Jake Runestad
Fear Not, Dear Friend TTTBB choir, unaccompanied
Š 2012
Music
jakerunestad.com
Text
Performance Time: 5:30
Fear Not, Dear Friend by Robert Louis Stevenson Fear not, dear friend, but freely live your days Though lesser lives should suffer. Such am I, A lesser life, that what is mine of sky Gladly would give for you, and what of praise. Step, without trouble, down the sunlit ways. We that have touched your raiment, are made whole From all the selfish cankers of our souls, And we would see you happy, dear, or die. Therefore be brave, and therefore, dear, be free; Try all things resolutely, till the best, Out of all lesser betters, you shall find; And we, who have learned greatness from you, we, Your lovers, with a still, contented mind, See you well anchored in some port of rest.
About the Work This work was arranged for Cantus, the “premier men’s vocal ensemble in the United States” (Fanfare), and premiered on November 16, 2012.
About the Composer Award-winning composer Jake Runestad (b. 1986) is noted for his versatility and wide range of expressive capabilities with music driven by soaring melodies, driving rhythms, and lush textures. He has received numerous commissions from ensembles and organizations such as the Louisiana Philharmonic Orchestra, Seraphic Fire, the Dayton Philharmonic Orchestra, the Rockford Symphony Orchestra, the Baltimore Choral Arts Society, the Peabody Children’s Chorus, and the Lunar Ensemble. Jake Runestad holds a Master’s degree in composition from the Peabody Conservatory of the Johns Hopkins University where he studied with Pulitzer Prize-winning composer Kevin Puts. He has also studied extensively with acclaimed composers Libby Larsen and Donald Fraser. Mr. Runestad’s music is published by Boosey & Hawkes and JR Music. Find out more and purchase music: jakerunestad.com
Questions? Comments? Contact me! jakerunestad.com/contact
Perusal Score
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Email: jake@jakerunestad.com
This score is not licensed for performance. Unauthorized reproduction is prohibited by law. Š 2013 Jake Runestad. All rights reserved.
Choral Works by Jake Runestad
Alleluia All the World’s A Stage And So I Go On Come to the Woods Dereva Ni Mungu Dreams of the Fallen Fear Not, Dear Friend Gaelic Prayer Good Night, My Love The Hope of Loving I Will Lift Mine Eyes Let My Love Be Heard Live the Questions Nada Te Turbe None Other Lamb Nyon Nyon Peace Flows Into Me The Peace of Wild Things Sing, Wearing the Sky Sleep, Little Baby, Sleep Spirited Light Under This Tree Waves We Can Mend the Sky Why the Caged Bird Sings
SATB with divisi, unaccompanied SATB with divisi, unaccompanied SSAATTBB, unaccompanied SATB with divisi & piano SATB, percussion, & piano TB, percussion, & piano Piano, chorus, & orchestra SATB with divisi, unaccompanied SATB div., unaccompanied SATB & piano SATB div., soloists, & string quartet SATB with divisi, unaccompanied SATB with divisi, unaccompanied SATB div., unaccompanied SSAATTBB, unaccompanied SATB & piano SATB with divisi, unaccompanied SATB & piano SATB with divisi & piano SSAA, violin, piano, & percussion SATB, unaccompanied SATB with divisi, unaccompanied SATB div., unaccompanied SATB div. & piano SATB with divisi & percussion SATB with divisi, unaccompanied
3:00 5:00 6:00 11:00 3:00 3:00 25:00 6:00 4:00 4:00 17:00 4:30 4:00 4:00 6:00 4:00 3:30 4:00 6:00 5:00 4:30 4:30 4:30 7:30 8:00 8:30
For perusal scores, recordings, and to purchase scores, please visit:
JakeRunestad.com
for Cantus
Fear Not, Dear Friend
Robert Louis Stevenson (1850-1894)
Slowly, reassuringly q = 60
Tenor 2
## 4 & # ## 4 Œ ‹
Tenor 3
? #### 4 Π#4
Baritone
Bass
Piano (reh. only)
{
? #### 4 #4 ? #### 4 #4
œ Fear
not,
dear
poco
Ϫ
j œ œ œ œ œ
friend
j œ ‰ œ
mp
œ
Fear
not,
dear
j œ ‰ œ
mp
œ
Fear mp
not,
dear
j œ ‰ œ
œ
Fear
not,
dear
j œ ‰ œ
mp
œ
Fear
not,
dear
j œ œ œ œ œ
Ϫ
friend
Ϫ
j œ œ #œ œ œ #œ
friend
Ϫ
œœ
œœ J
j œ œ œ œ œ
Œ
œ œ
œ œ J
œœ
œœ ™™
‰
œœ
œ ™™ œ
poco
œœ ™™
œ œ
œœ
œœ #œœ œœ œœ
Pe
nœ
poco
3 3 ? #### 2 œ œ œ œj 3 œj œ œ Bass 4 4 # ¢
les - ser lives should suf - fer.
nœœ œœ œ œ œ
œ
3
3
œœ J
j œ
3 nœ 4 n œJ 3 4 œj
3
3
nœ
poco rit.
œœ
˙˙
œ
œ
œ
œ œ œ œ J
3 3 4 œJ œ œJ ‰ œ
2 4
œ
œ œ œ œ J
3 3 4 œJ œ œJ ‰ œ
2 4
œœ
œœ
œœ
œœ
œœ
œœ
3 œœ 4J
nœ
3
3
#œœ J
œ œ
#œ œ
œœ J
3
3
œœ J
a tempo (q = 60)
4 4 ˙™
poco
5
œ œ
œœ
j œœ
les - ser lives should suf - fer.
{
œ
œœ J
3 ## 2 3 3 & # ## 4 nœ œ œ œj 4 nœj œ ˙ ‹
les - ser lives should suf - fer.
2 4
though
though
but free - ly live your days though les - ser lives should suf - fer,
poco
Pno.
œ
j œ œ œ œ œ
poco rit.
3 3 ? #### 2 œ œ œ œj 3 œj œ œ 4 #4
œ
but free - ly live your days though les - ser lives should suf - fer,
friend
‰
though
but free - ly live your days though les - ser lives should suf - fer,
friend
Ϫ
‰ œj 42
3 j 3 j3 j œ œ œ œ 4œ œ œ ‰ œ
poco
poco
? #### 2 nnœœœ #4 ? #### 2 œ #4
though
but free - ly live your days though les - ser lives should suf - fer,
Slowly, reassuringly q = 60
Œ
Ϫ
poco
les - ser lives should suf - fer.
Bar.
‰ œj 42
3 3 j œ œ œ œj 3 œj œ œ 4 #œ
poco
3 ## 2 j 3 3 & # ## 4 nœ œ œ œ 4 nœj œ ˙ ‹
T. 3
3 j j j3 œ œ œ œ œ 43 œ œ œ bring out
poco
T. 2
Ϫ
but free - ly live your days though les - ser lives should suf - fer,
3 ° #### 2 œ j 3 j3 & # 4 nœ œ nœ 4 nœ œ ˙ ‹ les - ser lives should suf - fer.
5
T. 1
?# # 4 ¢ # ## 4 Œ
j œ ‰ œ
Sc or e
## 4 & # ## 4 Œ ‹
mp
ru sa l
Tenor 1
° #### 4 Œ & #4 ‹
Jake Runestad (b. 1986)
for unaccompanied TTTBB choir
Œ
4 4 ˙™
Œ
4 4
Œ
˙™
4 4 ˙™ 4 4 ˙™ 4 ˙˙˙ ™™™ 4 4 4 ˙™
Œ
pp
œ
œ
Such
am
Œ
a
3
œœ
œœ
œœ J
3
mf
œ œ ˙™
les - ser life, mf
œ
œ œ
œ œ ˙
œ
Such pp
am
I,
a
that,
œ
œ
les - ser life mf
œ
œ œ
œ œ ˙
œ
Such p
am
I,
a
les - ser life mf
that,
œ œ™ J
am
Ϫ p
I,
œ œ J
am
I,
a tempo (q = 60)
œ
Ϫ
2 4
œœ
‰
œ
Ϫ
2 4
œ J
‰
œ
Such
Œ
I,
pp
Such
Œ
Ϫ
j œ
3 4 œœJ
œœ
though
œœ
œ J
Copyright © 2012 Jake Runestad, JR Music (ASCAP). Ver. 1.28.15 All rights reserved. International copyright secured.
œ J a
œ œ a
œ
œœ œœ
œ
œœ œœ
œ œ œ
les - ser
Ϫ
œ J
life,
that
Ϫ
j œ
life,
that
mf
œ œ œ
les - ser
œœ œ œ
œ ˙˙ œœ
œœ
œœ™™
œœ œœ J
2
10 ° #### ‰ & # œ œ œ œ™ ‹ that what is mine mf
T. 1
mf
## & # ## ‰ œ œ œ œ ™ ‹ that what is mine
T. 2
## & # ## œ ‹ what mf
T. 3
œ
Bar.
is
Pno.
{
œ
what
? #### # ? #### #
‰ œœ
œ œ œœ
mf
° #### œ ˙ & # ‹ sky
T. 1
T. 2
# ## & # # œ ˙™ ‹ sky
T. 3
mf
? #### ˙ #
Bar.
sky mf
Bass
Pno.
? # # ˙™ ¢ # ##
{
sky
? #### # ? #### #
15
œœ œ
˙ ˙
œ
sky
P
˙
œ
˙˙ ˙ œœ
Ϫ
poco
3
œ ‰ œ œ œ
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œ poco
œ
œ ‰ œ œ œ mp
Ϫ Ϫ
œ œ
œœœ
œ œ
Ϫ Ϫ
poco
˙˙
œœ
œœœ
œ ‰ œ 3œ œ mp
Ϫ
poco
œ ‰ œ œ œ œœœ
‰
˙ ˙˙
œ œ J
mp
œ œ œ mp
j œ œ
œ
œ
of
œ
of
œ
and what mp
of
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of
œ œ J
œ
j œ œ
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and what
of
œ œœ œœ
œœ
œ œ J
œœ
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œ
> Ϫ
3
œœ œœœ œœœ
praise,
œ œ œ j œ œ
œ
3
œ œ J
praise,
œ
j œ œ >œ œ
œ
œ
œœ J
œœ
œ œ
˙™
praise.
˙™
praise.
œ œ
˙™
praise. poco
˙™
‰ œ œ
œ ˙ J
œ
‰ œ œ
œ
‰ œ œ
œ
œ
˙™
œ œœ œœ
praise.
˙˙ ™™ ˙ ™™ ˙
What mine of
œ
for you.
œœ œ J
œœ
˙˙ ˙
œœ œ
œœ ˙˙
œ œ
mp
œ ‰ œ ‰ œ ‰ œ ‰ œ ‰
œ
What mine of
œ œ ˙
praise. poco
What mine of
for you.
œ™ œœ™™
poco
and what of
œœ œœ
œ
œ
poco
and what of
Ϫ
‰ œ œ
j œ ˙
poco
and what of
>œ ™
œœ ™™
œ
and what of
praise,
œœ
3
and what of
> Ϫ
praise,
œ
j œ œ
praise,
œ
‰
œ
œ
What mine of
for you.
glad - ly would give
œœ
and what
Ϫ
Ϫ
glad - ly would give
sky
j œ ˙
‰ œ œ
for you.
glad - ly would give
mp
Ϫ
poco
3
poco
œ
e r o c S l
mp
poco
œ ˙ J
for you.
glad - ly would give
˙˙ ˙
œ
mf
˙™
and what
mf
## w & # ## ‹ sky
mp
a s u r e
œœ œ
œ
float
Ϫ
poco
w
10
15
œ ‰ œ œ œ
sky
œ œ J
poco
3
glad - ly would give
˙
œœ™™ œœ œ
œ
sky
mine of
œ œ
œ
w
œ
œ
is
œ
of
mp
poco
˙
j œ œ
mine of
mf
?# # Bass ¢ # ## œ
sky
œ
œ
œ
what
of
mine of
mf
? #### œ #
œ
œ
œ
is
œ J
œ
What mine of
‰ ‰
œ
œ
œ
œ
œ œœ œ
œ œ œJ œ œ 3
Step, with -out trou- ble, mp
œ
j3 œ œ œ œ œ
Step, with -out trou- ble, mp
œ
j3 œ œ œ œ œ
Step, with -out trou- ble, mp
œ
œ œ œJ 3 œ œ
Step, with -out trou- ble, mp
œ
œ œ œJ 3 œ œ
Step, with -out trou- ble,
œœ
‰
œ
œœ
œœ
œœ 3 œ J œ
œœ
œ œ
‰
œ
œ
œ
œ œ J
œ
3
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molto rit.
T. 1
20 ° #### œ & # ‰ ‹
Pno.
{
? #### # ? #### #
œ
T. 2
‰
œœ
œœœ
œœœ
U œœœ
œ
œ
œ
œ
U œ
24 ° #### ‰ & # ‹
## & # ## ‰ ‹
mf
œ
œ
We mf
are
œ
œ
We
# ## &# #œ ‹ whole,
are
Ϫ
œ
r e
œ
P œ
we
mf
?# # Bass ¢ # ## œ
{
? #### #
24
œ
whole,
‰ œœ
we
œ
œ œ œœ
œ
œ
made whole, we
we
whole,
Pno.
that have
œ
œ œ
We pp
that have
œ œ
We p
that have
œ
œ œ
We
that have
p
œ
œ œ
We
that have
œ
are
made
œ
œ
are
œ
are
made
œœ œœ œ
œœ œ œœ
whole, f
˙
your
œ
œ œ
œ œ
touched
your
Ϫ
œ J
touched
œ
your
œ œ
touched
your
œ œ ˙
rai - ment, mf
œ œ œ
rai - ment, mf
œ œ œ
rai - ment,
œœ
œœ
œœ œ
œœ
˙˙ ™™
œ
œ
œœ
œœ
œ
œ
œ
œ œ
œ
œ
˙ œ œ
œ œ
whole, f
w
œ
œ
whole,
w w w
œœœ
œ
made
œ
œ
are
made
œ
œ
are
made
œœ
œœ
poco accel.
whole,
˙˙
made
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œ
w
œœ
œ
rai - ment,
œœ
whole,
made
œ
w˙
rai - ment
mf
f
œ
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œœ œ
œ œ
touched
w
made
œ
f
œ
f
œ
are
œœ
œ
your
œ œ ˙™
mf
a tempo q = 60
a s u
œ
touched
mf
e r o c S l
œ
U Œ
made
Ϫ
j œ
pp
U Œ
œ J
made whole,
œ
? #### œ #
? #### #
We
* elongate and close to "n" on "sun."
mf
Bar.
U ˙˙˙ ™™ ™ U ˙˙ ™™
œ œ
U Œ
ways.
œœ
mf
T. 3
U ˙™
down the sun - lit
‰
U Œ
ways.
œ œ œ* œ U œ
20
T. 1
U ˙™
down the sun - lit
molto rit.
U Œ
ways.
œ œ œ* œ U œ
? # ## œ ‰ Bass ¢ # # œœ
U ˙™
down the sun - lit
œ
U Œ
ways.
* U œ œ œ œ œ
? #### œ ‰ #
Bar.
U ˙™
float
down the sun - lit
## & # ## œ ‰ ‹
T. 3
ways.
U * œ œ œ œ œ
pp
U Œ
float
down the sun - lit
## & # ## œ ‰ ‹
T. 2
U ˙™
U * œ œ œ œ œ
3
a tempo q = 60
œœ œ
43
œ
œ
are
made
œ are
œ
made
43
œ
are
œ
made
43
œ
œ
are
made
43
œ
œ
are
made
43
œ œ
poco accel.
œ œ
œ
œ
43
œ œ
œ œ
œ
œœ
43
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4
Intense q = 66
ff
° #### 3 & #4 œ ‹ 27
T. 1
‰
whole,
## & # ## 43 œ ‹
T. 2
‰
whole,
## & # ## 43 œ ‹ whole,
T. 3
‰
? #### 43 œ #
Bar.
?# # 3 œ Bass ¢ # ## 4
Pno.
{
‰
whole,
? #### 43 œ # ? #### 3 œœ #4
nœ
œ
from
all
the
œ
œ
nœ
from
all
the
œ
‰
whole,
œ
‰ ‰
nœ
all
œ
œ
from
all
## 2 n>œ 4
the
the
œ
from
all
the
œœ
n œœ
œœ
œ œ
nœœ
#œœ œ
T. 1
30 ° ## Œw & ‹ Oo,
‰
œ
œ
œ
œ
## sub. p & w ‹ Oo, # &# w ‹ Oo, ? ## w
Oo,
sub. p
?# Bass ¢ # w
Pno.
{
Oo,
? ##
Πw w
? ## www
30
n œ>œ
œœ
>œ œ
œœœ
# # # #
42 42
œ #œ ˙™
œ
dear,
œ
‰
œ
œ
œ
œ
œ
œ ˙˙ ™™
˙˙ ™™™ ˙
44
œœ ™™
œ>œ
Œ
44 œœ
our
f
˙
souls. mf
f
‰
œ
our
souls. mf
œ
f
‰
our
mf
‰
our
3
œ
œœ
˙
f
souls.
˙˙
‰
˙ ˙˙
o
" #### #
> w
U nw
o " #####
œ
> bw
U w
œ
> w
U nw
> w
U w
> w w
U w nw
œ
or
> w
˙
souls.
œ
œ
˙
U w
‰
die. mf
die. mf
die. mf
or
die. mf
œ
or
œ
of
mf
or
œ
œ
3
molto rit.
or
œ
œ
of
œ
#œ
souls. mf
44 œ
œœ ™™
>œ œ
˙™
our
3
of
can - kers
˙™
of
44 œ
Ϫ
>œ
œ
˙
e r o c S l Ϫ
a s u
hap - py,
œ
of
can - kers
˙™
P
sub. p
Bar.
œ
œ
44 œ
Ϫ
>œ
˙™
sub. p
T. 3
> ## 42 œ
44 Œ
can - kers
sel - fish
r e
sub. p
T. 2
œ
œ
> œ
sel - fish
Ethereal, rubato q = ca. 72
you
> ## 42 œ
Ϫ
can - kers
sel - fish
ff
27
(solo) mp freely, float and we would see
œ
ff
œ
œ
> œ
sel - fish
## 2 >œ 4
44 Œ
Ϫ
can - kers
œ
ff
#œ
œ
sel - fish
## 2 >œ 4 ff
>œ
œ
f
mf
‰œ œ œ
die.
œ
bww w >
U nw w w
o " ##### o " # ## # #
o " # ## # # " # ## # # #### #
This score is intended for perusal use and is not licensed for performance. Further dissemination of this copyrighted work is illegal. Please purchase scores at: jakerunestad.com/store
As the beginning q = 60
T. 1
34 3 3 ° #### Œ œ œ œ œ 46 œ ‰ œ œ œ œ œ™ & # ‹ There- fore be brave, and there -fore dear,
œ
b 44 n˙ ™
œ
œ œ
b 44 n˙ ™
œ
œ #œ
œ œ œ œ™ œ œ œ œ b 44 nœ ‰ œ
be
3 3 ## & # ## Œ œ œ œ œ 46 œ ‰ œ œ œ œ œ™ ‹ There- fore be brave, and there -fore dear, 3 3 ## & # ## Œ œ œ œ œ 46 œ ‰ œ œ #˙ ‹ There- fore be brave, and there -fore
be
3
Bar.
There- fore mp
be
brave,
3
Pno.
{
? #### # ? #### #
be
brave,
As the beginning q = 60
Œ Œ
34
œ
œ
œ
œ
3
œ œ
œ œ
œ œ
3
œœ
‰ œœ
œ #˙˙ œ
& b œ œ ˙™ ‹ lute- ly,
Œ œ œ ˙ till the best,
r e Œ œ œ ˙
till the best,
P
poco
Œ œ œ ˙
œ ‰
best, till the best you shall find.
Bass
Pno.
¢
{
?b ?
b
?b
38
poco
‰ œ œ œ œ œ ˙ œ œ
best, till the best, you shall find.
œœ œœ ˙˙ ™™ œ ˙™ œ œ ‰ œœ œ œ
Œ œœ œ œ œ œ
œœ
˙˙
Try all things res - o -lute - ly,
free;
b
44
Try all things res - o - lute - ly,
™ nnn˙˙˙ ™™
a s u
œ œ nœ n œ ‰ œœ œ œ
œ ‰
you shall find,
poco
poco
œ ‰ œ œ ˙
you shall find,
poco
poco
œ ‰ œ œ ˙
you shall find, poco
œ œ ˙
you shall find, poco
œœ œœ
˙˙
‰
till the best,
œ
œ ‰ œ œ œ™ œ œ
œœ
œœ ˙˙˙ œœ œœ œœ ‰
œœœ œœ ™™
‰
œœ œœ
œœ
œ
œ
till
the
œœ
œ œ
42
U U œ ‰ 42 U œ œ 44 w
42
you shall
find. ff
you shall
find.
‰
w œ ‰ 42 U œ U œ 44 U you shall
œ
œ œœ œ ‰ œ
find. ff
42
U w œ 4 U œ U 42 4
42
find. ff
you shall
‰
42
U U U 24 œ œ 44 w you shall
best
œœ œœœ œœœ
the
w œ 4 U œ ‰ 2U œ U 4 4
œ ‰ œ
you shall find,
till
œœ œ œ œ œ ™ œ œœ œœ œ œ™ œœ
œœ œœ œœ
best poco
œ
ff
œ œ œ
œ ‰ œ œ œ™ œ œ
Till the best,
œœœ
œ œ œ
poco
Till the best,
œœ œœ ˙˙˙
œ œ œ
till the best,
œ ‰
‰
œ
ff
till the best,
œ ‰
œ œœ
œ œœ œœ ™™ œ
molto rit.
poco
œ ‰ œ œ ˙
œ œœ
Slightly faster
4 b4
œœœ
œ œ ‰ œ ˙
œœ ‰
Try all things res - o -
4 œ œ b 4 nœ ‰ œ œ œ œ œ ™ œ œ œœ J
œœ
till the best,
?b œ ‰ œ œ œ œ œ œ ˙
Bar.
3
œ ‰ œ œ œ
mf
poco
&b œ œ ˙™ ‹ lute- ly,
T. 3
Ϫ Ϫ
œ œ
œ™ œ
e r o c S l free;
dear, be
3
molto accel.
° bœ œ ˙™ & ‹ lute- ly,
T. 2
œ œ
œ
Try all things res - o -
mf
œ œ
and there -fore
œ ‰ œ œ œ œ œ™ œ
free;
dear, be
˙
‰ œ
38
T. 1
3
œ 46 œ
46
œ œ
˙
and there -fore
?# # 6 Bass ¢ # ## Œ œ œ œ œ 4 œ ‰ œ œ There- fore
3
Try all things res - o -
free; mf
dear, be
mp
? #### Œ œ œ œ œ 46 œ ‰ # œ œ
free; mf
j œ
mp
T. 3
œ ‰ œ œ œ œ œ™ œ
b 44 n˙ ™ mf
j œ
mp
T. 2
5
Slightly faster
mp
42 42
U U œ œœ œ œ U œœ œœ œU
find.
44
U w w w U
44 ww
42 42
This score is intended for perusal use and is not licensed for performance. Further dissemination of this copyrighted work is illegal. Please purchase scores at: jakerunestad.com/store
6
Slowly, rubato (q = ca. 58)
° b2 Œ & 4 ‹
‰ œ 44 ˙
& b 42 Œ ‹
‰ œ 44 ˙
& b 42 Œ ‹
‰ œ 44 ˙
? b 42 Œ
‰ œ 44 b˙
? b 42
∑
p sotto voce *
44
T. 1
T. 2
T. 3
Bar.
Bass
Pno.
¢
{
And
And
? b 42
T. 3
Bar.
Bass
? b 42
Pno.
œ
œ
œ
we,
Œ
‰
œ
44
∑
œ
œ
œ
œ œ œ œ ˙
42
∑
42
∑
42
∑
from you,
3
œ
œ œ œ œ ˙
3
œ
bœ œ œ œ ˙
from you,
who have learned great - ness
from you,
stagger breathing
œœ
œœ
œœœ
œœ œ
œ
bœ w
œœ
œœ
œœ
˙˙
œ
œ
œ
˙
a s u r e 3
44 b˙ w
œ
3
œ
‰ œ œ œ œ ‰
44 œ
‰ œ œ œ œ ‰
44 œ
‰ œ œ bœ œ ‰
44 œ
‰ œ bœ œ œ ‰
we,
your lov - ers,
we,
your lov - ers,
we,
42 42
your lov - ers,
we,
42 ˙
w
˙˙
44 œ
e r o c S l
from you,
who have learned great - ness
p
œ
44 w 44
∑
˙
your lov - ers,
44
∑
œ
‰
œœ
œœ
œ
œ
‰
œ w
‰
œ
bœ
œ
œ
‰
* Follow the contour of the line with subtle dynamic changes never louder than mp (through measure 55).
&b Œ ‹ ?b Œ ? ¢ bw b
?b
49
œ
44 w
‰
&b Œ ‹
{
3
Slowly, rubato (q = ca. 58)
° bŒ & ‹
?
we,
p sotto voce *
Œ
42
who have learned great - ness
p sotto voce *
And
œ œ œ œ ˙
who have learned great - ness
we,
And
œ
œ
Oo,
49
T. 2
we,
p sotto voce *
44
T. 1
œ
3
ΠΠw
3
œ
with 3
œ
with 3
œ
with 3
œ
with
œ
œ
a
still,
œ a
œ a
œ a
‰
œ œ
‰
P still,
œ
œ
3
˙
con - ten - ted
‰
still,
œ
‰
still,
œ
œ
œ
œ
3
˙
con - ten - ted 3
˙
con - ten - ted
œ
œ
3
˙
con - ten - ted
˙
œ
Œ
˙
œ
Œ
˙
œ
Œ
mind,
mind,
mind,
b˙
œœ
œœœ
3 3
œ
œ
œ
‰ ‰
œœ
˙˙
œœ œ œw
3
œ
œ
˙
see
you
well
3
œ
see
Œ
3
œ
see
Œ
Œ
œ
˙˙
œœ
3
˙ ˙
b˙
œ w
˙
you
well
œ
˙
œ
3
˙
an - chored
œ
3
42
˙
42
˙
42
an - chored
œ
3
well
an - chored
œ
œ
b˙
œ
see
you
well
an - chored
3
w Œ
Œ
Œ
Œ
œœ
œ œ
˙˙ ˙
œ œ
3 3
œ
b˙ w
œ
3
42
˙˙˙
42
˙
42
3
œ
42
˙
you
3
w
3
œ
Œ
mind,
w œ
œ
Œ
This score is intended for perusal use and is not licensed for performance. Further dissemination of this copyrighted work is illegal. Please purchase scores at: jakerunestad.com/store
Slowly emerging q = 60
° b2 Œ & 4 ‹ 53
T. 1
Pno.
œ
44 œ
œ
44 œ
œ
44 bœ
some
in
? b 42 Œ
Bar.
some
in
some
? 2 ¢ b4 ˙
{
? b 42 ? b 42
53
T. 3
Bass
Pno.
¢
{
rest.
˙
œ
U w
port
of
rest.
˙
œ
U bw
port
of
rest.
˙
œ
U w
port
of
rest.
œ
U w
of
Œ
U bww
Œ ˙
œ
44 bœ ˙™
˙
œ œ
U w w u
œ dear
Œ
˙
Fear
˙
not,
P œ
Fear
not,
œ
Fear
? bb 44
œ
not,
∑
œ
dear
Œ
œ
œ
Œ
œ
œ
œœ
˙˙
œ
˙™ Œ
œœ œ
œ
∑
∑
44
bb 42
∑
∑
44
b b
42
b b
42
Slowly emerging q = 60
œ
Œ
˙
œ ‰ œ
not,
dear
not,
fear
˙
œ ‰ œ
˙
œ œ
˙™ œ
œ
˙
œœ
w œ ‰
œ
˙
fear
‰
friend,
œ
not,
œ
œ ‰ œ
friend,
œ fear
œ
not,
œ fear
œ œ
˙ ˙ œœ
fear
fear
fear
∑
˙™
œ
not,
dear
˙™
œ
not,
dear
˙™
œ
not,
dear
œ ‰ œ
˙ not,
fear
˙
œ ‰ œ
not,
œ œ œœ
˙
∑
œ ‰ œ
dear friend,
‰
bb 42
˙
œ
pp cresc. poco a poco
44
œ
˙™
fear
∑
˙™
œ ‰ œ
Fear not,
˙™
friend,
∑
dear
dear
friend,
44
∑
bb 42
not,
œ ‰ œ
not,
∑
œ
not,
œ
44
˙
Fear
˙™
œ ‰ œ
˙™
pp cresc. poco a poco
fear
fear
fear
* pp cresc. poco a poco
˙
˙
r e
friend,
* pp cresc. poco a poco
œ
a s u
œ ‰ œ
œ
e r o c S l
rest.
œœ
b4 &b 4 Ó ‹
58
of
˙ ˙
Œ
? bb 44
bb 42
port
œ œ
b & b 44 Ó ‹
? b4 b4
bb 42 Œ
44
? b4 Πb4
Bar.
U w
œœ
° bb 4 ˙ ™ & 4 ‹
T. 2
œ
44 ˙™
58
T. 1
˙
some
in
2 & b4 Œ ‹
T. 3
Bass
in
2 & b4 Œ ‹
T. 2
44 œ
œ
7
pp cresc. poco a poco senza vibrato
*
‰
˙˙
* Tenor voices should separate proportionally among tenors 1, 2, & 3 for best blend (through measure 68). Note tenors 2 & 3 are mostly doubled.
œœ
fear
˙˙˙™™™ œœ
˙ not,
˙ not,
œœ ‰
œœ
˙˙
44 44
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8
rit.
fear not.
° bb ˙ ™ & ‹ friend, 63
T. 1
T. 2
T. 3
œ
fear not, dear friend, fear
b & b ˙™ ‹ friend,
œ œ
friend,
Bar.
œ œ œ ‰ Œ
˙™
dear friend,
Bass
Pno.
?b œ n˙ ¢ b œ
{
? bb ? bb
˙ ™™ ˙
fear not, dear
œ
w
fear
not,
œ œ
œœ
œœ
˙™ œ œ
˙
œœ
œœ ˙ n˙
w w
‰
Œ
Œ
63
a tempo (q = 60)
° bb 3 ˙ & 4 ‹ Oo. 70
T. 1
mp
œ
mp
T. 2
b & b 43 ˙ ‹ Oo.
œ
mp
T. 3
b & b 43 ˙ ‹
Oo. mp
Bar.
? bb 43 ˙
œ œ
Oo.
mp
? b3 Bass ¢ b4˙
œ
˙˙
œœ
˙
œ
Pno.
{
? bb 43 ? bb 43
70
44 U w 44 U w
r e
P 44 U w 44 U w 44 U w
Oo.
p
"
˙
Oo,
"
p
˙
Oo.
"
Oo.
fear
œ œ ‰ œ
friend,
fear
œ ˙
˙ friend,
œ
œ
˙
œ œ œ nœ
œ ˙™
œœ
œœ
˙
˙
mf
˙
w
n˙
p
w ˙
mf
˙
44
U w
œ ‰ œ ˙
not,
‰
œ ˙
˙˙ w w
˙ n˙˙
U ˙
,U w
œ nœ
˙
U ˙
˙
not,
fear
not.
˙w
œ
œ
Œ
œœ œ nœ
w ww ˙
˙˙
U w
fear
not.
U w
w w
U w
w
U w U w
pp
˙
˙
w
˙ ww
˙
˙ ww
˙ ˙
˙ ˙
w w
˙
w ww U w w
mf
U œ ˙™
Oo. mf
ff
U ˙
"3 4
œ œœ
U w w
o
o o o o
"3 4
,U w
Oo.
˙
"3 4
"3 4
mf
U ˙
"3 4
,U w
Oo.
ff
nœ
œ ˙™
,
ff
˙
˙™
mf
w
Oo. mf
ff
U ˙
fear not.
Oo. p
U œ ˙™
Oo.
ww
mf
" w "
,
fear not.
mf
˙
˙
fear not.
fear
Oo.
44 wUww
not,
œ
œ ‰ nœ
a s u œ œ
p
˙
œ ‰ œ œ œ
fear not,
fear not, dear
œœ
˙w
e r o c S l
friend,
œ
Œ œ œ nœ
dear friend,
œ œ ‰ œ
œ
Œ œ œ œ
œ œ ˙
dear friend,
œœ
fear not, dear
fear not, dear friend,
? bb œ œ ˙
œ
Œ œ œ œ
œ œ œ ‰ Œ
ww
mf
U ˙
not.
fear not, dear friend,
b & b ˙™ ‹
œw ‰ œ ˙
w
œ œ œ ‰ œ
Freely
ff
U ˙˙ ™™ ˙™
U ∑ U ∑ U ∑ U ∑ U ∑ U ∑ U ∑
43 43