architecture
Portfolio Jaegeun lim
Southern California Institute of Architecture
4. 6. 8. 16. 42. 76. 84.
Contents
RESUME ESSAY: RE-SKINNING personal experience PROFESSIONAL COMPETITION WORKS Sorting by Chronology
Better City, Better Life
Dami Japanese Restaurant, Cafe Dialog , Home Interior, Sketches, Traveling
Sacramento Capitol Mall Design, Busan Opera House, Air Pavilion, Hongkong Carpark Tower, Neo Club India
GRADUATE WORKS
E Bridge, Riverside Housing Development, Hillside Housing, Memorial Wall, Lean, One in Multiple/Multiple in One
WORKS AT POPULOUS UNDERGRADUATE WORKS
Incheon Asia Game Main Stadium, Gimpo Sports Town, Datong Sports Park, Manila Arena, Taipei Dome, Nanjing Performance Centre
E Bridge, Riverside Housing Development, Hillside Housing, Memorial Wall, Lean, One in Multiple/Multiple in One
High School
Bachelor of Architecture School of Architecture at Yeungnam University
2002 1 & 2 Semester
[ Honors & Awards ]
[ Workshop & Exhibition ]
[ Personal Experience & Skills ]
2003 3 Semester
2004 - 2005 2006
4 & 5 Semester
2007
[Education]
[ Professional Work ]
6 & 7 Semester
2008
‘Arch 204’ Architects Group Exhibition 80 Gallery, Daegu, Republic of Korea 2008 National Schools of Architecture Exhibition
First Prize at ‘55th Yeungnam University Graduation Projects Awards’ Yeungnam University First Prize at ‘Architecture UCC Competition’ Korean Institute of Architects
Research Assistant Prof. Hyunhak Do, DPGL(Diploma par le Gouvernment, France)
Architectural Travel Traditional Architectures of Korea Internship Wondoshi Architects Group, Seoul, Republic of Korea
Publication SAYU Yearbook
Accepted at ‘Hyundai Techical Design Fair 2007’ Hyundai Engineering and Construction Co. Ltd
Bachelor of Architecture School of Architecture at Yeungnam University Research Assistant Prof. Hyunhak Do, DPGL(Diploma par le Gouvernment, France) 15th Daegu Architecture Academy Daegu Chapter of Korean Institute of Architects Architectural Travel Japan Publication SAYU Yearbook Architectural Travel Europe(7 Countries, 31 Cites)
Military Service Republic of Korea Navy
Sorting by chronology
RESUME
8&
& 9 Semester
2009 10 Semester
2010 2011 2012
Southern California Institute of Architectue MArch 2 Program Honorable Mention at ‘Skyscraper Competition eVolo 2013
Zabel Architects and Partner
Resort Master Plan
Shop Interior Design Work In progress
Language Academy
Second Prize at ‘10up Competition’ YAF Atlanta 2011
Accepted at ‘2010 DACC International Competition’ Daegu Architectural Culture Confederation 2010 POP Academy with Peter Cook POPULOUS Brisbane Office Interior Design Work: Built Japanese Restaurant ‘DAMI’
Worked for POPULOUS Brisbane Office
Accepted at ‘The Front Gate Sunken Garden Idea Competition’ Yeungnam University
Korean Institute of Architects Publication SAYU Summer Design Workshop
Fall / Spring Semester
Altelier Manferdini Summer Intership
The Present
2013
Fall / Spring Semester
2014
Thesis Semester
2015
Essay
Better City, Better Life: Re-Skinning
There have been many life experiences that have greatly impacted my design strategies on my journey towards becoming an architect. Past travels and chapters in my life have helped me develop one of my methods called “re-skinning”. Rather than starting from scratch, I sketch an outer layer on proposed structures. It is a way of designing on top of buildings and working with what is present. This process is more eco-friendly and is greatly influenced by my passion to create cities that welcome and exist as one with the environment. I would like to re-skin happy cities where people are not separated from nature. When I was young, there was a time when my family and I went to Cambodia together. After hours of travelling on a dirt road, we arrived at an ancient site, and Buddhist tem6
ple, in Angkor Wat. After only seeing the sites of Angkor Wat in travel books and then seeing them up close in reality I got a huge shock. I was surprised by the abundant amounts of rocks put together elaborately and with delicacy to create such volume. But what fascinated me more than the delicacy and the size was that a large tree and other shrubs had wrapped itself on top of the building. It felt as if I was in a garden for the gods. Even though I was young, I could feel mysticism by seeing the image of the building and nature being in harmony. It was something that I had never felt before. I was so touched that I could not forget the image when the trip was over and my family and I were returning back to Korea. A lot of time has passed but when I look back at the photographs taken, I can still feel and appreciate that wonder of nature. The memory made at youth is still embedded in my mind. It was later that I found out the Angkor Watt temple had not always looked at it is
now. When the occupants of the building had left, the trees and shrubs had over time created their own environment. Looking at the pictures of the present historic site I ask myself, if Angkor Wat was still occupied by humans would there be the harmonious image there is now? It might be that from the start, even through the negative actions of humans, nature has tried to harmoniously live together but we humans have ignored and blocked their efforts. Another episode that really touched me, about nature and human influence, was a movie called ‘Avatar’ that screened in theatre in few years ago. People were attracted to the brilliant computer graphics it displayed. I, myself, saw it a second time at the cinema. However I was not moved by the graphic skills alone but, the movie’s story. The main story was about the native tribe, the Navi, and their fight against human invasion. Human beings came into the Navi’s planet and found valuable resources in their habitat. To gain materialistic profit, the hu-
mans tried to rob the Navi of these resources. But the resources were not of material value, like gold, to the Navi; it was a vital source of life. Although the movie was just fiction, the problems that the Navi had experienced didn’t seem unfamiliar. This is due to the fact, of the similar situations that have occurred for all cities. Daegu, where I was born and have grown up, is a modern city located in a basin enclosed by mountains. My hometown used to be on a mountain with buildings surrounded by trees and greenery. The location was a perfect learning and environmentally-friendly place of living. The housing next to the sloping hills could particularly see the rich vegetation. My family and I would regularly visit these parts to admire the atmosphere by taking walks and having picnics. I was also very lucky to have my window facing this side of town, and I could see the trees and flowers change with season. This place of great memory has now unfortunately gone through industrial re-development.
Through this change, the atmosphere my family had cherished has disappeared. To re-develop the surrounding slopes, enterprises started planning to build large highrises. To construct the new structures, the land was swept clean and flattened down. The finished re-developed product was not the hometown I remembered anymore. The most serious part of the expansion was the vast amount of land that was excavated to create the tall buildings. This created cliffs that completely blocked any way to get from my house to the sloping hills. The place that used to be filled with plantlife, and where my family used to visit, was no more. I felt like a Navi tribe member, stripped of my home and eco-friendly habitat. Due to fast industrialization humans have destroyed many ecosystems and have stopped nature from growing and thriving. The journey to Angkor Wat, my experiences and surroundings have influenced the forming of my design strategies for future cities and build-
ings as an architect. Re-skinning plays a big role and is one of the design methods I like to use on buildings that require change. By continuing to use the existing infrastructure, an environment and space can be diversely re-skinned and utilized. There is no need to demolish existing structures, buildings and homes. I don’t know when it started, but when I envision a city of today, I imagine trees flourishing within. In this city, I see people going through everyday life with blooming vegetation, animals and prospering trees. It is an image of a happy city. It is a city I dream of: humans and nature that is not separated, a city that is not divided but in harmony with mother-nature.
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i sketches 1
interior design works 1: practical drawings sketches 2: trveling personal experience
SKETCHES I
From my Sketchbook Reference Arthur L. Guptill, Drawing with Pen & ink, 1996 Rovert S. Oliver, The Sketch In Color, 1996 Donbang, Architectural Sketch, 2002
A Pen-and-Ink Sketch, Watercolor & Photoshop retouch
A Pen-and-Ink Sketch on paper 10
A Pen-and-Ink Sketch, Watercolor on paper
A Pen-and-Ink Sketch, Watercolor & Photoshop retouch
A Pen-and-Ink Sketch on yellow paper 11
SKETCHES II
From my Travelling books Architecture Trip Japan. winter 2005 Europe. summer 2006 Travelling has a lot of meaning for people who study architecture. Just like Le Corbusier mentions in his book about his travels to the East, my travels to the West have also given me great meaning and impacted my impression of architecture. To experience the architecture with your whole body and not have to visualize from the pictures in books, really made me understand the structures and buildings. Coming from an Asian background, studying western architecture gave me wider understanding and the ability to interpret diversely. Rather than viewing photographs and pictures, most architects like to view and sketch their own version of structures in person to completely feel and treasure the image. During my travels, I filled three notebooks with my sketches and writing, of which one notebook I lost. Currently I have returned to my own city, but my alter ego like notebook has remained in Europe.
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University Utreche, Munchuizen A Pen-and-Ink Sketch
The National Museum of Western Art, Japan A Pen-and-Ink Sketch
Bercelona Pavilion. Spain A Pen-and-Ink Sketch
Aix en Provence, France A Pen-and-Ink Sketch 15
Ams Sacrament Busan Ope Hong
sterdam Iconic bridge to Capioal Mall Design era House, Air Pavilion gkong Carpark Tower Neo Club India TWIN CONTAINER SHIPS PROFESSIONAL COMPETITION WORKS
Transformer
T.48507 transforms the present gloomy yet dynamically reshaping Downtown Flint into an animated space and icon for active civic engagement. T.48507's design emphasizes transformation overtime and is inspired by Flints historical automobile industry. It essentially accentuates the operations, adaptations and playfulness of the nascent transformations occurring in Flint.T.48507 is made up of components and assembly methods inspired by the automobile industry. Main steel frames resemble automobile chassis which make up light and stable independent components. These components are then assembled in such way which are activated by simple hydraulic movements which are simply rented rather than being permanent part of the installation. Furthermore, another automobile byproduct, recycled tire is incorporated into T.48507 as shading and surface treatment, which incorporates various densities of perforations in it, reinforcing its shading performance and visual identity.
shaded area & cooling
stage
seating & lounging area
drinking and food service
projector surface
Inviting area for assembly of groups
hydraulic system
structural frame
perforated recycled tire mat
structural frame
sun shade
When T.48507 is in rest, its form is a simple clear solid that provides legibility to Downtown. It’s illuminated compact vertical design fits into a single car park and is carefully orientated within the parking lot to provide clear legibility to both pedestrians and passengers in traffic, day and night. The bold graphic manifestation of the ZIP code 48507 is part of this intention. When T.48507 is open for events, porous surfaces
and spaces stimulate optimal conditions for openness diversity and unexpectedness. This active architectural and urbanistic inclusion encourages citizens and visitors of Flint to perceive and experience Downtown in a manner that they ave never done before.
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Gosan-dong, as a modern neighborhood, is the consequence of a recent rapid urban development. Similar to other “new town” developments in Korea and throughout Asia, it too, has the inherent discontinuity of the sense of community and loci between the past and the present. Our proposal attempts to mitigate this by creating a community library that respect the present context and usage of the site as well as setting a concrete foundation for the future development of the neighborhood. The current site was developed as a community park and children’s playground. The Dalgubeol Boulevard on the North of the site provides a strong urban setting, but at the expense of high level of noise from the traffic. The site is occupied by a broad spectrum of people throughout the day, ranging from children, teenagers, and senior people, each at different times. The surrounding buildings, which are mainly mixed used buildings with commercial facility on the ground level and residential on the top, had clear presence and activity. In this context, our main strategy for continuing this legacy of the site being an open public space, is to introduce a courtyard into the heart of the building. This courtyard is essentially a multi-layered public open space which connects directly with the adjacent commercial facilities, linear park, and the Dalgubeol Boulevard. The terraced courtyard enables ample daylight which is regulated seasonally with broadleaf trees and daily with external louvers, into the building.The external monolithic brick façade is intended to have a contrasting relationship with the internal soft and diversified wood louver façade. The mass and the material properties of the brick wall will protect against the noise and direct sunlight from the surrounding environment, which are essential in creating a successful library atmosphere. As mankind had valued knowledge throughout the history attempting to make it eternal, as seen in the painting at Cave of Altamira and writing on rocks in the mountains of Korea, we propose a library that can age gracefully for a long duration of time. The sturdy brick walls will protect the library, allowing it to become a steady anchor for the community to mature, and the soft interior space filled with nature will provide quality public space for the neighborhood.
Daegu Gosan Public Library
Integrating the urban fabric
program spaces within larger volume
+01 Plane
+04 Protect
anchor for community development
+02 Cut
+05 Extend
urban projection and media+park
+03 Fold
+06 Connect
Sote Plan
Unfolded Geometry of the External Facade
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Spring
6
B 5
Summer
C
C'
6
5 6
1
Fall
2 4 3
1. Entrance 2. Lobby 3. Book Return 4. Browsing 5. Office / Meeting room 6. Classroom Winter
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First Floor Plan
Wall Section
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16 24 10
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15 17
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18 11
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15 20
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7. Carpark 8. MEP/Gernerator Room 9. Storage 10. Lobby 11. Multi-purpose Hall 12. Preparation Room 13. Sunken Garden Basement Plan
Section A-A'
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14. Librarian Office / Info 15. Library 16. Book Cafe 17. Auditorium 18. Group Study Room 19. Strudy Desk 20. PC / Browsing / Printing Second Floor Plan
Section B-B'
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21. General Service Room 22. Infirmary Room 23. Lactation Room 24. Children's Library 25. Story Telling Room Third Floor Plan
Section C-C'
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Amsterdam Iconic Bridge Date : Winter 2012 Location : Amsterdam, Nederland Collaboration : Jaekyeng Kim, Jongkeun Yoon
Synopsis Amsterdam used to be one of the biggest and important trade ports, especially of the Dutch Golden Age. The capitol of the Netherlands was known for its unique canal environment that surrounded the dam in the middle of the river Amstel, of which the name Amsterdam was derived. Today, large amounts of people are still visiting this city to see the beautiful old buildings and structures encompassing these canals. It is only fitting that the challenge is to design a bridge, in front of the historic building - Hermitage Amsterdam Museum. In this project it was crucial to construct a new bridge that would be able to become an iconic attraction that also provided access for passing pedestrians and the traveling boats of the river, and would rightfully interpret the unique city of Amsterdam. To symbolize the city’s continuity and connected canals a bridge was designed with a circular structure as its main attraction.
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Concept - Mega-ring
Structure
Our proposal consists of a large floating ring, a pedestrian bridge and a deck with a cafe. The inherent concept of our design is to create a visually unique big-ring structure and a pedestrian bridge that people can cross and also spend time on. The entire structure will look like it is effortlessly drifting above the water. There will be hidden columns, below the water, that will support the entire bridge and ring structure.
mega-ring diagram
Ring
The big-ring structure would be the main attraction that can be seen from afar. It would look like it is floating above the water and will be hanging on the ninety-meter bridge. There are three phases that are needed to create and also help visualize the position of the ring: 1.
Place the big ring above the water
2.
Divide the ring by 6 points
3.
Only 3 points of the ring are lifted up and others are floating just above the water. [The support system of the ring will be disguised underneath the water.]
From bird’s eye-view you can see that there is a bifurcation of the bridge, one path where crossing pedestrians can easily pass – ‘the Pedestrian Crossover’. The other pathway leads to the bridge’s ‘Café on the Deck’. People will have the choice of crossing the bridge and also enjoying the view by staying on the deck that is designed underneath the bridge. The Café’s deck provides a place for people to enjoy the panoramic open space, and view the passing boats whilst sitting down and having an intimate meal.
Ring-Modify
Ring-Structure
Bird-Eye View
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Floor plan - bridge level
Floor plan - deck level
1. Plant Room 2. Admin. Area 3. Toilet 4. Cafe / Bar 5. Bicycle Storage / Desk 6. Racks / Open Space
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Circulation / view / program diagram
elevation
Pedestrian Path Access to Deck Bicycle Look-out Programs
Amsterdam’s Iconic Bridge includes all the variables that locals and tourists will enjoy and admire, by also providing access for both passing pedestrians and a passage way for water transportation below. It will accentuate Amsterdam’s historic canal environment whilst showing that there is potential for modern influences.
section detail
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Sacramento Capitol Mall Competition Date : Fall 2011 Location : California, USA Collaboration : Jaekyeng Kim, Jonggeun Yun
Green Carpet : Active Capitol Mall Design Goal:
Capitol Mall not only is a part of, but is Sacramento’s most symbolic destination. Daily, people walk casually by and have meals, as well as come to enjoy special events. This project focuses on the ways that Capitol Mall can be used, both as a casual as well as special location that people can visit. The streets of Capitol mall look like blocks placed neatly together, almost symmetrically. By taking this into account, a new and fun space that is flowing and connecting the streets of Capitol Mall, the centre of Sacramento, has been created. Keyword: Green Carpet: The name ‘Green Carpet’ is a spin-off of Hollywood’s ‘Red Carpet’. Just like red carpet being placed at the entrance of a big event, the ‘Green Carpet’ will symbolize the same festivity but in an eco-friendly demeanor. Grass will be placed in Capitol Mall, hence the title ‘Green Carpet’. There are six separate zones in Green Carpet (Zone A to F). There will be various programs held in the separate zones, of which people had enjoy city events, have meals, play sports etc and use Green Carpet as an entertainment destination. Green Carpet has joined and extended the surrounding blocks. This space can be used as a small entertainment square (Zone B), public park or even car park (zone D).
Zone A
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Design Diagram
Step 1
Step 2
Step 3
Vehicle Circulation
Right: Overall Master Plan Below: Overall Section Plan
Zone B
Zone C
Zone D
Zone E
Zone F
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Zone A: Water Feature & Public Park is the entrance of Capitol Mall, which leads
onto the public park and Water Feature. People can come to this public park and sit and watch the Water Fountain Show and enjoy nature.
Zone B:
Sunken Square is a bowl-shaped small area. In the middle there is a circle and built around is a small natural amphitheatre. Please can sit on the grass and enjoy watching street entertainment or have a picnic.
Zone C: Facility & Floating Carpet is Green Carpet’s central spot where
people can sit on top of a four meter hill and watch the Californian State Capitol and Tower Bridge. Underneath the hill, the Green Carpet Information Centre, café and washrooms will be used. On top of the hill is a hanging green mobile, the ‘Floating Carpet’. It is made up of: wire, mesh, rope, vines and LED lights. The Floating Carpet will move when the wind blows and will be Capitol Mall’s main sight-see. Vine
Wire Mesh
Grass
Structure
Cafe & Toilet
Plan & Section
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Plan & Section
Above: Exploded Diagram Right: Plan & Section
Zone D: Green Carpark is a car park that follows Green Carpet’s concept of being eco-friendly and will be follow a ‘Green Parking System’. It can also be used as a public park. There will be mobile street furniture that can be installed and removed, so that this space can be used diversely.
Playground is Green Carpet’s ‘Wrinkle’. It’s a wave-shaped ground in Green Carpet, where children can run around and use as a playground. Adults can use the flat surfaces for other entertainment.
Zone F: Mount Square is sloped similarly like the Georges Pompidou Centre. The California State Capitol can be admired in this square. Zone F can be used for main events and big festivities.
Plan & Section
Plan & Section
Zone E:
Plan & Mobile Street Funiture Diagram
Plan
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Busan opera house Competition Date : Summer 2011 Location : Busan, South Korea Collaboration : Daekwon Park, Byungsik So
Busan Opera House
According to the book Dong-guk-yu-gi-seung-lam published in 1481, the name Busan means ‘a mountain that looks like a Ga-masot(traditional Korean iron rice cooker)’. In fact, the presence of mountains can be seen and felt almost anywhere you are in Busan and the entire city as well as the coastlines seems to be sculpted both horizontally and vertically by the hills and contours of the surrounding mountains. In this context, the mountains, not the man-made monuments or buildings become a true visual landmark.
Site Analysis Diagram
Left : Central Square & Main Enterance Below : Night View
This project is a reinterpretation of the relationship between the mountain, the ocean, and the city of Busan. As the city is surrounded by mountains that descend to the ocean, the open plaza with a water space in the center is surrounded by opera house facilities. One of the key strategies of the master plan is not to create an objects or monuments on an open space but to design a continuous plaza that extends up and over the buildings and meet the ocean. This allows the entire complex to become a truly civic open space. The overall massing of the buildings that echoes the mountains of Busan consists of 2 key components: the facility volume and the exterior surface. The facility volumes with different hierarchies are placed around the perimeter of the site which allows physical or visual connections (bridge, main entry, lookout parks, etc.) with the surrounding context. The exterior surface is terraced on the plaza side and fragmented on the ocean side. Large open spaces including parks are placed on the plaza side surfaces and small open spaces including planters and decks are inserted into the fragmented module surfaces. The citizens of Busan can occupy this water break like module(s) to use it in his or her creative way. (e.g. urban farming, art exhibition, temporary market, fishing, barbeque, etc.) 33
SHOPPING MALL
center void
THEATRE - 300SEATS connection
zoning
program volume
OPERA HOUSE - 2000 SEATS
CONVENTION CENTRE
continuous surface MULTI PURPOSE HALL - 1300 SEATS
vista
SOUTH ELEVATION_SCALE 1:500
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Circulation
Open Space
Water Break
FLOOR PLAN LEVEL -2.0_SCALE 1:1000
FLOOR PLAN LEVEL +6.0_SCALE 1:1000
Program
SOUTH-NORTH SECTION_SCALE 1:500
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AIR PAVILION
Date : Spring 2011 Location : Atlanta, US Collaboration : Daekwon Park
: BALLOON
The Air Pavilion was conceived as a phantasmal architecture that renders a playful experience to the event patrons as well as a landmark that provides a temporary focal point to the event and the surrounding neighborhood. The inherent concept of the project is to create an architecture of weightlessness and even more, antigravity. Balloons filled with helium, which can in fact “levitate”, was chosen for this reason as the main component to further develop this concept.
The overall form of the Air Pavilion captures the moment of the ‘balloon release event’ which provokes the joyful emotions associated with it. The sense of ‘suspending time’ will be further evoked by the slow and gentle movement of the pavilion as the wind passes by. Configuration-wise, the Air Pavilion consists of a series of floating balloons that are vertically connected together and anchored to the base plate. During the day, the base plate’s reflective surface augments the spatial environment of the pavilion and during the night, the RGB LEDs that are embedded in the base create a dramatic effect through light and color.
Variation of LED
Material and detail
assembly Benefiting from the simple snap on connection detail and the selection of lightweight material, the assembly process and shipping effort will be reduced to the minimum. The balloons will be prefabricated by a chosen manufacturer, shipped to the site, and assembled on site.
perspective
elevation
section
Reinfored Polycarbonate Hook Balloon(Polyurethane, Diameter 20”)
P.E Fishing Line(Tensile force : 23kg, Diameter 0.370m/m)
Helium filled polyurethane balloons are chosen over latex or foil balloons due to its reusability for future events, its high degree of resistance to the damaging effects of the ultraviolet rays from the sun, and its ability to float during the entire week long event without refilling or replacing the balloons. Fishing lines that are connected to reinforced polycarbonate snap hooks will be used as the tension member to link the balloons together as well as to anchor to the base plate. plan
estimated budget ITEM Polyurethane Balloon Helium Fishing line Reinfored Polycarbonate Sanp Hooks High Density Polythylene(HDPE) Sheeting LED Electrical Wire, Adapter or Battery, etc
DETAILS 179 Balloons 47L 4Roll(1Roll=200m) 300EA 6sheets(1/4”x48”x96”) 64EA
COST $2685($15/EA) $300 $160($40/R) $300($1/EA) $636($106x6 sheets) $128($2/EA) $150 TOTAL : $4,359
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neoClub BANGALORE I
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D
I
A
NeoClub is more than a sports club – It is an aspirational sport, fitness, health, wellness and social destination geared towards the discerning member. The design team at Populous has visualised NeoClub as a premium club offering the very best facilities available globally while offering a fun, relaxed and invigorating environment for its patrons. The essence of NeoClub lies as much in its design as its ideation. Spread over two level of NeoMall, NeoClub has many standout design features, primary among them being an indoor jogging + running track (called neoTrack) conceptually modelled on Formula 1 racetracks. This feature track, together with water bodies that blend and merge into the horizon, helps lend a fantastic experiential quality to the main club level. The water bodies themselves are shaped to create pool and party decks offering brilliant views to the north. The experience begins as soon as one enters the gymnasium area on level 6 – the 550m long neoTrack passes alongside most sport activity areas, and has been partially elevated to allow fluent circulation and easy access to various areas below while still allowing runners free flowing use of the elevated surface. This visual integration of the track into the central circulation creates an ambience where the members’ experience is greatly enhanced and geared towards fitness from the moment they enter the gym area, giving them constant visual access to sports facilities as they run. While level 6 is dedicated to providing an exceptional sporting and fitness experience to members, level 5 provides them with the calm and meditative quality of a boutique 5-star spa and wellness centre. This level also houses a multipurpose hall and business-club lounge along with meeting rooms and café facilities for rest, recreation and even a little bit of work. The restaurant offers nutritious meals tailored to the fitness-conscious patron, and the restaurant kitchen has been visualised as an open-style kitchen, where members can watch resident and guest chefs at action. Specialised cooking classes for fitness-conscious cooking can be held here in full and easy view of participants. A level 5 mezzanine dining room above the kitchen links the restaurant to the level 6 pool, where the outdoor eating deck sits poolside. The outdoor deck and restaurant, along with the exquisitely designed water bodies and kids pool area nearby, is the exciting central core of the club that transforms into a party deck during the night, bringing together members in an exciting and informal social setting. As the pool water disappears over the horizon, it ushers in the evening for the members in a night club-style setting.
_introduction
Neo Track Transformed track creates exciting journey and challenge like a F1 race track. running track
Normal track
Transformed track
neo track
SPORTS ZONE
neo Track INDOOR GYMNASIUM / DANCE STUDIO INDOOR SPORTS ROOMS OUTDOOR TENNIS COURTS SWIMMING POOL neoKIDS ZONE
Table Tennis Dance Studio neoTrack - 550m running track Squash Indoor Gymnasium
Indoor Heated Pool Outdoor Tennis Courts
Outdoor Swimming Pool Kids Pool
Multi-Purpose Hall Beach Volleyball cum Futsal
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Indoor Cricket cum Futsal Academy
Bar / neo Party Deck
Mezzanine Dining Deck neo Kitchen (open kitchen style)
neo Kitchen Dining
RELAXATION /MEDITATION ZONE SPA / SAUNA / JACUZZI ROOM CAFE neo GAME ZONE
SPA Area
cafe Business Centre
Game Zone
BUSINESS ZONE BUSINESS CENTRE MEETING ROOM LIBRARY LOUNGE
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compound arbo between ab cruella de com
Symbiotic urban habitate oretum: urban germination bstraction and figuration e veil: design development mpositional morphologies sol motion GRADUATE WORKS
Symbiotic Urban Habitate Date : Summer 2014 Location : Chicago Downtow, USA Type of building: New Urban Infrastructure Program: Mix used (Office, Housing, Exhibition Hall, Conference hall, Retail Shop, Urban Corridor)
Urban Infrastructure
Description: In Chicago, buildings have usually been built on urban grid systems following capitalism, which is the social system based on the principles of private properties. This urban grid system provides unfettered access to surface transportation through the island with roads that connect the entire landscape in a straightforward way that is easy to navigate. Chicago also has unique urban infrastructure, that is the elevated rail system, CTA, which goes through downtown Chicago. This urban infrastructure connects urban public spaces and programs, and it allows extensions to urban habitat areas. Within this context, I explores the Chicago city form as a collected urban experience, context and creates a relationship between architectural space and urban infrastructure. The project site is not on a typical isolated block by the grid system, but on the existing building’s roof and surface. This new avantgarde site and system provides an unusual urban experience that is an unexpected journey through the buildings, instead of the one that Chicago’s gird system has. This unexpected journey is necessary for cities that are based on capitalism, because of the increasingly 44
Space Alteration
Urban Circulation
Program arrangement
ARCHITECTURAL PUBLIC SPACE
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World Trade Center Proposal by Peter Eisenman
Linked hybrid by Steven hall
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ARchitectural Public Space
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La Grande Arche de la Defense by Johann Otto von Spreckelsen
TEK Cube Buildings by BIG Archtects
URBAN PUBLIC SPACE
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Chicago public Space
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Section of Chicago
NEW TYPES OF PUBLIWC SPACE: URBAN MEDIUM SPACE
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New Urban Public Space
predictable and monotonous experience of everyday life. It also grants a rare instance of pure chance, an opportunity for an utterly new and authentic experience of different atmospheres and feelings generated by the urban landscape.
Bending Objects and configuration
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[Willis Tower] Floors: 108 Height: 1,451’(442m) Programs: Office, Obervation and Communication Architect: SOM
Sectional Axonometric-B
S Franklin St
W Adams St
W Quincy St
Sectional Axonometric -A
W Jackson Blvd
[City Colleges of chicago] associate of arts / Vocational education
Urban Corridor
[Franklin Center] Floors: 60 aboveground, 2 belowground Height: 1,007’(307m) Programs: Office Architect: SOM
Urban Plaza
Quincy / Wells Station
Sectional Axonometric-A S Wells St
Urban Corridor Plan
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Sectional Axonometric -B
[Federal reserve bank of chicago]
[JW Marriott Chicago] Elegant Lodging in former Bank bulding
[W Chicago Center] Hip, upscale chain hotel
Sectional Axonometric-A
Sectional Axonometric-B
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Urban Interior To create this new urban situation, I took the idea of bent and connected objects. The idea, bending and connecting the buildings, visually represented spatial transportation to the other buildings and created a new type of architectural urban space and program organization by grouping of single buildings. The group of single buildings could be consistently interacting with urban public space, and also it can be used as a new site for public purpose. Regarding the issue of urban development and adaptation, this new relationship between architecture and urban infrastructure that my project envelops, allows adaptation to constant changing situations. These single buildings are relying on the surroundings buildings’ system. So, the single buildings are no longer isolated by Chicago’s urban grid system, and will adapt to a new urban environment.
North Elevation
East Elevation
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Scale 1:500 Final Physical Model
Scale 1:1000 Mass Study model
Scale 1:1000 spatial deformation Model
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Compound arboretum: urban germination
Open system
Collaboration with: Andrew Choi
Michigan Avenue, Chicago - Project Site
chicago downtown The infrastructure of downtown Chicago is structured on a cartesian grid. The city itself is unwaivingly rigid in its organization. And the elevated rail follows the logic of the city cartesian grid. The public parks follow the boundaries of the city grid are pushed to the edge of the city near Lake Michigan. Even the underground pedway system is following the logic of the city grid. Our proposal contains the program of a botanic garden and art museum. However this botanic garden is not the typical well curated garden we see around the states. Our garden proposal is for a less curated and more wild in its growth and behavior, one in which we provide a breeding ground and let it spread like wildfire.
CTA Bus Route Proposed Site
Public Park
Pedway System
CTA Loop (Train)
Buildings
Public Parking
Combined Analysis
Sky Bridge Site Relationship
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Site Analysis Diagram
Under Ground Pedway CTA Bus Way CTA Subway
Definition of Open System
In system theory, an open system is a system which continuously interacts with its environment or surroundings. The interaction can take the form of information, energy, or material transfers into or out of the system boundary, depending on the di cipline which defines the concept.
Open System as Figuration Initial departure for the project consists of generating a formal language for our individual open systems. These formal languages, physical models, were then reparsed through the lens of our ideologies for an open system that existed in these physical models. Which was the interaction and connection of disparate objects through a consistent and distinct language. From this re-analyzation while keeping the strong formal language in the models, we came up with a stronger model that expressed our aim for an open system.
Open System as Programmatic and Spatial Concept Undefined open space is spatial medium, which can be used as multi-purpose space and also extended for supporting other programs. Undefined open space does not mean an empty space. It constantly changes and reacts with its surroundings like weather and music performance.
Open System As Method of Design The idea of open system exists in the way we develop the project. Starting with combining two open systems and how they interact and change accordingly, and to the constant translation and feedback between the physical models, digital models, sections, plans, and site. With programmatic meaning of open system, our goal is creating medium spaces and placing main programs adjacent to them. But the quality of that medium spaces are created by main programs’ figuration.
Concept Study Models
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Final Model: Scale 1/32�= 1’-0�
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Our proposal contains the program of a botanic garden and art museum. However this botanic garden is not the typical well curated garden we see around the states. Our garden proposal is for a less curated and more wild in its growth and behavior, one in which we provide a breeding ground and let it spread like wildfire. We are very partcular about this because we want to have a juxtaposition between a perfectly curated condition of museums againsts the uncontrolled behavior of the wild botanic garden. Perhaps this will result in a very open system of unexpected conditions. We do however anticipate that the gardens will initially connect with the existing green public space (Millenium Park and Grant Park) and the elevated rail tracks as it runs through our building, as initial grounds of breeding. Reason being is that as the growth begins to stem out from our building, the open space available in the parks bring of the potential for our building to sprout in clusters spaces along the park. Then further in the future, perhaps, this wild growth may continue to spread to suggest a new elevated infrastructure existing above the grounds. This non cartesian network can connect building to to building through skywalks. Therefore, this botanic garden and museum building can potentially treat the city of Chicago itself as a canvas for an anticipated yet wild growth.
pLAN
sECTION
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Between Abstraction and Figuration
Chiaroscuro & Tenebrism Architecture Collaboration with: Qingyi Chen
Description This studio explored the relationship between color and form in architecture borrowing specific “painterly� techniques from the art field and using them as a point of departure to challenge notions of literal and abstract representation in building masses. Chiaroscuro is a set of painting techniques able to create contrast between the well-lit form and its dark background. Dark subjects dramatically lit by a shaft of light from a single constricted and often unseen source was a well-known compositional device developed by artists to create a dramatic effect in their canvas.
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Fields of Perforations (geometry) Axonometric
Unfolded Skin
The building engages contemporary notions of chiaroscuro in architecture, using geometrical fields of perforation along with painterly applications in order to create a vibrant envelope for the new Down Town Theater on Grand Ave. The variation of geometric pattern on the exterior surface results from brightness change. Also, the perforated pattern has different direction with the curved exterior shell. This causes an optical illusion which is to enable outside surface to express diverse appearance.
Elevation
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Fields of Paint (surface application) The dark part of exterior surface makes the real shadow deeper and darker. This effect distorts the shape of surface to express various aspects of building depending on the viewer’s position. Also, with the real light changing, the surface of the building gradually disappeared.
Unfolded Section
Program 1. Main Enterance 2. Public Square 3. Administration Enterance 4. Large Theatre 5. Lobby 6. Office and player’s room 7. Restroom
Ground Floor Plan: Enterance Level
Typical Floor plan: Theatre Level
3
6
1
2
4
5
7
7
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Section A - A’
Section B - B’
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Model by Daiki Tsutsumi and Gregory Ingalls
Cruella de veil: Design developement
DD Collaboration with: Andrew Suelki Choi, Daiki Tsutsumi, and Kiem Ho Project Designers: Daiki Tsutsumi and Gregory Ingalls
Ground Floor Plan 60
Large Theatre Floor Plan
Cross Section
Longitudinal Section 61
Overall Building system
Multi-purpose Hall Large Theatre
Corridor at Open Atrium
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Structure System
primary Structure 4’x4’ Steel Tube
primary Structure 2’-6”x2’-6” Steel Tube primary Structure 2’-6”x2’-6” Steel Tube
15’x15’ Diagonal Sub-Structure
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3D Chunks: Spatial organization THEATER REINFORCED CONCRETE
GROUND
CATWALK
EPOXY COATING THK 4" PLAIN CONCRETE P.V.C DRAIN BOARD LIQUID WATER PROOFING THK 4'-5" TRANSFER CONCRETE
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EGRESS
CATWALK CUSTOM STEEL BEAM
SHAFT WITH MAIN HVAC SUPPLY AND RETURN AND MAIN WATER PIPING
OPEN AIR ATRIUM SPACE
3D Chunks: envelop detail
3D Chunks: theatre section LONG SPAN TRUSS STEEL BARS FOR ACOUSTIC PANELS
GLASS FIBER REINFORCED CONCRETE STEEL PIPE WITH RUBBER SEALANT
ACOUSTICAL CEILING CLOUDS CUSTOM GFRC ACOUSTIC PANELS
WATER PROOFING INSULATION CORRUGATED STEEL DECKING
CFMF STUDS 16" O.C. GYPSUM BOARD HVAC: SUPPLY AIR DUCT CONCRETE BEAM
H-BEAM WITH FIRE SPRAY PROTECTION X2 5/8" GYPSUM BOARD WITH V.P. CFMF STUDS 16" O.C. GYPSUM BOARD
HVAC SUPPLY AIR GYPSUM BOARD CEILING
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Facade
Unfolded Facade
Panel Chart
Panel ‘O’ call-out
Area Table
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z ZA ZB ZC ZD Total Area
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Panel Amount
62 83 196 208 8 283 279 16 212 90 9 111 225 206 225 98 14 16 101 69 57 27 20 14 214 77 53 2 39 113 3127
5051.97 3692.43 13375.47 15192.48 623.98 24000.19 25006.78 861.28 14815.33 6298.11 621.13 8007.63 16059.27 13678.11 16059.28 9208.77 621.12 1121.69 6271.25 4002.6 3512.65 1177.28 973.27 2395 14987.77 3737.09 3413.45 639.38 2001.71 7444.11 220524.3
square feet square feet square feet square feet square feet square feet square feet square feet square feet square feet square feet square feet square feet square feet square feet square feet square feet square feet square feet square feet square feet square feet square feet square feet square feet square feet square feet square feet square feet square feet square feet
Regular Panel Amount 22 8 30 25 0 93 208 0 5 19 0 30 15 4 25 0 0 2 10 0 9 0 0 0 5 1 8 0 0 0 519
2200 800 3000 2500 0 9300 20800 0 500 1900 0 3000 1500 400 2500 0 0 200 1000 0 900 0 0 0 500 100 800 0 0 0 51900
SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT
Irregular Panel Amount 40 75 166 183 8 190 71 16 207 71 9 81 210 202 200 98 14 14 91 69 48 27 20 14 209 76 45 2 39 113 2608
2851.97 2892.43 10375.47 12692.48 623.98 14700.19 4206.78 861.28 14315.33 4398.11 621.13 5007.63 14559.27 13278.11 13559.28 9208.77 621.12 921.69 5271.25 4002.6 2612.65 1177.28 973.27 2395 14487.77 3637.09 2613.45 639.38 2001.71 7444.11 168624.3
SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT SQ.FT
Panelization
Egress
Heating, Ventilation, and Air Conditioning System Area Requirements of MEP for Large Theater
Large Theater area HVAC Calculations
- Area for Boiler Plant Total Heating Load : 6,039 kBtuh Boiler Capacity(each) : 3,019.6 kBtuh x 2 Length / Width / Height : 20ft / 10ft / 15ft
- Total Cooling Loads : 704.6 tons Total cooling Load Density: 7.0 w/sf Total Area Cooled: 354,000 sf Total Cooling Load:2,478,000 watts
Total Plant Area with additional 20% of area : 1,322.4 sf Length / Width / Height : 38.4ft / 34.8ft / 18ft - Area for Chiller Plane Total Cooling Load : 704.6 tons Boiler Capacity(each) : 352.3 tons tons x 2 Length / Width / Height : 30ft / 20ft / 10ft
- Total Heating Loads : 6,039 kBtu/h Total Heating Load Density: 5.0 w/sf Total Area Heated: 354,000 sf Total Heating Load: 1,770,000 watts
Total Plant Area with additional 20% of area : 4233.6 sf Length / Width / Height : 82.8ft / 38.4ft / 13ft - Area for Cooling Tower Total Cooling Load : 704.6 tons Boiler Capacity(each) : 352.3 tons tons Quantity of Cooling Towers : 2 Length / Width / Height : 20ft / 12ft / 20ft
ADA
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Compositional Morphologies
Folded & Unfolded Object Collaboration with: Hsing Chen Hu
Description
Casting, it seems, has a rich range of meanings that are useful for architectural production. While we are most familiar with the sculptural kind, as in the casting of an object, its more general etymology covers a range of physical and meta-physical projections that range from the rational and inutitive to the accidental.The casting of characters for a movie or play consists of projecting a ficitonal figure onto/into a non-fictional one and then back out to an audience. The actor is the medium. The casting of spells consists of the projection of mystical/magical content from one source onto another. The medium(wizard, witch) is the medium. The casting of objects consists of the projection of liquified material into or onto a moulded vessel. Matter is the medium.
Unfolded object folded object
Complex Folded Object
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Object 1
Object 2
Object 3
Twisted Surface
Concave Surface
Pinched Surface
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sol motion : Degital tool as design platform
Collaboration with: Jordan Squires, Klemens sitzmann, and Gonzalo padilla Slit Scan & Sol Lewitt
[11/1] Sol motion seeks to extend beyond conventional threedimensional systems that capture objects in a state of rest, through motion, the analysis of the particularities and singularities observed in the transient stages of an object allows the use of time as a fourth coordinate that is both visible and malleable. With the possibilities for representing the fourth dimension still open for architectural consideration. This project attempts to develop architectural images of higher dimensional space. While the use of perspective can immediately implying the third-dimension, motion therefore can begin to suggest the fourth-dimension by revealing conditions of adjacency. Representations of the fourth-dimension are commonly perspectival, two-dimensional animations; conversely, physical objects in motion are less removed fourth-
N-Dimensional []
One-Dimensional [0]
Two-Dimensional [0.0]
Three-Dimensional [0,0,0]
Slit scan potrait
Sequence [ 11 ]
Sequence [ 10 ]
Sequence [ 9 ]
Sequence [ 8 ]
Sequence [ 7 ]
Incomplete Cube, Sol Lewitt
Sequence [ 6 ]
Sequence [ 5 ]
Sequence [ 4 ]
Sequence [ 3 ]
Four-Dimensional Space [0,0,0,0]
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dimension. In most representations of the fourth-dimension a cube is used in contrast with Cartesian space. Representations of higher dimensional spaces often utilize apparent deformation geometry in perspective to show positions in space. Our degree of control of aforementioned conditions can then become design variables for creating new images, geometries and understandings of geometries relationship to time. This project explores the potential of showing objects interaction with the fourth dimension by showing it in multiple positions in space through the technique of slit scanning. A slit scan image, similar
to a long exposure has the potential to capture the totality of a particular motion; however, it has its greatest impact on the representation of the object when it appears to remain singular. In comparison to a continuous exposure, slit scanning can be re-cut and composed in time after the image data has been collected. Ultimately, making the project a manipulation of an object’s relationship to time; by controlling time as an object we are able to produce new ways to understand a primitive and its motion. For these relationships to be clear we focused on a four hundred millimeter cubic workspace which is at a specific scale so that
Slit scan motion
Slit scan 3-Dimensional Grid
the pieces could be moved without interrupting their own range of motion. By using Sol Lewitt’s Incomplete Open Cube series, as formal precedent and catalog of instances to work through we were able to build complexity throughout the process. The Incomplete Open Cubes have been of interest for architects as a work of pure seriality, and are of particular importance for our group’s work in the Robot House as a project focused on anti-metaphysics.
Into the digital work space & slit scan Throughout the process, by keeping the primitives minimal it was possible show the potential impact of controlling motion, time, perspective and frame rate. For the majority of the animations we used the simplest, linear time displacement. A linear time displacement is analogous to taking a desktop scanner and moving an object perpendicular to the scanning. This is different than a classic example of visualizing motion; Duchamp’s Nude Descending a Staircase, where the subject remains whole, though stretched into multiple places in time pixel by pixel. Any abrupt changes in the motion will show up as ripples in the resulting image. Because the frames of the slit scans are cut longitudinally across the picture plane the camera position affects the results.
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Se
Horizontal Slitscan
Sequence [ 5 ]
Sequence [ 4 ]
Description: Sol motion
Sequence [ 5 ]
Sequence Sequence [[ 43 ]] Sequence Sequence [[ 5 4 ]]
Radial Slitscan
Sequence Sequence [[ 6 5 ]]
Sequence 4
Sequence [ 6 ]
Sequence [ 7 ]
Sequence 3
Sequence [ 3 ]
Sequence [ 3 ]
Our methods and animations for working with motion are uniquely architectural in the way that they are measured and manipulated. For example the light scan image sequence has, latent in a single image: primitive, motion, frame rate, sectional time geometry, sectional time rate, trajectory, and direction. The distance between the frames is at a level that is analytical rather than visual, meaning there are more images in a sequence than is needed to show motion, yet also a useful amount for showing geometry in time. For our bullet time slit scan sequence, the first of its kind, we created a matrix of frames taken from an arcing path around the motion that was reinterpreted in multiple arrangements to create dynamic views of temporal events. Sequence [ 4 ]
Sequence [ 6 ]
Sequence [5]
Sequence [ 6 ]
3/2
Movement 3/1 to 3/2
Movement 3/2 to 3/3
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3/3
3/1 Movement 3/1 to 3/3
quence [ 8 ]
Marcel Duchamp Descending a Staircase, Eliot Elisofon, 1952
Sequence [ 8 ]
Sequence [ 7 ]
Sequence [ 8 ]
Sequence [ 7 ]
Sequence [ 7 ]
Sequence 6
Physical Study
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into the physical The experience of viewing the geometry and creating the physical geometry are inseparable. Therefore, difference between how something looks and what it is still an important discussion especially when the subject is unbuilt. So are these impossible objects or completed objects that are built as three-dimensional object.
Physical Output_3 series
Physical Output_4 series 74
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Incheon A Gimpo Sprots Town Man Nanjing
Asia Game Main Stadium n, Datong Sports Park nila Arena, Taipei Dome g Performance Centre WORKS AT POPULOUS
My year working in Populous, gave me great opportunities in studying various architecture. Designing stadiums was not a field that could be readily encountered in Korea and in the past was not of particular interest to me. But, I became to study and enjoy the work at Populous whilst participating in many stadium projects. Even more, I was grateful to work with other architects who came from all different backgrounds. Due to the Australian branch of Populous being responsible for the Austral-Asian market, there were architects that designed stadiums from not only Australia but also Europe, India, Korea and China. So during work I could naturally learn about other cultures, which also became one of the reasons that made work more joyful. Even though I had to leave that workplace due to the new goals I am striving for, my hope to one day design a charming stadium has not changed.
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Gimpo sports town
Project information
- Type: Sports Complex - Status: Schematic Design Phase - Activity: Multi-complex mall, Soccer, Indoor Swimming & Arena, Baseball, and Public park - Role: Schematic Design- Main Stadium Design, Space planning(Stadium, Indoor Swimming Pool, and Arena), Programming, Presentation, and 3d Modeling.
Main Stadium
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Main Stadium & Warm-up Track
vvip / emergency
1st Floor Plan
2nd Floor Plan Toilets Food & Beverage Venue Management Sports Club Picnic Stand Vertical Circulation
Venue Management Player / Match Facilities M_E_P / Storage Vertical Circulation Interview vvip / Athlete / Management
Road Shop Mart Rental Office
Cross Section
3rd Floor Plan Toilets Vertical Circulation VIP Zone Kitchen Broadcasting Zone Control Room
Longitudinal Sectoin
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80
East Elevation
West Elevation
South Elevation
North Elevation
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Incheon Asian Game Main Stadium
Project information
- Type: Stadia - Status: Under construction - Area: 17,783 sqm - Capacity: 70,000(Event mode), 30,000(Legacy mode: after Asian Game) - Activity: Soccer, Track & Field - Role: Design Development Phase- Drafting and Presentation / Bridge Design
Event Mode
Master Plan
nanjing performance centre
Project information
- Type: Performance Centre - Status: Competition Finalist - Role: Second Round Participant - Shape/Skin Design
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Legacy Mode
Space Planning
Access Bridge Design
Gccg 2018(Gold coast 2018 commonwealth games)
Project information
- Type: Sports venue - Status: In progress - Capacity: Commonwealth Games(Stadium: 40,000 / Indoor Arena: 10,000 / Indoor Sports Hall: 2,500 / Velodrome: 4,000) Legacy(Stadium: 25,000 / Indoor Arena: 6,000 / Indoor Sports Hall: 2,500 / Velodrome: 4,000) - Role: Indoor Arena Space planning, Presentation, Drafting
taipei dome
Project information
- Type: Stadia - Status: Design Development - Activity: Baseball, Shopping Mall - Role: Plaza Design / Dome Envelope Design Development Assistance, Drafting
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Manila Arena
Project information
- Type: Arena - Status: Under-Construction - Capacity: 45,000 ~ 50,000 - Activity: Indoor Sports, Concert - Role: Schematic Design - Seating Bowl Study, Space planning, Drafting
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Drawings - Plans and Sections
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Riverside
Lean, One in Mul
E Bridge Housing Development Hillside Housing Memorial Wall ltiple/Multiple in One UNDERGRADUATE WORKS
Date : Summer 2008 Location : Santabarbara, USA Tutor : Prof. Hyunhak Do
The site is surrounded by the diverse ecology environment facts such as Devereux Slough and Vernal Pool, Seaside, the Pacific Ocean and Mesa. The suggestion is to design the research and education center in UCSB Campus which is for protecting the ecology environment. Furthermore, at the southern part of the building, there is Campbell Barn, which is a valuable and historical building because it gives a picture of the lifestyle in Santa Barbara with the central square. These three buildings all around the central square were a huge issue of the new trend of landmark.
Exhibition / Kids Edu. Area Plan
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89
space program
The main idea of this design is to connect the new buildings, Campbell Barn’s remodeling space as the pavilion, Student Residential building, and the central square from the inspiration of the broken bridge of Devereux Slough, and then it does not only make the connection of those spaces but also with the programs. Then I analyzed and reorganized the separation of the whole mass of a structure from the order of the dimension, modules, property, shape, sizes of the buildings that nearby. Moreover, I used the specific – or could be particular – materials that are from the local area or sources from the similar places, so then I gave a consideration to re-use the lumbers, iron, and clay for it to be as a nature-friendly creature.
Administration Area Toilet
Univ. Student Classroom
Toilet
Store Corridor with Operable Double Skin Facade
Roof Garden
Model Scale : 1/16”
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Campbell Barn
Library
Bridge
Observatory
Univ. Student Space Plan Scale
Campbell Barn Section Scale : 1/16�
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Corridor with Operable Double Skin Facade The building is ventilated and cooled by using the wind, which cope with it from South and West, and it also can be made diverse eco-friendly space by opening and closing between the double-facade. Polycarbonate with silicon solar cell
Operable Wood Louver
Corridor
This double skin can be used a pathway and for controlling the wind speed, blinding the sun, and see the outside on the deck.
East - West Section
East - West Section
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Campbell Barn Renovation
1F Exhibition Plan Scale : 1/16”
2F Univ. Library Plan Scale : 1/16”
Visitor Circulation Staff Circulation Univ. Student Circulation
Model The Campbell Barn
Campbell Barn was used for agricultural purpose. Over time, it went out of service. What I considered to renovate this building was to reserve main structure and façade and then connect it to the bridge by inserting a glass box with new program. New Campbell Barn will provide a place where students can study and research about the surrounding eco-space. At night time, the glass box will be shining contrasting the Barn’s materials, and act as a lighthouse. 93
Sinchun River & Express highway Early Perspective Sketch
Riverside Housing Development Project : A Multiplex House Tutors : Prof. Jaeik Sim(KIA), Daejin Lee(I.U.A.V_Drott. in Ricerca) Location : Sandong, Susungu, Daegu, Korea Background The site access to the city easily due to the highway to Daegu nearby, and It has good circumstance for a living. The waterfront in Sinchon river can provide nature to rest and communicate. Also, the site is surrounded by Palgong Mountain.
Site
Palgong Mountain
Palgong Mountain
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Site Analysis & Diagrams
Design Goal The project goal was to make community with cluster shape that the divided site makes small communities and they are connected, because it was hard to have a communication in the site because of the long shape. The long mass in the lower level of the building is to connect and the upper level is open space as a landmark. One of problems of the urban house is that the open space in the house is blocked with neighbor, and it is lack of open space for the local community.
Frist Step Model
Second Step Model
Third Step Model
Final Step Model
Central Square
View from riverside
Westside Facade
EXTERIOR SPACE PLAN
DECK SPACE PLAN
Square I PUBLIC PARK
Deck I ACCESS DECK
Square II CENTRAL SQUARE
Connection COMMUNITY CENTER
Square III FORESTS
Program 1. Book cafe 2. Water-space 3. Convenient Facilites 4. Parking place
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Deck II OBSERVATION DECK
Unit Types 1. Type A 2. Type B 3. Type B’ 4. Type C
Central Square Type C
Lamp for access a house from the open space
Type A
Access a house by the deck
Type B
A central open space for the local community
A green open space from nature in the Palgong mountain Type A
Type B
Type C
Unit Models Type A is a house type for the first generation or a single Type B is a house type for family or over the second generation. Type C is a house for family with garden. 97
Hillside House Project Project : Housing Tutors : Prof. Hyunhak Do Location : Dongsan-dong, Daegu, Korea
Challenging Site included a Suwon which is a Korea traditional lecture hall is on old city of Daegu. The site have huge problem that there are narrow road which cannot be used by a car. What I considered is how to access to the site. So, I connected the roof to the behind road. Users can enter the house by using this extended road.
Program 1. Parking space 2. Exhibition hall 3. Family room 4. Guest room 5. Main bedroom 6. Living room 7. Kitchen
Roof Floor
Middle Floor
Ground Floor
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perspective drawings: sequence 1 ~ 6
Final Model Photos
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detail section drawing
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