jaime sevilla arch. portfolio_2016
personal statement
“you have to respect what you cook�
Chef Francis Mallman
2016
jaime sevilla
[ personal statement ] Throughout my life and development within the field of architecture I have consistently chased the idea to question existent realities, always with the vision to add another layer of significance to what I put my hands on. I consider the process of concretizing a vision, an act of rebellion, a cult of optimism, a desire for dialogue and conversation and the ability to learn from failure. I express my motivation and passion to architecture through the assemblage of its pieces into a harmonic totality that maximizes its impact on its surroundings.
3
jaime sevilla
Email// j.sevilla.lugo@gmail.com Phone // 520 205 0579
+ PROFESSIONAL WORK
+ EDUCATION
Nationality // Mexico :: USA Birth Date // August 14, 1990 Marital Status // Single
Tatiana Bilbao S.C Designs Mexico city, Mexico. | Summer Intership | July - Aug 2012 Projects // Basel Aquarium Competition, Torres Veracruz, Casa del Bosque. References // David Vaner, dvaner@tatianabilbao.com
University Of Arizona B. Arch College of Architecture, Planning and Landscape Architecture ( CAPLA) 5 years Accredited Professional Program
Hornberger & Worstell San Francisco, CA | Junior Designer | Sept 2013 - may 2014 Projects // Hotel Union Square, Ghirardelli Square References // Mark Hornberger, mhornberger@hwiarchitects.com
Honors Multidisciplinary Studio + Muscat Municipality Al- Hamriya, Muscat, Oman | Study Abroad | Fall 2012 Description // Urban Revitalization Project References // Mark Frederickson , mpf@email.arizona.edu
STUDIOS architecture San Francisco, CA | Junior Designer | June 2014 - Sept 2015 Projects // Intuit SF, 1450 Page Mill Stanford Real State, Berkeley Global Campus Competition, Parking Day Installation, Apple Office Expansion. References // Jason McCarthy, jmccarthy@studios.com
Kaitak Urban Revitization Project Hong Kong | Study Abroad | Summer 2013 Description // Urban Revitalization Project References // Mark Frederickson , mpf@email.arizona.edu
Grupo C.O.S.O Culiacan, Mexico | Junior Architect | Sept 2014 - Jan 2016 Projects // Estadio Tomateros, Cerro De las Siete Gotas Park References // Jacobo Sevilla, jsevilla@islacortes.com
+ PUBLICATIONS + Cinema Challenge// Symbiotic Venue // N.Alqallaf + J.Sevilla http://www.archdaily.com/462626/london-cinema-challenge-winners-announced http://www.bustler.net/index.php/description/london_cinema_challenge/ + Cellular Noise // Biomimetics Class // Prof. Susannah Dickinson http://www.suckerpunchdaily.com/2013/05/28/cellular-noise/ + LA MINA // A.Sevilla + J.Sevilla https://undsprfcto.squarespace.com/birth-of-la-mina/
+ ENTREPRENEURSHIP collab 90.94 Street Art Group | July 2012 - Oct 2013 Facebook :: 90.94 un.dsprfcto San Francisco, CA | Design Collaborative | Oct 2013 - Present Site : Undsprfcto.com Facebook : undsprfcto Instagram : un.dsprfcto
+ FABRICATION // BUILT + Freedom By Design - 1. “Orea Ramp” 2. “ Juventus Ramp/Landing + Insterstitial Installation + College of Medicine Donations Display + Cellular Noise + Parking Day + Intuit SF Office + Estadio Tomateros Baseball Field and Bullpens. + LA MINA Spatial Intervention
+ COMPETITIONS + Combo Competition - Cinema Challenge | Symbiotic Venue | Awarded 2cond Place - Poor but Beautiful | Perpetual Periphery |
+ ASSOCIATIONS + AIAS member | 2009 - 2013 + Freedom By Design | Arizona chapter | 2011-2013 2012 - 2013 Project manager + Bay Area Young Architects member | 2013 - 2015 + LEFTside SF skate community helped to design a proposal of “ waller st. skatepark expansion” which was presented to city of SF Park and Rec. march 2015. It has been selected and approved. [ status :: In process of grant authorization ]
+ COMMUNICATION Software
Tri- Lingual
//Proficient Revit 2015 Autocad 2010 - 2015 Rhinoceros 5 V-ray Plug in for Rhino Maxwell Plug in for Rhino Adobe Creative Suit - CS6 - CC Microsoft Word - Excel
English - Fluent Spanish - Fluent French - Intermediate
//Basic Exposure Grasshopper Sketch up
+ INTERESTS AND HOBBIES + screen printing + stencil making + street art + propaganda design + product development + curating creative events + industrial design + hand sketching + photography + graphic design
+ cyclism mountain|road|urban + archery + basketball + running
01 armature of awareness
2
2013
[ armature of awareness ] Academic work | Capstone Thesis | Prof. Brian Andrews My thesis was moved by my interest in the relationship between things and the idea of unifying divorcements while respecting the identity of each to allow a collective behavior. This position then lead to the creation of a spatial matrix capable of intergrating elements and transforming to accommodate growth of society and ecological demands. Architecture becomes a pedagogical instrument for the city.
3
4 Armature of Awareness
[ IICA ]
satellite LABS L
++
library/bookstore
art studioss
farming farm min ing
data collectionn room
[ synergy space ]
flora + fauna LAB
[EE] offices
market PODS
Emprendedores Emergentes
[ EE ]
water + earth LAB
Instituto de Investigacion, Ciencias y Artes
+++
L3
L2
Movil Water + Earth pods {local data collection}
L1
GF
A.A
+
[ A.A ]
climbing walls Aquaculture
[ IICA ] FRPPLWWHG WR ȜQG VROXWLRQV WR PLWLJDWH KXPDQ LUUHVSRQVLEOH LQȝXHQFH RQ ULYHUƵV HFRORJ\ ,,&$ PHUJHV 6FLHQFH DQG $UWV WR WKH HPHUJHQFH RI QHZ PHWKRGV WR ȜQG LQIRUPDWLRQ DQG VROXWLRQ WR HFRORJLFDO SUREOHPV DORQJ WKH ULYHU DQG GLVSOD\ WKHP WR VRFLHW\ kayaking
fishing
street art
farming street art
5
[ Awareness ] : growth over time urban scenarios_ Completion of Armature of awareness initial infrastructure
No vacancy of designated spots for growth, generating a visual and spatial impact on user’s experience triggering awareness.
levels of organization_ | functional | The infrastructure facilitates spatial connectivity between North & South, allowing continuity to the recreational circuit.
A.A provides specific spaces to small business entrepreneurship( Mid Class) and market specifically for Low Class.
| economical | A.A announces its capacity of growth hosting Phase 2|: Small business Abarrotes ( Market )
Market of cultural goods + Small offices + Fish market + Aquaculture + Farming and gardening +
| socio cultural | A.A becomes a catalyst of social activites: recreational( open space and infrastructure) and Cultural ( IICA)
Extension of public space comes along with infrastructure’s Growth. Thus, A.A becomes a pedadogical tool of consciousness for society.
| environmental | A.A becomes the beginning of the restoration of the river’s living ecologies.
2013 | 6
phase 1
[ ARMATURE + IICA. ]
Ecological systems start to be restored. A.A processes all the water used through natural stages and returns it clean to the river.
2015 | |
phase 2
[ ADDITION : EE - OFFICES + MARKET ]
Ped. traffic becomes very dense. Terminus extension to the adjacent urban fabric bridges over highways, facilitating pedestrian connectivity. More market pods will be provided with the extension.
Extension of program at N.District. Allowing for a park underneath market enhancing connection and use of public space adjacent to the river. Grade level : Open space Second flr : Market space.
Facilitates the connection of urban fabric with the river’s public space. Before: highways| Boundary Now: highways | Threshold
More accessible market and offices on the N.District.
Extension arms host Market pods, allowing for economical self construction infrastructure.
Extension arms host Market pods, allowing for economical self construction infrastructure.
Revitalizing the market culture, Mitigating the informal market culture with an organized structure.
Correct use of river territories serving the user+ the city.
Disposed organic matter from the market gets processed as compost to be utilized at agriculture lands.
People will be involved in the process of growth and ecologies revitalization which will generate a responsible behavior towards the river.
2018 |
phase 3
[ ADDITION = NORTH/SOUTH EXTENSION ]
2020 |
phase 4
[ ADDITION = + N. DISTRICT ]
7
11.
12. 13.
10. 8.
14.
9.
01. Library 02. Study Rooms 03. Data collection Satellite 04. Movil labs ( macro data) 2ČŞFHV VSDFH 06. Data collection general room 07. Water & Earth lab 6\QHUJ\ 6SDFH 09. Fish Market 10. Art Studio 11. Flora & Fauna lab 12. Farming 13. Gardening 14.Market
8
6. 3. 4.
7. 5. 2.
1.
Longitudinal section looking East 9
02.
stepping plaza
05. 07. 08. 09. 11. 12. 13. 14. 15. 16. 17. 18.
aquaculture fish market kayak port synergy space data collection water lab earth lab
10.
water cross walk
03.
vertical farming
06.
small market pod
04.
art studio
06.
outdoors flora lab
02.
flora lab
04.
fauna lab
03.
large market pods
01.
bank level bridge
10
01.
cantilever plaza
30 ft
30 ft
17.
05. 14.
12.
10..
07. 15
09. 16.
13.
11.
08.
19. 23.
study rooms
26. 27. 28. 29.
data collection stored [SAT] labs
25.
movil lab [SAT]
21.
small crane
24.
library/bookstore /gallery
22.
open air amphitheater
21.
elev. office plaza
20.
office module
movil lab [local]
large crane 20.
19. 24.
25.
18. 26. 28.
23.
22.
29.
27.
11
J.
12
H. E. D. C. B. A.
library [SAT.] tower [SAT.] movil labs
200 FT
navolato culiacansito
36
san pedro
potrero
el castillo
culiacan river
lic. benito juarez
el limon culiacan tamazula river
29
13
humaya river
12
11
10 mi
site location :: A.A
10
field data
data collection
synergy room - data distribution
synergy room - data distribution
artist studio - data processing
exposition to community
37
registered contaminated area_
35
broken unimog_
BANK 34
unimog + pod in location_
BRIDGE::CREATION OF A NEW LOCATION
10 mi
-
problem registered // expected_ investigation site coverage
F.
movil labs
G.
crane
WATER
data collection
Water lab Earth lab
I.
synergy space
BANK
art studio
Flora lab Fauna lab
05 04 03 02 01 00 DAM:: adolfo lopez mateos 20
19
+ 55
bachimeto 18
sataya
lago
17
33 16
A
parked available [ SAT.] movil lab_
stored [SAT.] movil lab_
B C
A B C D
D
E 37
36
35
34
33
32
31`
30
200 FT
DAM:: sanalona
E
18
movil [SAT] MOUNTED on unimog 17
13
labs + market
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14
B
C
vertical farming
+72
flora & fauna labs
+60
market & gardening
+48
public space
+36
connecting path
+24
+15
max water level
transversal section - SOUTH TERMINUS - looking north
open air market + river + bridge atrium
$ $ VWUHWFKHV WR FDUHVV WKH DGMDFHQW XUEDQ DUWHULHV ZHOFRPLQJ XVHUV WR LWV SKLODQWKURSLF QDWXUH FDSDEOH WR LQVSLUH DQG HGXFDWH 7KH collective behaviour RI PXOWLSOH VRFLDO DFWLYLWHV RYHUODSSLQJ ZLWKLQ DQ LQIUDVWUXFWXUH OHDGV WR WKH HPHUJHQFH RI VRFLDO FXOWXUDO HFRORJLFDO DZDUHQHVV
16
operable openings. Front/Back, Sides
Mecanically activated by man power
longitudinal section looking - West 17
RȨFH SXEOLF VXUIDFH VWXG\ URRP
_modular growth
the collective behaviour between structure, space and materials stimulates the sense of cognitive experience along with the variable of time.
18
office pot attached to adjacent
public surface on armature
office surface
public surface on
public space 15’ ft module Office space for small business
attachable structure to armature
added public space
+offices modules (top)= +open public space under
A
B 10 ‘
C 10 ‘
D
A
10 ‘
D
B
C
10 ‘
+48
1.
2. +36
3.
4.
+24
5.
+18
6.
+03
Attachable public surface typologies
+00 max water level
GHWDLO VHFWLRQ RȨFHV SXE VXUIDFH VWXG\ SRGV 19
02 interstitial installation
20
2012
[ interstitial installation ] Academic work | Arc.402 | Prof. Chris Trumble a studio based on the intension to dream and concretize a vision. 14 students were selected to join forces to design and build an installation, which by its embeded nature, had to blend, perform and define a transparent space between two buildings of the U of A school of Architecture. The completion time from design to construction was 6 weeks.
21
[site]
that dude is hilarious, i love him. 01
(n)
so what do you think about Chris Trumble? 02
Nice to see you man,lets grab a beer!!
03
I love this song :: is itt to late to say sorryyyyy??
04
am so sick of this place. am gonna go to yoga. 05
crap, i shouldn’t have worn these heels today.
09
06
10
(o)
11
_north facade
a
insterstitial space
b 01
12 13 14
02 135’
25’
(o)
03
200 ‘
(n)
04 05 06
_south elevation
07 08
15 16
_plan
_enlarged elevation
22
17
_section A
oh crap !! I should taken the elevator
if i love trees so much, why did i go in Arch.?? 08
07
if i love trees so much, why did i go in Arch.?? 09
is he talking to me..?? 10
yes mom , i promise i will call grandpa. see you soon!!.. 11
damitt, this sh&*ty printer. Am gonna be late again. 12
alright man, give me a second. I’ll down there... 13
Is he talking to me ?? 14
crap, i forgot my safety glasses!!..
damn, I am pretty hungry. 15
16
dude!! I got the materials come help me.. 17
Time of day
frequent use 60%
frequently
50%
sometimes infrequently
40%
never
30%
morning
a
noon afternoon evening
20%
night
10%
taking a eating a break meal
4 & 5 year studios director office
0% phone socializing working working in call alone groups
use duration
<10 min
70%
10-15 min
60%
15-20 min
50%
20-30 min
40%
>30 min
30%
N/A
20% 10% 0% taking a break
eating a meal
phone socializing working working in alone groups call
negatives 70% 60% 50% 40% 30% 20% 10% 0% people occupied solar Agonizing awkward Aesthetic The guy from smoking seating exposure seating space appeal guatemala
positives
a
70% 60% 50%
b
40% 30% 20%
c
10%
g
views fresh air open socializing phone call The guy from guatemala space
A
w wa t r fountain founnta n water
pplanters anterrs
d
bbending e di d ng m achi machine
pprinter rinter room 2 condd yyear e st t 2cond studios
0%
metal shop and wood shop f
e
_floor plan - level 2 a table
b shadow
c fire hose
d concrete
e vines
f perforated metal
g brick
h corrugated metal
23
30”
_bench
11
10
09
08
07
06
05
04
03
02
01
max
18”
lazy boy
gandhi
cow girl
S1
G1
S1
G1
G2
G1
_shifting anchor points
_adapting form to edge
_individual space
wall
_gesture abstraction
_identify program
(exposed to sun)
min
_table
4t
3t
2t
1t
max
36”
24”
i4
i3
i2
i2
G1
socializing
min
.03
individual drawing
i6
_identify edge
writing surface
4s
.02
3s
2s
1s
24”
12”
i3
i2
i5 i4
i1
eating working
_satellite
24 individual
max
min
.01
group drawing
max.capacity
corner _views _celphone _warm up
_design procress
_use scenarios
30”
1'11"
_section ribs
1s
2s
a
2t
11
4s
1t
3s
b
{
4t 07
a
[ sheet metal ]
b
[ metal rods ]
06
writing:: eating::pin up::sitting sitting
_use
_surface type
05
03
01
02
08
04
09
10
b
3t
a
25
[testing]
(-)
(+)
porosity_ texture_ cost_ fabrication_
+0â&#x20AC;?
longetivity_ temperature_
-18â&#x20AC;?
(hot)
welding template
porosity_ texture_ cost_ fabrication_ (tim ime)
longetivity_ temperature_ (hot)
structural frame
porosity_ texture_ cost_ fabrication_ (time) e)
longetivity_ temperature_ (hot)
surface testing
_surface type studies
26
_digital - analog
19°
1" TYP.
1 3/4" 0 3/4" 1"
neutral axis
03
segmentation
02
anchor points
01
stability logic
00
1-5/16"
1" TYP.
0 1/2" 0 1/4" 1 3/4"
0 1/4"
0 1/2"
_vertical & lateral connections
_structural order
_1/4â&#x20AC;? scale mock up
_1:1 scale mock up
_deployability
27
[fabrication process] 2
3
4
5
6
7
surface
1
B6
frame
B7
B5
B4
B8
B9
B3
B2
B1 30 corner bends of 1.75 “ steel tube
28
1/2” steel rods
1
2
210 lin.ft_ 1.75 “ steel tube 3
36 laser cut panel terminations
70 water jet cut supports
4
5
580 lin.ft_ 1” steel tube 6
170_ 1.3 #_ 2” diameter steel ball 7
total of:: 2,603 # of steel
_frame fab
01
02
03
04
05
06
07
08
09
10
11
00
01
02
03
04
05
_surface fab
00
.01 place rods .02 trim
29
1
2
1. use typologies 2. color expresion with surroundings IRXUWK ȧRRU ȆFRWWRQ FDQG\ȇ EHQFK
30
3
4
8
5
6
7
9
vertical porosity .4 panel to panel relationship .5 bench morphology to chalk board .6 material patterns .7 VHFRQG ȧRRU Č&#x2020;FKHGGDU FKHHVHČ&#x2021; EHQFK harmony of color .9
31
03 park(ing) day installation
32
2014
[ park(ing) day installation ] Public work | STUDIOS architecture | voluntary group eďŹ&#x20AC;ort a creative movement, grounded on the idea of the reclaiming public space in highly dense metropolitan areas. STUDIOS architecture has participated in this annual event for several years. For 2014, we proposed to design and build an infrasture which will stimulate pedestrianâ&#x20AC;&#x2122;s journey while its presence on the street, and stimulate the oďŹ&#x192;ce culture post installation. My contribution to the realization of this installation was : concept development, digital modeling, cnc files, logicistic on delivering to site and assemblage.
33
.5
.1
.5 .5
.3
.3
.4
.2
.4
.4 .4 .3 .2 .4
.5
.5
.1 .3
.2
.3
.2
[ beach ecosystems ]
_installation
carpet
bubbles
wood
.a
_sfâ&#x20AC;&#x2122;s major public space 34
.1
transitions
Earth
Sky
.1
.a
studios anamorphic projection .b
.c
.d .e
.f
.a
.b
.c
.d
.e
.f
.g
back surface
ribs
added structure
shelves
seating
front surface
footings where needed
parking space 8â&#x20AC;&#x2122;X20â&#x20AC;&#x2122;
_ structural order
.g
_thinking process 35
budget $ 2,000
work hrs 35 hrs MAX
available tools inhouse - rubber hammer - sand paper - jig saw
assembly time - Assemblage on site because of lack of storage space. - less than an hour
_design parameters 36
_digital modeling
_assembly
_site
_urban use
BR权FH XVH 37
04 delta observation tower
38
2011
[ delta observation tower ] Academic work | Arc.302 | Prof. Chris Trumble the articulation of structure in design plays an important role for the creation of architecture. This project focused on the understanding of structural hierarchy and the manifestation of forces to design a three levels observation tower within a defined perimeter.
39
_shifting planes
_boundary box 1 2 3 4 5
_force diagrams
6
V-frame pin connection to tension cable .1 wood deck on platforms .2 hollow steel member 12” x 18” .3 wide flange 6” x 16” .4 wood stairs .5 hollow steel member 10 “x 12” .6 pin connection to ground .7
7
_structural hierarchies 40
_main members list
_anchor forces
_vert/hor forces
_bearing axis 13’
10’
_understanding construction hierachies
13’
_adding slopes
_substracting areas
_physical model
_front elevation
_side elevation 41
A
B
C
A 42
B
C 43
05 1450 page mill road
44
2015
[ 1450 page mill road ] Professional work | STUDIOS arc | Founder Erik Sueberkrop a core and shell project located in the core of Palo Altoâ&#x20AC;&#x2122;s developing area. The client ( stanford realstate) was looking for a flexible space, a volume welcoming of the surroundings in which sustainable techniques could be used to achieve better energy performance. I was involved from the beginning of schematic design to the consolidation of CDâ&#x20AC;&#x2122;s to submit for building permits.
45
site section
46
_sustainability
_materiality
_circulation
_iteration 4
_iteration 3
_iteration 2
_iteration 1
_POPOS
_bar concept
_site FAR
_circulation
site approach
mass foam modeling
axonometric
ČŚnal model
47
arrival from page mill st.
main entrance
48
F
D.7
E
D
C.2
C
B
A
1 PL1.10.1
F
TPO ROOF
E
D.7
D
C.2
C
B
A
12' - 6"
T.O. ROOF 96' - 6"
ZINC ROOF FASCIA
5 A10.55
T.O. MECHANICAL 108' - 6"
TERRACOTTA RAINSCREEN
S
S
GUARDRAIL STL FLAT BAR + ROD
GUARDRAIL- STL FLAT BAR + ROD
5' - 0"
LEVEL 2
18' - 6"
TERRACOTTA RAINSCREEN
1' - 9"
ALUMINUM MULLION EXTENSION
18' - 6"
ALUMINUM FRAMED CURTAIN WALL
12' - 0"
HORIZONTAL SUN SHADES
12' - 0"
ZINC METAL PANEL ROOF SCREEN
ZINC ROOF FASCIA
TYP LEVEL 2 78' - 0"
LEVEL 1
16' - 0"
16' - 0"
ZINC METAL PANEL
LEVEL 1 62' - 0" 4' - 9 1/16" TYP
1' - 9"
GLASS TYPE 2B AT LOWER COURSE PANELS
GARAGE
13' - 0"
1 A7.02
1' - 9" ZINC METAL PANEL STEEL PIPE COLUMN 1 A8.04
2 A8.04
east elevation
building cross section - A
B
A
1
C.2
C
D.7
D
F
E
PL1.10.1
A
ZINC METAL PANEL ROOFSCREEN
ALUMINUM MULLION EXTENSION
B
C
C.2
D
D.7
E
F
PAINTED STEEL PIPE COLUMNS - TYP ALUMINUM FRAMED WINDOW / STOREFRONT GUARDRAIL - STL FLAT BAR + ROD
ALUMINUM FRAMED WINDOW / STOREFRONT ZINC METAL PANEL GUARDRAIL - STL FLAT BAR + ROD
S
FIXED ALUMINUM SUNSHADES
T.O. ROOF 96' - 6"
5 E Q @ 4' - 8 7/8"
5' - 0"
8 E Q @ 4' - 6 11/16" SEE 8/A7.02 FOR FULL ELEVATION BEOND
3 EQ @
5 A7.02
1' - 9"
3' - 8 9/16"
LEVEL 2
TYP
LEVEL 2 78' - 0"
5' - 0"
LEVEL 1
LEVEL 1 62' - 0"
TYP
13' - 0"
LEVEL 1 62' - 0" 13' - 0"
ARCHITECTURAL CAST IN PLACE CONCRETE
west elevation
16' - 0"
LEVEL 2 78' - 0"
2' - 0" 16' - 0"
1' - 0"
GLASS TYPE 2A AT 1ST, 3RD, AND 4TH COURSE PANELS MOTORIZED COILING GRILLE
MOTORIZED COILING OVERHEAD DOOR ZINC METAL PANEL
T.O. ROOF 96' - 6" L.P. ROOF 91' - 6"
S
18' - 6"
1' - 9"
T.O. MECHANICAL 108' - 6"
12' - 0"
PRE-FINISHED METAL FASCIA
1 A8.02
CTR
3' - 0"
ZINC PANEL GATE
CTR
S
7' - 0"
PAINTED STEEL PIPE COLUMNS TYP
T.O. MECHANICAL 108' - 6"
ALUMINUM FRAMED CURTAIN WALL A 1' - 9"
17' - 0"
2 A8.02 3 A8.02
13' - 6"
TERRACOTTA RAINSCREEN
GARAGE 49' - 0"
GARAGE 49' - 0"
ELEVATED DECK W/ GUARDRAIL ARCHITECTURAL CAST IN PLACE CONCRETE
building cross section - B
49
0.5
0
1
10' - 6"
1.3
15' - 0"
1.5
16' - 9"
2
5' - 9"
3
22'- 6"
4
30' - 0"
6
5
30' - 0"
30' - 0"
7
30' - 0"
8.6
8
30' - 0"
30' - 0"
9.2
9
18' - 3"
11' - 9"
7' - 6"
9.5
8' - 3"
10
11
14' - 3"
12
22' - 6"
22'- 6"
A7.00 1 4
6
1
2
3
3
A7.11
A7.02
A7.11
A7.11
A8.50
A7.11
GARAGE BELOW
10' - 1 5/8"
1' - 9"
1' - 9" 1' - 9"
A 10 A10.45
GENERATOR TRANSFORMER 120
120X 12A
20' - 6"
GG 2
BLDG ABOVE
A7.00
1 A9.23
DN
9
B
WALK OFF MAT
GARAGE ENTRY
16' - 9" CC
101.X CR 06
2
10 A11.20
I
1 A10.05
1' - 9"
2
6
1 A10.45
WALK OFF MAT
FOR B.O. SHAFT CONDITION SEE 6/11.40
STAIR 2 106
WEST LOBBY 101
BF
OPEN TO ABOVE
DOOR OPERATOR PEDESTAL
N 4
SUNSHADE ABOVE
BF
1 A9.10
OPEN OFFICE 103
2
2 4
6"
5' - 5 1/2"
4' - 7"
2' - 3"
2
2 A10.45
AA
2
SIM
1 A8.53
I
FIRE RISER 117 117.X 04
2
A7.01
D.7
0' - 8"
2 4
6
10' - 7 1/2"
10' - 0"
2
11' - 2"
N 4
2 4
3' - 0" TYP
1' - 9"
1 A10.45
SUNSHADE ABOVE
7' - 8"
FREIGHT ELEVATOR BY TENANT
C103B.X 03
N 4
OPEN OFFICE 105
OPEN OFFICE 104
1' - 11"
1
6
BF
OPEN TO ABOVE
D
SIM
2HR RATED SHAFT FOR DAS ROUTING
I
SIM
STAIR 1 107
BF
MEN 110
C103A.X 03
ELEVATED DECK - S.L.D.
OPEN TO BELOW
ELEV 108
JANITOR CLOSET 111
32' - 9"
A11.50
C C.2
2 A10.45
1 A10.45
GARAGE BELOW SIM
BF C
STAIR 3 119
DN
C116A.X 03
LOADING 116
5
A7.02
2 A9.22
1 A10.45
E116B.X 02
105X
E
01
UP
1
PATIO 1
3 A8.04
GG 118A.X 12
13' - 0"
4
A7.02
1 A10.45
71' - 3 1/2"
29' - 2 1/2"
5 A9.23
1
2 3 4
WOMEN 109
N 4
6
154' - 2"
I
DN
BF
4' - 5 1/2"
7
4 A8.50
1 A10.05
25' - 6 1/2"
1 A9.21
8 A10.15
4
A11.50
2 A9.20
2 A9.30
A7.02
06
23' - 8"
A7.10 PL1.10.1
100.X CR
CC
DOOR OPERATOR PEDESTAL
12
A7.01
PAINTED STEEL PIPE COLUMNS AT CANOPY COLUMNS - TYP
154' - 2"
BLDG ABOVE
A7.02
EAST LOBBY 100
OPEN OFFICE 102
30' - 9"
A10.15 9
3
A7.02
BLDG ABOVE
A7.02
TRASH / RECYCLING 118
1' - 9"
1' - 9"
F
1' - 9"
1' - 9"
3 A7.01
ground ȧoor 11.3
10
11
9.5
9.2
9
8.6
8
7
6
5
4
3
2
1.5
1.3
1
1' - 9"
0
ZINC METAL PANEL 1 A8.01
SKYLIGHT CTR
0.3
CURTAIN WALL BEYOND
ZINC METAL PANEL ROOF SCREEN
ZINC ROOF FASCIA EXPOSED STL BEAM W/ SPLICE JOINTS TERRACOTTA RAINSCREEN PANEL
0.5
3' - 3"
CTR
15' - 0"
CTR
15' - 0"
1' - 9"
GUARDRAIL - STL FLAT BAR + ROD
T.O. MECHANICAL 108' - 6" 12' - 0"
12
T.O. ROOF 96' - 6"
5
6
S
S
S
S
A10.55
S
S
S
S
18' - 6"
A10.55
L.P. ROOF 91' - 6"
SEE 2/A7.00 FOR FULL ELEVATION BEYOND
LEVEL 2 78' - 0"
5' - 0" TYP 4' - 6" TYP
2 A8.01
50
north elevation
LEVEL 1 62' - 0" GUARD RAIL
3 A8.01
AT CURTAINWALL
13' - 0"
1' - 9"
10' - 0"
GLASS TYPE 2B AT FULL HEIGHT OF ENTRY WALL
16' - 0"
ALUMINUM FRAMED CURTAIN WALL
ZINC METAL PANEL ALUMINIUM FRAMED STOREFRONT
GARAGE 49' - 0" ARCHITECTURAL CASTIN-PLACE CONCRETE
0
0.5
0.3
1
1.5
4
5' - 9" 4' - 9"
3
4
6
5
7
8.6
8
9.2
9
9.5
10
11
11.3
12
6
A7.11
9' - 5 1/2"
2
A7.02
36' - 6"
15' - 0"
257' - 6"
22' - 6"
22' - 6"
30' - 0"
30' - 0"
90' - 0"
30' - 0"
18' - 3"
11' - 9"
7' - 6"
8'- 3"
14' - 3"
22' - 6"
22' - 6"
PEDESTAL WOOD DECKING A7.00
A11.20
8
8
7' - 1 1/2"
C202A.X 05
EX10
EX10
3
A8.06
C202B.X 05
TERRACOTTA RAINSCREEN PANEL
20' - 0"
A10.17
EX10
A10.17
OPEN OFFICE 202
B
TERRACOTTA RAINSCREEN PANEL
12 PL1.10.1 A7.10
A7.02 2
BF
5
9
A8.06 A7.02
8
TYP.
1' - 9"
4' - 5 1/2"
1' - 9"
1' - 1"
2HR RATED SHAFT FOR DAS ROUTING
OPEN OFFICE 203
OPEN OFFICE 205
1 A9.11
OPEN OFFICE 204
2
A7.01
ROOF ABOVE 7' - 8"
A11.20
11' - 2"
CLR
A8.06
10' - 7 1/2"
3 EQ @
3' - 8 9/16"
FUTURE FREIGHT ELEVATOR BY TENANT
BF
36' - 8"
1' - 9"
1' - 11"
C 10 A7.02 2 5
SERVICE DOOR CANOPY BELOW, T.P.O. ROOF SEE ELEV.
A8.06
ROOF DECK 216 EX10
9 A10.17
4
EX10
SIM
E
05
STAIR 3 219
TYP.
5' - 0" TYP
EXIT SIGN 18" A.F.F.
A11.20
A8.06
5 A10.45
204.X
7 A10.17
1/4" / 12"
A8.53
5 A10.45
13' - 0"
D.7
7
ROOF ABOVE
CLR
2
BROWN GRAVEL - G2
5' - 6"
8 EQ @4' - 6 11/16"
36' - 3"
GREY GRAVEL - G1
SIM
154' - 2"
C203A.X 05
A10.17 8
BF
BF
A8.06
PLANTER - SEE SPECS
3 A10.45
3 A9.20
STAIR 1 207 OPEN TO BELOW
D
A10.17
9
OPEN TO ABOVE
2 A9.30
MEN 210
8
ROOF DECK 215
11 1/2"
ELEV 208 BF
ROOF ACCESS 212
4' - 9 1/16" TYP
2 A9.21
STAIR 2 206 OPEN TO BELOW
32' - 9"
PAINTED STEEL PIPE COLUMNS TYP.
OPEN TO ABOVE
C C.2
6
A8.06
8 1
A10.17
EX10
A7.02
23' - 8"
1
WOMEN 209
MECANICAL SHAFT
4' - 6" TYP
25' - 6 1/2"
5 EQ @4' - 8 7/8"
11 1/2" 1
PEDESTAL CONCRETE PAVER DECKING
JANITOR CLOSET 211
0' - 11 1/2"
1' - 9"
0' - 11 1/2"
7' - 1 1/2"
BF
1' - 9"
7' - 1 1/2"
60' - 9"
6 A10.45
A7.10 A7.01
PAINTED STEEL PIPE COLUMNS AT CANOPY COLUMNS - TYP
30' - 9"
TYP.
2 A11.20
A
9 A10.17
ROOF DECK 213 EX10
20' - 6"
A10.17
A8.06
A8.06
GRAY GRAVEL - G1
34' - 3"
1
35' - 3 1/2"
2
EX10
2
20' - 0"
A7.00
EX10
TYP.
7
1' - 9"
20' - 6"
EX10
A7.11
PLANTER - SEE SPECS
ROOF DECK 214 EX10
9 A10.17
3
7' - 1 1/2"
BROWN GRAVEL - G2 2
A7.11
1
PEDESTAL CONCRETE PAVER DECKING
PEDESTAL CONCRETE PAVER DECKING
2
PEDESTAL WOOD DECKING
3
3 A9.22
A7.02
ROOF ABOVE
EX10
F
8
GRAVEL - G1
6
A8.53
PEDESTAL CONCRETE PAVER DECKING PEDESTAL WOOD DECKING
3
PLANTER - SEE SPECS
1" / 12"
GARBAGE ENCLOSURE BEYOND, STANDING SEAM ROOF
7
A7.01
GRAVEL - G2
A8.53
1' - 9"
GUARDRAIL - STL FLAT BAR AND ROD
123' - 6"
PLANTER - SEE SPECS
HORIZONTAL FIXED SUNSHADE SYSTEM 30" DEEP SEE ELEV.
PLANTER - SEE SPECS
5
second ȧoor 4/17/2015 2:25:40 PM
0
0.3
0.5
1
1.3
1.5
2
3
4
5
6
7
8
8.6
9
9.2
9.5
10
11
11.3
12
ZINC METAL PANEL ROOF SCREEN EXPOSED STL BEAM W/ SPLICE JOINTS
GLASS TYPE 2A AT 3RD COURSE PANELS
CTR
15' - 0" .
CTR
T.O. MECHANICAL 108' - 6"
TERRACOTTA RAINSCREEN
3' - 3"
CTR
5 S
S
S
GUARDRAIL STL FLAT BAR + ROD
S
A10.55
S
S
S
5' - 0" SEE 10/A7.02 FOR FULL ELEVATION BEOND
TYP
7' - 0"
TYP
south elevation
HORIZONTAL SUN SHADES GLASS TYPE 2A AT 1ST COURSE PANELS
5' - 0" TYP
HORIZONTAL SUN SHADES GLASS TYPE 2A AT 1ST COURSE PANELS ZINC METAL PANEL RAINSCREEN
L.P. ROOF 91' - 6"
LEVEL 2 78' - 0" 16' - 0"
GUARDRAIL STL FLAT BAR + ROD 5' - 0"
T.O. ROOF 96' - 6"
S
2' - 0" 6' - 0"
6 A10.55
ZINC METAL PANEL RAINSCREEN
4' - 0"
12' - 0"
SKYLIGHT 15' - 0"
5' - 0"
1' - 9"
46' - 6"
TERRACOTTA RAINSCREEN
3' - 0"
C:\Users\ersanchez\Documents\1450 PMR\1450 PMR_LOCAL-ERS-2014.rvt
GLASS TYPE 2A AT 3RD AND 4TH COURSE PANELS
13' - 6"
ZINC ROOF FASCIA
LEVEL 1 62' - 0" ZINC METAL PANEL RAINSCREEN HORIZONTAL SUN SHADES
1 A8.03
GLASS TYPE 2B AT LOWER COURSE PANELS
ALUMINUM FRAMED STOREFRONT
51
06 intuit san francisco headquartes
52
2015
[ intuit san francisco headquarters ] Professional work | STUDIOS arc | Principal Jason McCarthy an interiors project moved by the idea of consolidation of scattered oďŹ&#x192;ces in to an unified location. Intuit aimed to improve amenity space to compete and retain talent. STUDIOS architecture framed a master plan scenario, strategized time of construction, growth of personnel until 2018 and a proposed a wholistic concept that unified the floors in an integrated vertical experience. My contribution to the project started since the beginning of the master plan, recording existing conditions, taking dimensions and evaluating feasibility for new construction per floor. Once the project got approved I participated on the design proposal, material selection, construction documents and construction administration.
53
+:: stairs ++:: elevator
++,+
+
++,+
+
[master planning] CENTRAL N SO EN
SS
IO
TR AN SB AY (2 01 7)
N
NI
MI
T/ AR /B
ET MA
10
1
IN
S/
RA
LT
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0
CA
E
to
ST
RK
t/
hs
4t
ST
HO
W
AR
D
ST
MA
RK
T
ET
dS
ST
2n
N (T) UNIO . ST SQUARE
MU
T tS 1s
ST
ST
EV
AY
ST
(T) SUBW
POWELL
4TH
71 stevenson.
head count - 560 seats consolidate offices by 2017
22 fourth st. // vertical campus intuitâ&#x20AC;&#x2122;s vision talent retention_ increase amenity space_ vertical glue :: create global concept_ that can be personalized for each floor offer more places to work _
54
_2.5 sf amenity /person
_24 people /meeting space
22 fourth st.
_133 sf /person
head count - 300 seats
conclusion
space use must be updated to better accomodate current work/office movility of work AVE. existing matrix
MECH
18
MECH
17
2014
2015
2016
2017
2018
2019
2020
2021
reception
LOUNGE
13 12 11 10
SALES
09 DESTINATION amenity
training
08 07 06
training
05 04
product development
03 (e) retail tenant (e) coffee vendor
03
P2 P1
garage
72,743 sq.ft 103,982 sq.ft 103,982 sq.ft 153,005 sq.ft 153,005 sq.ft 174,446 sq.ft 202,355 sq.ft 202,355 sq.ft 543 742 742 962 958 1077 1210 1176 5 7 7 10 10 12 14 14
rentable area_ seats_ flrs_
Full renovation partial renovation
12
entrance graphic -way finding
[E] INTUIT flrs
03
(e) lobby
garage /mpoe
Renovated floors
10
09
15
11
04
03
13
08
installation -sense of place /belonging
training
mission
14
DECK
china town
15
[global concept] SF neighborhoods
16 customer support
07 14 06
05
10
16 15 14 13 12 11 10 09 08 07 06 05 04 03
vertical glue - concept
chinatown marina alamo square financial district golden gate russian hill mission north beach nob hill tenderloin haight ashbury hayes valley precidio chinatown
vertical glue - concept 55
56 final lay out
_lucha libre mask
_inspiration _color abstraction typ floor plate flr 9 to 12
_dolores park
v1
8.5 sf amenity /person
155 sf /person
8-10 people /meeting space
floor matrix
_markets
ȧRRU >WKH PLVVLRQ@
v2 v3
_floor organization and work flow
_ceiling
v1
_walls
v2
_floor
v3
_vinettes design
_deconstructing spatial elements 57
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59
07 nature of structure
60
2012
[ nature of structure ] Academic work | Arc.522 | Prof. Chris Trumble the option studio focused on generating a thesis based on the study of the structural properties of a selected specimen. I selected the â&#x20AC;&#x153;long horn beetleâ&#x20AC;? as the matter of study and I focused my analysis on the relationship between the inner soft tissue and the exterior hardshell which allows flexibility.
61
IN- soft/ OUT-hard
protect the guts. it works independently allowing the insect to remain alive if it get damaged
01
02
03
Living.tissue_
Flexible armour_
EXO-Skeleton
[Still position]
Tissue
0 01
Rigidity/flexibility
collision Max. Top/Elast.
collision
relaxed tissue -Still position
[Max.Bottom]
Muscles attached to solid Cuticle
[Barrier between living tissues and the environment]
Rigidity(limited movement)
Apomedes_
inside//outside responsive relationship.
[Max.Top]
Rigid.shell_
tissue expanding to provide movement of exo-skeleton beyond its rigid limitation
collision
Max. Bottom/Elast.
shell tail
torso
head
03
02
01
[specimen:: long horn beetle] Understanding the structure of the Long Horn Beetle. Abstracting it in to a thorough physical prototype that uses the criatures principles to convey a performance criteria.
62
fabric com
tension
sion
compression
pres
n
sio
ten
expansion
FABRIC_ allows the even distribution of forces unlike a rubber band that performs in a straight line.
nesting fabric_joining segments together acting as soft tissue
plexy.glass _armour screws gasquets
Iteration_01
Iteration_02
Iteration_03
[abstraction] segmented whole uni权ed by a soft/elastic membrane which provides movility beyond the limitation of the geometrical relation between each segment of the armour by yielding elasticity [ a tensile force]. The whole responds to a combination of forces applied simultaneously on the x, y, z axis.
63
mov. on Z - axis
STILL position
mov. on X - axis mov. on Z - axis mov. X & Y axis object manipulated and supported by the user
[ [element] ] segmented armour linked by a tensile membrane attached to hinged ribs that are mounted on a structure[piano wire]. This element becomes the receptor of the forces applied by the user to the system, generating defined shapes and movements.
64
elevation
pieces
sition
transverse section
process
[[alteration]] self supported vertical array system of segmented armours unified by a tensile membrane. attached to hinged ribs that are mounted on a structure [piano wire] which are connected to a base and controled by specific pulling points generating movement.
65
_digital testing
66
_process
_process
_details
_open
[ČŚnal model]
67
08 estadio tomateros
68
2015
[ estadio tomateros ] Professional work | Grupo C.O.S.O | Arq. Jacobo Sevilla a visionary mission of a 900,000 people emergent city to invest capital to develop the best baseball facility in latin america couldnâ&#x20AC;&#x2122;t get far without having the best MLB certified baseball field approved by Rob Manfred president of MLB. My contribution to the project was to design a strategy of execution of the highly demanding and craft intensive details requiered by the MLB. I was a team leader of 18 construction workers and 2 engineers to coordinate material supply, daily activities and quality control to finish the task in less than 6 weeks.
69
material source
Crushed Tile
TYP 4. | PASPALLUM
TYP 3. | SAND
TYP 2. | GRAVEL
TYP 1. | CHAMOTE
[soil types]
Local River Rock Bank
Local River Rock Bank
South Baja California, La Paz
soil type 0”
1”
2”
3”
0”
1”
2”
3”
0”
1”
2”
3”
0”
1”
2”
3”
particles sizes moisture absorption
low
med
high
low
med
high
low
med
high
low
med
high
compactable performance criteria
GAME :: Load concentration (servant) STRUCTURE :: Porose, Load
STRUCTURE :: Drainage, Foundation
STRUCTURE :: Drainage
GAME :: Shock absorbant, Grip STRUCTURE :: Drainage,Visual Aesthetics
AREA :: 23,932 ft2 // 2,224 m2 VOL :: 5,984 ft3 // 170 m3
AREA :: 110,768 ft2 // 10,290 m2 VOL :: 36,553 ft3 // 1,035 m3
AREA :: 110,768 ft2 // 10,290 m2 VOL :: 91,937 ft3 // 2,603 m3
AREA :: 99,500 ft2 // 9,244 m2
depth :: 3” ave.
depth :: 4” ave.
depth :: 10” ave.
depth :: 2” ave.
location
vol // area
wall warning track
grass infield
warning track grass
10”
10”
5
4”
4”
2
70
4”
4”
3
0
6
4”
0 -1”
4”
2”
-3”
4
4”
4”
2”
1
4”
0 slope :12%
2”
5”
0”
low
1”
70 % Crushed Brick + 30 % Typ 5. 2”
med
3”
0”
high
low
1”
Local Material Bank
2”
med
3”
0”
high
1”
low
Imported From USA 2”
3”
med
0”
high
low
1”
Imported From USA 2”
med
3”
high
0”
low
1”
2”
med
3”
high
STRUCTURE :: Drainage,Visual Aesthetics
GAME :: Grip STRUCTURE :: Grip,Visual Aesthetics
GAME :: Grip, Precision STRUCTURE :: Grip,Visual Aesthetics
GAME :: Grip, Adherence STRUCTURE :: Grip, Reduces Erosion
GAME :: Visual Aesthetics
AREA :: 35,201 ft2 // 3,270 m2 VOL :: 11,616 ft3 // 330 m3
AREA :: 11,270 ft2 // 2,140 m2 VOL :: 3,719 ft3 // 105 m3
AREA :: 254 ft2 // 24 m2 VOL :: 110 ft3 // 3.11 m3 approx
AREA :: 106 ft2 // 10 m2 VOL :: 44 ft3 // 1.25 m3
AREA :: 23,050 ft2 // 2,140 m2 VOL :: 230 ft3 // 6.5 m3
depth :: 4” ave.
depth :: 4” ave.
depth :: 4” min - 11” max
depth :: 4” ave.
depth :: 1/16” ave.
grass pitcher mound
area of contact
pitcher’s rubber
2”
+1/2” 0
7
0
6”
0% slope + 11”
2”
0
4”
4”
4”
4”
4”
7
8
6”
6”
slope :7%
11”
TYP 9. | TURFACE
TYP 8. | MOUND CLAY
TYP 7. | CLAY
TYP 6. | HYBRID CLAY
TYP 5. | TUCURUGUAY Local Material Bank
71
[grass behavior] color
AESTHETIC
level
SURFACE
01
+ 1.5”
+ 3/4”
+ 3/4” 02 03
drainage/ ground stability
05
6 weeks
DEC
NOV
2 weeks
OCT
JUL
JUN
natural turf maintained turf grass / rhyzome area mud roots
SEPT
01 02 03 04 05
installed grass from a roll
grass stabilization process
AUG
SUB - SURFACE
04
annual timeline chances of rain grass behavior
(+) humidity = (+) exposure to :: Funji / insects / worms
WINTER
DEC
OCT
NOV
SUMMER
season time line field edging fungicide
sand +++++
72
I. top dresser
H.. mower mowe o r
G. Wheel barrel
F. rammer
E. tiller
sand +++++
sand +++++
top dressing ++++++
roller + sweep ++ aerator+++ irrigation ++++ sand +++++ top dressing ++++++
23
DAY 3
22
21
20
19
18
17
16
15
14
13
12
11
10
08
07
06
05
04
03
02
01
DAY 2
23
22
21
20
19
18
17
16
15
14
13
12
11
10
09
08
07
06
05
04
03
02
sand 09
game day
DAY 1
aeration process
fertilization
01
leyend
7-7-7 for green color
D. edger
aeration
C. razor
A. flat shovel
turface
B. round shovel
field repair
top dressing raises level
compacted soil
+ 3/4”
aeration process
top dressing = 1/8”sand layer
MAR
MAY
FEB
play offs
JAN
APRIL
+ 3/4”
+ 0”
stable roots + heavy traffic = surface dents
mud percentage is reduced
+ 6” + 3/4” +0 - 3/4”
50%
0% probability of precipitatio
p N. sweeper
aerator+++
top dressing ++++++
M. 1 ton mini roller
L. tractor
K. aerator
J. utility car
JAN
SUMMER
roller +
eep ++ sweep
23
22
21
20
19
18
17
16
15
14
13
12
11
10
09
08
07
06
05
04
03
02
01
DAY 4
23
22
21
20
19
18
17
16
15
14
13
12
11
10
09
08
07
06
05
04
03
02
01
top dressing
73
BȦHOG FRQVWUXFWLRQ
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75
09 poor but beautiful
76
2014
[ poor but beautiful ] Design Competition | Combo Competition | Partner N.Alqallaf the challenge of the competition was to propose a garage structure with an adittional program that will enhance and stimulate the idea of prime real state designated to store cars in the hudson yards , NYC. Our proposal involved the concept of guerilla like work out space manifesting itself by exposing a perpetual high frecuency circuit on its skin. We intended to generate consciousness of the space taken by each car by using car space to realize specific work out activities.
77
proposed
typical scenario
user
9’
Central Park
Upper East Side Midtown Clinton Times Square Hudson Yards industrial remains
movement of matter
CAR
CAR
18’
9’
Typical car storage unit
infrastructure
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ENGINE observatory
energy
south elevation 01. public spaces 02. parking 03. workout stations
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long term
urban plaza
lrock climbing
workout pods
experience detail
sky plaza
dance
valet parking
product
01 02 03
South Elev
Work out + Parking
Public space + Parking
Parking
West Elev
01.
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Parking
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Typical historic residential building height 5-7 levels
[ ] [ ] [ ]
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.06 Rock Climbing Arena .07 Retail
.08 Vertical Plaza Lounge
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Dance studio
Visitor
Short Flexible
18
Workout cubicles
Roof Deck
Spa Sky Garden
Climbing Wall 114
Permit
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Arena
Cafe Entry Plaza
250
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10 cinema challenge
80
2013
[ cinema challenge ] Design Competition | Combo Competition | Partner N.Alqallaf | Awarded 2cond place. the competition challengeâ&#x20AC;&#x2122;s was to rethink the current cinemaâ&#x20AC;&#x2122;s popularity problems and propose an adjacent program that could improve the situation. Our proposal involved the introduction of a film school and a public open amphitheater that will host local art performances. This symbiotic concept emerged from the idea of creating an environment where visitors and students could create a learning ecology by observing each other.
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Future cinema
01.
bedford square garden
east
castle
street
Arena use: circulation collaboration live performance + projection users: students + public duration: short
t stree
eet an str
soho
newm
eet rs str
berne
art related buildings
Old english theatre Modern cinema
t oxford stree
02. theater: live performance
The users downloads an app for their smartphones to see movie times and the schedule of the Symbiotic Venue. The use is able to have independent audio wich allows the visitors to join the movie in a group and movies will no longer be an isolated activity.
cinema: movement + kinematics exhibition of film moving picture
Film school
soho square
users: film + art students duration: long $$: membership
movie library new movies shows and series symbiotic schedule reserve multimedia POD
03.
Private pods
symbiotic cinema mobile app
users: small groups duration: short $$: rent
04.
Screens pods atrium auditoriums users: multiple users duration: flexible $$: rent + ticket
05.
Seating decks + Auditoriums
users: large groups duration: short $$: ticket
06.
Vertical Circ. primary: atrium secondary: tower
07.
Urban Platform projection wall + icon public ampitheatre entry
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A
-01.
00.
Public amphitheater used by local Art Institutes and Schools.
01.
02.
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04.
Urban Platform
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11 un.dsprfcto
84
2013 un desperfecto :: un.dsprfcto :: an imperfection
[ un.dsprfcto ] Entrepreneurship | design collab | partner A.sevilla creativity takes a big part of my life. Since young age, I have been surrounded by craftmanship, and discipline. After graduating from B.Arch, my sister and I decided to join forces and buckle up to a ride of experimentation and discovery. We decided to create a movement based on the idea of imperfection as a manifestion of the rejected, the irregular, the weird and the ugly. This idea is in perpetual eďŹ&#x20AC;ort to become a design ideology which we intent to explore and define as we find our voices as designers.
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VOL. lll
94
2016
[ jaime sevilla ] VOL.lll_ Arch. portfolio j.sevilla.lugo@gmail.com (520) 205 0579
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Thank you. stay positive [+]