Woolley & Wallis_British Art Pottery_November 2012 by Jamm Design Ltd

Woo l le y & WA l li s SA L I S B U R Y SA L E R O O M S

British Art Pottery Wednesday 28th November 2012

Specialist Departments Please dial +44 (0)1722 followed by the number listed below

ASIAN ART John Axford MRICS ASFAV Sophie Lister Clare Durham Alex Doméracki Freya Yuan (Consultant) CLOCKS Will Hobbs Richard Price (Consultant)

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VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV 424509 Clive Stewart-Lockhart FRICS FRSA MARKETING Tamzin Corbett

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ACCOUNTS Janice Clift (Office Manager) Ruth Pike

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ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham 424507 John Axford MRICS ASFAV 424506 Sophie Lister 424591

GENERAL OFFICE Linda Garthwaite Pauline West Sharon Ringwood

FURNITURE Will Hobbs Mark Richards Jim Gale

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SALEROOM MANAGER David Jordan

JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA

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PAINTINGS & BOOKS Victor Fauvelle Jo Butler

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SILVER Rupert Slingsby Lucy Chalmers

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20TH CENTURY DESIGN Michael Jeffery

Members of The Society

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BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director Willi Verdon-Smith

FRICS FRSA

FRICS

COMPANY SECRETARY Jim Macarthur CA ASSOCIATE DIRECTORS Janice Clift Jonathan Edwards FGAA Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby

of Fine Art Auctioneers

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • www.woolleyandwallis.co.uk

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British Art Pottery 20th Century Design Wednesday 28th november 2012 at 10.30am Viewing Times Saturday 24th November Monday 26th November Tuesday 27th November Wednesday 28th November

10.00am – 1.00pm 10.00am – 4.30pm 10.00am – 4.30pm 9.00am – 10.30am

ENQUIRIES Michael Jeffery 01722 424505 michaeljeffery@woolleyandwallis.co.uk Catalogue £10.00 (£12.00 by post)

Images and a catalogue word search facility are available at www.woolleyandwallis.co.uk

Please note the changes to Droit de Suite (‡). Please see page 122. There is no surcharge for using this service.

Please note all items of furniture will be removed to the Old Sarum warehouse on Monday 3rd December.

A ColleCtion of WilliAm De morgAn tiles

1. A William De Morgan Double Carnation tile panel, the large central tile painted in shades of blue and green on a white ground, inside blue tile border, framed, central tile 20.5cm. square £300-500 Literature Martin Greenwood The Designs of William De Morgan, Richard Dennis Publications, page 144 catalogue number 647 (variation) 1

2. A William De Morgan Iznik tile panel, the large central tile with stylised flowers in shades of blue, green and black, inside a blue tile border, framed, central tile 23cm. square £300-500 2

3. A William De Morgan Marlborough tile panel, the large central tile painted in shades of green, blue, ochre and yellow, inside a border of blue tiles, framed central tile 20.5cm. £300-500 3

4. A William De Morgan Marlborough tile panel, the large central tile painted in shades of green, blue, ochre and yellow, inside a border of blue tiles, framed central tile 20.5cm. £300-500 Literature Martin Greenwood The Designs of William De Morgan, Richard Dennis Publications, page 148 catalogue number 690 and 691 4

9 mark

10 5. A large William De Morgan Merton Abbey Iznik Carnation tile, painted in shades of blue, white and aubergine impressed mark 20.5cm. square £200-300 6. A large William De Morgan Sand’s End Pottery Marlborough tile, painted in green, blue and aubergine impressed roundel mark 20.5cm. square £200-300 7. A William De Morgan Sand’s End Pottery Bedford Park Daisy tile, painted in shades of blue, green and aubergine on a white ground impressed mark, 15.5cm. square £150-200 8. A large William De Morgan Early Fulham Period Double Carnation tile, painted in shades of blue, green and white impressed mark, 20.5cm. square £300-500

9. A William De Morgan Late Fulham Period BBB tile, glazed in shades of green, blue and white impressed marks, 15.5cm. square £100-200 10. Two William De Morgan Late Fulham Period BBB tiles, glazed in shades of green, blue and white impressed marks, 15.5cm. square £200-300 11. Sixty William De Morgan rectangular spacer tiles, each glazed turquoise impressed marks, 8 x 5cm. £100-200 12

12. Seven William De Morgan spacer tiles, rectangular, covered in a blue glaze, and twenty William De Morgan small square tiles covered in a blue-turquoise glaze impressed marks, 15.5 x 4cm. £50-150 13. Twenty-four William De Morgan border tiles, rectangular, covered in a turquoise glaze, and fourteen rounded edge tiles glazed turquoise, impressed Merton Abbey and Early Fulham Period marks rectangular tiles 15.5 x 6.5cm. £80-120 14. Eighteen William De Morgan spacer tiles, each glazed blue impressed marks 15.5 x 5cm. £80-120 15. Twenty-one William De Morgan spacer tiles, each covered in a turquoise glaze, and impressed marks 16 x 4cm. £80-120

16. A William De Morgan Double Carnation tile panel, the large central tile painted in shades of blue and green on a white ground, inside blue tile border, framed, central tile 20.5cm. square £300-500 Literature Martin Greenwood The Designs of William De Morgan, Richard Dennis Publications, page 144 catalogue number 647 (variation) 16

17. A William De Morgan Double Carnation tile panel, the large central tile painted in shades of blue and green on a white ground, inside blue tile border, framed, central tile 20.5cm. square £300-500 Literature Martin Greenwood The Designs of William De Morgan, Richard Dennis Publications, page 144 catalogue number 647 (variation) 17

18. A William De Morgan Iznik tile panel, the large central tile with stylised flowers in shades of blue, green and black, inside a blue tile border, framed, central tile 23cm. square £300-500 18

21 19. A William De Morgan Late Fulham Period Raised Lion tile modelled in low relief glazed ruby and gold lustre on a blue and yellow squared ground, and another Raised Lion tile glazed ruby lustre impressed marks 15cm. square £200-300

20. A William De Morgan Sand’s End Pottery tile, painted with a frieze of cherub, in purple, blue and yellow on a cream ground impressed mark, 17.5 x 19.5cm. £80-120

21. A pair of large William De Morgan Sand’s End Pottery P & O Arabia Companion Frieze tiles, painted in shades of blue, yellow, green and aubergine on a white ground impressed mark 23cm. square £400-600 Literature Jon Catleugh William De Morgan Tiles, Trefoil page 94 plate 135 for two comparable tiles illustrated.

22. Two William De Morgan Sand’s End Pottery Bedford Park Daisy tiles, painted in shades of blue, green and aubergine on a white ground impressed mark, 15.5cm. square £300-500 22

23 23. Two William De Morgan Sand’s End Pottery Bedford Park Daisy tiles, painted in shades of blue, green and aubergine on a white ground impressed mark, 15.5cm. square £300-500

24 mark

24. Three William De Morgan Late Fulham Period tiles, painted with floral palmette in shades of blue and black on a white ground impressed marks, 15cm. square £250-350 Literature Jon Catleugh William De Morgan Tiles, Trefoil, page 106 plate 146 for a variation of this tile

25. A William De Morgan Sand’s End Pottery Carnation tile, painted in shades of blue and green on a white ground impressed mark 15.5cm. high £150-200

26. A William De Morgan tile on Carter’s Architectural blank painted with carnation and segmented leaf design, in shades of blue, turquoise and green on a white ground impressed marks, 15.5cm. square £150-200

27. Three William De Morgan Late Fulham Period border tiles, each painted with scrolling grape and leaf design, in shades of blue, purple and green impressed marks, 15.5 x 7.5cm. £80-120

28. A large William De Morgan Sands End Pottery Parrot tile, painted in shades of green, blue and yellow on a white ground impressed mark 20.5cm. square £400-600

29. A large William De Morgan Sands End Pottery Parrot tile, painted in shades of green, blue and yellow on a white ground impressed mark 20.5cm. square £400-600 28

30. A William De Morgan Flamingo tile, on Carter’s Architectural blank, painted in shades of yellow, blue, green and aubergine on a white ground chipped edge 15cm. square £100-150 Literature Rob Higgins & Christopher Stolbert Robinson William De Morgan Arts and Crafts Potter, Shire Library, page 52 this two tile panel repeat illustrated.

31. A large William De Morgan Sand’s End Pottery Marlborough tile, painted in green, blue and aubergine impressed roundel mark 20.5cm. square £200-300

32. A William De Morgan Late Fulham Period Gillow tile, painted in shades of yellow and green on a white ground impressed mark 15.5cm. square £150-200 Literature Jon Catleugh William De Morgan Tiles, Trefoil, page 73 plate 71 for this design

33. A large William De Morgan Early Fulham Period Double Carnation tile, painted in shades of yellow, green, aubergine and white impressed mark, 20.5cm. square £300-500

34. A large William De Morgan Sand’s End Pottery Marlborough tile, painted in shades of green, yellow and aubergine impressed mark, 20.5cm. square £200-300 34

37 35. A large William De Morgan Sand’s End Pottery two tile repeat panel, painted in shades of green, blue and yellow on a white ground impressed roundel marks 23cm. square £400-600

38 36. A William De Morgan Sand’s End Pottery tile, painted with carnation and segmented leaf design, in shades of blue, turquoise and green on a white ground impressed marks, 15.5cm. square £150-200

37. A pair of William De Morgan Late Fulham Period Blue Carnation tiles, painted in shades of blue and green on a white ground impressed marks 15.5cm. square £200-300 39

38. Three William De Morgan Late Fulham Period BBB tiles, glazed in shades of green, blue and white impressed marks, 15.5cm. square £400-600

39. Two William De Morgan Sand’s End Pottery tiles, painted with carnation and segmented leaf design, in shades of blue, turquoise and green on a white ground impressed marks, 15.5cm. square £300-400

40. A William De Morgan Sand’s End Pottery two large tile repeat panel, painted in shades of green, blue and yellow on a white ground impressed roundel marks 23cm. square £400-600

41. Four William De Morgan BBB tiles, painted in shades of green, blue and aubergine on a white ground impressed marks to reverse 15.5cm. square £500-800

42. Four William De Morgan Early Fulham Period Persian tiles, painted in shades of blue, aubergine and green on a white ground impressed marks, 15.5cm. square £800-1,200

Literature Jon Catleugh William De Morgan Tiles, Trefoil, page 125 plate 171 for a line drawing of this design.

43. A pair of William De Morgan Sand’s End Pottery tiles, painted with two carnation flowers, in shades of blue, aubergine and green on a white ground impressed marks, rim chips to one 15.5cm. square £200-300

44. A William De Morgan Sand’s End Pottery tile, painted with a flower design in shades of blue, green and aubergine, the other similar in yellow, green and aubergine impressed marks, 15.5cm. square £200-300

45. A Good William De Morgan Chelsea Period tile, painted with a griffin being attacked by a cat-like creature, in shades of blue on a white ground impressed marks, 15.5cm. square £3,000-5,000 Literature Martin Greenwood The Designs of William De Morgan Richard Dennis Publications, this tile design illustrated page 125 catalogue number 906. 45

46. A William De Morgan Chelsea Period Bedford Park Daisy large tile, painted in shades of yellow, green and blue on a white ground impressed mark, minor restoration to corner 21cm. square £200-300

47. Three William De Morgan Sand’s End Pottery tiles, painted in shades of yellow, green and aubergine on a blue ground impressed seal marks, damages 20.5cm. wide £100-200

48. A William De Morgan Chelsea Period tile, painted with a Tudor rose design in green on a white ground impressed mark, restoration to rim, 15.5cm. square £100-200 50

51 49. A William De Morgan Sand’s End Pottery BBB tile, painted with a carnation in shades of blue, green and aubergine, in brass teapot stand mount impressed marks, 16cm. square £150-200

50. A William De Morgan pottery vase, ovoid with cylindrical neck, covered in a green glaze impressed tulip mark, minor glaze loss to the top rim, 21cm. high £100-200

52 detail

51. A Bushey Heath Pottery vase by Fred Passenger, ovoid with knopped neck and everted rim, covered in a ruby lustre glaze over royal blue printed factory mark, painted FP monogram 19cm. high £80-120

52. A Bushey Heath stoneware flaring vase by Fred Passenger, footed form, decorated to the interior with a radiating sun ray design above a band of stylised flowerheads, in pink and yellow on a golden lustre ground printed factory mark, painted artist monogram 22.5cm. diam. £300-500

53. A lustre plate, in the manner of Maw & Co, decorated to the well with three heart shaped leaves and scroll design, the rim with similar scrolling foliage in ruby lustre on a white ground unmarked 26.5cm. diam. £80-120

54. A Cantagalli Pottery vase, shouldered form with cylindrical neck, surmounted with two modelled lion handles, painted in ruby lustre painted cockerel mark, restored, 38cm. high £300-500

55. A Cantagalli Pottery Persian charger, painted with flowers and foliage in green and blue highlighted with iron red enamels painted marks 37cm. diam. £150-200 56. A Burmantofts Faience pottery vase, model no.164, shouldered form with flaring neck, incised with a band of daffodil flowers under stylised foliage, in shades of yellow, green and brown on a green ground, and a Burmantofts Faience bottle vase impressed marks, 23cm. high £100-200 57. A Burmantofts Faience pottery vase, model no.726, ovoid with waisted neck, modelled with a dragon wrapped around the neck, glazed red impressed marks 31cm. high £150-200 58. A Burmantofts Faience jardiniere, model no. 2096, modelled in low relief with panels of acanthus, in shades of blue, green and brown on a cream ground impressed marks, glaze loss, 24cm. high £80-120

59. A Burmantofts Pottery bottle vase, model no.2042, modelled in low relief with flowers and foliage panels, in Anglo Persian palette impressed marks, 25cm. high £80-120 60. A Burmantofts Faience grotesque, modelled as a Chinese Kylin, glazed blue impressed marks, 12cm. wide £200-300 61. A large Bretby pottery spill vase, modelled as a monkey resting beside three bamboo stems, glazed blue impressed marks 44cm. high £200-300 62. A Burmantofts Faience Anglo Persian vase by Leonard King, painted with a frieze of scaly fish, between scallop shell borders, in shades of blue, turquoise, aubergine and green impressed and painted marks, neck damaged 29cm. high £800-1,200 63. A Burmantofts Faience Anglo Persian bottle vase by Leonard King, model no. 428, ovoid with knopped neck, painted with flower sprays in shades of turquoise, green, brown and aubergine on a deep blue ground impressed and painted marks, LK monogram, professional restoration to rims, 35cm. high £1,500-2,000 63

70 64. A pottery figure of a parrot on a rock, after a model by Royal Doulton, covered in a blue glaze, on patinated metal base, lamped unsigned 36cm. high £50-100 65. ‘The Landlords Caution’ a Doulton Lambeth stoneware jack, with applied poem, with applied silver rim, and two other Doulton Drinking Jacks impressed marks, 21.5cm. high £300-500 66. A Doulton Lambeth stoneware leather jack, inscribed ‘Drink Faire Dont Sware’, with silver rim, and another Doulton stoneware ewer impressed marks, 23cm. high £200-300 67. A Doulton Lambeth stoneware vase by Eliza Simmance, slip decorated with panels of stylised carnation flowers, in green, blue and ochre impressed and incised marks, 19cm. high £100-200 68. A Doulton stoneware jardiniere probably by Francis Pope, footed, square section, cast with columns of roses, glazed in shades of green, blue and ochre impressed number 19.5cm. high £80-120

69. A Pair of Royal Doulton stoneware vases by Annie Lyons, ovoid with collar neck, painted with a band of flowers and foliage, in shades of purple, blue and green on a pale blue ground, and another taller impressed and incised marks, 15.5cm. high £80-120 70. A Royal Doulton stoneware baluster vase by Vera Huggins, slip decorated with a frieze of flowerheads, in colours on a mottled blue ground, a garniture of three vases and four other Doulton stoneware vases impressed and incised marks 21cm. high £200-300 71. A pair of Doulton Lambeth Silicon Ware stoneware vases by Martha Rogers, slip decorated with blossom sprays in blue, white and brown, highlighted in gilt, and a Doulton Slater’s Patent vase impressed marks 21cm. high £100-200 72

72. A Royal Doulton Veined Flambe vase, model no.1619, shouldered form covered in a flambe glaze graduating to deep blue, a Doulton Lambeth stoneware twisted pot and a Royal Doulton vase by Vera Huggins, printed factory marks, 28cm. high £100-150 73. A pair of Doulton Lambeth Crown Ware vases, painted with flowers and foliage in colours on a white ground, highlighted in gilt impressed and printed marks, 29.5cm. high £350-450 74. A pair of Doulton Lambeth stoneware tazza by Eliza Simmance, dated 1885, incised to interior and exterior with flowers and foliage in shades of green, blue and brown impressed and incised marks, hairline to rim of one, minor nicks, 24.5cm. diam. £150-250

74 detail

75. A set of Twelve Doulton Burslem plates, retailed by Phillips, Oxford Street London, each plate with scrolling rim painted with a fern frond repeat, the well decorated with birds perched on tree boughs printed marks, painted artist monogram to reverse 23cm. diam. £600-1,000

76. A Royal Doulton stoneware teapot and cover, the design attributed to George Tinworth, the body decorated in low relief with scaly fish swimming amongst waterweed, in shades of green, blue and brown, the cover applied with a frog finial impressed and incised marks, restored spout, hairline to base 14cm. high £100-200

77. ‘’School Board’ a rare Doulton Lambeth stoneware mouse group menu holder, by George Tinworth, dated 1885, modelled as two young mice learning the alphabet, a teacher pointing to the letters on a board, glazed in colours incised marks, date and GT monogram, small chips to ear and base 9.5cm. high £1,000-1,500 Literature Peter Rose, The Harriman-Judd Collection, CDN Corporation, page 125 plates 99 and 103 for similar menu holders The Harriman-Judd Collection part II, Sotheby’s New York, October 6th 2001, lot 216 for a later version of this figure 77

79 78. A Royal Doulton Chang stoneware vase by Charles Noke and Harry Nixon, flaring form, covered in a thick running volcanic glaze in shades of yellow, flambe and crackled white over a mottled flambe ground printed with a band of berried foliage, on ebonised wood stand painted Chang mark, signature and monogram, 15cm. high (total) vase 12cm. high £600-800 79. A Royal Doulton Chang stoneware vase by Charles Noke and Harry Nixon, slender baluster form, covered to the shoulder with a thick, running volcanic glaze in shades of yellow, grey and veined white on a rich flambe and electric blue streaked ground printed mark, painted Chang mark, signature and monogram, professionally restored top rim, 25.5cm. high £600-800

80 detail

80. An unusual Royal Doulton Chang stoneware dish by Charles Noke, with wide, flaring rim, covered in a thick, running volcanic glaze in shades of blue, green, yellow, flambe and crackled white, over a flambe and blue graduated ground painted Chang mark, signature and FM monogram 23.5cm. diam. £500-800

81. A Royal Doulton Chang stoneware vase by Charles Noke and Harry Nixon, shouldered form, covered in a running green, yellow and flambe thick volcanic glaze over blue and red ground, under a crackled white glaze printed mark, painted signature and monogram 13cm. high £400-600 82. A Royal Doulton Chang stoneware vase by Charles Noke and Harry Nixon, shouldered form with collar rim, covered in a thick, running volcanic glaze in shades of yellow, green, flambe and crackled white over a streaked blue and flambe ground, with ebonised wood stand printed mark, painted signature and monogram 19.5cm. high (total) vase 16.5cm. £700-900

83. A Royal Doulton Chang stoneware vase designed by Charles Noke and Harry Nixon, slender, shouldered form, covered to the shoulder with a thick, running, volcanic glaze in shades of yellow, green, flambe and crackled white over a graduated flambe to speckled blue ground printed factory mark, painted Chang mark 19cm. high £600-800 83

84. A Royal Doulton Chang stoneware vase by Charles Noke and Harry Nixon, shouldered, slightly waisted cylindrical form, covered with a thick, running volcanic glaze in shades of green, orange, flambe and crazed white over a flambe ground painted with trailing foliage band painted Chang mark, signature and monogram 23cm. high £800-1,200 84

85. A Royal Doulton Chang stoneware vase by Charles Noke and Harry Nixon, tall, shouldered cylindrical form, covered in a running, thick volcanic glaze in shades of green, yellow and flambe, on a flambe ground, under a crackled white glaze printed factory mark, painted signature and monogram 29.5cm. high £800-1,200 85

86. A Linthorpe Pottery vase designed by Dr Christopher Dresser, model no.958, compressed body with cylindrical neck and applied angled handles, covered in a streaked ochre and green glaze, and two other vases impressed marks, 9cm. high £100-200

89. A Minton’s porcelain Cloisonne cup and saucer designed by Dr Christopher Dresser, painted with a band of butterfly and flowerhead panels in colours on a pink ground, highlighted in gilt printed mark to saucer 7.5cm. high £80-120

87. A Royal Worcester tray designed by Scottie Wilson, shaped rectangular form, printed in black with bird and castle vignette, an Ault Pottery jardiniere after a design by Dr Christopher Dresser and three other vases various marks, tray 34.5cm. wide £100-200

90. A pair of Torquay Pottery jugs, modelled in relief and painted with a peacock perched on a tree bough, in colours printed Torquay England 31cm. high £150-250

88. A Minton Cloisonne cup and saucer designed by Dr Christopher Dresser, painted with a band of calligraphic motif in red and blue on a turquoise ground impressed marks, printed James Green Upper Thames retail mark 8cm. high £150-200

91. A Dunmore Pottery vase, ovoid with flaring cylindrical neck and angled twin-handles, covered in a mustard glaze impressed factory marks 23.5cm. high £50-100 92. A Linthorpe Pottery vase, the design attributed to Dr Christopher Dresser, shouldered, dimpled body with cylindrical neck, covered in a blue streaked glaze impressed marks, 23cm. high £80-120 93. An Old Hall Shang Hai pattern jug designed by Dr Christopher Dresser, with pewter hinged cover, with hand-tinted foliate transfer design and Greek Key Athemion design to cover painted marks to base 21cm. high £200-300 94. A pair of Old Hall vases the design attributed to Dr Christopher Dresser, tapering, waisted square section body with flaring neck applied with elephant mask handles, printed with flying crane mon amidst fan panels and foliage sprays, and two Old Hall Eureka pattern vases printed marks, damages 23cm. high £80-120

94A

94A. A Minton parian figure of a greyhound, model no.421, modelled seated on a rocky outcrop impressed marks, 17cm. high £80-120 95. An unusual Linthorpe Pottery mantle clock, tapering rectangular section with angled handles, modelled in low relief with daisy flower stems, and a frieze of flowerheads, glazed white on a brown ground, with Ansonia Clock Co New York dial and movement impressed marks to base, professional restoration, 23.5cm. high £400-600 96. An Aesthetic Movement tea service, cast in low relief with foliate band and bamboo handles and spouts, printed with scenes of cranes and grasses, comprising teapot and cover, milk-jug and sugar basin, six cups and saucers on a tray printed regd mark, painted marks, tray 42cm. wide £250-300

97. A pair of Medieval Revival plates by W J Goode, dated 1865, painted with maiden portraits in colours painted marks, 24.5cm. diam. £50-150

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98. A Minton’s New Stone twin-handled platter, the design attributed to A W N Pugin, printed to the rim with foliage frieze and central foliate roundel, in puce and blue, highlighted in gilt impressed marks 38cm. wide £50-100 99. ‘Portrait of Russell Nadin - three and a half years’ a portrait charger by M Nadin, dated 1885 on Mintons blank, painted in colours, impressed and painted marks 41cm. diam. £200-300 100. ‘The Pied Piper’ an Aesthetic Movement charger by Cecil L Burns, dated 1882, painted with the piper leading the rats away from Hamelin, in colours on a gold background signed and dated to the front 36.5cm. diam. £300-500

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Catalogue Notes Cecil Lawrence Burns (c1863-1929) was a principal of Camberwell School of Arts and Crafts between 1897-1899 before moving to Principal of the Bombay School of Art (1899-1918). 101. A pair of Minton’s Aesthetic Movement wall plaques, in the manner of W S Coleman, each painted with a bird flying past flowers and foliage, in colours on a brown ground impressed marks, impressed date mark 39cm. diam. £300-500 102. ‘Julietta’ an Aesthetic Movement charger, possibly Minton’s Kensington Gore Studio, painted with a Pre-Raphaelite portrait before forget-me-not flowers, in colours impressed marks flooded with glaze 36.5cm. diam. £150-250 103. A Minton’s Aesthetic Movement plate painted by Charlotte Spiers, painted with a maiden portrait before red lilies impressed marks, painted signature 24.5cm. diam. £300-500 104. A Minton’s Art Pottery Studio charger by William S Coleman, painted with a female nude reclining on a leopard fur bed, holding a feather fan, in an Aesthetic interior with prunus spray floral display and a butterfly, painted in colours, printed factory mark, signed to the front, chip to foot rim, minor repairs to rim 39cm. diam. £2,500-3,000

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105. A Longpark grotesque spill holder, modelled as a rotund creature its tailed raised to form a handle, the spout its gaping jaws, glazed green and white unsigned 17.5cm. wide £100-200 106. A rare pottery bat jug designed by Blanche Vulliamy, the spout modelled as a flying bat, the handle a crescent moon, with raised star motif, glazed in colours unsigned 14cm. high £120-180 107. An ovoid terracotta flagon with loop handle probably Farnham Pottery, modelled in low relief with three sun face motif, glazed green incised 12 to base 17cm. high £80-120 114

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108. A pottery jug possibly Ewenny the spout modelled as grotesque creature, the handle a long tail, glazed green unsigned, glaze chips 17cm. high £100-150 109. A pair of C H Brannam, Barnstaple vases, by William Baron, dated 1892, ovoid with cylindrical neck and pinched rim, incised and painted with scaly fish, in shades of brown and blue on a cream ground incised marks 22cm. high £250-300 110. A C.H. Brannam pottery teapot and cover, dated 1891, the handle modelled as a grotesque dragon climbing the pot, the cover its head, glazed in yellow, blue, green and ochre incised marks, restoration to tip of spout, 21cm. high £250-350 111. A C.H. Brannam pottery model of a cat, modelled seated looking expectantly, glazed green and brown incised marks, one ear restored 28cm. high £200-250 112. A large Lauder & Smith terracotta vase, dated 1888, modelled in low relief with ivy leaf roundels, painted with rustic landscape in colours incised marks, glaze chips 42cm. high £100-200 113. A large C H Brannam Pottery jardiniere, ovoid with scrolling handles to the shoulder, painted with finches flying amongst blossom, in green, brown and white on a blue ground unsigned, damages 29cm. high £60-100 114. A Bretby Pottery model of a wounded dog, modelled seated with paw raised in a sling and one eye bandaged - a note to his back ‘After the Battle’, glazed green, applied glass eye impressed marks, 21cm. high £150-200 115. A C H Brannam Pottery vase by James Dewdney, dated 1885, ovoid with flaring neck, incised with stylised flowers and foliage in ochre and green, the neck with chequerboard design in in blue and brown, and a Watcombe vase incised marks monogram and date, 26cm. high £100-200

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116. A C H Brannam pottery picture frame by James Dewdney, dated 1903, slip decorated with Art Nouveau flowers in green incised marks, glaze chips, 29cm. high £500-600

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121 117. Four early Minton tiles, the design attributed to A W N Pugin, slip painted with foliate roundels and ogee panels in yellow on terracotta impressed marks, 15cm. square £100-200

118. Four Minton encaustic tiles, designed by A W N Pugin, decorated with a stylised foliate panel in sand on a terracotta ground impressed marks, chips 15.5cm. square £150-200 122 part 119. A German Art Nouveau tile, rectangular, moulded with raised outline with an Art Nouveau maiden before a lakeside landscape and setting sun incised 697 19 x 7.5cm. £200-300

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120. A Mintons Secessionist tile designed by Leon Solon and John Wadsworth, decorated with a stylised flower in yellow and green on a mushroom ground, another similar and four other Art Nouveau tiles 15.5cm. square £100-200 121. Four Minton’s press moulded tiles, designed for J Sainsbury’s, decorated in low relief with flower swags before scrolling foliage in ochre and cream on a green ground impressed marks, minor frits 15cm. square £80-120 122. Two Art Nouveau tile panels, painted with a tulip stem in blue and green on a green ground, damages 97 x 27cm. £80-120 123. A Minton Hollins two tile panel, painted with a woman in classical robes stood before a tree, in colours, framed, 32 x 17cm. £80-120

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124. ‘Queen of Hearts’ a Minton Alice in Wonderland tile after a design by Charles Francis Annesley Voysey, printed in colours impressed marks, 15.5cm. square £100-200 Literature Wendy Hitchmough C F A Voysey, Phaidon, page 200 the full design on a textile illustrated, page 210 cat. no.15 The White Rabbit tile illustrated, circa 1930. 125. A Morris & Co Longden tile the design attributed to Philip Webb, painted in shades of blue, in oak frame, the backboard with printed butterfly and flower design, chip to corner 14cm. square £200-300 Literature Richard & Hilary Myers William Morris Tiles, Richard Dennis Publications, page 42 plate 10d for a comparable tile. 125

126. ‘Medea’ a rare Morris & Co three tile panel, designed by Sir Edward Coley Burne-Jones, glazed earthenware, painted with a figure holding a pot and a sprig of leaves, framed in original wood frame stamped Morris & Co to reverse, damages tiles 45 x 15cm. £10,000-15,000 Provenance Mrs Lucius Gubbins, after 1934 Private collection Exhibited Morris Centenary Exhibition Victoria & Albert Museum, London 1934 William Morris Tiles, William Morris Gallery 1996-7 catalogue number 80, page 23 Literature Richard & Hilary Myers William Morris Tiles, Richard Dennis Publications, page 90 plate 34b this panel illustrated This design is closely based upon the painting Morgan Le Fay painted by Burne-Jones in 1862 now in the Cecil French Bequest Gallery Collection of the London Borough of Hammersmith and Fulham. The pot, in the Le Fay painting contains a magic potion here on the tile design it probably contains the poison Medea will spread on Glauce’s golden robes.

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127. ‘Lucretia’ a rare Morris & Co three tile panel, designed by Sir Edward Coley Burne-Jones, circa 1862-65 glazed earthenware, painted with a figure holding a sword, framed in original wood frame stamped Morris & Co to reverse, top tile restored, tiles 45 x 15cm. £10,000-15,000 Provenance Mrs Lucius Gubbins, after 1934 Private collection Exhibited Morris Centenary Exhibition Victoria & Albert Museum, London 1934 William Morris Tiles, William Morris Gallery 1996-7 catalogue number 80, page 23 Literature Richard & Hilary Myers Morris Tiles, Richard Dennis Publications, page 90 plate 34a this panel illustrated Lucretia, whose rape and suicide led to the establishment of the Roman Republic, also appears in Burne-Jones’s studies for Chaucer’s Legend of Good Women. Six of these became stained glass windows for the Combination Room, Peterhouse College, Cambridge. Burne-Jones’s designs were also reproduced in designs for embroidery and as a series of two tile panels. These three tile Morris & Co tile panels are rare with only five known to exist. Etta May Gubbins (1871-1955) who purchased these tiles after the 1934 exhibition, was a New Zealander who had settled in Eastbourne with her Husband Lucius Gubbins after the First World War. She became a considerable patron of Morris & Co. 127

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128. A pair of John Pearson pottery vases, shouldered form with everted top rims, each painted with a frieze of flowers on scrolling foliage, in shades of blue and green on a cream ground painted JP X mark, 8.5cm. high £200-300

129. A John Pearson tureen and cover, painted with birds amongst foliage, the cover with dragonflies, in shades of yellow, blue, and purple lustre, and a tureen with lion mask handles, painted with a lion and pelican design painted marks, restored 22cm. high £100-200 132

133 130. A John Pearson plate, painted to the well with a mythical bird, in shades of blue, green and purple lustre, highlighted in gilt, the reverse painted with beasts painted monogram, hairline crack to rim 27cm. diam. £100-200

131. A large John Pearson fluted bowl, painted to the well with classical figures amongst swags, fruit and foliage in blue on a white ground painted JP monogram, museum restored rim, 33cm. diam. £100-200

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135 132. A large Della Robbia Pottery charger by Charles Collis, incised and painted with flowers to the well, the rim with a frieze of flowerheads, in shades of green, yellow and blue on a brown ground incised marks, paint flakes to rim 50cm. diam. £400-600

133. A Della Robbia Pottery mug by Lizzie Wilkins, dated 1895, painted with panels of foliage in shades of green and yellow painted marks, 11.5cm. high £150-200

134. A Della Robbia Pottery twin-handled vase by Annie Beaumont, painted in shades of green, yellow and turquoise incised and painted marks, 25.5cm. high £100-200

135. A Della Robbia pottery miniature vase by Cassandia Ann Walker, ovoid, incised and painted with flower stems in yellow, white and turquoise incised marks to base 7.5cm. high £150-250

136. A large Della Robbia Pottery twin-handled vase by Charles Collis, incised and painted with panels of tulip flowers in shades of green, blue, red and ochre, incised and painted marks, repairs and chips to handles 32cm. high £200-300

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137. A Bernard Moore Pottery vase, shouldered form, glazed with a running blue and grey glaze over flambe, and another Bernard Moore vase incised marks, tallest vase 12cm. high £80-120

138. An Allander Pottery vase by Hugh Allan, dated 1906, ovoid with cylindrical neck, covered in a running flambe glaze etched marks, monogram and date 22cm. high £100-200 137

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139. A Ruskin Pottery high-fired stoneware vase, dated 1933, shouldered form, covered in a pale red glaze running to the foot, over white impressed marks, 14cm. high £500-600

140. A Ruskin Pottery vase, dated 1922, shouldered form, covered in a sand lustre glaze impressed marks to base 25cm. high £100-150

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141. A Ruskin Pottery high-fired stoneware baluster vase, dated 1906, covered in a mottled and streaked blue glaze impressed marks to base 16cm. high £500-800

142. A Ruskin Pottery high-fired stoneware vase, dated 1920, shouldered cylindrical form mottled silver glaze with flambe splashes impressed marks, 21.5cm. high £500-600

143. A Ruskin Pottery high-fired stoneware vase, dated 1906, shouldered form, covered in a white glaze over sang de boeuf and lavender, speckled with mint green impressed marks, 19cm. high £400-600

144. A Ruskin Pottery high-fired stoneware vase, dated 1906, shouldered form, covered in a white glaze over sang de boeuf speckled with mint green impressed marks, 19cm. high £400-600

145. ‘Boobies, Boojums and Snarks’ a limited edition Martin Brothers catalogue published by the Jordan Volpe Gallery, 1982, loose sheets in gatefold case with six colour plates, limited number 181 of 500 published 31cm. square £100-200

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146. A Martin Brothers stoneware jardiniere, shouldered form, deeply cast with scrolling foliage design in ochre and brown incised Martin Bros London, indistinct date 1872, hairline to top rim, 16cm. high £250-350

147. A Martin Brothers stoneware jug by Robert Wallace Martin, shouldered form, incised with scrolling flower stems on a trellis, in shades of blue and brown, and another smaller Martin Brothers jug impressed mark, damages and faults 22.5cm. high £150-250

148. A Martin Brothers stoneware gourd pot, compressed form, modelled in low relief, glazed in ochre, incised 12-1907 Martin Bros London & Southall, repaired 11cm. diam. £50-100

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149. A Martin Brothers stoneware vase, slender, footed solifleur form, incised with stylised foliate design glazed in shades of blue over pale green and ochre incised Martin London 19.4.81, 23.5cm. high £400-600

150. A Martin Brothers stoneware carafe vase, incised and painted with stems of foliage, in shades of green and blue on a faux wicker ochre ground incised Martin Bros London & Southall, professionally restored top rim, 21cm. high £300-400

151. ‘The Potter’ a hand coloured photograph of Walter Fraser Martin , shown potting in the Martin Brothers studio, in wooden frame image 28 x 23cm. £100-200

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152. A rare Martin Brothers stoneware grotesque jar and cover dated October 1900, the seated creature grasping its chest with long bony fingers with pointed nails, casting a slight sideways glance and smile, with shaved monkâ&#x20AC;&#x2122;s pate, on ebonised wood base incised marks R W Martin & Bros, London & Southall 10 1900 to head, the base Martin Bros 10 1900, 16.5cm. high ÂŁ30,000-35,000 Literature Malcolm Haslam The Martin Brothers Potters Richard Dennis Publications, page 150 figure 240.

153. A rare Martin Brothers stoneware bird-man jar and cover, by Robert Wallace Martin, dated 1907, modelled seated with legs raised up to chest and arms holding one leg, with anthropomorphic bird head with hooked open beak, glazed ochre impressed roundel mark, incised R W Martin Southall, 4 1907 to head and base 21cm. high ÂŁ42,000-48,000 Provenance The Martin Brothers David Rago, New York City 1995, page 28 catalogue number 97. Private collection Literature Malcolm Haslam, The Martin Brothers Potters, Richard Dennis Publications, page 129 figure 197 for another example The Harriman Judd Collection part II, Sothebyâ&#x20AC;&#x2122;s New York, 6th October 2001, page 42 lot 139 for a comparable example.

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154. A Minton Pottery shell shaped table centrepiece, cast with two figural handles, glazed in blue and white impressed marks, damages and repairs 45cm. wide £50-100

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155. A large Rookwood Pottery jug by A R Valentien, ovoid with waisted cylindrical neck and everted rim, painted with flag iris in colours on a graduated yellow to brown glaze impressed and incised marks, handle re-stuck, 34cm. high £100-200

156. ‘Faun’ a stoneware figure by Michael Bradbury?, glazed in colours pencil signature and title to base 17cm. high £80-120

157. ‘The British Empire Exhibition 1924’ a Denby Pottery commemorative, based on the ‘Gold Casket’, glazed in colours, impressed marks, printed inscription 9cm. high £200-300

158. A pair of Pilkington’s Royal Lancastrian book ends, each modelled as a leaping Ibex, glazed matt white-grey impressed marks, 16.5cm. high £160-200

159. A Pilkington’s Royal Lancastrian plate by William S Mycock, dated 1934, modelled in low relief with a fish swimming in swirling water in blue on a silver-grey ground, another decorated with a seagull roundel and a vase painted with a frieze of fish impressed and incised marks, 20.5cm. diam. £150-200

160. A Pilkington’s Lancastrian solifleur vase by William S Mycock, dated 1913, painted with panels of heraldic emblems including Fleur de Lys and a galleon at full sail inside laurel borders, the neck with foliate bands in gold on a deep ruby ground impressed and painted marks, 19cm. high £800-1,200

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161. ‘Seed Poppy’ a Bursley Ware vase designed by Charlotte Rhead, tubeline decorated with flowers and foliage in colours printed Bursley Ware Seed Poppy mark 32cm.high £400-600

162. A S Hancock & Sons Morrisware vase, designed by George Cartlidge, model C9.9, cylindrical form with swollen neck, slip decorated with purple cornflowers on a pale green and blue ground printed factory marks, painted number 16cm. high £400-500

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163. A Sunflower Pottery tall solifleur vase, by Sir Edmund Elton, ovoid form with waisted cylindrical neck, slip decorated with flower boughs in shades of green and brown on a marbled blue ground painted Elton, hairline to body 51cm. high £100-200

164. A Sunflower Pottery ewer by Sir Edmund Elton, ovoid with angled spout, slip decorated with flowers in blue on a streaked blue and green ground painted Elton to base 14cm. high £80-120 163

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165. A Sunflower Pottery vase by Sir Edmund Elton, modelled in low relied and slip decorated with panels of stylised water-lily in blue and brown on a streaked blue and green glaze painted Elton, glaze frits 18cm. high £150-200

166. A Sunflower Pottery vase designed by Sir Edmund Elton, shouldered form with everted rim, covered in a golden crackled glaze painted Elton mark, 20cm. high £400-500

167. A large Sunflower Pottery ewer by Sir Edmund Elton, shouldered form, covered in a running red and blue glaze painted Elton 35cm. high £300-350

168. A large Sunflower Pottery vase by Sir Edmund Elton, shouldered form with everted rim, slip decorated with flowers and foliage in blue, ochre and green on a streaked blue and green ground painted Elton, chip to foot rim, 45cm. high £150-200

169. A pair of monumental Sunflower Pottery candlesticks by Sir Edmund Elton, comprising tapering, stepped base on three claw feet, with cylindrical section stem and flaring sconce with brass tray, glazed blue and marbled red, green and ochre 135cm. high £1,500-2,000 169

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A PrivAte ColleCtion of sunfloWer Pottery By sir eDmunD elton 174

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170. A Sunflower Pottery ewer by Sir Edmund Elton, slip decorated with flowers in coral and green on a blue and green streaked ground, and another similar painted Elton mark 13cm. high £150-200 171. A Sunflower Pottery jug by Sir Edmund Elton, ovoid with pinched neck, slip decorated with flowers and foliage in blue and green on a streaked ground, and a vase similar painted Elton mark 16cm. high £150-200 Literature John A Bartlett British Ceramic Art 1870-1940 Schiffer Publishing, page 102 the jug illustrated. 172. A Sunflower Pottery vase by Sir Edmund Elton, ovoid with flaring serrated rim, slip decorated with flowers and foliage in green, ochre and blue on a streaked blue ground painted Elton mark 23.5cm. high £200-300 173. A Sunflower Pottery vase by Sir Edmund Elton, slip decorated with flowers and foliage in ochre and green on a green and blue streaked ground and a jug with a pinched rim painted Elton mark, vase 11cm. high £150-200

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174. A Sunflower Pottery jug by Sir Edmund Elton, ovoid form, slip decorated with a blue narcissus design on a streaked blue ground painted Elton signature 15cm. high £150-200 175. A Sunflower Pottery vase by Sir Edmund Elton, shouldered form with everted rim, slip decorated with flowers and foliage in red and green on a streaked blue and green ground, and another similar painted Elton mark 14cm. high £150-200

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176. An early Sunflower Pottery vase by Sir Edmund Elton, dated 1881, modelled in low relief and slip decorated with flowers and incised foliage, in shades of green and blue on a blue ground, slip decorated with pink and blue dots to the inside of the neck painted Elton mark, dated 1881, 12.5cm. high £300-500 Literature John A Bartlett British Ceramic Art 1870-1940 Schiffer Publishing, page 104 this vase illustrated. 177. A rare Sunflower Pottery commemorative Tyg by Sir Edmund Elton, slip decorated with tulip flower panels, one inscribed ‘Eureka’ in coral red and ochre on a streaked blue, ochre and green ground painted Elton to base, professionally restored 19.5cm. high £400-600 Literature John A Bartlett British Ceramic Art 1870-1940 Schiffer Publishing, page 100 this tyg illustrated. Sir Edmund Elton had investments in the South African gold mines and produced this tyg to celebrate striking gold. 178. A Sunflower Pottery tall twin-handled vase by Sir Edmund Elton, slip decorated with flowering coral sprays and air bubbles and a butterfly, in shades of green, blue and ochre on a streaked green and blue ground painted Elton mark to base 39cm. high £600-900

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179. A Sunflower Pottery jug by Sir Edmund Elton, tapering form with pinched rim, covered with a gold crackle glaze on green painted Elton mark, 12.5cm. high £150-200 180. A Sunflower Pottery ewer by Sir Edmund Elton, ovoid form with pinched rim and loop handle, covered in an unusual copper crackle glaze painted Elton mark 11.5cm. high £150-200 181. A Sunflower Pottery vase by Sir Edmund Elton, gourd form with knopped neck, covered in a crackled platinum glaze over green painted Elton to base 21cm. high £500-700 Literature John A Bartlett British Ceramic Art 1870-1940 Schiffer Publishing, page 100 this vase illustrated 182. A Sunflower Pottery vase by Sir Edmund Elton, ovoid with everted neck and serrated rim, covered in a platinum glaze over green indistinct painted Elton signature 13.5cm. high £300-500 183. A Sunflower Pottery vase and cover by Sir Edmund Elton, ovoid with everted rim, the cover with mask finial, covered in a gold crackle glaze over white, painted Elton to base, restored cover 12cm. high £180-220 185

184. A Sunflower Pottery vase by Sir Edmund Elton, shouldered form with pierced neck, covered in a gold crackle glaze painted Elton to base, minor professional restoration, 28cm. high £600-800 Literature John A Bartlett British Ceramic Art 1870-1940 Schiffer Publishing, page 101, this vase illustrated 185. A rare Sunflower Pottery Mycenean oil lamp by Sir Edmund Elton, based on an example in the British Museum, covered in a gold crackle glaze painted Elton to base, minor restoration to spouts, 25cm. high £800-1,200 Literature John A Bartlett British Ceramic Art 1870-1940 Schiffer Publishing, page 101, this vase illustrated. Malcolm Haslam Elton Ware Richard Dennis Publication, this piece illustrated on the front cover. 186. A Sunflower Pottery ewer by Sir Edmund Elton, ovoid with knopped neck, covered in a gold crackle glaze over green painted Elton mark, professional restoration to the neck, 25cm. high £150-250 Literature John A Bartlett British Ceramic Art 1870-1940 Schiffer Publishing, page 101 this ewer illustrated. 186

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187. A Sunflower Pottery jug by Sir Edmund Elton, shouldered form with inverted rim, decorated with carnation flowers in shades of pink and brown on a streaked pink, blue and green ground painted Elton mark 21cm. high £200-300

188. A Sunflower Pottery vase by Sir Edmund Elton, ovoid with knopped neck, slip decorated with flowers and foliage in coral and ochre on a streaked blue ground painted Elton mark 17cm. high £150-200

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189. A Sunflower Pottery vase by Sir Edmund Elton, ovoid with knopped neck and twisted loop handles to the neck, slip decorated with flowers and foliage, decorated in ochre on a streaked blue and green ground painted Elton mark, 18cm. high £150-200

190. A Sunflower Pottery vase by Sir Edmund Elton, shouldered ovoid form with everted top rim, slip decorated with flower and foliage panels in blue, green and ochre on a streaked green and blue glaze painted Elton to base, minor frits to the slip, 17cm. high £120-180

191. A Sunflower Pottery ewer by Sir Edmund Elton, modelled with a serpent head spout, the handle the scrolling body, streaked blue over red glaze 24.5cm. high £300-500 193

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Literature Malcolm Haslam Elton Ware Richard Dennis Publication page 21 plate 7 for a comparable form.

192. A Sunflower Pottery vase by Sir Edmund Elton, shouldered form with loop handles, slip decorated with berried foliage in shades of red on a streaked blue and red ground painted Elton mark, minor frits to glaze 20cm. high £150-250

193. A Sunflower Pottery vase by Sir Edmund Elton, shouldered form with everted serrated rim, slip decorated with flowers in red and green on a streaked green and blue ground painted Elton mark 16cm. high £150-200

194. A Sunflower Pottery vase by Sir Edmund Elton, ovoid with pinched, swollen neck, slip decorated with passion flowers in shades of blue and green on a streaked green and blue ground painted Elton mark, original paper label 31cm. high £250-350 This vase has the original paper price label for 18 shillings

195. A Sunflower Pottery vase by Sir Edmund Elton, cylindrical form with loop handle, slip decorated with flowers in shades of red and blue on a green ground painted Elton mark, hairline to top rim, 36.5cm. high £200-300

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196. A large Sunflower Pottery vase by Sir Edmund Elton, shouldered form with collar rim and rod handles to neck, slip decorated with Japoniste stylised blossom and bird in ochre and green on a streaked blue and green ground painted Elton mark 45cm. high £600-1,000 Literature John A Bartlett British Ceramic Art 1870-1940 Schiffer Publishing, page 101 this vase illustrated.

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197. A rare Sunflower Pottery vase by Sir Edmund Elton, shouldered form with knopped neck, slip decorated with flowers in ochre and green on a blue ground with two tone gold lustre painted Elton mark 22.5cm. high £700-1,000 Literature Malcolm Haslam Elton Ware Richard Dennis Publication page 33 plate 17 for a comparable example. Elton began to experiment with the use of lustre glazes circa 1902, the first examples using it as an additional background glaze.

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198. A massive Sunflower Pottery jug by Sir Edmund Elton, slip decorated with roundels of stylised flowers in shades of blue and green on a streaked green and blue ground painted Elton mark 45cm. high £400-600

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199. A Minton’s two tile panel painted by Linnie Watt, painted with children picknicking in a wooded landscape, in colours, framed signed L Watt image 40 x 20cm. £800-1,200 Literature Victoria Bergesen Encyclopedia of British Art Pottery, page 110 for a listing of Linnie Watt. 200. A Minton & Hollins Astra Ware twin-handled vase, compressed form with cylindrical neck, covered in a streaked purple and lavender glaze cast mark to base 21cm. high £100-200 Literature John A Bartlett British Ceramic Art 1870-1940 Schiffer Publishing, page 9 this vase illustrated.

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201. A pair of Minton & Hollins Astra Ware vases, shouldered form, covered in a streaked purple and lavender glaze cast mark to base 20cm. high £120-180 Literature John A Bartlett British Ceramic Art 1870-1940 Schiffer Publishing, page 9 this pair of vases illustrated. 202. John Wadsworth (1879-1955) A Herefordshire Lane, a watercolour on paper, framed signed in ink image 35 x 26cm. £100-200 203

204 203. An Art Deco Mintons Pottery bowl designed by John Wadsworth, shape no.4338, ribbed, flaring form, covered in a speckled turquoise glaze printed factory marks and facsimile signature 31cm. diam. £80-120 204. An Art Deco Mintons Pottery vase designed by John Wadsworth, shape no.4334, ribbed, shouldered form, covered in a speckled turquoise glaze printed factory marks and facsimile signature 31cm. high £80-120 205. A Mintons Secessionist vase designed by Leon Solon and John Wadsworth, no.21, waisted form with everted rim, tubeline decorated with flower stems in green and white on a blue ground printed marks, 13.5cm. high £100-200

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206 206. A Minton’s Secessionist vase, designed by Leon Solon and John Wadsworth, tubelined decorated with ivy leaf design in shades of green on a red ground printed mark 15.5cm. high £100-200 207. A Minton’s Secessionist vase, designed by Leon Solon and John Wadsworth, decorated with a frieze of trees in the manner of C F A Voysey, in shades of green and blue printed marks, 13.5cm. high £80-120 208. A rare Mintons Secessionist vase designed by Leon Solon and John Wadsworth, shouldered cylindrical form tubeline decorated with wave repeat in green and black on a turquoise and pink streaked ground impressed and printed marks, 20cm. high £100-200

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209. A Mintons Secessionist vase, designed by Leon Solon and John Wadsworth, tapering cylindrical form with flaring rim and base, tubeline decorated in red and green on a blue ground printed marks, bruise to foot rim, 29cm. high £100-200 210. A Minton’s Secessionist twin-handled vase, designed by Leon Solon and John Wadsworth, tubeline decorated with columns of flower buds in shades of blue printed factory mark, 35cm. high £300-500 211. A Minton’s Secessionist twin-handled vase, designed by Leon Solon and John Wadsworth, tubeline decorated with flowers and foliage in shades of green, blue and white on a purple ground printed factory marks 20.5cm. high £200-300 212. A Minton’s Secessionist twin-handled vase, designed by Leon Solon and John Wadsworth, tubeline decorated with flowers and foliage in shades of green, blue and mustard on a yellow ground printed marks, 17.5cm. high £150-200

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213. A Mintons Secessionist vase designed by Leon Solon and John Wadsworth, no.42, ovoid with tapering neck, tubeline decorated with leaves in green on a blue ground impressed and printed marks, restored top rim 13cm. high £80-120 214. A Mintons Secessionist plate designed by Leon Solon and John Wadsworth, cast in low relief with flowers and foliage to the rim, the well with a band of blue forgetme-nots, and another plate similar impressed marks, small chip to back rim of one 23cm. diam. £80-120 215. A Mintons Secessionist vase designed by Leon Solon and John Wadsworth, no.7, tubeline decorated with flower stems in yellow and green on a red ground printed factory marks, 11cm. high £80-120 216. A Mintons Secessionist vase designed by Leon Solon and John Wadsworth, no.32,waisted form, tubeline decorated with flowers in yellow, white and green on a blue ground printed factory marks, 17.5cm. high £80-120 217. A Large Minton’s Secessionist jug designed by John Wadsworth and Leon Solon, model no.10, tubeline decorated with simple columns of stylised ivy leaf, in shades of blue printed mark, no.10, small hairline to top rim 31cm. high £150-200 218. A pair of Mintons Secessionist twin-handled vases designed by Leon Solon and John Wadsworth, tapering cylindrical form, slip decorated with sand coloured flowerheads over printed green stems on a yellow ground impressed and printed marks, repaired handle to one, restoration to rim of other 29cm.high £100-200 219. A Minton’s Secessionist wall charger, designed by Leon Solon and John Wadsworth, tubeline decorated with waterlilies in shades of green and blue on a purple ground printed marks, 38cm. diam. £400-700

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fine moorCroft from the ColleCtion of Ken mAnley

220. ‘Pansy’ a large James Macintyre & Co baluster vase by William Moorcroft, dated 1914, painted in shades of pink, purple, yellow and green on a white ground impressed Burslem mark, painted green signature and date 33.5cm. high £4,000-6,000 Provenance Moorcroft Pottery Christies South Kensington, 11th October 2001 lot 29. Ken Manley collection

221. ‘Flambe Carp’ a Unique James Macintyre & Co vase by William Moorcroft, ovoid with knopped neck, tubeline decorated with three Carp fish swimming amongst waterweed, in shades of blue and green, highlighted in flambe impressed Burslem mark, painted green signature 30.5cm. high £8,000-12,000 Provenance Ken Manley collection

222. ‘Butterfly’ a rare James Macintyre & Co lustre vase by William Moorcroft, slender baluster form, tubeline decorated with four butterflies to the shoulder, glazed in green, yellow, red and pink lustre over cream and orange lustre ground incised signature to rim, Watkin’s leadless glaze20cm. high £1,500-2,000 Provenance The Albert E Wade Collection part II, 8th November 2002, Sotheby’s lot 109 Ken Manley collection

223. ‘Carp’ a rare James Macintyre & Co vase by William Moorcroft, ovoid with knopped neck, tubeline decorated with three Carp fish swimming amongst waterweed, the knop with scallop shells, in green on a blue ground painted green signature, small bruise to top rim, 30.5cm. high £4,000-6,000 Provenance Ken Manley collection

224. ‘Claremont’ a tall James Macintyre & Co silver mounted ewer by William Moorcroft, dated 1910, tapering cylindrical body slip decorated in shades of ochre, red and blue on a streaked green and blue ground, with silver handle and pierced decoration to the neck, painted green signature 41cm. high £4,000-6000 Provenance Bonhams Auctioneers 21st September 2010 lot 711 Ken Manley collection

225. ‘Carp’ an Important and unique James Macintyre & Co Hesparian Ware jardiniere and stand by William Moorcroft, tubeline decorated with carp swimming amongst Art Nouveau waterweed in shades of blue on a pale blue ground, highlighted with pale red flambe painted green signature, printed Osler retail mark, paper labels, damages 85.5cm. high £10,000-15,000 Literature Paul Atterbury Moorcroft Pottery Richard Dennis Publications, page 48 plate 1 this jardiniere and stand illustrated Provenance William Moorcroft Richard Dennis exhibition, 1973 page 44-45 catalogue number 118 The Albert E Wade Collection, 2nd May 2002, Sotheby’s lot 34 Ken Manley collection

226. ‘Cornflower’ a rare James Macintyre & Co lustre vase by William Moorcroft, dated 1918, shouldered form, tubeline decorated with flower in deep blue on a golden lustre ground impressed marks, painted green signature and date 31cm. high £4,000-6,000 Literature Paul Atterbury Moorcroft Pottery Richard Dennis Publications, page 112 plate 1 Provenance The Albert E Wade Collection part II, 8th November 2002, Sotheby’s lot 109 Ken Manley collection

227. ‘Protea’ a rare Moorcroft Pottery twin handled vase by William Moorcroft, painted in shades of red, green and blue on an ochre ground impressed marks, painted blue signature £6,000-10,000 20.5cm. high Provenance Ken Manley collection

228. ‘Waratah’ a rare Moorcroft Pottery vase by William Moorcroft, shouldered form with collar neck, tubeline decorated in shades of red and green on a graduated green and blue ground impressed marks, painted blue signature and original paper label 24.5cm. high £4,000-6,000 Provenance Ken Manley collection

229. ‘Waratah’ a rare Moorcroft Pottery vase by William Moorcroft, slender, swollen cylindrical form, painted in shades of ochre, red and green on a graduated ochre and green ground impressed mark, painted blue signature, hairline crack to top rim, 20cm. high £2,000-4,000 Literature Paul Atterbury Moorcroft Pottery, Richard Dennis Publications, page 124 plate 1 for a comparable vase, circa 1930. Provenance Ken Manley collection

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moorCroft Pottery 230. A Moorcroft Pottery Powder Blue pepper pot, two others similar and five other various Moorcroft pepper pots various marks, tallest 9cm. high £100-200

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231. ‘Alhambra’ a James Macintyre Pottery vase, designed by William Moorcroft, printed in shades of blue and salmon pink, highlighted in gilt printed factory mark, re-gilded top rim 17cm. high £200-300

232. ‘Cornflower’ a James Macintyre vesta designed by William Moorcroft, tubeline decorated and painted in colours, with the Clare college Cambridge University crest printed mark and painted green signature 7cm. high £150-200

233. ‘Peacock Feathers’ a James Macintyre twin-handled vase by William Moorcroft , painted in shades of green and blue painted green signature 12cm. high £400-600

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234. A silver mounted Moorcroft Pottery vase by William Moorcroft, the mount by F A Edwards, swollen cylindrical vase covered in a running pale green and blue glaze stamped marks, Birmingham 1932 32.5cm. high £150-200

235. ‘Alhambra’ a James Macintyre & Co vase designed by William Moorcroft, tapering form with knopped neck, painted in shades of salmon pink and blue, highlighted in gilt printed mark, paper label 14.5cm. high £900-1,000

236. ‘Alhambra’ a James Macintyre & Co miniature vase designed by William Moorcroft, tubeline decorated in pink, red and blue on a gilt ground printed mark 7.5cm. high £1,000-1,200

237. ‘Rose Garland’ a James Macintyre vase by William Moorcroft, compressed form with tall cylindrical neck, painted in colours, highlighted in gilt printed factory mark, painted green signature 31cm. high £500-800

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238. ‘Hibiscus’ a Moorcroft Pottery miniature vase designed by Walter Moorcroft, painted in colours on a blue ground printed mark 5cm. high £200-300

239. ‘Pansy’ a Moorcroft Pottery miniature vase designed by Walter Moorcroft, painted in colours on a yellow/green ground printed mark, 5.5cm. high £200-300

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240. ‘Floral Spray’ a James Macintyre miniature vase designed by William Moorcroft, painted in colours, highlighted in gilt on a white ground printed mark, painted green monogram 7.5cm. high £1,000-1,200

241. ‘Eighteenth Century’ a James Macintyre & Co box and cover designed by William Moorcroft, circular form, painted in colours on a white ground, highlighted in gilt printed and painted marks, 6cm. high £400-500

242. ‘Late Persian’ a Moorcroft Pottery vase designed by William Moorcroft, dated 1918, painted in shades of green, yellow and blue impressed mark, painted green signature, minor over-painting to side of vase 12cm. high £1,000-1,500

244 243. ‘Pansy’ a Moorcroft Pottery vase designed by William Moorcroft, painted in shades of purple, blue, yellow and green on a blue ground painted mark, chips to base 9cm. high £50-100

244. ‘Green and Gold Florian Ware’ a James Macintyre & Co solifleur vase designed by William Moorcroft, painted in shades of green, blue and gold printed factory mark, painted green signature 25cm. high £900-1,000

245. ‘Pansy’ a Moorcroft Pottery vase designed by William Moorcroft, painted in colours on a white ground impressed mark, painted green signature, professional restoration 16cm. high £800-1,200 245

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246. ‘Flambe African Lily/Freesia’ a Moorcroft Pottery plate, painted in colours on a flambe ground impressed mark, painted blue signature 26cm. diam. £350-450

247. ‘Flambe Columbine’ a Moorcroft Pottery bowl designed by Walter Moorcroft, painted in colours on a flambe ground impressed marks, painted blue signature 25cm. diam. £300-400 250

251 248. ‘Pomegranate’ a Moorcroft Pottery plate designed by William Moorcroft, painted in shades of pink, ochre, green and purple with a radial design on a mottled blue ground impressed marks, painted blue signature 22cm. diam. £100-200

249. ‘Leaf and Blackberry’ a Moorcroft Pottery bowl designed by William Moorcroft, painted in colours on a celadon ground, under a light flambe glaze impressed marks, painted blue signature 25.5cm. diam. £350-450

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250. ‘Flambe Leaf and Berry’ a Moorcroft Pottery vase designed by William Moorcroft, painted in colours under a flambe glaze painted blue signature 10cm. high £500-600

251. ‘Leaf and Berries’ a Moorcroft Pottery salt-glaze vase designed by William Moorcroft, painted in shades of green, ochre and pink, impressed marks, small chip to top rim 7cm. high £200-300

252. ‘Waving Corn’ a Moorcroft Pottery vase designed by William Moorcroft, flaring cylindrical form on foot, glazed in yellow on a graduated green to blue ground impressed marks, painted signature 22.5cm. high £1,200-1800

253. ‘Leaf and Berries’ a Moorcroft Pottery vase designed by William Moorcroft, salt-glazed in shades of green , pink and blue impressed mark, painted blue signature 18cm. high £500-600

254. ‘Leaf and Berries’ a large Moorcroft Pottery vase designed by William Moorcroft, baluster form, covered in a salt-glaze blue, green and ochre glaze impressed marks painted signature 32cm. high £1,000-1,500

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255. ‘Claremont’ a fine Moorcroft Pottery teapot and cover, milk-jug and sugar basin designed by William Moorcroft, painted in shades of red, ochre and green painted green signature, printed regd mark, tip of spout professionally restored teapot 20cm. high £4,000-6,000 Literature W Moorcroft Richard Dennis Gallery 1973 catalogue number 178 page 58 for an identical set with the same regd code produced for Shreeve & Company San Francisco.

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263 256. ‘Pomegranate’ a Moorcroft Pottery plate designed by William Moorcroft, painted in shades of ochre, pink, purple and green on a blue ground impressed marks, painted green signature 22cm. diam. £100-200 257. ‘Leaf and Berries’ a Moorcroft Pottery vase designed by William Moorcroft, painted in colours on a blue ground impressed marks, painted blue signature 7cm. high £150-200 258. ‘Anemone’ a Moorcroft Pottery vase designed by William Moorcroft, painted in colours on a blue ground impressed marks, painted green signature 13cm. high £300-350

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259. ‘Springflowers’ a Moorcroft Pottery vase designed by William Moorcroft, footed cylindrical form, painted in colours on a green to blue ground impressed marks painted blue signature 18cm. high £380-420 260. ‘Pansy’ a Moorcroft Pottery vase designed by William Moorcroft, painted in colours on a blue ground impressed marks, painted blue signature 16cm. high £280-320 261. ‘Anemone’ a large Moorcroft Pottery lamp base designed by Walter Moorcroft, painted in shades of pink, blue and purple on a graduated green ground painted blue signature applied paper label 45cm. high £500-800 262. ‘Clematis’ a Moorcroft Pottery powder bowl and cover, designed by Walter Moorcroft, painted in colours on a green ground, and a Columbine footed bowl impressed marks, 16cm. diam. £200-300

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263. ‘Anemone’ a Moorcroft Pottery silver mounted brooch designed by Walter Moorcroft, manufactured for the first Moorcroft Collector’s Club event 1988, painted in colours stamped marks 4cm. diam. £200-300 264. ‘Flambe Leaf and Berry’ a Moorcroft Pottery vase designed by William Moorcroft, compressed form with waisted cylindrical neck, painted in colours under a flambe glaze impressed marks, painted blue signature 20cm. high £400-600 265. ‘Flambe Leaf and Berry’ a Moorcroft Pottery vase designed by William Moorcroft, shouldered form, painted in colours under a flambe glaze impressed marks, painted blue signature 20.5cm. high £700-1,000 266. ‘Cornflower’ a Moorcroft Pottery vase designed by William Moorcroft, painted in shades of pink, green and blue on a blue ground painted blue signature 15cm. high £400-600 267. ‘Flambe Leaf and Berry’ a Moorcroft Pottery vase designed by William Moorcroft, painted in colours under a rich flambe glaze painted blue signature 18.5cm. high £800-1,000

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268. ‘Pomegranate’ a Moorcroft Pottery miniature vase, designed by William Moorcroft, painted in red, blue and green on a green ground painted green monogram 5.5cm. high £1,000-1,200

269. ‘Pansy’ a Moorcroft Pottery miniature vase designed by William Moorcroft, painted in shades of yellow, purple and green on a celadon ground painted green signature, restored base rim 5.5cm. high £800-1,200 268

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270. ‘Dawn’ a tall Moorcroft Pottery vase designed by William Moorcroft, painted in shades of blue and pale flambe on a pale blue ground, between chevron borders impressed marks, painted blue signature, hairline to top rim 36.5cm. high £700-1,000

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271. ‘Protea (variation)’ an unusual Moorcroft Pottery vase designed by William Moorcroft, shouldered form, painted in shades of pink, purple and blue on a green ground impressed marks, painted blue signature 30cm. high £2,000-2,500 271

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272. ‘Butterfly’ a Moorcroft Collector’s Weekend vase designed by Rachel Bishop, dated 2008, painted in colours on a blue ground, and another Moorcroft vase printed and painted marks, 11cm. high £100-200 273. ‘Carousel’ a modern limited edition Moorcroft Pottery ginger jar and cover, designed by Rachel Bishop, tubeline decorated in colours painted marks, paper certificate 15.5cm. high £80-120 274. ‘Buttercup’ a Moorcroft Pottery vase designed by Sally Tuffin, painted in colours on a celadon glaze impressed marks, painted green monogram 19cm. high £150-200

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275. ‘Fairies Foxglove’ a modern limited edition Moorcroft Pottery vase, designed by Kerry Goodwin, painted in colours, in original box impressed and painted marks, 16/75 27.5cm. high £400-600 276. ‘Carnation’ a Moorcroft Pottery vase designed by Sally Tuffin, dated 1997, signed by John Moorcroft, painted in colours on a blue ground painted marks, 14cm. high £80-120 277. ‘Butterfly’ a Moorcroft Pottery vase, tubeline decorated in colours on a cream ground painted green monogram, restored 26cm. high £100-200 278. ‘Pandora’s Box’ a modern limited edition Moorcroft Pottery vase, designed by Alicia Aminson, painted in colours on a purple and white ground, in original box painted marks, 22/50 28cm. high £450-500

281 279. ‘Fowlers Farmyard - Cows’ a modern Moorcroft Pottery vase, designed by Kerry Goodwin, painted in colours, in original box impressed marks, 21cm. high £300-400 280. ‘Garnet Apple’ a modern limited edition Moorcroft Pottery vase, designed by Rachel Bishop, painted in colours, in original box impressed and painted marks 38/100 36.5cm. high £700-800 281. ‘Flower Maidens’ a modern limited edition Moorcroft Pottery vase, designed by Paul Hilditch, painted in colours, in original box impressed and painted marks 58/100 25.5cm. high £550-650 282. ‘The Abbot Bromley Chalice’ a Moorcroft Pottery limited edition vase, Joe Hobbs, painted in colours painted green monogram 27cm. high £400-600 Literature Paul Atterbury Moorcroft, Richard Dennis Publications, page 200 plate 2 for an example.

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283. ‘Blue Oberon’ a modern Moorcroft Pottery trial vase designed by Rachel Bishop, dated 1998, baluster form, painted in shades of blue on a pale blue ground painted marks, 43cm. high £800-1,200

284. ‘King Protea’ a Moorcroft Pottery limited edition vase designed by Emma Bossons, painted in colours, painted signature 39/100 39cm. high £1,500-2,000

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285. ‘Swan Lake’ a modern limited edition Moorcroft Pottery vase, designed by Kerry Goodwin, painted in colours, in original box impressed and painted mark, 16/75 42cm. high £900-1,000

286. ‘After The Storm’ a large limited edition Moorcroft Pottery vase designed by Walter Moorcroft, dated 1999, painted in colours, painted blue signature, 141/200 53cm. high £800-1,200

287. ‘Lovelock’ a modern Moorcroft Pottery vase, designed by Kerry Goodwin, painted in colours in original box impressed marks, 26.5cm. high £300-350

288. ‘Yacht’ a Moorcroft Pottery vase designed by John Moorcroft, slip decorated in shades of blue on a pale blue ground impressed and painted marks, 23.5cm. high £100-200

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288 289. ‘Buttercup’ a Moorcroft Pottery Trial vase designed by Sally Tuffin, painted in colours on a pale green ground painted green monogram 19cm. high £200-300

290. ‘Twilight Orchid’ a modern limited edition Moorcroft Pottery vase, designed by Rachel Bishop, painted in colours, in original box painted signature 13/75 22cm. high £400-500

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291. ‘Black Tulip’ a Moorcroft Pottery vase designed by Sally Tuffin, painted in colours on a purple ground painted green monogram 31cm. high £400-600

292. ‘Sweetpea’ a Moorcroft Pottery Collector’s Club vase designed by Sally Tuffin, painted in colours on a pale green ground printed mark, painted green monogram 27cm. high £100-200 291

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293. ‘Swaledale - Autumn’ a modern Moorcroft Pottery vase, designed by Philip Gibson, painted in colours, in original box impressed marks, 23.5cm. high £500-600

294. ‘Blue Rooster’ a modern Moorcroft Pottery vase, designed by Kerry Goodwin, painted in colours, in original box impressed and painted marks, 17.5cm. high £300-350

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Dennis ChinAWorKs 295. ‘Butterfly’ a Dennis Chinaworks large plate designed by Sally Tuffin, dated 2002, painted with a frieze of multi coloured butterfly to the rim, printed and painted marks, no.22 34cm. diam. £150-200

296. ‘Midnight Hare’ a Dennis Chinaworks jar and cover designed by Sally Tuffin, dated 2005, the cover surmounted with a lying hare finial, painted in shades of blue and white impressed and painted marks, no.3, 12cm. high £100-200

297. ‘Indian Elephant’ a Dennis Chinaworks footed jar and cover designed by Sally Tuffin, dated 2004, raised on four elephant-feet feet, the cover surmounted with elephant finial impressed and painted marks, 15.5cm. high £150-250

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298. ‘Tiger’ a Dennis Chinaworks Mr T vase designed by Sally Tuffin, dated 2004, painted in colours impressed and painted marks, numbered 31 9cm. high £80-120

299. ‘Magnolia’ a tall limited edition Dennis Chinaworks vase designed by Sally Tuffin, dated 2004, painted in shades of blue, green and white impressed and painted marks, 5/25, 48cm. high £500-800

300. ‘Elephant’ a large and impressive Dennis Chinaworks vase designed by Sally Tuffin, dated 2004, painted in black and brown, highlighted in red and white impressed and painted marks, No.10 37cm. high £500-800 300

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301. ‘Fly Fishing’ a Limited Edition Dennis Chinaworks mug designed by Sally Tuffin, dated 2003, made for Southfield, painted in colours on a cream ground, and a matching Dennis Chinaworks sign impressed and painted marks, 20/50 14cm. high £150-200 302. Five Dennis Chinaworks roundels designed by Sally Tuffin, decorated with trout, snake, lobster, poppy and bee and snowdrop designs, in colours impressed and painted marks 15cm. diam. £100-200

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303. ‘Strawberry’ a Dennis Chinaworks vase designed by Sally Tuffin, dated 2003, flaring form with everted rim, painted in colours, another vase and a roundel in the same pattern impressed and painted marks, 16.5cm. high £100-200 304. ‘Fish’ an early Dennis Chinaworks Trial vase, designed by Sally Tuffin, dated 1997, cylinder form, painted with two fan-tail fish, in colours, another similar and a Butterfly vase impressed and painted marks 14cm. high £80-120 305. ‘Hornet’ a Dennis Chinaworks vase designed by Sally Tuffin, dated 2004, painted in colours printed and painted marks, no.11 31.5cm. high £200-300

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306. ‘Blackberry’ a Dennis Chinaworks vase and cover designed by Sally Tuffin, dated 2006, modelled in low relief and painted in colours impressed and painted marks, no.2, 20cm. high £150-200 307. ‘Kingfisher’ and ‘Sooty Tern’ two Dennis Chinaworks Mini Ovoid vases, designed by Sally Tuffin, slip decorated and painted in colours printed and painted marks, 2003 and 2004 8cm. high £100-200 308. ‘Sooty Tern’ a Dennis Chinaworks vase designed by Sally Tuffin, dated 2004, painted in colours impressed and painted marks 20cm. high £100-200

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309. ‘Holden Wood’ a limited edition Dennis Chinaworks vase designed by Sally Tuffin, dated 2002, painted in colours impressed and painted marks, 54/100 19.5cm. high £100-200 310. ‘Poppy’ a Dennis Chinaworks trial vase designed by Sally Tuffin, dated 1997, painted in shades of blue, black and red on a celadon ground inscribed ‘Here is the flower of dreams for thee - Then will you sometimes dream of me’ impressed and painted marks, 18.5cm. high £80-100 311. ‘Wisteria’ a Pair of Dennis Chinaworks candlesticks designed by Sally Tuffin, dated 2006, painted in shades of blue and green on a pale blue ground impressed and painted marks, No.1, 16cm. high £200-400

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312. ‘Giraffes’ a Royal Worcester porcelain figure group by Stella R Crofts, numbered 2895, painted in colours, on ebonised wood base printed and painted marks, head re-stuck 22.5cm. high £200-300

313. ‘Donkey Stealing Carrots’ a Stella R Crofts Pottery figure, painted in colours incised signature, restored neck, 19cm. wide £300-500 312

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314. ‘Cheetah Eating’ a pottery figure by Stella R Crofts, modelled seated and eating, glazed in colours incised Stella R Crofts 10cm. wide £600-900 Literature Albert Gallichan Stella Crofts 1898-1964 Potter and Ceramic Sculptor Notes on Her Life and Work, Decorative Arts Society Journal 20 page 58 figure 6 for a comparable example.

315. A Bursley Ware vase designed by Charlotte Rhead, pattern 1554, compressed form with cylindrical neck, tubeline decorated with a band of flowers and foliage in orange, purple and green, highlighted in gilt on a blue ground printed and painted marks, 16cm. high £180-220

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316. A Bursley Ware vase designed by Charlotte Rhead, pattern 1432, cylindrical form with everted rim, tubeline decorated with flowers and foliage in shades of ochre, pink and blue printed and painted marks, 25.5cm. high £180-220

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317. A Bursley Ware vase designed by Charlotte Rhead, pattern 1554, hexagonal, shouldered form, tubeline decorated with flowers and foliage in orange, purple and green, highlighted in gilt on a blue ground printed and painted marks, 14.5cm. high £100-150

318. A Royal Stanley Jacobean ware baluster vase, tubeline decorated with fruit and foliage in colours printed factory marks 18cm. high £180-220 317

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319. ‘T.E. Lawrence - Lawrence of Arabia’ a portrait figure by Kathleen Scott (Baroness Kennet), modelled using Lawrence’s brother, seated in Arabic costume, glazed in colours incised K Scott and titled Lawrence 31cm. high £300-500 320. ‘Stork’ a Wilkinson Pottery flower-block designed by Clarice Cliff, painted naturalistically printed Wilkinson mark 18cm. high £80-120 Literature Leonard Griffin Clarice Cliff The Art of Bizarre Pavillion, page 28 for comparable pieces including the Kookaburra flower block

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321. ‘Pan’ a Clarice Cliff wall mask, cast in relief and painted in colours on a turquoise ground printed factory mark 23cm. high £100-200 322. ‘Crocus’ a Clarice Cliff Bizarre part service, comprising; preserve pot and cover, pedestal dish, Tankard coffee pot and cover, milk-jug, seven cans and saucers, eight various side plates and four egg cups, a My Garden sugar sifter and a mustard pot painted in colours printed and painted marks, damages and wear, coffee pot 18cm. high £200-400 323. ‘The Lucky Lucky Bulldog’ a pottery figure designed by Louis Wain, modelled standing with oval aperture to back, enamelled in colours on a pale yellow ground printed mark, painted registration number 13.5cm. wide £200-400 324. ‘Duiker Lying’ and ‘Duiker’ two Wedgwood earthenware figures designed by John Skeaping, each covered in a celadon glaze impressed marks tallest 19.5cm. high £150-250 325. A set of six Wedgwood bantam egg cups, each glazed in colours with silver decoration, impressed marks, 5cm. high £150-250 Provenance Presented to the vendors mother by the Wedgwood family 326. A Crown Devon lustre vase and cover, pattern no.2250, printed and painted in colours and gilt with an exotic bird flying past flowers, on a mottled blue ground, and a pair of Wedgwood lustre small bowls, printed and painted in colours and gilt with fruit printed and painted marks, one bowl smashed and re-stuck 17cm. high £50-100 327. A Wedgwood Pottery lustre K’ang Hsi bowl, for retail by James Powell & Sons, Whitefriars, printed in gilt with prunus to the exterior, the interior painted with a Geisha, the rim with a band of Fan, scroll and leaf motif painted with oriental scenes, in colours on a coral red band printed factory marks, chip to top rim 21cm. diam. £80-120 328. A Wedgwood black basalt vase designed by Keith Murray, footed form with flaring conical body, with cut groove decoration impressed factory mark, facsimile signature 20cm. high £700-900

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329. An Art Deco Shelley Pottery tea set, pattern W.12131, painted with orange and grey geometric bands, comprising teapot and cover, stand, milk-jug and sugar basin, five cups, six saucers, side plates and one sandwich plate printed and painted marks sandwich plate 24.5cm wide £80-120 330. ‘Drinking - Country Pleasures’ a Royal Chelsea plate by Edward Ardizzone, printed in black and grey with a Pub Garden scene, printed factory mark, signed Diz 26.5cm. diam. £80-120 331. A pair of plates designed by Spencer Edge, printed and painted with Little Red Riding Hood being watched by a wolf, in colours printed mark, one restored 24.5cm. diam. £80-120

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332. A rare Wemyss Pottery side plate designed by Karel Nekola, painted with a deer and her two young standing in a pasture at twilight, in shades of green, brown and pink on a pale yellow ground, with green painted rim impressed Wemyss mark, printed T Goode & Co mark 25.5cm. diam. £800-1,200 333. A rare Wemyss Pottery plate designed by Karel Nekola, painted with an alert stag standing at twilight, in shades of green, brown and pink on a pale yellow ground, with green painted rim impressed Wemyss mark, printed T Goode & Co mark 25.5cm. diam. £1,200-1,500 334. ‘Harvest Putti with Pigeons’ an Ashtead Pottery figural book end designed by Percy Metcalfe, model no. M73, painted in colours in a buff ground printed and painted marks, moulded artists mark 17cm. high £350-400 335. ‘Eastern Woman’ an Ashtead Pottery figure designed by Phoebe Stabler, model no. M37, painted in shades of green, yellow and blue on a cream ground printed factory marks, 14cm. high £250-350 336. An Ashtead Pottery wall mask by Phoebe Stabler, model M.44, covered in a white glaze printed mark, incised number 15.5cm. high £250-300 337. ‘Corn Girl’ an Ashtead Pottery figure by Allan G Wyon, dated 1927, model no. M.72, covered in a streaked green glaze moulded marks, 19.5cm. high £250-350

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338. A Carter’s, Poole Pottery stoneware vase swollen form, cast in low relief with Celtic entrelac motif, covered in a blue grey lustre glaze impressed Carter’s mark 16.5cm. high £350-450 The use of a Celtic knot motif illustrates the influence of Archibald Knox’s designs. Knox had a commercial arrangement with Carter’s to produce jardinieres and garden ornaments to his designs for retail at Liberty & Co department store. 339. A Liberty & Co stoneware vase probably Carter’s Poole Pottery, waisted cylindrical form, painted with simple scrolling bands, and a Compton Pottery vase impressed Liberty mark to first 21.5cm. high £150-200 340. ‘Poole Pottery at the Royal Academy’ two mounted photographs by Gilbert Cousland, dated 1935, in common frame picture 16 x 19cm. £80-120 341. A Carter’s, Poole Pottery stoneware bowl, covered in a rich ruby lustre glaze, impressed Carter’s mark, small nick to top rim 19.5cm. diam. £80-120 342. A Carter’s, Poole Pottery stoneware architectural fountain mask, probably designed by James Radley Young, modelled as a woman with stylised curls, covered in a red lustre glaze unsigned, minor glaze loss 16.5cm. high £250-350 343. A Carter, Stabler & Adams, Poole Pottery stoneware Buster Boy figure designed by Phoebe Stabler, glazed in colours impressed mark, 18.5cm. high £300-350

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344. A large Carter Stabler & Adams Poole Pottery Fuchsia jardiniere, painted by Mary Brown, pattern XE, painted in colours on an off white ground impressed and painted marks, damages 29cm. high £80-120 345. A Poole Pottery miniature vase, pattern EE, painted with flowers and foliage in colours, a Poole Pottery NQ pattern Art Deco vase and a collection of Poole Pottery similar painted and impressed marks, 8.5cm. high £100-200 346. A Poole Pottery Little Bo Peep side plate, designed by Dora Batty, painted in colours, and a Carter, Stabler & Adams Poole Pottery vase impressed and painted marks vase 18cm. high £60-100 347. A Carter Stabler & Adams Poole Pottery vase, designed by Harold Stabler, pattern VZ, painted by Ann Hatchard, with panels of geometric flower stems in colours on a white ground impressed marks, painted monogram 19cm. high £300-400

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348. An Art Deco Carter Stabler & Adams Poole Pottery vase, by Ann Hatchard, painted with geometric flowers and foliage in colours on a white ground impressed and painted marks, hairline cracks 27cm. high £200-300

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349. A Poole Pottery Studio charger by Janice Tchalenko, dated 1999, painted with a radiating design in red and blue on a yellow ground and another Poole Studio charger on a red ground printed and painted marks 41cm. diam. £150-250 Provenance: The Albert E Wade Collection 350. A Poole Pottery Delphis plate, shape no.4, with carved geometric design, glazed bronze printed and painted marks 26.5cm. diam. £80-120 351. A Poole Pottery Beardsley Collection ginger jar, designed by Ros Sommerfelt, printed in black with figures after Aubrey Beardsley, a heart shaped box and cover a vase and a dish in the same pattern printed factory marks, 22.5cm.high £80-120 352. A Poole Pottery Delphis vase, shape no.83, with carved decoration in shades of red and blue, and a collection of Poole Pottery including Delphis and Aegean printed and painted marks, damages, 14.5cm. high £100-150

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353. A Poole Pottery Atlantis vase by Catherine Connett, cylindrical form, incised with columns, glazed in a speckled pale blue glaze impressed marks, incised monogram 21.5cm. high £150-200 354. A Poole Pottery Atlantis vase by Alan White, cylindrical form, incised decoration under an mottled ochre and white glaze impressed mark, incised monogram 21cm. high £150-200 355. A Poole Pottery Atlantis vase by Guy Sydenham, cylindrical form with impressed circle design, glazed in pale blue and white over terracotta body impressed marks,16.5cm. high £50-100 356. A Poole Pottery Studio charger by Janice Tchalenko, dated 1999, painted with a pointillist design in blues on a red ground, and two other Poole Studio chargers printed and painted marks 41cm. diam. £150-250 Provenance: The Albert E Wade Collection 357. A modern Poole Pottery Studio charger by Nicky Massarella, painted with an Egyptian mask design in blue, yellow and red, highlighted in white, in original presentation box printed factory mark, painted signature TF7 1/1 41cm. diam. £100-200 358. A Poole Pottery Studio charger by Robert Jefferson, resist decorated to the well with a flying owl, in enamels on a white ground impressed studio TV mark, paper price label 38cm. diam. £2,500-3,000 Literature Rena Jefferson Robert Jefferson The Quiet Virtuoso Richard Dennis Publications, page 26 this charger illustrated.

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stuDio Pottery 359. A collection of books and catalogues relating to Studio Pottery including; three Bernard Leach catalogues, Pioneer Studio Potter The Milner-White collection, £50-100

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360. David Cripps Michael Cardew potting a bowl a limited edition photograph, framed, and another of a jug drying signed in pencil, numbered 1/25 image 30 x 20.5cm. £150-200

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361.‡ Bernard Leach, attributed (1887-1979) a porcelain bowl, painted to the well with a hare in tenmoku unsigned 21.5cm. diam. £800-1,200 362.‡ Bernard Leach attributed (1887-1979) a stoneware plate, resist decorated with fish to the well, seal marks flooded with glaze 27cm. diam. £500-800 363. Jane Hamlyn (born 1940) a stoneware tray circular with raised rim, painted with brushed line and dot motif, and a Simon Rich pedestal bowl impressed seal mark 26.5cm. diam. £50-100 362

364. Paul Barron (1917-1983) a stoneware vase, shouldered form with applied handles, covered to part of the body with blue glaze, and a charger resist decorated with a rabbit in a landscape, possibly Malcolm Pepper impressed seal mark 32cm. high £80-120

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365. David Leach (1911-2005) three various Lowerdown Pottery tin-glaze mugs, impressed seal mark 10.5cm. high £80-120

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366. David Leach (1911-2005) a Lowerdown Pottery stoneware bowl, painted with a foxglove design in tenmoku over pale blue and oatmeal, and a waisted vase impressed seal mark, 14cm. diam. £80-120 367. David Leach (1911-2005) a Lowerdown Pottery stoneware vase, painted with a water-lily design in tenmoku on a ash ground impressed seal marks, 16cm. high £100-150

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368. David Leach (1911-2005) a Lowerdown Pottery vase thrown and blown porcelain matt white Dolomite glaze with pink crackle impressed seal mark 12cm. high £100-200 Literature Emmanuel Cooper and Kathy Niblett David Leach Richard Dennis Publications, page 105 plate 101 for a comparable vase 369. Leach Pottery a stoneware dish with inverted rim, painted to the well with a Willow tree in tenmoku and blue impressed seal mark 13cm. diam. £80-120 370. David Leach (1911-2005) a Lowerdown Pottery porcelain box and cover, painted with a foxglove design in tenmoku, blue and red, a beaker vase and two other items impressed Lowerdown seal 11cm. diam. £100-200 371. David Leach (1911-2005) a Lowerdown Pottery cut-sided vase, shouldered form, covered in a dolomite over tenmoku glaze impressed seal mark 35cm.high £200-300 372. David Leach (1911-2005) a Lowerdown Pottery miniature solifleur vase, covered in a tin-glaze, another similar and a Leach Pottery miniature vase impressed mark 7cm. high £100-200 373. David Leach (1911-2005) a Lowerdown Pottery stoneware vase, painted with a foxglove design in tenmoku and blue on an ash glaze, another Lowerdown Pottery foxglove vase and a dish impressed seal mark, 8cm. high £60-100 374. David Leach (1911-2005) a Lowerdown tin-glazed miniature vase, with incised decoration, and two others similar impressed seal mark 6cm. high £100-200

375. David Leach (1911-2005) a Lowerdown Pottery porcelain canister and cover, painted with a fish motif in blue and red enamel on a celadon ground impressed seal mark, 8cm. high £80-120 375A. David Leach (1911-2005) a Lowerdown Pottery stoneware vase, ovoid form with collar rim, resist decorated with a foxglove design in Dolomite over tenmoku impressed seal mark 21cm. high £200-400 Literature Emmanuel Cooper and Kathy Niblett David Leach Richard Dennis Publications, page105 plate 103 for a comparable vase

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376. David Leach (1911-2005) a Lowerdown Pottery bottle vase, incised with brush repeat, covered in an oatmeal glaze impressed seal mark 23.5cm. high £150-200 376A. David Leach (1911-2005) a Lowerdown Pottery fluted, shouldered vase, covered in a tea-dust glaze impressed seal mark, 19cm. high £80-120 377. David Leach (1911-2005) a Lowerdown Pottery stoneware vase, shouldered form with everted rim, incised with a willow tree motif, covered in a tenmoku glaze impressed seal mark 35cm. high £300-500 378. David Leach (1911-2005) a Lowerdown Pottery stoneware bottle vase, painted with a willow tree in tenmoku and blue with enamelled red decoration, on a celadon ground impressed seal mark 29cm. high £300-500 Literature Emmanuel Cooper and Kathy Niblett David Leach Richard Dennis Publications, page 81 for a comparable bottle vase

378

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381 379. Denise Wren (1891-1979) an Oxshott Pottery stoneware vase, covered in a pitted green glaze incised mark 15cm. high £50-150 Literature Victoria & Albert Museum collection for a comparable vase and cover 380. Charles Vyse (1882-1971) a stoneware vase dated 1933, ovoid form with everted rim, decorated with a band of chrysanthemum flowers in tenmoku over ash incisede CV 1933 22cm. high £250-350

382

382A 381. Charles Vyse (1882-1971) a stoneware Lotus bowl, covered to the foot with a celadon glaze incised marks 17cm. diam. £80-120 382. Trevor Corser (born 1938) a stoneware charger, impressed and painted with geometric flowerhead design impressed seal mark 30cm. diam. £80-120

383

384

382A. Seth Cardew (born 1934) a Wenford Bridge large stoneware vase with collar rim, painted with a wading bird with fish by its feet, unsigned, sold with a letter from Seth Cardew 41cm. high £300-500 383. Seth Cardew (born 1934) a Wenford Bridge miniature teapot and cover, painted in shades of rust and blue on an off white ground, another similar, a miniature tureen and cover and a set of three graduated jugs by the same artist impressed seal marks 5cm. high £200-300 384. Seth Cardew (born 1934) a Wenford Bridge Pottery stoneware teapot and cover, painted with a fish in blue and brown on a pale grey glaze impressed seal marks, 19cm. high £80-120 385. ‘The Chinese Written Character as a Medium for Poetry’ a book by Ernest Fenollosa, with foreword by Ezra Pound, printed by Stanley Nott, Fitzroy Square, 1936, signed by Michael Cardew £80-120

385

Provenance Michael Carder, Winchcombe, November 1938 386. Michael Cardew (1901-1983) a Winchcombe Pottery vase, cylindrical form with collar rim, covered in a textured black glaze to the foot, impressed seal marks 18.5cm. high £80-120 387. Michael Cardew (1901-1983) a Winchcombe Pottery mug, incised ‘Drink about brother, when this is out, we’ll have another’ glazed mustard yellow impressed seal marks, 11.5cm. high £100-150

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388. Malcolm Pepper (1937-1980) a globular footed stoneware vase, each of the four sides painted with a simple tree motif in tenmoku on an ash ground impressed seal mark 26cm. high £200-400 389. Malcolm Pepper (1937-1980) a large ovoid footed stoneware vase, painted with panels of foliate roundels in tenmoku on an ash ground impressed seal mark 30cm. high £200-400 390. Katharine Pleydell-Bouverie (1895-1985) a stoneware beaker vase, covered to the foot in a tenmoku glaze, and six other studio pottery items impressed seal mark 11cm. high £80-100 391. Katharine Pleydell-Bouverie (1895-1985) a large stoneware vase, shouldered form with everted rim, the body with vertical ribs, covered in a blue impressed mark, restored rim 22cm. high £200-300 392. Richard Batterham (born 1936) a cut-sided stoneware jar and cover, covered in an ash glaze, and a small collection of studio pottery 10.5cm. high £50-100 393. Leach Pottery forty-four china-clay square tiles, each painted in blue with foliate design on a white ground impressed Leach Pottery seal marks, damages 10.5cm. square £200-300 394. Jeremy Leach (born 1941) a Lowerdown Pottery stoneware jug, waisted form, covered in a tenmoku glaze impressed seal marks, 32.5cm. high £80-120

396

395. David Leach (1911-2005) a Lowerdown Pottery tin-glazed vase, waisted form, a cut-sided teapot and cover and five other items impressed seal marks, crack to vase, small chip to spout of teapot 18.5cm. high £80-120 396. ‡ Bernard Leach (1887-1979) a Leach Pottery stoneware flask, incised with a will tree design, glazed to the foot in a matt green glaze impressed seal marks 17cm. high £400-600 397. ‡ Bernard Leach (1887-1979) a Leach Pottery stoneware teapot and cover, covered to the foot with a pale, speckled oatmeal glaze, and a Leach Pottery jug impressed seal marks, chip to inner rim and repaired chip to cover 15cm. high £200-300 397

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398. David Leach (1911-2005) a large Lowerdown Pottery cut-sided vase and cover, covered in a celadon glaze, a smaller David Leach stoneware pot and cover, a Leach Pottery preserve and cover and four dishes impressed seal marks, 17cm. high £80-120 399. David Leach (1911-2005) a Lowerdown Pottery fluted coffee set for four, comprising pot and cover, milk-jug and sugar basin, four cups and saucers, covered in a oatmeal tin glaze impressed Lowerdown seal, one cup repaired pot 21cm. high £300-400

402

402A

400. Michael Leach (1913-1985) a Yelland Pottery vase, with four loop handles, glazed running blue to rim over ochre impressed seal marks 16cm. high £50-100 401. ‡ Bernard Leach (1887-1979) a Leach Pottery stoneware dish with inverted rim, painted to the well with grasses and a central flower stem, in tenmoku on a celadon ground, the rim tenmoku impressed seal mark, painted BL mark £200-300 402. David Leach (1911-2005) a stoneware charger, painted to the well with a willow tree, in tenmoku, pale blue and iron red on a celadon ground impressed seal mark 36cm. diam. £400-600 402A. Colin Kellam (born 1942) a stoneware jug, basin and smaller jug, painted in iron red with scaly fish on an ash ground impressed seal marks basin 31cm. diam. £100-200

403

403A

403. David Leach (1911-2005) a stoneware shouldered vase, resist decorated with a willow tree motif in tenmoku on a celadon ground impressed seal mark 28.5cm. high £350-450 Literature Emmanuel Cooper and Kathy Niblett David Leach Richard Dennis Publications, page 97 plate 82 for a comparable vase 403A. David Leach (1911-2005) a stoneware plate, painted with a wavy line in blue highlighted in red enamel spots, on a celadon ground impressed seal mark, painted DL mark 21.5cm. diam. £80-120 404. Lowerdown Pottery a stoneware vase, square section painted with an abstracted ear of corn design, and another Lowerdown Pottery vase impressed seal marks 12.5cm. high £80-120 404A. A stoneware unomi, footed form, painted with panel design in ochre, another with simple painted leaf roundel and a small porcelain bowl, unsigned 8cm. high £50-100

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404A

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405. Abuja Pottery a salt and pepper cruet, with twist tops, glazed in celadon, rust and tenmoku, a small tureen and cover, and four other items unmarked 7.5cm. high £80-120

406. Abuja Pottery a large twin-handled tureen and cover with pie-crust rim, probably by Peter Gboko, glazed in ash, rust and tenmoku, and a Palm wine bottle and cover, and a collection of Abuja Pottery impressed seal marks, 23cm. diam. £200-300

407. Abuja Pottery a pair of plates by Asibo Ido, decorated with a chameleon, and another with fish, glazed in colours impressed marks 26.5cm.diam. £100-200

409

408. Munemaro Ishiguro (1893-1968) a Chawan (tea bowl) open summer form, glazed tenmoku to the foot, in original wood box impressed seal mark, 16.5cm. diam. £200-300

409. Shoji Hamada (1894-1978) a large stoneware, rectangular hand built bowl, on four feet, resist decorated to the well with sugar cane motif under a kaki glaze, the exterior with diagonal brush strokes unsigned, firing crack repaired by Hamada to one corner . £1,800-2,200 Provenance Susan Peterson Collection

410. Shoji Hamada (1894-1978) a rare stoneware , rectangular hand built bowl, painted to the well with sugar cane motif in iron brown on an off white matt glaze, the exterior with diagonal brush strokes unsigned 24cm. long £1,800-2,200

410

Provenance Susan Peterson Collection.

411

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411. Janet Leach (1918-1997) a Leach Pottery dish on slab feet, rectangular top resist decorated with three brush stroked in tenmoku on a white ground impressed seal marks 27cm. wide £300-500 412. David Leach (1911-2005) a large Lowerdown Pottery bowl, glazed to the interior with tin-glaze impressed seal mark, 35cm. diam. £300-500 414

415

413. David Frith (born 1943) a stoneware jug with scroll handle, decorated with simple comb design impressed seal marks, 27cm. high £50-150 414. A collection of various studio pottery including Devon slip-ware £50-150 415. Mike Dodd (born 1943) a stoneware unomi, waisted form covered to the foot with an ash glaze, two other unomi and a bowl various impressed marks, 10cm. high £80-120

416

417

416. Phil Rogers (born 1951) a shouldered vase, with collar neck, incised and painted with grass decoration, on an ash glaze and a tall shouldered vase covered in a running ash glaze impressed seal mark, chip to top rim 26cm. high £50-80 417. David Frith (born 1943) a Brookhouse Pottery stoneware charger, painted to the well with a leaping fish above waves, either side nets, in colours on a celadon ground impressed seal marks 41cm. diam. £80-120 418. Mike Dodd (born 1943) a cut sided stoneware vase with knopped neck, covered in a running ash glaze impressed seal mark 24cm. high £80-120

418

419

419. Mike Dodd (born 1943) a stoneware bowl with incised foliate decoration glazed white, a Richard Batterham bowl and a cut-sided unomi flooded seal mark 19cm. diam. £80-120 Provenance Mike Dodd purchased 22nd July 2008. 420. Michael Casson (1925-2003) a tall stoneware vase, swollen cylindrical form with everted rim, decorated to the shoulder with simple foliate design impressed seal mark 65cm. high £200-300 421. Michael Casson (1925-2003) a salt-glaze stoneware jug, incised with simple trail design picked out in green, a Michael Casson bowl and two Winchcombe Pottery items impressed seal marks 32cm. high £100-200

420

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422. Mike Dodd ( born 1943) a tall shouldered stoneware vase, resist decorated with panel design in tenmoku and rust glazes impressed seal mark 35cm. high £100-200 423. Mike Dodd ( born 1943) a shouldered stoneware vase, incised vertical fluted covered in a pitted ash salt-glaze impressed seal mark 25cm.,high £80-120

424. Mike Dodd (born 1943) a tall stoneware vase, incised banding, glazed deep tenmoku over celadon impressed seal mark 36cm. high £80-120

425. Mike Dodd (born 1943) a shouldered stoneware vase, resist decorated in white and green glazes to the foot with a leaf design impressed seal mark 24.5cm. high £80-120 426. Mike Dodd (born 1943) a small cut-sided vase, with collar rim, covered to the foot with an ash glaze impressed seal mark, 20cm. high £80-120

427. Mike Dodd (born 1943) a cut-sided stoneware vase, shouldered form, covered to the foot with a tenmoku glaze flooded seal mark 28cm. high £80-120

428

428. Mike Dodd (born 1943) a shouldered stoneware vase, with raised ribs, incised with grasses and glazed to the foot with an ash glaze, and another taller impressed seal marks, tall vase chipped and cracked 24cm. high £80-120

429

429. Jim Malone (born 1946) an Ainstable Pottery stoneware vase, shouldered form, covered to the foot in a white glaze impressed seal marks 36cm. high £80-120

430. Jim Malone (born 1946) an Ainstable Pottery cut-sided stoneware vase, incised with simple grass motif, covered to the foot in a running ash glaze impressed seal marks 33cm. high £80-120

431. Jim Malone (born 1946) an Ainstable Pottery stoneware bottle vase, incised with trail columns, covered to the foot in a pale celadon glaze impressed seal marks, 33.5cm. high £80-120 430

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432. Richard Batterham (born 1936) a stoneware charger, covered in a celadon glaze to the well, the rim tenmoku, another smaller and two plates unsigned largest 42cm. diam. £80-120 433. Richard Batterham (born 1936) a large stoneware charger, covered in a celadon glaze, the rim tenmoku, and another similar unsigned 42cm. diam. £100-200

440

434. Richard Batterham (born 1936) eight various stoneware plates, glazed on celadon unsigned 23cm. diam.

£80-120

435. Richard Batterham (born 1936) eight stoneware plates, each covered in a celadon glaze unsigned 23cm. diam.

£80-120

436. Richard Batterham (born 1936) a stoneware storage jar and cover, simple incised decoration and wheel to cover, covered to the base in celadon unsigned, minor rim frits 20.5cm. high £80-120 437. Richard Batterham (born 1936) a large cut-sided stoneware teapot and cover, glazed to the foot in celadon glaze paper label to cover 23cm. high £80-120 438. Richard Batterham (born 1936) four stoneware storage jar and covers, each glazed in ash and celadon unsigned 12.5cm. high £80-120 441

439. Richard Batterham (born 1936) a large cut-sided stoneware, footed bowl, covered to the foot in a celadon glaze unsigned 30cm. diam. £50-100 440. Richard Batterham (born 1936) a tall stoneware cut-sided vase, covered to the foot with an ash glaze unsigned 35cm. high

£80-120

441. Mike Dodd (born 1943) a tall stoneware vase, shouldered form with collar rim, glazed streaked green over brown impressed seal mark 48cm. high £80-120 442. Richard Batterham (born 1936) a tall stoneware vase with everted rim, the body with incised fluting, glazed tenmoku over celadon unsigned 40cm. high £80-120

442

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447

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450

443. Richard Batterham (born 1936) a cut-sided stoneware vase, glazed tenmoku over celadon, and a storage jar and cover unsigned 21cm. high £60-100 444. Richard Batterham (born 1936) a stoneware charger, covered in a celadon glaze, and two others smaller, unsigned largest 36cm. diam. £100-200 445. Richard Batterham (born 1936) a large stoneware plate, covered in a celadon glaze, and four others unsigned 30.5cm. diam.

£150-250

446. Richard Batterham (born 1936) a stoneware cut-sided teapot and cover, glazed to the foot in celadon, and a jug unsigned 13.5cm. high £80-120

451

447. Richard Batterham (born 1936) a stoneware storage jar and cover, simple incised decoration a wheel to the cover, glazed to the base in celadon unsigned 28cm. high £80-120 448. Richard Batterham (born 1936) a cut-sided stoneware teapot and cover, glazed to the foot in an ash glaze unsigned 16cm. high £60-100 449. Richard Batterham (born 1936) a stoneware teapot and cover, incised decoration, covered in an ash glaze, a small storage jar and a bowl unsigned 12cm. high £80-120 450. Richard Batterham (born 1936) four cut-sided stoneware teapot and covers, each glazed to the foot in celadon unsigned tallest 13cm. high £100-200 451. Richard Batterham (born 1936) a stoneware jug covered to the foot with a celadon glaze unsigned 27.5cm. high

452

£60-100

452. Richard Batterham (born 1936) a tall stoneware bottle vase with everted rim, ribbed decoration covered to the foot in a pale celadon glaze unsigned 39cm. high £80-120 453. Richard Batterham (born 1936) a tall shouldered stoneware vase, with everted rim, glazed celadon to the neck, the body tenmoku to the base unsigned 38cm. high £80-120 453

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458

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457

460 454. Richard Batterham (born 1936) a cut-sided stoneware jar and cover, glazed to the foot in a brown glaze unsigned, painted dash mark 12.5cm. high £100-150 455. Richard Batterham (born 1936) a stoneware jar and cover, the cover with loop handle, with incised chevron design to the jar, glazed to the foot in ash unsigned, 14cm. high £80-120

462

462A

456. Richard Batterham (born 1936) a stoneware cut-sided vase, glazed in tenmoku and ash, and a storage jar and cover by Richard Batterham unsigned vase 25cm. high £100-200 457. Richard Batterham (born 1936) a stoneware jug with strap handle, ash glazed over salt-glaze, and three small cut-sided jars glazed to the foot in tenmoku unsigned jug 18cm. high £100-200

463

464

465

461 461. Josie Jiang (born 1954) a stoneware flask vase with everted rim, with incised decoration, glazed to the foot with an ash glaze impressed seal mark 26cm. high £80-120 Born in Shanghai and brought up in Beijing Josie studied at the Beijing College of Art before moving to London. 462. William Plumptre (born 1959) a large thrown stoneware vase, 2007, slip painted with grass roundels on a faux weave ground in shades of blue, and ochre on ash ground 40cm. high £100-200 Provenance William Plumptre New Ceramics, 2007, Beaux Arts Gallery, Bath catalogue number 35 462A. William Plumptre (born 1959) a shouldered vase with loop handles, incised and painted with panels, in shades of blue, and brown on a celadon ground, and another similar painted monogram 33cm. high £80-120

458. Richard Batterham (born 1936) a cut-sided stoneware vase, glazed to the foot in celadon, and another Richard Batterham salt-glaze vase unsigned 20cm. high £150-200

463. Jack Doherty (born 1948) a stoneware platter dated 2005, rectangular with cut and pierced marks, glazed off white incised signature, dated 2005 39 x 29cm. £80-120

459. Richard Batterham (born 1936) two stoneware chargers, each glazed in celadon, and two other stoneware chargers impressed seal mark two chargers 31cm. diam. £80-120

464. Jack Doherty (born 1948) a stoneware bowl with pierced panel decoration, glaze in blue, ochre and grey, and five other vase by various potters impressed seal mark, 15cm. diam. £80-120

460. Ray Finch (born 1914) a salt-glaze stoneware bowl, with simple incised flower decoration, another bowl and a vase incised marks 7.5cm. high £50-100

465. Sutton Taylor (born 1943) a large flaring vase, covered in a golden lustre and ruby glaze and another bowl form impressed seal marks, 33cm. diam. £100-200

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466. Sutton Taylor (born 1943) a bottle vase, painted with bands and splashed of golden iridescence on a ruby lustre ground, and another vase similar impressed seal marks, 32.5cn, high £100-200 467. Angela Mellor (born 1945) a tall, shouldered stoneware pot, covered to the foot with pitted grey glaze, a white glaze bottle by the same artist and three other studio items impressed seal marks £50-150 468. Sotis Filppidies (born 1963) a flaring, conical stoneware vase, glazed grey and black incised mark 27cm. high £80-120 469. Richard Capener a stoneware footed vase with disc rim, covered in a pitted bronze and ochre glaze impressed seal mark, 23.5cm. high £100-200 Provenance Primavera Gallery, Cambridge 470. Gilberto Paim (born 1957) a large flaring porcelain bowl, glazed to the interior with red bands, and a tall vase with sgraffito decoration by Gilberto Paim incised marks, bowl 38cm. diam. £100-200 Provenance Gilberto Paim & Elizabeth Fonseca Beaux Arts, Bath, 2008. Gilberto Paim was born in Rio de Janiero, Brazil. 471. A Japanese studio pottery vase, ovoid with everted rim, painted with stylised birds, highlighted in gilt, with original wooden box impressed seal mark 18cm. high £50-150

473 472. Tony Bennett a jerry can sculptural form, decorated in low relief with a frog the reverse waves, glazed in colours, impressed seal mark 41.5cm. high £100-200

474

Provenance The Frog Museum 473. Sarah Noel (born 1961) Man With Bird, a stoneware sculpture painted monogram 36.5cm. high £100-200 474. Robert Whelpton (born 1952) ‘Boat on a Rock’ a raku sculpture, incised and glazed in colours, highlighted in gilt, two other sculptures and a raku boat box and cover by the same artist impressed seal marks, 22.5cm. high £100-200

475

475. Sarah Noel (born 1961) Man on Boat, a sculpture, glazed in colours impressed seal mark 19.5cm. wide £50-100 476. Sarah Noel (born 1961) Woman with a Cat, a raku sculpture impressed seal mark 33cm. high £100-200 476

477

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482

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479

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484

477. Alan Caiger-Smith (born 1930) an Aldermaston Pottery bowl, painted in copper and ruby lustre, two jugs and three goblets painted marks, 22cm. diam. £100-200

483. Alan Caiger-Smith (born 1930) an Aldermaston Pottery twin-handled vase, dated 1986, painted in ruby lustre painted marks 15.5cm. high £200-250

478. Alan Caiger-Smith (born 1930) a large Aldermaston Pottery fluted charger, painted in copper lustre with central flowerhead roundel, the rim with radiating motif painted monograms to reverse, glaze cracks 44cm. diam. £150-200

484. Alan Caiger-Smith (born 1930) an Aldermaston Pottery larger platter, dated 1977, painted to the well with a Zephyr, in blue on a pale blue ground painted marks, 47cm. diam. £350-450

479. Alan Caiger-Smith (born 1930) an Aldermaston Pottery two-tile panel, painted in ruby lustre on a tin-glaze ground, framed, another larger tile, two vases and bowls painted marks, 10.5 x 5cm. £100-200

480. Andrew Hazleden an Aldermaston Pottery large ewer, painted with birds amongst tulip flowers in ruby and gold lustre on a tin-glaze painted marks, paper label 28.5cm. high £50-150

487

480

485. Alan Caiger-Smith (born 1930) an Aldermaston Pottery long, footed platter, dated 1976, painted with figures in conversation and embracing, in ochre on a white ground painted marks, impressed E, 68cm. wide £400-450

486. Edgar Campden an Aldermaston Pottery long, footed dish, painted with abstract design in ochre on a tin-glaze impressed mark, painted monogram hairline crack 69cm. long £80-120

481. Alan Caiger-Smith (born 1930) an Aldermaston Pottery candlestick, painted in shades of rust with geometric design on a tin-glaze painted marks, 20cm. high £80-120

487. Alan Caiger-Smith (born 1930) an Aldermaston Pottery pedestal bowl, painted in colours on a tin-glaze painted marks, 16.5cm. high £60-100

482. A tin-glazed pottery plate, painted with a design after William De Morgan of a deer in a landscape, in ruby and copper lustre, and a collection of studio pottery painted marks, 27cm. diam. £80-120

488. Aldermaston Pottery (founded 1955) a set of six tin-glazed pottery goblets, painted in colours painted marks to base 12.5cm. high £100-200

489

490

491

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494

489. Alan Caiger-Smith (born 1930) an Aldermaston Pottery footed vase, decorated in resist with a frieze of stylised figures painted marks, paper label to base 25cm. high £100-200 490. Alan Caiger-Smith (born 1930) an Aldermaston Pottery vase, painted with scrolling foliate design to exterior in gold lustre on a silver-grey ground painted marks, painted MCA cypher, paper label 19cm. high £80-120

496

491. Alan Caiger-Smith (born 1930) an Aldermaston Pottery footed vase, painted with a frieze of stylised deer, in lustre on a blue ground painted marks to base 19cm. high £80-120 492. Alan Caiger-Smith (born 1930) an Aldermaston Pottery vase, shouldered ovoid form, painted in shades of yellow and green painted mark 25cm. high £350-400 493. Alan Caiger-Smith (born 1930) an Aldermaston Pottery jug, dated 1961, decorated in the Cat pattern, in ochre on a grey ground painted marks, small chip to foot rim 23cm. high £180-220 494. Alan Caiger-Smith (born 1930) an Aldermaston Pottery Albarello vase, painted with panels in copper and ruby lustre over tin glaze ground, and an Aldermaston Pottery Albarello vase by Andrew Hazleden painted marks to base, paper label 28cm. high £80-120

497

495. Alan Caiger-Smith (born 1930) an Aldermaston Pottery twelve tile panel, painted in ruby and copper lustre on a tin-glaze, framed, and two two-tile panels 20.5 x 15.5cm £80-120 496. Alan Caiger-Smith (born 1930) an Aldermaston Pottery twenty-four tile panel, painted in ruby and copper lustre on tin-glaze, framed 30.5 x 20.5cm. £80-120 497. Alan Caiger-Smith (born 1930) an Aldermaston Pottery charger, dated 1990, painted in ruby and copper lustre on a tin glaze painted marks, 36cm. diam. £100-150 498. ‡ Alan Caiger-Smith (born 1930) a rare Aldermaston Pottery model of a peacock, dated 1964, painted in colours painted marks, repairs, 28cm. wide £800-900 498

499

500

503

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505

499. Alan Caiger-Smith (born 1930) an Aldermaston Pottery tin-glazed vase, painted with panels in black over red on a white ground painted mark, date mark, hairline crack, 25cm. high £50-150 500. Edgar Campden an Aldermaston Pottery ovoid vase covered in a tin glaze painted marks to base 15cm. high

506

£80-120

501. Alan Caiger-Smith (born 1930) an Aldermaston Pottery bowl, painted with geometric designs in green and ochre on a tin-glaze, and a twin-handled pot painted marks, 19.5cm. diam. £100-200 502. Elizabeth Frith-Powell (attributed) a small Aldermaston Pottery footed bowl, painted in lustre to the well on a blue ground, the exterior with scroll repeat painted monogram to base 14cm. diam. £50-100 503. Alan Caiger-Smith (born 1930) an Aldermaston Pottery bowl, flaring footed form painted with geometric design in yellow and ochre £200-300 on a tin-glaze , a jug and two goblets painted marks, hairline crack to bowl 35cm. diam.

507

504. Alan Caiger-Smith (born 1930) an Aldermaston Pottery tin-glaze ewer and eight goblets, painted in shades of blue, highlighted in red painted marks, 28cm. high £100-200 505. Alan Caiger-Smith (born 1930) an Aldermaston Pottery vase and cover, ovoid form, painted with swirl motif in brown on a blue-grey ground, and an Aldermaston Pottery ovoid vase and a bowl painted monogram, minor chips 35cm. high £80-120 506. Alan Caiger-Smith (born 1930) an Aldermaston Pottery bowl, painted to the well with geometric design in brown and ochre on a tin-glaze, and a breakfast bowl by Alan Caiger-Smith painted marks, 24cm. diam. £80-120 507. Alan Caiger-Smith (born 1930) an unusual Aldermaston Pottery plate, painted in yellow with a sailing vessel, another plate and a charger painted marks, 29cm. diam. £100-200 508. Geoffrey Eastop (born 1921) a stoneware vase, shouldered form, painted in shades of brown and blue painted monogram 21.5cm. high £300-350

508

509

510

513 509. John Bedding (born 1947) a raku footed vase, elliptical section impressed seal mark, 36cm. high £80-120

510. John Bedding (born 1947) a raku bottle vase, the neck with glazed and inlaid decoration, and two baluster vases similar impressed seal marks, 34cm. high £80-120

511. Siddig el Nigoumi (1931-1996) a terracotta bowl, dated 1993, incised with a hammer and sickle and titled RIP, and a collection of studio pottery incised marks 17cm. diam. £80-120

512. Siddig el Nigoumi (1931-1996) an unglazed, burnished clay platter, incised with three geometric bands, a scorpion to the well incised Nigoumi dated 79 38cm. wide £150-200

513. Margaret Curtis (born 1955) a porcelain beaker vase, covered in a deep flambe glaze, the rim bronze, and two other vases impressed seal mark, 11cm. high £50-100 Provenance Beaux Arts, Bath

514. Jane Hamlyn (born 1940) a porcelain vase, with impressed decoration, covered in a pale blue glaze impressed seal mark, 17cm. diam. £100-200

511

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515

516

516. Robin Welch (born 1936) a stoneware bowl with stepped, flaring rim, the well glazed mustard, and a stoneware vase covered in a running glaze painted mark, chips to inside rim, vase seal mark filled with glaze 34.5cm. £50-80

517. Robin Welch (born 1936) a stoneware vase, flaring cylindrical form with painted geometric decoration impressed seal mark 23cm. high £80-120 Provenance Byard Art, Cambridge

517

518. ‡ Amanda Popham (born 1954) ‘Grant This Day’ a tall bottle vase and cover, 2007, painted in colours with two dancing nudes on a background of spotty dogs, the stopper a nude woman lying on her front, her blond hair flowing in the wind painted Amanda Popham, 2007 65.5cm. high £200-400 Provenance Richard Dennis A Potted History Bonhams 13th March 2008 lot 617 The Albert E Wade Collection

519. John Ward (born 1938) an earthenware shaped vase, internally decorated with green and white bands, the exterior white impressed seal 9.5cm. high £100-150

518

515. Emily Myers (born 1965) a stoneware twisted vase, glazed in turquoise, impressed seal mark 10cm. high £60-100 Provenance Beaux Arts, Bath, 2007 519

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523

527

520. Virginia Graham (born 1978) a slab built teapot and cover, with applied metal mount and bird feather decoration, transfer printed pose panels impressed seal marks dated 2009 22cm. high £50-100 521. Jean-Paul Landreau a footed vase, incised with a ships and boats at sail, the reverse with a captain portrait, in colours on a black ground incised Jean Paul 24cm. high £100-200 528

529

522. Tony Laverick (born 1961) a solifleur vase, covered in a crystalline glaze, highlighted in gilt, another similar and four other pieces impressed seal marks, 22.5cm. high £80-120 523. Winchcombe Pottery (founded 1926) a stoneware Honey-Pie pattern platter signed Goodyear, trailed decoration impressed seal mark 36cm. wide £50-100 524. Lisa Hammond (born 1956) a faceted shino glaze bottle, impressed and incised marks, 25cm. high £80-120 Provenance New Pots 2006, Goldmark Gallery

530

531 525. Chris Carter (born 1945) a flaring stoneware vase, covered in a pitted, volcanic glaze the interior bronze glazed impressed seal mark, 26cm. high £80-120 526. Andrew Palin a stoneware footed vase, covered in a pitted, volcanic pale blue glaze, and a footed bowl by the same artist impressed seal marks 25cm. high £80-120 527. Antonio Pacitti (1924-2009) a stoneware vase, dated 1994, flaring cylindrical form, resist decorated with a flower stem in a matt blue glaze incised marks and date, paper receipt 26cm. high £80-120 Provenance Beatrice Royal Contemporary Art Gallery, 1996 528. Eric James Mellon (born 1925) an early stoneware vase, dated 1971, ovoid with flaring rim, glazed blue and ash, and another similar dated 1970 painted marks, 20.5cm. high £80-120

532

529. Eric James Melon (born 1925) a stoneware vase, painted with a figure riding a horse, a rectangular tile and a small dish painted marks, 16cm. high £100-200 Provenance Katharine House Gallery, Marlborough 2004 (the vase)

530. Wilfred Norton (c1880-1973) Madonna and Child, a stoneware sculpture, covered in a grey and mauve glaze, 33cm. high £80-120 533

534

535

536

537

538

531. Rodger Cockram (born 1947) a stoneware vase and cover, modelled in low relief with a crab its pincer forming the cover finial, glazed in colours, and two fish vase and covers incised signature 22cm. high £150-200

532. Laurence Simon Trust Me, a stoneware sculpture of a goat preparing to push a pig from a diving board, the pig perplexed by a bucket with a toothy fish appearing from it 50cm. high £200-300

533. Geoffrey Eastop (born 1921) a terracotta charger, enamelled in the manner of John Piper with a stylised tree painted monogram to reverse 41cm. diam. £80-120

534. Sir Terry Frost (1915-2003) a large pottery platter, painted with geometric design in blue, black and yellow, painted TF monogram, hairline to rim, 46.5cm. wide £200-300

535. Jill Fanshawe-Kato (born 1943) a stoneware tray on raised foot, slip decorated in low relief with bird and flower design, covered in a pale celadon glaze, and a plate by Alan Spencer Green impressed marks, 23cm. diam £80-120 Provenance Jill Fanshawe-Kato New Ceramics Beaux Arts, Bath 2010

536. ‡ Joanna Constantinidis (1927-2000) a porcelain bowl, simple flaring form covered in a white glaze impressed seal mark, 14cm. diam. £150-200

537. Alan Wallwork (born 1931) a stoneware split form, with pitted white glaze, and another similar incised monogram 14cm. high £80-120

538. Alan Wallwork (born 1931) a stoneware poppy seadhead vase, glazed in grey and ochre incised AW 19cm. high £80-100

539. Bernard Rooke (born 1938) a stoneware totem lamp base, six sections with incised decoration and turquoise glaze, 75cm. high £100-200 539

541

540

542

543

540. Rosemary Wren (born 1922) a stoneware model of a curled up cat, incised detail, glazed white and black impressed and painted marks 23cm. wide £100-200

541. Janice Tchalenko (born 1942) a Dart Pottery stoneware jug, beaker and vase, each painted with tulips in red, blue and green on a grey ground impressed Dart mark tallest 16.5cm. high £50-100

542. Richard Lloyd Midsummer 1983, a slip decorated earthenware vase, and a Richard Lloyd split vase, and a large Andy Holden Cider Crock incised marks 16cm. high £50-100

544

545 543. Jane Wheeler (born 1950) an ochre chalk beach scored flask, incised mark to base 14.5cm. high

£50-100

Provenance Jane Wheeler 2008, Beaux Arts, Bath

544. Ron Hitchens a terracotta tile panel, decorated with geometric motif, glazed black, framed signed, minor chips 40.5 x 15cm. £50-100

546

547

545. Ron Hitchens a ceramic tile wall mirror, mounted on birds-eye maple frame, the ceramic tiles glazed red, impressed signature, minor chips 87 x 62cm. £200-300

546. Peter Hayes (born 1946) a bronze Totem form, produced in a edition of 6 etched signature 2/6 20.5cm. high £400-600 Peter Hayes has just started experimenting with cast bronze sculptures with this being the initial trial form.

547. Peter Hayes (born 1946) a canal clay sculpture signed Peter Hayes 2011 30cm. high

£400-500

548. Peter Hayes (born 1946) a tall Raku totem form, on stepped square slate base incised Peter Hayes 1990 39cm. high £80-120

548

549. ‘Lucie Rie’ a signed first edition book, by Tony Birks, published by Alphabooks £80-120

550. Lucie Rie (1902-1995) a stoneware coffee mug, the exterior glazed bronze, the interior pitted grey, a miniature bowl with bronze rim, a Leach Pottery St Ives bowl and four various wine glasses impressed seal mark, chips to mug 7.5cm. high £80-120

549

Provenance Berkeley Gallery

550

551

551. ‡ Lucie Rie (1902-1995) a stoneware plate, glazed off white with bronze rim, impressed seal mark, minor professional restoration to rim 16cm. diam. £300-400

552. ‡ Lucie Rie (1902-1995) a flaring conical bowl, covered to the foot in a pale blue-white glaze, with bronze rim impressed seal mark, 23.5cm. diam. £2,000-3,000

552

553. ‡ Lucie Rie (1902-1995) a large stoneware salad bowl, elliptical form, glazed black to inside and outside with off white rim, impressed seal mark, small hairline to top rim 32.5cm. wide £700-1,000 Provenance Berkeley Gallery

553

554

555 554. ‡ Walter Keeler (born 1942) Large Jug on stand with Thorned Handle, a Whieldon glaze earthenware jug form, 2002, impressed mark, 23.5cm. high £500-550 555. ‡ Kate Malone (born 1959) a Garlic Bud vase, 2002, stoneware, covered in a sandy coloured crystalline glaze, incised signature 20cm. high £800-1,200 556. ‡ Lucie Rie (1902-1995) a stoneware Potato pot, shouldered form with inverted rim, the pitted glaze ochre with running turquoise and white impressed seal mark, 19cm. high £800-1,200 Literature Tony Birks Lucie Rie, Alphabooks, page 127 for a comparable vase circa 1960. Provenance Berkeley Gallery

556

557. ‡ Lucie Rie (1902-1995) a large and early terracotta bowl, the interior glazed pale green and turquoise impressed seal mark, small chip to foot rim 31.5cm. diam. £400-600 Literature Tony Birks Lucie Rie Alpha Books page 90 for a comparable pouring bowl circa 1947 Lucie Rie 90th Birthday Exhibition Gallerie Besson plate 4 for a comparable bowl also circa 1947.

557

557 interior

558. â&#x20AC;Ą Lucie Rie (1902-1995) a stoneware footed bowl, covered in a white glaze to the foot impressed seal mark 20.5cm. diam.

ÂŁ1,500-2,000

Literature Tony Birks Lucie Rie, Alphabooks, page 156 for a comparable bowl illustrated Provenance Berkeley Gallery

559

560

John mAltBy 559. ‡ John Maltby (born 1936) attributed a stoneware lidded box, the lid with a flat tree finial, and two slab vases unsigned 14cm. high £80-120

561

560. ‡ John Maltby (born 1936) a stoneware footed dish, square section, painted with four cross motif in iron-red and black, the rim covered in a tenmoku glaze impressed seal mark, re-stuck chip to side 19.5cm. wide £50-150

561. ‡ John Maltby (born 1936) a stoneware mug form, slip decorated with abstract ships in a harbour design painted Maltby 22.5cm. wide £80-120

562

563

562. ‡ John Maltby (born 1936) Angel and Baby a stoneware sculpture, dated 2006, on ebonised wood base signed, titled and dated 20cm. high £150-250

563. ‡ John Maltby (born 1936) ‘Seated Figure’ a stoneware figure, impressed seal mark, exhibition label no.35, 28cm. high £100-200

564. ‡ John Maltby (born 1936) ‘Sleeping Knight’ a stoneware figure, impressed seal mark 22cm. high £100-200 564

565 565. ‡ John Maltby (born 1936) ‘Bird on a boat with Fish’ a stoneware box and cover, glazed in colours impressed seal mark 16.5cm. high £100-200

566. ‡ John Maltby (born 1936) ‘Couple on a Rock’ a stoneware figure group, impressed seal mark 33cm. high £150-250

567. ‡ John Maltby (born 1936) ‘Mother and Child’ a stoneware figure, impressed seal mark, painted title, exhibition label no.22, 28cm. high £100-200

566

567

568

569

570

571

568. ‡ John Maltby (born 1936) ‘Knight and Tiger’ a stoneware figure, impressed seal mark, paper exhibition label no.35, knight re-stuck 19cm. high £80-120

569. ‡ John Maltby (born 1936) ‘Knight and Horse’, a stoneware figure, impressed seal mark, paper exhibition label 18cm. high £80-120

570. ‡ John Maltby (born 1938) ‘Horse and Rider’ a stoneware figure, painted in rust and black impressed seal, exhibition paper label 16cm. high £80-120

572

571. ‡ John Maltby (born 1936) ‘Daisy’, ‘Cleopatra’ and ‘Lady Emma; a large swing painting dated 2007, signed Maltby dated 07, 63cm. square £600-800

572. ‡ John Maltby (born 1936) Crows in the Garden, a painting on paper, dated 2005, framed signed and dated image 39 x 29cm. £300-500

573

573. ‡ John Maltby (born 1936) ‘Royal Barge’ a stoneware sculpture dated 2007, with applied metal decoration, on painted wood base painted title, date and signature, impressed seal mark 39cm. high £300-500

574. ‡ John Maltby (born 1936) ‘Little Admiral’ a stoneware sculpture with applied metal decoration, dated 2007, on painted wood base painted title, signature and date to base 41cm.high £200-400 574

575. ‡ John Maltby (born 1936) ‘Standing King’ a stoneware figure, impressed seal mark, re-stuck head 42cm. high £80-120

576. ‡ John Maltby (born 1936) ‘Horse and Rider’ a stoneware figure, impressed seal, painted title, dated 2007 31cm. high £120-180

575

576

577. ‡ John Maltby (born 1936) Young Girl with earrings a stoneware sculpture, dated 2005, on slate base signed, titled and dated 23.5cm. high £100-150

578. ‡ John Maltby (born 1936) King With Bird, a stoneware sculpture, on metal stand titled and signed to base 37cm. high £250-350 577

578

Provenance Candover Gallery Private collection

579. ‡ John Maltby (born 1936) ‘King’ a stoneware bust, impressed seal mark, exhibition label no.3, 36cm. high £150-250

579

580

580. ‡ John Maltby (born 1936) ‘Knight and Horse’ a stoneware figure, impressed seal mark, 21cm. high £80-120

581. ‡ John Maltby (born 1936) ‘3 Figures (St Ives)’ a stoneware figure group, impressed seal mark, painted signature and title 41cm wide £200-300

581

20th Century Design

582

586

583

584

587

588

585

589

glAss 582. A Webb & Corbett clear glass decanter and stopper, designed by Herbert Webb, cut with wavy line decoration, and a John Walsh Walsh Leaf vase designed by Clynne Farquharson unsigned 25cm. high £80-120 583. A James Powell & Sons, Whitefriars Spanish Cut Flint glass decanter and stopper, square section, cut with stylised flower panels to each side, unsigned 18cm. high £100-200 Literature Wendy Evans, Catherine Ross and Alex Werner, Whitefriars Glass, Museum of London, page 316 plate 549 for this design reproduced. 584. ‘Elizabeth II Coronation 1953’ a Whitefriars Goblet by Frank Hill, diamond engraved by William Wilson, red, white and blue enamel twist stem, the bowl with engraved crown and inscription, two twin handled Commemorative vases, two goblets and a vase etched mark to Whitefriars 20.5cm. high £100-200 Literature Lesley Jackson Whitefriars Glass The Art of James Powell & Sons, Richard Dennis Publications, page 144 plate 176 for an identical goble

587. A press moulded black glass vase, ovoid, cast with Hydrangea flowerheads unsigned, minor chip to inside top rim 16cm. high £100-150 588. A Mdina glass paperweight, internally decorated with yellow and blue, and seven other paperweights, etched marks 7cm. high £50-150 589. Five green wine glasses attributed to James Powell & Sons, Whitefriars designed by T G Jackson, the twisted stem supporting stepped flaring bowl unsigned 12.5cm. high £200-300 Literature Lesley Jackson Whitefriars Glass Richard Dennis Publications, page 97 plate 5 for comparable glasses.

590

591

590. A pair of iridescent glass vases probably Austrian, compressed form with pinched rim, acid etched with a flower and foliage spray in low relief, on an iridescent green ground unsigned 18.5cm. high £200-300 591. A pulled glass vase possibly Flygsfors, the body with long apertures, green graduating to white glass, a studio glass footed bowl and seven other glass vases unsigned 31cm. high £80-120

585. ‘Perche’ model no.1158, a modern Lalique clear and frosted glass paperweight/car mascot, originally designed by Rene Lalique, and a modern Lalique clear and frosted glass owl etched Lalique France 15.5cm. wide £150-200

592. An Art Nouveau Emile Galle cameo glass vase, slender form on flaring foot, with shoulder and everted rim, pale orange glass graduating to frosted glass, cased in green, decorated with thistle seedhead design, cameo signature Galle 42cm. high £300-500

586. A continental Secessionist glass water jug, slender cylindrical form, enamelled with a stylised clipped tree in a pot design, unsigned 31.5cm. high £80-120

593. A Iittala glass Tatti vase designed by Tapio Wirkkala, flaring form with cut vertical flutes incised signature, marks, 55, small bruises to rim 10.5cm. high £200-300

592

593

594

595

598

599

603

602

604

596

605

597

600

601

594. An Ernst Wahliss pottery vase, pierced twin-handled form. printed and painted with flowers in colours, highlighted in gilt on a matt blush ground printed factory mark 26cm. high £80-120 595. A large Roger Guerin floor vase, shouldered form with applied handles, incised with a band of Greek soldiers, glazed in ochre and browns and another smaller decorated with figures impressed and incised marks 64cm. high £200-300 596. A pair of Dartmouth pottery lampbases, covered in a black glaze impressed marks, 20cm. high £50-100 597. ‘Mdebele Girl’ a Drostdy Ware, South African wall plate, painted in colours, two others and one similar painted marks, 24cm. wide £50-100 598. ‘Celtic Harvest’ a Clarice Cliff teapot and cover, painted in colours, ‘OKT42’ a novelty Sadler teapot, and fourteen other teapots printed factory marks, damages 15cm. high £80-120 599. A novelty stacking teapot, milk-jug and sugar basin, each modelled as a black turkey, the cover surmounted with a chick finial, glazed in colours and highlighted in gilt, a Rooster teapot and cover, a Carlton Ware Lustre dovecot jar and cover, a novelty van cruet, and six other novelty teapots various marks 20cm. high £60-100 600. A Branksome China porcelain tea set, glazed in Elephant Grey and Evening Primrose, comprising teapot and cover, milk-jug and sugar basin, hot-water pot and cover, six cups and saucers, six Primrose side plates and six grey side plates, and a spare basin, printed marks teapot 16cm. high £80-120 601. A Hornsea Pottery vase designed by John Clappison, model no.186, cylindrical form modelled in low relief with geometric design, glazed mustard and black, another smaller and eight other items impressed marks, 30cm. high £80-120 602. A Zsolnay Pecs pottery vase, elliptical form with pierced rim, printed and painted marks, highlighted in gilt on a cream ground impressed and painted marks 24cm. wide £80-120 603. A pottery ashtray designed by Robin Levine, dated 1977, modelled as an ashtray with cigarette packet and lighter resting on the rim, next to a can of drink, glazed white impressed marks, 14.5cm. high £50-100 604. An Arabia, Finland Ruska service, covered in a mottled brown glaze, comprising; coffee pot and cover, milk-jug and sugar basin and cover, eight cans and saucers, eight side plates, a larger cream jug, four saucers, eight breakfast bowls, and nine side plates printed marks, coffee pot 18.5cm. high £60-100 Literature Jennifer Opie Scandinavian Ceramics and Glass in the 20th Century, Victoria & Albert Museum, page 66 catalogue number 161. 605. A Goldscheider Pottery Tragedy wall mask, model no. 6288, modelled as a woman holding a mask to her face, in colours incised 6288 mark, 34cm. high £400-600 Literature Victor Arwas Art Deco Academy Publications, page 292 a variation on this mask illustrated.

606. ‘Amanti sul Tronco’ a Lenci Pottery figure of young lovers designed by Giovanni Grande, the lovers modelled seated on a tree trunk, embracing, he kissing her neck, glazed in colours painted marks impressed signature, her foot re-stuck 31cm. high £500-1,000

606

WorKs on PAPer

607. ‘Travel Underground - Never Mind The Weather’ a London Underground lithographic poster by Leith, published 1928, printed by the Banyard Press, framed signed in the print, 100 x 62cm £100-200

607

608. ‘Centenary Royal Albert Bridge, Saltash 1859-1959’ a British Rail lithographic poster designed by Sir Terence Cuneo (1907-1996), printed by Waterlow & Sons, framed signed in the print 121.5 x 96.5cm. (image) £1,000-1,500 608

609

610

613

614

611

615

612

616

609. ‘The Poems of Ernest Dowson’ a book, published by John Lane, The Bodley Head, with cover designed by Aubrey Beardsley, 1905 £200-300 610. A collection of studio pottery, Arts and Crafts and Design auction catalogues, including Sotheby’s, Phillips and Christie’s, including good sections of Martin Ware, and a collection of reference books £50-100 611. ‘Saddler and Harness Maker’ and ‘Second Hand Shop’ two High Street prints by Eric Ravilious, framed in oak frames unsigned images 21 x 15cm. £80-120 612. ‘Chitty Chitty Bang Bang’ a film poster, United Artists, published by Litho USA, framed 55 x 34.5cm. £100-200 613. ‘The Savoy Cocktail Book’ an Art Deco book, the cover designed by Gilbert Rumbold, published by Constable & Company, 1930 £300-350 617

Literature Bevis Hillier Art Deco, Studio Vista, page 63 for a full page illustration of the cover design. 614. A French Parfum Pompeia advertising paper fan, by L T Piver, Paris printed with a harlequin standing in a gondola, another Parfum Pompeia fan by Mich printed with a lady and her dog companion flying a bi-plane, another entitled ‘The Berkeley’ and another fan £100-200 615. ‘Decorative Art The Studio Yearbook 1943-48’ and ‘Decorative Art The Studio Yearbook 1950-51’ two volumes, and a collection of books on design £80-120

618

616. A set of four scraperboard designs by Horowicz, framed, signed in the print 18 x 15cm. £50-80 617. A Gothic Revival painting of a medieval couple on a castle balcony, in the style of John Moyr Smith, on paper, framed unsigned image 41 x 32cm. £100-200 618. Henry William Adams R.B.A, R.B.S.A pastel on paper landscape sketch, framed pencil H W A monogram image 30 x 22.5cm.

£80-120

619. M A Davis Pont St Boniface, Bruges a wood block print, framed, and seven other prints monogrammed in the print, signed and titled in pencil image 23 x 16cm. £100-200

619

620

621

622

620. ‘The Dramatists Guild Fund - Young Playwrights Festival 1982’ a poster designed by David Hockney, printed by The Petersburg Press, framed facsimile signature and monogram 103 x 76cm. £200-300

621. ‘David Hockney - An Exhibition of Costume Drawings and Set Designs’ a poster for the Ashmolean Museum, 1981, published by Petersburg Press, framed signed in the print 94 x 75cm. £80-120

622. Catherine A Sinclair a pen, ink and watercolour on paper of two women walking by candlelight, mounted but unframed, and another framed signed in pen image 24.5 x 19.5cm £200-300

623

624

625

626

623. John Gordon Macdonald (1909-1942) Cottage in a Landscape, a woodcut on paper, 1933, framed signed in the print, signed, dated and numbered 7/13 in pencil image22 x 16.5cm. £80-120

624. Eric Gill (1882-1940) Mrs Beatrice Ward (2nd Version), a wood engraving, 1926, framed, and a collection of catalogues and ephemera relating to Eric Gill £60-120 Literature Christopher Skelton The Engravings of Eric Gill Herbert Press, plate P400

625. Ethelbert White (1891-1972) Threshing, a wood cut, framed and another engraving by another hand signed, titled and numbered 3/50 in pencil image 17.5 x 12cm. £80-120

626. Clare Leighton (1899-1989) Threshing, a wood engraving, framed, and another by the same artist signed and titled in pencil 22.50 16 x 11.5cm. £80-120

627

627. ‘Breaking up The Barges’ and ‘Barges’ two wood engravings by Clare Leighton, framed and three other prints by Clare Leighton, image 17.5 x 15cm. £100-150

628. ‘Return of the Native’ two wood engravings by Clare Leighton, for Thomas Hardy’s book published in 1929, framed unsigned images 12 x 9.5cm. £60-100 628

DoDo Burgner ArtWorK 629. ‡ Dodo Burgner (1907-1998) Bemanner um Beatemarn an early poster design, for Ufa Palaisi am Zoo, watercolour on paper unsigned, losses 49 x 36cm. £100-200

630. ‡ Dodo Burgner (1907-1998) Ballet a watercolour on pencil of three dancing girls, mounted titled in pen image 26 x 20cm. £100-200

631. ‡ Dodo Burgner (1907-1998) a watercolour fashion study of a woman seated on a stool, the reverse with a pencil nude study unsigned sheet 55 x 32cm. £100-200 629

630 632. ‡ Dodo Burgner (1907-1998) a watercolour on paper of a woman holding a cocktail whilst dancing on a bar table, being toasted by a man, another gentleman in top hat asleep in an armchair, mounted unsigned image 33.5 x 23cm £100-200

633. ‡ Dodo Burgner (1907-1998) a watercolour on paper fashion study of a crowd of figures, mounted unsigned image 41 x 32.5cm. £300-400 634. ‡ Dodo Burgner (1907-1998) a pen and ink fashion study of a woman standing on a balcony before lilac blossom signed Dodo in ink image 35 x 24.5cm. £200-400

635. ‡ Dodo Burgner (1907-1998) a pen and ink fashion study of two women on a balcony, signed in pen, annotated in pencil image 26 x 24,5cm. £200-400 631

632

633

634

635

636

637

636. ‡ Dodo Burgner (1907-1998) ‘Astrologie’ an original watercolour design for Ulk magazine, dated 1929, of a young couple on an exotic beach lit by moonlight signed and dated in pencil, annotated Ulk S8 41 x 30cm. £500-700

637. ‡ Dodo Burgner (1907-1998) The Night Train, a watercolour on paper of a couple asleep in a first class carriage, mounted unsigned image 30 x 23cm. £200-400

638. ‡ Dodo Burgner (1907-1998) Watchers at the Play, a pastel on a paper original artwork design, mounted on paper signed Dodo, annotated in pencil 40 x 30cm. £300-500 638

639

643

640

644

641

642

645

furniture 639. A Hampton & Sons Aesthetic Movement ebonised wood writing desk, with carved drawer fronts, hinged inkwell tray and tooled leather 91 x 50cm. £250-350

640. An oak Moorish octagonal table, probably retailed by Liberty & Co, the six turned wood legs with arched panel dividers unsigned 70cm. high £150-250

641. An Aesthetic movement side table, in the manner of E W Godwin, square top, with turned wood legs 66cm. high £100-200

642. An Arts and Crafts oak side table, on turned legs, top 66 x 45cm.

£80-120

646 643. A bentwood rocking chair, probably Thonet, with cane seat and back rest, unsigned 94cm. high £80-120

644. A J & J Kohn bentwood rocking chair, with cane seat and back, remains of paper label 82cm. deep £100-200

645. A pair of Thonet bentwood chairs, with faux tooled leather seats applied paper labels 86.5cm. high £60-100

646. A walnut Queen Anne revival arm chair, possibly Morris & Co designed by W.A.S Benson, the back with inlaid chequer and carved flower motif, strung seat, 91cm. high £400-600

647. A Chubb ebonised wood chair designed by Dr Christopher Dresser, with white textile padded seat, 81cm. high £800-1,200

647

648

648. An Aesthetic Movement rosewood side table, with cantilevered shelves and pierced fretwork panels unsigned 67 x 35cm. £250-350

649. A Gillow & Co Aesthetic Movement ebonised wood corner cabinet, the cupboard doors painted with allegorical figures, between stencilled flower panels, above mirror-backed shelf with bobbin panels, brass furniture stamped Gillow & Co to the drawer front 186cm. high £500-1,000 649

650. A Morris & Co occasional table, possibly designed by W.A.S Benson, the shaped, square top with gallery rim, on turned legs with flaring feet 63cm. high £1,200-1800

651. A Liberty & Co oak throne chair, pegged joint construction, with cut out trefoil decoration, leather seat and studded leather back pad applied ivorine label 110cm. high, 66cm. wide £1,000-1,500 Literature High Victorian Decorative Arts and Design, Sotheby’s 12-13 November 1992, page 98 lot 173 for a comparable example. 650

651

652

653

654

655

652. An Arts and Crafts chair, probably retailed by Liberty & Co, with drop in strung seat, the back carved with reeded design unsigned 78cm. high £60-100

653. A set of three ebonised wood Sussex chairs, each with turned bobbin backs and rush seats, 86cm. high £100-200

654. An Arts and Crafts copper and patinated metal firescreen, the rectangular panel stamped in low relief with stylised Art Nouveau tulip flowers, the frame with scroll decoration, unsigned 78cm. high £80-120

656

657 655. An R A Lister & Co ltd oak stickstand, barrel form with tripod legs and painted metal drip tray applied ivorine label 72cm. high £50-100

656. A large Blythe & Sons Aesthetic Movement credenza, in the manner of Bruce Talbert, with brass furniture applied label 101cm. high £400-600

657. An Arts and Crafts oak cabinet, possibly Lake District, the rectangular cabinet with carved panel, hinged doors above a shelf, the legs and back plate with carved scallop decoration, unsigned £150-200 658 658. A large Heal’s limed oak refectory table, 214 x 90cm. £1,000-2,000

659. A set of eight Heal’s limed oak dining chairs, comprising two carvers and six chairs 89cm. high £1,000-2,000

659

660. An Art Deco Guy inlaid macassar occasional table, the tapering, fluted legs supporting shaped rectangular top, inlaid with marquetry and mother of pearl flower panels, marquetry signature Guy to top 57 x 35cm. £500-800

661. An Art Deco veneered cocktail cabinet and table, possibly Bowman Brothers, octagonal form, with angled doors fitted for glasses to the interior, central shelf arrangement unsigned 65 cm. high, 68cm wide £100-200

660 top

660

662. A Bath Cabinet Makers weathered oak sideboard, designed by Charles Richter, with central hinged cupboard flanked by four drawers, with green bakelite handles 120 x 43cm. £300-350 Literature J C Rogers Modern English Furniture Country Life, page 162 this design illustrated.

661

662

663. A Danish rosewood occasional table, rectangular top, stamped marks, 65 x 45cm. £80-120

664. Two Arthur W Simpson The Handicrafts Kendal stools, model 1198, rectangular with leather webbed seat applied label to largest, largest 41cm. wide £350-450

663

664

665. A Knoll Brno cantilever armchair designed by Ludwig Mies van der Rohe, black leather pads unsigned 78cm. high £100-150

666. A Modernist chromed tubular steel and veneer topped low table, in the manner of PEL, 106 x 51cm. £80-120

665

666

667. A pair of Thonet chromed metal and leather high stools, unsigned 113cm. high £150-200

668. A chrome metal and black leather B3 Wassily chair, originally designed by Marcel Breuer 78cm. wide £100-200 667

668

669

670

672

671

673 669. A Secessionist chenille hanging in the manner of Peter Behrens, geometric panel flanked by stylised flower borders in red on a blue ground 285 x 162cm. £80-120

670. An embroidered wall hanging of a galloping stallion, 1970s, in shades of yellow and pink unsigned 148 x 130cm. £50-80

671. ‘Atournament’ a printed textile design by Tibor Reich, design number 322A, and another textile by Tibor Reich, signed to selvedge 127 x 60cm. £80-120 674 672. A Gordon Russell R.810 Mahogany and Bombay Rosewood sideboard designed by W H Russell, made by B A Jones, dated September 1962 applied paper label 183 x 49.5cm., 86cm high £200-300

675

673. A set of six Gordon Russell teak dining chairs, designed by W H ‘Curly’ Russell, model no. X6409, two carvers and four chairs, with sprung seats 86cm. high £80-120

674. A set of four Gordon Russell teak chairs, with sprung seats, applied labels £80-120

675. An A. Younger Limited teak coffee table, rectangular top on four tapering legs, 121 x 41cm. £80-120

676. An ebonised wood tray table, hinged tripod frame with two round trays 63cm. diam. £50-100

676

677

678

679

680

681

677. A red painted wood clothes rail/chair, possibly retailed by Habitat, unsigned 87cm. high £50-100 678. A set of ten Cassina chairs designed by Vico Magistretti applied label 74.5cm. high £200-300 679. A Cassina Sinbad table designed by Vico Magistretti, stained black ash applied label 185cm. wide £600-800 680. Four G Plan style chairs, ebonised wood red seats and rosewood veneer backs unsigned 77cm. high £50-80

682

683

681. A Zanotta Gaetano desk designed by Gae Aulenti, tempered glass on removable aluminium base with rubber rests 180 x 80cm. £500-800 682. A glass topped chrome side table, square section, 46cm square £50-100 683. A steel framed PK61 occasional table originally designed by Poul Kjaerholm, with square glass top unsigned 100cm. square £150-200 684. A pair of Fritz Hansen PK22 chairs designed by Poul Kjaerholm, steel frame with black leather seats applied paper label 71cm. high £3,000-4,000 Literature Charlotte & Peter Fiell 1000 Chairs Taschen, page 281 for a comparable chair 684

685

686

689

690

687

688

691 685. A pair of chromed metal Diamond chairs designed by Harry Bertoia, with black leather pad seats unsigned 77cm. high £100-200 Literature Charlotte & Peter Fiell 1000 Chairs Taschen, page 255 for a comparable chair 686. A France & Sons teak stool designed by Finn Juhl, woollen fabric, applied labels to underside 60 x 45cm. £150-250 687. Three burnished steel chair bases, designed by Charles & Ray Eames largest 60cm. wide £50-100 688. A pair of Flos Papillona 750 aluminium floor lamps designed by Tobia Scarpa, cast marks to base 192cm. high £80-120

692

689. A pair of Herman Miller office chairs designed by Charles & Ray Eames, burnished aluminium frames, mustard seats applied labels 100cm. high £150-250 690. A Herman Miller office chair designed by Charles & Ray Eames, with buff colour seat applied label 100cm. high £100-200 691. An aluminium framed office table designed by Charles & Ray Eames, rounded-rectangular laminate top on burnished aluminium frame unsigned 182 x 106cm. £100-200 692. A Barcelona chrome framed black leather stool, originally designed by Ludwig Mies van der Rohe unsigned 58.5cm. wide £80-120 693. A pair of John Makepeace sycamore arm chairs, with harewood finish, made in a set of twenty for the Managing Director’s Dining Room at Kodak’s European Head Office, with padded brown leather seats stamped John Makepeace 97cm. high £200-400 Provenance Managing Director’s Dining Room, Kodak, European Head Office, Kingsway London, circa 1985. Norman Brick the commissioning MD had previously commissioned work privately from John Makepeace.

100

693

694

698

695

699

696

700

697

701

694. A Mont Blanc limited edition F Scott Fitzgerald fountain pen, pencil and ball-point pen set, in original presentation case £500-700 695. A Mont Blanc limited edition John Lennon fountain pen, with medium nib, in original presentation case £300-500 696. a Mont Blanc limited edition Fyodor M Dostoevsky fountain pen, with medium nib, in presentation case £300-500 697. A Mont Blanc limited edition Charles Dickens fountain pen and ball pen, medium nib in presentation cases £500-600 698. A Mont Blanc limited edition Voltaire ball pen, in presentation case

£200-300

699. A Mont Blanc limited edition William Faulkner ball pen, in presentation case

£200-300

702

700. A Mont Blanc limited edition Voltaire fountain pen, with medium nib, in presentation box £300-500 703 701. A Mont Blanc limited edition Virginia Woolf fountain pen, with medium nib, in presentation case £300-400 702. A Parker 51 fountain pen in original fitted box, blue plastic body, a Parker Slimfold, Duofold and Vacumatic and five other pens various markers marks £50-100 703. A Parker rolled gold Prince De Galles fountain pen, with Parker nib impressed marks 12.8cm. long £60-80

704

705

Literature Andeas Lambrou Fountain Pens Vintage and Modern, Sotheby’s page 95 plate 28 for a ball pen in this pattern. 704. A Sheaffer Jade ladies lever-filler fountain pen, cast marks 11.5cm. long

£50-100

705. A Mabie Todd Swan brown marble Leverless fountain pen, model L.205, with Swan number 2 nib, rolled gold clip and bands impressed marks, 13.5cm. long £60-80 706. A Wahl Eversharp lever-fill Black and pearl desk pen and stand, with Wahl Eversharp number 2 nib, on black and grey alabaster base impressed marks, pen 19.5cm. long £60-100 706

101

707

708

709

710

707. A patinated bronze model of the crucified Christ figure, indistinct cast signature 22.5cm. high £100-200

708. A carved oak panel by Henry Rey, rectangular form on plinth, carved with two sisters embracing in a garden setting incised H Rey 67.5 x 52cm. £300-500

711 709. A bronze plaque cast from a model by OvideYencesse, cast to one side with a child gathering rose buds, the reverse with rose spray, ‘Fecondite Puissance’ a bronze medallion by Ovide Yencesse, a plaque by H K Putsch and a white metal medal cast marks, white metal stamped Argent, roses plaque 5cm. high £100-200

710. A patinated spelter model of a pheasant, cast from a model by M Font, on rectangular base signed in the base 50cm. wide £200-400

712

711. A patinated spelter model of a panther, cast from a model by M Leducq, on rectangular base signed in the cast 60cm. wide £300-400

712. A patinated spelter sculpture of a hound on the scent, cast from a model by Clovis Edmond Masson (1838-1913), on stepped base signed in the base 41cm. wide £300-500

713. A patinated spelter model of a dog with a pheasant, cast from a model by Jules Moigniez (1835-1894), on rectangular base signed in the base 45cm. wide £300-500

102

713

714

715

714. ‡ Sir Eduardo Paolozzi RA (1924-2005) study for a seated figure, plaster, signed EP 8.5cm. high

716

717

£200-300

Provenance Given to the present vendor by the artist 715. ‡ Sir Eduardo Paolozzi RA (1924-2005) Flagellation, a plaster roundel, dated 1981, signed EP dated 1981 12cm. diam. £100-200

718

719

Provenance Given to the present vendor by the artist 716. ‡ Sir Eduardo Paolozzi RA (1924-2005) portrait bust, a small plaster bust, mounted on wooden base signed to the base 15cm. high £400-600 Provenance Given to the present vendor by the artist 717. ‡ Sir Eduardo Paolozzi RA (1924-2005) Newton (British Library), a polished plaster plaque, framed incised Eduardo 20.5 x 14.5cm. £800-1,200 Provenance Given to the present vendor by the artist 720

718. ‡ Sir Eduardo Paolozzi RA (1924-2005) a polished steel and teak sculpture signed EP 17cm. wide £200-300 Provenance Given to the present vendor by the artist 719. ‡ Sir Eduardo Paolozzi RA (1924-2005) a print, dated 1993, mounted on card, signed and dated in pencil 33 x 23.5cm. £150-200 Provenance Given to the present vendor by the artist 720. ‡ Sir Eduardo Paolozzi RA (1924-2005) Horse, a verdi-gris bronze finish sculpture unsigned 22cm. high £2,000-3,000 Provenance Given to the present vendor by the artist 721. ‡ Sir Eduardo Paolozzi RA (1924-2005) Head of a Man, a plaster sculpture painted yellow, signed to reverse 22cm. high £300-500

721

Provenance Given to the present vendor by the artist 722. ‡ Sir Eduardo Paolozzi RA (1924-2005) Richard Rogers (unsmiling) a plaster bust, signed EP 21cm. high £500-1,000 Provenance Given to the present vendor by the artist 722

103

723. Alan Clark (1896-1950) Charmion a verdi-gris patinated bronze figure, on marble base signed in the bronze A Clark 39cm. high £2,000-3000 Provenance Sotheby’s New York circa 1992

723

724. ‡ Theodoulos Gregoriou composition diptych, aluminium, printed glass and concrete numbered 32cm. square £300-500

724

725. ‡ Theodoulos Gregoriou composition diptych, 1992, aluminium, printed glass and concrete numbered 40 of 50 etched signature and date 32 x 33cm. £300-500

725

726. ‡ Theodoulos Gregoriou composition diptych, 1995, aluminium, printed glass and concrete numbered 12 of 35 etched signature and date 35cm. square £300-500

726

104

727

731

728

729

732

730

733

734

727. A Benham & Froud copper and wrought iron coal scuttle with shovel, designed by Dr Christopher Dresser, stamped marks to base 51cm. wide £200-300 728. A pair of patinated bronze twin-branch wall lights, floriform, each with patinated copper flower bud sconces and foliate panels unsigned 31cm. high £300-500 729. An Arts and Crafts copper hall lantern, hexagonal section with frosted glass panels, and two smaller lanterns unsigned tallest 28cm. high £50-100 730. A large Hugh Wallis brass twin-handled vase, elliptical section, hammered in relief with a fruiting vine tree, with rope border and rivet decoration stamped HW monogram 34cm. high £300-500 731. A continental pewter inkwell and cover, hammered finish unsigned 15cm.high £60-100 735 732. An Art Nouveau W.M.F electroplated pewter and glass centrepiece, model no.352, elliptical, twin-handled form, pierced and cast in low relief with berried foliage panels cast and stamped marks, 31cm. wide £100-200 733. An Arts and Crafts brass desk lamp, in the manner of W.A.S Benson, the curved frame with stylised flowerhead decoration, with opaque white glass shade unsigned 46cm. high £120-180 734. A Keswick School of Industrial Arts brass post box, rectangular with applied hanging loop, the front hammered in low relief with fish, tree, bell and a ring the symbols of St Kentigern stamped KSIA marks, 21cm. diam. £100-150 735. A Keswick School of Industrial Arts patinated copper kettle on stand, the waisted drum body with hammered finish, over-slung wicker handle and ebonised wood finial, the stand on four legs with heart shaped feet, and drum burner stamped marks, 27cm. high £400-600 736. A W.A.S Benson Windguard copper and brass kettle on a stand, streamlined form, the tripod base with pierced quatrolobed design stamped marks 28cm. high £500-800 736

105

737

741

738

742

739

743

740

744

737. A Birmingham Guild of Handicraft patinated copper coffee pot and cover, designed by Arthur Stansfield Dixon, waisted cylindrical form, hammered finish, with brass handle and finial stamped BGH mark 25cm. high £150-200 738. An electroplated glass claret jug the design attributed to Dr Christopher Dresser, with ebonised wood bar handle, the collar with hinged cover unmarked 25.5cm. high £350-400 739. A Richard Perry enamelled tin chamberstick, probably designed by Dr Christopher Dresser, circular section, with loop handle unsigned 17cm. wide £50-100

745

740. A Benham & Froud mixed metal door plate, decorated with a flaming urn amongst scrolling foliage stamped mark 53cm. high £80-120 741. A Liberty Pewter twin-handled vase, designed by Archibald Knox, cast in low relief with scrolling honesty design stamped number to base, damage to base 19cm. high £50-100 742. An Arts and Crafts patinated copper coal box and cover, square section, the domed cover stamped in relief with oranges, with ball finial and articulated iron handles unsigned 51cm. high £80-100 743. An F & R Fischer Secessionist electroplated metal tray with four glass liners, rectangular form with over-slung handle, a continental pewter vase cast with flower sprays, a Carl Deffner copper tray, a mixed metal inkwell and three other items various marks 34cm. wide £80-120 744. A pair of continental Secessionist patinated metal candlesticks, scrolling stem on leafshaped base unsigned 20cm. high £150-200 745. A large John Pearson repousse copper charger, the well repousse hammered with a galleon at full sail, the rim with a frieze of scrolling flowers and foliage stamped JP rebus 61cm. diam. £1,500-2,000 746. A Tiffany Studios bronze and Favrile glass floor lamp, designed by Louis Comfort Tiffany, model no.423, swollen cylindrical stem on five angled feet, with hinged light fitting, the Favrile style shade opaque glass with peacock feather lustre decoration, stamped marks to base, 142cm. high £3,000-5,000

106

746

747

748

751

749

752

750

753

754

747. A Georg Jensen silver necklace, model no.2005, stylised bud form with wirework foliate border, on link chain, stamped marks, 2cm. high £80-120 748. A Scandinavian silver cloak-clask, each pieced cast as two leaves, with link chain, a Scandinavian silver brooch and five pairs of earrings various marks brooch 4cm wide £50-100 749. A silver brooch by Georg Jensen, model no.189, cast as a flowerhead, a Georg Jensen enamelled flower brooch and four other brooches stamped marks, 3cm. wide £300-500 750. A set of Liberty & Co silver teaspoons, each with cast bamboo stems, hammered bowl and quattro-lobed terminal set with turquoise stone , in original fitted wooden box with silk lining stamped marks, Birmingham 1899 9.5cm. long £200-300

755

751. A pair of continental brass candlesticks, the square base with black enamel decoration, hexagonal stem with crenulated drip-pans unsigned 21.5cm. high £100-200 752. An Art Deco metal ceiling light, four curved arms each surmounted with ibex and terminating with frosted and moulded glass shades unsigned 126cm. high £200-300 753. A large Cathrinsholm, Norway enamelled metal bowl, enamelled with red leaf repeat on a white ground, and another smaller enamelled black stamped mark, 28.5cm. diam. £80-120 754. An Art Deco Ravinet D’enfert white metal and rosewood jug, cylindrical form with turned band decoration, on similar foot, applied with ring handle stamped marks, 18cm. high £80-120

756

755. A chromium plated metal wine bottle holder designed by Jacques Adnet, with adjustable support unsigned 27cm. wide £300-500 756. A patinated bronze novelty seal, modelled as a petanque player about to throw, on rustic stone base stamped Geschutz 9cm. high £60-100 757. An Elkington electroplated three piece coffee set designed by David Mellor, the coffee pot with ebonised wood handle and finial, and a Mappin & Webb electroplated coffee pot and sugar basin designed by Gerald Benney stamped marks, pot 16.5cm. high £50-100

757

107

758

759 758. A Gothic Revival silver chalice, in the manner of A W N Pugin, lobed foot, tapering to knopped, hexagonal stem and flaring bowl, the knop enamelled with three cloisonne enamel roundels of flowers and grapes unsigned 18.5cm. high £400-500

759. An English Art Nouveau silver hand mirror, stamped in low relief with St Cecilia holding an organ, with long flowing hair, amongst stylised flowers stamped marks, Birmingham 1903 28cm. long £200-300

760. A pair of A. E. Jones silver and wood candlesticks, turned wood stems, on flaring hammered base, with rope twist, flaring sconce rubbed marks, 16cm. high £500-700 760

761. An A. E. Jones silver Nordic drinking horn vase, with claw feet, modelled in low relief with entrelac bands, and dragon finial, the neck applied with blue ceramic roundels impressed marks, Birmingham 1976 15cm. high £300-400

762. An A. E. Jones patinated copper photograph frame, easel back, applied with silver flower panels, unsigned 22.5cm. high £250-350

108

761

762

763

767

764

765

768

769

766

770

763. An A. E. Jones patinated copper candlestick, model no.2037, hexagonal foot with cylindrical stem, applied with silver foliate garlands and flowerhead panels impressed mark 19.5cm. high £100-200

764. An A. E. Jones patinated copper candlestick, shaped base with cylindrical stem, applied with spiralling silver garland, and another similar unsigned 20cm. high £100-200

765. An A. E. Jones patinated copper tray, model no.2439, twin-handled elliptical form, with applied silver Tudor Rose panels and garland rim, stamped mark 52cm. wide £200-400

766. An A. E. Jones patinated copper tray, model 2439, twin-handled elliptical section, applied with silver Tudor rose motif and garland rim, and another smaller stamped mark 39cm. wide £300-400

767. An A. E. Jones patinated copper hand-mirror and brush, with applied silver strapwork and blue enamel roundel unsigned mirror 26cm. long £200-300 771 768. A pair of A. E. Jones patinated copper vases, model no.2470, ovoid with cylindrical neck, applied with silver Tudor rose panels and garland rim stamped mark, 18cm. high £250-350

769. A pair of A. E. Jones patinated copper vases, swollen form with waisted neck, applied with silver trailing garlands of flowers unsigned 13cm. high £200-300

770. An A. E. Jones patinated copper vase, model no.2468A, waisted cylindrical form, applied with silver flowerhead design inside garland border, the rim with similar border stamped mark, 14.5cm. high £150-200 772 771. An A. E. Jones patinated copper mantle clock, model no.2492, domed rectangular form, applied with silver berried foliage garlands stamped marks, 21cm. high £300-500

772. An A. E. Jones patinated copper box, with hinged cover, inset with silver flower and wreath decoration, cedar lined 12cm. square £250-350

773. An A. E, Jones patinated copper box, model no.2053, with hinged cover, inset with silver wreath decoration, velvet lined 12cm. square £250-350 773

109

20th Century Design 2013 Calendar 27th February Clarice Cliff & Art Deco

19th June Arts and Crafts

9th October 20th Century Design

11th December British Art Pottery including Studio Pottery

Actress, a bronze and ivory figure by Demetre Chiparus, consigned with a collection of Lorenzl, Chiparus and Ferdinand Preiss figures, 28th February auction.

ENQUIRIES Michael Jeffery Tel: 01722 424505 michaeljeffery@woolleyandwallis.co.uk

Paintings & Sculpture Wednesday 12th December 2012

Muli Tang (Chinese b. 1947) Self portrait of the artist, standing holding paint brushes Signed and dated 78.2.11 Oil on canvasboard 53 x 30cm; 21 x 12in Provenance: From the collection of Neil Edmonstone, purchased directly from the artist c.1980. Property of a lady. One of collection of 13 lots of oils and drawings by Muli Tang in this sale. Estimate: ÂŁ800 - ÂŁ1,200

ENQUIRIES Victor Fauvelle Tel: 01722 424503 victorfauvelle@woolleyandwallis.co.uk

Furniture, Works of Art & Tribal Art Tuesday 8th January 2013 Closing date for entries – 16th November 2012

The Farquharson Bench. A George IV mahogany hall bench. Estimate: £3,000 - £5,000

ENQUIRIES Will Hobbs Tel: 01722 339752 willhobbs@woolleyandwallis.co.uk Mark Richards Tel: 01722 411854 markrichards@woolleyandwallis.co.uk

Silver Tuesday 22nd & Wednesday 23rd January 2013 Closing for entries â&#x20AC;&#x201C; 23rd November 2012

Wine labels from the Sandeman Collection coming up in this sale.

ENQUIRIES Rupert Slingsby Tel: 01722 424501 rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers Tel: 01722 424594 lucychalmers@woolleyandwallis.co.uk

Jewellery Thursday 24th January 2013 Closing date for entries – 3rd December 2012

A natural pearl necklace with marquise-shaped diamond clasp. Estimate: £15,000 - £20,000 To be sold 24th January 2013

ENQUIRIES Jonathan Edwards FGAA Tel: 01722 424504 jonathanedwards@woolleyandwallis.co.uk Marielle Whiting FGA Tel: 01722 424595 mariellewhiting@woolleyandwallis.co.uk

Fine Pottery & Porcelain Tuesday 12th February 2013 Closing date for entries – 21st December 2012

A fine pair of Royal Worcester plaques by William Hawkins, after paintings in the Wallace Collection, signed. Estimate: £3,000 - £5,000

ENQUIRIES Clare Durham Tel: 01722 424507 claredurham@woolleyandwallis.co.uk

Clarice Cliff & Art Deco Wednesday 27th February 2013 Closing date for entries – 16th January

A bronze and ivory figure cast from a model by Ferdinand Preiss. Estimate: £6,000 - £10,000

ENQUIRIES Michael Jeffery Tel: 01722 424505 michaeljeffery@woolleyandwallis.co.uk

Asian Art Wednesday 22nd & Thursday 23rd May 2013 Entries are now being accepted for the sale

A Chinese reverse glass painting, late 18th century, with a Chinese woman as a Shepherdess and a boy playing a pipe at her side, 88cm x 35cm. Estimate: ÂŁ3,000 - ÂŁ5,000

ENQUIRIES John Axford MRICS ASFAV Tel: 01722 424506 johnaxford@woolleyandwallis.co.uk Sophie Lister Tel: 01722 4245916 sophielister@woolleyandwallis.co.uk

Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office. LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.

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CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter. PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds TSB, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

VAT Lots marked with an asterisk (*) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

APS

0800 118 5868 sales@apservices.info 07736 544 362 www.apservices.info

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500 Lots marked with a ‡ symbol are potentially subject to the levy.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

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7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. After sale settlement of the net sum due to you normally takes place within 28 days of the sale (by crossed cheque to the seller) unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due (b) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (c) No purchase can be claimed or removed until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

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Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500

Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual clientâ&#x20AC;&#x2122;s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales. Contact Christine Johnson 01722 424509

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

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Woo l le y & WA l li s Absentee Bid Form

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

British Art Pottery

Brief Decription

Wednesday 28th November 2012 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)

Address

Postcode Daytime telephone Email Debit/Credit Card details: VISA OTHER

MASTERCARD

SWITCH

(please specify)

We do not accept American Express cards

Cardholder Card No. Valid from Expiry date Issue No.

(Switch only)

If you have not settled your account within 21 days of the auction Woolley & Wallis Salisbury Salerooms Ltd reserves the right to debit all charges due. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. By signing below you are authorising this payment to be taken by us. ID is required for all first time bidders.

Signature Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

Price Excluding buyer’s premium & VAT

AuctioN cAleNdAr ASIAN ART 14th & 15th November 22nd & 23rd May John Axford 01722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister 01722 424591 • sophielister@woolleyandwallis.co.uk PAINTINGS & BOOKS 12th December 13th March 5th June Victor Fauvelle 01722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler 01722 424592 • jobutler@woolleyandwallis.co.uk FURNITURE & WORKS OF ART 8th January 26th March 2nd July Will Hobbs 01722 339752 • willhobbs@woolleyandwallis.co.uk Mark Richards 01722 411854 • markrichards@woolleyandwallis.co.uk SILVER 22nd & 23rd January 16th & 17th April 16th & 17th July Rupert Slingsby 01722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers 01722 424594 • lucychalmers@woolleyandwallis.co.uk JEWELLERY 24th January 18th April 18th July Jonathan Edwards 01722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting 01722 424595 • mariellewhiting@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 12th February – Fine Pottery & Porcelain Clare Durham 01722 424507 • claredurham@woolleyandwallis.co.uk 20TH CENTURY DESIGN 27th February – Clarice Cliff & Art Deco 19th June – Arts & Crafts Michael Jeffery 01722 424505 • michaeljeffery@woolleyandwallis.co.uk CLOCKS, POCKET WATCHES & BAROMETERS 26th March Will Hobbs 01722 339752 • willhobbs@woolleyandwallis.co.uk Richard Price 01722 339752 • richardprice@woolleyandwallis.co.uk • Entries can usually be accepted up to six weeks prior to auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk