2018
j a m e s e y r e s
g r a d u a t e a r c h i t e c t
P o r t f o l i o & C u r r i c u lu m V i ta e
e y r e s y 1 2 @ g m a i l . co m
James Eyres
P e r s o n a l S tat e m e n t What you will see in the following pages is a selection of my works throughout my professional and educational career, for which I have consistently excelled. However, I would like to stipulate here my yearning to provide more of a contribution than just design flare and an eye for the aesthetic and detail. I believe that Architecture as a profession is in a state of flux, where the next generation of architect will be required to be more dynamic and adjust to the ever changing economic climate and crises. Where I fit within this new role is still uncertain but this is my declaration that I will proceed with the attitude of exploration and open mindedness in the way that the role of the Architect will develop in the hope to ever avoid plateau and ensure continued growth & development. Following nine months travelling through South East Asia, I am coming towards the end of a three month contract at Austin Maynard Architect’s here in Melbourne and now seek a new challenge. I have thoroughly enjoyed getting back to work and look forward to developing my architecture career here long term.
E ED DU UC CA AT TI OI ON N
J a m es E y r es
2013 - 2015 University of the West of England (UWE) / Bristol / UK
MArch Architecture (High Distinction) Master of Architecture with specialism in sustainability
Awards & Grades RIBA Silver President Medal Shortlist (National) RIBA Wessex Prize Winner (Regional) Highest marks in the year for both years of Design Studio with 80% My project is still used as an example to new students
d.0.b 12 / 06 / 1988
Graduate architect
20072011 University of the West of England (UWE) / Bristol / UK
Profile
BEng Architecture & Environmental Engineering - (Merit)
I have four years of professional experience which has been split between two very different practices. One large international multidisciplinary practice and the BD Small Project Architect of the Year. I feel this has given me a broad and grounded experience base.
A dual degree accredited by both Architecture and Engineering bodies. Achieved distinction in Architecture modules
Awards & Grades Educate Sustainability Award (International) ~ Honorary mention (top 5 from over 100 universities worldwide) 2005- 2007 South Dartmoor Community College / A levels / Design Award
I have demonstrated the ability to run projects independently. Where I have controlled the front end of design and delivered with proven technical skills in the completion of drawing packages.
2004 -2005 Somerset College of Arts & Technology BTEC National Diploma in Construction (Merit)
research 2014 - 2015 2010 - 2010 2007 - 2010
My time at Austin Maynard Architect’s has given me good insight into Australian practice. I am keen to develop and grow long term here in Australia.
experience
Technical Skills Revit Vectorworks SketchUP V-Ray Photoshop Illustrator InDesign AutoCAD Rhino ArchiCAD Hand Drawing/Modelling
2018
Since moving from the UK I have been playing squash regularly and making the most of the weather playing tennis where possible. I have been enjoying spending time to improve my hand visualisation techniques.
references See overleaf for written references. Referees available for contact.
Austin Maynard Architects / Graduate Architect / Design Office of the Year (Aus) Working on a temporary 3 month contract predominantly at later building stages. I completed tender documentation for a c. $2m house. I worked on contract administration drawings for numerous dwellings and completed a sketch design package. The work required me to operate as a self thinker and to use my own initiative, which I enjoy.
2017 - 2018 Freelance Architectural Designer Independently led the design for the conversion of a group of barns into three four bed residential units to planning. Dealt with all negotiations with planners and consultants. Also worked part time whilst travelling for Stonewood Design on a freelance basis. 2015 - 2017 Stonewood Design / Graduate Architect / BD Small Project Architect of the Year 2017 (UK) Regularly liasing and negotiating with contractors. Carried out client meetings independently and as part of team. Daily documentation through all building stages. Given design responsibility over key design elements. Co-ordination and project management of junior members of the team. Regular on site experience and management of builders.
Hobbies I spent a lot of my spare time throughout University writing music and gigging at the weekends with a band. We had a couple of UK and European tours supporting larger American bands and played some great festivals including Glastonbury before disbanding. Doing it at the same time as university was both hugely challenging and rewarding in equal amounts.
Design Research Thesis / Affordable Housing Solutions / Self Build Systems Fundamental & Advanced BIM (Revit) Week Intensive Training Course First Class Design Thesis on Pre-Fabrication Techniques Integrated sustainable Engineering & Architecture modules
2017
Tutor of Architecture / UWE & Bath University (UK) Provided one on one tutorials with 4th and 2nd year students. Gave guest lectures on visualisation and post editing. Attended interim presentations and assisted with marking. Invited by former tutors, I primarily used my holiday allowance to attend the sessions whilst still employed by Stonewood Design. I was asked to return in 2018.
2011 - 2013 Stride Treglown Architects / Mixed Use & Residential Team / International Practice (UK) Part I experience. Worked on a wide variety of projects within residential, commercial, refurbishment and interior design sectors of values ranging from <£1m to £40m. I played a key role in drawing up planning and construction drawing packages as part of a small team on multiple larger scale residential projects. 2011
Designer/Maker / Volunteer Project / “Air Your Laundry” Raising money for homeless charity Shelter we designed and built an art installation / market stall that sought to create a buzz in a deprived area of Bristol.
Contact
M: 0432 - 530527 e: eyresy12@gmail.com
James Eyres
James Eyres
6 February 2018 To Whom It May Concern
Employersâ&#x20AC;&#x2122; Reference - James Eyres James worked at Stonewood Design as a Part II Architectural Assistant from August 2015 to March 2017. James has a very good eye for good design. During his time with us he worked across a number of projects, from concept stage through to detailed design. James was always prompt and punctual. He showed an extremely high level of initiative, motivation. He was very capable of producing impressive visuals through to clear CAD drawings. James was an exceptional Part II Architectural Assistant.
If you would like to discuss further any of the above, please do not hesitate to contact me. Yours faithfully
Matt Vaudin Stonewood Design LLP
P o r t f o l i o C o n t e n t s Selected Works From Educational & Professional Experience
1. Masters University ~ RIBA Silver President Medal Nomination Project ~ RIBA Wessex Prize Winner ~ 1st Year Masterâ&#x20AC;&#x2122;s Project 2. Graduate Architect - Stonewood Design (UK) + Freelance - 3 years ~ ~ ~ ~ ~ ~
Residential - Sustainable community of 20 homes Residential - Affordable housing scheme Residential - High end one off house Cultural - Garden Museum Education - Kingswood Private Primary School & Nursery Office - Product Design Alteration & Addition
3. Graduate Architect - Austin Maynard Architects (Aus) - 3 Months ~ Tender documentation $2m two-bed house
NOTE: Two years of experience after undergraduate working on larger scale mixed use & residential projects have been omitted and is available on request.
James Eyres
university
Experience Masters, Yr 2 UWE
makerhub
live / work / make
The LIVE.WORK.MAKE brief for the second year of the masters was developed through meetings with real on site stakeholders. My project developed a masterplan for the site, a custom-build co-housing scheme, selfbuild live-work units and a creative arts maker school in the run down suburban context of Knowle West, Bristol. It sought to redefine traditional methods of living, working, and educating, where the ambition was to foster social cohesion and resiliance amongst a deprived and fractured community through making.
James Eyres
M aste rpl a n
Existing School
Masters university
A se lf e vo lv i n g a r tis an c ommu nit y A masterplan for 61 co-housing units, 71 live-work units and a Maker School Masterplan Strategies
Flexible Development Strategy
Blurring “inside” & “outside”
A
B
Street as Valuable Public Space
Connecting people
Connecting to nature N
A Diverse Community
James Eyres
M a k e r - Li ve A Street
A House A Room
Development model
Tight knit, village like
View â&#x20AC;&#x153;Aâ&#x20AC;? down a typical co-housing
T
he design of these units has been orientated around developing a framework that enables all levels of society to take control of the design of their home. Residents are able to choose their level of involvement from complete construction, to self finish, or full turn key.
A Streetyard
+10 Years
A Standardised Custom-Build Housing Solution
James Eyres
Maker-Work An “Open-Building” System The design of the live work units has been differentiated from the residential character of the custom build houses to be tailored towards the “maker”. These units require more self build skills with a pre determined structure that inhabitants can infill as they wish. The twin glulam structure gives some unity to the street frontage amonst the organic infill. External space rises up through the levels, with the structure giving the potential for informal cover or a framework for greenery.
Section “B” : Maker High St. - Artisan live-work units with communal
Live/ Worker
Independent Businesses
7.5m
Pre-determined structure
In-fill by inhabitants
Green S pa c e
Self-build Resident
artisan M erc h a n t
Flexible and diverse development options
James Eyres
m a k e r - s ch o o l ce ntre for experient ia l & exp er im enta l lea r ning
Maker Market Square
Roof plan of the Maker School in context showing relationship to Maker Forest and Maker Square.
Concept Diagram Trade
Maker Market Square
Creativity Maker School
Nature
Maker Forest
Site Gateway
Site Gateway
Stitching trade and nature together through the creative arts
Concept model
Masters university
Maker Forest
James Eyres
Maker-Learn
10.
6.
12. 14.
13.
11. 12.
16.
First Floor Plan
1. Exhibition space/spill out cafĂŠ social space 2. Raised South facing external balcony with stair to Maker Forest 3. Cafe with external deck to North side for sheltwered external work 4. Physical maker classrom - stairs to fabrication workshop beneath 5. Digital maker cladssroom Room - sliding doors control privacy with visian panel between physical and digital makers 6. Maker Library - flexible open plan maker spaces with quiter reading zones 7. Maker Collaboration pos - Spaces next to the windows can be cordened off for group work
5. 4. 8.
3.
7.
1. 2.
8. Print and light machinery room 9. Library reception and material store 10. Storage 11. Quiet spillout maker space 12.Private classroom 13. School common room 14. Community room/lecture hall - flexible use for events for local residents 15. School entrance
N
James Eyres
scale
& f o r m
Building Diagrams
Trade
Na tu
re
SHELTERED MARKET AND MAKER SPACE
Ends of building strips down to structure towards an enclosed tree
Masters university
The rhythm of the roof form helps to break up the buildings size and works to the scale of the surrounding housing
Building picks up the roof scape of the self build maker high st. and begins to gain energy
Natural/ Lightweight
Learner Maker
ManMade/ Industrious
Pro Maker
James Eyres
maker s pa c e s
T
he progression of spaces through the building starts conceptually from the tail end in the form of material deliveries, these make their way through the building being used for occupants to realise their ideas. The creations are then celebrated in the gallery exhibition space at the other end.
Maker Space
+
Social Space
View in the Maker Gallery space
Masters university
Entering the Maker Library space
View in the Maker Cafe
View looking up through the central void in the Maker Library
James Eyres
maker-hub
Section location
SEll
Work
Section through Maker Library, Maker forest and Maker Market Square
Sheltered external space for markets and working
Greenery spreads from Maker Forest and Maker Sq up through the triple height space of the Maker Library
Masters university
The concept for the use of the materials stems from the structuralist theory of binary opposition, in the way that two terms or two related terms are opposite in meaning. The strategy was to emphasise this relationship and develop a complementary and contrasting material pallete that draws attention to the way the building is made.
Gables gain ryhthm where the creativity happens
Library spaces project out into the trees with direct views at ground floor and glimpse views above through vertical louvres James Eyres
Structural Standardising components to form the complex from the simple
Primary internal glue - lam structure Polished screed with underfloor heating pipes Steel flitchplate Mechanical ventilation Pre-cast concrete slabs Concrete frame Polished screed floor with underfloor heating Concrete raft foundation
Column to beam connection Glulam Connections
Cantilever beam connection
Column to joist connection
Column to floor connection
Masters university
1. 7. 8.
10.
9.
2.
3.
5.
Primary structure 2. 440x200 Glue laminated timber 3.320x440 Glue laminated timber tieing member 4. 320 x 320 glue laminated timber column
6.
4.
Overhang Detail Floor build up 1. Polished screed with underfloor heating Plywood 100mm cellulose insulation Vapour barrier Screed creates structural diaphragm Hallowcore pre-cast concrete slabs
2. 7. 1.
8.
Eaves Detail Roof build up 1. 20x 80 cedar cladding 38 x 20 counter battens Rubber waterproofing membrane 38x20 battens Plywood Vapour control layer 220mm cellulose insulation Plywood Internal timber finish Secondary timber structure
10. 11. 9. 4. 6.
3.
5.
Structure 320mmx320mm glue laminated timber column fits into steel shoe connector that is the bolted to the screed Edge detail 3. Insulation continues round to stop thermal bridge
Windows 5. Pilkington optiwhite glazing system with inward opening windows 6. Vertical louvres Guttering 7. Galvanised steel guttering system notched into glulam fascia 8.Timber support for guttering 9. Service void Facade 10. 200x 320mm glue laminated timber with lead capping
and is met by a recessed steel cap to the edge 4. 200x320mm concrete frame beam 5. 200 x 320 glue laminated timber fascia 6. Threaded steel bar with steel fasteners pins the glulam to the structure Glazing 7. Sliding double glazed door 8.Supported by steel strap that is pinned to the precast concrete slab 9. Window sill wraps over glue laminated timber to protect from water
pooling 10. Timber balustrade
James Eyres
Technical I dedicated four days to this drawing researching glulam & concrete as I went.
Masters university
â&#x20AC;&#x153;The best standardisation committee in the world is nature herself, but in nature standardisation occurs mainly in connection with the smallest possible units: cells. The result is millions of flexible combinations in which one never encounters the stereotyped.â&#x20AC;? Alvar Aalto
1:20 Technical Section (Not to scale) James Eyres
nity. The following characteristics lynch describes as necessary for a successful city and have been used to define areas of the building
1 - Main public entrance & foyer with flexible event/gig space 2 - External courtyard 3. Circulation & core 4. Restaurant 5. Kitchen 6. Circulation & core 7. Plant 8. Theatre (3 storeys) & sheltered external stage 9. Workshop & store 10. Theatre changing & WC’s 11. Core 12. Community workshops 13 Artisan retail 14. Coreart store and washroom 15. Art shop
The raised timber canopies that extend from the roof form offer opportunities for raised planting that can provide additional shade
1. Nodes - Entrance points 2. Districts (Houses) - Studio spaces 3. Landmarks - Iconic leisure spaces 4. Pathways - Circulation & breakout space 5. Service zones
The “collision”
Landscaping S
Roof Top Bar
Theatre
D a n c e & C r e a t i v e A r t s Sch o o l Site Plan R E V I t / p h oto s h o p / i l lu s t r ato r LLoyds
Promenade
Foundations 1 - Building Footprint 2 - External courtyard
Planters are used to bring greenery to the roof external deck and down to lower levels through external courtyards where artists and dancers have direct access
Lifted Greenspace
Journeys
Landscaping
Extension of promoenade walk to rooftop bar. Roofscape animates riverside by wrapping up and down from LLoyds to the existing riverside promenade
Potted trees are brought to the roof external deck and down to lower levels through external courtyards where artists and dancers have dircet access.
From millenium square
To millenium square
Service yard
1. 3. 2.
4. From fountains
5.
7.
From fountains 7. South
6. To Amphitheatre 6.
Active Frontage
Access & Servicing
Pedestrian Route
The existing line of bars and restaurants is extended along the riverfront and wraps round with retail to join millenium square
1. Loading bay 2. Workshop direct access to loading bay and theatre 3. 2m external service corridor 4. Deliveries 5. Bin storage 6. Primary building entrance points 7. Secondary building entrance points
New pedestrian corridor through animated external space enables the building to become a new linch pin for events and festivals
Exploded Programme Diagram
Building Diagrams Ancillary
ram
WC’s
Ancillary
Performance
Building Diagrams
Leisure
Social Breakout circulation
To millenium square 11. To millenium square 14.
2.6.
Form
admin
2.
3.
Ancillary
Art Studio
3.
WC’s
13.
2.
rhythm and flow. Which develops an animated facade and interior 2. 2. Site plan showing the building hugging the site of the activity within. that is representative 4.
2.
4.
1.
Social Breakout
admin
Art Studio
Dance Studio
6.
2.
4.
1
4.
5.
From
Spatial Arrangement
2
31. Community services
1 - Main public entrance & foyer 2 - External courtyard 3. Circulation & core 4. Restaurant From fountains From fountains 5. Kitchen Brick 6. Circulation &1.core 2. Cedar Cladding 7. Plant 8. Theatre & sheltered external stage 3. Zinc 9. Workshop & store theatre changing
2.
6.
1.
1
2. Service zones 3. Theatre (ffl atground floor with access on first) 4. Showcase performanceFrom studiosFrom - Studios are on the main publicfounta route th fountains fountains From building 5. Learning focused studios (more private) 6. Private studios (external circulation & breakout dance and work space)
6.
3.
To millenium square
G - Brick chosen for its robust aesthetic and continuity with context.”landmar” theatre clad with contrasting timber 1 & 2 - Timber clad and louvred on upper levels to add a light aesthetic that references that of the previous saw mills and industrial buildings that were on site.
Amphitheatre FirstTo Floor
From
To Amphitheatre
To Amphithea
1 1 - Flexible exhibition space 2. 12. 2 -Core 6 14. 3. Creatives 1. 4. Dance 13. 3 5. External courtyard 15. 4. 2 6.Dance 16. 7. Breakout space from studios and circulation 5 Social Breakout Social Breakout 11. 17.1. Community 1. Loading bay 1 - Main public entrance & foyer 1. Community services 1. Community services services The existing line of bars The and existing restaurants lineisofextended bars 10. and along restaurants the is extended along the & sheltered external stage New The pedestrian existing line corridor of bars New through and pedestrian restaurants animated corridor isexternal extended through space along animated the external space 8. Theatre circulation External 8. Core 2 - External courtyard 1. millenium8.square 2. Service zones 2. Service zones zonesround riverfront and wraps riverfront with retail and wraps to join9.round millenium with retail squareto join enables riverfront the building and wraps to become enables round with the a new building retail linchtopin to join become for millenium events a new and square linch pin for events and 2. 4Workshop direct 18. 2. Service 9. Offices 3 3. 2m external servi Circulation coreaccess 7.with access on first) 3.11. Theatre (ffl 3. atground floor 3. & Theatre with (ffl atground on first) floor with access on first) 3. Theatre (ffl atground floor 1 festivals 10. Meeting & Conference room festivals S the20. 19.4. Showcase performance studios - Studios are on the main public route through 4. Deliveries 4. Restaurant4. 4. Showcase performance studios Showcase - Studios performance are on thestudios main public - Studios route are through on the main the public route through the 11. WC’s 12. 2 5. Bin storage 5. Kitchen building 6. building building 12. Lecture hall/studio theatre (double height) 1 4. 6. Primary building 13. WC’s 5. 6. Circulation core private) 5. Learning focused studios 5. & Learning (more focused studios (more private) 5. Learning focused studios (more private) 3 14Core 3. (external circulation & breakout dance and work space) 7. Secondary build 7. Plant Second 6. Private studios (external6.circulation Private studios & breakout (external dance circulation and work & breakout space) dance andFloor work space) 6. Private studios 13. 15. Dance 1 - Main public entrance & foyer 8. Theatre & sheltered external stage 1. Community services The existing line of bars and restaurants is extended along the 2. 16. Creatives 10. 2 - External courtyard 2. Service zones 9. Workshop & store riverfront and wraps round with retail to join millenium square 17. Dance 1. 7. 8. 9. 3. Circulation & core 3. Theatre (ffl atground floor with access on first) 18. Creaives theatre changing 4. Restaurant 4. Showcase performance studios - Studios 19. Core are on the main public route through the
Developing form Second Floor Arrangement Spatial Arrangement Spatial
Landscaping
14.
Materiality Active Spatial Frontage Active Arrangement Frontage
Pedestrian Active Frontage Pedestrian Route Route
Spatial Arrangement
15. 16. 17.
4.
3.
2
3.
1.
Materiality
Form
1. 1. 1. Developing Form boundary to create an enclosed courtyard space
2.
6.
1.
2
3
2
Social Breakout External
Second Floor
6. 3. 10. 16. Creative 7. 8. 9. 17. Retail 18. 6. 19. Building wraps in section elevation & plan in order to maintain 5. 5. 6.
Performance
The exterior elemennts maintaina a rigid facade that reacts to its context. 5. represent 6. 5. and movement 6. that is created Internal facades the creativity 2.by the occupant within, and simultaneously aim to increase these activities.
Social Breakout
1
Dance Studio
From millenium squareFrom To millenium squaremillenium square Building Diagrams
Plan
15.
Dance Studio
The raised timber canopies that extend from theExternal roof Leisure circulation 1. 1. orm offer opportunities for raised planting that can provide additional shade
Art Studio
admin
5.
12.
6.
2
Elevation
Creative Retail
Boundary Condition
Leisure
1
G
Exploded Programme Diagram
nce Studio
2
2
1 1
Building Building DiagramsDiagrams
reative etail
1
Creative Retail
2
1
Section
Exploded Programme Diagram
1 Performance
WC’s
18.
6.
9.
5. Kitchen 6. Circulation & core 7. Plant 8. Theatre & sheltered external stage 9. Workshop & store theatre changing
5. 4.
Planters are used 2. 3.to bring greenery to the roof external deck and down to First Floor lower levels through external 1courtyards 1 - Flexible exhibitionwhere space 1 artists and dancers have 1. 2 -Core direct access 3. Creatives
4. Dance Landscaping 5. External courtyard
3
3
11. 12. 13.
10.
8.
1 7.
Timber boarding at external deck level Orientation 14. 6. 3
North facing rooflights for studios give glare free consistant light, 15. Potted trees are brought to the roof external deck 5. 26.Dance 2 and down to lower levels First Floor 2 1 whilst leisure spaces benefit from protected south light. through external courtyards where artists andstudios dancers have dircet access. 5 1 - Flexible exhibition space 7. Breakout space from and circulation 5 5 4. 12. 2 -Core 2. 8. Theatre & sheltered external stage 14. 3. Creatives 3. 8. Core 4. Dance 13. 4 4 4 5. External courtyard 9. Offices 3 3 3 2 16.Dance 1 1 10. Meeting & Conference room 7. Breakout space from studios and circulation 11. WC’s 11. 2 2 2 8. Theatre & sheltered external stage 12. Lecture hall/studio theatre (double height) 10. 8. 1 1 1 8. Core 9. 13. WC’s 9. Offices 3 Condition Boundary Condition Boundary 7. 3 3 14Core 3 10. Meeting & Conference room 15. Dance 11. WC’s 16. Creatives 6. 12. Lecture hall/studio theatre (double height) 1 4. 17. 13. WC’s 5. Dance 3 14Core 18. Creaives 3. 15. Dance 19. Core 2. 16. Creatives
15. 16. 17.
18. 19. 20.
1.
Progromatic Progromatic Concept Concept 17. Dance
The arrangement of the scheme The arrangement has been inspired of the by scheme Kevinhas Lynch’s been inspired Image by Kevin Lynch’s Image of 18.of Creaives the City. Arranging spacesthe around City. internal Arranging streets spaces that around also actinternal as breakout streets that also act as breakout 19. Core social, dance and work spaces social, fordance the integrated and workstudio spacesspaces; for thewith integrated the focus studio spaces; with the focus
Active Frontage
Progromatic Concept
building 5. Learning focused studios (more private) 6. Private studios (external circulation & breakout dance and work space)
9.
Progromatic Form Form Concept
Access
The arrangement of the scheme has been inspired by Kevin Lynch’s Image 1 as breakou the City. Arranging spaces around internal streets that also act social, dance and work spaces for the integrated studio spaces; with the foc being to encourage interaction between the dancer, the artist and the comm Ground Floor nity. The following characteristics lynch describes as necessary for a success 1 - Main public entrance & foyer with flexible event/gig space city and have been used to define areas of the building 1 2 - External courtyard Section Section 3. Circulation & core 1. Nodes Entrance points 4. Restaurant 2. Districts (Houses) - Studio spaces 5. Kitchen 1 3. Landmarks - Iconic leisure spaces 6. Circulation & core 4. Pathways - Circulation & breakout space 7. Plant Programme is integrated Service zones 8. Theatre (3 storeys) & sheltered external stage in section as well as plan by dropping down5.and up studios into adjacent spaces. 9. Workshop &pushing store 10. Theatre changing & WC’s 11. Core 12. Community workshops Elevation Elevation 13 Artisan retail 3 14. Coreart store and washroom 15. Art shop
Zinc roof form wraps down to deck
Stone paving at ground floor Bouncing section
5
The arrangement of theexterior scheme has beenthat inspired Lynch’s Image ofto its context. The exterior elemennts maintaina The a rigid elemennts facade maintaina reactsby toaKevin its rigid context. facade that reacts City.represent Arranging around internal streets that also actby asthe breakoutthat is created by the Internalthe facades Internal thespaces creativity facades andrepresent movement the that creativity is created and movement social, dance work spaces for integrated studio spaces; the focus occupant within, andand simultaneously occupant within, aimthe toand increase simultaneously these activities. aim towith increase these activities.
Progromatic Concept
2
Boundary Condition
1 2 Foundations 1 - Building Footprint 2 - External courtyard
2
Roof Top Bar
4
Plan
LLoyds
Th
1
Plan Boundary Condition
Form Form
Form
Materi
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Zinc occupant within, andspaces simultaneously occupant within, aimwork toand increase simultaneously these aim increase these activities. occupant within, occupant andwithin, simultaneously occupant and simultaneously aim toand increase simultaneously aim to these increase these aim toactivities. increase these by activities. within, and simultaneously aim to brought increase activities. 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The exterior elemennts maintaina rigid that to reacts to its context. der to maintain rhythm and flow,a&developing anmaintain animatBuilding wraps in section elevation planfacade in order h a describes successful as necessary for a successful nity. The following nity. The characteristics following nity. characteristics The lynch following describes lynch characteristics as describes necessary lynch as for necessary a describes successful for as a successful necessary for a successful nity. The following characteristics lynch describes as necessary for a successful G Brick chosen for its robust G Brick aesthetic chosen and for continuity its robust with aesthetic context.”landmar” and continuity with context.”landmar” G Brick chosen G Brick for chos its r the City. Arranging spaces around internal streets that also act as breakout the City. Arranging spaces around internal streets that also act as breakout Internal facades represent the creativity and movement that is created by the Internal facades represent the creativity and movement that interior is created by the with nt/gig e flexible space event/gig space 1 - Main public entrance & foyer with flexible event/gig space rhythm and flow. Which develops an animated facade and 9. edwith facade and interior of the building city and have citybeen and have used been tocity define used andareas have to define of been theareas used building of tothe define building areasdance of the building and have been used to define areas occupant of the building theatre contrasting theatre timber clad contrasting timber theatre cladtheatre with contras clad w social, and work spaces for the integrated studio spaces; withcity the focus social, dance and work spacesaim for to theincrease integrated studio spaces;clad withwith the focus within, and simultaneously these activities. within, and simultaneously aim to increase these activities. 2 - External courtyard thatoccupant is representative of the activity within. being to encourage interactionFloor between the dancer, the artist and the commubeing to encourage interaction between the dancer, the the commu11. 1 artist & 2 and - Timber clad and1louvred & 2 - on Timber upperclad levels and tolouvred add a light on upper aesthetic levels thatto add a light aesthetic that 1 & 2 - Timber 1 & 2 clad - Tim an Ground Floor Ground 3. Circulation & core Form development models models nity. The following characteristics lynch describes as necessary a1.successful nity. The following characteristics lynch describes as necessary forthat a successful 8.-points 1. Nodes - Entrance 1. Nodes Entrance 1. Nodes points - Entrance points Nodes points models Process models references of the previous references saw mills thatand of the industrial previousbuildings saw millsthat andwere industrial on site.buildings that were on site.references references that of thethat pre 1 - Main with flexible event/gig space 1 - Main public entrance & foyer with flexible for event/gig space- EntranceProcess 4. Restaurant 10. 12. & foyer 7. public entrance city and have been to define areas of the building city and have been used to define areas of the building 2. Districts2.(Houses) Districts -(Houses) Studio 2. Districts spaces - Studio (Houses) spaces - Studio spaces 2. Districts (Houses) - Studio spaces 2 - External courtyard 2 -used External courtyard 5. Kitchen 3. Circulation & core 3. Circulation & core 3. Landmarks 3. Landmarks - Iconic leisure - Iconic 3. Landmarks spaces leisure spaces - Iconic leisure spaces 3. Landmarks - Iconic leisure spaces 6. Circulation & core 1. Nodes - Entrance points 1. Nodes - Entrance points 13. 4. Restaurant 4. Restaurant 6. 7. pace 4. Pathways 4. -Pathways Circulation & 4. Pathways breakout &space -breakout Circulation space & breakout space 4. Pathways - Circulation & breakout space 7. Plant- Circulation 2. Districts (Houses) - Studio spaces 2. Districts (Houses) - Studio spaces 5. Kitchen 5. Kitchen 5. Service zones 5. Service zones 5. Service zones 5. Service zones xternal stage 3. Landmarks - Iconic leisure spaces 3. Landmarks - Iconic leisure spaces Creative + Flamboyant 8. Theatre6.(3 storeys) & sheltered external stage Circulation & core Circulation & core gid + 6.Modular Rigid- Circulation + 6.Modular 14. 4. Pathways 4. Pathways - Circulation & breakout space 9. Workshop & store 7. Plant 7. Plant & breakout space 5. Service zones 5. Service zones 10. Theatre changing & WC’s 8. Theatre (315. storeys) & sheltered external stage 8. Theatre (3 storeys) & sheltered external stage 5. 11. Core 9. Workshop & store 9. Workshop & store 10. Theatre changing & WC’s 10. Theatre changing & WC’s 12. Community workshops 4. 11. Core 11. Core 13 Artisan retail 2. 12. Community workshops 12. Community workshops 3. 14. Coreart store and washroom S S S S S S 13 Artisan retail 13 Artisan retail 15. Art shop 14. Coreart store and washroom 14. Coreart store and washroom S 15. Art shop 15. Art shop Roof Top Roof Bar Top Bar Roof Top Bar Roof Top Bar
Progromatic Concept
Progromatic Concept Form
Form Form
Masters university Year 1
Roof Top Bar
Theatre
Roof Top Bar
Theatre Promenade LLoyds
Theatre
LLoyds Promenade LLoyds
Theatre
Roofscape
Journeys Journeys Journeys Roofscape Journeys
Promenade
Theatre
Promenade
LLoyds
Promenade
Studios North Light, Leisure South
Foundations 1 - Building Footprint 2 - External courtyard
Architecture & The Body
Theatre
Theatre
PromenadePromenade LLoyds Promenade
LLoyds
Foundations 1 - Building Footprint 2 - External courtyard
Foundations 1 - Building Footprint 2 - External courtyard
Theatre
Orientation Journeys Journeys
Journeys
Bouncing Section Orientation Bouncing Section
Journeys
Bouncing Bouncing section section Bouncin Boun Orientation Orientation Orientation Orientation Orientation Orientation O Landscaping Landscaping North facing rooflights for the studiosofgive glarewalk to rooftop bar. North facing rooflights Programme for issection the integrated studios give in section glare asglare well asand plan light, Landscaping Landscaping Landscaping Landscaping Landscaping Landscaping promoenade walk to rooftop bar. Extension promoenade op bar. Extension Extension of promoenade of promoenade Extension walk to rooftop of walk promoenade rooftopwalk bar. Extension to rooftopofbar. Extension of promoenade walkstudios tofacing rooftop bar. is integrated in Programme section asrooflights well is integrated as plan by in dropping asare down well asand plan by dropping down is integrated is North facing rooflights for studios give free consistant North facing rooflights North for give rooflights glare free for consistant studios give light, glare freeto consistant light, North facing North rooflights North for studios facing for give studios rooflights glare give free for glare consistant studios free consistant give light, glare free light, consistant light, N uring bordeaux The roofscapeExtension gathers momentum ofare promenade and walk flair from totobar. rooftop the neighbouring bordeaux Extension of promenade walk toare rooftop Potted trees are brought to the roof deck and down toProgramme lower Potted trees brought to the roof external deck and down toProgramme lower levelsProgramme Potted Roofscape trees brought toPotted roof trees external brought deck and tobar. the down roof toexternal lower levels deck and down to lower Potted trees Potted are brought trees aretoPotted brought the roof trees toexternal roof brought deck external and tobar. the down deck roof and to external lower down levels deck to lower and levels down lower arefacing brought to thewhilst roof external deck and down to lower levels Roofscape animates riverside by wrapping up and LLoyds tofree the Roofscape animates riverside by wrapping up levels and down fromlevels LLoyds Potted tofree the trees oyds ng uptoand thedown from LLoyds to the Roofscape animates riverside animates Roofscape bythe riverside wrapping animates byare up wrapping and riverside down up by and from wrapping down LLoyds from uptoand LLoyds the down tofrom the LLoyds tolevels the down from Roofscape animates riverside bythe wrapping up and down from LLoyds toexternal the consistent light, whilst leisure spaces benefit consistent light, dropping down leisure and spaces pushing benefit upartists dance studios pushing studios into adjacent pushing spaces. upby studios into adjacent spaces. pushing studiosup into st whilst leisure spaces benefit from protected south light. whilst leisure spaces benefit whilst leisure protected spaces south benefit light. from protected south light. leisure whilst spaces leisure benefit spaces whilst from benefit leisure protected spaces from protected south benefit light. from south protected light. south light. w through external courtyards where artists and dancers have dircet access.up whilst through external courtyards where and dancers have dircet access.uppushing +6 existing riverside promenade existing riverside promenade through external courtyards through where external artists and courtyards dancers have where dircet artists access. and dancers dircetto access. throughexisting external through courtyards external through courtyards where external artists where and courtyards artists dancers and have where dancers dircet artists have access. and dircet dancers access. have dircet access. through external courtyards where artists and dancers have dircet access. in mid flow. quay as it covers Roofscape over the animates building, riverside much like byapromenade wrapping dancer orup artist and indown mid flow. from Lloyds the Roofscape animates riverside byfrom wrapping up and down from Lloyds to the +6 have existing riverside existing promenade riverside existing promenade riverside riverside promenade from protected south light. from protectedinto south adjacent light. spaces. existing riverside promenade existing riverside promenade
+2 +2
Internal and external movable seating can also serve as a stage or for planting and can be stored under the theatre seating in the case of events.
Site use day to day
Posts
From millenium square
To millenium square
Service yard
1. 3. 2.
4. From fountains
5.
7.
From fountains 7. Posts
6.
Site use on day of event Service yard 1.
m millenium square 1. 3.
Service yard
1.
3.
6.
3.
Active Frontage 2. 5. 4.
2.
4.
Service yard
To Amphitheatre
The existing line of bars and restaurants is extended along5.the 7. 7. riverfront and wraps round with retail to join millenium square
hrough the ains
Access & Servicing
Pedestrian Route 2. 4.
New pedestrian corridor through animated external space5. 7. enables the building to become a new linch pin for events and festivals
From fountains
1. Loading bay 2. Workshop direct access to loading bay and theatre 3. 2m external service corridor 4. Deliveries 5. Bin storage 6. Primary building entrance points 7. Secondary building entrance points
design Development eacade design Development Aerial view showing the roof form picking up the roofscape of the industrial sheds & “dancing” with it 7.
From millenium square
7.
Service yard
7.
1.
3.
6.
m fountains
2.
4.
6.
6. 5.
7.
atre
6.
Pedestrian Route
1
1
2 1 Section
11 1
G
2 1 2
G
1 2
1
1. Loading bay Plan 2. Workshop direct access to loading bay and theatre 3. 2m external service corridor 4. Deliveries 5. Bin storage 6. Primary building entrance points Building wraps in section elevation & plan in order to maintain 1 7. Secondary building entrance points rhythm and flow. Which develops an animated facade and interior 2 2 that is representative of the activity within.
1
1
1
1
Elevation 2
2 3
Theatre
2 1 Promenade
2
1 1
Plan
2
iality Materiality Form
g
the
2
1
3
3
3
2
Elevation
2
3
Plan
1. Brickwraps in section elevation & plan in order to maintain Building 2. Cedar Landscaping rhythm andCladding flow. Which develops an animated facade and interior trees wraps are broughtin to the roof external deck and down to lower levels Building form section elevation and plan in orthat3.isZinc representative ofPotted the activity within. Form
1 2
G
S
2
1
2
3
2 2
2
1
Materiality 1
1. Brick 2. Cedar Cladding 3. Zinc
2
Orientation
2
3
1. Brick 2. Cedar Cladding 3. Zinc
G - Brick chosen for its robust aesthetic and continuity with context.”landmar” theatre clad with contrasting timber 1 & 2 - Timber clad and louvred on upper levels to add a light aesthetic that references that of the previous saw mills and industrial buildings that were on site.
2 1
1
1 1
2
Materiality
1 2
2
G
1
Section
2
2
1
1
1 1
Form
1
3
2 2
Access & Servicing
1
1 2
G
6.
1. Loading bay Elevation 2. Workshop direct access to loading bay and theatre 3. 2m external service corridor 4. Deliveries 6. 5. Bin storage 6. Primary building entrance points 7. Secondary building entrance points
to its context. The louvred internal skin wrapping the Form courtyard represents creativity movement that is The exterior elemennts the maintaina a rigid facadeand 1 1 that reacts to its context. facades represent the creativity and movement that is created by the created2 Internal by the occupants within. 2 2 activities. occupant within, and simultaneously aim to increase these
2
7.
from the North East corner of the site - Planting is brought to all levels of building &Pedestrian Servicing Access & Servicing Access &the Servicing Route
4. Deliveries 5. Bin storage g entrance 6. Primary points building entrance points Boundary Condition ding entrance 7. Secondary points building entrance points New pedestrian corridor through animated external space enables the building to become a new linch pin for events and The exterior festivalselements maintain a rigid facade that reacts
1
1
Section
6.
1. Loading bay corridor through animated external space New pedestrian Tothe Amphitheatre t access 2. to Workshop loading baydirect and theatre access to loading andpin theatre enables building to become a newbay linch for events and ice corridor 3. 2m external service corridor festivals
2
2
6.
e of ut cus 2 musful
1
1
From fountains
2
3 3
North facing rooflights for studios give glare free consistant light, Materiality whilst leisure spaces benefit from protected south light.
This experimentThis usedexperiment horizontalused louvres which was lat horizontal louvre changed for vertical. Thefor facade combines vertical timb changed vertical. The facade combin cladding panelscladding with louvering to dance panels over with glazing louvering over gla studios. This allows the This continuity facade to of flow studios. allowsof thethe continuity th over the glazingover and the emitglazing a glowand across thea glow harbourside emit across James and also helps to control solarto gain and Eyres glare. and also helps control solar gain and Bouncing section Programme is integrated in section as well as plan by dropping down and pushing up studios into adjacent spaces.
Professional
Architectural Designer, Stonewood Design
experience Stonewood Design
About Stonewood Design A small practice of ten who have received national RIBA recognition for numerous projects and won BD Small Project Architect of the Year 2016. Stonewood Designâ&#x20AC;&#x2122;s work is founded in building. With a sister construction company, the practice cares and fully understands the detail. The theme that connects their work is their interest in craft and context. I had the ability to work on a diverse range of projects at different stages with an increased level of responsibility due to the practices small size.
Pod Gallery
Art Gallery Extension Within Barn RIBA South West Award 2015, Wood Awards 2015 Highly Commended
033
Myrtle Cottage Garden Studio
RIBA National Award 2015, RIBA Stephen Lawrence Prize 2015 Finalist James Eyres
Architectural Designer, Stonewood Design
Residential A planning application for 20 sustainable new homes in a riverside location in Box Wharf. The scheme maximises the use of the sites complicated topography. We also developed a smaller scheme of
12 homes on the opposite side of the river with a creative tech worker space. The scheme uses a subtle, contempory style that uses materials from the surrounding context.
My Experience
- Concept Design - Masterplanning - Site analysis/visits - Design Development - Design team meetings with wider professionals/consultants - Concept Proposals - Planning Application - Design + Access Statement - Visuals/Graphics (Vray/Photoshop) - 3D Modelling in SketchUp - 2D Drafting in Vectorworks
â&#x20AC;&#x153;A sustainable community of 20 new homesâ&#x20AC;?
3D Masterplan Aerial of the Timber Yard Site
Site Sections of the Timber Yard & Millside Sites
James Eyres
Swindon housing
â&#x20AC;&#x153;Breaking the status quo of afforable housingâ&#x20AC;?
View along canalside An affordable housing scheme for 85 new homes in the Canalside area of Swindon. Working in partnership with urban design specialists Metropolitan Workshops on behalf of Swindon Borough Council. There will be a choice of 1, 2, 3 and 4 bed homes for sale and be situated along both banks of the canal. The scheme aims to deliver a unique, and quality, housing offer for Swindon.
My Experience I worked on early stage strategic masterplanning and helped develop unit types and visualisation. My experience studying house types and residential strategies at University was a helpful contribution to the team. Section through 3 bed typology
Graduate Architect
bruton h o u s e
â&#x20AC;&#x153;A b e s p o k e high end homeâ&#x20AC;?
A contemporary new-build house which nestles in to the historic fabric of the village of Bruton in Somerset. Utilising a basement amenities floor, the scheme uses multpile pitched roof forms to give grandeur to the internal spaces that open out onto the enclosed south facing garden.
My Experience
I developed on site modelling and design iterations up to planning status. I had direct communication with the client over design concerns and layouts. I attended site meetings and regularly liased with ecologists & required consultants Aerial showing roof form and open courtyard
Approach material study image
James Eyres
Architectural Designer, Stonewood Design
C u lt u r a l welham garden museum
A Museum of the Garden. The Museum is set underground to blend into the landscape with one elevation opening onto the adjacent woodland. Exposed elements use rammed earth. The proposals will include an exhibition gallery, a visitor reception, refreshments, gift shop and conveniences.
View from timber woodland walkway showing how the elevation blends to the landscape
My Experience
- Museum Concept Design - Site layout options - Site visits - Graphics/Visualisation - Facade options - Internal layout options - 2D Vectorworks Drafting - 3D Sketchup Modelling - Bridge/balustrade design
039
Approach view showing acessible roof linking to the woodland walkway
â&#x20AC;&#x153;Almost every man, woman and child in Britain has some connection to the garden. From the pots of carefully cultivated herbs on the balcony of the high-rise urbanite to the sprawling manicured lawns and clipped parterre borders of the country house, the pastimes of tending and enjoying gardens are almost universally shared.â&#x20AC;?
RE a l i s ation They include Kisiju (Coast region), Boko (Dar es Salaam) and Bagamoyo. Border posts such as Horohoro, Namanga, Holili, Tarakea, Songwe and Tunduma have law enforcement authorities, but they lack expertise for identifying counterfeits How can you change your value? Home Cinema is a market that demands calibration that is identical to that used within professional environments, essentially matching.
Entance view
James Eyres
-
Architectural Designer, Stonewood Design
Ed u c a t i o n p r i m a r y, n u r s e r y & S p o r t s
A new classroom and hall building and new nursery for Kingswood School in Bath. The project is currently on site. The new building will take the form of a collection of pitched and hipped roofs. Roofs and walls will be clad in western red cedar shingles, a woodland crafted response, with a scale that children can relate to. A plinth is formed in a tactile brick which has the tones of Bath stone, relating the building to the wider school site and the World Heritage City.
My Experience ~ Internal layouts ~ Construction details ~ Landscape details ~ Material/product specification ~ Stair detail design ~ Acoustic detailing/ specification ~ Interior joinery package ~ Sports hall concept design 3D approach view of the school showing ground level brick plinth and shingle pitches above.
Graduate Architect
3D view of Library Play / Learning Space
Interior view of swimming pool showing Cross Laminated Timber structure
James Eyres
3 D & 2 D d e tai l s
Vectorwo
Refer to A.010.3 for wall build up
Refer to A.010.3 for wall build up
Cedar framing around window
40
Ventilation gap at base of cedar Compriband weather seal around window Cedar framing (L10/810)
40
Shingles to return into gap window Ventilation at base of cedar surround (H64/755A)
Compriband weather seal (L10/810)
Air seal to CLT (L10) 275
Refer to A.010.3 for wall build up
S i t e p ho t o n
Shingles to return into window surround (H64/755A) Composite guided window Airtop seal to CLT (L10) (L10/402)
275
Composite top guided window (L10/402)
340
90
20
40
Cedar sill board
340
12mm ventilation gap under sill
90
20
40
Cedar sill board
12mm ventilation gap under sill
A.170.1 FIRST FLOOR OPENING WINDOWS - HEAD & CILL
Notes:
Do not scale this drawing. All dimensions in millimetres unless otherwise stated. Any variations or supplementary drawings are to be approved by the architect. All dimensions and conditions are to be checked on site prior to preparing drawings or commencing any work.
Notes:
Do not scale this drawing. All dimensions in millimetres unless otherwise stated.
D
02/09/16
TENDER
C
22/04/16
TENDER
B
18/11/15
TENDER
A
09/11/15
TENDER
Rev:
Date:
Description:
A.170.1 FIRST FLOOR OPENING WINDOWS - HEAD & CILL
3D Render showin
orks / SketchUP / V-ray THIS DRAWING SHOWS BASIC DESIGN INTENT FOR DETAILED DESIGN DEVELOPMENT BY A SPECIALIST CONTRACTOR AND SHOULD BE USED FOR GUIDANCE ONLY TO BE READ IN CONJUNCTION WITH ARCHITECTS NBS SPECIFICATION ALONG WITH ENGINEERS INFORMATION SPECIFICATION F10 Brick/ block walling F30 Accessories/ Sundry items brick/block/stone walling
Air seal to CLT (refer to L10 for information)
H21 Timber weatherboarding H64 Wood shingle roofing H72 Aluminium strip/ sheet coverings/ flashings H75 Stainless steel strip/ sheet coverings/ flashings
40
J31 Liquid applied waterproof roof coatings J40 Flexible sheet waterproofing/ damp proofing J42 Single layer polymeric sheet roof coverings
90
100
G12 Isolated structural metal members G20 Carpentry/ timber framing/ first fixing
K10 Plasterboard dry linings/ partitions/ ceilings K20 Timber board flooring/ sarking/ linings/ casings K40 Demountable suspended ceilings L10 Windows/ roof lights/ screens/ louvers L20 Doors/ shutters/ hatches L30 Stairs/ Ladders/ walkways/ handrails/ balustrades
Composite top guided window (L10/402) Compriband weather seal (L10) Cedar framing around window Weaved corners into window reveal (H64/755A)
N10 General fixtures/ furnishings/ equipment N13 Sanitary appliances and fittings N14 General internal signage systems N91 External signage and interpretation P10 Sundry insulation/ proofing work P11 Foamed/ fibre/ bead cavity wall insulation P21 Door/ window ironmongery
A.170.2 FIRST FLOOR OPENING WINDOWS - JAMB
near i n g c o m p l e t i on
ng proposed shingle reveal
M10 Cement based levelling/ wearing coatings M12 Resin flooring M20 Plastered/ rendered/ roughcast coatings M21 Insulation with rendered finish M50 Rubber/ plastics/ cork/ lino/ carpet tiling/ sheeting M60 Painting/ clear finishing M61 Intumescent coatings for fire protection of steelwork
Q10 Kerbs/ edgings/ channels/ paving accessories Q25 Slab/ brick/ sett/ cobble pavings Q28 Topsoil and soil ameliorants Q30 Seeding/ turfing Q31 External planting Q40 Fencing R10 Rainwater drainage systems X12 Vertical platform lift systems Z10 Purpose made joinery Z11 Purpose made metalwork Z20 Fixings and adhesives Z21 Mortars Z22 Sealants Z31 Powder coatings
NOTE: 1.Drawings to be read in conjunction with Architect's specification and supporting consultants information 2. Refer to structural engineer's drawings for CLT build ups 3. Detail shows design intent. All CLT fixings to be concealed within roof/wall build ups. To be read in conjunction with structural engineers details
Drawing Number:
Revision:
1465.A.170
D
Status:
TENDER The Stonewood Office West Yatton Lane Castle Combe Wiltshire SN14 7EY T: 01249 782512 E:info@stonewooddesign.co.uk www.stonewooddesign.co.uk
Project:
KINGSWOOD SCHOOL KPS NEW BUILD Title:
Drawn by:
MJG
FIRST FLOOR WINDOW DETAILS - OPENABLE
Date drawn:
SEP 15
Scale @ A3:
1:5
James Eyres
C o nstr u cti o n 1 :1 0 D et a i l s / K i ngs woo d Pri vat e Pri mary Scho o l, UK C LT St r u c tu re w ith B ric k Cladd ing Gr o und Flo o r & T i mbe r Sh in gles F irst F loor & Ro o f
GRP flashing (J3 Gutter sizes indicative refer to engineers drainage specification
A.110.1
Gutter sizes indic engineers draina
Slotted retention strip (J31/120A) & pebble border Refer to A.020.2 for flat roof build ups
512
100
200
100
400
Refer to note 3
Refer to A.010.1 for wall build up
Precast concrete lintels with pistol slips (F30/735A)
A.081.1 FLAT ROOF - EAVES
A.081.2 FL
Graduate Architect Vectorworks / SketchUP / V-ray
D r aw n at Ar c h itec t â&#x20AC;&#x2122;s ,
St o n e wo o d UK, in
De s i g n 2 0 17.
THIS DRAWING SHOWS BASIC DESIGN FOR DETAILED DESIGN DEVELOPMENT SPECIALIST CONTRACTOR AND SHOU USED FOR GUIDANCE ONLY TO BE RE CONJUNCTION WITH ARCHITECTS NBS SPECIFICATION ALONG WITH ENGINEE INFORMATION SPECIFICATION
F10 Brick/ block walling F30 Accessories/ Sundry items brick/block
Refer to A.010.3 for wall build up
G12 Isolated structural metal members G20 Carpentry/ timber framing/ first fixing
H21 Timber weatherboarding H64 Wood shingle roofing H72 Aluminium strip/ sheet coverings/ flas H75 Stainless steel strip/ sheet coverings/
J31 Liquid applied waterproof roof coating J40 Flexible sheet waterproofing/ damp pr J42 Single layer polymeric sheet roof cove
Gutter sizes indicative refer to engineers drainage specification
31/120A)
cative refer to age specification
K10 Plasterboard dry linings/ partitions/ ce K20 Timber board flooring/ sarking/ linings K40 Demountable suspended ceilings
L10 Windows/ roof lights/ screens/ louvers L20 Doors/ shutters/ hatches L30 Stairs/ Ladders/ walkways/ handrails/
Slotted retention strip (J31/120A) & pebble border
M10 Cement based levelling/ wearing coa M12 Resin flooring M20 Plastered/ rendered/ roughcast coati M21 Insulation with rendered finish M50 Rubber/ plastics/ cork/ lino/ carpet tilin M60 Painting/ clear finishing M61 Intumescent coatings for fire protectio
Slotted retention strip (J31/120A) & pebble border
200
N10 General fixtures/ furnishings/ equipme N13 Sanitary appliances and fittings N14 General internal signage systems N91 External signage and interpretation
300 330
Refer to A.020.2 for flat roof build ups
GRP flashing (J31/120A)
100
200
P10 Sundry insulation/ proofing work P11 Foamed/ fibre/ bead cavity wall insula P21 Door/ window ironmongery
Q10 Kerbs/ edgings/ channels/ paving acc Q25 Slab/ brick/ sett/ cobble pavings Q28 Topsoil and soil ameliorants Q30 Seeding/ turfing Q31 External planting Q40 Fencing R10 Rainwater drainage systems X12 Vertical platform lift systems Z10 Purpose made joinery Z11 Purpose made metalwork Z20 Fixings and adhesives Z21 Mortars Z22 Sealants Z31 Powder coatings
Refer to note 3
Refer to A.020.2 for flat roof build ups
Refer to note 3
Glulam beam, refer to structural engineers specification
Refer to A.010.1 for wall build up
Precast concrete lintels with pistol slips (F30/735A)
LAT ROOF - EAVES DOWNPIPE
NOTE:
A.081.3 FLAT ROOF - VERGE
1.Drawings to be read in conjunction w specification and supporting consultant
2. ReferJames to structural engineer's drawin Eyres
3. Detail shows design intent. All CLT f
C o nstr u cti o n 1 :1 0 D et a i l s / K i ngs woo d Pri mary Scho o l C LT St a i r Case 32
10
73 Solid oak hand rail
50
Bespoke 10mm metal lustrade. (L30/550A) Finish tbc
DESIGN INTENT FOR STAIR TREAD AND BA 10
83
10
83
10 Refer to A.512 and A.513 for riser dimensions
22 22mm solid oak nosing piece (L30/270A) 22mm solid oak stair treads bonded to CLT stair structure (L30/270A)
280
50
22
22 100
10
10
0
18
5.1 BALUSTRADE SECTION DETAIL
:
not scale this drawing.
dimensions in millimetres unless otherwise stated.
variations or supplementary drawings are to be roved by the architect.
dimensions and conditions are to be checked on site r to preparing drawings or commencing any work.
22mm Hardwood stringer fascia (L30/270A)
A.235.2 STAIR ELEVATION DETAIL
A.235.3 STAIR SECTION D
Graduate Architect
S t a ir Vectorworks / SketchUP / V-ray NOTE: Drawings to be read inconjunction with outline specification and supporting consultants information. THIS DRAWING SHOWS BASIC DESIGN INTENT FOR DETAILED DESIGN DEVELOPMENT BY A SPECIALIST CONTRACTOR AND SHOULD BE USED FOR GUIDANCE ONLY TO BE READ IN CONJUNCTION WITH ARCHITECTS NBS SPECIFICATION ALONG WITH ENGINEERS INFORMATION SPECIFICATION F10 Brick/ block walling F30 Accessories/ Sundry items brick/block/stone walling G12 Isolated structural metal members G20 Carpentry/ timber framing/ first fixing H21 Timber weatherboarding H64 Wood shingle roofing H72 Aluminium strip/ sheet coverings/ flashings H75 Stainless steel strip/ sheet coverings/ flashings J31 Liquid applied waterproof roof coatings J40 Flexible sheet waterproofing/ damp proofing J42 Single layer polymeric sheet roof coverings K10 Plasterboard dry linings/ partitions/ ceilings K20 Timber board flooring/ sarking/ linings/ casings K40 Demountable suspended ceilings L10 Windows/ roof lights/ screens/ louvers L20 Doors/ shutters/ hatches L30 Stairs/ Ladders/ walkways/ handrails/ balustrades M10 Cement based levelling/ wearing coatings M12 Resin flooring M20 Plastered/ rendered/ roughcast coatings M21 Insulation with rendered finish M50 Rubber/ plastics/ cork/ lino/ carpet tiling/ sheeting M60 Painting/ clear finishing M61 Intumescent coatings for fire protection of steelwork N10 General fixtures/ furnishings/ equipment N13 Sanitary appliances and fittings N14 General internal signage systems N91 External signage and interpretation P10 Sundry insulation/ proofing work P11 Foamed/ fibre/ bead cavity wall insulation P21 Door/ window ironmongery Q10 Kerbs/ edgings/ channels/ paving accessories Q25 Slab/ brick/ sett/ cobble pavings Q28 Topsoil and soil ameliorants Q30 Seeding/ turfing Q31 External planting Q40 Fencing R10 Rainwater drainage systems
ALUSTRADE DETAIL
DETAIL
X12 Vertical platform lift systems Z10 Purpose made joinery Z11 Purpose made metalwork Z20 Fixings and adhesives Z21 Mortars Z22 Sealants Z31 Powder coatings
D
02/09/16
TENDER
C
22/04/16
TENDER
B
18/11/15
TENDER
A
09/11/15
Rev: Date:
TENDER Description:
Drawing Number:
Revision:
1465.A.235
D
Status:
TENDER The Stonewood Office West Yatton Lane Castle Combe Wiltshire SN14 7EY T: 01249 782512 E:info@stonewooddesign.co.uk www.stonewooddesign.co.uk
Project:
KINGSWOOD SCHOOL KPS NEW BUILD Title:
Drawn by:
SO
BALUSTRADE DETAILS 1
Date drawn:
SEP 15
Scale @ A3:
1:5
Conce p t ima g e of spa c e
James Eyres
Off i c e matter studios
My Experience
~ Construction details ~ Product / material specification ~ Site meetings with clients & builders
~ On site progress checks ~ Liasing with client & builders off site ~ Cost control procedures
3D section showing workshops bespoke staircase and design meeting rooms
3D section showing kitchen & quiet work space
Boutique product deisgn office refurb
Upstairs study collab space
Photo from site visit James Eyres
B E S P O K E D E TA I L S 1 : 1 0 Det ai ls / Produ ct Des ig n Office
/ Ste e l & Co ncr e te Str uctu re
C o nc e pt u a l
d e v e l o pm e nt
Models
James Eyres
C o nstr u cti o n
1 :1 0 De tai l s / Produ ct Desi gn Of fice / Ste e l & Co ncr e te Str uctur e D r a w n @ Ston ew ood Desi gn , UK
Graduate Architect
B E SPO K E D E TA I LS b o ardmark
c o ncr e t e
wall
James Eyres
B E S P O K E D E TA I L S 1 : 1 0 Det ai ls / Produ ct Des ig n Office
/ Ste e l & Co ncr e te Str ucture
Graduate Architect Vectorworks / SketchUP / V-ray
James Eyres
E RI D
39 .0 2
44 .2
G 140
269°12' 3.61
spa
D ra wn @ A us t in M a yn a r 5120
3
19.92
359°20'
TITLE BO
2920
JG
MASTER BED
ROBE
FCP-01
FCP-01
W05
re jo
D A304
JG
pool equipment
G04 change in floor finish D04
01 A602 D14
D13
90 1500 JG-18
2085 D15 drying racks 02
1570
FTL-03
A602
JG-16
JG-19
n o
JG-20 W14
90
02
1015
840
269°33' 8.36
COUR refer to for
3205
FCO-01
990
875
1990
700
A303
JG-15
STORE hydronic manifold
eq
W13 C
FFL +39.37 FCO-01
W06
2x DP-01
eq
t/rail
HALLWAY 02
GP
1610
900 JG-17
900
refer to A700
FTL-01
G03
SERVICES AREA
A602 W15
align
900
2470 D16
D05
D08
HALLWAY 03
3310
2710
90
FCO-01
GARAGE
D17
03 A602
D18 refer to A700
dumb waiter
WC
03 A602
900
SLAB LEVEL +39.02 FCO-02 slab under
690
TITLE BOUNDARY
D12
FCO-01
W12
pit 2, refer to civil ext. AC units
HALLWAY 01
900 D11
90
W17
900
ENSUITE
FTL-03
FPL-02 ramp
90
JG-10
LAUNDRY
STUDY
FTL-01 3945
1630
FCO-01 drying racks
90
90 refer to A709
9.
8. sliding hatch
G02
2520
2720
JG-11
7.
6.
90
S
wm / dryer stack
JG-09
3570
approximate location of boundary trap
Directors A ndrew M ay nard & M ark Au stin www.maynardarchitets.com info@maynardarchitects.com Phone (+61) 0497 020 635
Austin Maynard Architects is the trading name of Andrew Maynard Architects Pty Ltd © Andrew Maynard Architects
2520
FCO-02
4.
W07 D07
179°20' 19.88 PROJECT
PIGDON CLIENT
Janet Newman & Tom Peat
2
01 A601
38 .8
D06
S 230
CONCRETE 9
GM
38 .9
2
150
DP
3435
1000
D26 01 A601
5.
planter. see details
120
nom 1m
BIN STORE & SERVICES
38 .8
K
990
2
Pigdon House, Melbourne. Austin Maynard Architect’s 1640 X Tender documentation for a new build $2m 2 bed AXXX house in Melbourne. Steel frame structure.
79°27' 0.08m
2. 2
3800
1
39 .0 2
t e nd e r 1085
ER
rd A rch i t e c t’s, M e l bo u r ne in 2 018
new 1m metal fence on boundary 4805
6
NOTE: All dimensions are to be confirmed on site prior to construction ~ Do not scale off drawings - please call ~ All construction to be to NCC & AS requirements ~ Drawings to be read in conjunction with specification ~ Refer to engineering drawings & soil report ~ All wet areas to be waterproofed in accordance with Part 3.8.1 of the NCC & to AS 3740 ~ All glazing to comply with NCC part 3.12.2 & AS1288-2006 ~ Stormwater to be discharged to existing legal point of discharge ~ Protection work forms & dilapidation reports to be obtained by contractor prior to carrying out demolition works.
38 .8 7
5
230
OUNDARY F
39 .3
JG-12
2020
40 .5 3
G-14
39 .1 6
990
4
41 .7
TO P 40 .8 7
G U
TT
Graduate Architect
efer to A715 for oinery details JG-12a
LIVING
MATERIAL KEY [INTERNAL]
FCO-01
note: refer to SCHED-04 floor finishes and SCHED-09 internal finishes for further information
G-13 E
815
X
990
950
AXXX 01 A602 W11
D
IPL-01
plywood, SELECT finish.
IST-01
steel plate, powdercoat finish.
ITL-01
internal wall tile.
CPB-01 plasterboard ceiling.
540
refer to details for column setout
plasterboard, paint finish.
TITLE BOUNDARY
2030
IPB-01
FCO-01 concrete floor finish type 01. B A
A302
RTYARD 01950 o A801/A802 r details
A301
39 .0
4
FCO-01 W10
FTL-01
floor tile.
FCP-01
floor carpet.
FVI-01
floor vinyl.
11.97 89°17'
DINING
FCO-02 concrete floor finish type 02.
hobby floor.
3340
FHO-01 W03
nom. area of paving
ESC-01 G01 JG-06 115
C
875
KITCHEN
90
600
refer to A701 for details
refer to A801 for ext works
39 .0
7
700
FFL +39.37
900
W16
B 620
16. 1190
14. 13.
JG-05 300 90
JG-04
fr.
2 D01
W09
W08
TITLE BOUNDARY
38 .8
3 B A302
5 38 .8 3 38 .8 8
A
PROJECT #
DATE # SCALE @ A3
150601 16.08.17 1:50
8
1.
01 A601
38 .7
2.
FFL +39.37 FCO-01
90
3.
ENTRY
01 A601
1115
refer to A606 for stair details
1540
FCP-01
E A305
38 .7
38 .9 3.
150
.
JG-02
1265
.
JG-01 1400
.
STAIR
800
.
2.
38 .8
260
.
39 .0
1.
230
3
715 JG-03
38 .8
FCO-01
awning above shown dashed
815
PANTRY
JG-07
10.
.
1530
11.
5
12.
383710 .9
JG-08
15.
A101
James Eyres
t e nd e r
D ra wn @ Austi n Ma y na rd A r ch it ect â&#x20AC;&#x2122;s , M e
6 A
RL 44.87 pitching point
GUT -02 custom eaves gutter refer to schedules battens
RL 42.47 parapet counter battens
concrete tiles 1RB7 250mm x 90mm PFC
IPB-01
external roller blind
vapour barrier mdf skirting, refer to schedules
FCL 42.47 ground floor FFL 42.57 first floor
FHO-01
RL 42.47 parapet
frontyard
1B15 250 x 90 PFC with 10 mm thick ledger plate to suit, refer to engineers drawings
W04
FFL 39.37 ground floor
lintel
FCL 42.47 ground floor
flashing & subsill
slab & footings to eng
IST-01 W08
FFL 39.37 ground floor fc sheet over insulation topping slab
aggi drain as specified.
lintel in blockwork
slab & footings to engineers detail rigid board insulation 40mm rigid board insulation fiber cement sheet over insulation
01 - east wall section [entry]
Directors A ndrew M ay nard & M ark Au stin
02 - north wall section [dining]
PROJECT
Graduate Architect
Se c t i o n D e ta i l
elb ourn e i n 2 01 8
6
RL 46.25 proposed roof
RMG-02
balcony 01
RMG-01 steel balcony webforge balcony floor waste drain 105mm x 105mm
BAL-01 fixed to parapet transparent awning RPL-01 fixed to fall toward balxcony
pedestal support
FFL 42.57 first floor
RMB-01 water proofing membrane nom 20mm steel arm support, refer to schedule
IPB-01
RL 42.47 p
recessed curtain track
dining 1B10 - 250mm X 90mm PFC
RMG-03 steel webforge awning, refer to schedules
column beyond, refer to eng. details steel reveal
FCO-01
nom 30mm steel arm support, refer to schedule
FCL 42.47 ceiling gf
topping slab
gineers detail D01
entry
frontyard IST-01
steps, refer to schedules
FFL 39.37 ground floor
topping slab
slab & footings to engineers detail
03- north balcony section through front door & steps James Eyres PROJECT #
150601
t e nd e r
D ra wn @ Austi n Ma y nar d A r ch it ect ’s ,
3
D12
D17
W12
ENSUITE
D13
W13
HALLWAY 02 2
3
01 / 1:10 plan detail [courtyard - western bourndary] padded out to suit column
EFC-01
IPB-01 wall packed out locally to suit thickness of door/s
IST-01
HALLWAY 02
COURTYARD
HALLWAY 02 W14
EFC-01
D16
C1
IST-01 column to engineers detail
SHS p/coat nom 40mm
W15
IPB-01
packed off to suit column depth
D16
W16
steel p/coat flat
HALLWAY 03 HALLWAY 03
02 / 1:10 plan detail [courtyard - eastern bourndary] IPL-01
D16
HALLWAY 03
GARAGE
BIN STORE
STUDY
CPT - 01 refer to stair details A606
planter
90
D17
IST-01
D18
EFC-01
IST-01
J i f
IST-01
DP
03 / 1:10 plan detail [hallway 03] ERD-01
Directors A ndrew M ay nard & M ark Au stin
steel angle iron
TITLE BOUNDARY LANEWAY
W07
PROJECT
W08
PIGDON
www.maynardarchitets.com column Austin Maynard Architects + blockwork the trading name of D07 engineers details info@maynardarchitects.com to is CLIENT Andrew Maynard Architects Pty Ltd Phone (+61) 0497 020 635 © Andrew Maynard Architects column to 2 77 Argyle St These drawings are the copyright of Andrew Maynard Architects Pty Ltd and are not to be reproduced without engineers details DRAWING TITLE Fitzroy VIC 3065 written approval. Figured dimensions take precedence over scaled. If required, refer to architects for further ABN: 1911 74 80 636 information.
XX
Janet Newman & Tom Peat
fiber cement board
1 panel lift door
4 sliding bin store
door, refer to details courtyard schedules
E
F
01 - 1:10 plan detail [gf - eastern boundary]
DR
column to engineers details
NOT FOR
PLAN D e t a i l
Mel b ou r n e in 2 01 8
4
D--
D A W11
W10
COURTYARD
MATERIAL KEY [INTERNAL]
MATERIAL KEY [EXTERNAL]
note: refer to SCHED-04 floor finishes and SCHED-09 internal finishes for further information
note: refer to SCHED-01 external finishes and SCHED-02 roofing for further information
IPB-01
plasterboard, paint finish.
EBR-01 external bricks.
IPL-01
plywood, SELECT finish.
EBR-EX external works.
IST-01
steel plate, powdercoat finish.
EBP-01
ITL-01
internal wall tile.
ECC-01
external brickwork, existing. refer to external brick paving.
4
compressed cement sheeting.
EMC-01 metal cladding 01.
CPB-01 plasterboard ceiling.
external render.
ERD-01 FCO-01 concrete floor finish type 01.
external screen 01.
ESC-01 FCO-02 concrete floor finish type 02. W10
C A
powdercoated steel flat.
ESC-01
FTL-01
floor tile.
ETB-01
external timber cladding.
FCP-01
floor carpet.
ETD-01
external timber decking.
FVI-01
floor vinyl.
RMG-01
hobby floor.
RMG-02 roof metal grating type 2.
FHO-01
roof metal grating.
RMB-01 membrane roof. 40 EA p/coat
RMC-01
metal roof cladding.
RPL-01
polycarb roof sheeting.
RTD-01
timber deck roofing.
RTL-01
concrete roof tiles
GUT-**
gutter no.**.
IPL-01 ENTRY DP-02 from first floor roof
B
DP-03 from balcony
IPB-01
IST-01
ICO-01
D01
DP
EXT. FRONT YARD
335
JG-07 integrated fridge & freezer
A
RAFT
W09
EST-01
XX
CONSTRUCTION
PROJECT #
ERD-01 XX
DATE # SCALE @ A3
refer to engineers drawings for columns
6
A
29/3/18
pricing issue
ISSUE
DATE
REVISION
refer to engineers drawings for columns
150601 16.08.17
DRAWN
NM
CHKD
MA
MATERIAL KEY [EXTERNAL]
MATERIAL KEY [INTERNAL]
note: refer to SCHED-01 external finishes and SCHED-02 roofing for further information
note: refer to SCHED-04 floor finishes and SCHED-09 internal finishes for further information
A602
1:50
A REVISION
James Eyres
JE eyresy12@gmail.com P: 0432-530-527
D e s i g n P o r t f o l i o L i nk : https://issuu.com/jameseyres1/docs/