŝĂͿ gloss) • Including 1: M8 expansion bolts • Including 2: Moun�ng template scale 1:1 • ůĂĚĞ LED driver: MEANWELL ELG 12 Volt Demountable frame 80 ͞ĚƌŽƉƉĞĚ ŝŶ ůƵŵŝŶƵŵ ƚŽ 5mm ĚĞĞƉ ĂůƵŵŝŶƵŵ ƌĞƚƵƌŶ͘ /ƚ ǁŝůů ĂůƐŽ ŽǀĞƌ ǁŝƚŚ ŵŽƵŶ manual Including 3: 80 ^ƵƉƉŽƌƚ Moun�ng & Installa�on ZĞƚƵƌŶ dŚĞ ďůĂĚĞ ƐŝŐŶ ĨĞĂƚƵƌĞƐ ƉƵƐŚͲƚŚƌƵ ǁŚŝƚĞ ĂĐƌǇůŝĐ ŐƌĂƉŚŝĐƐ Painted RAL9005 (0% gloss) • Including 2: Moun�ng template scale 1:1 • Opal white 2747C PMS 3005C brandsigns b.v. PMS 187C (the dimensions shown below areAISI304 forPMS reference only) HĂǀĞ Ă ϭƐƚ ƐƵƌĨ͘ ĂƉƉůŝĐĂ ŽŶ ŽĨ ƚƌĂŶƐ ƌĞĚ ǀŝŶǇů Θ Ă ϮŶĚ ƐŝŐŶ ŝŶƐƚĂůůĞĚ ŽŶƚŽ ŝŶƚĞƌŝŽƌ ĨĂƐĐŝĂ ǁŝƚŚ ŶŽŶͲĐŽƌƌŽƐŝǀĞ ŶŐ ƉůĂƚĞ Θ ŚĂƌĚǁĂƌĞ Ohmweg 1A 150 Stainless Steel ůů ƉƵƐŚͲƚŚƌƵ ŐƌĂƉŚŝĐƐ ƚŽ ƌĞĐĞŝǀĞ ϭƐƚ ƐƵƌĨĂĐĞ ĂƉƉůŝĐĂtiŽŶ • Including 3: ŽŵƉĂƐƐ ^ǇŵďŽů Moun�ng & Installa�on manual lit acrylic American projec�on 10 10 M8 moun�ng hole Solid acrylic (4x) 3442 AA Woerden 100 ƐƵƌĨ͘ ĂƉƉůŝĐĂ ŽŶ ŽĨ ĚŝīƵƐĞƌ Įůŵ Painted RAL9005 (0% gloss) See color scheme ŽĨ ƚƌĂŶƐůƵĐĞŶƚ ǀŝŶǇů Įůŵ ĂŶĚ Ă ϮŶĚ ƐƵƌĨĂĐĞ ĂƉƉůŝĐĂtiŽŶ ŽĨ The Netherlands 750 ĨĂƐƚĞŶĞƌƐ Ͳ ƐƉĞĐŝĮĐ ŚĂƌĚǁĂƌĞ ŝƐ d ͘ ůĞĐ͘ ǆŝƚƐ dŚƌŽƵŐŚ /ŶƚĞƌŶĂů ŝůůƵŵŝŶĂtiŽŶ ďǇ ǁŚŝƚĞ > ŵŽĚƵůĞƐ (3000K) Demountable frame 80 ĚŝīƵƐĞƌ Įůŵ͘ ĂƉƉůŝĞĚ ƚŽ ĨĂĐĞ ǁͬ 700

150

ůƵŵ͘ ^ƵƉƉŽƌƚ ŽǀĞƌ ĮŶŝƐŚĞĚ ƚŽ ŵĂƚĐŚ ƌĞƚƵƌŶ ;EK s/^/ > & ^d E Z^Ϳ

• Material casco: Stainless steel AISI304 • Material casco: Stainless steel AISI304 • Finish le�ers: Opal acrylic ŽǀĞƌ ĮŶŝƐŚĞĚ ƚŽ Finish le�ers: Opalﬁlled acrylic Design: • Double sided acrylic blade•signDesign: sided acrylic ﬁlled3000K blade (+/sign 300K) • Double LED color: White • LED color: White 3000K (+/300K) Applica�on: Outdoor • Applica�on: • Outdoor LED driver: ŵĂƚĐŚ ƌĞƚƵƌŶ MEANWELL ELG 12 Volt 100 • LED driver:steel AISI304 MEANWELL ELG • 12 Volt Material casco: steel AISI304 • Stainless Moun�ng: M8 holes - backside (available850 on request) Material casco: Stainless ;EK s/^/ > • Moun�ng: M8 holes - backside (available on • Finish le�ers: Opal acrylic • request) Cable: 5m power cable per le�er (according to artwork) Finish le�ers: Opal acrylic dƌĂŶƐ tŚŝƚĞ Cable: le�er (according to artwork) AISI304 Stainless Steel color: 3000K 300K) • White Including 1: (+/M8 expansion bolts 80power cable• perLED & ^d E Z^Ϳ LED color: • White 3000K (+/-5m 300K) AISI304 Stainless Steel • LED driver:750 Volt Painted RAL9005 (0% gloss) Including 1: ELG M8 expansion bolts • MEANWELL Including 2:ELG 12Moun�ng template scale ǀŝŶǇů Ͳ Z ^^ 1:1 LED driver:• MEANWELL 12 Volt • Moun�ng: holes -3: backsideMoun�ng (available&on request) manual Including Installa�on Painted RAL9005 (0% gloss) Including 2: Moun�ng template scale 1:1 • M8 150 Moun�ng:• M8 holes (available on • request) Cable:manual 5m power cable per le�er (according to artwork) 103:- backside 10 Solid acrylic • Including & Installa�on Cable: 5m power cable Moun�ng per le�er (according to artwork) AISI304 Stainless Steel • Including 1: M8 expansion bolts See(0% color scheme AISI304 Stainless Steel Painted RAL9005 gloss) Including 1: M8 expansion bolts • Including 2: Moun�ng template scale 1:1 150 Including 3: Moun�ng & Installa�on manual Painted RAL9005 (0% gloss) Including 2: Moun�ng template scale 1:1 • ŽŵƉĂƐƐ ^ǇŵďŽů Solid below acrylic (the dimensions shown are for reference only) Including 3: Moun�ng & Installa�on manual

300

700

•

300

700

150

10 •

Double sided acrylic ﬁlled blade•signDesign: Double sided acrylic ﬁlled blade sign 100 Outdoor • Applica�on: Outdoor • Material casco: Stainless steel AISI304 Stainless steel AISI304 • Finish le�ers: Opal acrylic 80 Opal acrylic • LED color: White 3000K (+/- 300K) 100 White 3000K (+/- 300K) • LED driver: MEANWELL ELG 12 Volt MEANWELL ELG 12 Volt • Moun�ng: M8 holes - backside (available on request) 10 10 M8 holes - backside (available on 80 • request) Cable: 5m power cable per le�er (according to artwork) 10 5m power cable per le�er (according to artwork) AISI304 Stainless Steel • Including 1: M8 expansion bolts AISI304 Stainless Steel Painted RAL9005150 (0% gloss) M8 expansion bolts • Including 2: Moun�ng template scale 1:1 10 Including 3: Moun�ng & Installa�on manual Painted (0% gloss) Moun�ng template scale 1:1 • 100 RAL9005 (the dimensions shown below are 10 for reference only) Moun�ng & Installa�on manual

700

Design: Applica�on: Material casco: Finish le�ers: LED color: LED driver: Moun�ng: Cable: Including 1: Including 2: Including 3:

300

• • • • • • • • • • •

700

Design: Applica�on: Material casco: Finish le�ers: LED color: LED driver: Moun�ng: Cable: Including 1: Including 2: Including 3:

700

• • • • • • • • • • •

CABINET INTERIOR

TECHNICAL DRAWINGS NEW GA PLAN

23 Canada Goose , International Airport Frankfurt .

(4x) (1x)

SkETCH UP / ENSCAPE / AUTOCAD / PHOTOSHOP

American projec�on

Drawing number:

20211110-001

Date: Drawn by: 10-11-2021

5 mm

10-11-2021

20211110-001

M8 moun�ng hole Unit: mm CANADA GOOSE FS BS DL L600

Drawn by:

Date:

T Valen�jn

10-11-2021

Drawing number:

Name: CANADA GOOSE FS BS DL L600

20211110-001

M8 mo

brandsigns b.v. Ohmweg 1A 3442 AA Woerden The Netherlands

Date:

T Valen�jn

brandsigns b.v. Name: Ohmweg 1A number: 3442Drawing AA Woerden CANADA GOOSE FS BSName: DL L600 The Netherlands

Scale:

1:5

5 mm cable hole Scale:

1:5

Unit:

Weight:

03 Endy Bed Mattress Retail, Canada / Silk & Snow Retail, Canada Both are retails bed mattress shops and located at Canada, as giving the idea of what a brand retail shop would be look like.

Endy Bed Mattress Retail, Canada

ENDY / Schematic Design

WIP

Demo Plan

WIP

Exterior Elevations

KEY Demolition Works

ENDY / Schematic Design

| 3

| 9

RETAIL

Silk & Snow Retail, Canada

RHINO / SkETCH UP / ENSCAPE / AUTOCAD / PHOTOSHOP

01 Mall of Saudi Management Suite, Saudi Arabia

WORKPLACE

Mall of Saudi intends to be the Kingdom’s flagship destination for retail, leisure and entertainment, offering Saudi Areabia’s most prestigious stores as well as new brands making their debut in the market. Designed as a lifestyle venue, the mall will contain the most recognizable brands in retail from fashion, home styling to electronics. The management Suite is located within this biggest shopping mall and treat as workplace for the mall working staff, and it fully covers everything such as meeting room, office room, prayer room and so on.

SkETCH UP / ENSCAPE / AUTOCAD / PHOTOSHOP

01 WESTFIELD WALKING NET, UK Westfield Shopping Centre is the one which located at White City, London UK. With iconic brands from the UK and around the world. The project of this walking net, is aiming to creating an activity node that punctuates the mall with excitement, intrigue and a strong identity. Conceptulising a contrasting space that celebrates urban lifestyle, with captivating experiences through contrast, colour, material and dynamic movement. PROPOSED NET Location

Net Colours Purple Net RGB: R-210 G-161 B-227

Blue Net RGB: R-184 G-196 B-232

Green Net RGB: R-168 G-204 B-143

Yellow Net RGB: R-214 G-200 B-126

Orange Net RGB:R-235 G-156 B-89

Red Net RGB: R-207 G-103 B-119

Pink Net RGB: R-189 G-116 B-165

GENERAL NET PLAN_ LEVEL 20 & 40 & 50

Officium to provide supplier

14 Westfield Arena, Westfield Group.

P R O P O S E D F L S S TA I R Staircase B Enclosed Part of Stair

2000 MM

Staircase B

Access to Fire Escape Stair Size variable dependent on net height at

200mm

180mm

3400 MM

22 0m

location, Overall dimension of stairs to stay the same.

VARIABLE DEPENDENT ON LOCATION

COMMERCIAL

1600mm 12 00

Elevation

Plan

Cle m

Stair Dimensions Number of steps and landing’s variable dependent on location

24 Westfield Arena, Westfield Group.

RHINO / SkETCH UP / ENSCAPE / AUTOCAD / PHOTOSHOP

Prayer Room/Washroom/Locker Room Other design scope are arcoss the locker room, prayer rooms, washroom and so on. There are still a lot design scope that I have touched on and design for, contact me to find out more!

TL-701 Wall Finish Porcelain Tiles Range: CM2 Dove Grey Thickness: 8mm

MT-703 Metal Shadow Gap Trim Colour: Anolok Umber 543 Thickness: 3mm

TL-702 Floor Finish Porcelain Tiles Range: CM2 Dove Grey Thickness: 8mm

186 QC02019120-WSP-REP-DSR-INT-00-SPB-00001-0B Motorpark & Speedpark Buildings Interior Design

TL-701 Wall Finish Porcelain Tiles Range: CM2 Dove Grey Thickness: 8mm

SS-711 Solid Surface Countertop Stone: White Bamboo Thickness: 20mm

MT-703 Metal Shadow Gap Trim Colour: Anolok Umber 543 Thickness: 3mm

OTHERS

TL-702 Floor Finish Porcelain Tiles Range: CM2 Dove Grey Thickness: 8mm

187 QC02019120-WSP-REP-DSR-INT-00-SPB-00001-0B Motorpark & Speedpark Buildings Interior Design

SkETCH UP / ENSCAPE / AUTOCAD / PHOTOSHOP

D E S I G N

SCHOOL PROJECTS

J A D E . P O R Q - 2022 I X I N C H E N YEARS BETWEEN 2019

T L

F I

O O

DEVELOPMENT

01 time: 2021 project type: Market Renovation site: Jubilee Market, London, United Kingdom context: Public Space, Minority People, Publicity, Functional

Inlusion - Market Renovation Solving social problems by constructing or transforming public spaces still requires further thinking. This project attempts to look at a new public space issue from a different perspective from the status of different people in the public space and the characteristics of the original site. What kind of public space should be provided in the face of different social environments? Is the public space truly public? How to achieve a public space with publicity? This project attempts to answer the case of the market as a research case and project transformation point, without changing the original characteristics of the market, to achieve an open public space that is inclusive, healthy, functional and productive.

What is the contemporary context that make this project outcomes vital? How are you going to make it? Assuming that the park is a public space that people think of as a traditional meaning, is it a market or a shopping mall? If so, why can you see all kinds of people gathering there in the park, but only targeted people can be seen in indoor public spaces such as markets and shopping malls? Since public space is a space that is not subject to any economic and social conditions and anyone can enter, why are some people still excluded and being forgotten? Is the concept of public not covering all levels of space? This project attempts to answer how to make public spaces more open to public figures. Mainly aiming at the market, a public place, put forward the goal of integrating minority groups into the majority community, and implement the real public openness of the space. Its purpose is to allow everyone to get attention and interaction in the space on an equal footing, and to create productivity for the site. The initial scope of research focused on site and case study and understanding of space constraints, concentrating on the impact of the people who use the space and the surrounding environment. Then it will expand the potential thinking of audience groups and spatial function layout. This paper attempts to fill in the missions in the discussion of public space, and how to realize the answer to the publicity of public space through actual design strategies.

The stalls display goods in different positions

Showcase of clothing and crafts

The styles used by the vendors to cover and decorate the stalls

Inlusion - Market Renovation 5

The stalls display goods in different positions

Showcase of clothing and Crafts

The styles used by the vendors to cover and decorate the stalls

This is a corridor that does not interfere with each other. The higher corridor serves as a recreation area and another auditorium stand for watching the center stage performance. The lower corridor serves as a sidewalk that does not disturb the other sidewalks. The curved area on the side close to the covent garden piazza is for the flower shop and can be directly displayed to passers-by and everyone in the market.

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The bar connects the inside and outside of the bazaar. Can operate both inside and outside business at the same time.

Shops and casual stands

Entertainment area

This area is mainly used for some fixed stores. But at the same time it is also a leisure area that can provide people with seating and drinking. The most important thing is that it faces the center stage, so it is also like a VIP-style auditorium stand.

The entertainment section is mainly used for internal and external connections, and is used for people to rest and entertain freely during the day. It can be used as a projection screen from the street outside at night. It is also open at night, so there is no time limit.

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The original bazaar was an Italian restaurant with prima sapori. It retains the characteristics of looking at the street scenery outside, as well as the restaurant that connects to the internal space and moves.

RESTING AREA

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This is a rest area that can be accessed by elevators and stairs outside the restaurant. Not only can it be provided to vendors who need a short rest, but most importantly, it can be provided to the homeless on a street outside the bazaar. Only when they are integrated into this space can they achieve true publicity. The concept of the rest area is a bit like a capsule hotel, but also because of the ratio of height to width, it can be used as a transitional area for short and homeless nights.

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Inclusion - Market Renovation 6

Center stage Multifunctional center stage. In addition to rest, it can also provide a platform for street performers who come to covent garden to perform. This is a central activity area, especially when people are focusing on an activity, no one will have the difference between identities, but it is also an invisible way of interaction.

Inclusion - Market Renovation 7

02 time: 2019 project type: Installation site: Gasworks Arts Park, Albert Park context: Scene Exploration / Spatial Felling / Perception

Scenography

This project explore the theme with scenography. By questioning how the director presents the scenes that the audience wants to see, and how the actors quickly enter the next role to stand by under certain scene settings. Therefore, in the beginning of the semester, my research direction was more inclined to look at the perspective of the scene by myself. From the perspective of looking at the world inside the lens, we seem to be an observer outside the lens. In fact, for our own world, we are the leading role in our lives. VIDEO CLICK : https://youtu.be/IP-bpGcLhBc

One of my coloured installation starts by blurring out the colours of everything around us, and you can see that we may have some sense of where we are in space. I also tried to blur out some of the surrounding colours with powder. It doesn't make much difference. But when I use a led light to project it onto this coloured device, all the colours disappear.

My other larger exploration used the same led technique at the beginning of exploring the sense of people within the space. And what I found is that when you blur the edges and the contrast, the behaviour starts to change. The audience I invited chose to hold each other's hand or walk side by side in such an environment. Finally it is link back to how one enters the park before entering and crossing the park. I hope to use a film technique to guide people to reunderstand the site and generate new understanding. The situation created by this device allows the original impact to be projected through the material to every corner, so you have a situation where you are always interacting with what is already in the space.

Scenography 9 10

SURVEILL SITE _ INCIDENTA SURVEILL INCIDENT CONCEPT _

Surveillance

[ Videos recording on us or the show? ]

The main focus of this project is surveillance within the public narrative. It asks how surveillance is being used in the public context and if the current modes have an effect on peoples safety or how It effects their perception of security. Current modes of surveillance only become relevant ‘after the fact’ and act as an incomplete narrative to past events. This projects aims to challenge how surveillance could be used as an In Real Time tool that offers people a more completed set of information about their current surroundings. To engage with surveillance, notions around public and private have been explored likening these to interior and exterior conditions. It considers how the distinction between these can be collapsed to create a greater sense of physical safety, whilst not encroaching further on individual privacy. The project examines three main approaches to surveillance, Footage (recording of past events), Surface (surveillance in actual time) and Personal (predictive surveillance). I propose a series of surveillance devices to be installed within laneways in Melbourne CBD, that allow for a greater sense of safety for members of the public. Through my design, I will discuss what place monitoring has within the public narrative.

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CONCEPT _

[ Videos recording on us or the show? ]

VIDEO CLICK : https://youtu.be/tJ33kfbkbpch

SITE ANALYSIS _ SITE _ Chinatown Little Bour [ Videos recording on us or the show? ]

CONCEPT _ surveillance types + sercuity type

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time: 2019 project type: Installation/Video/ Design site: Celestial Avenue, Melbourne Chinatown Bourke Street context: Public / Private / Introspection / Accident / Incidental / Narrative

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SITE ANALYSIS _ Chinatown Little Bourke Street an

SITE ANALYSIS _ Chinatown Little Bourke Street a

The main focus of this project is surveillance within the public narrative. It asks how surveillance is being used in the public context and if the current modes have an effect on peoples safety or how It effects their perception of security. Current modes of surveillance only become relevant ‘after the fact’ and act as an The main focus of this is surveillance incomplete narrative to project past events. This projects withintothe public narrative. It asks how aims challenge how surveillance could be surveillance being used inthat the public contexta used as an InisReal Time tool offers people and ifcompleted the currentset modes have an effect more of information abouton their peoplessurroundings. safety or how It effects their perception current of security. Current modes of surveillance only become relevant ‘after the fact’ and act as an To engage with surveillance, notions around [ “ Full protection ” ] EXHIBITION [ Black mirrors SOCIAL MEDIA ] S TRE- ET incomplete narrative to past events. This projects EXHhave public and private explored likening IBITIONbeen STREET aims to how surveillance could these to challenge interior and exterior conditions. It be used as anhow In Real Time tool that offersthese people a considers the distinction between can more completed set of ainformation about be collapsed to create greater sense of their current surroundings. physical safety, whilst not encroaching further on

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PROFIT - Personal benefit - A financial gain

- Monitored "in the name of security." Thought it was to safeguard the security of interests, but it was actually "reversed". - Social software, convenient payment methods, the social credit system - Human rights watch: lack of understanding of the consequences

[ Security environment? ]

[ Black mirrors - SOCIAL MEDIA ]

[ Security environment? ]

[ Black mirrors - SOCIAL MEDIA ]

THE REBELS + DISCOVERER

[ “ Full protection ” ]

rke Street analysis + types of alley / lane / avenue diagram EXHIBITION

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I chose to study the surveillance program in the alleys of human physics. Chinatown because it has a cross between two cultures, and of it identity - Identification and definition collection,Due beingtoabused has a certain number of criminal cases- Information in these corners. its tendency to live in groups and gather together, the "dead MANIPULATOR - Big data era buildings are alley" of Chinatown is formed because most of the - The person who controls everything of uneven thickness and are a little maze interlaced with each behind the monitor or the data, the other. For example, the back of a building is the that fronttravels of some information through the various networks, speculates about the basic buildings. or evento theinstall whole point of the In places like Chinatown, it is common information for businesses person. For example, keep track of our monitoring inside their stores because they tend to think of the hobbies, emotions, and behaviours. interior as a space that needs to be safe and monitored, while - Rejects Technology has changed the concept of other person or humanknowing physics. the outside is UNKOWNS a public space- Snooping that haswithout nothing to dothe with their - surroundings. - Identification and definition of identity interests. Their shop is also atheir form of "public space". Therefore, - It's also possible that "you" are looking at the other - Information collection, being abused in many cases, crimes and violations of the person in front and law "you"occur are looking at the back. occasionally in the alleys outside shops and nearby, and the MANIPULATOR -The media arrangement is reversed progress of the investigation is often delayed because relevant information cannot be collected. - Monitored "in the name of security." Thought it was to safeguard the security of interests, but it was actually "reversed". - Rejects THE REBELS + DISCOVERER - Social software, convenient payment - Snooping without knowing the other person or UNKOWNS methods, the social credit system their - surroundings. - Human rights watch: lack of understanding - It's also possible that "you" are looking at the other of the consequences person in front and "you" are looking at the back. -The media arrangement is reversed

PROFIT - Personal benefit - A financial gain

nalysis + types of alley / lane / avenue diagram

EXHIBITION

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analysis + types of alley / lane / avenue diagram

THE REBELS + DISCOVERER

An excitation is raised by current news from China, one dead girl suspected victim of suicidal picking. In a country where surveillance is rife on the streets and In private spaces, to tragedies always be prevented. While the whole world is concerned about been surveillance will affect the human information security and personal security, I hope to discuss whether people rely too much on the aspect of surveillance and how it affects people's awareness of security. The reason for choosing Chinatown is its unique architectural characteristics, traffic and cultural characteristics. The streets An excitation is raised by current news from China, one dead of Chinatown are divided into one section from Swanston Street girl suspected victim of suicidal picking. In a country where to Russell Street and another section from Russell Street to surveillance is rife on the streets and In private spaces, to Exhibition Street. Its architectural features not only retain the tragedies always be prevented. While the whole world is local characteristics of Australia but also meet the living needs concerned about been surveillance will affect the human of Asian people. information security and personal security, I hope to discuss whether people rely too much on the aspect of surveillance and I chose to study the surveillance program in the alleys of how it affects people's awareness of security. Chinatown because it has a cross between two cultures, and it has a certain number of criminal cases in these corners. Due to The reason for choosing Chinatown is its unique architectural its tendency to live in groups and gather together, the "dead characteristics, traffic and cultural characteristics. The streets alley" of Chinatown is formed because most of the buildings are of Chinatown are divided into one section from Swanston Street of uneven thickness and are a little maze interlaced with each to Russell Street and another section from Russell Street to other. For example, the back of a building is the front of some Exhibition Street. Its architectural features not only retain the buildings. local characteristics of Australia but also meet the living needs In places like Chinatown, it is common for businesses to install of Asian people. monitoring inside their stores because they tend to think of the interior as a space that needs to be safe and monitored, while I chose to study the surveillance program in the alleys of the outside is a public space that has nothing to do with their Chinatown because it has a cross between two cultures, and it interests. Their shop is also a form of "public space". Therefore, has a certain number of criminal cases in these corners. Due to in many cases, crimes and violations of the law occur its tendency to live in groups and gather together, the "dead occasionally in the alleys outside shops and nearby, and the alley" of Chinatown is formed because most of the buildings are progress of the investigation is often delayed because relevant of uneven thickness and are a little maze interlaced with each information cannot be collected. other. For example, the back of a building is the front of some buildings. In places like Chinatown, it is common for businesses to install monitoring inside their stores because they tend to think of the interior as a space that needs to be safe and monitored, while the outside is a public space that has nothing to do with their interests. Their shop is also a form of "public space". Therefore, in many cases, crimes and violations of the law occur occasionally in the alleys outside shops and nearby, and the progress of the investigation is often delayed because relevant information cannot be collected.

Surveillance 11

Design #3 Surface (surveillance in actual time) This is an interactive design consisits of 24 screens, these devices play video in real-time during the day at this dead end corner, and broadcasting incomplete images captured by passersby through the opposite camera at the entrance. The use of technical mirroring as a medium to communicate, reflect and exchange a feeling of wanting to "peep" is now reversed. At night, it not only become a lighting device, but it is also the information collected through the glass facade at the intersections reflects what kind of people are if the alley. Allowing people some hints already on throad, someone would close to or into the street.

Design #1 Personal _

Design #1 Personal (predictive surveillance) The device projects images of people on a screen. 1 The predictive part is composed of two parts, which present a predictable situation by releasing the last dead corner of Celestial Avenue. I found that except for some people who are familiar with the street, or who need to eat in the street, most tourists enter the street in search of an exit. And during the day it can go back in time if it finds it impassable, but at night, it needs a predictable form to remind people that there's a dead corner and if you're in the area, what kind of environment you're in.

Design #2 Footage (recording of past events) This is a glass device, distribution on the right-hand side of the avenue entrance, on the steps of and convex and cambered shape arrangement. Behind these glassy devices is a mirror of equal length, To make this temporary space become a little bit infinite. During the day it is a separate individual, but at night it becomes a "system" connecting the second half of the surveillance. So it's both the present tense, reflecting the situation you're in right now, but it's also the past form because it's a sensor that records what has happened and what's happening. At night, the glass devices will become the "mirror" which reflects people at the moment. And when people are close to it, it will turn red. When they are close to it, it will gradually turn blue and then fade. This is because giving back of what it looks like at daytime may increase people's sense of security.

Design #3 _ design device operation at daytime

Surveillance 12

Surveillance 13

04 time: 2020 project type: Design site: Xuhui District, Shanghai, China context: Interactive, Public, Installation team member: Melon Lin, Jade Chen, Mark Kim

Interactive Public Art Installation Design "Assemblage Node" is a design medium inspired by the original renewal project launched by Pinyu Lingyunli and based on the characteristics of the site located in Xuhui district of Shanghai. It is a public art installation for people to assembling, resting and socialising, to interact in ways that mimic natural phenomena, and to connect people by inspiring their behaviour. The installation is divided into three segments, namely swings, a mirrored shed and the ground platform that extends infinitely, and its design elements are inspired by the deconstruction of Thousand Paper Cranes. The "Assemblage Node" is a permanet device that uses a metaphor to compare people to a flock of birds, while the whole thing resembles a tree. The swing is likened to a hanging tree branch, which provides people with rest and an unintended connection and interaction with others. The traction rope under the extension of the mirror shed roof pulls the convertible parts to bring a different sensory experience. Each triangles shape represents the deconstruction of Thousand Paper Cranes, and they are rebuilt by the interplay of people. The mirror-like platform creats another atmosphere of shifting perception, enabling further subconscious interactions through the infinite extension of the structure. The three are connected and influenced like the relationship of the tree and its nutrition apparatus.

Interactive Public Art Installation Design 15

05 time: 2018 project type: Design site: Melbourne and Hong Kong context: private VS public

Urban Flux

The URBAN FLUX design studio will examine Hong Kong as a complex, dense and compressed urban interior. Particular attention will be paid to understanding conditions of flux and recognising the operative potential of the city upon ways of living, modes of commerce and public/social exchange. On returning to Melbourne, a comparative consideration of the cultural specificity of these ideas in a different social, political and economic urban context will enable to the development of a body of work for exhibiting as part of the Business of Design Week.

The model responses to the idea of "INTERSECTION" I came up with was that it's really possible that in the future, human beings will live in a framework where they interact with each other, where buildings are raised, and where you want to go, it's easy, and people will be free to move through every space. And in later times, humanity's shared space will be bigger and bigger. And the white suspended boxes may repre-sent some future model of the block urban landscape, and give different openings and translucent walls, which express a guess about the future. Every space for people in the future may be visible, and all resources and economies will become more shared. The repeated frames outside are the assumption of stairs and bridges. Supposing that in the future, when a pedestrian overpass crosses every building, and there are more and more, human cities are likely to be raised and suspended.

Urban Flux 17

Section side view of project design concept "Interdependence"

The drawing presents two houses that combine residential/commercial/shopping functions, which can be moved/separated to pull out of terrace public facilities, which can be used as a tool for people on the road to walk through during the day, or as an environment for people to rest. And in the evening, the state of close still cannot prevent its use, after being collected into the interior can still be used indoors.

Some of plan view and details of joinery

Urban Flux 18

Diagram of design operating in different time peak

Side view of project design concept "Intersection"

The drawing represents a state that people can't really share private spaces.So the idea of this house to turning it into a semi-open mode to create a portable indoor wall, able to accommodate different functions of the space. Although it is a solid infrastructure, but because of its flexibility have released the space constraints. Moving the indoor facility outside. The intersection of private and public, not sudden, these spaces live in people's subconscious, people need them, so they appear.

Some of plan view and details of joinery

Urban Flux 19

Diagram of design operation

06 time: 2018 project type: Design site: Prague, Czech Republic context: Performance Pavillion

Encore

Design a performance design, a scenography, or a design-led performance in the Prague Exhibition grounds for the Prague Quadrennial 2019.The design should consider intent, practical ability and technical resolution. Therefore, my design was mainly for the performing arts team Chunky Move I invited to perform in pavilion I designed. After seeing one of their most distinctive performances called the Assembly, and also because of the funding, technology, and audio limitations of this pavilion, I designed my pavilion directly as a stage without instruments. Dancers can use the rhythm of their bodies and the tap of their feet to produce sounds on the stage. In addition, the pavilion had to take into account its use for people who come to the festival, so I designed a cabin in the middle to provide people to take a rest, and the outside steps were also available for sitting.

Encore 21

Official site map (selected location)

Under stage cabin inner immersive image

Under stage inner immersive image

Encore 22

07 time: 2018 project type: Design Competion site: The junction of Jiangdong South Road and Xingting Street, Nangjing City, Jiangsu Province, China context: Social issue, Kindergarten Design competition team member: Yiran Li, Jade Chen

Kindergarten Architectural Design The background of raising this competition was based on recent violation things truly happened on children in China. In this case, I did the design with my team member Yiran Li and both of us focus on the idea of “quiet, safe, and comfortable” environment for children’s growth. The school was entitled “SHIMO children’s enlightenment private school". The concept of this case tended to bring closer the spiritual culture of China through the modern technology. Structure : the school was mainly functioned in reception checking and storage area, teachers office, levels of children studying room, entertainment building and other health care centre.

Site map

Reception & School entrance

Exploded axonometric diagram & elevations

Kindergarten Architectural Design 24

Other Works _ Photography / Diagramming / Technical Drawings time: 2018-2020 project type: Photography, Diagramming, Technical Drawings site: Australia, China context: Several

This section include several type of presenting artworks that I created during my school time with project requirements and outside of school with my personal interests on arts. Even it also have some graphic experenice that I did perviously for my causal work which is based on one of my strength.

Artist Statement : Why are modern people increasingly dependent on mobile phones? The mobile phone has become an indispensable thing in life. It draws the distance between people, the mobile phones bring us information connected to the internet and convenient express delivery, but also lead to less fun. The reason why I created this series of photos is that I found that even in public places, most people would choose to pull out their mobile phones and spend time by looking at the screen in order not to show the embarrassment of being alone with strangers. In some interior spaces, there is less face-to-face contact between people who know each other. There is less and less interaction between strangers or friends. So my audience is targeted everybody. Max Cavallari is a great photographer who inspired me to take this series of photography. So I wanted to use my photos to express how these social tools are isolating us. The reason why I like shooting is that I like to walk and forth in the city to shoot the relationship between some people and the architectural space. In this context, I find that the mobile phone is a key point connecting the performance of all people in the architectural space or below. The exploration behind these photos comes from some life discoveries. Even though the information conveyed on the screen, people's expressions show subtle or even unchanged, showing a kind of numbness to things. I want to express some disconnections between people in my photos. No matter what kind of environment or space they are in, everything around them seems not to be able to affect their "obsession" with technology, but they neglect the communication with people around them.

Other Works _ Photography / Diagramming / Technical Drawings 27

_ School Work

Experience 01 _Kindergarten Design Competition

Ladder classroom / Senior classroom / Psychological room /Health Centre

Box construction classroom / Entertainment building

Reception area / Lobby / Sercurity check / Storage room

Library entrance / Centre-playground

Previous Work 2015

Helping the friend to take photographer of her

School competition-international art fair poster and ticket

Brand design of school canteen - poster / logo / reconstruction of school canteen

Project : Kindergarten Design — “Stop the Violations on Children” Architectural Competition Time : 2018 Site : The junction of Jiangdong South Road and Xingting Street, Nangjing City, Jiangsu Province, China The background of raising this competition was based on recent violation things truly happened on children in China. In this case, I did the design with my team member Yiran Li and both of us focus on the idea of “quiet, safe, and comfortable” environment for children’s growth. The school was entitled “SHIMO children’s enlightenment private school". The concept of this case tended to bring closer the spiritual culture of China through the modern technology. Structure : the school was mainly functioned in reception checking and storage area, teachers office, levels of children studying room, entertainment building and other health care centre.

Work Experience Brand designer of Melmel Consulting Pty

Work Experience

Photographer and Film editing of Reno Station Consulting Pty

Airbnb case at 89 Roden Street, West Melbourne

Other Works _ Photography / Diagramming / Technical Drawings 28

Experience 07 _ Airbnb

Experience 06 _ Reno Station

Experience 02 _ MelMel Consultant

Work Experience

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