Woolley & Wallis Auctioneers

FINE JEWELLERY

WEDNESDAY 29TH & THURSDAY 30TH JANUARY 2025

SPECIALIST DEPARTMENTS

Please dial +44 (0)1722 followed by the number listed below

JEWELLERY

Marielle Whiting FGA

424595

Jonathan Edwards FGAA (Consultant) 424504

Sarah Lancaster

20TH CENTURY DESIGN

Michael Jeffery 424505

Zoe Smith 446955

AFRICAN & OCEANIC ART ANTIQUITIES

Will Hobbs 339752

Georgina Way 446980

ASIAN ART

John Axford MRICS 424506

Alexandra Aguilar 424583

Freya Yuan­Richards 424589

Jeremy Morgan +44 (0)7812 601098

Michelle Yu 424571

Olivia Jones 424591

Nelson Chui 424591

BRITISH AND CONTINENTAL CERAMICS & GLASS

Clare Durham 424507

Hollie Morrison 446964

CHINESE PAINTINGS & CALLIGRAPHY

Freya Yuan­Richards 424589

Michelle Yu 424571

FURNITURE, WORKS OF ART & CLOCKS

Mark Yuan­Richards 411854

Neil Grenyer 446974

Jim Gale 339161

Sarah Stone 339161

Victoria Elwell 339161

JAPANESE ART

Alexandra Aguilar 424583

Olivia Jones 424591

MEDALS & COINS, ARMS & ARMOUR

Ned Cowell 341469

Georgina Way 446980

PAINTINGS

Victor Fauvelle 446961

Ed Beer 446962

Victoria Sturgeon

Heidi Easton

SILVER

Rupert Slingsby 446956

Archie Swann 446959

Jacob Carpenter 446957

Becky Tilly­Trickett 446957

VALUATIONS FOR INSURANCE & PROBATE

Jeremy Lamond MRICS FRSA 424502

Neil Grenyer 446974

Frances Woodhams

Hannah Farthing (Trainee Valuer)

CLIENT SERVICES

Ruth Pike (Client Services Manager) 424500

Sarah Bennie

Julie Langstaff

Gemma Pointer

Riin Rohtla­Szeverenyi

MARKETING

Chloe Davie 446951

ACCOUNTS

Ania Antkowiak

BOARD OF DIRECTORS

John Axford MRICS

Chairman

Natalie Milsted FCCA

Managing Director

ASSOCIATE DIRECTORS

Alexandra Aguilar

Ed Beer

Ned Cowell

Clare Durham

Victor Fauvelle

Will Hobbs

Michael Jeffery

Jeremy Lamond MRICS FRSA

Rupert Slingsby

Marielle Whiting FGA

Freya Yuan­Richards

Mark Yuan­Richards

FINE JEWELLERY

WEDNESDAY 29TH JANUARY 2025

10.00AM LOTS 1-322

THURSDAY 30TH JANUARY 2025

10.00AM LOTS 323-592

at our City Centre Salerooms, SP1 3SU

VIEWING AT OUR CITY CENTRE SALEROOMS, SP1 3SU

Friday 24th January 10.00am – 4.00pm

Saturday 25th January 10.00am – 1.00pm

Monday 27th January 10.00am – 4.00pm

Tuesday 28th January 10.00am – 4.00pm

No viewing on the days of the sale

You will be asked for I.D. prior to viewing

Marielle Whiting FGA 01722 424595

mw@woolleys.live

Jonathan Edwards FGAA 01722 424504

je@woolleys.live

BUYER’S PREMIUM

Each lot is subject to a Buyer’s Premium of 26% plus VAT

CONDITION OF LOTS

Buyers are advised to obtain a full condition report prior to bidding, as descriptions do not necessarily list all faults.

EXPORT AND CITES LICENCES

Some lots will require export or CITES licences in order to leave the UK or Europe, please refer to the department for guidance.

ILLUSTRATIONS

Front cover: Lot 59

Inside front cover: Lot 585

Page 1: Lot 584

Back cover: Lot 592

Catalogue £10.00 (£15.00 by post)

LIVE ONLINE BIDDING – FREE OF CHARGE

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JEWELLERY NOTICES

Some lots are accompanied by gemmological certificates which give an opinion on some or all of the gemstones included in that particular lot. These certificates may have been obtained by Woolley and Wallis or supplied by vendors. It is important to note that the content of these certificates is not guaranteed by Woolley and Wallis and we cannot be held responsible for any disagreement over the content of certificates after the sale, or for a retrospective change in opinion by the providers of any of the certificates.

Not all images are lifesized, and weights and measurements in the catalogue are approximate only. It is common practice for coloured stones including jade to be treated to enhance their appearance. This includes jade that has been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments. Prospective buyers should presume that all coloured stones sold by Woolley and Wallis have been treated unless stated to the contrary in the catalogue description. Please contact the department for more information regarding enhancement and treatment of coloured stones, and for condition reports which are available on single item lots.

Pearls known and guaranteed to be cultured or natural are described as such in the cataloguing. Where the origin of a pearl is unknown and not guaranteed, it is described simply as a ‘pearl’, and it will be specified in the cataloguing as untested. Pearls described in this way are guaranteed to be pearls and not simulants, but their origin is not guaranteed as either natural or cultured. Items described as ‘seed pearls’ have also not been tested and cannot be guaranteed as natural pearls.

Any dispute as to the authenticity of a lot, including signatures, age and condition, and as to the treatment of gemstones including pearls, synthetic diamonds and HPHT enhanced diamonds, must be brought to the attention of Woolley and Wallis within two weeks of the sale date. Woolley and Wallis do not guarantee the working order of mechanical movements at the point of sale and beyond.

COLLECTION OF LOTS BY APPOINTMENT

CITES REGULATIONS

Please note that lots marked λ may be subject to CITES Regulations when exported. VAT

Please note that lots marked † are subject to VAT on the hammer price. The CITES Regulations may be found at www.defra.gov.uk/ahvla­en/imports­exports/cites/

ARTISTS’S RESALE RIGHTS / DROIT DE SUITE

Lots marked Φ are potentially subject to a levy.

1 A collection of jewellery reference books, comprising thirty books, including Sah Oved, Book of Necklaces; Henry Charles Bainbridge, Peter Carl Fabergé; David Bennett and Daniela Mascetti, Understanding Jewellery; John M Gray, James and William Tassie; and Christie’s, The Collection of Elizabeth Taylor, boxed catalogue collection, and Jewels from the Personal Collection of Princess Salimah Aga Khan £100­150

λ 2 Goldsmiths and Silversmiths Company, a jewellery case, mid 20th century, of rectangular outline with carrying handle, in brown crocodile leather, opening to reveal an interior composed of compartments lined in taupe velvet, two tiered stacks of compartments opening outwards at each side, measuring 25 x 30.5 x 8cm including handle, interior signed Goldsmiths & Silversmiths Company Ltd, key deficient £150­200

3 A collection of jewellery, comprising: a ruby, sapphire and diamond ring accented with seed pearls; a blue paste and diamond ring and a sapphire and diamond cluster ring, all with British hallmarks for 18ct gold; a diamond solitaire and a sapphire and diamond cluster ring, stamped 18CT and 18CT PLAT respectively; a seed pearl ring; a ruby cluster ring and a peridot ring, all with British hallmarks for 9ct gold; a peridot and seed pearl bar brooch; a hunting horn and flower bar brooch; a three­leaf clover brooch set with a circularcut diamond; and a cabochon sapphire and rose­cut diamond bar brooch, all mounted in gold; an amethyst and seed pearl pendant, mounted in gold; a gold, ruby and diamond stick pin of horseshoe design; a shell cameo brooch mounted in low­carat gold; an onyx seed pearl ring in low­carat gold; and a fox­head stick pin and simulant diamond ring in gilt metal £300­500

4 A group of jewels and accessories, late 19th/early 20th century, comprising: a set of five veil pins, set with a ruby, diamond, half pearl, green tourmaline and a sapphire respectively, each accented with a rose­cut diamond, mounted in gold, fitted case stamped Rowland & Frazer, pearl untested; a set of four mechanical pencils for Bridge, applied with black and red enamel with the four card suits; a diamond shirt stud and ruby tie pin, mounted in gold, fitted case by James Cater, Salisbury; a gold locket bracelet, length 17.5cm; and a gold longchain, its clasp set with turquoise cabochons, length 134cm £600­800

5 A group of jewels, early 20th century, comprising: four gold bar brooches and a gold plaque brooch of Arabesque design, one with British hallmarks for 15ct gold; a gold watch chain of graduated curb linking, length 39cm, links stamped 9; another gold watch chain of belcher linking; a gold gate link bracelet with a heart padlock clasp, clasp with British hallmarks for 9ct gold; two belcher­link necklaces in low­carat gold; a shell cameo ring, a banded onyx ring and a simulant turquoise ring, all mounted in gold; a hinged gold bangle, combined gross weight 134 grams; together with a gilt metal, paste and simulant pearl pendant; gilt metal, purple paste and simulant seed pearl brooch; and a gilt metal and hardstone hook pendant

£1,200­1,500

6 A collection of jewels including a gold Jaeger LeCoultre wristwatch, 19th and 20th century, comprising: an Etruscan Revival style gold bar brooch with ram’s head motifs to each end, set with circular­cut rubies, length 7.1cm; a plain gold bar brooch; two five­stone diamond rings mounted in 18ct gold, sizes M and O½, each with British hallmarks; a ruby and pearl ring in 15ct gold, British hallmarks; an early 19th century ring of saddle­shaped design set with pale blue pastes, size Q½, a ring set with cabochon carnelians, size O½; a silver and moonstone necklace; a shell cameo pendant/brooch mounted in gold, on a gold chain necklace, chain stamped 750; an amethyst stick pin; an amethyst, seed pearl and aquamarine necklace mounted in gold, clasp stamped 15CT; and a gold mechanical watch by Jaeger LeCoultre, case width 3.2cm, signed Jaeger LeCoultre, numbered 8664, stamped 375 £500­1,000

λ 7 A group of jewels, comprising: a calibré­cut sapphire and brilliantcut diamond ring of geometric design, mounted in gold, size L½ (sizing beads); a ring designed as a hand, set with rose­cut diamonds, circularcut sapphires and emeralds, mounted in gold, size R½; a coral bead necklace, length 46cm, clasp stamped 925; a sapphire and diamond ring mounted in 9ct gold, size N½, British hallmarks; and a circular gold brooch set with circular­cut sapphires, 2.5cm diameter, fitted case stamped J Hardy £150­250

λ 8

A collection of jewels, comprising: a late 19th century gold and enamel stick pin depicting a hand holding a top hat, length 8.4cm; a gold bracelet composed of spherical and fluted links, length 16.5cm, Italian maker’s mark 1 AR, stamped 750; and a coral necklace and bracelet, lengths 18cm and 39cm £200­300

9 Four brooches, 19th and 20th century, comprising: a brooch of rectangular outline, set with half pearls and centring on a glazed compartment of woven hair, mounted in gold, length 2.9cm, pearls untested; a similar brooch of foliate design centring on woven hair, set with pink foiled rock crystal, the reverse with a dedicatory inscription, mounted in gilt metal, length 3.8cm; a gold brooch of Art Nouveau inspiration, designed as a woman among foliate scrolls, length 2.5cm; and a circular brooch centring on a panel of gilt metal with an enamel miniature of a child in a bonnet, within a polished gold frame, 2.5cm diameter £500­700

10 A collection of jewels, comprising: a large cabochon garnet, hollowed to the reverse, approximately 3.5 x 3.5 x 1.6cm, approximately 159 carats; a Scottish hardstone stick pin; a resin and hardstone inlay brooch depicting insects, framed in gold, 3.4cm diameter; an unmounted oval amethyst, approximately 56 carats; and a gold filigree link set with turquoise cabochons, circa 1830s £200­300

11 A collection of jewels, comprising: a ring set with three circular­cut rubies within borders of brilliant­cut diamonds, mounted in gold, size P; a sapphire five­stone ring accented with brilliant­cut diamonds, mounted in gold, size P, stamped 15ct; a shell cameo brooch depicting a Bacchante; a carnelian heart pendant; a jasper fob seal; a bog oak locket depicting a Bacchante; a gold locket depicting an anchor, containing a lock of hair; and a silver pendant set with a banded onyx bead £150­250

12 A collection of gem­set jewels, comprising: an opal and diamond cluster ring and a sapphire and diamond cluster ring in 18ct gold, each with British hallmarks; two garnet rings, a sapphire and opal cluster ring and two pairs of earrings set with blue topaz and garnets in 9ct gold, each with British hallmarks, earrings with post fittings; a ring of abstract design in textured gold, set with a brilliantcut diamond and two marquise­shaped emeralds, stamped 18CT; and two stick pins, one in gilt metal set with an oval amethyst, the other in gold set with seed pearls, pearls untested

£150­250

13 A collection of jewels, comprising: a diamond jabot pin designed as an arrow, length 7.5cm; a 22ct gold wedding band, size N, British hallmarks; a pendant designed as a parrot perched on a hoop, applied with enamel and set with sapphires, on chains threaded with seed pearls, length 6.6cm, pearls untested; a sapphire and diamond cluster bar brooch in 9ct gold, British hallmarks; and a gold and amethyst pendant, indistinct hallmarks

£200­300

14 A collection of Arts & Crafts jewels, early 20th century, comprising: a silver belt buckle by Murrle Bennett & Co., length 6.2cm, signed MB&CO, British hallmarks for 1900; a silver brooch designed as a pair of stylised wings, set with cabochon black opals, length 5.3cm; a round buckle depicting an eagle and a wreath, set with cabochon amethysts, inscribed ‘St John’s House Bloomsbury Nov 1907’, 5.7cm diameter; a brooch modelled as a flower set with a cabochon amethyst, length 4.4cm; a bar brooch set with cabochon carnelians, a circular­cut peridot and citrine, length 7.6cm; a silver ring designed as a coiled snake applied with multicoloured enamel, size M½, maker’s mark; and a silver ring of whiplash design applied with blue and green enamel,

£200­300

15 A collection of stick pins and two shakudō brooches, late 19th/early 20th century, comprising: a group of eight stick pins capped with: a pink paste, a shieldshaped motif inlaid with sections of jasper and bloodstone, a pear­shaped amethyst, a blue chalcedony cabochon within a circular frame of white enamel, an enamelled 2nd class stamp, jadeite carved with a lingzhi fungus, a gold ivy leaf and a cultured pearl respectively, variously mounted in gold, silver and metal, longest 8.1cm; together with a Japanese shakudō brooch depicting a warrior with a scroll of calligraphy, length 3.7cm, signed Chokuzui; and a shakudō button depicting the fisherman Urashima Taro and turtle, 3.4cm diameter £200­300

16 A collection of gold jewels, comprising: three gold bangles of hinged design, a gold and black enamel brooch designed as a sword, stamped 14CT; a section of gold chain, length 34cm; and a gold Royal Navy Fleet Air Arm regimental brooch, length 4.3cm, stamped 9ct, combined gross weight 57 grams

£500­700

17 An unusual gold necklace, 19th century, suspending an oval glazed pendant, framed with foliate motifs in gold cannetille, to three strands of floral gold linking, pendant 5.9 x 5.0cm, necklace length 39cm, gross weight 91 grams £800­1,200

18 A suite of Indian jewels and a wristwatch, comprising: a necklace of crackle­dyed quartz and enamel linking with rope­twist details, a similar pair of earrings, length 4.6cm each; a stylised floral pendant applied with enamel and set with pastes, suspending a fringe of pearl and black bead pendants, on a twisted necklace of seed pearls, pearls untested, and a seed pearl necklace suspending a fringe of green enamelled beads, to a silver back chain, length 47cm, pearls untested; and a lady's gold and diamond wristwatch of oval outline by Incabloc, case width 3.4cm, manual winding movement, stamped 750, dial stamped 'Le Monde Incabloc'; manual winding movement £200­300

19 A group of jewels and accessories, 19th century, comprising: a gold and gilt silver chatelaine, suspending two pendants with hook clasps, each composed of three strands of oval gold links applied with blue and white enamel and threaded with pearls, the fitting in gilt silver, length 22.7cm, pearls untested; another chatelaine in gilt metal, length 19.9cm; and two blackened steel rings suspending two carnelian fob seals, one engraved with a conjoined coat of arms, a gold and amethyst armorial fob seal and a compass pendant mounted in gold £150­250

20 A collection of gem­set and diamond jewels, comprising: a pair of floral earrings in blackened gold set with brilliant­ and single­cut diamonds, length 3.3cm each; a pair of turquoise and diamond cluster earrings; a pair of diamond hoops; a pair of earrings set with graduated turquoise cabochons; and a pair of multicoloured sapphire and diamond earrings each suspending a cultured pearl, all mounted in gold, hook fittings; a pair of emerald hoop earrings; a pair of foliate earrings set with brilliant­cut diamonds; a pair of cultured pearl and diamond earrings; a pair of diamond earrings spelling the word ‘Love’; and two pairs of diamond earrings, designed as stars and horizontal lines respectively, each suspending a fringe of chain pendants, all mounted in gold, post fittings; together with two gold and diamond ear cuffs; and a bracelet composed of links designed as butterflies, set with mother of pearl and brilliant­cut diamonds, length 17cm, stamped 750 £400­600

21 A collection of jewels, comprising: a ring of floral crossover design, set with brilliant­cut diamonds and a black cultured pearl, mounted in white gold, size N, stamped 750, Italian maker’s mark; an Art Deco onyx and diamond eternity ring, size M; a ring set with clusters of circular­cut emeralds, rubies and sapphires, accented with brilliant diamonds, mounted in textured gold, size I½; a wide gold ring of classical inspiration, decorated with rope twist border and collet­set with circular cut garnets and peridot, size P; a brooch of scroll design in textured gold, length 5.5cm; and a pendant of lozenge­shaped outline, on abstract design in textured gold, set with brilliant­cut diamonds, length 4.4cm including bail £1,000

22 An emerald and diamond pendant and pair of earrings, comprising: a pendant designed as a crescent moon set with circular cut diamonds and emeralds in alternation, mounted in white gold, to a white gold snake link chain, pendant length 2.4cm, chain length 40cm, British hallmarks for 9ct gold; and a pair of emerald and diamond pendent cluster earrings, length 1.5cm each, post fittings £

23 An amethyst and diamond bracelet and necklace, comprising: a bracelet set with oval amethysts, spaced by crossed motifs set with brilliant­cut diamonds, mounted in white gold, length 18.5cm, stamped 14K585; and a pendant set with a pear­shaped mixed­cut amethyst, to a mount accented with brilliant­cut diamonds, to a chain of linking, mounted in white gold, necklace length 45cm, stamped 14K ITALY; pendant length 3.9cm including bail, stamped 585 14K £800

24 A group of gem­set jewels, comprising: a step­cut blue topaz pendant, pendant length 2.3cm including bail, chain length 45cm, chain stamped 14KT; a blue topaz and diamond line bracelet, length 18cm, stamped 9K; and a ruby and diamond pendant of circular design, mounted in white gold, pendant length 1.3cm chain length 51cm, chain with British hallmark for 9ct gold; £

25 Robert Goossens for Yves Saint Laurent, a paste demi­parure, 1980s, comprising: a necklace, the front composed of triangular links set with faceted greenish yellow paste, the central link inlaid with a pear­shaped blue paste, to a plain back chain and an S­shaped clasp suspending a tag, mounted in base metal, length 45cm, signed YSL, stamped Made in France; and a pair of earrings of lozenge outline, similarly set with faceted paste, length 3cm each, unsigned, stamped Made in France £150­250

26 A group of jewels, comprising: a brooch set with two cabochon garnets in foiled settings, within a gold mount of ropetwist design, third quarter 19th century, length 4.3cm; a cross pendant/brooch of banded agate capped with gold, length 5.6cm; and a plaque brooch set with panels of early glass glass, length 5.3cm £200­300

27 Two pairs of cultured pearl earrings and a pendant, comprising: a pair of diamond quatrefoil earrings each suspending a pink cultured pearl, mounted in white gold, length 1.9cm each, post fittings; a pair of cultured pearl pendent earrings, mounted in white gold, length 2.5cm each, post fittings; and a diamond pendant designed as a simplified human figure, set with brilliant­cut diamonds, mounted in white gold, length 1.9cm including bail, Italian maker’s mark, stamped 750, signed DonnaOro £150­200

28 A collection of jewels including an anklet by Dior, comprising: a pair of earrings and a matching pendant, each set with a pear­shaped sapphire surmounted by a brilliant­cut diamond, mounted in white gold, pendant length 1.6cm, earrings 1.1cm each, post fittings; a pair of floral earrings set with brilliant­cut diamonds and circularcut sapphires, mounted in white gold, 1.1cm diameter each, post fittings; and a gold chain anklet suspending a spectacle­set brilliant­cut diamond, length 22cm, signed Dior, French assay marks for 18ct gold, French maker’s marks £200­300

29 A gold, moonstone and diamond pendant necklace, designed in the Art Nouveau style, depicting a woman in profile within a sinuous abstract frame, set with circular­cut diamonds totaling approximately 0.80 carats, and a cabochon moonstone, accented with a blue enamel flower and white enamel to the reverse, suspending a gold pendant, to a belcher link chain, mounted in bicoloured gold, necklace length 47cm, pendant length 7.6cm, gross weight 37.9 grams

£800­1,200

30 A citrine ring and pendant, the pendant set with a pear­shaped mixed cut citrine within a gold collet, to a gold chain, pendant length 3.2cm, necklace length 46cm, chain stamped with British hallmarks for 9ct gold; and a ring set with a step­cut citrine, mounted in white gold, size N, stamped 585 £200­300

31 Three gem­set clasps, comprising: a clasp of cluster design, set with brilliant­cut and baguette diamonds and marquise­shaped rubies, mounted in white gold, 1.9cm diameter, stamped 750, maker’s mark BN; an oval clasp set with oval rubies, mounted in silver, length 3.3cm; and an Indian clasp set with carved rock crystals backed with red and green foil, and lasqué­cut diamonds, the reverse with floral designs in multicoloured enamel, length 3.2cm

£400­600

32 A brooch and two pendants, late 19th/early 20th century, comprising: a brooch, designed as a snake applied with green and black enamel, its head set with cushion­shaped diamonds, coiled around a wishbone, mounted in silver and gold, length 4.6cm; a gold and painted enamel crucifix pendant, pendant length 5.6cm including bail, chain length 44cm, British hallmarks for 9ct gold; and a lozenge­shaped openwork pendant of foliate design, set with seed pearls, circular­cut emeralds and rose­ and brilliant­cut diamonds, mounted in gold and platinum, pendant length 3.7cm, Russian 56 zolotnik mark, chain length 38cm, French export assay mark for 18ct gold, French maker’s mark, pearls untested £600­800

33 A group of gold and gem­set jewels, early 20th century, comprising: a gold locket pendant, decorated with a star motif in blue enamel and seed pearls, length 3.7cm; a circular openwork pendant set with a circularcut amethyst, length 4.2cm; a seed pearl and peridot pendant on a gold chain, pendant length 5.5cm, chain length 40cm; an aquamarine and seed pearl pendant, length 3.5cm; a seed pearl and blue paste brooch, length 4.6cm; and an amethyst and seed pearl pendant, length 4cm, all mounted in gold, pearls untested £500­700

34 A diamond brooch and pair of cultured pearl and diamond earrings, comprising: a brooch of bar design, centring on a rose­cut diamond in a foiled setting, mounted in gold, length 5.9cm, Dutch assay marks, case stamped C de Jong Czn, Juwelier, Haarlem; and a pair of earrings, each set with a cultured pearl beneath a trio of brilliant­cut diamonds in gold collet settings, length 1.5cm each, post fittings £300­400

35 A Regency seed pearl and topaz suite, early 19th century, comprising: a necklace, pair of bracelets and pair of earrings, each of floral design, intricately strung with seed pearls reinforced by mother of pearl frames, set with oval orange topazes in foiled settings, damaged, requiring restoration, box stamped Tessier, pearls untested

£200­300

36 Two cultured pearl necklaces, comprising: a four­strand graduated cultured pearl necklace with a geometric clasp set with calibré­cut amethysts and seed pearls, length 33cm; and a two­row graduated cultured pearl necklace with an aquamarine and cultured pearl cluster clasp, length 32cm

£400­600

37 A cultured pearl necklace, designed as a single strand of cultured pearls of various tints, measuring approximately 11.7­13.5mm, to a spherical gold clasp, length 44.5cm, clasp stamped 585

£600­800

38 A cultured pearl and diamond bracelet, composed of three strands of cultured pearls, to a clasp of plaque design, set with circular­cut and single­cut diamonds, length 17.5cm, stamped 585 and 14K

£400­600

38A Two cultured pearl necklaces and a pair of cultured pearl and diamond earrings, comprising: a pair of cultured pearl and diamond cluster studs, mounted in 18ct white gold, 0.8cm diameter each, post fittings, British hallmarks; a cultured pearl necklace, the navette­shaped 9ct white gold clasp set with a circular­cut diamond, necklace length 50cm, clasp with British hallmarks; a necklace designed as a continuous strand of cultured pearls, length 117cm

£100­150

£600­800

39 A pair of cultured pearl and diamond ear clips and necklace, the ear clips each composed of a surmount of sunburst design set with brilliant­cut diamonds, suspending a cultured pearl drop capped with pavé­set brilliant­cut diamonds, mounted in white gold, length 4.3cm each; the necklace composed of a single strand of cultured pearls measuring 8mm diameter, to a spherical gold clasp pavé­set to the front with brilliant­cut diamonds, length 57cm

40 A cultured pearl, sapphire and diamond necklace, composed of graduated cultured pearls, to a clasp set with two rows of circular­cut diamonds and oval sapphires in alternation, mounted in gold, length 69cm

£500­700

λ 41 Two coral bead necklaces, circa 1900, designed as a long strand of coral beads measuring 5.0­8.4mm, length 108cm, a shorter graduated coral bead necklace, length 54cm; together with another strand of coral beads, string broken, clasp deficient

£200­300

λ 42 A coral and pearl necklace, late 19th/early 20th century, composed of three strands of graduated coral beads, to a clasp set with half pearls, length 50.5cm, pearls untested

£300­400

43 An amber necklace, early 20th century, composed of three strands of graduated amber beads measuring approximately 1.3­2.6cm, to a gold clasp, length of longest strand 58cm, string broken, gross weight 114 grams

£400­600

44 An amber necklace, early 20th century composed of graduated amber beads measuring approximately 1.2­2.8cm, length 66.5cm, gross weight 49 grams £200­300

45 An amber necklace, early 20th century, composed of graduated amber beads measuring approximately 1.0­2.7cm, length 88cm, gross weight 67 grams £400­600

46 Cartier, two pens, ‘Must de Cartier’, comprising: a fountain pen and a ballpoint pen, each in fluted gilt metal, the lids with interlocking tricoloured gilt bands in the ‘Trinity de Cartier’ style, lengths 13.3 and 13.8cm, each signed Cartier Paris, numbered 230990 and 55713 respectively, accompanied by a case of five spare cartridges for the ballpoint pen, case stamped Must de Cartier £100­200

47 Cartier, two lighters and a mirror, comprising: an engraved gilt metal lighter and a red enamelled lighter, length 7cm each, each signed Cartier, numbered 166428 and 04185H respectively, the gilt metal lighter engraved ‘Catherine’, one case stamped Cartier; and a square hand mirror, measuring 6.6 x 6.6cm, signed Cartier to the reverse, sleeve signed Cartier £100­200

48 A 9ct gold swizzle stick and gold lighter, comprising: a 9ct gold double­ended swizzle stick, length 10.5cm, British hallmarks for 1975; and a 9ct gold lighter, measuring 4.5 x 3.7 x 1.4cm, British hallmarks for 1926 £400­600

49 A collection of nine rings, comprising: two sapphire and diamond rings, each mounted in 18ct gold, sizes L½ and P, each with British hallmarks; an 18ct gold ring of foliate design, size N, British hallmarks; a ruby and diamond ring with scrolled shoulders in 15ct gold, size M, British hallmarks; an amethyst and blue topaz ring, collet­set in 9ct gold, size M½, British hallmarks; an opal doublet ring, stamped 14CT; a gold ring set with an oval emerald; a gold ring of foliate design, stamped 22K 916; and a gold ring set with cabochons of imitation turquoise

£300­500

50 A collection of six rings, comprising: a gold ring channel­set with seven brilliant­cut diamonds, size P, stamped 750; a brilliant­cut diamond cluster ring in 18ct gold, size O, British hallmarks; two additional gold and diamond rings, one with British hallmarks for 18ct gold; a sapphire and diamond cluster ring in gold and platinum, size P½; and a ring set with simulant diamonds and synthetic sapphires, mounted in white gold, size Q

£300­500

51 A collection of seven gem­set rings, comprising: an 18ct gold ruby and diamond halfhoop ring, size O½, British hallmarks; a gold ring channel­set with alternating lines of circular­cut rubies and brilliant­cut diamonds; and another set with an oval amethyst, both with British hallmarks for 9ct gold; a purple spinel and diamond ring, size N½, stamped 14K, a ring channel­set with multicoloured gemstones, size P, stamped 750; a ruby and diamond ring, size E (sizing beads), stamped 18; and a simulant diamond ring, size F½ (sizing beads)

£400­600

52 Five diamond rings, comprising: a diamond cluster ring mounted in 18ct gold, size N, British hallmarks; a diamond cluster ring, size P½, stamped 18CT; a diamond three­stone ring, stamped 18CT PLAT; and a three­stone diamond ring and a diamond solitaire ring, each mounted in 9ct gold, sizes M½ and R½, each with British hallmarks

£300­500

53 Five gem­set and diamond rings, early 20th century and later, comprising: an Art Nouveau ring designed as a flower, set with a circular­cut diamond, mounted in gold, size K; another ring of Art Nouveau style of floral design set with rubies and a circular­cut diamond, mounted in gold, size K, stamped 585, hallmarks; a platinum ring set with a pair of pearls, size N, pearls untested; a two­row ring set with pearls and rose­cut diamonds, mounted in gold, size L½, French assay mark for 18ct gold; and a heartshaped turquoise and diamond cluster ring in silver and gold, size L½, later adapted as a ring

£300­400

54 Two gem­set rings, comprising: a sapphire and diamond fivestone ring mounted in 18ct gold, size S, British hallmarks; and a crossover ring set with pear­shaped rubies and brilliant­cut diamonds, mounted in white gold, size Q, stamped 375 £200­300

55 Two emerald and diamond rings, one set with a series of five graduated marquise­shaped emeralds, accented with single­cut diamonds, size K½, stamped 585; the other designed as crossed lines of channel­set princess­cut diamonds and calibré­cut emeralds, size N½, stamped 750

£300­500

56 Two sapphire and diamond rings, one set with marquiseshaped and circular­cut sapphires and single­cut diamonds, the other set with oval sapphires and cushion­shaped diamonds, each mounted in gold, sizes P½ (shank split) and T respectively

£100­150

57 A diamond ring and pair of earrings, comprising: a ring set with a sequence of five radiant­cut diamonds of yellow tint, mounted in 14ct gold, size P½, British hallmarks for 14ct gold, maker’s mark SD; and a pair of earrings, each pavé­set with brilliant­cut diamonds of pale yellow tint, mounted in 9ct gold, length 1.7cm each, post fittings, British hallmarks

£300­400

58 A diamond eternity ring and silver puzzle ring, early 20th century, the eternity ring set with a continuous band of single­cut diamonds, mounted in platinum, size M; and a silver puzzle ring, size N

£200­300

59 Two diamond rings, early 20th century, comprising: a ring set with two rows of pavé­set cushion­shaped diamonds, mounted in gold, size N, stamped 18CT; and an 18ct gold band set with a cushion­shaped diamond, size N, British hallmarks £400­600

60 A sapphire and diamond ring, modelled as a panther, set with circular­cut sapphires and single­cut diamonds, its eyes set with green paste, mounted in gold, size N

£400­600

61 An 18ct gold wedding band, the plain D­shaped band in polished 18ct gold, size O, British hallmarks, gross weight 8 grams

£200­300

62 Three stick pins, circa 1900, comprising: one pin capped with a spherical bead pavé­set with turquoise cabochons, length 7.3cm; and two Art Nouveau stick pins of stylised foliate design, applied with multicoloured enamel and set with seed pearls, mounted in gold, 6.1cm each, stamped 9ct and 375 respectively

£200­300

63 Three stick pins, late 19th/early 20th century, comprising: a stick pin capped with a reverse painted rock crystal intaglio depicting the burgee of the Royal Highland Yacht Club, in a gold rope twist border, length 7cm, case; a stick pin capped with a parrot on a branch applied with multicoloured enamels, mounted in gold, length 5cm; and a stick pin capped with a baroque pearl imagined as the head of a terrier, its eyes set with circular­cut rubies, its ribbon bow collar applied with red enamel, mounted in gold, length 6.7cm, pearl untested

£600­800

64 Two hardstone stick pins, one set with an octagonal chalcedony intaglio depicting Minerva, the other with a banded white agate intaglio of an armorial crest depicting a standing winged figure with sword and shield, longest 7.8cm

£100­150

65 An emerald stick pin and a diamond stud earring, the stick pin capped with a polished emerald and rose­cut diamonds, mounted in silver and gold, length 6.8cm, one diamond deficient; the stud earring set with a circular­cut diamond weighing approximately 1.50 carats, mounted in low carat white gold, 1cm diameter including setting, post fitting

£600­800

66 A collection of gold coins, comprising: a James I 20 shilling coin with laureated bust and crowned coat of arms, circa 1620s, drilled; two George V sovereign coins, each dated 1913; a Victorian half sovereign, dated 1883; two Edward VII half sovereigns, dated 1904 and 1908; and a George V half sovereign, dated 1914, combined gross weight 40.9 grams

£1,200­1,500

67 Four gold chain necklaces, comprising: three of fancy linking, one of which terminating in rings intended for a pendant, and one chain of fine curb linking, longest 50cm, one with British hallmarks for 18ct gold, one with French assay mark for 18ct gold, one stamped 585, fine curb chain broken, combined gross weight 36 grams £800­1,200

68 A collection of gold chains and gold photo locket, early 20th century and later, comprising: a circular gold locket with a doublesided glazed compartment for photographs, length 3.8cm including bail, stamped 15ct; together with four fine yellow gold chains, longest 43cm, two with marks for 9ct gold, one with marks for 18ct gold; and a white gold chain threaded with pearls, length 42cm, French assay marks for 18ct gold, pearls untested

£300­500

69 A group of jewels, early­mid 20th century, comprising: a platinum longchain threaded with seed pearls, length 81cm, pearls untested; a platinum brooch designed as a ribbon bow set with circular­and rose­cut diamonds, length 3.2cm; and a paste and imitation pearl brooch designed as a frog

£600­800

70 Annoushka, a diamond demi­parure, comprising: a necklace and bracelet, each centring on a circular ‘Evil Eye’ motif set with concentric arrangements of brilliant­cut diamonds and artificially irradiated blue diamonds, centring on a rose­cut black diamond, to a fine link gold chain, bracelet length 18cm, necklace length 42cm, each signed Annoushka, British hallmarks for 18ct gold

£150­250

71 A pair of diamond earring mounts and a pair of diamond pearl caps, the early 20th century earring mounts composed of a line of collet­shaped circular­cut diamonds, suspending a foliate motif set with circular­cut diamonds, intended for a drop pearl, mounted in platinum, length 3.7cm each excluding pearl posts, screw fittings; and a pair of conical caps intended for pearl drops, set with brilliant­cut diamonds, mounted in gold, length 1cm each excluding pearl posts

£600­800

72 Two ring mounts, one with an octagonal setting, the shoulders set with buff­topped calibré­cut citrines and shieldshaped diamonds, mounted in gold and platinum, size L, maker’s marks, stamped 750 and Pt950; and an oval ring mount pavé­set with brilliant­cut diamonds, mounted in platinum, size L½

£800­1,200

73 A 19th century pendant mount, of rectangular coronet form set with diamond terminals in silver and gold, length 2.7cm

£200­300

74 Theo Fennell, a sapphire and diamond pendant, 2005, designed as a key pavé­set with circularcut sapphires and brilliant­cut diamonds, mounted in 18ct white gold, signed Theo Fennell London, London hallmarks for 2005, sponsor’s mark TF, length 5.3cm

£1,200­1,500

75 Two gem­set brooches, mid 20th century, comprising: a brooch designed as a spray of flowers, set with various circular­cut stones including garnets, blue zircons, ametheys, pink tourmaline and citrine, accented with single­cut diamonds, mounted in 18ct gold, length 7.5cm, British hallmarks for 1964; and another floral brooch, set with circular­cut blue zircons in polished bicoloured gold, length 6.2cm, stamped C&F for Cropp and Farr, stamped 9CT

£400­600

76 A diamond brooch and a seed pearl pendant, circa 1900, comprising: a brooch designed as two entwined crescent motifs set with cushion­shaped diamonds, mounted in silver and gold, length 6.0cm, composite; and a gold pendant of snowflake design set with seed pearls, length 5cm including bail, British hallmarks for 15ct gold

£400­600

77 A turquoise and diamond tiara and pair of brooches, late 19th century, the tiara set with foliate spikes of turquoise cabochons and cushion­shaped and rose­cut diamonds, mounted in silver and gold on a steel frame, inner curve 39cm, height at centre 6cm, several detachable elements deficient; together with two brooches designed as birds in flight, pavé­set with turquoise cabochons and seed pearls, their eyes set with rubies, mounted in silver, 3.3 and 2.2cm respectively

£400­600

78 Baume & Mercier, a stainless steel ‘Hampton Quartz’ wristwatch, ref. 65434, the rectangular white dial square indicators and steel hands, to a plain stainless steel case and leather strap, case width 2.4cm, dial and case signed Baume & Mercier, case back numbered 4472204 and 65434, quartz movement £200­300

79 Eternamatic, a gentleman’s gold automatic wristwatch, mid 20th century, the circular textured gold dial with baton indicators and date aperture at 3 o’clock, to a leather strap, case width 3.2cm, dial signed Eternamatic De Luxe, case stamped 750 for 18ct gold

£600­800

80 Longines, a gentleman’s gold automatic wristwatch, mid 20th century, the rectangular white enamel dial with black Arabic numeral indicators and blue steel hands, to a plain rectangular gold case and black leather strap, case width 2.4cm, dial signed Longines, case back numbered 4555632, interior with French sponsor’s mark, automatic movement £500­700

81 A lady’s Art Deco diamond cocktail watch, 1920s, the rectangular silvered dial with black enamel indicators and blue steel hands, within a case of geometric design millegrain­set with circular­cut diamonds, accented to the sides with foliate engraving, to a mesh link bracelet, mounted in platinum and white gold, case width 1.4cm, manual winding movement, French assay marks for 18ct gold and platinum, French maker’s mark JG with star, numbered 10831 £200­300

82 Rolex, a lady’s gold and diamond manual winding wristwatch, the circular brushed white metal dial with baton indicators, within a case bordered by brilliantcut diamonds, to a strap of woven white gold links, case width 2.5cm, bracelet length 16.5cm, manual winding movement, dial and movement signed Rolex, case back and bracelet clasp with Swiss assay marks for 18ct gold, numbered 041208 and 000968, maker’s mark TW £1,000­2,000

83 A lady’s Art Deco diamond cocktail watch, 1920s, the rectangular dial with black enamel indicators and blue steel hands, within a case of geometric design set with cushion­shaped diamond, to a mesh link strap, mounted in white gold and platinum, case width 1cm, clasp stamped Premo 9CT, case stamped Charles Fox

£200­300

84 Cartier, a lady’s stainless steel ‘Santos’ wristwatch, ref. 1567, the square dial with black Roman numeral indicators and blue steel hands, to a bicoloured steel case and bracelet decorated with screw motifs, case width 2.7cm including winder, quartz movement, signed Cartier, numbered 1567 and 608738CE, case stamped Cartier

£800­1,200

85 Marvin and Tudor, two lady’s gold and gilt metal wristwatches, mid 20th century, the Tudor watch of circular outline in gilt metal with a later 9ct link bracelet, case width 2.1cm, manual winding movement, dial signed Tudor Oyster Shock Resisting Royal, reverse signed Original Oyster case by Rolex, case numbered 452563, stamped Plaque Or for gold plating, bracelet with British hallmarks for 9ct gold; the Marvin watch of octagonal outline with an integrated gold link bracelet 9ct gold, case width 2.1cm, manual winding movement, dial and movement signed Marvin, case back interior signed Dennison, numbered 87732 and 382534, case back interior and bracelet with British hallmarks for 9ct gold

£200­300

86 Incabloc, a gold and diamond cocktail watch, mid 20th century, the rectangular brushed metal dial with baton indicators and gold hands, concealed by a hinged gold cover of rope twist design set with a line of circular­cut diamonds, between diamondset crescent moon motifs, to a gold rope chain bracelet, case width 1cm, dial signed Torneau Incabloc, case back and clasp stamped 14K, manual winding movement £300­500

£400­600

87 A late 19th century open­faced Swiss fob watch by Aubert and Capt, enamel floral decoration to reverse, with further enamel decoration to the short gold chain and key, 35mm wide, glass deficient, and a gun metal fob watch by Oudin Paris, with chatelaine suspending a small vinaigtrette and watch key

88 Clarté, an Art Deco lacquer and silver travel clock, 1920s, the silvered dial with Arabic numeral indicators and blue steel hands, within a rectangular base metal case applied with black lacquer, with a hinged lid opening to reveal a winder, measuring 4.6 x 3.5 x 0.9cm, British import hallmarks for silver, manual winding movement, numbered 598

£150­200

89 Mottu Genève, a gold and enamel pocket watch, Switzerland, mid 19th century, of open­faced design, the white enamel dial with Roman indicators and blue steel hands, to a case elaborately enamelled with floral motifs, length 3.7cm including suspension hoop, dial signed Mottu Genève, 21799 and 8970, key wound mechanical movement, gross weight 13 grams

£300­400

90 A gold­plated key wind verge watch, movement signed by Jas Smith, London, 1901, white enamel dial, black Arabic numerals, scroll pierced balance clock with grotesque mask and floral engraved, case marked RIG, 4.9cm diameter, with 9ct gold twisted oval link watch chain with T bar, 36cm, approximately 49 grams total weight £800­1,200

91 A George III gold pair cased pocket watch by Williamson, London, damaged repoussé outer case, white enamel dial, black Roman numerals and outer minutes chapter ring, single hand, signed dial and numbered 5903, scroll pierced balance cock, London marks for 1780, 4.3cm wide £400­600

92 An 18ct gold open­faced key wind pocklet watch by Litherland Davies & Co, Liverpool, gold decorative dial with three colour gold foliate scroll border, signed case and numbered 12948, outer case marked TEHF, chapter marks for 1828, 4.3cm diameter, 83 grams total weight £800­1,200

93 An 18ct gold half hunting cased stem wind pocket watch by Lauder Rowe and Co, Birmingham, outer chapter ring with blue enamel Roman numerals, black Roman numerals to white enamel dial and subsidiary seconds dial, signed movement and numbered 2939, London marks for 1878, back case engraved with cypher, 5cm diameter, 126 grams total £1,000­1,500

94 A gold key wind verge watch, probabaly French, white enamel dial with black Arabic numerals, the back plate pierced with a crown and floral decoration and set with rosecut diamonds, further diamonds to the front and reverse borders, suspension ring marked, possibly French, 4cm diameter, total weight approximately 55 grams £400­600

95 An 18ct gold open­faced key wind pocket watch by Francis Lambert, 12 Coventry Street, London, gold decorative dial with gold Roman numerals and gold hands, signed movement and numbered 279, engraved balance clock with grotesque mask, case marked LC with London marks for 1809, 4.7cm diameter, 118 grams total weight

£1,000­1,500

96 An 18ct gold stem wind half hunter cased pocket watch, the blue enamel Roman numerals to outer case chapter ring, white enamel dial, black Roman numerals and subsidiary seconds dial, case numbered R&S, London marks for 1911, 4cm diameter, 71grams total weight

£600­800

97 An 18ct gold hunting cased stem wind pocket watch by Dent, white enamel dial signed with 33 Cockspur Street London, numbered 26550, black Roman numerals and subsidiary seconds dial, rear case numbered 26550, London marks for 1918, 4.5cm, 91 grams total weight

£800­1,200

98 A Regency 18ct gold pocket watch, with elaborate scroll engraved dial and three colour gold border, applied Roman numerals and sweep seconds hand, foliate engraved case, with maker’s mark HHN, London hallmarks for 1835, key wind, case width 4.6cm

£800­1,200

99 An 18ct gold key­wind hunting cased pocket watch by Barrand & Lund, white dial with subsidiary seconds dial, gold hands and signed and numbered movement, Cornwell London, case stamped HCD and London marks for 1873, suspension loop, 4.8cm diameter, total weight 99 grams

£1,000­1,500

100 An 18ct gold open­faced key­wind pocket watch by James Rigby, Charing Cross, gold decorative dial, gold Roman numeras and gold serpentine hands, signed movement and numbered 4219, outer case marked HJ with London gold marks, 4.3cm diameter, 79 grams total weight

£400­600

101 A 9ct gold stem wind hunting cased pocket watch by Waltham, signed white enamel dial, subsidiary dial, black Roman numerals, nickel inner case, outer case with Birmingham marks for 1906, 4.7cm diameter, 87 grams total weight, replaced loose glass

£400­600

102 C. Longchamps & fils, a Swiss gold repeating pocket watch, white enamel dial with black Roman numerals, signed movement and plunge action repetition stricking on two gongs, the gold cover centred with initials within foliate scroll decoration repeated to reverse, inner case numbered 19099, Swiss control mark, 4.3cm diameter, 73g total £1,000­1,500

£200­300

103 A Swiss enamel and rock crystal pocket watch, mid 19th century, the white enamel dial with Roman hour indicators and Arabic numeral minute indicators, with gold hands and winding aperture, within a bezel set with rose­cut rock crystal, mounted in gold, the reverse with a painted enamel landscape within a foliate border, to a chain with winding key, length 4.9cm including suspension hoop, indistinct assay marks

104 Three pairs of cufflinks, early 20th century, comprising: two pairs of onyx and diamond cufflinks, each end of octagonal outline in polished onyx, centring on a circular­cut diamond, connected by chain links, mounted in gold and platinum, larger 1.3cm diameter each end, two fitted case, one stamped Collingwood; and a pair of cufflinks and three buttons, each of octagonal outline, set with mother of pearl, mounted in gold and platinum, 1.3cm diameter each, each stamped 18CT&PT, one button deficient, fitted case

£400­600

105 Two pairs of cufflinks, comprising: one pair in silver and blue enamel, ends 1.3cm diameter each, signed Gucci, stamped 925, Italian maker’s marks, case stamped Asprey; and a pair in gold and lapis lazuli, larger ends each 1.7 x 1.2cm, case

£300­400

106 An unusual steel fob seal, 19th century, engraved with a crest for a King of Arms, height 3.1cm, matrix 2.1 x 1.6cm

£100­150

107 A gold and carnelian fob seal, late 19th/early 20th century, set with an oval carnelian carved with a coat of arms and the motto ‘Orando Laborando’ (‘through prayer and work’), mounted in gold, to a black ribbon, gold buckle and clasp, total length 15cm, carnelian matrix 28 x 20mm, partial hallmarks for 9ct gold, maker’s mark W&AM, fitted case stamped Asprey & Co. Ltd

£300­400

108 Seven assorted fob seals, early 19th century, suspending on a foliate engraved split ring, including: a navette­shaped swivel fob seal set with carnelian engraved with a cipher and bloodstone engraved with a crest, stamped 18ct, an elaborately­carved scrollengraved fob seal set with a shield­shaped amethyst engraved with a crest, a fob seal set with a carnelian engraved with an intaglio of Laetitia, a fob seal set with a carnelian intaglio depicting Apollo, gross weight 68g

£500­600

109 A collection of three gold pendants, mid 19th century, comprising: a chalcedony fob seal engraved with a coat of arms; an agate watch key; and a heart­shaped locket containing a panel of hairwork, to a gold split ring, longest pendant 3.1cm including suspension hoop

£100­150

110 A George III 22ct gold toothpick case, circa 1793, and a 9ct gold cigarette case, circa 1935, the toothpick case of elongated outline with rounded ends in polished gold, the lid engraved with the crest of a fleur­de­lys, opening to reveal a plain interior, measuring 8.8 x 3.0 x 1.0cm, British hallmarks, date letter S for 1793, sponsor’s mark GC, attributed to George Cowdery of 1 Buckingham Street, gross weight 66 grams; and a cigarette case of rectangular outline, the exterior of fluted design, the hinged lid opening via a cabochon sapphire pushpiece, revealing a plain interior, inscribed ‘CSV 1906­1924, from the employees of the Childwickbury Estate’, measuring 6.6 x 7.9 x 1.5cm, British hallmark for 9ct gold, date letter u for 1935, sponsor’s mark JW&Co, gross weight 95 grams

£1,000­2,000

111 Chanel, a gilt metal eye glass pendant necklace, the magnifying glass with a rope twist border, suspended from a two­row necklace of curb linking, in gilt metal, pendant length 6cm, necklace length 90cm, marked with crossed C’s for Chanel

£300­400

112 A gold Victorian ‘Diamond Jubilee’ medallion, 1897, one side with the young Queen Victoria in profile among sprays of leaves, the other with the older Queen Victoria in tiara and headdress, in high­carat gold, 2.5cm diameter, gross weight 12.9 grams

£300­400

113 Attributed to Howard Brown, an episcopal gold pendant, circa 1949, designed as a gold cross decorated on each side with scrollwork of Celtic inspiration, inscribed ‘Launcelot e Dono, EMF, October 18th 1949’, to a bail fitting and red cord necklace, pendant length 8.6cm, total gross weight 32 grams

£600­800

114 A gold necklace, mid 20th century, of fringe design in textured gold, length 42cm, stamped 750, partial assay marks, 28 grams

£800­1,200

115 A citrine fob pendant and gold chain necklace, circa 1900, the gold chain composed of belcher linking, suspending a gold pendant swivel­set with a faceted citrine, chain length 81cm, stamped 10, length of pendant 3.3cm

£200­300

116 A gold watch chain, circa 1900, the two strands of graduated curb linking terminating in hook clasps, suspended from a T­bar, length 22cm, British hallmarks for 9ct gold, gross weight 48 grams

£800­1,200

117 A gold bracelet, composed of curb linking with a planished finish, length 20cm, clasp stamped with maker’s mark CB, stamped 585, gross weight 18 grams

£400­600

118 A gold and sapphire bracelet, Italy, mid 20th century, composed of five articulated rows of engraved gold linking, centring on a clasp set with a cluster of circular­cut sapphires, length 19.5cm, stamped 750, Italian maker’s marks, gross weight 36 grams, one sapphire deficient

£700­900

£300­400

119 A gold pendant, late 19th century, designed as a cross, the centre decorated with a spray of flowers and a butterfly, its eye set with a cabochon synthetic sapphire, length 9.5cm

120 A pair of gold earrings, each designed as a Venetian mask, accented with a circular­cut synthetic ruby, mounted in gold, length 1.6cm each, clip and post fittings, French assay marks for 18ct gold, French maker’s mark

£200­300

121 Two Art Nouveau gold brooches, early 20th century, comprising: a brooch designed as a medallion of a woman in profile, withing a foliate frame set with rose­cut diamonds and pearls, length 2.9cm, French export assay marks for 18ct gold, pearls untested; and another brooch of similar design, the medallion accented with rose­cut diamonds and flanked by trefoil motifs in polished gold, length 3.1cm, Austro-Hungarian import assay mark for gold

£300­400

122 A gold bracelet, designed as a coiled snake constructed of gas pipe linking, its eyes set with circular­cut rubies, British hallmarks for 9ct gold, date letter J for 1959

£300­500

123 A gold charm bracelet, mid 20th century, the fancy link bracelet suspending six charms, including: a gold medallion depicting Joan of Arc, French assay mark for 18ct gold; a gold and enamel regimental badge for the Cheshire Regiment; a gold and enamel rotating disc charm reading ‘I LOVE YOU’; a gold heartshaped padlock charm; and two gilt metal charms depicting a bull and a tortoise, bracelet length 19cm, stamped 750; gross weight 19 grams

£400­600

124 Two gold charm bracelets, mid 20th century, comprising: a charm bracelet composed of heart­shaped linking spaced with cultured pearls, suspending seven charms including a figure in sombrero and poncho, a gold Cuban 5 peso coin dated 1915 within a border of calibré­cut pastes, and a disc­shaped charm set with an aquamarine to one side and circular­cut garnets to the other, bracelet length 17cm, four charms stamped 14K, gross weight 68 grams; and another charm bracelet of curb linking suspending sixteen charms including an enamelled foot wearing the winged sandal of Hermes, a telephone with a rotating rotary wheel, a carousel, a jack­in­the­box with a hinged lid, a hinged ring box opening to reveal an engagement ring set with paste, and a pair of shorts with a heart­shaped padlock, bracelet length 17.5cm, 7 charms marked 14K, 3 marked 10K, gross weight 43 grams

£1,200­2,000

125 A charm bracelet, mid 20th century, the bracelet of elongated gold linking, suspending a series of 21 charms including a high­carat gold medallion with Arabic calligraphy, an enamelled sailor, two lanterns, a Dutch flag, a plane, a ship’s wheel and a row boat, bracelet length17cm, fifteen charms with marks for 9ct gold, gross weight 26 grams £500­700

126 A gold charm bracelet, comprising an oval­link gold bracelet suspending various charms including a seal with chalcedony matrix carved with a dove, a seed pearl horseshoe (seed pearls missing), a bank note in gold case, a Grenadier Guards charm, with a loose 9ct gold crucifix and a loose gold camel charm, stamped 750, bracelet length 19cm, gross weight 24g

£400­600

127 A gem­set and pearl brooch, India, late 19th/early 20th century, of chandelier design composed of foliate scrollwork in gold, set with cabochon sapphires, oval and cabochon spinels, circular­cut rubies, step­cut emeralds and pearls, suspended by chains from a later bar brooch, accented with fringes of seed pearl pendants, length 9.0cm, pearls untested

£500­700

λ 127A A coral and gem­set rotating seal, 19th century, the rotating gilt metal wheel set with an assortment of hardstone seals bearing various mottos including a snail with 'Always At Home', and a bloodstone seal reading 'We Part to Meet Again', the handle of carved coral, length 7.7cm

£100­150

128 A gem­set brooch and a pair of earrings, the brooch designed as a flower, set with a pear­shaped citrine, its stem wound with a ribbon of brilliant­cut diamonds, mounted in gold, length 5.4cm; together with a pair of pendent earrings, each suspending a cushion­shaped sapphire within a border of simulant diamonds, mounted in silver and gold, length 2.7cm each, post fittings

£200­300

129 Two Georgian paste jewels, late 18th/early 19th century, comprising: one brooch and one pendant, each of cluster design set with blue and colourless paste stones respectively, each in foiled settings in low carat gold, pendant length 3.7cm including bail, brooch 3cm £200­300

130 Carrington & Co., a nephrite, citrine and diamond brooch, mid 20th century, designed as a spray of cowslips, the flowers in carved citrine, their calyxes pavéset with single­cut diamonds, to carved nephrite leaves, mounted in white gold, length 6.3cm, signed Carrington, fitted case stamped Carrington & Co. £600­800

131 An amethyst and seed pearl necklace and pair of earrings, comprising: a necklace of seed pearls, suspending a fringe of oval amethysts, centring on a pair of asymmetrical pendants, necklace length 40cm, length at front 7cm; and a pair of earrings set with cushion­shaped and circular­cut amethysts and seed pearls, mounted in gold, length 4.2cm each, hook fittings

£300­500

127A

132 Fabergé, a modern enamel and diamond pendant, designed as an egg applied with blue and green guilloché enamel, set with a brilliant­cut diamond, opening to reveal a surprise of an enamelled heart on a cushion, mounted in white gold, to a white gold chain of snake linking, pendant length 3.5cm, signed Fabergé, stamped 750, edition no. 74/300, chain length 46cm, British hallmarks for 18ct gold, case and booklet by Fabergé

£300­500

133 An opal ornament, designed as an egg in solid opal, height approximately 5cm, gross weight approximately 360 carats, stand

£200­300

134 A jadeite brooch and pendant, early 20th century, comprising: a brooch, set with an oval jadeite plaque carved with a design of flowers, set to each end with pearls and circular­cut diamonds, mounted in white gold, length 4.2cm, pearls untested; and a pendant set with an oval jadeite plaque carved with a design of fruiting branches, suspended from a Torii gate motif and tapering link capped with a pearl, on a fine chain, mounted in white gold, pendant length 5.5cm, stamped 9ct, chain length 49cm, pearl untested

£200­300

135 A jadeite and diamond pendant, of foliate design, set with a carved section of jadeite within a white gold mount accented with single­ and brilliant­cut diamonds, length 4.3cm

A verbal report from GCS states that the jadeite shows no indications of impregnation.

136 A jadeite pendant, carved to depict a parrot and a lingzhi fungus, length 8.4cm

† 137 A collection of loose of sapphires, the cabochon sapphires totalling approximately 350 carats

£500­700

£300­500

£500­700 TO BE SOLD WITHOUT RESERVE

† 138 Two loose rubies, the unmounted cabochon rubies weighing a total of approximately 4.60 carats

£200­300 TO BE SOLD WITHOUT RESERVE

139 A loose morganite, the unmounted oval morganite weighing 14.68 carats

£100­150

140 Four loose zircons, the four circular­cut blue zircons weighing a total of 10.40 carats

£100­150

† 141 A loose star sapphire, the pale blue cabochon sapphire weighing 11.01 carats

£200­300

142 A loose green beryl, the step­cut yellowish green beryl weighing 10.22 carats

£100­150

143 Four loose topazes, of various cuts and tints, including pink, yellow, orange and colourless, weighing a total of 14.30 carats

£800­1,200

144 A loose blue zircon, the unmounted circular­cut blue zircon weighing 5.60 carats

£100­150

145 A large parcel of synthetic rubies, of various shapes totalling approximately 1700 carats

£200­300

146 An Art Deco ruby, sapphire and diamond ‘Day and Night’ ring, early 20th century, centring on a band set with a continuous line of channel­set calibré­cut rubies and sapphires, between hinged half­hoops set with singlecut diamonds, mounted in platinum with engraved sides, size N £400­600

147 A diamond eternity ring, designed as a continuous band of brilliant­cut diamonds totalling approximately 1.20 carats, mounted in platinum, size M £600­800

148 A diamond seven stone ring, the round brilliant­cut diamonds rubover­set in 18ct yellow gold, London hallmarks for 1990, size K £400­600

149 A diamond half hoop ring, set with a princess­cut diamond within round brilliant­cut diamond shoulders in 18ct yellow gold, size O £200­300

150 A sapphire and diamond ring, early 20th century, of navette­shaped outline, centring on a line of oval sapphires, within an outer border of cushion­shaped diamonds, mounted in silver and gold, size K £300­500

151 A sapphire and diamond ring, early 20th century, of cluster design, set with an oval sapphire weighing approximately 1.10 carats, within a border of circular­ and rose­cut diamonds, mounted in gold, size N½ £300­400

152 An aquamarine ring, claw­set with an oval aquamarine within a border of pear­shaped and oval aquamarines, mounted in 9ct gold, size L, British hallmarks £100­150

153 A citrine ring, mid 20th century, set with a step­cut citrine, mounted in gold, size J½, stamped 9ct £150­200

154 Heming, a blue topaz and diamond ring, claw­set with a large mixed­cut blue topaz, the claws and split shoulders set with brilliant­cut diamonds, mounted in 18ct gold, size O, signed Heming, British hallmarks, stamped 750 £200­300

155 An amethyst and diamond ring, designed as a floral cluster of brilliant­cut diamonds and oval amethysts, mounted in white gold, size K½, stamped 18CT £150­250

156 A cushion­shaped beryl ring, rubover­set in heavy white gold setting, stamped 585, approximately size M £1,500­2,000

157 A sapphire and diamond ring, mid 20th century, designed as abstract scrolls of baguette diamonds and calibré­cut sapphires, mounted in platinum, size N, stamped PLATINUM

£600­800

158 A sapphire and diamond ring, set with a central circular­cut sapphire within surrounds of single cut diamonds in white gold, size N

£1,800­2,500

159 A topaz ring, claw­set with a pear­shaped topaz, to an 18ct gold mount, size Q½, British hallmarks

£200­300

160 A diamond ring, the central diamond weighing approximately 1.00 carats, to a wishbone­shaped ring pavéset with smaller brilliant­cut diamonds, mounted in white gold, size K½ £500­700

161 A zircon and diamond ring, first half 20th century, centring on a circular­cut zircon, between a pair of circularcut diamonds totalling approximately 1.80 carats, to shoulders of fleur­de­lis design set with single­cut diamonds, mounted in white gold, size K½ stamped PLAT, numbered W2731

£1,500­2,000

162 A ruby solitaire ring, the pear­shaped ruby claw­set within plain 18ct white gold setting, London hallmarks for 2016, size P

£300­400

163 A diamond five stone ring, set with five graduated old cut diamonds in platinum and gold, size J £200­300

164 A diamond full circle eternity ring, set with circular­cut diamonds weighing approximately 2.20cts, set in white gold, size J

£600­800

165 A zircon and diamond ring, first half 20th century, set with a cushion­shaped green zircon, between shoulders set with circular­cut diamond shoulders, mounted in gold, size J½, stamped 18CT PLAT

£200­300

166 An oval diamond cluster ring, pavé­set with round brilliant­cut diamonds in rose gold, stamped 14k, size J ½

£500­700

167 An opal and diamond cluster ring, the oval opal set within a surround of diamonds in bifurcated yellow gold setting, size M

£600­800

168 A sapphire and diamond cluster ring, set with a circular­cut blue sapphire within a surround of diamonds in silver and gold, size O

£600­800

169 A pear­shaped diamond cluster ring, set with a pear­shaped diamond within a halo of round brilliant­cut diamonds and diamond shoulders in 18ct white gold, size V ½

£600­800

170 A sapphire and diamond cluster ring, set with four oval­shaped sapphires withing brilliant­cut diamonds in platinum and gold, size M

£300­400

171 A sapphire and diamond cluster ring, the oval sapphire set within a surround of circular­cut diamonds in platinum and gold, size L £1,000­1,500

172 A ruby and diamond cluster ring, set with an oval ruby within assymetric cluster of diamonds in yellow gold, size J £600­800

173 A diamond solitaire ring, the round brilliant­cut diamond weighing approximately 0.60cts, claw­set in platinum and 18ct gold, Birmingham hallmarks for 1966, size M

£200­300

174 A diamond solitaire ring, early 20th century, claw­set with a circular­cut diamond weighing approximately 0.65 carats, mounted in gold and platinum, size K½, stamped 18CT PLAT

£300­400

175 A ruby and diamond ring, claw­set with an oval ruby, between shoulders set with brilliant­cut diamonds, mounted in 18ct gold, size L, British hallmarks £600­800

176 A sapphire and diamond cluster ring, set with an oval sapphire flanked with rows of graduated round brilliantcut diamonds in gold, size L, 14g £700­900

177 A gold and diamond ring, set wtih a grid of princess­cut diamonds, to a bicoloured gold mount of ribbon design, size N½, stamped 18K

£500­700

178 A sapphire and diamond three­stone ring, early 20th century, claw­set with a circular­cut sapphire, between circular­cut diamonds totaling approximately 0.90 carats, mounted in gold, size P

£2,000­3,000

179 A diamond ring, designed as a square cluster of circular­cut diamonds, mounted in gold, size N, stamped 18CT

£300­500

180 Catherine Best, an 18ct gold and diamond parure, each of abstract foliate design, set with brilliant­cut and marquise­shaped diamonds, mounted in gold, comprising: a necklace, length 43cm; a hinged bangle of similar design, inner circumference 16.9cm; and a pair of earrings, length 3.4cm each, post fittings, necklace and earrings unsigned, bangle stamped CB for Catherine Best, date letter E, stamped 18ct, earrings and necklace unsigned, stated total diamond weight 3.12 carats, combined gross weight 58 grams, accompanied by three fitted cases and three facsimiles of certificates of authenticity stamped Catherine Best

£3,000­5,000

181 A pair of ruby and diamond earrings, of pendent design, each set with brilliant­cut diamonds and pear­shaped rubies, mounted in gold, length 4.2cm each, maker’s marks

£1,500­2,000

182 A ruby and diamond bangle, set with textured gold spheres and trefoil terminals set with three marquiseshaped rubies within diamond borders in gold, internal width 5.7cm

£800­1,200

£600­800

183 Piaget, a lady’s gold wristwatch, signed dial with Roman numerals, gold case numbered 16031 and 591952 and marked 750, on Piaget leather band with gold clasp, case width 2.5cm

184 Breitling, a steel and gold automatic calendar wristwatch, signed dial with date aperture, gold bezel, case numbered 71358 and 1301667 on steel and gold bracelet, case width 3.2cm

£800­1,200

185 Rolex, a lady’s gold Datejust wristwatch, model 69173, case number 5926189, signed champagne dial with diamond hour markers, date aperture, sweep seconds hand, automatic movement, on 18ct gold president band, case width 2.6cm, with spare links

£3,000­5,000

Accompanied by a facsimile of a Strang receipt dated 19th October 1999 and a valuation for insurance dated 28th October 1999.

186 Van Cleef & Arpels, a diamond­set gold wristwatch, the square mother of pearl dial within diamond­set case in 18ct white gold, signed to reverse, with maker’s mark, stamped 750 and numbered 145163 and 338693, Swiss control marks, case width 2.5cm, on signed silk strap

£800­1,200

187 Bulgari, a Carbongold ‘Dubai’ wristwatch, limited edition black DLC coated quartz chronograph, no 001/999, black dial with applied polished baton hour markers, white outer minute divisions, silvered subsidiary dials at 2,6 and 10 for seconds, 30 minute and 1/10th of a second recording, date aperture at 4, polished baton hands with luminous inserts, centre chronograph hand, case numbered BB 38 CL CH, case width 38mm, on Bulgari black strap

£300­500

188 Patek Philippe, a gentleman's gold wristwatch, model 3538J­SCI, signed gold dial with baton numerals, in gold case and on gold mesh band, case numbered 2680777, movement numbered 1151205, manual movement, case width 3.3cm, with Patek Philippe pouch

£300­500

Accompanied by paperwork from Patek Philippe recording a complete service and dial restoration, dated 11th June 2024. With a 24 month repair guarantee from that date.

189 Omega, a gentleman’s Seamaster De Ville gold wristwatch, signed dial with baton numerals, sweep seconds hand, manual winding, engraved inscription to reverse for 1965, on textured 18ct gold bracelet, case width 3.4cm, case

£1,000­2,000

190 International Watch Co., a gold wristwatch, signed dial with baton numerals, in gold case on 18ct gold mesh band, London import marks for 1966, case width 2.7cm

£1,500­2,000

191 Cartier, a lady’s gold tank Louis Cartier reference 7532, signed white enamel dial, with black Roman numerals, serial number 10035, manual winding, case width 1.8mm, leather band with Cartier gold deployant clasp, numbered 0846 (twice) signed JC, London hallmarks for 1965

£1,500­2,000

192 Cartier, a gentleman’s white gold Ronde Louis Cartier dress wristwatch, reference WD600451, serial number 2335MG257932, silvered dial with black Roman numerals, secret signature at VII, diamond bezel, manual winding, case width 33mm, grey leather band with Cartier white gold deployant clasp, signed, Swiss marks

£6,000­8,000

193 Cartier, a gentleman’s gold Ceinture Jumbo wristwatch, c.1970, serial number 70010286, signed cream dial with black Roman numerals, automatic movement, case width 31mm, leather band with gold Cartier deployant clasp, signed BC

£4,000­6,000

194 Cartier, an Art Deco 18ct gold and black enamel ‘Baguette’ wrist watch, circa 1936, the rectangular dial with black indicators and blue steel hands, within a gold case with a winder to the reverse, to an articulated gold bracelet accented with sections of black lacquer, to a deployant clasp, case width 7mm, dial 10 x 5mm, signed Cartier France, some damage, manual winding movement, case numbered 3130 and 2354C, partial French maker’s mark for Edmond Jaeger, French assay marks for 18ct gold, clasp numbered 3162, additional French assay marks and British import hallmark, sponsor’s mark JC for Cartier London, date letter A for 1936

£1,500­2,000

195 Cartier, a lady’s yellow and white gold round wrist watch, 1960’s, signed white dial with black Roman numerals, the back plate with London marks for 1994 and JC, case width 25mm, leather band with gold deployant clasp stamped JC and C to both sections

£1,000­1,500

196 Cartier, a lady’s gold Santos Dumont wrist watch, reference 78098, signed white dial with black Roman numerals, case width 20mm, manual winding, crown probably replaced, leather band with Cartier and deployant clasp signed BC and further marks, case signed Cartier, Paris and illegible serial number, case­back not removed

£2,000­3,000

197 Cartier, a gentleman’s steel Ballon Bleu, reference W2BB0002, serial 3489356947VX, signed silvered dial, guilloche decoration within black Roman numeral chapter ring, secret signature at V11, automatic winding, case width 33mm, Cartier steel and yellow gold band

£1,000­2,000

£400­600

198 A bloodstone and gem­set box, 19th century, of rectangular outline, composed of panels of bloodstone, mounted in a gold frame of undulating design, the opening of floral design, set with garnets and rock crystal, opening to reveal a plain interior, measuring 5.4 x 8.6 x 4.2cm

199 A silver, gem­set and enamel Grenadier Guards jewellery box, early 20th century, of rectangular outline, the lid applied with red guilloché enamel, centring on the regimental badge of the Grenadier Guards, set with singleand rose­cut diamonds, step­cut emeralds and rubies, accented with blue enamel, opening to reveal a compartmentalised velvet interior, measuring 8.8 x 11.3 x 5.0cm, partial British import hallmark

£300­400

200 Carlo Illario Fratelli for Bulgari, a gold and enamel pill box, second half 20th century, of rectangular outline with an oval cross section, applied to the exterior with brown guilloché enamel, mounted in gold, the hinged lid opening to reveal a plain interior, measuring 4.3 x 3.0 x 1.3cm, signed Bulgari, maker’s mark CIF for Carlo Illario Fratelli, stamped 750, faintly numbered, stamped with French import assay marks for 18ct gold, gross weight 36 grams

£2,000­3,000

201 A diamond brooch, early 20th century, designed as the badge of the Royal Air Force, depicting a bird in flight surmounted by a crown, set with rose­cut diamonds and accented with synthetic rubies and emeralds, mounted in gold, length 5.2cm, numbered 3231

£600­800

202 An enamel and diamond regimental brooch, early 20th century, depicting the badge of the Royal Artillery regiment, designed as a cannon beneath a crown, a ribbon banner reading ‘UBIQUE QUO FAS ET GLORIA DUCUNT’ (‘Where Fate and Glory Lead’), set with single­cut diamonds in millegrain borders and applied with blue and red basse taille enamel, mounted in gold and platinum, length 4.3cm

£600­800

203 A sapphire and diamond stick pin, early 20th century composite, the top set with a cabochon sapphire within a lozenge­shaped frame of circular­ and rose­cut diamonds with millegrained borders, mounted in gold and platinum, length 5.7cm

£200­300

204 A lapis lazuli and gold stickpin, modelled as a snake’s head with gold forked tongue, length 7cm, case £150­250

205 Cartier, a 9ct gold key mount, circa 1934, designed as a handle and cover for a house key, with a fluted finish in 9ct gold, length 6.1cm including suspension hoop, signed Cartier London, numbered 7772, British hallmark, sponsor’s mark JC, date letter for 1934

£200­300

206 A pair of Art Nouveau gold cufflinks, early 20th century, each end of oval outline, decorated with whiplash motifs in polished gold, connected by chain linking, each end 1.7 x 1.2cm, stamped 18, gross weight 17.5 grams £900­1,200

207 A pair of jadeite and ruby cufflinks, of cylindrical form, each set with a circular­cut ruby millegrain­set in gold collets, with gold joining links, length 19mm

£200­300

208 An Art Deco onyx and seed pearl dress set, first half 20th century, comprising: a pair of cufflinks, four buttons, two collar studs, each of cut­cornered square outline, centring on a seed pearl on a square section of polished onyx, bordered in engraved white gold, largest 1.1 x 1.1cm, each stamped 18CT PLAT; together with an additional collar stud of similar design, centring on a single­cut diamond, partial British hallmarks for 9ct gold, fitted case

£500­600

209 A pair of Art Deco synthetic sapphire and diamond cufflinks, early 20th century, each end of octagonal outline, one end of each pair set to one corner with bands of single­cut diamonds and calibré­cut synthetic sapphires, each end 1.2 x 1.4cm, signed Jackson, 18CT and PLAT, fitted case

£600­800

£200­300

210 A fob seal, compass and enamel pendant, mid 19th century, comprising: a screw­topped patch case applied with pale blue guilloché enamel and decorated with floral festoons, in gilt metal, length 3.8cm; a compass mounted in gold, length 2.3cm; and an agate intaglio fob seal depicting a sailing ship with the motto ‘FEAR NOT I AM WITH YOU’, mounted in gold, length 3cm, matrix 17 x 13mm; all connected by a gold split ring engraved with floral designs

211 An unsual hardstone spinning fob seal locket, 19th century, the spinning fob seal set to one side with a bloodstone intaglio depicting the conjoined arms of the Paterson and Abercrombie families, the other with an agate intaglio with a monogram in Celtic lettering, opening to reveal a plain locket compartment, mounted in gold, length 2.1cm

£300­400

212 A mid 19th century Irish bog­oak cruciform pendant, intricately carved with shamrocks and with a gilded wreath and a central pearl within gilt border, suspended from a silver silt bail, length 11cm, in fitted case

£200­300

213 A carnelian intaglio ring, Roman, 2nd century AD and later, set with a carnelian intaglio depicting a mouse playing pipes, in a later gold ring mount, size K

£400­600

214 A carnelian scaraboid ring, circa 350 BCE and later, set with a rotating carnalian scaraboid bead, the reverse carved to depict a stag, in a later Archaeological Revival­style gold mount accented with gold wire, size Q

£300­400

215 A carnelian intaglio ring, Roman, 2nd century AD and later, set with a carnelian intaglio depicting a gryllus, to a later gold mount, size P½, intaglio 13.6 x 10.6 x 3.8mm £300­400

216 A group of three fob seals and a watch chain, 19th century/early 20th century, comprising: a fob seal, circa 1830, the handle carved as three conjoined heads in banded onyx, the agate seal depicting three standing figures, mounted in gold with varicoloured floral decoration, height 5.2cm; a late 19th century rotating citrine fob seal, the three sides depicting a ship, two horses and a battle on horseback respectively, to a foliate gold mount, height 4.7cm including suspension hoop; and a rotating cylindrical seal, possibly ancient Mesopotamian, later mounted in gold, seal length 21mm, pendant length 4.9cm; to a gold and platinum watch chain, length 36cm £800­1,200

217 A carnelian intaglio ring, Gandharan, circa 1st century BC ­ 1st century AD, set with an oval carnelian intaglio depicting a standing Eros, between inscriptions, mounted in gilt metal, size K, intaglio 12 x 10mm

£400­600

218 A carnelian intaglio, Sassanian, AD 400­500, set with a circular carnelian intaglio depicting a duck, mounting in a tapering gold ring, size I½, intaglio 6.5 x 7.5mm, mount possibly original £400­600

219 A carnelian intaglio ring, Sassanian, circa 400 AD and later, set with an oval carnelian intaglio depicting a winged bull with the head of a man, in a later gold ring mount, size I½, intaglio 10 x 9mm

£400­600

220 A paste and gold ring, set with a green paste cabochon, within a collet setting, to a wide openwork band of scrolled design, size L £400­600

221 A faïence ring, mid­19th century, set with a faïence scarab bead, its reverse with a heiroglyphic inscription, in an exhibition­style mount in a rotating collet, to a band partially wrapped in coiled wire, size O, scarab possibly earlier, measuring 1.3 x 1.0 x 0.7cm

£200­300

222 An emerald solitaire ring, the emerald cabochon set within hammered yellow gold setting, size T, 23g £2,000­3,000

223 A glass intaglio ring, Roman, 2nd century AD and later, set with an oval glass intaglio depicting Fortuna, in a later gold mount in the Archaeological Revival style, size S, intaglio 12 x 9mm

£600­800

224 A carnelian intaglio ring, Italic, circa 300­200 BCE and later, set with an oval intaglio depicting a stag, in a later gold mount, size N½, intaglio 20 x 13mm

£800­1,200

225 A carnelian intaglio ring, set with a rotating carnelian scaraboid bead, the reverse depicting a man riding a horse, another horse standing nearby, to a gold ring mount wrapped with gold wire, size M, bead 13 x 11 x 7mm

£300­400

226 An agate intaglio ring, Roman, 2nd­1st century BC and circa 1820, set with an oval intaglio in brown agate depicting Athena with a serpent at her feet, to an early 19th century gold mount, its shoulders and band carved with a design of flowers, size K, intaglio 1.3 x 1.0cm

£1,500­2,000

Accompanied by report number 5785­0404 from GCS dated 11th November 2024 stating that the stone is natural agate.

227 Two intaglio rings, each composed of a wide, tapering silver band set with a glass intaglio imitating banded onyx, one depicting a man and a goat, the other depicting a standing figure, sizes K and W respectively

£500­700

228 A banded agate cameo ring, 19th century, set with an oval cameo finely carved to depict Pan dancing and playing a pipe, in banded agate, mounted in gold, size I, cameo 17 x 15mm

£200­300

229 Three rings, Islamic, circa 1500, one in gilt metal depicting a cow, size J½; another in gilt metal centring on an oval cartouche depicting a flower, the shoulders with chevron engraving, size Q½; and a blackened base metal ring centring on an engraved navetteshaped cartouche, size S½

£300­400

£150­200

230 A pair of diamond cluster ear studs, pavé­set with round brilliant­cut diamonds in 18ct white gold, London hallmarks, post fittings, diameter 10mm

231 Giorgio Visconti, a pair of aquamarine and diamond earrings, set with square aquamarines within diamond surrounds in white gold, signed and marked 750, post and clip fittings, length 18mm

£800­1,200

232 A pair of onyx and diamond earrings, each of circular outline, collet­set with a cabochon onyx , bordered with brilliant­cut diamonds, mounted in white gold, diameter 1.7cm each, clip and post fittings, stamped 585, maker’s marks

£300­500

233 A diamond cluster pendant, set with a central round brilliant­cut diamond weighing 2.76cts, within concentric borders of round brilliant­cut diamods in white gold, on box­link white gold neck chain, pendant length 2.7cm, chain length 44cm

£4,000­6,000

234 Marco Bicego, a diamond­set gold ring, on interlocking gold wirework bands decorated with diamonds, the central band set with a row of round brilliant­cut diamonds, signed, stamped 750 and made in Italy, size Q approx, case

£500­700

235 A sapphire and diamond cluster ring, set with a central diamond within a border of calibré­cut sapphires and diamonds in white gold, size M ½

£200­300

236 Two diamond rings, comprising: a ring of solitaire design, set with an emerald­cut diamond weighing approximately 0.60 carats, to a plain band in white gold, size L, indistinctly marked; and a ring set with a sequence of brilliant­cut diamonds, size M, central diamonds replaced, stamped 9K

£400­500

237 An aquamarine and diamond ring, set with a square aquamarine, to claws and shoulders pavé­set with brilliant­cut diamonds, mounted in white gold, size L, stamped 750

£500­700

238 A diamond cluster ring, set with three graduated old circular­cut diamonds within a surround of smaller singlecut diamonds in platinum and iridium, principal diamond approximately 0.90cts, total approximate diamond weight 2.25cts, size N

£2,000­3,000

239 Picchiotti, a diamond ring, centring on a domed navette­shaped motif, to split shoulders, pavé­set with brilliant­cut diamonds, mounted in white gold, size R½, signed Picchiotti, stamped 750 £800­1,200

240 A sapphire and diamond three row ring, set with graduated round brilliant­cut diamonds within sapphire borders in white gold, size L

£200­300

241 A gem­set gold long chain, set with untested pearls, and rock crystal rondels on fine hayseed­link chain, length 70cm

£400­600

242 A diamond bracelet, designed as a line of collet­set brilliant­cut diamonds totalling approximately 3.00 carats, mounted in 18ct white gold, length 18.5cm, British hallmarks

£2,000­3,000

243 A pair of diamond cross earrings, designed as stylised crosses and pavé­set with round brilliant­cut diamonds in white gold, stamped 750, folding post and clip fittings, length 2.2cm

£3,000­4,000

244 A pair of diamond flower earrings, set with graduated circular and marquise­shaped diamonds weighing approximately 5.00cts in total, in white gold, post and clip fittings, length 2.5cm

£3,000­4,000

245 Kiki McDonough, a pair of prasiolite and diamond earrings, ‘Cushion Collection’, each composed of a hinged hoop earring, set to the front with brilliant­cut diamonds, suspending a detachable cushion­shaped prasiolite pendant, mounted in 18ct white gold, length 2.2cm, British hallmarks, sponsor’s mark Kiki

£300­500

246 A diamond full circle eternity ring, channel­set with baguette­shaped diamonds in platinum, size M

£500­700

247 A diamond ring, centring on a princess­cut diamond, to shoulders channel­set with lines of smaller princesscut diamonds, mounted in platinum, size K, stamped PLAT

£400­600

248 A diamond half hoop ring, channel­set with baguette­shaped diamonds in white gold, stamped 750, size M

£300­500

249 Attributed to J.Weiland, a pair of faïence and cultured pearl earrings, depicting the eye of Horus, suspending cultured pearls and a faïence drop in yellow gold, length 7.5cm, clip fittings

£400­600

Provenance: from the collection of Professor Peter Hariolf Plesch (14th February 1918 ­ 5th March 2013) and Gerta Regina ‘Traudi’ Plesch OBE (4th December 1921 ­ 10th August 2013).

250 A diamond ring, set with a rose­cut diamond measuring approximately 10.9 x 10.9mm, within an abstract floral platinum mount, size L

£3,000­5,000

251 Attributed to J.Weiland, a gold scarab pendant, the faïence scaraboid within textured gold surround, with two spare gold links, pendant length 3cm

£400­600

Provenance: from the collection of Professor Peter Hariolf Plesch (14th February 1918 ­ 5th March 2013) and Gerta Regina ‘Traudi’ Plesch OBE (4th December 1921 ­ 10th August 2013).

252 A moonstone­set gold fringe necklace, with twisted yellow gold links suspending moonstone cabochons on a curb­link chain in yellow gold, length 36.5cm

£1,200­1,800

253 A Retro ruby and diamond brooch, 1940s, designed as a bouquet of flowers in polished gold, set with circularcut rubies and circular­ and brilliant­cut diamonds, tied with a platinum ribbon set with single­cut diamonds, length 5.3cm

£300­500

254 An aquamarine and diamond ring, the step­cut aquamarine claw­set within diamond shoulders in white gold, stamped 18ct, size M

£1,500­2,000

255 A topaz three stone ring, set with a cushion­shaped pink topaz flanked with step­cut orange topaz shoulders in gold, size O

£1,500­2,000

256 A fire opal and diamond cluster ring, set with a cushion­shaped fire opal within a surround of yellow diamonds in yellow gold, size N ½

£1,500­2,000

257 An amethyst and diamond ring, set with a step­cut amethyst, each corner set with a pair of brilliant­cut diamonds, mounted in silver, size O½ £300­400

258 Attribted to J.Weiland, an abstract gem­set gold ring, set with graduated old cushion­shaped diamonds and a cultured pearl in yellow gold, on a wide textured yellow gold band, size R approx, 50g

£1,000­2,000

Provenance: from the collection of Professor Peter Hariolf Plesch (14th February 1918 ­ 5th March 2013) and Gerta Regina ‘Traudi’ Plesch OBE (4th December 1921 ­ 10th August 2013).

259 A sapphire and diamond flower brooch, set with a central old circular­cut diamond within a border of oval sapphires and further surround of graduated circular­cut diamonds in white gold, width 3.5cm

£2,000­3,000

260 A pair of diamond cluster earrings / clips, of foliate design set with graduated circular­cut diamonds in white gold, clip fittings, length 2.5cm

£1,200­1,800

261 A diamond brooch, 1970s, of scrolled design in textured white gold, set with circular­cut and cushion­shaped diamonds, length 4.1cm

£1,200­1,800

262 A 9ct gold gate­link bracelet, maker’s mark and Birmingham hallmarks, length 19.5cm, 106g £1,500­2,500

263 A gold bracelet, France, mid 20th century, designed as an articulated strap composed of fancy linking, length 20cm, French assay mark for 18ct gold, indistinct French maker’s mark, gross weight 41.7 grams

£1,000­1,500

264 A gold bracelet, France, mid 20th century, designed as an articulated strap composed of fancy linking, with textured and polished finishes, length 19.5cm, indistinct French assay marks, French maker’s mark, gross weight 73 grams

£2,000­3,000

265 A multigem­set gold brooch, C1940, set with graduated yellow, orange and blue zircons in a diamond­set spray setting in white gold, length 6.6cm

£1,000­1,500

266 A pair of cultured pearl and diamond­set gold earrings, within gold sunburst design, clip fittings, length 3cm

£600­800

Provenance: from the collection of Professor Peter Hariolf Plesch (14th February 1918 ­ 5th March 2013) and Gerta Regina ‘Traudi’ Plesch OBE (4th December 1921 ­ 10th August 2013).

267 A sapphire and diamond ring, early 20th century, of cluster design, collet­set with a cushion­shaped sapphire measuring approximately 9.4 x 9.0 x 4.2mm, within a border of rose­cut diamonds, mounted in gold, size J½ £1,500­2,000

A verbal report from GCS states that the sapphire is of Sri Lankan origin, with no indications of heat treatment.

268 A diamond, pearl and glass locket pendant, late 19th century, of circular outline, centring on a pair of conjoined hearts crowned with a ribbon knot, set with rose­cut diamonds, within a domed locket of polished glass, backed with red silk and outlined with pearls, mounted in gold, length 3.3cm including bail, pearls untested £300­400

269 A ruby and diamond ring, early 20th century, of cluster design, set with an oval ruby within a border of circular­cut diamonds, mounted in gold, size Q, stamped 18C £2,000­3,000

270 A diamond ring, designed as a cluster of circular­cut diamonds, mounted in gold, size L½ £800­1,200

271 Two Victorian/Edwardian gem­set brooches, circa 1900, each designed as a crescent moon, one set with circular­cut diamonds and rubies in alternation, the other set with circular­cut sapphires, each mounted in gold, length 5.4cm each, one with British hallmarks for 9ct gold, Chester, date letter for 1904 £400­600

272 A Victorian garnet­set gold brooch, designed as three coiled snakes each with an garnet centre in yellow gold, width 3.4cm, metal pin, case £150­250

273 No lot

274 No lot

275 A five­stone diamond ring, early 20th century, set with a sequence of five graduated circular­cut diamonds totalling approximately 0.90 carats, spaced by rose­cut diamonds, to a gold mount with scrolled galleries, size N½, stamped 18 £300­400

276 A diamond ring, early 20th century, claw­set with a circular­cut diamond weighing approximately 0.65 carats, between shoulders set with single­cut diamonds, size P½ £300­500

277 A pair of enamel, pearl and diamond earrings, early 20th century and later, each of navette­shaped outline, each applied with green guilloché and white enamel, centred on a half pearl within a heart­shaped border of rosecut diamonds, to an outer border of seed pearls, mounted in gold, length 2.5cm each, later screw fittings, pearls untested £800­1,200

278 An aquamarine and diamond pendant, early 20th century, composed of a pear­shaped aquamarine measuring approximately 2.80 carats, suspended from a cluster of circular­cut diamond cluster by knife wire links, to a fine cable link chain necklace, mounted in gold and platinum, pendant length 4.2cm, chain length 39cm £300­500

279 A pearl longchain, early 20th century, composed of hayseed linking in white gold, threaded with pearls, to a floral clasp in silver and gold set with rose­cut diamonds, length 101cm, pearls untested, gross weight 20 grams £600­800

280 A gold, enamel and diamond bracelet, France, mid 19th century, centring on an abstract buckle motif set with cushion­shaped diamonds, to a bracelet of scrolled linking, applied throughout with blue basse taille enamel, mounted in gold, inner circumference 18cm, French assay marks for 18ct gold, partial French maker’s mark £2,200­3,000

281 A smoky quartz and diamond necklace, mid 20th century, the pendant set with a circular­cut smoky quartz within a border of rose­cut diamonds in alternating square and circular collets, to a chain with two foliate motifs set with rose­cut diamonds, mounted in white gold and palladium, pendant 3.1cm, 43cm

£300­500

282 A pair of diamond flowerhead earrings, late 19th century converted, set with graduated old cushion­shaped diamonds in silver and gold, post fittings, width 15mm

£600­800

283 An aventurine quartz and diamond brooch, circa 1900, designed as the leaf of a horse chestnut tree, the leaves composed of carved aventurine quartz, accented with rose­ and circular­cut diamonds, mounted in silver and gold, length 4.4cm, French export assay mark for 18ct gold

£600­800

£600­800

284 An amethyst and diamond brooch, late 19th century, designed as an oval amethyst suspending a pearshaped amethyst drop, each bordered with trefoils of rose­cut diamonds, mounted in gold, length 5cm, fitted case stamped N Bloom & Son

285 A Victorian gold and amethyst choker necklace, late 19th century, composed of four rows of snake link chain, spaced by bar links set with circular­cut amethysts, suspending a detachable cross­shaped pendant set with circular­cut amethysts and pearls, mounted in gold, necklace length 33.5cm, pendant length 7.6cm including bail, pearls untested

£4,000­6,000

286 An amethyst, pearl and emerald pendant, late 19th century composite, centring on a large oval amethyst, within a border of half pearls and cushion­shaped emeralds, suspending a later pendant set with a pearl and green pastes, to a double chain and bail set with cushion­shaped emeralds, mounted in gold, length 7.5cm including bail, pearls untested, case stamped George Jamieson & Son, Aberdeen

£800­1,200

287 A sapphire and diamond ring, late 19th century, designed as a triple cluster, set with cushion­shaped sapphires and diamonds, mounted in silver and gold, size R½

£600­800

288 A pair of gold earrings, India, each of half hoop design, with gold filigree and grainti decoration, mounted in gold, length 6.4cm, hook fittings

£2,500­3,500

289 A brown diamond ring, circa 1876, the tapering 18ct gold band claw­set with a circular­cut diamond of light brown tint weighing approximately 0.50 carats, within a star­shaped border, size Q½, British hallmarks for 18ct gold, Birmingham, date letter b for 1876

£400­600

290 A Victorian amethyst and diamond brooch, late 19th century, centring on a cushion­shaped amethyst within an intertwined border of cushion­shaped diamonds, mounted in silver and gold, length 3.4cm, later rhodium plating

£1,700­2,000

291 A late 19th century ruby and diamond brooch, designed as interlocking links alternately­set with diamonds and rubies in yellow gold, length 3.8cm, case

£800­1,200

292 A star sapphire, enamel and diamond ring, claw­set with a cabochon oval star sapphire of violet tint weighing 12.15 carats, to a border and crown motif set with circular­cut diamonds totalling approximately 2.30 carats, mounted in gold with foliate scroll decoration, size L

£2,000­2,500

293 A Victorian amethyst rivière, mid 19th century, composed of graduated cushion­shaped amethysts in gold collet settings, length 40cm

£1,500­2,000

£2,500­3,000

294 A diamond­set gold elephant pendant, pavé­set with round brilliant­cut diamonds in yellow gold, suspending on a gold circular­link chain by Chopard, signed with Swiss marks and marked 750, pendant length 3.5cm, chain length 41cm

295 A gold and diamond tennis racket pendant, set in yellow and white gold, with a tapered baguette­shaped diamond and a cultured pearl as the tennis ball, length 5.7cm

£300­400

296 An amethyst­set gold pendant, set with an oval amethyst within gold scroll surround and suspending a circular­cut amethyst in gold, length 6cm

£200­300

297 A diamond pendant necklace, designed as an elaborately knotted motif within an oval border, set with brilliant­cut diamonds, suspended from a diamond­set bail, to a wheat­link chain, mounted in gold, pendant length 3.7cm, chain length 45.5cm, each stamped 14K

£600­800

298 A star sapphire, emerald, ruby and diamond brooch, of giardinetto design, the vase set with a cabochon star sapphire measuring approximately 12.5 x 11.1 x 5.7mm, holding an arrangement of flowers set with circular­cut emeralds and rubies and brilliant­cut diamonds, mounted in white gold, length 3.8cm £3,000­4,000

Accompanied by GCS report no. 81292­39, stating that the sapphire is of Sri Lankan (Ceylon) origin, with no indications of heat treatment.

299 A diamond­set gold horse brooch, set with a line of round brilliant­cut diamonds on textured yellow gold, stamped 18ct, width 4cm £400­600

An identical brooch is owned by Her Royal Highness, Princess Anne.

300 Kiki McDonough, a citrine and diamond demi­parure, comprising a pair of citrine and diamond cluster earrings, the gold hoop earrings suspend a detachable oval citrine and diamond cluster in 18ct yellow gold, maker’s mark and London hallmarks for 2006, total length 2.4cm, with a cruciform necklace set with graduated citrines accented with small diamonds, suspending on a diamond­set bail on a circular­link gold necklace, pendant with maker’s mark and stamped 750, pendant length 7.5cm, necklace length 46cm, gross weight 61g

£800­1,200

301 A diamond engagement ring and wedding band, 1970s, the engagement ring centring on a brilliant­cut diamond weighing approximately 1.25 carats, between trios of marquise­shaped diamonds, to entwined bands of white gold with a textured finish, size O; together with a matching wishbone­shaped wedding band, size N½, each stamped 18CT

£600­800

302 Garrard, a pair of diamond ear clips, circa 1993, each of hoop design, pavé­set with brilliant­cut diamond, mounted in 18ct gold, length 2.7cm each, signed G&Co., British import hallmarks, date letter T for 1993

£2,000­3,000

303 An aquamarine pendant, the pear­shaped aquamarine set within a gold wirework surround, length 3.2cm £400­600

304 A pair of pearl and diamond earrings, early 20th century and later, each designed as a flower, set with pearls of various tints, and cushion­shaped and circular­cut diamonds, mounted in white gold, length 2.5cm each, later clip and post fittings, stamped 750, pearls untested

£800­1,200

305 A pair of diamond­set scroll earrings, set with round brilliant­cut diamonds in scallop­edged gold scroll settings, marked 750, length 18mm, clip fittings

£700­900

306 A pair of diamond earrings, each designed as a hinged hoop, set to the front with a line of baguette diamonds, mounted in gold, length 1.9cm each, stamped 585

£400­600

307 A pair of cultured pearl and diamond earrings, the round brilliant­cut diamond suspending a small diamond, with a diamond cap and drop­shaped cultured pearl, in platinum with white gold butterflies, length 3.3cm

£1,500­2,000

308 A pair of diamond­set gold ear clips, with diamond­set horseshoes on bicolour gold hoops, length 1.7cm, clip fittings

£500­700

309 A gold, cultured pearl and enamel bracelet, mid 20th century, composed of fancy linking in gold rope twist, applied with green enamel and set with three cultured pearls, length 18.5cm, French import assay marks for gold, French sponsor’s mark Sté T with treble clef, gross weight 12 grams

£300­500

310 An emerald necklace, composed of five rows of graduated emerald beads, measuring approximately 5.712.0mm, to a rope clasp of gild and green thread, length adjustable, length of shortest strand 48cm, combined gross weight approximately 204 grams

£1,000­2,000

A verbal report from GCS states that the beads show indications of significant clarity enhancement, origin: Brazil.

311 An emerald and diamond necklace, composed of five rows of graduated emerald beads measuring approximately 3.2­8.4mm, connected by two scallop shell motifs set with brilliant­cut and baguette diamonds, mounted in gold, one functioning as a clasp, length 35.5cm

£3,000­4,000

312 A morganite and diamond demi­parure, comprising: a necklace, set with an oval morganite weighing approximately 26.00 carats, and brilliant­cut diamonds totalling approximately 5.30 carats, pendant length 3.8cm, stamped 750, necklace length 45.5cm, stamped 14K; and a pair of earrings, each set with a circular­cut morganite and brilliant­cut diamonds, mounted in rose gold, length 2.7cm, post fittings, fitted case

Accompanied by an appraisal document from EDR.

£2,000­3,000

313 Three emerald and diamond clusters, each composed of a cabochon emerald within a border of brilliant­cut diamonds, mounted in white gold, length 1.1cm

£400­600

314 Carolina Bucci, a pair of gem­set ‘Sunset’ necklaces, ‘Sunset Dusk’ and ‘Sunset Dawn’, each composed of a semicircular motif pavé­set with brilliant­cut diamonds of brown and colourless tints, circular­cut rubies and black diamonds, and brilliant­cut diamonds of brown, colourless, blue and green tints respectively, to chains composed of textured links, the clasp suspending bee motifs, necklace lengths 43 and 45.5cm respectively, pendants 2.2 x 3.3cm each, the pendants aligning to form a single motif when worn together, each stamped 750, Italian maker’s marks, stamped CB for Carolina Bucci, blue and green diamonds treated, remaining diamonds untested for natural colour origin, case stamped Carolina Bucci

£2,000­3,000

315 An emerald and diamond ring, the emerald­cut emerald set within baguette­shaped diamond shoulders in 18ct white gold, London hallmarks for 1982, size N

£600­800

316 An emerald ring, claw­set with a step­cut emerald stated to weigh 3.42 carats, to a bicoloured 18ct gold mount, size N, British hallmarks

£1,000­1,500 Accompanied by WGI report no. WGI9624148460, stating that the emerald is of Colombian origin, with indications of moderate clarity enhancement with oil.

317 An emerald and diamond full circle eternity ring, designed as diamond­set flowerheads, each centring on a circular­cut emerald in platinum, size M

£1,000­2,000

318 An opal and diamond ring, set with a cabochon opal measuring 27 x 15 x 9mm, within a border of brilliantcut diamonds, mounted in gold, size O

£1,800­2,000

319 A diamond clip brooch, 1930s, of fan­shaped design, set with circular­cut diamonds, mounted in platinum, length 3.4cm, later pins in base metal, one diamond deficient

£2,500­3,000

320 A jadeite and diamond ring, designed as an abstract cluster of pear­shaped jadeite cabochons and pear­ and marquise­shaped diamonds, mounted in gold, size L

£800­1,200

321 An emerald eternity ring, channel­set with a continuous band of calibré­cut emeralds, mounted in platinum, size O½ £100­150

322 An emerald and diamond ring, claw­set with an oval emerald measuring approximately 11.1 x 8.8 x 5.3mm, to a wide band with alternating bands of channel­set baguette diamonds and pavé­set brilliant­cut diamonds, mounted in white gold, size N, stamped 18K, maker’s mark BJC, partially numbered

END OF DAY ONE

£1,200­1,500

DAY TWO

THURSDAY 30TH JANUARY 2025 AT 10.00AM

323 An amethyst and diamond cluster ring, early 19th century and later, set with a cushion­shaped amethyst within a surround of rose­cut diamonds in silver and gold closed back setting, size K £200­300

324 A spinel and diamond cluster ring, early 19th century, set with a cushion­shaped spinel within a surround of diamonds in silver and gold closed­back setting, size K £400­600

325 A gold and hairwork mourning ring, circa 1792, set with a circular glazed compartment containing woven hairwork, to a plain gold border and band, the reverse inscribed ‘Captn Alexander ob: 31 Jany 1792’, size N £150­250

326 An unusual George III agate necklace, early 19th century, composed of carved hardstone links within beaded gold borders, connected by two strands of fine link chain, length 40cm, later clasp, two spare links £1,000­1,500

327 Miers & Field, an early 19th century silhouette portrait brooch, signed Field, in plain gold frame with inscription to reverse for Charlotte Perkins dated 1809, length 2.6cm, with another early 19th century silhouette portrait brooch in plain gold frame with woven hair in glazed locket compartment to reverse, length 2.3cm £200­300

328 A Regency spherical gold pendant, with tricolour gold foliate decoration, width 14mm, suspended on a fine link gold neck chain, length 58cm £300­500

329 A pearl and garnet brooch, Spain or Portugal, 19th century and later, of girandole design, suspending three pendants, composed of gold scroll work, set with garnets and pearls, the top later set into a bar brooch designed as an arrow, length 5.8cm, pearls untested £300­400

330 An 18th century diamond pendant, designed as a cruciform set with diamonds in raised yellow gold settings, length 4.6cm, on fine link neck chain, case £800­1,200

331 A garnet necklace and pair of earrings, 19th century and later, comprising: a necklace composed of oval links and floral cluster set with foil­backed garnets, mounted in low carat gold, suspending a detachable later pendant, length 42cm, composite; and a pair of similar pendent earrings, length 3.6cm each, screw fittings, two garnets deficient, each stamped 9ct £600­800

332 A citrine bracelet, mid 19th century, composed of graduated cushion­shaped citrines, each mounted in gold, length 17cm £400­600

333 A Stuart crystal heart, later mounted as a stick pin, the carved rock crystal heart set above a woven cipher in silver and gold, width 16mm £200­300

334 An enamel, diamond and seed pearl brooch, late 18th century and later, centring on a curved panel set with rose­cut diamonds, applied with blue and white enamel and bordered with half pearls, mounted in silver and gold, to a later gold bar brooch, length 5.5cm, case stamped Goldsmiths and Silversmiths Company £600­800

335 A diamond cluster ring, early 19th century and later, set with graduated rose­cut diamonds in silver and gold, size M £200­300

336 A topaz and diamond cluster ring, early 19th century, set with a cushion­shaped pink topaz within a surround of diamonds in silver and gold closed back setting, size I £200­300

337 A gold and enamel locket pendant, France, circa 1819­1838, designed as a book, its front and back covers applied with red, white, blue and green enamel, opening to reveal a hinged series of rectangular locket compartments containing photographs, pendant length 4cm including suspension hoop, early 19th century Parisian assay mark for 18ct gold, maker’s mark GRM with ear symbol, hinged photo frames possibly a later addition £1,500­2,000

338 A late 18th century white enamel mourning ring, with inscription in gold lettering for J.C.Mileman OB 7 May 1788 AE 4Ys 2 Mo, makers mark DB and rubbed hallmarks, size S £300­400

339 A ruby and diamond cluster ring, set with an oval­shaped ruby within a surround of rose­cut diamonds in silver and gold, approximately size I £200­300

340 A diamond­set Royal Naval crown brooch, set with graduated single­cut diamonds in platinum, width 2.8cm, case £100­200

341 A Belle Époque black opal and diamond pendant, set with a triangular opal cabochon within diamond border decorated with diamond­set bows to each corner, suspending a further diamond black opal drop in platinum, length 4cm, on a platinum fine link chain, length 41cm £4,000­6,000

342 A sapphire and diamond clip brooch, early 20th century, set with graduated oval­shaped sapphires and old circular­cut diamonds millegrain­set in platinum, length 3.5cm £600­800

343 Asprey, an early 20th century fob watch, C1910, signed dial with Arabic numerals and outer minute marker, the case decorated with teal enamel and a diamond giardinetto to reverse, on a long platinum chain set with seed pearls, watch width 2.8cm, chain length 142cm £400­600

344 Murrle Bennett & Co., an Arts and Crafts gold and pearl locket necklace, circa 1900, the pendant set with a circular glazed compartment containing a photograph, to a frame of sinuous foliate motifs, suspending a pearl pendant, to a fine chain of belcher and baton linking, mounted in gold, pendant length 5cm, necklace length 47.5cm, pendant signed MBCo, stamped 15CT, pearl untested, case stamped Hunt & Roskell £400­600

345 An Edwardian sapphire, pearl and diamond brooch, circa 1910, of abstract geometric design, suspending an articulated floral festoon, set with a circular­cut sapphire, circular­ and rose­cut diamonds and pearls, mounted in gold and platinum, length 4.2cm, pearls untested £300­500

346 Cropp & Farr, a sapphire and diamond brooch, mid 20th century, designed as a wreath set with brilliant­cut diamonds and circular­cut sapphires, mounted in white gold and platinum, length 2.6cm, maker’s mark C&F, stamped 18CT and PLAT £300­500

347 An impressive opal and diamond brooch, early 20th century, claw­set with a large cabochon opal measuring approximately 33 x 27 x 5.3mm, within a foliate frame millegrain­set with single­cut diamonds, mounted in platinum, length 4.7cm, fitted case stamped SH&D Cass, Regent Street London

£4,000­6,000

348 A Belle Époque pearl and diamond bracelet, early 20th century, composed of square panels of foliate open work, set with pearls and rose­cut diamonds, connected by three rows of fine chain linking threaded with seed pearls, mounted in platinum, length 19.3cm, pearls untested

£3,000­4,000

349 A diamond brooch, early 20th century, the bar brooch collet­set to the centre with a shallow antique cushionshaped diamond measuring approximately 6.1 x 5.2 x 1.7mm, mounted in silver and gold, length 5.5cm, fitted case

£300­500

350 A sapphire and diamond bar brooch, alternately­set with old circular­cut sapphires and diamonds in platinum and gold, length 5.4cm £100­200 TO BE SOLD WITHOUT RESERVE

351 A moonstone necklace, early 20th century, designed as a fringe of cabochon moonstone pendants, to a fine back chain and barrel clasp, mounted in gold, length 45cm

£300­400

352 An early 20th century sapphire and diamond brooch, designed as a stylised flowerhead set with oval sapphires and graduated circular­cut diamonds in platinum and gold, width 3.2cm

£2,000­3,000

353 An early 20th century diamond­set pansy brooch, the violet fabric petals bordered with rose­cut diamonds centring on an old circular­cut diamond in platinum and gold, reverse detachable, fabric removable and interchangeable, French maker’s mark, width 2.6cm

£3,000­5,000

354 A multigem­set gold bracelet, set with a sapphire, garnets, and zircons in yellow gold coronet setting on fine curb­link band, length 18cm

£300­400

355 A sapphire and diamond cluster ring, set with a step­cut sapphire within quatrefoil diamond surround in platinum and yellow gold, inner re-sizing sleeve, approximately size K

£200­300

356 An early 20th century diamond cluster ring, set with three graduated old cushion­shaped diamonds forming a stylised clover leaf, set in platinum, size K

£400­600

357 A ruby and diamond cluster ring, set with an oval ruby within a tapered surround of diamonds and diamondset shoulders in white gold, stamped 2.09 and D 0.62 to inside shank, size M

£2,000­3,000

Accompanied by report number GRS2014­074170 dated 6th August 2014 from GRS stating that the ruby shows no indications of thermal treatment, origin: Mozambique.

358 A diamond eternity ring, set with emerald cut diamonds weighing approximately 4.50cts in platinum, London hallmarks for 2018, size L

£1,000­1,500

359 A sapphire and diamond three­stone ring, set with an oval sapphire weighing approximately 1.60 carats, between shoulders set with circular­cut diamonds totalling approximately 1.00 carat, mounted in platinum, size Q, stamped Platinum

£1,200­1,800

360 A diamond half hoop ring, set with six graduated old­cut diamonds in platinum, size K £400­600

361 A diamond cluster ring, set with a circular­cut diamond, baguette­shaped diamond shoulders and a further circular border of diamonds in white gold, size N £200­300

362 A diamond cluster ring, of geometric design set with graduated circular­cut diamonds in platinum, size N

£700­900

363 A fancy diamond cluster ring, the central cushion­shaped diamond of pink tint weighing 1.28cts set within a surround of pink and colourless diamonds in gold, size J

£2,000­3,000

364 A pink tourmaline and diamond ring, the step­cut tourmaline on a fine band set with small diamonds in white gold, size N £500­700

† 365 A loose oval­shaped blue sapphire, weighing 9.11cts

£2,800­3,800

Accompanied by report number 25348 from The Gem and Pearl Laboratory dated 8th November 2024 stating that the sapphire shows no evidence of heat treatment, origin: Sri Lanka

† 366 A loose colour change sapphire, the oval colour­change sapphire weighing 9.50 carats

£2,800­3,800

Accompanied by report no.25354 from the Gem & Pearl Laboratory, stating that the sapphire is of Sri Lankan origin, with no indications of heat treatment. The sapphire is blue in daylight, purple in incandescent light.

367 A diamond brooch, of Edwardian inspiration, designed as one openwork ribbon bow suspending a smaller detachable ribbon bow pendant, set with brilliant­cut diamonds, length 3.1cm, stamped 18K £200­300

368 A sapphire and diamond fringe necklace, set with undulating circular links set with diamonds and suspending graduated sapphire and diamond heart pendants in white gold, length 40.5cm

£4,000­6,000

369 A pair of synthetic sapphire and diamond earrings, each designed as a stylised flower, set with oval sapphires and brilliant­cut diamonds, mounted in white gold, length 3cm each, clip and post fittings

£400­600

370 A sapphire and diamond bracelet, set with oval­shaped sapphires within diamond surrounds separated with arcs of tapered baguette­shaped diamonds within diamond borders in white gold, sapphires 13.79cts, diamonds 15.94cts, stamped 750, length 18.3cm

£7,000­7,500

371 A diamond line bracelet, set with graduated circular­cut diamonds rubover­set in platinum, length 17cm

£800­1,200

372 A pair of diamond hoop earrings, millegrain­set with circular­cut diamonds in white gold, stamped 750, post fittings, length 3cm

£200­300

373 A pair of sapphire and diamond earrings, of pendent design, each set with two pear­shaped sapphires, within borders of brilliant­cut diamonds, connected by a marquise­shaped diamond link, mounted in white gold, length 4.5cm each, clip and post fittings, each stamped 750, unidentified maker’s mark, sapphires with evidence of diffusion treatment

£2,000­3,000

374 A pair of aquamarine and diamond earrings, the oval aquamarines set within a surround of diamonds and suspending from a further diamond in white gold, length 2cm, post fittings

£600­800

375 A pair of diamond hoop earrings, channel­set with baguette­shaped diamonds in white gold, post fittings, length 19mm

£200­300

376 A pair of diamond earrings, each of scroll design, set with brilliant­cut and baguette diamonds, mounted in white gold, length 1.9cm each, stamped 18K 750

£500­700

377 A pair of ruby and diamond cluster earrings, the ruby cabochons set within surrounds of diamonds beneath a diamond­set leaf in white gold, length 2.3cm

£1,000­1,500

378 A Belle Époque opal and diamond pendant, early 20th century, centring on a cabochon opal measuring 17.3 x 10.6 x 4.4mm, within a border of ribbon scrolls set with circular­cut diamonds, suspending an opal drop pendant, mounted in silver and gold, pendant length 7.2cm including later bail, chain length 40cm, stamped 750 £5,500­7,000

379 A cat’s eye chrysoberyl and diamond ring, early 20th century, set with an alternating sequence of three cat’s eye chrysoberyls and two cushion­shaped diamonds, mounted in white gold and platinum, size K½, stamped 18CT PLAT

£800­1,200

380 A late 19th century gem­set butterfly brooch, set overall with graduated rose­cut diamonds, step­cut emeralds and rubies in yellow gold, each wing individually mounted en tremblant, with detachable brooch fitting to reverse, width 4.1cm

£4,000­6,000

381 An Art Nouveau pearl and diamond necklace, early 20th century, composed of asymmetrical foliate scrolls, set with circular­cut diamonds and two pearls, suspending a detachable pendant, mounted in silver and gold, to a later gold chain necklace 40cm, length of pendant 6.6cm, pearls untested, detachable brooch fitting, fitted case stamped Collingwood & Co.

£3,000­5,000

382 A ruby and diamond novelty brooch, late 19th century, designed as a pair of monkeys, one sat on a bar, the other suspended from a ring, set with circular­cut and cushion­shaped rubies, cushion­shaped and rose­cut diamonds, and accented with a citrine and two turquoise cabochons, mounted in silver and gold, length 5.6cm

£500­700

383 A Victorian diamond brooch, late 19th century, of rosette design, set with circular­cut diamonds, mounted in silver and gold, 3cm diameter

£2,000­3,000

384 A diamond pendant/brooch, circa 1900, of cluster design, composed of concentric rings of circular­cut diamonds, mounted in silver and gold with later rhodium plating, to a similar retractable bail, length 3.6 including bail, detachable brooch fittings

£1,500­2,000

385 A five­stone diamond ring, set with five graduated old­cut diamonds mounted in a carved and pierced yellow gold setting accented with rose­cut diamonds, size Q½

£1,000­1,500

386 A late 19th century diamond bow brooch, set with graduated rose­cut diamonds centring on an old cushioncut diamond in silver and gold, width 2.3cm

£150­250

387 A late 19th century diamond five stone ring, set with graduated old circular­cut diamonds in carved and pierced yellow gold setting, inner re-sizing sleeve, approximately size N

£500­700

388 A diamond brooch, late 19th century, designed as a stylised flower, set with a concentric arrangement of circular­cut diamonds, mounted in silver and gold, diameter 2.9cm

£800­1,200

389 A late 19th century diamond star brooch, set with graduated old cushion­shaped diamonds in silver and gold, detachable brooch fitting, width 3cm, case

£800­1,200

390 A mid 19th century lapis lazuli demi­parure, comprising a lapis lazuli bead necklace with gold filigree decoration, suspending a lapis lazuli drop, length 50cm, with a pair of matching lapis lazuli and gold filigree earrings, length 4.5cm, case £5,000­7,000

391 A late 19th century sapphire and diamond ring, set with a heart­shaped sapphire and a pear­shaped diamond, both within a surround of cushion­shaped diamonds in yellow gold, size J £1,000­1,500

392 A late 19th century diamond five stone ring, set with graduated old circular­cut diamonds and diamond pointers in carved and pierced 18ct yellow gold setting, inner re­sizing sleeve, approximately size O £600­800

393 A diamond cluster ring, set with a central old cushion­shaped diamond within a surround of circular­cut diamonds in white gold, stamped 18, size O £300­500

394 A late 19th century enamel and gold locket, C1875, the oval locket applied with a black enamel cipher and engraved with inscription to reverse: ‘In Affectionate Remembrance of John Todd who died 17th Feb’y 1875 Aged 69’ glazed locket compartment to interior containing hair, length 5.2cm, fitted case by Hunt & Roskell £1,000­1,500

395 A mid 19th century enamel lorgnette pendant, decorated with blue and white enamel in yellow gold on a yellow gold chain, pendant length 3.2cm, chain length 40cm £300­500

396 A mid 19th century shamrock brooch, set with lapis lazuli beads and rose­cut diamonds in silver and gold, length 3cm £200­300

397 A mid 19th century diamond three stone ring, set with three graduated cushion­shaped diamonds in star and lozenge yellow gold setting, stamped 18ct, size S £200­300

398 A diamond five stone ring, set with five graduated cushion­shaped diamonds in yellow gold setting, size L £3,500­4,500

399 A mid 19th century enamel and diamond bracelet, set with a central blue enamel plaque applied with a diamond­set star within scrolled gold border on gold bracelet, length 18.3cm, case £3,500­4,500

400 Atelier Zobel, a pair of gold earrings, Switzerland, circa 1993, each of spiralling design in textured gold, length 6.0cm each, clip and post fittings, signed Zobel 1993

£2,500­3,000

401 Georland, a gold, ruby and diamond brooch, France, 1960s, designed as a chick standing with its wings outstretched, its eye set with single­cut diamonds and a cabochon ruby, mounted in textured gold, length 4.3cm, French export assay marks for 18ct gold and platinum, French assay mark Sté G with saxophone for Georland, inscribed 750

£1,500­2,000

402 A gold and cultured pearl necklace and pair of bracelets, France, 1970s, composed of textured gold linking, set with cultured pearls of dark tint, wearable as a single necklace, separating into a shorter necklace and two bracelets, total length 85cm, shorter necklace length 47cm, bracelet lengths 19cm each, each with French assay marks for 18ct gold, unidentified French maker’s mark MC spaced with vertical line, gross weight 114 grams

£3,000­4,000

403 Boucheron, an enamel and diamond brooch, mid 20th century, of twisted design, pavé­set with brilliant­cut diamonds and applied with green guilloché enamel within textured gold borders, length 9.1cm, signed Boucheron Paris, numbered 18404, French assay mark for 18ct gold to pin, fitted case stamped Boucheron

£2,000­3,000

404 A pair of diamond earring mounts, with vacant claw mounts for circular­cut stones, separated with diamonds in platinum, length 4.5cm

£1,000­1,500

405 A pair of diamond ear clips, mid 20th century, each designed as an abstract ribbon scroll, set with circularcut and baguette diamonds, mounted in platinum and white gold, length 2.2cm each

£1,500­2,000

406 David Webb, a rock crystal and diamond ring, set lengthways with a cylindrical section of rock crystal carved with a spiral pattern, between bands of brilliant­cut diamonds, mounted in white gold and platinum, size M½, signed Webb, stamped 18K PLAT £600­800

407 A tourmaline and diamond cluster ring, the cushion­shaped tourmaline set within diamond surround within gold wirework setting and further diamond shoulders, inner re­sizing sleeve, numbered 7.384 to inside shank, approximately size L £600­800

λ 408 A coral and diamond­set gold ring, the carved pink coral rose within diamond­set gold surround, size J £600­800

409 A pair of gold and diamond earrings, 1970s, each of abstract design, composed of textured gold rectangular motifs and brilliant­cut diamonds, length 1.9cm, maker’s mark AJco £200­300

410 A gold and enamel locket pendant, late 19th century, the oval locket intricately engraved with an elaborate monogram and abstract foliate scrollwork, opening to reveal a double­sided glazed photo compartment, one side with a frame of green and white enamel, mounted in gold, length 6.5cm including bail, gross weight 54 grams £400­600

411 An emerald and diamond ring, late 19th century, of cluster design, set with a cabochon emerald within a border of cushion­shaped diamonds in closed settings, mounted in silver and gold, size N½ £800­1,200

Accompanied by GCS report no. 5784­3758, stating that the emerald measuring 10.7 x 8.7mm is of Austrian origin, with indications of moderate clarity enhancement

412 An opal and diamond ring, the three oval opals mounted in a carved and pierced yellow gold setting accented with diamonds, size P½, stamped 18 to shank, case £300­400

413 A Victorian garnet and diamond brooch, mid 19th century, designed as a foiled cabochon garnet within a foliate scroll border set with cushion­shaped diamonds, suspending a similar detachable drop pendant, mounted in silver and gold, length 6cm £800­1,200

414 A mid 19th century garnet­set gold necklace, suspending five graduated oval plaques, each set with a cabochon garnet within gold surround, each with a glazed compartment to reverse containing plaited hair with initials above, all mounted on a snake­link gold chain, length 36cm, with a sixth conforming oval pendant, length 3cm, case

£800­1,200

415 An onyx, pearl and diamond brooch, late 19th century, of navette­shaped outline, set with polished black onyx inlaid with a floral spray set with rose­cut diamonds, bordered in half pearls, mounted in gold, the reverse with a glazed compartment, length 5cm

£400­600

416 An emerald and diamond ring, set with a sequence of five step­cut emeralds, the outer borders with colletset brilliant­cut diamonds, mounted in gold, size M½

£300­400

417 A late 19th century ruby and diamond five stone ring, alternately­set with cushion­shaped rubies and diamonds in 18ct yellow gold, Chester hallmarks, size L

£150­250

418 A late 19th century sapphire and diamond bangle, the two rows alternately­set with sapphires and diamonds between knife­edge links in yellow gold, stamped 18, internal width 5.5cm, case

£600­800

419 A gold bangle, Papal States, second half 19th century, designed in the Etruscan Revival style, the hinged gold cuff applied with rope twist and gold wire scrollwork, and letters reading ‘MARTIA ROMA’, inner circumference 15.1cm, Papal assay marks, fitted case

£1,500­2,000

420 A gold, enamel and pearl demi­parure, mid 19th century, comprising: a brooch, of oval outline decorated with foliate scrollwork, centring on a lozenge­shaped grid of half pearls within blue enamel borders, suspending a chain festoon and tassel pendant, the reverse with a glazed locket compartment, length 6.5cm, retractable pendant hoop; and a pair of earrings of similar design, each suspending a fringe of chain pampille pendants, length 7.1cm each, post fittings, pearls untested, original fitted case stamped Manoah Rhodes & Sons Ltd, North Parade, Bradford

£1,500­2,000

421 A pair of banded onyx earrings, each composed of one banded onyx cabochon suspending another, in gold collet settings, length 3.3cm each, hook fittings

£200­300

£2,000­3,000

422 A Retro gold, sapphire and diamond brooch, France, circa 1940, designed as a ribbon bow in polished gold, set with two lines of calibré­cut sapphires and claw­set with circular­cut sapphires and diamonds, length 7.2cm, French assay marks and partial maker’s mark

423 Tuk Fisher for Georg Jensen, a modernist gold necklace, circa 1969, designed as a flexible gold wreath of abstract leaves in polished 18ct gold, length 39cm, signed Georg Jensen, numbered 1133, stamped 18K and 750, British import hallmarks for 18ct gold, date letter O for 1969, sponsor’s mark GJLd for Georg Jensen, gross weight 95 grams, original case stamped Georg Jensen

£4,000­6,000 Born in Denmark in 1939, Tuk Fisher was an apprentice to the goldsmith Poul Warmind and finished in 1961, joining Georg Jensen in 1962. The present design was introduced in 1963. She eventually attended the Danish School of Arts, Crafts, and Design, designing jewels for Georg Jensen in celebration of their 100th­year exhibition in 1966. In the 1960s, she had exhibitions in London, Brisbane, and Toronto, before eventually turning her artistic attention to painting.

424 A gold oval link bracelet, mid 20th century, stamped 750, length 21cm, 28g

£1,000­1,500

425 Cartier, an Art Deco gold and jadeite brooch, 1930s and later, of geometric design, centring on three panels of jadeite, between hoop motifs in polished gold, length 5.8cm, signed Cartier London, later brooch fitting

£800­1,200

426 A diamond­set scroll brooch, with a vacant centre within articulated diamond­set white gold scrolls, length 4.5cm £800­1,200

427 A ruby and diamond cluster ring, set with a central circular­cut diamond within surround of circular cut rubies and diamonds in platinum and gold, London hallmarks for 1975, size O

£2,000­3,000

428 A diamond brooch, mid 20th century, of scrolled design, channel­set with lines of baguette diamonds, to a central cluster of brilliant­cut diamonds, accented with smaller brilliant­cut and marquise­shaped diamonds, mounted in white gold, length 3.8cm

£2,500­3,000

429 Margaret de Patta, a modernist paste and gold ring, San Francisco, 1950s, set at an angle with a prismshaped yellow paste with faceted ends, to a gold band of asymmetrical design, size U½, signed de Patta, stamped 14K £600­800

Margaret de Patta (1903­64) was an American jeweller, artist and educator, who was among the founders of the Metal Arts Guild of San Francisco. Famed for her use of optical effects through innovative stone cuts known as ‘Opticuts’, her work forms part of the collections of several major American museums such as the Smithsonian Institute, the Los Angeles County Museum of Art, and was the subject of retrospective Space-Light-Structure: The Jewelry of Margaret De Patta at the Museum of Arts and Design (MAD) in New York in 2012. The present ring was acquired directly from de Patta in the 1950s.

430 A tourmaline and diamond ring, claw­set with a step­cut green tourmaline, within a border of brilliant­cut diamonds, mounted in gold, size Q½ £600­800

431 An emerald and diamond cluster ring, set with an emerald­cut emerald within gold collet and square­shaped diamond surround, foliate engraved underbezel, size M, case

£6,500­8,000

Accompanied by report number 5234202351 from GIA dated 4th March 2024 stating that the emerald shows moderate clarity enhancement, origin: Colombia.

432 An amethyst­set gold ring, the large step­cut amethyst claw­set in yellow gold, stamped 18k to shank, size L £800­1,200

433 Chaumet, a cultured pearl and diamond ring, set with a central grey cultured half pearl within textured gold surround and diamond­set shoulders, plaque for Chaumet Paris and 750, size N

£2,000­3,000

£2,500­3,500

434 A Belle Époque gem­set pendant, designed as a wreath of diamonds surrounding an inner border of calibrécut demantoid garnets centring on a rock crystal cabochon applied with a diamond­set knot, suspending an untested pearl in platinum and gold, length 4.5cm, on a fine link platinum neck chain, length 40cm

435 A diamond brooch, mid 20th century, designed as a spray of wild roses, set with circular­, single­cut and baguette diamonds, mounted in white gold, length 6.5cm

£500­700

436 A blister pearl and diamond brooch, designed as a duck, its body set with a blister pearl and cushion­shaped, brilliant­ and rose­cut diamonds, its eye set with a cabochon ruby, mounted in silver and gold, length 3.2cm, blister pearl untested, some diamonds later replacements

£1,000­1,500

437 A Victorian diamond brooch, late 19th century, designed as two entwined hearts crowned by a ribbon bow, set with circular­cut diamonds, mounted in silver and gold, length 2.7cm

£600­800

438 An Art Nouveau diamond and emerald brooch, circa 1900, of scrolled design suspending a pendant, set with circular­ and rose­cut diamonds, each end accented with a step­cut emerald, mounted in silver and gold, length 4.7cm

£1,750­2,000

439 A Belle Époque natural pearl and diamond necklace, centring on a half pearl within cluster surround of diamonds and diamond­set swags and suspending a further natural pearl, on a twisted­link diamond­set necklace in platinum, length 41.5cm

£8,000­12,000

Accompanied by report number 08639 from The Gem and Pearl Laboratory dated 27th September 2013 stating that the natural half pearl and natural pearl are saltwater.

440 A Victorian pearl and diamond brooch, circa 1900, designed as a snowflake, set with circular­cut diamonds and pearls, mounted in silver and gold, pearls untested, length 2.1cm

£200­300

441 A late 19th century diamond­set flower brooch, set with graduated old cushion­shaped diamonds in silver and gold, length 5.5cm

£1,000­1,500

442 A pearl and diamond giardinetto brooch, set with pearls and graduated diamonds of colourless, brown and yellow tint, set in silver and gold, width 8.2cm

£2,000­3,000

A verbal report from GCS states that two pearls are natural saltwater, one pearl is saltwater with indications of treatment (this pearl would need to be unmounted for further clarification).

443 No lot

444 A natural pearl pendant, suspending a natural pearl measuring approximately 8.89 x 8.98 x 10.33mm, from a plain gold bail, length 1.7cm including bail £300­500

Accompanied by GCS report no. 5784­3781, stating that the pearl is natural, saltwater.

445 A natural and cultured pearl necklace, composed of graduated pearls measuring approximately 3.8 ­ 10.0mm diameter, to a 9ct gold clasp set with a circular­cut amethyst and half pearls, length 49.5cm, British hallmarks £300­500

Accompanied by report number 5785­0787 from GCS stating that the pearls are natural saltwater with the exception of two beaded cultured pearls and one natural freshwater pearl.

446 A natural pearl necklace, early 20th century, designed as a single strand of graduated natural, cultured and seed pearls measuring approximately 2.1­6.3mm diameter, to a clasp set with a pearl bordered by rose­cut diamonds, length 43cm £500­700

Accompanied by report number 5785­0578 from GCS dated 28th November 2024 stating that the 95 pearls (excluding seed pearls) are natural saltwater with the exception of two marked cultured pearls.

447 An emerald bead necklace, early 20th century and later, composed of graduated emerald beads, the largest measuring approximately 21.7 x 19.9 x 16.5mm, accented with synthetic ruby roundels and pearls, length 45cm, later clasp with British hallmarks for 9ct gold, date letter for 1966, pearls untested, gross weight 48 grams

448 An emerald cloak pin, set with an emerald bead, mounted in gold, length 7.2cm

£2,000­3,000

£2,000­2,500

Accompanied by report number CDC2409537 dated 27th September 2024 stating that the emerald bead weighing 39.70cts with indications of minor clarity enhancement.

449 Cartier, an Art Deco natural pearl and diamond brooch, 1920s, of bar design, set with rose­cut diamonds and natural pearls, mounted in platinum with millegrain borders, length 8.5cm, signed Cartier Paris Londres New York, French assay mark for platinum, partial French maker’s mark, possibly GH with chariot for Georges Harnichaud

£3,500­4,500

Accompanied by report numbers 80271­34 and 5785­0498 from GCS, stating that the pearls are natural saltwater.

450 An early 20th century natural pearl and diamond cluster ring, the pearl set within surrounds of single­cut diamonds in platinum, size M

£800­1,200

Accompanied by report number 5785­0079 from GCS dated 17th October 2024 stating that the cream pearl is natural saltwater.

451 An emerald and diamond­set gold ring, set with an oval emerald within a diamond surround on expanding yellow gold band, approximately size P £500­700

452 A ruby solitaire ring, collet­set with a large oval ruby measuring approximately 20.1 x 15.3 x 5.7mm, in a gold setting of fluted design, size J½

£1,000­2,000

453 A natural pearl and diamond bangle, designed as a torque of hinged construction, each end set with a natural pearl, one inlaid with a brilliant­cut diamond, to a gold band set with brilliant­cut diamonds, inner curve 14.5cm

£2,000­4,000

A verbal report from GCS states that the pearls measuring approximately 11.9 x 9.5 x 7.6mm and 8.7 x 8.8 x 9.2mm are natural saltwater.

454 An emerald and diamond cluster ring, the oval emerald set within a surround of old cushion­shaped diamonds in silver and gold closed­back setting, size K

£1,500­2,500

A verbal report from GCS states that the emerald shows indications of moderate clarity enhancement, origin: Colombia.

455 An unusual Art nouveau gold, ruby and diamond ring, circa 1900, centring on a cushion­shaped ruby between two marquise­shaped diamonds of yellow tint, to a gold band modelled as a pair of caryatids, accented with rose­cut diamonds and circular­cut rubies, size N, partial French assay mark for 18ct gold, indistinct French maker’s mark

£1,500­2,000

456 A topaz, sapphire and diamond brooch, circa 1900, centring on a briolette topaz, within a foliate gold and platinum mount set with circular­cut sapphires and single­ and rose­cut diamonds, length 4.9cm, French import assay marks for 18ct gold and platinum

£1,500­2,000

457 A late 19th century pearl and diamond ring, designed as a stylised shamrock set with a pearl and two diamonds on an arced diamond­set band in silver and gold, size P ½, pearl untested

£600­800

458 A gem­set pansy brooch, late 19th century converted, the pansies set with sapphires, rubies and diamonds in silver and gold, later mounted on a gold stock pin, width 3.8cm

£400­600

459 A late 19th century enamel pendant and chain, the witches heart pendant decorated with red guilloche enamel, suspending on a gold chain, the baton links alternately decorated with red and green enamel with white spots and separated with a seed pearl in yellow gold, pendant length 2.8cm, chain length 46cm, fitted case by C&A Giuliano

£5,000­6,000

460 A late 19th century enamel and pearl locket pendant, designed as a heart with red guilloche enamel decoration applied with a seed pearl in plain gold setting, glazed locket compartment to reverse, width 16mm

£200­300

461 Attributed to Henri­Ernest Dabault, an Art Nouveau gold and sapphire ring, circa 1902, the band intricately modelled as figures of the gods Zeus and Hera, their hands clasped together, centring on a cushion­shaped sapphire, modelled in gold, size O, case stamped Tadema Gallery

£1,000­1,500

Cf.: Alastair Duncan, The Paris Salons, 1895-1914, Jewellery: the Designers A-K, Antique Collector’s Club, 1994, pg. 165, for a similar ring by Dabault, dated circa 1902.

462 A pearl and diamond ring, late 19th century, set with three half pearls, spaced with cushion­shaped diamonds, to a gold mount of scrolled design, size P, pearls untested

£150­250

463 A gold and seed pearl and watch chain, circa 1900, composed of fine gold linking threaded with seed pearls, to a hinged clip fitting, length 110cm £400­600

464 An enamel and diamond snake bangle, the stylised serpent set with demantoid garnet eyes, with diamondset head and tongue and a central row of pearls, on blue guilloche enamel in yellow gold, pearls untested, inner circumference 16cm approximately

£6,000­8,000

465 A Victorian gold and diamond bangle, mid 19th century, designed as a coiled snake, its hinged body of polished gold, its head decorated with scrolled engraving, each eye set with a circular­cut diamond, inner circumference 15.5cm

£2,000­3,000

466 A sapphire and diamond bracelet, late 19th century, composed of gold curb and oval linking, set with circularcut diamonds and sapphires in alternation, length 19cm

£300­400

467 A gem­set brooch, Portugal, mid 18th century, designed as a spray of flowers, set with calibré­cut rock crystal, ruby, pink topaz, amethysts and emeralds in foiled settings, mounted in silver, length 6.5cm, brooch fittings possibly later £200­300

468 A George II gold and turquoise brooch, circa 1850, designed as a dove carrying a ribbon in its beak, set with turquoise cabochons, in varicoloured gold, its plumage intricately engraved, length 3.5cm £300­400

Cf.: Hugh Tait ed. The Art of the Jeweller: A Catalogue of the Anne Hull Grundy Gift to the British Museum, London, 1984, p.155, no.558, for a similar example.

469 A rare George III diamond brooch, late 18th/early 19th century, designed as a foliate spray, set with cushionshaped diamonds in closed­back settings, mounted in silver and gold, length 7.2cm

£2,000­3,000

470 A George III diamond pendant, of wreath design set with graduated rose­cut diamonds in silver and gold closed back setting, length 4.2cm

£2,000­3,000

471 A pair of rock crystal earrings, France, late 19th/early 20th century, composed of a faceted rock crystal sphere suspending an elongated rock crystal briolette, accented with synthetic rubies, mounted in gold, length 5.9cm each, hook fittings, French assay marks for 18ct gold

£300­400

472 A George III enamel and diamond brooch, late 18th/early 19th century, of circular outline centring on a floral motif, set with rose­cut diamonds in closed­back settings, applied with a band of blue basse taille enamel with white enamel accents, mounted in silver and gold, 3.5cm, later brooch fittings, possibly converted from a button £600­800

473 A diamond and enamel ring, 17th century, centring on a heart motif set with a rose­cut diamond, to shoulders carved with foliate motifs, applied with black enamel to the front and reverse, mounted in gold, size J½, losses to enamel £800­1,200

474 An exquisite enamel and garnet sentimental ring, late 18th century, designed as a heart set with a foilbacked garnet, between a pair of gold pendants modelled as a key and padlock, to a scrolled gold band applied with white enamel, reading ‘PRENES ET OUVRES’ (‘take and open’) in reserve, size H½

£1,000­1,500

475 A reverse carved and painted rock crystal intaglio pendant, late 19th century, the ‘Essex’ crystal pendant depicting a ladybird, backed in mother of pearl, mounted in gold, length 1.5cm, stamped 18 £100­150

476 A ruby and enamel ring, the cabochon ruby weighing 0.96cts set within a black enamel Renaissance Revival setting in yellow gold, stamped 18K, size M

£3,000­5,000

A verbal report from GCS states that the ruby is unheated, moderate clarity enhancement with oil, origin: Burma.

477 A pair of diamond earrings, 19th century, designed as a cluster suspending a pear­shaped cluster pendant, set with rose­cut diamonds, in closed­back settings of silver and gold, length 4.2cm, later hook fittings, fitted case

£2,500­3,000

478 A diamond brooch, 19th century composite, designed as a floral spray within a scrolled circular frame, set with circular­cut and cushion­shaped diamonds, mounted in silver and gold, 4cm diameter

£1,000­2,000

479 A diamond ring, designed as a pear­shaped cluster, set with rose­cut diamonds in closed­back settings, to a band carved with floral motifs, mounted in silver and gold, size O £200­300

480 A rare late Georgian turquoise, emerald and diamond ring, 1830s, the front designed as a wreath of forgetme­nots, set with turquoise and emerald cabochons and rose­cut diamonds, to a band engraved with foliate scrolls, mounted in silver and gold, size O

£1,000­1,500

481 A diamond ring, 19th century and later, designed as a four­rayed star, set with rose­cut diamonds, to hoop shoulders, mounted in silver and gold, size J, later shank

£300­400

482 A rare late Georgian turquoise, ruby and diamond ring, 1830s, designed as a bee, set with ruby and turquoise cabochons and rose­cut diamond eyes, on a band composed of foliate scrolls, mounted in gold, size Q

£800­1,200

483 A ruby and diamond ring, mid 19th century and later, composed of three clusters of cushion­shaped and rose­cut diamonds, accented with circular­cut rubies, mounted in silver and gold, size L½, restoration £900­1,200

484 A topaz ring, set with a cushion­shaped topaz in a foiled pinched collet setting, to a wire band, mounted in silver and gold, size L½

£200­300

485 A diamond ring, first half 19th century, designed as a flower, set with cushion­shaped diamonds, to shoulders of clover motifs and foliate scrolls, mounted in silver and gold, size M½

£800­1,200

486 Kutchinsky, a gold fob watch, signed dial with baton numerals, in brushed 18ct gold case, manual winding, movement signed L U. Chopard & Cie, case marked LUC, with Kutchinsky maker’s mark, London import marks for 1964, case width 4.1cm

£300­400

λ 487 Kutchinsky, a coral and diamond sautoir, 1971, the fluted cylindrical links set with diamonds and separated with twisted rope linking in 18ct yellow gold, suspending an elaborately carved coral pendant accented with diamonds with gold tassels suspending beneath, signed, with London hallmarks, length 76cm, pendant length 12cm

£6,000­8,000

λ 488 Kutchinsky, a diamond and coral brooch, 1970, of stylised bow design in textured yellow gold decorated with diamonds and fluted coral drops, signed, with maker’s mark and London hallmarks for 1970, length 9cm

£2,000­3,000

λ 489 Kutchinsky, a pair of coral and diamond earrings, 1970, of textured and stylised bow design set with diamonds and carved coral, suspending a fluted carved coral drop in 18ct yellow gold, signed, with London hallmarks, length 6cm

£1,500­2,000

λ 490 A coral and gold long chain, set with coral batons within fancy­link gold chain, stamped 18, length 69cm

£1,400­1,800

491 Kutchinsky, a diamond­set ring, of textured design set with round brilliant­cut diamonds in 18ct yellow gold, signed, with London hallmarks for 1962, size Q approx, with a pair of similiar diamond­set 18ct gold earrings, maker’s mark T.O’D and London hallmarks for 1980, post fittings, length 1.9cm

£600­800

£1,000­2,000

492 Harry Winston, a diamond cluster necklace and earrings, the pendant set with graduated brilliant cut diamonds on fine­link platinum neck chain, numbered 357782, length 40cm, with a pair of diamond drop earrings designed as three graduated clusters in platinum, numbered 289273, both marked HW, stamped platinum 950, post fittings, length 2.3cm

493 Boodles, a sapphire and diamond pendant, of quatrefoil design, set with pear­shaped sapphires and a central diamond in 18ct white gold, London hallmarks for 2004, signed Boodles to clasp and numbered 0741276H, pendant length 1.4cm, chain length 50cm longest

£200­300

494 Marco Bicego, a multigem­set necklace, the circular­cut gemstones including amethyst, tourmaline, citrine and smoky quartz in brushed gold rubover mounts on fine­link gold chain set with brushed gold discs, signed Marco Bicego and stamped 750 with London hallmarks for 2008, length 40cm

£1,000­2,000

495 A pair of diamond stud earrings, the heart­shaped diamonds weigh approximately 1.50cts each claw­set in platinum, post fittings

£3,000­5,000

496 Cartier, a pair of large ‘LOVE’ hoop earrings, set in white gold, signed Cartier and numbered CVV534, stamped 750, makers mark IY, Swiss assay marks, post fittings, length 3.5cm

£1,500­2,000

497 Marco Bicego, a cultured pearl and gem­set necklace and earrings, the long fine­link neck chain set with cultured pearls and briolette­cut amethysts, peridots, garnets and citrines spaced with textured 18ct gold rondels, signed Marco Bicego and London hallmarks for 2007, length 122cm, with a pair of matching gem­set drop earrings, post fittings, length 5cm £600­800

498 Van Cleef & Arpels, a pair of ‘Sweet Alhambra Papillon’ earrings, the stylised butterflies set with turquoise in white gold, marked VCA 750, with maker’s mark and numbered JB004716 to both earrings, French control marks, post fittings, width 11mm £200­300

499 Dior, a diamond­set long chain, set with round brilliant­cut diamonds in 18ct white gold rubover settings, signed Dior and numbered G8850, 750, length 108cm £800­1,200

500 Cartier, a diamond line bracelet, set with round brilliant­cut diamonds in square 18ct white gold settings, signed Cartier, stamped 750 and numbered WD9817, length 16cm £2,000­3,000

501 Van Cleef & Arpels, a diamond­set white gold ‘Sweet Alhambra’ bracelet, set with brilliant­cut diamonds, signed VCA, stamped 750, numbered JE501386, length 16-17.5cm £200­300

502 Tiffany & Co., a pair of diamond flower earrings, set with marquise­shaped diamonds in platinum, signed T&Co, stamped PT950, post fittings, width 8mm £200­300

503 Cartier, a gold ‘LOVE’ bracelet, with interlocking oval links on fine link yellow gold chain, signed Cartier, stamped 750, numbered WQ3638, length 15cm £200­300

504 Cartier, a gold heart pendant, designed as interlocking hearts in yellow and white gold, signed Cartier and numbered DW7741, stamped 750, on a yellow gold curb­link chain by Cartier, signed and numbered FW6227, pendant length 2.4cm, chain length 41cm £600­800

505 Cartier, a diamond­set ‘Trinity’ necklace, the pendant with three interlocking bands in white, yellow and rose gold, the yellow band set with brilliant­cut diamonds, on a fine link gold chain terminating in a trinity band set with diamonds which can be moved to extend or shorten the necklace, length 25cm, signed Cartier, stamped 750, numbered XC8634 £600­800

506 Van Cleef & Arpels, gold and mother of pearl ‘Sweet Alhambra’ necklace and earrings, the necklace set in yellow gold, on fine­link yellow gold chain, marked VCA and 750 and numbered BL173851, length 20cm, with a pair of matching mother of pearl earrings, numbered BL189163, post fittings, length 8mm £600­800

507 Cartier, a pair of large ‘LOVE’ hoop earrings, set in yellow gold, signed Cartier and numbered CRN190, stamped 750, makers mark IY, Swiss assay marks, post fittings, length 3.5cm

£1,500­2,000

508 Cartier, a diamond trinity bangle, in three colour gold, the white gold bangle pavé­set with diamonds, signed Cartier, stamped 750 and numbered SV5959, Swiss control marks, bangle width 4mm, inside width 6.5cm

£6,000­8,000

509 Elsa Peretti for Tiffany and Co., a pair of diamond stud earrings, within rubover gold setting, signed T & Co., Peretti numbered 33269994 to both earrings and 750, width 6mm

£600­800

510 Cartier, a pair of ‘Trinity’ gold and diamond hoop earrings, designed as three interlocking hoops in yellow, rose and white gold, one pavé­set with brilliant­cut diamonds, length 2cm, clip and post fittings, signed Cartier, numbered BEG157, stamped 750, Swiss assay marks

£1,200­1,500

511 Cartier, a gold and diamond ‘Trinity’ ring, with interlocking yellow, rose and white gold bands, the white gold band pavé­set with brilliant­cut diamonds, signed Cartier, stamped 750, numbered BTL 731, Swiss Assay marks, size L½

£600­800

512 No lot

513 Boucheron, a pair of diamond ‘Quatre Classique’ earrings, set with four rows including diamonds, pink gold, yellow gold and brown PVD, signed Boucheron and numbered H50700, with maker’s mark and French control mark, post and clip fittings, length 2.2cm

£1,200­1,500

514 Boucheron, a diamond ‘Quatre Classique’ ring, set with four rows including diamonds pink gold, yellow gold and brown PVD, signed Boucheron and numbered E66399, size O

£800­1,200

£500­700

515 An Art Deco aquamarine and diamond ring, first half 20th century, claw­set with a step­cut aquamarine weighing approximately 3.00 carats, between stepped shoulders set with baguette diamonds, mounted in platinum, size K, stamped PLAT

516 An aquamarine and diamond ring, early 20th century, claw­set with a step­cut aquamarine, to geometric shoulders set with single­cut diamonds, mounted in palladium, size O

£800­1,200

517 A pair of jadeite earrings, each composed of a jadeite cabochon suspending a carved jadeite pendant, mounted in white gold, length 4.9cm each, screw fittings

£500­700

518 A jadeite and diamond necklace, designed in the Belle Époque style, set with two plaques of carved jadeite, suspended from ribbon bows millegrain­set with circular­ and brilliant­cut diamonds, to a chain necklace threaded with seed pearls and diamond ribbon bow motifs, mounted in platinum, length 66cm, pendant length 8.5cm, fitted case

£3,000­4,000

519 A natural pearl and diamond necklace, early 20th century, designed as a single long strand of natural pearls measuring approximately 2.6mm on average, threaded on chain, to a screw clasp set with rose­cut diamonds, length 81cm

£700­900

Accompanied by report number 24301 from The Gem and Pearl Laboratory dated 5th March 2024 stating that the pearls are natural saltwater.

520 An Art Deco diamond bracelet, Austria, circa 1930, designed as an articulated strap composed of geometric linking, set with circular­, single­cut and baguette diamonds, mounted in platinum with millegrained borders, length 17.5cm, Austrian assay marks for platinum

£6,000­8,000

521 An Art Deco diamond line bracelet, early 20th century, designed as a graduated line of circular­cut diamonds in square settings, the sides decorated with scrolled engraving, mounted in platinum, length 17.5cm, largest diamond approximately 0.39 carats

£4,000­6,000

522 A diamond brooch, early 20th century, of bar design with forked ends, set with a line of circular­cut diamonds totalling approximately 1.25 carats, spaced by smaller single­cut diamonds, mounted in millegrained platinum, length 4.6cm £400­600

523 A natural pearl and onyx bracelet, early 20th century, composed of graduated pearls measuring approximately 1.9­6.6mm diameter, and onyx beads, threaded on chain, suspending two similar pendants from its clasp, length 19cm, French assay mark for platinum, partial French maker’s mark, possibly for Georges Lenfant

A verbal report from GCS states that the pearls are natural, saltwater.

£1,500­2,000

524 An emerald and diamond brooch, early 20th century, of bar design, set with circular­cut diamonds and sections of channel­set calibré­cut emeralds, mounted in gold and platinum, length 7.6cm

£1,000­1,500

525 A natural pearl and diamond brooch, France, early 20th century, of bar design, set with a line of cushionshaped diamonds and a natural pearl to each end, mounted in platinum and white gold, length 4.8cm, French assay marks and maker’s marks

£500­700

A verbal report from GCS states that the two pearls measuring approximately 7.3 x 7.8 and 8.2 x 7.7mm are natural, saltwater.

526 Cartier, a gold collar necklace, set with torpedo shaped links in yellow gold, signed, stamped 750 and numbered 1002225, length 41cm

£3,500­4,500

527 Van Cleef & Arpels, a gold, emerald and diamond brooch, circa 1959, designed as a stylised deer in polished gold, its eye set with a cabochon emerald within a border of single­cut diamonds, length 3.9cm, signed Modell Van Cleef & Arpels, stamped 750, maker’s mark, dated 1959

£1,000­1,500

528 Cartier, a diamond crossover ring, set with a yellow diamond heart within bombé surround pavé­set with yellow diamonds, and a heart shaped diamond of very pale pink tint, within bombé surround pavé­set with colourless diamonds in yellow and white gold, signed Cartier London, numbered HLS 00721, London hallmarks for 1994, size L

£4,000­6,000

529 Bulgari, a ‘Lucea’ diamond strap bracelet, of flexible design, with square links pavé­set with round diamonds, interspersed with white gold studs, length 16.5 – 21.5cm, adjustable, signed Bulgari ‘Made in Italy’, numbered 2337A, with signed box

£7,000­7,500

530 Cartier, a diamond­set gold necklace and bracelet, the round brilliant­cut diamonds in rubover yellow gold settings with baton linking, necklace signed Cartier Paris, numbered 246854, with French control marks, length 37.5cm, bracelet signed Cartier Paris and numbered 247085 with French control marks, length 17.5cm

£2,000­3,000

531 Cartier, a gold and diamond brooch, circa 1958, designed as a four­leaf clover, the fluted leaves centring on a collet­set brilliant­cut diamond, mounted in 18ct gold, length 4.2cm, signed Cartier, numbered 8214, British hallmarks for 18ct gold, date letter c for 1958, sponsor’s mark JC for Cartier London, later case

£3,000­5,000

532 Three loose pink spinels, weighing 3.17, 3.85 and 5.25cts

A verbal report from GCS states that the largest loose pink spinel shows no indication of heating.

£1,500­2,000

533 A Victorian natural pearl and diamond pendant, late 19th century, designed as a heart­shaped locket, the front pavé­set with cushion­shaped diamonds and centring on a natural pearl measuring 9.9 x 10.1mm, the reverse glazed, mounted in silver and gold, length 3.3cm including bail

A verbal report from GCS states that the pearl is natural saltwater.

£2,000­3,000

534 A two row spinel necklace, set with graduated baguette­shaped red spinels in yellow gold collets on a finelink yellow gold chain, length 21.5cm

£2,000­3,000

A verbal report from GCS states that of a sample taken the spinel shows no indications of heating, origin: Burma.

535 A sapphire and diamond ring, of cluster design, claw­set with a cushion­shaped sapphire weighing 4.78 carats, within a border of brililant­cut diamonds, mounted in white gold, size L, case stamped Lopez y Fernandez, Madrid

£1,500­2,000

A verbal report from GCS states that the sapphire is of Burmese (Myanmar) origin, with no indications of heat treatment, with moderate clarity enhancement with oil.

536 An emerald and diamond brooch, early 20th century, of rectangular outline with rounded corners, centring on a step­cut emerald measuring 10.7 x 9.7 x 5.9mm, within concentric borders of circular­cut diamonds and calibrécut emeralds, mounted in silver and gold, length 3cm, case stamped Wiktor Czaplick, Krakow

£10,000­15,000

A verbal report from GCS states that the emerald shows indications of minor clarity enhancement, origin: Colombia.

537 A sapphire ring, of cluster design, claw­set with a cushion­shaped sapphire measuring approximately 10.4 x 9.6 x 7.3mm, within a border of circular­cut white sapphires, mounted in silver, size N1/2

A verbal report from GCS states that the sapphire is unheated, origin: Sri Lanka.

£2,500­3,500

538 A ruby seven stone ring, the graduated step­cut rubies with diamond pointers set in pierced yellow gold setting, size Q

A verbal report from GCS states that the largest ruby is unheated, origin: Burma.

£3,500­4,000

539 A natural pearl and diamond ring, of cluster design, set with a natural pearl measuring 11.6 x 10.9 x 6.3mm, within a border of single­cut diamonds, mounted in gold, size N

A verbal report from GCS states that the pearl is natural saltwater.

£1,200­1,500

540 A ruby and diamond ring, claw­set with an oval ruby weighing approximately 1.00 carat, between shoulders set with brilliant­cut diamonds totaling approximately 1.20 carats, mounted in gold and platinum, size R, stamped PLAT 18CT

£1,000­1,500

A verbal report from GCS states that the ruby measuring approximately 8.7 x 6.4 x 2.5mm is of Thai origin, with no indications of heating.

532 (3)

£2,000­3,000

541 A pair of sapphire and diamond drop earrings, of geometric design set with a baguette­shaped sapphire within single­cut diamond surround in silver and gold, length 4.5cm, screw fittings

542 A pair of early 20th century aquamarine and diamond earrings, the articulated earrings alternately­set with old circular­cut diamonds and diamond­set pierced circular links, suspending pear­shaped aquamarines in platinum and gold, screw fittings, length 3.6cm, case

£800­1,200

543 An Art Deco diamond double clip brooch, circa 1937, each of abstract shield­shaped design, set with circularcut and cushion­shaped diamonds, with scrolls of channel­set baguette diamonds, mounted in white gold and platinum, length 2.9cm each, one dated 21st July 1937

£1,500­2,500

543A A sapphire and diamond brooch/pendant, mid 20th century, designed as a curled spray of flowers and leaves, set with circular­cut sapphires and single­cut diamonds, mounted in platinum and white gold, detachable brooch fitting, retractable pendant hoop £700­900

544 An Art Deco diamond bracelet, of geometric design set with graduated circular­cut diamonds, centring on a marquise­shaped diamond millegrain­set in platinum, length 18cm

£4,000­6,000

545 An Art Deco diamond line bracelet, set with graduated old cushion and circular­cut diamonds in platinum, length 18cm

£4,000­6,000

546 JE Caldwell & Co., a diamond brooch/pendant, designed as a stylised foliate wreath, set with brilliant­cut and baguette diamonds, mounted in platinum with millegrain borders, mounted in platinum, length 4.3cm, signed JEC&Co., numbered B6125, stamped 90PLAT

£1,000­1,500

547 An Art Deco diamond clip brooch, of circular outline with pierced geometric design and millegrain­set with graduated old circular­cut diamonds in platinum, maker’s mark and Austrian marks, detachable brooch fitting and detachable clip fitting, the clip is hinged and opens at the top to be worn as a scarf clip, width 4cm, case

£1,000­1,500

548 A diamond double clip brooch, each of abstract scroll design, combining to form a single brooch, set with brilliant­cut and baguette diamonds totalling approximately 9.00 carats, mounted in platinum and white gold, combined length 6.3cm

£4,000­5,000

549 An Art Deco sapphire and diamond brooch, 1920s, designed as an elongated tapering panel, set with circularcut diamonds and calibré­cut sapphires, centring on a circular­cut diamond weighing approximately 1.10 carats, mounted in platinum with millegrain borders, length 8.6cm

£2,500­3,000

550 An Art Deco diamond cluster ring, the square plaque set with graduated old­circular­cut diamonds in platinum, size L, case £400­600

551 An Art Deco diamond necklace, of stylised geometric design set with graduated circular­cut diamonds in articulated scrolling and chevron links, centring on a central circular­cut diamond weighing approximately 1.80cts, the necklace separates to enable the front section to be removed, length 41cm, case

£8,000­12,000

552 An Art Deco diamond brooch, circa 1930, designed as a geometric plaque, set with circular­cut diamonds, the largest weighing approximately 1.10 carats, mounted in palladium, length 4.6cm

£3,000­4,000

553 Alabaster & Wilson, a fine Art Deco black opal and diamond ring, 1930s, claw­set with a cabochon black opal measuring 13.7 x 8.4 x 3.4cm, mounted in platinum, size L, maker’s mark A&W for Alabaster & Wilson

£1,000­1,500

554 An Art Deco ruby and diamond ring, 1920s, of rectangular outline, set with a step­cut ruby measuring approximately 6.0 x 5.3 x 2.8mm, within concentric borders of single­cut diamonds and calibré­cut rubies, mounted in platinum, size J½

£5,000­7,000 Accompanied by report number 79183­77 from GCS dated 25th October 2018 stating that the natural ruby shows no indication of heating, origin: Burma.

555 An attractive Art Deco gem­set brooch, circa 1925, designed as a geometric plaque, pierced with a design of three singing birds under a canopy of blossoms beneath the sun, set with single­cut and rose­cut diamonds, a calibré­cut citrine, a pair of step­cut sapphires, circular­cut rubies and accents of black enamel, mounted in platinum, length 3cm, Portuguese assay mark for platinum

£4,000­6,000

556 An Art Deco diamond brooch, 1920s, of elongated hexagonal outline, pierced with a design of a stylised sunrise, set with circular­cut and cushion­shaped diamonds, mounted in platinum, length 7.5cm

£4,000­6,000

557 An Art Deco sapphire and diamond brooch, designed as a stylised bow, set with calibré­cut sapphires and single­cut diamonds, mounted in platinum, length 5.8cm, some sapphires synthetic, one sapphire deficient

£1,500­2,000

£2,000­3,000

558 An attractive amethyst, ruby and diamond brooch, designed as a bee, its abdomen set with a buff­topped amethyst, its thorax, wings and head pavé­set with rose­cut diamonds, its eyes set with cabochon rubies, mounted in blackened silver and engraved gold, length 2.5cm, fitted case stamped SJ Phillips

559 A diamond brooch, circa 1900, of target design, composed of concentric bands of circular­cut diamonds, the central diamond weighing approximately 1.90 carats, mounted in silver and gold, diameter 3cm

£6,000­8,000

560 A late 19th century diamond star brooch pendant, set with graduated old cushion­shaped diamonds suspended from a detachable diamond­set bail in silver and gold, with detachable brooch fitting and chain, length 6cm, case

£1,500­2,000

561 A diamond necklace, France, circa 1900, the articulated collar set with a series of graduated circular­cut diamonds, the detachable central diamond weighing approximately 1.10 carats, spaced by bar links set with rosecut diamonds, mounted in silver and gold, length 36cm, French assay mark for 18ct gold, French maker’s mark B&M with star

£6,000­8,000

562 An early 19th century ruby and diamond brooch, set with a surround of graduated old cushion­shaped diamonds quartered with ruby and diamond trefoils, centring on a vacant collet within diamond scrolls in open and closed­back silver and gold setting, length 3.8cm

£2,000­3,000

563 A Victorian diamond brooch/pendant, circa 1900, designed as a stylised snowflake, set with circular­ and rose­cut diamonds, mounted in gold and silver, length 3.1cm, brooch fittings detachable, retractable pendant hoop

£800­1,200

564 A late 19th century sapphire and diamond brooch, set with a cushion­shaped sapphire measuring approximately 10.4 x 9.1 x 5.3mm, within a scrolling surround set with old cushion­shaped diamonds in silver and gold, suspending an articulated drop set with a pear­shaped sapphire within a diamond­set scroll surround, width 3.4cm

£8,000­12,000

A verbal report from GCS states that the cushion­shaped sapphire is of Sri Lankan (Ceylon) origin, with no indications of heat treatment.

565 A Victorian sapphire and diamond brooch, late 19th century, designed as a floral cluster, centring on an oval sapphire, within a concentric border of cushion­shaped and rose­cut diamonds, mounted in silver and gold, length 3.4cm

£1,500­2,000

566 A pearl and diamond brooch, circa 1900, designed as a butterfly, its body and openwork wings set with rosecut diamonds, its thorax set with a pearl, its eyes with cabochon rubies, mounted in silver and gold, wingspan 3.3cm, pearl untested, case stamped JE Beale Ltd £300­400

567 A Victorian diamond brooch/pendant, late 19th century, designed as a crescent moon, set with circular­cut diamonds, mounted in silver and gold, to a detachable diamond bail, length 3.9cm including bail, fitted case stamped Grey-Harris & Co.

£1,000­2,000

568 A Victorian diamond brooch, late 19th century, designed as a crescent moon, set with circular­cut diamonds, mounted in silver and gold, length 3.6cm

£1,500­2,000

£15,000­20,000

569 A topaz­set gold pendant, the step­cut orangey­pink topaz weighing approximately 11.00cts, rubover­set in yellow gold on a platinum neckchain, length 40cm

Accompanied by report number 24102053 dated 15th October 2025 from Gubelin stating that the topaz is natural and that ‘this colour variety of topaz is also known as “imperial topaz” in the trade’.

£6,000­8,000

570 Carlo Giuliano, a Victorian gold, rock crystal and enamel vesta case, circa 1863­95, designed in the Renaissance Revival style, set with two panels of rock crystal, the oblong gold case with rounded ends applied with alternating stripes of pale blue and black enamel with foliate patterns in gold reserve, the central compartment intended for matches opening via a hinged lid, one side of the case with a gold vesta strip, measuring approximately 5.0 x 3.0 x 0.8cm, signed CG for Carlo Giuliano to the interior

Cf.: Geoffrey Munn, Castellani and Giuliano: Revivalist Jewellers of the Nineteenth Century, London, 1984, pg. 165, cat no. 164, for an illustration of an identical vesta case, possibly the present example.

571 A late 19th century sapphire and half pearl pendant, set with a cushion­shaped sapphire weighing approximately 9.25cts within double surround of half pearls in yellow gold, suspending on a diamond­set fleurde­lys bail in yellow gold, pearls untested, length 4.1cm

£10,000­15,000

Accompanied by report number 25408 from The Gem and Pearl Laboratory dated 19th November 2024 stating that the sapphire shows no evidence of treatment, origin: Sri Lanka.

572 A pink sapphire and enamel ring, rubover­set with a step­cut pink diamond weighing 2.40 carats, within a gold mount in the Renaissance Revival style, the shoulders carved with scrollwork accented with black enamel, size M

£10,000­15,000

Accompanied by report number CS1073494 dated 16th February 2016 from AGL stating that the pink sapphire weighing 2.40cts shows no indications of heating, origin: Burma.

570

571

572

573 A pink diamond and diamond bracelet, designed as a wide band composed of curved links, set with brilliantcut diamonds and variously­cut diamonds of pink tints, mounted in gold, length 17cm, stamped 750, inscribed D18.27 DF15.25 £10,000­15,000

Two random samples were taken for testing.

Accompanied by report number 5785­0451 dated 28th November 2024 from GCS stating that the diamond weighing 0.30cts is fancy light pink, natural colour, SI2 clarity.

Accompanied by report number 5785­0452 dated 28th November 2024 from GCS stating that the diamond weighing 0.71cts is fancy light pink, natural colour, I1 clarity.

not lifesize

£20,000­30,000

574 A ruby and diamond cluster ring, the step­cut ruby weighing 2.13cts, set within octagonal border of circularcut diamonds in fine platinum wirework mount, size M

Accompanied by report number 1113602 dated 29th March 2021 from AGL stating that the ruby weighing 2.13cts shows no evidence of heat treatment, origin: Burma.

575 An early 20th century ruby and diamond cluster ring, C1910, the cushion­shaped ruby weighing 4.19cts, set within a surround of old circular­cut diamonds in platinum, French mark and numbered 16400 to inside shank, size O

£15,000­20,000

Accompanied by report number 139028 from SSEF dated 18th June 24 stating that the ruby weighs 4.198cts, with no indications of heating, origin: Burma.

574

575

576

Property of a Lady of Title

A Belle Epoque diamond tiara, early 20th century, centring on a row of graduated laurel wreath and quatrefoil motifs set with circular­ and rose­cut diamonds, within an openwork platinum band with rose­cut diamond borders, inner curve 29.5cm, steel frame

Provenance: Spencer Colmeyer Charrington (1854­1930). Thence by descent through the family.

£8,000­12,000

577 A sapphire, ruby and diamond necklace, designed as a series of clusters set with faceted yellow sapphires, blue sapphires and cabochon rubies, within a double surround of diamonds and separated with diamond clusters in white gold, stamped 750, one diamond missing, length 44.5cm

£10,000­15,000

578 A sapphire and diamond ring, set with a step­cut sapphire weighing approximately 8.30cts, within diamondset shoulders in platinum, size H

£4,000­6,000

Accompanied by report number 5783­3567 from GCS dated 1st August 2023 stating that the natural sapphire shows no indications of heating, origin: Sri Lanka.

579 An impressive ruby and diamond cluster ring, the cushion shaped ruby set within a surround of round brilliantcut diamonds in wirework platinum setting, the ruby and diamond cluster detaches to be worn separately, ring size L

£20,000­30,000

Accompanied by report number 138525 dated 3rd June 2024 from SSEF stating that the ruby weighs 14.815cts, with no indications of heating, origin: Burma.

580 A red spinel and diamond ring, the step­cut spinel weighing 5.29cts, claw­set within pierced scrolling gallery and shoulders set with diamonds in platinum, size K (with inner re-sizing sleeve)

£10,000­20,000

Accompanied by report number 91207 dated 25th March 2017 from SSEF stating that the red spinel weighing 5.290cts shows no indications of treatment, origin: Burma.

581 A diamond solitaire ring, set with a round brilliant­cut diamond weighing approximately 3.15cts, claw­set in yellow gold, size K

£15,000­20,000

Accompanied by report number 20069868 from Birmingham Assay Office stating that the diamond is H colour, VS clarity.

582 A pair of diamond stud earrings, each set with a brilliant­cut diamond, with a combined weight of 4.69 carats, mounted in white gold, diameter approximately 8.6mm each, post fittings

£6,000­8,000

583 A diamond and aquamarine tiara, circa 1900, designed as a band of graduated ribbon scrolls, set with circularcut diamonds, mounted in silver on gold with a later rhodium plating, on a steel tiara frame, the centre with a detachable ribbon scroll motif set with brilliant­cut diamonds, interchangeable with a brooch set with pear­shaped aquamarine weighing approximately 55.00cts, surmounted by a ribbon bow millegrain­set with cushion­shaped diamonds, tiara inner curve 28.5cm, height at centre 6cm, brooch length 4.4cm, brooch with fitted case stamped Parkes, 12 Vigo Street, Regent St W £10,000­15,000

584 Formerly the properly of Elizabeth Taylor, a diamond line bracelet, set with 27 graduated step­cut diamonds of yellow tint, claw­set in yellow gold, the central diamond weighing 3.38cts, length 18cm £50,000­70,000

Provenance: Sold Christies 'The Collection of Elizabeth Taylor' on 14th December 2011, lot 222 for $182,500. The bracelet was a gift from Michael Jackson.

585 An impressive George III ruby and diamond cluster ring, the cushion­shaped ruby weighing 3.12cts, with surrounds of old cushion­shaped diamonds and diamond shoulders in silver and gold, the closed­back setting later opened, size L £40,000­60,000

Accompanied by report number 1134061 from AGL dated 22nd August 2023 stating that the ruby shows no evidence of heat treatment, origin: Burma. not lifesize

586 Cartier, a rare gold Baignoire Allongée 'Maxi Oval' wristwatch ref 8684, 1960s, the oval cream­coloured dial with radiating Roman numerals, within a gold bezel, to a leather strap and deployant clasp, case width 30mm (including crown), length 55mm, dial signed Cartier, the reverse numbered 8684, the movement signed Jaeger LeCoultre, case back interior signed Cartier New York, stamped 18ct and 0.75, clasp with French assay marks for 18ct gold and French maker's marks EJ with hourglass for Edmond Jaeger, numbered twice 10676 £60,000­80,000

Cartier’s oval ‘Baignoire’ wristwatches were originally designed for a Russian client in 1912, though the design was only later named. The name ‘Baignoire’, literally translating to ‘bath tub’ in French, while describing the oval outline of the watch, actually refers to the exclusive ‘baignoire’ area of seating in an opera house – a natural habitat for Cartier’s sophisticated clientele.

Already pioneers of wristwatch design, the 1960s in particular were a period of experimentation for Cartier, and the ‘Baignore’ was one of its chief benefactors. The elegant oval watch was reimagined in the Surrealist­inspired ‘Crash’ style, or in the style of the present watch – the largest available, known as the ‘Maxi Oval’ – its dimensions taken to an extreme, spanning nearly the full width of the wrist and satisfyingly curved to fit its contours. With its distinctive ‘explosion’ dial, where the Roman numeral indicators dramatically taper outwards towards the edge, the distorted effect is almost that of a magnifying glass, playfully exaggerating the design’s already larger­than­life dimensions.

These unusual models were handmade, and produced in very limited numbers, making them extraordinarily rare, and among the most sought after of all of Cartier’s wristwatches.

Cf.: Delphine Storelli Ed., The Cartier Collection: Timepieces, Flammarion, 2006, p.456, for two examples of this model made by Cartier London and New York respectively

Lots 587­591

CARTIER JEWELS FROM A FAMILY COLLECTION

587 Cartier, an Art Deco diamond brooch, circa 1935, of geometric buckle design, set with circular­cut, brilliantcut, baguette and shield­shaped diamonds totalling approximately 9.00­10.00 carats, mounted in platinum, length 3.5cm, signed Cartier London, stamped Pt950 for platinum, diamonds, later brooch fitting

£8,000­12,000

588 Cartier, a gold powder compact, circa 1938, the rectangular case with rounded ends, the lid and base engraved with a fluted pattern, opening via a push piece to reveal a plain interior, engraved ‘Joan from Paddy 8.2.39’, the interior of the lid set with a mirror, measuring 6.3 x 4.8 x 0.9cm, signed Cartier London, British hallmarks for 9ct gold, sponsor’s mark JC for Jacques Cartier, date letter C for 1938, mirror detached and cracked, gross weight 76 grams

£1,500­1,800

589 Cartier, an Art Deco gold clip brooch, 1930s, of fan­shaped outline, centring on the stylised initials JGK, length 4.1cm, signed Cartier London, numbered W.1196, gross weight 14 grams

£800­1,200

590 Attributed to Cartier, a citrine and diamond ring, circa 1938, claw­set with a step­cut citrine, to panel shoulders set with circular­cut and baguette diamonds totalling approximately 1.50 carats, mounted in gold and platinum, size N½, unsigned

£1,000­1,500 By family tradition, this ring was purchased as an engagement ring from Cartier London in 1938.

A REDISCOVERED ART DECO EGYPTIAN REVIVAL JEWEL BY CARTIER

On the cold morning of January 26th 1924, readers of the Illustrated London News opened a new issue of their bi­weekly paper that promised something extraordinary – a first glimpse of the sarcophagus of the young pharaoh Tutankhamun. News of the tomb’s discovery had hit newspaper stands over a year prior to this, but the magnificence of the tomb’s treasures was only gradually revealed in tantalising fragments, as the excavation progressed.

The Valley of the Kings, as its name might imply, was known since ancient times as the burial place of the Egyptian pharaohs, and had long been a source of academic fascination and artistic inspiration. What made the discovery of Tutankhamun’s tomb in 1922 particularly newsworthy, however, was that it was the first major discovery for a considerable amount of time – a culmination of years of effort by archeologist Howard Carter, and his patron George Edward Stanhope Molyneux Herbert, 5th Earl of Carnarvon. Even more extraordinary was the fact that the tomb, despite its magnificence, had lain undiscovered by looters over the millennia and was discovered intact. Filled with astonishingly lavish treasures such as the young pharaoh’s gold and lapis lazuli burial mask, the tomb yielded objects that became icons of archaeological discovery and reinvigorated worldwide fascination with Ancient Egypt – its exotic mythologies, its lavish material culture, and its distinctive aesthetics.

The particularly fervent wave of ‘Egyptomania’ that ensued was not the first time that Western fashions fell under the spell of ancient Egypt. In the early 1920s, however, it happily coincided with a nascent visual style across fashion, furniture, architecture and jewellery, later known as ‘Art Deco’, that fitted its colourful and rigidly geometric aesthetics perfectly

With its intriguingly exotic, beautifully proportioned design, an abundance of luscious red rubies and a chic sautoirlength necklace of black onyx, it is no surprise to learn that the present pendant is the work of arguably the greatest jeweller of the 20th century, Cartier. Cartier were key contributors to this new aesthetic, and throughout the late 1910s and early 1920s they had slowly infused their elegant jewels with a wide range of foreign influences including Chinese, Japanese, Russian, Indian and Islamic art.

The Illustrated London News, 26th January 1924, the present pendant illustrated in its original state top centre

Cartier had already begun exploring Egyptian motifs in their jewels as early as 1910, thanks to the enquiring mind and scholarly inclinations of their chief designer Charles Jacqueau, his firsthand studies of Egyptian antiquities and his extensive knowledge of various historic styles gleaned from books such as Owen Jones’s influential 1856 publication The Grammar of Ornament. Jacqueau received considerable encouragement from Louis Cartier himself, who also had a personal interest in ancient Egypt that predated the media frenzy around Tutankhamun, and had been acquiring artefects from Parisian dealers for several years, most notably an entire collection from the dealer Kalebdjian in 1914.

Typically prescient Cartier had started tentatively incorporating these ancient Egyptian objects in their jewels even before the discovery of the tomb of Tutankhamun, but as society fell under the spell of ‘Tutmania’, a new opportunity arose for these jewels to capitalise on the height of their media relevance. The January 1924 issue of The Illustrated London News that offered the glimpse of Tutankhamun’s sarcophagus also carried a feature on Cartier London that showed an array of strikingly stylish designs set with ancient Egyptian faïence figurines, scarabs and inscribed tablets, under the headline ‘The “Tutankhamen” influence in Modern Jewellery’.

Made for stock at the height of this craze, at a time when other rival jewellers such as Lacloche Frères and Van Cleef & Arpels were also making their own beautiful, yet very different Egyptian­inspired jewels, Cartier’s pieces were a triumph all of their own ­ a completely modern, current style effortlessly absorbing ancient artefacts in pleasing designs full of clever contrasts and unexpected harmonies. Front and centre on the top row is a diamond pendant supporting a long Egyptian faïence figurine of Nefertem in the centre, miscatalogued as Isis. The distinctive U­shaped base with hooked motifs at each side is designed to resemble the silhouette of the beaded usekh necklaces that adorn mummies and sarcophagi, each end often bearing the falcon’s head of the god Horus. Intriguingly, it is identical to the present pendant.

Two of the pieces from this same advert came to auction at Sotheby’s New York in 2013 – a ‘Pylon’­shaped brooch, set with an inscribed panel of faïence, and a fan­shaped lapis lazuli and diamond brooch applied with a faïence figure of the lion­headed goddess Sekhmet in profile. Both were signed Cartier Londres and numbered S.L7358 and S.L7353 respectively, the ‘S.L’ simply meaning ‘Sold in London’ according to the accompanying catalogue note. This pendant, also signed Cartier Londres, is numbered S.L7352. The sequential proximity of this serial number to the other known examples that appeared in the 2013 sale suggests that it was made in France for London stock, alongside the rest of these Egyptian­inspired pieces. Additionally, the presence of a cut rivet fitting to each side of the pendant across the back, originally bridging the gap between the falcon­head motifs and of no structural relevance to the jewel in its current state, hints that originally something else was held in place instead of the rubies – the faïence figure. These two pieces of evidence strongly suggest that this pendant is indeed the original that appears in the 1924 advertisement, and forms part of this extraordinarily rare collection of Egyptian revival jewels.

If this is indeed the long­lost pendant, the question remains as to why the jewel was reworked. The presence of extra serial numbers on the jewel, as well as the aesthetic choices made and the quality of their execution, indicate that the alterations were made in­house by Cartier, as was common practice for the firm. The use of cabochon rubies and the delicate floral motif at the top of the pendant are redolent of Cartier’s famous Indian­inspired jewels, also of the mid­late 1920s, and suggests that the reworking was done not long after its initial manufacture, to tone down the Egyptian influence of the pendant and bring it more in line with its popular Hindou or Pierres de Couleur jewels, some of which were later famously known as Tutti Frutti. The floral arrangement of the ruby cabochons suggests that the usekh necklace motif has been reimagined as a hanging giardinetto or flower­pot, another very popular motif in Cartier’s jewels around this time. An advert from the Illustrated London News in October 1925, the following year, points to a potential date of the reworking ­ the same distinctive alternating baton and spherical onyx beads (the spherical beads nesting in the concave ends of each baton) suspend an 'Oriental vase' pendant in the centre, and a profusion of cabochon rubies claw­set in yellow gold appear on an Indian­style bracelet alongside it, both strongly resembling the style and execution of the present jewel.

It is not known whether the owner directed Cartier to remodel it, or whether the firm chose to of their own accord. In any case, there are a few speculative reasons why it might have been done, and so shortly after it was made.

Firstly, it’s possible that despite its obvious aesthetic merits, the demand for jewels in the Egyptian style declined as quickly as it had spiked, perhaps because clients wanted slightly more vague aesthetic references to allow for a jewel with more fashionable longevity. Certainly, Egyptian Revival jewels were noticeably absent from Cartier’s vitrines at the seminal Exposition Internationale des Arts Décoratifs et Industriels Modernes in 1925, the following year. While a few later examples were made, most notably a collection made in 1929 for exhibition in Cairo, Cartier’s Egyptian jewels were already among the rarer styles produced by the firm, and gradually phase out in favour of other styles in the late 1920s. Arguably the last major jewel in this style is a halo tiara composed of lotus motifs, purchased by HH the Begum Aga Khan in 1934. A second possibility is that there were issues with the original pendant design ­ perhaps the pendant was too tall and suspended too high on its paired cords of black silk, which would have made it prone to twisting or catching when worn (a design flaw happily absent from the pendant in its ruby­set form). It’s also possible that the faïence figurine was damaged or broken, and because of its nature, irreplaceable.

Finally, and perhaps the most entertaining possibility, is that a change in the media narrative around Tutankhamun’s tomb eventually took its toll in phasing out the fad for Egyptian artefacts in jewellery. As several of the people involved in the discovery died prematurely – the first being Lord Carnarvon in 1923, headlines reporting a curse taking revenge on those who disturbed the pharaoh’s tomb started to overshadow the enthusiasm for the archaeological discovery. By 1932, Boris Karloff’s famous performance in the horror film The Mummy epitomised a new, superstitious fascination with supernatural curses from ancient Egyptian tombs that perhaps discouraged people from wearing jewels incorporating ancient Egyptian artefacts. As Hans Nadelhoffer notes in his book Cartier: Jewelers Extraordinary, ‘… (a) fear of impending tragedy clouded the Egyptian expedition. Collectors disembarrassed themselves of their treasures and rushed to commit them to the British Museum’.

Whatever the reason, this pendant is an extraordinary rediscovery – a beautiful, dramatic jewel in its own right with a potent black, white and red colour scheme, that stylishly bridges the gap between two of Cartier’s most important aesthetics in their most creative era.

The Broad Collar of Senebtisi, Egypt, Middle Kingdom, late12th­early 13th dynasty, c.1850­1775 BCE, excavated 1906­7, in the collection of the Met Museum, Rogers Fund 1908, object no. 08.200.30. Falcon­headed necklaces of this type are a possible inspiration for the pendant’s unusual design.

591 Cartier, an extremely rare Art Deco Egyptian Revival ruby and diamond necklace, 1920s, composed of a U­shaped pendant with stylised falcon­head terminals inspired by usekh necklaces, pavé­set with circular­cut diamonds, encircling an abstract floral arrangement of cabochon rubies, suspended at each side from a pair of beads applied with black and red enamel, mounted in platinum and gold, on a necklace composed of cylindrical and spherical onyx beads threaded on black silk, pendant length 4.6cm excluding beads, necklace length 69cm, pendant signed Cartier Londres, numbered S.L7352, additionally numbered 5842, 5513 and 7895, design later altered by Cartier to add rubies and beaded onyx necklace, circa 1925, necklace unsigned, platinum clasp possibly later added £20,000­30,000

Provenance: a British family collection, by descent.

Cf.: Judy Rudoe, Cartier: 1900-1939, British Museum, 1997, p.135­155, and Hans Nadelhoffer, Cartier: Jewelers Extraordinary, Thames & Hudson, 1984, 148­155, for discussions of Cartier’s Egyptian­style jewels in the 1920s.

Cf.: Laurent Salomé et al., Cartier: Style and History, Grand Palais, Paris, 2014, cat no. 175 for a pair of onyx bead ear pendants by Cartier Paris, dated 1929, and Judy Rudoe, Cartier: 1900-1939, British Museum, London, 1997, cat. nos. 96 for a pendent watch dated 1926 and no. 260, for a group of earring designs, all incorporating cylindrical onyx beads similar to the necklace of the present pendant.

Cf.: Sotheby’s New York, 11th December 2013, lots 407 and 410, for two brooches made circa 1923 that feature alongside the present pendant in the 1924 Illustrated London News feature.

Cf.: Christie’s New York, 5th December 2018, lot 162, 19th June 2019, lot 227 and Hans Nadelhoffer Cartier: Jewelers Extraordinary, Thames & Hudson, 1984, plate 43, for Indian­inspired Cartier jewels of the late 1920s/early 1930s incorporating contrasting yellow gold settings around rubies.

The Illustrated London News, 24th October 1925, the central pendant showing the same style of cylindrical and spherical onyx beading as the present necklace, the Indian­style bracelet on the right with a profusion of cabochon rubies claw­set in yellow gold, all by Cartier London.

592 Boucheron, a sapphire and diamond ring, set with a baguette­shaped sapphire weighing 4.97 carats, within tapered baguette­shaped diamond shoulders in platinum, signed Boucheron, with rubbed maker's lozenge and French control mark, size J

£100,000­150,000

Accompanied by a report from SSEF dated December 2024 stating that the sapphire shows no indication of heating, origin: Kashmir.

Accompanied by report number 20020186 dated 9th March 2020 from Gübelin stating that the sapphire shows no indication of heating, origin: Kashmir.

TUESDAY 4TH & WEDNESDAY 5TH FEBRUARY 2025 A late­19th century Russian silver­gilt and

cloisonné enamel beaker, by Pavel Ovchinnikov, Moscow

WEDNESDAY 5TH FEBRUARY 2025 A selection of porcelain and enamel scent bottles included in the sale.

19TH FEBRUARY 2025

THE HANSJORG MAYER COLLECTION

Naga woman’s necklace, Carnelian and glass beads, shell and brass, 62cm long

42.5 x 33.7cm; 16¾ x 13¼in

Provenance: Macconnal­Mason, London

WEDNESDAY 5TH MARCH 2025

Rubens Santoro (Italian 1859­1941)

The Grand Canal, Venice

Signed Rubens Santoro (lower right)

Oil on canvas

AUCTION INFORMATION

OPENING HOURS

City Centre Salerooms

Monday to Friday 9am – 5pm

Old Sarum Galleries

Monday to Friday 9am – 5pm

VIEWING

All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

REGISTERING WITH US

All first time buyers need to register with us.

To register, you will need to provide two forms of identification:

1. a passport or photographic driving licence

2. a utility bill or document showing your name and address You can register in person or by contacting client services on 01722 424500 or emailing id@woolleys.live You will be asked to show your documents or email copies.

PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us.

BIDDING AT AUCTION

See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.

BIDDING IN THE ROOM

To bid at auction you will need a paddle number. This can be obtained from client services either during the view or on the day of the sale.

COMMISSION BIDDING

If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING

It is usually possible to bid on the telephone by prior arrangement with client services

LIVE ONLINE BIDDING

Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

BUYER’S PREMIUM

The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24% inclusive) thereafter.

CONDITION REPORTS

The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true.

SALE RESULTS

These will be posted on our website shortly after the sale.

PACKING AND SHIPPING

Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping +44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd +44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes +44 (0)1962 622133 info@mbewinchester.co.uk www.mbe.co.uk/winchester

ZIXIS Fine Art Limited +44 (0)7873 981026 zixisfineart@163.com www.zixisfineart.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

EXPORTING YOUR PROPERTY FROM THE UK

If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country.

Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for hand­carried exports.

In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.

PAYMENT AND CLEARANCE

Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bacs, debit and credit cards.

Wire transfers should be sent to:

Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB.

Account no. 00957707

Sort code 30­97­41

IBAN no. GB20LOYD30974100957707

BIC code LOYDGB21063

Debit and Credit cards: Visa, Mastercard, Amex or Union Pay.

Where practical, payment can be made and purchases collected during the auction.

We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS

VAT

Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS

Please note that lots marked λ may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvlaen/imports­exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Lots marked with a Φ symbol are potentially subject to a levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below £1,000 and the maximum royalty payable on any single lot is £12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Royalties for Droit de Suite are as follows:

4% Up to £50,000

3% £50,000.01 ­ 200,000

1% £200,000.01 ­ 350,000

0.5% £350,000.01 ­ 500,000

0.25% In excess of £500,000

Up to a maximum levy of £12,500

FIREARMS

Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but will not be allowed to take physical possession of it. The auctioneers will re­offer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

INFORMATION FOR BUYERS

1 . Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24%) inclusive thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with client services in advance of the sale if other methods of payment are envisaged.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre­sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves.

(a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment).

(b) A reserve once set cannot be changed except with our consent.

(c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be reoffered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest.

(a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS

In these Conditions:

(a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate;

(b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description;

(c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer;

(d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents;

(e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

(f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising.

(g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2.

(h) The singular includes the plural and vice versa as appropriate.

2.

BIDDING PROCEDURES AND THE BUYER

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid;

(b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion.

(c) Bidders shall be deemed to act as principals.

(d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE

The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24%) inclusive thereafter.

5. VALUE ADDED TAX

Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT

(a) Immediately a lot is sold you will:

(i) give to us, if requested, proof of identity, and

(ii) pay to us the total amount due in pounds sterling

(b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

7. TITLE AND COLLECTION OF PURCHASES

(a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges.

(c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for.

8. REMEDIES FOR NON­PAYMENT OR FAILURE TO COLLECT PURCHASES

(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies:

(i) to proceed against you for damages for breach of contract;

(ii) to rescind the sale of that lot and/or any other lots sold by us to you;

(iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller;

(iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere;

(v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale;

(vi) to retain that or any other lot sold to you until you pay the total amount due;

(vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted;

(viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied.

(b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

9. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay­out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS

Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY

The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE

The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION

(a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL

16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS

In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

GLOSSARY

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable.

(a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

(b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category.

(c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction.

(d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil.

(e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil.

(f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date.

(g) After Edward Lear: In our opinion a copy of a known work of the artist.

(h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

(i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

(j) Dimensions are given height before width.

(k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS

If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below £1,000 and the maximum royalty payable on any single lot is £12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Royalties for Droit de Suite are as follows:

4% Up to £50,000

3% £50,000.01 ­ 200,000

1% £200,000.01 ­ 350,000

0.5% £350,000.01 ­ 500,000

0.25% In excess of £500,000

Up to a maximum levy of £12,500

Lots marked with a Φ symbol are potentially subject to the levy.

PRIVACY NOTICE FOR CUSTOMERS

WHAT THIS PRIVACY NOTICE DOES

This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you.

This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS

Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 (DPA) and the General Data Protection Regulation (GDPR).

If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details:

• By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51­61 Castle Street, Salisbury, SP1 3SU.

• By email – privacyofficer@woolleys.live

• By telephone – +44 (0)1722 424599

HOW WE COLLECT YOUR PERSONAL DATA

We collect your personal data from the following sources: From you when you:

• interact with us before entering into a contract with us, for example when you express your interest in our Services;

• instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions;

• communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account;

• in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

From third parties such as:

• other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you;

• the­saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the­saleroom.com) of individuals who register for one of our auctions (please see the­saleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the­saleroom.com’s payment provider);

• sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided);

• shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT

We may collect the following personal data about you:

• your name and contact details including address, telephone and email address;

• your image, as captured by CCTV, if you attend our premises;

• personal identification documents, including copies of government­issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details);

• account details and other information relating to your transactions/dealings with us and your use of our Services;

• payment details such as credit card and bank account details;

• credit and payment history (where you open an account with us as a buyer or bidder);

• information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and

• other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA

WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU

We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following:

• to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services);

• once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.

LEGITIMATE INTERESTS

We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following:

• to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance;

• to deal with any concerns or feedback you may have in the performance of the Services;

• for our internal business record keeping and processes;

• to seek advice on our rights and obligations, including obtaining legal advice;

• to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes;

• to customise our website and marketing communications in line with your particular interests or preferences;

• to collect money owed to us or our consignors;

• to carry out background and credit checks in relation to bidders and buyers.

In this respect we will provide your data to the following:

• our professional advisors;

• the­saleroom.com;

• debt collection agencies;

• third parties who assist us with our marketing;

• our website and email management software provider.

LEGAL OBLIGATIONS

We may also process your Personal Data for our compliance with our legal obligations.

In this respect, we may use your Personal Data for the following:

• to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks;

• in order to assist with investigations (including criminal investigations) carried out by competent authorities;

In this respect we will provide your data to the following:

• external auditors;

• the police and other competent authorities, including HMRC;

CONSENT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

SPECIAL CATEGORIES OF PERSONAL DATA

We process special categories of personal data for the following reasons:

• if it is necessary to protect your or another person’s vital interests (for example, where you have a life­threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention);

• if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers);

We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

INTERNATIONAL TRANSFERS OF DATA

We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company.

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

PROFILING

We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

HOW LONG YOUR INFORMATION IS KEPT

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

In particular:

• in relation to CCTV images taken when you attend our premises, we will retain these for a few months;

• in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services;

• we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive;

• in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS

Under the DPA you have the following rights:

• to obtain access to, and copies of, the personal data that we hold about you;

• to require that we cease processing your personal data if the processing is causing you damage or distress;

• to require us not to send you marketing communications.

• to require us to correct the personal data we hold about you if it is incorrect;

• to require us to erase your personal data;

• to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal);

• to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller;

• to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply

If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

VALUATIONS

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS

Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Woolley & Wallis valuations are accepted by all leading insurance companies.

PROBATE VALUATIONS

We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

Contact Jeremy Lamond +44 (0)1722 424502 | valuations@woolleys.live

FREE AUCTION VALUATIONS

Free verbal valuations of items for sale are available by appointment. Please email valuations@woolleys.live or call +44 (0)1722 424500

ABSENTEE BID FORM

FINE JEWELLERY

29TH & 30TH JANUARY 2025

Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

ID may be required even if you have bid with us before.

Signature

JANUARY

14th, 15th, 16th Furniture, Works of Art & Clocks including: The Age of Oak and The Homm Collection of Carpets 29th & 30th Fine Jewellery

FEBRUARY

4th & 5th Silver & Objects of Vertu 5th Fine Pottery & Porcelain 6th The Sir Bruno Welby Collection of Porcelain 19th Arts of Africa, Oceania & the Americas

MARCH

5th Old Masters, British & European Paintings 19th Clarice Cliff, Art Deco & Design

Dates may be subject to change

+44 (0) 1722 424500 info@woolleys.live 51­61 Castle Street, Salisbury, SP1 3SU

www.woolleyandwallis.co.uk See paragraphs 4 & 5 of