j e
a y
m r
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P O R T F O L I O eyresdesign@gmail.com 0432-530-527
Masters University Technical Section
AU S T I N M AY N A R D ARCHITECTS
E XP E RIENCE SUMMA RY
( 20 1 8 - 2 0 2 0 )
( Vect o rwo rks, S ke tc h U P, V-Ra y, Ad ob e S uite , Exc e l )
I w a s dr awn t o wo rki n g here b eca us e I wa s keen to w ork on hig hl y d eta il ed s m a l l er projects a nd to g a in ex p e r i e n c e w it h h i gh er lev els o f re s pons ib il ity a cros s a l l s ta g es . As w el l a s w orking on a nu m b er of ea rl y s ta g e projects I gai n e d pa r t i c u l ar ly st ro ng exp erience on the b a ck end of projects , ta k ing 3 res id entia l projects f rom pl a nning throu gh t o s i t e , r unn i n g th e day t o day & CA with d irector mentors hip. This requ ired reg u l a r com m u nica tion w ith cons u l ta nts , bu i lde r s & cl ien t s an d t o be di li gent when ma na g ing d ocumenta tion s ets .
CONCEPT
• P R O J E C t : F ishermans B A Y - $ 4 . 5 m N E W B U I L D - A U stin M aynard A rchitects • T E A M : M yself & d irector . • R esponsibilities : I d e v e l ope d the c onc e pt d e sig n from a d ire c tor site d ia g ra m a nd d e v e l ope d a l l d r aw i n gs f o r p l an -
Stages: Concept to planning
ning s ub mis sio n. I wa s p a r t o f cl ie nt pre se nta tions, w ith re g u l a r ong oing e ma il & phone inte ra c tion to re fine the s c o p e o f t h e des i gn . I lo ve wo r king b e twe e n 2 & 3D. I b e l ie v e strong d ia g ra ms se t the tone for a proje c t, a c ting a s g u id e s w he n ma k i n g dec i s i o n s l at er o n .
ROOF PLAN CONCEPT DIAGRAM
CONCEPT
• P R O J E C t : F ishermans B A Y - N E W B U I L D $ 4 . 5 m - A U stin M aynard A rchitects • T E A M : M yself & d irector .
Stages: C on ce pt to pl a n n in g
S u b mitted planning d rawing
3 D s h ow ing sli ding corner b ay w in dow seat
propose d East elevation 3D
Curved sli ding gla z ing dining terrace
M U LT I - R E S
• P R O J E C t : S tewart C ollecti v e - multi - res - A U stin M aynard A rchitects • T E A M : M yself , A ssociate & D I R E C T O R • R esponsibilities : I w ork e d u p the inte rna l l a y ou t a nd inte rior d e sig n of tw o a pa rtme nt ty pe s, c omp l et i n g do c um en t at i o n
Stages: Planning to Marketing
& 3D mo d e lling in SketchU P. I a l so w ork e d c l ose l y w ith the d e v e l ope r to d oc u me nt fl a t pl a ns for the ma rk e ting p ac k ages . • * note
renders
by
others
• D e li ve r e d by d ev eloper Luc ent. T h e St e war t collec tiv e is a sust ai nable community of 70 homes ne i g hbou r i ng CERES.Austin Ma ynar d was as k e d to d ev elop the int e rnal de s i gn.
• section • multiple
• k itchen
joinery
render
render
customisation
of
2
bed
of
duple x
unit
• 3 D
options
apartment
• li v in g
dinin g
space
render
of
shared
library
M U LT I - R E S
• P R O J E C t : T errace house - multi - res - A U stin M aynard A rchitects • T E A M : M yself , A ssociate & D I R E C T O R • R esponsibilities : D oc u me nta tion for the pl a nning a me nd me nt pa c k a g e a nd fl a t l a y ou t pl a ns. Re nd er f o r m ar k et i n g.
Stages: Planning to Marketing
”T he “N ig hting a le Mo d el is tr ip le b ottom l ine d e v e l opme nt mod e l tha t d e l iv e rs home s tha t a re e nv ironme nta l l y , s o c i al l y an d f i n an cia lly susta ina b le . T he g o a l o f ea c h N ig hting a l e proje c t is to prov id e qu a l ity u rb a n hou sing , w ith hig h su sta ina b i l i t y o ut c o m es , at an a ffo r d a b le p r ice .”
• R ender
for
mar k etin g
S ite & C A
• P R O J E C T : P A R K S T . A lts & A D D S - $ 8 0 0 k - A ustin M aynard A rchitects • T E A M : M yself & d irector . • R esponsibilities : Re sponsib l e for the proje c t from pl a nning sta g e to site c onstru c tion. A c ross a l l e l em en t s o f CA &
STAGES: Planning to CA
d a y to d a y p r o ject ma na g eme nt of c onsu l ta nts, b u il d e r & d oc u me nta tion & c ontra c t pa pe rw ork , w ith d ire c tor ov er s i gh t . T h i s p r o j ec t e q uir e d r ig o r o us neg o tia tio ns w ith su rv e y ors & pl a nne rs d u e to w a l l on b ou nd a ry a nd pe rforma nc e sol u tion re q ui r ed.
EX TR ACT F ROM CA SE T
H
“timber not steel” became a strategy for using cost efficient/common materials in new and exciting ways
ground floor open to north facing garden - first floor shutters open 13TH FEB 2018 © Copyright Andrew Maynard Architects Pty Ltd trading as Austin Maynard Architects This document, design and drawings are the property of Andrew Maynard Architects Pty Ltd (trading as Austin Maynard Architects) and may not be used nor duplicated by any other party without written permission from Andrew Maynard Architects Pty Ltd.
PARK - CONCEPT DESIGN
45 PARK ST
NORTHCOTE
E XTRAC T F RO M C A S ET
3D vie w from rear gard en - d esign b ase d on a simple pic k et clad b ox
CA DETAILS WORKING THROUGH PICKET FIXINGS
PHOTOS FROM ONE OF THE bi-weeky site visit
E XTRAC T F RO M the C A
CA & SITE
• P R O J E C T : T erracitta H ouse - N E W B U I L D R E S I $ 1 . 2 m - A U stin M aynard A rchitects • T E A M : M ysel F , P ro j ect lea d & d irector . • R esponsibilities : I w o r k e d o n t h i s p r o j e c t f r o m p l a n n i n g d r a w i n g s t o c o m p l e t i o n . I m a n a g e d t o d a y t o
Stage: Planning to completion
day alongside the project lead. Spent a lot of time co-ordinating consultants and enjoyed working through steel connection and reveal details. Tight budget constraints, required daily communication with a demanding client.
ske tch de ta ils ex plorin g steel connections
Hela-
Hello!
S i te photos n earin g completion
FL
FL
New stone retaining wall
F R E E L A N C E ( F r e e l a n c e
a r c h i t e c t u r a l
d e s i g n e r )
• IN d e p e n d e n t ly LED C o n v e r s i o n o f e x i s t i n g d e r e l i c t b a r n t o 3 4 b e d h o u s e • s e n s i t i v e s i t e e c o lo g i c a l a n d h e r i tag e c o n s t r a i n t s . C o m p l e x n e g o t i at i o n s w i t h p l a n n e r s . • s u c c e s s f u l ly r e c e i v e d p l a n n i n g p e r m i s s i o n - c u r r e n t ly o n h o l d . Rear first floor access via raised patio Existing stone stairs retained
ound Cottages
Proposed landscaping pulled away from barn
security gate to farmhouse
Hall/ Boots
Bedroom 1
Small new opening
Master Bedroom
UNIT 3 Opening as existing
En-suite
Fam Bath
En-suite Low level soft landscaping
Bedroom 2
o Pound
s k e t c h o f PROPOSED ENTRANCE TO UNIT 1
Existing lean-to demolished
Opening as existing
Living
6
11
7
10
8
9
Fireplace
3
4
5
12
Small new opening
2
UNIT 2
1
WC
Store
UNIT 1 Living
Opening as existing
Dining
Bedroom 1 Kitchen
Opening as existing Gate position retained for access to biodigester
Bedroom 1
Kitchen
Blocked up opening re-opened and slightly widened to allow terrace access
Existing doorway opening as existing
PROPOSED
Dining
Utility /Boots
Soft landscaping GROUND PLAN : REMOVE LATTER LEAN - units TO ’ S between lean-to AND RESTOREExisting ORIGINAL BARN STRUCTURE demolished
Blocked up opening re-opened and slightly widened to allow terrace access
AND
RETAIN
SKETCH O F PROPOSED ENTRANCE TO UNIT @
DP
Greenhill Farmhouse
w hat if w e use th is roof step & snea k w indows in un d erneath ?
new ro o f p ro file
FL
new cleres to ry win dows FL
o rig inal s to ne walls tim ber vo lu m e inser ted INSULATED LAYER
Existing opening utilised to create first floor level door
und Cottages
co nce pt s k e tch : f loating timb e r vo lu me s
Bedroom 3 Living
Existing Site Photo From the Farm Courtyard
UNIT 3
Dining
New wall clad with timber Panel glazing rooflights Kitchen
Utility WC
En-Suite
9
8
Bedroom 3
17
UNIT 2
store
13
Void
14
store Bathroom
12
11
10 15
16
Master Bedroom
Circulation Bridge Bedroom 2
UNIT 1 Bedroom 2
Void
1
Bedroom 3
Fam Bath Master Bedroom
Void
Eaves windows. Fins and battens in front control light spill
1
PROPOSED f i r s t f l o o r PLAN : u t i l i s e d o u b l e h e i g h t v o i d s t o i n c r e a s e l i g h t s p i l l t o l o w e r l e v e l s .
V ie w 1 - s k e tch o f ins id e d o u b le h e ig ht vo i d
e x istin g barn to 3 x 4 bed residential units
EXISTING COURTYARD ELEVATION
courtya rd 3D vie w: defensive elevations for privacy to cou r tya r d & e x pa ns iv e g la zing to r e a r to co nne ct with la nd s ca pe
HAND SKETCH exp er ime nt i ng w i t h c l e re s to ry
co u r tya r d e le vatio n
hand ske tch of south facing elevation
STONEWOOD DESIGN
E XP E RIENCE SUMMA RY
( 2 0 1 5 - 2 0 1 7 ) ( Vect o rwo rks , S ke tc h U P, V-Ra y, Ad ob e S uite , Exc e l )
The level of documentation & detailing processes were very rigorous at Stonewood. As a result, I developed great experience resolving details in 2 and 3D and built the understanding to tackle detail resolution early to help aleviate pressure before arriving at site. I worked on projects on a wide range of sectors including education, cultural, residential, & commercial. Due to the small team of 6 at the time I was required to work across many different stages with high levels of responsibility. I continued to work freelance after deciding to leave to do some travelling and eventually move to Au s t r a l i a .
Architectural Designer, Stonewood Design
Residential Stages: Concept to Planning A planning application for 20 sustainable new homes in a riverside location in Box Wharf. The scheme maximises the use of the sites complicated topography. We also developed a smaller scheme of
12 homes on the opposite side of the river with a creative tech worker space. The scheme uses a subtle, contempory style that uses materials from the surrounding context.
My Experience
- Concept Design - Masterplanning - Site analysis/visits - Design Development - Design team meetings with wider professionals/consultants - Concept Proposals - Planning Application - Design + Access Statement - Visuals/Graphics (Vray/Photoshop) - 3D Modelling in SketchUp - 2D Drafting in Vectorworks
“A sustainable community of 20 new homes�
3D Masterplan Aerial of the Timber Yard Site
Site Sections of the Timber Yard & Millside Sites
Swindon housing
“Breaking the status quo of afforable housing”
Stages: Concept
bruton h o u s e
“A b e s p o k e high end home”
Stages: Concept A contemporary new-build house which nestles in to the historic fabric of the village of Bruton in Somerset. Utilising a basement amenities floor, the scheme uses multpile pitched roof forms to give grandeur to the internal spaces that open out onto the enclosed south facing garden.
My Experience
I developed on site modelling and design iterations up to planning status. I had direct communication with the client over design concerns and layouts. I attended site meetings and regularly liased with ecologists & required consultants Aerial showing roof form and open courtyard
View along canalside An affordable housing scheme for 85 new homes in the Canalside area of Swindon. Working in partnership with urban design specialists Metropolitan Workshops on behalf of Swindon Borough Council. There will be a choice of 1, 2, 3 and 4 bed homes for sale and be situated along both banks of the canal. The scheme aims to deliver a unique, and quality, housing offer for Swindon.
My Experience I worked on early stage strategic masterplanning and helped develop unit types and visualisation. My experience studying house types and residential strategies at University was a helpful contribution to the team. Section through 3 bed typology
Approach material study image
019
Architectural Designer, Stonewood Design
C u lt u r a l Stages: Concept to Planning
welham garden museum
A Museum of the Garden. The Museum is set underground to blend into the landscape with one elevation opening onto the adjacent woodland. Exposed elements use rammed earth. The proposals will include an exhibition gallery, a visitor reception, refreshments, gift shop and conveniences.
My Experience
- Museum Concept Design - Site layout options - Site visits - Graphics/Visualisation - Facade options - Internal layout options - 2D Vectorworks Drafting - 3D Sketchup Modelling - Bridge/balustrade design
Completed site photos by Stonewood Design
“Almost every man, woman and child in Britain has some connection to the garden. From the pots of carefully cultivated herbs on the balcony of the high-rise urbanite to the sprawling manicured lawns and clipped parterre borders of the country house, the pastimes of tending and enjoying gardens are almost universally shared.�
R E a l i s ation They include Kisiju (Coast region), Boko (Dar es Salaam) and Bagamoyo. Border posts such as Horohoro, Namanga, Holili, Tarakea, Songwe and Tunduma have law enforcement authorities, but they lack expertise for identifying counterfeits How can you change your value? Home Cinema is a market that demands calibration that is identical to that used within professional environments, essentially matching.
View from timber woodland walkway showing how the elevation blends to the landscape
Entance View Option
Completed site photos
Photos by Stonewood
C O M M E R C IAL Stage: Concept Development
Concept images for a modularised cross lam workplace building
Concept images for wedding venue. Competition entry
EKi D UN C AGT ISO W N O O D
• P R O J E C T : K I N G S W O O D P R E P S C H O O L & N U R S E R Y - N E W B U I L D S C H O O L - S T O N E W O O D D E S I G N • T E A M : M ysel F , P A R T 1 A ssistant , P ro j ect lea d & d irector . • S O F T W A R E : V E C T O R W O R K S , S k etc h up , V R ay , • R esponsibilities : I w o r k e d o n t h i s a s p a r t o f a s m a l l t e a m f r o m p l a n n i n g d r a w i n g s t o t e n d e r p a c k a g e
P R I M A R Y
submission for builder selection, mostly on documentation. Required high levels of co-ordination across drawing sets & working through details with product suppliers.
D
C
7362
A
B
7362
D
7362
C
B
7362
7362
7362
Ridge_Level +162.942
A.104.1
A.104.1
Ridge_Level +162.942 Eaves_Level +160.145
WE.1.05
WE.1.03
WE.1.01
WE.1.04
WE.1.02 A.104.1
8942
A.104.1
6145
01_Level +157.190 FFL
Eaves_Level +160.145
WE.0.12
WE.0.11 WE.1.05 WE.0.10
WE.0.09
WE.0.08 WE.0.07 WE.0.06
WE.0.05 WE.1.03 DE.0.01
WE.0.03
WE.0.02
WE.1.01WE.0.01
WE.1.02
575
6145
00_Level +154.000 FFL
WE.0.12
3190
01_Level +157.190 FFL
WE.0.04
3190
WE.1.04
8942
Stages: Planning to Tender
WE.0.11
WE.0.10
WE.0.09
WE.0.08 WE.0.07 WE.0.06
DE.0.01
WE.0.05
WE.0.04
WE.0.03
WE.0.02
WE.0.01
TENDER
• P R O J E C T : K I N G S W O O D P R E P S C H O O L & N U R S E R Y - N E W B U I L D S C H O O L - S T O N E W O O D D E S I G N • T E A M : M ysel F , P A R T 1 A ssistant , P ro j ect lea d & d irector . • S O F T W A R E : V E C T O R W O R K S , S k etc h up , V R ay , • R esponsibilities : I w o r k e d o n t h i s a s p a r t o f a s m a l l t e a m f r o m p l a n n i n g d r a w i n g s t o t e n d e r p a c k a g e
Stages: Planning to Tender
submission for builder selection, mostly on documentation. Required high levels of co-ordination across drawing sets & working through details with product suppliers. THIS DRAWING SHOWS BASIC DESIGN INTENT FOR DETAILED DESIGN DEVELOPMENT BY A SPECIALIST CONTRACTOR AND SHOULD BE USED FOR GUIDANCE ONLY TO BE READ IN CONJUNCTION WITH ARCHITECTS NBS SPECIFICATION ALONG WITH ENGINEERS INFORMATION SPECIFICATION F10 Brick/ block walling F30 Accessories/ Sundry items brick/block/stone walling
Air seal to CLT (refer to L10 for information)
H21 Timber weatherboarding H64 Wood shingle roofing H72 Aluminium strip/ sheet coverings/ flashings H75 Stainless steel strip/ sheet coverings/ flashings
40
J31 Liquid applied waterproof roof coatings J40 Flexible sheet waterproofing/ damp proofing J42 Single layer polymeric sheet roof coverings
90
100
Refer to A.010.3 for wall build up
G12 Isolated structural metal members G20 Carpentry/ timber framing/ first fixing
K10 Plasterboard dry linings/ partitions/ ceilings K20 Timber board flooring/ sarking/ linings/ casings K40 Demountable suspended ceilings L10 Windows/ roof lights/ screens/ louvers L20 Doors/ shutters/ hatches L30 Stairs/ Ladders/ walkways/ handrails/ balustrades
40
Composite top guided window (L10/402) Cedar framing around window
Compriband weather seal (L10)
Ventilation gap at base of cedar
Cedar framing around window
Compriband weather seal (L10/810)
Weaved corners into window reveal (H64/755A)
Air seal to CLT (L10)
N10 General fixtures/ furnishings/ equipment N13 Sanitary appliances and fittings N14 General internal signage systems N91 External signage and interpretation P10 Sundry insulation/ proofing work P11 Foamed/ fibre/ bead cavity wall insulation P21 Door/ window ironmongery
Shingles to return into window surround (H64/755A) Refer to A.010.3 for wall build up
M10 Cement based levelling/ wearing coatings M12 Resin flooring M20 Plastered/ rendered/ roughcast coatings M21 Insulation with rendered finish M50 Rubber/ plastics/ cork/ lino/ carpet tiling/ sheeting M60 Painting/ clear finishing M61 Intumescent coatings for fire protection of steelwork
A.170.2 FIRST FLOOR OPENING WINDOWS - JAMB
275
Q10 Kerbs/ edgings/ channels/ paving accessories Q25 Slab/ brick/ sett/ cobble pavings Q28 Topsoil and soil ameliorants Q30 Seeding/ turfing Q31 External planting Q40 Fencing R10 Rainwater drainage systems X12 Vertical platform lift systems Z10 Purpose made joinery Z11 Purpose made metalwork Z20 Fixings and adhesives Z21 Mortars Z22 Sealants Z31 Powder coatings
Composite top guided window (L10/402)
340
90
20
40
Cedar sill board
12mm ventilation gap under sill
NOTE: 1.Drawings to be read in conjunction with Architect's specification and supporting consultants information 2. Refer to structural engineer's drawings for CLT build ups 3. Detail shows design intent. All CLT fixings to be concealed within roof/wall build ups. To be read in conjunction with structural engineers details
A.170.1 FIRST FLOOR OPENING WINDOWS - HEAD & CILL
Notes:
Do not scale this drawing.
All dimensions and conditions are to be checked on site prior to preparing drawings or commencing any work.
Revision:
D
Status:
All dimensions in millimetres unless otherwise stated. Any variations or supplementary drawings are to be approved by the architect.
Drawing Number:
1465.A.170 TENDER D
02/09/16
TENDER
C
22/04/16
TENDER
B
18/11/15
TENDER
A
09/11/15
TENDER
Rev:
Date:
Description:
The Stonewood Office West Yatton Lane Castle Combe Wiltshire SN14 7EY T: 01249 782512 E:info@stonewooddesign.co.uk www.stonewooddesign.co.uk
Project:
KINGSWOOD SCHOOL KPS NEW BUILD Title:
Drawn by:
MJG
FIRST FLOOR WINDOW DETAILS - OPENABLE
Date drawn:
SEP 15
Scale @ A3:
1:5
T E N D E R
THIS DRAWING SHOWS BASIC DESIGN INTENT FOR DETAILED DESIGN DEVELOPMENT BY A SPECIALIST CONTRACTOR AND SHOULD BE USED FOR GUIDANCE ONLY TO BE READ IN CONJUNCTION WITH ARCHITECTS NBS SPECIFICATION ALONG WITH ENGINEERS INFORMATION
D ocumentation
A.161.2
SPECIFICATION F10 Brick/ block walling F30 Accessories/ Sundry items brick/block/stone walling
Composite windows (L10)
G12 Isolated structural metal members G20 Carpentry/ timber framing/ first fixing
A.160.2
H21 Timber weatherboarding H64 Wood shingle roofing H72 Aluminium strip/ sheet coverings/ flashings H75 Stainless steel strip/ sheet coverings/ flashings
Aluminium downpipe (R10/370A) fixed to aluminium masking plate (R10/455A)
J31 Liquid applied waterproof roof coatings J40 Flexible sheet waterproofing/ damp proofing J42 Single layer polymeric sheet roof coverings K10 Plasterboard dry linings/ partitions/ ceilings K20 Timber board flooring/ sarking/ linings/ casings K40 Demountable suspended ceilings L10 Windows/ roof lights/ screens/ louvers L20 Doors/ shutters/ hatches L30 Stairs/ Ladders/ walkways/ handrails/ balustrades M10 Cement based levelling/ wearing coatings M12 Resin flooring M20 Plastered/ rendered/ roughcast coatings M21 Insulation with rendered finish M50 Rubber/ plastics/ cork/ lino/ carpet tiling/ sheeting M60 Painting/ clear finishing M61 Intumescent coatings for fire protection of steelwork
Refer to A.010.1 for wall build up
N10 General fixtures/ furnishings/ equipment N13 Sanitary appliances and fittings N14 General internal signage systems N91 External signage and interpretation
Refer to note 3
Refer to note 3
P10 Sundry insulation/ proofing work P11 Foamed/ fibre/ bead cavity wall insulation P21 Door/ window ironmongery
160mm structural CLT pier
Q10 Kerbs/ edgings/ channels/ paving accessories Q25 Slab/ brick/ sett/ cobble pavings Q28 Topsoil and soil ameliorants Q30 Seeding/ turfing Q31 External planting Q40 Fencing
Refer to A.046 for internal wall build-up type 9A
R10 Rainwater drainage systems
A.050.3 TEACHING CLUSTER PLAN - WEST ELEVATION Refer to A.010.1 for wall build ups
X12 Vertical platform lift systems Z10 Purpose made joinery Z11 Purpose made metalwork Z20 Fixings and adhesives Z21 Mortars Z22 Sealants Z31 Powder coatings
Refer to A.042 for internal wall type 4
Refer to note 3 Refer to A.010.1 for wall build up
NOTE:
Aluminium downpipe fixed to aluminium masking plate (R10/455A) (R10/370A) A.050.1 TEACHING CLUSTER PLAN - TYPICAL BAY
A.050.2 TEACHING CLUSTER PLAN - SW CORNER
1.Drawings to be read in conjunction with Architect's specification and supporting consultants information
A.050.4 TEACHING CLUSTER PLAN - EAST ELEVATION
2. Refer to structural engineer's drawings for CLT build ups 3. Detail shows design intent. All CLT fixings to be concealed within roof/wall build ups. To be read in conjunction with structural engineers details
Notes:
Do not scale this drawing.
All dimensions and conditions are to be checked on site prior to preparing drawings or commencing any work.
Revision:
1465.A.050
D
Status:
All dimensions in millimetres unless otherwise stated. Any variations or supplementary drawings are to be approved by the architect.
Drawing Number:
TENDER D
02/09/16
TENDER
C
22/04/16
TENDER
B
18/11/15
TENDER
A
09/11/15
TENDER
Rev:
Date:
Description:
The Stonewood Office West Yatton Lane Castle Combe Wiltshire SN14 7EY T: 01249 782512 E:info@stonewooddesign.co.uk www.stonewooddesign.co.uk
Project:
KINGSWOOD SCHOOL KPS NEW BUILD Title:
Drawn by:
MJG JE
TYPICAL PLAN DETAILS 01
Date drawn:
SEP 15
Scale @ A3:
1:10
T E N D E R
S ta i r
D ocumentation
1 :1 0 D et a i l s / K i ngs woo d Pri mary Scho o l CLT St a i r C ase 73
NOTE: Drawings to be read inconjunction with outline specification and supporting consultants information.
10
32
Solid oak hand rail
THIS DRAWING SHOWS BASIC DESIGN INTENT FOR DETAILED DESIGN DEVELOPMENT BY A SPECIALIST CONTRACTOR AND SHOULD BE USED FOR GUIDANCE ONLY TO BE READ IN CONJUNCTION WITH ARCHITECTS NBS SPECIFICATION ALONG WITH ENGINEERS INFORMATION
50
SPECIFICATION F10 Brick/ block walling F30 Accessories/ Sundry items brick/block/stone walling
spoke 10mm metal strade. (L30/550A) Finish tbc
G12 Isolated structural metal members G20 Carpentry/ timber framing/ first fixing H21 Timber weatherboarding H64 Wood shingle roofing H72 Aluminium strip/ sheet coverings/ flashings H75 Stainless steel strip/ sheet coverings/ flashings J31 Liquid applied waterproof roof coatings J40 Flexible sheet waterproofing/ damp proofing J42 Single layer polymeric sheet roof coverings K10 Plasterboard dry linings/ partitions/ ceilings K20 Timber board flooring/ sarking/ linings/ casings K40 Demountable suspended ceilings L10 Windows/ roof lights/ screens/ louvers L20 Doors/ shutters/ hatches L30 Stairs/ Ladders/ walkways/ handrails/ balustrades M10 Cement based levelling/ wearing coatings M12 Resin flooring
rendered/ roughcast coatings O R I G I N AL R E N DM20 EPlastered/ R with M21 Insulation rendered finish M50 Rubber/ plastics/ cork/ lino/ carpet tiling/ sheeting M60 Painting/ clear finishing M61 Intumescent coatings for fire protection of steelwork N10 General fixtures/ furnishings/ equipment N13 Sanitary appliances and fittings N14 General internal signage systems N91 External signage and interpretation P10 Sundry insulation/ proofing work P11 Foamed/ fibre/ bead cavity wall insulation P21 Door/ window ironmongery Q10 Kerbs/ edgings/ channels/ paving accessories Q25 Slab/ brick/ sett/ cobble pavings Q28 Topsoil and soil ameliorants Q30 Seeding/ turfing Q31 External planting Q40 Fencing R10 Rainwater drainage systems
DESIGN INTENT FOR STAIR TREAD AND BALUSTRADE DETAIL 10
83
10
83
X12 Vertical platform lift systems Z10 Purpose made joinery Z11 Purpose made metalwork Z20 Fixings and adhesives Z21 Mortars Z22 Sealants Z31 Powder coatings
10 Refer to A.512 and A.513 for riser dimensions
22 22mm solid oak nosing piece (L30/270A) 22mm solid oak stair treads bonded to CLT stair structure (L30/270A)
280
50
22
22 100
10
10
0
18
.1 BALUSTRADE SECTION DETAIL
02/09/16
TENDER
C
22/04/16
TENDER
B
18/11/15
TENDER
A
09/11/15
Rev: Date:
ot scale this drawing.
TENDER Description:
Drawing Number:
Revision:
1465.A.235
D
Status:
mensions in millimetres unless otherwise stated.
TENDER
22mm Hardwood stringer fascia (L30/270A)
ariations or supplementary drawings are to be ved by the architect.
mensions and conditions are to be checked on site o preparing drawings or commencing any work.
D
A.235.2 STAIR ELEVATION DETAIL
Extract details from tend er pack
A.235.3 STAIR SECTION DETAIL
The Stonewood Office West Yatton Lane Castle Combe Wiltshire SN14 7EY T: 01249 782512 E:info@stonewooddesign.co.uk www.stonewooddesign.co.uk
Project:
KINGSWOOD SCHOOL KPS NEW BUILD Title:
Drawn by:
SO
BALUSTRADE DETAILS 1
Date drawn:
SEP 15
Scale @ A3:
1:5
Complete d site p h oto by S tone wood
W O R K P L A C E
My Experience I worked primarily on getting this project on site. I was responsible for a lot of the detailing and liasing with product manufacturers and contractors whilst developing the product/material specification.
I attended late stage client meetings and organised and attended weekly site meetings with the builders, often independently.
Stages: Planning to Construction
Upstairs study collab space
3D section showing workshops bespoke staircase and design meeting rooms
3D section showing kitchen & quiet work space
Photo from site visit
Boutique product deisgn office refurb
CONSTRUCTION 1 : 1 0 D e tai l s / Produ ct Desi gn Office
BESPOKE DETAILS
/ Ste e l & Co ncr e te Str uctur e
32
44
10
120
1243
300
SECTION DETAIL - HEAD - A.030.1
300 120
900
452
10
62
32
600
SECTION DETAIL - CILL - A.030.2
ELEVATION DETAIL 1:10 @ A3
44
Double glazed fixed glazing with 30min fire rating Steel Re-bar
300
100
Crisp chamfer to concrete edge
6 50
Timber bonded to blockwork
24
integrate d tim b er Note: h an d - rail Details to be read in conjunction with + w inarchitects dow seat d etails specification.
C
08/08/16
Preliminary Construction
B
20/08/15
Tender
A
May '15
Stage E
100
Rev: Date:
Timber handrail to be detailed by others
Notes:
Do not scale this drawing.
PLAN DETAIL - JAMB - A.030.3
32
D
PLAN DETAIL - JAMB- A.030.4
17/10/16
Construction Issue
Any variations or supplementary drawings are to be approved by the architect. All dimensions and conditions are to be checked on site prior to preparing drawings or commencing any work.
Revision:
1476.A.030
D
Status:
All dimensions in millimetres unless otherwise stated.
10
Description:
Drawing Number:
CONSTRUCTION The Stonewood Office West Yatton Lane Castle Combe Wiltshire SN14 7EY T: 01249 782512 E:info@stonewooddesign.co.uk www.stonewooddesign.co.uk
Project:
MATTER STUDIOS Title:
Drawn by:
PROPOSED STAIR LANDING SEAT DETAIL
Date drawn:
JE OCT '16
C omplete d site p h otos 1:5b y S D Scale @ A3:
B E S P O K E D E TA I L S 1 :1 0 D e tai l s / Produ ct Desi gn Of fice
/ Ste e l & Co ncr e te Str uctur e
C onceptual d evelopment M o d elling
site p h oto near completion
R E V I T
• P R O J E C T : M ulti - residential , town house & commercial de v elopment $ 4 0 m - S tride tre g lown • T E A M : M ysel F , B I M C h ampion / P ro j ect lea d , & d irector . • S O F T W A R E : R E V I T, A U T O C A D , A D O B E S U I T E . • R esponsibilities : I primarily worked on two projects of this scale during my time at Stride Treglown. I worked closely with A BIM champion whilst working with this project. The large project scale required strong co-ordination with a shared central file. Although I have been using alternative software more recently I have 4 years of experience of using Revit on a daily basis, 2 years here at Stride and 2 years throughout my masters study.
Stages: Concept to Tender
STRIDE TREGLOWN arc h itects
M O D E L L E d
&
R E N D E R E D
in
R E V I T
THIS IS
RIVERSIDE CYCLE PATH
PAINTWORKS APARTMENTS
HO
RIVER AVON
1 BEDROOM APARTMENTS
2 BED
Block B - Homes 87, 89, 90, 93, 94, 97, 98 + 102
4.0 - H 6
Block C - Homes 107, 109, 110, 113, 114, 117, 118, 121, 122 + 125
BLOCK C
Block F - Homes 135, 137, 140, 143, 146 + 149
M O D E L L E d
&
R E N D E R E D
in
BLOCK F
Block H - Homes 1, 54, 156, 157, 160, 161, 164, 165, 168, 169 + 172
BLOCK B
R E V I T
35 23
2 BEDROOM APARTMENTS Block A - Homes 85 Block B - Homes 86, 88, 91, 92, 95, 96, 99, 100, 101, 103, 104 + 105 Block C - Homes 106, 108, 111, 112, 115, 116, 119, 120, 123, 124 + 126 Block E - Homes 127, 128, 129, 130, 131, 132, 133 + 134 Block F - Homes 136, 138, 139, 141, 142, 144, 145, 147, 148, 150, 151 + 152 Block H - Homes 153, 155, 158, 159, 162, 163, 166, 167, 170, 171 + 173 Block J - Homes 174, 176, 179, 182, 183, 186, 187, 188, 190, 191 + 192 Block K - Homes 193, 195, 197, 199, 201+ 203 Block L - Homes 205, 206, 207, 208, 209 + 210 Block P - Home 211 Block T - Home 217, 219 + 221
22
11
32
20
09
19
08
BLOCK D
30
39
18
07
29
17
06
03 02
24
re v it
BLOCK U
BLOCK E
12
in
BLOCK Q
79
-
65 64
post
edits
62 61
in
P hotoshop
3.0 - H 3 4 6 3.2 -
76 75
63
BLOCK A
M O D E L L E d
BLOCK R
BLOCK T
25
13
01
BLOCK P
77 36
4 BED
BLOCK N
78
26
14
66
2.1 - H
5.0 - H 7
80
37
27
15
04
38 28
16
05
BLOCK S
BLOCK L
67
54
40
31
68
55
46
41
2.0 - H 2 3 8
81
56
47
3 BED
83 82
69
57
48
42
33 21
10
43
34
Block T - Homes 216, 218 + 220
CENTRAL PLAZA
70
58
49
44
84
71
59
50
45
Block K - Homes 194, 196, 198, 200, 202 + 204 Block Q - Homes 212, 213, 214 + 215
60
3 BED
1.0 - H 1
72
51
Block J - Homes 175, 177, 178, 180, 181, 184, 185 + 189
BLOCK K
BLOCK J
BLOCK H
74 73
BLOCK M
3.3 -
COM
BLO
BLO
BLO
BLO
Masters TH E S I S * RIB A S ilve r P r e s id e n t M e dal S h o rt l i s t
A self evolv in g artisan community A masterplan for 61 co-housing units, 71 live-work units and a Maker School
MASTERPLAN
* RIB A We s s e x P r iz e W i n n er * Aw a r d e d H ig h D is t in c t i o n
Masterplan Strategies
Flexible Development Strategy
Blurring “inside” & “outside”
A
B
Street as Valuable Public Space
Connecting people
Connecting to nature N
Existing School
A Diverse Community
T
he design of these units has been orientated around developing a framework that enables all levels of society to take control of the design of their home. Residents are able to choose their level of involvement from complete construction, to self finish, or full turn key.
M a ker- L ive A Street
A Streetyard
+10 Years
A House A Room
Development model
Tight knit, village like
A Standardised Custom-Build Housing Solution View “A� down a typical co-housing
Live/ Worker
LIVE WORK HIGH STREET An “Open-Building” System The design of the live work units has been differentiated from the residential character of the
Independent Businesses
7.5m
custom build houses to be tailored towards the “maker”. These units require more self build skills with a pre determined structure that inhabitants can infill as they wish. The twin glulam structure gives some unity to the street frontage amonst the organic infill. External space rises up through the levels, with the structure giving the potential for informal cover or a framework for greenery.
Section “B” : Maker High St. - Artisan live-work units with communal
Pre-determined structure
In-fill by inhabitants
Green S pa c e
Flexible and diverse development options
Self-build Resident
artisan M erc h a n t
MAKER SCHOOL
The rhythm of the roof form helps to break up the buildings size and works to the scale of the surrounding housing
Building Diagrams
Trade
Na tu
re
SHELTERED MARKET AND MAKER SPACE
Ends of building strips down to structure towards an enclosed tree
Building picks up the roof scape of the self build maker high st. and begins to gain energy
Natural/ Lightweight
Learner Maker
ManMade/ Industrious
Pro Maker
maker s pa c e s
Maker Space
+
Social Space
Entering the Maker Library space
T
he progression of spaces through the building starts conceptually from the tail end in the form of material deliveries, these make their way through the building being used for occupants to realise their ideas. The creations are then celebrated in the gallery exhibition space at the other end.
View in the Maker Gallery space
View in the Maker Cafe
View looking up through the central void in the Maker Library
m a k e r h u b maker S C HOOL
The concept for the use of the materials stems from the structuralist theory of binary opposition, in the way that two terms or two related terms are opposite in meaning. The strategy was to emphasise this relationship and develop a complementary and contrasting material pallete that draws attention to the way the building is made.
Section location
SEll
Work
Section through Maker Library, Maker forest and Maker Market Square
Sheltered external space for markets and working
Greenery spreads from Maker Forest and Maker Sq up through the triple height space of the Maker Library
Gables gain ryhthm where the creativity happens
Library spaces project out into the trees with direct views at ground floor and glimpse views above through vertical louvres
6.
Plan
11. 8. 8. - Entrance 10. points 10.1. Nodes12. 2. Districts (Houses) - Studio spaces 3. Landmarks - Iconic leisure spaces 13. 7. space 4. Pathways - Circulation & breakout
existing promenade existing riverside promenade beingGround to encourage interaction being between to11. encourage the dancer, interaction the artist between and the thecommudancer, the artist and the commu- being to encourage beingGround to encourage interaction being interaction between to encourage the between dancer, interaction the thedancer, artist between the the thecommuand the the commuartisthas andbeen theinspired commuencourage interaction betweenThe theexterior dancer, the artistriverside and the commu11. Ground 11. 11. The1and arrangement of the scheme Kevinlevels Lynch’s Image Theelemennts arrangement of the scheme has been inspired byits Kevin Lynch’s Image of 1. Brick der to main Ground Floor Floor Ground Floor Floor Ground Floor Floor maintaina a rigid facade that reacts to context. The exterior elemennts maintaina rigid that to reacts to its context. der to maintain rhythm and flow,a&developing anmaintain animatBuilding wraps in section elevation planfacade in order Bui & artist 2 -dancer, Timber clad and louvred on by upper tobeing add to aoflight aesthetic that nity. 1The following characteristics nity.&1entrance The lynch following describes characteristics asevent/gig necessary lynch for adescribes successful necessaryspace for a successful nity. The following nity. 1The characteristics following nity.characteristics Thelynch following describes lynch characteristics asdescribes necessary as for necessary aArranging describes successful for as a successful necessary for a successful nity. The following characteristics lynchInternal describes necessary for acreativity successful 8. & foyer 8.with flexible event/gig 8. 8.with - Brick chosen for its robust G - Brick aesthetic chosen andfor continuity its robust with aesthetic context.”landmar” and continuity with context.”landmar” - Brick chosen G - Brick forchosen its robust G - Brick aesthetic its Cladding robust chosen and aesthetic for contin its thelynch City. internal streets that also act as breakout theas City. Arranging around internal streets also act breakout 2. for Cedar facades represent the spaces and movement that that is G created byasthe Internal facades represent the creativity and movement that interior is G created by the 1 - Main public entrance Main with public flexible entrance event/gig space space - Main public 1 - Main entrance public -foyer Main public & foyer flexible entrance with flexible & foyer space event/gig flexible spaceasevent/gig - Main public entrance & foyer with flexible event/gig space rhythm and flow. Which develops an animated facade and rhyar 10. &1 -foyer 10. 10. 10.with 12. 12. 12. 12. references thatspaces of thearound previous saw mills and industrial buildings that were on site. 9. 9. edwith facade and interior edwith facade city and have been used tocity define and haveof been the used building to define areas of the building city and have citybeen and have used been tocity define used andareas have to define of been theareas used building of tothe define building areasdance of the building and have been used to define areas occupant of the building theatre contrasting theatre timber clad contrasting timber theatre cladtheatre with contrasting clad withtheatre timber clad timber contras social, and work spaces for the integrated studio spaces; withcity the focus social, dance and work spacesaim for to theincrease integrated studio spaces;clad withwith the focus 3. contrasting Zinc within, and simultaneously these activities. within, and simultaneously aim to increase these activities. 2 - External courtyard 2 - External courtyard 2 - External 2 courtyard - External courtyard 2 - areas External courtyard 2 - External courtyard thatoccupant is representative of the activity within. that being to encourage interactionFloor between the dancer, the artist and the commubeing to encourage interaction between the dancer, the the commu11. 11. 1 artist & 2 and - Timber clad and1louvred & 2 - on Timber upperclad levels and tolouvred add a light on upper aesthetic levels thatto add a light aesthetic that 1 & 2 - Timber 1 & 2 clad - Timber and1louvred & clad2 and - on Timber louvred upperclad levels on an up Ground Floor Ground 3. Circulation & core 3. Circulation & core 3. Circulation 3. Circulation & core &3.core Circulation & core 3. Circulation & core Formpoints development models Formpoints development models nity. The following characteristics lynch describes as necessary for a1.successful nity. The following characteristics lynch describes as necessary forthat a successful 8.points 8.-points G the - Brick chosen forthe its rob 1. Nodes - Entrance 1. Nodes - Entrance 1. Nodes - Entrance 1. Nodes Entrance 1. Nodes points - Entrance Nodes - EntranceProcess points models Process models references of the previous references saw mills that and of the industrial previous buildings saw mills that and were industrial on site. buildings that were on site. references references that of the that previous of references saw previous mills that and of saw indust mills pre 1 Main public entrance & foyer with flexible event/gig space 1 Main public entrance & foyer with flexible event/gig space 13. 13. 13. 13. 4. Restaurant 4. Restaurant 4. Restaurant 4. Restaurant 4. Restaurant 4. Restaurant 10. 10. 12. 12. 7. 7. 7. 7. city and have been used to define areas of the building city and have been used to define areas of the building theatre clad with contrastin 2. Districts (Houses) Studio 2. Districts spaces (Houses) Studio spaces 2. Districts 2. (Houses) Districts (Houses) Studio 2. Districts spaces Studio (Houses) spaces Studio spaces 2. Districts (Houses) Studio spaces 2 External courtyard 2 External courtyard 5. Kitchen 5. Kitchen 5. Kitchen 5. Kitchen 5. Kitchen 5. Kitchen 1 & 2 - Timber clad and l 3. Circulation & core 3. Circulation & core 3. Landmarks Iconic leisure 3. Landmarks spaces Iconic leisure spaces 3. Landmarks 3. Landmarks Iconic leisure Iconic 3. Landmarks spaces leisure spaces Iconic leisure spaces 3. Landmarks Iconic leisure spaces 6. Circulation & core 6. Circulation & core 6. Circulation 6. Circulation & core &6.core Circulation & core 6. Circulation & core 1. Nodes - Entrance points 1. Nodes - Entrance points references that of the previo 13. 14. 14. 14. 14. & 6. 6. 6. 13. 7.7. Plantspace 7. 4. Pathways 4. Pathways breakout - Circulation & breakout space 6.4. Restaurant 4. Pathways 4. -Pathways Circulation & 4. Pathways breakout &space -breakout Circulation space & breakout space 4. Restaurant 4. Pathways - Circulation & breakout space 7. Plant 7. Plant 7. Plant- Circulation 7. Plant 7. Plant- Circulation 2. Districts (Houses) - Studio spaces 2. Districts (Houses) - Studio spaces 5. Kitchen 5. Kitchen 5. Service zones 8. 5. zones 5. Service zones 5. Service zones 5. Service zones 5. Service zones 8. Theatre15. (3 storeys) & sheltered 8. Theatre external (3 storeys) stage & sheltered external stage 8. Theatre (3 Theatre storeys) (3 &Service storeys) sheltered 8. Theatre &external sheltered (3 storeys) stage external & sheltered stage external 6.stage 3. Landmarks - Iconic leisure spaces 3. Landmarks - Iconic leisure spaces 15. 15. 15. Creative + Flamboyant Creative + Flamboyant 8. Theatre6.(3 storeys) & sheltered external stage Circulation & core Circulation & core 5. 5. 5. 5.Rigid + Modular Rigid- Circulation + 6.Modular 14. 14. 4. Pathways 4. Pathways - Circulation & breakout space 9. Workshop & store 9. Workshop & store 9. Workshop 9. Workshop & store6. &9.store Workshop & store 9. Workshop & store 7. Plant 7. Plant & breakout space 5. Service zones 8. Theatre (3 storeys) & sheltered external stage 5. Service zones 10. Theatre changing & WC’s 10. Theatre 10. Theatre10. changing Theatre& changing WC’s 10. Theatre & WC’s changing 10. Theatre changing & WC’s 8. Theatre (315. storeys) & sheltered external stage 4. changing 4. & WC’s 4. 4. & WC’s 15. 5. 5. 11. Core 11. Core 11. Core 11. Core 11. Core 11. Core 9. Workshop & store 9. Workshop & store 2. 2. 2. 2. 10. Theatre changing & WC’s 10. Theatre changing & WC’s 12. Community workshops12. Community 12. 12. Community workshops12. workshops Community 12. Community workshops 4. Community 4. 3. 3. workshops 3. 3. workshops S 11. Core 11. Core 13 Artisan retail 13 Artisan retail 13 Artisan retail 13 Artisan retail 13 Artisan retail 13 Artisan retail 2. 2. 12. Community workshops 12. Community workshops 3. 14. Coreart14. 3. 14. Coreart store and washroom 14. Coreart store and washroom store Coreart and washroom store14.and Coreart washroom store and washroom 14. Coreart store and washroom S S S S S S 13 Artisan retail 13 Artisan retail 15. Art shop 15. Art shop 15. Art shop 15. Art shop 15. Art shop 15. Art shop 14. Coreart store and washroom 14. Coreart store and washroom S S 15. Art shop 15. Art shop Roof Top Bar Roof Top Bar Roof Top Roof Bar Top Bar Roof Top Bar Roof Top Bar
11.
3. Circulation & core 4. Restaurant 5. Kitchen 6. Circulation & core 7. Plant 8. Theatre (3 storeys) & sheltered external stage 9. Workshop & store 10. Theatre changing & WC’s 11. Core 12. Community workshops 13 Artisan retail 14. Coreart store and washroom 15. Art shop
7.
12. 13.
5. Service zones 14.
14. 15.
15.
The raised timber canopies that extend from the roof form offer opportunities for raised planting that can provide additional shade
7.
6.
6.
5.
5.
2.
4.
2.
3.
Materiality
Landscaping
A R TS C O M M UNIT Y Masters, Yr 1 C ENT R E UWE 4.
3.
Roof Top Bar
Architecture & The Body
Roof Top Bar
Theatre
LLoyds
Theatre
Landscape Strategy
Promenade
D ance & C reati v e A rts S chool Foundations 1 - Building Footprint 2 - External courtyard
LLoyds
Promenade LLoyds
Foundations Foundations Foundations Foundations Planters are used to bring greenery to the roof external deck and down to 1 - Building Footprint 1 - Building1 -Footprint Building Footprint 1 - Building Footprint External courtyard 2 - External 2 courtyard - External courtyard 2 - External courtyard lower2 - levels through external courtyards where artists and dancers have direct access
Foundations 1 - Building Footprint 2 - External courtyard
Journeys
Lifted Greenspace
Theatre
LLoyds Promenade LLoyds
Theatre
Theatre
LLoyds
Roofscape
Foundations 1 - Building Footprint 2 - External courtyard
Roof Top Bar
Theatre
Theatre
PromenadePromenade LLoyds Promenade
Foundations 1 - Building Footprint 2 - External courtyard
Foundations 1 - Building Footprint 2 - External courtyard
Promenade
LLoyds
+6 +6
Theatre
Promenade
Studios North Light, Leisure South Orientation Zinc roof form wraps down to deck
Timber boardingJourneys at external deck Journeys level Stone paving at ground floorJourneys Journeys Journeys Journeys Journeys Journeys Roofscape Orientation Orientation Bouncing section Orientation Landscaping North facing rooflights for theExtension studiosofgive glarewalk to rooftop bar. Landscaping Landscaping Landscaping Landscaping Landscaping Extension of promoenade walk to rooftop bar. promoenade
Journeys Journeys Roofscape
Landscaping
Promenade
Bouncing Section
Orientation Bouncing Section Boun Bouncing Bouncing Bouncing section section Bouncing Bouncing section sect Orientation O Orientation Orientation Orientation Orientatio Landscaping North facing rooflights Programme for isthe integrated studios give in section glare as well as plan Bouncing Programm Landscaping
Extension of promoenadeExtension walk to rooftop of promoenade bar. walk to rooftop bar. Extension Extension of promoenade of promoenade Extension walk to rooftop of walk promoenade rooftopwalk bar. to rooftop bar. Extension of promoenade walkstudios tofacing rooftop bar. Programme iswell inb is integrated in Programme section asrooflights well is integrated as plan by in dropping section asare down well asand plan by dropping down and Programme is integrated is integrated in Programme section inrooflights section isintegrated integrated as plan asNo w North facing rooflights for studios give glare free consistant light, North facing rooflights North for give rooflights glare free for consistant studios give light, glare freeto consistant light, North facing North rooflights North for studios facing for give studios rooflights glare give free for glare consistant studios free consistant give light, glare free light, consistant light, North facingas fo The roofscape gathers momentum and flair from thedown neighbouring bordeaux Thefor roofscape Extension gathers momentum ofconsistant promenade and walk flair from totobar. rooftop the neighbouring bordeaux Extension of promenade walk toare rooftop Potted trees are brought to the roof deck and down toProgramme lower Potted trees brought to the roof external deck and down to lower levelsProgramme Programme isriverside integrated intosection as well asfrom plan by dropping down and Potted trees are brought toPotted roof trees external brought deck and tobar. the down roof toexternal lower levels deck and down lower Potted trees Potted are brought trees aretoPotted brought the roof trees toexternal roof brought deck external and tobar. the down deck roof and to external lower down levels deck to lower and levels down lower arefacing brought to thewhilst roof external deck and down to lower levels Roofscape animates by wrapping up and down LLoyds tofree the Roofscape animates riverside by wrapping up levels and down fromlevels LLoyds Potted tofree the trees North facing rooflights studios glare free light, Roofscape Roofscape by wrapping animates up and riverside byfrom wrapping LLoyds upto and thedown from LLoyds to the give Roofscape Roofscape animates riverside animates Roofscape bythe riverside wrapping animates byare up wrapping and riverside down up by and from wrapping down LLoyds from uptoand LLoyds the down tofrom the LLoyds tolevels the Roofscape animates riverside bythe wrapping up and down from LLoyds toexternal the pushing up studios into ad consistent light, whilst leisure spaces benefit consistent light, dropping down leisure and spaces pushing benefit upartists dance studios by droppin pushing studios into adjacent pushing spaces. upby studios into adjacent spaces. pushing studiosup into studios adjacent pushing intospaces. up adjacent studios spaces. into whilst leisure spaces benefit from protected south light. wh Potted trees are brought to the roof external deck and down to loweranimates levels riverside whilst leisure spaces benefit whilst leisure protected spaces south benefit light. from protected south light. leisure whilst spaces leisure benefit spaces whilst from benefit leisure protected spaces from protected south benefit light. from south protected light. south light. whilst leisure spaces benefi through external courtyards where artists and dancers have dircet access.up whilst through external courtyards where and dancers have dircet access.uppushing existing riverside promenade existing riverside promenade through external courtyards through where external artists and courtyards dancers have where dircet artists access. and dancers have dircetto access. throughexisting external through courtyards external through courtyards where external artists where and courtyards artists dancers and have where dancers dircet artists have access. and dircet dancers access. have dircet access. through external courtyards where artists and dancers have dircet access. pushing up studios adjacent spaces. quay as it covers overriverside the building, much like apromenade dancer or artist in mid flow. it covers Roofscape over the animates building, riverside much like byapromenade wrapping dancer orup artist and indown mid flow. frominto Lloyds the Roofscape animates riverside byfrom wrapping up and down from Lloyds to the promenade existing riverside existing riverside existing promenade riverside existing promenade riverside riverside promenade whilst leisure spacesquay benefitasfrom protected south light. through external courtyards where artists and dancers haveexisting dircet access. from protected south light. from protectedinto south adjacent light. spaces. into adjace
Extension of promoenade walk to rooftop bar. Roofscape animates riverside by wrapping up and down from LLoyds to the existing riverside promenade
existing riverside promenade
From millenium square
nium square
LLoyds
Theatre
existing riverside promenade
+2
Service yard
1.
+2
3. 2.
4. From fountains
5.
7.
Internal and external movable seating can also serve as a stage or for planting and can be stored under the theatre seating in the case of events.
From fountains
Inside as Outside Space / Raised Planting
7.
Site use day to day
South
6.
Posts
To Amphitheatre 6.
tive Frontage
Access & Servicing
Pedestrian Route
sting line of bars and restaurants is extended along the nt and wraps round with retail to join millenium square
1. Loading bay 2. Workshop direct access to loading bay and theatre 3. 2m external service corridor 4. Visual Deliveries Dynamic Routes 5. Bin storage 6. Primary building entrance points 7. Secondary building entrance points
New pedestrian corridor through animated external space enables the building to become a new linch pin for events and festivals
1
1
Section
WC’s
Performance
2
1
1
Building Diagrams Ancillary
2
2
Exploded Programme Diagram
1
1
Creative Retail
2
BuildingG as Streetscape From millenium Streetscape assquareSocial Space
To millenium square
1
Service yard
1. 3.
uilding Diagrams
2.
6. Leisure
Art Studio
admin
Elevation 5.
6.
From fountains
2.
Boundary Condition
11.
From millenium squareFrom To millenium squaremillenium square Building Diagrams
To millenium square 2.
3. 10. 7.
8.
6.
6. rm
1.
1 - Main public entrance & foyer 2 - External courtyard 3. Circulation & core 4. Restaurant 5. Kitchen 6. Circulation & core 7. Plant 8. Theatre & sheltered external stage 9. Workshop & store theatre changing
5.
Developing form
1.
5.
Structural Strategy To Amphitheatre
7.
7.
6.
that is representative of the activity within.
6.
From fountains
Amphitheatre FirstTo Floor
6.
From millenium square
To millenium square
unities for raised planting that can shade
Spatial Arrangement 15. Dance
Active Frontage
1. Community services 16. Creatives 2. Service zones 17. Dance 3. Theatre (ffl atground floor with access on first) 18. Creaives 4. Showcase performance studios - Studios 19. Core are on the main public route through the building 5. Learning focused studios (more private) 6. Private studios (external circulation & breakout dance and work space)
8.
1 7. 6.
3
5. 4.
3.
2
1
5
4
3
romatic Form Concept
Foundations 1 - Building Footprint 2 - External courtyard
Form Form
1
S
Screed seals concrete slab to Section 1. Nodes points create- Entrance structural diaphragm
2. Districts (Houses) - Studio spaces 3. Landmarks - Iconic leisure spaces 4. Pathways - Circulation & breakout space 5. Service zones Precast hollowcore concrete
2
11
2 1
1 Section 1
Elevation Cross bracing at key junctions and cores adds lateral support
Facade design Development
Aerial view from theAerial North Eastview corner ofshowing the site - Planting is brought all levelspicking of the building the roof toform up
6. 5.
7.
1
1
2
1
Form
2
1
1 1
1
2
2
2
1
3
1
2
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Materiality 1. Brick 2. Cedar Cladding 3. Zinc
G - Brick chosen for its robust aesthetic and continuity with context.”landmar” theatre clad with contrasting timber 1 & 2 - Timber clad and louvred on upper levels to add a light aesthetic that references that of the previous saw mills and industrial buildings that were on site.
1 1
2
2
2 2
1. Loading bay Plan 2. Workshop direct access to loading bay and theatre 3. 2m external service corridor 4. Deliveries 5. Bin storage 6. Primary building entrance points Building wraps in section elevation & plan in order to maintain 1 7. Secondary building entrance points rhythm and flow. Which develops an animated facade and interior 2 2 that is representative of the activity within.
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1
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Concrete foundation LLoyds Plan Boundary Condition
Theatre
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2
2 3 2 1 Promenade
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1 1
Plan
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3
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Plan Timber boarding atAll external deck level Materiality Materiality Form drawings modelled
Orientation
3
2
Elevation
3
2
G
S
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1
1 1
3
2 2
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1
paving at in ground floor Materiality &Stone rendered Revit Bouncing 2 section 1
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3 3
Zinc roof form wraps down to deck
t of theexterior scheme has beenthat inspired Lynch’s Image ofto its context. 1. Brickwraps in section elevation & plan in order to maintain 1. Brick maintaina The a rigid elemennts facade maintaina reactsby toaKevin its rigid context. facade that reacts The exterior maintaina a& rigid thatelevation reacts to its Building wrapselemennts in section Building elevation wraps plan infacade section in order to maintain & context. plan in order to maintain 1. Brick Building Journeys Bouncing section Orientation ging around internal streets that also actby asthe breakoutthat is created by the 2. Cedar Cladding 2. Cedar 2. Cedar Cladding nt Internal thespaces creativity facades andrepresent movement the that creativity is created and movement Internal the creativity andWhich movement that created bywalk the Programme is integrated in section as well as plan by dropping down and Landscaping rhythm andfacades flow. represent Whichrhythm develops andanflow. animated facade develops andofisan interior animated facade andbar.interior rhythm andCladding flow. Which develops an animated facade and interior Extension promoenade to rooftop Programme is integrated in section as well as plan by dropping down and North facing rooflights for studios give glare free consistant light, trees are brought to the roof external and down to lower that levels dmultaneously work spaces for integrated studio spaces; thedeck focus trees wraps are broughtin to the roof external deck and down to lower levels Building form section elevation and plan in or- 3. Zinc 3. Zinc occupant within, aimthe toand increase simultaneously these activities. aim towith increase these activities. occupant within, and aim to increase these activities. Roofscape animates riverside by wrapping up and down from LLoyds to the that3.isZinc is representative ofsimultaneously that the activity is representative within. of the activity within. representative ofPotted the activity within. pushing up studios into adjacent spaces. spaces benefit from protected south light. pushing up studioswhilst intoleisure adjacent spaces. through external courtyards where artists and dancers have dircet access. existing riverside promenade age interaction between the dancer, the artist and the commuThe arrangement of the scheme has been inspired by Kevin Lynch’s Image of 1. Brick The exterior elemennts maintaina a rigid facade that reacts to its context. der to maintain rhythm and flow,&developing animatBuilding wraps in section elevation plan in order toan maintain hingexternal courtyards where artists and dancers have dircet access. characteristics lynch describes necessary for spaces a successful - Brick chosen for its robust G - Brick aesthetic chosen andfor continuity its robust with aesthetic context.”landmar” and continuity with context.”landmar” G - Brick chosen its Cladding robust aesthetic and continuity with context.”landmar” theas City. Arranging around internal streets that also act as breakout 2. for Cedar Internal facades represent the creativity and movement that is G created by the rhythm and flow. Which develops an animated facade and interior ed facade and interior en used to define areas of the building theatre clad with contrasting theatre timber clad with contrasting timber theatre clad with3. contrasting timber social, dance and work spaces for the integrated studio spaces; with the focus Zinc occupant within, and simultaneously aim to increase these activities. that is representative of the activity within. being to encourage interaction between the dancer, the artist and the commu1 & 2 - Timber clad and1louvred & 2 - on Timber upperclad levels and tolouvred add a light on upper aesthetic levels thatto add a light aesthetic that 1 & 2 - Timber clad and louvred on upper levels to add a light aesthetic that nity. The following characteristics lynch describes as necessary for a successful G the - Brick chosensaw for its robust andbuildings continuitythat withwere context.”landmar” nce points Process models references that of the previous references saw mills thatand of the industrial previousbuildings saw millsthat andwere industrial on site.buildings that were on site. references that of previous mills andaesthetic industrial on site.
Progromatic Concept
city and have been used to define areas of the building
Form
North facing rooflights for studios give glare free consistant light, Form whilst leisure spaces benefit from protected south light.
Materiality
theatre clad with contrasting timber
the roofscape of the industrial sheds & “dancing” with it
2
2
Access & Servicing
Elevation
2
Boundary Condition
Form
7.
3.
1. Loading bay Elevation 2. Workshop direct access to loading bay and theatre 3. 2m external service corridor 4. Deliveries 6. 5. Bin storage 6. Primary building entrance points 7. Secondary building entrance points
to its context. The louvred internal skin wrapping the Form courtyard represents creativity movement that is The exterior elemennts the maintaina a rigid facadeand 1 1 that reacts to its context. facades represent the creativity and movement that is created by the created2 Internal by the occupants within. 2 2 activities. occupant within, and simultaneously aim to increase these
1
Service yard
1.
space 2.
G with cafes Gand bars adjacent 1 1 G overlooked 1 cafe 2 Sheltered promenade is extended Key view to 1cranes from raised 1 1 deck and Section down river to Lloyds rooftop bar 1
Roof Top Bar
3 Condition Boundary Condition Boundary 3 to bring greenery to the roof external deck and 1 down to ugh external courtyards where artists2 and dancers havePlan 1
ndscaping
The arrangement of the scheme has been inspired by Kevin Lynch’s Image of 1 as breakout the City. Arranging spaces around internal streets that also act social, dance and work spaces for the integrated studio spaces; with the focus 2 being to encourage interaction between the dancer, the artist and the community. The following characteristics lynch describes as necessary for a successful city and have been used to define areas of the building 1
Ground Floor 1 - Main public entrance & foyer with flexible event/gig space 2 - External courtyard Section 3. Circulation & core 4. Restaurant 5. Kitchen 6. Circulation & core 7. Plant 8. Theatre (3 storeys) & sheltered external stage 9. Workshop & store 10. Theatre changing & WC’s 11. Core 12. Community workshops Elevation 13 Artisan retail 3 14. Coreart store and washroom 15. Art shop
2
Pedestrian Route
Materiality
Progromatic Concept
Exposed steel columns of promenade extended through to slabs (1.2m x 5m) 1 courtyard 5
4
1. Brick Transfigurable 2. Cedar Cladding 4. 3. Zinc
7. Secondary building entrance 7. Secondary points building entrance points The existing line of bars and restaurants is extended along the New pedestrian corridor through animated external space Secondary structure (180 x180mm) riverfront and wraps round with retail to join millenium square enables the building to become a new linch pin for events and The exterior festivalselements maintain a rigid facade that reacts
.s (external circulation & breakout dance and work space)
ng
Access &Pedestrian Servicing Access & Servicing Route
Pedestrian Active Frontage Pedestrian Route Route
Materiality
1. Loading bay 2. Workshop direct access to loading bay and theatre 3. 2m external service corridor 4. Deliveries 5. Bin storage 6. Primary building entrance points 7. Secondary building entrance points
3
1 G - Brick chosen for its robust aesthetic and continuity with context.”landmar” Section 7. theatre clad with6.contrasting timber 1 1 & 2 - Timber clad and louvred on upper levels to add a light aesthetic that G 6. that were on site. references that of the previous saw mills and industrial buildings Access & Servicing
1.
canopies that extend from the roof lActive Arrangement rontage Frontage
New pedestrian corridor through animated external space5. 7. enables the building to become a new linch pin for events and festivals
2
From fountains
To Amphitheatre
1 1 - Flexible exhibition space 2. 2 -Core • Minimise on site construction by generating a kit of parts that can be quickly erected on site. 6. 6. 3. Creatives • Expose and celebrate the buildings structure 4. Dance • Maximum flexibility for internal spaces 3 5. External courtyard 4. • Structure sticks to the rigid 5 x 10m grid towards the North of the site and gradually begins 2 6.Dance toand break on the way through the building 7. Breakout space from studios circulation 5 11. 1. Loading bay 1. Loading bay corridor through animated external space services rs The and existing restaurants lineisofextended bars 10. and along restaurants the is extended along the & sheltered external stage New The pedestrian existing line corridor of bars New through and pedestrian restaurants animated corridor isexternal extended through space along animated the external space New pedestrian 8. Theatre 8. Tothe Amphitheatre 2. to Workshop loading baydirect and theatre access to loading andpin theatre Core 1. millenium8.square ound riverfront with retail and wraps to join9.round millenium with retail squareto join enables riverfront the building and wraps to become enables round with the a new building retail linchtopin to join become for millenium events a new and square linch pin for events and 2. 4Workshop direct access enables building to become a newbay linch for events and 9. Offices 3 3. 2m external service corridor 3. 2m external service corridor ground floor7.with access on first) 1 festivals festivals festivals 10. Meeting & Conference room 4. Deliveries 4. Deliveries formance studios - Studios are on the main public route through the 11. WC’s 2 5. Bin storage 5. Bin storage 6. 12. Lecture hall/studio theatre (double height) 1 4. Primary structure (305 x 180mm) 6. Primary building entrance 6. Primary points building entrance points 13. WC’s 5. sed studios (more private) Boundary Condition 3 14Core
12.
13.
Access & Servicing
Pedestrian Route 2. 4.
From fountains
Site use on day of event
6.
3.
1
The existing line of bars and restaurants is extended along5.the 7. 7. riverfront and wraps round with retail to join millenium square
Building wraps in section elevation & plan in order to maintain Response to context rhythm and flow. Which develops an animated facade and interior
Service yard
1.
3.
7.
6.
1
To Amphitheatre
Active Frontage 2. 5. 4.
2.
1. Community services 2. Service zones 3. Theatre (ffl atground floor with access on first) 4. Showcase performance studios - Studios are on the main public route through the building 5. Learning focused studios (more private) 6. Private studios (external circulation & breakout dance and work space)
rior elemennts maintaina a rigid facade that reacts to its context. facades represent the creativity and movement that is created by the 2. 4. 6. 3. t within, and simultaneously aim to increase these activities.
o
Service yard
3.
Site plan showing the building hugging the site boundary 4. From fountainsan From fountains fountains fountains From fountains to create enclosed courtyard space From From 2. Form
4.
3.
From millenium square 1.
Spatial ArrangementPlan
Second Floor
9.
Service yard 1.
2
Posts
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4. Social Breakout External
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7.
From fountains
1. Social Breakout circulation
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3.
Dance Studio
This experiment used horizontal louvres which was later changed for vertical. The facade combines vertical timber cladding panels with louvering over glazing to dance studios. This allows the continuity of the facade to flow over the glazing and emit a glow across the harbourside and also helps to control solar gain and glare.
JE
eyresdesign@gmail.com 0432-530-527
2 9 1 We l l i n g t o n St . Collingwood, Melbourne, 3066