VOL.lll _ jaime sevilla

jaime sevilla arch. portfolio_2016

personal statement

“you have to respect what you cook�

Chef Francis Mallman

2016

jaime sevilla

[ personal statement ] Throughout my life and development within the field of architecture I have consistently chased the idea to question existent realities, always with the vision to add another layer of significance to what I put my hands on. I consider the process of concretizing a vision, an act of rebellion, a cult of optimism, a desire for dialogue and conversation and the ability to learn from failure.

I express my motivation and passion to architecture through the assemblage of its pieces into a harmonic totality that maximizes its impact on its surroundings.

3

jaime sevilla

Email// j.sevilla.lugo@gmail.com Phone // 520 205 0579

+ PROFESSIONAL WORK

+ EDUCATION

Nationality // Mexico :: USA Birth Date // August 14, 1990 Marital Status // Single

Tatiana Bilbao S.C Designs Mexico city, Mexico. | Summer Intership | July - Aug 2012 Projects // Basel Aquarium Competition, Torres Veracruz, Casa del Bosque.

References // David Vaner, dvaner@tatianabilbao.com

University Of Arizona B. Arch College of Architecture, Planning and Landscape Architecture ( CAPLA) 5 years Accredited Professional Program

Hornberger & Worstell San Francisco, CA | Junior Designer | Sept 2013 - may 2014 Projects // Hotel Union Square, Ghirardelli Square References // Mark Hornberger, mhornberger@hwiarchitects.com

Honors Multidisciplinary Studio + Muscat Municipality Al- Hamriya, Muscat, Oman | Study Abroad | Fall 2012 Description // Urban Revitalization Project References // Mark Frederickson , mpf@email.arizona.edu

STUDIOS architecture San Francisco, CA | Junior Designer | June 2014 - Sept 2015 Projects // Intuit SF, 1450 Page Mill Stanford Real State, Berkeley Global Campus Competition, Parking Day Installation, Apple Office Expansion.

References // Jason McCarthy, jmccarthy@studios.com

Kaitak Urban Revitization Project Hong Kong | Study Abroad | Summer 2013 Description // Urban Revitalization Project References // Mark Frederickson , mpf@email.arizona.edu

Grupo C.O.S.O Culiacan, Mexico | Junior Architect | Sept 2014 - Jan 2016 Projects // Estadio Tomateros, Cerro De las Siete Gotas Park References // Jacobo Sevilla, jsevilla@islacortes.com

+ PUBLICATIONS + Cinema Challenge// Symbiotic Venue // N.Alqallaf + J.Sevilla http://www.archdaily.com/462626/london-cinema-challenge-winners-announced http://www.bustler.net/index.php/description/london_cinema_challenge/ + Cellular Noise // Biomimetics Class // Prof. Susannah Dickinson http://www.suckerpunchdaily.com/2013/05/28/cellular-noise/ + LA MINA // A.Sevilla + J.Sevilla https://undsprfcto.squarespace.com/birth-of-la-mina/

+ ENTREPRENEURSHIP collab 90.94 Street Art Group | July 2012 - Oct 2013 Facebook :: 90.94 un.dsprfcto San Francisco, CA | Design Collaborative | Oct 2013 - Present Site : Undsprfcto.com Facebook : undsprfcto Instagram : un.dsprfcto

+ FABRICATION // BUILT + Freedom By Design - 1. “Orea Ramp” 2. “ Juventus Ramp/Landing + Insterstitial Installation + College of Medicine Donations Display + Cellular Noise + Parking Day + Intuit SF Office + Estadio Tomateros Baseball Field and Bullpens. + LA MINA Spatial Intervention

+ COMPETITIONS + Combo Competition

- Cinema Challenge | Symbiotic Venue | Awarded 2cond Place

- Poor but Beautiful | Perpetual Periphery |

+ ASSOCIATIONS + AIAS member | 2009 - 2013 + Freedom By Design | Arizona chapter | 2011-2013 2012 - 2013 Project manager + Bay Area Young Architects member | 2013 - 2015 + LEFTside SF skate community helped to design a proposal of “ waller st. skatepark expansion” which was presented to city of SF Park and Rec. march 2015. It has been selected and approved. [ status :: In process of grant authorization ]

+ COMMUNICATION Software

Tri- Lingual

//Proficient

Revit 2015

Autocad 2010 - 2015

Rhinoceros 5 V-ray Plug in for Rhino Maxwell Plug in for Rhino Adobe Creative Suit - CS6 - CC Microsoft Word - Excel

English - Fluent Spanish - Fluent French - Intermediate

//Basic Exposure Grasshopper Sketch up

+ INTERESTS AND HOBBIES + screen printing + stencil making + street art + propaganda design + product development + curating creative events + industrial design + hand sketching + photography + graphic design

+ cyclism mountain|road|urban + archery + basketball + running

01 armature of awareness

2

2013

[ armature of awareness ] Academic work | Capstone Thesis | Prof. Brian Andrews My thesis was moved by my interest in the relationship between things and the idea of unifying divorcements while respecting the identity of each to allow a collective behavior. This position then lead to the creation of a spatial matrix capable of intergrating elements and transforming to accommodate growth of society and ecological demands. Architecture becomes a pedagogical instrument for the city.

3

4 Armature of Awareness

[ IICA ]

satellite LABS L

++

library/bookstore

art studioss

farming farm min ing

data collectionn room

[ synergy space ]

flora + fauna LAB

[EE] offices

market PODS

Emprendedores Emergentes

[ EE ]

water + earth LAB

Instituto de Investigacion, Ciencias y Artes

+++

L3

L2

Movil Water + Earth pods {local data collection}

L1

GF

A.A

+

[ A.A ]

climbing walls Aquaculture

[ IICA ] FRPPLWWHG WR ȜQG VROXWLRQV WR PLWLJDWH KXPDQ LUUHVSRQVLEOH LQȝXHQFH RQ ULYHUƵV HFRORJ\ ,,&$ PHUJHV 6FLHQFH DQG $UWV WR WKH HPHUJHQFH RI QHZ PHWKRGV WR ȜQG LQIRUPDWLRQ DQG VROXWLRQ WR HFRORJLFDO SUREOHPV DORQJ WKH ULYHU DQG GLVSOD\ WKHP WR VRFLHW\ kayaking

fishing

street art

farming street art

5

[ Awareness ] : growth over time urban scenarios_ Completion of Armature of awareness initial infrastructure

No vacancy of designated spots for growth, generating a visual and spatial impact on user’s experience triggering awareness.

levels of organization_ | functional | The infrastructure facilitates spatial connectivity between North & South, allowing continuity to the recreational circuit.

A.A provides specific spaces to small business entrepreneurship( Mid Class) and market specifically for Low Class.

| economical | A.A announces its capacity of growth hosting Phase 2|: Small business Abarrotes ( Market )

Market of cultural goods + Small offices + Fish market + Aquaculture + Farming and gardening +

| socio cultural | A.A becomes a catalyst of social activites: recreational( open space and infrastructure) and Cultural ( IICA)

Extension of public space comes along with infrastructure’s Growth.

Thus, A.A becomes a pedadogical tool of consciousness for society.

| environmental | A.A becomes the beginning of the restoration of the river’s living ecologies.

2013 | 6

phase 1

[ ARMATURE + IICA. ]

Ecological systems start to be restored. A.A processes all the water used through natural stages and returns it clean to the river.

2015 | |

phase 2

[ ADDITION : EE - OFFICES + MARKET ]

Ped. traffic becomes very dense.

Terminus extension to the adjacent urban fabric bridges over highways, facilitating pedestrian connectivity. More market pods will be provided with the extension.

Extension of program at N.District. Allowing for a park underneath market enhancing connection and use of public space adjacent to the river.

Grade level : Open space Second flr : Market space.

Facilitates the connection of urban fabric with the river’s public space.

Before: highways| Boundary Now: highways | Threshold

More accessible market and offices on the N.District.

Extension arms host Market pods, allowing for economical self construction infrastructure.

Extension arms host Market pods, allowing for economical self construction infrastructure.

Revitalizing the market culture, Mitigating the informal market culture with an organized structure.

Correct use of river territories serving the user+ the city.

Disposed organic matter from the market gets processed as compost to be utilized at agriculture lands.

People will be involved in the process of growth and ecologies revitalization which will generate a responsible behavior towards the river.

2018 |

phase 3

[ ADDITION = NORTH/SOUTH EXTENSION ]

2020 |

phase 4

[ ADDITION = + N. DISTRICT ]

7

11.

12.

13.

10.

8.

14.

9.

01. Library 02. Study Rooms 03. Data collection Satellite 04. Movil labs ( macro data) 2ČŞFHV VSDFH 06. Data collection general room 07. Water & Earth lab 6\QHUJ\ 6SDFH 09. Fish Market 10. Art Studio 11. Flora & Fauna lab 12. Farming 13. Gardening 14.Market

8

6.

3. 4.

7.

5.

2.

1.

Longitudinal section looking East 9

02.

stepping plaza

05.

07.

08.

09.

11.

12.

13.

14.

15.

16.

17.

18.

aquaculture fish market kayak port synergy space data collection water lab earth lab

10.

water cross walk

03.

vertical farming

06.

small market pod

04.

art studio

06.

outdoors flora lab

02.

flora lab

04.

fauna lab

03.

large market pods

01.

bank level bridge

10

01.

cantilever plaza

30 ft

30 ft

17.

05.

14.

12.

10..

07.

15

09.

16.

13.

11.

08.

19.

23.

study rooms

26.

27.

28.

29.

data collection stored [SAT] labs

25.

movil lab [SAT]

21.

small crane

24.

library/bookstore /gallery

22.

open air amphitheater

21.

elev. office plaza

20.

office module

movil lab [local]

large crane 20.

19.

24.

25.

18.

26. 28.

23.

22.

29.

27.

11

J.

12

H. E. D. C. B. A.

library [SAT.] tower [SAT.] movil labs

200 FT

navolato culiacansito

36

san pedro

potrero

el castillo

culiacan river

lic. benito juarez

el limon culiacan tamazula river

29

13

humaya river

12

11

10 mi

site location :: A.A

10

field data

data collection

synergy room - data distribution

synergy room - data distribution

artist studio - data processing

exposition to community

37

registered contaminated area_

35

broken unimog_

BANK 34

unimog + pod in location_

BRIDGE::CREATION OF A NEW LOCATION

10 mi

-

problem registered // expected_ investigation site coverage

F.

movil labs

G.

crane

WATER

data collection

Water lab Earth lab

I.

synergy space

BANK

art studio

Flora lab Fauna lab

05 04 03 02 01 00 DAM:: adolfo lopez mateos 20

19

+ 55

bachimeto 18

sataya

lago

17

33 16

A

parked available [ SAT.] movil lab_

stored [SAT.] movil lab_

B C

A B C D

D

E 37

36

35

34

33

32

31`

30

200 FT

DAM:: sanalona

E

18

movil [SAT] MOUNTED on unimog 17

13

labs + market

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14

B

C

vertical farming

+72

flora & fauna labs

+60

market & gardening

+48

public space

+36

connecting path

+24

+15

max water level

transversal section - SOUTH TERMINUS - looking north

open air market + river + bridge atrium

$ $ VWUHWFKHV WR FDUHVV WKH DGMDFHQW XUEDQ DUWHULHV ZHOFRPLQJ XVHUV WR LWV SKLODQWKURSLF QDWXUH FDSDEOH WR LQVSLUH DQG HGXFDWH 7KH collective behaviour RI PXOWLSOH VRFLDO DFWLYLWHV RYHUODSSLQJ ZLWKLQ DQ LQIUDVWUXFWXUH OHDGV WR WKH HPHUJHQFH RI VRFLDO FXOWXUDO HFRORJLFDO DZDUHQHVV

16

operable openings.

Front/Back, Sides

Mecanically activated by man power

longitudinal section looking - West 17

RȨFH SXEOLF VXUIDFH VWXG\ URRP

_modular growth

the collective behaviour between structure, space and materials stimulates the sense of cognitive experience along with the variable of time.

18

office pot attached to adjacent

public surface on armature

office surface

public surface on

public space 15’ ft module Office space for small business

attachable structure to armature

added public space

+offices modules (top)= +open public space under

A

B 10 ‘

C 10 ‘

D

A

10 ‘

D

B

C

10 ‘

+48

1.

2. +36

3.

4.

+24

5.

+18

6.

+03

Attachable public surface typologies

+00 max water level

GHWDLO VHFWLRQ RȨFHV SXE VXUIDFH VWXG\ SRGV 19

02 interstitial installation

20

2012

[ interstitial installation ] Academic work | Arc.402 | Prof. Chris Trumble a studio based on the intension to dream and concretize a vision. 14 students were selected to join forces to design and build an installation, which by its embeded nature, had to blend, perform and define a transparent space between two buildings of the U of A school of Architecture. The completion time from design to construction was 6 weeks.

21

[site]

that dude is hilarious, i love him.

01

(n)

so what do you think about Chris Trumble?

02

Nice to see you man,lets grab a beer!!

03

I love this song :: is itt to late to say sorryyyyy??

04

am so sick of this place. am gonna go to yoga.

05

crap, i shouldn’t have worn these heels today.

09

06

10

(o)

11

_north facade

a

insterstitial space

b 01

12 13 14

02 135’

25’

(o)

03

200 ‘

(n)

04 05 06

_south elevation

07 08

15 16

_plan

_enlarged elevation

22

17

_section A

oh crap !! I should taken the elevator

if i love trees so much, why did i go in Arch.??

08

07

if i love trees so much, why did i go in Arch.??

09

is he talking to me..??

10

yes mom , i promise i will call grandpa. see you soon!!..

11

damitt, this sh&*ty printer. Am gonna be late again.

12

alright man, give me a second. I’ll down there...

13

Is he talking to me ??

14

crap, i forgot my safety glasses!!..

damn, I am pretty hungry.

15

16

dude!! I got the materials come help me..

17

Time of day

frequent use 60%

frequently

50%

sometimes infrequently

40%

never

30%

morning

a

noon afternoon evening

20%

night

10%

taking a eating a break meal

4 & 5 year studios director office

0% phone socializing working working in call alone groups

use duration

<10 min

70%

10-15 min

60%

15-20 min

50%

20-30 min

40%

>30 min

30%

N/A

20% 10% 0% taking a break

eating a meal

phone socializing working working in alone groups call

negatives 70% 60% 50% 40% 30% 20% 10% 0% people occupied solar Agonizing awkward Aesthetic The guy from smoking seating exposure seating space appeal guatemala

positives

a

70% 60% 50%

b

40% 30% 20%

c

10%

g

views fresh air open socializing phone call The guy from guatemala space

A

w wa t r fountain founnta n water

pplanters anterrs

d

bbending e di d ng m achi machine

pprinter rinter room 2 condd yyear e st t 2cond studios

0%

metal shop and wood shop f

e

_floor plan - level 2 a table

b shadow

c fire hose

d concrete

e vines

f perforated metal

g brick

h corrugated metal

23

30”

_bench

11

10

09

08

07

06

05

04

03

02

01

max

18”

lazy boy

gandhi

cow girl

S1

G1

S1

G1

G2

G1

_shifting anchor points

_adapting form to edge

_individual space

wall

_gesture abstraction

_identify program

(exposed to sun)

min

_table

4t

3t

2t

1t

max

36”

24”

i4

i3

i2

i2

G1

socializing

min

.03

individual drawing

i6

_identify edge

writing surface

4s

.02

3s

2s

1s

24”

12”

i3

i2

i5 i4

i1

eating working

_satellite

24 individual

max

min

.01

group drawing

max.capacity

corner _views _celphone _warm up

_design procress

_use scenarios

30”

1'11"

_section ribs

1s

2s

a

2t

11

4s

1t

3s

b

{

4t 07

a

[ sheet metal ]

b

[ metal rods ]

06

writing:: eating::pin up::sitting sitting

_use

_surface type

05

03

01

02

08

04

09

10

b

3t

a

25

[testing]

(-)

(+)

porosity_ texture_ cost_ fabrication_

+0â&#x20AC;?

longetivity_ temperature_

-18â&#x20AC;?

(hot)

welding template

porosity_ texture_ cost_ fabrication_ (tim ime)

longetivity_ temperature_ (hot)

structural frame

porosity_ texture_ cost_ fabrication_ (time) e)

longetivity_ temperature_ (hot)

surface testing

_surface type studies

26

_digital - analog

19°

1" TYP.

1 3/4" 0 3/4" 1"

neutral axis

03

segmentation

02

anchor points

01

stability logic

00

1-5/16"

1" TYP.

0 1/2" 0 1/4" 1 3/4"

0 1/4"

0 1/2"

_vertical & lateral connections

_structural order

_1/4â&#x20AC;? scale mock up

_1:1 scale mock up

_deployability

27

[fabrication process] 2

3

4

5

6

7

surface

1

B6

frame

B7

B5

B4

B8

B9

B3

B2

B1 30 corner bends of 1.75 “ steel tube

28

1/2” steel rods

1

2

210 lin.ft_ 1.75 “ steel tube 3

36 laser cut panel terminations

70 water jet cut supports

4

5

580 lin.ft_ 1” steel tube 6

170_ 1.3 #_ 2” diameter steel ball 7

total of:: 2,603 # of steel

_frame fab

01

02

03

04

05

06

07

08

09

10

11

00

01

02

03

04

05

_surface fab

00

.01 place rods .02 trim

29

1

2

1. use typologies 2. color expresion with surroundings IRXUWK ȧRRU ȆFRWWRQ FDQG\ȇ EHQFK

30

3

4

8

5

6

7

9

vertical porosity .4 panel to panel relationship .5 bench morphology to chalk board .6 material patterns .7 VHFRQG ȧRRU Č&#x2020;FKHGGDU FKHHVHČ&#x2021; EHQFK harmony of color .9

31

03 park(ing) day installation

32

2014

[ park(ing) day installation ] Public work | STUDIOS architecture | voluntary group eďŹ&#x20AC;ort a creative movement, grounded on the idea of the reclaiming public space in highly dense metropolitan areas. STUDIOS architecture has participated in this annual event for several years. For 2014, we proposed to design and build an infrasture which will stimulate pedestrianâ&#x20AC;&#x2122;s journey while its presence on the street, and stimulate the oďŹ&#x192;ce culture post installation. My contribution to the realization of this installation was : concept development, digital modeling, cnc files, logicistic on delivering to site and assemblage.

33

.5

.1

.5 .5

.3

.3

.4

.2

.4

.4 .4 .3 .2 .4

.5

.5

.1 .3

.2

.3

.2

[ beach ecosystems ]

_installation

carpet

bubbles

wood

.a

_sfâ&#x20AC;&#x2122;s major public space 34

.1

transitions

Earth

Sky

.1

.a

studios anamorphic projection .b

.c

.d .e

.f

.a

.b

.c

.d

.e

.f

.g

back surface

ribs

added structure

shelves

seating

front surface

footings where needed

parking space 8â&#x20AC;&#x2122;X20â&#x20AC;&#x2122;

_ structural order

.g

_thinking process 35

budget $ 2,000

work hrs 35 hrs MAX

available tools inhouse - rubber hammer - sand paper - jig saw

assembly time - Assemblage on site because of lack of storage space.

- less than an hour

_design parameters 36

_digital modeling

_assembly

_site

_urban use

BR权FH XVH 37

04 delta observation tower

38

2011

[ delta observation tower ] Academic work | Arc.302 | Prof. Chris Trumble the articulation of structure in design plays an important role for the creation of architecture. This project focused on the understanding of structural hierarchy and the manifestation of forces to design a three levels observation tower within a defined perimeter.

39

_shifting planes

_boundary box 1 2 3 4 5

_force diagrams

6

V-frame pin connection to tension cable .1 wood deck on platforms .2 hollow steel member 12” x 18” .3 wide flange 6” x 16” .4 wood stairs .5 hollow steel member 10 “x 12” .6 pin connection to ground .7

7

_structural hierarchies 40

_main members list

_anchor forces

_vert/hor forces

_bearing axis 13’

10’

_understanding construction hierachies

13’

_adding slopes

_substracting areas

_physical model

_front elevation

_side elevation 41

A

B

C

A 42

B

C 43

05 1450 page mill road

44

2015

[ 1450 page mill road ] Professional work | STUDIOS arc | Founder Erik Sueberkrop a core and shell project located in the core of Palo Altoâ&#x20AC;&#x2122;s developing area. The client ( stanford realstate) was looking for a flexible space, a volume welcoming of the surroundings in which sustainable techniques could be used to achieve better energy performance. I was involved from the beginning of schematic design to the consolidation of CDâ&#x20AC;&#x2122;s to submit for building permits.

45

site section

46

_sustainability

_materiality

_circulation

_iteration 4

_iteration 3

_iteration 2

_iteration 1

_POPOS

_bar concept

_site FAR

_circulation

site approach

mass foam modeling

axonometric

ČŚnal model

47

arrival from page mill st.

main entrance

48

F

D.7

E

D

C.2

C

B

A

1 PL1.10.1

F

TPO ROOF

E

D.7

D

C.2

C

B

A

12' - 6"

T.O. ROOF 96' - 6"

ZINC ROOF FASCIA

5 A10.55

T.O. MECHANICAL 108' - 6"

TERRACOTTA RAINSCREEN

S

S

GUARDRAIL STL FLAT BAR + ROD

GUARDRAIL- STL FLAT BAR + ROD

5' - 0"

LEVEL 2

18' - 6"

TERRACOTTA RAINSCREEN

1' - 9"

ALUMINUM MULLION EXTENSION

18' - 6"

ALUMINUM FRAMED CURTAIN WALL

12' - 0"

HORIZONTAL SUN SHADES

12' - 0"

ZINC METAL PANEL ROOF SCREEN

ZINC ROOF FASCIA

TYP LEVEL 2 78' - 0"

LEVEL 1

16' - 0"

16' - 0"

ZINC METAL PANEL

LEVEL 1 62' - 0" 4' - 9 1/16" TYP

1' - 9"

GLASS TYPE 2B AT LOWER COURSE PANELS

GARAGE

13' - 0"

1 A7.02

1' - 9" ZINC METAL PANEL STEEL PIPE COLUMN 1 A8.04

2 A8.04

east elevation

building cross section - A

B

A

1

C.2

C

D.7

D

F

E

PL1.10.1

A

ZINC METAL PANEL ROOFSCREEN

ALUMINUM MULLION EXTENSION

B

C

C.2

D

D.7

E

F

PAINTED STEEL PIPE COLUMNS - TYP ALUMINUM FRAMED WINDOW / STOREFRONT GUARDRAIL - STL FLAT BAR + ROD

ALUMINUM FRAMED WINDOW / STOREFRONT ZINC METAL PANEL GUARDRAIL - STL FLAT BAR + ROD

S

FIXED ALUMINUM SUNSHADES

T.O. ROOF 96' - 6"

5 E Q @ 4' - 8 7/8"

5' - 0"

8 E Q @ 4' - 6 11/16" SEE 8/A7.02 FOR FULL ELEVATION BEOND

3 EQ @

5 A7.02

1' - 9"

3' - 8 9/16"

LEVEL 2

TYP

LEVEL 2 78' - 0"

5' - 0"

LEVEL 1

LEVEL 1 62' - 0"

TYP

13' - 0"

LEVEL 1 62' - 0" 13' - 0"

ARCHITECTURAL CAST IN PLACE CONCRETE

west elevation

16' - 0"

LEVEL 2 78' - 0"

2' - 0" 16' - 0"

1' - 0"

GLASS TYPE 2A AT 1ST, 3RD, AND 4TH COURSE PANELS MOTORIZED COILING GRILLE

MOTORIZED COILING OVERHEAD DOOR ZINC METAL PANEL

T.O. ROOF 96' - 6" L.P. ROOF 91' - 6"

S

18' - 6"

1' - 9"

T.O. MECHANICAL 108' - 6"

12' - 0"

PRE-FINISHED METAL FASCIA

1 A8.02

CTR

3' - 0"

ZINC PANEL GATE

CTR

S

7' - 0"

PAINTED STEEL PIPE COLUMNS TYP

T.O. MECHANICAL 108' - 6"

ALUMINUM FRAMED CURTAIN WALL A 1' - 9"

17' - 0"

2 A8.02 3 A8.02

13' - 6"

TERRACOTTA RAINSCREEN

GARAGE 49' - 0"

GARAGE 49' - 0"

ELEVATED DECK W/ GUARDRAIL ARCHITECTURAL CAST IN PLACE CONCRETE

building cross section - B

49

0.5

0

1

10' - 6"

1.3

15' - 0"

1.5

16' - 9"

2

5' - 9"

3

22'- 6"

4

30' - 0"

6

5

30' - 0"

30' - 0"

7

30' - 0"

8.6

8

30' - 0"

30' - 0"

9.2

9

18' - 3"

11' - 9"

7' - 6"

9.5

8' - 3"

10

11

14' - 3"

12

22' - 6"

22'- 6"

A7.00 1 4

6

1

2

3

3

A7.11

A7.02

A7.11

A7.11

A8.50

A7.11

GARAGE BELOW

10' - 1 5/8"

1' - 9"

1' - 9" 1' - 9"

A 10 A10.45

GENERATOR TRANSFORMER 120

120X 12A

20' - 6"

GG 2

BLDG ABOVE

A7.00

1 A9.23

DN

9

B

WALK OFF MAT

GARAGE ENTRY

16' - 9" CC

101.X CR 06

2

10 A11.20

I

1 A10.05

1' - 9"

2

6

1 A10.45

WALK OFF MAT

FOR B.O. SHAFT CONDITION SEE 6/11.40

STAIR 2 106

WEST LOBBY 101

BF

OPEN TO ABOVE

DOOR OPERATOR PEDESTAL

N 4

SUNSHADE ABOVE

BF

1 A9.10

OPEN OFFICE 103

2

2 4

6"

5' - 5 1/2"

4' - 7"

2' - 3"

2

2 A10.45

AA

2

SIM

1 A8.53

I

FIRE RISER 117 117.X 04

2

A7.01

D.7

0' - 8"

2 4

6

10' - 7 1/2"

10' - 0"

2

11' - 2"

N 4

2 4

3' - 0" TYP

1' - 9"

1 A10.45

SUNSHADE ABOVE

7' - 8"

FREIGHT ELEVATOR

BY TENANT

C103B.X 03

N 4

OPEN OFFICE 105

OPEN OFFICE 104

1' - 11"

1

6

BF

OPEN TO ABOVE

D

SIM

2HR RATED SHAFT FOR DAS ROUTING

I

SIM

STAIR 1 107

BF

MEN 110

C103A.X 03

ELEVATED DECK - S.L.D.

OPEN TO BELOW

ELEV 108

JANITOR CLOSET 111

32' - 9"

A11.50

C C.2

2 A10.45

1 A10.45

GARAGE BELOW SIM

BF C

STAIR 3 119

DN

C116A.X 03

LOADING 116

5

A7.02

2 A9.22

1 A10.45

E116B.X 02

105X

E

01

UP

1

PATIO 1

3 A8.04

GG 118A.X 12

13' - 0"

4

A7.02

1 A10.45

71' - 3 1/2"

29' - 2 1/2"

5 A9.23

1

2 3 4

WOMEN 109

N 4

6

154' - 2"

I

DN

BF

4' - 5 1/2"

7

4 A8.50

1 A10.05

25' - 6 1/2"

1 A9.21

8 A10.15

4

A11.50

2 A9.20

2 A9.30

A7.02

06

23' - 8"

A7.10 PL1.10.1

100.X CR

CC

DOOR OPERATOR PEDESTAL

12

A7.01

PAINTED STEEL PIPE COLUMNS AT CANOPY COLUMNS - TYP

154' - 2"

BLDG ABOVE

A7.02

EAST LOBBY 100

OPEN OFFICE 102

30' - 9"

A10.15 9

3

A7.02

BLDG ABOVE

A7.02

TRASH / RECYCLING 118

1' - 9"

1' - 9"

F

1' - 9"

1' - 9"

3 A7.01

ground ȧoor 11.3

10

11

9.5

9.2

9

8.6

8

7

6

5

4

3

2

1.5

1.3

1

1' - 9"

0

ZINC METAL PANEL 1 A8.01

SKYLIGHT CTR

0.3

CURTAIN WALL BEYOND

ZINC METAL PANEL ROOF SCREEN

ZINC ROOF FASCIA EXPOSED STL BEAM W/ SPLICE JOINTS TERRACOTTA RAINSCREEN PANEL

0.5

3' - 3"

CTR

15' - 0"

CTR

15' - 0"

1' - 9"

GUARDRAIL - STL FLAT BAR + ROD

T.O. MECHANICAL 108' - 6" 12' - 0"

12

T.O. ROOF 96' - 6"

5

6

S

S

S

S

A10.55

S

S

S

S

18' - 6"

A10.55

L.P. ROOF 91' - 6"

SEE 2/A7.00 FOR FULL ELEVATION BEYOND

LEVEL 2 78' - 0"

5' - 0" TYP 4' - 6" TYP

2 A8.01

50

north elevation

LEVEL 1 62' - 0" GUARD RAIL

3 A8.01

AT CURTAINWALL

13' - 0"

1' - 9"

10' - 0"

GLASS TYPE 2B AT FULL HEIGHT OF ENTRY WALL

16' - 0"

ALUMINUM FRAMED CURTAIN WALL

ZINC METAL PANEL ALUMINIUM FRAMED STOREFRONT

GARAGE 49' - 0" ARCHITECTURAL CASTIN-PLACE CONCRETE

0

0.5

0.3

1

1.5

4

5' - 9" 4' - 9"

3

4

6

5

7

8.6

8

9.2

9

9.5

10

11

11.3

12

6

A7.11

9' - 5 1/2"

2

A7.02

36' - 6"

15' - 0"

257' - 6"

22' - 6"

22' - 6"

30' - 0"

30' - 0"

90' - 0"

30' - 0"

18' - 3"

11' - 9"

7' - 6"

8'- 3"

14' - 3"

22' - 6"

22' - 6"

PEDESTAL WOOD DECKING A7.00

A11.20

8

8

7' - 1 1/2"

C202A.X 05

EX10

EX10

3

A8.06

C202B.X 05

TERRACOTTA RAINSCREEN PANEL

20' - 0"

A10.17

EX10

A10.17

OPEN OFFICE 202

B

TERRACOTTA RAINSCREEN PANEL

12 PL1.10.1 A7.10

A7.02 2

BF

5

9

A8.06 A7.02

8

TYP.

1' - 9"

4' - 5 1/2"

1' - 9"

1' - 1"

2HR RATED SHAFT FOR DAS ROUTING

OPEN OFFICE 203

OPEN OFFICE 205

1 A9.11

OPEN OFFICE 204

2

A7.01

ROOF ABOVE 7' - 8"

A11.20

11' - 2"

CLR

A8.06

10' - 7 1/2"

3 EQ @

3' - 8 9/16"

FUTURE FREIGHT ELEVATOR

BY TENANT

BF

36' - 8"

1' - 9"

1' - 11"

C 10 A7.02 2 5

SERVICE DOOR CANOPY BELOW, T.P.O. ROOF SEE ELEV.

A8.06

ROOF DECK 216 EX10

9 A10.17

4

EX10

SIM

E

05

STAIR 3 219

TYP.

5' - 0" TYP

EXIT SIGN 18" A.F.F.

A11.20

A8.06

5 A10.45

204.X

7 A10.17

1/4" / 12"

A8.53

5 A10.45

13' - 0"

D.7

7

ROOF ABOVE

CLR

2

BROWN GRAVEL - G2

5' - 6"

8 EQ @4' - 6 11/16"

36' - 3"

GREY GRAVEL - G1

SIM

154' - 2"

C203A.X 05

A10.17 8

BF

BF

A8.06

PLANTER - SEE SPECS

3 A10.45

3 A9.20

STAIR 1 207 OPEN TO BELOW

D

A10.17

9

OPEN TO ABOVE

2 A9.30

MEN 210

8

ROOF DECK 215

11 1/2"

ELEV 208 BF

ROOF ACCESS 212

4' - 9 1/16" TYP

2 A9.21

STAIR 2 206 OPEN TO BELOW

32' - 9"

PAINTED STEEL PIPE COLUMNS TYP.

OPEN TO ABOVE

C C.2

6

A8.06

8 1

A10.17

EX10

A7.02

23' - 8"

1

WOMEN 209

MECANICAL SHAFT

4' - 6" TYP

25' - 6 1/2"

5 EQ @4' - 8 7/8"

11 1/2" 1

PEDESTAL CONCRETE PAVER DECKING

JANITOR CLOSET 211

0' - 11 1/2"

1' - 9"

0' - 11 1/2"

7' - 1 1/2"

BF

1' - 9"

7' - 1 1/2"

60' - 9"

6 A10.45

A7.10 A7.01

PAINTED STEEL PIPE COLUMNS AT CANOPY COLUMNS - TYP

30' - 9"

TYP.

2 A11.20

A

9 A10.17

ROOF DECK 213 EX10

20' - 6"

A10.17

A8.06

A8.06

GRAY GRAVEL - G1

34' - 3"

1

35' - 3 1/2"

2

EX10

2

20' - 0"

A7.00

EX10

TYP.

7

1' - 9"

20' - 6"

EX10

A7.11

PLANTER - SEE SPECS

ROOF DECK 214 EX10

9 A10.17

3

7' - 1 1/2"

BROWN GRAVEL - G2 2

A7.11

1

PEDESTAL CONCRETE PAVER DECKING

PEDESTAL CONCRETE PAVER DECKING

2

PEDESTAL WOOD DECKING

3

3 A9.22

A7.02

ROOF ABOVE

EX10

F

8

GRAVEL - G1

6

A8.53

PEDESTAL CONCRETE PAVER DECKING PEDESTAL WOOD DECKING

3

PLANTER - SEE SPECS

1" / 12"

GARBAGE ENCLOSURE BEYOND, STANDING SEAM ROOF

7

A7.01

GRAVEL - G2

A8.53

1' - 9"

GUARDRAIL - STL FLAT BAR AND ROD

123' - 6"

PLANTER - SEE SPECS

HORIZONTAL FIXED SUNSHADE SYSTEM 30" DEEP SEE ELEV.

PLANTER - SEE SPECS

5

second ȧoor 4/17/2015 2:25:40 PM

0

0.3

0.5

1

1.3

1.5

2

3

4

5

6

7

8

8.6

9

9.2

9.5

10

11

11.3

12

ZINC METAL PANEL ROOF SCREEN EXPOSED STL BEAM W/ SPLICE JOINTS

GLASS TYPE 2A AT 3RD COURSE PANELS

CTR

15' - 0" .

CTR

T.O. MECHANICAL 108' - 6"

TERRACOTTA RAINSCREEN

3' - 3"

CTR

5 S

S

S

GUARDRAIL STL FLAT BAR + ROD

S

A10.55

S

S

S

5' - 0" SEE 10/A7.02 FOR FULL ELEVATION BEOND

TYP

7' - 0"

TYP

south elevation

HORIZONTAL SUN SHADES GLASS TYPE 2A AT 1ST COURSE PANELS

5' - 0" TYP

HORIZONTAL SUN SHADES GLASS TYPE 2A AT 1ST COURSE PANELS ZINC METAL PANEL RAINSCREEN

L.P. ROOF 91' - 6"

LEVEL 2 78' - 0" 16' - 0"

GUARDRAIL STL FLAT BAR + ROD 5' - 0"

T.O. ROOF 96' - 6"

S

2' - 0" 6' - 0"

6 A10.55

ZINC METAL PANEL RAINSCREEN

4' - 0"

12' - 0"

SKYLIGHT 15' - 0"

5' - 0"

1' - 9"

46' - 6"

TERRACOTTA RAINSCREEN

3' - 0"

C:\Users\ersanchez\Documents\1450 PMR\1450 PMR_LOCAL-ERS-2014.rvt

GLASS TYPE 2A AT 3RD AND 4TH COURSE PANELS

13' - 6"

ZINC ROOF FASCIA

LEVEL 1 62' - 0" ZINC METAL PANEL RAINSCREEN HORIZONTAL SUN SHADES

1 A8.03

GLASS TYPE 2B AT LOWER COURSE PANELS

ALUMINUM FRAMED STOREFRONT

51

06 intuit san francisco headquartes

52

2015

[ intuit san francisco headquarters ] Professional work | STUDIOS arc | Principal Jason McCarthy an interiors project moved by the idea of consolidation of scattered oďŹ&#x192;ces in to an unified location. Intuit aimed to improve amenity space to compete and retain talent. STUDIOS architecture framed a master plan scenario, strategized time of construction, growth of personnel until 2018 and a proposed a wholistic concept that unified the floors in an integrated vertical experience. My contribution to the project started since the beginning of the master plan, recording existing conditions, taking dimensions and evaluating feasibility for new construction per floor. Once the project got approved I participated on the design proposal, material selection, construction documents and construction administration.

53

+:: stairs ++:: elevator

++,+

+

++,+

+

[master planning] CENTRAL N SO EN

SS

IO

TR AN SB AY (2 01 7)

N

NI

MI

T/ AR /B

ET MA

10

1

IN

S/

RA

LT

I-8

0

CA

E

to

ST

RK

t/

hs

4t

ST

HO

W

AR

D

ST

MA

RK

T

ET

dS

ST

2n

N (T) UNIO .

ST SQUARE

MU

T tS 1s

ST

ST

EV

AY

ST

(T) SUBW

POWELL

4TH

71 stevenson.

head count - 560 seats consolidate offices by 2017

22 fourth st. // vertical campus intuitâ&#x20AC;&#x2122;s vision talent retention_ increase amenity space_ vertical glue :: create global concept_ that can be personalized for each floor offer more places to work _

54

_2.5 sf amenity /person

_24 people /meeting space

22 fourth st.

_133 sf /person

head count - 300 seats

conclusion

space use must be updated to better accomodate current work/office movility of work AVE. existing matrix

MECH

18

MECH

17

2014

2015

2016

2017

2018

2019

2020

2021

reception

LOUNGE

13 12 11 10

SALES

09 DESTINATION amenity

training

08 07 06

training

05 04

product development

03 (e) retail tenant (e) coffee vendor

03

P2 P1

garage

72,743 sq.ft 103,982 sq.ft 103,982 sq.ft 153,005 sq.ft 153,005 sq.ft 174,446 sq.ft 202,355 sq.ft 202,355 sq.ft 543 742 742 962 958 1077 1210 1176 5 7 7 10 10 12 14 14

rentable area_ seats_ flrs_

Full renovation partial renovation

12

entrance graphic -way finding

[E] INTUIT flrs

03

(e) lobby

garage /mpoe

Renovated floors

10

09

15

11

04

03

13

08

installation -sense of place /belonging

training

mission

14

DECK

china town

15

[global concept] SF neighborhoods

16 customer support

07 14 06

05

10

16 15 14 13 12 11 10 09 08 07 06 05 04 03

vertical glue - concept

chinatown marina alamo square financial district golden gate russian hill mission north beach nob hill tenderloin haight ashbury hayes valley precidio chinatown

vertical glue - concept 55

56 final lay out

_lucha libre mask

_inspiration _color abstraction typ floor plate flr 9 to 12

_dolores park

v1

8.5 sf amenity /person

155 sf /person

8-10 people /meeting space

floor matrix

_markets

ȧRRU >WKH PLVVLRQ@

v2 v3

_floor organization and work flow

_ceiling

v1

_walls

v2

_floor

v3

_vinettes design

_deconstructing spatial elements 57

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59

07 nature of structure

60

2012

[ nature of structure ] Academic work | Arc.522 | Prof. Chris Trumble the option studio focused on generating a thesis based on the study of the structural properties of a selected specimen. I selected the â&#x20AC;&#x153;long horn beetleâ&#x20AC;? as the matter of study and I focused my analysis on the relationship between the inner soft tissue and the exterior hardshell which allows flexibility.

61

IN- soft/ OUT-hard

protect the guts. it works independently allowing the insect to remain alive if it get damaged

01

02

03

Living.tissue_

Flexible armour_

EXO-Skeleton

[Still position]

Tissue

0 01

Rigidity/flexibility

collision Max. Top/Elast.

collision

relaxed tissue -Still position

[Max.Bottom]

Muscles attached to solid Cuticle

[Barrier between living tissues and the environment]

Rigidity(limited movement)

Apomedes_

inside//outside responsive relationship.

[Max.Top]

Rigid.shell_

tissue expanding to provide movement of exo-skeleton beyond its rigid limitation

collision

Max. Bottom/Elast.

shell tail

torso

head

03

02

01

[specimen:: long horn beetle] Understanding the structure of the Long Horn Beetle. Abstracting it in to a thorough physical prototype that uses the criatures principles to convey a performance criteria.

62

fabric com

tension

sion

compression

pres

n

sio

ten

expansion

FABRIC_ allows the even distribution of forces unlike a rubber band that performs in a straight line.

nesting fabric_joining segments together acting as soft tissue

plexy.glass _armour screws gasquets

Iteration_01

Iteration_02

Iteration_03

[abstraction] segmented whole uni权ed by a soft/elastic membrane which provides movility beyond the limitation of the geometrical relation between each segment of the armour by yielding elasticity [ a tensile force]. The whole responds to a combination of forces applied simultaneously on the x, y, z axis.

63

mov. on Z - axis

STILL position

mov. on X - axis mov. on Z - axis mov. X & Y axis object manipulated and supported by the user

[ [element] ] segmented armour linked by a tensile membrane attached to hinged ribs that are mounted on a structure[piano wire]. This element becomes the receptor of the forces applied by the user to the system, generating defined shapes and movements.

64

elevation

pieces

sition

transverse section

process

[[alteration]] self supported vertical array system of segmented armours unified by a tensile membrane. attached to hinged ribs that are mounted on a structure [piano wire] which are connected to a base and controled by specific pulling points generating movement.

65

_digital testing

66

_process

_process

_details

_open

[ČŚnal model]

67

08 estadio tomateros

68

2015

[ estadio tomateros ] Professional work | Grupo C.O.S.O | Arq. Jacobo Sevilla a visionary mission of a 900,000 people emergent city to invest capital to develop the best baseball facility in latin america couldnâ&#x20AC;&#x2122;t get far without having the best MLB certified baseball field approved by Rob Manfred president of MLB. My contribution to the project was to design a strategy of execution of the highly demanding and craft intensive details requiered by the MLB. I was a team leader of 18 construction workers and 2 engineers to coordinate material supply, daily activities and quality control to finish the task in less than 6 weeks.

69

material source

Crushed Tile

TYP 4. | PASPALLUM

TYP 3. | SAND

TYP 2. | GRAVEL

TYP 1. | CHAMOTE

[soil types]

Local River Rock Bank

Local River Rock Bank

South Baja California, La Paz

soil type 0”

1”

2”

3”

0”

1”

2”

3”

0”

1”

2”

3”

0”

1”

2”

3”

particles sizes moisture absorption

low

med

high

low

med

high

low

med

high

low

med

high

compactable performance criteria

GAME :: Load concentration (servant) STRUCTURE :: Porose, Load

STRUCTURE :: Drainage, Foundation

STRUCTURE :: Drainage

GAME :: Shock absorbant, Grip STRUCTURE :: Drainage,Visual Aesthetics

AREA :: 23,932 ft2 // 2,224 m2 VOL :: 5,984 ft3 // 170 m3

AREA :: 110,768 ft2 // 10,290 m2 VOL :: 36,553 ft3 // 1,035 m3

AREA :: 110,768 ft2 // 10,290 m2 VOL :: 91,937 ft3 // 2,603 m3

AREA :: 99,500 ft2 // 9,244 m2

depth :: 3” ave.

depth :: 4” ave.

depth :: 10” ave.

depth :: 2” ave.

location

vol // area

wall warning track

grass infield

warning track grass

10”

10”

5

4”

4”

2

70

4”

4”

3

0

6

4”

0 -1”

4”

2”

-3”

4

4”

4”

2”

1

4”

0 slope :12%

2”

5”

0”

low

1”

70 % Crushed Brick + 30 % Typ 5.

2”

med

3”

0”

high

low

1”

Local Material Bank

2”

med

3”

0”

high

1”

low

Imported From USA 2”

3”

med

0”

high

low

1”

Imported From USA 2”

med

3”

high

0”

low

1”

2”

med

3”

high

STRUCTURE :: Drainage,Visual Aesthetics

GAME :: Grip STRUCTURE :: Grip,Visual Aesthetics

GAME :: Grip, Precision STRUCTURE :: Grip,Visual Aesthetics

GAME :: Grip, Adherence STRUCTURE :: Grip, Reduces Erosion

GAME :: Visual Aesthetics

AREA :: 35,201 ft2 // 3,270 m2 VOL :: 11,616 ft3 // 330 m3

AREA :: 11,270 ft2 // 2,140 m2 VOL :: 3,719 ft3 // 105 m3

AREA :: 254 ft2 // 24 m2 VOL :: 110 ft3 // 3.11 m3 approx

AREA :: 106 ft2 // 10 m2 VOL :: 44 ft3 // 1.25 m3

AREA :: 23,050 ft2 // 2,140 m2 VOL :: 230 ft3 // 6.5 m3

depth :: 4” ave.

depth :: 4” ave.

depth :: 4” min - 11” max

depth :: 4” ave.

depth :: 1/16” ave.

grass pitcher mound

area of contact

pitcher’s rubber

2”

+1/2” 0

7

0

6”

0% slope + 11”

2”

0

4”

4”

4”

4”

4”

7

8

6”

6”

slope :7%

11”

TYP 9. | TURFACE

TYP 8. | MOUND CLAY

TYP 7. | CLAY

TYP 6. | HYBRID CLAY

TYP 5. | TUCURUGUAY Local Material Bank

71

[grass behavior] color

AESTHETIC

level

SURFACE

01

+ 1.5”

+ 3/4”

+ 3/4” 02 03

drainage/ ground stability

05

6 weeks

DEC

NOV

2 weeks

OCT

JUL

JUN

natural turf maintained turf grass / rhyzome area mud roots

SEPT

01 02 03 04 05

installed grass from a roll

grass stabilization process

AUG

SUB - SURFACE

04

annual timeline chances of rain grass behavior

(+) humidity = (+) exposure to :: Funji / insects / worms

WINTER

DEC

OCT

NOV

SUMMER

season time line field edging fungicide

sand +++++

72

I. top dresser

H.. mower mowe o r

G. Wheel barrel

F. rammer

E. tiller

sand +++++

sand +++++

top dressing ++++++

roller + sweep ++ aerator+++ irrigation ++++ sand +++++ top dressing ++++++

23

DAY 3

22

21

20

19

18

17

16

15

14

13

12

11

10

08

07

06

05

04

03

02

01

DAY 2

23

22

21

20

19

18

17

16

15

14

13

12

11

10

09

08

07

06

05

04

03

02

sand 09

game day

DAY 1

aeration process

fertilization

01

leyend

7-7-7 for green color

D. edger

aeration

C. razor

A. flat shovel

turface

B. round shovel

field repair

top dressing raises level

compacted soil

+ 3/4”

aeration process

top dressing = 1/8”sand layer

MAR

MAY

FEB

play offs

JAN

APRIL

+ 3/4”

+ 0”

stable roots + heavy traffic = surface dents

mud percentage is reduced

+ 6” + 3/4” +0 - 3/4”

50%

0% probability of precipitatio

p N. sweeper

aerator+++

top dressing ++++++

M. 1 ton mini roller

L. tractor

K. aerator

J. utility car

JAN

SUMMER

roller +

eep ++ sweep

23

22

21

20

19

18

17

16

15

14

13

12

11

10

09

08

07

06

05

04

03

02

01

DAY 4

23

22

21

20

19

18

17

16

15

14

13

12

11

10

09

08

07

06

05

04

03

02

01

top dressing

73

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75

09 poor but beautiful

76

2014

[ poor but beautiful ] Design Competition | Combo Competition | Partner N.Alqallaf the challenge of the competition was to propose a garage structure with an adittional program that will enhance and stimulate the idea of prime real state designated to store cars in the hudson yards , NYC. Our proposal involved the concept of guerilla like work out space manifesting itself by exposing a perpetual high frecuency circuit on its skin. We intended to generate consciousness of the space taken by each car by using car space to realize specific work out activities.

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proposed

typical scenario

user

9’

Central Park

Upper East Side Midtown Clinton Times Square Hudson Yards industrial remains

movement of matter

CAR

CAR

18’

9’

Typical car storage unit

infrastructure

Chelsea

ENGINE observatory

energy

south elevation 01. public spaces 02. parking 03. workout stations

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long term

urban plaza

lrock climbing

workout pods

experience detail

sky plaza

dance

valet parking

product

01 02 03

South Elev

Work out + Parking

Public space + Parking

Parking

West Elev

01.

02.

03.

Parking

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04.

Typical historic residential building height 5-7 levels

[ ] [ ] [ ]

13. Sky Garden and Parking

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.02 Parking Capacity Long

Valet

Category Duration Capacity

.03 Human Circulation

.04 Car Circulation

.05 Workout Stations

.06 Rock Climbing Arena .07 Retail

.08 Vertical Plaza Lounge

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Dance studio

Visitor

Short Flexible

18

Workout cubicles

Roof Deck

Spa Sky Garden

Climbing Wall 114

Permit

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Arena

Cafe Entry Plaza

250

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10 cinema challenge

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2013

[ cinema challenge ] Design Competition | Combo Competition | Partner N.Alqallaf | Awarded 2cond place. the competition challengeâ&#x20AC;&#x2122;s was to rethink the current cinemaâ&#x20AC;&#x2122;s popularity problems and propose an adjacent program that could improve the situation.

Our proposal involved the introduction of a film school and a public open amphitheater that will host local art performances. This symbiotic concept emerged from the idea of creating an environment where visitors and students could create a learning ecology by observing each other.

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Future cinema

01.

bedford square garden

east

castle

street

Arena use: circulation collaboration live performance + projection users: students + public duration: short

t stree

eet an str

soho

newm

eet rs str

berne

art related buildings

Old english theatre Modern cinema

t oxford stree

02. theater: live performance

The users downloads an app for their smartphones to see movie times and the schedule of the Symbiotic Venue. The use is able to have independent audio wich allows the visitors to join the movie in a group and movies will no longer be an isolated activity.

cinema: movement + kinematics exhibition of film moving picture

Film school

soho square

users: film + art students duration: long $$: membership

movie library new movies shows and series symbiotic schedule reserve multimedia POD

03.

Private pods

symbiotic cinema mobile app

users: small groups duration: short $$: rent

04.

Screens pods atrium auditoriums users: multiple users duration: flexible $$: rent + ticket

05.

Seating decks + Auditoriums

users: large groups duration: short $$: ticket

06.

Vertical Circ. primary: atrium secondary: tower

07.

Urban Platform projection wall + icon public ampitheatre entry

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A

-01.

00.

Public amphitheater used by local Art Institutes and Schools.

01.

02.

03.

04.

Urban Platform

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11 un.dsprfcto

84

2013 un desperfecto :: un.dsprfcto :: an imperfection

[ un.dsprfcto ] Entrepreneurship | design collab | partner A.sevilla creativity takes a big part of my life. Since young age, I have been surrounded by craftmanship, and discipline. After graduating from B.Arch, my sister and I decided to join forces and buckle up to a ride of experimentation and discovery. We decided to create a movement based on the idea of imperfection as a manifestion of the rejected, the irregular, the weird and the ugly. This idea is in perpetual eďŹ&#x20AC;ort to become a design ideology which we intent to explore and define as we find our voices as designers.

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VOL. lll

94

2016

[ jaime sevilla ] VOL.lll_ Arch. portfolio j.sevilla.lugo@gmail.com (520) 205 0579

95

Thank you. stay positive [+]