Dominic Winter Auctioneers by Jamm Design Ltd

11 & 12 December 2019

Printed Books, Maps & Autographs Childrenâ&#x20AC;&#x2122;s Books & Modern Literature

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PRINTED BOOKS, MAPS & AUTOGRAPHS EARLY ENGLISH & CONTINENTAL BOOKS 11 December 2019 CHILDRENâ&#x20AC;&#x2122;S BOOKS & MODERN LITERATURE THE LIBRARY OF EDUARD ROSENBAUM 12 December 2019

COMMENCING VIEWING

10am Tuesday 10 December - 9am-6pm Morning of sales from 9am

AUCTIONEERS

Nathan Winter Chris Albury John Trevers William Roman-Hilditch

Mallard House, Broadway Lane, South Cerney, Cirencester, Gloucestershire, GL7 5UQ T: +44 (0) 1285 860006 F: +44 (0) 1285 862461 E: info@dominicwinter.co.uk www.dominicwinter.co.uk

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SALE INFORMATION All lots are offered subject to the Conditions of Sale and Business exhibited in the saleroom and printed at the back of this catalogue. For full terms and conditions of sale please see our website or contact the auction ofﬁce. A buyer’s premium of 20% of the hammer price is payable by the buyers of all lots, except those marked with an asterisk, in which case the buyer’s premium is 24%. Artist’s Resale Rights Law (Droit de Suite). Lots marked with AR next to the lot number may be subject to Droit de Suite. For further details see Information for Buyers at rear of catalogue. BIDDING Bidding in Person: Paddle bidding is now in use in the saleroom, so registration will be required before the sale starts for all customers, existing and new, who are attending the sale and wishing to bid. Customers are asked to pay cash or establish a credit with the Auctioneers prior to the sale. Payment may be made while the sale is in progress: please see the cashier in the auction office. For all other payment arrangements please refer to information at the end of the catalogue. Online Bidding: Live online bidding is available on our website www.dominicwinter.co.uk (surcharge of 3% + vat). A live bidding button will appear 30 minutes before the sale commences. Bidding is also available at the-saleroom.com (surcharge of 4.95% + vat) and invaluable.com (surcharge of 3% + vat).

Commission Bids: Commission bids may be submitted for this sale in a number of different ways: T: +44 (0) 1285 860006 F: +44 (0) 1285 862461 E: info@dominicwinter.co.uk Via our website www.dominicwinter.co.uk Please ensure that all commission bids reach us by 10am on the morning of sale. Telephone Bids: Telephone bids accepted for lots with estimated value greater than £300, requests for which should reach us by 9am on the morning of sale

LOCATION Mallard House Broadway Lane South Cerney, Cirencester Gloucestershire GL7 5UQ

DIRECTIONS Exit from the A419 on to the B4696 (Spine Road) signposted towards Ashton Keynes. After one mile, take the second right turning towards South Cerney, signposted Cotswold Hoburne. Our premises are approximately 250 metres along on the left. LOCAL TAXI SERVICES Brian’s Cabs - Cirencester 07980 579947 V-Cars – Swindon 01793 701701

Catalogue Produced by Jamm Design – 020 7424 7830 info@jammdesign.co.uk

Photography by Ben Cavanna – 07968 342013 | bencavanna@gmail.com Marc Tielemans - 07710 974000 | marc@tielemans.co.uk

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CONTENTS DAY TWO

DAY ONE Maps Decorative Prints & Original Art Periodicals Travel & Exploration Winston Spencer Churchill British Topography Geology Natural History English Books from a Shropshire Private Library Books from the Estate of John Lawson Bibliotheca Cloughiana Antiquarian Books from other Properties Art & Architecture Autograph Letters Historical Documents & Ephemera General Literature General Stock

1-90 91-128 129-131 132-147 148-157 158-180 181-189 190-200 201-225 226-249 250-274 275-330 331-353 354-390 391-420 421-439 440-525

19th Century Literature Vintage Toys & Games Antiquarian Juvenile Books Enid Blyton letters Childrenâ&#x20AC;&#x2122;s & Illustrated Books Original Illustrations & Artwork Morris Cox (1903-1998) Rosenbaum Library Private Press Modern First Editions

526-535 536-554 555-578 579-595 596-660 661-701 702-724 725-756 757-792 793-893

SPECIALIST STAFF

Nathan Winter

John Trevers

Dominic Somerville-Brown

Chris Albury

Paul Rasti

Susanna Winters

Nathan Winter Libraries, Continental Books & Music

Chris Albury Books, Manuscripts, Documents & Photographs

Colin Meays Early Printed Books & Bibles Bookbinding

John Trevers Maps, Atlases, Decorative Prints & Caricatures

Paul Rasti Travel & Exploration, Modern Literature, Sports

Henry Meadows Fossils & Minerals, Military History

Dominic Somerville-Brown Travel & Exploration, Antiquarian Literature

Susanna Winters Childrenâ&#x20AC;&#x2122;s Literature, Fine Bindings, Textiles & Cookery

Helen Pedder General Cataloguer

Colin Meays

Henry Meadows

Helen Pedder

Cover illustrations: Front & back covers: lot 730 Inside front cover: lot 209 Inside back cover: lot 776

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Chinese Paintings. An album of 12 goauche paintings on pith of individual Chinese ďŹ gures in traditional costume, mid-19th century, each mounted on paper and framed with a blue silk fabric border, contemporary red silk boards, folio (37 x 25 cm) ÂŁ1000-1500 : 29 January

SPRING SALES CALENDAR 2020 29 January

Printed Books, Maps & Documents The Library of Patricia Milne-Henderson

12 February

Printed Books, Maps & Documents (online catalogue only)

4 March

Printed Books, Maps & Documents The Reference Library of the Late John Lawson (1932-2019)

5 March

Fine Art & Antiques Old Master Prints & Drawings

8 April

Printed Books, Maps & Prints English Caricatures & Printed Satires

9 April

Photography & Cameras Autographs, Documents & Ephemera

13 May

Printed Books, Maps & Documents Travel & Exploration

14 May

Military & Aviation History The Library of Lt Col R J Wyatt MBE TD Part II Barnes Wallis & The Dambusters' Raid

Entries are invited for the above sales: please contact one of our specialist staff for further advice

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MAPS All lots unframed unless otherwise stated To commence at 10am

Lot 1

1* Atlantic Ocean. Blunt (E. & G. W.), North Atlantic from 65o to 37o North, New York, 1867, large uncoloured engraved chart on two conjoined sheets, two inset maps of the Georges Shoals and Nantucket Island, slight spotting, some creasing, lower margin appears to have been trimmed and replaced, slight spotting, 525 x 1240mm, framed and glazed The chart clearly shows the route of the various Atlantic cables laid between New York and Southampton and New York and Dingle Bay. (1) £150 - £200

2* Balkans. Homann (Johann Baptist), Danubii Fluminis..., pars Media [and] Danubii Fluminis..., pars Inﬁma , circa 1720, together two engraved maps with contemporary hand colouring, each approximately 495 x 555mm, mounted, framed and glazed (2)

£100 - £150

Lot 2

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3 Balkans. Homann (Johann Baptist, heirs of), Regnum Bosniae, una cum Finitimis Croatiae, Dalmatiae, Slavoniae, Hung. et Serviae Partibus ... / Regni Serviae Pars, una cum Finitimis Valachiae & Bulgariae Partibus..., Nuremberg, circa 1740, large engraved map on two conjoined sheets with contemporary hand colouring, ﬁfteen uncoloured town plans and views at base and to the sides of the map, old folds, slight staining, 510 x 1095mm (1)

£150 - £200

4* Baltic Coast. Homann (Johann Baptist), Ducatuum Livoniae et Curlandiae cum Vicinis Insulis..., Nuremberg, circa 1720, engraved map with contemporary hand colouring, slight spotting, some marginal repaired closed tears, 485 x 580mm, mounted, framed and glazed (1)

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

5 Belgrade. Seutter (George Matthaus), Belgradum sive Alba Graeca ..., Augsburg, circa 1760, engraved map with contemporary hand colouring with an uncoloured city panorama below the map, slight water staining at base of central fold, 495 x 575mm A later issue of Lotter’s map by Seutter but retaining the Lotter imprint. (1) £150 - £200

£150 - £200

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Lot 6 6 Berkshire. A Topographical Survey of the County of Berks, in Eighteen Sheets, in which is expressed, His Majesty’s Royal Palace of Windsor, its Parks and Forrest; the Seats of the Nobility and Gentry; Towns, Villages, Hamlets, Farms, Cottages, etc. ... by J[ohn] Rocque, 1st edition, London: printed for and sold by the Author ... printed by James Dixwell, 1761, 13 leaves of letterpress including titlepage printed in red and black, double-page engraved key map (‘A Map of the County of Berks, reduced from an Actual Survey in 18 Sheets ... 1764’) with inset plan of Oxford, large-scale map of Berkshire engraved after Rocque by Benning and Deharme and printed on 18 separate numbered sheets as issued, of which numbers 1-5 and 7-12 all double-page and hand-coloured in outline, 6 double-page and uncoloured, 13-15 and 16-18 single-page and uncoloured (sheet 15 being the decorative cartouche), and 16 singlepage and hand-coloured in outline, all except text-leaves mounted on guards, light to moderate offsetting, key map with paper restoration to lower outer corner not affecting image, a few spots to sheet 1, modern red crushed half morocco, large folio (55.4 x 37cm) Chubb p. 448; ESTC T213151. A very rare example of Rocque’s large-scale map of Berkshire intact in its original eighteen separate sheets, and complete with the the key map (here a later state, date 1754) and all introductory letterpress. ESTC trace three copies only in libraries world-wide. Rocque’s county maps were ‘innovative in their portrayal of land use and vegetation’ (ODNB). (1) £1,000 - £1,500

Lot 7

7 Birmingham. Blood (Charles Henry), This Map of Birmingham and its Environs within a circle of Ten Miles, the Town Hall being its Centre, published F. Grew, Birmingham, 1859, folding lithographic map with contemporary outline colouring, sectionalised and laid on later linen, calligraphic title, black and white vignette of Aston Hall, compass rose and mileage scale, some spotting and slight dust soiling, some splitting along old folds, 1150 x 1250mm, contained in a modern cloth slipcase with facsimile printed label to upper cover Uncommon. (1)

£200 - £300

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8 Birmingham. Sherriff (James), A Map of Upwards of 25 Miles round the Town of Birmingham. To his most sacred Majesty George the Third, King of Great Britain &c. &c. Survey begun in 1788 and completed in 1796, published Jas. Sherriff & Wm. Faden, 1798, engraved map with contemporary hand colouring, sectionalised and laid on linen, large decorative cartouche, mileage scale, compass rose and table of explanation, 835 x 680mm, contained in a modern marbled card slipcase with printed label to upper cover (1)

£300 - £500

9 Birmingham. Sherriff (James), A Map of Upwards of 25 Miles round the Town of Birmingham. To his most sacred Majesty George the Third, King of Great Britain &c. &c. Survey begun in 1788 and completed in 1796, with corrections to 1819, published Jas. Sherriff & Wm. Faden, 1798 [but 1819], uncoloured engraved map, sectionalised and laid on linen, large decorative cartouche, mileage scale, compass rose and table of explanation, two worm holes affecting image, 835 x 680mm, contained in a contemporary calf slipcase with printed label to upper cover, worn and frayed, together with Pigott Smith (J.). Street Map of the Borough of Birmingham. Published by order of the Council, circa 1855, uncoloured lithograph, sectionalised and laid on linen, some browning to linen, slight staining, 830 x 1220mm, bound in contemporary cloth boards with gilt title to upper siding, boards stained and rubbed at extremities, with Wrightson & Webb (publishers). Map of the Borough of Birmingham, 1839, uncoloured lithographic folding map, stained and dust soiled, strengthened on verso with later paper, 200 x 250mm, bookplate of John L. Marks, bound in contemporary cloth boards with worn printed title label to upper cover

Lot 8

(3)

£200 - £300

10 British county maps. A collection of approximately sixty-ﬁve maps, 17th - 19th century, engraved county maps, town plans and road maps, of Midland counties, with examples by Van den Keere, Van Langeren, Moule, Archer, Cary, Stockdale, Phillips, Badeslade & Toms, Seller/Grose, Seller, Paterson, Lewis, Owen & Bowen, Gardner, Dawson, Aiken, Conder/Hogg, Senex, Palmer, Gibson, Kitchin, Morden (miniature) and Baker, mostly hand coloured, small format, all mounted, various condition (Approx. 65)

Lot 9

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

£300 - £500

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13 British Isles. Mariette (Pierre), Novissima Descriptio Angliae, Scotiae et Hiberniae, circa 1650, engraved map with contemporary outline colouring, inset map of the Orkney Islands, very slight marginal fraying, central fold partially strengthened on verso, 375 x 495mm

11 British Isles. A collection of eighteen maps, mostly 18th & 19th century, eighteen engraved maps, including examples by De Vaugondy, Mollo, Drioux & Leroy, Tardieu, Thomson, Stieler, De L’Isle, Clouet, Tirion, Philippe, and Blair, occasional duplicates, various sizes and condition (18)

(1)

£300 - £500

14 British Isles. Mercator (Gerard & Hondius Henricus), Four regional maps, circa 1610, including Westmorlandia, Lancastria, Cestria...., circa 1613, engraved map of North West England & Wales with contemporary outline colouring, large strapwork cartouche, slight toning, 365 x 420mm, Latin text on verso, together with another copy similar, with Warwicum, Northamtonia, Huntingdonia, Cantabrigia, Suffolcia, Oxonium..., circa 1613, uncoloured engraved map of South East England, large strapwork cartouche, 370 x 470mm, French text on verso, plus Anglesey, Garesay, Wight vectis olim [and] Jarsay, circa 1633, four uncoloured engraved maps on one sheet (as published), one marginal closed tear but not affecting printed image, 325 x 435mm, French text on verso, and Sanson (Nicolas). Britannicae Insulae in quibus Albium sive Britannia Maior Ivernia sive Britannia Minor tum et Orcades, Ebudes, Cassiterides, 1641, engraved map with contemporary outline colouring, slight staining, 400 x 525mm

12 British Isles. De L’Isle (Guillaume), Les Isles Britanniques... , 1772, hand coloured engraved map, large decorative cartouche, 480 x 615mm, together with Jaillot (Hubert). Les Isles Britanniques qui contiennent les Royaumes d’Angleterre, Ecosse et Irlande..., circa 1709, hand coloured engraved map, inset map of the Orkney, Faroe and Shetland Islands, large decorative cartouche and mileage scale, 465 x 655mm (2)

£200 - £300

(5)

£150 - £250

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15 Camden (William). [Britain, or a Chorographicall Description of the Most Flourishing Kingdomes, England, Scotland, and Ireland, and the Ilands Adioyning, out of the Depth of Antiquitie: Beautified with Mappes of the Severall Shires of England..., 1610], lacking title page and preliminaries, later erroneous manuscript title crediting the atlas to John Speed bound in after front endpaper, long closed tear to title, eight engraved plates of coins, fifty-five (only of fifty-seven) uncoloured, mostly folding engraved maps after C. Saxton, by W. Kip and G. Hole, lacking Carmarthen & the Heptarchy of the British Isles, sparse near contemporary ink marginalia to text, Hampshire bound upside down, a few maps with frayed margins and slight loss of printed image, Derbyshire with closed tear affecting image, North Riding of Yorkshire torn with loss and crudely repaired, slight worming to margins of last few leaves, occasional spotting, index bound at rear, last leaf backed with later paper, maps re-guarded, eight loosely inserted genealogical tables, hinges and joints split and weak, early 19th century half calf, worn and rubbed, folio Sold as a collection of maps, not subject to return. Chubb XIX. (1)

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

£2,000 - £3,000

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16 Channel Islands. A collection of seven maps, 17th - 19th century, including Mercator (Gerard). Anglesey [on sheet with] Garnesay, Wight olim Vectis & Jarsay, circa 1610, engraved map with contemporary outline colouring, slight staining, 325 x 435mm, French text on verso, together with Mercator (Gerard & Hondius Henricus), Anglesey [on sheet woth} Wight ol Vectis, Garnesay & Jarsay, circa 1630, four uncoloured engraved maps on one sheet, 145 x 200mm, Latin text on verso, with Fullarton (Archibald, publisher). Channel Island, Scilly Islands and Isle of Man, circa 1840, ﬁve engraved maps on one sheet with contemporary outline colouring, 430 x 290mm, with another four maps and charts including examples by Herder, Bonne and Depot de la Marine, various sizes and condition (7)

18 Cheshire. Speed (John), The Countye Palatine of Chester with the most ancient Citie described, published John Sudbury and George Humble, 1616, hand coloured engraved map, inset town plan of Chester, central fold partially split and repaired on verso, occasional marginal closed tears, slight browning to margins but not affecting printed image, slight creasing, 390 x 515mm, Latin text on verso (1)

£300 - £500

£150 - £200

19 China. Haffner (Melchior), Imperium Sinarum , Augsburg , circa 1688, uncoloured engraved map, old folds, 295 x 355mm A scarce map of China engraved by Haffner for ‘Das mächtige Kayser-Reich Sina’ by Johann Christoph Wagner and published by Jakob Koppmayer. (1) £200 - £300

17 Chatelain (Henri Abraham). A collection of twenty dynastic and heraldic charts and maps, circa 1720, twenty uncoloured engraved double page and folding charts, maps and dynastic tables all relating to France. some duplicates, occasional spotting, each approximately 350 x 450mm (20)

£200 - £300

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22 Dorset. Greenwood (C. & G.), Map of the County of Dorset, from an actual survey, made in the years 1825 & 1826..., published Sept. 11th 1826, engraved map with contemporary hand colouring, calligraphic title, compass rose, table of explanation and a large uncoloured vignette view of Weymouth, slight offsetting and staining, 1170 x 1580mm, contained in a contemporary calf bookbox, slight wear to extremities

20* Cornwall. Blaeu (Johannes), Cornubia sive Cornwallia, Amsterdam, circa 1650, engraved map with contemporary hand colouring, some repaired marginal closed tears, printer’s folds, toned overall, 395 x 505mm, mounted, framed and glazed (1)

£70 - £100

(1)

23* Drayton (Michael). North Wales & Warwickshire, circa 1622, together two untitled allegorical engraved maps, one with later hand colouring, the map of Flint and Denbigh (coloured), 250 x 330, the map of Warwickshire with parts of Worcestershire, Staffordshire, Leicestershire and Oxfordshire (uncoloured), trimmed along vertical margins with loss to printed border, 250 x 325 mm, both mounted, framed and glazed

21 Devon. Donn (Benjamin), A Map of the County of Devon, with the City and County of Exeter, 1st. edition, 1765, printed title, key plate, twelve engraved double page maps engraved by Thomas Jefferys, all with contemporary outline colouring, ornate cartouche and uncoloured plans of Exeter and Plymouth, some off setting, slight dust soiling and a little creasing, all plates reguarded, later endpapers, old dealers catalogue entry sellotaped to front endpaper, modern half morocco with morocco gilt title label to upper siding, slight wear to extremities, folio

(2)

Provenance:- Beeleigh Abbey Books 1992 and then from the private collection of Rodney Shirley. Batten & Bennett. The Printed Maps of Devon, no. 44 (1) £300 - £500

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

£300 - £500

£150 - £200

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24 Durham. Bill (John), The Bishoprick of Durham, [1626], hand coloured engraved miniature map, slight text show-through, 95 x 125mm, English text on verso, together with another fourteen coloured county maps of Durham, with examples by Moll, Ellis, Van Langeren, Bickham (1796 edition), Lewis, Condor/Hogg, Teesdale, Osborne, Badeslade & Toms, Morden (miniature), Kitchin/Jeffreys, Cole & Roper, Van den Keere and Langley, various sizes and condition, mounted (15)

26 Durham. Speed (John), The Bishoprick and Citie of Durham, published Thomas Bassett & Richard Chiswell [1676], hand coloured engraved map, inset town plan of Durham, slight toning to central fold, one small marginal closed tear, 385 x 505mm, English text on verso (1)

£150 - £200

£200 - £300

27* Eastern Europe. Facius J. G. & G. S.), Carte exacte d’une Partie de L’Empire de Russie et de la Pologne meridionale renfermant l’Ukraine..., Bonn, 1769, engraved map with contemporary hand colouring, 475 x 725mm, mounted, framed and glazed A scarce map of Eastern Europe including Poland, Lithuania, Russia and Ukraine. This is the ﬁrst edition of the map, which was re-issued the following year as a 4-sheet map of the Theatre of War in the region, which was published by Jager. (1) £500 - £800

25 Durham. Bowen (Emanuel), An Accurate Map of the County Palatine of Durham, Divided into its Wards, [1762], engraved map with contemporary outline colouring and some later enhancement, 420 x 505mm, together with Jansson (Jan). Episcopatus Dunelmensis vulgo The Bishoprike of Durham, Amsterdam, circa 1646, engraved map with contemporary outline colouring, partially split along central fold, some marginal closed tears but not affecting image, 410 x 510mm, French text on verso, with Saxton (Christopher & Kip W.). Dunelmensis Episcopatus qui comitatus est Palatinus ..., [1637], hand coloured engraved map, trimmed with very slight loss to upper right corner, 280 x 340mm, plus another eighteen engraved county maps, including examples by Van den Keere, Greenwood, Hall, Kitchin, Moll, Seller/Grose, Cary, Phillips, Archer, Morden (large), J & C Walker, Murray, Pigot/Slater, Lewis and Fullarton, with two additional maps of Northumberland by Van den Keere and Osborne, various sizes and condition (23)

28* Embroidered map. Europe, by M.S. Smeaton, 1823, oval map of Europe and North Africa, hand-embroidered in silk threads on linen, the place names and title worked in black cross-stitch, and the map outlines, oval foliate title frame, and ﬂoral border worked in colours using various stitches, browned and spotted, some holes and loss to blank margins, image size 47.5 x 43cm (18.75 x 17ins), tacked onto original wooden stretcher, together with the original gilt frame and verre eglomise mount (broken), latter dated at head and with maker’s name at foot ‘M.S. Smeaton’ (1)

£200 - £300

£100 - £150

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31 England & Wales. Chatelain (Henry Abraham), Nouvelle carte du Gouvernement civil D’Angleterre et de celuy de la Ville de Londres, Nouvelle carte pour Introduire a la Geographie et a la Genealogie des Rois D’Angleterre et D’Ecosse..., [and] Carte pour L’Intelligence de L’Histoire D’Angleterre où on remarque les Conquestes de cette Monarchie ..., circa 1720, together three engraved maps and genealogical tables, one map with old folds, 355 x 460mm, 380 x 920mm and 350 x 460mm respectively

29 England & Wales. A collection of ten maps, mostly 18th century, engraved maps, nine with hand colouring, including examples by Van der Aa, Albrizzi, Kitchin, Tirion, Seale, Tindal and De Prétot, various sizes and condition (10)

£200 - £300

Originally published in ‘Atlas Historique et Methodique’. (3)

30 England & Wales. Cary (John), Cary’s New Map of England and Wales with Part of Scotland, on which are carefully laid down all the Direct and Principal Cross Roads, the Course of the Rivers and the Navigable Canals, Cities, Market and Borough Towns, Parishes and most considerable Hamlets, Parks, Forests &c &c, 1st edition, 1794, engraved map with contemporary outline colouring, sectionalised and laid on three linen sheets, each sheet with the label of William Faden ‘ Geographer to His Majesty’ to verso, calligraphic title and dedication, inset maps of England and Wales and the Scilly Isles, very slight offsetting and occasional spotting, overall size approx. 1800 x 2220mm, contained in a contemporary marbled card slipcase, very slight wear to extremities

32 England and Wales. De Wit (Frederick), Orientalior Districtus Regni Angliae comprehendens Comitatus et Provicias Cantium, Suthsexiam , Hantonium, Surriam..., [in set with] Occidentalior Regni Angliae Districtus Comprehendens Principatum Walliae et Glocestriae..., [and] Tractus Regni Angliae Septentrion in quo Ducatus Eboracensis..., circa 1680, together three engraved maps of South Eastern, South Western and Northern England and Wales (not conjoined), contemporary outline colouring (but not uniform), slight creasing, each approximately 585 x 505mm (3)

This highly detailed map is usually seen in atlas form and very occasionally as a wall map. (1) £150 - £200

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

£100 - £200

£200 - £300

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36 England and Wales. Wyld (James), Railway Map of England, Wales and Scotland, Drawn from the Triangulation of the Ordnance Survey, the Survey of the Railway Companies, and Other Information..., circa 1855, very large engraved map with contemporary outline colouring on four sheets and laid on linen, heavily dust soiled and stained at base with numerous closed tears, mostly at base, presented on a contemporary wooden batten with gilt manuscript title ‘England’ on a separate panel afﬁxed to batten, with large spring loaded roller at top of map, 1970 x 1310mm, contained in a contemporary painted pine box, together with Wyld (James, publisher). An untitled Ordnance Survey map of most of Staffordshire and Warwickshire, circa 1845, large engraved map with contemporary outline colouring on twenty-eight conjoined sheets and laid on linen, heavily dust soiled and stained at base with several closed tears, mostly at base, presented on a contemporary wooden batten with a gilt manuscript title ‘Staffordshire’ on a separate panel afﬁxed to batten with a large spring loaded roller at top of map, 1820 x 1460mm (2)

£100 - £200

37* Eton. Wagstaff (H. M.), A Map of Eton College and its Environs, published The Petersﬁeld Workshops, circa 1948, engraved map with contemporary hand colouring, heightened with gilt, 435 x 555mm, mounted, framed and glazed (1)

£80 - £100

33 England & Wales. Dighton (Robert, after), England and Wales, Caricatures of Ireland, Scotland &c. with other ingenious devices, circa 1810, engraved caricature map with contemporary hand colouring, some spotting, 140 x 100mm (1)

£150 - £200

34* England & Wales. Kitchin (Thomas), A New Map of England & Wales. Drawn from Several Surveys &c. on a New Projection, Corrected from Astronomical Observations & the Places marked where the Observat’ns were made....., The Canals inserted to 1792 by J. Phillips Surveyor, published Laurie & Whittle, 12th May 1794, large hand coloured engraved map, inset map of the Scilly Isles, occasional repaired marginal closed tears, old folds, 1280 x 1085mm, framed and glazed (1)

38 Folding maps. A mixed collection of approximately 175 maps, 18th - 20th century, folding engraved and lithographic maps of British counties, regions and towns, touring and geological maps and foreign rivers and regions and a collection of late 20th century French geological maps, with examples by Ordnance Survey, Bacon, Lewis, Stamford, maps from ‘The Geological Survey of Great Britain’, Cary, Walker and Smith, various sizes and condition

£70 - £100

35 England & Wales. Lewis (Samuel), A Map of England & Wales Divided into Counties, Parliamentary Divisions and Dioceses, Shewing the Principal Roads, Railways, Rivers & Canals and the Seats of the Nobility and Gentry, with the distance of each town from the General Post Ofﬁce London..., published S.Lewis & Co., 1840, 1840, engraved map with contemporary outline colouring, sectionalised and laid on linen, in four parts (as published), inset map of the Scilly Isles, calligraphic cartouche, compass rose, table of explanation and large uncoloured engraved vignette of the Post Ofﬁce in London, slight spotting and offsetting, each sheet approx. 1050 x 850mm, each section bound in contemporary morocco gilt, some rubbing to extremities, size when folded 225 x 145mm (4)

(approx. 175)

£100 - £150

£500 - £800

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Lot 39 39* Germany & Northern Europe. Tavernier (Melchior), Generalis exactissima et novissima Germaniae descriptio..., Paris, 1638, large hand coloured engraved map of Germany, Poland and Switzerland, separately printed descriptive French text to base and vertical margins, overall size 765 x 1210mm, mounted, framed and glazed A scarce 17th century map, not always found with the descriptive text. (1) £800 - £1,200

40 Germany. Ortelius (Abraham), Germaniae Veteris Typus, 1601, hand coloured engraved map, slight spotting to margins, 370 x 470mm, Latin text on verso, together with Munster (Sebastian). Tabula Germaniae, circa 1542, uncoloured woodblock map on a trapezoidal projection, some marginal closed tears affecting title, 280 x 340mm, Latin text on verso, with Mercator (Gerard). Tab. IV. Europae, Germaniam et Galliam Belgicam Exhibens, circa 1600, hand coloured engraved map, 345 x 400mm, plus Hondius (Henricus). Episcopatus Paderbornensis descriptio nova..., [1636], hand coloured engraved map, 380 x 490mm, English text on verso, with another ﬁve maps of Germany and German regions including examples by Blaeu, Mercator/Hondius, Cary and Fullarton, various sizes and condition

Lot 40

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

(9)

£200 - £300

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43 Hertfordshire. Speed (John), Hartford Shire Described, The sittuations of Hartford and the most ancient town S. Albons with such memorable actions as have happened, published John Sudbury and George Humble, 1st edition, [1611], hand coloured engraved map, inset town plans of Hertford and Verolanium (St. Albans), central fold partially split, some marginal fraying, right hand margin extended, several repaired marginal closed tears, 385 x 515mm, English text on verso, mounted

41 Gloucestershire. A collection of forty maps, 17th - 19th century, county maps, town plans and road maps, including examples by Bickham, Fullarton, Cary. Lewis, Archer, Badeslade and Toms, Dawson, Bowen/Meijer, Senex, Philips, Ellis, Ramble, Cole & Roper, Owen & Bowen, Langley, Laurie & Whittle, Moll, Gibson, Hermanides, Cowley, Wallis, Capper, Leigh, Paterson and Osborne, occasional duplicates, all mounted, three framed and glazed, together with approximately ﬁfty-ﬁve engraved and lithographic topographical views with examples by Sparrow, Wallis, Brewer and Neele, all mounted, small format, various condition (approx. 95)

(1)

£200 - £300

44 Hungary. Blaeu (Johannes), Hungaria Regnum , circa 1644, engraved map with contemporary outline colouring, some dust soiling and very light overall toning, 420 x 515mm, German text on verso, together with Cary (John). A new Map of Hungary with its Divisions into Gespanchafts or Counties; The Principality of Transylvania, Croatia &c. 1811, engraved map with contemporary hand colouring, slight creasing, 465 x 525mm, with Homann (Johann Baptist). Marchionatus Moraviae Circulis Olomu-cencis quem Mandato Caesareo, circa 1720, engraved map with contemporary hand colouring, 490 x 590mm

42 Haffner (Melchior). Die Halb Insul Indiens Disseit des Ganges..., Das Reich des Grossen Mogols, Armenia seu Turcomania Georgia Commania, Das Kónigreich Persien & Die grosse Tartari, Augsburg, circa 1688, together ﬁve uncoloured engraved maps with decorative margins, old folds, occasional marginal staining but not affecting image, each approximately 260 x 340mm (5)

£150 - £200

(3)

£500 - £800

£150 - £200

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45 Hungary. Ortelius (Abraham), Ungariae Loca Praecipua Recens Emendata atque Edita, per Ioannem Sambucum Pannonium, Imp. Ms. Historicum. 1579, [1584], engraved map of Hungary and Transylvania, contemporary hand colouring, base of central fold strengthened and repaired on verso, one small worm hole in printed margin, 350 x 510mm, Latin text on verso Marcel van den Broecke. Ortelius Atlas Maps, no. 151 (1)

£100 - £150

46 Hungary. Seutter (George Matthaus), Novissima et Accuratissima Hungariae cum Circumjacentibus Regnis et Principatibus..., Augsburg, circa 1745, engraved map with contemporary outline colouring, large uncoloured allegorical cartouche and mileage scale, central fold partially strengthened on verso, 510 x 590mm, together with Homann (Johann Baptist). Regni Hungariae tabula generalis..., Nuremberg, circa 1720, engraved map with contemporary hand colouring, some browning to margins, margins strengthened on verso, printer’s fold, 475 x 570mm (2)

£100 - £200

Lot 47

47* India. Coronelli (Vincenzo Maria), Impero Del Gran Mogol , circa 1700, engraved map with contemporary outline colouring and some later enhancement, 460 x 610mm, mounted, framed and glazed (1)

£150 - £200

Lot 48

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

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48* Indian Ocean. Valentijn (Francois.), Tabula Indiae Orientalis et Regnorum Adjacentium, J van Braam et G. onder de Linden, Amsterdam, circa 1726, hand coloured engraved map, old folds, slight overall toning, one area of bleaching (possibly from old tape on verso), 500 x 670mm, mounted, framed and glazed A highly detailed map of Australia, Southeast Asia and the Indian Ocean, from Valentyn’s Oud en Nieuw Oost-Indien, one of the earliest contemporary maps to report information drawn from the Dutch V.O.C. during the period. The map is an overview from Valentyn’s monumental work on the East India Company, showing most of the charter covered by the VOC monopoly, from the Cape of Good Hope to Japan. Tooley, R.V. ‘The Mapping of Australia’ no.1268. (1) £500 - £800

51 London. Froggett (John Walter), From the Ordnance Survey of the Country Thirty Miles round London, published G. F. Cruchley, with additions to 1855, large engraved map with bright contemporary outline colouring, sectionalised and laid on linen, marbled endpapers, cancelled library stamps to verso, 1085 x 1380mm, contained in a contemporary cloth slipcase with printed label to upper cover Howgego. no. 333. A later and unrecorded state as the last dated example (state 4) is 1841. (1) £150 - £200

49 Japan. Le Rouge (George Louis), Carte du Japon et de la Corée, Paris, [1748 - 1759], engraved map with contemporary outline colouring, 215 x 285mm Originally published in ‘Atlas Nouvel Portatif a l’Usage des Militaires et du Voyageur’. (1) £100 - £150

52 London. Faden (William), The Country Twenty-ﬁve miles round London, planned from a scale of one mile to an inch, 3rd. edition, 1815, large engraved map with contemporary hand colouring, sectionalised and laid on linen, map seller’s label (C. Smith) and later erroneous Howgego attribution in pencil to rear, 1025 x 1270mm, contained in a contemporary card slipcase, worn, cracked and frayed

50 Kent. Greenwood (C.), Map of the County of Kent, from an actual survey made in the years 1819 & 1820, published G.Pringle July 19th, 1821, large engraved map on two sheets, sectionalised and laid on linen, bright contemporary hand colouring, calligraphic cartouche, table of explanation and reference to the hundreds, slight dust soiling and staining, edged in green silk, silk a little frayed, each sheet approximately 1160 x 870mm, marbled endpapers, bookplate of W. Fitch to one endpaper, contained in a contemporary calf book box, spine partially re-backed with later green gilt morocco title label, worn at extremities (1)

Howgego. No 188, state 7. (1)

£300 - £500

£150 - £200

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Lot 53 53 London. Roades (William), A Pocket Map of the Citties of London & Westminster and the Suburbs thereof being a New & Exact Plan with the additions of the New Buildings Churches &c. to this present year, sold by Robt. Hulton, 1743, hand coloured engraved map, uncoloured vignette of the Bank of England, slight staining, old folds strengthened and repaired on verso, 260 x 410mm (1)

£600 - £900

54 Maps. A mixed collection of approximately 250 British & foreign maps, mostly 19th century, engraved and lithographic foreign and British county and regional maps, including examples by Fullarton, Owen & Bowen, Archer, Migeon, Hall, Cary, Lizars, Seller/Grose, Conder, Johnston, Lewis and Blackie, various sizes and condition (approx. 250)

£150 - £200

55 Mediterranean Sea, Kircher (Athanasius), Mappa Maris Mediterranei Fluxus Currentes et Naturam motionum explicans, circa 1680, uncoloured engraved map, old folds, 345 x 560mm An unusual map from Kircher`s ‘Mundus Subterraneous’, the ﬁrst serious effort to describe the physical make up of the earth, proposing theories (sometimes fantastical) in the areas of physics, geography, geology, and chemistry. The map is devoid of political - and most geographical information and instead focuses entirely on ocean currents in the Mediterranean Sea. The map extends to the Black Sea and parts of the Caspian and Red Sea. Kircher`s theories included the notion that the world`s oceans were all interconnected and thus this map depicts subterranean tunnels connecting the oceans and seas. (1) £100 - £150

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

56 Morden (Robert). A collection of thirty-nine maps, [1695 or later], uncoloured engraved maps, some duplicates, a few maps trimmed to image, each approximately 365 x 425mm The maps comprise of :- Berkshire, Buckinghamshire (2), Cambridgeshire (2), Derbyshire (2), Durham (2), Herefordshire, Hertfordshire, Huntingdonshire, Leicestershire, Lincolnshire (2), Monmouth, Northamptonshire (2), Northumberland, Nottinghamshire (2), Rutland (3), Shropshire, Staffordshire, Warwickshire, Westmorland (2), Worcestershire, East Riding of Yorkshire (2), West Riding of Yorkshire, Britannia Saxonica (2), Northern Scotland & The Smaller Islands in the British Ocean (3). (39) £400 - £600

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57 North America. Lotter (Tobias Conrad), America Septentrionalis Concinnata juxta Observationes Dun Academiae Regalis Scientiarum et nonnullorum aliorum et juxta annotationes recentissimas per G.de L’Isle, published Augsberg, circa 1770, engraved map with contemporary hand colouring, large uncoloured decorative cartouche and mileage scale, vertical borders trimmed with later extended margins, 460 x 610mm (1)

60* Ogilby (John). The road from London to Barstable in Devonshire..., 1676 or later, hand coloured engraved strip road map, 365 x 455mm, mounted, framed and glazed Sheet 32. The road commences at Andover and passes through Warminster and Bruton and ends at Bridgwater. (1) £70 - £100

£250 - £350

58 Northern British counties. A collection of sixteen maps, 17th - 19th century, engraved county and strip road maps of Yorkshire, Westmorland and Durham, with examples by Laurie & Whittle, Heywood, Moule, Van den Keere, Senex, Gray, Owen & Bowen, Ellis, Cary, Gibson, Van Langeren, Kitchin and Leigh, all mounted, small format, various condition, together with a collection of eighteen map reference books and catalogues with examples by Skelton, Van den Broecke, Potter, Booth and Swift, various sizes and condition (34)

£100 - £150

61 Oxfordshire Buckinghamshire and Berkshire. A mixed collection of forty-six maps, 17th - 19th century, engraved county maps, town plans and road maps, twenty-three of Oxfordshire and thirteen of Berkshire, with examples by Luffman, Leigh, Van den Keere, Seller, Seller/Grose, Mogg, Archer, Bowen, Fullarton, Lewis, Rollos, Morden (miniature), Moll, Kitchin, Bowles, Philips, Aiken, Cary, Dawson, Hall, Bowen, Ellis and Moule, occasional duplicates, all mounted, various condition (46)

59* Northern Europe. De Fer (Nicolas), Estats des Couronnes de Dannemark, Suede, et Pologne sur la Mer Baltique, Paris, 1705, map with contemporary outline colouring on two conjoined sheets, engraved by H. Van Loon, inset of Hven island, slight creasing, slight toning to central fold, 440 x 700mm, mounted, framed and glazed (1)

£200 - £300

£200 - £400

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64* Poland. (Braun Georg & Hogenberg Franz), Die Stat Swybuschin in nider Schlesien, Cologne, circa 1580, engraved town plan of Swiebodzin with contemporary hand colouring, occasional repaired marginal closed tears, 345 x 365mm, mounted, framed and glazed

62* Poland & Lithuania. Blaeu (Johannes), Magni Ducatus Lithuaniae et Regionum Adjacentium exacta descriptio..., D. Nicolai Christophori Radziwil..., Amsterdam, circa 1664, engraved map with contemporary outline colouring, one printer’s fold, 445 x 530mm, mounted, framed and glazed

(1)

£100 - £150

A scarce map of Lithuania, Latvia, Poland, Prussia, Belarus, Ukraine and Russia, originally published in Blaeu’s Atlas Major. This is Blaeu’s second map based upon Radizwill’s much earleir map of 1613. This edition is oriented with west at the top. The map is only found in the later editions of the Atlas Major. (1) £300 - £500

63* Poland. Rizzi-Zannoni (Giovanni Antonio), Polen in die dermaligen Besitzungen eingetheilt Nach der vortreﬂichen Karte von Rizzi Zannoni..., / Carte de la Pologne...., published Von Artaria & Co. Vienna, 1807, large engraved map with contemporary outline colouring, sectionalised and laid on linen, titles in French & German, printed date in title appears to be ‘scratched out’, 880 x 1010mm, mounted, framed and glazed

65* Poland. Braun (Georg & Hogenberg Frans), Lovicensis Civitas quae est Archiepiscopa..., Cologne, circa 1617, hand coloured engraved town plan of Lowicz, 335 x 495 , together with another uncoloured example, both presented in a double aperture mount, framed and glazed

The map notes that Poland is divided between its co-sharing partners.The map includes signiﬁcant battle related information, with annotations at the bottom right referencing a battle on August 3, 1775. (1) £300 - £500

Originally published in ‘Civitatis Orbas Terrarum’. (1) Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

£300 - £500

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66* Poland. Du Val (Pierre), Carte de Pologne et des Etats qui en Dependent, Paris, Pierre Mariette, circa 1660, uncoloured engraved map, slight staining, 375 x 525mm, mounted, framed and glazed, together with Bourgoin (Pierre). Royaume de Pologne Gd. Duch de Lithuanie et Royaume de Prusse, Paris, circa 1765, engraved map with contemporary outline colouring, 350 x 435mm, mounted, framed and glazed (2)

68* Poland. Homann (Johann Baptist), Prospect, Grundris und Gegend der Polnischen Vesten Reichs und Handels-Stadt Dantzig und ihrem Werder..., published Nuremberg, circa 1730, engraved town plan with contemporary hand colouring, panoramic prospect of Danzig (Gdansk) below map, 490 x 565mm, mounted, framed and glazed

£200 - £300

(1)

£400 - £600

69* Poland. Ortelius (Abraham), Prussiae v era descriptio , per Gaspar Henneberg Erlichens , Antwerp, circa 1612, engraved map with contemporary hand colouring, 365 x 465mm, mounted, framed and glazed Marcel Van den Broecke, Ortelius Atlas Maps, no. 157. (1)

67* Poland. Fries (Lorenz), Tabula nova Polonia , Ungariae & Russiae , Strasburg , circa 1540, Ptolemaic woodblock map with contemporary outline colouring, 310 x 370mm, with another uncoloured example, double aperture mount, framed and glazed (1)

£300 - £500

£100 - £150

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71* Poland. Schenk (Petrus), Estats de Pologne Subdivises Suivant l’Estendue des Palatinats..., Amsterdam, circa 1740, engraved map with contemporary hand colouring, title repeated in Latin above map, slight creasing and occasional marginal closed tears, 485 x 580mm, mounted, framed and glazed (1)

£200 - £300

70* Poland. Sanson (Nicolas), Estats de la Couronne de Pologne ou sont les Royaume de Pologne, Duches et Provinces de Prusse, Cuivaie, Mazovie, Russie Noire &c. Duches de Lithuanie, Volhynie Podolie &c. de l’Ukranie &c. Paris, circa 1663, uncoloured engraved map, slight overall toning, 425 x 570mm, mounted, framed and glazed (1)

£150 - £200

72* Poland. Seutter (George Matthaus), Wratislavia Antiquissima et Celeberrima Ducat. Silesiaci Metropolis ... / Breslau due Uhralte u Hochberuhmte Haupt Statt des Herzogth. Schleisien..., circa 1740, engraved town plan with bright contemporary hand colouring, panoramic prospect of Breslau below map, slight cracking to central fold, 490 x 565mm, mounted, framed and glazed (1)

£500 - £800

73 Probst (George Balthasar), Riga Metropolis Livoniae, Augsburg, 1754, uncoloured engraved panorama on two conjoined sheets, after J. F. Saur, seventy-four point key list below image, 390 x 1120mm Marsch (Friedrich Bernhard Werner), Seite 147, state 3. This state with new masts to the moored ships, more explanatory notes and a re-worked cartouche. Rare and in very good condition. (1) £1,200 - £1,800

Lot 71

Lot 73 Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

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Lot 74 74* Prussia. Schleuen (Johann David). General-Carte der Gesamten Koniglichen Preussischen Lander..., Berlin, [circa 1750], engraved map with contemporary outline colouring on two conjoined sheets, inset views of Berlin, Breslau and Konigsberg, one old fold, 580 x 705mm, mounted, framed and glazed A rare map of Northern Germany and part of Poland. (1)

£1,000 - £1,500

75 Scotland, Ireland & Wales. A collection of thirty county and regional maps, 17th - 19th century, maps of Scotland, Wales, Ireland and England & Wales including maps of the whole country, regions and counties, with examples by Langenes, Bertius, Morden (miniature), Luffman, Blaeu, Carington Bowles, Russell, Cary, Seller, Seller/Grose, Van den Keere, Badeslade & Toms, Wallis, Kitchin and Gibson, all mounted, all small format, two framed and glazed, various condition (30)

£200 - £300

Lot 75

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76 Shropshire & Staffordshire. A collection of twenty maps, 17th - 19th century, engraved road and county maps, eighteen with hand colouring, with examples by Van Langeren, Capper, Osborne, Moule, Rocque, Senex, Cowley, Luffman, Cary, Owen & Bowen, Van den Keere, Gibson, Seller/Grose, Archer, Leigh and Wallis, occasional duplicates, small format, various condition (20)

£150 - £200

Lot 78

77 Smith (William & Cary John). Geological Map of Oxfordshire by W. Smith, Mineral Surveyor, published J. Cary, Feby. 1st. 1821, engraved map with contemporary hand colouring identifying the various rock strata of the county, oval cartouche, compass rose and key, slight creasing, slight staining to left hand margin, 560 x 490mm The noted cartographer, engraver and publisher John Cary (1755-1835) collaborated with William Smith, ‘the father of English geology’, on a number of his geological projects, notably the 1815 Map and geological sections (1817-1819). Cary had previously produced large, topographical county maps for his ‘New and Correct English Atlas’ and the plates which were being prepared for a new edition were instead adapted to accommodate Smith’s detailed geology, the ﬁrst set of geological maps being issued in 1819. This is the ﬁrst state of these geological county maps. There is a second state which although coloured using William Smith’s geology, gives no acknowledgement to Smith at all. Rare. (1) £2,000 - £3,000

79 South West England. Bill (John), Somersetshire, 1626, uncoloured engraved miniature map, 85 x 120mm, slight text showthrough, mounted, framed and glazed, together with another twenty-eight engraved county and strip road maps of Cornwall, Devon, Somerset, Wiltshire and Dorset, with examples by Van den Keere, Ramble, Kitchin, Mogg, Baker, Leigh, Seller/Grose, Moll, Lewis, Morden (miniature), Gardner, Moule, Archer and Cary, occasional duplicates, all mounted, two framed and glazed, various condition

78 South- East England. Morden (Robert), Sussex, ‘Playing card Map’, published H.Turpin. circa 1776, uncoloured engraved ‘playing-card’ map of Sussex, tipped on to later card, 82 x 55mm, mounted, framed and glazed, together with another twenty-nine engraved county maps of Hampshire, Middlesex, Kent, Essex, Sussex and Surrey, with examples by Moule, Kitchin, Bowen, Cary, Hall, Seller, Seller/Grose, Lewis, Archer, Rocque, Osborne, Fullarton, Leigh, Neele and Badeslade and Toms, all mounted, various sizes and condition (30)

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

(29)

£200 - £300

80 Spain & Portugal. Seutter (Matthaus), Hispania Augustiniana .., published Tobias Lotter, Augsburg, circa 1725, engraved map with contemporary hand colouring, inset map of the Azores, old library stamp to verso, 495 x 575mm (1)

£200 - £300

£100 - £200

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83 Von Reilly (Franz Johann Joseph), Seven regional maps of England & Wales, circa 1790, seven regional maps (including the environs of London), some duplicates, each approximately 220 x 300mm (7)

£100 - £150

81 Surrey. Greenwood (C. & J.), Map of the County of Surrey from an Actual Survey, made in the Years 1822 & 1823, published George Pringle, 1823, Pringle, 1823, engraved map with bright contemporary outline colouring, sectionalised and laid on linen, inset uncoloured vignette view of Kew Palace, compass rose and table of explanation, edged in green silk, marbled endpapers, 1000 x 1220mm, contained in a contemporary calf gilt book box with later red morocco gilt title label to spine, slight wear to extremities (1)

£500 - £800

84 Walker (J & C). Twenty ‘Fox Hunting’ maps, circa 1870, twenty engraved maps with contemporary outline colouring, some duplicates, each map 405 x 330mm, together with ﬁve double page mileage charts originally published in John Ogilby’s ‘Britannia...’, each approximately 410 x 360mm The county maps are:- Bedfordshire (2), Berkshire (2), Buckinghamshire, Cambridgeshire, Cumberland (2), Derbyshire (2), Durham, Huntingdonshire, Kent, Lancashire (2), Middlesex, Staffordshire, Suffolk, Westmorland (2). (25) £100 - £150

82 Switzerland. Scheurmann (Johann Jacob), Atlas de la Suisse, Zurich, Orell Fussli & Co., circa 1830, general map of Switzerland and eighteen maps of various Cantons all with contemporary outline colouring and engraved by Scheurmann, very slight dust soiling, publisher’s printed wrappers with title to upper siding, wrappers frayed with slight loss and with some creasing and staining, oblong 4to (260 x 350mm), together with Diez (F. M.), Post- und Reise-Karte von Deutschland und den Anliegenden Landern..., 1831, engraved map of Germany with contemporary outline colouring, sectionalised and laid on linen on four sheets, some dust soiling and slight spotting, each sheet approximately 460 x 480 mm, contained in a contemporary card slipcase with publisher’s printed label to upper cover, with Schropp & Co. (publisher), Neueste Post-Karte durch Ganz Deutschland und Frankreich bis Paris, durch Ober-Italien, Oestreich, Ungarn, Preussen, Pohlen und Daenmark..., Berlin and Charles Piequet, Paris, 1820, engraved map with contemporary outline colouring, sectionalised and laid on linen, title repeated in French above map, 635 x 795mm, with another two folding maps similar (5)

85 West Indies. (Edwards Bryan), A New Map of the West Indies for the History of the British Colonies, [1794 or later], uncoloured engraved map on two sheets, not conjoined, old folds, two repaired closed tears, slight dust soiling, 710 x 1140mm The map was originally published ‘The History, Civil and Commercial, of the British Colonies in the West Indies...’. The map extends from the Southern tip of Florida and shows the Bahamas in the north to the Yucatan, Mosquito Coast, Windward Islands and the Guyanas in the southeast. It clearly shows the Bahamas, the Florida Keys and the Virgin Islands. (1) £150 - £200

£200 - £300

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86 World. Chatelain (Henry Abraham), Mappe-Monde pour Connoitre les Progres & les Conquestes les Plus Remarquables des Provinces-Unies, ainsy que celles des Compagnies d’Orient et d’Occident, et les Pais quelles Possedent dans l’un et dans l’autre Hemisphere, 1705 - 1719, hand coloured engraved double hemisphere map fo the world with four panels of explanatory text, insular California, 335 x 460mm, together with Plan de l’Histoire Universelle, ou l’on Voit les Quatre Monarchies du Monde, et Tous les Anciens Etats aussi bien que ceux qui Subsistent Aujourdhuy, 1705 1719, hand coloured engraved circular map of the ancient world surrounded by panels of explanatory text, circular vignettes of the seven wonders of the ancient world, inset map of the Americas with insular California, some marginal ﬁnger soiling, 340 x 445mm (2)

88 Yorkshire. A collection of nine folding maps, 19th century & early 20th century, folding lithographic and engraved maps of Yorkshire and adjoining counties, with examples by Bacon, Gross and Cary, some duplicates, various sizes and condition (9)

89 Yorkshire. Hobson (William Colling), This Map of Yorkshire is most respectfully dedicated to the nobility, clergy, gentry, landowners and manufacturers of the county, 1844, large engraved map on two sheets, with bright contemporary outline colouring, engraved by J. & C. Walker, sectionalised and laid on linen, calligraphic title, compass rose and table of explanation, slight offsetting, each sheet approximately 1250 x 790mm, bound in contemporary cloth boards with elaborate gilt title to upper siding and spine, with metal clasp, slight wear to extremities

£300 - £500

(1)

87 World. Chatelain (Henry Abraham), Mappemonde ou description generale du globe terrestre, circa 1719, hand coloured engraved hemispheral map, text below map with explanations of geographical terms and a list of countries and their capital cities, insular California, slight marginal ﬁnger soiling, 335 x 445mm (1)

£100 - £150

90 Yorkshire. Weller (Edward), Bacon’s Illustrated Map of Yorkshire, published G. W. Bacon, 1875, folding lithographic map with contemporary outline colouring, laid on linen, decorated with thirteen topographical oval vignettes in the margins, slight staining, 720 x 915mm, bound in publisher’s blind stamped cloth boards

£200 - £300

Rare. Not in Whitaker. (1)

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

£100 - £150

£200 - £400

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92* Bournemouth Election 1832. A panoramic view of the celebration of the election victory of George William Tapps at Christchurch, Bournemouth in 1832, pen, ink and watercolour view of a lavish street banquet given in honour of the victory of George William Tapps in the 1832 General Election, showing numerous ﬁgures seated at three rows of dining tables, laid out on wide street, with houses to each side and crowds alongside, a band playing on the right near a platform garlanded with laurel for the address of the Member of Parliament, with numerous ﬂags, signed W. CURTIS to lower right corner, some overall toning and discolouration, particularly visible in the sky area, a number of tears, although generally without loss, one or two having been repaired some time in the past, laid down on backing card, 40 x 57.5cm (15.75 x 22.75ins)

DECORATIVE PRINTS & ORIGINAL ART All lots unframed unless otherwise stated

According to a 20th century note handwritten to verso ‘The house with ﬂag on the left is the residence of Mr. Galbraith, a fusee chain manufacturer. On the right is the laurel bower and platform for the address of the MP Mr. G.W. Tapps. To the right is the band of the Hampshire Volunteers with top hats, white pantaloons. In the foreground is Dr. Kemp Welch, Lord Malmesbury, Mr John Spicer (Mayor), and the MP Mr. Geo. William Tapps. The oak leaves are a token of victory.’ (1) £150 - £200

91* Athletics. A large collection of Victorian and later athletics prints and photographs, including a Cross Country print by Harry Payne, ‘With the boojum Harriers at Hampstead’ published 1882, 34 x 24cm, another by S.T. Dadd ‘The South London Harriers at Kennington Oval’ published 1886, 34 x 24cm, another ‘Sketches at the Girls gymnasium of the People’s Palace, Mile End’ published 1886, 29 x 22.5cm, ‘William Lang, the Ten Mile Champion Pedestrian’ published 1862, 36 x 24cm, mostly presented in modern card mounts, together with 8 framed black and white photographs circa 1890-1920, mostly relating to early running races and Swindon Athletics Club (65)

£100 - £150

Lot 92

93* Boxing Broadside. Rules to be Observed in all Battles on the Stage, [dated 1743 but later], hand coloured engraved broadside on laid, central image of an open-air boxing match surrounded by four vignettes of sparring boxers, with rules printed below, slight spotting and staining, repaired closed tears, 505 x 380mm Although printed on laid paper, this appears to be a much later copy of an earlier boxing broadside. (1) £70 - £100

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97* Caricatures. A collection of twenty caricatures, 19th century, twenty hand coloured etched and engraved caricatures after Gillray (John Miller and ‘London und Paris’ editions), Williams and Ansell, all trimmed and laid on later paper, some with old folds, various sizes and condition

94* British topographical views. A collection of approximately 110 prints, 18th & 19th century, engravings and aquatints including examples by Buck, Stadler, Daniell, Carington Bowles, Miller and Reeve, various sizes and condition (approx. 110)

(20)

£300 - £500

£200 - £300

95* British topographical views. A collection of approximately sixty-ﬁve prints, 18th & 19th century, engravings, aquatints and etchings, including examples by or after Turner, Malton, vue d’optiques, De Loutherbourg, Harris, Woollett, Sandby, Hooker, Willmore, Le Keux, Selby and Jukes, mostly larger format, various sizes and condition (approx. 65)

£100 - £200

96* British topographical views. A collection of approximately sixty-ﬁve prints, 19th century, engravings and lithographs of topographical views, including examples by Roberts, Hawkins, Rider, Buckler, Nash, Tucker, Haghe, Allom and Tackle, various sizes and condition (approx. 65)

98* Caricatures. A mixed collection of sixty caricatures and cartoons, mostly 19th century, etched and engraved British, French and German caricatures by Bunbury, Alken, ‘mezzotint drolls’, George Cruikshank, Charles Williams, Tregear (publisher), Dighton, James Sayers and Gillray (later plagiarised Irish editions), many with contemporary hand colouring, various sizes and condition

£200 - £300

(60)

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

£200 - £300

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101* English Naive School. ‘Sooloo of Salem, built 1845, Jenks & Hoyt’, mid-19th century, watercolour with pen and brown ink on wove paper, inscribed with title lower left, a few marks mostly to edges, short closed tear to upper margin without loss, 36.7 x 53cm (14.5 x 20.8ins), unframed

99* Caricatures. A mixed collection of twenty-ﬁve caricatures, mostly 19th century, etched and engraved caricatures, twenty three with hand colouring, including examples by Rowlandson, Gillray (London und Paris, H. G. Bohn and John Miller states), Sawyers, Williams and Cruikshank, various sizes and condition (25)

The clipper ship Sooloo of Salem was built by Elias Jenks (1781-1850) and Randall Hoyt (1793-1852) in South Salem in 1840, and sailed regularly on the spice route between Massachusetts and the East Indies, stopping at Liverpool. She was lost off Sumatra in May 1855. See George Granville Putnam, Salem Vessels and their Voyages: A History of the Pepper Trade with the Island of Sumatra, 1922 (page 148). The present work shows the ship off the coast of Sumatra, but may have been painted by an English artist when the ship was anchored at Liverpool. (1) £200 - £300

£300 - £500

100* Currier & Ives (publishers). American Homestead Spring [and] Summer in the Country, New York, 1869, together two lithographs with contemporary hand colouring of bucolic scenes, each approximately 220 x 320mm, mounted, framed and glazed, together with Stadler (J. C.). View of Abingdon from Nuneham Park, 1793, aquatint after J. Farington, contemporary hand colouring, some overall toning, originally published in J & J Boydell’s ‘A History of the River Thames’, 215 x 320mm, mounted, framed and glazed, with Sutherland (J.). Lord Hotham’s Action, March 14th 1795, published J. Jenkins, 1816, aquatint with contemporary hand colouring originally published in James Jenkins’s ‘The Naval Achievements of Great Britain’, 210 x 300mm, mounted, framed and glazed, plus Severeyns (G., publisher). Two lithographs of Apples, [1878], two chromolithographs after Edith Bull, originally published in Robert Hogg’s ‘Herefordshire Pomona...’, each approximately 315 x 260mm, mounted, framed and glazed (6)

102* Equestrian. A collection of six prints. 19th century, including Harris (John). The Hunting Stud & The Team (plates 2 & 4 from Fores’s Stable Scenes), published Messrs. Fores, 1846, two aquatints after J. F. Herring, contemporary hand colouring heightened with gum arabic, each approximately 505 x 700mm, together with Bentley (C.), The Birmingham Tally - Ho! Coaches, published J. Brooker, 1828, aquatint after G. Pollard, contemporary hand colouring, some marginal closed tears, slight dust soiling and staining, 540 x 770mm, with Webb (John Cother). Shoeing the Horse, circa 1880, hand coloured mixed method engraving after Sir Edwin Landseer, some marginal closed tears, some spotting and dust soiling, proof after title but before letters, 840 x 610mm, with two others similar, both large format, various condition

£100 - £200

(6)

£300 - £500

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103* Eton & Windsor. Dolby (J.), Six lithographs, circa 1838, six lithographs with contemporary hand colouring, slight spotting, each tipped on to near contemporary card, each image approximately 285 x 380mm, uniformly framed and glazed with Frost & Reed Gallery labels to verso of frames (6)

£100 - £200

Lot 106

104* Foreign topographical views. A collection of approximately sixty-ﬁve prints, 18th & 19th century, engravings and lithographs, including examples by and after Turner, Petit, Lear, ‘vue d’optiques, Roberts and Cooney, various sizes and condition (approx. 65)

£200 - £300

105 Galand (Jules). Dix Villes du Moghreb ..., Accompagnées d’images en prose de Jean Gallotti , Paris: Éditions Lucien Vogel, [1921], 10 woodcut plates on toned toshi japanese paper, each with captioned window mount, title, text leaves and plates contained together in original portfolio, spine & extremities worn, lacking ties, folio, plate sheet size approximately 46 x 32cm (18 x 12.5ins)

107* Gillray (James). Sans-Culottes Feeding Europe with the Bread of Liberty, published H. Humphrey, Jany. 12th. 1793, hand coloured etching, slight overall toning, 305 x 365mm, mounted, framed and glazed, together with A Burgess of Warwick Lane, published H. Humphrey, July 3rd. 1795, etching with contemporary hand colouring, 245 x 155mm, mounted, framed and glazed

Limited edition 38/80. Only one institutional location found at Bibliothèque Nationale de France. (1) £150 - £250

The ﬁrst described item shows ﬁve vignettes, with a central group of John Bull, caught between Sheridan and Fox, who are forcibly feeding him with the bread of liberty. Both of the politicians are depicted as ragged and bare-legged sans-culottes, wearing bonnets-rouges. Each forces a small loaf inscribed ‘Liberty’, on the point of a dagger, into John’s gaping mouth and at the same time picking his pockets. In the background, standing on a barren plain, are a gibbet with a hangman’s noose and the ruins of Temple Bar. The other groups show French sans-culottes despoiling ‘Holland’, ‘Savoy’, ‘Germany’ & ‘Prussia’, and ‘Italy’. (2) £300 - £500

106* Gillray (James). A collection of nineteen caricatures, originally published in ‘London und Paris’ 1798 - 1808, hand coloured etched caricatures (four uncoloured), each trimmed and laid on later thin card, and eight caricatures (three coloured, ﬁve black & white) published by John Miller in Edinburgh 1818 - 1824, various sizes and condition (27) Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

£300 - £500

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108* Havell (Robert, 1769-1832). His Majesty’s Public Entry into the City of Dublin, & His Majesty’s Embarkation at Kingstown, Hurst Robinson and Colnaghi & Co. London and R. Milliken and Allen & Sons, Dublin, 1823, a pair of aquatints after J. Haverly with contemporary hand colouring, collector’s monogram to lower left margin, trimmed to plate mark and laid on later card, some staining to margins, each approximately 440 x 620mm, framed and glazed

111* London. A mixed collection of eleven engravings, mostly 18th century, engravings and aquatints of London and the River Thames, including examples by Boydell/Stadler, vue d’optiques, Ireland, Palser and Toms, occasional duplicates, various sizes and description, all mounted, together with eight lithographs of France after Thomas Shotter Boys and others, various sizes and condition and twenty mid-nineteenth century uncoloured engravings of classical, religious, genre and sporting scenes, each approximately 350 x 410mm, various condition

(2)

(39)

£70 - £100

£150 - £200

112* Manner of Carlo Lasinio (1757/59-1838). Grotesque Caricatures, late 18th century, 3 watercolour caricatures on laid paper, depicting a bucked-tooth woman with elaborate headdress holding a fan, a portly gentleman climbing onto an ass while a lady with large hat holds the reins, and a woman with large head holding a fan, some marks and defects to paper, with consequent small losses, mostly not affecting the painted area, 34 x 24cm (13.25 x 9.5ins), matching old frames, glazed (3)

£300 - £400

109* Lewis (John Frederick), Lewis’s Illustrations of Constantinople, made during a Residence in that City &c. in the Years 1835 - 36, T. McLean and D. & P. Colnaghi, [1838], lithographic title and dedication, eleven (only of twenty-seven) lithographic prints on ten sheets, some spotting to title and dedication, contemporary quarter morocco with gilt title to upper siding, boards detached and lacking spine, heavily worn and stained, slim folio Sold as a collection of prints, not subject to return. (1)

£300 - £500

110* Lewis (John Frederick). Collection of 11 views from Lewis’s Sketches and Drawings of the Alhambra, [1835], hand-coloured tinted lithograph plates (landscape & portrait format views), window mounted on card, approximately 38.5 x 28cm (11)

£150 - £200

Lot 110

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114* Naval gunboats. Three Victorian watercolour on paper, comprising H.M.S. Serpent, launched by Mrs Phillimore, March 1887, H.M.S. Spider launched by Miss Minnie Christina Brenda Han, October 1887, H.M.S. Pheasant, launched by Miss Alice E. Rawson, April 1888, each painted to a high standard with technical information, within a green border, some discolouration and damage, 18 x 29cm, period oak frame, glazed

113* Merian (Matthaus). Abbildung der Statt und Revier von Rochester, Chetham..., Frankfurt, circa 1677, uncoloured double prospect of the Dutch raid on River Medway, 300 x 370mm, together with Merian (Matthaus). Abbildung wie die Konigin von Gross Britanien zu Portsmouth an gelangt ist den 25 May Anno 1662, uncoloured double prospect of the landing of Catherine of Braganza at Portsmouth, prior to her marriage to Charles II, 315 x 395mm, with two uncoloured engraved aerial prospects of Greenwich Hospital and Chelsea College by J. Kip, each approximately 250 x 340mm, plus a hand coloured view of the Houses of Parliamnt after Chatelain, 355 x 455mm, and two copies of an uncoloured engraving of the coronation of William and Mary, circa 1690, 305 x 370mm (7)

H.M.S. Serpent was an Archer-class torpedo boat built in 1887, she was wrecked off Cape Vilan, Spain in 1890 with the loss of 173 out of the 176 crew H.M.S. Spider was a Torpedo gunboat built in Devonport in 1887. H.M.S. Pheasant was a 6-gun composite screw gunboat built in 1888. (3) £200 - £300

115* New York. New York from Bergen Hill: Hoboken, Illustrated London News, August 19th 1876, uncoloured engraved panorama, old folds, one small marginal closed tear, 510 x 1140mm A clean example in good condition. (1)

116* Payne (Charles Johnston, ‘Snafﬂes’). Hogany Tops & The Gent with ‘ Osses to sell, published Lawrence & Jellicoe Ltd, circa 1910, two lithographs of ‘Hunting Types’, each approximately 380 x 310mm, uniformly framed and glazed

£200 - £300

(2)

Lot 115

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

£800 - £1,200

£70 - £100

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Lot 118

117* Piranesi (Giovanni Battista, 1720-1778). Veduta interna dell’antico Tempio di Bacco, from the Vedute di Roma, 1767, etching on laid paper, laid down on later backing card, some surface marks and minor wear, plate size 42.6 x 60.9cm (16.75 x 24ins), sheet size 49.5 x 64.5cm (19.5 x 25.4ins), framed and glazed (1)

£150 - £200

118* Poland. Werner (Friedrich Bernhard), Brieg in Schlesian, published Jeremias Wolff. Augsburg, circa 1724, uncoloured engraved panorama of Brzeg in South west Poland, key plate of seventeen principal landmarks below engraved image, old folds, 340 x 1010mm, mounted, framed and glazed (1)

£300 - £500

Lot 119

119* Poole (Bryan, 1953-). Collection of 6 aquatint etchings, circa 2008-2010, comprising Heliconias and Hummingbirds in the Eastern Caribbean - two hand-coloured aquatint etchings, 2008, printed on wove (includes explanatory leaf of letterpress), both signed and with limitation 15/100 to lower margin, plate size 56 x 41cm (22 x 16.25ins), sheet size 75.5 x 56cm (29.75 x 22.25ins), together with Tecomanthe speciosa - Three Kings Climber, hand-coloured aquatint on wove, signed, captioned and with limitation 45/100 to lower margin, plate size 37.5 x 50.5cm (14.75 x 20ins), sheet size 57 x 75cm (22.5 x 29.5ins), plus New Zealand Tree Fern - Punga, hand-coloured aquatint on wove, signed, captioned and with limitation 9/100 to lower margin, plate size 41.5 x 56.5cm (16.25 x 22.5ins), sheet size 57 x 75cm (22.5 x 29.5ins), and Anemone - Chelsea 2009 & Paeonia anomala - Chelsea 2010, together a pair of hand-coloured aquatint etchings on wove, signed, captioned and with limitations 21/30 & 11/40 to lower margin, plate sizes 23.5 x 15cm (9.25 x 6ins), sheet size 38 x 28cm (15 x 11ins), all contained together in purpose-made portfolio with title to upper cover (a portfolio)

£200 - £300

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Lot 121

Lot 122

Lot 123

123* Theatre, Art and Music. A collection of approximately 110 prints and engravings, mostly 18th & 19th century, engravings of sheet music, portraits of artists, topographical views and architectural elevations and plans of theatres and prints of musical instruments, with examples by Shepherd, Diderot, Tomkins and Lee, occasional duplicates, various sizes and condition (approx. 110)

120* Prints & engravings. A large collection of approximately 200 prints and engravings, mostly 19th and 20th century, engravings, lithographs, gravures and reproductive process prints, including portraits, military, genre, classical, religion, ‘Hogarth’, topographical views, historical and sporting, many large format, occasional duplicates, various sizes and condition (approx. 200)

124* Topographical views. A mixed collection of twenty-ﬁve views and plans, mostly 18th & 19th century, engravings and lithographs of British & foreign topographical views and plans, including Buck (Samuel & Nathaniel). The South-west prospect of the City of Carlisle, the South-west prospect of the City of Durham [and] the South prospect of the city of Berwick upon Tweed, circa 1745, together three uncoloured engraved panoramas, some wear and old sellotape stains, each approximately 310 x 810mm, together with four uncoloured engraved aerial prospects by J. Kip, with Rossini (Luigi). Veduta dell’ Interno del Tempio di Claudio in oggi S. Stefano Rotondo sul Monte Celio, published Rome, 1822, uncoloured etching, 360 x 490mm, plus Vertue (G.). The North West View of Gainsborough in the County of Lincoln, 1747, uncoloured engraved panorama after N. Drake, trimmed to image with several marginal closed tears and some dust soiling, 410 x 600mm, plus others similar, mostly large format, various sizes and condition

£100 - £200

121* Prints & engravings. Ten prints, mostly late 19th century, ten engravings and gravures of classical scenes, portraits and genre images, with examples by Simmons, Hirst, Webb and Williams, including a classical image signed in pencil by Laurence AlmaTadema, various sizes and condition but all large format, all framed and glazed (10)

£100 - £200

122* Riley Motor Cars. A collection of advertising prints circa 1920-40, including ‘An interesting 2-seater Model’ circa 1926, 12 x 9.5cm, another for ‘Olympia Stand 184, Riley Eleven-40 Saloon’ circa 1923, 13 x 9.5cm and others, some hand-coloured and all presented in modern card mounts (39)

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

£100 - £200

(25)

£100 - £150

£200 - £300

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127* Woodward (George Moutard). A collection of nineteen engravings, late 18th century, engraved hand coloured social and political caricatures, many engraved by Cruikshank, various sizes and condition

125* Topography and Maritime views. Eight prints, 19th century, eight large engravings and lithographs of British and foreign views, including Needham (J., lithographer). The City of Kertch, published Paul & Dominic Colnaghi & Co., 1856, tinted lithograph, some water staining, 510 x 670mm, together with Wallis (Robert). The Approach to Venice, circa 1850, large uncoloured engraving on India wove after J. M. W. Turner, some spotting and dust soiling, occasional marginal closed tears, 530 x 680mm, with Willmore (Arthur). Tilbury Fort- Wind against Tide, circa 1875, The Loss of the Revenge, 1878 & Dutch Trawlers landing Fish at Egmont, 1872, all published by The Art Union, together three uncoloured engravings after C. Stanﬁeld, E. W. Cooke and Oswald Brierly respectively, some staining and dust soiling, each approximately 540 x 860mm, with others similar (8)

(19)

£200 - £300

126* Watercolours & prints. A mixed collection of approximately 220 items, mostly 20th century, watercolours, prints, engravings and photographs of British topographical views, genre scenes, portraits, nude studies and military, various sizes and condition (approx. 220)

£100 - £200

128* Young (John). Young Sailors & The Little Volunteer, published J. Young, 1799, pair of mezzotints after R. M. Paye, printed in colours and ﬁnished by hand, slight damp staining to margins, each approximately 570 x 430mm, uniformly mounted, framed and glazed

£200 - £300

(2)

£100 - £200

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PERIODICALS 129 The Graphic. An Illustrated Weekly Newspaper, 26 volumes, a run, December 1869 - December 1882, numerous black and white illustrations and chromolithographs throughout, including some double page and folding, retaining the folding colour lithograph of the Suez Canal and the panorama of Istanbul, near uniform contemporary half calf gilt, heavily worn and frayed, folio Sold as a periodical, not subject to return. (26)

£300 - £500

130 The Sphere. 116 volumes, a broken run, 1900-45, copious colour & monochrome illustrations, ex-library copies with associated marks, some minor toning, many in original gilt decorated cloth, folio Sold as seen not subject to return. (116)

£400 - £600

131 Miscellaneous Periodicals. A large collection of approximately 60 volumes, circa 1840-1904, including Illustrated London News, The Graphic, Illustrated News of The World, Engineer, Le Monde Illustre, copious monochrome illustrations, many original leather & cloth bindings, folio (12 cartons)

£200 - £300

TRAVEL & EXPLORATION 132 Barthelemy (Jean-Jacques). Travels of Anacharsis the Younger in Greece, during the middle of the fourth century before the Christian aera, 5 volumes, London: G.G. & J. Robinson, 1796, volume 5 containing 31 engraved folding & double-page maps, plans & plates (few maps hand-coloured in outline), contemporary marbled calf gilt, contrasting morocco title labels, joints cracked, extremities rubbed, 8vo, together with Humphreys (Henry Noel), Rome, and its surrounding Scenery; illustrated with engravings by W.B. Cooke, from drawings by eminent artists: accompanied by Literary Sketches, London: Charles Tilt, 1840, additional engraved title, double-page bird’s-eye view of Rome, and 29 engraved plates, tissue guards, some light toning to text, top edge gilt, remainder untrimmed, modern half calf, 4to (6)

134 Bocchi (Francesco). Le Bellezze della Citta di Firenze dove a pieno di pittura di scultura di sacri templi, di palazzi, i pui notabili artiﬁzj, e pui preziosa si dontengono, 1st edition, Florence, 1677, title with woodcut device, a couple of early leaves with small marginal repairs, a little light spotting and toning, near contemporary vellum, a few stains, 8vo, together with: Bianconi (Girolamo), Guida del Forestiere per la Citta di Bologna, 2 parts in 1 volume, Bologna, 1820, 15 engraved plates and plans, a few folding, one or two with small wormtracks, original printed wrappers, rear wrapper with marginal insect damage, 8vo, and 3 others including Pompeo Sarnelli’s La Guida de Forestieri ... di Pozzoli, Naples, 1709 (heavily wormed) and Calendario e Notiziario della Citta, per l’Anno, Naples, 1787

£150 - £200

133 Beattie (William). Switzerland Illustrated, parts 2 - 9 (only), circa 1836, title page loosely inserted into part six, containing on engraved portrait, 148 topographical views and two folding maps, some spotting staining and browning throughout, contemporary quarter morocco gilt over decorative illustrated green boards, heavily worn and frayed, one board detached, 4to, together with a composite album containing eighty-ﬁve uncoloured engraved views in Belgium and Nassau and ten reproduction portraits, a few leaves excised, all edges gilt, contemporary green cloth gilt, worn and frayed, 8vo (9)

(5)

£200 - £300

135 Doughty (Charles Montagu). On the Jöstedal Brae Glaciers in Norway, with some General Remarks, 1st edition, Edward Stanford, 1866, [2], 14 pp., tinted lithographic frontispiece, printed upper wrapper with author’s ink inscription for H.W. Bristow to upper margin (slightly trimmed at foremargin with loss of some ink lettering), a little spotting and soiling, light vertical crease, extracted from a volume of pamphlets with remains of stab stitching to inner margins, slim 8vo

£100 - £150

Doughty’s ﬁrst published work, the information gathered ‘during 1863-4 when he spent nine months lodging with farmers and gamekeepers while conducting the ﬁrst investigation of two remote Norwegian glaciers’, (ODNB). (1) £100 - £150

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

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136 Gentleman’s Magazine: or, Monthly Intelligencer, 45 volumes, a broken run, 1734-1826, numerous engraved maps, plans, engraved views, antiquities, etc., occasional slight defects (but contents generally intact), contemporary mixed calf bindings (earlier volumes bound in contemporary vellum-backed marbled boards), some wear, with occasional loss to spines, one or two covers detached and some joints cracked, 8vo This series of Gentleman’s Magazine consists of: Volumes IV (1734), VIII (1738), IX (1739), X (1740), XII (1742), XIV (1744), XVIII (1748), XXI (1751), XXV (1755), XXVI (1756), XXVII (1757), XXIX (1759), XXXI (1761), XXXVIII (1768), XL (1770), XLIV (1774), XLV (1775), XLVI (1776), XLVII (1777), L (1780), LIII (1783), LV (1785 in 2 parts), LVIII (1788, part 1 only), LIX (1789, part 1 only), LXI (1791, part 2 only), LXII (1792, parts 1 & 2), LXIV (1794, parts 1 & 2), LXV (1795, parts 1 & 2), LXVI (1796, parts 1 & 2), LXVII (1797, parts 1 & 2), LXVIII (1798, parts 1 & 2), LXIX (1799, parts 1 & 2), LXXII (1802, parts 1 & 2) LXXVIII (1808, part 1 only), LXXIX (1809, part 1 only), LXXXI (1811, part 1 only), LXXXVI (1816, part 2 only), LXXXVIII (1818, part 2 only), LXXXIX (1819, part 2 only), XCI (1821, part 2 only), XCII (1822, part 1 only), XCV (1825, part 2 only), and XCVI (1826, part 1 only). All the maps and plans of America called for in these volumes by David C. Jolly, Maps of America in Periodicals Before 1800 (1989) are present. These include numbers 3, Accurate Map of the West Indies, 7, Plan of the City and Harbour of la Vera Cruz, 8, Draught of the Castle of San Lorenzo, 9, View of the Town and Castle of St. Augustine, 54, Map of the British and French Settlements in North America, 56, Map of the World on Mercator's Projection, 65, Map of the Caribbee Islands (with closed tears and some creases), 69, Map of that Part of America which was the Principal Seat of War in 1756, 118, Map of Martinico, 119, Map of the Country between Crown Point and Fort Edward, 120, New and Accurate Map of the Isles of Guadaloupe, 121, Map of the Island of Orleans with the Environs of Quebec, 122, Authentic Plan of the River St. Laurence, 257, Plan of the Town and Chart of the Harbour of Boston, 258, Map of 100 Miles Round Boston, 260, New and Correct Plan of the Town of Boston, 288, Map of the Country Round Philadelphia including Part of New Jersey, New York, Staten Island & Long Island, 289, Sketch of the Country Illustrating the Late Engagement in Long Island, 290, Map of Connecticut and Rhode Island, with Long Island Sound, 291, Map of the Progress of His Majesty's Armies in New York. The volume for 1776 also contains the ﬁrst printed appearance of the American Declaration of Independence (pages 361-362). (45) £2,000 - £3,000

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137 Harding (James Duffield). Harding’s Sketches at Home and Abroad, London: Charles Tilt, [1836?], tinted lithograph title (detached, frayed to edges and margins dampstained) and 50 tinted lithograph plates (containing 59 landscapes), without dedication leaf, dampstaining to margins of initial plates, some marginal fraying mostly to first & last plates, scattered spotting, advert slip present, front free blanks with inscription ‘Miss Banks, a memorial of her visit to Aston Hall, 22 May 1841’, and author’s signature to following blank, contemporary green half morocco, cloth sidings to boards (cloth to lower board torn with loss), upper board detached, worn, folio, together with Harding (James Duffield), A Series of Subjects, from the Works of the late R.P. Bonington Drawn on Stone by J.D. Harding, London: J. Carpenter & Son, [1929-30], lithograph title and 11 plates only (of 21), scattered spotting, top edge gilt, contemporary red half morocco gilt, extremities rubbed and worn, slim folio

138 Japan. Ino Tadataka, Kokogun-Zenzu, Atlas of the Provinces & Districts of Japan, 2 volumes, Nagoya: Tempo 8, [1837], seventyfive (complete) colour woodblock maps, some worming but largely confined to margins, contemporary yellow paper wrappers with printed titles to upper covers, side stitched Japanese style binding, 280 x 200mm A beautiful atlas which illustrates Japanese cartography at its finest. Such atlases were compiled by order of the Shogun Tokugawa and given as gifts to his favoured warlords. Many of the feudal fortresses in Japan were subsequently destroyed by war and fire, their archives were lost, and thus few such examples survive. Further Ino Tadataka material is scarce as most of his surviving maps were assembled in the late 1800s by an imperial functionary and avid Ino collector. They were subsequently stored in the Royal Palace archives which were themselves, tragically, destroyed by fire in 1912. (2) £1,000 - £1,500

Abbey, Travel 29. Abbey dates the publication as 1836, however, the British Library etc. date the publication as 1839. (2) £200 - £300

Lot 138 Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

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141 Michaux (Francois A.). Travels to the Westward of the Allegany Mountains, in the States of the Ohio, Kentucky, and Tennessee, in the Year 1802..., Translated from the French, London: Richard Phillips, 1805, folding engraved map frontispiece, 16 page publisher’s catalogue at rear, some spotting, endpapers renewed, contemporary half calf, rebacked, slim 8vo (Sabin 48706), together with Fortune (Robert), A Journey to the Tea Countries of China; including Sung-Lo and the Bohea Hills; with a short notice of the East India Company’s Tea Plantations in the Himalaya Mountains, 1st edition, London: John Murray, 1852, tinted lithograph frontispiece, additional decorative title in red & black, lithograph map with original hand-colouring, one colour lithograph plate and wood engraved plate, numerous wood engraved illustrations, 32 page publisher’s catalogue at rear, original green cloth, gilt blocked spine and upper board, spine slightly rubbed, 8vo, plus Russell (Michael), Polynesia: or, an historical account of the principal islands in the South Sea, including New Zealand, 3rd edition, Edinburgh: Oliver & Boyd, and London: Simpkin, Marshall & Co., [1845], folding lithograph map frontispiece, additional wood engraved title, ownership inscription to front free endpaper, all edges gilt, original cloth with gilt blocked decoration, in bright condition, 8vo, and [Louis XVIII, King of France], Relation d’un voyage à Bruxelles et à Coblentz. (1791.), Paris: Baudouin Freres, 1823, scattered spotting, contemporary half calf gilt, slim 8vo, plus [Gleig, George Robert], A narrative of the campaigns of the British Army at Washington and New Orleans, under Generals Ross, Pakenham, and Lambert, in the Years 1814 and 1815; with some account of the countries visited, 2nd edition, London: John Murray, 1826, light scattered spotting, contemporary half calf, gilt decorated spine, 8vo, plus Visit to Iceland and the Scandinavian North, translated from the German of Madame Ida Pfeiffer, 1852, and The Valley of the Nile, by W.H. Davenport Adams, 1867

139 Latif (Syad Muhammad). Lahore: Its History, Architectural Remains and Antiquities, with an Account of its Modern Institutions, Inhabitants, their Trade, Customs &c, one volume bound as two, 1st edition, Lahore: New Imperial Press, 1892, folding map frontispiece, numerous lithographic plates as listed, some light toning throughout, interleaved with blanks, inner upper hinge of ﬁrst volume cracked, later cloth gilt, slightly rubbed, 8vo

(7)

£200 - £300

Uncommon ﬁrst edition containing some material in Persian. (2) £300 - £400

142 Pinelli (Bartolomeo). Nuova Raccolta di Cinquanta Costumi de’ Contorni di Roma compresi diversi fatti di briganti disegnati ed incisi all’ acqua forte da Bartolomeo Pinelli cominciati l’anno 1819, compiti nel 1822, Rome Gio. Scudellari, 1823, printed title and 50 etched plates on laid paper, some light waterstains and minor marginal spotting, some fraying to extreme edges of ﬁrst and last few leaves, generally with wide margins, untrimmed, contemporary plain wrappers, some worn and soiled, oblong folio (29 x 44cm, 11.5 x 17.25ins)

140 [Mayer, Luigi]. A Selection of the most interesting of Sir Robert Ainslie’s celebrated collection of views in Egypt, Asia Minor, &c., London: R. Bowyer, 1812, 16 of 24 hand-coloured etched plates (including 15 aquatint), few loose and slightly frayed to edges, light dust-soiling, endpapers creased and torn to margins, contemporary half black sheep, upper board detached, worn, oblong folio

Provenance: From the Estate of Michael Jaffé CBE (1923-1997), English art historian and director of the Fitzwilliam Museum, Cambridge. (1) £300 - £500

Atabey 790 (1811 edition); Abbey, Travel 369 (referred to in notes). (1) £300 - £400

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143 Rossi (Giacomo Giovanni de). [Mercurio Geografico overo guida geografica in tutte le parti del mondo ...], 2 volumes bound in one, Rome, circa 1692, lacking half-title and title page to volume one but retaining title page to volume two and index, 126 uncoloured engraved maps (complete as list), including 28 double-page, one folding and 97 single-page, a few maps toned, some marginal dust and finger soiling, one map with a repaired marginal closed tear, but not affecting image, faint but mostly obliterated library? stamps to margins of maps on recto, small gilt paper labels to verso of each map, one map (hemispheral world) with repaired hole (excised library stamp) in lower margin, not affecting printed image, later endpapers, modern quarter blind-stamped morocco gilt, large folio There is considerable variation in the contents of this atlas, which includes maps by or after Cantelli da Vignola, the Sansons and others. (1) £8,000 - £12,000 Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

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WINSTON SPENCER CHURCHILL

144 Silver (J. M. W.). Sketches of Japanese Manners and Customs, London: Day and Son, 1867, chromolithographed title and 27 chromolithographed plates, complete as list, including the bathing plate, variable spotting, title and 2 plates with dampstain to fore-margin (1 plate with short closed fore-edge tear), all edges gilt, hinges strengthened, original gilt decorated cloth, rebacked with original spine laid down, some wear and marks, 4to (1)

£400 - £600

145 Hakluyt (Richard). The Principal Navigations , Voyages, Trafﬁques & Discoveries of the English Nation, Made by Sea or Over-land to the Remote and Farthest Distant Quarters of the Earth at any time within the compasse of these 1600 Yeers, 12 volumes, Glasgow: James MacLehose & Sons, 1903 -1905, titles printed in red and black, folding facsimile maps and plates, some spotting, top edge gilt, original blue cloth gilt, some spines a little toned and rubbed at ends, 8vo (12)

148 Churchill (Winston Spencer). The Story of the Malakand Field Force, an episode of frontier war, 1st edition, 1st issue, Longmans, Green, & Co., 1898, half-tone frontispiece, 2 folding maps, 4 sketch maps, 32pp publisher’s catalogue dated 12/97 at rear, no errata slip tipped in (so indicating ﬁrst issue), scattered minor spotting, pages uncut and largely unopened, contemporary ink inscription to front free endpaper verso, ‘E.R. Kersley from Jack Churchill’, partly offset into marginal browning of half-title facing, armorial bookplate of Trevor Rostron to front pastedown, original green cloth gilt, a little rubbed and minor soiling, 8vo

£150 - £250

146 Hakluyt Society. A broken run of 51 volumes of the Hakluyt Society Second Series, Cambridge & London: Hakluyt Society, 1905-1982, including some duplicates, monochrome plates and plans, some folding, original cloth, some in dust-jackets, 8vo Comprising Second Series numbers 16, 53, 54, 62, 66 (2 copies), 69 (4 copies), 72 (2 copies), 97, 103 (3 copies), 107, 108 (2 copies), 111, 113 (2 copies), 114 (2 copies), 115, 117, 121 (3 copies), 122, 124 (3 copies), 125 (3 copies), 126 (4 copies), 127 (4 copies), 131 (Kraus reprint), 133-135, 153, & 154 (2 copies). (51) £250 - £350

Woods A1a. Provenance: Given to Captain Edward Reginald Kersley DSO (1883-1976) of the Royal Welsh Fusiliers by the younger brother of Winston Churchill, Major John Strange ‘Jack’ Spencer Churchill (1880-1947). The inscription is not in Jack’s hand and would appear to be in the hand of Kersley who along with his own brother and the Churchill brothers attended Harrow School. In the Harrovian War Supplement (September 1918) it is noted that Kersley received his Bar to DSO for when ‘he took command of his battalion at short notice, and organised and launched an attack which was completely successful, capturing the ﬁnal objective. He showed great initiative and skill throughout’. Jack Churchill, who had served in the South African Light Horse alongside his war correspondent brother in the second Boer war in 1899-1900, also fought in World War I, where he was again mentioned in Dispatches. He served on the staff of Field Marshal Lord French, General Sir Ian Hamilton and Field Marshal Lord Birdwood, being awarded the DSO in 1918. (1) £1,000 - £1,500

147 Hakluyt Society. A broken run of 68 volumes of the Hakluyt Society Second Series, Cambridge & London: Hakluyt Society, 1905-1982, including some duplicates, monochrome plates and plans, some folding, original cloth, some in dust-jackets, 8vo Comprising Second Series numbers 16, 21, 51, 53, 54, 57, 58, 61, 62, 66, 68, 69, 71, 72, 75, 78, 91, 92, 95, 97, 103 (2 copies), 107-109, 111-115, 117, 119, 121 (2 copies), 122, 123, 124 (2 copies), 125 (3 copies), 126 (3 copies), 127 (4 copies), 128-130, 131 (Kraus reprint), 133-137, 144-146, 152-155 & 160. (68) £300 - £400

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Lot 149

Lot 151

Lot 152

149 Churchill (Winston Spencer). The River War. An Historical Account of the Reconquest of the Soudan, edited by Col. F. Rhodes, 2 volumes, 1st edition, 1st impression, Longmans, Green, & Co., 1899, second state, with missing inverted comma inserted after the word ‘Gazette’ on page 459 of volume 2, 7 photogravure portraits (including frontispieces), 24 maps (20 folding), illustrations in the text, lacks halftitle to volume, a few minor scattered marks and occasional light browning, original gilt-decorated blue cloth, rubbed, 8vo Woods A2a. (2)

£700 - £1,000

150 Churchill (Winston Spencer). Savrola. A Tale of the Revolution in Laurania, 1st UK edition, Longmans, Green, & Co., 1900, copyright date 1899 to title verso, 24pp publisher’s advertisements at rear, original blue cloth gilt, slightly rubbed, 8vo Woods A3b. (1)

£150 - £200

151 Churchill (Winston Spencer). London to Ladysmith via Pretoria, 1st edition, 1st issue, Longmans, Green, & Co., 1900, 3 folding maps including colour frontispiece, single leaf publisher’s advertisement and 32-page publisher’s catalogue at end (dated 10/99), some heavy spotting to early leaves and text block edges, large armorial bookplate of Viscount Bangor to front pastedown, original pictorial light brown cloth, spine titled and decorated in gilt and red, minor soiling, 8vo

153 Churchill (Winston Spencer). Lord Randolph Churchill, 2 volumes, 1st edition, Macmillan & Co., 1906, photogravure frontispieces, plates including one folding, and a facsimile letter, partly uncut, together with Liberalism and the Social Problem, 1st edition, Hodder & Stoughton, 1909, upper outer corner tips of halftitle, title and dedication leaves torn with minor loss, a few ﬁnger marks to ﬁrst few leaves, all original burgundy cloth gilt, a little rubbed, 8vo, plus Rosebery (Lord), Lord Randolph Churchill, 1st edition, Arthur L. Humphreys, 1906, half-title, slightly browned, light dampstaining to foremargin of title, top edge gilt, remainder uncut, original green cloth gilt, plus Thompson (W.H.), Sixty Minutes with Winston Churchill, 1st edition, Christopher Johnson, 1953, title-page slightly toned and signed by the author in blue ballpoint pen, dated 18 July 1956, original printed blue boards, some spotting and browning, both 8vo

Woods A4a. Provenance: The bookplate is most likely that of Maxwell Ward, 6th Viscount Bangor (1868-1950) who succeeded to the title of Viscount Bangor after his father’s death in 1911, commissioned into the Royal Artillery in 1887, and promoted to major in 1906. (1) £200 - £300

152 Churchill (Winston Spencer). Ian Hamilton’s March, 1st edition, Longmans, Green, & Co., 1900, portrait frontispiece, folding map, 2 leaves of publisher’s advertisements and 32pp publisher’s catalogue (dated 7/00) at rear, minor spotting, original dark red cloth gilt, a little rubbed and slightly faded on spine, lower joint partly split, 8vo Woods A5. (1)

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

£200 - £300

First two items: Woods A15 & A8a respectively. (5)

£200 - £300

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156 [Churchill, Winston Spencer]. The Ayes and the Noes [by] Christopher Hollis & Cummings, 1st edition, Macdonald, 1957, monochrome illustrations to text, bookplate of Randolph S. Churchill (featuring Chartwell with dogs) to front pastedown and bookplate of Sir Winston Churchill to front free endpaper below an ink presentation inscription to him ‘with best wishes from the caricaturist’, August 12th, 1957’, original black cloth (a few minor marks) in dust jacket, some dust soiling, small split to lower margin of upper panel, longer split at head of lower joint and heavy crease to upper margin of lower panel, 8vo Winston Churchill’s bookplates were added to books from his library by his son Randolph after his death in 1965. Text with accompanying illustrations for Sir Winston Churchill and Randolph Churchill appear on pages 30-32 & 76-77. (1) £200 - £300

154 Churchill (Winston Spencer). My African Journey, 1st edition, Hodder & Stoughton, 1908, 3 maps, black & white plates from photographs, 16 pp. publisher’s adverts at rear, a little spotting, original red pictorial cloth, spine blocked in gilt and slightly faded, 8vo Woods A12. (1)

£100 - £150

155 Churchill (Winston Spencer). Dinner to Ofﬁcers of Group “M” to meet the Rt. Hon. Winston S. Churchill, M.P. (Minister of Munitions). Ballroom. Savoy Hotel. W. Thursday, 21st November, 1918, original menu, single bifolium, printed on 3 sides, text in blue, embossed gilt crest of the Savoy Hotel to front, remnants of paper and adhesive to rear where removed from an album leaf, 16 x 11cm Original menu from a commemorative dinner held shortly after Armistice. Churchill was minister of munitions from July 1917 until the general election of December 1918, after which he accepted the twin posts of secretary for war and air. Group M was a specialist section of the ministry of munitions dealing with non-ferrous materials and mineral resources development. (1) £100 - £150

Lot 155

Lot 156 45

157 Churchill (Winston Spencer). General Election poster, printed by Tulip Press and published by Col. W.H. Barlow-Wheeler, [1959], printed in black on white paper with central portrait of Churchill’s head with letterpress above and below, ‘General Election 1959, Woodford Parliamentary Division, Vote for [Churchill] on Thursday, 8th of October 1959’, small crease to lower left corner, 38 x 23cm, together with four copies of a related poster printed by Maysigns and published by Barlow-Wheeler, [1959], showing the blue silhouette of Sir Winston Churchill’s head with trademark cigar, imprint details to lower margin, 38 x 25cm, glued together as one block at upper margin, plus a related letter on Chartwell letterhead, dated October 1959, with facsimile blue signature, one page, 4to (6)

£100 - £150

Lot 157

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161 Cary (John). Cary’s Traveller’s Companion, or a Delineation of the Turnpike Roads of England and Wales..., 3rd edition, 1791, calligraphic title with near contemporary ownership signature (dated 1814), with an additional presentation inscription to verso, advertisement and forty-three (complete) engraved maps with contemporary outline colouring, map of Yorkshire is sectionalised, folding and laid on linen and contained in a pocket at the front of the atlas, six page list of the market and borough towns and a two page advertisement bound at rear, seventeen pages of blank paper bound at rear, marbled endpapers, contemporary red morocco in an ‘envelope style’ binding, some staining and wear to extremities, 8vo

BRITISH TOPOGRAPHY

Chubb CCXXV. (1)

£100 - £150

162 Cary (John). Cary’s Travellers’s Companion; or, a Delineation of the Turnpike Roads of England and Wales; shewing the immediate Route to every Market and Borough Town throughout the Kingdom, 1819, engraved title, 43 engraved maps, handcoloured in outline, including folding map of Yorkshire contained in map pocket, 4pp. publisher’s advertisements to rear, one preliminary blank detached, stitching showing at front, marbled endpapers, all edges gilt, contemporary straight-grain red morocco wallet binding, darkened and rubbed with some splitting to map pocket, with notebook loosely inserted, 11 pages with contemporary ink or pencil manuscript travelling notes, all edges gilt, matching marbled wrappers, 8vo (1)

158 Badeslade (Thomas & Toms William Henry), Chorographia Britanniae. or a set of maps of all the Counties in England and Wales: to which are preﬁx’d the following general maps..., sold by C. Hitch..., 1742, double page printed title trimmed with slight loss, dedication, four general maps of England & Wales and forty-two (complete) double page engraved maps, seven double page tables, slight spotting, a few maps split along central fold and trimmed with slight loss, contemporary calf gilt, re-backed, 8vo Chubb CLXXIV. (1)

£100 - £150

£200 - £300

159 Boswell (Henry). Complete Historical Descriptions of a New and Elegant Collection of Picturesque views and Representations of the Antiquities of England and Wales..., London: Alex. Hogg, circa 1790, engraved frontispiece (detached, creased & frayed to margins), 46 engraved maps only(?), mostly by Thomas Kitchin, 187 uncoloured engraved topographical views and plans, many with two or more uncoloured images to each sheet, 5 plates of coins, subscriber’s list at rear, closed tear to A1, some overall spotting and occasional light stains to few leaves, contemporary calf, red morocco title label, upper board detached, lower joint split, rubbed and worn, folio (1)

£200 - £300

160 Camden (William). Britannia: or a chorographical description of the ﬂourishing kingdoms of England, Scotland, and Ireland, and the Islands Adjacent; from the earliest antiquity..., enlarged by the latest discoveries, by Richard Gough, 4 volumes, 2nd edition, London:John Stockdale, 1806, printed title to each volume, portrait frontispiece to volume one, 48 folding maps by John Cary, all with contemporary hand colouring in outline, 3 uncoloured folding maps and 5 single sheet maps, 103 engraved plates (including 7 folding), variable spotting and offsetting, most hinges cracked, 19th century half calf gilt, joints cracking or cracked, volume one front board detached, worn and rubbed, folio (4)

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

Lot 160

£300 - £500

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164 Crystal Palace. Berlyn (Peter & Fowler, Charles). The Crystal Palace: its architectural history and constructive marvels, London: James Gilbert, 1851, with fold-out black and white engraving ‘Traverse Section of the Building, showing the Interior completed’, numerous illustrations, blue gilt cloth, spotting throughout, 8vo A very rare and important book, not mentioned in the notes or bibliography of the standard work on Paxton: (George F. Chadwick, The Works of Sir Joseph Paxton, Lond: Archit. Press, 1961). Among other things it illustrates and describes all of the machines used in making the parts for the building; it also lists all of the competitors for the building design and illustrates and describes two of the competition designs. (1) £200 - £300

165 Dugdale (William). Monasticon Anglicanum: or, the History of the Ancient Abbies, Monasteries, Hospitals, Cathedral and Collegiate Churches, with their Dependencies, in England and Wales..., London: R. Harbin for D. Browne & J. Smith, 1718, engraved frontispiece, title in red & black with early inscription to upper blank margin “For my dear son John Purley the gift of his father Novr. 30, 1722”, 102 engraved plates, some double-page, few plates browned and spotted, front pastedown with early 20th century ownership, contemporary panelled calf, rebacked, upper joint splitting at foot, joints rubbed, board corners worn and showing, folio, together with Grose (Francis), Supplement to the Antiquities of England and Wales, [volume 8 of Antiquities of England & Wales], London: Hooper & Wigstead, [1787], engraved frontispiece, title and 99 plates, occasional scattered spotting,contemporary half calf, lacking spine and lower board detached, worn, folio

163 Compton (Thomas). The Cambrian Mountains; or, a Tour through Wales: Describing the Scenery and General Characters of that Romantic Country, London: Published for the Proprietors, 1851, 49 aquatint plates (of 51) printed in various shades of blue & sepia (lacking plates of Denbigh Castle & Britton Ferry, with replacement hand-coloured aquatint of Britton Ferry with smaller margins loosely inserted), title with perforated library stamp to fore-edge blank margins, red oval ink stamps to verso of title, verso of plates and ﬁrst & last leaves of text, some leaves of text watermarked J. Whatman bearing various dates of 1819, 1820, 1827 & 1833, all edges gilt (fore-edge with faint library ink stamp to gilt), modern half calf, 4to

(2)

Abbey, Scenery 528. The Aquatints were printed for colouring in various shades of blue and sepia. The volume was compiled from surplus sheets of various editions of Compton’s Northern Mountains. The ﬁrst half of the book is erratically numbered with the plates and text of the 1818 edition. The latter part contains material dated as late as 1836, but it will be noted that old sheets and plates were employed; watermarks range from between 1819 to 1933. Probably compiled by Messrs. Bohn, to be sold cheaply for clearance (Abbey). (1) £200 - £300

Lot 164

£100 - £150

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166 Eaton - Cheshire. The Eaton Tourist: or a “colloquial description” of the Hall, Grounds, Gardens, &c. at Eaton, the Seat of the Right Hon. Earl Grosvenor, Chester: J. Seacome, 1825, etched frontispiece, folding map and 4 plates, manuscript note to fore-margin of title, some offsetting from plates, bound with Bath, The Original Bath Guide: containing an Essay on the Bath Waters; with a Description of the City; and a variety of miscellaneous information, Bath: M. Meyler , [1824?], folding engraved frontispiece, decorative vignette title, 2 folding maps, 2 plates and 1 wood engraved illustration, bound with Kenilworth, A Guide to Kenilworth, containing a brief historical account of the Castle, Priory, and Church..., Coventry: Merridew & Son, circa 1824, engraved frontispiece, 5 plates and single-page plan, manuscript note to fore-margin of title, bound with Coventry, The Coventry Guide, containing a concise account of the ancient history of the City, and particular descriptions of the Churches, St. Mary Hall and other public buildings, Coventry: Merridew & Son, 1824, engraved frontispiece, 6 plates, some offsetting, manuscript note to foremargin of title, 20th century half calf, small 8vo, together with Butcher (Edmund), An Excursion from Sidmouth to Chester, in the Summer of 1803. In a series of letters to a Lady. Including sketches of the principal towns and villages, 2 parts in one, London: C. Whittingham for H.D. Symonds, 1805, engraved frontispiece, contemporary half calf, red morocco title label, 12mo in 6s, plus [Gibbs, Samuel], Gibb’s Illustrated Bath Visitant; or, New Guide to Bath, Bath: Samuel Gibbs, [1855?], engraved frontispiece, title in red & black, 2 folding engraved maps and 3 plates, wood engraved illustrations, adverts at rear, all edges gilt, late 19th century dark brown half morocco gilt by Riviere, extremities slightly rubbed, 12mo in 6s, and Oldﬁeld (Henry George & Dyson, R.R.), The History and Antiquities of the Parish of Tottenham High-Cross, in the County of Middlesex..., London: Printed for the authors, 1790, engraved frontispiece, 8 engraved plates, folding pedigree, light scattered spotting, contemporary mottled calf, gilt decorated spine, black morocco title label, upper joint cracked, large 12mo, plus [Bristol Hot-Wells], Important Considerations, respectfully addressed to a distinguished Female Invalid; and Published with a view to the beneﬁt of other Patients at the Bristol Hot-Wells, Bristol: Printed by J. Mills & Co., circa 1808, upper blank margin of title excised, contemporary speckled calf, gilt decorated spine, rubbed, small slim 8vo (5)

Lot 167

£150 - £250

167 Jefferys (Thomas & Kitchin Thomas). The Small English Atlas. being a new and Accurate Sett of Maps of all the Counties in England and Wales, printed for Robert Sayer and John Bennett, John Bowles and Carington Bowles, circa 1775 decorative double page title with later ink manuscript date in margin, preface and two general maps of England and Wales, forty-eight (complete) uncoloured engraved double page maps, some offsetting and slight spotting, later endpapers, modern quarter morocco, 4to (1)

£700 - £1,000

168 Laurie (Robert & Whittle James, publishers). Laurie & Whittle’s New Traveller’s Companion Exhibiting a Complete and Correct Survey of all the Direct and Principal Cross Roads in England Wales and Scotland; as far North as Edinburgh and Glasgow...., 6th. edition, 1812, title page, advertisement, index and table of explanation all present, general map of England & Wales and twenty- ﬁve (complete) engraved road maps, all with original hand colouring, occasional staining, a few maps trimmed, later endpapers, modern cloth gilt, large 8vo There is some variation in the dates at the base of the maps. The map of England & Wales is dated 1808. The map of Scotland 1809 and the remainder 1806. (1) £150 - £200

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

Lot 168

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170 [Metroland]. ‘The Regional Survey of Gerrards Cross based on the Six Inch O. S. Map No. 48 S. E.’, Easter 1940, manuscript titlepage, 1 printed and 10 manuscript maps all hand-coloured (30 x 46cm), 20 matt gelatin silver print photographs (mainly 8.5 x 13cm), all mounted rectos only on 15 cloth-hinged thick card leaves with manuscript captions on mounted slips, 1 additional leaf with inset sheet of translucent paper captioned by hand providing key to photographs on subsequent leaf, printed label ‘F. Whillock’ to front pastedown, post-bound in contemporary cloth album (bottom post loose), title gilt to front cover, oblong folio (60.5 x 37.5cm) A detailed cartographic survey of the Buckinghamshire town compiled in the midst of the Phoney War. The maps are headed: Land Utilisation; Relief and Drainage; Towns and Communications; Relief; Sections; Geology; Public Conveyances; Communications; Populatio; Public Buildings, Spaces etc.; and Civil Administration. (1) £200 - £300

169 Lewis (W., publisher). Lewis’s New Traveller’s Guide, or a Pocket Edition of the English Counties Containing all the Direct & Cross Roads in England & Wales..., circa 1819, frontispiece of an engraved map of England & Wales with contemporary hand colouring (near detached), calligraphic title page with a black & white engraved vignette of a coach and postillions, preface, contents list, list of mail coaches and cost of postage, forty-two (complete as list) engraved maps with contemporary outline colouring, including one folding (Yorkshire), each map with a page of descriptive text, an additional circular map of ‘A Map of the Country ten Miles round London’ by E. Lacey with bright contemporary hand colouring, tipped on to verso of map of England and Wales, some dust and ﬁnger soiling throughout, contemporary half morocco, heavily worn and frayed, 12mo Chubb CCCLXIV. The title page is undated but the preface has the date Oct. 16 1819. The additional map of London is not listed in Howgego. (1) £100 - £150

171 Ports and Harbours. Report of the Commissioners upon the subject of Harbours of Refuge, 3 parts in 1 (Report, Minutes of Evidences, Appendix), published W. Clowes and Sons, 1844, ownership signature to title page, ﬁfteen engraved charts and diagrams, correct as list, some folding, extensive contemporary ink annotations and marginalia by the owner, later half morocco utilising original marbled boards and preserving original spine, some wear to extremities, folio The working copy of Admiral Sir Thomas Byam Martin, with his signature on title. The elevations and plans were made by various Royal Naval Engineers with proposals for creating or extending deep water harbours within existing coastal harbours. W ith a hand written letter of recommendation from G S Trevelyan of the Admiralty upon the merits of this survey (1) £200 - £300

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172 Roscoe (Thomas). Wanderings and excursions in South Wales [& North Wales], 2 volumes, London: Tilt & Bogue, Simpkin & Co., and Orr & Co., [circa 1860?], additional engraved vignette titles, 2 folding engraved maps (South Wales map with closed tear to fold & short closed tear to North Wales map), single-page plan and numerous plates, near contemporary half calf, gilt decorated spines with morocco title labels, extremities rubbed, 8vo, together with Wanderings and Excursions in North Wales, London: Charles Tilt and Simpkin & Co., [1837], engraved frontispiece, additional vignette title and numerous plates, some offsetting from plates, modern calf, large 8vo, plus Marsh (John Fitchett), Annals of Chepstow Castle or Six Centuries of the Lords of Striguil from the Conquest to the Revolution, Exeter: Privately Printed by William Pollatrd, 1883, Large Paper copy, half-title, title in red & black, subscriber’s list present at rear, top edge coloured red, remainder untrimmed, original cloth, frayed at head & foot of spine, lower joint worn and a little torn, large 4to (limited Large Paper edition 15/25 with the subscriber’s name of W.T. Pears, Esq., Old Hall, Aigburth, Liverpool, in letterpress to half-title), and other British topography related including The Romantic and Picturesque Scenery of England and Wales..., by P.J. De Loutherbourg, 1805, facsimile edition, Ironbridge Gorge Museum Trust, Shropshire, 1979, colour plates (including two plates from the original edition loosely inserted), original dark green quarter morocco, folio, contained in original slipcase, and The Vale of Nantgwilt, by R. Eustace Tickell, 1894, etched plates, contents loosely contained in original quarter vellum cloth covers, worn, oblong folio, etc. (including few odd volumes) (13)

£200 - £300

173 Rose (Thomas). Westmorland, Cumberland, Durham & Northumberland illustrated from original drawings by Thomas Allom &c..., 3 volumes, published Fisher Son & Co., 1832, additional decorative title, 215 uncoloured engraved views on 110 sheets, slight spotting and staining throughout, top edge gilt, contemporary cloth with morocco gilt labels to spines, spines faded and worn, bumped and worn at extremities, 4to, together with Lysons (Rev. Daniel). Magna Britannia... volume the fourth containing Cumberland, published T. Cadell & W. Davies, 1816, additional half title, forty-encoloured engraved plates and plans (including some double page and folding) and three engraved maps, some offsetting and browning throughout, slightly later newspaper cuttings tipped on the front endpaper, contemporary half morocco gilt, worn, faded and frayed, 4to (4)

175 Shell Guides. A collection of 48 Shell Guides, 1934-1979, including Cornwall illustrated in a series of views, edited by John Betjeman, 1934 (the ﬁrst Shell Guide), Wiltshire, edited by Robert Byron, 1935, Dorset, compiled and written by Paul Nash [1936], Hampshire, by John Rayner, 1937 Oxon, by John Piper, [1938], colour maps, half-tone and sepia illustrations, original spiral-bound wrappers, a little rubbed with creases, 4to, with others, the majority bound in original cloth in dust jackets, including some reprints, later editions etc (48)

£200 - £300

£100 - £150

174 Senex (John). An Actual Survey of all the Principal Roads of England and Wales described by One Hundred Maps from copper plates..., ﬁrst perform’d and publish’d by John Ogilby Esq. and now improved, very much corrected and made portable by John Senex, In 2 Vol. 1st edition, published J.Senex, [1719], double page printed title with some creasing, the second title page printed in red & black and dated 1719, after the second title is another advertisement and another table of cities and towns, with dedication, catalogue and explanation, four pages of a list of cities and towns and an advertisement for Globes, 100 (complete) uncoloured engraved double page strip road maps, slight offsetting, contemporary speckled calf with 19th century re-back, some wear, 8vo Chubb CXXXVIII (1)

£300 - £500

Lot 174

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

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177 Wales & Chester. A good composite album of topographical views, 19th century, containing forty-nine lithographs and engravings, including examples by Pickering, Topham, Childs, Barnard, Hughes, Dibdin, Straker, Armytage, Leith, Thomas, Crowther and Hawkins, some spotting, marbled endpapers, contemporary half morocco gilt, some wear to extremities, oblong 4to, together with Durham. A composite album of topographical views, 19th century, containing eighteen uncoloured engravings, slight spotting, marbled endpapers, contemporary half morocco gilt, slight wear to extremities, slim 4to (2)

178 Warwickshire. An illuminated presentation album, containing watercolours of Warwickshire landmarks & views by Herbert Edward Cox, October 1904, presented to F.G. Green Esq. H.M.I. on his retirement as an inspector of schools from local teachers’ associations October 1904, comprising 2 leaves of thick board with presentation title and address signed by association members, and 18 watercolours by H.E. Cox of Warwickshire landmarks & views, each window mounted on 8 thick board leaves (including circular, oval and rectangle portrait & landscape formats, mounted backto-back), views include Coventry, St. Michael’s Spire, St Mary’s Hall, Ford’s Hospital, Royal Pump Room, Henwood Mill, Griff House, Solihull Church, Coton Church, Warwick Castle, Leamington Bridge, Adelaide Bridge, Guy’s Cliffe, Kenilworth Castle, Leicester’s Hospital, Stratford-on-Avon Church, Shakespeare’s Birthplace, and Ann Hathaway’s Cottage, each signed by the artist and dated 1904, dimensions vary from approximately 15 x 11cm to 9 x 10.5cm, occasional light ﬁnger-soiling to margins and few marks, all edges gilt, marbled endpapers with black calf leather hinges, contemporary black calf, upper board with ﬁve roundels containing watercolour armorials of Warwickshire, Coventry, Royal Leamington Spa, Warwick and Stratford-on-Avon, neatly rebacked, extremities rubbed, covers slightly scuffed, oblong folio, leaf size 24.7 x 37.6cm

176 Smith (Charles). Smith’s New Pocket Companion to the Roads of England and Wales and Part of Scotland, 1826, frontispiece of a double page map of England & Wales, printed title, advertisement, ﬁfteen pages of a general index, 126 uncoloured engraved strip road maps on forty-two leaves, map of the Isle of Wight and six pages of tables of cross-roads, slight spotting throughout, bookplate of Sir David Salomons Bart,contemporary half calf gilt, upper joint weak, slight wear to extremities, 8vo Chubb. CCCCII. Uncommon. (1)

£200 - £300

£100 - £150

Herbert Edward Cox (1870-1941) was born in Coventry, the ﬁfth of seven children born to James and Sarah Cox. He attended the Grammar School, and after the death of his father in 1887 he trained to paint at the Municipal School of Art in Coventry, becoming a designer and draughtsman. The family moved in 1901 to Eastbourne, where his mother kept a lodging house and he took up textile design. Herbert returned to the Midlands after marrying fellow Coventrian, Margaret Shilton, a secondary school teacher, in Yorkshire. He taught painting at the Coventry Technical Institute and became recognised locally as an accomplished artist, recording street scenes of pre-war Coventry and many surrounding villages and towns. (1) £400 - £600

Lot 177

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179 Wilde (William R.). The Beauties of the Boyne , and its Tributary, the Blackwater, Dublin: James McGlahan , 1849, wood engraved illustration to title with publisher’s complimentary inscription to upper blank margin, folding map and numerous wood engraved vignette illustrations, publisher’s adverts at front and rear, original cloth gilt, slightly frayed at head & foot of spine, 8vo, together with Mauchline Ware binding, Two Hundred and TwentyTwo Popular Scottish Songs, with Music. The Choicest Melodies of Scotland, as sung by Wilson, Templeton, Mackay, and other popular vocalists, Glasgow: John S. Marr, 1868, all edges gilt, original Mauchline Ware binding with wooden boards made from wood from the mound where Lord Dundee fell at Urrard House at the Battle of Killiecrankie in 1689 during the Jacobite uprising, red morocco spine with gilt decoration (slightly rubbed), small 8vo, plus Jones (Stephen), Masonic Miscellanies, in Poetry and Prose..., Dublin: Joseph Hill, 1800, upper outer blank corner of title torn and repaired, repairs to leaves B4 & B5, some soiling, 20th century half calf, 12mo, and Knox (A.E.), Autumns on the Spey, 1872, 4 tinted lithograph plates (including frontispiece), few wood engraved vignette illustrations, original cloth with gilt blocked image to upper board, 8vo, and others including A Guide-Book to Dundee by Lawson Brothers, Dundee, 1870; Melodies, by Thomas Moore, Phildelphia: T. Jekyll, 1821; Days at the Coast by Hugh Macdonald, Glasgow: John Cameron, 1860; An Account of the Antiquities, Modern Buildings, and Natural Curiosities, in the Province of Moray..., [by Isaac Forsyth], Edinburgh: Michael Anderson, 1813 (without map), and Authenticated Report of the Discussion which took place between the Rev. Richard T.P. Pope, and the Rev. Thomas Maguire, in the Lecture Room of the Dublin Institution..., Dublin: R. Coyne, 1827 (9)

GEOLOGY

181 Buckland (William). Reliquiae Diluvianae ; or, Observations on the Organic Remains contained in Caves, Fissures, and Diluvial Gravel, and on other Geological Phenomena, attesting the action of an Universal Deluge, 1st edition, London: John Murray, 1823, 27 engraved & lithograph plates and maps (including 1 hand-coloured folding geological section and 2 hand-coloured single-page geological maps), folding table, occasional spotting, edges untrimmed, 20th century black half morocco, 4to (1)

182 Geological Survey. Memoirs of the Geological Survey of Great Britain and of the Museum of Practical Geology..., 11 volumes, 18661924, a broken run, numerous plates and plans (some hand-coloured & folding), diagrams and tables, original cloth, some joints split and some spines faded & torn, 8vo, together with Flett (John Smith), The First Hundred Years of the Geological Survey of Great Britain, 1st edition, 1937, few monochrome plates, occasional underscoring, original cloth, 8vo, plus Woodward (Horace B.), The History of the Geological Society of London, 1st edition, 1907, colour frontispiece and monochrome plates, original cloth, 8vo, and Geology in the Field: The Jubilee Volume of the Geologists’ Association (1858-1908), edited by H.W. Monckton & R.S. Herries, 1910, numerous black & white plans and diagrams (some folding), contemporary half calf, spine rubbed and title label defective, thick 8vo

£200 - £300

180 Wiltshire. Songs in Wiltshire, by Alfred Williams, 1st edition, London: Erskine Macdonald, 1909, title signed by the author, front free endpaper with ownership signature S.G. Croome, edges untrimmed, original green cloth gilt, 8vo, together with Jones (Joseph Barnard), Williams of Swindon, 1st edition, Swindon: The Swindon Press, June 1950, original cloth, slight spotting and discolouration, 8vo, with loosely inserted autograph letter signed from the author J.B. Jones to a Mr Howarth dated 30 November 1950, plus Williams (Alfred), The Selected Poems of Alfred Williams, 1st edition, London: Erskine Macdonald, 1926, front pastedown with ownership signature of Benjamin S. Lightfoot, original green cloth gilt, lower outer corner of front board neatly repaired with matching cloth, 8vo, and Tanner (Robin & Heather), Wiltshire Village, 1st edition, London: Collins, 1939, monochrome frontispiece and illustrations, ownership inscriptions to front blank, printed map endpapers, original green cloth gilt, 4to, and Brewer (J. Norris), Introduction to the Original Delineations, Topographical, Historical, and Descriptive, intituled the Beauties of England and Wales, 1818, 2 folding engraved maps, scattered spotting, contemporary half calf, large 8vo, and [Storer, James Sargant], Antiquarian and Topographical Remains of the most interesting Objects of Curiosity in Great Britain, 2 volumes, 1816, numerous engraved plates, contemporary calf, gilt decorated spines with contrasting morocco labels, boards detached, 8vo, plus a good selection of other Wiltshire topography and history related, mostly 20th century publications (including few pamphlets), together with Alfred Williams, Heather & Robin Tanner reference etc. (approx. 50)

£400 - £600

(14)

£150 - £250

£200 - £300

Lot 183 Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

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183 Hauy (Rene-Just). Traité de minéralogie … Publié par le Conseil des mines, 5 volumes (including volume of plates), Paris: Louis, libraire, imprimerie de Delance, 1801, verso of half-title to volume 1 with publisher’s signature to licence, plate volume containing 86 engraved plates, occasional spotting, contemporary half sheep, joints split and some spines torn with loss, plate volume lacking spine, worn, 4to and oblong 4to (5)

£300 - £500

186 Martin (William). Petriﬁcata Derbiensia; Or, Figures and Descriptions of Petrifactions Collected in Derbyshire, 1st edition, volume I [all published], Wigan, 1809, half-title, 54 hand-coloured engraved plates (many heightened with gum arabic), occasional spotting, edges untrimmed, 20th century green half morocco, spine faded to blue, 4to Nissen ZBI 2751; Upcott I, 143. (1)

184 Leigh (Charles). The Natural History of Lancashire, Cheshire, and the Peak, in Derbyshire: with an Account of the British, Phoenician, Armenian, Gr. and Rom. Antiquities in those Parts, 3 parts in one, 1st edition, Oxford: Printed for the Author, 1700, engraved portrait frontispiece, double-page engraved map of Lancashire, Cheshire & Derbyshire by Herman Moll, with contemporary outline hand colouring, 24 engraved plates, some dampstaining to inner margins of initial leaves, endpapers replaced, armorial bookplate of George Booth Tyndale to upper pastedown, contemporary panelled sheep, old reback with gilt decorated spine (worn and lacking title label), upper joint split, board edges and corners worn, folio

£500 - £800

185 Lyell (Charles). Principles of Geology: being an inquiry how far the former changes of the Earth’s surface are referable to causes now in operation, 4 volumes, 4th edition, 1835, 15 engraved plates & maps (11 folding, 4 hand-coloured), armorial bookplate of William Backwell Tyringham to upper pastedown, contemporary navy diced calf, gilt decorated spines with red morocco title labels, joints and extremities rubbed, 12mo, together with Cuvier (Georges), Discours sur les revolutions du globe, avec des notes et un appendice, d’apres les travaux recents de MM. Humboldt, Flourens, Lyell, Lindley, etc., Paris: Firmin Didot, 1851, 4 folding engraved plates and 2 two folding tables, contemporary black calf, gilt decorated spine, 12mo, plus an incomplete Cosmos: Sketch of a Physical Description of the Universe by Alexander von Humboldt, 2 volumes, 4th edition, 1849, volume 2 lacking title and upper board to half calf binding

187 Phillips (John). Geology of Oxford and the Valley of the Thames, Oxford: Clarendon Press, 1871, 17 engraved plates (including 4 hand-coloured engraved maps, sectional diagram plates etc.), wood engraved illustrations, few marks, original cloth, 8vo, together with Kendall (Percy Fry, Wroot, Herbert E.), Geology of Yorkshire. An illustration of the evolution of Northern England, 2 volumes, Printed for the authors, 1924, monochrome plates and folding plans, browning to text leaves throughout, tipped-in autograph letter signed from the author Percy Kendall to front pastedown of volume 1, original cloth, 8vo, plus Teall (J.J. Harris), British Petrography: with special reference to igneous rocks, 1888, ownership signatures to title, numerous lithograph plates including some colour, top edge gilt, remainder untrimmed, original cloth, frayed at head & foot of spine, covers scuffed, large 8vo, and Haug (Emile), Traire de Geologie, 2 volumes in 4, 3rd edition, Paris, 1921, folding plans, monochrome plates, illustrations, text leaves browned, navy morocco award bookplate to front pastedown of ﬁrst volume ‘University of Cambridge Wiltshire Prize 1923 awarded to F.C. Phillips, Corpus Christi College’, original cloth, 8vo, and Buckland (William), Geology and Mineralogy considered with reference to Natural Theology, 2 volumes, new edition, 1858, engraved portrait frontispiece, numerous plates (some folding, including folding hand-coloured plate of strata), scattered spotting, contemporary half calf, gilt decorated spines, one title label lacking, rubbed, 8vo, plus other geology reference and related, including The County Geognosy and Mineralogy of Scotland by M. Foster Heddle, [volume 1, part only], Truro, 1878, front free endpaper inscribed by the author, contemporary calf, 8vo

(7)

(38)

(1)

£200 - £300

£150 - £200

£300 - £400

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Lot 188

Lot 189

NATURAL HISTORY

188 Phillips (John). Memoirs of William Smith, LL.D., Author of the “Map of the Strata of England and Wales”, by his Nephew and Pupil John Phillips, 1st edition, London: John Murray, 1844, engraved portrait frontispiece, four proﬁle portrait plates (including one in silhouette), illustrations and diagrams to text, publisher’s list at rear, a few minor spots, light toning to fore-edge margins, front endpaper with 20th century ownership signatures, hinges cracked, original brown blindstamped cloth, spine torn and head and foot with loss (2cm at foot & 6cm at head), 8vo, together with Sheppard (Thomas), William Smith: His Maps and Memoirs, Hull: A. Brown & Sons, 1920, black & white plates and folding plans, illustrations and tables, original cloth, frayed at head & foot of spine, joints split, 8vo Phillips: Only 500 copies printed. (2)

190 Bree (Charles Robert). A History of the Birds of Europe, not observed in the British Isles, 4 volumes, 2nd edition, 1863, 238 hand-coloured wood-engarved plates, occasional light spotting, bookplates of Charles J.H. Wheatley, original red cloth gilt, spines faded, small wormhole and tiny tear at head of volume IV spine, 8vo, together with Lowe (E.J.) Beautiful Leaved Plants, 1866, 60 hand-coloured lithographed plates, a few loosening, some light spotting, bookplate, original cloth gilt, spine faded, 8vo First work Nissen IVB 136. (5)

£200 - £300

191 Couch (Jonathan). A History of the Fishes of the British Islands, 4 volumes, London: George Bell & Sons, 1877, 252 colour plates, some spotting and occasional dampstains, armorial bookplate of E. Bickerton Evans to front pastedowns and ownership inscription to front free endpapers of E. Bickerton Evans, Whitbourne Hall, 1886, some hinges split, original blind-stamped blue cloth with gilt-blocked ﬁsh motives to upper boards, some wear, spines torn at foot and frayed at head, damp mottling and discolouration to spines, large 8vo

£200 - £300

189 Scilla (Agostino). De corporibus marinis lapidescentibus quae defossa reperiuntur. Addita dissertatione fabii columnae de glossopetris. 1st Latin edition, Rome: Antonii de Rubeis, 1747, engraved frontispiece, half-title (with signature J.W. Wilton to upper margin), 30 engraved plates (of 31, appears to be bound without additional plate 23), some spotting and browning, sewing weak and initial leaves loose, contemporary mottled calf, gilt decorated spine, lacking title label, upper board detached and lower joint cracked, spine and extremities worn, 4to

Edward Bickerton Evans (1819-1893) and Thomas Rowley Hill (1816-1896) were the proprietors of Hill, Evans and Co. Vinegar Works of Worcester, which was in the nineteenth century the largest vinegar producer in the world. (4) £200 - £300

Nissen, ZBI 3780 (calling for frontispiece & 31 plates). An important work on marine fossils, originally published by the author in Italian in 1670 and ﬁrst translated as here into Latin in 1747. The plates show a variety of partially fossilized animal bones, teeth, shells, corals, snails, a hammer head shark and white shark. (1) £300 - £400

192 Curtis (William). The Botanical Magazine; or, Flower-Garden Displayed..., volumes 9 & 10 bound as one, 1795-96, 71 handcoloured engraved plates (complete), numbered 290-360, plate numbers 291, 294 (and accompanying text leaf), 331 & 335 heavily browned and detached, lacks text leaf for plate 347, a few plates with old pencil inscriptions to margins, contemporary half calf, heavily rubbed, 8vo (1)

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

Lot 190

£100 - £150

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Lot 193

Lot 194

193 Foà (Edouard). After Big Game in Central Africa..., translated from the French, with an Introduction by Frederic Lees, 1st edition, Adam & Charles Black, 1899, additional half title, portrait frontispiece, numerous black and white illustrations throughout, single page map of Africa and half-tone illustrations and advertisement at rear, one plate detached and crudely taped in, slight spotting to title, manuscript presentation inscription to verso of front endpaper, top edge gilt, publisher’s blue cloth with gilt elephant motif to upper siding, spine a little faded, worn and rubbed at extremities, 8vo, together with Macintyre (MajorGeneral Donald, V.C.), Hindu-Koh: Wanderings and Wild Sport on and beyond the Himalayas, new edition 1891, additional half title, frontispiece of a collection of big game trophies with key plate, numerous illustrations throughout, two manuscript ownership inscriptions to ﬁrst front blank, publisher’s blue cloth gilt, a little worn at extremities, 8vo, with Arbuthnot (Thomas S.). Grand Safari, William Kimber, 1854, additional half title, numerous illustrations throughout, publisher’s cloth gilt, dust jacket worn and frayed, torn with some loss and stained with old sellotape marks, 8vo, plus Manners (Harry). Kambaku!, 1st English edition, Frederick Muller, 1981, additional half title, numerous illustrations throughout, map of Mozambique endpapers, publisher’s cloth gilt, dust jacket price clipped, 8vo, and Sanches-Ariño (Tony). On the Trail of the African Elephant, 1st edition, Rowland Ward, 1988, additional half title, colour portrait frontispiece, title signed by author numerous colour and black & white illustrations, ‘zebra-pattern’ endpapers, publisher’s cloth gilt, dust jacket, 8vo with ‘Doctari’. Nyati a guide to Hunting Zimbabwe’s most dangerous big game, The Southern Buffalo, Mag-set publications 1996, additional half title, numerous colour illustrations throughout, publisher’s leatherette gilt, dust jacket, slim 8vo (6)

Lot 196 195 Millais (John Guille). The Mammals of Great Britain and Ireland, 3 volumes, Longmans Green & Co., 1904-6, numerous chromolithographic plates. after Millais, Thorburn, and Lodge, black and white photogravures and other plates and illustrations throughout, top edge gilt, contemporary blue cloth gilt, slight wear to extremities, large 4to Limited edition 898/1025. A clean bright set. (3)

£150 - £200

196 Millais (John Guille). The Natural History of British Game Birds, 1st edition, London: Longmans, Green and Co., 1909, halftitle, 18 chromolithographic plates including frontispiece and 17 photogravure plates, all after Thorburn or Millais, 1 halftone plate, very light spotting to endpapers and a few text-leaves, original cloth, variably mottled and faded, spine nicked at head and frayed at foot, large 4to, together with: Millais (John Guille, editor), The Life and Letters of John Everett Millais, 2 volumes, 1st edition, deluxe issue, London: Methuen & Co., 1899, 24 photogravure plates (mounted), 9 facsimile letters, spotting, a plates and facsimile letters working loose, index leaf in volume 2 loose, inscribed on the front free endpaper of volume 1 ‘Lilla - carissima mia, from John, 14 October 1899, Lillian J. Wilson, 9 Drumsheugh Gardens, Edinburgh’ apparently all in the hand of the recipient, original decorative cloth gilt, spines sunned and rolled, volume 1 front inner hinge cracked, large 8vo British Game Birds: Nissen IVB 636; Mullens & Swann p. 406; Wood p. 464 (‘This beautifully illustrated work’). British Game Birds is number 4 of 550 copies only, this copy inscribed by Millais on the initial blank, ‘Author’s Copy, J. G. Millais, Compton’s Brow, Horsham, Oct. 25th 1909’; thence by descent. The tête-de-tirage, similarly inscribed, was sold in these rooms on 6 November 2019 (lot 214). The Life and Letters of John Everett Millais is number 241 of 360 copies. (3) £300 - £500

£200 - £300

194 Meredith (Louisa Anne). Some of my Bush Friends in Tasmania. Native Flowers, Berries and insects Drawn from Life, illustrated in Verse and Brightly Described, 1st edition, Day & Son, 1860, [2], ii, 106 pp., with additional chromolithographed title-page and 14 chromolithographed plates, some spotting throughout, gutta-percha perished and contents detached with several leaves and plates frayed and torn at edges, all edges gilt, original embossed calf over bevelled boards, covers detached and backstrip deﬁcient, some wear, folio Ferguson 12508. A complete but poor copy of this attractive book in the uncommon original binding. (1) £200 - £300

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198 Nicol (Walter). The Forcing, Fruit, and Kitchen Gardener..., together with the Management of the Green House..., 3rd edition, with large additions, Edinburgh: William Creech, 1802, half-title, 6 engraved plates (slightly browned & spotted), 16 page publisher’s catalogue at rear, edges untrimmed, original boards with recent spine, 8vo, together with Bewick (Thomas), A General History of Quadrupeds, 7th edition, Newcastle Upon Tyne, 1820, numerous wood engraved vignette illustrations, contemporary half calf, blind decoration to spine, extremities slightly rubbed, 8vo, plus [Fitzgibbon, Edward], A Handbook of Angling: Teaching Fly-Fishing, Trolling, Bottom-Fishing, and Salmon-Fishing..., London: Longman, Brown, Green & Longmans, 1847, few wood engraved vignette illustrations, text-block loose, original cloth, small ink mark to upper board, head & foot of spine frayed, 8vo, and Phillips (Richard, publisher), The History of British Birds..., by the author of the History of Domestic Quadrupeds, London: Richard Phillips, 1807, 11 of 20 hand-coloured engraved plates only, few plates with tears & fraying to margins, ﬁnger-soiling and few marks, contemporary red half sheep, worn, 12mo in 6s, plus one other (5)

£150 - £200

199 Paxton (Joseph & John Lindley). Paxton’s Flower Garden, revised by Thomas Baines , 3 volumes in one, 1882-84, 108 chromolithograph plates (plate 1 with insect damage to margins, plate 15 - The Blue Bollea detached and torn with some loss to margins and caption), illustrations to text, some toning and occasional marginal browning, hinges split, all edges gilt, original green cloth gilt, upper joint split and some fraying at head & foot of spine, covers rubbed & mottled, thick 4to (1)

£150 - £250

200 Radcliffe (F.P. Delmé). The Noble Science: A few general ideas on fox-hunting, for the use of the rising generation of sportsmen, and more especially those of the Hertfordshire Hunt Club, 1st edition, R. Ackermann, 1839, engraved frontispiece, additional title, engraved portrait, wood-engraved illustrations, a little minor spotting, presentation inscriptions at front, bookplate, top edge gilt, contemporary maroon half morocco, spine lettered in gilt with fox mask decorations, edges slightly rubbed, 8vo (1)

197 Moffett (Thomas). Insectorum sive minimorum animalium theatrum: olim ab Edoardo Wottono, Conrado Gesnero, Thomaque Pennio inchoatum, 1st edition, London: ex Officina typographica Thom. Cotes. Et venales extant apud Benjam. Allen, 1634, numerous woodcuts throughout the text, light browning, damp-staining to initial quire A, title-page slightly marked, reinforced in gutter, a few shallow chips along fore and bottom edges, interlinear spill-burn to T5, repaired closed tear in Y1 extending into bottom 4 lines of text, marginal tear to 2B1, 2D6 creased at lower outer corner, small marginal chip to 2E3, final page with early ink annotation ‘Finis’ and related staining to lower inner corner, a few other marks, contemporary mottled calf, rebacked, folio (29.9 x 19cm) British Bee Books 25; ESTC S102912; Freeman 2624; Lisney 3; Nissen ZBI 2852; STC 17993. ‘The first book about insects published in Britain’ (Salmon et al., The Aurelian Legacy, p. 95), one of three variant imprints; Lisney identifies the present variant, with ‘apud Benjam. Allen’, as the first issue. ‘Among those who sent [Moffet] specimens or illustrations was John White , the Virginian pioneer’ (ODNB). (1) £1,000 - £1,500

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

£100 - £150

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ENGLISH BOOKS FROM A SHROPSHIRE PRIVATE LIBRARY

201 Beaumont (John). An Historical, Physiological and Theological Treatise of Spirits, Apparitions, Witchcraft, and other Magical Practices. Containing an Account of the Genii or Familiar Spirits, both Good and Bad, that are said to Attend Men in this Life... , Also of Appearances of Spirits after Death; Divine Dreams, Divinations, Second Sighted Persons, &c. Likewise the Power of Witches, and the Reality of other Magical Operations... , 1st edition, London: D. Browne at The Black Swan without Temple-Bar et al, 1705, engraved frontispiece, some spotting and browning throughout, small hole to blank lower margin of G3 not affecting text, later ink ownership inscription of Algernon Sydney Montagu to frontispiece recto, modern speckled half calf with raised bands and red morocco spine label, corners rubbed, 8vo John Beaumont (c. 1640-1731) was a natural philosopher, surgeon and collector of geological specimens from Ston Easton, Somerset. ‘This was Beaumont’s most substantial work, and demonstrated his considerable knowledge of English and Continental scholarship. In particular he defended the existence of spirits, and their ability to communicate with human beings, against the criticisms of Balthasar Bekker. His efforts were praised by Fowler, and by William Nicolson, bishop of Carlisle, and was said to have converted his old adversary, Thomas Burnet’ (ODNB). (1) £300 - £500

Lot 202

202 Bracton (Henry de). De legibus et consuetudinibus Angliae libri quin[que], 1st edition, London: Richard Tottell, 1569, roman type, woodcut initials (several on criblé ground), shallow tide-mark to head of gutter in first 10 or so quires, closed tear in leaf 3G4 extending into bottom 10 lines of text, light marginal worming from leaf 5K1 to end, contemporary ink annotations to initial blank and head of title-page, near-contemporary blind-ruled calf, manuscript spine-title, worm-tracks to foot of spine, wear to foot of front joint, a little surface-wear to covers, folio (28.9 x 18.5cm) Provenance: Sir Daniel Dun (or Donne, c.1545-1617), ecclesiastical lawyer, with his ownership inscription ‘Daniel Dun, prec [i.e. price] xi[?]6’ (scored through) to the head of the title-page. Dun was admitted a fellow of All Souls, Oxford, in 1567 and became principal of New Inn Hall in 1580. He rose rapidly through the ecclesiastical courts and from 1598 began also to receive instruction to ‘inquire into delicate and complicated maritime matters’ (ODNB), travelling to Bremen in 1602 to treat with Danish sailors on the Muscovy trade and other matters. He was later a justice of assize in north Wales. ‘Historians habitually assess the importance of members of learned professions by what they wrote ... A moment’s reflection, however, shows how inadequate a test of a lawyer’s importance it is. Most lawyers do not write treatises: they act ... Dun never published a treatise, yet he was responsible for real accomplishments at a critical moment in the history of ecclesiastical law in England. He rose to high office, and he influenced the course of affairs in Church and state’ (Helmholz, ‘Sir Daniel Dun (c 1545-1617)’, Ecclesiastical Law Journal (2014), 16(2), p. 205). For another example of Dun’s signature see Lambeth Palace Library MS 1748 (‘Statutes of the Court of the Arches’), folio i recto. Beale T323; ESTC S122159; PMM 89; STC 3475; Sweet & Maxwell I p. 51.6. The foundational work of English common law and ‘the most ambitious English legal work of the middle ages, apparently conceived on a grand scale as an overall survey and discussion of the whole of the common law as it was being applied in the king’s courts in England, with supporting citations of actual decided cases, and the reproduction of writ and enrolment formulas currently in use’ (ODNB). (1) £3,000 - £5,000

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203 Brydall (John). Non Compos Mentis: or, the Law relating to Natural Fools, MadFolks, and Lunatic Persons, inquisited, and explained, for Common Beneﬁt, 1st edition, London: printed by the assigns of Richard and Edward Atkins for Isaac Cleave, 1700, browning, worm-track to upper inner corners of quire A touching a few letters, gradually expanding wormtrack in lower margins never affecting text, a few pinprick-size tracks in fore margins, closed tear in leaf G2, contemporary sheep decoratively ruled in blind, manuscript spine-title, front joint cracked at foot, 8vo (18.1 x 11cm)

204 Brydall (John). Lex Spuriorum: or, the Law relating to Bastardy. Collected from the Common, Civil, and Ecclesiastical Laws, 1st edition, London: printed by the assigns of Richard and Edward Atkins for Thomas Osborne, 1703, moderately browned, ink-stain to p. 26 partially obscuring a word, small wormtrack to lower margins of leaves C6-D4, small interlinear hole in I1, contemporary calf decoratively ruled in blind, manuscript spine-title, 8vo (17 x 10cm) ESTC S122159 (ten copies world-wide); Sweet & Maxwell I p. 498.3. (1) £250 - £350

ESTC R19885; Sweet & Maxwell I p. 356.3; Wing B5265. ‘Generally, the works ascribed to [Brydall] reﬂect a very wide range of jurisprudential expertise, covering such topics as the laws and customs of London, the rights and privileges of the nobility and gentry, conveyancing, bastardy, and lunacy. They also indicate a strongly conservative and pro-monarchical frame of mind’ (ODNB). (1) £300 - £500

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

205 Charleton (Walter). Two Discourses. I. Concerning the Different Wits of Men. II. Of the Mysterie of Vintners. The Second Edition enlarged, London: by F. L. for William Whitwood, 1675, damp-staining to lower margins of A7-8 and fore margins of final quire Q, contemporary sheep, rebacked, 8vo (17.1 x 10.9cm) ESTC R7350; Gabler G15600; Wing C695. ‘Contains wine recipes, and advice on how to “help wine with an ill flavour,” and other wine related advice ... all sorts of concoctions are suggested to revive sour and ill tasting wines’ (Gabler). The first edition was printed in 1669. (1) £300 - £500

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206 [Commonwealth of England]. Sammelband of acts and other pamphlets from the Second Protectorate Parliament, 34 works in one volume, London: printed by Henry Hills and John Field, 16567, including: 1. The Humble Petition and Advice presented unto His Highness the Lord Protector by the Knights, Citizens and Burgesses assembled as the Parliament begun ... the 17th day of September 1656, printed ... 1657, [2] 30 pp., [ESTC R213592; Wing E1566] 2. A Proclamation by His Highness and the Parliament. Whereas ... the Parliament of England, Scotland and Ireland ... have presented their desires unto His Highness Oliver Lord Protector, that he would .... hold, and exercise the office of Chief Magistrate of these nations ... given at Westminster the 26. day of June, 1657 [captiontitle], single sheet, 30.4 x 22cm, folded, [ESTC R226165; Wing C7137], […] 10. Instructions agreed upon in Parliament, for Commissioners, for Surveying the Forest[s] of Sherwood ... Needwood ... Kingswood ... Ashdown ... and Endfield Chase ... [2] 14 pp., [ESTC R176116; Wing E1592], […] 15. An Act for Discovering, Convicting and Repressing of Popish Recusants ... [2] 21 [1] pp., [ESTC R504607; Wing E1090], […] 20. An Act for the Attainder of the Rebels in Ireland ... [2] 24 [2] pp., worming to a few lower margins, [ESTC R211310; Wing E1092], 21. An Act for the Setling of the Postage of England, Scotland and Ireland. At the Parliament begun ... the 17th Day of September ... 1656, [2] 8 [2] pp., [ESTC R29992; Wing E1124], 22. An Act for the three moneths Assessment in Ireland, for the Maintenance of the Spanish War [caption-title], 73 76-7 [1] pp., [ESTC R210786], 23. An Act for Punishing of such Persons as live at High Rates, and have no visible Estate, Profession or Calling Answerable thereunto [caption-title], 4 pp., [ESTC R236034; Wing E1049], 24. An Act for Limiting and Setling the Prices for Wines, [2] 2 pp., [ESTC R504608; Wing E1046], 25. An Act giving Licence for Transporting Fish in Foreign Bottoms [caption-title], 3 [1] pp., [ESTC R176093; Wing E1138], 26. An Act for Quiet Enjoying of Sequestred Parsonages and Vicaridges by the Present Incumbent [caption-title], 4 pp., [ESTC R479541; Wing E1051], 27. An Act against Vagrants and Wandring, idle, dissolute persons [caption-title], 3 [1] pp., [ESTC R478218; Wing E971], […] very occasional light worming to lower margins, page-edges untrimmed, contemporary blind-ruled sheep, top spine compartment replaced using modern leather, folio (26 x 17cm) ‘Of the three parliaments of the Cromwellian Protectorate, the second is arguably the most dramatic. This parliament was dominated by two immediate crises: the need to provide money for the state to maintain a large army and navy to fight an expensive war against Spain; and also the need to legitimise a government founded on a military constitution (the Instrument of Government of 1653) that had never been approved by parliament’ (History of Parliament, online). ESTC traces nine copies world-wide for this edition of the Instructions (item 10), four for An Act for Discovering ... Popish Recusants (item 15), nine for An Act for the Attainder (item 20), ten for An Act for the Three Moneths Assessment (item 22), ten for An Act for Limiting ... Prices for Wines (item 24), and six for An Act against Vagrants (item 27). A full list of contents is available on our website or on request. (1) £1,500 - £2,500

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208 Hobbes (Thomas). Leviathan, or the Matter, Forme, and Power of a Common-Wealth Ecclesiasticall and Civill, 2nd edition, London [probably Amsterdam]: for Andrew Ckooke [sic], 1651 [i.e. 1678], engraved allegorical title-page, letterpress title-page with woodcut device of a bear grasping sprays of foliage, folding letterpress table, slightly browned, part of front free endpaper torn away, variable damp-staining in top margins, a few leaves dampstained in lower outer corners, small worm-trail in lower margins of C3-D1 just touching text, another in quires 2N-2R occasional touching a letter, a few other tiny marginal worm-trails, contemporary blind-ruled calf, covers pitted, a few sections of wear, folio (29.1 x 18.6cm)

207 Edgar (Thomas, editor). The Lawes Resolutions of Womens Rights: or, the Lawes Provision for Woemen. A Methodicall Collection of such Statutes and Customes, with the Cases, Opinoins, Arguments and Points of Learning in the Law, as doe properly concerne Women, 1st edition, London: printed by the assignes of John More, and are to be sold by John Grove, 1632, text mainly in black letter, initial blank (A1) present), worm-track to ﬁrst 10 leaves, touching text in signature a3, reducing thereafter to a variable stipple in lower outer corners, the text never affected, early ink-stain to p. 379 partially obscuring one word recto, contemporary sprinkled sheep, rubbed and scuffed, a few sections of wear, 4to (18.8 x 13.6cm)

ESTC R13936; Macdonald & Hargreaves 43; Wing H2247; cf. Pforzheimer 491, PMM 138. This second edition was ‘a piracy made up of sheets printed by John Redmayne in 1670 and Christoffel Cunradus some time before the end of 1678’ (ESTC). (1) £1,000 - £1,500

ESTC S100217; STC 7437; Sweet & Maxwell I p. 500.24. Thought to have been written in the late 16th century, the work is habitually described as the ﬁrst book in English exclusively on the legal rights of women. ‘[B]y the standards of the day, and within the deeply male world of the common law, the author was surprisingly moderate and open-minded in his vision of women and their entitlements’ (Stretton, Women Waging Law in Elizabethan England, p. 47). ‘T. E., who signs the epistle to the reader and may be T. Edgar, is only the editor and does not know who the author is. The preface is signed by I. L. and indicates that the work “was long since collected” and the author is dead’ (STC); it has been plausibly attributed to Sir John Dodderidge (1555-1628). (1) £2,000 - £3,000

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

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Lot 209

Lot 210

209 Holinshed (Raphael). The Firste volume of the Chronicles of England, Scotlande, and Irelande, 3 parts in 1 volume [of 2], 1st edition, London: for John Hunne, 1577, general title-page and 2 section-titles each with woodcut border, woodcuts throughout the text, text mainly in black letter and in double column, worming to first title-page and first few quires, reducing to a couple of small holes by quire E, and one by quire N, a few holes reappearing in part 3, very occasional sliver of damp-staining in margins, general title-page with repaired closed tears and marginal restoration, next 2 leaves (Epistle Dedicatory) with fraying and closed tears at fore edges, spill-burns in k6 affecting woodcut verso and l7 affecting a word either side, early annotations to r5 recto, part 2 with loss to section-title, retaining blank *b*6, B6 torn at upper outer corner to loss of pagination, closed tear in O7 extending into text, spill-burns in S5 and x6 affecting a word either side, part 3 with signatures [fleuron]1-2 (section-title and dedication leaf) misbound after quire D, leaves E6-8 cancelled as usual, marginal damp-staining to quire H, 15 pp. of manuscript continuation in a contemporary hand bound in at rear (final leaf laid down), modern calf over wooden boards, folio in 8s (29.2 x 19cm)

210 Jones (John, of Neyath, Brecon). Judges Judged out of their own Mouthes. Or the Question Resolved by Magna Charta, &c. Who have been Englands Enemies, Kings Seducers and Peoples Destroyers, from Hen. 3. To Hen. 8. and before and since. Stated by Sr. Edward Coke..., Expostulated, and Put to the Vote of the People, by J. Jones, Gent..., 1st edition, W. Bently, 1649, title border of typographical ornaments, woodcut of a sun on a shield with motto to title verso, small tear without loss at foot of E1, bound with The Peace of Justice, or, The Authoritie of a Justice of Peace..., 1st edition, Printed by W. Bently, for W. Shears, 1650, woodcut of a sun on a shield with motto to initial blank recto, title border of typographical ornaments, final blank present, bound with The New Returna Brevium, Or the Law Returned from Westminster and Restored in Briefe to its Native, Antient, and Proper Habitation..., 1st edition, Printed by William Du-gard, 1650, initial blank present, title trimmed close at foremargin with loss rule, bound with Jurors Judges of Law and Fact: Or, certain Observations of certain differences in Points of Law between a certain Reverend Judg, called Andr. Horn, and an uncertain Author of a certain Paper..., 1st edition, Printed by W.D. For T.B. & G.M..., [1650], initial and final blanks present, A9 & A10 trimmed close at foremargins with a few letters shaved and loss of final two letters of catchword on A10r, bound with The Crie of Blood: or, A True Answer to those Thirteen Fals Reasons of the Filicers, Attournies, &c Practising at Westminster, for the Maintenance of the Capias and Arrest of Men’s Bodies for Debt..., 1st edition, William Du-gard, for Thomas Matthews, 1651, initial leaf before title with recto blank and verso with author’s printed defence of Mr Peter from R. Vaughan, some occasional spotting and light marginal browning throughout volume, recent endpapers, contemporary blind-ruled sheep, rubbed, 12mo (120 x 67mm)

Provenance: Bound with an extensive manuscript continuation written in a contemporary hand and chronicling events in Ireland during the reigns of Edward VI, Mary and Elizabeth from 1546 to the time of Sir Henry Sydney (1529-1586), lord deputy in 1565-71 and later in 1575-8; this appears to be at least in part a transcription from the second volume of Holinshed’s work. ESTC S3985; Pforzheimer 494; STC 13568b. First edition of the ﬁrst volume of Holinshed’s great narrative history of the British Isles. The work was conceived as part of a ‘deliberate movement to elevate the status of England, English letters, and English language through writing and publishing maps, histories, national epics, and theoretical works on English poetry’ (ODNB). It is the single most important chronicle written in English in the 16th century — a secular counterpart to Foxe’s Actes and Monuments (1563) — and the principal source for all of Shakespeare’s conventional English history plays as well as King Lear, Macbeth and Cymbeline. (1) £1,000 - £1,500

Wing C4938; J973; J972; J970; J964A. (1)

£1,000 - £1,500

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211 [Justice, Alexander]. A General Treatise of Monies and Exchanges; in which those of all Trading Nations are particularly Describ’d and Consider’d. With an Account of all the Foreign Banks and different Species and Denominations of Monies ... An Exact Translation of the Excellent Ordinances lately Published in France, for Exchange and Commerce ... Tables of the Reduction of Monies and Exchanges of the most Considerable Towns in Europe ... A General Discourse of the Trade and Commodities of most Nations ... An Unversal Treatise of the Weights and Measures usual in Trade all over the World ... By a Well-wisher to Trade, 1st edition, London: for S. and J. Spring and J. Nicholson, and R. Smith, 1707, 2 folding letterpress tables, plate (depicting different European measures in woodcut), intermittent spotting and browning, occasional damp-staining to lower margins, all strengthening towards rear, spill-burn in S3 costing a letter either side, contemporary panelled calf, loss to spine-ends, tips worn, 4to (22.2 x 16.2cm)

212 Lambarde (William). Eirenarcha, or of the Ofﬁce of the Justices of Peace, in foure Bookes: revised, corrected, and enlarged [bound with:] The Duties of Constables, Borsholders, Tythingmen, and such other lowe and Lay Ministers of the Peace ... enlarged, 2 works in 1 volume, London: for the Company [-Companie] of Stationers, 1610, Eirenarcha with very light damp-staining to lower outer corners, worming to lower margins from quire 2G, a few leaves closely trimmed along fore edges very occasionally shaving sidenotes, Duties leaf B2 chipped at lower outer corner, early ink annotations to endpapers, contemporary limp vellum, yapp edges, marked, remains of alumtawed ties, 8vo (17 x 10.4cm) STC 15172 & 15158; Sweet & Maxwell pp. 229.43 & 234.9. (1) £250 - £350

Provenance: ‘Joh[ann]es Lock me possidet’ (contemporary ownership inscription to titlepage); ‘Thomas Mytton, 15 May 1692’ (ownership inscription to vellum manuscript guarding inner hinges). Beale T310; ESTC S116150; STC 20837. A compilation of writs edited by William Rastell, nephew of Sir Thomas More, and sometimes attributed to Ralph de Hengham (c.1235-1311). This second edition is largely a re-issue of the 1531 ﬁrst edition, with a new title-page and the tables reprinted; the main text, which ends at folio 321 verso, retains the date 1531. Six copies traced in UK libraries. (1) £500 - £800

ESTC T112666; Hanson 824; Kress 2560. ESTC calls for fourteen unnumbered initial pages including an ‘initial advertisement leaf’, whereas this copy has twelve pages (i.e. six leaves), as in Kress. If an initial advertisement is required it would be unsigned, as the initial quire in this copy is signed A1-6, of which A6 is also headed ‘Advertisement’. (1) £300 - £500

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

213 [Law]. Registrum omnium brevium tam originalium quam judicialium, noviter impressum et quam exacte correctum et emendatum, 2 parts in 1 volume, London: Richard Tottel, 1553, title-page with woodcut border (McKerrow 40), woodcut initials, italic type, second part lacking leaves M3-4 (replaced by duplicates of leaves M1 and M6) and ﬁnal colophon leaf P4, water-staining to initial quires 1-2 with shallow marginal loss to title-page and more substantial loss to 4 other leaves (1[superscript 6]-2 [superscript 3]), 2 [superscript 3] laid down, variable generally light damp-staining thereafter, small hole in 2d4 affecting a few letters, small worm-track through text in ﬁnal 40 or so leaves (quires I-P), inner hinges guarded with a leaf of contemporary vellum manuscript, 17th-century blindruled calf, folio in 6s (26.1 x 17cm)

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214 [Law]. Sammelband of English legal tracts, [c.1590]-1610, comprising: 1. Salter[e]n (George), Of the Antient Lawes of Great Britaine, 1st edition, London: for John Jaggard, 1605, retaining initial blank [A1] with manuscript list of contents in a contemporary hand recto 2. Smith (Sir Thomas), The Common-Wealth of England, and the Maner of Governement thereof ... Newly corrected and amended, London: for John Smethwicke, 1609, with ﬁnal blank 3. Clerke (William), The Triall of Bastardie: that Part of the Second Part of Policie, or maner of Governement of the Realme of England: so termed, Spirituall, or Ecclesiasticall. Annexed at the end of this Treatise, touching the Prohibition of Marriage, a Table of the Levitical, English, and Positive Canon Catalogues, their Concordance and Difference, 1st edition, London: Adam Islip, 1594, woodcut tables, small spill-burn in H1 affecting a letter either side 4. [Egerton, Thomas, 1st Baron Ellesmere], The Speech of the Lord Chancellor of England, in the Eschequer Chamber, touching the Post-nati, 2nd edition, London: for the Societie of Stationers, 1609, with the initial and ﬁnal leaves (blank but for box-rules)

215 [Law]. The Tradesman’s Lawyer and Countrey-Man’s Friend. 1 Directing them in Contracts, Bargains and Agreements ... 2. Concerning borrowing, lending and restoring ... 3. Setting forth several other adjudged Cases relating to Tradesmen, etc. 4. Cases relating to Farmers, and concerning stoppage of Ways ... 5. Concerning scandalous Words purposely spoken to prejucide and abuse Tradesmen, etc. 6. Concerning Leases; Mortgages; Corn, Waste, Distresses etc. ... 7. Concerning discharging and ending of Actions, Suits, and Controversies ... 8. Certain Statute Laws, concerning, Labourers, Tradesmen, Artificers, Apprentices, Servants, Petty Chapmen, etc., Collected from the Antient and Modern Law Books, and confirmed by several Authorities ... 1st edition, London: printed by the assigns of Richard and Edward Atkins for Tho[mas] Bever, 1703, contemporary annotations to pp. 10 and 34 and rear free endpaper, worming to fore margins of final quire, contemporary calf decoratively ruled in blind, manuscript spine-title, 8vo (16.6 x 10.6cm)

5. [Selden, John], The Duello or Single Combat: from Antiquitie derived into this Kingdome of England, with severall kindes, and ceremonious formes thereof from good authority described, 1st edition, London: by G. E. for J. Helme, 1610, title-page with early ink annotations verso (including date 1683), 6. [Morice, James], A Brief Treatise of Oathes exacted by Ordinaries and Ecclesiasticall Judges, to answere generallie to all such Articles or Interrogatories, as pleaseth them to propound. And of their forced and constrained Oathes ex officio, wherein is proved that the same are Unlawfull, 1st edition, [Middleburg: Richard Schilders, c.1590], with final blank, manuscript list of contents in contemporary hand to initial blank of first work, with ownership inscriptions ‘Jackson’ and ‘Mr Jumper’, 17th-century blind-ruled calf, small section of wear on front joint, 4to (19.2 x 13.5cm) Beale T327 (Clerke), T261 (Morice); ESTC S116514 (Salteren), S117647 (Smith), S108078 (Clerke), S100270 (Egerton), S117105 (Selden), S112894 (Morice); Pforzheimer 951 (Smith); STC 21635 (Salteren), 22862 (Smith), 5411 (Clerke), 7540.5 (Egerton), 22171 (Selden), 18106 (Morice); Sweet & Maxwell I pp. 41.29 (Salteren), 475.8 (Clerke), 156.19 (Egerton, erroneously calling for a portrait), 44.14 (Selden), 568.4 (Morice). These are the only editions of the works by Salteren, Clerke and Morice. Sir Thomas Smith’s Common-wealth of England was first printed in 1583 as De republica Anglorum. (1) £1,500 - £2,000

ESTC T111090; Sweet & Maxwell I p. 528.97. Rare: ESTC traces seven copies in libraries world-wide. Two later editions appeared in 1709 and 1720 with the altered title The Gentleman’s Assistant, Tradesman’s Lawyer, and Country-man’s Friend. (1) £500 - £800

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217 Plowden (Edmund). 1578. Les Commentaries, ou Reportes de divers cases esteants matters en ley, et de les Arguments sur yceux, en les temps des Raygnes le Roye Edwarde le size, le Roigne Mary, le Roy et Roigne Phillip et Mary, et le Roigne Elizabeth [part 2: ... Cy ensuont certeyne Cases Reportes], 2 parts in 1 volume, London: Richard Tottel, 1578 [part 2: 1584], title-page with woodcut border to each part, woodcut initials throughout (most on criblé ground), full-page woodcut table of consanguinity to folio 451 verso, text mainly in blackletter, first title-page closedly trimmed at foot, minor worm-track to foot of first few quires, quickly diminishing, small spillburn in part 1 leaf 5H2 touching side-note verso, section of rear free endpaper torn away, light silverfish damage to lower margin of last 2 leaves, a few other trivial marks, retaining blank leaves 5H6 in part 1, 2T6 and [superscript 2]A6 in part 2, and A1 in ‘Un report fait per un uncertaine authour ...’ (all apparently original), occasional marginalia (in a later hand, at one point referring to Blackstone), later Italian manuscript leaves used as pastedowns, 17th-century blind-ruled calf, loss to foot of spine, folio (27.6 x 19.5cm)

216 Matrimonial Law. Baron and Feme . A Treatise of the Common Law Concerning Husbands and Wives... , 1st edition, London: the Assigns of Richard and Edward Atkyns Esquires, for John Walthoe, 1700, publisher’s advert leaf before title (recto blank), a second advert leaf (a8) before main text, some black letter, occasional contemporary ink marginalia and additional note to rear endpaper, a few light scattered damp patches to lower margins, several vertical brown streaks to pp. 27-32, contemporary blind-ruled polished calf with raised bands and manuscript ink short title to one compartment, minor rubbing, 8vo (19.2 x 11.7cm) ESTC R6177 (noting four final numbered advertisement leaves, not present in this copy); Wing B899. This is a good copy of this first edition of the first known legal treatise to focus exclusively on the laws concerning husbands and wives. Second and third editions were published in 1719 and 1738. (1) £700 - £1,000

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

Provenance: ‘H Mitton 1675’, ‘Jan 28 1668 I doo warrant this Book perfect, Willm [?]Plaids’ (inscriptions to front free endpaper); ‘E Locke’ (inscription to rear pastedown). Beale R485, R486a; ESTC S115947, S115951; STC 20041, 20046.7; Sweet & Maxwell I p. 306.95-6. Second editions of both parts: the ﬁrst originally appeared in 1571, and the second in 1579. Plowden’s Commentaries ‘decisively broke out of the older year-book tradition’ (ODNB). This second edition of the ﬁrst part contains additional cases and an analytical index by Recorder William Fleetwood. (1) £400 - £600

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218 Pope (Alexander). An Epistle from Mr. Pope, to Dr. Arbuthnot, Printed by J. Wright for Lawton Gilliver, 1734 [1735], some browning at front and rear, bound with four other Pope items: One Thousand Seven Hundred and Thirty Eight. A Dialogue Something like Horace, Printed for T. Cooper, [1738], half-title, advert leaf at rear, bound with One Thousand Seven Hundred and Thirty Eight. Dialogue II, R. Dodsley, [1738], 16pp., bound with The Second Epistle of the Second Book of Horace, Imitated by Mr. Pope, R. Dodsley, 1737, bound with The Sixth Epistle of the First Book Of Horace Imitated, L. Gilliver, 1737 [1738], half-title, bound with [Johnson, Samuel], London: A Poem, In Imitation of the Third Satire of Juvenal, 2nd edition, R. Dodsley, 1737, bound with Advice to the Fair: An Epistolary Essay, in Three Parts: On Dress, Converse, and Marriage: Address’d to a Sister, J. Wilford, 1738, bound with Miller (James), Of Politeness. An Epistle to the Right Honourable William Stanhope, Lord Harrington. The Second Edition, L. Gilliver & J. Clark, 1738, bound with Whitehead (Paul), Manners: A Satire, [London?, 1739?], bound with [King, William, attributed to], Miltonis Epistola ad Pollionem. Edidit & notis illustravit F. S. Cantabrigiensis, Editio Altera, T. Cooper, 1738, bound with (at front of volume) University of Oxford. Pietas Universitatis Oxoniensis in obitum augustissimi & desideratissimi regis Caroli Secundi, Oxford: Sheldonian Theatre, 1685, two titlepages with engraved vignettes, brown stain to foremargin and some acid burning damage to both titles, some contemporary ink notes to upper corners of rectos, bound with Strenæ Natalitiæ Academiæ Oxoniensis in celsissimum principem, Oxford: Sheldonian Theatre, 1688, engraved vignette to title, some heavy staining, some contemporary ink marginalia, bound with other mostly poetry, odes, essays and speeches, a total of 32 printed items and one manuscript item (Indicia Eruditorum, c.1740, 2pp.), c. 1685-1740, occasional light marginal dampstaining or spotting, 20th-century reversed half calf over marbled boards, folio (32.5 x 20cm)

219 Powell (Thomas). The Attourneys Academy: or, the Manner and Forme of proceeding practically, upon any Suite, Plaint or Action whatsoever, in any Court of Record whatsoever, within the Kingdome, 1st edition, London: for Benjamin Fisher, 1623, bound with: Direction for Search of Records remaining in the Chancerie, Tower, Exchequer, with the Limnes thereof, 1st edition, London: by B. A. for Paul Man, 1622, and: The Attornies Almanacke. Provided and Desired for the Generall Ease and Daily Use of all such as shall have Occasion to remove any Person, Cause or Record, from an Inferiour Court ot any the Higher Courts at Westminster, 1st edition, London: by B. A. and T. F. for Ben. Fisher, 1627, 3 works in 1 volume, The Attourneys Academy without quire pi (half-sheet with ‘Epistle Dedicatory’ to Sir James Ley and Sir Henry Hobart), contemporary inscription (recording price) to title-page, Direction retaining initial and terminal blanks (par. 1 and L4), The Attornies Almanacke retaining initial leaf A1 (blank except for signature-mark ‘A’), contemporary blind-ruled calf, small chip to head of spine, worm-tracks to top spine compartment, 4to (18.4 x 13.6cm) ESTC S124370, S115034, S115029; STC 20163.5, 20166, 20165; Sweet & Maxwell I p. 275.119-120 (The Attourneys Academy & The Attornies Almanacke). ‘Powell was appointed solicitor-general in the Welsh marches on 13 November 1613, a position he held until 5 August 1622. He appears to have been searching assiduously through the legal records in the chancery , the Tower of London, and the exchequer in this period—research which was to form the basis of his most important works’ (ODNB); of these The Attourneys Academy is especially noteworthy as the ﬁrst printed treatise on common-law proceedure. (1) £300 - £500

The collections comprises the following items: 1) ESTC R30765; 2) ESTC R32204; 3) ESTC R5564; 4) ESTC T56617; 5) ESTC N506824; 6) ESTC T56621; 7) ESTC T56619; 8) ESTC T56619; 9) ESTC R118115; Foxon R114. Reissue of the first edition of the same year; 10) ESTC T135093; Foxon K69. Reissue; 11) ESTC T36631; Foxon P244; 12) MS item, not located; 13) ESTC T125646; Foxon R194; 14) ESTC T111483; 15) ESTC T180849; 16) ESTC T32229; 17) ESTC T144479; 18) ESTC T49655; 19) ESTC T28384; 20) ESTC T22855; 21) ESTC T44603; 22) ESTC T5747; Foxon P965; Griffith 476; 23) ESTC T5739; Foxon P957; 24) ESTC T5567; Foxon P802; Griffith 352; 25) ESTC T5720; Foxon P933; Griffith 485; 26) ESTC T5724; Foxon P938; Griffith 494; 27) ESTC T102900; Foxon M237; 28) ESTC T125865; Foxon B122 OR N461; Foxon B123; 29) ESTC T134119; Foxon J77; 30) ESTC N10534; Foxon M256; 31) ESTC T139152; Foxon W419; 32) ESTC T57963; Foxon A90; 33) ESTC T87637. (1) £1,500 - £2,000

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220 Pownall (Thomas). The Administration of the Colonies. The Third Edition, Revised, Corrected, and Enlarged. To which is added, an Appendix, No. III, containing, Considerations on the Points lately brought into Question as to the Parliament’s Right of taxing the Colonies, and of the Measures necessary to be taken at this Crisis, London: for J. Dodsley and J. Walter, 1766, 7 woodcuts in the text at pp. 172-4 reproducing the marks of Native American sachems (chiefs), small hole to head of half-title, contemporary sprinkled tan calf, floral devices gilt to spine compartments, 8vo (20.4 x 12.2cm) ESTC T90025; Howes P-539; Sabin 64816. Pownall was governor of Massachusetts from 1757 to 1759, after which ‘he remained an acknowledged expert on Britain’s colonial affairs in general, especially the American colonies that declared independence in 1776. Pownall’s most influential statement in this respect was his Administration of the Colonies, first published in 1764 ... Pownall consciously sought in this work to identify himself as a supporter of American liberty. Although he feared that Britain was losing control of its colonies, he wrote that the Americans were entitled to the same rights of representative government as their fellow subjects in England, Scotland, and Wales’ (ODNB). (1) £300 - £500

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

221 Pufendorf (Samuel von). De jure naturae et gentium libri octo, 1st edition, Lund: Adam Junghans, 1672, tide-mark to lower margins of ﬁrst few quires, title-page slightly browned and marked and with small section of paper disruption to gutter, a few intermittent worm-tracks to margins, spill-burn in 2Z2 and small hole in 3V3 each affecting a few letters, a few other minor ink-stains and marks, contemporary ink annotations to index, contemporary sprinkled calf ruled in blind (probably English), slightly marked, 4to (20.5 x 15.9cm) A good, unrestored copy of Pufendorf’s great treatise on natural law, much inﬂuenced by Hobbes and Grotius. An English translation by Basil Kennett was published in 1703, with the title Of the Law of Nature and Nations. (1) £1,500 - £2,000

222 Senex (John). A Treatise of the Description and Use of both Globes. To which is annexed, a Geographical Description of our Earth, 1st edition, London: John Senex at the Globe in Salisbury Court, near Fleetstreet, and W. Taylor at The Ship, in Pater-noster Row, 1718, woodcut vignettes of the earth surrounded by clouds to title, 6 pp. publisher’s catalogue of globes, books and maps at rear, a little spotting, contemporary sheep gilt, scuffed, cracked on joints, 12mo ESTC N49579, listing three UK and nine USA locations. John Senex (1678-1740) was a cartographer, publisher, globe maker and engraver. Born in Ludlow, Shropshire, Senex set up his business in London, the business being bought from his widow by Robert Sayer in 1745. (1) £300 - £500

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223 Stubbe (Henry). The Miraculous Conformist: or an Account of severall Marvallous Cures performed by the Stroaking of the Hands of Mr Valentine Greaterick; with a Physicall Discourse thereupon, in a Letter to Robert Boyle, 1st edition, Oxford: by H. Hall for Ric. Davis, 1666, title-page slightly stained, bound with: ‘W. B.’, Misopormist: or some Loathsome Abominations of the Romish Faction, discovered in a Letter to a Friend, 1st edition, London: for George Larkin, 1667, some headlines shaved, Burton (Henry), Apology of an Appeale. Also an Epistle to the True-Hearted Nobility, [London: no publisher], 1636, lacking initial blank pi1, headlines and a few first lines of text shaved, paper softened, closed tear in A3, ibid., For God, and the King. The Summe of two Sermons preached on the fifth of November last in St. Matthewes Friday-Streete. 1636, most headlines and first line of text in first 3 leaves shaved, lacking final blank, [Parenting], The Office of C[hri]stian Parents. Shewing how Children are to be governed throughout all Ages and Times of their Life, 1st edition, Cambridge: Cantrell Legge, 1616, lacking final 5 quires (2E-2I), initial blank possibly not original but with old manuscript recto, water-staining and concomitant softening and fraying to fore margins and outer corners from quire [par.] to E, causing loss of text in title-page ([par.] 2) and subsequent leaf, the damage steadily attenuating but lower outer corners slightly frayed or softened throughout, loss to upper outer corner of 2D4 (final leaf present), and [Parker, Samuel; subject], Insolence and Impudence Triumphant; Envy and Fury enthron’d: the Mirrour of Malice and Madness, in a Late Treatise, entituled, a Discourse of Ecclesiastical Polity, etc. Or, the Lively Portraiture of Mr. S. P. Limn’d and drawn by his own Hand, 1st edition, [London: no publisher], 1669, 6 works in 1 volume, later manuscript list of contents to initial blank, c.1700 mottled calf, blind rules and sunflower devices to sides, wear to foot of spine, front joint slightly tender, 4to (17.2 x 13.2cm) ESTC R28187 (Stubbe), R223585 (‘W. B.’), S106955 (Burton, Apology), S106956 (Burton, For God and King), S107874 (Parenting), R31666 (Palmer); Norman 2031 (Stubbe); STC 4135 (Burton, Apology), 4141 (Burton, For God and King), 5180 (Parenting); Wing S6062 (Stubbe), B217 (‘W. B.’), I226 (Palmer). Stubbe’s pamphlet sought to explain the miracle cures of Irish faith-healer Valentine Greatrakes (1629-1683) using a theory of fermentation and effluvium derived from Jan Baptist van Helmont (1580-1644). The second-bound work, Misopormist, is extremely rare, with ESTC tracing one copy world-wide, at the Folger Shakespeare Library. ESTC traces eight copies world-wide for The Office of Christian Parents. STC gives priority to another 1636 edition of Burton’s For God and King printed at Amsterdam; there was also an Amsterdam edition of the Apology, to which STC assigns implicit priority. (1) £700 - £1,000

Lot 223

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224 Theloall (Simon). Le digest des Briefes originals, et des choses concernants eux, 1st edition, London: Richard Tottell, 1579, title-page with minor loss to lower outer corner and effaced contemporary ownership inscription at head, faint marginal dampstaining to about quire P, recurring in 3E, spill-burn to 2Q7 partially obscuring one word verso, contemporary blind-ruled calf, manuscript spine-title, a few worm-holes in spine, 8vo (15.9 x 10cm)

Lot 225

Beale T499; ESTC S118369; STC 23934; Sweet & Maxwell I p. 279.146. (1) £300 - £500

225 Venn (Thomas, & others). Military and Maritime Discipline in Three Books [sic]. Book I. Military Observations or Tacticks ... by Thomas Venn, Book II. An exact Method of Military Architecture ... rendred into English by John Lacey, out of the Works of Andrew Tacquet ... Book III. The Compleat Gunner ... Translated out of Casimir, Diego, Uffano and Hexam, etc ... 1st edition, London: by E. Tyler and R. Holt for Rob. Pawlet, Tho. Passinger and Benj. Hurlock, 1672, signatures [pi]1 A2 a-c2 B-3G2, [superscript 2][2A]2 [superscript 2]2B-2Q2 [superscript 2][2R-2S]2; [superscript 3]A2 3B-3Z2 [chi]1 5A-5G2 4Q-4T2 only (lacking ‘The Compleat Gunner. The Third Part’, signatures 4A4P, i.e. 30 leaves), engraved frontispiece, engraved additional title-page, letterpress title-page in red and black, 13 folding engraved plates, full-page engravings at [superscript 2]2Q1 verso (recto blank, the leaf included in pagination and register, border trimmed along fore edge) and [superscript 2]2Q2 verso (with text recto), engraved or woodcut vignettes, engraved tables and typographic diagrams in the text, engraved table at [superscript 2][2S]2 recto with original slip cancel pasted over, section excised from top margin of title-page, variable browning to text-leaves, closed marginal tear in 2Y1 not affecting text, ﬁnal leaf laid down at an early date, contemporary mottled calf, rear joint cracked but ﬁrm, folio (28.6 x 19cm) Provenance: ‘E libris Thomae Mytton’ (later ownership inscription to rear pastedown). ESTC R25827; Wing V192. Uncommon. There does not appear to be an established collation for the plates in this work. We trace one copy described as having 15 engraved plates (11 folding) in addition to two frontispieces and the engraved title-page, though most records cite fewer. (1) £700 - £1,000

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

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ENGLISH BOOKS FROM THE ESTATE OF JOHN LAWSON (1932-2019)

226 Ayres (Philip). Lyric Poems, made in Imitation of the Italians. Of which, many are Translations from other Languages, 1st edition, London: by J. M. for Jos. Knight and F. Saunders, 1687, engraved frontispiece,small worm-track in fore margins touching a few letters (mainly to versos), hole in M5 (second leaf of Table) obscuring one word recto, contemporary printed wasted used as pastedowns, front free endpapers absent, bookplate of Christopher Rowe, contemporary mottled calf, gilt spine, superﬁcial cracking to head of front joint, a few small sections of wear, 8vo (17.2 x 10.2cm)

Lot 227

ESTC R8291; Grolier Wither to Prior 20; Wing A4312. One other complete copy traced at auction in the last 40 years. ‘Includes translations from the ancient Greek lyric poets, Petrarch, Tasso, Camões, Guarini, de la Vega , Quevedo, Gongora, and Marino, and most of the verses presented as original compositions are also translations. The collection also contains a Spanish poem by Ayres in which he styles himself “ Don Felipe Ayres”. The “Preface” conﬁrms the impression that Ayres was trying to fashion himself as a baroque poet on the continental model’ (ODNB). (1) £300 - £500

227 Binding. Decorative covers formerly for an Almanac with matching slipcase, early 19th century, boards with red & blue onlay border, with central onlay vertical stripes of red, blue & white, with elaborate gilt decorated roll-work to spine and boards, covers adapted to house calling/business cards (with one present & loosely contained within), contained in original matching decorated slipcase, slot at top to insert pencil (pencil not present), covers 11.5 x 7.5cm (1)

£200 - £300

228 Boyle (Robert). General Heads for the Natural History of a Country, Great or Small; drawn out for the Use of Travellers and Navigators, 1st edition, London: for John Taylor and S. Holford, 1692, retaining ﬁnal advertisement leaf, slightly browned, early ownership inscription ‘Tho. White’ to title-page, contemporary mottled sheep, joints cracked (held by cords), extremities worn, 12mo (14.6 x 8.6cm) ESTC R16299; Fulton 195; Sabin 7139; Wing B3980. Boyle’s account touches on ‘Virginia and the Bermudas’ (pp. 101-6), ‘Guiana and Brasil’ (106-9), and ‘The Antiles, or Caribe Islands’ (109-16). (1) £300 - £400

Lot 228

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Lot 229

229 Browne (Sir Thomas). A Letter to a Friend, upon Occasion of the Death of his Intimate Friend, 1st edition, London: for Charles Brome, 1690, 12 pp., moderately browned, a few spots, bound in 1914 in reddish-brown pigskin gilt by Katherine Adams for Sir Geoffrey Keynes, spine faded and rubbed, pale mottling to sides, folio (28.6 x 18cm) Provenance: Sir Geoffrey Keynes (1887-1982), bound for him in 1914 by noted Arts and Crafts bookbinder Katherine Adams (1862-1952) (endpapers with pencilled notes identifying and dating the binding, ownership inscription ‘G L Keynes 1914’, book-ticket ‘ex dono Geoffrey Keynes’). Keynes’s bibliography of Sir Thomas Browne appeared in 1924. ESTC R19833; Keynes 135; Wing B5158 (1) £700 - £1,000

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

Lot 230

230 Carew (Thomas). Poems, with a Maske ... The third edition revised and enlarged [... Coelum Britannicum. A Maske], 2 parts in 1 volume, London: printed for H[umphrey] M[oseley] and are to be sold by J. Martin, 1651, slightly browned, a few small spots, one word at lower outer corner of p. 98 failed to print, small hole in K1 touching signature recto, all edges gilt, 20th-century blue morocco gilt by Bayntun, 8vo (14.5 x 9cm) Provenance: 1) Sir Thomas Hanmer, 4th Baronet (1677-1746; engraved bookplate dated 1707 to title-page verso); 2) Sotheby’s London, 2-3 April 1985; 3) Stuart Bennett (book-label to front pastedown). Sir Thomas Hanmer was speaker of the House of the Commons in 1714-15, overseeing the Hanoverian succession, and spent much of his retirement devoted to literary pursuits, producing an edition of Shakespeare (1743-4) among other works. ESTC R21803; Grolier Wither to Prior I p. 132; Pforzheimer 129; Wing C565. This edition is noted for containing ‘the ﬁrst appearance of the three poems added, apparently at the last moment, at the end’ (Pforzheimer). This copy is of the second issue, with Martin’s name in the imprint. (1) £300 - £500

Lot 231

231 Davies (John). The Muses-Teares for the Losse of their Hope; Heroick and ne’re-too-much praised, Henry, Prince of Wales, 1st edition, London: for John Wright, 1613, 40 pp., title-page spotted, light spotting elsewhere, retaining ﬁnal blank E4, all edges gilt, 19th-century straight-grain black morocco gilt, 4to (18.7 x 13.4cm) Provenance: 1) The earls of Crawford (Bibliotheca Lindesiana bookplate with pencilled press-mark ‘R/8’); 2) W. A. Foyle (morocco bookplate; sale, Christie’s London, 12 July 2000, lot 478 [part]); 3) Robert S. Pirie (bookplate; sale, Sotheby’s New York, 2-4 December 2015, lot 234). ESTC S109356; STC 6339. ESTC traces nine copies world-wide. Davies (1564/5-1618) was a renowned writing-master and Prince Henry (1594-1612) one of his pupils. (1) £600 - £800

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233 Donne (John). Poems, by J. D. with Elegies on the Authors Death, 3rd edition, London: printed by M. F. for John Marriot, and are to be sold at his shop, 1639, engraved portrait frontispiece by William Marshall possibly after Nicholas Hilliard, short closed tear to lower margin of V4, spine lined with a contemporary manuscript fragment, contemporary sprinkled sheep ruled in blind, second spine-compartment lettered in gilt, restoration to spine-ends, joints rubbed, 8vo (14.8 x 9cm)

232 Donne (John). Devotions upon Emergent Occasions, and severall steps in my Sicknes. Digested into 1. Meditations upon our Humane Condition. 2. Expostulations, and Debatements with God. 3. Prayers, upon the severall Occasions, to him, 3rd edition, London: Thomas Jones, 1627, small stain in I5, paper-thinning to fore margin of K2, contemporary manuscript annotations in brown ink to front free endpaper and initial blank, contemporary manuscript catch-title to fore edge, contemporary vellum, yapp edges, smooth spine with twin rules enclosing foliate lozenges gilt, covers gilt with intersecting rules enclosing central angel ornament between monogram ‘A G’ (rubbed), 12mo (13.5 x 8.4cm)

Provenance: 1) ‘Sum e libris Samuelis Mee e Coll Wadd: 87’ (contemporary ink inscription to front free endpaper). 2) Sir Geoffrey Keynes (1887-1982), bibliographer of Donne; given to his wife Margaret Darwin (1890-1974) as an engagement present in 1916 (ink inscription ‘G. L. K. to Margaret Darwin, 16 Dec 1916’ to front pastedown). 3) Purchased by John Lawson direct from Keynes presumably after 1974 (laid-in note in John Lawson’s hand: ‘GLK’s engagement gift to Margaret Darwin (Charles’s grandaughter). Geoffrey had just ﬁnished erasing the date when I spotted what he was doing and bought it off him’). ESTC S1702; Grolier Wither to Prior 288; Keynes 80; Pforzheimer 297; STC 7047. (1) £2,000 - £3,000

ESTC S114971; Keynes 38; STC 7035a. Copies are also noted with the title-page dated 1626, the date in the colophon; the title-page in copies dated 1627 is not a cancel, so the date was evidently changed during printing. (1) £1,000 - £1,500

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Lot 234

Lot 236 Lot 235

234 Donne (John). Paradoxes, Problemes, Essayes, Characters. To which is added a Book of Epigrams: written in Latin by the same Author; translated into English by J. Maine, as also Ignatius his Conclave, a Satyr, translated out of the Originall Copy written in Latin by the same Author; found lately amongst his own Papers, London: by T. N. for Humphrey Moseley, 1652, 2 parts in 1 volume (each with separate pagination and register), slight browning, part 1 leaf F5 (section-title to Ignatius) roughly trimmed along bottom edge not affecting text, retaining blanks L3-4, part 1 leaf L4 and part 2 A1 (section-title to Essayes) with minor paper disruption neatly repaired, part 2 with A2-6 and chi 2 cancelled as usual, chi1 (‘To the reader’) also discarded, front free endpaper loose, contemporary calf, rebacked, corners refurbished, 12mo (14.7 x 8cm)

235 Evelyn (John). The State of France as it stood in the IXth yeer of this present Monarch Lewis XIIII. Written to a Friend, 1st edition, London: by T. M. for G. Bedell & T. Collins, 1652, title-page printed in red and black with engraved vignette, initial and ﬁnal blanks (A1 and G12) discarded, worming to lower outer corners, touching catch-words in quire A, spreading to lower inner corners in quires C and D and touching a few letters, contemporary reddish-brown sheep, rubbed, loss to foot of spine, front joint cracked at head, 12mo (14.1 x 7.9cm) Provenance: Sir Henry Blount (1602-1682), English traveller and author of A Voyage into the Levant (1636), with his ownership inscription ‘Sr Henry Blount’ to the head of the title-page, and annotation to front free endpaper verso. Evelyn met Blount in 1659, describing him as the ‘famous traveller and water-drinker’, a reference to his animadversions on drunkenness. ESTC R12269; Keynes 3; Wing E3515. ‘The State of France is one of the prettiest of Evelyn’s books, and exhibits in some copies a pleasant personal touch on the title-page in the shape of an engraved vignette of the author’s monogram entwined with oak and bay leaves ... [I]t is possible that those copies with the engraved vignette were specially printed for the author to give to his friends, but the evidence on this point is very scanty’ (Keynes). There was also an issue with Evelyn’s monogram with the letterpress of the title-page; Keynes does not assign priority to either. (1) £400 - £600

Provenance: Abel E. Berland (1915-2010), American collector (book-label); Bent Juel-Jensen (1922-2006), Anglo-Danish physician and bibliophile (book-label); George Macdonald (bookplate to rear pastedown). ESTC R1266 & R209209; Grolier Wither to Prior 297 (part one only); Keynes 46 & 50; Wing D1867 & 1861. Second issue of the ﬁrst part, with the ﬁrst quire reset. Although the titlepage of the Essayes is dated 1651, a year before the main title, ‘it is is doubtful if it was ever issued separately’ (Keynes). In Keynes’s collation quire A of the second part, Essayes in Divinity, has four leaves, (A1 blank, A2 title, A3 cancelled, A4 to the reader); ESTC has A6 chi2, of which A2-6 comprise the suppressed dedication to Henry Vane the Younger and chi2 is blank. According to ESTC ‘copies lacking any and all leaves of dedication are not imperfect’; it is unclear if this would also include chi1, ‘To the Reader’. (1) £300 - £500

236 Evelyn (John). Fumifugium: or the Inconvenience of the Aer and Smoak of London dissipated. Together with some Remedies humbly Proposed to His Sacred Majestie, and to the Parliament now assembled. Published by His Majesties Command, 1st edition, London: Printed by W. Godbid for Gabriel Bedel, and Thomas Collins, 1661, with misprints as noted by Keynes, lacking final blank (E2), title-page slightly spotted and dust-soiled, faint tide-mark to fore margin of a few leaves, small hole in leaves a1-2 affecting a few letters, headline and pagination shaved both sides in leaf D1, bookplate (Henry Davies), 19th-century sprinkled half calf, 4to (19.4 x 14.8cm), together with another copy, with some misprints corrected (see Keynes), lacking final blank, toning, burnhole in C1 affecting a word either side, a few early ink corrections and pencil marginalia, modern Macclesfield Library bookplate (press-mark 121.F.1), modern half calf to style, 4to (18.6 x 14cm) ESTC R20558; Keynes 23; Wing E3488. Both copies are first issue, retaining ‘Published by His Majesties Command’ in the title. (2) £400 - £600

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

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Lot 237

Lot 238

237 Evelyn (John). Navigation and Commerce, their Original and Progress. Containing a Succinct Account of Traffick in General; its Benefits and Improvements: Of Discoveries, Wars and Conflicts at Sea ... with Special Regard to the English Nation; their several Voyages and Expeditions, to the Beginning of our Late Differences with Holland; in which His Majesties Title to the Dominion of the Sea is asserted, against the Novel, and Later Pretenders, 1st edition, London: printed by T. R. for Benj. Tooke, 1674, retaining initial blank A1, errata K3 and advertisement leaf K4, slight browning (stronger along edges), small worm-hole to foot of gutter, ramifying from quire D before disappearing by leaf H4, contemporary ownership inscriptions (‘George Spens, 15 of September 1684’ and variants) to inside covers and rear free endaper, contemporary sheep, a little craquelure and wear, 8vo (17.2 x 11cm)

Lot 239

238 Evelyn (John, translator). The Golden Book of St. John Chrysostom, concerning the Education of Children. Translated out the Greek, 1st edition, London: printed by D. M. for G. Bedel and T. Collins, 1659, title-page printed in red and black, one of the 2 initial blanks (A1 or A2) discarded, but retaining medial blank a12, slight browning, a few leaves sometime dog-eared (now turned back up), title-page and subsequent leaf with faint transverse crease, minor paper-disruption in A6 lower margin, marginal ﬁnger-soiling to pp. 12-13, old oil-staining to fore margins of B9-10, small tear in fore margin of E6, a few other trivial marks, booklabels of John Lawson and Anthony Fair to front pastedown, all edges gilt, 20th-century red crushed morocco gilt by Sangorski and Sutcliffe, 12mo (14.2 x 8.6cm) ESTC R10323; Keynes 12; Wing C3978. Keynes believed this issue, with Evelyn’s initials in the letterpress of the title-page, to have priority over the issue with his monogram within an engraved vignette. (1) £1,000 - £1,500

Provenance: Robert S. Pirie, his sale, Sotheby’s New York, 2-4 December 2015, lot 356 (bookplate). ESTC R8611; Keynes 92; Kress 1358; Sabin 23028; Wing E3504. ‘Commanded by Charles II to write about the history of the conﬂict between the Dutch and the English over the sovereignty of the seas ... Evelyn found his labours rejected as malapropos in a time of peace. The introduction was published as Navigation and Commerce in 1674, but the rest of his history, given to Pepys for his proposed history of the navy, was lost’ (ODNB). A catalogue note laid into this copy identiﬁes leaf I1 as being in its rare uncancelled state. (1) £700 - £1,000

239 [Evelyn, Mary]. Mundus Muliebris: or, the Ladies DressingRoom unlock’d, and her Toilette spread. In Burlesque. Together with the Fop-Dictionary, compiled for the Use of the Fair Sex. The Second Edition. To which is added a most rare and incomparable Receipt, to make Pig, or Puppidog-Water for the Face, London: for R. Bentley, 1690, somewhat spotted and browned, short nick to upper inner corner of title-page, modern calf, 4to (20.2 x 14.2cm) ESTC R31459; Keynes 101; Wing E3523. One of two editions described as the second edition on the title-page. ‘In this edition the separate dated title page line 2 has a colon following “fopdictionary” and the “C” of leaf C is under the space between “well” and “understood”’ (ESTC). Written at least in large part by John Evelyn’s daughter Mary, who died young of smallpox in 1685, Mundus muliebris is ‘a brief satire in tetrameter couplets on fashionable women’s clothing, accoutrements, and behaviour’ (ODNB), and the Francophile affectations of Restoration manners. (1) £600 - £800

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Lot 240

Lot 241

240 Ireland. A Relation of the Bloody Massacre in Ireland; Acted by the Instigation of the Jesuits, Priests, and Friars, who were Promoters of those Horrible Murders, Prodigeous Cruelties, Barbarous Villanies, and Inhuman Practices Executed by the Irish Papists upon the English Protestants: With an Account of the Spanish Inquistition, London: Rowland Reynolds, 1689, 7,[1]pp., drop-title, imprint from colophon at foot of page 7, 5 woodcut illustrations to two pages, some repair to margins, 20th century half calf, red morocco title label to spine, marbled paper to boards, slim 4to (Wing R817), together with [Defoe, Daniel], The Scots Nation and Union Vindicated; from the Reﬂections cast on them, in an Infamous Libel, Entitl’d, The Publick Spirit of the Whigs, &c. In which the most Scandalous Paragraphs contain’d therein are fairly Quoted, and fully answer’d, London: A. Bell, 1714, 28pp., some browning, modern boards, slim 4to (2)

242 Philips (Katherine). Poems. To which is added Monsieur Corneille’s Pompey and Horace, Tragedies. With several other Translations out of French, London: printed by J. J. for H. Herringman, 1669, engraved portrait frontispiece by William Faithorne, retaining ﬁnal blank 2U2, browning, variable spotting and staining, burn-holes in leaves T3-4 touching one letter verso in each, all edges gilt, contemporary red goatskin gilt, joints and extremities rubbed, restoration to spine-ends and tips, folio (28.6 x 17.2cm) ESTC R20915; Wing P2034; cf. Grolier Wither to Prior 669. Second authorized edition, and the third overall. (1)

£500 - £800

243 Plat (Sir Hugh). Delights for Ladies, to adorne their Persons, Tables, Closets, and Distillatories; with Beauties, Banquets, Perfumes, and Waters, London: by H. L. and R. Y. and are to bee sold by James Boler, 1628, text within ornamental border throughout, slightly browned, small stain to upper inner corners of leaves A1-3, damp-staining to quires B, E and F, retaining ﬁnal leaf H12 (blank except for ornamental border), various early ownership inscriptions to front free endpaper, contemporary limp vellum, 12mo (12 x 7cm)

£300 - £400

241 Overbury (Sir Thomas). His Wife, with additions of new newes and divers more Characters, (never before annexed) written by himselfe and other learned Gentlemen. The tenth impression augmented, London: by Edward Grifﬁn for Laurence L’isle, 1618, engraved portrait to signature [par.]2 recto, toned, title-page marked and with repaired closed tear at foot (extending into imprint), worming to upper inner corners throughout, occasional soiling and marginal staining, closed tear in A8 touching ornamental tailpiece, early printed waste used as pastedowns, contemporary blind-stamped calf, 8vo (15 x 9cm)

ESTC S107188; STC 19983.7; cf. Bitting p. 373, Cagle 930 (other editions). A rare early edition of Plat’s ‘guide to the housewifely arts of preserving fruits, distilling, and the blending of perfumes, hair dyes, and other aids to beauty’ (ODNB). ESTC traces ﬁve copies in libraries world-wide. The ﬁrst dated edition appeared in 1602; an undated edition may have been printed earlier, with a conjectured dated of 1600. (1) £800 - £1,200

ESTC S113541 (twelve copies world-wide); STC 18912. First published in 1614 (as A Wife now a Widowe), the work contains numerous characters by John Webster and one piece, ‘Newes from the Very Countrey’, by John Donne. (1) £300 - £400

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

Lot 242

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Lot 243

Lot 244

Lot 245

244 [Poetry]. Fasciculus ﬂorum: or, a Nosegay of Flowers, translated out of the Gardens of severall Poets, and other Authors. Some, Word for Word; some, Line for Line; and some, in a fuller and larger manner, to the uttermost extent both of the Sense and Meaning, London: printed by A[ugustine] M[athewes], 1636, slightly browned, a few faint spots and marks, lacking A1 (as in ESTC; probably blank), shallow tear along top edge of B5 not affecting headline or text, headlines just trimmed in leaves I7-8, contemporary red goatskin elaborately panelled in gilt, rebacked and relined to style, 12mo (13.4 x 7.5cm) ESTC S122262 (six copies in UK libraries); STC 24559. The dedication is signed ‘Lerimos Uthalmus’, which has been interpreted as an anagram for Thomas Willmers or Thomas Sumervill, though ‘neither individual is otherwise known, and other names can be arranged from the same letters’ (ESTC). No other copy traced at auction for over 20 years. (1) £500 - £800

245 [Ray, John]. Catalogus plantarum circa Cantabrigiam nascentium [-Index plantarum agri Cantabrigiensis], 2 parts in one volume, 1st edition, Cambridge: John Field, 1660, title-page in red and black (Keynes’s title-page ‘B’), initial blank *1 discarded (the leaf containing the corrected title-page ‘A’ in later copies), moderate even browning, contemporary vellum painted green, rubbed, 8vo (14.3 x 8.5cm)

246 Shirley (James). Poems etc., London: for Humphrey Moseley, 1646, engraved portrait frontispiece (closely trimmed at foot), complete with blanks D8 and B8, contemporary blind-ruled sheep, gilt label (possibly later), 8vo (15.8 x 10cm)

ESTC R203306; Freeman 3127; Keynes 1; Lisney 7; Wing R383. With the title-page in its first, uncorrected state (Keynes’s title-page B). ‘Ray’s first essay in scientific botany, though not without faults, was a most remarkable achievement ... A small and unpretentious book ... [i]t has many bibliographical attractions’ (Keynes p. 1). (1) £500 - £800

Provenance: ‘Liber Simonis Boston’ (contemporary ownership inscription to title-page). ESTC R202316; Grolier Wither to Prior 800; Pforzheimer 933; Wing S3481. First collected edition. (1) £400 - £600

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247* South Sea Bubble. The Bubbler’s Medley, or a Sketch of the Times: Being Europe’s Memorial for the Year 1720, printed for Carington Bowles, No. 69 in St. Paul’s Churchyard, London, circa 1765-80, etching on laid paper, watermarked, trimmed just inside plate mark, bears the number 23 to lower right corner, sheet size 33 x 24.5cm (13 x 9.75ins) A satirical print on the South Sea Bubble or ﬁnancial crisis in England of 1720, ﬁrst published by Thomas Bowles in the same year, and reprinted by his nephew Carington Bowles some time between 1764 and 1793 when Carington was in business. The image comprises a variety of trompe l’oeil printed broadsides, playing cards and ballads, as well as an anamorphic image of a man on a horse to the lower right corner. The South Sea Company was a joint stock company created as a public/private partnership, whose stock rose purely on speculation and rumour, aided by insider trading and bribery of politicians, only to crash spectacularly in 1720, severely impoverishing many of its investors, including Sir Isaac Newton. (1) £200 - £300

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

248 Swift (Jonathan). The Virtues of Sid Hamet the Magician’s Rod, 1st edition, London: John Morphew, 1710, single broadside, section excised at lower inner corner, a few shallow nicks and chips, creased from folding, spotting, housed in a custom paper chemise and brown cloth solander box, 33.8 x 21cm ESTC T50942; Foxon S935; Rothschild 2009; Teerink 524. Rare Swift broadside poem lampooning Sidney Godolphin, 1st Earl of Godolphin. ‘Sid Hamet’ is derived from Cide Hamete Benengeli, the ﬁctive author of Don Quixote. (1) £800 - £1,200

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CONTINENTAL BOOKS FROM THE LIBRARY OF CECIL H. CLOUGH (1930-2017)

249 Tuke (Thomas). A Treatise against Paint[i]ng and Tincturing of Men and Women: against Murther and Poysoning, Pride and Ambition, Adulterie and Witchcraft. And the Roote of all these, Disobedience to the Ministery of the Word. Whereunto is added the Picture of a Picture, or, the Character of a Painted Woman, 1st edition, London: printed by Tho. Creed, and Barn. Allsope, for Edward Merchant, 1616, without initial and terminal blanks A1 and K4 as in ESTC, closely trimmed along top edges shaving one letter in title and frequently affecting running-heads, all edges gilt, later tan calf, rebacked and recornered, craquelure and wear along board-edges, 4to (17 x 12.9cm)

250 Aggiunti (Niccolo). Oratio de Mathematicae Laudibus. Habita in ﬂorentissima Pisarum Academia cum ibidem publicam illius scientiae explicationem aggressurus foret. Ad Serenissimi Ferdinandum II. Magnum Etruriae Ducem V, 1st edition, Rome: Jacopo Mascardi, 1627, 34 pages (A-C4, D6, including ﬁnal blank leaf), title with publisher’s woodcut device, one or two paper creases, 20th century plain vellum-backed boards, small 4to (20 x 15cm) Riccardi, Bibliotheca Mathematica (1952), I, 7. See Honeyman Library, Sale, Part One, Sotheby’s 30 October 1978, lot 19 (sold for £140). Rare. Seven copies traced worldwide, with no copy in the UK. Only one copy traced at auction (Honeyman copy in 1978). Niccolo Aggiunti (1600-1635) was an eminent scholar, scientist and disciple of Galileo. He studied geometry and astronomy under Bernardo Castelli, and subsequently succeeded him to the chair of mathematics at the University of Pisa. After receiving his degree in philosophy and law, he became tutor to Ferdinand II de Medici, Grand Duke of Tuscany, in 1621, the year in which Ferdinand acceeded to the dukedom. During this period he became a friend and pupil of Galileo (1564-1642). His only published work is this short oration In Praise of Mathematics, in which the author refers several times to Galileo, the telescope and astronomy. Recent scholarship has even suggested that the work may have been written by Galileo himself, so closely aligned is the text with Galileo’s preoccupations and style of writing. See Mark A. Peterson, Galileo’s Muse, Renaissance Mathematics and the Arts, Harvard University Press, 2011, where the author states that Aggiunti’s publication is ‘entirely Galilean in so many details that even if it is derivative, it must represent his thought’. (1) £300 - £500

Provenance: Henry B. H. Beaufoy (1786-1851), vinegar manufacturer and philanthropist (bookplate). ESTC S120549; STC 24316. Rare: ESTC traces seven copies world-wide. ‘[P]ublished in the aftermath of the murder of Sir Thomas Overbury , [the work] is noteworthy as a sustained, biblically inspired attack on cosmetics’ (ODNB). There was a reissue with a cancel title-page, in which ‘paintng’ is corrected to ‘painting’ and the names of the printers are omitted from the imprint. (1) £700 - £1,000

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252 Bembo (Pietro). Historiae Venetae Libri XII, Venice: [Gualtiero Scoto for Sons of Aldus, 1551], large woodcut device of Gualtiero Scoto to title, contemporary inscription in Greek in brown ink at foot of title, Aldine woodcut device to verso of ﬁnal leaf, woodcut initials, engraved bookplate of the Royal Library at Cambridge, containing the motto ‘Muniﬁcentia Regia 1715’, additionally inscribed in brown ink to the head of this bookplate by William Cole ‘Had this Duplicate fro ye Royal public Library. Wm: Cole-1745’, pages 82 and 83 with early marginal annotation referring to Christopher Columbus and Pope Alexander, 18th century full calf, spine lettered in gilt, a little rubbed and some light wear to joints, with upper joint partly cracked, folio

251 Bembo (Pietro). Gli Asolani, 1st edition, 1st issue, Venice: nelle Case d’Aldo Romano, 1505, 96 leaves (of 98: signatures n1-2, errata leaf and blank, discarded), a1 recto (title-page) and m8 verso (ﬁnal leaf) slightly soiled, contents washed, a few residual spots and marks including monogrammed ink-stamp to title-page, edges dyed red, 20th-century diced russia, 8vo (19.4 x 11.8cm) Adams B578; Ahmanson-Murphy 88; Renouard 48.1 (‘assez rare’); STC Italian p. 80. The ﬁrst issue retains the dedication to Lucrezia Borgia (a1 verso to a2 recto), suppressed in the second issue. (1) £700 - £1,000

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

Provenance: John Moore (1646-1714), Bishop of Ely, one of the greatest book-collectors of his day, whose library was purchased by King George I, and subsquently presented to the University of Cambridge as a mark of gratitude for support given to the Hanoverian succession. This copy sold as a duplicate in 1745, and purchased by William Cole; William Cole (17141782), Cambridgeshire clergyman and antiquary who compiled an extensive collection of manuscript histories concerning Cambridgeshire and Buckinghamshire, all 100 volumes of which were given to the British Museum. Adams B597; Censimento 16 CNCE 5037; Renouard 152/17. First edition of Bembo’s history of Venice, with the woodcut device of Gualtiero Scoto depicting Mercury and Athena on the title. The work covers the period between 1487 and 1513. Published posthumously, this work was a joint edition between Aldus’ heirs and the Venetian publisher Gualtiero Scoto. Book six contains a detailed overview of Columbus’ discovery of the New World. (1) £500 - £800

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Lot 253

Lot 254

Lot 255

253 Bembo (Pietro). Della historia Vinitiana volgarmente scritta libri XII, 1st edition in Italian, Venice: Gualtiero Scoto, 1552, printer’s woodcut device to titlepage and colophon leaf, historiated woodcut initials, title-page slightly browned and with small chip to upper outer corner, light marginal damp-staining to outer leaves, staining to G5-7, final leaf soiled verso, early calf, rebacked retaining old label, 4to (21.5 x 16.2cm), together with: Buonaccorsi (Biagio), Diario de’ successi piu importanti seguiti in Italia, e particolarmente in Fiorenza dall’ anno 1498 in fino all’ anno 1512 ... con la vita del magnifico Lorenzo de’ Medici il vecchio scritta da Niccolo Valori nuovamente posti in luce, 1st edition, Florence: Giunta, 1568, printer’s woodcut device to title-page and colophon leaf, woodcut initials, light marginal worming to outer leaves, 19thcentury half calf, rebacked with original spine laid down, 4to (21.8 x 14.9cm), and Durand (Guillaume), Rationale divinorum officiorum, Lyon: Giacomo Giunta, 1565, title-page frayed and soiled, ownership inscriptions and ink-stamps to endpapers, later mottled calf, worn, 8vo (17 x 11cm)

254 Bembo (Pietro). Nuove lettere famigliari, scritte a M. Giov. Mattheo Bembo suo Nipote, Venice: Francesco Rampazetto, 1564, alternate leaves in quire V incorrectly signed and foliated, complete with ﬁnal leaf X8 with publisher’s woodcut device, damp-staining to quires *-B, later mottled calf, rebacked, 8vo (14.7 x 9.7cm), together with: Prose, 2nd edition, Venice: [Comin da Trino], 1540, dampstaining, ownership inscription dated 1744 to front free endpaper, later vellum, marked, loss to foot of spine, 8vo (15.5 x 10cm), Gli Asolani, nouvamente ristampati, e diligentemente corretti ... da Thomaso Porcacchi [bound with:] Le Prose ... di novo aggionte le postille nel margina, e reviste con somma diligenza, 2 works in one volume, Venice: Giacomo Vidal, 1575, signatures *12 A-K12 (K11 = register leaf, K12 = blank), *12 2*14 A-K12 L10 (woodcut portrait to 2*14 verso, L10 = register leaf), later vellum, manuscript spine-title, 12mo (13.8 x 7.4cm), and 5 others, all works by Bembo, 16th century, including another edition of Le Prose (Venice: Gualtero Scoto, 1552, complete), and 4 others (incomplete or odd volumes)

Provenance (Bembo): Gabriel Odingsells, probably the English playwright (c.1690-1734), with his engraved bookplate. Adams B599 (Bembo), B3275 (Buonaccorsi), D1162; STC Italian pp. 80 (Bembo), 130 (Buonaccorsi). Bembo’s work was originally published in Latin the previous year, with the title Historiae Venetae. (3) £300 - £500

Adams B594 (Nuove lettere famigliari), B572 (Prose). (8) £300 - £500

255 Caro (Annibal). De le lettere familiari, 2 volumes in 1, Venice: Bernardo Giunti, 1581, occasional browning, 19thcentury half vellum, 4to (20 x 14.5cm), together with: Bonarelli delle Rovere (Prospero), Lettere in vari generi a principi, ed altri, 2nd edition, Florence: Amadore Massi and Lorenzo Landi, 1641, half-title, engraved allegorical title-page, light browning, old paper restoration to margin of H7, contemporary vellum, 4to (21.3 x 14.8cm), Fracastoro (Girolamo), Poemata omnia, nunc multo, quam antea, emendatiora, Padua: Giuseppe Comino, 1718, engraved portrait frontispiece and title vignette, toning, armorial bookplate of the earls of Selborne, contemporary English sprinkled calf gilt, rubbed, joints cracked (held by cords), label possibly renewed, 8vo (21 x 13.2cm), Sannazaro (Jacopo), Poemata, ex antiquis editionibus accuratissime descripta. Accessit eiusdem vita, Jo. Antonio Vulpio auctore, Padua: Giuseppe Comino, 1719, engraved portrait and title-vignette, contemporary tan calf, rubbed, 4to (22.5 x 16.5cm), and 5 others, 17th- and 18thcentury imprints of continental literature including Bembo, Tasso Provenance (Bonarelli delle Rovere): Everard Fawkener (1694-1758), English merchant, diplomatist, and friend of Voltaire (engraved bookplate). Adams C742 (Caro). (10) £300 - £400

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256 Cavitelli (Lodovico). Annales quibus res ubique gestas memorabiles à patriae suae usque ad annum salutis 1583, 1st edition, Cremona: Cristoforo Draconi, 1588, title-page marked, 3B8 repaired affecting a letter recto, blanks 3H8 and h8 discarded, all edges gilt, 18th-century French calf, large gilt arms to sides (attributed in a pencil note to the comte de Loménie, i.e. Étienne Charles de Loménie de Brienne, 1727-1794, French clergyman and politician), extremities rubbed, loss to spine-ends, front joint cracked, 8vo (20 x 13.5cm), together with: Capriolo (Elia). Delle historie Bresciane, 1st edition, Brescia: Pietro Maria Marchetti, 1585, woodcut anchor and dolphin device to title-page, minor paper disruption in fore margin of 2R1 touching side-note verso, contemporary limp vellum, manuscript spine-title, later paper label, 4to (21.4 x 14.9cm), Guicciardini (Francesco), I quattro ultimi libri dell’historie d’Italia ... nuovamente con somma diligenze ristampati, e ricorretti ... di Papirio Picedi, Parma: Seth Viotti, 1564, spotting and toning, small hole in quire * including title-page, title-page with ink-stamps and effaced ownership inscriptions, bookplate of Richard Robbert Madden (1798-1886, Irish physician and author), contemporary limp vellum, soiled, spine worn, 4to (21 x 15.8cm), and 2 other 16th-century Italian imprints (incomplete)

257 [Duchy of Urbino]. ‘Documenti ò siano copie d’istromenti autentici con le loro dichiaritoni della regioni patrimoniali et avite della casa Feltria, e della Rovere, e de successori’, 3 volumes, c.1710 [and earlier?], Italian manuscript in black ink on laid paper, pp. [6] 522 [13], [approx. 800], [approx. 250], volume 1 with a few printed fragments bound in and counted in pagination, volume 2 comprising documents in various hands (possibly of various dates), 2 folding pen-and-ink genealogical tables to volumes 1 (dated 1641) and 3 (with latest date 1705; repaired verso), volume 2 with folding genealogical table in watercolour (dated 1709 in accompanying text) and double-page grisaille watercolour map of the viciariate of Mondavio (dated 1696), genealogical tables in text, bookplates of Frederic North (see note), volumes 1-3 in contemporary vellum, red spine-labels, volume 3 retaining blue silk ties, volume 2 spine defective, 4to (26 x 19cm), together with: ‘Compendio della vita dell’ultimo Duca d’Urbino Francesco Maria 2o della Rovere’, [c.1700?], Italian manuscript in black ink on laid paper, pp. [55], contemporary vellum, manuscript spine-title, 4to (29.5 x 21.5cm) Provenance: 1. Frederick North, 5th Earl of Guilford (1766-1827), with engraved bookplates (ﬁrst work) and manuscript pressmark (second work). 2. Sir Thomas Phillipps (1792-1872), English bibliophile (Phillipps Manuscripts 5796-8 and 7657). The della Rovere and Montefeltro dynasties were united by the marriage of condietteri Giovanni della Rovere (1457-1501) to Giovanna, daughter of Federico III da Montefeltro (1422-1482), duke of Urbino. Their descendants held the duchy of Urbino until its annexation by the Papal States in 1631. (4) £300 - £500

Adams C1192 (Cavitelli), C1197 (Capriolo; the author’s name also spelt Cavriolo), G1518 (Guicciardini); STC Italian p. 163 (Cavitelli). (5) £400 - £600

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

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259 Grisone (Federico). Gli ordini di cavalcare. De nouvo ristampati ed emendati de molti errori che nelle altre stampe si legeva, Naples: Mattio Cancer, 1559, signatures pi2 A-P8 Q4 (Q4=blank), 50 full-page woodcuts of bits, variable light toning, section excised from foot of title-page not affecting text, old oil-staining in fore margins of quire D, a few other marginal spots and marks, contemporary 6-line manuscript poem in Italian to front free endpaper (incipit ‘Se questo libro assorta si perdessi’), scored through once, contemporary limp vellum, soiled, ties perished, 4to (20.5 x 14.5cm) A rare early edition of Grisone’s foundational manual of horse-riding, ﬁrst published in 1550 (also in Naples); this edition not in Adams or STC Italian, three copies traced on OCLC. (1) £200 - £300

258 Erasmus (Desiderius). Apophthegmatum opus cum primis frugiferum, vigilanter ab ipso recognitum autore, è Graeco codiae correctis aliquot locis in quibus interpres Diogenis Laertii fefellerat, locupletatum in super quum variis per totum accessionibus, tum duobus libris in fine adjectis, Paris: Jean Roigny, 1533, pp. [10] 496 [30], signatures A-3X4 (X3 blank, X4 blank except for publisher’s woodcut device verso), woodcut device to title-page, woodcut initials, early ink annotations to title-page, manuscript marginalia and underlining throughout, bound with: Plutarch, Regum et imperatorum Apophthegmata summa cum diligentia nuperrime recognita, Raphaelem Regio interprete, [Paris:] Jehan Petit, [c.1525], 48 leaves, signatures a-f8, folios 478 misnumbered 28 and 4, woodcut title device, criblé initials, browning, manuscript marginalia and underlining, 18th-century French marbled sheep, 4to (18.6 x 13.5cm), together with a typed letter signed from Brigitte Moreau, Bibliothèque nationale de France, dated 3 March 1981 and discussing the edition of Plutarch (‘fort rare ... je pense que l’édition est datable ... de c.1525’) Neither edition in Adams. Rare early edition of Erasmus’s work, which was first printed by Froben at Basel in 1531. This edition was printed by Christian Wechel and copies are also known with the imprint ‘excudebat Christanus Wechelus’ and Roigny’s name omitted; OCLC traces three institutional locations only for the present imprint (British Library, Rotterdam and University of Missouri). Raffaele Regio’s translation of Plutarch was first printed in 1508, with another edition appearing in 1510. Apart from a copy noted at the Bibliothèque municipale du Mans (in the letter from Brigitte Moreau of the Bibliothèque nationale de France, accompanying this copy), this edition is untraced in libraries but has a similar collation to an edition with the imprint of Parisian bookseller Nicolas Crispin and dated 1523, itself represented by one institutional copy world-wide (University of Illinois). Erasmus became acquainted with Regio while living in Padua and was ‘plainly impressed with him ... Erasmus clearly knew Regio’s translations from Plutarch and compared them with Filelfo’s version’ (Bietenholz et al., Contemporaries of Erasmus, vols. 1-3, p. 134). (1) £500 - £800

260 [Illuminated manuscript]. ‘Privilegium in arte aromataria’, Venice: 10 February 1780, illuminated manuscript in black ink, liquid gold and watercolour on vellum, 6 leaves, decorative title-page, 2 full-page miniatures depicting Christ in Glory and Justice with the Lion of St Mark, both within rococo frames, 2 full-page composite miniatures, one containing 8 medallion portraits of various subjects all within rococo frames linked by pink ribbons, the other with the Lion of St Mark and 5 coats of arms all similarly linked, text in Latin, 2 decorative initials and floral swags in the text, autograph signatures of the examiners on 4 pp., embossed paper seal to final leaf verso, laid-paper endpapers, printed floral pastedowns, string-bound in contemporary Italian marbled sheep, sides panelled in gilt, light rubbing to extremities, 4to (21.3 x 15.5cm) Illuminated diploma awarded by the Venetian college of pharmacists (‘Collegii Pharmacopolarum’) to one Marco Antonio Basso. (1) £300 - £400

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Lot 263 Lot 261

Lot 262 263 [Manuscripts]. ‘Let[tere] di Nap[oli]’ [spine-title], 1547, a fragment, 6-52 leaves, later (19th century?) bibliographical manuscript note to initial blank, water-stain extending from top edges, concomitant loss of text in leaves 6-7 and marginal erosion thereafter, 19th-century green half calf, 8vo (20.5 x 13.5cm), together with: ‘Aggiunta alli giornali di misser Giuliano Passaro delle cose di Napoli. Fattada me notar Gregorio Russo per insino al presente anno 1537’, possibly 18th century, 106 leaves, a little damp-staining, worming to ﬁrst few leaves including title, 19thcentury half vellum, 4to (25.5 x 17.8cm), ‘Della famiglia Ventimiglia’, 6 leaves, pen-and-ink coat of arms to ﬁrst leaf, 19th century half roan, 8vo (21.5 x 14.4cm), ‘Diario de’ Raimi, e d’Incerto’ [spinetitle], probably 17/18th century, 11 + 36 + [1] 55 [i.e. 56] leaves, contemporary vellum, 4to (21.7 x 15cm), [Sammelband of manuscript documents relating to the Orsino dynasty], mostly 18th century, approximately 70 leaves, some printed material bound in, similar material laid in, contemporary vellum, folio (27.5 x 19.5cm)

261 Livius (Titus). Delle historie de Romani dall’ediﬁcatione della citta libri XXXV, 2 volumes, Venice: Stefano Coma, 1567, signatures *4 +-5+4 6+2 A-3Y4 3Z6 a-4x4, +4 y-2b4 2c-4r8 4s6 (4s6=blank), woodcut initials and headpieces, later English sprinkled calf, rebacked, wear to extremities, 4to (19.4 x 13.2cm) Provenance: 1) Thomas Howard, 14th earl of Arundel (1585-1646), art collector and politician (ownership inscription ‘T. Arundell’ to title-pages). 2) Royal Society, London (early ink-stamps to title-pages), probably from the bequest of Henry Howard, 6th earl of Norfolk (1628-1684), who was persuaded to donate his ‘magniﬁcent library’ (ODNB) by John Evelyn. 3) ‘1873 sold by the Society to B. Quaritch who resold’ (pencilled note to front free endpaper’. 4) Thomas Alfred Walker (1862-1935), historian of Peterhouse, Cambridge (bookplate). ‘Arundel’s role as a bibliophile and the range of his scholarly interests are hard to appreciate today because his library has been dispersed—most of the manuscripts are in the British Library, while the books have been scattered among public and private collections, where many now lie untraced—but it is clear that he possessed one of the greatest libraries in the British Isles, probably totalling over 3000 volumes’ (ODNB). Vernacular Italian edition of Livy’s Ab Urbe Condita, not in Adams or STC Italian. (2) £200 - £300

Provenance 1) Frederick North, 5th Earl of Guilford (1766-1827), with engraved bookplates (ﬁrst three works only). 2) Sir Thomas Phillipps (1792-1872), English bibliophile (Phillipps Manuscripts 4993, 5425, 5757, 6962, 5803). (5) £400 - £600

262 Maffei (Giovanni Pietro). Opera omnia latine scripta, nunc primum in unum corpus collecta, variisque illustrationibus exornata, 2 volumes, Bergamo: Pietro Lancelotto, 1747, engraved portrait frontispiece, 6 pages of woodblock Japanese characters in volume 2, marginal damp-staining towards rear of volume 1, bookplates of the marchese di Salsa and viscount Dudley and Ward, contemporary vellum, green labels, arabesque lozenges to covers, 4to (25.2 x 17.5cm), together with 6 others, 18th-century Italian literature, contemporary vellum bindings, various formats Cordier Japonica 67; Sabin 43784; cf. Cordier Sinica 781-4. Contains Historiarum Indicarum, De rebus Indicis commentarius, and De Japonicis rebus epistolarum, together with Maffei’s biography of Ignatius Loyola, and a life of Maffei by Pietro Antonio Serassio. (8) £200 - £300

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265 Mocenigo (Andrea). Bellum Cameracense, 1st edition, Venice: Bernardino Vitali, 1525, title-page soiled, contemporary limp vellum, soiled, ties perished, 8vo (14.9 x 9.5cm), together with: Giovio (Paolo), La vita di Ferrando Davalo marchese di Pescara, tradotta per Lodovico Domenichi, 1st edition in Italian, Florence: Lorenzo Torrentino, 1551, signatures A-2B8 (-2B8, blank), titlepage slightly soiled, 19th-century boards, 8vo (16 x 9.6cm), ibid., Le vite di Leon Decimo et d’Adriano VI. somme pontefici, et del cardinal Pompeo Colonna, tradotte da Lodovico Domenichi, 2nd edition in Italian, Florence: Lorenzo Torrentino, 1551, signatures A2F8 (-2F7-8, apparently blank), spotting, later vellum, marked, 8vo (16 x 9cm), Sansovino (Francesco, editor), Delle lettere amorose di diversi huomini illustri libri nove, Venice: Francesco Rampazetto, 1563, signatures *8 A-R8, title-page soiled, modern ownership inscription, first word shaved, a few headlines also shaved, later calf, wear to joints and spine-ends, 8vo (14.6 x 8.7cm), and 1 other (another edition of Sansovino, 1599) Adams M1518 (Mocenigo), G684 (Giovio, Ferrando Davalo); STC Italian pp. 442 (Mocenigo), 304 (Giovio, Ferrando Davalo). The first work is a history of the War of the League of Cambrai (1508-16). (5) £400 - £600

266 Nardi (Jacopo). Le historie della citta di Fiorenza, 1st edition, Lyon: Thibault Ancelin, 1582, woodcut border to title-page, toning, occasional light damp-staining, library withdrawal stamp to margin of *3 recto, quires Y and Z transposed, etched armorial bookplate, contemporary sheep, rebacked at an early date, worn, craquelure, 4to (23.8 x 16.2cm), together with: Giannone (Pietro), Istoria civile del regno di Napoli, 4 volumes, The Hague: Heinrich-Albert Gosse, 1753, engraved portrait frontispiece, title-pages in red and black, engraved plate facing p. 213 in volume 1, browning, contemporary vellum, soiled, wear to spine-ends, 4to (24.4 x 18.8cm), Guicciardini (Francesco), La historia d’Italia ... di nuova riveduta et corretta per Francesco Sansovino, [Geneva]: Giacomo Stoer, 1645, 3 parts in 1 volume, slightly spotted and browned, part 1 quire P misbound but all signatures present, part 2 signature p6 with small hole affecting a few words, 2M3 torn at lower outer corner touching side-note verso, contemporary ownership inscription ‘WRawlinson, Rome’ to front free endpaper (identiﬁed in a pencilled note as the English lawyer, 1640-1703), contemporary vellum, dust-soiled, 4to (22.7 x 15.7cm), Pratilli (Francesco Maria), Della origine della metropolia ecclesiastica della chiesa di Capoa, 1st edition, Naples: Stamperia Simoniana, 1758, bound with: Capece (Giuseppe di Capua), Dissertazione intorno alle due campane della chiesea parrocchiala di S. Giovanni de’ Nobili Uomini di Capua, 1st edition, Naples: Novello de Bonis, 1750, 2 works in 1 volume, Capece with engraved plate, spotted, bookplates of the marchese di Salsa and the viscounts Dudley and Ward, contemporary vellum, wear to spineends, 4to (22.5 x 16.4cm), and 3 others

264 [Manuscripts]. ‘Copie [di] ... scritture, ricavate dall’ archivio del Conte di Ventimiglia, Marchese di Geraci’, [c.1775], manuscript in brown ink on paper, 4 pp., [4] pp. blank, 127 leaves (a few leaves blank), contemporary reddish-brown Italian goatskin gilt, folio (29 x 20.2cm), together with: ‘Series Scripturarum, quae in Archivio Arcis S. Angeli continentur, jussu Sanc.mi D. N. Pauli Papae V. à Silvio de Paulis disposita [Rome], 1610, manuscript on paper, 454 unnumbered leaves, browning, front inner hinge gone, contemporary vellum, folio (29.4 x 22cm) Provenance: 1. Frederick North, 5th Earl of Guilford (1766-1827), with engraved bookplate (ﬁrst work) and manuscript pressmark (second work). 2. Sir Thomas Phillipps (1792-1872), English bibliophile (Phillipps Manuscripts 6201 & 7678). (2) £250 - £350

Adams N39 (Nardi). The ﬁnal two items (bound together) are uncommon, with OCLC tracing ﬁve copies world-wide for Pratilli’s work and seven for Capece’s. (10) £400 - £600

Lot 265

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267 Patrizi (Francesco). Della poetica, la deca istoriale [disputata], 1st edition, Ferrara: Vittorio Baldini, 1586, 2 parts in one volume, worm-track in title-page affecting one letter, stain in fore margins of part 1 quires 2V-X, part 2 browned, manuscript catchtitle to bottom edge, contemporary limp vellum, marked, ties perished, 4to (21.6 x 15.5cm), together with: Catherine of Siena (Saint), Lettere devotissime. Nuovamente con tutta la diligentia che si ha potuto ristampata, Venice: nella contrada di Santa Maria formosa, al segno della Speranza, 1562, repaired closed tear and marginal loss to title-page, intermittent damp-staining (mainly to margins), front inner hinge gone, front free endpaper (with bookplate of Robert Crewe-Milnes, 1st Marquess of Crewe, 18581945), contemporary limp vellum, soiled and worn, 4to (20.6 x 15.5cm), and Durand (Guillaume), Rationale divinorum ofﬁciorum. Atque nunc recens utilissimis adnotationibus illustratum ... ab Joanne Beletho, Venice: Comin da Trino, 1572, signatures *4 A-2Z8 2&8 (2&8=blank), variable spotting and browning, manuscript catch-title to bottom edge, contemporary limp vellum, rubbed and marked, spine worn, ties perished, 4to (19.6 x 14.6cm) Adams P432 (Patrizi), C1107 (Catherine of Siena). Patrizi (1529-1587) lectured on Platonism at Ferrara, and these two parts of his monumental account of poetics, which notably turned away from Aristotelian mimetic theory, are all that were printed during his lifetime; ﬁve further sections were written but these remained unpublished until the rediscovery of the author’s manuscript in the 20th century. (3) £300 - £500

Lot 267

268 Ripa (Cesare). Iconologia della quale si descrivono diverse imagini di virtu, vitii, affetti, passioni humane ... ampliata ... con nuovi intagli, 3 parts in 1 volume, Siena: heirs of Matteo Florimi, 1613, woodcut emblems throughout, occasional light spotting and browning, title-page marked and with small hole from ink corrosion not affecting text, part 1 quires F-G misbound in order F1-2 G1-2 G7-8 F3-4 G3-6, contemporary vellum, 4to (20.6 x 14.6cm), together with: Pignoria (Lorenzo), Mensa Isiaca, qua sacrorum apud Aegyptios ratio et simulacra subjectis tabulis aeneis simul exhibentur et explicantur, 3 parts in 1 volume, Amsterdam: Andreas Frisius, 1670-69-69, engraved general title-page, engraved vignette to each part-title, 5 engraved folding plates in 11 sections, 1 further engraved plate, engraved illustrations in text (several fullpage), damp-staining, a few repairs, engraved general title-page slightly marked and with early ownership inscription ‘Walter Fisher’ at head, contemporary tree sheep, rebacked at an early date, corners refurbished, rubbed, 4to (23 x 18cm), Verdizotti (Giovanni Maria), Cento favole bellissime di i piu illustri antichi, e moderni autori greci, e latini, Venice: Francesco Ginammi, 1661, full-page woodcuts throughout, woodcut initials, slightly browned, worming, headline on A2 recto and a few page-numbers trimmed, dampstaining to outer leaves, 19th-century half calf by Galloway of Edinburgh, 8vo (15.9 x 11cm), and Du Choul (Guillaume), Veterum romanorum religio, castrametatio, disciplina militaris ut et balneae ex antiquis numismatibus et lapidibus demonstrata ... gallico in latinum translata, Amsterdam: apud Janssonio-Waesbergios, 1685, additional engraved title-page, engraved vignettes throughout, folding plan (closed tear), modern bookplate, contemporary English panelled calf, front board detached, 4to (21.8 x 15.2cm) Blackmer 312 for Pignoria. ‘Third and best edition [of Pignoria’s work], the first with this title and form ... the first notable work of Egyptology’ (Blackmer). Ripa’s work was first printed in 1593, Pignoria’s in 1605, Verdizotti’s in 1570, and Du Choul’s in 1556, as Discours de la religion des anciens Romains. (4) £300 - £500

Lot 268

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269 Sforza (Muzio). Hymnorum libri tres. In universos Sanctos, quos hodierni Breviarii Calendarium continet, 1st edition: Rome: Luigi Zannetti, 1593, 12 historiated woodcut headpieces, blank leaf *4 discarded, slight browning, small worm-track in fore margins, repaired in quires *-A, marginal repair to K6 verso, damp-staining in gutter towards rear, a few others marks, later (17th-century?) vellum, darkened, spine-label chipped, 8vo (15.1 x 9.3cm) Provenance: ‘M. Pinelli sale 2 March 1789 1 Feb 1780, probably John Munro, 13 Dec 1830’ (20th-century pencil inscription to front pastedown); ‘Dec 1818 [Monro’s] sale by Sotheby, same copy b[ough]t by Dr Monro for 1. 6 at the Pinelli sale’ (19th-century ink inscription to front free endpaper). The enormous collection of Venetian bibliophile Maffeo Pinelli (1736-1785) was sold in London across two sales in 1789-90 lasting nearly a hundred days, and was an especially important event in the development of the Bodleian’s holdings of continental and Italian literature. Adams S1046; STC Italian p. 624. OCLC traces three copies world-wide. Sforza (1542-1597) was a poet from Monopoli, near Bari, who was associated with the Accademia Olympica, founded in Vicenza in 1555. (1) £200 - £300

271 Tanursi (Francesco Maria). ‘Compendio storico della citta di Ripatransone nel Piceno’, 1769, Italian manuscript in black in on laid paper, 23 leaves + 3 blanks, illustrated with grisaille watercolours with pen-and-ink outlining on 10 pages, including a half-page city view, 20 heraldic vignettes and approximately 60 depictions of antiquities and objets d’art, 2 pages of Roman inscriptions reproduced in pen and ink, slightly spotted and toned, a few old repairs, old wrappers, spine worn, 4to (26.4 x 19.8cm)

270 Silvestri (Carlo). Istorica e geograﬁca descrizione delle antiche paludi adriane, ora chiamata, lagune di Venezia, 1st edition, Venice: Domenico Occhi, 1736, half-title, 2 engraved folding maps, woodcuts in text, uncut in contemporary carta rustica, 4to (24 x 17.5cm), together with: Moscardo (Lodovico), Historia di Verona, nella quale si contengono i sucessi occorsi, dall’origine sua, ﬁno all’anno MDCLXVIII, 1st edition, Verona: Andrea Rossi, 1668, a few stains, contemporary ownership inscription to foot of title-page, later half sheep, rubbed, head of spine chipped, 4to (22.2 x 16.2cm), Salomoni (Jacopo), Agri Patavini Inscriptiones sacrae et prophanae, 1st edition, Padua: ex Typographia seminarii, 1696, engraved folding map, marginal worming from quire 2V, contemporary tan panelled calf, rubbed and worn, 4to (21.8 x 16cm), [Tuscany], Istorie pistolesi, ovvero delle cose avvenute in Toscana dall’anno MCCC. al MCCCXLVIII. e diario del Monaldi, 2nd edition, Florence: Giovanni Gaetano Tartini e Santi Franchi, 1733, titlepage in red and black with engraved vignette, variable browning, light spotting, D8 re-guarded (possibly a cancel), uncut in contemporary carta rustica, wear to spine, 4to (23.8 x 17.5cm), Sansovino (Francesco). Venetia, citta nobilissima et singolare, descritte in XIII libri, Venice: Steffano Curti, 1663, engraved frontispiece view of Venice, engraved portrait, spotting and browning, occasional modern marginalia and underlining, free endpapers excised, contemporary vellum, spine worn, 4to (22.5 x 16.2cm), and 1 other

The author is described on the title-page as a patrician (‘patrizio’) of Ripatransone. This does not appear to be the same work as his Memorie istoriche della città di Ripatransone, which was posthumously printed at Fermo in 1793 and is unillustrated. Another work, Historiarum Ripanarum epitome, possibly a Latin version of the Memorie, was printed in Rome in 1781. In 1783 a work by Tanursi titled ‘Historiae patriae epitome’ was printed as an appendix to De rebus Ripanis by Giovanni Garzoni and Teodoro Quatrini. All of these printed accounts are very rare: OCLC traces one copy each of the Memorie and the Historiarum, and three of De rebus Ripanis. (1) £300 - £500

Two copies traced in UK libraries for the ﬁrst work, a description of the Venetian lagoon (British Library and Glasgow). The anonymous Istoria pistolesi was ﬁrst printed in 1578, by the Giunti. (6) £500 - £800

Lot 270

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Lot 272

Lot 273

273 Ubaldino (Federico). Vita Angeli Colotii episcopi Nucerini, 1st edition, Rome: Michele Ercole, 1673, [6] 106 pp., spotting and browning, closed tears in B3 and E6, front inner hinge cracked, contemporary vellum, 8vo (16.8 x 10.7cm), together with: Zabarella (Giacomo), La rosa overo origine e nobilta regia, ed augusta della sereriss; fameglia Mocenico, 1st edition, Padua: Stamparia Camera, 1658, [4] 34 pp., a few small worm-tracks, later boards, 4to (20 x 15cm), Casotti (Giovambatista), Lettera del conte Giovambatista Casotti, canonico Pratese, al N. H. Giovambatista Recanati, patrizio Veneto, intorno alla fondazione del regio monastero di San Francesco delli Scarioni della reale citta di Napoli, Florence: Giuseppe Manni, 1722, 40 pp., genealogical table to rear, toning, damp-staining, later wrappers, 4to (20 x 14.2cm), Mugnos (Filadelfo), Laconico discorso della nobilissima famiglia Petrucci d’altomonte di Siena, Naples: Andrea Colicchia, 1674, 12, 44 pp., toning, title-page spotted, small interlinear worm-hole occasionally touching text, ﬁnal quire damp-stained, without the 2 tables noted in one institutional copy, contemporary vellum gilt, 8vo (17.6 x 12.7cm), Sarnelli (Pompeo), La guida de’ forestieri, 4th edition, Naples: Severio Rossi, 1768, 23 engraved plates (2 folding), contemporary vellum, 12mo (14.3 x 8.9cm), and 7 others, 17th and 18th-century continental imprints

272 Trissino (Giovan Giorgio). Tutte le opere, non piu’ raccolte, 2 volumes, 1st edition, Verona: Jacopo Vallarsi, 1729, half-titles, titlepages in red and black with engraved vignette, engraved portrait frontispiece to volume 1 by Gutwein after Perini, engraved headpiece and initial, 2 folding plans (depicting Rome and a Roman military camp), volume 1 signature 3D3 slit for cancellation, uncut in contemporary carta rustica, marbled paper backstrips, 4to (29.5 x 21.5cm), together with: Trombelli (Giovanni Crisostomo), De cultu sanctorum dissertationes decem, 2 volumes in 5, 1st edition, Bologna: Lorenzo Martelli, 1740-3, engraved frontispiece, spotting, marginal worming to quires 2M-N in volume 1, light marginal damp-staining in volumes 3 and 5, contemporary carta rustica, 4to (24.5 x 18.2cm), Speroni de Alvarotti (Arnaldo). Adriensium episcoporum series historico-chronologica monumentis illustrata, 1st edition, Padua: Giovanni Antonio Conzatti, 1788, engraved portrait , 3 engraved plates of episcopal tombs (of 4?), large folding engraved map, errata leaf, later stiff marbled wrappers, 4to (26 x 19cm), [Padua], Orazione detta in nome della magniﬁca citta di Padova all’eccellenza del signor Z. Paulo Baglioni proveditor in occasione della parenza dal suo gloriosissimo reggimento, 1st edition, Padua: Penada, [1800?], 31 pp., engraved title-vignette, headpiece and initial, damp-staining, contemporary patterned wrappers, 4to (28.2 x 20.2cm), and 1 other

OCLC traces ﬁve copies world-wide for Ubaldino, three for Zabarella, two for Casotti, and two for Mugnos. (13) £300 - £500

Trissino (1478-1550) was an important Renaissance humanist from Vicenza. (10) £200 - £300

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ANTIQUARIAN BOOKS FROM OTHER PROPERTIES

274 Vegetius Renatus (Flavius, & others). Veteres de re militari scriptores ... nunc prima vice in unum redacti corpus, Wesel: Andreas van Hoogenhuysen, 1670, 2 engraved title-pages, engraved folding plate, vignettes in text, light spotting, second engraved title shaved at head, modern bookplate, old ownership inscriptions to endpapers, contemporary vellum, 8vo (19.5 x 11cm), together with: Scaliger (Joseph), Epistolae omnes quae reperiri potuerunt, nunc primum collectae ac editae, Leiden: Bonaventure and Abraham Elzevir, 1627, section excised from foot of title, repaired closed tears in *2, restoration to lower margins of ﬁnal 6 leaves, contemporary vellum, repaired and restored, 8vo (17.3 x 10.8cm), Sadoleto (Jacopo), Epistolarum libri sexdecim, Cologne: heirs of Arnold Birckmann, 1554, bound after: Della Casa (Giovanni), Galateus, seu De moruim honestate, et elegantia; liber ex Italico Latinus, interpete Nathane Chytraeo, Hanover: heirs of Andreas Wechel, Claude de Marne and Jean Aubry, 1610, 2 works in 1 volume, toning, intermittent damp-stain in lower margins, Sadoleto title-page repaired, 2H8 and 2I4 (both probably blank) absent, front free endpaper excised, old vellum, later manuscript spine-title, 8vo (15.2 x 9.2cm), Bembo (Pietro), Epistolarum libri XVI ... quibus accesserunt alia quaedam eiusdem authoris opuscula, Strasbourg: Lazare Zetzner, 1611, spotting and browning, contemporary vellum, 8vo (17 x 10cm), and 4 other 17th- or 18th-century continental imprints Willems 288 (Scaliger). (8)

275 [Aesop]. [Vita et fabellae, Venice: Aldus, 1505], 85 leaves only (of 150: lacking ﬁrst 65 leaves, i.e. all of Aesop, retaining leaves d6o4), occasional marginal spotting and ﬁnger-soiling, minor staining to signtarure chi1, early manuscript title to second blank with original woodcut Aldine device laid down, frequent early marginalia in Greek and Latin, early-20th-century orange morocco by C & C McLeish, title gilt to front board, joints rubbed, 4to (25.2 x 17.4cm) Provenance: From the library of the earls Spencer at Althorp, Northamptonshire (engraved bookplate to initial blank with Spencer arms and pressmark B65). Adams A278; Ahmanson-Murphy 93; Renouard 49:6. This copy lacks the fables and life of Aesop, but retains the accompanying text including the editiones principes of Cornutus/Phurnutus, De natura deorum, Palaephatus, De non credendis historiis, Heraclitus Ponticus, De allegoriis apud Homerum and Horapollon, Hieroglyphica. The compilation was evidently intended as a handbook of Greek allegorical techniques and is one of the most important and sought-after early Aldine imprints. (1) £800 - £1,200

£300 - £400

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276 Aesop. Les Fables d’Esope, & de plusieurs autres excellens Mythologistes, accompagnées du sens moral & des reﬂexions de Monsieur le Chevalier Lestrange, Amsterdam: Etienne Roger, 1714, engraved frontispiece, 27 full page engravings and 102 (of 108) engraved vignettes after F. Barlow, pp.61-64, 97-98, 119-120, 173174 & 209-210 lacking, some damp-staining, a few marginal tears and old repairs, bookplate of John Gretton, Stapleford, contemporary mottled calf gilt, with consequent surface erosion, scratched, extremities worn, joints cracked, 4to

278 Barton (John). The Latine Grammar composed in the English Tongue; wherein the Excrescencies of the ordinary Grammar are cut off, and the Deﬁciencies thereof (so generally complained against) supplied; for the more easie, speedy and certain direction of all those, that have a desire to attain unto the understanding of that usefull and necessary Language, 1st edition, London: printed by A. Miller for Tho. Underhill, 1652, [8], 66 [26 of 28] pp., signatures A4 B-F8 G6 (-G1, index leaf, absent), quires E-F held by bottom cord only, no endpapers, contemporary blind-ruled sheep, rubbed, small perforation in front board, 8vo (14 x 9.4cm)

First French edition of Sir Robert L’Estrange’s Fables of Aesop, which unites l’Estrange’s translation of the fables with Barlow’s attractive illustrations. (1) £200 - £300

277 Andrews (Lancelot). [Apospasmatia] Sacra: or a collection of posthumous and orphan lectures: delivered at St. Pauls and St. Giles his Church... never before extant, London: printed by R. Hodgkinsonne for H. Moseley , A. Crooke et al, 1657, engraved portrait frontispiece, erratic pagination and signatures from pp. 499-515 but text complete, some spotting, soiling and water stains, previous owner inscription of Theophilus Makeham , 1698 at foot of portrait, his occasional annotations, endpapers renewed, contemporary calf gilt, Theophilus Makeham’s initials stamped in gilt to covers, covers detaching, clear tape reinforcement to upper cover, spine rubbed, folio

ESTC R172280; Wing B989aA. Very rare: ESTC traces two copies only world-wide (Birmingham Central Libraries and Canterbury Cathedral). ‘The oldest known Birmingham book’ (Harman & Showell, Showell’s Dictionary of Birmingham, unpaginated). John Barton was master of King Edward’s School in Birmingham from 1639 to 1645, having been recruited by the school tenants who were ‘outraged that so few of [Barton’s predecessor] Billingsley’s pupils were being sent up to the universities’ (ODNB); he is described on the title-page as ‘not long since Master of the Free School of Birmingham in Warwickshire’. (1) £300 - £400

Provenance: A Theophilus Makeham, born in 1679 to parents Paul and Elizabeth Makeham, is listed in the record of London Rolls as an apprentice to the Draper’s Company in 1697, making him 19 years of age in 1698, the date of the inscription in this volume. Wing A3125. Lowndes notes a 1649 edition but this is not recorded by Wing. (1) £150 - £200

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280 Bindings. Poems, by Samuel Roger’s, new edition, 1860, period inscription to front endpaper, contemporary gilt decorated red full morocco, spine slightly rubbed, front hinges cracked to head, 8vo, Memoirs of the life and writings of Thomas Chalmers, D.D. LL.D., 5 volumes, by William Hanna, 1849, Edinburgh, uniform gilt decorated full calf bound by Maclehose, boards & spines lightly rubbed, 8vo, The Lady of the Lake, by Walter Scott, 1891, bookplate to front pastedown, contemporary gilt decorated red full calf bound by Relfe Brothers, boards & spines lightly rubbed, 8vo, The Greville Memoirs,..., 8 volumes, by Charles C.F. Grenville, new impression, 1899, bookplates to front endpapers, uniform contemporary gilt decorated red half calf bound by Hatchards, spines lightly faded & rubbed to head & foot, 8vo, together with 28 further volumes of 19th century literature, all in gilt decorated leather bindings, condition is generally good/very good, 8vo (43)

279 Bible [English]. The Holy Bible containing the Old and New Testaments. Newly Translated out of ye Originall Tongues, and with the former Translations diligently compared and revised, [initial portion of Old Testament only], London: Printed by John Field Printer to the Parliament, 1653, engraved title, text-block consisting of initial portion of Old Testament only (from Genesis to Job 42:17), slight closetrimming to running titles, general toning, minor dust-soiling and few marks, front blank free endpaper with early ownership signature Agnes Scott, all edges gilt, contemporary crushed black morocco Scottish(?) binding, with elaborate gilt decoration incorporating ﬂoral & star motifs, white metal edge strips to board edges, spine leather slightly faded, 24mo in 12s, leaf size 110 x 55mm (Herbert 636; Darlow & Moule 497, this example was originally bound as two matching volumes, with the second volume containing the ﬁnal books of the Old Testament and the whole New Testament; thus forming two volumes of similar width), together with Book of Common Prayer, The Book of Common Prayer, and Administration of the Sacraments..., together with the Psalter or Psalms of David, Pointed as they are to be sung or said in Churches, Cambridge: Printed by Joseph Bentham, Printer to the University, 1759, leaf B4 with old repairs and consequent staining, bound with A Companion to the Altar: Shewing the Nature and Necessity of a Sacramental Preparation in order to our worthy receiving the Holy Communion..., London: Printed by Assignment from E. Parker, for John Beecroft, 1759, engraved frontispiece & title, bound with The Whole Book of Psalms, collected into English Metre, by Thomas Sternhold, John Hopkins, and Others..., Cambridge: Joseph Bentham, 1760, verso of front free endpaper with ownership signature Sarah Harvey 1776, traces of gilt to page edges, gilt panelled and decorated red morocco, rebacked, board corners worn & showing, 12mo, plus Book of Common Prayer, The Book of Common Prayer, and Administration of the Sacraments..., together with the Psalter or Psalms of David..., Edinburgh: Printed by the Assigns of Alexander Kincaid, 1788, bound with A New Version of the Psalms of David, Fitted to the Tunes used in Churches. By N. Brady, D.D. Chaplain in Ordinary and N. Tate, Esq. Poet Laureat, to His Majesty, Edinburgh: Printed by the Assigns of Alexander Kincaid, 1789, all edges gilt (rubbed), contemporary red morocco, gilt decorated spine and board borders, frayed at foot of spine, extremities rubbed, few light marks, 12mo, and New Testament [Greek], Novum Testamentum. In quo Tum selecti vericuli 1900, quibus omnes Novi Testamenti voces continentur, asteriscis notantur..., autore Johanne Leusden, Amsterdam: Wetsteniana, 1701, title in red & black, bound with The Psalms of David in Metre..., Edinburgh: Printed by Sir D. Hunter Blair & J. Bruce, 1812, all edges gilt, early 19th century blind decorated calf, 16mo in 8s, plus two others (6)

£150 - £200

281 Bindings. Andromeda and Other Poems, by Charles Kingsley, 1858, ownership inscriptions to front endpaper, all edges gilt with fore-edge painting of a landscape with hilltop building, contemporary red morocco by Nutt of Cambridge, gilt decorated spine and borders to boards, 8vo, together with Le Theatre de T. Corneille , 5 volumes , new edition Amsterdam: Zacharie Chatelain, 1740, engraved frontispieces and few plates, titles in red & black, armorial bookplate of Bannerman of Elsick to upper pastedowns, all edges gilt, contemporary straight-grain red morocco, gilt decorated spines, gilt & blind rule border to boards, blind embossed lyre harp device to centre of each board, spines faded, 12mo, plus The History of Rasselas, Prince of Abyssinia. A Tale by Samuel Johnson, Chiswick: C. Whittingham, 1822, additional engraved title, contemporary calf by James Dewar of Perth, gilt decorated spine, blind embossed decoration to boards, slim 16mo in 8s, and Memoirs of Henrietta Caracciolo, of the Princes of Forino..., 2nd edition, London: Richard Bentley, 1864, portrait frontispiece, bookplate of Reginald Huth to upper pastedown, all edges gilt, 20th century marbled straight-grain morocco by Riviere & Son, 8vo, and Biblia Sacra Vulgatae Editionis, Sixti V. et Clementis VIII..., Editio nova, London: Samuel Bagster, circa 1830, all edges gilt, contemporary calf, gilt decorated spine, gilt & blind decoration to borders of boards, 8vo, plus other similar decorative bindings, mostly early-mid 19th century (55)

£300 - £400

£300 - £500

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283 Boswell (James). The Principal Corrections and Additions to the First Edition of Mr. Boswell’s Life of Dr. Johnson, 1st edition, London: Henry Baldwin for Charles Dilly, 1793, light spotting, 9 contemporary manuscript corrections ink black ink to page references on pp. 14-16, 18, 20, 23, and 27, top edge gilt, 20thcentury crushed half morocco by Sangorski and Sutcliffe, 4to (25.7 x 19cm)

282 Blegny (Nicolas de). Monatliche neueroffnete Anmerckungen uber alle Theile der Artzney-Kunst zusammen gebracht im Jahr 1679 [-1682], Allen der Leib und Wundartzney Zugethanen und Liebhabern zu sonderbahren Gefallen aus dem Frantzosischen ins Teutsche ubersetzet durch J.L.M.C., 4 parts in one volume, Hamburg, Gottfried Schultzens Kosten, Merseburg, Druckts Caspar Forberger, 1680-1683, additional engraved title depicting the Templum Aesculapii (some light staining), printed title to each part, seven folding engraved or woodcut plates (including a foetus, conjoined twins, the functioning of the eye after Comiers Prevost de Ternant, the bones of the hand, and a cactus from America), several woodcut illustrations to text, some moderate browning and spotting, contemporary vellum over wooden boards, spine lettered in manuscript ‘Nicolaus de Blegny M: A:’, with clasps intact, lightly soiled and minor wear to extremities, 12mo

ESTC T9706; Rothschild 466. Boswell’s ﬁnal lifetime publication; uncommon. This copy contains manuscript corrections to similar to those noted in the Malahide-Isham copy (Christies New York, 19 May 2000, lot 189, and Sotheby’s London, 15 November 2015, lot 12), in that instance attributed to Boswell himself, though the ﬁgure ‘9’ as found in the present annotations does not exhibit the author’s characteristic curved downstroke. (1) £800 - £1,200

Krivatsy 1377. German translation by Johann Lange of Les nouvelles decouvertes sur toutes les parties de la medicine (1679-83) by the medical entrepreneur and proliﬁc author Nicolas de Blegny (1642-1722), and generally regarded as the ﬁrst French medical journal. Born in Lyon, he rose to become physician to the Duc d’Orleans, Queen Marie Therese, and subsequently King Louis XIV of France, but fell from grace following accusations of plagiarism and fraud. He was incarcerated in June 1693 for eight years at the Chateau d’Angers. After some years spent in Italy, he died in Avignon in 1722. (1) £150 - £200

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

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284 Boswell (James). The Journal of a Tour to the Outer Hebrides, with Samuel Johnson, 1st edition, London: Henry Baldwin, for Charles Dilly, 1785, half-title, ﬁnal errata leaf (2L7), leaves I5, Q7 and U6 all in second state, Q8 torn in fore margin not affecting text, contemporary tree calf, rubbed, front joint split but holding, 8vo (20.6 x 12.4cm), together with: Johnson (Samuel), Political Tracts. Containing, The False Alarm. Falkland’s Islands. The Patriot; and, Taxation no Tyranny, 1st collected edition, London: for W. Strahan and T. Cadell, 1776, half-title to The False Alarm discarded, slightly spotted, 20th-century bookplate A. S. Cumming MD, near-contemporary half calf, rebacked, rubbed, 8vo (21 x 12.7cm), and ibid., The Works, together with His Life and Notes on his Lives of the Poets, by Sir John Hawkins, 14 volumes, 1st editions, London: for J. Buckland [and others], 1787-8, engraved portrait frontispiece (laid down with inscription recto showing through), engraved plate facing volume 14 p. 165, volume 1 half-title discarded and without separate title-page to The Life of Dr. Samuel Johnson (=A6, noted only ‘in some copies’ [Courtney & Smith]), volume 13 with Stockdale’s advertisement leaf discarded, spotting, ownership inscription ‘CB 1790’ to several title-pages, frequent marginalia in pen and pencil, further annotations to volume 1 binder’s blanks, contemporary tree calf, rubbed, spines dry, wear to headcaps, volume 4 label chipped, 8vo (21.2 x 12.8cm)

285 [Burton, Robert]. The Anatomy of Melancholy. What it is, with all the kinds, causes, symptomes, prognostickes & severall cures of it ... by Democritus Junior ... The Sixth Edition, corrected and augmented by the author, Oxford: for Henry Cripps, 1651, halftitle (‘The Argument of the Frontispiece’ verso), engraved title-page, light to moderate browning, intermittent damp-staining to upper outer corners, half-title and engraved title-page strengthened in margins verso and with contemporary ownership inscription to upper outer corner, faint central stain to engraved title, small worm-track to lower margins from quire 2H, spill-burn in 3O1 touching a word either side, interlinear spill-burn in 4K2, repaired closed tear in ﬁnal leaf, a few other marks, 19th-century diced half russia, rebacked with original spine laid down, spine gilt in compartments containing urn tools, folio (27.5 x 17.7cm)

Provenance (Boswell): Sir Charles Frederick Smythe (1819-1897), 7th Baronet, of Eshe Hall, Durham (ownership inscription). Chapman & Hazen pp. 152 (Johnson, Political Tracts), 163-5 (Johnson, Works); Courtney & Smith pp. 127 (Johnson, Political Tracts), 162-3 (Johnson, Works); Rothschild 456-8 (Boswell, Journal); Sabin 36302 (Johnson, Political Tracts). Johnson’s Works were originally published in eleven volumes, with Stockdale subsequently publishing the Debates as volumes twelve and thirteen, here with the general title-pages reading ‘in XIII volumes’, and a fourteenth volume, here with the notice ‘in XIV volumes’ (often suppressed) on the general title. Courtney & Smith note that the fourteenth volume of Johnson’s Works, issued by Stockdale, ‘appears to be very rare. Not the least point of interest is that it reprints in part the Proposals for the edition of Shakespeare which were issued with the Miscellaneous Observations on Macbeth in 1745, and have recently been rediscovered’. Stockdale later issued a ﬁfteenth volume containing Lobo’s Abyssinia. (16) £600 - £800

Provenance: 1) Norman Douglas Simpson (1890-1974), botanist (bookplate); 2) Eduard Rosenbaum (1887-1979), Anglo-German economist and librarian; 3) thence by descent. ESTC R29167; Jordan-Smith 6; Wing B6181; cf. Hunter & McAlpine pp. 9499, PMM 120. (1) £500 - £800

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286 Calvin (John). Commentaires de M. Iean Caluin sur les Epistres de l’Apostre S. Paul, & aussi sur l’Epistre aux Hebrieux. Item, sur les Epistres Canoniques de S. Pierre, S. Iean, S. Iaques, & S. Iude, autrement appelees Catholiques. En lisant & conferant ceste edition auec les autres, vous cognoistrez euidemment que l’autheur a le tout reueu & augmente, & que la traduction est comme reduite en sa perfection, [Geneva]: Conrad Badius, 1562, woodcut headpiece & printer’s device to title, some dampstaining and light dust-soiling mostly at front and rear, ownership inscription to front free endpaper ‘Mariane de la Perrelle 31 Janvier 1800’, 18th century marbled sheep, red morocco title label, joints rubbed, folio Adams C321. (1)

£300 - £400

287 Calvin (John). Commentarii in Isaiam Prophetam. Primùm collecti opera & diligentia N. Gallasii: deinde locupletati & expoliti magno labore & cura ipsius Authoris: tertiò recogniti & aucti ampla accessione locorum Scripturae qui passim in toto opere citantur: nunc postremò aliquot locis ex autographo ipsius Authoris restituti. Additi sunt is ﬁne tres Indices locupletissimi, [Geneva]: Eustathius Vignon, 1583, printer’s woodcut device to title, bound with Praelectiones in librum prophetiarum Jeremiae, et Lamentationes..., 3rd edition, Geneva: apud haered. Eustath. Vignon, 1589, printer’s woodcut device to title, bound with Praelectiones in Ezechielis Prophetae viginti capita priora…, Geneva: Iohannem Vignon, Petrum & Iacobum Chouët, 1616, printer’s woodcut device to title, some toning and browning throughout, some dampstaining to initial leaves at front of volume and to margins throughout volume, contemporary vellum, blind embossed arabesque to centre of boards, later manuscript title to spine, joints split and spine repaired to lower panel, marked, lacking ties, folio Adams B1587 and C298 (for ﬁrst two titles within volume) (1) £300 - £400

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

288 Calvin (John). Praelectiones in librum prophetiarum Danielis. Joannis Budaei & Caroli Ionuillaei labore & industria exceptae. Additus est è regione versionis Latinae Hebraicus & Chaldaicus textus, Geneva, 1591, title within woodcut decorative architectural border (with two ink stamps, partly detached at gutter, frayed to margins & dust-soiled), bound with Calvin (John), Praelectiones in duodecim prophetas (quos vocant) minores..., Geneva: Eustathium Vignon, 1581, printer’s woodcut device to title, few light dampstains mostly to initial leaves, later endpapers, contemporary vellum, later title and date in manuscript to spine, upper board detached, worn at head & foot of spine, folio Adams B1605 & C306. (1)

£300 - £400

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290 Catholicism & Popery. A true and lively Representation of Popery, shewing that popery is only new-modell’d paganism, and perfectly destructive of the great ends and purposes of God in the Gospel, [by Thankfull Owen], London: R. Everingham for W. Kettilby, 1679, imprimatur leaf present, publisher’s advert list at rear, bound with 20 other similar pamphlets & sermons published 1679-1701, including Animadversions Upon the Doctrine of Transubstantiation. A Sermon Preached before the Right Honourable the Lord Mayor and the Court of Aldermen, Octob. xix 1679. At the Guild Hall Chappel, London, by John Turner, London: Walter Kettilby, 1679; The Lay-Mans Opinion, Sent in a Private Letter to a Considerable Divine of the Church of England, [by William Darrell], [London], 1687; The Lay-Man’s Answer to the Lay-Mans Opinion. In a Letter to a Friend, [by William Darrell], London, 1687; The Sum of a Conference had between Two Divines of the Church of England. And Two Catholic Lay-Gentlemen, at the Request, and for the satisfaction of three Persons of Quality, August 8, 1671, [by Peter Gooden], London: Printed by Henry Hills, Printer to the King’s Most Excellent Majesty... & Matthew Turner, 1687; Four Conferences concerning I. Reading the Holy Scriptures in the Vulgar Tongue..., [by Gilbert Coles], Oxford: Printed at the Theatre, and are to be sold by Randal Taylor, 1688; A Letter Written by the Emperor to the Late King James, setting forth the True Occasion of his Fall, and the Treachery and Cruelty of the French, [by Leopold I, Holy Roman Emperor], London: Ric. Chiswell, 1689; The Separation of the Church of Rome from the Church of England, founded upon a Selfish and Unchristian Interest, by a Presbyter in the Diocess of Canterbury [i.e. Samuel Grascome], London: Richard Northcott, 1691, etc., some dust-soiling, some underscoring & annotations to three pamphlets (not listed above), some staining, early 20th century half sheep, rubbed, thick 4to, together with Johnson (Samuel), A Second Five Year’s Struggle against Popery and Tyranny: being a Collection of Papers, published by Samuel Johnson during his last Imprisonment of five Years and ten Days, London: Printed for the Author, and are to be sold by Richard Baldwin, 1689, armorial bookplate of the Rt. Hon. George Rose to upper pastedown, contemporary speckled calf, lacking title label to spine, joint split, rubbed, 8vo, plus [Patrick, Simon], The Virgin Mary Misrepresented by the Roman Church. In the Traditions of that Church, concerning her Life and Glory; and in the Devotions paid to her, as the Mother of God. Both shewed out of the Offices of that Church ... Part 1. Wherein two of her feasts, her Conception and Nativity, are considered..., London: Richard Chiswell, 1688, half-title/imprimatur leaf present, manuscript annotation to title, 5 page publisher’s adverts at rear, early 19th century half calf, joints cracked at head, extremities slightly rubbed, slim 4to, and [Gavin, Antonio], The Frauds of Romish Monks and Priests, set forth in Eight Letters, London: Printed by Samuel Roycroft for Robert Clavell, 1691, title with ownership signature Edw. Place and ‘vol.1’ annotation, bookplate of Edward Place to upper pastedown, scattered spotting, contemporary half calf, joints cracked rubbed, 8vo, and [Gavin, Antonio], Observations on a Journy [sic] to Naples. Wherein the Frauds of Romish Monks and Priests are farther Discover’d, London: Printed by Samuel Roycroft for Robert Clavell, 1691, title with ownership signature Edw. Place and ‘vol. 2’ annotation, bookplate of Edward Place to upper pastedown, scattered spotting, contemporary half calf, joints cracked rubbed, 8vo, and The History of the Damnable Popish Plot, in its Branches & Progress, [by Henry Care], London: B.R.L.W.H.C., 1680

289 [Canon law]. Corpus juris canonici emendatum et notis illustratum. Gregorii XIII. Pont. Max jussu editum. Incibius variis, et novis, et appendice Paulii Lanceloti, Lyon: [no publisher], 1591, 4 parts in 1 volume, signatures alpha-gamma8 delta 10 A4 B-2R8 2S2,):(10 az8 AA-2A5 (2A6 not called for), 2B6 2C-2O8 2P6, (:)4 3A-3G8 3H6 (3H6=blank), main title-page printed in red and black, 3 part-titles, woodcut title-devices, initials and head- and tailpieces, slightly browned, light marginal spotting, part 2 e1 chipped in upper margin affecting headline verso, l1 with old ink-stain obscuring text, part 3 2M8 with contemporary ink annotations and sketch of a jester’s head to margin, a few other marks, old ownership inscriptions to title-page, front free endpaper excised, contemporary vellum, manuscript spinetitle, rubbed and soiled overall, some minor wear, 4to (24.2 x 16.8cm) Adams C2668. Contains the following four texts (as listed on the main title-page verso): Decretum Gratiani; Decretales D. Gregorii Papae IX; Liber sextus Decretalium D. Bonifacii Papae VIII, una cum Clemntinis et Extravagantibus; Institutiones juris Canonici, à Paulo Lanceloto Perusino conscriptae. (1) £150 - £200

(6)

Lot 290

£300 - £400

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291 Charles I. An Order made by the House of Commons for the Establishing of Preaching Lecturers, through the Kingdome of England and Wales. Passed before the Rising, Septemb. 8. 1641, London: Printed by B. Alsop, dwelling in Grubstreet, 1641, [2], 6pp., woodcut royal armorial to title, woodcut decorative initials and headpieces, modern cloth-backed marbled boards, 4to (Wing E2640), together with [Laws - Geneva, Switzerland], The Lawes and Statutes of Geneva, as well concerning Ecclesiasticall Discipline, as Civill Government, with certaine Proclamations duely executed, whereby Gods Religion is most purely maintained, and their Common-wealth quietly Governed. Faithfully translated out of the French tongue wherein they are written in the Register Book of the same City, London: Printed by Tho. Fawcet, for Mathew Wallbanck & Lawrence Chapman, 1643, [4], 28, 17-40pp., light cropping to marginal notes, dust-soiling, browning and few marks, 20th century morocco-backed boards, slim 4to (Wing L697), plus Edmonds (Hugh), Presbytery Popish, not Episcopacy. By way of Epistolary Discourse to a Person of a misperswasion, leading Presbytery to the School of Repentance, rather then to continue in the seat of the scornful, by H.E., London: Philemon Stephens the younger, 1661, [8], 48pp., additional title after general title ‘Antiquity Triumphing over Novelty; or, Presbytery proved Popish, not Episcopacy...’, part title to C4 ‘ The Authors Letter to an AntiEpiscopall Minister concerning the Government of the Church’, some browning and dust-soiling, 20th century morocco-backed boards, slim 4to (Wing E178B), and Scotland, The Declaration of the Estates of the Kingdom of Scotland, containing the Claim of Right, and the Offer of the Crown to their Majesties King William and Queen Mary. Together with the Grievances represented by the Estates, and their Majesties Oath at their Acceptance of the Crown. Edinburgh, the eleventh day of April, 1689, [Edinburgh: s.n., 1689], 8pp., light toning, edges untrimmed, 20th century moroccobacked boards, slim 4to (Wing S1218), and Baxter (Richard), Certain Disputations of Right to Sacraments, and the true nature of Visible Christianity..., 2nd edition, London: Printed by R.W. for Nevil Simmons, 1658, closed tears to title and lined with archival tissue to both sides (ink library stamp to recto), some dust-soiling and toning, contemporary sheep (non-matching boards), rebacked, 4to (Wing B1212) (5)

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

292 Clifton (Richard). The Plea for Infants and Elder People, concerning their Baptisme. Or a processe of the passages between M. John Smyth and Richard Clyfton: wherein, ﬁrst is proved, that the baptising of Infants of beleevers, is an ordinance of God. Secondly, that the rebaptising of such, as have been formerly baptised in the Apostate Churches of Christians, is utterly unlawful, 1st edition, Amsterdam: Gyles Thorp, 1610, [20], 226 [2], signatures *-**4, ***2, A-Ee4, Ff2 (the ﬁnal leaf titled A Table of the Principal and some other special things handled in this Treatise’, early ink ownership inscription to front blank ‘Richard Clifton owes this Booke Anno 1659, with additional inscription, most likely in the same hand to the following blank before title, quoting from Exodus, Chapter XIV, Verses 13-14, and with a further ownership inscription in brown ink to blank leaf at end ‘Richard Clifton is the treu owner of this booke

£300 - £400

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July 1: 1660’, some neat archival paper repairs to outer blank margins of some leaves, particularly at front and rear of volume, some other marks and minor marginal soiling, minor worm track to blank area at foot of inner margins (not affecting text), contemporary plain vellum, some marks and soiling, small 4to (18.5 x 14.5cm) Provenance: Richard Clifton (1642-1664), son of Zachary Clifton (born 1589), and grandson of Richard Clyfton, the author of the present work, with ownership inscriptions to front and rear of the volume. Zachary Clifton returned with his family to England in 1651 during the Commonwealth era, and died in 1671. According to information received from Sue Allan, historian at Scrooby Manor, Richard Clifton’s books may have found their way to Warwickshire, and into the ownership of his clergyman brother Zachary Clifton Jr. (born Amsterdam 1633, died Wasperton 1715). STC 5450; ESTC online (British Library, Cambridge University Trinity College, Lambeth Palace, Bodleian; Yale, Harvard, Union Theological Seminary New York, American Baptist Samuel Colgate Historical New York). Puritan radical Richard Clifton (circa 1553-1616) was the guiding light of the separatist church established at Scrooby Manor House in Nottinghamshire, now recognised as the congregation from which emerged the first Pilgrim Fathers. In 1586, Clifton became rector of All Saints Church, Badsworth, and continued in this role until 1605, during which time he provided spiritual guidance to William Brewster and William Bradford, both passengers on board The Mayflower in 1620, as well as John Robinson. Following an edict by King James I, in 1605, Clifton was declared non-conformist and expelled from the parsonage at Badsworth, and given refuge at William Brewster’s home, the Manor House at Scrooby in Yorkshire. When the Authorities caught up with him, Clifton was ex-communicated, and he escaped persecution by emigrating, along with many of his followers, to Amsterdam in August 1608. Rare: no copy traced at auction. This copy particularly significant given the Clifton family provenance. (1) £3,000 - £4,000

Lot 294

293 Collier (Jeremy). Miscellanies: In five Essays. I. Upon the Office of a Chaplain. II. Upon Pride. III. Upon Cloaths. IV. Upon Duelling. V. Upon General Kindness. The Four last by way of Dialogue, 2 parts in one, London: Sam. Keeble & Jo. Hindmarsh, 1694 & 1695, upper blank margin of general title with signature Humph Courteney [17]95 and also with excised signature, second part title ‘Miscellanies upon Moral Subjects’, contemporary calf, upper board detached, lower joint cracked, spine & extremities worn, 8vo Wing C5256. Collier’s first collection of moral essays, according to ODNB, was ‘intended to enhance the self-respect of chaplains as well as remind their employers that churchmen should not be expected to be servile’. Despite his royalist protestations, Collier respected the moral viewpoint of the republican Milton, citing in his preface that author’s Eikonoklastes in relation to the office of chaplain. (1) £80 - £120

294 [Croxall, Samuel]. A Select Collection of Novels and Histories, Written by the most Celebrated Authors in several Languages. Many of which never appear’d in English before. All New Translated from the Originals, by several Eminent Hands, 6 volumes, 2nd edition, with additions, London: John Watts, 1729, volume 1 title in red & black, 41 engraved plates (including frontispieces), fore-margins of last few leaves in volume 3 frayed, light dampstaining to volume 6, occasional marks, contemporary panelled calf with volume 3 matched from another set of the same edition, title labels lacking, extremities rubbed & some wear, 8vo

295 Dionysius Periegetes , Pomponius Mela, & others. Situs orbis descriptio. Aethici Cosmographia. C. J. Solini Polyistor, [Geneva]: Henri Estienne, 1577, toning, occasional light spotting (stronger to ﬁnal 2 quires), title-page browned from bookplate verso (see note), variable light worming in lower margins, just touching text in signature s2, damp-staining to top margins of last few quires, early ink inscription ‘ex dono J[?] Pickardi’ to head of title-page (scored through), 19th-century calf-backed marbled boards, green vellum tips, 4to (25.5 x 16.8cm)

ESTC T59889. ‘Between 1720 and 1722 Croxall edited for John Watts , the bookseller, A Select Collection of Novels in six volumes, comprising short stories mostly translated from French, Italian, and Spanish; the dedications, written by Croxall , were all to prominent ladies’ (ODNB). The ﬁrst volume includes ‘The Jealous Estremaduran’, from the Novelas ejemplares of Cervantes. (6) £400 - £600

Provenance: Nicolas de La Place (c.1574/5-1649), abbot of Val-Richer and Notre Dame d’Eu (engraved bookplate to title-page verso). ‘Nicolas de La Place was a lover [amateur] of literature and old books, but it is not possible to place him among the ranks of the great bibliophiles owing to the lack of concrete information on his library. [His] life and works … remain obscure, even though he was a high-ranking churchman of his time: he was almoner to Marie de’ Medici and holder of numerous beneﬁces’ (Neveu, ed., Catalogues régionaux des incunables des bibliothèques publiques de France, volume 17, p. 397). Adams D648; Renouard (1843) 145.5. (1) £300 - £500

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Lot 296

296 Ferro (Giovanni Francesco, or Bartolomeo). Istoria dell’antica città di Comacchio libri quattro, 1st edition, Ferrara: Bernardino Pomatelli, 1701, pp. [28] 1-60 60-[61] 61-540, signatures +8 *6 A-2K8 L6, engraved frontispiece, 3 engraved plates including folding view of Comacchio, additional text-leaf with woodcut paginated 60 on recto (verso blank) bound in between pp. 60 and 61, woodcuts and engravings in text, contemporary vellum, soiled, 4to (22.8 x 16cm), together with: Machiavelli (Niccolo), Tutte le opere, divise in V. parti et di nuovo con somma accuratezza ristampate, [Geneva]: [no publisher], 1650, pp. 8 320, [4] 106 [2], [16] 280, 152, 158, signatures [par.]8 A-2R4, 2*2 a-n4 o2 (o2 = blank), a4 e4 a-2m4, 3a-3t4, 4a-4u4 (4u4 = blank), 5 title-pages each with woodcut portrait, spotting and browning, contemporary ownership inscription of Sir Robert Throckmorton, Baronet to title-page and his bookplate to front pastedown, contemporary English calf, spine defective, 4to (22.4 x 15cm), and Sarnelli (Pompeo), Guida de’Forastieri, curiosi de vedere, ed intendere le cose piu notabili della regal citta di Napoli, Naples: Anton Bulifon, 1685, pp. [24] 423 [15], signatures a a-Q12 R8, engraved title-page, 7 engraved plates (only: of ?40), pagination irregular, Q12 cancelled (text and pagination continuous), contemporary vellum, 12mo (14.7 x 7.8cm)

297 Foulis (Robert & Andrew, publisher). The History of the Feuds and Conﬂicts among the Clans in the Northern Parts of Scotland and in the Western Isles; from the year M.XXXI. unto M.DC.XIX. Now ﬁrst published from a manuscript, wrote in the reign of King James VI, Glasgow: Robert & Andrew Foulis, 1764, title with rubbed early signature John Blair to upper blank margin, toning and few marks, endpapers renewed, contemporary sheep, rebacked, small 8vo, together with Spottiswoode (John), An Introduction to the Knowledge of the Stile of Writs, Simple and Compound, made use of in Scotland, 4th edition, Edinburgh: Printed by W. Cheyne, 1752, Upper blank margin of title inscribed ‘John Spottiswoode Sachville Street 1780’, blank leaves bound-in at rear containing 41 pages of contemporary manuscript notes, 19th century half calf, rebacked preserving spine, rubbed, 8vo, plus [Mackenzie, James], A Treatise concerning the Origin and Progress of Fees; or, the Constitution and Transmission of Heritable Rights: Being a Supplement to Spotiswood’s Introduction to the Knowledge of the Stile of Writs, Edinburgh: Printed by T. & W. Ruddimans, 1734, manuscript initials to title, toning and spotting, near contemporary half sheep, rubbed and light wear, 8vo, and [Birnie of Saline, Andrew], A Compend or Abbreviat of the most Important Ordinary Securities of and concerning Rights Personal and Real... of common use in Scotland..., Edinburgh: Printed by the heirs and successors of Andrew Anderson, 1709, initial leaf before title present with woodcut device, signature excised to upper blank margin of title, toning and some spotting, endpapers renewed, contemporary calf, rebacked, 8vo, and Boston (Thomas), A View of the Covenant of Grace from the Sacred Records..., Hawick: Printed by G. Caw for W. Coke, 1787, dustsoiled, some dampstaining and browning, 19th century half sheep, 12mo in 6s, plus 15 other similar 18th & 19th century antiquarian

Adams M10 (Machiavelli, bound in a different order); Brunet II 1236-7 (Ferro: ‘volume peu commun’), III 1274-5 (Machiavelli). The first work is sometimes attributed to Bartolomeo Ferro, uncle of Giovanni Francesco; some library records call for five plates of which two folding; this copy has five plates including the additional leaf bound between pages 60 and 61 and corresponds to other copies we have inspected, though only the view of Comacchio is folding. The second work is one of five ‘Testina’ editions of the works of Machiavelli, so-called because of the woodcut of Machiavelli’s bust on each title-page. (3) £300 - £500

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Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

£300 - £400

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299 Grummet (Christopher, attributed). Sanguis Naturae, or, A Manifest Declaration of the Sanguine and Solar Congealed Liquor of Nature. By Anonimus, printed for A.R. and sold by T. Sowle, in WhiteHart-Court in Grace-Church-street, 1696, title, To the Reader leaf, and 112 pages, early ownership inscription to title ‘George Sharpe His Booke’, title and ﬁnal leaf with some browning to outer margins, modern calf to style by Bernard Middleton, small 8vo Duveen, Bibliotheca Alchemica 539; ESTC R9078; Wing G2164A. Rare. The last copy at auction Sotheby’s London, 29-30 June, 1964. Isaac Newton owned a copy of this work with his manuscript inscription inserted ‘Sanguis Naturae, at Sowles a Quaker Widdow in the White-Hart Court at ye upper end of Lombard Street’ (University of Wisconsin-Madison, Memorial Library). (1) £500 - £800

298 Goltzius (Hubert). Thesaurus rei Antiquariae Huberrimus, ex antiquis tam numismatum quam marmorum inscriptionibus pari diligentia qua fide conquisitus ac descriptus, & in locos communes distributes, Antwerp: Ex officina Gerardi WolsschatI, sumptibus Jacobi Biaei, 1618, printer’s woodcut device to title, bound with Goltzius (Hubert), Sicilia et Magna Graecia sive historiae urbium et populorum Graeciae ex antiquis nomismatibus, 2 parts in one, Antwerp: Ex officina Gerardi WolsschatI, sumptibus Jacobi Biaei, 1618, additional engraved general title, letterpress title to second part “Siciliae historia posterior sive eorum, quae post pacem sub Augusto terra marique partam vsque ad hoc saeculum gesta sunt”, 2 full-page engraved maps (of Sicily & Southern Italy), 36 full-page engraved illustrations of ancient coins printed back-to-back (dampstained to margins), bound with Goltzius (Hubert), Graeciae Universae Asiaeq. Minoris et Insularum nomismata veterum Huberto Goltzio quondam scalptore cum indice geographico, Antwerp: Ex Typographia Henrici Aertssii, sumptibus Jacobi Biaei, 1618, additional engraved title, 38 full-page engraved illustrations of ancient coins printed back-to-back and 26 engraved plates of ancient coins (occasional light dampstaining to margins), contemporary mottled calf (surface a little pitted), gilt decorated spine, worn at head & foot with some loss, lower outer board corners worn & showing, folio (1)

300 Hemmingsen (Niels). A Learned and Fruitefull Commentarie upon the Epistle of James the Apostle ... Written in Latine by the learned Clerke Nicholas Hemminge, professour of Divinitie in the Universitie of Hasnie, and newly translated into English by W. G., 1st edition, London: Thomas Woodcocke, and Gregorie Seton, 1577, [4] 90 leaves, signatures A-Z4 2A2, A4 (errata leaf) misbound between A1 and A2, mild browning, variable damp-staining, old paper restoration to upper outer corners of quire A not affecting text, titlepage (A1) and 2A2 verso both soiled and with various early ink inscriptions, including ‘William [?]Tinnyng ... an[no] 1579’ and ‘20 May 1626 ... [?]Johnne Baird’, title-page also with short closed tear to fore margin, errata leaf (A2) with pen-trials and scoring through of text by an early hand, contemporary manuscript underlining and marginal manicules in red ink throughout, 2A2 sometime strengthened along fore margin recto, all edges gilt, 19th-century maroon morocco, heavily worn, spine perished, covers detached, 4to (17.2 x 12.5cm) ESTC S103941 (thirteen copies world-wide); STC 13060. ‘Hemmingsen, a bishop, scholar, and influential Lutheran preacher in his native Denmark, is certainly not as recognized today as his Protestant contemporary John Calvin, but he was an important figure ... It is surely noteworthy that Hemmingsen‘s commentary on James was translated into English and Calvin‘s was not’ (Cooper, ‘Saving the Strawy Epistle: The Recovery of James after Martin Luther’, Haddington House Journal 11 (2009), p. 147). The work first appeared in Latin in Hemmingsen’s Commentaria in omnes epistolas apostolorum (1572) (1) £300 - £400

£600 - £800

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301 Heydon (Christopher). The New Astrology; or, the Art of predicting or foretelling future events, by the Aspects, Positions, and Inﬂuences, of the Heavenly Bodies..., 2nd edition, London: G. Kearsley, 1786, folding engraved frontispiece (slightly browned to fold and few light tears mostly at head & foot), with frontispiece explanation leaf present, light toning and occasional dust-soiling, early notes and diagrams to endpapers with ownership inscription ‘John Bramley His Book 1806’, contemporary sheep, joints cracked, worn at head & foot of spine, 12mo in 6s, together with [Swift, Jonathan], Travels into several Remote Nations of the World. By Captain Lemuel Gulliver, volume 2 only (comprising parts III & IV), second edition, London: Benjamin Motte, 1726, 3 engraved maps, some browning, light dust-soiling & spotting, armorial bookplate of John Natt to upper pastedown, cloth hinge repairs, contemporary mottled calf, old reback preserving original spine, joints cracked and some wear, 8vo (Teerink 290, the AA edition), plus [Brown, Joseph], The Tryal of Thomas Duke of Norfolk by his Peers, for high treason against the Queen ... 1571 ... for attempting to marry Mary Queen of Scots without the consent and approbation of the said Queen Elizabeth..., London: J. Morphew, 1709, light dust-soiling, spotting mostly at rear, contemporary calf, joints cracked, slight loss of leather to lower panel of spine, 8vo, and [Aram, Eugene], The Genuine Account of the Trial of Eugene Aram, for the Murder of Daniel Clark, Late of Knaresbrough, in the County of York. Who was convicted at York Assizes, August 5, 1759, before the Honorable William Noel..., 9th edition, Knaresbrough: Hargrove & Sons, 1808, some dust-soiling and marks mostly at front & rear, near contemporary half calf, spine rubbed, 12mo in 6s, plus other 18th & 19th century antiquarian (28)

302 Homer. Ilias. Latinis versibus expressa à Raymundo Cunichio Ragusino, Rome: Giovanni Zempel, 1776 [and:] Odyssea. Latinis versibus expressa à Bernardo Zamagna Ragusino, Siena: Pazzini Carli brothers, 1777, 2 works, each with half-title, title-page printed in red and black with engraved portrait vignette of Homer, engraved initials, and head- and tailpieces, Iliad additionally with engraved arms to f4 verso, Odyssey lacking front free endpaper and with tide-mark to lower outer corners, Iliad bound in contemporary half vellum, patterned paper sides, folio (36.8 x 23.2cm), Odyssey in contemporary vellum, slightly soiled, head of spine defective, folio (33.8 x 21.8cm), together with: Terence, Comoediae nunc primum Italicis versibus reddiate cum personarum ﬁguris aeri accurate incisis ex MS. codice bibliothecae Vaticanae, Urbino: Girolamo Mainardi, 1736, title-page in red and black with engraced vignette after Fililppo Barigioni, engraved head- and tailpieces and vignettes throughout the text, 6 full-page, the tailpieces signed Domenico Miserotti, lower outer corner of title-page torn away affecting part of imprint, contemporary vellum, marked, wear to extremities, vellum lifting in places, folio (39.6 x 26cm) Provenance: George John Carnegie (1843-1911), 9th Earl of Northesk (bookplates); Samuel Gurney (1885-1968), descendant of the Norwich banking family (book-labels). First editions of these two attractively produced Latin translations of Homer. Although printed a year apart in different cities they are typographically uniform, and a notice on the ﬁnal page of the Iliad refers to the impending publication of Zamagna’s version of the Odyssey. (3) £200 - £300

£300 - £400

303 Huygens (Christiaan). Opera varia, 4 volumes in one, Leiden: Janssonios Vander, 1724, titles to volume 1 & 2 printed in red & black (ﬁrst title browned and with excised signature repaired to verso, & ink erased signature at head), divisional titles, volumes 3 & 4 with half-titles, 56 folding engraved plates, continuous pagination throughout, ink smudge to **4, early marginalia to leaf 2I3 (with show-through), some dust-soiling, browning, spotting & occasional mottling, front free marbled endpaper excised and torn at head, contemporary sheep, rubbed, scuffed & some wear, 4to Lot 302

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

(1)

£600 - £800

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Lot 305

304* Illuminated leaf. A single leaf from a breviary with illuminated initials, circa 1400, 41 line double-column manuscript text on thin vellum written in dark brown ink to both sides, 2 illuminated initials in pale red, blue and heightened with gold, 9 other smaller decorative initials in red & blue (or single colour), some ink burn through vellum, leaf size approximately 27 x 18.5cm (1)

£200 - £300

305* Illuminated leaf. A single vellum leaf from a Book of Hours with illuminated miniature depicting the Coronation of the Virgin Mary before the ﬁgure of God enthroned, French, probably Paris, circa 1450, painted miniature heightened in gold, incorporating three lines of text in brown ink below with two decorative initials also heightened in gold (miniature & text approximately 12 x 7cm), with a smaller miniature beneath depicting noble or clergymen wearing ermine collars in room (approximately 4 x 4.5cm), richly decorated foliate border in red, blue, green & heightened in gold (old dampstain to right hand border), verso with 15 lines of text written in brown ink, with 5 decorative initials and 4 line ﬁllers, similar foliate decoration to left margin (with light dampstain), leaf size 17.3 x 12.7cm (1)

£600 - £800

306* Illuminated leaf. A single vellum leaf from a Book of Hours with illuminated portrait of Maria lactans , French, circa 1450, illuminated portrait miniature depicting the nursing Madonna breastfeeding the infant Jesus (image approximately 5 x 4.5cm), 26 lines of Latin text written in brown ink to both sides, one small initial in red & white, both sides with decorative foliate border in red , blue, green & heightened in gold, lower outer corner slightly worn, leaf size 19 x 12cm (1)

Lot 306

£500 - £800

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310 Lee (Nathaniel). Constantine the Great; a Tragedy. Acted at the Theatre-Royal, by their Majesties Servants, London: H. Hills Jun. for R. Bently & J. Tonson, 1684, [8], 60pp., title slightly cropped at head shaving ﬁrst word, some browning, modern limp marbled boards, slim 4to, together with Lee (Nathaniel), Theodosius: or, The Force of Love. A Tragedy, Acted by their Royal Highnesses Servants, at the Duke’s Theatre, London: Tho. Chapman, 1692, [4], 60, [2]pp., some browning & light spotting, modern limp marbled boards, slim 4to, with [Home, John], Alonzo. A Tragedy. In Five Acts. As it is performed at the Theatre-Royal, Drury Lane, Dublin: W. Wilson, 1773, [4], 52, [2]pp., modern marbled boards, slim 12mo (3)

307 Jesuits. Monita Privata Societatis Iesu. Edita MDCLVII, [1 662], 35, [1]pp., ink mark to title, bound with Homo Politicus hujus seculi, Editus MDCLXVI, [1662], [2], 43, [1]pp., occasional light dampstains & marks, overall toning, later endpapers, contemporary mottled calf, joints split and some wear, 12mo Only two UK institutional locations of the ﬁrst title have been found (London Library & Edinburgh University Library), and only one UK institutional location for the second title (Edinburgh University Library). (1) £200 - £300

308 Johnson (Samuel). A Dictionary of the English Language: in which the words are deduced from the originals, and illustrated in their different signiﬁcations by examples from the best writers. To which are preﬁxed, a History of the Language, and an English Grammar, Harrison’s Edition, with his Life of the Author, London: Harrison & Co., 1786, engraved portrait frontispiece (neat tissue repairs to inner & fore-margin), title in red & black, some spotting mostly at front & rear and to margins, endpapers renewed preserving bookplate of T. Baxter Junr. to upper pastedown, contemporary calf, neatly rebacked with gilt decorated spine, morocco title label retained, corners repaired, large folio, contained in purpose-made book box with gilt decorated spine & maroon morocco title label (1)

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£200 - £300

312 Leighton (Robert). Bp . Lighton’s Catechism for Children, Edinburgh: Printed and sold [by J. Watson] in Wariston’s Closs , [1695], 11,[1]pp., general toning throughout, pale patch to lower blank margin of title possibly where signature washed out, early 20th century half calf, green morocco title label to spine, rubbed to spine, slim 12mo (Wing L1027D), together with Gouge (Thomas), The Young Man’s Guide trhough [sic] the Wilderness of this World, to the Heavenly Canaan. Shewing him how to carry himself Christian-like in the whole course of his Life, London: Printed by T.B., 1696, early manuscript shelf number to title, error in paging: p. 4-5 lacking in number only, browned and dampstained, verso of front free endpaper inscribed ‘this book belonges to me Margaret Campbell March 12th 1698 price 10 pence’, upper pastedown with armorial bookplate of the Rt. Hon. Patrick Hume, Earl of Marchmont... Lord High Chancellor of Scotland, contemporary sheep, upper joint split and board loose, some wear, 12mo, plus [Theology], Eniautos; or, A Course of Catechizing; being the Marrow of all Orthodox and Practical Expositions upon the Church-Catechism, and of all Controversies upon the Churchcustoms and Observations..., 2nd edition, London: Printed by J.C. for Fra. Kirkman, 1674, 40 of 48 engraved plates, signature E. Marshall 1850 to title, light dust-soiling, spotting & browning, later endpapers, armorial bookplate of George Martyn Gorham to upper pastedown, contemporary speckled sheep, rebacked, preserving original spine, 12mo, and Simson (Alexander), The Destruction of Inbred-Corruption: or, The Christians Warfare against his bosome Enemy. Being a sure, certaine, and choice antidote against ﬂeshly lusts. By that faithfull and painfull labourer in the Lords Vineyard, Mr. Alexander Symson late minister of Gods Word at Merton in Scotland, London: John Wright, 1644, short tear at foot of title and A2 with burn hole at foot, some dust-soiling, late 19th/ early 20th century half calf, 12mo, and 5 other antiquarian, mostly late 17th century publications

£300 - £400

309 [Knox, John]. The Historie of the Reformation of the Church of Scotland; containing five books: together with some Treatises conducing to the History. Published by authority, London: John Raworth for George Thomason & Octavian Pullen, 1644, [84], 276, 279-397, [1], 401-460, 91, [2], 92-122 pp., half-title, title within decorative ornament border, final blank present, also bound without leaf Eee (probably a blank - no apparent loss of content), gutter margin of 3X4 torn (not affecting text), some light browning and dust-soiling, contemporary sheep, spine torn at head and foot with loss of upper panel, board corners worn, small folio, together with Jameson (William), Nazianzeni Querela et Votum Justum. The Fundamentals of the Hierarchy examin’d and disprov’d: Wherein the choicest Arguments and Defences of the most applauded and latest Hierarchick or Prelatick Writers, A.M. D.D. the Author of An Enquiry into the New Opinions (chiefly) propagated by the Presbyterians in Scotland..., Glasgow: Printed by Robert Sanders, for the author, 1697, faint early inscription & ink stains to title, light dust-soiling, contemporary calf, 4to Knox: Wing K738 and ESTC R12446. With the two un-numbered pages between pages 91 & 92 of Admonition. (2) £200 - £300

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£80 - £120

311 [Lefevre d’Etaples, Jacques]. [Iacobi Fabri Stapulensis, theologi celeberrimi, commentarii in epistolas Catholicas, Iacobi I, Petri II, Ioannis III, Iudae I...., Antwerp: apud Ioannem Gymnicum, 1540], [38], 387pp., title (a1) lacking, few decorative woodcut initials, some early marginalia including signature Richard Golstone, light toning and dust-soiling, ﬁnal leaf frayed to margins, 20th century sheep with earlier board retained, 8vo, together with Petau (Claude), Parallela SS. Missae et Caenae Haereticae, in Catholica Academiae Trevirensi, publicae disputationi, biblici baccalaureatus causa, proposita a Claudio Petavio..., Praeside R.P. Johanne Roberti, Augustae Trevirorum: Excudebat Henricus Bock, 1616, annotation at foot of title, few worm holes throughout, some blank fore-margins torn, late 19th century vellum, slim 8vo, plus Blasco (Carlo), Diatriba de Joanna Papissa, seu de ejus fabulae origine, Neapoli: Josephi-Maria Severini-Boetii, [1778], [8], 64 pp., title incorrectly dated 1578, upper outer corner of half-title repaired, some toning and spotting, late 18th/19th century half vellum, slim 8vo, and 2 other continental antiquarian

100

£200 - £300

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Lot 312

Lot 314

313 Lever (Charles). Works, 18 volumes, Chapman & Hall, 187277, illustrations by H.K. Browne and George Cruikshank, some light spotting, contemporary red half calf gilt, joints and edges a little rubbed, 8vo, together with Pope (Alexander). Works, with notes and illustrations by Joseph Warton and others, 9 volumes, new edition, 1822, 2 engraved portraits to volume I, a little light soiling, bookplates, later tan half calf, spines faded, 8vo (27)

316 Mair (George). A Sermon Preached in the New Church of Edinburgh, that day the Parliament met, being October 3d 1706. Shewing, the only best and most effectual mean for advancing the Happiness and Honour of the Kingdom of Scotland. By Mr. George Mair, Minister of the Gospel at Culross, Edinburgh, 17[07 ?], 32pp., signature at head of title, imprint close-trimmed at foot with loss to last two digits of date, dust-soiling throughout, 19 blank leaves bound at rear, 19th century half calf, spine worn and darkened, slim 16mo in 8s (scarce, no institutional location found), together with Alembert (Jean le Rond d’), An Account of the Destruction of the Jesuits in France, Glasgow: Robert Urie, 1766, light toning and dustsoiling, 19th century half calf by Whitehead & Burns of Cupar, Fife, upper board detached, lower joint cracked, loss at foot of spine, small 8vo, plus Jesuits, Secreta Monita Societatis Jesu. The Secret Instructions of the Jesuits, London: John Walthoe, 1723, later endpapers, without front free endpaper, armorial bookplate of William Baker preserved, contemporary panelled calf, rebacked, 12mo in 6s, and Thorold (John), A View of Popery; or, Observations on the Twelve Articles of the Council of Trent: Presented to the Consideration of Ingenuous Romanists, London: John Rivington, 1766, half-title, contemporary calf, joints cracked, lacking title label to spine, rubbed and some wear, 8vo, and Allestree (Richard), The Whole Duty of Man, Laid down in a Plain and Familiar Way for the use of all..., with Private Devotions for several Occasions, Dublin: Re-printed by A. Rhames for E. Dobson, M. Lawrence & others, 1714, dust-soiling and occasional staining, contemporary sheep, red morocco title label, extremities slightly rubbed, 8vo, and [Valera, Cipriano de], A Full View of Popery, in a Satyrical Account of the Lives of the Popes, &c. from the Pretended Succession of St. Peter, to the Present Pope Clement XI..., London: Bernard Lintott, 1704, light dust-soiling and spotting, endpapers renewed, contemporary panelled calf, rebacked, 8vo, plus other similar & related 18th & 19th century antiquarian, plus Rail Splitter Press, A volume containing 31 Anti-Catholic pamphlets published by the Rail Splitter Press, Milan, Illinois, circa 1915-1925, few illustrations, some light browning, contemporary brown buckram, square 8vo

£150 - £200

314 Locke (John). An Essay concerning Humane Understanding, 5th edition (‘with large Additions’), London: Awnsham and John Churchill and Samuel Manship, 1706, signatures a-i2 *4 B-2N4 2O2 2Y-4G4, index bound before main text rather than at end, closed tear in 2A2 touching top line of text, section of front free endpaper torn away, ownership inscription ‘Owen Brigstocke Esqr 1734’ to front pastedown, contemporary panelled calf, worn, front joint cracked, folio (34.8 x 21.4cm), together with: The Works, 3 volumes, 3rd edition, London: Arthur Bettesworth [and others], 1727, 2 engraved plates including portrait frontispiece, repaired closed tear in volume 1 signature 2U3, volume 2 with light damp-staining to lower outer corners, 2 spill-burns in 3R1, contemporary calf, rubbed and worn, spines defective, folio (31 x 20cm) Provenance (Works): Sir Charles Granville Stuart-Menteth, 1st Baronet (1769-1847; ownership inscription to front free endpaper). ESTC T33271, T115711; Yolton 65, 365A.1-3. (4) £300 - £500

315 Ludolphus (de Saxonia, Carthusiensis). Vita Christi, ex Euangeliis et scriptoribus orthodoxis per Ludolphum Saxonium, sacri ordinis Carthusiensium, excerpta ... Adiecto indice nouo, & non vulgari, Paris: Claudium Chevallonium, 1534, printer’s woodcut device to title, decorative initials, title with scribbled out signature inscription to lower blank margin with burn through to following leaf, some browning & spotting, worm trail and holes to lower outer blank corners & margins of some leaves, armorial bookplate of Darwell Stone, near contemporary vellum, lettered in ink to spine and upper board, loss of vellum mostly to lower spine compartment, some wear, lacking ties, folio Not in Adams. (1)

Lot 315

£300 - £400

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101

£250 - £350

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318 Mela (Pomponius). Pomponius Mela. Julius Solinus. Itinerarium Antonini Aug. Vibius Sequester. P. Victor de regionibus urbis Romæ. Dionysius Afer de situ orbis, Prisciano interprete. [Edited by Franciscus Asulanus], Venice: In ædibus Aldi et Andreae Soceri, 1518, Aldus’ woodcut anchor device to title and verso of ﬁnal leaf, with blank leaf q8 and G3, early signature to title (title torn to lower outer blank corner & repaired), some early marginalia, marbled endpapers with ownership signature and armorial blind stamp to front endpaper, 18th century marbled sheep, attractive gilt decorated spine with terracotta leather title label, joints slightly rubbed and minor wear to extremities, 8vo Adams M1053. The ﬁrst and only Aldine edition of a compilation of ancient Roman writings on geography and cosmography. (1) £400 - £600

317 [Mandeville, Bernard]. The Fable of the Bees: or, Private Vices, Publick Benefits, 1st edition, London: for J. Roberts, 1714, moderately spotted and browned, paper slightly softened, staining to quire H, a few other marks, contemporary ownership inscription (‘James Cowan’) to title-page, contemporary panelled calf, rebacked, 12mo (15.4 x 8.4cm) British Bee Books 76; Kress 2914; Rothschild 1371-2. Rare first edition of one of the most important and notorious works of political economy published in the 18th century, with ‘rejoyning’ for ‘rejoycing’ on page 36 (here corrected in manuscript) as called for by Rothschild. Drawing on Hobbes and French Augustinian thinkers including Bayle, Pascal and La Rochefoucauld, Mandeville’s allegory presents human nature as essentially self-interested, ‘alleging that their “vilest and most hateful Qualities”, their passions, render humans sociable animals and make them “fit for the largest, and according to the World, the happiest and most flourishing Societies”’ (ODNB). ‘A celebrated work, which through Adam Smith, had an immense influence ... It is, in fact ... the only possible justification of individualism and laissez-faire’ (Foxwell, cited in Kress). (1) £2,000 - £3,000

Lot 319

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

102

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319 Minerva Press. Bungay Castle: a Novel. By Mrs. Bonhote. Author of the Parental Monitor, etc., volume 1 only [of 2], 1st edition, London: for William Lane at the Minverva Press, 1796, half-title, engraved frontispiece, occasional soiling, a few marginal nicks and tears, edges untrimmed, contemporary calf-backed blue paper boards, worn, spine rolled, 12mo (19 x 11cm), together with: [Prynne, William], The Unbishoping of Timothy and TItus. Or, a briefe elaborate Discourse, prooving Timothy to be no Bishop (much lesse any sole, or Diocaesan Bishop) of Ephesus, nor Titus of Crete; and that the power of ordination, or imposition of hands, belongs Jure Divino to Presbyters, as well as to Bishops, and not to Bishops only, [Amsterdam: J. F. Stam], 1636, errata leaf [2A]1 discarded, damp-staining to outer leaves, closed tears and concomitant fraying to fore margins of quires A-C, extending into text in C2, loss to ﬁnal 2 leaves (Z1-2), later cloth-backed boards, leather tips (worn), 4to (17.5 x 13.5cm) Provenance (Prynne): John William Whittaker (1791-1854), English clergyman (bookplate); William Winstanley Hull (1794-1873), liturgical writer and hymnologist (ownership inscriptions); William Allen Potter (bookplate). Block p. 25 (Minerva Press); ESTC T64725 (Minerva Press), S114342 (Prynne); STC 20476.5 (Prynne). ESTC traces two copies in UK libraries for Bungay Castle (British Library and Bristol). (2) £300 - £500

Lot 320

320 [Parsons, Robert]. The Jesuit’s Memorial, for the Intended Reformation of England, Under Their First Popish Prince. Published from the copy that was presented to the Late King James II. With an introduction and some versions, by Edward Gee, printed for Richard Chiswel, 1690, [8], lvi, [16], 262, [2] pp., half-title reattached to title, ink underscoring and marginalia to verso of A3, final publisher’s advert leaf present, some dust-soiling few marks and spotting, endpapers renewed, contemporary calf, rebacked, 8vo (Wing P569), together with [Benjamin, Keach], Sion in Distress: or, The Groans of the Protestant Church for many Ages past: Under the Cruel Tyranny of Popish persecution and Merciless Torments..., To which is added, Sion’s Relief and Joyful Triumph over all her Enemies, London: Printed, and are to be sold by most Booksellers, 1692, engraved frontispiece (partially detached at gutter and early manuscript note to verso), ownership inscription to title, 2 leaves of publishers adverts at rear, dust-soiling and toning, contemporary sheep,. spine rubbed and corners worn, 12mo, plus (Brachet de la Milletière, Théophile), The Victory of Truth for the Peace of the Church, to the King of Great Britain ... With an answer thereunto..., by the Right Reverend John Bramhall, D.D. and Lord Bishop of LondonDerry, 2 parts in one, The Hague, 1653, final leaf torn to lower half and repaired (with no text loss), light dust-soiling, 19th century calf, slightly cracked to joints, small 8vo, and [Jarrige, Pierre], A Further Discovery of the Mystery of Jesuitisme. In a Collection of severall Pieces, Representing the Humours, Designs and Practises of those who call themselves the Society of Jesus, London: G. Sawbridge, 1658, half-title, ink scribbled out signature to title, stain to leaves K11 & K12, sewing weak and some leaves sprung and loosening, contemporary calf, torn at head & foot of spine, 12mo, and Johnson (Samuel), A Second Five Year’s Struggle against Popery and Tyranny: being a Collection of Papers, Published by Samuel Johnson during his last Imprisonment of five Years and ten Days, London: Printed for the Author, and are to be sold by Richard Baldwin in the Old Baily, 1689, contemporary calf, spine rubbed and worn at head & foot, 8vo, and The Mystery of Jesuitism... [by Blaise Pascal], London: Printed, and are to be sold by John Vallange, Bookseller in Edinburgh, 1695, and The Nullity of the Romish faith. Or A Blow at the Root of the Romish Church..., by Mathew Poole, Oxford: Printed by H.H. for Ric. Davis, 1667 (7)

£300 - £400

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321 Piccolomini (Sylvius Aeneas, Pope Pius II). Opera quae extant omnia, nunc demum post corruptissimas aeditiones summa diligentia castigata et in unum corpus redacta, Basel: ex officina Henricpetrina, [1571], roman type, printer’s woodcut device to title-page and verso of final leaf, 18 woodcut maps after Sebastian Münster in text (one full-page), lacking 11 leaves (signatures Fff6-Hhh4), old marginal repair to lower margin of signature 2S1, ink inscription ‘Collegii Socis Jesu Ambergae 1658’ to title-page, contemporary vellum, supralibros of the Society of Writers to the Signet gilt to sides, yapp fore edges, marked and dust-soiled overall, ties perished, folio (31.2 x 20.2cm), together with: Plutarch, Parallela en Biois Hellenon te kai Romaion [graece], Basel: [Johann Bebel], 1533, lacking signature a6, a1 loose and with repaired loss to lower outer corner (a few letters replaced in facsimile), light marginal spotting, occasional browning, faint tide-mark to upper outer corners, marginal dampstaining to final few leaves, ink inscription ‘16 Martii ... Collegii Tolosani Societ. Ihu’ to title-page, contemporary limp vellum, folio (30.6 x 20.6cm), and 1 other Adams P1334 & P1611. (3)

£300 - £400

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322 Pickering (William, Publisher). The Plays of Shakespeare, 9 volumes, London: William Pickering, 1825, inscription to front free endpaper of volume 1, all edges gilt, original cloth gilt, some joints worn, spines chipped & frayed at head & foot, spine of volume 9 torn with loss, 32mo in 8s (80 x 43mm), together with The Complete Angler, by Izaak Walton & Charles Cotton, 1825, engraved frontispiece & title, few wood engraved vignette illustrations, scattered spotting, original cloth, upper joint split, torn at head, 32mo in 8s (95 x 55mm), plus The Lives of Donne, Wotton, Hooker, Herbert and Sanderson, 1827, engraved frontispiece, edges uncut, original cloth, faded, 32mo in 8s (98 x 55mm), plus other Pickering publications including Paradise Lost, by John Milton, 1835; Novum Testamentum Graecum, 1828 (3 copies), and various works by the classical authors etc., mostly in original cloth, including few odd volumes (50)

324 Price (Uvedale). An Essay on the Picturesque, as compared with the sublime and the beautiful; and, on the use of studying pictures, for the purpose of improving real landscape, 2 volumes, 1st editions, London: for J. Robson, 1794, & Hereford: by D. Walker for J. Robson, 1798, half-titles discarded, spotting at front and rear, contemporary tan half morocco, rubbed with some wear to extremities, 8vo ESTC T33397 & T33398 respectively. (2)

£200 - £300

325* Printed leaf. [Biblia latina cum glossa ordinaria, Strassburg: Adolf Rusch for Anton Koberger, not after 1480], an original printed leaf from a glossed Bible (for Proverbs 23 and 24:1-20), with paragraph marks added by hand in red & blue, 38 x 25.5cm (15 x 10ins), modern gilt frame, double-glazed Goff, B-607. One of the ﬁrst two annotated Bible editions, the other appeared in Venice on July 31, 1481. (1) £150 - £250

323 Plato. The Republic. Translated from the Greek by H. Spens, with a Preliminary Discourse concerning the Philosophy of the Ancients by the Translator, Glasgow: Robert and Andrew Foulis, 1763, complete with final advertisement leaf 3H4, title-page and advertisement leaf slightly marked, pencil inscription ‘Major Davidson’ to initial blank and advertisement (erased from title), occasional light spotting and soiling elsewhere, modern calf, demy 4to (23.6 x 17.6cm) ESTC T132206; Gaskell 423. First edition in English, large-paper issue, with post-horn and crowned fleur-de-lis watermarks (see Gaskell); copies were also issued in the smaller foolscap quarto format, on lower-grade paper. Gaskell identifies the largepaper issue of The Republic as printed on ‘good’ paper, the highest grade used by the Foulis press, and used only ‘rarely’ (p. 59). (1) £1,500 - £2,500

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326 Rheticus (Georg Joachim, 1514-1574; former owner). Procli, De sphaera liber I. Cleomedis, De mundo ... Arati Solensis Phaeonomena ... Dionysii Afri, Descriptio orbis habitabilis. Omnia Graece et Latine ita coniuncta ... una cum Ioan. Honteri Coronensis De Cosmographiae rudimentis, Basel: Sebastian Henricpetri, 1561, 5 parts in 1 volume, Proclus’s work with woodcut illustrations in text including an armillary sphere, astronomical diagrams and a vignette of Proclus teaching, Honter’s work with 12 double-page woodcut maps each with additional single-page woodcut map to conjugate leaf verso, complete with the final leaf (blank except for publisher’s woodcut device verso), browning, damp-staining to lower margins, concomitant holes to first 4 leaves including title-page, title-page with central 4cm diagonal closed tear, contemporary inscription ‘Ioachimo Rhaetico’ in ink to head with initial ‘I’ just trimmed (see note), and later inscriptions including ‘Seminarii Studiosoru[m] Religios[orum] Vienna, Anno 1620 12 April’, later half morocco, rebacked retaining most of original spine, crudely recoloured, 8vo (15 x 9cm) Provenance: Georg Joachim Rheticus (1514-1574), inscribed ‘Ioachimo Rhaetico’ (‘From Joachim Rheticus’) at the head of the titlepage, in Rheticus’s hand. An extraordinary and newly discovered association copy throwing light on the career of one the principal actors in the scientific revolution of the 16th century. Rheticus was the sole pupil of Nicolaus Copernicus, and the meeting between the two at Frombork in 1539 is considered without question to mark ‘the beginning of modern astronomy’ (DSB XI p. 359). He is perhaps remembered chiefly for encouraging Copernicus finally to consent to the publication of De Revolutionibus (1543), and for seeing the work through the press at Nuremberg while Copernicus lay dying; but it was in fact Rheticus’s own account of his teacher’s system, the Narratio prima (1540), which was the first published exposition of Copernican heliocentrism. Basel printers Heinrich Petri (1508-1579) and son Sebastian (1546-1626) were distant relatives of Johann Petreius, printer of the first edition of De Revolutionibus. In 1566, five years after their printing of the present compilation, they issued the second edition of De Revolutionibus, which was the first also to contain the Narratio Prima. Rheticus was a prolific correspondent at the centre of European intellectual life in the mid-16th century, and a handful of books with his inscription are known to exist in libraries or are attested in surviving letters and other sources. The National Library of Sweden holds a copy of Sacrobosco’s Sphera mundi and other texts (Venice: Giunta, 1518) which contains the similar inscription ‘Ioachimo Rhaetico’, also in Rheticus’s hand (shelfmark Stockholm K. Bibl., 106A, Fol, RAR; see further Goddu, ‘Copernicus’s Annotations: Revisions of Czartoryski’s “Copernicana”’, Scriptorium, 58 (2), 2004. p. 207). The only other example of a book inscribed by Rheticus we trace in commercial records is the legendary Horblit-O’More-Beltrame copy of De Revolutionibus, presented to Andreas Aurifarber, which achieved a record price for a printed book relating to the history of science when it realised $473,000 at auction in 1989 (see Gingerich, An Annotated Census of Copernicus’ De revolutionibus, I.117). Adams P2134 (under Proclus); Houzeau & Lancaster 767; Sabin 65940; Shirley, World 108 & British Isles 69; VD16 P 4970. First edition of this compendium of cosmographical treatises to include Johannes Honter’s De Cosmographiae rudimentis, which here contains Honter’s double-page cordiform world map and maps of Malta, Mallorca, Cyprus, southern Africa, Madeira, Egypt and the Arabian Peninsula (as well as the Persian Gulf), India, Java, Sri Lanka (‘Taprobana’) and elsewhere; the first edition of Honter’s work, printed at Krakow in 1530, is exceptionally rare and was printed with a double-page world map only. Heinrich Petri had previously issued a compendium containing Proclus’s work together with those of Cleomedes and Aratus in 1547; the present iteration, containing Honter’s text, was reprinted in 1585. (1) £5,000 - £8,000

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Lot 327

Lot 328

327 Saadi Shirazi. (Died 1292 A D). Boostan, by Sheik Muslahuddeen Saudee of Sheraz, to which is added a Compendious Commentary together with a Dictionary of such words as are hard of meaning now. First Computed Expressly for this Edition by Moolvy Jumnuzuddy, Calcutta, 1828. Reprinted at Bombay, 1842, 112 leaves, lithographed (by Gunput Crustnajee) in Persian throughout with title-page at end in Persian and English, heavy browning to first 28 leaves and some lesser browning to final leaves including title, a few marginal repairs to foremargin not title not affecting text, one marginal tear with loss, contemporary roan-backed cloth, repeated gilt floral ornament to spine, rubbed and some edge and corner wear, folio

329 Spenser (Edmund). Poetical Works, with memoir and critical dissertations, by the Rev. George Gilﬁllan, 5 volumes, Edinburgh, 1859, a little minor spotting, top edge gilt, attractively bound in contemporary blue half calf, spines richly gilt with burgundy labels, a few edges a little rubbed, 8vo, together with Rubaiyat of Omar Khayyam, Golden Treasury Series, 1936, all edges gilt, contemporary red calf gilt by Bayntun Riviere, slightly rubbed at joint ends, 12mo (6)

328 Skene (Sir John, Lord Curriehill). De verborum significatione. The Exposition of the Termes and Difficill Wordes, conteined in the foure Buiks of Regiam Maiestatem, and uthers, in the Acts of Parliament, infestments, and used in practicque of this Realme, and with divers Rules, and common places, or principals of the Lawes. Collected and exponed be Master John Skene, Clerke of our Soveraine Lordis Register, Councell and Rolles, London: Printed by E. G[riffin], 1641, [4], 96, 87-102, 101-172pp., early ink signature John Gordon and initials J.H. to title, marginal notes to C2 & M4, browning and spotting throughout, some dampstaining mostly at rear of volume, modern endpapers, contemporary sheep, rebacked, scuffed, 4to (Wing C7681, the first separate edition of Skene’s dictionary of ancient Scottish legal terms, the previous two editions being published as a part of his Laws and acts), together with [Parliament of Scotland], An Index or Abridgement of the Acts of Parliament , Made by K. James the I. ... Queen Mary, Ja. VI. K. Charles I. and Charles the II. Kings and Queen of Scotland. Digested into Heads, Set down after the Order of the Alphabet, Edinburgh: Printed by John Reid, 1685, last few lines of text at foot of A2 faint, general toning throughout and few marks, modern calf, faded & marked, 12mo £200 - £300

(11) Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

£100 - £150

330 Strada (Famianus). De Bello Belgico decas secunda ab initio praefecturae Alexandri Farnesii parmae placentiae que ducis III..., Rome: Apud Haeredes Francisci Corbelletti, 1658, additional engraved title incorporating map of Belgium & Low Countries depicted as a lion (slightly close-trimmed to fore-edge & lower borders), ink stamp to both additional title and letterpress title, 10 engraved portrait plates (all folding), some dust-soiling and toning, contemporary calf, rubbed and light wear to extremities, 12mo, together with Estrades (Godefroi comte d’), Lettres et Negociations de Messieurs le marechal d’Estrades, Colbert, marquis de Croissy, et comte d’Avaux, ambassadeurs plenipotentiares du roi de France, à la Paix de Nimegue, et les reponses & instructions du roi, & de Monsieur de Pomponne..., 3 volumes, The Hague: Adrian Moetjens, 1710, titles in red & black, bookplate with initials W.A. to upper pastedowns, contemporary speckled calf, each volume neatly rebacked with gilt decorated spines, 12mo, plus Jonston (John), [Heroes] ex Omni Historia Scotica lectisimi, Leiden: excudebat Christophorus Guyotius, sumtibus Andreae Hartii Bibliopolae Edinburgensis, 1603, titlepage excised at head with loss of ﬁrst word of title, ﬁnal leaf provided in neat manuscript facsimile, dust-soiled and browned, bookplate of Henry Drummond of Albury Park, Surrey to upper pastedown, without free endpapers, 19th century calf-backed marbled boards, worn, slim 4to, and Claudius (Gottfried Christoph), Historia Fratrum sportulantium ex antiquitate eruta atque exercitatione..., auctore M.G.C.C., Frankfurt, 1724, title in red & black, some leaves close-trimmed at fore-edge, browning, contemporary half calf, gilt decorated spine, slim 8vo, plus 5 other 17th & 18th century continental antiquarian

Bustan [The Orchard] was one of the two major works by the Persian poet Saadi Shirazi (1210-91), completed in 1257. (1) £200 - £300

(2)

Lot 329

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£200 - £300

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ART & ARCHITECTURE

Lot 331 331 Bartoli (Pietro Santi). Colonna Traiana , eretta dal senato, e popolo romano all’imperatore Traiano Augusto nell suo foro in Roma. Scolpita con l’Historie della guerra Dacica la prima e la seconda espeditione, e vittoria contro il re Decebalo. Nuovamente disegnata, et intagliata. Con l’espositione latina d’Alfonso Ciaccone, compendiata nella vulgare lingua sotto ciascuna immagine, accresciuta di medaglie, inscrittioni, e trofei, da Gio. Pietro Bellori, 1st edition, Rome: Gio[vanni] Giacomo de Rossi, [ 1673], title-page, dedication leaf, 2 pp. text (‘Al lettori’; verso blank), 126 etched plates (7 unnumbered, the remainder numbered 1-119), 14 + [2] pp. text, worming to lower margins, reducing towards centre of volume, light damp-staining to lower margins of initial 30 or so leaves, title-page slightly frayed (strengthened along fore margin verso), marginal restoration to pp. 3/4 of the text, edges untrimmed, modern half leatherette, oblong folio (38.5 x 46.5cm) Berlin Katalog 3622; Cicognara 3603. A complete, untrimmed copy of this striking depiction of ‘the great column which is the sole intact monument of Trajan’s Forum (ruined by earthquakes in the 9th century)’ (Royal Academy, online). (1) £300 - £500

332 Bartoli (Pietro Santi). Admiranda romanarum antiquatum ac veteris sculpturae vestigia anaglyphico opere elaborata ... notis Jo. Petri Bellorii illustrata, 2nd edition. Rome: Domenico de Rossi, 1693, 83 etched plates including title-page and dedication leaf (of 84: lacking plate 84), light to moderate spotting, variable dampstaining to margins, just touching upper outer corners of images in plates 44-5, 60-73, 75, and 77-83, plates 1-4 (including title-page and dedication) somewhat spotted and soiled, title-page trimmed along top edge, oil-stain to top edges of plates 13-20 and 39-40 not affecting images, marginal worm-track to plates 74-83, edges untrimmed, modern half leatherette, oblong folio (39 x 47.5cm) Cicognara 3607. An untrimmed copy of Bartoli’s pictorial account of Roman historical reliefs and sarcophagi. According to Cicognara there was a preceding edition without a date on the title-page. (1) £200 - £300

Lot 332

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Lot 333 333 Bartoli (Pietro Santi). Columna cochlis M. Aurelio Antonino Augusto dicata, eius rebus gestis in Germanica, atque Sarmatica expeditione insignis, ex S. C. Romae ad viam Flaminiam erectabrevibus notis Jo. Petri Bellorii illustrata, 2nd edition, Rome: Domenico de Rossi, 1704-8, etched title-page, dedication leaf, part-title ‘Stylobates columnae Antoninae’, and 80 plates (numbered 1-77 and I-III), variable light fraying and marginal dampstaining to outer leaves (plates 2 and 77 strengthened in margins), worm-track to foot of first 5 leaves including title-page (attempted repair to first 4), quickly reducing thereafter, title-page somewhat spotted and dust-soiled, occasional light spotting and soiling to margins elsewhere, light marginal worming to plates 29-42 and 7377, , closed marginal tear to plate 52, extra-illustrated with an etched plate tipped to a guard before the title-page, all edges untrimmed, modern half leatherette, oblong folio (39 x 47.5cm) Berlin Katalog 3623; Cicognara 3605. An untrimmed, complete copy of this comprehensive depiction of the Antonine Column in Rome, the commemorative monument erected between AD 172 and 196 to celebrate the victories of Marcus Aurelius. The three extra plates issued in 1708 with the part-title ‘Stylobates columnae Antoninae’ are often absent and not listed in the Berlin Katalog. The first edition appeared in 1672. (1) £300 - £500

334 Bickham (George). The Universal Penman; or, the Art of Writing, made Useful to the Gentleman and Scholar, as well as the Man of Business, London: H. Overton, 1743, 215 engraved plates (frontispiece lacking), some with manuscript numbers to upper outer corner, ﬁnal leaf detached, few worm holes to inner margins of leaves at front of volume, heavy worming and worm holes at rear of volume affecting some text, ﬁrst & last few leaves with some tears mostly to margins and leaves creased, occasional spotting and dust-soiling, lacking free endpapers, contemporary calf, boards detached, worn, folio Provenance: From the Estate of Michael Jaffé CBE (1923-1997), English art historian and director of the Fitzwilliam Museum, Cambridge. Sold with all faults, not subject to return. (1) £400 - £600

Lot 334

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Lot 336 335 Brieger (Peter et al). Illuminated Manuscripts of The Divine Comedy, 2 volumes, 1969, numerous black & white illustrations, uniform original red cloth in dust jackets, spines slightly faded & covers lightly marked, large 8vo, together with Berkovits (Ilona), Illuminated Manuscripts in Hungary XI-XVI, 1969, Irish University Press, numerous colour and black & white plates, original cloth in dust jacket, covers slightly rubbed to head & foot with minor tear to head of spine, large 8vo, and Pächt (Otto & Alexander, J.J.G.), Illuminated Manuscripts in the Bodlean Library Oxford, 2 volumes, 1966, Oxford, colour and black & white illustrations, uniform original cloth in dust jackets, spines lightly faded & rubbed to head & foot, 8vo, plus 28 further volumes of Illuminated manuscript reference, mostly original cloth in dust jackets, 8vo/folio (33)

£100 - £150

336 Campbell (Colen). Vitruvius Britannicus, or The British Architect, Containing the Plans, Elevations, and Sections of the Regular Buildings, both Publick and Private, in Great Britain..., volumes 1-3, [1725], 229 engraved plates only of 335 (including 48 double-page & folding, engraved title-pages to volumes 1 & 2 in English & French, & engraved dedication to volumes 1, lacking 6 double-page plates), titles to volumes 1 & 2 without imprint, volume 3 with letterpress title in red & black and imprint dated 1725, letterpress dedication also to volume 3, some dampstaining and light dust-soiling, occasional worming to margins, slight marginal fraying to few plates, few marks, contemporary calf, gilt decorated spines lacking title labels, joints split, worn, folio

337 Flaxman (John). [The Odyssey of Homer engraved from the compositions of John Flaxman] & The Iliad of Homer, engraved from the compositions of John Flaxman, 2 volumes, 1805, engraved title page to second volume of The Iliad, but without title page to first volume of The Odyssey, 34 and 39 line engraved plates respectively, the first volume with some marks and light damp marking to upper outer corners, all edges gilt, contemporary uniform dark green half morocco, rubbed and some marks, first volume with some wear to covers, oblong folio, together The Theogony Works & Days & The Days of Hesiod engraved from the compositions of John Flaxman, 1817, engraved title and 37 numbered line-engraved plates, engraved by William Blake after Flaxman, some scattered spotting throughout, marbled endpapers, front and rear inner hinges restrengthened, all edges gilt, contemporary gilt-decorated full green crushed morocco, a little rubbed and scuffed to joints and edges, and a little faded to spine and outer margins, oblong folio (27 x 42cm, 10.5 x 16.5ins)

Provenance: Michael Jaffé CBE (1923-1997), English art historian and curator of the Fitzwilliam Museum, Cambridge. Volume 1 contains 86 engraved plates (numbered 1-100, includes engraved title, dedication & 14 double-page & folding plates), occasional dust-soiling, some dampstaining mostly to lower margins, folding plate of Castle Howard frayed to margins. Volume 2 contains 73 engraved plates (numbered 1-20 & 23-98, lacking double-page plates 21/22 & 99/100, includes engraved title, 14 doublepage & folding plates), occasional dust-soiling, some dampstaining mostly to lower margins, worming to some inner & lower margins. Volume 3 contains 70 engraved plates (numbered 7-56 & 61-100, lacking double-page plates 3/4, 5/6, 57/58 & 59/60, includes 20 double-page & folding plates), occasional dust-soiling, some dampstaining mostly to lower margins. Fowler 76; Harris 97 & 99. (3) £2,000 - £3,000

Provenance: From the Estate of Michael Jaffé CBE (1923-1997), English art historian and director of the Fitzwilliam Museum, Cambridge. (3) £200 - £300

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Lot 338 338 Fontana (Giovanni Battista, circa 1525-1589). Colonna Traiana [so titled to spine], circa 1600, a bound volume of 71 etched plates depicting scenes from the frieze of Trajan’s Column in Rome, consisting of one folding plate depicting the length of the whole column, a second folding plate showing sections within the column, and 69 etched plates laid down on thick laid double-page leaves, each of the double-page plates numbered in pencil 1-7, 10-15, 17, 2228, 32-33, 37, 39-40, 43, 45-46, 56, 61, 64-77, 80-91, 94, 96-107, the plate numbered 5 with etched signature on a stone to the foreground of the image ‘Battista fon/Tana Verone’, size of the original plates 28.5 x 47cm (11.25 x 18.5ins), without title or letterpress, all plates uncaptioned, late 18th or early 19th century half calf, marbled edges and endpapers, with 19th century bookplate bearing the motto ‘Finem Respice’, and 20th century bookplate of Pat Milne Henderson, heavily rubbed and worn to joints and edges, with upper cover neardetached, and rear cover detached folio (38 x 29cm, 15 x 11.5ins) The present work appears to be a reworking of the series of engravings made by Alfonso Chacon and Francesco Villamena, the ﬁrst work to depict the events of the Dacian Wars as depicted on Trajan’s Column in Rome, published in 1576, with a second edition issued in 1616. Sold as a collection of plates, not subject to return. (1) £700 - £1,000

339 Frankau (Julia). The Story of Emma, Lady Hamilton, 2 volumes, London: Macmillan, 1911, 30 colour plates, each with captioned tissue guard, and numerous monochrome plates, volume one dustsoiled (mainly to margins), free endpapers toned and spotted (lightly affecting adjacent leaves), top edges gilt, remainder untrimmed, original japon gilt, front covers and spines somewhat dust-soiled and rubbed (mainly to extremities), volume one front joint partly cracked, and spine frayed at foot, volume two front joint a little cracked, folio Provenance: Annie Cowdray (pictorial bookplate on each front pastedown). Annie Pearson 91860-1932) was the wife of the 1st Viscount Cowdray, and they lived at Dunecht House, which is depicted on the bookplate. Limited edition, out-of-series copy from the total edition of 250. (2) £150 - £250 Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

Lot 339

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Lot 341 341 Hancarville (Pierre François Hugues d’). Collection of Etruscan, Greek, and Roman Antiquities from the Cabinet of the Honble W. M. Hamilton, His Britannick Majesty’s Envoy Extraordinary at the Court of Naples, volume 1 only [of 4], 1st edition, Naples: François Morelli, 1766, 110 etched plates numbered 1-3, 22-7 and 30-130, including 2 hand-coloured title-pages in English and French, and 39 further hand-coloured plates, of which 14 double-page, image dimensions 12 x 15 to 45 x 68cm, the uncoloured plates including the dedication leaf, large engraved headpieces and initials in the text, text in English and French on facing pages, shallow tear to fore margin of French title-page just touching image, faint tide mark to head of gutter appearing from plate 95 never approaching images, plates 127-30 slightly rippled, plate 130 creased and partially damp-stained, contents overall very clean and fresh with strong impressions of the plates, contemporary half sheep, marbled paper sides, worn, large folio (48.5 x 36.5cm) Berlin Katalog 890; Blackmer 845; Cohen-De Ricci 474. ‘Produced in only 500 copies ... [t]his sumptuous work describes Hamilton’s first collection of vases, which was sold to the British Museum in 1772 ... This work work is of great importance in the development of neo-classical designs for pottery and porcelain; it influenced Wedgwood especially’ (Blackmer). ‘Edition splendide et de grand luxe exécutée’ (Cohen-De Ricci). Notwithstanding the lacunae in the plate numbering this copy appears to have the full complement of 110 plates (including the title-pages and dedication) cited by Blackmer for the first volume. (1) £2,000 - £3,000

340 Fumagalli (Ignazio). Scuola di Lionardo da Vinci in Lombardia, o sia raccolta di varie opere, 1st edition, Milan: Reale stamperia, 1811, half-title, title-page, dedication leaf, 53 sepia engraved plates each with leaf of descriptive letterpress (one plate with 2), contemporary half sheep, paper sides hand-painted in imitation of marbled leather, rubbed, 4to (30.5 x 21.5cm) An attractive volume of engravings after paintings by various students or followers of Da Vinci including Bernardino Luini, Gaudenzio Ferrari and Giovanni Antonio Boltrafﬁo. (1) £300 - £400

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343 Jones (Inigo). [The Designs of Inigo Jones, consisting of Plans and Elevations for Public and Private Buildings. Published by William Kent, with some additional designs, 2 volumes in one, London: Benjamin White, 1770], volume 1 with French title only (with engraved portrait vignette) and 3 leaves of contents only also in French, volume 2 with English title only (with engraved portrait vignette) and 2 leaves of contents only also in English, 61 engraved plates only (comprising 5 folding, 17 double-page & 38 single-page, volume 1 containing plate 1* the added view of Whitehall Palace not present in the 1st edition & plates numbered 1-31 i.e. without frontispiece and plates numbered 32-73, volume 2 containing plates numbered 1-32 & 39-65, i.e. without plates numbered 3338), folding plate of Wentworth Woodhouse slightly torn & frayed to margins with a little loss, some browning, spotting & dust-soiling, few folding plates creased, occasional dampstaining & browning to margins, modern black half morocco, folio Archer 166.2; Harris 386 & Fowler 162 (note). The ﬁrst edition of this work was published in 1727 and a later reprint in 1835 by J.B. Nichols & Son. Archer calls for volume I: 7 printed leaves (including a title page in French), frontispiece + 1 + 73 plates. Volume II: 7 printed leaves (including a title page in French), 65 plates. Harris calls for volume I: frontispiece, 6 printed leaves, plates 1, 1-73 (51 designs). Volume II: 8 printed leaves, plates 1-64 (46 designs). (1) £300 - £500

344 Ottley (William Young). A Collection of One Hundred and Twenty-Nine Fac-Similes of Scarce and Curious Prints, by the Early Masters of the Italian, German, and Flemish Schools; Illustrative of the History of Engraving, London: Published for the Proprietor, 1828 , additional engraved title, 120 india proof facsimiles on 82 leaves, mounted with 12 additional niello prints printed on silver colour paper, occasional spotting, top edge gilt, contemporary half vellum, green morocco spine label, rubbed and scuffed, folio, together with Ottley (William Young), An Inquiry into the Origin and Early History of Engraving, upon Copper and in Wood, with an Account of Engravers and their Works, from the invention of Chalcography by Maso Finiguerra, to the time of Marc’ Antonio Raimondi, 2 volumes, London: John & Arthur Arch, 1816, Large Paper copy, woodcut & engraved plates and illustrations (woodcuts of St. Bridget and St. Christopher in black & white and colour), scattered spotting throughout, all edges gilt, contemporary russia calf, both volumes rebacked, folio

342* John (Augustus, 1878-1961). Signed menu with vignette illustration, 2 July 1919, six menu lines in blue ink, dated and signed by Augustus E. John at foot, written over a pencil and wash drawing of a red squirrel, inscribed for Dolly upper left, 16 x 13cm (1)

£300 - £500

Provenance: From the Estate of Michael Jaffé CBE (1923-1997), English art historian and director of the Fitzwilliam Museum, Cambridge. (3) £200 - £300

345 [Rome]. Le Cose Maravigliose di Roma, cioe Chiese e luoghi Pii; con la delineatione dell’ediﬁcio, loro histoira, ornamenti, pitture, e sculture; co’l nome de’Pittori, e Sculturi, che l’han fatte… Tutte nuovamente corrette, & abbellite, Rome, Per il Moneta, ad istanza di Mauritio Bona al Morion d’Oro, 1642, title printed in red and black with elaborate woodcut border, and vignette view of Rome at foot, numerous large woodcut illustrations of antiquities, churches, palazzi, etc., bound with Palladio (Andrea). Le Antichita dell’alma citta di Roma, … aggiuntovi di nuovo alcune belliss. ﬁgure, Rome, Antonio Landini, in Piazza Navona, 1639, title with woodcut border and vignette, numerous large woodcut illustrations, contemporary full vellum with clasps (in working order), some marks and light soiling (generally a good copy), 8vo

Lot 343

(1)

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£200 - £300

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Lot 345 346 Rubens (Peter Paul, 1577-1640). Twelve Famous Greek and Roman Men, [Antwerp], 1638, the set of 12 copper engravings on laid paper by Paulus Pontius, Lucas Vorsterman, H. Withoue and B. a Bolswert after Rubens, very good, strong impressions, with good margins, some very light marginal spotting (generally in very good, clean condition), bookplate of Michael Jaffé to front pastedown, near-contemporary sprinkled full calf, gilt decorated spine, a little rubbed and minor wear to joints and outer corners, large slim folio (37.5 x 27.5cm, 14.75 x 10.8ins) Provenance: From the Estate of Michael Jaffé CBE (1923-1997), English art historian and director of the Fitzwilliam Museum, Cambridge. Gift inscription to front endpaper dated Christmas 1961 ‘To Michael from Tim. From the Earl of Pembroke’s library, Wilton House, a selection of which was sold at Sotheby’s on 27 November 1961: this volume formed part of lot 135.’. First edition of the complete set of twelve engravings based on drawings by Rubens after antique busts, engraved under Rubens’ close supervision, possibly from sculptures in the artist’s own collection. The subjects are: Socrates, Plato, Demosthenes, Democritus, Sophocles, Hippocrates, Julius Ceasar, Nero, Scipio Africanus, Cicero, Seneca, and Marcus Brutus. (1) £300 - £500

Lot 346 347 Rubens (Peter Paul). Musée du Louvre. Galerie de Rubens dite du Luxembourg composée des vingt-quatre tableaux de la vie de Marie de Médicis gravés sur acier par les premiers artistes avec leplus beau portrait de Rubens dessiné et gravé par Leclerc, ouvrage accompagné d’un texte descriptif... par S. de Saint-Planchez, Paris, Gustave Guerin, [1882], 40 pages of printed text, 24 engraved plates on india paper paintings by Rubens, each with accompanying leaf of descriptive text, a few leaves loose, top edge gilt, contemporary red half morocco, gilt decorated spine, a few minor marks and minor wear to exremities, large folio (49 x 33cm, 19.25 x 13ins) Provenance: From the Estate of Michael Jaffé CBE (1923-1997), English art historian and director of the Fitzwilliam Museum, Cambridge. (1) £150 - £200

Lot 347 348 Smith (George). The Cabinet-Maker and Upholsterer’s Guide: Being a Complete Drawing Book; in which will be comprised Treatises on Geometry and Perspective..., to which is added, a complete series of New and Original Designs for Household Furniture, and Interior Decoration..., London: Jones & Co., 1826, additional engraved title, 151 engraved & etched plates including 38 hand-coloured, front blank with old ink ownership stamp of J.M. Robertson, Kings Head Hotel, Monmouth, browning and scattered spotting, occasional staining mostly to fore-edge margins, contemporary half calf, gilt decorated spine, extremities slightly rubbed, 4to, together with Smith (James), The Panorama of Science and Art..., 2 volumes, London: Caxton Press, by Henry Fisher, circa 1816, engraved frontispiece to each volume, 48 engraved plates including 5 folding, scattered spotting and offsetting, verso of front free endpapers with old ink ownership stamp of J.M. Robertson, Kings Head Hotel, Monmouth, front pastedowns with early 19th century engraved advertising label for ‘J.M. Robertson, Cabinet & Chair Maker, Upholsterer &c., Gloucester. Orders Executed with punctuality & Dispatch. Funerals Performed’, contemporary gilt decorated straight-grain red morocco by Needham of Westgate Street, Gloucester, extremities slightly rubbed, 8vo (3)

Lot 348 113

£200 - £300

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349 Stuart (James & Revett, Nicholas). Les Antiquities d’Athenes, Mesurees et Dessinees par J. Stuart et N. Revett, Peintres et Architectes..., 4 volumes, Paris, 1808-1822, half-titles, 191 engraved plates & plans (8 double-page), scattered spotting, occasional toning & ﬁnger-soiling, fore-margins to last few leaves in volume 3 dampstained, together with the supplement volume Hittorff (Jacques Ignace, ed.), Les Antiquites Inedites de l’Attique, contenant les restes d’architecture d’eleusis, de rhamnus, de sunium et de thoricus, par la Societe des Dilettanti..., Paris, 1832, half-title, 60 engraved plates (including single-page map), scattered spotting, uniform 19th century maroon half morocco gilt, extremities rubbed and scuffed, folio Provenance: From the Estate of Michael Jaffé CBE (1923-1997), English art historian and director of the Fitzwilliam Museum, Cambridge. Blackmer 1617 reference to French edition. (5) £1,500 - £2,000

350 Todorow (Maria Fossi). I Disegni Del Pisanello e della sua cerchia, 1966, Florence, numerous monochrome plates & illustrations, publishers original green cloth, folio, together with Teza (Laura), Pietro Vannucci il Perugino..., 2004, Italy, numerous colour & monochrome illustrations, original grey cloth, large 4to, and Strehlke (Carl Brandon & Frosinini, Cecilia), The Panel Paintings of Masolino and Masaccio, the role of technique, 2002, Milan, numerous colour & monochrome illustrations, original cloth in dust jacket, large 4to, plus, Carboni (Stefano), Venezia e l’Islam 8281797, 2007, Venice, numerous colour and black & white illustrations, original cloth in dust jacket, large 4to, and Andrews (Keith), National Gallery of Scotland Catalogue of Italian Drawings, 2 volumes, reprint edition, 1971, Cambridge University Press, numerous monochrome illustrations, uniform original red cloth in dust jackets, 8vo, plus 19 further volumes of Italian & Renaissance art & sculpture reference, mostly original cloth, some in dust jackets, G/VG, 8vo/folio (25)

£150 - £200

351 Turnbull (George). A Treatise on Ancient Painting, containing Observations on the Rise, Progress, and Decline of that Art amongst the Greeks and Romans..., London: Printed for the author; and sold by A. Millar, 1740, title in red & black, 54 engraved plates (6 double-page or folding), occasional scattered spotting and marginal ﬁnger-soiling, contemporary calf, rebacked and corners repaired, folio

Lot 349

Provenance: From the Estate of Michael Jaffé CBE (1923-1997), English art historian and director of the Fitzwilliam Museum, Cambridge. (1) £200 - £300

Lot 351 Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

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The first two volumes of Vasari’s three-volume work. The first volume consisting of the Prima e Seconda Parte, and the second volume containing the Primo Volume della Terza Parte. The third volume, not present here, is entitled Secondo et ultimo volume della Terza Parte. Vasari’s Lives was first published in 1550, but without portrait illustrations. This second edition was significantly expanded, and is the first to include the woodcut illustrations. In this copy, the title page to the first volume does not include an inset view of Florence at the foot, and the image of dead artists rising from the ground is placed at the centre of the woodcut title, rather than printed on the verso. Flaxman lived in Rome between 1787 and 1794, and went on sketching expeditions with William Young Ottley in 1792. Flaxman was an assiduous student of so-called Italian ‘primitives’ such as Ghiberti, Botticelli and Signorelli, and it is no surprise that he owned a copy of this illustrated edition of Vasari’s Lives, the ‘first modern history of art’ (Printing and the Mind of Man). (2) £1,000 - £1,500

352 Vasari (Giorgio). Le Vite de’piu eccellenti Pittori, Scultori, e Architettori, scritte, & di nuovo ampliate..., co’ritratti loro et con le nuove vite dal 1550. in fino al 1567, Parts 1, 2 and 3 (Primo Volume only), lacking the final part entitled Secondo et ultimo volume della Terza Parte, 2 nd edition, Florence, Appresso I Giunti, 1568, elaborate woodcut title, woodcut initials and ornaments, woodcut portrait of the author to B4 verso, 126 medallion woodcut portraits of artists, set within borders of female figures representing the arts (woodcut portraits to pages 166, 193, 200, 203 and 232 in Part 1, and to pages 16, 51 and 227 of Part 3 not printed), TT3 with a small portion of the leaf torn out and missing (affecting text), Part 3 lacking title (*1), and colophon leaf at end (Aaa2), some early ink marginal annotations to Part 3, some minor marks and soiling, contemporary vellum, first volume heavily worn with covers detached and spine defective, second volume with some soiling and wear, particularly to lower half of spine, 4to

353 Vasari (Giorgio). Le Vite De’ più Eccellenti Pittori , Scultori Et Architetti ..., 3 volumes, Bologna: Presso gli heredi di Evangelista Dozzo, 1647, engraved frontispiece to volume 1 (slightly cropped at head & fore-edge), woodcut portrait illustrations, some toning and scattered spotting, few light dampstains, later endpapers, contemporary speckled calf, rebacked, joints split, extremities rubbed and some wear, 4to

Provenance: John Flaxman (1755-1826), artist and sculptor, with his signature in brown ink to front pastedown of Part 3; John Payne Collier with his ink annotation below Flaxman’s signature, and further annotation to verso of front endpaper, stating that the volume was given to him by Mr. John Wilson, dated 17 May 1880; Patricia Milne-Henderson, with her small bookplate to head of front pastedown Gamba 1725; Censimento 16 CNCE 48229; Mortimer, Italian Books 515; PMM 88; Adams V296.

The ﬁrst edition was published in 1550 as: Vite de’ più eccellenti architetti, pittori et scultori italiani. Parts 1 and 2 in 1 volume; pt. 3 in 2 volumes. Part 2 has caption title only; pt. 3, vol. 1-2 have title: Delle vite de’ più eccellenti pittori, scultori et architetti. (3) £400 - £600

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355* Artists’ Autographs. A collection of letters by mostly British artists, 19th & 20th century, including letters from E.J. Poynter, discussing his plans to make a large landscape painting, etc.; John Fulleylove (to Monkhouse, 1891, with a small architectural sketch); Harry Furniss, 1901; Bernard Partridge; W.B. Richmond offering his copy of The Book of Job, 1903; Lawrence Alma-Tadema to the curator of the South London Art Gallery, offering a drawing, 1901; Briton Riviere; Sidney Colvin (3 long letters, one to Mrs Alfred Austin, 1918); Arthur Hughes (ALS); Laura Knight (2 pages, in pencil, after breaking a leg), 1932; Harold Knight, offering a picture, 1935; Sir Gerald Kelly, on art criticism; Rudolf Pickthall; William Hole (long letter to Monkhouse); Alfred William Hunt, 1890; Francis Grant (3 items, one letter on the excellence of an engraving); David Roberts (trimmed); C[larkson] Stanﬁeld, to John Murray, 1825 (trimmed); Frederick Leighton, extending an invitation; Alfred Elmore, Philip Caldron and Val Princep, all to W.P. Frith, 1867; Linley Sambourne, 1886, and several others, mostly one or two pages, 8vo and a few 4to

AUTOGRAPH LETTERS

(a folder)

£300 - £400

354 Aldrin (Buzz, 1930-). Men from Earth, 1st edition, Nashville, TN: FlatSigned Press, 2005, all edges gilt, original blue leather, (signed limited edition, 868/1500 copies), with publisher’s certiﬁcate of authenticity and a photograph of Aldrin at a book signing loosely inserted, 8vo, together with Magniﬁcent Desolation: Images from the Apollo 11 Lunar Mission, Reno, NV: Jack Bacon, circa 1909, colour illustrations from photographs throughout, original cloth with silver spine, small 4to, (limited edition, 147/500 copies, signed by Aldrin in blue ink to half-title), both VG (2)

£100 - £150

356* Baden-Powell (Robert, 1857-1941). Pen and ink self portrait with presentation inscription in capital letters, circa 1900, in full ‘You may rejoice!! Wunhi has returned from the Wars!! A wreck of his former self - but still alive - and that, after all, is something to be thankful for’, written in eight lines above a pen and ink portrait of Baden-Powell with pith helmet and unshaven look leaning decrepitly on his sword, a few minor spots, the whole of a narrow strip of off-white laid paper with slightly roughened edges and a small tear to upper blank area of left margin, overall 34 x 10.5cm From the Pamela Dugdale collection. Mrs Dugdale and Baden-Powell had been in amateur dramatics together while Baden-Powell was in Meerut in 1897. Baden-Powell had played the part of a Chinese man called ‘Wunhi’ in the play of The Geisha, a late Victorian Edwardian musical comedy by Sidney Jones, Lionel Monckton and Harry Greenbank. Baden-Powell remained friends with the Dugdales and often signed himself ‘Wunhi’ when writing to Mrs Dugdale. This characterful pen and ink self portrait and note may have been sent by Baden-Powell when he was brieﬂy back in the United Kingdom in October 1901 following the Second Boer War. (1) £200 - £300

Lot 355

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357* Baden-Powell (Robert, 1857-1941). Autograph Letter Signed ‘R. BadenPowell’, no place, Friday 18th, no year, to Mrs Turner, ‘I’ll gladly come over and look at the house about 5 o’cl. Empty beer jug does not describe me now - I don’t feel as if I had ever had the beer in me at all! However tomorrow I’ll be out in the fresher air. Have you any other “Sentimental Tommy” like literature to lend me to take out with me’, some heavy spotting, 2 pp. with integral blank, 8vo From the Pamela Dugdale Collection. Sentimental Tommy was a novel written by J.M. Barrie, ﬁrst published in 1896, and was followed up with Tommy and Grizel, published in 1902. The story begins with Tommy aged ﬁve and describes his tribulations on becoming a young man. It seems likely that this was written when Baden-Powell was returning to the war in South Africa. (1) £100 - £150

359* Baden-Powell (Robert, 1857-1941). Signed autograph sentiment, ‘R.S.S. Baden-Powell’, blue ink on a white slip of paper pasted at the foot of a photograph mount with photogravure headand-shoulders portrait of Baden-Powell in uniform mounted above, some spotting, overall 23 x 19cm From the Pamela Dugdale collection. (1)

360* Baden-Powell (Robert, 1857-1941). Typed letter signed, ‘Robert Baden Powell’, Boy Scouts embossed letterhead, London, 18 September 1914, to the assistant masters on Penrhyn Street Council Schools, Liverpool, telling that he is pleased to hear ‘of the troop of Scouts starting work at the Penrhyn Street Council School, and to know that in spite of difﬁculties the Scouts are working hard and doing their best to make themselves manly efﬁcient citizens. There is just now a great deal that they can do to help people, and I am sure that they will not be slow in doing so’, soiling and marks, slight fraying at upper margin with hole to upper left corner, some creasing, together with a second typed letter signed, ‘Robert Baden Powell’, on the same letterhead, 4 April 1916, to the editor of the Penrhyn Magazine, thanking them for the magazine ‘which I have read with great interest. It is full of good and useful things, and I hope it may continue in the same way and have a long and successful career’, a little creasing, slight marginal toning and pin hole upper left, torn with loss to lower blank right corner, both with adhesion remains to corners verso, each one page, 4to

358* Baden-Powell (Robert, 1857-1941). Autograph letter signed, ‘R.S.S. Baden-Powell’, 32 Princes Gate, Wednesday 22 [no month, no year], to Mrs Dugdale, ‘I have just arrived in town from Salisbury Plain. ARE YOU THERE? I mean, here - in London? If so do you two propose coming to dine with me tonight?’, saying that he had written so previously but not had an answer but if they are free suggesting they might dine say at Dieudonnes and go to a play or musical and concluding ‘I am afraid I haven’t asked the party to meet you!’, a few spots to ﬁrst page, 3 pp., together with another autograph letter signed, ‘R.S.S. Baden-Powell’, Battle Abbey letterhead, 18 November 1905, to Mrs Dugdale saying that he is so glad to hear that she will be in town when he is likely to be there and concluding, ‘You will please make no other arrangements for yourself and husband than to come and dine and do a play with yours truly’, some spotting, 2 pages with integral blank, both 8vo From the Pamela Dugdale collection. (2)

£100 - £150

(2)

£200 - £300

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361* Baden-Powell (Robert, 1857-1941). Two typed letters signed, ‘Robert Baden Powell’, Boy Scouts Association printed letterhead, London, 2 July 1919 & 8 January 1920, both to Mr Chadwick, the ﬁrst thanking him for his letter, literature and photographs ‘which are of the greatest interest’, referring to the book he is returning, sympathising with the question of funds and thanking him for his information on the subject of play centres, the second letter thanking him for his report of ﬁve years’ troop work, ‘You have done well and I always follow the doings of your Troop with particualr interest. I hope that the “Tempest” will be as successful as all your other efforts and that you will have a really good Scouting year in 1920’, both with a little soiling and toning especially to corners with some see-through from adhesion remains to versos, each one page, 4to (2)

363* Brunel (Isambard Kingdom , 1806-1859). A signed cheque for the sum of £200, dated 26 October 1838, issue No.26, Messrs Drummond Bank, made payable to H.R. Palmer GWR, signed lower right, 8 x 18.5cm

£200 - £300

(1)

364* Campbell (Malcolm), 1885-1948. Signed Christmas card for 1932, folded blue card with paper insert printed in blue with Sir Malcolm Campbell’s world record and wishes for Christmas, the pale blue card covers with a mounted black and white photograph of the Blue Bird crossing the line at Daytona, 24 February 1932, signed diagonally upwards in dark ink by Malcolm Campbell to lower right blank area, photograph 10 x 12.5cm, a few scattered pinhead-sized ﬂecks of white from loss of photographic surface emulsion, one ﬂeck affecting second ‘m’ in ‘Malcolm’, title and caption printed in blue, some browning and slight soiling to covers and inserted leaves, two pinholes to upper left corner, 16.5 x 21cm

362* Baden-Powell (Robert, 1857-1941). Two typed letters signed, ‘Robert Baden Powell’, Boy Scouts Association printed letterhead, 9 & 28 February 1920, both to Mr Chadwick, the ﬁrst thanking him for ‘the outline of your ideas on citizenship which you were kind enough to send me. This was of the very greatest use to me in making out my report’, concluding that he will be interested to see the programme for Chadwick’s Scout Play on February 12th and wishing him huge success, the second letter saying that he would like to send Chadwick’s ‘practical suggestions with my own ideas for Citizenship training, to the Sub Committee of the British Association who have asked me for suggestions’, concluding that he has pointed out to the Committee ‘that it is practical experiments which will be of value to them in their enquiry’, the ﬁrst letter a little dust-soiled, both a little toned at extremities and with pin holes to upper left corners, minor creasing, each one page, 4to (2)

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

£300 - £500

(1)

£200 - £300

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365* Casals (Pablo, 1876-1973). Two identical vintage gelatin silver print photographs of the cellist performing by Studio Libold, Prades, no date, full length and seated in front of a church altar, 16 x 12cm, both signed in blue ink ‘Pablo Casals’ to lower blank margins, photographer’s credit stamp to versos (2)

Lot 366

£100 - £150

366* Chang and Eng: Conjoined Twins. A manuscript album leaf signed ‘Chang Eng’ and dated 27 April 1830, the top of the album leaf with a six-line poetic quotation in pencil overwritten in ink in a typical and unidentiﬁed hand, initialled J.W.C. and dated 25 April 1830 beneath, the centre of the leaf with a woodcut vignette trade card with engraved name ‘Chang Eng’ beneath mounted to centre of album leaf within embossed gold foil border, 6 x 8cm, autographed by ‘Chang Eng’ at foot with date and small circular embossed red wax seal featuring their names adjacent, the lower half of the page with words and names of various Chang-Eng family in ink plus others relating to their story, ‘Cofﬁn’, ‘Hunter’, ‘Hale’, ‘Rack Choop Georgiana’, ‘Rosalind Two’, a little spotting, verso blank (1)

£200 - £300

367* Churchill (Winston Spencer, 1874-1965). Autograph ink signature, ‘Winston S. Churchill’, circa 1954, signed in dark blue ink on a slip of white paper, paper indentation and light rust mark from paperclip impression and touching the letter ‘S’, 2.5 x 8cm, together with a related typed letter on the prime minister’s 10 Downing Street letterhead, 19 April 1954, to Howard Johnson MP, explaining that as the ‘Prime Minister receives so many requests for his autograph that he has had to make it a strict rule to refuse them all. If he made exceptions he would hurt feelings in many cases and if he agreed to all requests he would have little time left for his duties! I have, however, a signature on a piece of scrap paper which you may wish to give to Mr Giles. I hope he makes an early recovery’, signed by A.A.O. Montague Browne, slight paper indentations and light rust marks to upper margin where previously attached to clipped signature, one page, 4to

Lot 367

Howard Johnson (1910-2000) became Conservative MP for Brighton Kemptown in 1950. In 1954 he began a campaign against animal cruelty after the death of four horses in that year’s Grand National on 10th April. (2) £200 - £300

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369* Cricket Autographs. An autograph album compiled by T. Clark of Somerset, 1950s-70s, including autographs of 16 county teams from 1958, each team page signed in ink or ballpoint pen by 9 or more players, team sheets back to back and with the New Zealand touring team for that year as a double-page spread, a few additional pages of Somerset county cricketers from 1977 on pages following, remaining leaves blank, scattered spotting, hinges near broken, original cloth, a little rubbed, oblong 8vo (10 x 15.5cm) County teams represented are: Somerset, Glamorgan, Kent, Essex, Yorkshire, Gloucestershire, Sussex, Surrey, Hampshire, Northamptonshire, Worcestershire, Middlesex, Derbyshire, Warwickshire, Leicestershire, and Lancashire. (1) £100 - £150

368* Collins (Michael, 1930-). Signed three-quarter length portrait of Collins in his spacesuit, colour photograph, boldly signed in blue felt tip pen across the white area of image, ‘Michael Collins, Apollo XI’, 25 x 20cm, together with a Manned Space Flight Cover Society ﬁrst day cover for the aborted Apollo XIII lunar mission in 1970, franked and postmarked at Houston, Texas, 14th April 1970, and signed in ballpoint pen the lunar module pilot Fred Haise, plus another ﬁrst day cover postmarked at Hamburg, 14 December 1968, signed by the physicist and engineer Hermann Oberth (1894-1989), plus Kooy (JMJ & Uytenbogaart, WH), Ballistics of the Future, with Special Reference to the Dynamical and Physical Theory of the Rocket Weapons, 1st edition, New York & London: McGraw-Hill, 1946, 11 folding diagrams at rear, errata slip tipped in and Dutch imprint tipped onto title, original black cloth letters in gilt and red, slightly rubbed, 8vo, plus a small black and white photograph of the German rocket engineer Arthur Rudolph (1906-1996), signed and inscribed by Rudolph in black felt tip across the lower part of image, 11.5 x 9cm (5)

£150 - £200

370* Cricket. Australian Cricket Team 1953 Coronation Tour, a black and white team photograph, 14.5 x 19.5cm laid card with 18 signatures , Australian colours frame, glazed, 33 x 38.5cm Signed by Colin McDonald, Arthur Morris, Jim de Courcy, Ian Craig, Neil Harvey, Lindsay Hassett, Graeme Hole, Ron Archer, Richie Benaud, Alan Keith Davidson, Ray Lindwall, Keith Miller, Doug Ring, Don Tallon, Gil Langley, Bill Johnston and Jack Hill (1) £100 - £150

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Lot 372

371* Elizabeth (The Queen Mother, 1900-2002) & Princess Margaret (1930-2002). Warrant signed, St. James’s, 13 April 1970, a pre-printed form with typewritten insertions, being a pardon to Dr. Frances Wells in respect of a parking offence, signed on behalf of Queen Elizabeth II by her mother and sister, ‘Elizabeth R’ and ‘Margaret’ at head of document and adjacent to embossed red paper seal, additionally signed by the Prime Minister James Callaghan in red ink at foot of second page, slight see-through, horizontal fold, two pages, folio (1)

£200 - £300

372* Elizabeth II (Queen of Great Britain & Philip, Duke of Edinburgh). Signed Christmas card for 1957, folded off white card with a reproduction colour photograph of the Queen with her family and dogs by an oak tree, signed in blue ink by both beneath, ‘Philip’ and ‘Elizabeth R’, and dated 1957 by the Queen, a few minor marks, near embossed crown on upper board, adhesion remains to lower board, 23.5 x 19.5cm (1)

£400 - £600

373* Elizabeth II (Queen of Great Britain & Philip, Duke of Edinburgh). A pair of studio portraits by Baron, signed by the sitters on mounts, ‘Elizabeth R, 1956’ and ‘Philip 1956’, threequarter length photogravures by Raphael Tuck, images 52 x 40cm, signatures and dates to lower mount centre in brown ink, framed and glazed (2)

Lot 373

£300 - £500

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374* Elizabeth II (Queen of Great Britain, born 1926). A threequarter length portrait of the Queen with sash and crown, by Dorothy Wilding, gelatin silver print, photographer’s name in the negative lower left, signed in brown ink ‘Elizabeth R’ and dated 1953 by the Queen to lower mount, light brown horizontal streak to lower mount touching tops of letters ‘E’ and ‘R’ of signature, the ink slightly faded, a few small scratches with loss of emulsion in upper blank area of image, image 37 x 28cm, afﬁxed to modern mount with brown tape to verso, Dorothy Wilding printed label ﬁxed to photograph verso (1)

£200 - £300

375* Philip (Duke of Edinburgh, born 1921). A ﬁne three-quarter length portrait of the Duke of Edinburgh in his Field Marshal uniform, by Baron (Sterling Henry Nahum), gelatin silver print, signed ‘Philip’ and dated in brown ink on the mount beneath, signed in white china ink in capital letters by Baron to image lower right, image size 36 x 28.5cm, original white backing board with Baron’s copyright wetstamp to verso (1)

£150 - £200

Lot 374

376* Philip (Duke of Edinburgh, born 1921). Two signed Christmas cards, 2011 & 2012, folded white card, each with a mounted colour photograph of Prince Philip and the Queen, each signed ‘Philip’ and dated in brown ink beneath sentiment facing, gilt royal crests to upper boards, 15 x 20cm (2)

Lot 375

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

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£100 - £150

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377* Football & Tennis. An autographed team sheet for Arsenal F.C, 1933-34, 15 signatures in blue ink on a narrow folio strip with a vignette colour reproduction of the Captain Jo Hulme pasted at foot, signatures include Jo Hulme, Frank Hill, Bob John, H. Roberts, Frank Moss, Eddie Hapgood, David Jack, Jimmy Dunne, E.J ‘Ted’ Drake, Charles Jones, Alex James, Jack Gamble and others, minor spotting, few folds, 30 x 10cm, tipped into a contemporary autograph album, left largely blank but including a double-page spread with 7 pencil signatures of women tennis players at Wimbledon, July 1935, including Mary Hardwick and Nancy Lyle, plus 6 drawings after Mabel Lucy Atwell, etc, and signatures of Ofﬁcers of Crusader House party, 1935, hinges partly split, all edges gilt, contemporary padded morocco, rubbed with a little wear to extremities, small 8vo In the 1934-35 season Arsenal F.C won the League, Community Shield and London Challenge Cup. Cliff Bastin (rated no. 18 on Arsenal.coms Gunner’s Greatest Fifty Players website) was their season’s top goal scorer with 15 goals. In the following season the proliﬁc goal scorer Ted Drake set a club record with 44 goals for the season, and he is listed no. 31 ‘Greatest 50 Players’ list. (1) £100 - £150

378* Gallenga, Antonio (1810-1895). Autograph letter signed, 53 Devonshire Street, Portland Place, London, no date, circa 1843, to Lady Morgan about his book of Poems, 3 pages, 8vo, together with another letter to Mrs Jones, 21 Thurloe Square, London, 8 January 1848, about teaching Italian, one page, 8vo, plus other letters from Italian preacher and patriot Padre Alessandro Gavazzi (1809-1889), Giacomo Filippo Lacita (1813-1895), Carlo Marochetti (two letters, one in English and one in French), Benedetto Bistrucci (1783-1855), Carlo Poerio (1803-1867), Mario Rapisardi (1844-1912) two letters, Aurelio Safﬁ (1819-1890), and Marc-Rene Voyer d’Argenson (17711842), mostly 8vo (12)

£100 - £150

379* George III (King of Great Britain, 1738-1820). Naval document signed, ‘George R’, St. James’s, 27 October 1760, a preprinted commission on vellum, completed in brown ink and appointing Donald Mackdonald to be Captain of Our Fifty-third Company of Marines, signed ‘George R’ as King at head, 5 further ofﬁcial signatures to lower margin, some soiling to verso, 31 x 40cm A very early autograph for King George III, this being signed on the third day of his reign. (1) £400 - £600

Lot 377

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380* Lincoln (Abraham, 1809-1865). Document signed ‘Abraham Lincoln’, Washington, 1 August 1864, a military commission, appointing John T. Bolton Second Lieutenant in the Veteran Reserve Corps, printed on vellum with engraved eagle at head and military apparatus at foot, wafer seal to left margin, manuscript insertions, signed by President Lincoln and the Secretary of War, Edwin M. Stanton, a little soiling and slightly heavier on folds, approximately 48 x 40cm, together with two similar military commissions on vellum, appointing John T. Bolton to First Lieutenant ‘For gallant and meritorious services during the [American Civil] war’, 10 May 1866, and Captain, 13 March 1867, both with stamped signatures of President Andrew Johnson and Secretary of War Edwin M. Stanton, the first with circular brown stain at head, plus an earlier commission appointing First Sargeant in Company K of the 28th Regiment of New Jersey Volunteers, 15 September 1862, signed by the commanding officer W.V. Wisewell, printed on paper with manuscript insertions, some overall browning and creasing, approximately 25 x 38cm, plus (Oldroyd Osborn H), The Assassination of Abraham Lincoln, Flight, Pursuit, Capture, and Punishment of the Conspirators, with an Introduction by T.M Harris, Washington: O.H. Oldroyd, 1901, illustrations from photographs, advert leaf and folding map at rear some soiling to first few leaves, frontispiece and title-page slightly creased, original cloth gilt, slightly rubbed, 8vo, plus a typed letter signed from Oldroyd to Captain John T. Bolton, Washington, 28 March 1914, beginning ‘Mr H.H. Rumble of your city visited my Collection in this House in which Abraham Lincoln died and informed me that you were on duty at Ford’s Theatre on the night of the Assassination’, and hoping Bolton might write his recollections of that event to place in the collection, some light browning and creasing, one page, 8vo, the five documents matted in heavy card mounts with an additional printed contents list and contained with the inset book in a bespoke brown half morocco clam shell book box, the spine gilt-titled ‘The Assassination of Abraham Lincoln Documents’, overall 68 x 54cm John T. Bolton was a respected soldier who was present when Abraham Lincoln was assassinated. It is understood from the family that he had applied for a position in the President’s personal security team and that this was being considered at the time of the assassination. Lincoln was shot by John Wilkes Booth, an actor and Confederate sympathiser on 14 April 1865 and died the following day. (1) £3,000 - £5,000

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

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383 Schumann (Clara, 1819-1896). Clara Schumann, An Artist’s Life based on material found in Diaries and Letters by Berthold Litzmann, Translated and Abridged from the Fourth Edition by Grace E. Hadow, 2 volumes, 1st edition, London & Leipzig, 1913, signed presentation inscription from Eugenie Schumann to Elizabeth Torrans Johnson dated March 1913 at foot of title to volume 1, additional autograph letter signed from Eugenie to Elizabeth, Manchester, 8 March 1913, posted to front free endpaper, telling that she is leaving England for good, some spotting and browning, 2 pp. with integral blank, plus an autograph postcard signed from Clara Schumann, ‘Cl. Schumann’ to Miss Johnson, postmarked Frankfurt, 1893, in German, arranging a time to meet, a little spotting, address side previously stuck down and now with adhesive and paper remains, placed in an envelope pasted to front pastedown of volume 2, ownership signature of Diana Guthrie dated 1936 to front free endpaper of volume 2, plus some magazine and news cuttings, plus pen and pencil notes by Guthrie at front and rear of each volume, original cloth, spines browned and a little frayed, together with Busch (Marie, translator), Memoirs of Eugenie Schumann, 1st edition, 1927, bookplate of Diana Guthrie, plus additional cuttings and notes at front and rear of both volumes including an autograph letter signed from Eugenie Schumann to Diana Guthrie, 28 July 1936, in response to her enquiries about her parents, 3 pp., 4to, with original postmarked envelope pasted to front pastedown, original cloth gilt, spine slightly faded, all 8vo

381* Millais (John Everett, 1829-1896). A comprehensive manuscript list of paintings by Millais, from 1845 to 1881, headed ‘Oeuvre de John Everett Millais R.A.’, with additional notes of engraved versions made in Paris and elsewhere, extensively annotated and enlarged by the artist, a little dust soiling, 4pp. on a bifolium, 8vo The list was sent to Millais with the note ‘Prière de rectiﬁer, completer et dater. Parmi les quatorze tableaux indiqués “A graver”, prière d’en designer quatre ou cinq de préference. The list appears to have been compiled by a French engraver, perhaps Alfred-Louis Brunet-Debaines (1845-1939), and indicates which works are due to be engraved and which are still waiting. (1) £700 - £1,000

(3)

382* Rossetti (Christina Georgina , 1830-1894). Signed cheque, ‘Christina G. Rossetti’, 17 May 1894, drawn on a London & Westminster Bank account, pre-printed cheque completed in manuscript in Rossetti’s hand and made out to Miss Reid for the sum of £50, small perforated cancellation stamp with a few pinprick holes touching capital initials ‘G’ and ‘R’, the recipient identified as Harriet Reid in Rossetti’s hand to cheque verso, 8.5 x 20cm With Christina Rossetti confined to her bed for the final months of her life she was nursed by Harriet Reid who acted as her amanuensis. Harriet was with Christina when she died on 29th December 1894 and among those present at the funeral the following week. (1) £150 - £200

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£150 - £200

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385* Wellington (Arthur Wellesley, 1st Duke, 1769-1852). Autograph letter signed, ‘Wellington’, Cartaxo, 13 December 1810, in brown ink on laid paper, marked at the head ‘Private & confidential’, addressed to C[harles] Stuart, 3 pages with sentiment and signature as one line on fourth page, light uniform toning, 4to, together with another autograph letter signed, ‘Wellington’, Cartaxo, 29 November 1810, in a good clear hand in brown ink on laid paper (watermarked G. Jones 1809), to C[harles] Stuart, 3 pages, 4to For the first work: A very revealing letter conveying Wellington’s opinion of Spaniards: ‘It is difficult to understand the Spaniards exactly, they are such a mixture of haughtiness and low intrigue. The Marquis de la Romana and the officers about him are … perfectly happy with their reception here, and the manner in which they have been treated. I have been civil to all the other officers, as far as they have come within my reach; and they have been treated with great attention by all the General Officers of the army; and their men are as well, if not better off than our own. But I always doubt a Spaniard being satisfied with anything; and I should not be surprised if O’Donnell particularly, and possibly others, expressed dissatisfaction at being here’. Gurwood, Dispatches of Field Marshal the Duke of Wellington, 1838. Volume VII, pages 37-38. For the second work: The letter concerns the buying of corn in Algiers by Mr Johnstone & Mr Sampayo. Supplies for both British and Portuguese armies was always a great concern to the Duke. Gurwood, Dispatches of Field Marshal the Duke of Wellington, 1838. Volume VII, page 12. (2) £300 - £500

384* Theatrical Autographs. A group of miscellaneous letters relating to the theatre and allied arts, 19th & 20th century, including Anton Dolin (2 pp.), 1931, Marie Bancroft (13 letters, one of six pages), Charlotte Sainton Dolby (3 letters, one of 1870 announcing her farewell concert for the London public), two secretarial letters from Bridge Doyly Carte, 1951 re ‘Pinafore’, Ruth Draper, Gerald Du Maurier (8 letters), Isobel Elson, Douglas Fairbanks Jr (1956), Charles Fechter (two), Gracie Fields (two on postcards), Norman Forbes (ﬁve), George Grossmith (April 1929), Adeline Genée (six), John Gielgud (two TLsS and brief ALs), Olive Gilbert, Elinor Glyn, George Grossmith Sr (group of eleven ALsS), Dan Godfrey (three), Isidore Godfrey (1948), Weedon Grossmith (four), Maud Goodman, Edmond Got, Harley Granville-Barker (four), Ben Greet (two), and an extensive correspondence to and relating to Gilbert Gunn (1905-1967, screenwriter and ﬁlm director) (a folder)

£300 - £500

386* Wellington (Arthur Wellesley, 1st Duke, 1769-1852). Autograph letter signed, Wellington’, Cartaxo, 12 February 1812, in a good clear hand in brown ink on laid paper, to C [Charles] Stuart, 3 pages, 4to Letter concerns the welfare of the British Army and Wellington’s concerns about lack of supplies and the public at homes perseption. ‘I have received from Marshal Beresford, regarding the miserable wants of the troops, to which I beg you, in this manner to draw attention of the Government. I omit to bring it before them in an ofﬁcial form, because I am unwilling to have such an account of the state of things (however true) go home to England’ Gurwood, Dispatches of Field Marshal the Duke of Wellington, 1838. Volume VII (New Edition), page 255/256 (1) £200 - £300

Lot 385 Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

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387* Wellington (Arthur Wellesley, 1st Duke, 1769-1852). Autograph letter signed, Wellington’, Fuente Guinaldo , 10 May 1812, in a good clear hand in brown ink on laid paper, to C[harles] Stuart, 7 pages, 4to

390* Autographs. A large assorted collection of 1000+ mostly clipped autographs, 19 & 20th century, including 350+ loosely contained in 14 small albums, signatures include Arthur Symons, W.E. Gladstone, Herbert Spencer, W.E. Johns, Quentin Hogg, George Solti, Robert Helpmann, John Gielgud, Havelock Ellis, Thomas Hawkins, Admiral Duckworth, Charles Lyell, Robert Murchison, William Black, John Leech, Lord Palmerston, Caroline Norton, Geroge Gilbert Scott, John Everett Millais (pencil), Mary Howitt, George Cruikshank, George Grossmith, Willa Cather, Robert Peel, Lord Liverpool, Lord Russell, John Tyndall, James Nasmyth, The Duke of Wellington, James Montgomery, Edward Pusey, James Ballantine, Walter Crane, Jan Kubelik, H. Rider Haggard, Charles Bell, Adolphus Frederick, Margaret of Teck, Princess Alice, Princess Adelaide, William Frederick, William Wyon, W.P. Frith, Harry Furniss, Henry Moore, etc., mostly cut from letters but including some free fronts and covers

The letter concerns the Portuguese Government food supplies on the British Commissariat ‘I have received you letter of 7th, it believe, save you, and certainly me, a good deal of trouble if you would be so kind as to send me the requisitions for the supplies by the Portuguese Government on our Commissariat. It is impossible for me to allow Mr. Pippon of anybody else to grant them without my consent, and it would save a great deal of useless correspondence if they were to come in the regular form to me. This becomes the more necessary, as there is a prospect that the supply of corn, &c., will not be so plentiful as it has lately’ Gurwood, Dispatches of Field Marshal the Duke of Wellington, 1838. Volume IX (New Edition), pages 133-134 (1) £200 - £300

(a carton)

£200 - £300

388* Wellington (Arthur Wellesley, 1st Duke, 1769-1852). Autograph letter signed, Wellington’, Fuente Guinaldo , 11 June 1812, in a good clear hand in brown ink on laid paper, to C[harles] Stuart, 2 pages, 4to ‘I have received your letter of the 8th. When I was in Zealand, I recollect a person by the same of —- —-, who was afterwards taken prisoner in a Danish privateer; and I saw him in London, and I believe was use to him. The particular circumstances I do not recollect; but this I do recollect, that he was in service to us in New Zealand. ‘Foreigners of that description are of no use to me; and I shall be very much obliged to the Government if they should allow Mr. —- to pass through the country to the army’ Gurwood, Dispatches of Field Marshal the Duke of Wellington, 1838. Volume IX (New Edition), page 232 (1) £150 - £200

389* Wellington (Arthur Wellesley, 1st Duke, 1769-1852). Autograph letter signed, Wellington’, Ferenda, 26 January 1813, in a good clear hand in brown ink on laid paper with Gater 1811 watermark, to Sir Charles Stuart, 3 pages, 32 x 20cm (12.5 x 8ins) folio ‘I enclose the proceedings of a Court of Inquiry in regard to an affray which lately occurred at Punhete between some inhabitants of the town and a party of British soldiers, in which one of the inhabitants lost his life; in consequence of which I have ordered Lieut Kortwright into arrest; and I beg to know what the Portuguese Government wish be done with him. ‘I likewise enclose papers received by Colonel Ross, of the 20th regiment, in consequence of a complaint forwarded by you of the conduct of a detachment of the 20th regiment at Villa Franca. I have ordered that Lieut. —-, of the 20th regiment, may be put in arrest, and I beg to know what the Portuguese Government are desirous should be done with him. ‘I likewise enclose the proceedings of a Court of Inquiry on an affray in the town of Ziberia, between the inhabitants and a detachment of the 28th regiment, in consequence of which a child lost its life; and I beg to know what the Portuguese Government are desirous should be done with Serjeant O’Brien, Corporal Geffery and Privates McBrennan, I. Hanning?, I Finnon, John Kernes and —-, who are all in conﬁnement.’ Gurwood, Dispatches of Field Marshal the Duke of Wellington, 1838. Volume X, page 37 (1) £200 - £300

Lot 389

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392* Crystal Palace. A good collection of approximately 250 ephemera items relating to the Crystal Palace, including 3 letter signed by Joseph Paxton including one to Richard Owen dated 27 October 1854 in which Paxton discusses a bust Owen had offered Paxton’s intermediacy to the Duke [of Devonshire?], and explaining that the Duke did not wish to buy it for his own collection, but would make a gift of it to the Garrick Club if the value did not exceed £100, other items include various season ticket of admission to the Crystal Palace, Sydenham, including No.20436 from May 1854 to 30 April 1855, silk embroidered bookmark with a view of Crystal Palace, Great Northern Railway day excursion ticket from Graham to Crystal Palace circa 1872 (overwritten Specimen), Midland Railway timetables for Forester’s Fete at Crystal Palace circa 187374, a stereoview card of marble sculpture, photographic postcards, brochures and other items, the whole collection neatly presented in clear pocket sleeves in a modern ring binder plus some related books

HISTORICAL DOCUMENTS & EPHEMERA

(Approximately 250)

£300 - £500

391 Cosmography. Cours de Cosmographie (d’après Mr Hauser) [lecture notes taken by] Dufort, Lycée de Lyon, 1850-1851 (Classe de Rhetorique), 411 pp. manuscript in French, written in brown ink in a neat fair hand with occasional diagrams, some browning at front and rear, additionally signed by Dufort to front free endpaper, contemporary roan-backed boards, rubbed, 8vo, together with four unrelated mid-19th century manuscript leaves in French on astronomy and geography, written neatly in brown ink, several diagrams, a total of 8 pages, 4to (5)

£150 - £200

393* Devon. A collection of manuscript paper documents relating to the Fford and Jope families of Plymtree, Devon, 17th & 18th century, the earliest a will of 1664, ﬁve obligation bonds (1695-1740) plus various sheets of accounts including a detailed list of the dispersements of the trustees for George Fford’s children from the day of his death, circa 1714, an assessment of money raised by the trustees of Mr Fford’s children, several similar lengthy lists including poor rate and land tax assessments, plus related sundry documents, occasional soiling but generally very good (28)

Lot 392

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

128

£200 - £300

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395* Frost Fair Broadside. Mr. John Mugeridge Born October, the 12th, 1737. Printed on the Thames, February the 9th 1739/40, printed broadside on laid paper, the full sheet, giving the name and date of birth of the purchaser, eight lines of letterpress verse above with decorative printed outer border incorporating text on the history of printing, beginning ‘The Noble Art and Mystery of Printing’, some creases and associated wear, light soiling, sheet size 18 x 22.5cm (7 x8.9ins) The winter of 1739, known as ‘the hard winter’, brought a severe frost starting on Christmas Day and continuing into February. During this time, numerous tents and booths were erected on the frozen Thames, with games and entertainments including football, rides on the ice, food stalls and temporary pubs. As a keepsake or memento of this remarkable occurrence, a printing press was set up on the ice to print letterpress souvenirs for visitors, as in the present example. The printed verse reads: ‘Behold the liquid Thames now frozen o’er/That lately Ships of mighty Burden bore/Here Watermen for want to row in boats/Make use of bouze to get them Pence and Groats/Here you may print your Name, tho’ cannot write/’Cause numm’d with Cold: ‘Tis done with great delight!/And lay it by, that Ages yet to come/May see what Things upon the ice are done’. A John Mugeridge married Anne Nash 25/12/1754 at Albury in Surrey; a John Muggeridge, stationer and bookseller, traded between 1770 and 1809 at 92 St Margaret’s Hill, Borough, South London. (1) £1,000 - £1,500

394* Faraday (Michael, 1791-1867). An iron filings diagram fixed on waxed blue paper, circa 1850s, 9.5 x 14cm, tipped onto a contemporary album leaf and neatly inscribed in ink beneath, ‘Lines of magnetic [force] by Faraday given me by Mr Sydney on my visit to him on June 21st 1872’ The Royal Institution own a laboratory notebook of Michael Faraday’s which contains similar iron filing diagrams produced by him in 1851 to demonstrate magnetic lines of force. He demonstrated their existence by coating sheets of paper with a thin layer of melted wax, pulling the iron filings poured over the top with bar magnets held beneath the paper. The iron filings were attracted to the magnetic forces around each magnet. The example offered here shows two circles with line patterns between and around them. The recipient from Faraday was the Reverend Edwin Sidney (c.1798-1872), Rector of Little Cornard, 1847-1872, and lecturer at the Royal Institution and elsewhere. Sidney knew Faraday quite well and a number of letters from Faraday to Sidney are in Michael Faraday’s Correspondence, edited by Frank James at the Royal Institution, and now available online. Faraday gave these iron filing diagrams to friends and colleagues and there are many examples in the Royal Institution archives and others elsewhere. However, the identity of the recipient of this example from Sidney is unknown and examples offered for sale are very rare. (1) £500 - £800

396* Frost Fair Broadside. Mr. Samuell Mugeridge Born April, the 25th, 1739. Printed on the Thames, February the 9th 1739/40, printed broadside on laid paper, the full sheet, giving the name and date of birth of the purchaser, eight lines of letterpress verse above with decorative printed outer border incorporating text on the history of printing, beginning ‘The Noble Art and Mystery of Printing’, some soiling and creases, with associated wear, small loss to extreme upper left blank corner, sheet size 18 x 23cm (7 x 9ins) The winter of 1739, known as ‘the hard winter’, brought a severe frost starting on Christmas Day and continuing into February. During this time, numerous tents and booths were erected on the frozen Thames, with games and entertainments including football, rides on the ice, food stalls and temporary pubs. As a keepsake or memento of this remarkable occurrence, a printing press was set up on the ice to print letterpress souvenirs for visitors, as in the present example. The printed verse reads: ‘Behold the liquid Thames now frozen o’er/That lately Ships of mighty Burden bore/Here Watermen for want to row in boats/Make use of bouze to get them Pence and Groats/Here you may print your Name, tho’ cannot write/’Cause numm’d with Cold: ‘Tis done with great delight!/And lay it by, that Ages yet to come/May see what Things upon the ice are done’. A Samuel Mugeridge, writer, formerly of Grainge-road parish of St Mary Magdalen, Bermondsey, late of Wych-street, Middlesex, is listed in The Gazette for 1768. (1) £1,000 - £1,500

Lot 395

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Lot 398

Lot 399

397 [General Strike]. A bound collection of papers, letters, press cuttings, etc., apparently put together by the chairman of the Bank of Liverpool & Martins Ltd. in Liverpool, 3-12 May 1926, the collection comprising numerous press cuttings from the Times, Morning Post, Daily Herald, Daily News, Westminster Gazette, British Worker, British Gazette, Financial Times, Daily Telegraph and the Times Weekly edition, copies of Hansard for 3rd, 4th, 5th, 6th and 12th May, many other papers, letters and copies of letters from the Home Ofﬁce, the Chamber of Shipping, and others, all relating to the Strike, some addressed to Liverpool & Martins Bank, and a typed calendar of progress of the Strike with dates and times of meetings between the government and the TUC, bookplate and a few ink ownership stamps and marks of the Institute of Bankers’ Library, modern buckram gilt, folio (1)

£100 - £150

398* Hastings (Warren, 1732-1818). An original ticket for the trial of Warren Hastings, Hundred and Twenty-Eighth Day, [16 April 1794], engraved and printed in red-brown on laid paper, with engraved crest and giving a seat in the Great Chamberlain’s Box, with the signature of the ticket’s recipient Sir P[hilip] Burrell lower right across plate impression, 2 horizontal folds and small repair to blank upper left corner outside plate impression, 20.5 x 16.5cm Warren Hastings was accused of misconduct during his time in Calcutta, but was acquitted after a trial that dragged on for seven years. Tickets were issued for each of the 142 days of the trial, such was its attraction. On this day the four and a half hours of court time were largely ‘consumed by Mr. [Edmund] Burke, in going over and over again the very same points that he had over and over again enquired into on the last day of the meeting’. See The Trial of Warren Hastings, Esq..., volume 2, 1794, pp. 508-18. (1) £200 - £300

400* Jury Lists. A group of 13 lists with names of jurors, 1792/1882, all but one printed, some with manuscript details and ink stamps, listing names of jurors, their addresses and professions, for trials at the King’s and Queen’s Bench, Middlesex, two for Norfolk and one for Salop, etc., ten on vellum and three on paper, some scattered heavy soiling and browning and a few with marginal tears, mostly narrow folio

399* Japan & India. An archive of snapshot photographs and a small quantity of other ephemera, relating to the families of Skrimshire and Parker, mostly early 20th century, including a large quantity of many hundreds of small format gelatin silver prints, mostly of UK and western family subjects, plus some in Port Said, India and a few in Japan, mostly seeming to relate to the family of Charles Wilfred Fenwick Skrimshire, plus some related wallets and packets of negatives and a small quantity of printed and manuscript ephemera including a passport for Beatrice Parker, 1893, photographs largely 8 x 6cm and similar small sizes, the collection contained in a contemporary Japanese lacquered papier mache box with raised pictorial design featuring Mount Fuji in black and gilt to upper lid, some chipping, lock broken and key no longer present, overall 26 x 40 x 13cm (a box) Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

An interesting and unusual group with good details of professions. On one such list in a case between Thomas Hookham (plaintiff) and Cyril Hicks (defendant) at the Queen’s Bench, Middlesex, Hilary Turn, 1853, the trades listed include booksellers (William Ambrose Mason and William Pedder, both of Holywell-Street), cutler, cheese monger, lodging-house-keeper, publican, painter, tobacconist, eating-house-keeping (Robert Northchallis of Drury-Lane), coffee-house-keeper, boot-tree maker, oilman, optician, musical-instrument maker, philosophical-instrument maker (James Pearce of Bedfordbury), card-maker, clog-maker, etc. Trades on other lists include hatter, watchmaker, toy-man, seedsman, printseller (Daniel Orme of Bond Street), vintner, wax chandler, hair manufacturer, perfumer, pawnbroker, musician, bookbinder (John Jackson of Queen Street, Golden Square), sword cutler, furrier, etc. (13) £100 - £150

£100 - £150

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402* Miscellaneous ephemera, mostly 20th century, including photographs, postcards, magazines, etc. etc. (4 cartons)

401* Medieval deed: Gropecunt Lane, Bristol. Deed of sale and quitclaim for 4 marks (£2 13s 4d) and half a mark (6s 8d) with warranty; circa 1240, vellum deed in Latin written in a very neat court hand, John son of Roger Bat to William de Kent, all his land with the buildings in Gropecunttelana at Bristol (Bristolla) (S: land of William Bardolf; E: land of Julian who was the daughter of John the son of Jacob; from the street in front (29 feet) to the town wall behind, where it is 30 feet broad), paying a yearly quitrent of 12 pence to Julian who was the daughter of John the son of Jacob as John the grantor has been accustomed to pay of the consideration, 4 marks (£2 13s 4d) paid to John and and half a mark (6s 8d) to Julian; Witnesses: James le Warre, Thomas Long, Richard Ailard, Simon the clerk, William de Bellomonte, Gilbert de Marleberge, Roger Tarleys, Richard de Pesia, William Bardolf, William Ruffo, tanner, Nicholas the chaplain, Robert Hod, some dust-soiling but ink dark and clear, 88 x 190mm, with partially restored armorial seal on vellum tag, [S’IOHANNIS FILII] ROGERIBAT[T], charge indistinct, 3cm diameter, mounted to a wooden board with six small pins, three related 20th-century manuscript paper labels pasted to board, framed and glazed, overall 32 x 32cm The ﬁrst-named witness was James le Warre, Mayor of Bristol, 1236; William de Bellemonte, Prepositor of Bristol, 1240; Robert Hod would have been known to his friends as Robin Hood. A very rare early documentation of the place name ‘Gropecunt Lane’, the compounded street name found in about twenty English towns and cities during the Middle Ages, and believed to be a reference to organised prostitution centred on those areas. The earliest reference documented is to a Gropecuntelane in Oxford, c. 1230, now Grove Passage and Magpie Lane. All the original names have since changed or been bowdlerised to the more innocuous Grape Lane or similar, or have been completely lost; the latest documentation of Gropecuntlane traced being in Newcastle, 1588. The Gropecunt Lane in Bristol referred to in this deed later became Hallier’s Lane and after the Battle of Trafalgar was given the name Nelson Street, which is still current. The street runs through the Broadmead district of the city centre and is home to the Central Police Station. The English chronicler, topographer and antiquary William Worcestre (c. 1415-c. 1482) references Gropecountlane in Bristol in his manuscript of 1480 (Corpus Christi College, Cambridge, MS. 210), and this undated deed, from the reign of King Henry III, proves it was in use much earlier than Worcestre records. One suggestion for the street name’s origin made by Richard Coates (2011) is that as the name is concentrated in major ecclesiastical centres that would have been likely destinations of Oxford-educated clerics the name may have originated as academic slang. The etymology of cunt is a matter of debate, but in common usage does not appear to have been taboo in the medieval period, even being used in an openly bawdy context several times by Chaucer in his Canterbury Tales (c. 1390). The word only becomes taboo towards the end of the eighteenth century, and was then not generally admissible in print until the end of the twentieth century. (1) £300 - £500 131

£200 - £300

403 [Nelson, Horatio, 1758-1805, Viscount]. The Morning Chronicle, London, Thursday, 7 November 1805, original broadsheet newspaper, 4pp., red ink duty stamp (threepence halfpenny) to upper margin of first page, some slight toning to first page and a few minor marks but generally very clean, folio (48 x 32cm) Seven columns of the first three pages are taken up with the announcement of victory at the Battle of Trafalgar and the death of Viscount Nelson. A good survival of a genuine original issue on laid paper with the obligatory paper duty stamp. (1) £300 - £400

404* Omdurman 1898. A set of 4 maps used by Lt. Horace Hood during the Battle of Omdurman, comprising 4 linen maps supplied by the War Office for Upper Egypt and the Sudan, compiled in the Intelligence Division, War Office, January and August 1898, 55 x 71.5cm, each inscribed in ink verso ‘H.L. Hood’ additionally inscribed ‘White Nile’, ‘Blue Nile’ Rear-Admiral Sir Horace Lambert Alexander Hood, KCM, DSO, MVO (18701916), was the commander of the gunboat the Nasr, one of eight Nile gunboats providing artillery support on the Battle of Omdurman on 2 September 1898, and second in command to Captain David Beatty. Hood later became naval attaché in Washington, commanded the RN College at Osborne, and in June 1914 was appointed Naval Secretary to Sir Winston Churchill as First Lord of the Admiralty. He rose to rank of Rear-Admiral and went down with his flagship HMS Invincible at Jutland on 31 May 1916. (4) £300 - £500

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408* Railway ephemera. A mixed collection of railway ephemera circa 1930-50s, including two albums containing approximately 120 black and white photographs of locomotives circa 1950s, many stamped verso for example Empire of India ‘H. Gordon Tidley Esq, “Lens of Sutton” ‘, a London & North Eastern Railway soft leather desk folder with gilt embossed ‘Cruise of “Northern Belle”, ‘First British Train Cruise June, 1933’, containing headed note paper and related items, another in soft blue leather, a 1920s scrap album for various European and World railways, LNER Train Service to and from London card timetable dated 1938, 3 Hornby 00 gauge locomotives, comprising R2340 BR 4-6-2 Class A4 Locomotive ‘Golden Plover’, R2339 LNER Class A4 locomotive ‘Mallard’, R2338 NE 4-6-2 Class A4 Locomotive ‘Sir Charles Newtom’, all boxed as new, an album of 14 large black and white photographs of locomotives and related items, various railway books and other items (2 cartons)

£200 - £300

405 Philosophy Manuscript. Compendium Philosophiae, unpublished manuscript by Velly, circa early 18th century, 351 pp., written in Latin in brown ink in a neat but sometimes minuscule hand with some calligraphic headings, some spotting, ownership inscription of Auguste Boutin , Professeur au College de Vire , dated April 1887, to front free endpaper verso, and provenance note from Velly , ‘Pharmacien à Vire’ written beneath, contemporary mottled calf, giltdecorated spine with leather label titled ‘Logica’, heavily rubbed, cracked on joints and some wear to extremities, 4to (22 x 16.5cm) A pencil note at the front suggests that this seemingly unpublished work on logic may have been by the Jesuit priest and author of The History of France, Paul-Francois Velly (1690-1759). However, the ink note above suggests Velly was a pharmacist at Vire, a town in Normandy. The inscription appears to be in the same hand as that of the later owner, the mathematician Auguste Boutin who was a professor at the College of Vire. (1) £200 - £300

406* Property Sales Particulars. A large group of printed sales particulars for Ipswich and surrounding area, Suffolk, circa 1910/1930s, folded sheets, some dust-soiling, generally very good (approx. 500)

409* Railway ephemera. An extensive collection of Great Western Railway ephemera circa 1880-1940, including 2 modern folders titled Great Western Railway, Swindon Volume 1 and 2, containing 54 items of printed paper circa 1885-1920s, including letters on GWR headed note paper dated 1885/1891/1894/1912 etc, photographs of locomotives, a commemorative booklet ‘Visit of their Majesties King and Queen of Afghanistan to Swindon Works March 21st 1928’, 25 x 16cm, another booklet ‘Culverts and Subways at Swindon Works by H.W. Harris (Hon. Member No.42’, luggage labels, railway tickets etc, the other ﬁle containing approximately 50 photographic reproductions of locomotives and works, another folder titled ‘Reading to Didcot’ containing approximately 60 printed items of paper including railway tickets, black and white photographs of railway stations, locomotives, postcards, GWR Programme of Excursions October 1909 from Reading to Seaside Country, London and Provinces, letters including one on Newbury, Dicot and Southampton Junction Railway headed note paper dated 1880, Report of Directors and Statement of Accounts to 31st December 1884, timetable for Didcot, Newbury, and Southampton Railway May 1899, Art Deco menus and other items, neatly presented in 7 modern folders

£150 - £200

407* Railway ephemera. A collection of Great Western Railway (GWR) ephemera mostly 19th century, including GWR share certiﬁcate dated 1841, another for £100 shares dated 1845, letter on GWR headed note paper dated 8 December 1854, another dated 1861, GWR leaﬂet for Instructions to Signalmen in the event of a Slip Coach breaking away, 22.5 x 14.5cm, Notice of Special Arrangements for the Eton Gentleman Returning to College on January 18th, 19th & 20th, 1888, ticket printed Return of Field Marshal Lord Roberts, V.C., Thursday, 3rd January 1901, 9 x 13cm, another for Funeral of Her Late Majesty the Queen, Saturday, 2nd February, 1901, 9 x 14.5cm, approximately 30 black and white photographs of locomotives, later material circa WWI and 1920s including timetables, tickets etc, presented in clear pocket sleeves in a modern ring binder (Approximately 100) Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

(7 ﬁles)

£150 - £200

132

£200 - £300

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410* Railway ephemera. An extensive collection of London, Midland, Scottish railway (LMS) ephemera circa 1920-50s, including, letters, photographs and memorabilia, including an enamel LMS badge, Coronation Scot enamel badge, ﬁrst day covers, running commentary of the Coronation Scot circa 1937, the Coronation Scot touring the United States of America prior to exhibition at the New York World’s Fair 1939 booklet, railway tickets and other items, neatly presented in 8 modern ring binder ﬁles (8 folders)

£200 - £300

411* Railway ephemera. An extensive collection of London & North Eastern Railway (LNER) ephemera circa 1930-50s, including postcards of Dominion of New Zealand, Canada, Empire of India, 1937 “The Coronation” timetable, Empire Exhibition Scotland 1938 booklet, letters on “The Coronation” headed notepaper circa 1938, luggage labels, menus and other related items, folder titled “Flying Scotsman” containing approximately 200 items including black and white photographs, railway tickets, modern postcards, luggage labels, brochures, magazine cuttings and other items, neatly presented in 7 modern folders (8 folders)

£200 - £300

Lot 410

412* Railway photographs. Railway Centenary 1825-1925 souvenir photograph album, an interesting album containing approximately 500 black and white snap-shot size photographs of Locomotives and related items on display, all captioned and dated beneath, including ‘The First Public Railway in the World’, ‘The Second Public Railway in the World (Canterbury & Whitstable Railway)’, ‘Railway Centenary Exhibition, Darlington’, ‘Veteran Locomotives in Steam (July 1st 1925)’, ‘Singes’, ‘Atlantics’,’Railway Centenary Exhibition, Wembley (May, October 1925)’ etc, a fine collection presented in a green cloth album, 24.5 x 30cm The exhbition commemorated the first locomotive to make to make a trip on the Stockton to Darlington line (27 September 1825) and the delelopment of the railway over 100 years, the album proceeds with two photographs, one captioned ‘1825 Stockton & Darlington Rly No.1. “Locomation”’, the other ‘1925 Great Northern Rly. Pacific type No.1470 “Great Northern”’. (1) £300 - £500

Lot 411

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415* Russian Posters. A group of 38 posters, mostly Plakat, Moscow, late 1970s, including an Olympic Games poster (artist M. Shestopal), another sporting poster for ‘Master Sports’ (artwork by V. Potapov), other artists include G. Gausman, K. Ivanov, L. Belsky, I. Kominarets, M. Glikin, etc., some occasional marginal fraying and a little soiling but generally very good, sizes mostly 65 x 97cm and similar (38)

£300 - £500

413* Rochdale Cricket Club. List of Subscribers/Annual General Meeting for 23rd March 1838, 2nd March 1839, 14th March 1840, 27th February 1846 & 23rd February 1848, together 5 printed bifolium or single sheets, 1838 & 1839 with manuscript corrections, the latter with manuscript note addressed to James McLeod from J.E. Boyd, dated 14 May 1838 to verso, and with additional cover sheer attached addressed to Abraham Stott, postmarked Rochdale March 1838, the 1846 issue with hand written address for John Mason, Drake Street to blank verso, and a manuscript copy of the cricket club’s song in 8 verses attached, some light soiling and frayed margins, together with two manuscript notebooks recording the Club’s committee meeting minutes, ﬁxtures, engagements, memberships etc from 1861-1876, small 4to & folio (7)

£200 - £300

414* Royal Opera House, Covent Garden. By Command of Her Most Gracious Majesty the Queen in Honour of the State Visit of their Imperial Majesties the German Emperor & Empress, to the Royal Italian Opera, on Wednesday, 8 July, 1891, a silk programme designed and printed by the London Stereoscopic Co., the programme featuring music from Lohengrin, Romeo and Juliet, Orfeo and Les Huguenots, 55 x 38cm (1)

£150 - £200

Lot 416

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

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416* Shelley Family. A group of 8 British and Italian scenes attributed to members of the poet Percy Bysshe Shelley’s family, circa 1820/1830s, watercolour and pencil on paper or card, showing rural scenes of cottages and ruins including an Italian temple (?Paestum), and two of coastal scenes, ﬁshing nets and lobster pots, all but one with one or more ﬁgures, unsigned, largest 25 x 17.5cm, the three smallest 11 x 14cm and the reverse, each mounted on card and with remains of backing paper to each from where previously mounted and displayed as a montage in one frame, two drawings with some see-through browning from mounting adhesive

GENERAL LITERATURE 421 Burgess (Anthony). Devil of a State, 1st edition, 1961, original cloth, dust jacket, 8vo, together with Golding (William). The Spire, 1st edition, 1964, previous owner inscriptions,light spotting to fore edges, original cloth, price-clipped dust jacket, spine ends rubbed, 8vo, plus Fleming (Ian). The Man With the Golden Gun, 3rd impression, 1965, contemporary presentation inscription, original cloth, dust jacket, spine a little darkened, light stain to rear panel, 8vo, with others including Kingsley Amis’s Take a Girl Like You,1960 and Aldous Huxley’s The Genius and the Goddess, 1st US edition, 1955

Provenance: By direct family descent from John Shelley (1806-1866), of Avington Park House, Winchester, Hampshire. John was the younger and only brother of Percy Bysshe Shelley, (1792-1822), the celebrated poet and husband of Mary Wollstonecraft. Percy and John had four sisters, Elizabeth, Mary, Hellen and Margaret, their parents being Timothy and Elizabeth Shelley. Judging by the styles of these watercolours they are the work of at least two hands, and likely dating from 1820/1830s, and so may have been drawn by John and/or some of his sisters. What is known is that these drawings were passed from John to his son George Ernest Shelley (1840-1910) and, in turn, to his son George Edward Shelley (1891-1961), the current owner’s grandfather. George Edward Shelley was prevailed upon to part with a variety of Shelley memorabilia, some of which went to the Ashmolean Museum in Oxford. Other items including these drawings went to a Shelley museum that occupied part of Shelley Manor, Boscombe, Bournemouth, Dorset. (Shelley’s widow Mary had bought a cliff-top home at Boscombe in 1851, intending to live there with her son Percy, and his wife Jane. The property is now known as Shelley Manor). It seems that for a period these drawings were displayed as a framed montage there, but following the closure of the museum in 2001, the items were returned to their respective Shelley heirs. (8) £300 - £500

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422 Clarke (Harry, illustrator). Faust by Goethe, from the German by John Anster, London: George G. Harrap, 1925, 21 plates, 8 in colour, letterpress vignettes, scattered spotting, contemporary ink inscription at head of limitation leaf, pictorial endpapers, top edges gilt, remainder untrimmed, original quarter vellum, spine slightly dustsoiled, paper-covered boards somewhat spotted and toned, corners showing, 4to, together with: Konody (P. G .). The Art of Walter Crane, 1st edition, London: George Bell, 1902, 16 chromolithographed plates after book illustrations, 7 (of 8) photogravure plates (lacking frontispiece), 73 further plates (a few in colour), tipped-in facsimile bifolium on handmade paper reproducing two leaves from Kelmscott Press’s The Story of the Glittering Plain, and numerous illustrations and decorations to text, half-title present, printed throughout in red and black, patterned endpapers (spotted), top edges gilt, remainder untrimmed, original gilt decorated two-tone cloth, damp-stained, two small holes in lower joint, folio Clarke: limited edition, English issue, number 31 of 1,000 signed by the artist (a further 1000 copies printed for the American market). Konody: limited edition, number 53 of 100 copies on Arnold’s Handmade Paper. (2) £200 - £300

417 Skating. Skating Cards, for Teaching the Art of Skating in a Practical Manner whilst actually on the Ice, by W. Crosley , London: L. Upcott Gill, circa 1885, title card, contents card & 27 Instruction cards printed on both sides (except for last), contained in original cloth covered wallet with printed paper label to front, cards approximately 13.5 x 9cm, together with The Young Christian’s Pocket-Book, 2nd edition, 1837, plus two early 20th century ﬂickerbooks (one depicting a lady & gentleman embracing and the other a lady dancing), and an early 19th century incomplete set of small cards printed with verses from the Bible, contained in original case with sliding lid (5)

423 Crispin (Edmund). Frequent Hearses. A Detective Story, 1st edition, 1950, small previous owner signature, original cloth, dust jacket, spine a little toned with small nicks at ends, 8vo, together with Burroughs (Edgar Rice). Jungle Girl, 1st UK edition,1933, original cloth, spine faded, dust jacket, slight soiling and small tears at head of spine, 8vo, plus Hill (Reginald). Ruling Passion, 1st edition, 1973, some spotting to fore edges, original cloth, dust jacket, edges a little rubbed with short tears at spine ends, 8vo, with others, crime thrillers including John Boland’s The League of Gentlemen, 1958, Eric Ambler’s The Night Comers, 1956 (title with small repaired tear) and others by Agatha Christie, Erle Stanley Gardner, George Bellairs etc

£70 - £100

418* Vellum Deeds. An assorted collection of vellum and paper property deeds, legal documents, etc., late 19th and early 20th century, some folding with wax seals, the paper documents including 2 Hampshire election broadsides, 1790 (a carton)

(49)

£150 - £200

£70 - £100

420* Yorkshire & Lancashire. A group of approximately 40 manuscript paper documents, 19th century, including bonds, mortgages, releases, etc., mostly bifolium sheets (approx. 40)

£200 - £300

424 Elet (Yvonne). Architectural Invention In Renaissance Rome..., 1st edition, 2017, Cambridge University Press, colour and black & white illustrations, original cloth in dust jacket, minor tear to head of front cover, 8vo, together with Graf (Otto Antonia), Otto Wagner, das werk des architekten, 2 volumes, 1985, Germany, numerous monochrome illustrations, uniform original cloth in dust jackets, large 4to, and Matthews-Grieco (Sara F.), Erotic Cultures of Renaissance Italy, 2010, Ashgate, Surrey, numerous colour & monochrome illustrations, original cloth in dust jacket, 8vo, plus Cocke (Richard), Veronese’s Drawings, a catalogue raisonne, 1984, Sotheby, numerous monochrome illustrations, original cloth in dust jacket, spine lightly faded, large 4to, and other Renaissance art & architecture reference, including The Graphic Arts,..., by Philip Gilbert Hamerton, 1882, Le Courrier Français, approximately 70 issues, circa 1880s, Gil Blas Illustré, approximately 70 issues, circa 1890s, mostly original cloth, many in dust jackets, G/VG, 8vo/folio

419* WWI Posters. A WWI “name and shame” poster circa 1916, printed in German and French, with a list of offenders and the ﬁne payable for offence, overseen by Colonel V Quast, Mons 1915, 65 x 71.5cm, framed and glazed, together with a similar smaller poster, 43 x 55cm, framed and glazed (2)

£100 - £150

£150 - £200

(6 shelves)

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£200 - £300

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425 Flint (Sir William Russell, illustrator). Drawings, 1950, numerous tinted illustrations, half-title partly toned, original blue cloth gilt, rear cover lightly marked, dust jacket, some light spots and minor marks, adhesive tape repair to verso of front panel, ends of spine and folds a little frayed, 4to, together with The Odyssey of Homer..., reprinted 1936, numerous colour plates, spotting mainly to edges and ﬁrst & last leaves, original green cloth, dust jacket, toned and spotted, spine with tears and losses (large loss at foot), 8vo, plus Savoy Operas by W. S. Gilbert, 1909, numerous colour plates, lightly spotted throughout, original red cloth gilt, rebacked with original (faded) spine relaid, thick 8vo, and a quantity of others, William Russell Flint related, including Iolanthe and Other Operas, Pirates of Penzance, Models of Propriety, Famous WaterColour Painters II, More than Shadows, etc. (a carton)

430 King Penguin. K1-K76 (a broken run), 122 volumes, 1939-59, all original boards, K52-K76 in dust jackets, some spines rubbed to head & foot, many duplicate copies, G/VG, 8vo (122)

£100 - £150

£150 - £200

426 Folio Society. The Oregon Trail, by Francis Parkman, 2010, The Source Of The Nile..., by Richard Burton, 1994, includes facsimile folding map, The Fatal Shore..., by Robert Hughes, 1999, William Russell, Special Correspondent of The Times, edited by Roger Hudson, 1995, Memoirs of a Fighting Captain, by Admiral Lord Cochrane, 2005, together with 101 further volumes of Folio Society publications, all original cloth in slipcases, G/VG, 8vo (106)

£200 - £300

427 Folio Society.The Fairy Tales of Charles Perrault, illustrated by Edmund Dulac, 6th printing, 2002, Hans Andersen’s Fairy Tales, illustrated by W. Heath Robinson, 10th printing, 2002, Fahrenheit 451, by Ray Bradbury, 2011, The Deptford Trilogy, by Robertson Davies, 2007, The Complete Winnie the Pooh, 3 volumes, by A.A. Milne, illustrated by E.H. Shepard, 2011, Finn Family Moomintroll, by Tove Jansson, 2007, together with 36 further volumes of Folio Society publications, all original cloth in slipcases, G/VG, 8vo (44)

£100 - £150

428 Hanley (James). Men in Darkness, 1st edition, 1931, some toning throughout, original cloth in dust jacket, covers lightly toned & spine slightly chipped to head, 8vo, together with Golding (William), The Inheritors, 1st edition, 1955, & The Pyramid, 1st edition, 1967, both volumes with some minor toning, both original cloth in dust jackets, The Pyramid with price clipped dust jacket, covers lightly toned & rubbed to head of spine, 8vo, and Orwell (George), The Road To Wigan Pier, 1st edition, 1937, black & white illustrations, some light toning throughout, original orange wrappers, spine rubbed to head & foot, 8vo, Animal Farm, 1st U.S. edition, New York,1946, period inscription to half-title, some minor toning, original cloth in price clipped dust jacket, covers lightly rubbed to head & foot, 8vo, and Lawrence (D.H.), Love Among The Haystacks, The Nonesuch Press, 1930, heavy spotting throughout, original yellow cloth, spine slightly marked, some loss to spine label, 8vo, limited edition 516/1600, plus other modern 1st edition ﬁction, including Samuel Beckett, Ian Fleming, Philip Larkin, Evelyn Waugh, Angus Wilson, all original cloth in dust jackets, 8vo, generally G/VG (63)

431 Lucas (E.V.) Outposts of Mercy. The Record of a visit in November and December, 1916, to the various units of the British Red Cross in Italy, 1st edition, 1917, 60 pp.,16 monochrome illustrations on 4 plates, a few minor spots, original wrappers, small chip at head of spine, 8vo, with a loosely inserted folded typescript letter, 1917 appealing for funds and subscriptions for the running of canteens for wounded men on the Gorizia and Monfalcone fronts in Italy, stating that they had fed about 80,000 men from 1st November 1915-1st November 1916 Interesting account of the Italian front during the First World War describing the work of the British Red Cross in treating wounded soldiers. (1) £80 - £120

432 Nicholson (William). An Almanac of Twelve Sports, Words by Rudyard Kipling, Library edition, Heinemann, 1898, 12 colour woodblock illustrations on Japanese vellum, tissue guards, slight marginal toning to title, all edges red, original pictorial vellum, some light soiling and stains, 4to

£200 - £300

429 Hazlitt (William). The Complete Works of William Hazlitt, edited by P. P. Howe after the edition of A. R. Waller and Arnold Glover, 21 volumes, Centenary edition, London and Toronto: Dent, 1930-34, frontispiece to each, top edges gilt, reminder roughtrimmed, some light spotting to fore-edges, original red cloth gilt, spines lightly faded (that to volume 17 more so), labels rubbed with some wear, 8vo Limited edition, one of 1000 copies. (21)

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

(1)

£300 - £400

433 Oxford Dictionary of National Biography, in association with The British Academy, from the Earliest Times to the Year 2000, edited by H C G Matthew and Brian Harrison, 62 volumes, including Index and Index of Contributors, Oxford, 2004, illustrations, original blue cloth gilt, 4to, VG

£200 - £300

(62)

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£100 - £150

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Lot 434 434 Strand Magazine. The Strand Magazine. An Illustrated Monthly, 16 volumes (volumes XXIV-XXXIX), 1902-1910, numerous illustrations, a few small clear tape repairs, a little light spotting and toning to endpapers, contemporary black half calf (one cover a little water stained), spines with red labels and gilt lettering, edges a little rubbed, 8vo

GENERAL STOCK 439 Wisden’s Cricketers’ Almanack. 1900-05 & 1907-08, photographic plates to each, advertisements front and rear, original printed wrappers, 1900 lacking upper wrapper, 1903 lacking lower wrapper, some ear to spines, a few leaves detached, some light soiling, 8vo, together with Almanacks for 1951, 1964, 1975-78, 1982-84 & 2008, mixture of hardback and limp cloth, 1961 with insect damage to upper joint, plus three Gloucestershire CCC Year Books for 1935-36 & 1938 (a few tears and stains)

Contains The Return of Sherlock Holmes and others by Arthur Conan Doyle. (16) £300 - £400

435 Thomas (R.S.) Collected Poems 1945-1990, J.M. Dent, 1993, original cloth, slipcase, 8vo, limited signed edition 205/250, together with Watkins-Pitchford (D.J., ‘BB’). Bill Badger and the Wandering Wind, 1981 reprint, illustrations, original cloth, dust jacket, 8vo, with a loosely inserted 4 page autograph letter from Watkins-Pitchford to John Cornish, dated 1981 discussing his illustrated books, including the Bill Badger reprints, plus Windsor-Richards (A.) Birds of the Lonely Lake, 1st edition, 1961, illustrations by D.J. Watkins-Pitchford, original cloth, price-clipped dust jacket, 8vo, with others including Laurens van der Post, a few signed, Bernard Stone’s Emergency Mouse, 1978, signed by the author, poetry related etc (22)

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440 Literature. A collection of miscellaneous 19th & early 20th literature, including John Leech’s Pictures of Life and Character, circa 1888, some leather bindings, mostly original cloth, F/G, 8vo/folio (A carton)

£150 - £200

£70 - £100

437 Wilde (Oscar). [Collected Works], 14 volumes, Ross Edition, Boston: John W. Luce, [1910], top edges gilt, remainder untrimmed, original terracotta cloth, extremities a little rubbed, slightly sunned spines with printed paper labels (some chipped), label on ﬁnal volume lacking lower right corner, 8vo Mason pp. 491-497. The ﬁrst authorised American edition of Oscar Wilde’s Works, produced from the stereo-typed plates of Methuen’s 1908 edition. (14) £150 - £200

438 Wilson (Mona). The Life of William Blake, limited edition 193/1480, 1927, The Nonesuch Press, numerous black & white illustrations, period inscription to front endpaper, minor spotting & toning, publishers original quarter vellum, boards & spine slightly rubbed to head & foot, large 8vo, together with Bentley (G.E.), Blake Books, annotated catalogues of William Blake’s writings, 1977, Oxford, original cloth in price-clipped dust jacket, William Blake’s Writings, 2 volumes, 1978 Oxford, numerous black & white illustrations, uniform original cloth in dust jackets, A Blake Bibliography, annotated lists of works, studies, and Blakeana, 1964, University of Minnesota Press, Minneapolis, black & white illustrations, ex-library stamp to copyright page, original cloth in price-clipped dust jacket, covers lightly rubbed to head & foot, all 8vo, and other late 19th century & modern William Blake literature & reference, some leather bindings, mostly original cloth, some in dust jackets, 8vo/4to (Approximately 75)

£200 - £300

£100 - £150

441 Britton (John). The Authorship of the Letters of Junius Elucidated: Including a Biographical Memoir of Lieutenant-Colonel Isaac Barre, M.P., London: Printed for the Author, 1848, doublepage mezzotint frontispiece (slightly spotted), title with vignette illustration with central ﬂap revealing engraved portrait, front free endpaper inscribed “To Henry Wright Esq. with the author’s kind regards, Mar 19/50”, and tipped-in letter from the author to Henry Wright, upper hinge split, original dark green cloth with blind blocked decoration to boards, slim 8vo, together with [Hort, John Josiah], The Horse Guards, By the Two Mounted Sentries, London: J. & D.A. Darling, 1850, 11 of 12 hand-coloured lithograph plates (including frontispiece, lacking cover image of The Horse Guards), scattered spotting, front blank endpaper with ownership signature Mathew W. Wilson, XIth Hasars 1849, and with ink stamp M.W.W Ablington Fairford to front free endpaper, contemporary green half calf, with ownership name of M.W. Wilson to upper board at spine edge, some fading, slim 8vo, plus Hamilton (Augusta), Marriage Rites, Customs, and Ceremonies, of all Nations of the Universe, London: Chapple & Son, 1822, engraved portrait frontispiece, some toning, original cloth, faded, 8vo, and other miscellaneous books, including history and theology etc., mostly 19th century publications

436 Watson (James D.). Double Helix. A Personal Account of the Discovery of the Structure of DNA, 1st UK edition, Weidenfeld & Nicolson, 1968, original purple cloth gilt in dust jacket, minor rubbing, 8vo, VG (1)

£200 - £300

(a carton)

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£150 - £250

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442 Vial de Sainbel (Charles). The Sportsman, Farrier and Shoeing-smiths New Guide. Being the substance of the Works of the late Charles Vial de St. Bell. Professor of Medicine at the Veterinary College, or Hospital, for the Diseases of Horses, St. Pancras, London. With Notes. To which is preﬁxed a short account of his life, & the Origin of the College Also, an appendix, containing valuable extracts, from the most approved veterinary writers. By John Lawrence. Late of Lambeth Marsh, Surrey, London: Printers for the Proprietors and sold by B. Crosby..., [1796], engraved title, 3 engraved plates (two slightly cropped at foot), I12 torn to upper outer corner without text loss, contemporary calf, red morocco title label, joints cracked and light wear, 12mo, together with Robertson (William), A Practical Treatise on the Diseases of the Teeth, in which the Origin and Nature of Decay are explained; and the means of Prevention pointed out, London: Longman, Rees, Orme..., 1835, 6 engraved plates, some spotting, edges untrimmed, original cloth, frayed and some wear at head & foot of spine, covers detached, 8vo, plus Rudge (Thomas), The History of the County of Gloucester; compressed, down brought down to the year 1803, 2 volumes, Gloucester: Printed for the Author by G.F. Harris, 1803, 2 engraved plates, ink stain to front pastedown of volume 1, contemporary calf gilt, joints cracked, rubbed, 8vo, and Christy (Miller), The Bryant and May Museum of Fire-Making Appliances. Catalogue of the Exhibits, 2 volumes (including Supplement), London: Bryant & May Ltd., 1926 & 1928, numerous monochrome plates, original printed boards, ﬁrst volume with cloth spine, 8vo, and Australia, Australasian Newspaper Directory, 2nd edition, Melbourne: Gordon & Gotch, 1888, browning throughout, endpapers renewed, original cloth, crude reback & corner repairs, 8vo, plus other miscellaneous books, including British topography, advertising & newspaper directories etc. (a carton)

444 Baker (Richard). A Chronicle of the Kings of England, from the Time of the Romans Government..., 7th edition, 1679, engraved portrait frontispiece of Charles II and additional engraved title-page (both torn with slight loss at foot, frayed to edges and lined to verso), few leaves repaired to margins, occasional light dust-soiling, endpapers renewed, contemporary calf, neatly rebacked and corners repaired, folio, together with Caryl (Joseph), An Exposition with Practical Observations continued upon the Thirty-eighth, Thirty-ninth, Fortieth, Fortyfirst, and Forty-second (being the five last) Chapters of the Book of Job: Being the Substance of Fifty-two Lectures of Meditations, London: Printed by M. & S. Simmons, 1666, early annotation to upper margin of title and with signature Margaret Robinson, also verso with ownership signature ‘William Dent, Pitcher House’, verso of final leaf with ownership inscription ‘Margaret Bainbridge her book 1769’ and rear free endpaper with 18th century genealogical entries of the Robinson and Bainbridge families, upper outer corner of initial two leaves torn, occasional ink marks, dust-soiling and browning throughout, some dampstaining, contemporary calf, joints split at head, some wear to extremities, 4to, plus Le Clerc (John), The Harmony of the Evangelists. Being the Whole Text of the Four Gospels dispos’d according to the Order of Time..., London: Sam. Buckley, 1701, occasional dust-soiling and scattered spotting, without front free endpaper, contemporary panelled calf, recent title label to spine, worn at head & foot of spine, 4to, and Act of Parliament, An Act for the better Preserving the Navigation of the Rivers Avon and Froome, and for Cleansing, Paving and Inlightning the Streets of the City of Bristol, 1700, modern paper wrappers, small slim folio, and other antiquarian including The Experienced English Housekeeper, by Elizabeth Raffald, 3rd edition, 1773, first leaf of Chapter 1 (B1) signed by the author, 3 plates only of 5 (torn with loss), toning and scattered spotting, contemporary sheep, worn, 8vo; A New System of Modern Geography by William Guthrie, 4th edition, 1788, folding engraved maps hand-coloured in outline (some torn with loss), heavy staining at foot mostly affecting text, contemporary calf, gilt decorated spine, some wear, 4to

£150 - £200

443 Pollet (Cedric). Bark, An Intimate Look at the World’s Trees, London: Frances Lincoln, 2010, numerous colour illustrations from photographs, original cloth, extremities very slightly rubbed, dust jacket, folio, together with Livshits (B. I., editor), Money of Russia, Moscow: Interbook Business, 2001, numerous colour illustrations, extremities very slightly rubbed, contained in original decorative box, rubbed in places, tab weak, folio, plus Gibbon (Edward), The History of the Decline and Fall of the Roman Empire, Printed from the edition in twelve volumes, with an Introductory memoir of the author, by William Youngman, London: Frederick Westley and A. H. Davis, 1836, portrait frontispiece (spotted and offset to title), hinges strengthened with gummed tape, contemporary half black morocco, worn, thick 8vo, with others miscellaneous books, including British Sports and Sportsmen: Racing, 1920, Die alamannischen Graberfelder von Neresheim und Kosingen, Ostalbkreis, 1993, Miles Aircraft the Early Years: The Story of F G Miles and his Aeroplanes 1925-1939, by Peter Amos, 2009 (signed by the author), and various natural history, art reference, etc. (2 cartons)

(a carton)

445 Sports & Sportsmen, Ltd [publisher]. British Sports and Sportsmen, Commerce & Industry, limited edition 832/1000 , The Story of Shipping, limited edition 329/1000 , both circa 1920, numerous monochrome illustrations, some minor marks, all edges gilt, uniform publishers original gilt decorated red full morocco, boards & spine slightly rubbed, folio, together with Cobham (Alan), Skyways, 1st edition, 1925, black & white illustrations, period inscription to front endpaper, some minor spotting, original blue cloth, spine lightly rubbed to head & foot, 8vo, and Paasch (H.), Illustrated Marine Encyclopedia, 1890, Antwerp, 100 black & white plates plus portrait frontispiece, period inscription to head of the title page, some light marks & marginal toning, original blue cloth, plus other 19th century & modern shipping, aviation & transport reference, some leather bindings, mostly original cloth, some in dust jackets, G/VG, 8vo/folio

£200 - £300

(3 cartons)

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

£200 - £300

138

£100 - £200

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446 Stein (M. Aurel). Ruins of Desert Cathay. Personal Narrative of Explorations in Central Asia and Westernmost China, 2 volumes, 1st edition, 1912, numerous illustrations, maps and panoramas, occasional light spotting, one or two maps torn without loss, some leaves loosening, front free endpaper of volume 1 torn, hinges breaking, library label and small book label, top edge gilt, original cloth gilt, joints and edges rubbed, small tears at spine ends, thick 8vo, together with Favenc (Ernest), The History of Australian Exploration from 1778 to 1888, 1st edition, London: Grifﬁth, Farran, Okeden & Welsh, 1888, four maps (three folding), three facsimile letters, ﬁve plates of cave paintings, light spotting and toning, partly unopened, hinges cracked & tender, original red cloth, spine faded with small chip, 8vo, plus Miranda (Giovanni), Osservationi della lingua Castigliana, Venice: Ghirardo, & Iseppo Imberti, fratelli, 1622, printer’s woodcut device to title, woodcut portrait illustration, some dampstaining with damp fraying to upper margins of last few leaves with slight loss to running titles, old manuscript covered boards, soiled and rubbed, 8vo, and others including Die Kunstsammlung by Eugen Felix, 2 volumes (catalogue & atlas), Leipzig: T.O. Weigel, 1880; and a volume containing twelve 18th century engraved plates of French Chimney Pieces designs (a carton)

450 Antiquarian. A collection of miscellaneous 18th & 19th century literature & reference, including Handley Cross, 1st edition, by R.S. Surtees, 1854, all in leather bindings, some odd volumes, overall condition is generally fair/good, 8vo/4to Approximately 100 volumes (3 shelves)

451 Modern Fiction. A large collection of modern ﬁction & 1st editions, including John Masters, Anne Rice, John le Carré, Sue Townsend, all original cloth in dust jackets, G/VG, 8vo (6 shelves)

(6 shelves)

£200 - £300

(3 shelves)

£150 - £200

(3 shelves)

£100 - £150

£200 - £300

455 Holmesiana . A large collection of modern Sherlock Holmes & Jack The Ripper literature & reference, including publications by Oxford, Yale, Sutton, mostly original cloth in dust jackets, some paperbacks, G/VG, 8vo/4to (6 shelves)

£200 - £300

456 Stamperia Valdonega [publisher]. Studi Di Bibliograﬁa E Di Storia in onore di Tammaro De Marinis, 4 volumes, 1964, Italy, black & white plates, uniform original blue cloth in slipcases, large 8vo, together with Cipolla (Carlo M.), Saggi Di Storia Economica E Sociale, 1988, Bologna, some minor spotting, original blue leatherette, 8vo, and Angeli (R.P.), Annales Cistercienses,..., 4 volumes, 1970, Farnborough, numerous facsimile pages, uniform original red cloth, large 8vo, plus Fantappiè (Carlo), Lettere di Ernesto Buonaiuti ad Arturo Carlo Jemolo 1921-1941, 1997, Rome, original orange cloth, 8vo, and other modern Italian and French language reference, history & related, mostly original cloth, some in dust jackets, G/VG, 8vo/4to (6 shelves)

139 £400 - £600

£200 - £300

454 Bunker (Andrew J. & van Breugel, Wil J.M.). The Hy-Redshift Universe: Galaxy Formation and Evolution at High Redshift, 1999, California, black & white diagrams, original boards, 8vo, together with Guerlac (Henry), Newton on the Continent, 1981, Cornell University Press, original cloth in dust jacket, 8vo, and Jaki (Stanley L.), Planets and Planetarians: a history of theories of the origin of planetary systems, 1978, Scottish Academic Press, Edinburgh, original cloth in dust jacket, very lightly rubbed to head & foot, 8vo, plus Herbig (G.H.), Spectroscopic Astrophysics, an assessment of the contributions of Otto Struve, 1970, University of California Press, black & white diagrams , original cloth in price clipped dust jacket, spine lightly faded, 8vo, and other scholarly modern astronomy reference, including publications by Oxford, Princeton, Harvard, Cambridge, mostly original cloth in dust jackets, G/VG, 8vo

449 Milton (John). Paradise Lost, 1758, Paradise Regain’d, 1758, period inscription to front pastedown ‘Abraham Darby mo 25.3.1759’, both printed by John Baskerville, Birmingham, both with period inscriptions to head of title pages, marginal toning & spotting, uniform contemporary gilt decorated mottled calf, boards slightly marked & rubbed, spines cracked & rubbed with some loss to head & foot, 8vo, together with Dolcetti (Francesco Antonio), Vite de’ Padri Ouero Istoria Eremitica..., 1679, printed for Michele Ercole, Rome, black & white engraved frontispiece, period inscription to front pastedown, endpapers re-enforced with white tape, some water marks, some toning & spotting, contemporary vellum, boards & spine rubbed & marked, 4to, and Piozzi (Hesther Lynch), Anecdotes of the late Samuel Johnson, L.L.D. during the last years of his life, 1787, Dublin, some light toning, light water marks to pp 297 to rear endpaper, rebound retaining contemporary gilt decorated mottled calf boards & spine, rubbed to head & foot, 8vo, plus other mostly 18th & 19th century literature, poetry & reference, including The Lives of the Most Eminent English Poets, new edition, 4 volumes, by Samuel Johnson, 1794, The Literary Works of Sir Joshua Reynolds,..., 5th edition, 3 volumes, 1819, all leather bindings, many gilt decorated, overall condition is good/very good, 8vo/4to Approximately 105 volumes (3 shelves)

£100 - £150

453 Barron (Caroline M. & Stratford, Jenny). The Church and Learning in later medieval society: essays in honour of R.B. Dobson, 2002, Shaun Tyas, Donington, original cloth in dust jacket, 8vo, together with Kittell (Ellen E. & Madden, Thomas F.), Medieval and Renaissance Venice, 1999, University of Illinois Press, Chicago, book plate to front pastedown, original cloth in dust jacket, 8vo, and Larkin (Felix M.), Librarians, Poets and Scholars, a festschrift for Dónall Ó Luanaigh, 2007, Four Courts Press, Dublin, original cloth in dust jacket, 8vo, plus Muir (Bernard J.), Reading Texts and Images, essays on medieval and Renaissance art and patronage in honour of Margaret M. Manion, 2002, University of Exeter Press, colour and black & white illustrations, original cloth in dust jacket, 8vo, and other modern scholarly medieval & Renaissance history & reference, including publications by Oxford, Princeton, Liverpool, Cambridge, California, all original cloth in dust jackets, G/VG, 8vo

448 Playboy magazines. Four bound Playboy magazines, for July to December 1959, January to June 1961, July to December 1963, January to June 1964, the January 1961 edition contains a small photograph of Sophia Loren and the January 1964 edition contains a 10 page tribute to Marilyn Monroe, good clean copies, 29.5 x 21.5cm (11.5 x 8.5ins) (4)

£100 - £150

452 Literature. A large collection of miscellaneous late 19th & early 20th century literature, all original cloth, fair/good, 8vo/4to

447 Hardy (Thomas). Jude the Obscure, (Wessex Novels volume 8), 1st edition, London: Osgood, McIlvaine & Co., 1896, etched frontispiece by H. Macbeth-Raeburn, occasional spotting, ink ownership stamp to front endpaper, original cloth torn at head, scuffed and some mottling, 8vo, together with Tess of the D’Urbervilles, A Pure Woman Faithfully Presented, 1st US edition, New York: Harper & Brothers, 1892, monochrome frontispiece and 10 plates (2 detached frayed & torn), dust-soiled and few marks, contents shaken, original cloth, worn, 8vo, plus other Hardy titles including Tess of the D’Urbervilles, London: James R. Osgood, McIlvaine & Co., 1892, ex-library copy with numerous large ink stamps throughout and later worn quarter morocco library binding, 8vo; A Pair of Blue Eyes, London: Sampson Low, Marston & Co., 1892, without frontispiece, original cloth, rubbed, 8vo; 7 volumes of the Greenwood Edition series of Hardy’s novels, mixed editions, 1971-73, original boards in dust-jackets, 8vo and 8 volumes from the New Wessex Edition, 1975-76, original cloth in dust-jackets, 8vo, etc. (a carton)

£200 - £300

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457 Male (Emile). Religious Art in France, The Thirteenth Century, The Late Middle Ages, 2 volumes, 1984, Princeton University Press, numerous black & white illustrations, uniform original cloth in dust jackets, covers very lightly rubbed, large 4to, together with Clark (Gregory T.), Made in Flanders, The Master of Ghent Privileges..., 2000, Belgium, numerous colour and black & white illustrations, period inscription & blind stamp to front endpaper, original cloth in dust jacket, large 8vo, and Michiels (Alfred), Hans Melling, 2007, New York, numerous colour illustrations, original cloth in dust jacket, large 4to, plus Gordon (Dillian et al), The Real Image of Richard II and the Wilton Diptych, 1997, numerous black & white illustrations, original cloth in dust jacket, large 8vo, and other modern medieval & Renaissance art reference & related, mostly original cloth, some in dust jackets, some paperbacks, G/VG, 8vo/folio (6 shelves)

462 Penguin. Approximately 460 Penguin paperbacks, including ﬁction & non-ﬁction, all in original wrappers, G, 8vo (6 shelves)

463 Buckle (A.). Yorkshire Etchings with Sonnets and Descriptions, limited edition21/100, 1885, Leeds, 21 black & white etched plates with tissue guards, period inscription to front endpaper, some spotting throughout, publishers original gilt decorated blue quarter morocco, boards & spine slightly rubbed, folio, together with Blew (W.C.A.), Brighton and its Coaches, a history of the London and Brighton Road, 1894, 20 colour illustrations, some light spotting & marginal toning, top edge gilt, original gilt decorated blue cloth, lightly rubbed to head & foot, 8vo, and Stanﬁeld (Clarkson), Stanﬁeld’s Coast Scenery. A series of views in the British Channel, 1836, 40 black & white plates, some marginal toning, all edges gilt, front board detached, boards & spine rubbed with minor loss to foot, 8vo, plus other 19th & early 20th century U.K. topography reference, some leather bindings, mostly original cloth, G/VG, 8vo/folio

£200 - £300

458 Meiss (Millard). De Artibus Opuscula XL, Essays in honor of Erwin Panofsky, 2 volumes, 1961, New York University Press, numerous black & white illustrations, uniform original black cloth in slipcase, large 4to, together with Kantorowicz (Ernest H.), Selected Studies, 1965, New York, black & white illustrations, original cloth, large 8vo, and Gilbert (Allan), Machiavelli, the chief works and others, 3 volumes, 1965, Duke University Press, North Carolina, black & white illustrated endpapers, uniform original cloth in slipcase, 8vo, plus other modern & scholarly medieval & history reference, including publications by Manchester University Press, Cornell, Princeton, Oxford, Greenwood, Blackwell, all original cloth, many in dust jackets, G/VG, 8vo/4to (6 shelves)

(6 shelves)

£300 - £400

(6 shelves)

£200 - £300

466 History. A large collection of modern miscellaneous history & Egyptology reference, including publications by Oxford, Folio Society, Routledge, Sutton, Gollancz, Greenhill Books, mostly original cloth in dust jackets, G/VG, 8vo/folio (6 shelves)

460 U.K . Topography. A collection of late 19th century & modern U.K . topographical reference, including publications by Batsford, David & Charles, Gollancz, mostly original cloth in dust jackets, condition is generally fair/good, 8vo/folio

£100 - £200

467 Collins Crime Club. Approximately 65 volumes of Collins Crime Club publications, circa 1970-2005, including Agatha Christie, Ngaio Marsh, Elizabeth Ferrars, Nicholas Blake, Andrew Garve, all original cloth in dust jackets, 8vo, together with other modern crime ﬁction, including publications by Folio Society, Penguin, Gregg Press, many original cloth, some paperbacks, G/VG, 8vo

£100 - £150

461 Malleson (G.B.). History of the Indian Mutiny, 1857-1858, 3 volumes, 1878-80, black & white folding maps, period inscription to front endpapers, some light spotting & toning, uniform contemporary embossed plum cloth, spines faded & rubbed with minor loss to head & foot, 8vo, together with Kay (John William), A History of the Sepoy War. 1857-1858, 4 volumes, mixed editions, 1875-80, period inscriptions to front endpapers, modern related text inserts pasted down to volume 1 front endpaper, some toning throughout, uniform contemporary embossed plum cloth, spines faded & rubbed to head & foot, 8vo, and Maurice (Thomas), The Ancient History of Hindostan,..., 3 volumes bound in 2, 2nd edition, 1820, 17 black & white engraved plates, blind stamps to front endpapers, some minor spotting, toning & offsetting, uniform contemporary gilt decorated black half calf, boards & spies slightly rubbed, large 4to, plus other 19th century & modern India history & reference, some leather bindings, many original cloth, some in dust jackets, G/VG, 8vo/4to Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

£200 - £300

465 Victor Gollancz. Approximately 130 volumes of detective & thriller ﬁction, circa 1940-70, including Hillary Waugh, W.J. Burley, Daphne Du Maurier, Michael Innes, all original cloth, mostly in dust jackets, together with approximately 80 further volumes of related crime ﬁction, all original cloth in dust jackets, G/VG, 8vo

All volumes from the library of Keith G. Stevens with bookplates to front pastedowns (6 shelves & a carton) £300 - £400

(6 shelves)

£300 - £400

464 Clark (John Willis). Fasciculus Ioanni Willis Clark dicatus , typis academicis impressus, limited edition 491/500, 1909, Canterbury, black & white portrait frontispiece, book plate & period inscription to front pastedown, some minor spotting, top edge gilt, original brown cloth, boards & spine lightly rubbed, 8vo, together with Baring-Gould (S.), The Lives of the Saints, 16 volumes, new edition, 1914, Edinburgh, numerous black & white illustrations, minor toning & spotting, uniform original brown cloth, spines lightly rubbed to head & foot, 8vo, and other late 19th & early 20th century ecclesiastical & miscellaneous history reference, including publications by Oxford, J.M. Dent, Cambridge, all original cloth, G/VG, 8vo/4to

459 Chang (Chun-shu & Smythe, Joan). South China in the Twelfth Century, a translation of Lu Yu’s travel diaries July 3 - December 6, 1170, 1981, Hong Kong, black & white illustrations, original cloth in dust jacket, lightly rubbed, 8vo, together with Wheatley (Paul), The Pivot of the Four Quarters, a preliminary enquiry into the origins and character of the ancient Chinese city, 1971, University Press Edinburgh, original gold cloth in dust jacket, covers slightly rubbed with minor tears to head, 8vo, and Chang (Chun-shu & Shelley Hsueh-lun), Crisis and Transformation in Seventeenth-Century China, society, culture, and modernity in Li Yü’s world, 1995, University of Michigan Press, original cloth in dust jacket, 8vo, plus Mair (Victor H.), T’ang Transformation Texts,..., 1989, Harvard University Press, original cloth in dust jacket, 8vo, and other late 19th century & modern China, Oriental & Middle Eastern history & reference, mostly original cloth, many in dust jackets, G/VG, 8vo/folio

(6 shelves)

£150 - £200

(6 shelves)

£200 - £300

468 King (Stephen). The Stand, 1979, The Dead Zone, 1979, Firestarter, 1980, Cujo, 1982, Skeleton Crew, 1985, The Eyes of The Dragon, 1987, Misery, 1987, The Dark Half, 1989, all U.K. 1st editions, plus 22 further volumes by Stephen King, all original cloth in dust jackets, some covers lightly rubbed, 8vo, together with Harris (Thomas), Silence Of The Lambs, 1989, Hannibal, 1999, Hannibal Rising, 2006, all U.K. 1st editions, all original cloth in dust jackets, 8vo, and other modern thriller & crime ﬁction, including Phil Rickman, Ian Rankin, Anne Rice, Reginald Hill, Dick Francis, John Connolly, some signed by the authors, all original cloth in dust jackets, G/VG, 8vo (6 shelves)

£300 - £400

140

£200 - £300

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469 King Penguin. Approximately 79 volumes, all original boards, some volumes rubbed with loss to spines, 8vo, together with Penguin, approximately 180 volumes of Penguin paperbacks, including ﬁction & non-ﬁction, all in original wrappers, spines rubbed, 8vo, and other miscellaneous literature & paperbacks, G, 8vo (6 shelves)

476 Crooke (W.). An Introduction to the Popular Religion and Folklore of Northern India, 1st edition, 1894, Allahbad, some light Mark’s, original embossed brown cloth, spine faded & rubbed, 8vo, together with Baden-Powell (B.H.), The Indian Village Community..., 1st edition, 1896, front endpaper detached with some minor loss, ex-library copy with associated marks, marginal toning throughout, original blue cloth, boards & spine slightly rubbed, 8vo, and Cell (John W.), Hailey, A study in British imperialism 1872-1969, 1st edition, 1992, Cambridge University Press, black & white portrait frontispiece, bookstamp to front pastedown, original cloth in dust jacket, 8vo, plus other late 19th century & modern India history & reference, some leather bindings, mostly original cloth, some in dust jackets, some odd volumes, G/VG, 8vo

£100 - £150

470 Modern Fiction. A large collection of female author modern crime ﬁction, including Mo Hayder, Anne Perry, Minette Walters, Nicci French, Susan Hill, Kathy Reichs, Lesley Grant-Adamson, all original cloth in dust jackets, G/VG, 8vo (6 shelves)

£150 - £200

471 Military. A large collection of modern military reference, including publications by Pen & Sword, Spellmount, Arms & Armour, Helion, Schiffer Military History, Ian Allan, mostly original cloth, many in dust jackets, G/VG, 8vo/4to (6 shelves)

(6 shelves)

£200 - £300

477 Carroll (Lewis). Through The Looking-Glass, and what Alice found there, 15th thousand, 1872, 50 black & white illustrations by John Tenniel, modern endpapers, some marginal toning, all edges gilt, rebound retaining original gilt decorated red cloth, loss to head & foot of spine, 8vo, together with Walton (Izaak & Cotton, Charles), The Complete Angler..., 1875, 60 black & white illustrations, modern endpapers, some light spotting, rebound retaining original gilt decorated cloth, spine faded with loss to head & foot, 8vo, and other 19th & early 20th century literature, ﬁction & poetry, including G.A. Henty , Angela Brazil, Richmal Crompton , all original cloth, G, 8vo/4to

472 Wolf (Arthur P.). Religion And Ritual in Chinese Society, 1974, Stanford University Press, California, contemporary marginal annotations in Mandarin, original cloth, spine lightly rubbed to head & foot, 8vo, together with Thomburn (J.M.), India And Malaysia, 1892, U.S.A., 27 blind stamped black & white illustrations, ex-library copy with book plate to front pastedown, some marginal toning, original decorated blue cloth, boards & spine lightly rubbed, library label to foot of spine, 8vo, and de Groot (J.J.M.), The Religious System of China..., 6 volumes, 1982, China, black & white illustrations, uniform original cloth in dust jackets, spines lightly rubbed to head & foot, 8vo, plus other late 19th century & modern China, Oriental & Middle East history & reference, including Lafcadio Hearn, mostly original cloth, many in dust jackets, G/VG, 8vo/4to

(6 shelves)

473 Risley (H.H.). The Tribes and Castles of Bengal, 2 volumes, limited edition of 250 copies, 1891, Calcutta, some light spotting, uniform original decorated boards, spines & boards marked & slightly rubbed with minor loss, 8vo, together with Tod (James), Annals and Antiquities of Rajast’han..., 2 volumes, popular edition, 1914, black & white folding map to volume 1, bookplates to front pastedowns, some light spotting & toning, uniform original brown cloth, 8vo, and Wilkins (W.J.), Modern Hinduism..., 1887, Calcutta, period inscription to the half-title, some light toning, original gilt decorated blue cloth, boards & spine slightly rubbed, 8vo, plus other late 19th century & modern India reference & related, including Archaeological Survey of India, 23 volumes plus Index, by A. Cunningham, some leather bindings, mostly original cloth, many in dust jackets, G/VG, 8vo/4to £300 - £400

(6 shelves)

474 Antiquarian. A large collection of 19th century literature & sets, including Waverley Novels, 48 volumes, by Walter Scott, circa 1844, A. & C. Black, Edinburgh, The British Poets, 51 volumes, 1822, The History of the Decline and Fall of the Roman Empire, by Edward Gibson, 12 volumes, new edition, 1888, all gilt decorated leather bindings, condition is generally fair/good, 8vo (6 shelves)

£300 - £500

479 Storer (James Sargant). Ancient Reliques ; or, delineations of monastic, castellated, & domestic architecture,..., 2 volumes, 1812, numerous black & white engraved plates with tissue guards, period inscription to volume 1 front endpaper, bookplates to front pastedowns, volume 1 front endpaper reinforced with fabric tape, some spotting & light offsetting, uniform contemporary gilt decorated embossed calf, volume 1 front board partially detached, boards & spines rubbed with some loss to head & foot, 8vo, together with Mason (Rupert), Robes of Thespis, costume designs by modern artists, 1st edition, 1928, Ernest Benn Ltd, 109 colour & monochrome plates, some light spotting throughout, original gilt decorated blue cloth In dust jacket covers marked & rubbed with chipping & minor loss to head & foot, large 4to, plus other late 19th century & modern architecture, costume, art & theatre reference, some leather bindings, mostly original cloth, some in dust jackets, G/VG, 8vo/folio

£300 - £500

475 Liu (Kwang-Ching). Orthodoxy in Late Imperial China, 1990, University of California Press, U.S.A., original cloth in dust jacket, 8vo, together with Cleaver (Anne Hoffman & Stan, E. Jeffery), Voyage to the Southern Ocean..., 1988, Naval Institute Press, U.S.A., black & white illustrations, original cloth in dust jacket, spine lightly faded, 8vo, and Shavit (David), The United States in Asia, a historical dictionary, 1990, Greenwood Press, U.S.A, original grey cloth, 8vo, plus Smith (G. Rex), Society and Trade in South Arabia, 1996, Variorum, Hampshire, original blue cloth, spine lightly rubbed to head & foot, 8vo, and other late 19th century & modern China, Oriental & Middle Eastern history & reference, some leather bindings, mostly original cloth, some in dust jackets, 8vo/4to All volumes from the library of Keith G. Stevens with bookplates to front pastedowns (6 shelves & a carton) £300 - £400

£200 - £300

478 Taylor (Richard Cowling). Statistics Of Coal..., 1848, Philadelphia, linen lined colour folding map to the front plus 4 further folding maps, torn folding map to pp 144/145, bookplate to front pastedown, water mark from front endpapers to pp 1, contemporary blue half cloth to marbled boards, lightly rubbed, 8vo, together with Owen (Richard & Bell, Thomas), Monograph on the Fossil Reptilia of the London clay,..., 1849-58, Palæontographical Society, 58 black & white plates, some light spotting & toning, modern endpapers, modern gilt decorated red half calf, lightly marked, large 4to, and Dodd (George), Dodd’s Curiosities of Industry contents: gold in the mine, the mint,..., 1852, some spotting & toning, original embossed brown cloth, spine slight faded & rubbed to head & foot, 8vo, plus other 19th century & modern mining, archaeology & palaeontology reference, including North of England Institute of Mining Engineers, Transactions, 4 volumes, 1853-56, Newcastle-upon-Tyne, some leather bindings, mostly original cloth, many in dust jackets, G/VG, 8vo/4to

All volumes from the library of Keith G. Stevens with bookplates to front pastedowns (6 shelves & a carton) £300 - £400

(6 shelves)

£200 - £300

(6 shelves)

141

£200 - £300

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480 Paperbacks. A large collection of scholarly Italian language paperbacks, including medieval & Renaissance history, together with other miscellaneous paperback literature, including publications by Penguin, Pelican, all in original wrappers, G/VG, 8vo/4to (14 shelves & 2 cartons)

485 Detective Fiction. A collection of modern female author detective & crime ﬁction, including Val McDermid, Elzabeth George, Laurie R. King, Karin Slaughter, Jane Adams, Ann Granger, some signed by the authors, mostly original cloth in dust jackets, VG, 8vo

£150 - £200

Approximately 75 volumes (3 shelves)

481 Hung (Eva). Paradoxes of Traditional Chinese Literature, 1994, Chinese University Press, Hong Kong, original cloth in dust jacket, spine lightly rubbed to head & foot, 8vo, together with Brook (Timothy), Praying for Power, Buddhism and the formation of gentry society in Late-Ming China, 1993, Harvard University Press, original cloth in dust jacket, covers lightly rubbed to head & foot, 8vo, and Chan (Leo Tak-hung), The Discourse on Foxes and Ghosts, Ji Yun and eighteenth-century literati storytelling, 1998, Chinese University Press, Hong Kong, original cloth in dust jacket, 8vo, plus Jordan (David K. & Overmyer, Daniel L.), The Flying Phoenix, aspects of Chinese sectarianism in Taiwan, 1986, Princeton University Press, minor spotting to the text-block, original cloth in dust jacket, covers lightly marked & rubbed to head, 8vo, and other mostly modern China, Oriental & Middle Eastern history & reference, mostly original cloth, many in dust jackets, G/VG, 8vo/4to

486 History. A large collection early 20th century & modern history & military reference, including The Ancestor, 12 volumes, 1902-05, The History of England..., 10 volumes, by John Lingard, 1902, & publications by Oxford, Pen & Sword, Ian Allan, Routledge, all original cloth, some in dust jackets, G/VG, 8vo/4to (6 shelves)

482 Hedin (Sven). Trans-Himalaya, discoveries and adventures in Tibet, 3 volumes, 1909, 14 maps & 538 (of 544) black & white illustrations, some light spotting & toning, uniform contemporary red cloth, spines lightly & rubbed to head & foot, 8vo, Overland To India, 2 volumes, 1910, numerous colour and black & white illustrations, bookplates to front pastedowns, some light spotting & toning, uniform original gilt decorated blue cloth, boards & spines slightly rubbed & faded, 8vo, together with Curzon (George Nathaniel), British Government in India, the story of the viceroys and government houses, 2 volumes, 1st edition, 1925, numerous monochrome illustrations, bookplates to front pastedowns, some light toning, uniform original gilt decorated blue cloth, spines lightly faded & rubbed to head & foot, large 4to, and other late 19th century & modern India history & reference, some leather bindings, mostly original cloth, some in dust jackets, G/VG, 8vo/4to

Some volumes incomplete, sold as seen not subject to return (6 shelves) £300 - £400

488 Henry (J.D.). Oil Fields of the Empire, 1st edition, 1910, numerous black & white illustrations, some light spotting & toning, original gilt decorated red cloth, boards rubbed, spine toned & rubbed with minor loss to head & foot, 4to, together with Redwood (Thomas Boverton), Petroleum: A Treatise on..., 3 volumes, 4th edition, 1922, numerous monochrome folding maps, ex-library copies with associated marks, period inscription to volume 1 front endpaper, some light marginal toning throughout, uniform original red cloth, boards & spines lightly rubbed, 8vo, and Thompson (A. Beeby), Oil-Field Development and Petroleum Mining, 1916, 8 colour folding maps to rear, 43 black & white plates, period inscription to front endpaper, ex-library copy with associated marks, light spotting & toning, original red cloth, boards & spine rubbed, 8vo, plus other early 20th century & modern oil, petroleum & mining reference, including documents, mostly original cloth, many in dust jackets, G/VG, 8vo/4to

£200 - £300

483 Churchill (Randolph S.). Winston S. Churchill, volumes 1-4 plus ‘Companion’ volumes 1 (part 1 & 2) - 3 (part 1 & 2), 11 volumes, all 1st editions, 1966-75, numerous black & white illustrations, all original cloth in dust jackets, covers slightly marked & rubbed to head & foot, 8vo, together a large collection of further Winston S. Churchill literature & reference, including A History of the EnglishSpeaking Peoples, 4 volumes, 1st editions, 1956-58, The Second World War, 6 volumes, 1st editions, 1948-54, all original cloth, mostly in dust jackets, some duplicate copies, G/VG, 8vo/4to (6 shelves)

(6 shelves & a carton)

£300 - £400

489 Klein (Martin A.). Islam And Imperialism in Senegal, SineSaloum, 1847-1914, 1968, Stanford University Press, California, 6 black & white illustrations, original cloth in price clipped dust jacket, 8vo, together with Chau (Adam Yuet), Miraculous Response, doing popular religion in contemporary China, 2006, Stanford University Press, California, original cloth in dust jacket, 8vo, and Al-Rahīm (Muddathir ‘abd), Imperialism And Nationalism In The Sudan..., 1969, Oxford, original cloth in price clipped dust jacket, covers lightly marked and rubbed to head with minor tears, 8vo, plus Weller (P. Weller), Resistance, Chaos and Control in China..., 1994, University of Washington Press, Seattle, original cloth in dust jacket, and other modern China, Oriental & Middle Eastern history & reference, including publications by Haklyt Society, mostly original cloth, many in dust jackets, G/VG, 8vo/4to

£300 - £400

484 Camden (William). Camden’s Britannia Abridg’d;..., 2 volumes, 1701, printed by J.B., modern endpapers, volume 1 lacking pp 297-304, volume 2 title page torn & repaired, some light marks, toning & offsetting, uniform later half calf, spines lightly rubbed to head & foot, 8vo, together with Kitchiner (William), The Cook’s Oracle;..., 4th edition, 1822, some minor toning, contemporary gilt decorated half calf, boards & spine slightly rubbed with loss to foot of spine, front hinges cracked, 8vo, and Culpeper (Nicholas), The Complete Herbal,..., new edition, 1861, 20 hand coloured plates, lacking front endpapers & frontispiece, some marks, toning & spotting throughout, contemporary gilt decorated half calf, boards & spine rubbed, lacks spine label, 4to, plus other cookery reference & miscellaneous history, some leather bindings, some original cloth, G/VG, 8vo/folio

All volumes from the library of Keith G. Stevens with bookplates to front pastedowns (6 shelves & a carton) £300 - £400

Some volumes incomplete, sold as seen not subject to return (6 shelves) £300 - £400 Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

£200 - £300

487 Heer (J.C.). The Lake of Lucerne and the Forest Cantons, edition de luxe, 1900, Zürich, 800 monochrome illustrations, bookplate to front pastedown, some minor marginal toning, top edge gilt, publishers original red cloth, boards & spine slightly rubbed, large 4to, together with Mudie (Robert), The Sea, 1835, hand coloured frontispiece & title page, modern endpapers, some minor spotting & toning, original embossed cloth, spine slightly rubbed with minor loss to head, 8vo, and Gilbert (Mark), Wisdom Of The Ages, circa 1948, Saint Catherine Press, minor spotting & marginal toning, all edges gilt, contemporary blue full morocco bound by Bumpus, boards lightly marked & rubbed, 8vo, plus other 19th century & modern miscellaneous reference & natural history, some leather bindings, many original cloth, some in dust jackets, G/VG, 8vo/4to

All volumes from the library of Keith G. Stevens with bookplates to front pastedowns (6 shelves) £200 - £300

(6 shelves)

£200 - £300

142

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490 Aviation. A large collection of modern aviation & military reference, including publications by Jane’s, Osprey, Greenhill Books, Scoval, Ian Allan, mostly original cloth, some in dust jackets, some duplication, G/VG, 8vo/4to (6 shelves)

495 Phillips (J.). A General History of Inland Navigation, foreign and domestic:..., 5th edition, 1803, some spotting & toning throughout, minor tears to spine edge of front endpaper & title page, contemporary gilt decorated half calf, front board partially detached, boards & spine slightly rubbed, 8vo, together with Rowson (Stephen & Wright, Ian L.), The Glamorganshire and Aberdale Canals, 2 volumes, 2001-04, Gloucestershire, numerous colour & monochrome illustrations, uniform original cloth in dust jackets, large 4to, and Paget-Tomlinson(Edward), The Illustrated History of Canal & River Navigations, 1994, Shefﬁeld Academic Press, colour & monochrome illustrations, original cloth in dust, covers lightly rubbed, large 8vo, plus other late 19th century & modern canals, rivers & waterways history & reference, including publications by A. & C. Black, David & Charles, Oxford, Osprey, Sutton, mostly original cloth, many in dust jackets, G/VG, 8vo/4to

£100 - £200

491 Leung (Edwin Pak-wah). Historical Dictionary of Revolutionary China, 1839-1976, 1992, Greenwood Press, black & white map frontispiece, original cloth, 8vo, together with Watson (William), Cultural Frontiers in Ancient East Asia, 1971, Edinburgh University Press, numerous monochrome illustrations, original cloth in dust jacket, covers slightly rubbed to head & foot, 8vo, and Drake (F.S.), Symposium on Historical Archaeological and Linguistic Studies on Southern China,..., limited edition of 1500 copies, 1967, Hong Kong University Press, black & illustrations plus folding plates, very minor toning, original yellow cloth, boards lightly spotted & rubbed, 8vo, plus other modern China, Oriental & Middle Eastern history & reference, mostly original cloth, some in dust jackets, G/VG, 8vo/4to

(6 shelves)

496 Sullivan (Alvin). British Literary Magazines, the modern age, 1914-1984, 1986, Greenwood Press, original cloth, 8vo, together with Jackson (Holbrook), The Anatomy of Bibliomania, new edition, 1950, ooriginal cloth in dust jacket, covers slightly rubbed to head & foot, 8vo, and Chambers (David et al), Morris Cox & The Gogmagog Press, limited edition of 1650 copies, 1991, Private Libraries Association, Middlesex, numerous monochrome illustrations, publishers original orange cloth, 8vo, plus Whalley (Joyce Irene & Chester, Tessa Rose), A History of Children’s Book Illustration, 1988, numerous colour and black & white illustrations, original cloth in dust jacket, 4to, and other modern bibliography reference & related, many original cloth, some in dust jackets, G/VG, 8vo/4to

All volumes from the library of Keith G. Stevens with bookplates to front pastedowns (6 shelves & a carton) £300 - £400

492 Rowling (J.K.). Harry Potter and the Philosopher’s Stone, 1st deluxe edition, 1999, minor toning throughout, original illustrated red cloth, 8vo, together with Morley (Christopher), Swiss Family Manhattan, 1st U.K. edition, 1932, original cloth in dust jacket, spine lightly faded & rubbed to head, 8vo, and Ishiguro (Kazuo), An Artist of the Floating World, 1st edition, 1986, original cloth in price clipped dust jacket, 8vo, plus other 1st editions & modern ﬁction, including Ian McWEwan, William Golding, J.G. Ballard, P.D. James, Kingsley Amis, G.M. Fraser, Iris Murdoch, I. Compton-Burnett, A.S. Byatt, all original cloth in dust jackets, G/VG, 8vo (6 shelves)

(3 shelves)

(6 shelves)

£300 - £400

£200 - £300

498 Auden (W.H.). Collected Shorter Poems 1927-1957, 1st edition, 1966, Collected Longer Poems, 1st edition, 1968, some very minor toning, original cloth in dust jackets, minor rubbing to head & foot, 8vo, together with Milne (A.A.), Winnie The Pooh, a reproduction of the original manuscript by A.A. Milne, 1971, numerous black & white facsimiles, publishers original cloth in slipcase, large 8vo, and Thwaite (Anthony), Selected Letters of Philip Larkin, 1940-1985, 1st edition, 1992, black & white illustrations, original cloth in dust jacket, spine slightly rubbed to head & foot, 8vo, plus other modern author biography, literature & poetry, including T.S. Eliot, Iris Murdoch, Graham Greene, & publications by Faber & Faber, Oxford, mostly original cloth in dust jackets, G/VG, 8vo/4to

494 Gray (Todd & Rowe, Margery). Travels in Georgian Devon, the illustrated journals of the Reverend John Swete, 1789-1800, 4 volumes, 1997-2000, Devon, numerous colour illustrations, original cloth in dust jackets, large 8vo, together with Daniell (William), A Voyage Round Great Britain..., 2 volumes, 1978, Scolar Press, numerous monochrome illustrations, uniform original blue cloth in slipcase, minor fading to spines, 8vo, and Hartley (Dorothy & Elliot, Margaret M. Elliot), Life and Work of the People of England, 2 volumes, 1931, numerous black & white illustrations, some light marginal toning, original cloth in dust jackets, covers slightly toned & rubbed with minor loss to head & foot, 8vo, plus other mostly modern U.K. topography & history reference, mostly original cloth in dust jackets, some paperbacks, G/VG, 8vo/folio (6 shelves)

£150 - £200

497 Wade (Allan [editor]). The Letters of W.B. Yeats, 1st edition, 1954, black & white portrait frontispiece, some minor spotting & toning, original cloth in dust jacket, covers lightly rubbed, 8vo, together with Mendelson (Edward), Early Auden, 1st edition, 1981, some minor marks to the fore-edge, original cloth in dust jacket, covers slightly rubbed to head, 8vo, and Scott (Thomas L. et al), The Correspondence of Ezra Pound, Pound/The Little Review, the letters of Ezra Pound to Margaret Anderson:..., 1st edition, 1988, original cloth in dust jacket, covers lightly marked & rubbed to head & foot, 8vo, plus Ellmann (Richard), a long the riverrun, selected essays by Richard Ellmann, 1st edition, 1988, original cloth in dust jacket, covers lightly rubbed to foot, 8vo, and other modern author biography & literate, including D.H. Lawrence, William Wordsworth, Wyndham Lewis, Ted Hughes, & publications by Oxford, Routledge, Cambridge, mostly original cloth in dust jackets, some paperbacks, G/VG, 8vo

£400 - £600

493 Hayes (John). The Drawings of Thomas Gainsborough, 2 volumes, 1970, numerous black & white illustrations, uniform original cloth in price-clipped dust jackets, large 8vo, together with Barber (Carl Paul), William Gilpin, his drawings, teaching, and theory of the picturesque, 1963, Oxford University Press, black & white illustrations, original cloth in dust jacket, covers lightly rubbed, large 8vo, and Ostergard (Derek E.), William Beckford, 1760-1844: an eye for the magniﬁcent, 2001, Yale University Press, numerous colour & monochrome illustrations, original cloth in dust jacket, minor fading to covers on the fore-edge, large 4to, plus Hardie (Martin), Water-colour Painting in Britain, 3 volumes, mixed editions, 1969-71, numerous colour and black & white illustrations, uniform original cloth in dust jackets, spines slightly rubbed, large 8vo, and other water-colour & British art reference, mostly original cloth, many in dust jackets, G/VG, 8vo/4to (6 shelves)

£300 - £400

(6 shelves)

£200 - £300

143

£300 - £400

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499 Marchard (Leslie A.). Byron’s Letters And Journals, 13 volumes, 1973-94, colour and black & white illustrations, uniform original cloth in dust jackets, some spines lightly faded, 8vo, together with Curwen Press, Johnson And Queeney, letters from Dr. Johnson to Queeney Thrale from the Bowood Papers, limited edition 383/500, 1932, black & white portrait frontispiece, original cloth in slipcase, spine lightly faded, 8vo, and Money (D.K.), The English Horace, Anthony Alsop and the tradition of British Latin verse, 1st edition, 1998, Oxford University Press, black & white portrait frontispiece, original cloth in dust jacket, 4to, plus Meredith (George), Modern Love and Poems of the English Roadside, with poems and ballads, 1st edition, 2012, Yale University Press, original cloth in dust jacket, 8vo, andother modern poet biography & reference, including Willuam Morris, The Rossettis, & publications by Routledge, Cambridge, Princeton, mostly original cloth, many in dust jackets, G/VG, 8vo/4to (6 shelves)

503 Smith (A.H.). The Place-names of Gloucestershire, 4 volumes, 1964-65, Cambridge University Press, uniform original cloth in dust jackets, spines lightly toned & rubbed to head & foot, 8vo, together with Blunt (John Henry), Dursley and its neighbourhood;..., 1877, Dursley, 11 black & white illustrations, period inscription to front endpaper, some light spotting & marginal toning, original gilt decorated red cloth, boards & spine slightly rubbed, 8vo, and St. Clair Baddeley (Webore), A Cotteswold Manor, being the history of Painswick, 1907, 21 monochrome illustrations, some light spotting & marginal toning, contemporary gilt decorated brown quarter morocco, 4to, plus Billington (R.J. et al), The Locomotives of the London, Brighton & South Coast Railway, 1839-1903, 1903, Locomotive Publishing Co., black & white illustrations, stamp to head of half-title, minor toning, original wrappers, spine slightly toned & rubbed to head & foot, 8vo, and other late 19th century & modern Gloucestershire & Cotswold history & reference, including Gloucestershire Records Series, volumes 1-5, 8, some leather bindings, mostly original cloth, some in dust jackets, G/VG, 8vo/folio

£300 - £400

500 H.M.S.O. Royal Commission on the Historical Monuments of England, An Inventory of Nonconformist Chapels and MeetingHouses in Central England, 1986, ... in Eastern England, 2002, English Vernacular Houses, by Eric Mercer 1995, all 1st editions, numerous black & white illustrations, original cloth in dust jackets, spines slightly rubbed to head, large 8vo, together with Gomme (Andor et al), Bristol, an architectural history, 1st edition, 1979, numerous monochrome illustrations, original cloth in dust jacket, spine lightly rubbed to head & foot, large 4to, and Thompson (Francis), A History of Chatsworth..., 1st edition, 1949, Country Life, numerous monochrome illustrations, some minor spotting, original cloth in dust jacket, spine slightly rubbed with minor tears, large 8vo, plus other architecture & gardening reference, including publications by Blandford, Antique Collectors’ Club, Oxford, mostly original cloth in dust jackets, some paperbacks, G/VG, 8vo/folio (6 shelves)

(6 shelves)

504 Defoe (Daniel). A Tour Thro’ the whole Island of Great Britain,..., 2 volumes, limited edition of 1000 copies, 1927, 40 black & white facsimile maps, some light spotting, top edge gilt, publishers uniform original cloth, spines slightly toned & rubbed to head & foot, 8vo, together with Bloom (Edward A. & Lillian D.), The Piozzi Letters, correspondence of Hester Lynch Piozzi ,1784-1821, 6 volumes, 1989-2002, University of Delaware Press, U.S.A., 6 black & white frontispieces, all original cloth in dust jackets, volume 1 spine slightly faded, minor rubbing to head of spines, 8vo, and Greenoak (Francesca & Mabey, Richard), The Journals of Gilbert White, 3 volumes, 1986-89, black & white illustrations, uniform original cloth in dust jackets, spines lightly rubbed to head, 8vo, plus other modern biography, letters & history reference, including The Letters of David Garrick, 3 volumes, 1963, edited by David M. Little, 8vo, all original cloth, many in dust jackets, G/VG, 8vo

£200 - £300

501 J. Pigot & Co. [publisher]. Pigot & Co.’s Royal National and Commercial Directory and Topography, July 1842, 11 colour maps (lacks Wiltshire), black & white advertisements to the rear, period inscription to head of the title page, some spotting, toning & offsetting, contemporary gilt decorated full calf, boards & spines lightly rubbed, 8vo, together with Gilpin (William), Observations relative chieﬂy to picturesque beauty, made in the year 1776,..., 2 volumes (bound in 1), 1789, printed for R. Blamire, monochrome plates, period inscriptions to title pages, some offsetting & minor spotting, later gilt decorated tree calf, spine lightly rubbed to head & foot, 8vo, and Roscoe (Thomas), Wanderings and Excursions in South Wales;...in North Wales, 2 volumes, circa 1837, 99 monochrome engravings, all edges gilt, minor toning, uniform contemporary gilt decorated red full morocco, spines slightly faded & rubbed, 8vo, plus other mostly 19th century U.K. topography reference, some leather bindings, some original cloth, overall condition is good/very good, 8vo/4to Approximately 70 volumes (3 shelves)

(6 shelves)

£300 - £400

506 Thomson (Hugh [illustrator]). The Canterbury Pilgrims, tales retold from Chaucer and others, by F.J. Harvey Darton, circa 1904, 50 black & white illustrations, period inscription to front endpaper, some minor spotting & marginal toning, top edge gilt, original gilt decorated black cloth, boards & spine lightly rubbed to head & foot, 8vo, together with Robinson (Charles [illustrator]), The True Annalsof Fairy-Land, by William Canton, circa 1900, numerous colour and black & white illustrations, some minor spotting, original gilt decorated blue cloth, spine lightly rubbed to head & foot, 8vo, and Tregarthen (Enys), North Cornwall Fairies And Legends, 1906, 26 monochrome illustrations, some light spotting, period inscription to front endpaper, original gilt decorated red cloth, boards & spine slightly faded & rubbed, 8vo, plus Heighway (Richard [illustrator]), The Fables of Aesop..., by Joseph Jacobs, 1894, numerous black & white illustrations, some minor spotting, original gilt decorated cloth, boards & spines lightly rubbed, 8vo, and other 19th & early 20th century illustrated literature, ﬁction, & reference, including the Popular History series, 6 volumes, circa 1894, all original cloth, some gilt decorated, condition is generally good/very good, 8vo

£300 - £500

£200 - £300

(Zero) Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

£200 - £300

505 Oxford University Press. A collection of Oxford published reference, including The Letters of Samuel Johnson, 3 volumes, by R.W. Chapman, 1963, Boswell’s Life of Johnson, 2 volumes, edited by George Birkbeck Hill, 2nd edition, 1964, Thomas Traherne Centuries, Poems, and Thanksgiving, 2 volumes, edited by H.M. Margoliouth, 1958, Life In The Forests Of The Far East, 2 volumes, by Spencer St.John, 1974, Elgin’s Mission To China And Japan, 2 volumes, by Laurence Oliphant, 1970, all original cloth, many in dust jackets, G/VG, 8vo/4to

502 MacDiarmid (Hugh). Complete Poems 1920-1976, 2 volumes, limited edition of 65 copies,1978, volume 1 half title signed by the author, uniform original blue cloth in slipcase, 8vo, together with Hill (Geoffrey), Broken Hierarchies, poems 1952-2012, 1st edition, 2013, original cloth in dust jacket, 8vo and Celan (Paul), Breathturn Into Timestead, the collected later poetry, 1st edition, 2014, original cloth in dust jacket, 8vo, plus Larkin (Philip), The Complete Poems, 1st edition, 2012, original cloth in dust jacket, 8vo, and other modern poetry, including Dylan Thomas, D.M. Thomas, T.S. Eliot, Jenny Joseph, Anne Sexton, Günter Grass, mostly original cloth, many in dust jackets, some paperbacks, G/VG, 8vo (3 shelves)

£300 - £400

144

£300 - £500

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507 Waley (Arthur). A Hundred and Seventy Chinese Poems, translated by Arthur Waley, 1st edition, Constable, 1918, original quarter cloth, 8vo, with bookplate to front pastedown, 'From the Emily & Gordon Bottomley Bequest', together with The Way and Its Power, a study of the Tao Te Ching and its place in Chinese thought, 1st edition, 1934, original black cloth, lightly rubbed, 8vo, plus Fitzgerald (C.P.), China, A Short Cultural History, reprinted, Cresset Press, 1954, original cloth gilt in dust wrapper, large 8vo, and others on Chinese literature and related, all 20th century publications in English, including some paperback editions, mostly 8vo (approximately 100 volumes)

511 James (Henry). Italian Hours, 1909, 64 colour & monochrome illustrations by Joseph Pennell, some light spotting, top edge gilt, publishers original gilt decorated green cloth, spine lightly faded & rubbed to head & foot, large 8vo, The Letters of Henry James, 2 volumes, edited by Percy Lubbock, 1920, 2 monochrome portrait frontispieces, some minor spotting & toning, uniform original blue cloth, spines lightly rubbed to head & foot, 8vo, Notes Of A Son & Brother, 1st edition, 1914, 6 black & white illustrations, minor marginal toning, original blue cloth, minor rubbing to head & foot of spine, 8vo, The Tales of Henry James, 2 volumes, edited by Maqbool Aziz, 1st editions, 1973-78, Oxford, original cloth in dust jackets, 8vo, together with 47 further volumes of Henry James literature & biography, mostly original cloth, some in dust jackets, some duplicate copies, G/VG, 8vo

From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. (3 shelves) £200 - £300

508 Hearn (Lafcadio). Some Chinese Ghosts, reprinted, Boston, 1906, top edge gilt, remainder rough-trimmed, original pictorial pale green cloth gilt, together with Frodsham (J.D.), The Poems of Li Ho (791-817) (Oxford Library of East Asian Literatures), 1st edition, Oxford, 1970, original dark blue cloth gilt in dust wrapper, plus Hui-Lan-Ki. The Story of the Circle of Chalk, a drama from the Old Chinese, translated by Frances Hume with Illustrations by John Buckland-Wright, 1st edition, Rodale Press, circa 1950, colour plates, original black and yellow cloth gilt, in worn glassine dust wrapper, with slipcase, 8vo, limited edition 220/1000, and others on Chinese literature, all 20th century publications in English, mainly cloth bound, mostly 8vo (approximately 90 volumes)

(3 shelves)

512 Beckett (R.B.). John Constable’s Correspondence,..., 8 volumes, 1962-75, H.M.S.O./ Suffolk Records Society, black & white frontispieces, original cloth in dust jackets, 8vo, together with Joll (Evelyn et al), The Oxford Companion to J.M.W. Turner, 1st edition, 2001, Oxford, 32 colour plates, monochrome portrait frontispiece, original cloth in dust jacket, 4to, and Butlin (Martin), Samuel Palmer’s Sketch-Book, 1824, 2 volumes, 1962, Trianon Press, numerous monochrome facsimile illustrations, ‘Commentary’ volume lacking pp 3-10, uniform original cloth in slipcase, oblong 4to, plus Sutton (Denys), An Italian Sketchbook by Richard Eilson RA, 2 volumes, 1968, numerous monochrome facsimile illustrations, uniform original blue cloth in slipcase, 8vo, and other Constable, Turner, watercolour & British art reference, mostly original cloth, many in dust jackets, G/VG, 8vo/4to

From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. (3 shelves) £200 - £300

509 Waley (Arthur). The Tale of Genji, & The Sacred Tree, by Lady Murasaki, translated from the Japanese by Arthur Waley, 2 volumes, 1st editions, 1925 & 1926, original blue cloth gilt, spines toned, 8vo, together with Morris (Ivan). The Pillow Book of Sei Shonagon, 2 volumes, 1st edition, Oxford, 1967, monochrome plates, original cloth gilt in dust wrappers, 8vo, plus Waley (Arthur). The Lady Who Loved Insects, translated from the Japanese by Arthur Waley, Dry-points by Hermine David, Blackamore Press, 1929, etched illustrations, top edge gilt, remainder untrimmed, original silk, with card slipcase, some marks and light soiling to card slipcase, 8vo, limited edition 472/550, and others on Japanese literature and art, all 20th century publications in English, mostly cloth bindings, but including some paperbound editions, 8vo/4to (approximately 150 volumes)

(6 shelves)

£200 - £300

513 Paperbacks. A large collection of approximately 550 modern paperbacks, including literature reference, poetry, ﬁction, plays, & publications by Penguin, Pelican, Routledge, California, Oxford, Pan, all in original wrappers, G/VG, 8vo (6 shelves & 2 cartons)

£200 - £300

514 Crime Fiction. A large collection of modern detective, crime & thriller ﬁction, including John le Carré, James Patterson, John Grisham, Ian Rankin, Peter Robinson, Thomas Harris, mostly original cloth in dust jackets, some paperbacks, G/VG, 8vo (6 shelves)

From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. (3 shelves) £200 - £300

£150 - £200

515 Starrett (Vincent). Murder On “B” Deck, 1st edition, 1929, The Crime Club Inc., New York, minor marginal toning, original cloth in dust jacket, covers slightly rubbed to head & foot with minor loss, spine lightly faded, 8vo, together with other early 20th century & modern crime ﬁction & crime literature reference, including Ngaio Marsh, Rex Stout, Ellery Queens, mostly original cloth in dust jackets, G/VG, 8vo

510 Baskerville Press. Paradise Lost. A Poem, in Twelve Books, & Paradise Regain’d. A Poem, in Four Books, by John Milton, Birmingham, John Baskerville, 1759, some light spotting, mostly to first and last few leaves, contemporary mottled calf, worn with covers detached, large 8vo in 4’s, together with The Works of Mr. William Congreve, 3 volumes, Birmingham, John Baskerville, 1761, engraved frontispiece to each volume, light spotting to first and last few leaves, contemporary sprinkled calf, gilt decorated spines, with one or two labels missing, somewhat worn with joints cracked, 8vo, plus Dryden (John). The Miscellaneous Works, 4 volumes, 1st collected edition, J. & R. Tonson, 1760, contemporary half calf, old reback with endpapers renewed, some minor wear, with upper cover to first volume detached, 8vo, and other miscellaneous English and French literature, including Sainte-Beuve, Madame de Sevigne, Samuel Johnson’s Works of the English Poets, 74 (of 75) volumes, lacking volume 24 only, 1790, rebound in 20th century orange cloth, a little rubbed and marked to spines, small 8vo, all other volumes bound in contemporary leather bindings, mostly incomplete sets, rubbed and some marks, mainly 8vo (180 volumes in total) (3 shelves)

£150 - £200

(Zero)

£150 - £200

516 Wilhelm (James J.). Dante and Pound, the epic of judgement, 1974, University of Maine Press, U.S.A., illustrated endpapers & monochrome portrait frontispiece, original cloth in dust jacket, spine lightly rubbed to head & foot, 8vo, together with Anderson (David), Pound’s Cavalcanti, an edition of the translations, notes, and essays, 1983, Princeton University Press, U.S.A., original cloth in dust jacket, covers slightly marked, 8vo, and Nadel (Ira B.), The Letters of Ezra Pound to Alice Corbin Henderson, 1993, University of Texas Press, U.S.A., black & white illustrations, original cloth in dust jacket, covers slightly rubbed with tear to foot of front cover, 8vo, plus other scholarly Ezra Pound reference & biography, including publications by California, Chicago, Stanford, Oxford, mostly original cloth, many in dust jackets, G/VG, 8v/4to (3 shelves)

£300 - £500

145

£200 - £300

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517 Omori (Annie Shepley & Doi, Kochi). Diaries of Court Ladies of Old Japan, 1935, Kenkyusha Co., Japan, colour frontispiece, 12 black & white illustrations, somemmarginal spotting throughout, original cloth in dust jacket, covers slightly marked & rubbed with minor tears to head, 8vo, together with Mitchell (R.J.), John Free, from Bristol to Rome in the ﬁfteenth century, 1st edition, 1955, 5 black & white plates, original cloth in dust jacket, covers lightly toned & rubbed to head & foot, 8vo, and Magill (C.P. et al), Tradition And Creation, essays in honour of Elizabeth Mary Wilkinson, 2nd edition, 1978, Leeds, black & white frontispiece, original cloth in dust jacket, spine lightly faded, 8vo, plus other early 20th century & modern literature, history & miscellaneous reference, mostly original cloth, some in dust jackets, G/VG, 8vo (6 shelves)

522 Skinner (Stephan). Etymologicon Linguæ Anglicanèæ,..., 1671, T. Roycroft, later inscriptions to original front endpapers, rebound with later endpapers, some spotting throughout, later calf spine retaining contemporary full calf boards, large 8vo, together with John (M.), De verborum Significatione, The Exposition of the Termes and Difficill Wordes, Contained in the Foure Buikes of Regiam Majestatem,..., 1597, Edinburgh, printed by Robert Walde-grave, period inscriptions & loss to the final leaf, some toning, spotting & marks throughout, modern endpapers, modern quarter calf, spine lightly faded, 8vo, and Nisbet (John), Some Doubts & Questions in the Law; especially of Scotland...., 1698, Edinburgh, printed by George Mosman, some later marginal annotations throughout, later endpapers, some light toning & minor spotting, later half calf, boards & spine slightly rubbed, 8vo, plus other 17th, 18th & 19th century miscellaneous history & literature, mostly leather bindings, some original cloth, some odd volumes, condition is generally good/very good, 8vo/folio

£150 - £200

518 Pocket Editions. A collection of approximately 220 19th & early 20th century pocket edition literature, including Jones’s Diamond Poets, 9 volumes, circa 1830, The Phoenix Library, 53 volumes, circa 1920s, The Temple Classics, 30 volumes, circa 1900s, all in original gilt decorated bindings, G/VG, small 8vo/8vo (3 shelves)

Approximately 100 volumes (6 shelves)

523 Woodsworth (Charles J.). Canada And The Orient, a study of international relations, 1st edition, 1941, Toronto, period inscription to front endpaper, original cloth in dust jacket, covers slightly marked & rubbed to head & foot, 8vo, together with Ch’en (Jerome), The Highlanders of Central China, a history 1895-1937, 1st edition, 1992, black & white illustrations, original cloth in dust jacket, spi nub e lightly faded, 8vo, and Kuitert (Wybe), Japanese Flowering Cherries, 1999, Timber Press, Oregon, numerous colour and monochrome illustrations, original cloth in dust jacket, covers lightly rubbed to head, 8vo, plus other 19th century & modern China, Oriental & Middle Eastern history & reference, some leather bindings, mostly original cloth, many in dust jackets, G/VG, 8vo/4to

£200 - £300

519 Lovecraft (H.P.). Collected Essays, 2 volumes, 1st editions, 2004, Hippocampus Press, New York, original cloth in dust jackets, spines slightly faded, 8vo, together with Ellin (Stanley), The Speciality Of The House and other stories, the complete mystery tales, 1948-1978, 1979, The Mysterious Press, New York, original cloth in dust jacket & slipcase, covers slightly rubbed to head & foot, 8vo, and Thomson (Christine Campbell), Grusome Cargoes, reprint edition, 1932, period inscription to front endpaper, some minor spotting, original cloth in dust jacket, covers slightly rubbed, 8vo, plus other modern mystery, horror & crime ﬁction, mostly original cloth in dust jackets, 8vo/4to (6 shelves)

All volumes from the library of Keith G. Stevens with bookplates to front pastedowns (6 shelves & a carton) £300 - £400

£200 - £300

520 Literature. A large collection of miscellaneous early 20th century & modern literature, including publications by A.& C. Black, Gollancz, all original cloth, some in dust jackets, G/VG, 8vo, 4to (5 shelves)

524 Price (Richard). Observations on Reversionary Payments;..., 1771, printed T. Cadell, period inscription to head of the title page, some toning, rear endpaper partially detached, gutters cracked, contemporary full calf, boards & spine rubbed, hinges cracked, 8vo, together with Gibson (Edmund), Synodus Anglicana: or, The Constitution and Proceedings of an English Convocation,..., 1702, printed for A. and J. Churchill, period inscriptions to front endpaper & the title page, cracked gutters, some light toning throughout, contemporary mottled full calf, front board partially detached, slightly rubbed, 8vo, and Carey (M.L.M.), Four Months in a Dahabëéh; or, narrative of a winter’s cruise on the Nile, 1863, 6 colour plates, plate to pp 87 detached, bookplate to front pastedown, some light spotting & minor toning, all edges gilt, original gilt decorated blue cloth, boards & spine slightly faded & rubbed, 8vo, plus other 19th century & modern history, topography & miscellaneous literature, some leather bindings, many original cloth, condition is generally good/very good, 8vo/folio

£70 - £100

521 Desaguliers (J.T.). Fires Improv’d: being a new method of building chimneys,..., 1715, printed for J. Sensex, 7 black & white folding plates, plate 9 is a modern facsimile, some light toning throughout, gutters cracked, later mottled calf, 8vo, together with Livewell Chapman [publisher], Christ within the Vaile: or, Christs Appearance now in Heaven for Beleevers..., 1653, printed for R.I., spotting & toning throughout, partial bookplate to front pastedown, contemporary full calf, hinges cracked, 8vo, and Blind Harry, The Acts and Deeds of the Illustrious and Valiant Champion Sir William Wallace, Knight of Elderslie, circa 1758, Edinburgh, lacking title page, front endpapers detached,spotting & toning throughout, contemporary half calf, front board detached, rubbed with minor loss, 4to, plus other 17th, 18th & 19th century miscellaneous history & literature, mostly leather bindings, some original cloth, some odd volumes, condition is generally good/very good, 8vo/4to Approximately 135 volumes (6 shelves)

(3 shelves & a carton)

£300 - £400

525 Wheelhouse (M.V . [illustrator]). Easter Eggs, from the German of Christoph von Schmid, 1908, 6 colour plates plus black & white illustrations, some minor toning, original illustrated boards, spine light rubbed, 8vo, plus original artwork of the front cover by M.V. Wheelhouse, some spotting, together with Kipling (Rudyard), Kim, Young People’s Edition, 1958, illustrated & signed by Stuart Tresilian, black & white illustrations, original cloth in dust jacket, covers rubbed to head & foot with minor loss, 8vo, plus original pen & ink artwork of pp 5 illustration, framed & glazed, and Woden (George), This Way To Fortune, a tale of a talent, circa 1929, minor spotting to the text block, original cloth in dust jacket, covers slightly rubbed to head & foot with minor loss, 8vo, plus other early 20th century & modern 1st edition ﬁction & literature, including Enid Blyton, A.E. Coppard, The Strand Magazine, some signed by the authors, mostly original cloth, many in dust jackets, G/VG, 8vo/4to

£400 - £600

(3 shelves) Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

£400 - £600

146

£200 - £300

Day Two

19TH CENTURY LITERATURE

Lot 526

Lot 527

526 Austen (Jane). [The Novels], illustrated by Hugh Thomson and Charles E. Brock, 5 volumes, London: Macmillan and Co., reprinted 18991901, Pride and Prejudice with 40 plates by Brock, the remainder each with 40 plates by Thomson, half-titles present, top edges gilt, the remainder rough trimmed, near contemporary tan half calf gilt, by Riviere & Son, rubbed and scuffed on spines and extremities, some minor skinning, spines faded, 8vo (5)

£150 - £200

527* [Dickens, Charles]. Ticket for Charles Dickens’s Final Readings, 1870, printed in black on pink card, giving the purchaser entry to a public reading by Dickens at St. James’s Hall on Tuesday February 1st in 1870, in the Sofa Stall, Row 14, No. 23, priced 7s, used (i.e. with left hand portion torn off on entry to event), 7 x 5.5cm (2.75 x 2.25ins), housed in a W.H. Smith envelope embossed on flap ‘34 & 35 New Bond Street, London, W.1.’ and with ‘WHS’ monogram, note in early manuscript on front pertaining to contents Charles Dickens, renowned for his powerful theatrical public readings of his own novels, embarked on a series of twelve “farewell” performances at St. James’s Hall, from 11th January to 15th March 1870. The readings, given despite Dickens’s fragile state of health, included episodes from Pickwick Papers, Oliver Twist and the perennial favourite A Christmas Carol. The tickets for these Final Readings were hugely sought after and on 15th March Dickens faced an audience of some two thousand people, with many more having been turned away. After the final performance Dickens made an emotional speech which ended: ‘’... from these garish lights I vanish now for evermore... ‘’, words which were inscribed on his funeral card distributed at Westminster Abbey three months later. A rare and significant piece of Dickensiana in excellent condition. (1) £700 - £1,000

528 Dickens (Charles). The Mystery of Edwin Drood, 1st edition, London: Chapman and Hall, 1870, engraved portrait frontispiece, engraved additional title-page, 12 wood-engraved plates, stab-holes visible in gutter, advertisement leaf discarded, contemporary ink inscription to frontispiece recto showing through recto, spotting to gutter of title-page, contemporary blue half calf, joints and extremities rubbed, 8vo (21.2 x 13cm) Provenance: Percival Frost (1817-1898), mathematician, with his ownership inscription ‘Percival Frost, Cambridge, presented to him by the Author’ to the frontispiece recto. Frost was a lecturer at Jesus College (1847-59) and King’s College, Cambridge (1859-1889), during which time he tutored Dickens’s son Henry Fielding Dickens (1849-1933), who was unimpressed by Frost’s methods and wished he had instead been taught by Edward Routh (see Warwick, Masters of Theory: Cambridge and the Rise of Mathematical Physics, pp. 237-8). (1) £500 - £800

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

148

Lot 528 529 Dumas (Alexandre). The Count of Monte Christo, 3 volumes, Belfast: Simms and McIntyre, 1846, [2] 400, [2] 5448, [2] 5-464, signatures [pi]2 A-2B8 (2B8=blank?), A7 B-2E8, A7 B-2F8, without engraved series-title and letterpress half-title to each volume (see Sadleir) and preface leaf to volume 1, light staining to volume 1 pp. 3-5, volume 3 pp. 446-7 sometime stuck together and now separated obscuring a few letters, a few other trivial marks, contemporary ownership inscriptions ‘Mrs Wm Bowie’ and ‘Douglas S Brown’ to front free endpapers, contemporary half calf, rubbed overall, spines worn with loss to ends, joints cracked, volume 1 front board near detached (just held by top cord), 8vo (16.3 x 9.6cm) Sadleir 3754. The first volume is the first edition in English of any part of Le Comte de Monte-Cristo; Sadleir concluded that the second and third volumes ‘in all likelihood post-dated the Chapman & Hall edition [but the first volume] pre-dated it by two or three months’. Rare: OCLC traces seven copies for the first volume, and four sets of the second and third. The three volumes were all issued as part of Simms and McIntyre’s Parlour Novelist series, a ‘revolution in cheap-novel publishing’ (Sadleir). The first appeared in April 1846 with the title-page reading ‘Chateau d’If. A Romance ... translated from the French by Emma Hardy’, with volumes two and three following in September and October, with title-pages reading ‘The Count of Monte Christo ... In Two Volumes, being a Sequel to “The Chateau d’If”’. This set appears to contain uniform cancel title-pages which are otherwise unrecorded; volume one retains the caption-title ‘The Chateau d’If’ on page 1 and colophon ‘End of the Chateau d’If’; volume two retains the colophon ‘End of volume the first’. It is evidently not an example of the 1848 re-issue under the Parlour Library series, which is easily distinguishable by its pagination (319, 320, 363 pp.). (3) £1,000 - £1,500

Lot 529

Lot 530

Lot 531

530 [Lacombe, Jacques]. Encyclopédie méthodique: Dictionnaire des Jeux, faisant suite au Tome III des Mathématiques, Paris: Panckoucke, 1792, 16 engraved plates (some folding), p.1 small loss to lower margin (with repair to verso), front pastedown with pictorial bookplate of Philipe H. Samuel, all edges gilt, 19th century red morocco gilt by ‘Simier, R. du Roi’, tooled in blind and gilt, decorative gilt rolls on edges and turn-ins, front cover with tiny hole in leather near joint, 4to, together with Peignot (Gabriel), Recherches Historiques et Litteraires sur les Danses des Morts et sur l’origine des Cartes a Jouer..., Dijon and Paris: Victor Lagier, 1826, frontispiece and 4 plates (3 lightly spotted), top edge gilt, 19th century green morocco, rubbed with some light scratches, gilt lettering to spine, 8vo, and one other game-related (3)

£150 - £200

531 Melville (Herman). White Jacket; or, the World in a Man-of-War, 2 volumes, 1st edition, London: Richard Bentley, 1850, a few minor spots and pale stains, yellow endpapers and pastedowns with publisher’s advertisements (front pastedowns and volume II rear pastedown with small adhesion residue and abrasions with resultant loss of lettering, very small shelf number and annotations to volume I front and rear pastedowns), original blue cloth, upper covers with square-rigged ship decoration in blind and anchor in blind to lower covers, spines (faded to green) lettered in gilt, small light stains to volume I upper cover, 8vo BAL 13661. Very scarce, only two copies sold at auction in the last 50 years in 2003 and 2006. Fine copy of the true first edition, preceeding the first American edition by two months and one of only 1,000 copies printed, The first American edition was published by Harper & Brothers, New York in an edition of 4524 copies, and a second issue, with cancel title-pages was published by Richard Bentley in a single volume in London in 1853. Melville’s fifth novel, published a year before Moby Dick, drew on his experiences aboard the frigate USS United States from 1843-44, the title derived from the main character’s coat which he had fashioned to withstand the rounding of Cape Horn. The novel, with its graphic depictions of the harshness of naval life and arbitrary use of flogging was very influential in the abolition of flogging as a punishment in the US navy by the US Congress in September 1850. (2) £10,000 - £15,000

149

Lot 531

535 Twain (Mark). The Adventures of Huckleberry Finn (Tom Sawyer’s Comrade), 1st edition, London: Chatto & Windus, 1884, half-title, wood-engraved frontispiece and numerous text illustrations by E. W. Kemble, 32 pp. publisher’s catalogue to rear dated October 1884, some light spotting (mainly to fore-edge), original staples failing with some sections detached, original red pictorial cloth, spine toned, some pale marks to covers, extremities somewhat worn, 8vo, and another copy of the same, most of textblock detached, with some marks and edge tears, original red pictorial cloth, marked, spine toned, some wear to extremities, 8vo, plus A Yankee at the Court of King Arthur, London: Chatto & Windus, 1889, half-title, wood-engraved frontispiece and numerous text illustrations, publisher’s catalogue at rear dated June 1889, some spotting to endpapers and ﬁrst few leaves, original red pictorial cloth, lightly marked, spine toned, minor wear to corners, 8vo, and 3 other Mark Twain 1st UK editions: Life on the Mississippi (1883), The Prince and the Pauper (1881), Roughing It and the Innocents at Home (1882) (6)

£100 - £150

VINTAGE TOYS & GAMES 532 Reid (Captain Mayne). Croquet, 1st edition, London: Charles James Skeet, 1863, frontispiece (a few light spots), original limp pinkish-orange beaded cloth, gilt lettering to front cover, somewhat soiled, slim 8vo, with a 1910 copy of The Laws of Croquet..., Made and Authorised by The Croquet Association, by J. Jaques & Son Croquet: Drazin A8a; Sadleir 2020; Wolff 5732. (2)

£150 - £200

536* Alphabet. A set of pictorial alphabet tiles, c. 1830s, 22 wooden tiles, lacking ‘H’ and ‘W’, each with a large letter (or two) on 1 side, the other side with accompanying hand-coloured woodengraved illustration, rubbed and soiled, ‘M’ with small loss of paper surface at lower corner, each 5.5cm (2ins) square, together with A set of pictorial alphabet cards, 19th century, 26 cards, each with a letter and animal name on one side, chromolithograph illustration depicting the animal on the other side, each card with a male or female tab at head, soiled, ‘W’ creased, 3 cards with some paper surface loss (one slightly affecting picture), several with lifting of paper surfaces, each 10 x 6cm (3.75 x 2.5ins)

533 Rossetti (Christina G.). Time Flies: A Reading Diary, 1st edition, 1885, 4pp. advertisements at end, a little light spotting front and rear, all edges red, original green cloth gilt, one or two small light stains, 8vo From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. Presentation copy, inscribed to front endpaper: ‘Dr Hare, from his old friend and patient Christina G. Rossetti.’ Dr Charles J. Hare was Christina Rossetti’s physician from 1845-50 (1) £200 - £300

534 Rossetti (Christina G.). Goblin Market and Other Poems, 2nd edition, 1865, frontispiece and title illustration by Dante Gabriel Rossetti, contemporary presentation inscription to front endpaper, all edges gilt, contemporary green calf gilt, a little rubbed, 8vo, together with The Prince’s Progress and Other Poems, 1st edition, 1866, later impression? with no comma after ‘coil’ on p. 71, frontispiece and title illustration by D.G. Rossetti, a few light spots, contemporary presentation inscription to half title, original cloth gilt, 8vo, plus Commonplace, and Other Short Stories, 1st edition, 1870, 6 pp. advertisements at rear, a little minor spotting, front endpaper mostly excised, original cloth gilt, spine a little darkened and rubbed at ends, 8vo, with others including New Poems by Christina Rossetti hitherto unpublished or uncollected, edited by William Michael Rossetti, 1st edition, 1896 and The Goblin Market, illustrated by Laurence Housman, 1893 (2 copies)

(2)

From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. (11) £200 - £300

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

£100 - £150

Lot 537

150

537* Bone dice. Nine Georgian bone dice, 18th century, each with duty stamp GR below a crown on the 6 pip side, most stamps with some red ink remaining, some very lightly rubbed or soiled, one with a couple of marks, three approximately 12mm, six approximately 8-9mm, together with two 18th or early-mid 19th century bone dice, each with duty stamp ?R below a crown on the 6 pip side, both with some red ink remaining, each approximately 10mm, and a single bone domino with fruitwood back During the early part of the 18th century, Stamp Duty was extended to cover a number of paper items that included playing cards and dice. Dice had Stamp Duty imposed on their sale between 1711-1862, and to show that duty had been paid, they were individually marked with a red ink stamp of a crown with the ruling monarch’s monogram beneath. Most dice from this period are stamped ‘GR’ for Georgius Rex. (12) £150 - £200

539* Jigsaw. History of England, Paris: H. Rousseau, after 1853, three hand-coloured lithographed jigsaws, printed on paper laid down on wood, depicting the monarchs of England, surrounded by vignette scenes of battles, deaths of monarchs etc., the ﬁrst jigsaw featuring Saxon and Danish monarchs and history, from Egbert to Harold II, the second featuring the Norman and Plantagenet eras, and the third showing the Tudor, Stuart and Hanoverian monarchs ending with Victoria, each monarch numbered and listed, each title, name and vignette description in both English and French, each comprising between 83-86 pieces, the ﬁrst with two tabs lacking and six detached (four with old repairs), the second with three tabs detached, the third with four tabs lacking and eight detached, each 31.5 x 39.5cm (12.25 x 15.75ins), contained together in original board box (and separated by two sheets of board covered in blue paper), the lid with hand-coloured lithographed pictorial design of Victoria receiving her crown, and title in English and French, surrounded by decorative paper border, printed label to verso ‘From Leuchars Late Dunnett’s 3, Cheapside, London’, soiled and edge-worn, lacking board sides, base (also lacking board sides) with printed label to verso bearing central vignette of a rocking horse and lettered ‘Leuchars Late Dunnett’s Toy Warehouse, 3, Cheapside. Dressing Case, Writing Desk, and Work Box, Manufactory 38 Piccadilly London’

538 Broadside puzzles. Nuts to Crack, Parts VII-XI, XX, London: R. Macdonald, circa 1840s, a collection of 6 printed broadsides, with a variety of woodcut illustrations, enigmas, conundrums, hieroglyphics, etc., all but last part sometime laid down on linen (some folds), occasional stains and minor edge-fraying, some light toning, Part XI with two small burn holes to lower blank margin (one just touching line border), Part XX trimmed to lower margin, with loss of imprint (but line border intact), approximately 50 x 37cm (19.5 x 14.5ins), together with accompanying booklets for Parts 16, 17, and 21, entitled The Nutcrackers; A Key to Nuts to Crack, or Enigmatical Repository, each 16pp., with diagrams to text, corners generally creased, original printed wrappers, dusty, those to Part 21 creased and frayed, with slight loss (and small repair) to rear cover, 10.5 x 6.5cm (4 x 2.5ins)

The last Dunnett was recorded at 3 Cheapside in 1853, with Leuchars taking over the premises after this date. A rare example of this handsome jigsaw. (1) £200 - £300

Rare broadsides containing amusements for children, and indeed the whole family, including such curious puzzles and activities as The Labyrinth of London, The Automaton Soothsayer, Papyro Plastics, or Paper Models.-A Patent Cab, Hieroglyphic Love Letter, An Indian Gazette and Tantalus’s Cup. Robert Macdonald of Clerkenwell published a series of 24 such broadsides, which he sold at one shilling each, with the accompanying solution booklets available to purchase separately. (9) £400 - £600

151

541* Paper dolls. Our Favorite Dolls, New York: A. T. Co.’s Paper Doll Series, circa 1890s, a large chromolithographed paper doll, comprising a cut-out thick cardboard figure of a young girl in lace petticoat and bloomers, creased at neck (archival tape repair to verso), 42 x 20cm (16.5 x 8ins), five card dresses with tabs (tabs creased), and four slotted hats, each verso with blue printed dress or hat description with company information below (two hat descriptions with slight surface loss), two dresses with tiny underarm tears, plus four card dresses with tabs (creased), and three slotted hats, each verso with pencil manuscript dress or hat description, some with basic company information in addition, three dresses with tiny underarm tears, one dress with crease to lower corner and one with crease to right cuff, contained in original pictorial card envelope (one fold splitting, adhesive tape repairs to tabs, and some edge-wear), together with Our Favorite Dolls, New York: Amlico Publishing Company, circa 1890s, a large chromolithographed paper doll, comprising a cut-out thick cardboard figure of a young boy wearing under garments, with stand strengthened on verso, 43.5 x 18cm (7ins), five card outfits with tabs (tabs creased), and five slotted hats (two with small adhesive tape repairs to slots), each verso except one hat with blue printed description and company information (A.T. Co.’s Paper Doll Series) below, one hat with pencil manuscript description and company information on verso, contained in original pictorial card envelope (adhesive tape repairs to tabs, some edge-wear and closed tears)

540* Movable cards. A set of French caricature cards, circa 1820s30s, 9 cards (of 10?) each depicting a hand-coloured engraved ﬁgure, with a moveable upper head operated by a paper tab mechanism on verso (all working), letterpress character names at head (one along right side), a few light spots and marks, three with small rust mark at tail (from previous paper clip), each 105 x 77mm (4 x 3ins), contained together in original two-piece slipcase, the inner slipcase covered in pink paper, the outer in green paper (with yellow gussets), and gold strip around the edges (some embossed, with some losses)

The pencil manuscript descriptions on the verso of some girl’s dresses and hats possibly indicate a proof copy, as they state for example ‘Green instead of pink’ or ‘Blue jacket instead of Pink’, the dresses or hats themselves being mostly identical to the previous versions except in colouring. Perhaps they suggest a re-issue of this handsome paper dolls series, which saw life under various publishers including Selchow & Righter, in addition to the two companies represented here. A rare set with these colour variants appearing together. (2) £100 - £150

These moveable cards, which probably date from the Biedermeier period, appear to represent a variety of characters from works of ﬁction and the theatre. For example, Voltaire’s Candide (1759) is represented by the characters Mademoiselle Cunegonde and La Baronne de Thunder-TenTronckh, Le Vieux Chasseur is a character from Han d’Islande (1823) by Victor Hugo, and Vaporine is from the 1822 theatre production Les Femmes Romantiques by Theaulon and Ramond de la Croisette. Pamela is probably taken from the popular English novel by Samuel Richardson, which was translated into French by the Abbe Prevost in 1741 and was staged at the Comedie-Francaise in 1793. The other characters represented are: Le Verre de Punch, L’Ofﬁcier Hongrois, Le Beau Parleur, and Le Poupard. The French movable cards of this period were the predecessors of the famous movable books by Meggendorfer, Nister and others. (1) £300 - £500

542* Peepshow. Lane’s Telescopic View of the Interior of the Great Industrial Exhibition, London: C. Moody, 1851, 10 handcoloured lithographed divisions, including front cover with circular glass peephole, glass supported on verso with gummed stamppaper, depicting the interior of the exhibition at Crystal Palace, with numerous ﬁgures, fountains, statues, and trees, the fountains heightened with glitter, front cover rubbed in places and dampstained, three cut-out panels each with a loss, some light spotting (mainly to rear two panels), linen bellows, with some dampstaining and partly detached from front cover at one side, 16 x 18cm (6.25 x 7ins), extending 65cm (25.5ins), contained in original card slipcase with decorative printed label with hand-colouring (faded), stained and broken Gestetner Collection 255, Gumuchian 2216. (1)

Lot 541

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

152

£200 - £300

Lot 543 543* Playing Cards. Proverbial Cards, [John Lenthall], between 1718 & 1744, a complete set of 52 playing cards with French suits, each copper engraved with large illustration and proverb in margin below, Roman numeral in upper left corner, and hand-stencilled suitmark in upper right corner (that to the 3 of spades with surface loss), ace of spades with red ink garter duty stamp (in use between 1718 and 1744), some surface rubbing (knave of hearts with small discreet repair), occasional close-trimming resulting in loss of single line black border, rounded corners, plain backs, generally dusty and toned on rectos and versos, knave of diamonds and the ten of hearts each with horizontal crease, the two and the eight of spades with slight crease to upper left and right corners respectively, approximately 92 x 65mm (3.5 x 2.5ins), together with a mid 20th century letter giving details of ownership, contained in an old brown linen bag, with hand-sewn hem at top for draw string, latter missing and bag with several holes Schreiber, English, 68; Willshire 204. The British Museum has two sets, one incomplete (missing the ace of spades) and the other, a complete set, bequeathed by Lady Schreiber in 1896. Rare complete set of early proverb playing cards. This set of cards was ﬁrst issued on 23rd November 1698 by William Warter, but because of various somewhat offensive scenes the deck was quickly withdrawn. William Warter was a London stationer whose shop was at the ‘Signe of the Talbott, over against Fetter Lane End of Fleet Street, London’ at least as early as 1682. John Lenthall was apprenticed to Warter in 1699, and took over the business around 1708/9. Some of the cards issued by Lenthall were educational, others political, geographical, or arithmetical, but these proverb cards were designed simply to entertain and amuse. There are scenes, for example, of defecating humans and dogs, amorous liaisons, and hangings and beheadings, with captions such as ‘Where there are women and Geese there wants noe Noise’, ‘He that is hang’d Shall nere be drown’d, and ‘Men and Dogs may goe Abroad but women and Catts, must stay at home’. (1) £1,000 - £1,500

544* Playing cards. An album of whist and bridge score cards, early-later 20th century, approximately 450 colour-printed cards (and a few printed invitations), some used, mounted on album leaves, but most detached or becoming so, a number missing, including American and British cards, many advertising, e.g. Guinness, Player’s Cigarettes, Hovis, Wills’s Tobacco, Goodwin’s Extra Self Raising Flour, Siemen’s Pearl and Opal Electric Lamps, variously titled, e.g. Hunting Whist, Stock Exchange, Football, Wireless, Matrimonial, Aeroplane, Motoring, Progressive Whist, etc., a number with attached pencil, generally in good condition, 20th century cloth-backed boards, worn (1)

153

£300 - £400

546* Playing cards. Deutsches Kriegsquartett, Germany: Westdeutscher Jünglingsbund Barmen, [1916], 60 cards comprising 15 sets of 4, complete, each with a black & white photograph and accompanying text, plain backs, rounded corners, generally dustsoiled and some marks, a few minor creases, 12 x 8cm (4.75 x 3ins), contained in original red-paper covered card box, base split at corners, pull-off lid with black & white photographic title label on front, and printed rules mounted inside, together with FührerQuartet, Germany: Sala, [1935], 43 (of 48) cards, comprising 12 sets of 4, lacking I,1-I,4 and XII,4 (photocopies supplied), each with a black & white photographic portrait and accompanying text, minor staining to top left corners, blue checked backs, 12 x 8cm (4.75 x 3ins), contained in original card box, title label on pull-off lid with photograph of Hitler, box somewhat stained and worn, plus another deck of cards, titled Führer und Helden im Weltkriege, Germany: Jos. Scholz, 1915, 48 chromolithographed cards with portraits of generals etc., comprising 12 sets of 4, complete, but in poor condition, with a number of cards torn and repaired or rebacked, contained in original card box with chromolithographed label on pull-off lid, box rubbed, label browned Three rare decks of military-related playing cards pertaining to the First and Second World Wars, each housed in its original box. (3) £150 - £200

545* Playing cards. Fairy Legend Misfitz, London: Faulkner, circa 1910, 72 chromolithographed cards comprising 24 sets of 3, each set forming a character from one of eight fairy tales or nursery rhymes, (Aladdin & the Wonderful Lamp, The Forty Thieves, Jack & the Beanstalk, Blue Beard, Beauty & the Beast, Sleeping Beauty, Sing a Song of Sixpence, The Queen of Hearts), backs with roundel and lattice pattern printed in green, one or two minor creases, a few cards with a corner tip missing, 65 x 90cm (2.5 x 3.5ins), together with a pack of Shakespearian Misfitz by Faulkner, circa 1907, 72 chromolithographed cards comprising 24 sets of 3, each set forming a character from Shakespeare, backs with foliate pattern printed in blue, a number of creases, edge-tears, and missing corners, 65 x 90cm (2.5 x 3.5ins), neither set with instructions or box, plus an early 20th century deck of Spanish playing cards printed in Barcelona by Francisco Girbau (complete, and in good condition, with neat contemporary ink annotations to upper margin of some of the cards), and a small quantity of other juvenilia and ephemera, comprising: 12 (of 14) chromolithographed cut-outs of Louis Wain cats, from Days In Catland, Father Tuck’s Panorama, [1903]; 14 other similar cut-outs of animals, birds, and figures; a shaped cat book entitled Our Visitor; a miniature Austrian cold painted bronze cat in a cradle (some surface rubbing); 3 miniature books (Schloss, The English Bijou Almanac, 1836, spine deficient; Bryce, Holy Bible; an album containing Gem Tintypes); and six Victorian/Edwardian greetings cards, two with paper lace

547* Schimmell. The Game of Schimmell, or Bell & Hammer, London: J. Buckland, Jany. 1, 1816, boxed game, comprising: ﬁve hand-coloured aquatint cards (browned, one with slight loss to lower left corner), 13.5 x 9.5cm (5.25 x 3.75ins), variously titled to lower margin ‘Schimmell, or White Horse’, ‘Inn’, ‘Hammer’, ‘Bell’, and ‘Hammer & Bell’; a cylindrical wooden dice shaker; 7 (of 8) dice; a miniature bone gavel; and a quantity of circular bone counters (87 white, 33 pink), diameter 22mm (and two smaller white counters), contained in a circular wooden dish (unrelated); and two bone ﬁsh (unrelated), lacking instruction sheet, contained in later wooden box with two compartments, slight loss to rebate for sliding lid, latter with mounted facsimile label, box dimensions 17 x 11.5 x 6.5cm (6.75 x 4.5 x 2.5ins)

Fairy Legend Misﬁtz appears to be one of the scarcer decks in this series by Faulkner; the V&A has a set (MISC.320-1986). (a small carton) £200 - £300

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Lot 546

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

154

£100 - £150

548* The Changing Companions. Comic Metamorphosis, [G. W. Faber], circa 1850s, 10 (of 12) hand-coloured lithographed figures, each laid on wood and dissected into four triangular pieces, each pair of figures is laid on wood with different colours on the versos, generally dust-soiled and rubbed, with a few minor marks, a few pieces slightly bowed, three pieces previously (neatly) repaired, the vivandiere’s top piece lacking its upper blank corner, the French soldier lacking half of the chest piece, each figure approximately 17.5 x 8.9cm (7 x 3.5ins), contained together in later cloth-covered box, original wooden lid with hand-coloured pictorial paper label (chipped and soiled) adhered to box lid

550* Toy Theatre. Urania Theatre, late 19th century, a toy theatre of wooden construction, with colour lithographed front facade featuring a pediment lettered ‘Urania’ supported by decorative panels (some surface wear), colour lithographed backdrop and double-sided rotating wings (giving an interior and exterior scene), side-supports to wings renewed, later electric footlights, red curtain, overall size 62.5 x 52 x 34cm (24.5 x 20.5 x 13.5ins), together with 12 colour lithographed cardboard ﬁgures on wires with wooden bases, including an elephant with howdah, some with printed labels on verso, including ‘Pedrillo’, ‘Vouda’, ‘Guzman’, ‘Stuart’, and some with early manuscript names in ink or pencil, occasional damage, and slight losses, approximately 15cm (6ins) high

The figures include: a Colombina and Pulcinella-type pair; a North African soldier holding a monkey paired with a Chinese Manderin playing a pan flute; a tailor and a cobbler; an infantry bugler and a Scottish regimental drummer; a French officer and a vivandiere. This set lacks the rabbit and fox pair. A rare Victorian game in which the pieces can be mixed to produce amusing characters. A complete set contains 48 pieces, but the few sets we traced often lack some, for example the Bodleian Library set which has 40 pieces (as here). (1) £100 - £150

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549 The Speaking Toybook. Reproducing the Voices of the Cock, the Goat, the Cat, the Bird, the Lamb and the Cuckoo, Dedicated to all Children by One Who Loves Them, Pictures, Rhymes and Speech combined Within this charming book you’ll find, Printed in Germany, circa 1900, six chromolithographed pages, with relating poems and an alphabet in verse, by Jeanie Rose Brewer, a few minor marks and finger-soiling, front hinge cracked, stitching slightly strained, each page with corresponding “pull” to activate a sound effect, the mechanism concealed within a book-form box, the top and bottom edges of pierced wood gilt, the side edge wood gilt (edges rubbed), original red pictorial cloth-covered boards, upper board with small pale stain to lower edge, rear joint with tiny spot of wear, turned bone finials to the pulls (two neatly replaced with wood), oblong 8vo All six voices are in working order. (1)

£200 - £300

551* Educational Aide. The Musical Dial, Woodbridge, Suffolk: W. Barker, early 19th century, circular card volvelle, outer case with small square apertures and engraved on both sides with letters and numerals (lightly toned and a few marks on verso), edged with serrated gold paper (1.5cm piece missing), containing revolving serrated edge wheel displaying the sharps and ﬂats in any given key, diameter 62mm (2.5ins), together with original printed instruction sheet, four folds, toned and with a number of small holes (resulting in loss of some letters and the price), 189 x 153mm (7.5 x 6ins) An extremely rare survival ‘intended to assist those who have commenced the study of Music’. We have been unable to trace another, or indeed, anything at all printed by W. Barker of Woodbridge. The printed sheet gives instruction on how to determine the sharps and ﬂats in any given key, as well as how to transpose: ‘But as the questions this Instrument will solve, are almost innumerable, it may be advisable for beginners, to avail themselves of a few remarks from their Masters’. (2) £100 - £200

£150 - £200

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552* Erotica. A trinket box, circa 1810-1820, circular brass coaster, with pierced rim, top inset with gathered and twisted leather forming a closure (rubbed), base inset with hand-coloured circular etching of six erotic scenes and a mythological deity in the form of a faun (possibly Pan?), toned and some water-staining to edge, small hole in blank margin, diameter 8cm (3.25ins), together with An early Victorian Valentine, circa 1840, hand-coloured lithographed sheet, with a romantic allegorical verse in which a cottage ‘To be Let with immediate possession’ is symbolic of the heart, surrounded by an illustration of cupid beside a young lady seated on a bench next to a fountain, and a winding road ‘Love Lane’ leading to ‘Hearts’ Cottage’, within border of ﬂowers, lyres, and love birds, several folds, toned, and some show-through from contemporary manuscript on verso, 24.5 x 19.5cm (9.75 x 7.75ins), framed and glazed, plus Matrimony Thermometer, Germany, circa 1880s, glass thermometer mounted on card printed with six increments each illustrated by a colour lithographed ﬁgure of a man or woman: ‘Indifferent’, ‘Flirting’, ‘in love’, ‘Jealous’, ‘Angry’, Furious’, toned, extreme tip of lower left corner missing, length 19cm (7.5ins), housed in original cardboard box, worn, titled on pull-off lid in early manuscript, and a large heart-shaped Boer War pincushion with label on front ‘Granadier Guards’ and Edward VII’s cypher, 19 x 18cm (7.5 x 7ins)

553* Straw work. A pocket book, early 19th century, scarlet morocco wallet-style pocketbook with elaborate coloured straw work to sides and flap, upper panel depicting entwining roses, and lower panel depicting carnation stems, flap with two flower sprays, spine with two brass rivets and tooled with gilt helix roll, flap joint tooled with gilt saltire and dot roll, lined with pink silk, incorporating pocket, two metal wire fixings for paper inserts, slot for stylus, 9.5 x 6cm (3.75 x 2.5ins), together with an early 19th century small keepsake, comprising a card slipcase hand-painted with heartsease flowers on one side and fuchsias on the other, each side with border of forget-me-nots to lower margin, lightly toned and spotted, containing a poem on card, written in a contemporary hand: ‘Tis Friendship’s Gift,/Which lends its aid,/To heal the wound/A pin has made’, with flaps enclosing a piece of folded paper captioned ‘Gold Beaters Skin’ (a little dusty and a couple of ink spots), poem and slipcase embellished with gold impressed borders (some loss), overall size 7 x 4.5cm (2.75 x 1.75ins) Two unusual items, both in very good condition. (2)

An unusual collection of objects pertaining to love and marriage. The first item is particularly curious; we have been unable to trace anything similar. We can only speculate what it was used for; perhaps holding accoutrements of a gentleman’s dress (collar studs etc.), for storing dice, or maybe for holding sugared almonds or similar comfits. Whatever its ostensible use, its true purpose is clearly to amuse and titilate. The second item might appeal to anyone involved in the sale or management of property: “I have a little heart to let,/Depicted just above,/The fixtures are unvarying truth,/The Rent is - Constant Love...”. (4) £150 - £200

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

£100 - £150

554* Valentines. A hand-made valentine, circa 1790, small handcoloured engraving of a courting couple within gilt border pasted on to an album leaf with rhyming quatrain inscribed above and below, 17 x 13cm, together with an early 19th-century ‘puzzle opening’ Valentine message, manufactured by Rock, London, circa 1812, with printed message which folds down, embossed and ﬂoral decoration, a few minor splits and marks, ‘Scotland’ written on reverse, 25 x 20cm unfolded (2)

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£70 - £100

ANTIQUARIAN JUVENILE BOOKS

Lot 555

Lot 556

Lot 557

555 Bible; hieroglyphic. A New Hieroglyphical Bible, for the Amusement and Instruction of Children: being a Selection of the most Useful Lessons and most Interesting Narratives ... Embellished with Familiar Figures and Striking Emblems: Elegantly Engraved. To the whole is added a Sketch of the Life of Our Blessed Saviour, the Holy Apostles, etc. Recommended by the Revd. Rowland Hill, 1st edition thus, G. Thompson, 1794, engraved frontispiece and titlepage, woodcut illustrations throughout the text, 2 full-page, light staining to lower outer corners of a few leaves, a few other marks, ownership inscription ‘J. C. Gething, 1808’ to front free endpaper, contemporary mottled calf, gilt spine, rubbed, 12mo (13.2 x 8.2cm) ESTC T123482; Sabin 53013 for the ﬁrst US edition (published in Boston later the same year). Hieroglyphic bibles have key words replaced with a rebus for educational purposes. ESTC traces eight copies in UK libraries, and six in the US. (1) £100 - £150

558 Crystal Palace. The Great Glass House Opend; or The Exhibition Wot Is ! ! With a good deal of what isn’t - but what ought to have been. - The front and the back the outside and the inside the beginning, the middle, and the end. The whole forming a complete facetious Guide to the Fair, by George Augustus Sala, London: published by the Compy of Painters & Glaziers, 1851, [cover-title], 24 hand-coloured etched panels, originally joined to form a panorama, but now guarded separately into a volume, close-trimmed to fore-margin (sometimes just clipping text), some light toning and dust-soiling, original printed upper wrapper bound in (browned), early 20th century red half morocco, gilt title on spine, slightly rubbed, mainly to extremities, oblong 8vo, 13.5 x 26cm/5.5 x 10.25ins)

556 Chapbooks. The History of Sir Richard Whittington and His Cat, printed for R. Spence, Bookseller in High Ousegate, circa 1780s, pp.31, first leaf with full-page wood engraving on recto (trimmed to lower edge), and publisher’s advertisements on verso, two woodcuts on letterpress, one full-page, generally toned and finger-soiled, final two leaves with short closed tear in upper blank margin, stitching partially broken and lost, original Dutch floral wrappers (final page forming rear pastedown; no front pastedown, as issued), 9 x 6.5cm (3.5 x 2.5ins), together with three other early children’s books similar, defective, comprising: The House That Jack Built, Manchester: G. Swindells; The Whitsuntide Present for Little Masters and Misses or the History of Master George and Miss Charlotte Goodchild ... printed and sold by John Marshall, original Dutch floral wrappers; and a late 18th century alphabet book, all small chapbook format

Abbey, Life, 594. Seemingly one of the scarcest of the Sala panoramas, and when it does appear it is rarely complete. Sala’s riotous array of ﬁgures include: a picture of a distressed looking Maori captioned ‘Shocking Case of Starvation “I have not tasted human ﬂesh since I left New Zealand’; a gibbet with six ‘foreigners’ strung up; and an Ojibbeway Chief in ceremonial dress attempting to gain entrance to the theatre ‘Wouldn’t he have scalped the doorkeeper - oh no not at all!’ (1) £200 - £300

From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. Four rare early juveniles. (4) £200 - £300

557 [Cooper, James Fenimore]. The Water Witch; or the Skimmer of the Seas. A Tale, 3 volumes, 1st UK edition, 1830, advertisements front and rear of volume 1, a little minor spotting, original boards, a few splits along joints and small tears at spine ends, 8vo, together with The Last of the Mohicans: A Narrative of 1757, 3 volumes, 2nd UK edition, 1828, a little minor spotting, original boards, one or two small nicks and tears to spines, 8vo From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. The Water Witch first UK edition precedes the US first edition, but was first published in Dresden in 1830 with only a handful, possibly eight, copies printed. (6) £200 - £300

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Lot 559 560 Crystal Palace. Lane’s Telescopic View of the Interior of the Great Industrial Exhibition, London: C. Moody, 1851, 10 handcoloured lithographed divisions, including front cover with circular peephole (lacking glass), depicting the interior of the exhibition at Crystal Palace, with numerous ﬁgures, fountains, statues, and trees, the fountains heightened with glitter, front cover slightly rubbed and soiled, linen bellows (with some minor spotting), 16 x 18cm (6.25 x 7ins), extending 66cm (26ins), contained in original card slipcase with hand-coloured decorative printed label, somewhat soiled and worn (with small loss to one side)

559 Crystal Palace. The Great Exhibition “ Wot is to Be”, probable results of the industry of all nations in the year ‘51. Showing what is to be exhibited, who is to exhibit it, in short how its all going to be done. By Vates Secundus ..., by George Augustus Sala, London: Published by the Committee of the Society for Keeping Things in Their Places, 1850, hand-coloured etched folding panorama of 23 panels, comprising full-page view (forming front pastedown) and two long continuous strips of satirical sketches (one above the other), on several conjoined sheets, upper edge close-trimmed (sometimes clipping text or image), some light toning, several folds split and reinforced on verso, one panel with closed 4cm tear expertly repaired on verso, folded into original brown cloth, spine ends a triﬂe frayed, upper cover with handcoloured etched pictorial title label (rubbed and browned), oblong 8vo (14 x 25.5cm/5.5 x 10ins)

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£200 - £300

An outrageous survey of ﬁctional exhibits at the Great Exhibition of 1851, produced in the preceding year. A cheaper, uncoloured, version was also issued. The long procession of the arts and manufactures of various nations includes: a man naked save for spurs, tricorn hat, and nose ring, dubbed “A specimen of the Costume of the Sandwich Islands, a chief will attend in full dress”; Lord Palmerston appearing as Cupid; images of cannibals in New Zealand exhibiting “specimens of the art of cookery in that remote region”; caricatures of Alexandre Dumas, Victor Hugo, and Alexis Soyer; and an image of a slave and slave owner with a cat o’nine tails. (1) £300 - £500

561 Defoe (Daniel). The Wonderful Life, and Surprizing Adventures of that Renowned Hero, Robinson Crusoe, who lived Twenty-eight Years on an Uninhabited Island, whic he afterwards colonised, [London]: printed for the Inhabitants of this Island, and sold by all the Booksellers in the World, [1794], 144 pp., 7 full-page woodcuts, a few leaves unopened, title-page watermarked 1794, 19th-century maroon moiré cloth, 12mo (12.2 x 7.2cm) ESTC N25019. Rare edition of the abridged juvenile version of Robinson Crusoe ﬁrst issued by Newbery probably in 1768 (see Roscoe J93). ESTC traces three copies in libraries world-wide. (1) £200 - £300

Lot 560 Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

158

562 Educational. The Golden Primer, Part I [and Part II], by Professor J. M. D. Meiklejohn, illustrated by Walter Crane, 2 parts in one, London & Edinburgh: Blackwood & Sons, circa 1890, colour wood engraved illustrations, some light spotting to title at head, pictorial endpapers (a few minor marks and nicks), free endpapers with offsetting from pastedown adhesive, hinges cracked, original pictorial tan cloth (lightly marked), extremities a little rubbed, spine ends a triﬂe frayed, 4to, together with Keble’s New Primer; or, Reading made easy, Margate: by the author, circa 1830s-1870s, pp. 32, engraved frontispiece and letterpress illustrations, original printed wrappers, somewhat dust-soiled, spine toned, slim 8vo, plus six other educational items, including: Counties of England card game, by Jacques & Son, Midland counties set only; Surprising Comical Characters Transforming Picture Book (defective) (8)

£100 - £200

564 Follit (W., publisher). Punch’s Locomotive Picture Gallery, circa 1840, hand-coloured lithograph on thick paper sheet, depicting Mr. Punch and accoutrements, Punch holding up a gilt picture frame with oval aperture, lettered above ‘This curious print has two hundred & forty mechanical changes’, and titled below, with imprint, dusty, and a few marks, original backing paper torn and creased, sheet size 28 x 22.5cm (11 x 8.75ins), together with two hand-coloured lithographed movable dials, one with 8 head & shoulder portraits, with oval aperture for each face, diameter 22cm (8.5ins) and the other with 30 differing faces, diameter 19cm (7.5ins), the two designed to be viewed together in different permutations through the picture frame, together with Follit (W., publisher), The Bachelor’s Looking Glass, circa 1840, handcoloured lithograph on thick paper sheet, depicting a dandy beside a dressing table, adjusting his bowtie at the mirror, with oval aperture in the glass for his visage, and an oblong aperture above in mirror frame for caption, lettered above ‘Follit’s Twistiturnocircuroundilorium’, and with title and imprint below, dusty and spotted, original backing paper torn and creased, sheet size 28 x 23cm (11 x 9ins), together with a hand-coloured lithographed movable dial with 32 differing faces, each with a printed caption above, diameter 22cm (8.5ins), plus 3 Spooner’s Protean Views: No. 2 A Snow Scene; No. 5 The Magic Lantern; No. 8 St. George’s Chapel Windsor Castle, lightly spotted, and some 19thearly 20th century printed sheets relating to geography and astronomy, including 18 with constellations

563 Feminism. The Old Man Who Lived in a Wood, Illustrated by JFM, Edinburgh: Edmonston & Douglas, [1852], ff.8, full-page etched illustrations throughout incorporating text, original pictorial card wrappers, dusty and spotted, spine split with loss, slim 4to Rare early printing of this humorous tale in verse: three copies only on COPAC (British Library, Oxford & Cambridge University Libraries). The narrative begins: “There was an old man, he lived in a wood,/As you may plainly see,/He thought he could do more work in a week/Than his wife could do in three”, and ends “Old Grumble declared by the sun and the moon,/And the green leaves on the tree,/If his wife did not do a day’s work in a week,/She should never be blamed by he.” (1) £100 - £150

The two amusing movables by William Follit are rare; we have been unable to trace anything similar published by Follit who, indeed, appears to be a somewhat obscure publisher whose output was sparse. (a folder) £200 - £300

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Lot 565

Lot 566

565 [Kilner, Mary Ann]. Memoirs of a Peg-Top, London: John Marshall and Co., c.1794, pp.90, woodcut illustrations to letterpress, some with early juvenile colouring, facsimile frontispiece and title, publisher’s advertisement leaf at end, rear pastedown with contemporary ink manuscript ownership inscription, dated 1794, lacking free endpapers, hinges cracked, original Dutch floral boards, rubbed with some wear, backstrip defective, 12mo, together with Twaddle (Dorothea), The Two Dolls: a Story, illustrated by Mrs. Dolly Trott, 1st edition, Edinburgh: T. Constable, 1846, 14 lithographed plates, half-title, some light spotting, book ticket ‘Robin de Beaumont’, all edges gilt, original figured green cloth gilt, spine and edges toned, spine slightly frayed at head, small 4to, plus [Horne, Richard Henry], Memoirs of a London Doll, Written by herself, edited by Mrs Fairstar, illustrated by Margaret Gillies, 1st edition, London: Joseph Cundall, 1846, hand-coloured woodengraved frontispiece and 3 plates, wood-engraved vignettes to letterpress, publisher’s advertisement leaf at rear, pictorial bookplate ‘Thomas Jeston White’, pictorial book ticket ‘L. G. E. Bell’, all edges gilt, original red cloth gilt, rebacked with original spine relaid, extremities somewhat worn, 8vo, and 12 others, including: London Cries, illustrated, for the Young, London: Darton and Co., c.1860, lacking one text leaf (pp.7-8), and other defective Cries of London and similar Memoirs: Opie A 687, not in Osborne. The works of Mary Ann Kilner are notoriously difficult to date. The first edition of this title is believed to have been published circa 1785. This copy appears to date from around 1794, as is shown by the ownership inscription and also by the advertisement leaf which gives both the Aldermary and Queen Street addresses for the publisher. John Marshall - who continued as ‘John Marshall and Co.’ after dissolving his initial partnership with two of his family members (James and Eleanor) in 1789 and continuing with just Eleanor as his business partner (London Gazette 30 March 1790) - operated from these premises concurrently during the years 1787-1798. Our pagination agrees with the copy in the Opie collection of children’s literature at the Bodleian Library, Oxford, which is dated as c.1790. Two Dolls: Opie A 1200; Osborne p.952. Generally attributed to Lady Gray. (15) £300 - £500

566 Manuscript. Merry Elves, circa 1870, story booklet containing eight pen & ink drawings, with traces of pencil, on card rectos, with accompanying ink manuscript on facing versos, some minor toning and marks, gilt upper and lower edges, fore-edges and spine bound with stitched purple silk ribbon, ﬁrst and ﬁnal pages forming covers (dust-soiled and lightly spotted), with manuscript title on front cover, oblong 8vo (11 x 15cm/4.5 x 6ins), together with a seven early 20th century pen, ink, and watercolour drawings on wove paper (six in pairs on rectos of conjoined leaves, the other with adjoining leaf cut away), each illustrating a different nursery rhyme (By Baby Bunting; I Had a Little Nut Tree; Three Blind Mice; Jack Sprat; Doctor Foster; Little Miss Muppet; Tom, Tom, the Piper’s Son), sheet size 19.5 x 25cm (7.5 x 10ins), loosely contained in buff boards, with pictorial title on upper cover in pen, ink, and watercolour ‘A Book of Nursery Rhymes’, front pastedown with ink inscription ‘Written and illustrated by Frances Lindesay’, oblong 4to A charming hand-made little booklet relating the story of Dandelion and Bindweed, two mischievous elves who get their comeuppance after teasing a toad. (2) £100 - £200

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

160

567 [Martin, Sarah Catherine]. The Comic Adventures of Old Mother Hubbard and Her Dog, 1st edition, London: J. Harris, June 1, 1805, 16 engraved unnumbered leaves, with 15 engraved illustrations (including title), dedication leaf with engraved text and ending ‘Dedicated by his Humble Servent SMC 1805’, title torn to upper outer corner, illustration to title and three others with juvenile colouring, Sempstress leaf with old repair to long closed tear, margins frayed and few other tears (particularly to ﬁnal leaf), some dustsoiling and marks, side stitched as issued, original printed buff paper wrappers (upper cover dated 1806) with old black paper spine, worn and soiled, covers detached, ownership signature of Edward Davidson 1812 to front pastedown, slim 16mo Moon: Harris 559. In the Hosier’s plate the chair is retained (rather than being replaced by a picture on the wall). The inscription on cofﬁn plate reads SMC 1804. Scarce. (1) £100 - £150

569 Moveable. A Day in the Zoo, Realistic Pictures of the Birds Beasts and Fishes, a Stand up Toybook, London: H. Grevel, circa 1900, eight board leaves, hinged and folded concertina-style, the first and last forming the covers, the inner six boards each with a pictorial ‘stand ‘up scene, most with small repairs to versos, and small losses such as hands, tails, and cage bars (the lioness’s tail in the second scene present but folded back), a few breaks to connecting tabs and cage bars, the first scene with the three figures at front detached (but present), the first and fourth scenes each lacking one head, the gates in the final scene lacking 6.5 bars (plus 1.5 bars detached but present), transparent plastic ‘water’ in aquarium scene somewhat cloudy but intact, front pastedown depicting the pictorial title, pictorial rear pastedown, some wear to folds, pictorial front cover, soiled with some wear to extremities, folio An extremely rare copy of this moveable printed in Germany. The only copy found being held in the Osborne Collection online, but not listed in the printed catalogue. (1) £100 - £200

568 Miniature books. A collection of miniature books published by the Lilliput Press, 1985-1991, twelve volumes, each with illustrations, some hand-coloured, The Bristol Psalter with title and plates additionally illuminated in gold, all but one with top edges gilt, all but two bound in morocco decorated in blind or gilt, the other two bound in original wrappers and blue silk over boards with dust jacket, occasional minor blemishes, but generally in good condition, 34 x 30mm and slightly smaller Provenance: From the collection of Allan Armstrong, printer of these books. Titles are: The Bristol Psalter (limited edition, 22/100 copies); A Beetle Assembly, by Jenny Whittle (limited edition, 170/250 copies, signed by the printer); The Pied Piper of Hamelin, by Robert Browning, illustrated by Kate Greenaway; Jack-a-Nory (inscribed ‘publishers copy’); Samuel Johnson’s Life; two copies of Country Fare, by Kym (both limited editions, 93/250 and 110/250 copies, signed by the printer); A Beekeepers Craft, by Frank Murray; two copies of A Herbal Legacy, by N. Culpeper (one a dolls’ house edition); History of English Costume, by Gloria Dawn; The Home Miniaturist (limited edition of 1000 copies, this unnumbered). (12) £100 - £150

570 Moveable. Neues Verwandlungs -Bilderbuch, Esslingen: J. F. Schreiber, [1875], six chromolithographed plates, by W. von Breitschwert, each with a large moveable horizontal flap that transforms the image, with lines of verse below, three flaps creased, finger-soiling throughout, all folds and hinges repaired, original cloth-backed pictorial boards, cloth renewed, boards rubbed with some wear to extremities, a few minor marks, rear board spotted, slim 4to, together with What I’d Like To Be [covertitle], by Bruno Munari, Harvill Press, 1945, four double-page colour illustrations, each with a moveable flap revealing a picture with verse, somewhat toned, mainly to margins, original pictorial boards, somewhat toned, especially to spine, light spotting and soiling, mianly to rear cover, slim folio The first item is an unusual moveable which illustrates a boy being naughty, the transformed picture revealing the consequences of his actions. (2) £200 - £300

Lot 569

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Lot 571

Lot 572

571* Moveables & Transformation Pictures. “March! March! citizen, countryman”, a moveable comic Valentine, circa 1870, hand-coloured lithograph depicting a soldier in green uniform, carrying a riﬂe, the moving leg and head operated by a lever, with a satirical verse beneath, on white paper bifolium with embossed border, 18.5cm x 11.5cm (7.25 x 4.5ins), together with “Let me lead you to the Halter”, a moveable comic Valentine, late 19th century, hand-coloured lithograph depicting a bearded and moustached gentleman, the moving lower jaw operated by a lever, to reveal the words “Love Me” on the tongue, small mark to one shoulder, on white paper bifolium, 16.5 x 10cm (6.5 x 4ins), plus four novelty trifolding transformational caricatures with a cynical theme, late 19th century, printed in red & black, with text at foot (sometimes also at head), some minor stains (mainly to margins), one with small chips at head and foot, each 20 x 13cm (8 x 5ins) folded, with “No doubt my wife has got something nice and warm for me ... “, late 19th century, hand-coloured lithograph depicting a wintry scene of a man outside a house door, the door opening to reveal an angry wife with candle and hot poker, door hinge slightly splitting, short closed tear at foot of door frame, left edge with short closed tear and small surface loss, margins somewhat dust-soiled with some minor marks, 29 x 22.5cm (11.25 x 8.75ins), and 6 others similar, including: a Spooner’s Protean View (no. 2, A Snow Scene); an early 20th century moveable depicting a woman, with a man over her knees, a lever operating her hand spanking him; a mid 20th century articulated Dancing Charlie, and 3 20th century volvelles, depicting British Warplanes, Europe-at-a-glance (3rd edition), and North and South America at-a-glance (13)

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

572 Newbery (Francis, publisher). The Compleat Horseman; or, the Art of Riding made Easy: illustrated by Rules drawn from Nature and confirmed by Experience; with Directions to the Ladies to fit gracefully, and ride with Safety ... By Charles Hughes, 1st edition, London: printed for F. Newbery, and sold at Hughes’s RidingSchool, [1772], engraved plate, 9 woodcuts in text, lacking frontispiece, morocco book-label to front pastedown, inner hinges repaired, all edges gilt, 19th-century calf, top spine compartment replaced in facsimile, loss to foot of spine, wear to tips, 12mo in 6s (15.6 x 9.9cm) ESTC T116463; Roscoe A245. ESTC traces six copies in libraries world-wide. Another issue of the same year is of comparable rarity. Hughes ‘first came to notice as an accomplished rider performing at Philip Astley’s British Riding School, Westminster Bridge Road, London, from June 1771 until 1772 ... In the same year he published The Complete Horseman, a manual of equestrianism. Astley was outraged and from then on he and Hughes were fierce rivals, seeking to disparage and outdo each other at every turn’ (ODNB). (1) £200 - £300

573 Newbery (J., publisher). Plutarch ‘s Lives, abridged from the original Greek, illustrated with notes and reﬂections, 7 volumes, London: J. Newbury, 1762, 63 engraved plates (including frontispiece), some front free blanks with contemporary signature of S.A. Jadis, contemporary calf, gilt decorated spines with contrasting red & green morocco labels, (volume 1 without title label), few joints cracked and light wear at head of spines, 12mo in 6s Roscoe J294. Volumes 1-4 abridged by Oliver Goldsmith and volume 5 by Joseph Collyer. (7) £200 - £300

£150 - £200

162

575 Paper doll book. Cinderella; or The Little Glass Slipper: beautifully versified and illustrated with figures, London: printed for S. and J. Fuller, Temple of Fancy, Rathbone Place, 1814, six cut-out handcoloured figures and a cut-out hand-coloured folding coach and horses in aquatint (latter split at fold and sometime repaired with fabric strip on verso), with interchangeable head, but lacking head-pieces (as often), loosely contained in accompanying booklet, stitching strained, original printed wrappers (lacking ribbon tie as usual), without the printed slipcase, 16mo

574 [Nicol, George]. The Story of the Three Bears, 1st separate edition, London: Porter and Wright, 1837, half-title, vignette title, and eleven engraved plates, some light toning and marks, first plate slightly frayed at head and foot of gutter, stitching partially broken, with first few leaves and upper cover of later brown wrappers detached, lacking spine, oblong 8vo (105 x 138mm), together with eight other 19th century children’s books, including The Pence Table in Verse, published by D. Carvalho, circa 1830, hand coloured engravings, first leaf with horizontal tear, original printed wrappers, dusty and some wear, slim 8vo, The Interesting Story of the Children in the Wood, Banbury: J.G. Rusher, circa 1820, woodcuts to text, first and final leaves forming printed wrappers, and The Picture Alphabet, Religious Tract Society, woodcuts to text, original printed yellow wrappers, a little dusty and rubbed From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. Rare first separate edition of this classic children’s tale. The Osborne Collection has only the later edition of 1841, which combines the story with two others.The Story of the Three Bears was first recorded in narrative form and published by English author and poet Robert Southey, appearing in a volume of his writings in 1837. The same year, George Nicol published this version in rhyme based on Southey’s prose tale, having obtained Southey’s blessing to try and bring the story more exposure. Both versions tell of three bears and an old woman who trespasses upon their property. It wasn’t until twelve years after the publication of Southey’s tale that Joseph Cundall transformed the antagonist from an ugly old woman to a pretty little girl in his Treasury of Pleasure Books for Young Children published in 1849. (9) £150 - £200

Lot 575

From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. Gumuchian 1986 (6, of 7, cut-outs); Osborne, p.1051: neither reference makes mention of head-pieces. First edition of one of the scarcest of the paper doll books invented and issued by Fuller at the beginning of the nineteenth century. (1) £200 - £300

576 Paper doll book. The History of Little Fanny, 4th edition, 1810, 7 cut-out hand-coloured ﬁgures in aquatint loosely inserted, with original interchangeable head, and four head-pieces, complete, letterpress lightly toned, some surface loss to pastedowns, original sewn printed wrappers, with remnant of original blue silk tie through spine slot (almost never present), covers somewhat soiled at head, facsimile slipcase, 16mo, with two defective copies of the same (one 3rd edition, one 7th) Notes: Gumuchian 2010 (defective); not in Osborne. One of the more frequently met with paper doll books, but all editions are hard to ﬁnd complete and in good condition as here. We have rarely seen a copy with the original ribbon tie, even a small remnant as here. (3) £150 - £200

Lot 576

163

ENID BLYTON (1897-1968) 579* Blyton (Enid, 1897-1968). Typescript for a short story, ‘News for Noddy and Big-Ears. Story for TV Times Annual’, circa 1956, title and six pages with approximately 32 ink amendments and additions in Blyton’s autograph, including cues for the insertion of pictures, 4to, together with two autograph notes signed from Enid Blyton’s daughter Gillian Baverstock, one concerning the typescript and another concerning her and her sister Imogen’s time at Benenden School, concluding ‘When I left, she [Enid Blyton] gave the school its ﬁrst T.V. set - black and white, of course!’, both one page, 8vo In the story Big-Ears’s bicycle is stolen and PC Plod is much more interested in watching his newly-acquired television set than looking for the bike until, that is the programme Plod is watching shows Binkie Bear winning a race on the stolen bicycle. (3) £300 - £500

580* Blyton (Enid, 1897-1968). Autograph letter signed, ‘Enid Blyton’, Green Hedges letterhead of Enid Blyton, 24 June 1947, to Mr Holbrow, concerning Holbrow’s visit to the USA, describing the medals she won for her ﬁrst book published there, and mentioning several titles to be printed for the Christmas market, the ﬁnal two sides being her summary of her English publishers (19 of them) and what they are actually doing for her, 6pp., 8vo, together with a carbon copy of the letter from R.M. Holbrow as assistant editor to which Enid Blyton is replying, 30 June 1947, in turn replying to her letter, mentioning his interest in her medal and inviting her to a salad lunch with him at Shearns, 2pp., 8vo, both letters with pin holes to upper margin where previously attached

577 Swiss costume. Collection des costumes de la Suisse et de ses pays limitrophes, Zurich: Keller et Fussli, circa 1820, decorative hand-coloured aquatint title within garland, 24 hand-coloured aquatint plates of Swiss costumes, variable spotting, all edges gilt, original black quarter morocco with purple boards gilt, slipcase (worn and split), 16mo in 4s (11 x 9.5 cm) Colas 660. (1)

£100 - £150

(2)

£250 - £350

581* Blyton (Enid, 1897-1968). Autograph letter signed, ‘Enid Blyton’, Green Hedges letterhead, 23 August 1947, to Mr Holbrow, thanking him for sending her abstracts of the Hospital letters, complimenting him on his generous gift to hospitals, telling how interesting she ﬁnds his weekly magazine and continuing, ‘Blackwells have just published ‘The Children of Happy House’, the ﬁrst of the Happy House series. Methuen have just published ‘Second Form at Malory Towers’ as you know, 2nd of this series and will soon be publishing ‘The Mystery of the Missing Necklace’, the 5th ‘detective’ series. (It’s now been published in America too)...’, continuing with more news of her current publishing agenda including mention of ‘Five on Kirrin Island again’, 4pp., 8vo, together with a carbon copy of the letter from Holbrow dated 27 August 1947, replying to Blyton’s letter, one page, 8vo, both letters with pin holes to upper margin where previously attached (2)

582* Blyton (Enid, 1897-1968). Autograph letter signed, ‘Enid Blyton’, Green Hedges letterhead, 4 June 1949, to Mr Holbrow, ‘I was pleased to see your nice Miss Nightingale again last Tuesday at the Safety First Do. We held the affair in a wind-swept playground, and I think she was the only one of us who managed to look charming though wind-blown! There was a terriﬁc gale blowing, and I felt glad we had such a weighty mayor on the rather ﬂimsy platform - to hold it safely down!’, mentioning the serialisation of the 7th Mystery series book (‘Vanishing Prince’) to be serialised in the Evening Standard, continuing at length about the enormity of her fan mail from children, adults, grandparents and from abroad, plus thoughts on broadcasting and the BBC banning her stories, 4pp., 8vo

578 Whittingham (C., printer). The Village Orphan; A Tale for Youth. To which is added the Basket-Maker, an original fragment, Longman and Rees, [1797], 24 wood-engraved vignettes and tailpieces, a few minor spots, small bookplate of Anne Watts, contemporary tree calf, loss at head of spine, a little rubbed with some worming to upper cover, 12mo Osborne I, p. 316. (1)

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

£200 - £300

(1)

£150 - £200

164

£200 - £300

Lot 579

Lot 580

583* Blyton (Enid, 1897-1968). Autograph letter signed, ‘Enid Blyton’, Green Hedges letterhead, 21 June, no year, circa 1950s, to Mr Howe, thanking him for his letter and glad that he likes her magazine, ‘It is meant for children up to the early teen-ages, and therefore you will ﬁnd stories for both the younger and older children (but the younger ones love the stories too!!). I am glad the small daughters like our very English little Noddy - he is gradually ousting the very American Disney characters, which are not very suitable for our British youngsters’, hoping he can take the children to the Noddy and Toyland pantomime, also mentioning Binca and Flip, Hop, Skip and Jump, etc., letterhead address struck through and address of Grand Hotel, Swanage, Dorset written by Blyton beneath, two pages, 8vo (1)

Lot 581

584* Blyton (Enid, 1897-1968). Autograph letter signed, ‘Enid Blyton’, letter of Hotel Grosvenor, Swanage, Dorset, 23 October 1950, to Mr Holbrow, ‘Your Christmas supplement has arrived here today, and I have had much pleasure and amusement in reading through it, though I think that the tiresome Enid Blyton is, as usual, too much to the fore! It’s all very well-done and you seem to have got some first-class reviewers or “summers-up” (to quote my 14 year old, who has a penchant for coining peculiar words!)’, continuing to talk about the supply of Enid Blyton books to booksellers and quoting some figures, ‘Macmillan alone had prints totalling 620,000 in the Spring, or that Sampson Low must have had about half a million EB books or Hodder even more...’, referring to Holbrow and his troubles because of the printer’s dispute and commenting on how lucky modern children are ‘in their supply of first-class authors - Johns, Noel Streatfield, K. Fidler, M. Saville, and many others’, giving an enthusiastic endorsement for the author Stephen Mogridge and sending her congratulations to Holbrow, small closed tear to upper margin and minor rust mark from pin holes where previously inserted to upper margin, 2pp., 8vo, together with a contemporary carbon copy typed transcript of the letter, plus a carbon copy of Holbrow’s reply dated 26 October 1950, both a little creased, one page, 4to (3)

£150 - £250

£200 - £300

Lot 582

Lot 583

165

Lot 584

586* Blyton (Enid, 1897-1968). Autograph letter signed, ‘Enid Blyton’, Green Hedges letterhead, 14 February 1953, a lengthy letter to Mr Holbrow, explaining why she is launching the Enid Blyton magazine for reasons such as editorial control, being able to advertise non-Newnes published books, and commenting on print runs, ‘We thought at first we’d print about 250,000 - but... we are having to revise our ideas considerably - upwards! The last I heard was that it might go to 500,000’, continuing to talk about the Famous Five Club, the Busy Bees of the PDSA and the British and Foreign Bible Society, for which she has arranged ‘their lovely little new Coronation Bible... to be available for children’, and detailing further hopes on the back of this for the Coronation year in order ‘to put out some really worth-while ideas for children. They do so love to follow what I say - and tell you the truth, I want to use the enormous influence I have now, to guide the children, as well as to entertain them’, expressing some grievances about Newnes, talking of a competition and concluding with news that the BBC are running a Brains Trust on comics and mentioning that she is on the panel, ‘It should be very interesting, there are some very good comics but my word, the bad words are horrible...’, signed with sentiment vertically downwards in the margin of final page, 4pp., 8vo, together with three typed carbon copies of letters from Holbrow to Blyton dated 13 February, 16 February and 2nd March 1953, all one page, 4to, all letters with minor pin hole marks to upper margins where previously attached, plus an original copy of Enid Blyton’s Magazine, volume 1, no. 1, 18 March 1953, 48pp including covers, printed in red and black and illustrated throughout, some adverts, original wrappers, stapled as issued, a little rubbed, and toned, slim 4to, plus an enamel Enid Blyton Magazine Club badge pinned onto original printed membership club card (no. 9243) 585* Blyton (Enid, 1897-1968). Autograph letter signed, ‘Enid Blyton’, Green Hedges letterhead, 19 July 1952, to Mr Holbrow, largely concerning Blyton becoming Queen Bee for Busy Bees Magazine, and giving thoughts and enrolment figures, also reporting on forthcoming books and print figures, ‘Then there’s a new ‘Famous Five’ book coming out - (150,000 first print I believe!). And a new Holiday Book - and a new Big Noddy book - and new Secret Seven - and a new Mystery from Methuen’s, and also a ne2w Mystery (different series) from Collins - and a perfectly magnificent production from Evans Bros., a companion volume to the Nature Lover’s Book, called ‘The Enid Blyton Animal Lover’s Book’, 4pp., 8vo, together with a typed carbon copy reply to the letter from Holbrow dated 28 July 1952, one page, 4to, both with minor pin hole marks to upper margins from pin where previously attached (2)

(6)

£250 - £350

587* Blyton (Enid, 1897-1968). Autograph letter signed, ‘Enid Blyton’, Green Hedges letterhead, 18 April 1957, to Ria, thanking her for her nice letter, enclosures, and complimenting on her good English but continuing, ‘I am amused that you should have written such a long letter to an author whose books you have not read! You want to know if they are translated into your language - yes - the ‘Adventure’ series is in Dutch, and I believe there are other of my books too. They have also been broadcast in your country. One of my ﬁnest artists comes from your country, and illustrates the most popular series of very young books published here for children. His name is Van Beek and he does beautiful work for me’ telling her that she is afraid that she is far too busy to come and stay with her, that she has a large household to run and ‘girls of my own to see too. One is your age, one is older. They get bored with letter-writing, because so many many children write to them, as you can imagine, enclosing a small autographed photograph [no longer present], 2pp., 8vo

£200 - £300

(1)

£150 - £250

588* Blyton (Enid, 1897-1968). Autograph letter signed, ‘Enid Blyton’, Green Hedges letterhead, 12 November 1957, to Mr Reinhardt, in blue ballpoint pen, thanking him for his letter and confirming that Collins have been in touch and ‘that if Collins themselves agree entirely with anything you propose to arrange with Boots, I will automatically agree also, though I should, of course, like to know what is arranged, so that I may tell my Board’, sayting that Easter time sounds a better time for selling than Christmas, that 10% royalty is alright and imagining Boots won’t have much difficulty in selling the books and that this will clear the way for Collins’ new editions, ‘They are a splendid firm, one of my favourites! I’m very glad my books are going to them’, 2pp., 8vo (1)

Lot 586

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

166

£150 - £250

Lot 589

Lot 590

589* Blyton (Enid, 1897-1968). Autograph letter signed, ‘Enid Blyton’, Grand Hotel, Swanage letterhead, 7 October 1959, to Mr Towers, saying that she is reluctant to attend an invitation to the opening of the N[ursery] Goods Association exhibition because for the last two years she has been forbidden to attend open exhibitions, fetes, etc., because of a heart problem in 1957, ‘And yet if you wish me just to say a few formal words of opening, it seems stupid to refuse - it is not like making a long speech - The only thing I feel I might not be able to do is to make a protracted tour of the exhibition, having to examine carefully each exhibit and talk to the exhibitors - this I do ﬁnd very tiring, and always avoid if I can. I am telling you all this quite frankly, as I would like to hear what you may have to say, before I discuss the matter with my husband (a doctor!) and see what he says! In any case I should have visited the exhibition incognito during the week. (I do hate being well-known!!)’, telling him then of a Noddy pantomime that is to be in Liverpool that year as well as in London which may interfere with plans if she attends, slight toning to upper margin, 2pp., 4to (1)

591* Blyton (Enid, 1897-1968). Autograph letter signed, ‘Enid Blyton’, Green Hedges letterhead, 25 April 1961, to Mrs Baker, thanking her for her nice newsletter again, ‘how you ﬁnd time for such long ones I do not know! What a busy life you lead!’, encllosing requested autographs [no longer present] and querying whether one of the children’s names is Marlyn or should be Marilyn, ‘I know how a mis-spelt name or an autograph label spoils it for a child! (“You see, I don’t feel as if it’s for me” said a child to me once, very mournfully. “You spelt my name Marjorie instead of Margery, Miss Blyton”!)’ telling that they are on a golﬁng holiday and that ‘my husband (lucky man!) owns the course here, and it is a really beautiful one, overlooking enormous Poole Harbour... He also owns a farm not far away (the “Finniston Farm of the F.F. book of that name!) so we come down here quite a bit’, noting that the hotel they are staying in is run for children and parents so there is plenty of material around for future books, is glad that Mrs Baker has written a book but could not guarantee it would be published, telling that she has written a new Mystery book, the 15th of the series, letterhead address struck through and Knoll House, Studland Bay, Dorset written by Blyton beneath, small blank upper left corner tears with loss to both leaves, not affecting letterhead or text, 4pp., 8vo

£200 - £300

590* Blyton (Enid, 1897-1968). Autograph letter signed, ‘Enid Blyton’, Green Hedges letterhead, 27 November 1959, to Mrs Baker, thanking her for her amusing and interesting letter, praising her for her work as a librarian, enclosing the new autographs she wants [no longer present], and commenting ‘what a lot of new members you keep getting! (And no wonder, with your jam-tarts and the rest!)’ saying she will send the Christmas cards and asking her to write the child’s name in each if she has the time and inclination and giving further details of the logistics and saying that she wouldn’t ‘dream of you paying for them!’, wishing that her pantomime ‘could come somewhere in your direction - but I fear the nearest it would come would be Glasgow...’, 3 pages, 8vo, together with original postmarked envelope addressed in Blyton’s hand (2)

Lot 591

(1)

£200 - £300

592* Blyton (Enid, 1897-1968). A group of 24 typed carbon copy letters to Enid Blyton from A.S. Towers of Messrs J. Charles, Birmingham, 1959-62, concerning various subjects including an exhibition of the Nursery Goods Association Mr Towers wishes her to attend, an invitation to a dinner-dance at the Burners Hotel put on by his Association and the National Association of Primary Tailors in 1960, plus 11 typed letters signed, addressed to Mr Towers, all but one on Noddy Subsidiary Rights Company Limited letterhead and in connection with Enid Blyton and her presidency of the Nursery Goods Association, etc., mostly one or two pages, 4to

£200 - £300

(35)

167

£100 - £200

Lot 593

Lot 594

593 Blyton (Enid). Child Whispers, 1923, lightly toned, some spotting to fore edges, front free endpaper with contemporary ink ownership signature, stitching slightly strained, original brown cloth, gilt lettering to front cover and spine, front cover a little bowed, dust jacket, somewhat soiled with some chips and edge fraying, rear panel with some spotting at head, 8vo

Lot 595

CHILDREN’S & ILLUSTRATED BOOKS

Enid Blyton’s ﬁrst book. Originally published the previous year in pictorial card wrappers, this ﬁrst edition in hardback is especially rare with the dust jacket. (1) £200 - £300

594 Blyton (Enid). Five on Kirrin Island Again, 1st edition, Hodder & Stoughton, 1947, colour frontispiece, tinted plates and plain illustrations to text, some spotting to title, pictorial endpapers, original red boards lettered in black in dust jacket (6/- with telescope the wrong way round), slightly creased and chipped at head and foot of spine with a little loss to spine corners, 8vo (1)

£150 - £200

595 Blyton (Enid). Five on Kirrin Island Again, 1st edition, Hodder & Stoughton, 1947, colour frontispiece, tinted plates and plain illustrations to text, pictorial endpapers, original blue boards gilt in dust jacket (6/-, with telescope the wrong way round), mostly closed tears and creasing, a little loss to corners of spine ends and corners of lower panel, 8vo (1)

596 Baskin (Leonard). Jonathan Swift, A Modest Proposal, 1st edition, New York: Grossman, 1969, lithographically printed and illustrated in black throughout, original cloth with colour lithographic title to upper cover, slim folio, together with Hosie’s Aviary, 1st edition, New York, 1979, colour plates, original cloth in dust jacket, small folio, plus Cave Birds [and[ Under the North Star, both with Poems by Ted Hughes and Drawings by Leonard Baskin, 1st editions, New York: Viking Press, 1978 & 1981, the ﬁrst printed in black, the second with colour plates, both original cloth in dust jackets, oblong small folio and small folio

£150 - £200

All with signed or initialled and dated calligraphic ink presentation inscriptions from Leonard and Lisa Baskin for Ian [Hogkin] and Ian [Hoey] to front free endpapers. (4) £200 - £300

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

168

597 Baum (L. Frank). The Marvelous Land of Oz. Being an Account of the Further Adventures of the Scarecrow and Tin Woodman..., Pictured by John R. Neill, 1st edition, 1st state, Chicago: The Reilly & Britton Co., 1904, 16 colour plates, monotone illustrations to text including some full-page, scattered spotting, pp. 273/274 detached, a little frayed at foremargin and with short split to lower margin, pictorial endpapers printed in dark green (slightly browned), inner hinges broken and ﬁnal leaf of text separated with lower board, original red pictorial cloth, stamped in navy blue, silver and green, spine and upper cover carrying the full title and author’s name, stamped only in blue, horizontal single rule at the top and double rule at the bottom of spine in blue with a picture of Jinjur in blue and green, publisher’s imprint on the spine reading ‘The Reilly & Britton Co.’, a picture of Jack Pumpkinhead in blue to lower cover, rubbed, spine faded and slightly frayed at head and foot and along lower joint, 4to (23 x 17cm)

599 Beano. The Beano Comic, nos. 65, 66, 72, 73, 107, 108 & 122, October 1939 - November 1940, together 7 issues, a few closed tears and light fraying to a few pages, a little light toning and soiling, nos. 72-73 with small loss at one corner, else good (7)

£400 - £600

Hanff & Greene, pp. 33-38. A generally good copy of the ﬁrst date of the second Oz book. The covers appear in red or light green with no priority identiﬁed. (1) £1,000 - £1,500

600 Beardsley (Aubrey and others). The Yellow Book: An Illustrated Quarterly, 13 volumes, Elkin Mathews & John Lane, 1894-97, numerous plates and illustrations after Aubrey Beardsley, Walter Sickert, William Rothenstein and others, original yellow cloth blocked in black with pictorial designs to upper and lower cover, slightly rubbed and soiled and spines uniformly lightly browned, 4to (13)

£300 - £500

601 Beardsley (Aubrey). Six Drawings illustrating Theophile Gautier’s romance Mademoiselle de Maupin, London, Leonard Smithers & Co., 1898, 6 uncoloured photogravure plates, with printed outer wrapper consisting of title, limitation and list of plate titles (some light soiling and minor fraying to extremities, loosely contained in original publisher’s green half cloth portfolio, title printed to upper cover, together with a separate printed leaf advertising the publication of Venus and Tannhauser, 1907 loosely inserted, portfolio covers heavily maked and soiled, lacks ties, folio Limited edition of 50 copies, this copy numbered 9. Provenance: From the Estate of Michael Jaffé CBE (1923-1997), English art historian and director of the Fitzwilliam Museum, Cambridge. (1) £200 - £300

598 Beano. The Beano Comic No. 5, 27 August 1938, pages 19/20 & 21/22 with a few tiny closed marginal tears, else VG (1)

£700 - £1,000

169

Lot 601

Lot 603

Lot 605

602 Carle (Eric). The Very Hungry Caterpillar, 1st UK edition, 1970, colour illustrations, front endpaper and title detached, others loosening, occasional small marginal stains and light soiling, original pictorial boards, small stains at foot of title and rear cover, faint scribble to upper cover, oblong 4to (1)

£100 - £150

604 Dahl (Roald, 1916 - 1990). Charlie and the Chocolate Factory, illustrated by Joseph Schindelman, New York: Alfred A. Knopf, 1973, illustrations throughout, signed and inscribed by the author in red ﬁbre tip pen to front free end paper ‘To Karen with love Roald Dahl, March 1981’, a wet stamp of Winnie the Pooh with honeypots to front paste down, original cloth backed boards, somewhat rubbed and soiled, spine slightly faded, 8vo

603 Cramer (Rie, illustrator). Alice’s Avonturen in Wonderland, by Lewis Carroll, retold by M. C. van Oven-van Doorn, ‘sGravenhage: G. B. van Goor Zonen’s U. M., [1934], six colour plates, black & white illustrations (some full page), some spotting, mainly to ﬁrst and last few leaves, half-title with repair to upper corner, original pictorial boards, front cover with bump to top edge, dust jacket, extremities rubbed, some edge-fraying and chips, 8vo

(1)

Rare piece of Carrolliana, and particularly so with the dust jacket; this edition of Alice’s Adventures in Wonderland was only printed in Dutch, so there was never an English edition with Rie Cramer’s striking illustrations. (1) £300 - £500

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

170

£150 - £200

605 Dignimont (André, illustrator). Francis Carco, Nuits de Paris, avec vingt-six compositions gravées a l’eau-forte par Dignimont, 1st edition, Paris, Au Sans Pareil, 1927, hand-coloured etched frontispiece, and 12 uncoloured full-page etched plates, top edge gilt, remainder rough-trimmed, contemporary three-quarter crushed red morocco, original printed wrappers bound in, spine lettered in gilt, a few minor marks to joints and outer edges, 4to, limited edition 274/430, together with Veder (Eugene, illustrator), Francis Carco, Promenades Pittoresques a Montmartre, illustré de 6 eaux-fortes et 25 dessins par Eugene Veder, Paris, Editions Leo Delteil, 1922, 6 full-page coloured etchings, monochrome illustrations, original printed wrappers, lightly faded to edges, large 4to, limited edition 135/370, signed by both Carco and Veder, plus Dignimont (André, illustrator), Jean-Lorrain, La Maison Philibert, Paris, Editions G. Cres, 1925, 48 colour-stencilled illustrations, rough-trimmed, later black half morocco gilt, with original printed wrappers bound in, small 4to, limited edition 249/350, and Francis Carco, Nostalgie de Paris, illustrations de Dignimont, Paris, Au Moulin de Pen-Mur, 1946, 14 hand-coloured copper engraved plates, 38 hand-coloured illustrations to text, rough-tirmmed, original printed wrappers, with chemise and slipcase, 4to, limited edition 270/500, plus other similar 20th century French illustrated literature: Paris de ma Fenetre par Colette, Illustrations de Dignimont, Paris, Livre de Qualite, 1961 (numbered XII aside from the edition of 500), La Vagabonde de Colette, illustre par Dignimont, Paris, A. & G. Mornay, 1926, limited edition 576/1000, Raoul Ponchon, La Muse Gaillarde, illustrations de Dignimont, Paris, Editions Rieder, 1939 (limited edition 210/2100), Gustave Flaubert, La Tentation de Saint Antoine, illustrated by Raphael Drouart, Paris, G. Boutitie, 1922 (limited edition 86/1050), Notes sur l’Amour par Claude Anet, avec Dessins originaux de Pierre Bonnard, Paris, G. Cres, 1922, Quatorze Images, proses inedites de Pierre Louys, Ornees... par André Dignimont, Paris, Editions Briant-Robert, 1925 (limited edition 383/514), & L’Equipe, Roman de Francis Carco, Bois en Couleurs de Dignimont, Paris, 1925 (limited edition 178/333), generally G, mostly 4to (11)

606 Disney (Walt). Season’s Greetings [cover title], published: Hallmark under exclusive license granted by King Features Syndicate, 1935, 12 leaves, each with full-page colour illustration and lines of verse, inside rear cover with contemporary ink inscription to lower corner, original pictorial printed wrappers, front cover with ink annotation ‘wheeeee-’ in the same hand as inscription, spine a trifle chipped and torn at foot, oblong slim 8vo, together with Donald & Pluto Movie Book in 10 Reels, Collins, 1939, 10 separate flip-books (complete), toned, bound in original printed wrappers (extremities rubbed, spine ends lightly frayed), with folding flaps containing a description of each flip-book on the inside, and the story on the outside, ‘Instructions for use of the Movie Book’ slip loosely inserted (somewhat edge-frayed and chipped), 8vo, with another 5 Reels Movie Book (defective), plus Donald Duck, 1st edition (#978), Racine, Wisconsin: Whitman, 1935, 8 leaves, the outer forming the wrappers, colour illustrations, some soiling and marks, each leaf with a 2.5cm closed tear at head, outer corners of wrapper creased (small loss to rear cover upper outer corner), rear cover fore-edge slightly frayed, spine splitting, slim folio Season’s Greetings: Extremely rare. Hallmark and King Features Syndicate, Disney’s newspaper strip distributor, teamed up to issue a Christmas card in 1935 using various characters from the King Features stable. The bookletform card gives a humorous take on Clement Moore’s classic poem ‘The Night Before Christmas’, with Mickey Mouse featuring on the first page, and other well-known characters including Popeye, Felix the Cat, and Olive Oyl. Donald Duck: this 1935 comic book is recognised to be the first time that Donald Duck was the main character in his own story. (4) £200 - £300

£300 - £500

607* Dodgson (Charles Lutwidge, 1832-1898). Autograph envelope, addressed to Mrs Hussey in Brighton, with Oxford postmark dated 14 June 1881, loosely inserted in Through the Looking-Glass and what Alice found there, 61st thousand (with new Preface), London: Macmillan and Co., 1897, frontispiece and illustrations by John Tenniel, variable spotting, front hinge cracked, all edges gilt, original red cloth gilt, lightly soiled, spine darkened with some fraying to ends, two corners showing, 8vo, and a copy of Alice’s Adventures in Wonderland, 12th thousand, 1869 When Dodgson moved to Christ Church, Oxford as an undergraduate, he stayed in rooms belonging to one Jacob Ley. Undoubtedly through this connection, Dodgson developed a lasting friendship with Jacob’s sister Elizabeth, her husband Robert Hussey (then Regius Professor of Ecclesiastical History and also based at Christ Church), and their daughter Elizabeth or ‘Bessie’, who was born in the same year as Alice Liddell. Bessie was the subject of a portrait photograph taken by Dodgson in 1864, when she was 12. When Robert died, in 1856, Elizabeth and her daughter moved to Brighton, where it is known that Dodgson visited them at least once (in 1880). (3) £300 - £500

Lot 606

171

Lot 608

Lot 609

608 Dodgson (Charles Lutwidge, ‘Lewis Carroll’). An Elementary Treatise on Determinants with their Application to Simultaneous Linear Equations and Algebraical Geometry, 1st edition, London: Macmillan and Co., 1867, some light spotting to front endpaper and title, bookplate residue from removal from front pastedown, original burgundy cloth, spine vertically split along upper joint with loss towards head of spine (with loss of letter ‘n’ of Dodgson), edges a little rubbed, 4to

610 [Dodgson, Charles Lutwidge, ‘Lewis Carroll’]. The Wonderland Postage Stamp Case & Eight or Nine Wise Words About Letter-Writing, Oxford: Emberlin, 1890 [but later], comprising 40pp. booklet (with advertisement for ‘Feeding the Mind’, ﬁrst published in 1907), stamp-case, verso with words ‘published by Emberlin and Son, 4, Magdalen Street, Oxford’ printed above the Cheshire cat, and below ‘(post free, 13d.) price one shilling’, containing stamp-holder with twelve separate pockets, and original printed envelope (edge-frayed), together with 4 other sets similar, plus an additional stamp-case and stampholder, and a small bifolium An Easter Greeting to Every Child Who Loves “Alice”, a few light spots and marks

Presentation copy, inscribed at head of title: “H.J. S. Smith, Esq. with the Author’s kind regards.” Henry John Stephen Smith (1826-1883) was a mathematician and tutor at Balliol College, Oxford from 1847 and soon made Fellow, and later Savilian Chair of Geometry at Oxford in 1861. He is best known for the Smith-Minkowski-Siegel mass formula in number theory and discovered the Cantor set in 1874. Williams, Madan, Green & Crutch 57. (1) £1,500 - £2,000

See Williams, Maddan, Green 223. (6)

609 [Dodgson, Charles Lutwidge, ‘Lewis Carroll’]. Songs from Alice in Wonderland and Through the Looking-Glass, Music by Lucy E. Broadwood, Illustrations by Charles Folkard, London: A. & C. Black, 1921, 11 tipped-in colour plates, including frontispiece, some spotting, original blue cloth, extremities lightly rubbed, front cover with mounted colour plate, spine ends a triﬂe frayed, large slim 8vo, together with Through the Looking Glass and what Alice found there, illustrated by Ralph Steadman, London: MacGibbon & Kee, 1972, numerous black & white illustrations, many full- or doublepage, original boards, spine lettered in silver, dust jacket, fold and spine ends a little frayed, folio, plus Alice’s Adventures in Wonderland, illustrated by Charles Robinson, London: Cassell, 1910, eight colour plates, including frontispiece, two with minor marks to lower margins, gathering L with minor edge-fraying to fore edge centrally, front free endpaper with contemporary ink ownership inscription, original brown pictorial cloth, rubbed, rear cover partly faded, 8vo, and seven others Alice-related, comprising four books, a plate (repaired), and two jigsaws (10)

£100 - £150

611 Doyle (Richard). In Fairyland. A Series of Pictures from the Elf-World, with a Poem, by William Allingham, 1st edition, 1870, 16 full-page colour illustrations, engraved and printed by Edmund Evans, some spotting and marks throughout, juvenile colouring to title-page and a few short marginal closed tears, second text leaf (page 3, verso blank) detached and frayed at margins, all edges gilt, original gilt-decorated green cloth, rubbed, some corner wear and fraying along joints and spine ends, folio

£300 - £500

(1) Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

Lot 610

172

£200 - £300

Lot 612

Lot 613

612 Dulac (Edmund, illustrator). The Kingdom of the Pearl, by Leonard Rosenthal, [1920], 10 tipped-in colour plates, patterned endpapers, top edge gilt, original cloth-backed boards, light edge wear, later slipcase, 4to Limited edition 67/675. (1)

£200 - £300

613 Dulac (Edmund, illustrator). Rubaiyat of Omar Khayyam, rendered into English verse by Edward Fitzgerald, London: Hodder and Stoughton, [1909], 20 tipped-in colour plates, 4 with corner crease(s), endpapers creased, top edge gilt, original vellum gilt, lacking ties, extremities soiled, covers bowed, front joint cracking, 4to, (limited edition, 400/750 copies signed by the artist), together with Rackham (Arthur, illustrator), Siegfried & the Twilight of the Gods, by Richard Wagner, translated by Margaret Armour, London: William Heinemann; New York: Doubleday Page & Co., 1911, 30 tipped-in colour plates, 1 with corner crease, some spotting to text, hinges cracked, top edge gilt, original vellum gilt, lacking ties, soiled and marked, front joint cracking, head of spine torn, 4to, (limited edition, 252/1150 copies signed by the artist) (2)

Lot 615

615 Felix the Cat. Felix the Cat [cover title], 1st edition, Springﬁeld: McLoughlin Bros. Inc., [1927], 12 leaves of colour comic strips, generally lightly toned, folds splitting, original pictorial wrappers, a triﬂe dust-soiled, front cover lightly creased, spine splitting with some wear, slim oblong 4to, together with Lucas (E. V.), A Cat Book, Illustrated by Pat Sullivan (Creator of Felix the Cat), New York and London: Harper & Brothers, 1927, full-page black & white illustrations, 1 leaf with closed tear to lower margin, original blue cloth, some wear to extremities, front cover with pictorial red paper panel (surface loss to right of centre, and some staining), rear cover marked, 4to, with 5 others illustrated, mainly animal-related Felix the Cat: an extremely scarce copy of the 1st edition of this comic strip collection, which was later reprinted as an abridged version in 1931. No other copies found at auction or for sale. (7) £200 - £300

£200 - £300

614 Felix Annuals. The Felix Annual: Picture Stories of the Famous Film Cat, 3 volumes, 1924, 1926, and 1928, each with four colour plates, central 14 pages printed in red & black, some spotting and marks, mainly to margins, 1924 page 2 with faint crayon colouring,1926 frontispiece laid down with mounted manuscript label, 1928 with closed fore edge tear to one leaf, 1924 rear pastedown edges dampstained (lightly affecting rear cover), 1928 front free endpaper blank verso with contemporary prize plate, stitching showing in places, original clothbacked boards, 1924 and 1926 rubbed with some wear and marks, 1928 extremities rubbed, rear cover dustsoiled, 4to Provenance: 1926 volume with mounted manuscript label stating ‘From the 14,000 volume book collection of Vincent A. Baxendale, 4, Kirkstone Drive, Norbreck... Nr Blackpool, Lancs 1974’. (3) £80 - £120

616 Flint (Sir William Russell). Drawings, 1st edition, 1950, numerous tinted illustrations, many full-page, top edge gilt, original quarter cloth gilt, somewhat dust-soiled, publishers card slipcase, some wear and marks, folio Limited edition, 76/500 copies, with tinted reproduction drawing of the ballerina Moira Shearer, signed in coloured pencil by Flint. (1) £400 - £600

173

Lot 617

Lot 618

617 Flint (Sir William Russell). In Pursuit: An Autobiography, Medici Society, 1970, numerous colour and black & white illustrations, original red quarter morocco gilt, spine somewhat marked and rubbed, slipcase, folio, (limited edition, 273/1050 total copies signed by Francis Russell Flint), together with More than Shadows, a Biography of W. Russell Flint, by Arnold Palmer, July 1943 reprint, numerous illustrations (a few colour), half-title with portrait newspaper clipping adhered (with adhesive tape), front free endpaper with ink manuscript inscription to Maud A. Rencombe? from W. Russell Flint dated April 1944, front pastedown with tipped-on portrait newspaper clipping, original cloth gilt, some minor marks, price clipped dust jacket, some adhesive tape repairs to verso, loss at head of spine and rear panel, with an autograph letter loosely inserted, 8vo

Lot 619

619 Flint (Sir William Russell). The Book of Tobit and the History of Susanna, Reprinted from the Revised Version of the Apocrypha... Introduction by Dr. Montague R. James, Haymarket Press, 1929, 4 tipped-in colour plates from paintings by W. Russell Flint, plus an extra suite of 4 colour plates tipped-onto mounts and in an envelope, top edge gilt, remainder untrimmed, full limp vellum, gilt lettering to spine and front cover, white fabric ties, slim 4to Limited edition 27/100 copies. (1)

£250 - £350

620 Flint (Sir William Russell). A Catalogue Raisonné of the Unsigned Limited Edition Works of Sir William Russell Flint..., by Keith S. Gardner, Bristol: Michael Stewart Associates, 1994, limited edition unnumbered presentation copy: half-title verso with ink presentation inscription ‘To John Youé with many thanks Keith S. Gardner’, numerous colour and black & white illustrations, two prospectuses loosely inserted, original maroon simulated leather gilt, maroon cloth slipcase, large 4to, together with Breakfast in Périgord..., Written and Contrived by Sir William Russell Flint, Privately printed for him by Charles Skilton, 1968, numerous monochrome illustrations, top edge gilt, original black quarter morocco, lightly marked, slipcase, large 8vo, (limited edition 369/525 signed by the author), plus Shadows in Arcady..., by Sir William Russell Flint, Charles Skilton Ltd., 1965, original two-tone cloth gilt, glassine dust jacket, slipcase, 8vo, (limited edition 245/500 copies), with four other William Russell Flint limited editions: Idyllen des Klassischen Altertums..., 1921, 833/1400 copies; One Hundred and Eleven Poems by Robert Herrick, Golden Cockerel Press, 1955, 529/550 copies; Models of Propriety..., 1951, 220/500 copies signed by the author (defective), and with The Scholar Gipsy & Thyrsis by Matthew Arnold, 1910, (one of an unnumbered edition on paper)

The manuscript autograph letter, from Flint to Rencombe (on headed paper and dated 1944) discusses her recent purchase of one of his watercolours ‘The Little Avenue, Great Englebourne, South Devon’, and the inspiration for it. In the letter Flint also offers the accompanying inscribed book as an apology for not being able to undertake a small commission for her. (2) £100 - £150

618 Flint (Sir William Russell). The Lisping Goddess, Worcester: Stanbrook Abbey Press, 1968, two colour plates, monochrome illustrations, top edge gilt, remainder untrimmed, original blue quarter morocco gilt by Mansell, lightly spotted, spine marked, original glassine dust jacket, somewhat creased, edge-frayed and chipped, some loss to foot of spine, adhesive tape repair to rear panel, with slipcase and in original card box, folio Limited edition 77/275 total copies, signed by the artist. Rare with the glassine dust jacket. (1) £100 - £150

Catalogue Raisonné: usually found in the publisher’s blue bindings, this is an unusual presentation copy in a maroon binding, being inscribed to Keith Gardner’s designer John Youé, who Gardner mentions in his list of acknowledgements as being “a pillar of support”. (7) £200 - £300

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

174

Lot 620

Lot 621

Lot 623

622 Flint (Sir William Russell). The Heroes or Greek Fairy Tales for my Children, by Charles Kingsley, Illustrated after drawings by W. Russell Flint, Philip Lee Warner for The Medici Society, 1912, printed on handmade Riccardi Paper, 12 mounted colour plates, each with captioned tissue guard, top edge gilt, remainder untrimmed, original linen-backed boards, head and foot edges toned, dust jacket, partially toned, a few tears and small losses, 4to, (limited edition 228/500 copies), together with The Canterbury Tales of Geoffrey Chaucer, Illustrated after Drawings by W. Russell Flint, 3 volumes, Philip Lee Warner for The Medici Society, 1913, printed on handmade Riccardi Paper, 36 mounted colour plates, each with captioned tissue guard, top edges gilt, remainder untrimmed (spotted), original linen-backed boards, a few minor marks, volume 3 lightly spotted, spines toned, 4to, (limited edition 84/500 copies), plus The Thoughts of the Emperor Marcus Aurelius Antoninus, Translated by George Long, Illustrated by W. Russell Flint, Philip Lee Warner for The Medici Society, 1909, printed on handmade Riccardi Paper, 12 tipped-in colour plates, each with captioned tissue guard, light spotting to ﬁrst and last few leaves, top edge gilt, remainder untrimmed (lightly spotted), original linenbacked boards, toned and spotted, some stains to spine, 4to, (limited edition 105/500 copies), with two other William Russell Flint limited editions: The Idyls of Theocritus, 2 volumes, 1922, 71/500 copies; Judith, 1928, 299/875 copies

621 Flint (Sir William Russell). Le Morte Darthur, the Book of King Arthur and his Noble Knights of the Round Table, by Sir Thomas Malory, Knt., 4 volumes, Riccardi Press, published by Philip Lee Warner for the Medici Society, 1910-11, 48 tipped-in colour plates (one with small corner crease), with captioned tissue guards, endpapers spotted, top edges gilt, remainder untrimmed, original vellum gilt, volume 4 somewhat mottled, green silk ties, slipcases, 4to Limited edition 107/500 copies on handmade Riccardi paper. (4) £700 - £1,000

(8)

£200 - £300

623 Flint (Sir William Russell). The Song of Songs Which is Solomon’s now printed in the Authorised Version and illustrated after drawings by W. Russell Flint, Philip Lee Warner for The Medici Society, 1909, printed on hand-made Riccardi Paper, 10 mounted colour plates, with tissue-guards to each, top edge gilt, remainder untrimmed, original limp vellum gilt with ties, toned dust jacket, spine with some tears and small losses along joints and at ends, original publisher’s slipcase, 4to Limited edition, 464/500 copies. Scarce with dust jacket and slipcase. (1) £100 - £150

Lot 622

175

624 Fougasse. P.T.O. A Book of Drawings by Fougasse, [1926], eight colour plates, monochrome illustrations, contemporary presentation inscription to Harold Mudd (assistant to Percy V Bradshaw, founder of the Press Art School, pencil note at front), original pictorial boards, light spotting to spine and extremities, 4to, with three others by H.M. Bateman: More Drawings, 1922, Colonels, 1925 and Rebound, 1927 (4)

£100 - £150

627 Kipling (Rudyard). Just So Stories for Little Children, 1st edition, 1902, illustrations by the author, light spotting and toning to endpapers, original red pictorial cloth, spine lettering faded and rubbed at ends, 4to, together with March Hares and their Friends, by T.A., Dean & Son, [1892], colour title, 22 colour illustrations introduction leaf detached, a few light stains, original clothbacked boards, some edge wear and light soiling, oblong 4to, plus The Dreamer of Dreams, by the Queen of Roumania [sic], illustrated by Edmund Dulac, 1915 (spine rubbed and toned with small splits), 4to

625 Harte (Glynn Boyd). Temples of Power, with an introduction and architectural notes by Gavin Stamp, and a foreword by Sir John Betjeman, Cygnet Press, 1979, 16 colour lithographs by Glynn Boyd Harte, original cloth-backed decorative boards, dust jacket, oblong folio, From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. Limited edition 215/250, signed by Glynn Boyd Harte and Gavin Stamp. (1) £200 - £300

(3)

628 Lang (Andrew). The Brown Fairy Book, 1st edition, London: Longmans, Green, and Co., 1904, 8 colour plates, including frontispiece, one with loss to blank tip of lower outer corner, black & white plates and letterpress illustrations, some spotting to first and last leaves, preliminary blank with contemporary ink ownership inscription,stitching showing between gatherings L & M, all edges gilt, original gilt-decorated brown cloth, extremities lightly rubbed, a little wear to front joint, spine ends a trifle frayed, some marks to rear cover, 8vo, together with The Arabian Nights Entertainments, 1st edition, 1898, black & white plates and letterpress illustrations, some spotting, mainly to margins, all edges gilt, original gilt-decorated blue cloth, extremities somewhat rubbed, a few minor marks, with 3 other first editions comprising: The Crimson Fairy Book (lacking one colour plate), The Animal Story Book, The Red True Story Book, and seven Fairy Books, later editions, 8vo

626 King (Jessie M., illustrator). A Carol, Good King Wenceslas, [London: The Studio, 1919], tipped-in colour title, and thirteen tipped-in colour plates, all mounted on grey paper, original grey wrappers with ﬂaps, with repeat of title-page illustration mounted on front cover, and printed label below ‘Macbeths’ of King Street wish all their little friends a Merry Christmas’, some markings, slim 4to An uncommon and ephemeral Jessie M. King item. (1)

£80 - £120

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Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

£150 - £200

176

£100 - £200

629 Lang (Andrew, editor). The Violet Fairy Book, 1st edition, London: Longmans, Green, and Co., 1901, 8 colour plates, including frontispiece, numerous letterpress illustrations, some full-page, half-title with early ink inscription, stitching showing in places, all edges gilt, original gilt decorated purple cloth, extremities a little rubbed, rear cover a triﬂe marked, lightly toned spine very slightly frayed at ends, 8vo, together with The Green Fairy Book, 1st edition, 1892, numerous black & white illustrations, some full-page, some ﬁnger-soiling and minor marks, publisher’s advertisement leaf at rear, all edges gilt, original gilt decorated green cloth, extremities rubbed, toned spine with some fraying to ends and pale mark near foot, 8vo, plus The Orange Fairy Book, 1st edition, 1906, 8 colour plates, including frontispiece, numerous letterpress illustrations, some full-page, occasional spotting or marks, mainly at front and rear, front free endpaper with contemporary ink inscription, stitching strained, all edges gilt, original gilt decorated orange cloth, rubbed with some minor marks, gilt worn, toned spine with ends a little frayed, 8vo, with 4 other Andrew Lang 1st editions: The Arabian Nights Entertainments, Princes and Princesses (two copies), The Book of Romance, and 7 later editions, including 5 Fairy Books

631 Marx (Enid). Quiz, Faber & Faber, [1942], [cover-title], eight pages (including wrappers), chromolithographed illustrations and decorations, pictorial wrappers, 89 x 62mm (3.5 x 2.5ins), contained in original pictorial envelope, lightly toned (mainly to edges), 101 x 76mm (4 x 3ins), together with Ridler (Vivian), An ABC for Jane, Faber & Faber, [1942], [cover-title], 16 pages (including wrappers), chromolithographed illustrations, pictorial wrappers, 89 x 65mm (3.5 x 2.5ins), contained in original pictorial envelope, 2.5cm closed tear to ﬂap fold, edges lightly toned, 102 x 76mm (4 x 3ins), plus An ABC in Pictures, Faber & Faber, [1942], [cover-title], 16 pages (including wrappers), chromolithographed illustrations, pictorial wrappers, 130 x 40mm (5 x 1.5ins), contained in original pictorial envelope, lightly toned (mainly to edges), 135 x 77mm (5.25 x 3ins) Scarce in this condition: especially An ABC for Jane, for which we cannot ﬁnd any previous sale or auction records, and Quiz for which the only previous auction record is from this house in 2013. (3) £200 - £300

From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. (14) £300 - £500

632 McKee (David). Elmer, Dennis Dobson, circa 1970, colour illustrations throughout, including rear endpapers, original glazed colour illustrated boards, spine a trifle sunned, lower cover with small residue from sticker to upper outer corner, 4to A very good copy of a rare early printing of Elmer, in which David McKee’s endearing multi-coloured elephant makes his first appearance. The book was first published in 1968, and went out of print quite quickly. It was not until it was republished in 1989 that Elmer become the international success he is today. Although the 1989 edition appears in commerce quite readily, we have not traced another copy of a Dennis Dobson issue at auction. COPAC lists only one copy of the first edition (British Library), and just four copies of this early reprint (Exeter University, Oxford University, Trinity College Dublin, and the V&A). The story, with its message of inclusivity, is arguably just as relevant now as when it was first published, perhaps accounting in part for its enduring popularity. The author went on to write and illustrate at least another 40 books about Elmer, a TV series was produced giving rise the the inevitable attendant range of merchandise, and Elmer is now published in more than 20 languages. More recently a musical puppet show, Elmer The Patchwork Elephant Show, has been touring Britian (in the first few months of 2019), celebrating the elephant that stands out, and embracing the message that it is always best to be yourself. (1) £300 - £500

630 Mansﬁeld (Katherine). The Garden Party and Other Stories, Verona Press, 1939 [but 1947]. 16 colour lithographs by Marie Laurencin, a few light spots front and rear, original green patterned cloth, dust jacket, small repair to verso, 8vo Limited edition 785/1200. (1)

£100 - £150

177

633 Milne (A. A.). When We Were Very Young, 2nd edition, 1924; Winnie-The-Pooh, 1st edition, 1926; Now We Are Six, 2nd edition, 1927; The House at Pooh Corner, 1st edition, 1928, all published by Methuen & Co., illustrations by E. H. Shepard, Now We Are Six with browning to half-title and ﬁnal (imprint) page, variable spotting and browning to endpapers, top edges gilt, original pictorial cloth gilt, extremities lightly rubbed, When We Were Very Young and The House at Pooh Corner front covers a little bowed, Now We Are Six and The House at Pooh Corner spines sunned, The House at Pooh Corner rear cover with some light fading, 8vo

635 Milne (A. A.). Now We Are Six, with Decorations by Ernest H. Shepard, 1st edition, 1927, numerous black & white illustrations, half-title and imprint page partly toned, half-title with contemporary ownership inscription, top edge gilt, remainder rough trimmed, original red cloth gilt, slightly darkened spine a little faded at head, dust jacket, somewhat toned (especially spine and folds), slight wear to fold tips and foot of spine, loss at head of spine (affecting ‘Now’) with short tear to rear panel, advertisement leaf (for a 1927 Exhibition of Shepard’s original drawings for Now We Are Six) loosely inserted, 8vo

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(1)

£300 - £400

636 Milne (A. A.). When We Were Very Young, 2nd edition, 1924; Winnie-The-Pooh, 2nd edition, 1926, London: Methuen & Co., illustrations by E. H. Shepard, Winnie-The-Pooh p.1 with brown spot to fore margin (affecting facing page), and ﬁrst blank page with contemporary ink ownership inscription, variable spotting and browning to endpapers, affecting adjacent pages in Winnie-ThePooh, When We Were Very Young with contemporary ink ownership inscription to front free endpaper verso, and stitching showing in places, top edges gilt, original pictorial cloth gilt, extremities somewhat rubbed, spines a little darkened, When We Were Very Young with some pale spots and rear joint lightly faded, WinnieThe-Pooh with some pale marks at fore edge of front cover, 8vo

634 Milne (A. A.). When We Were Very Young, 6th edition, December 1924, Winnie-the-Pooh, 1st edition, 1926, Now We Are Six, 1st edition, 1927 and The House at Pooh Corner, 1st edition, 1928, monochrome illustrations to each by E.H. Shepard, neat contemporary ownership inscription dated 1925 to half-title of the ﬁrst title, top edge gilt, original blue, green, crimson and pink cloth gilt respectively, a few minor marks and minimal fading to spines of the last two titles (generally a clean bright set), 8vo (4)

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

£200 - £300

(2)

£300 - £500

178

£100 - £150

637 Moveable. Buck Rogers 25th century featuring Buddy and Allura in “Strange Adventures in the Spider Ship”, by Lt. Dick Calkins and Phil Nowlan, the illustrated pop-up edition, Chicago: Pleasure Books Inc., 1935, 3 colour pop-up scenes, all in working order (a few creases), monster in 1st scene with small loss to wing tip, original pictorial boards, a triﬂe dust-soiled, extremities rubbed, a few minor marks (mainly to rear cover), slim 4to, together with Schlacher (Helga), Tobby’s Abenteuer, Vienna: Carl Ueberreuter, 1947, 14 leaves of black paper, with text and full-page colour illustrations, a few folds strengthened at gutter, original pictorial boards, spotted and crudely rebacked, oblong 8vo, plus Home Kindness, Sunny Days and Children’s Ways &c., A Picture Book for the Nursery, London: Thomas Nelson and Sons, [1885?], 16 full-page colour illustrations, 2 with a short closed tear to lower margin, spotting and ﬁnger-soiling to margins and text leaves, original pictorial blue cloth gilt, front cover with inset colour illustration (soiled), extremities slightly worn, spine and front cover edges darkened, 4to, with 10 others including: Contes en Relief, by Jo. Zagula, [a pop-up book]; The Year its Leaves and Blossoms, illustrated by Hermine Stilke; Some More Nonsense for the Same Bodies as Before, by A. Nobody (13)

Lot 638

£100 - £150

638 Nesbit (Edith). The Phoenix and the Carpet, 1st edition, London: George Newnes, [1904], half-title, colour frontispiece and letterpress vignettes by H.R. Millar, spotting mostly to ﬁrst and last few leaves, contemporary gilt inscription to front free endpaper, top edge gilt (remainder lightly spotted), original decorative cloth, lightly rubbed to extremities, 8vo (1)

£200 - £300

639 Nesbit (Edith). The Railway Children, 1st edition, London: Wells Gardner, 1906, half-title, pictorial title and 20 black & white plates including frontispiece by C.E. Brock, 10 pages publisher’s adverts at rear, top edge gilt, untrimmed, ownership signature ‘Howard’ at head of front free endpaper, original gilt blocked maroon cloth, very slightly rubbed to extremities, 8vo Osborne p.970. (1)

£200 - £300

Lot 639

179

640 Nicholson (William). An Almanac of Twelve Sports, Words by Rudyard Kipling, William Heinemann, 1898, title with colour vignette, 12 colour lithographic plates, advertisement leaf for An Alphabet at end, usual offsetting to text, light toning to endpapers, Sotheran ticket, original cloth-backed pictorial boards, a few light spots and small stain to lower cover, 4to (1)

642 Nicholson (William). London Types, William Heinemann, 1898, 12 colour lithographic plates, advertisement leaf at end, light offsetting to text, presentation inscription, 1922 at front, minor spotting to endpapers, original cloth-backed boards, light edge wear, 4to (1)

641 Nicholson (William). An Alphabet, William Heinemann, 1898, title with colour vignette, 26 colour lithographic plates, advertisement for An Almanack of Twelve Sports tipped-in at end, light stains to endpapers, all edges red, original pictorial boards, a few minor spots to lower cover, edges very slightly rubbed, else a bright copy, 4to (1)

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

£200 - £300

643 Nicholson (William). The Square Book of Animals. Rhymes by Arthur Waugh, William Heinemann, 1900, 12 colour lithographic plates, a little minor spotting, light offsetting to text, original clothbacked pictorial boards, light edge wear, 4to (1)

£400 - £600

180

£300 - £500

645 Potter (Beatrix). Peter Rabbit’s Almanac for 1929, Frederick Warne, [1928], 13 full-page colour illustrations (one for each month plus frontispiece), patterned endpapers, biro ownership name on front free endpaper, original beige boards with colour illustration inset to covers, lightly dust-soiled and marked, spine rubbed and a little chipped, joints cracked, 12mo, together with Wood (Lawson), The Hamper of “Mr.” Books, 1st edition, Frederick Warne, [1916], complete set of six booklets, each with colour illustrations and pictorial wrappers, staples rusty, plus a Warne advertisement booklet ‘A Selected List of Picture Books for Children’ (folded), contained together in original cardboard box (rubbed and broken), plus Nister (Ernest, publisher), Our Darlings Surprise Pictures, circa 1895, eight chromolithograph slatted movable illustrations (all in working order), letterpress vignettes, some spotting and marks, soiled with area of loss to fore-margins (also affecting lower cover), patterned endpapers, hinges split, original cloth-backed glazed pictorial boards, rubbed and marked, folio, and a quantity of other children’s books, including a defective copy in original wrappers of A True History of a Little Old Woman who found a Silver Penny, by Matthew Gregory Lewis, printed for Richard Phillips, 1812, a shaped book entitled Three Little Doggies, four titles by Louis Wain, three little books by Kate Greenaway (one modern), two by Kathleen Ainslie, several Dean Rag Books, and a movable entitled Fun in the Forest published by Raphael Tuck, some defective

644 Potter (Beatrix). Cecily Parsley’s Nursery Rhymes, 1st edition, London: Frederick Warne, [1922], colour illustrations throughout, some finger-soiling and marks, including to pictorial endpapers, original red boards, with colour illustration inset to upper cover, covers slightly dusty, spine a little faded, extremities a trifle rubbed, 12mo, together with Barker (Cicely Mary), The Book of the Flower Fairies, 1st collected edition, London and Glasgow: Blackie & Son, [1927], 72 colour plates, half-title, occasional minor spotting to text (and edges lightly spotted), original gilt decorated olive green cloth, spine faintly sunned and a little rubbed at ends (with short split at foot), superficial vertical mark to lower cover, 8vo, plus ten other children’s books, comprising 8 other Beatrix Potters, later editions, Fairy Tales from Hans Andersen, told to the Children by Mary Macgregor, with Pictures by Olive Allen, [1906], and ForgetMe-Not and Lily of the Valley, by Maurice Baring, 1931

The ﬁrst item is the only Beatrix Potter almanac produced; the author was unhappy with the ﬁnished article, and so the planned series of almanacs did not go ahead. (24) £200 - £300

Linder, p.430; Quinby 26. Cecily Parsley was intended as a companion work to Appley Dapply’s Nursery Rhymes, and was the last of Potter ‘s works to be published in the smaller format. (12) £150 - £200

646 Potter (Beatrix). The Story of Miss Moppet, 1st edition, New York & London: Frederick Warne & Co., [1906], 14 colour plates and 14 leaves of text bound concertina-style, somewhat rubbed and creased, one fold with adhesive tape on verso, wallet lining paper with some wear to folds, original wallet form grey cloth, lettered and blocked in dark blue, with oval pictorial panel to upper cover, a triﬂe soiled, a little wear to extremities, tab closure verso strengthened with adhesive tape, 16mo Linder, p.426; Quinby 11. According to Linder this is believed to be the second issue, printed in November 1906, presumably for the American market as the imprint lists New York before London. (1) £100 - £150

Lot 645

181

647 Potter (Beatrix). The Tale of Mr. Jeremy Fisher, 1st deluxe edition, 1906, colour illustrations throughout, some ﬁnger-soiling and marks, embossed stamp on half-title with initial ‘V’ within a laurel wreath, pictorial endpapers, upper hinge split and lower hinge splitting, all edges gilt, text block shaken in original pink-brown cloth, lettered and decorated in gilt, upper cover with inset circular colour illustration (lightly spotted), spine with gilt dulled and slight fraying at ends, upper cover with two small marks to upper margin (one obscuring part of the second letter of title), 16mo

649 Potter (Beatrix). The Tale of Tom Kitten, 1st edition, London: Warne, 1907, first, second or third printing, 27 colour illustrations, occasional finger-soiling, front free endpaper with contemporary ownership inscription, stitching strained, rear hinge partly cracked, all edges gilt, original deluxe tan cloth gilt, front cover with inset pictorial panel, a little wear to front cover fore edge, loss to spine (27mm at head and 17mm at foot), affecting first and final few letters of title, 16mo Linder p. 427. (1)

Scarce deluxe edition of one of Beatrix Potter’s most popular tales. (1) £300 - £500

£300 - £500

648 Potter (Beatrix). The Tale of Squirrel Nutkin, Centenary Edition, London: Frederick Warne, 2003, full-page colour illustrations, all edges gilt, original ivory calf, lettered and blocked in silver and gold, with colour illustration mounted on upper cover, 16mo, with six plates from the book colour-printed on card, a printed booklet The History of the Tale of Squirrel Nutkin 19032003, and a gilt-blocked leather bookmark, contained together in original brown leather presentation box, hinged lid lettered in silver and with mounted colour illustration, in publisher’s cardboard box, (limited edition, 74/100 copies), plus another copy of the same (limited edition, 75/100 copies), together with 4 other Beatrix Potter boxed Centenary Editions: The Tailor of Gloucester, 2003, (limited edition, 75/100 copies); The Tale of Squirrel Nutkin, 2003, (limited edition, 145/500 copies); and 2 copies of The Tailor of Gloucester, 2003, (limited edition, 213/500 & 322/500 copies), none with publisher’s white card chemise (all in publisher’s cardboard box) (6)

£100 - £150

650 Potter (Beatrix, and Sendak, Maurice). Beatrix Potter’s The Tale of Peter Rabbit. A new printing from the original line-blocks made for the ﬁrst Private Edition of 1901, introduced by Maurice Sendak, New York: Battledore, 1995, 34 separate prints of the original Beatrix Potter illustrations, on deckle-edged Arches paper, each numbered on verso, sheet size 13.5 x 10cm (5.25 x 4ins), each with tissue guard and enclosed in printed grey wrappers, together with 25pp. booklet in loose printed wrappers, 16mo, contained together in original grey cloth solander box, gilt titled on spine and with inset illustration on upper cover Limited edition, 121/250 copies, signed by Maurice Sendak and the printer Iain Bain. (1) £100 - £150

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

182

653 Rackham (Arthur, illustrator). Peter Pan in Kensington Gardens, by J.M. Barrie, 1906, 50 tipped-in colour plates, top edge gilt, original vellum gilt, lacking ties, covers bowed, some soiling, 4to

651 Rackham (Arthur, illustrator). Alice’s Adventures in Wonderland, by Lewis Carroll, [1907], 13 tipped-in colour plates, occasional light offsetting to text, endpapers toned, top edge gilt, original cream cloth gilt, light dust soiling, 4to Limited edition 134/1130 (1)

Limited signed edition 86/500 (1)

£800 - £1,200

£600 - £800

652 Rackham (Arthur, illustrator). A Midsummer-Night’s Dream, by William Shakespeare, 1908, 40 tipped-in colour plates, occasional light offsetting to text, free endpapers a little toned, top edge gilt, original vellum gilt, lacking ties, some soiling, 4to

654 Rackham (Arthur, illustrator). Rip Van Winkle, by Washington Irving, 1905, 51 tipped-in colour plates, light spotting to endpapers, top edge gilt, original vellum gilt, lacking ties, some light soiling and small stains, 4to, together with a loosely inserted one page autograph letter from Arthur Rackham, dated 9 September 1909, to a Richard Bridgett, thanking him for liking his drawings, the letter forwarded by Ernest Brown (of Ernest Brown & Phillips, The Leicester Gallery, who held an exhibition of Rackham’s watercolours for Rip Van Winkle in March 1905)

Limited signed edition 391/1000 (1)

Limited signed edition 25/250 (2)

£600 - £800

183

£800 - £1,200

656 Rackham (Arthur, illustrator). The Fairy Tales of the Brothers Grimm, translated by Mrs Edgar Lucas, 1909, 40 tipped-in colour plates, slight toning to endpapers, top edge gilt, original vellum gilt, lacking ties, a couple of gilt letters to upper cover a little rubbed, some soiling, 4to Limited signed edition 93/750 (1)

£700 - £1,000

655 Rackham (Arthur, illustrator). The Compleat Angler or the Contemplative Man’s Recreation..., by Izaak Walton, 1931, 12 colour plates, each with captioned tissue guard, half-title, title printed in green and black, endpapers lightly offsetting, front pastedown with armorial bookplate of Dorothy Peck Luckie, top edge gilt, remainder untrimmed, original vellum gilt, spine lightly toned and creased, front corners bumped, original card slipcase, with printed paper label to fore-edge, worn and lacking top edge, 4to Limited edition, 618/775 copies signed by the artist. Scarce in the original publisher’s slipcase with paper label. (1) £200 - £300

657 Shaped books. A large collection of shaped books, early to later 20th century, virtually all in Spanish (four in English), most published in Barcelona, titles include: El Mago Merlin, Los dos negritos (2 copies), Alicia en el Pais de las Maravillas, La Japonesita Haruko, El Mundo de los Colores Popeye (and 2 other Popeye), The Brown [and Green] Model Crane Book, The Wiggle Waggle Show, La Pequena Hawaiana (2 copies), Ricardin Futbolista, La ratita presumida, etc., some with novelty attachments such as a small broom or plastic ﬂoral necklace, various sizes (Approx. 160)

£100 - £200

658 Voight (Hans Henning, ‘Alastair’). The Sphinx, by Oscar Wilde, London & New York: John Lane and the Bodley Head, 1920, 10 colour pochoir plates by Alastair and large decorative initials to text, top edge gilt, remainder uncut, original gilt-decorated white buckram, a little soiled and spine dulled and darkened, 4to, without slipcase (one of 1,000 copies), together with Golden Cockerel Press. The Amores of P. Ovidius Naso, Newly Translated by E. Powys Mathers, with Five Engravings on Copper by J.E. Laboureur, Waltham St Lawrence, [1932], 5 sepia etched plates including frontispiece, light offsetting to text, top edge gilt, remainder uncut, original half morocco by Sangorski & Sutcliffe, cloth covers slightly soiled and marked, spine darkened, 8vo, (limited edition 196/350 copies) (2)

Lot 656

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

184

£150 - £200

ORIGINAL ILLUSTRATIONS & ARTWORK All lots unframed unless otherwise stated

659 Wain (Louis). Great Big Midget Book, Dean & Son, Ltd., [1934], numerous full-page black & white illustrations, including frontispiece, latter with short tear in blank fore-edge and inscribed by the artist on reverse ‘Yours sincerely Louis Wain’ (with some pencilled numbers above and a date of 1933 in pink ink beside), generally toned, original pictorial boards, lacking spine, and upper cover detached, square 16mo

661* [Andersen, Hans Christian]. The Nightingale, 1924, watercolour on wove paper, depicting a scene from The Nightingale, showing Death being dissuaded from taking the Emperor of China’s life, by the nightingale singing outside the window, title and date in contemporary pencil manuscript on verso, 33.5 x 24cm (13.25 x 9.5ins), window mounted and with loose back mount

Dale 132; Gant 71. Louis Wain’s last book printed in his lifetime; it was done with the assistance of his sister, Claire, whilst he was a patient at Napsbury Hospital, near St. Albans in Hertfordshire, a psychiatric establishment where he spent the ﬁnal 15 years of his life. Due to the binding and paper quality, this book is rarely found without damage, and inscribed copies of any of his books are scarce. (1) £100 - £150

It is possible that this apparently unpublished original illustration is by Edward Julius Detmold (1883-1957). It was evidently executed to accompany the Hans Andersen story ‘The Nightingale’, ﬁrst published in Nye Eventyr (New Fairy Tales) in 1844. Detmold apparently produced a set of colour plates for a Hodder & Stoughton edition of Andersen’s Fairy Tales which were never used. It is said that, being such a meticulous worker, Detmold took too long over the work, and the publisher, having already issued editions of the same work illustrated by Edmund Dulac, William Heath Robinson and Kay Nielsen (the latter in 1924), clearly decided to forgo producing a further edition and Detmold’s plates remained unused. It is not inconceivable, then, that this watercolour is one of the paintings Detmold produced for Hodder, showing as it does similarities in palette and technique to other illustrative work by the artist. (1) £150 - £200

662* Barker (Cicely Mary, 1895-1973). Study for Mary Magdalene, 13th April 1935, watercolour and pencil on paper, full-length portrait of a young woman wearing a multi-coloured striped robe and white head covering, gazing sideways and with hands clasped, two jars beside her sandalled feet, pencilled title lower left and monogram with date below lower right, slightly marked and dusty, right hand margin with vertical crease 1.5cm in from edge, short closed tear in upper blank margin (repaired on verso), two pin holes to lower right corner, sheet size 48 x 28.5cm (19 x 11.25ins)

660 Wain (Louis, illustrator). Ping-Pong, Told by Clifton Bingham, [cover-title], Raphael Tuck, [1903], 6 full-page colour illustrations, vignettes to text printed in red and black, ﬁrst and ﬁnal pages toned, original pictorial wrappers, detached and split along spine (with some consequent edge-fraying), small area of surface rubbing on rear cover, oblong 8vo

A study for a work entitled Jesus Calls to Mary, in which the resurrected Christ appears to Mary beside the tomb. Best known for her ‘flower fairies’, Cicely Mary Barker’s oeuvre was certainly not confined to such images. She was deeply religious and believed that her artistic gifts should be used to reflect and interpret the truths that were central to her life. Thus, a significant body of her output was of a spiritual nature, and this was the work on which she placed the greatest importance. For example she produced books for children such as The Little Picture Hymn Book, He Leadeth Me, and Bible Stories, as well as commissioned works such as stained glass designs. She donated a number of artworks to charities and missionary organisations, and Queen Mary purchased her painting of the Christ Child, The Darling of the World Has Come. (1) £150 - £200

Dale 169. Not listed in Gant. A scarce Louis Wain title, presumably due to its fragile and ephemeral nature: three copies only located in UK institutional libraries (V&A, and the Universities of Oxford and Cambridge). (1) £150 - £200

185

Lot 663

Lot 665

Lot 666

663* Bauerle (Amelia M., 1873-1916). Flower-Land, watercolour on artist’s board, depicting a pair of small children embracing in a garden, one wearing a pinky-red smocked dress and green knickerbockers, and the other wearing a pink ﬂower-sprigged dress and standing on tiptoes, framed within a bower of tiger lilies and large poppies, signed ‘A. Bowerley’ lower right, titled within decorative frame to lower margin, titled and with artist’s name in pencil on verso, sheet size 45 x 28.5cm (17.75 x 11.25ins), mounted and framed

664* Bestall (Alfred Edmeades, 1892-1986). Rupert and the Sea Serpent, 1978, 4 image storyboard, comprising black ink drawing on acetate mounted over watercolour and pencil on artist’s board, titled in black ink to lower margin of acetate ‘Daily Express Rupert Annual 1978 R.A.T.S.S. page 90’, adhesive tape securing acetate at upper and lower edge discoloured, each image 9 x 10cm (3.5 x 4ins), overall size 19.5 x 21cm (7.75 x 8.25ins), artist’s board additionally laid down on card, latter with biro inscription to lower margin ‘Bestall. Rupert and the sea serpent’, mounted

Also known as Amelia Bowerley from around 1909, Amalie Mathilde Bauerle was the daughter of the German artist Karl Wilhelm Bauerle (1831-1912) and studied at the South Kensington School of Art and the Slade. She exhibited at the Royal Academy from 1897 until her death and illustrated several books, as well as making contributions to The Yellow Book. (1) £200 - £300

(1)

£80 - £120

665* Brock (Charles Edmund, 1870-1938). ‘“Burnt again,” he remarked in a sad voice’, pen & ink on card, depicting King Alfred in a cottage kitchen gesturing to some steaming cakes on a rustic table, observed by a small girl with plaits, signed and captioned lower left, with inscription to lower edge in sepia ink ‘The Adventures of Polly Margaret Smith, Part I. No.2’, slightly dusty, portion cut away from left-hand margin encroaching into background without loss of drawn image (damage to sheet and part of left-hand edge of image obscured by mount), sheet size 28.5 x 21cm (11.25 x 8.25ins), mounted, together with 14 other original drawings and watercolours, including: a pen, ink & watercolour on vellum by Dorothy Burroughes of Punch and Judy, a few fox spots, 23 x 27cm (9 x 10.5ins), mounted; a pen, ink & watercolour on paper by Bert Hookham of an 18th century gentleman in an interior with playing cards scattered on a table and on the ﬂoor beside, 33 x 46cm (13 x 18ins), mounted; a pen, ink & watercolour by G.M. Holt of children playing with dolls, 17 x 22.5cm (6.5 x 8.75ins), mounted, framed and glazed; a gouache painting by Phyllis Cooper of a wideeyed small boy dismantling a telephone, slightly rubbed, 38 x 28cm (15 x 11ins), laid down on card; a pen, ink & watercolour on paper laid down on card by Maria Williams depicting a young girl and three mermaids, toned, 25 x 17.5cm (10 x 7ins); and a watercolour and gouache illustration on card laid down on thick card by Ernest Boye Uden of a young man on a hillside looking down on a travelling caravan, 31 x 28cm (12.25 x 11ins), plus 3 framed Margaret Tarrant prints, and 2 mounted Jessie M. King prints (19)

Lot 664

£200 - £400

666* Burne-Jones (Edward, 1833-1898). Psyche’s Marriage Procession, circa 1895, woodcut, plate size 12.5 x 18cm (5 x 7ins), marginal toning to sheet, mounted, old Sotheby’s lot description to verso of loose backing board (1)

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

186

£100 - £150

668* Fisher (Walkden, 1913-1979). A collection of approximately 80 pieces of original artwork or comics, magazines and annuals, circa 1940s/1950s, including 25 strips for ‘The Adventures of Jasper’, etc., 20 educational relating to natural history and related themes, plus approximately 30 storyboard or single images, mostly pen and ink, also monochrome wash with gouache highlights, a few in colour (including ‘The Magic Horse’), a few signed on the mounts or overlays or board versos, various sizes Walken Fisher is remembered as a pioneer in slot car racing and as a contributor of illustrations to Eagle where he worked for ten years (194959). He later became art editor of Model Car magazine and a technical editor of the American magazine Model Car and Track. (approx. 80) £200 - £300

667* Dodd (Hugh, 1948-2014). ‘A Fine Summer’s Day’, pencil and watercolour, with bodycolour, on card, depicting a dishevelled redfaced golfer, with one foot in a stream, and golf club raised above his head, signed in pencil lower left, a few faint fox spots, 36 x 26cm (14.25 x 10.25ins), together with ‘Golf is a Four Letter Word’, pencil and watercolour, with bodycolour, on card, depicting a golfer in a bunker, with a shocked and glazed expression on his face, and his clothes askew, signed in pencil lower right, 34 x 23.5cm (13.5 x 9.25ins), both mounted, and with printed title inset to lower margin of mount, plus a front cover gouache illustration for Teddy Bear comic (5th October 1963) by William Francis Phillips, depicting a teddy in an aeroplane, 35 x 34cm (14 x 13.5ins), mounted, and a circular gouache illustration by Linda Jane Smith entitled Wat Cat, depicting two dogs and a cat, initialled lower right, diameter 18cm (7ins), mounted, framed and glazed (4)

669* Folkard (Charles, 1878-1963). The Wizard’s Enchantments, pen, ink, and watercolour on artist’s board, depicting a cavernous candle-lit scene with a wizened bearded sorcerer sitting on a high stool, dressed in a scarlet cloak, and matching fur-lined boots and pointed hat adorned with stars and a crescent moon, with a potion bubbling on the brick stove before him, large leather-bound tomes scattered on the ﬂoor, a crow perched on an open volume, a pair of onlooking mice, a skull, and various other accoutrements of wizardry, 26 x 17cm (10.25 x 6.75ins), mounted, together with a pencil sketch on paper similar, depicting a wizard at work surrounded by bellows, ancient texts, potion bottles, pestle & mortar, etc., a few paint stains, verso with additional sketch of a wizard, pencil, partially outlined in black ink, sheet size 25.5 x 20cm (10 x 8ins)

£200 - £300

Provenance: From the artist’s studio and thence by descent. This striking painting, so typical of Folkard’s style, with its meticulous line, fantastical subject and atmospheric palette, was probably never published. Folkard may well have used his own visage as a starting point for that of the wizard; the bearded Pre-Raphaelite appearance of the artist in his early days translated well into such subjects, which could then be worked up to greater heights of fantasy. The subject of magic and wizardry itself would have had a special interest and meaning for the artist as he worked for a period of time as a magician under the name ‘Professor Volkard’ after attending a show at the Egyptian Hall in London. It was only when designing his own conjuring show programmes that his artistic genius became apparent. (2) £400 - £600

Lot 668

187

Lot 670

Lot 671

Lot 672

670* Folkard (Charles, 1878-1963). “On a sudden the door opened, and a droll-looking little man hobbled in”, 1910, pen, ink & watercolour, depicting Rumpelstiltskin dofﬁng his feathered cap to the miller’s daughter, who sits before a spinning wheel surrounded by sheaves of straw, a make-shift red curtain pinned at the diamond lattice pane, and a scuttering mouse in the foreground, signed and dated lower left, 22.5 x 15cm (8.75 x 6ins), mounted, framed and glazed Provenance: From the artist’s studio and thence by descent. Original illustration for the ﬁrst Folkard edition of Grimm’s Fairy Tales, which was published by A. & C. Black in 1911 with four colour plates; the artist was commissioned to provide additional illustrations for subsequent editions. (1) £300 - £500

673* Folkard (Charles, 1878-1963). “Teddy Tail with Apple”, pen, ink, and watercolour, on paper, depicting Teddy Tail holding hands with a large apple who has a beaming face and wears a crown, each sitting on a leaf shooting through the air, surrounded by other leaves, initialled lower right, some light toning and spots, 12.5 x 20cm (5 x 7.75ins), mounted on card with old hanging thread and pencilled title on verso, together with Teddy Tail and Jack & Jill, 2 pen & ink illustrations on one sheet of card, each within a black line border, one depicting Teddy Tail with a wooden pail stuck on his head and Jack & Jill in tears beside, and the other (below) showing Teddy Tail hopping around trying the remove the bucket, latter signed upper right, toned, marginal printer’s instructions in pencil, titled in pencil on verso ‘Teddy Tail sketches’, sheet size 30 x 23cm (11.75 x 9ins), plus a truncated pen & ink cartoon on card for the same story, showing a partial image of Teddy Tail with pail on head and a wooden horse, toned and annotated as above, and with two hanging holes in upper line border, sheet size 9 x 28cm (3.75 x 11ins)

671* Folkard (Charles, 1878-1963). Yet You Balance an Eel on the End of Your Nose, pen, ink and watercolour, depicting a stout bewigged gentleman on a river bank, wearing a floral waistcoat, brown breeches, a blue frock coat, and buckled shoes, holding a fishing rod in his left hand, and looking skywards with an eel balanced on his nose, with a willow creel on the ground beside and two jumping frog onlookers, signed lower left within cartouche, pencilled inscription on verso (in another hand), 21 x 16cm (8.25 x 6.25ins), mounted (mount obscuring signature) Provenance: From the artist’s studio and thence by descent. Charles Folkard produced a similar illustration - one of twelve drawings commissioned - for Songs for Alice in Wonderland and Through the LookingGlass first published by A. & C. Black in 1921. The version in the published book differs substantially from that offered here, the gentleman being positioned on a punt in the river and accompanied by a youth fishing, captioned: ‘“You are old,” said the youth; “one would hardly suppose that your eye was as steady as ever.” (1) £300 - £500

Provenance: From the artist’s studio and thence by descent. The artist’s grandson remembers Teddy Tail with Apple hanging in his bedroom when he was a young boy, and subsequently hung it in his house to entertain his own children when they were younger. Teddy Tail, a comic strip in the Daily Mail, was the ﬁrst daily cartoon strip in a British newspaper, paving the way eventually for the likes of Rupert Bear and Pip, Squeak and Wilfred. Charles Folkard based the mouse Teddy Tail on his son Edward, who became a sculptor, and was three when his father invented the character in 1915. Folkard continued to draw the strip until 1926, when his brother, Harry, took it over, followed eventually by a number of other artists. Teddy Tail became enormously popular and the creation of Rupert Bear for the Daily Mirror was a direct result of this. There was an abundance of spin-off merchandise, such as annuals, badges, soft toys, jigsaws, biscuits, etc., and by the mid 1930s, the ‘Teddy Tail League’ boasted around 750,000 members. (3) £150 - £200

672* Folkard (Charles, 1878-1963). The Pirate Ship, pen, ink, and watercolour, depicting a crowded sailing ship flying a Jolly Roger flag, filled with ten cavorting pirate mice and imps accompanied by a frog, the vessel with newspaper hull, a tiller of spent matches, a mast of pencils and wooden cotton reel with a patched sail, and with a parrot perched on the mast, foreground with a large fish in the sea cocking a snook with his tail, signed lower left, some light spotting to sky and clouds, 23 x 18cm (9 x 7.25ins), mounted Provenance: From the artist’s studio and thence by descent. This entertaining picture appears not to have been published. (1) £200 - £400

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

188

675* [Folkard, Charles]. The artist’s painting smock coat, earlymid 20th century, long smock coat, handmade in linen, with collar, long sleeves with cuffs, and two patch pockets, machine stitched seams, yoke, pockets, and sleeves smocked by hand in cream thread, hand-stitched button holes to front opening and cuffs (lacking buttons), some staining and marks, one 6” drip of white paint to right-hand smocked area of yoke, linen hanging loop inside neck broken, length 109cm (43ins), sleeve length 59cm (23.25ins) Provenance: From the artist and thence by descent. The smocking is believed by the family to have been stitched by the artist’s daughter, Janet (born 1917). The photograph of Charles Folkard wearing the smock and leaning over a garden gate was taken in the 1950s in Winchelsea, Sussex, where he and his son built a cottage on the Ridge near the beach. Before becoming an artist, Charles Folkard was a magician and performed Punch and Judy shows, appearing under the pseudonym ‘Professor Volkard’. It is thought that he probably wore a velvet jacket and velvet smoking hat when in this guise. He only realised his artistic talents when he began designing programmes for his conjuring shows. Family reminiscences recall that at least one of his small grandsons found Folkard’s Punch and Judy shows quite terrifying, whilst later he cut quite a ﬁgure in his smock. (1) £200 - £300

674* Folkard (Charles, 1878-1863). “Faithful John”, pencil on paper, depicting a galleon with various figures on board, one playing a flute, with 3 ravens in the air above, titled in pencil to lower margin below image, 26.5 x 16.5cm (10.5 x 6.5ins), mounted, together with Owl and Crescent Moon, pen, ink, and watercolour, on translucent paper mounted on card, depicting a long-eared owl perched on a branch of oak leaves and acorns, against a crescent moon, verso with the artist’s name and address in pencil, 16.5 x 11.5cm (6.5 x 4.5ins), mounted, plus The Folkard Font, pen & ink on paper in the artist’s hand, showcasing a calligraphic font, with upper and lower case letters and Arabic numerals, horizontal fold, 21.5 x 16.5cm (8.5 x 6.5ins), mounted, and A Sussex Cottage, pencil and gouache on paper, depicting a clapperboard house with tall chimneys and a picket fence, 11.5 x 9cm (4.5 x 3.5ins), verso with mirror image of cottage blocked in colour, 13.5 x 11cm (5.25 x 4.25ins), plus another version of the cottage in pencil, spotted, 18.5 x 13cm (7.5 x 5ins), mounted, and a caricature head & shoulders self-portrait, pencil on paper, with flap to fold down revealing a cavernous mouth, signed and dated 1945, 11 x 11.5cm (4.5 x 4ins), plus a pen & ink sketch of a seated monkey painting onto a hand mirror, captioned “I’m painting my own portrait” within frame to upper margin, irregularly trimmed, laid down on card, 9 x 6cm (3.5 x 2.5ins), mounted Provenance: From the artist’s studio and thence by descent. First item is a preparatory drawing for ‘Faithful John’, one of the tales contained in the first Folkard edition of Grimm’s Fairy Tales, which was published by A. & C. Black in 1911. The Folkard Font was designed by the artist and used extensively both by him and others, its popularity resulting in a version which is still in use today. The Folkard Font has swashed capital letters and variant forms of a number of the letters and has become popular as a font for book covers and merchandising, particularly in association with fairy and fantasy subject matter. Charles Folkard owned a seaside cottage, which he and his son built, at Winchelsea in Sussex, and the clapperboard house drawings in this lot were almost certainly executed there. (7) £300 - £500

Lot 675 189

676* Ford (Henry Justice, 1860-1941). Queen Elizabeth I, watercolour on artist’s board, depicting Queen Elizabeth I dressed in a blue robe and cloak and a white ruff, standing in a grotto and holding a long bow, with a young woman in a green robe kneeling in supplication before her, an overturned casket on the ground, and a stone pillar and pool beside, signed in red lower right, 29 x 19.5cm (11.5 x 7.75ins), together with another watercolour on artist’s board by Henry Ford, depicting a gentleman in doublet and hose holding a sword, leaning against a tree clasping a letter and lock of hair, whilst two young men observe at a distance, signed in red lower left, 28 x 18cm (11 x 7.25ins), matching gilt mounts and frames, both with old gallery label on backboard ‘Frank Hall, Cardiff’ (2)

678* Goodall (John Strickland, 1908-1996). Original illustration for Story of a High Street, [Deutsch, 1987], watercolour, pen & ink and pencil on wove paper, showing a family in a miliner’s shop, 17 x 12.5cm, together with another watercolour and pencil drawing of Edwardian ﬁgures looking at yachts on the sea, 17 x 22cm, both signed by the artist to lower margin right, framed and glazed (2)

£500 - £800

679* Grifﬁths (David). Original artwork by David Grifﬁths for the dust jackets of six books, 1980s, acrylic on board, each approximately 30 x 21cm, three signed by the artist to lower mount and each with artwork details, date and artist’s name and address sticker to four versos, each with tracing paper cover with colour and production notes, each piece with a printed lettered proof of the artwork, approximately 22 x 17cm

677* Fraser (Claud Lovat, 1819-1921). The Hop Picker, watercolour with traces of pencil on artist’s board, depicting the full-length ﬁgure of a young peasant woman in a bonnet, holding the hem of her hop-ﬁlled apron aloft in her right hand, and with a large basket of hops in her left hand, in a sunlit landscape with fellow hop pickers in the background, sheet size 36 x 34cm (14.25 x 13.5ins), mounted (1)

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

£200 - £300

Original artwork for six titles published by Robert Hale: Have You Seen My Son So Smart? by Jack Olsen, 1983; Hit Them Where It Hurts, by James Hadley Chase, 1983; Georgina and Georgette, by Malcolm Hutton, 1983; The Chinese Girl, by Malcolm Hutton, 1985; Never Look Back, by Ridley Pearson, 1985; Bowie, by Gerard Mac, 1987. (12) £100 - £150

£400 - £600

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Lot 680

Lot 681

Lot 683

680* Holleyman (Sonia, b.1950). A large archive of original artwork, 400+ pieces of artwork, pen & ink, some with watercolour, on card (some with embossed stamp ‘Waterford Series’), some published by Orchard Books, comprising drawings, chapter headings, contents leaves, mock-ups (some with acetate overlay), vignettes, etc., for Mona the Vampire (including Hairy Hands, Tinned Poltergeist, The Big Brown Bap Monster, Jackpot Disaster), Beetle and Bug series (including Pharoah’s Tomb, Croak Castle, Go To Town), Don’t Be Silly Mrs. Nelly, and other storybooks, mostly drawings of children and anthropomorphic animals, e.g. dinosaurs, sea creatures, elephants, mice, caterpillars, most with pencilled marginalia, sheet size 63 x 46cm (25 x 18ins) and smaller, generally in very good condition British author and artist Sonia Holleyman is best known for her hugely popular character Mona the Vampire, a ten-year-old with a vivid imagination which leads her into a multitude of adventures. The ﬁrst book in the series was published in 1990, and in 1999 Holleyman created the animated television series, Mona the Vampire, which brought the stories to an even wider audience. She wrote and illustrated a number of other books for children, notably the Beetle and Bug series. Her work is characterised by vivid and outlandish cartoon ﬁgures and animals, which have an energy of movement, easily lending themselves to animation. (400+) £500 - £800

682* Knowles (Horace J., 1884-1954). Elﬁn Antics, pen, ink and watercolour, depicting two elves beside a rustic stall of cooking utensils, one elf with a pan stuck on his head and the other straining to pull it off, signed in left of image, 19 x 22.5cm (7.5 x 9ins), mounted, framed and glazed

681* Holt (George M., 1904-1988). The Kiss, 1933, watercolour, depicting a pair of small chubby children kissing, the boy in pale blue romper suit, clutching a teddy bear in his left arm, and with his right arm embracing a blonde girl in pink dress and white pinafore, dated in pencil and signed lower left, lightly spotted, 32.5 x 25cm (12.75 x 10ins), mounted, framed and glazed, with title and artist’s name in pencil on backboard (1)

Author and illustrator Horace Knowles’s best-known work is Peeps into Fairyland, published in 1924. As well as illustrating his own books he produced drawings for works by other authors such as Enid Blyton, as well as collaborating with his brother Reginald L. Knowles. Original artwork by Knowles rarely comes onto the market. (1) £150 - £200

£80 - £120

683* May Phil, (1864-1903). “Why don’t yer love me ‘Arriet?”, 1900, pen and black ink on card, signed and dated, with fore line pencil title inscription below (the ﬁrst line erased, but repeated in ink in full to card mount), sheet size 60.5 x 24cm (12 x 9.5ins), together with Tenniel John (1820 - 1914), Suspense, 1871. (17)

191

£300 - £400

Lot 684

Lot 685

Lot 686

684* Style of Donald McGill (1875-1962). A collection of 12 original humorous cartoons, pen, ink, watercolour, and gouache, each depicting a scene of a risqué nature, 6 seaside scenes, e.g. a large lady on a runaway donkey, a nude couple in bushes overlooking a beach with large sign ‘Nudist Camp Private’ (entitled in pencil to upper margin above image ‘full board everything in and- no dressing for dinner’), a photographer taking a picture of a female nude in diaphanous drapery holding a vase aloft, a small man pushing a large lady up the steps of a bathing machine, etc., pin holes visible to blank margins, approximately 32 x 20cm (12.5 x 8ins), matching mounts and frames Provenance: According to information supplied by the vendor these were previously in the collection of Michael Winner. (12) £300 - £500

685* McGill, Donald Fraser Gould (1875-1962). “I haven’t got much to crow about, but, dammit, here goes!”, watercolour and gouache on board, showing a cockerel crowing, signed lower left, a little dusty with a couple of minor marks, sheet size 23.7 x 17.6cm (9.25 x 7ins), mounted with nine related McGill postcards, framed and glazed, together with the postcard for which the original artwork was executed (2)

£100 - £150

686 Millais (John Everett). A bound collection of 63 woodengravings after drawings by various artists, circa 1890s, all untitled, some old pencil captions to plate versos, a little spotting to a few early plates, bound without letterpress or title, top edge gilt, contemporary green half morocco gilt, spine gilt-titled ‘Wood Engravings by Sir John Millais’, slightly rubbed, 4to (28 x 22cm) (1)

687* Original Artwork. A collection of illustrations, 20th century, 24 original illustrations, various media, but mostly watercolours, including some storyboards and title-pages etc., e.g. eight of anthropomorphic animals by Arthur Groom, nine by Valerie Littlewood (plus copies of ‘Only the Best’ and ‘Aesop in Fableland’, both illustrated and signed by her), an illustration by Harry Woolley, and three by Gilbert Dunlop, 31 x 40cm (12.25 x 15.75ins) and smaller

£200 - £300

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Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

192

£100 - £150

689* Parsons (Jacynth, 1911-1992). Helpers in the garden, 1931, pen, ink, and watercolour, showing a young girl wearing an apron and wellingtons planting ﬂowers in a herbaceous border under a blossom tree in a walled garden, a trug on the path beside her, with a small boy in an embroidered smock holding a terracotta plant pot, and an older boy holding a spade and proferring a trowel, monogrammed and dated lower right, inscribed by the artist lower left ‘Ted - With love from Jacynth. July. 1934.’, 21 x 23cm (8.25 x 9ins), mounted, framed and glazed Jacynth Parsons was the daughter of stained glass designer and maker Karl Parsons, from whom she would have absorbed the visual language of the late Pre-Raphaelites. She received no formal art training, but showed early talent. In 1927 the Medici Society in London mounted an exhibition of her “pictures from the age of 3 to 16” which met with considerable success. She is known chieﬂy for her book illustrations, producing drawings for Gladys Forbes’s The Enchanted Forest, among other publications. (1) £100 - £150

688* Original artwork. A collection of illustrations, mostly for books and book covers, early 20th century, fifteen original drawings, various media (watercolour, gouache, pencil, grisaille watercolour), including: a pencil and monochrome watercolour drawing on card by Warwick Goble, of native American Indians in canoes attacking a square-rigged sailing vessel, short closed tear in right-hand edge, upper right corner broken off, signed lower left (corner worn with slight loss to first letter of signature), sheet size 37 x 24cm (14.5 x 9.5ins); a pencil sketch of a recumbent man with a pipe in his outstretched left hand, dated lower right ‘Oct 30’, toned and a little spotted, sheet size 17.5 x 25cm (7 x 10ins), mounted, old typed label on verso of mount ‘H.G. Wells at Sandgate probably 1896. Pencil sketch by Alfred Hartley’; two monochrome watercolours on artist’s board for The Wide World Magazine by Stanley L. Wood, one a Wild West interior scene, showing an elderly man in bed, a revolver in his hand and a dog lying dead on the floor, with a younger man standing beside, signed and dated ‘98’ lower left, title label on verso ‘The Tale the Doctor Told’, sheet size 25 x 16.5cm (9.75 x 6.5ins), the other of a bearded workman striding out with a bottle in one hand and using his other hand to punch the air with his fist, with a troop of men following behind, signed and dated ‘1904’ lower right, title label on verso ‘The Majesty of the Law’, sheet size 26 x 18.5cm (10.25 x 7.25ins); and eight cover illustrations for books published by Digby Long, three initialled ‘A.P.’, two initialled ‘J.H.’, various sizes and condition (15)

690* Rackham (Arthur, 1867-1939). Sketch for Dance of Spring, circa 1919, red chalk on paper, depicting a semi-naked young girl, wearing a diaphanous skirt, dancing with arms held aloft, surrounded by cavorting fairy folk, signed lower right, spotted, lefthand margin with perforated edge where once joined to a sketchbook, sheet size 18 x 16.5cm (7 x 6.5ins), tipped onto card, with two mounted slips of paper below, one inscribed by Arthur Rackham with information pertaining to the drawing, and the other with his signature Inscribed by Arthur Rackham: ‘The drawing is a ﬁrst sketch for a watercolour that was reproduced in USA in “Snickerty Nick” - a book by Mrs. Ford Moffat Yard Ho. N.Y. 1919. I doubt whether the book is obtainable now. I think it is rather a good drawing:’ Snickerty Nick by Julia Ellsworth Ford contains three colour illustrations by Arthur Rackham, ‘Dance of Spring’ being the frontispiece. (1) £600 - £800

£200 - £300

193

693* Sleigh (Bernard, 1872-1954). Piers Plowman, 1904, woodengraving on wove paper, some spotting throughout, signed by the artist in ink to lower margin, image size 20 x 37cm (1)

£100 - £150

691* Ryan (John, 1921-2009). Captain Pugwash and Cut-Throat Jake, an original pencil sketch on paper, with a touch of colour pencil, depicting Captain Pugwash with Cut-Throat Jake lurking behind his shoulder, signed at bottom, sheet size 29.7 x 21cm (11.75 x 8.25ins) (1)

£70 - £100

694* Sowerby (Millicent, 1878-1967). Six original illustrations for The Wise Book, by Githa Sowerby, published in 1906, 6 pen, ink & watercolour illustrations on card, each depicting children and with a proverb in black ink to lower margin below image, some light marginal spotting, each approximately 11.5 x 9cm (4.5 x 3.5ins), mounted together in two sets of three, and each set loosely inserted into additional later three-aperture gold mount Six of the twelve colour illustrations executed by Millicent Sowerby for The Wise Book, a collaboration with her sister, Githa, who wrote the accompanying verse, published by J.M. Dent in 1906. (2) £500 - £800

692* Searle (Ronald, 1920-2011). Heroes of our Time, Punch, 1956 - 1957, the complete set of twelve colour photolithographs, slight creasing, each approximately 420 x 240mm, framed and glazed Produced by Searle in the mid 1950’s as centrefold illustrations for Punch, the portraits mimic the cartoons by Spy and Ape ﬁrst published in Vanity Fair in the late Victorian and Edwardian era. The subjects are: Sir Malcolm Sargent, Gilbert Harding, Lord Goddard, Aneurin Bevin, T.S. Eliot, Lord Beaverbrook, Princess Margaret, The Dean of Canterbury Hewlett Johnson, Laurence Olivier and Vivien Leigh, Marquess of Salisbury, Bryan Robertson and Bertrand Russell. (12) £100 - £150

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

194

695* Stanton (Charles Rebel, 1890-1954). Haunted Bridge, 1927, watercolour on board, depicting a night time scene, with a young lady in white dress and pink cloche hat, walking warily over the trunk of a fallen tree, with numerous fairies in the air around her, signed lower left, verso with pencilled title, date ‘April 6th 1927’, and printer’s instructions, sheet size 59 x 46.5cm (23.25 x 18.25ins), mounted (1)

£200 - £400

696* Thomson (Hugh, 1860-1920). Two original drawings, 1900 & 1902, both pen & ink on wove paper, the ﬁrst of a young man with a cane raised ready to strike a boy struggling to get away, the second titled ‘Lazy Lawrence’ of a yawning man lying by a pond with an onlooking younger boy, both signed and titled to lower margin and the latter titled beneath, 30 x 21cm and similar, both framed and glazed (2)

£150 - £200

Lot 695

697* Tilney (Frederick Colin, 1870-1951). Venus and Tannhauser, 1907, watercolour on card, depicting a semi-clad female with ﬂowing locks reclining on a bed with crimson draperies and cherubs above, reaching out to a young man who sits beside with head on hand, against a river landscape of cavorting nude ﬁgures, black ink border incorporating inset musical notation to lower margin, signed and dated lower right, some marginal spotting, image size 32 x 22cm (12.5 x 8.5ins), mounted (1)

Lot 696

195

£100 - £150

699* Watercolour drawings. A set of seven drawings of ladies, circa 1840s, pencil and watercolour on wove paper, each drawing depicting a different young lady, in various attitude and dress, two with one vertical fold, sheet size approximately 11 x 9cm (4.5 x 4ins), each loosely contained in a sheet of folded laid paper annotated with caption in contemporary manuscript, e.g.: “I’m sending you my picture, but If you don’t like it I’m sure I don’t care” and “If you would like to see my face ask very prettily, and see what will come of it”, housed together in an old worn envelope titled in pencil on front in a contemporary hand “Horrors!”, together with 25 miniature landscape watercolours on card, mid 19th century, each scene within ink border, including some of Wales and Ireland, most annotated on verso in contemporary manuscript with initials ‘E.D.’ and many titled, e.g.: ‘Ballynahinch Castle, Connemara’; ‘From Rhianva Anglesea’; ‘Lyn Idwal N. Wales’; ‘At Moone Abbey, Co. Kildare’; ‘Sandcliff, near Bournemouth’; ‘In Powderham Park’; ‘Manai Strait’; ‘Kylemore Lake Connemara’; ‘Stonehenge’; ‘Mumbles Lighthouse’, two mounted on card, some light marginal spotting, sheet size approximately 6.5 x 4.5cm (2.5 x 1.75ins) From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. (32) £150 - £200

698* Wain (Louis, 1860-1839). “The Japanese Village, Knightsbridge”, 1885, a pair of large pen & ink drawings on artist’s board, each with a variety of captioned oriental scenes, e.g. ‘A Fan Shop’, ‘Fencing’, ‘Umbrella Maker’, ‘In the Temple’, ‘The Theatre’, ‘An Artist’, one titled to lower margin ‘Japanese Village’ and signed lower left, occasional very light toning and spots, each with a number of unobtrusive pin holes, verso of each with pencilled title, printer’s instructions, and date of issue (2nd and 17th January 1885 respectively), each 46.5 x 33.5cm (18.25 x 13.25ins), matching mounts

700* Willson (Richard, 1939-2011). A collection of 22 pen & ink cartoons, on paper, depicting various (mainly political) ﬁgures, including Eisenhower, Moshe Dayan, George Pompidou, Stanley Baldwin, Rudolph Hess, Anatoly Kuznetsov, and others, all signed (mostly lower right), 13 named on verso, several dated on verso (1969 or 1970), some with ink measurements or numbers on recto, creases to some lower margins, one with central crease, one with stain to lower centre, matching frames, glazed, various sizes, sheet size 32.5 x 29cm (12.75 x 11.5ins) and smaller

‘The Japanese Village in Knightsbridge’ was an exhibition held at Humphrey’s Hall aimed at showing Japanese life and culture by placing skilled Japanese men and women attired in national costume in a setting built to resemble a traditional Japanese village. The mania for all things oriental which had begun in the middle of the century was reaching a peak by the 1880s, and the exhibition was visited by over a million visitors by the time it closed in June 1887, having run for 18 months. Louis Wain was commissioned, over a period of four years, to do various illustrative work for The Illustrated Sporting and Dramatic News, a high class weekly journal featuring sports, arts, literature, music and drama. These two drawings for the paper, showing scenes from the aforementioned exhibition, were executed early in the artist’s career, before he had published any drawings of the large-eyed cats and dogs for which he is famed. Indeed, it wasn’t until the following year, in 1886, that Wain’s ﬁrst drawings of cats engaged in human pursuits appeared, ﬁrstly in a children’s book entitled Madame Tabby’s Establishment and then in an 11-panel narrative titled ‘A Kittens’ Christmas Party’, published in the Christmas issue of the Illustrated London News. Even then, the felines are depicted on all fours, unclothed, and without the variety of human-like expression that would characterize Wain’s later work. It is interesting to note that in one of the early works offered here the artist couldn’t resist the inclusion of a group of distinctly anthropomorphic frogs, two apparently dancing and wearing grass skirts. (2) £400 - £600

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£300 - £500

701* Wysard (Tony, 1907-1984). ‘Wanted! - A new Aesop to tell us the story of the Guinea Fowl and the Old Bore - and how the product of their curious marriage hatched out!’, 1939, pencil, ink and crayon cartoon on paper, signed and dated, 24.5 x 20cm (9.5 x 8ins) Satirical cartoon by cartoonist and illustrator Tony Wysard, depicting Neville Chamberlain and Adolph Hitler in the aftermath of the Munich Agreement, signed in September 1938. (1) £100 - £150

Lot 699

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196

MORRIS COX (1903-1998)

Lot 702 702 Cox (Morris). March Demon, A Collage Novel, author’s original ‘manuscript’ copy, London, 1938, [12], 232 leaves, the titlepage and text a collage cut up from ten 19th-century works, the composite text pasted centrally to recto of each hand-numbered leaf, occasional use of whitener, versos blank, original canvascovered boards with two screwed spine pegs, the two covers hand-coloured by Cox in a magic square design, small typed label to upper cover, 4to (26 x 20cm) Provenance: Alan Tucker, from the author. From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. A typed note on the leaf following the title-page explains: ‘This collage is altogether made up of the following short and (most likely) forgotten works’. The following eight leaves have the title-pages of the eight works from which Cox composed this work: 1) The Maiden Monarch; Or, Island Queen, vol. 1, R. Hastings, 1840; 2) The Tell-Tale: An Original Collection of Moral and Amusing Stories, Harris and Son, 1823; 3) Louisa Featherington, and Other Tales, Religious Tract Society, [1866]; 4) The Child’s Guide to Knowledge; Being a Collection of Useful and Familiar Questions and Answers on Every-Day Subjects..., by a Lady, 48th edition, Simpkin, Marshall, & Co., 1874 5) The Girls’ Reading-Book or Chapters on Home Work and Duties by Mrs Henry Sandford, W. & R. Chambers, 1877; 6) A Guide to the Knowledge of Life, Vegetable and Animal..., by Robert James Mann, 3rd edition, Jarrold & Sons, circa 1860s; 7) The World’s Birthday. A Book for the Young by Professor L. Gaussen, T. Nelson, 1865; 8) Model Lessons for Infant School Teachers and Nursery Governesses, Prepared for the Home and Colonial Infant School Society, by the Author of ‘Lessons on Objects’, R.B. Seeley and W. Burnside, 1838. According to Alan Tucker all the books were bought for a few pence on Faringdon Road or at chapel fetes. ‘Note the seventh title devoted to the Sabbath, the 8th to objects. Why eight books? Maybe an arbitrary number, though the ﬁrst title is out of character with the rest, and probably indicates Victoria, eight letters to her name, still a maiden in Vol. 1. Solomon of course was born (and buried) on a Monday. On the last page the hero gets married and imagines he’s arrived in heaven.’ Cox’s inspiration for collage came from Kurt Schwitters and Max Ernst and was submitted to Faber who rejected it ‘just as they were about to publish (with some misgivings) Finnegans Wake. Cox used to say Faber turned him down from a natural reaction to [James] Joyce: Enough already. They have taken one chance and were not in the mood to promote another uncommercial book, particularly from a totally unknown writer’ (Alan Tucker, ‘Finnegans Wake and March Demon: A collage text by Morris Cox’, ﬂashpointmag.com, 28 July 2009. Cox gave this book to Alan Tucker and later borrowed it back to issue in his Gogmagog Photocopy Library (1984), Franklin 46. (1) £700 - £1,000

703 Cox (Morris). The Whirligig and other Poems, 1st edition, 1954, original cloth, dust jacket designed by the author, small chips at spine ends, 8vo, together with Selected Early Poems [the Whirligig], [1970], double page embossed offset colour print, original boards, spine faded, 8vo, limited signed edition 2/35, with a prospectus, two typescript letters (one a carbon copy) from Routledge & Kegan Paul to Morris Cox regarding the sales of the trade edition of 1954 and a pencil sketch by Morris Cox From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. Chambers, Franklin & Tucker d. Presentation copy, inscribed ‘Ing Stefferson, with the author’s best wishes, May 1954’. The second work was reissued in 1970 using the original sheets in an edition of 35 copies, not for sale. (2) £150 - £200

197

704 Cox (Morris). Yule Gammon, published and printed by the author, January 1957, elimination linocut frontispiece, two linocut illustrations, slight rippling, purple patterned endpapers, original cloth, paper label to spine, dust jacket (small tear and nicks at spine ends), 8vo, limited signed edition 4/20

706 Cox (Morris). 9 Poems from Nature, Gogmagog Press, 1959, 9 colour elimination linocuts, folding typescript (original version?) of Thundercomer (poem 2 in the book) loosely inserted, occasional light spotting, original cloth, acetate wrapper, 8vo, limited signed edition 34/35

From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. Chambers, Franklin & Tucker 1. With a folding 1 page autograph letter, dated 1977 from artist Rigby Graham to his friend and bibliographer Alan Tucker, enclosing the present copy, ‘a strange little book, but I delighted to have found it since you hadn’t got a copy...’ (1) £400 - £600

From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. Chambers, Franklin & Tucker 4, ‘Perhaps his masterpiece, in the balance of poem and illustration, not really visual but as a poet and artist.’ (1) £200 - £300

707 Cox (Morris). War in a Cock’s Egg, Gogmagog Press, 1960, four double page reverse/direct offset plates, original cloth, acetate wrapper, 8vo, limited signed edition 11/50 From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. Chambers, Franklin & Tucker 6. With a folding typescript letter from Morris Cox to Alan Tucker, dated 1963 regarding the book, plus two unrelated loose proof illustrations (one folding with notes to verso). (1) £150 - £200

705 Cox (Morris). The Slumbering Virgin. A Serio-Comic version of an old tale, Gogmagog Press, 1958, 10 elimination linocuts, a few minor spots, original wrappers, 8vo, limited signed edition of 45 copies From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. Chambers, Franklin & Tucker, 2. Proof copy, with additional loose linocut for number 2, with autograph poem to verso titled ‘Kaiser Bill’s Descent in Hell’, original colour drawing for linocut number 5, ﬁnal text leaf in typescript with corrections, plus a folding typed letter from Morris Cox to Alan Tucker, dated May 1964 enclosing the present proof copy amongst other items. (1) £300 - £400

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198

Lot 708

Lot 710

708 Cox (Morris). Conversation Pieces. Humorous situations revealed in fragments of Dialogue, Gogmagog Press, 1962, 15 monochrome reverse/direct offset prints, a few minor spots to fore margins, original cloth, acetate wrapper, 8vo, limited signed edition 26/50

Lot 711

711 Cox (Morris). An Abstract of Nature, Gogmagog Press, 1968, double-page title, 33 direct prints from gesso, loose prospectus, original striped cloth, acetate wrapper, tall 8vo, limited edition of 26, this copy one of two unnumbered and unsigned out of series copies From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. Chambers, Franklin & Tucker 20. ‘This is a notable modern exploration of nature-printing. Each block was made by pressing thin plastic against gesso which had been run on to a ﬂexible linoleum base, and then pulling it away in such a fashion as to produce leaf-like patterns.’ (1) £400 - £600

From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. Chambers, Franklin & Tucker 8. With a receipt and note from Morris Cox to Alan Tucker, 1963 relating to the payment of the book. (1) £100 - £150

709 Cox (Morris). A Mediaeval Dream Book, printed from the original Latin with an English translation, Gogmagog Press, 1963, offsett linocut title, ﬂeuron border decorations to text by Roderick Cave, colour monotype endpapers, prospectus loosely inserted, original patterned boards (slight toning to extremities), acetate wrapper, tall 8vo, limited edition 26/100 From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. Chambers, Franklin & Tucker 9. With two signed typed letters from Morris Cox to bookseller and biographer Alan Tucker, both dated June 1963, enclosing the book and discussing at length the printing processes involved. (1) £100 - £150

710 Cox (Morris). Mummers’ Fool, Gogmagog Press, 1965, handcoloured offset frontispiece, 6 double-page reverse/direct offset plates, original paper-covered boards with mounted moon and dried grasses, a little light spotting, acetate wrapper, 8vo, limited signed edition 14/60

712 Cox (Morris). Forty-Five Untitled Poems, Gogmagog Press, 1969, 6 double page colour embossed reverse/direct offset prints, original boards, acetate wrapper, 8vo, limited signed edition 2/50 From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. Chambers, Franklin & Tucker 21. (1) £150 - £200

From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. Chambers, Franklin & Tucker 13. ‘The binding is perhaps his masterpiece in this kind.’ (1) £200 - £300

199

715 Cox (Morris). From a London Suburb. Poems, Gogmagog Press, 1975, reverse/offset print from lace title, 4 colour reverse/direct double page prints, original green silk, acetate wrapper, 8vo, limited signed edition 6/24, printed for private distribution

713 Cox (Morris). Poems 1970-1971, Gogmagog Press, 1972, 8 colour reverse/direct offset plates, original decorative boards, acetate wrapper, limited signed edition 26/50 From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. Chambers, Franklin & Tucker 22 (1) £150 - £200

From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. Chambers, Franklin & Tucker 25. ‘This is the most sad and disenchanted group of his poems...’ (1) £200 - £300

716 Cox (Morris). Young Legs Eleven, Gogmagog Press, 1976, 4 double page reverse/direct linocut plates, original blue and gold striped silk, acetate wrapper, tall 8vo, limited signed edition 4/25 From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. Chambers, Franklin & Tucker 27.Printed for friends, not for sale. (1) £200 - £300

714 Cox (Morris). Magogmagog. Being Random Examples of the Innumerable, Incredible Ideas & Guises of Gog, Ma, Gogma & Magog, Gogmagog Press, 1973, 9 reverse/offset linocuts printed in black on blue backgrounds, prospectus, all edges yellow, original vellum-backed pictorial boards, acetate wrapper (cut down), 4to, limited signed edition 4/75, together with a suite of 13 proof linocuts (including a few duplicates), for Magogmagog loosely contained in original wrapper with a short manuscript note from Morris Cox to Alan Tucker enclosing the work From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. Chambers, Franklin & Tucker 23. (2) £150 - £200

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

200

717 Cox (Morris). Intimidations of Mortality: Poems on Vicctorian Themes with Psychological Implications, Gogmagog Press, 1977, 4 reverse/direct offset linocuts, loose prospectus, original illustrated boards, acetate wrapper, 8vo, limited signed edition 14/90

719 Cox (Morris). Studio Book. 50 Original Colourprints, Gogmagog Press, 1980, 50 reverse/direct offset colour prints, original pictorial silk, slipcase (slightly rubbed at corners), tall 8vo, limited signed edition 4/35

From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. Chambers, Franklin & Tucker 29. (1) £100 - £150

From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. Chambers, Franklin & Tucker 33. (1) £600 - £800

718 Cox (Morris). Winter Trees. A Pictorial Study, Gogmagog Press, 1977, 8 double-page plates from a single block, on Japanese handmade paper, original striped pictorial cloth, silver label to spine and foot of upper cover, acetate wrapper, tall 8vo, limited edition 5/25, signed, titled and dated by the artist in pencil

720 Cox (Morris). Graphic Sheaf 10/84, Gogmagog Photocopy Library, 1984, 26 reproduction drawings, original boards, 4to, limited signed edition 3/6 From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. Chambers, Franklin & Tucker 44, ‘The vigorous ﬁgurative studies of people, cats, deer, are reproduced without loss in a strong visual book.’ (1) £300 - £400

From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. Chamber, Franklin & Tucker 28. With a loosely inserted typed signed note from Morris Cox to biographer Alan Tucker, dated April 1977 enclosing the above copy, ‘Last year’s Christmas present herewith!’ (1) £400 - £600

201

721 Cox (Morris). Night Drawings, Gogmagog Photocopy Library, 1984, 14 reproduction drawings, original blue-grey patterned boards, spine a little faded, 4to, limited edition of 5, this copy unsigned From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. Chambers, Franklin & Tucker 37, “These “blind” drawings were made in total darkness at about 3 a.m. on successive nights as recorded’, we are told in late October, 1980... their theme is a naked woman with a bird above on her head, her arm, or ﬂuttering away.” (1) £300 - £400

723 Cox (Morris). Dancer. Original ‘Blind’ Drawings 1968, Gogmagog Photocopy Library, 1986, 33 reproduction drawings, original patterned boards, 4to, limited signed edition of 4 copies From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. Chambers, Franklin & Tucker 60. (1) £300 - £400

724 Cox (Morris). In Line. 8 Collages, Gogmagog Photocopy Library, 1987, 8 reproduction monochrome plates, each numbered, titled and signed by the artist to lower margin, original patterned boards, 4to, limited edition 4/10 From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. Chambers, Franklin & Tucker 64, ‘A series of big collages on ﬁne Japanese paper, with such punning titles as ‘Hole-Hogs’, ‘Fish-Figment’, ‘Sweetness & Flight’... the delicate title page was composed of lace. In this book and the last, and Graphic Yardarm, his art in photocopying (the phrase sounds absurd but is not) scaled the heights.’ (1) £300 - £400

722 Cox (Morris). Original ‘Blind’ Drawings 1978/1980, Gogmagog Photocopy Library, 1985, 217 reproduction drawings, original black and white patterned boards, 4to, limited edition of 5 copies, signed in pencil to colophon at end, with a small pen and pencil sketch with notes to verso loosely inserted From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. Chambers, Franklin & Tucker 55 (1) £300 - £400

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

202

THE LIBRARY OF EDUARD ROSENBAUM (1887-1979) Eduard Rosenbaum (1887-1979), economist and librarian, was born into a Jewish family in Hamburg and held various academic posts before his appointment in 1919 as syndic of the Hamburg chamber of commerce (Handelskammer) and director of its famous Commerzbibliothek. In the same year he was part of the German delegation at Versailles, and published an account of the negotiations shortly after (Der Vertrag von Versailles, 1921). He was removed from his position by the Nazi party in April 1933, and in 1934 emigrated to England with the assistance John Maynard Keynes, whom he had met at Versailles, and whose papers he had helped publish through the Hamburg economics journal Wirtschaftsdienst. In 1935 he became the ﬁrst holder of the newly created position of acquisitions librarian at the London School of Economics, where he remained until his retirement in 1952. His internment on the Isle of Man in 1940 provided an introduction to Italian economist Piero Sraffa; after the war he helped Sraffa compile the Royal Economic Society’s edition of the works of David Ricardo (1951) and himself wrote a history of the Hamburg merchant bank M. M. Warburg & Co. (1976). The library of Eduard Rosenbaum comes to the market direct from the family, and the sale coincides with a recent exhibition at the Hamburg Handelskammer to commemorate the centenary of his appointment (July-October 2019), and a special lecture at the London School of Economics (October 2019). His remarkable collection provides an engrossing snapshot of the cultural milieu of interwar Germany that the Nazi party set out to destroy.

725 Behne (Adolf). Hollandische Baukunst in der Gegenwart, Berlin, Verlag Ernst Wasmuth, [1922], [iv] + 32 pages, monochrome illustrations afer Berlage, J.J.P. Oud, Margarete Kropholler, Kromhout, Van Doesburg and others, inscribed in ink to title by Eduard Rosenbaum ‘R. 1922’, original printed wrappers, with pictorial design to upper cover, slim 4to, together with Berlage (H.P.). Grundlagen & Entwicklung der Architektur, Vier vortrage gehalten im Kunstgewerbemuseum zu Zurich, 1st edition, Berlin, Julius Bard, 1908, [iv], 120, [1] pages, monochrome illustrations, original light brown cloth, one or two minor marks, 8vo, plus other modern architecture interest, including Paul Frankl, Die Entwicklungsphasen der Neueren Baukunst, Berlin, 1914, original cloth backed boards, 8vo, Friedrich Paulsen, Ideen wettbewerb Hochhaus Bahnhof Friedrichstrasse (Stadtbaukunst Alter und Neuer Zeit, Zweites Sonderheft), Berlin, Der Zirkel, 1922, original printed wrappers, some wear, with spine restrengthened with clear adhesive tape, slim 4to, Erich Mendelsohn, Bauten und Skizzen (Wasmuths Monatshefte fur Baukunst, Jahrgang 1924, Heft 1-2), original printed wrappers, some minor marks, slim 4to, another issue of Wasmuths Monatshefte fur Baukunst, Jahrgang VII Heft 12, [1922], and Alfons Leitl, editor, Baukunst und Werkform, Erstes Heft, Ein Querschnitt, Heidelberg, 1947 (7)

£100 - £150

726 Cranach Press. Aus dem alten Europen Menschen und Städte, von Helen Nostitz, Hamburg: Cranach Press, 1924, original half vellum, sides rubbed and marked, 8vo, number 73 of 150 copies, together with: Werkstatt Lerchenfeld, Gilgamesch, contents browned, original vellum, folio, number 20 of 300 of copies, Strauss (Ludwig), Das Ufer, Berlin: Gotthard Laske bei Otto v. Holten, 1922, book design by E. R. Weiss, original boards, large 4to, number 125 of 300 copies, Ofﬁcina Serpentis, Tres epistolae Platonis, Berlin: Ofﬁcina Serpentis, 1926, original boards, sunned, folio, one of 340 copies, and 26 similar works, German private press and limited editions

Lot 725

(30)

203

£300 - £400

728 Einhorn Presse. Herrschaft und Dienst von Friedrich Wolters, Opus I der Einhorn-Presse, Berlin, 1909, colophon printed in red at front of volume, double-page decorative title, 3 large pictorial woodcut initials, and 60 small woodcut initials to text, designed by Melchior Lechter, untrimmed, marbled endpapers, original publisher’s full vellum, with design in gilt to upper cover incorporating a unicorn’s head within a triangle and circle with the letters EHP, title lettered in gilt to spine, some light marks and minor discolouration to edges (generally a very good copy), folio, together with Melchior Lechter, Tagebuch der Indischen Reise, Opus II der Einhorn-Presse, Berlin, 1912, elaborate oriental-style border decorations throughout, double-page title and colophon printed in green and black, all edges gilt, turquoise-green full morocco with inset dark blue roundel to upper cover decorated in gilt, and spine label lettered in gilt, rubbed and scuffed with some fading and consequent discolouration to edges, spine faded to brown and scuffed, folio Raub A81, A97; Landmann 304, 377. First work: Limited edition 44/500. Second work: Limited edition 173/333, numbered and signed with monogram by Melchior Lechter. Herrschaft und Dienst ('Rule and Service'), the ﬁrst publication of the Einhorn Presse, is an essay on the poetry and philosophy of Stefan George, written by one of the key members of the George Circle, Friedrich Wolters (1876-1930). Tagebuch der Indischen Reise is a diary of a journey to India undertaken by Melchior Lechter in 1910 with Karl Wolfskehl to India, Madras and Ceylon. (2) £300 - £500

727 Doves Press. Sartor Resartus: the Life & Opinions of Herr Teufelsdroeckh by Thomas Carlyle, Hammersmith: The Doves Press, 1997, shoulder-notes, headings and initials printed in red, original limp vellum, cloth slipcase, 4to Tidcombe DP13. One of 300 copies on paper. (1)

£200 - £300

729 Ernst Ludwig Presse. Walther von der Vogelweide, Gedichte, Darmstadt: Ernest Ludwig Presse, 1926, top edge gilt, remainder untrimmed, original limp vellum, spine lettered in gilt and with gilt monogram of the press to the upper cover, some light surface marks and minor soiling, 4to Limited edition of 250 copies, this copy numbered 143. Sturz 63; Sarkowski 1873. (1)

Lot 728 Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

204

£300 - £500

730 Felixmüller (Conrad). ABC. Ein geschütteltes geknütteltes Alphabet in Bildern mit Versen von Londa und Conrad Felixmuller, Dresden: F. Emil Boden for the artist, 1925, 16 full-page hand-coloured woodcut illustrations, original wrappers, stitched as issued, with title design to upper cover printed in red and blue, slightly rubbed to edges, and some minor marks and light spots, oblong folio (26 x 34cm) Jentsch 154; Rifkind 617; Söhn 348-363. One of perhaps 10 copies hand-coloured by the artist, from the total edition of 350, comprising 100 copies on Bütten paper, numbered and signed by the artist, and bound in cloth, and 250 copies on Ingres paper and bound in wrappers. This copy is from the Ingres issue, and is inscribed by the artist ‘Eigenhandig coloriert C. Felixmüller’ on the title-page, though the few other hand-coloured copies traced have all been on Bütten. Eduard Rosenbaum was a close friend of Felixmüller, and his son was born in 1925, the year in which the ABC was published; Felixmüller later painted a portrait of Rosenbaum's son and daughter. Created for his sons Luca and Titus and the children of his friends, and printed by master printer Zielinski in December 1925 under the supervision of the artist, Felixmüller’s glowingly hand-coloured picture book is one of the most signiﬁcant artist’s books of German Expressionism. Partly as a result of the straightened circumstances brought on by the catastrophic economic decline in Germany in the 1920’s, Felixmüller took overall control of all aspects of the production of this book, thereby keeping costs to a minimum, but at the same time enhancing signiﬁcantly the quality and harmony of all aspects of production. (1) £3,000 - £5,000

205

Lot 732

Lot 733

Lot 734 732 George (Stefan). Pilgerfahrten, 1st edition, Vienna: printed for the author by Vaillant-Carmanne in Liege, 1891, [2] 44 [2] pp. (the ﬁrst and last leaves blank), a few faint spots to contents, effaced ink-stamp to foot of front free endpaper, original card wrappers, with the printed glassine dust jacket folded over wrapper-edges as issued, loss to spine, closed tear to front wrapper, repaired with deliberate adhesion of jacket, 4to Landmann 6. One of 100 copies only. The author’s second book of original verse, and his third book overall, following Hymnen (1890) and Charles Baudelaire’s Blumen des Bösen (1891). (1) £700 - £1,000

733 George (Stefan). Die Bücher der Hirten- und Preisgedichte, der Sagen und Sänge, und Hängenden Gärten, 1st edition, Berlin: Blätter für die Kunst, 1895, 110 pp., faint spotting, original front wrapper bound in (somewhat stained), edges untrimmed, nearcontemporary green japon, gilt title to front cover, yapp edges, spine rubbed, 4to (21.6 x 16.5cm) Landmann 58. One of 200 copies. The author’s ﬁfth book. (1)

734 George (Stefan). Das Jahr der Seele, 1st edition, Berlin: Blaetter fuer die Kunst, 1897, [52] pp. comprising initial blank, titlepage designed by Melchior Lechter printed in red and black, and [48] pp. text typographically arranged by Lechter after George’s manuscript, headings and initials printed in red and blue, toning, a few faint spots, faint tide-mark to fore margin of last 2 leaves, ﬁnal page (with colophon) browned, original wrappers bound in (short closed tear to rear wrapper), edges untrimmed, nearcontemporary green vellum, front cover lettered in gilt, covers sprung, 4to (18.7 x 14.5cm)

731 Felixmüller (Conrad). Das Maler-Leben, 16 Originallithographien mit Pinsel und feder von Conrad Felixmüller, Dresden: Rau und Sohn for the artist, 1927, 16 full-page lithographs, including title and colophon, printed by the master printer May at Rau und Sohn in November 1927, contemporary plain green cloth, slightly rubbed, with some overall spotting and discolouration to covers, folio (34.8 x 24.5cm) Söhn 386; Lindenau-Museum 565-580. Limited edition of 160 copies, the ﬁrst 30 copies with every lithograph signed. This copy is numbered 26, but the prints are unsigned. The colophon however is signed by the artist and inscribed in blue ink to Eduard Rosenbaum ‘Herrn und frau Dr. Ed. Rosenbaum herzlich und dankbar 25.6.1930, C Felixmüller’. Dedicated to his friend the poet Carl Sternheim, Felixmüller’s Maler-Leben tells the autobiographical story of the artist’s life in vivid, childlike images, from the boy sketching from his window, to painting the nude and selling works to a dealer. (1) £700 - £1,000

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

£300 - £500

Landmann 82. One of 200 copies (there were also three copies on van Gelder paper, and three on japon). The author’s sixth book. (1) £300 - £500

206

Lot 736

Lot 737 736 George (Stefan). Jean Paul, Ein Stundenbuch fuer seine verehrer (Deutsche Dichtung herausgegeben und eingeleitet von Stefan George und Karl Wolfskehl), 1st edition, Berlin, Blaetter fuer die Kunst, 1900, decorations and design by Melchior Lechter, printed in red, black and occasionally blue, untrimmed, original printed wrappers, with design to upper cover by Lechter printed in red and blue, lightly browned to spine, and very slight fraying to extreme head of spine (generally a very good copy), 8vo, limited edition of 403 copies, together with Goethe (Deutsche Dichtung herausgegeben und eingeleitet von Stefan George und Karl Wolfskehl), 1st edition, Berlin, Blaetter fuer die Kunst, 1901, decoration and design by Melchior Lechter, printed in red and black throughout, near-contemporary limp cloth (by Johannes Gerbers, Hamburg), with original upper wrapper, printed in gold, bound in at front, some fading to spine and outer edges, 8vo, limited edition of 303 copies, plus Das Jahrhunderts Goethes (Deutsche Dichtung herausgegeben und eingeleitet von Stefan George und Karl Wolfskehl), 1st edition, Berlin, Blaetter fuer die Kunst, 1902, decoration and design throughout by Melchior Lechter, printed in blue and black, top edge gilt, remainder untrimmed, near-contemporary limp vellum, spine lettered in gilt, in very good condition, 8vo, limited edition of 303 copies

735 George (Stefan). Der Teppich des Lebens und die Lieder von Traum und Tod mit einem vorspiel, Berlin: Blaetter fuer die Kunst, 1900, decorative title printed in red and black, text printed in red and black on pale green heavy wove paper throughout, with elaborate decorative borders and part-titles, all designed by Melchior Lechter, front blank inscribed ‘Stefan Georg MELCHIOR LECHTER’ in black ink, untrimmed, partly cracked on front inner hinge, original green cloth with bevelled edges, and pictorial upper cover printed in black, rubbed and lightly faded, a little fraying to rear joint and at foot of spine, large 4to (36 x 35.5cm) Provenance: ‘Bücherei Bildhauer O. Stichting’ (blindstamp to front endpaper). Landmann 117; Raub A30. First edition. One of 300 numbered copies, this copy numbered 37. George’s seventh book. (1) £400 - £600

Landmann 121, 140, 157. A complete set of the series Deutsche Dichtung, edited by Stefan George and Karl Wolfskehl. (3) £200 - £300

737 George (Stefan). Tage und Thaten: Aufzeichnungen und Skizzen von Stefan George, 1st edition, Berlin, Blatter fur die Kunst, 1903, text printed in red and black, untrimmed, original boards gilt, some spotting and minor soiling, large 8vo, printed in an edition of 300 copies, together with Der Siebente Ring, 1st edition, Berlin, Blatter fur die Kunst, 1907, design and decoration by Melchior Lechter, text printed in red and black, with frontispiece, decorative titles and borders throughout, top edge gilt, remainder roughtrimmed, original gilt-decorated purple cloth, worn on joints and faded to spine and lightly faded to upper edges, 8vo, printed in an edition of 500 copies, plus Shakespeare Sonnette, Umdichtung von Stefan George, 1st edition, Berlin, Georg Bondi, 1909, Dante, Gottliche Komodie ubertragungen von Stefan George, 1st edition, Berlin, Georg Bondi, 1912, & Stefan George: Der Stern des Bundes, 1st edition, Berlin, Georg Bondi, 1914, top edge gilt to each volume, original gilt-decorated straw yellow (ﬁrst volume) and cream cloth (second and third volumes), a few minor marks, 8vo, and others by Stefan George and his circle, including Dante, Stellen aus der Gottlichen Komodie, 1909 (Landmann 238), Der Krieg, 1917 (Landmann 331), Drei Gesaenge, 1921 (Landmann 381), Tage und Taten, zweite erweiterte ausgabe, 1925 (Landmann 485), Jahrbuch fur die Geistige Bewegung, 3 volumes bound in one, Berlin, Blatter fur die Kunst, 1910-12 (complete), each title signed by Eduard Rosenbaum, and dated 1911 or 1912, contemporary cloth, faded to spine, Blatter fur die Kunst, Folge 10-12, 1914 & 1919, contemporary quarter vellum by Larink of Hamburg, retaining upper wrapper to ﬁrst volume, and both wrappers to the second & third volume (a double issue), Verzeichnis der Erscheinungen der Blatter fur die Kunst, 1904, 3 volumes of Auslese from Blatter fur die Kunst, 1899, 1904 & 1909 respectively, etc., mostly bound in original cloth, a little rubbed, 8vo Landmann 167 (Tage und Thaten), 216 (Der Siebente Ring), 237 (Shakespeare), 282 (Dante), 285 (Der Stern des Bundes). (19) £300 - £400

207

Lot 738 738 George (Stefan). Gesamt-Ausgabe der Werke. Endgültige Fassung, 18 volumes in 15, 1st edition, deluxe issue, Berlin: Georg Bondi, 1928-34, 5 engraved portrait plates with tissue-guards, colour plate to volume 2, manuscript facsimile in text, top edges gilt, others untrimmed, original full parchment gilt, light dust-soiling in places, a bright set, 8vo Landmann 534. Number 28 of 80 sets, printed on japon and bound in full parchment gilt. There was also a trade issue, printed on paper and bound in blue cloth. (15) £1,000 - £1,500

739 George (Stefan). Maximin, Ein Gedenkbuch herausgegeben von Stefan George, Berlin: Blaetter fur die Kunst, 1907, book design by Melchior Lechter, with portrait frontispiece of Maximin (Maximilien Kronberger) after a photograph by Stefan George, decorative title-page printed in red and black, text printed in red and black, with elaborate decorative border deisgns by Lechter, all edges gilt, original full vellum decorated in gilt designed by Melchior Lechter, some minor handling marks and light soiling (generally a very good copy), folio (34.5 x 26.5cm) Provenance: Horst Kretschmann Winckelmann, with his circular printed bookplate to recto of limitation leaf before title. Landmann 209; Raub A 63. Number 164 of 200 copies. A lavish poetic tribute to the young Munich student, gymnast and budding poet Maximilian Kronberger (1888-1904), who died of meningitis a day after his sixteenth birthday. Kronberger joined the literary circle around Stefan George in 1902, and developed an intense homoerotic friendship with George, who idolised the youth and beauty of the young man. Following his death, George immortalised Maximin in this collection of poems by Kronberger himself, Stefan George, Friedrich Gundolf, Karl Wolfskehl, Lothar Treuge and Oskar Dietrich, and the ensuing myth of the doomed young poet became a central theme of the George Kreis or Circle. (1) £1,000 - £1,500

740 George-Kreis. Collection of books by and about the George Kreis, including: Gundolf (Friedrich), Goethe, 1st edition, Berlin: Georg Bondi, 1916, Eduard Rosenbaum’s initialled ownership inscription (‘R. 1917’) to front free endpaper, original cloth gilt, 8vo, Kommerell (Max), Der Dichter als Führer in der deutschen Klassik, 1st edition, Berlin: Georg Bondi, 1928, original cloth gilt, 8vo, Klages (Ludwig), Stefan George, 1st edition, Berlin: Georg Bondi, 1902, mounted lithographic portrait frontispiece, original wrappers bound in, contemporary boards, 8vo, and approximately 125 others

Lot 739

(approx. 125)

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

208

£150 - £250

742 Gide (André). Voyage au Congo, suivi du Retour du Chad, Paris: Gallimard, 1929, half-title with limitation statement verso, title-page in red and black with photographic vignette by Marc Allégret, 64 photographic plates by Allégret, 4 maps, colophon leaf, original wrappers and spine bound in, top edge gilt, others untrimmed, contemporary black half morocco, section of front joint abraded, large 4to (32.4 x 24.5cm) First collected edition, number 222 of 1500 copies on vélin d’Arches. (1) £200 - £300

741 Gide (André, 1869-1951). Isabelle. Récit, Paris: Nouvelle Revue Française, 1911, retaining colophon leaf dated 20 June 1911, inscribed by Gide on the half-title, original wrappers bound in, edges untrimmed, later limp black leather gilt, 16mo (17 x 11cm) First published edition, the second overall, one of 500 copies only, printed on vergé d’Arches with the Nouvelle Revue Française watermark. The book was originally published on 29 May but Gide was dissatisfied with various errors in printing and demanded that the edition be destroyed (see Cahiers André Gide, issue 18, 2003, p. 60n.). Provenance: Presentation copy, inscribed by the author ‘à Joseph Conrad, avec l’amical souvenir d’André Gide, juillet 11’ on the half-title. A major association. Gide’s frustration at reading an inept French translation of The Nigger of the Narcissus was his first spur to the dedicated study of English. He initiated a correspondence with Conrad in 1910 or 1911, and visited him twice at Capel House, Kent, in 1911 and 1912. He soon became director of the Gallimard Oeuvres complètes de Joseph Conrad, and himself produced the French translation of Typhoon, which appeared in 1918. Gide’s Voyage au Congo (1927) was dedicated to the memory of Conrad, and much has been written since on the relationship and mutual influence of these two giants of modernist fiction. See further Russell West, Conrad and Gide: Translation, Transference and Intertextuality, pp. 14-16 et seq. (1) £500 - £800

743 Gilchrist (Alexander). Life of William Blake, “Pictor Ignotus.” With Selections from his Poems and Other Writings, 2 volumes, 1st edition, London: Macmillan and Co., 1863, all plates as called for, occasional spotting, contemporary ownership inscriptions effaced from half-titles, original pictorial cloth gilt, spines faded and rolled, headcaps frayed, tips slightly bumped and worn, 8vo, together with: Nonesuch Press, Poetry and Prose of William Blake, edited by Geoffrey Keynes, complete in one volume, London: Nonesuch Press, 1927, original limp orange vellum, spine faded, 8vo, ibid., The Note-Book of William Blake called the Rossetti Manuscript. Edited by Geoffrey Keynes, London: Nonesuch Press, 1935, original blue cloth, spine faded, 4to, number 158 of 650 copies, ibid., The Life of William Blake by Mona Wilson, London: Nonesuch Press, 1927, 23 plates (of 24: lacking plate 17), top edge gilt, others untrimmed, original quarter vellum, folio, number 388 of 1480 copies, and 3 others, all on William Blake (8)

£150 - £200

744 Glaser (Curt). Edvard Munch, 3rd-5th thousand, Berlin, Bruno Cassirer, 1918, original etched self portrait frontispiece, a few light marks to title, monochrome illustrations, original yellow cloth-backed printed boards, rubbed and some marks particularly to upper cover, large 8vo, together with Sydow (Eckart von). Die deutsche expressionistische Kultur und Malerei, Berlin, Fursche-Verlag, 1920, monochrome plates, original pictorial wrappers printed in blue and white, large 8vo, plus Grautoff (Otto). Die Franzosische Malerei seit 1914, 1st edition, Berlin, Mauritius-Verlag, 1921, monochrome plates and illustrations, original morocco-backed boards gilt, a little rubbed and marked and lightly faded to spine, 8vo, and others on 20th century art, including Goethe, Faust, Der Tragodie Zweiter Teil, mit bildern von Max Beckmann, Hamburg, Maximilian-Gesellschaft, 1957 (with slipcase), Ernst Barlach, Ein Selbsterzahltes Leben, 1st edition, Berlin, Paul Cassirer, 1928, Julius Meier-Graefe, Auguste Renoir, Zweite Auﬂage, Munich, R. Piper, 1920, Eine Kunstlerin, Paula BeckerModersohn Briefe und Tagebuchelatter, 2.Auﬂage, Bremen, 1919, Julius Meier-Graefe, Courbet, Munich, R. Piper, 1921, E.T.A. Hoffmann, Der Sandmann, illustrated by Gunther Stiller, Hamburg, MaximilanGesellschaft, 1978, Giovanni Verga, Sizilianische Novellen, illustated by Ernst Morgenthaler, Zurich, 1954, and Freyhurr von Munchhusen, Die Land-Abenteuer, illustrated by Josef Hegenbarth, Hamburg, Maximilian-Gesellschaft, 1969, various sizes

Lot 742

(11)

209

£100 - £150

746 Jarry (Alfred, 1873-1907). Les Minutes de Sable Memorial, 1st edition, Paris: Edition du Mercure de France, 1894, 236 pages, woodcut head-piece to preface, 9 original woodcuts by the author printed in blue-green, brown and black, ﬁnal leaf with printer’s woodcut device, original dark green printed wrappers bound in at rear, woodcut bookplate of Ernest [Ernst] Goldschmidt (printed in yellow) to front pastedown, untrimmed, near-contemporary dark green cloth, spine lettered in gilt, very minimal minor wear to extreme foot of spine and lower outer corners (generally in very good condition), 12mo (139 x 115mm)

745 Gundolf (Friedrich). Zwiegespraeche, 1st edition, Berlin: Blaetter für die Kunst, 1905, inscribed ‘Herrn Professor Kurt Breysig [...] vom Verfasser’ on the initial blank, original wrappers bound in, contemporary half sheep, 4to, one of 300 copies, together with: Hofmannsthal (Hugo von), Ausgewaehlte Gedichte, 1st edition, Berlin: Blaetter fuer die Kunst, 1903, pictorial titlepage designed by Ludwig von Hofmann, edges untrimmed, original boards, 4to, one of 300 copies, ibid., Kleine Dramen, 2 volumes, 2nd edition, Leipzig: Insel-Verlag, 1907, original quarter vellum, 8vo, Kommerell (Max), Gespräche aus der Zeit der deutschen Wiedergeburt, Berlin: Blätter für die Kunst, 1929, original wrappers bound in, contemporary full vellum, folio, number 69 of 300 copies, and approximately 30 others, all German literature (36)

Printed in an edition of 216 copies: 197 on Arches paper, and 19 on green, red or yellow Ingres paper. Provenance: Ernest [Ernst] Philip Goldschmidt (1887-1954), legendary antiquarian bookseller specialising in medieval manuscripts, incunabula and sixteenth century printed books, based at 45 Old Bond Street. With a letter from E. P. Goldschmidt to Eduard Rosenbaum dated June 15, 1944, presenting this volume as a gift ‘which however I hope you will accept en homage devoué et reconnaissant. You will at least gather from it that this great man was quite mad. Also, as I gather from re-reading the Preface, that he could explain what Joyce was trying to do thirty years later... this volume carries my earliest bookplate in its first form, which is a great rarity...’. Andel, Avant-Garde Page Design 1900-1950, 46. Castleman, A Century of Artists Books, pages 21-22 and 142. Les Minutes de Sable Memorial is Jarry’s first collection of poetry and prose, and thus his first public and radical challenge to the accepted norms of accepted literary style, soon to find its most famous incarnation in the grotesque figure of Ubu in Jarry’s play Ubu Roi, first performed in Paris on 9th and 10th December 1896, when the audience rioted in reaction to the author’s outrageous use of absurd and scatological language. Jarry himself designed the typography of the title page, which in its dislocation of letters and legibility anticipates the modernist typography of Apollinaire, the Italian futurists and Russian constructivists. The important preface, entitled Linteau (Lintel) presents Jarry’s aesthetic theory centred on the deliberate subversion of poetic language and meaning. (1) £700 - £1,000

£200 - £300

Lot 746

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

210

748 Liebermann (Max). Hollandisches Skizzenbuch, Text von Oscar Bie, Berlin, Verlag von Julius Bard, 1911, original lithograph frontispiece depicting the artist sketching in a landscape, 83 photolithographic illustrations, including some full-page, untrimmed, original publisher’s linen, with pictorial upper cover, lightly rubbed with some light soiling and discolouration, ties present, oblong folio (26 x 32cm) Schieﬂer 110, iii. Limited editon 435/500. (1)

£200 - £300

749 Maeterlinck (Maurice). Der Schatz der Armen, in die Deutsche sprache ubertragen durch Friedrich von OppelnBronikowski, 1st German edition, Leipzig, Verlag von Eugen Diederichs, 1898, decorative title printed in red, full page woodcut illustration, chapter headings printed in red, and large woodcut initials, all designed by Melchior Lechter, printed on japan paper, partly untrimmed, original publisher’s linen, with upper cover titled and decorated in red, some minor marks and pale discolouration, 8vo (21.5 x 18cm)

747 Karberg (Bruno). 10 Kleine Negerlein, Hamburg, Hans Gotz, September 1924, colour woodcut title,10 woodcut leaves of text and 10 colour woodcut illustrations by Bruno Karberg, original cloth-backed boards with printed title label to upper cover, lightly rubbed and minimal fading to board edges, slim 4to (30.3 x 25.8cm)

Raub A 20; Eyssen 11. First German edition, and the ﬁrst book designed by Melchior Lechter. “Mit diesem Buch beginnt die deutsche Buchkunst unseres Jahrhunderts” (Eyssen). (1) £150 - £200

Limited edition of 300 copies, signed by the artist. Bruno Karberg (18961967) studied at the Hamburg Kunstgewerbeschule under Georg Hulbe and Otto Czechka, worked as a freelance illustrator, taught for two years at the Kunstgewerblichen Werkstatten in Lubeck, and later as lecturer at the Hamburg Kunstgewerbeschule (School of Applied Design). The work was ﬁrst published in an edition of only 50 copies by Johannes Gerbers in 1923. (1) £700 - £1,000

211

750 Mann (Thomas). Schopenhauer (Schriftenreihe ‘Ausblicke’), 1st edition, Stockholm, Bermann-Fischer Verlag, 1930, some light scattered spotting, inscribed by the author to Ida Herz ‘Frau Herz mit guten Wünschen ... 22.XI.38, Thomas Mann’ on the front free endpaper, section of original envelope addressed and signed by Thomas Mann laid in, subsequent gift inscription from Ida Herz to Gertrud Bing, *(dated London, Christmas 1938), to half-title, original printed wrappers, some marks and browning to spine and outer edges, 8vo, together with: Betrachtungen eines Unpolitischen, 1st edition, Berlin, S. Fischer, 1918, 611 pages, front endpaper inscribed ‘R. 1918.’ (ownership of Eduard Rosenbaum), original cloth-backed printed boards, a little rubbed at foot of spine, 8vo, including a photocopy and typed copy of a letter from Thomas Mann to Eduard Rosenbaum, dated 24 October 1918, commenting on the political views expressed in this work, and three newspaper cuttings relating to Thomas Mann, two from the Frankfurter Zeitung, for 1922 and 1924, and one from Die Zeit, for 25 December 1959, all loosely inserted at rear (2)

752 Masereel (Frans). Mein Stundenbuch, 1st German edition, Kurt Wolff, 1920, 167 leaves, including 165 full-page woodcuts by Masereel, top edge gilt, contemporary dark green half morocco, rubbed and faded to spine, joints partly cracked, small 4vo (15.2 x 11.5cm), together with René Arcos Das Gemeinsame mit 27 holzschnitten von Frans Masereel, Leipzig, Insel-Verlag, circa 1920, 27 woodcut illustrations by Masereel, original printed boards, some minor marks and lightly discoloured to spine, joints slightly cracked at foot, small 4vo, printed in an edition of 3,500 copies, plus Charles-Louis Philippe, Bubu vom Montparnasse, Ein Roman mit zwanzig holzschnitten von Frans Masereel, 1st German edition, Munich, Kurt Wolff, 1920, 20 woodcut illustrations by Masereel, endpapers lightly toned, original cloth-backed pictorial boards, very lightly rubbed (generally in clean condition), 8vo, and Emile Verhaeren, Der Seltsame Handwerker und Andere erzahlungen, mit 26 holzschnitten von Frans Masereel, 1st German edition, Leipzig, Insel-Verlag, 1923, 26 woodcut illustrations, including many full-page, original cloth-backed pictorial boards, some light marks (generally a good copy), 8vo

£200 - £300

Limited edition of 700 copies, this copy numbered 330 (Stundenbuch). Gobel 477 (Mein Stundenbuch) & 485 (Bubu vom Montparnasse); Sarkowski 41 (René Arcos) & 1826 (Verhaeren). (4) £300 - £400

751 Marx (Karl). Das Kapital. Kritik der politschen Oekonomie, 3 volumes, mixed editions, Hamburg: Otto Meissner, 1903-1885-1911, volume 3 in 2 parts each with separate pagination and register, ownership inscriptions of Eduard Rosenbaum to front free endpaper or initial blank of each volume, respectively dated 1907, 1919 and 1918, his marginalia to volume 1 pp. 584, 603 and 608, contemporary non-uniform half sheep (volume 1) or half morocco (volumes 2 and 3), spines faded, 8vo (21.3 x 13.5cm)

753 Musil (Robert). Der Mann ohne Eigenschaften, 3 volumes, 1st edition, Berlin: Ernst Rowohlt Verlag [-Lausanne: Imprimerie centrale], 1930-33-43, volume 3 with 3 photographic plates including frontispiece, text-block of volume 3 slightly browned, initialled and dated by Eduard Rosenbaum on front free endpapers of volumes 1 and 2 (‘R 1930’ and ‘R 1934’), signed carte de visite of Siegfried, Graf von Roedern (1870-1954) laid in, all volumes in original decorative cloth to a design by E. R. Weiss, volume 1 with spotting to front board, volume 2 spine toned, volume 3 with dust jacket (slightly frayed at head of spine panel), 8vo

Cf. PMM 359. Fifth, ﬁrst and third editions. (3)

The third volume, published in Switzerland after Musil’s death, is especially uncommon with the dust jacket. (3) £600 - £800

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

£600 - £800

212

Lot 753

Lot 754

Lot 756

755 Treuge (Lothar). Ars Peregrina, 1st edition, Berlin, Otto von Holten, 1912, large vignette to title and decorations to text by Melchior Lechter, original boards gilt, 4to, limited edition of 200 copies, together with Lechter (Melchior), Ueber die Symbolik im ‘Panis Angelorum’, 1st edition, Berlin, Otto von Holten, 1908, layout and decorations designed by Lechter, text printed in red and blue, original boards with design to upper cover in blue and gold, lightly rubbed, large slim 8vo, limited edition 185/310, plus Lechter (Melchior). Zum Gedächtnis Stefan Georges, Sprach am Hl. Dreikonigstage 1934 Melchior Lechter in der Lessing-Hochschule zu Berlin, 1st edition, Berlin, Georg Bondi, 1934, typographic layout and decoration by Melchior Lechter, original cloth-backed boards, with paper label to spine and upper cover, very lightly rubbed, large 8vo

754 Rodin (Auguste). Les Cathedrales de France, Introduction par Charles Morice, 1st edition, Paris, 1914, 100 lithographic facsimile plates after drawings by Rodin, with tissue-guard to each, top edge gilt, near-contemporary red crushed half morocco (by Larink of Hamburg), gilt spine with black morocco title label, 4to Limited edition de luxe of 250 copies on papier pur ﬁl de Rives, this copy numbered 122. Attractive copy. (1) £150 - £200

Landmann 841 for the third work. (3)

£200 - £300

756 Vico (Giambattista). Grundzuge einer Neuen Wissenschaft uber die gemeinschaftliche Natur dr Volker. Aus dem Italienischen von Dr. Wilhelm Ernst Weber, 1st German edition, Leipzig, F.M. Brockhaus, 1822, folding printed table at end, some minor marginal marks and spotting, old half green stained calf gilt, a little rubbed and some light marks, 8vo, together with Husserl (Edmund). Meditations Cartesiennes, Introduction a la Phenomenologie, traduit de l’allemand par Mlle. Gabrielle Peiffer et M. Emmanuel Levinas, 1st edition, Paris, Librairie Armand Colin, 1931, [viii] + 136 pages, contemporary blue half calf, spine lettered in gilt, original printed wrappers bound in, large 8vo Cf. PMM 184 (ﬁrst edition of Vico, 1725). First German edition of the main work of Italian historian and philosopher Giambattista Vico (1668-1744), whose work was rediscovered by Herder and then later recognised as the beginning of the philosophy of history. The second work, Husserl’s Cartesian Meditations, based on two lectures given by the author at the Sorbonne in 1929, had a profound inﬂuence on European philosophy, especially Heidegger and Sartre. (2) £200 - £300

Lot 755

213

PRIVATE PRESS 757 Bennett (Arnold). Venus Rising From the Sea, Cassell & Co./Curwen Press, 1931, 12 colour illustrations by E. McKnight Kauffer, original cloth, glassine wrapper, slipcase, 4to limited edition 263/350, signed by the artist, together with The Natural History of Selborne, by Gilbert White, Limited Editions Club, Ipswich, 1972, colour and monochrome illustrations by John Nash, top edge green, original calf-backed boards, slipcase, 4to, limited edition 336/1500, signed by the artist, plus The Diary of a Madman, by Nicolas Gogol, translated by Prince Mirsky, Cresset Press, 1929, aquatint illustrations by A. Alexeieff, endpapers slightly toned, original cloth, a little light soiling, 4to, limited edition 17/250, with others illustrated, Nonesuch Press etc From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. (25) £150 - £200

759 Dolmen Press. The Gododdin. A Version by Desmond O’ Grady, Dolmen Editions, 1977, ink illustrations by Louis le Brocquy, all edges gilt, contemporary burgundy morocco with design after le Brocquy in black morocco and gilt to covers, calf-backed slipcase, 8vo, with a postcard to Morris Cox for his birthday, 1981 loosely inserted From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. Limited edition of 650 copies. The usual edition of this work was issued in black cloth with a dust jacket. (1) £150 - £200

760 Doves Press. A collection of ephemera, 43 items (including two duplicates), items comprise: Lists of Publications, Announcements, List of Lectures by T. J. Cobden-Sanderson, Apologia, Catalogues Raisonné (one with some marks on front), Note on a Passage in Anthony and Cleopatra, Notice of removal to a new premises and the closure of The Doves Bindery, and other Notices, Shakespearian Punctuation (in original wrappers), some printed in red & black, and including an Autograph note by T. J. CobdenSanderson, 12 lines in red ink, relating to a misprint in the Doves Press edition of Faust part II, initialled by Cobden-Sanderson and dated July 1910, all unbound except for a duplicate copy of Catalogue Raisonné for May 1908, publisher’s cloth-backed boards, with The Doves Bindery ink stamp on rear pastedown, all 8vo

758 Coracle Press. A collection of 39 artists’ books, poem-cards, postcards and other publications, 1970’s, including The Embroidered Topiary, by Simon Cutts, 1975 (limited signed edition 30/50), Leafmould, by Simon Cutts, (limited edition 208/250), “The Allies”, a wargamer’s poem, by Martin Fidler & Simon Cutts, 1973 (limited edition 55/100), Outddor Seats, by Stephen Duncalf, 1973 (limited edition 134/150), A New Kind of Tie. Poems 1965-68, by Simon Cutts, Tarasque Press, 1972 (limiterd edition of 500), colour silkscreen illustrations, various sizes, by Simon Cutts, Karl Torok, Martin Fidler, David Willetts, Stephen Bann and others

Provenance: according to an included typewritten note the items are from the collection of Richard Cobden-Sanderson. (43) £100 - £150

From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. (39) £150 - £200

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

214

761 Eragny Press. Abrege de l’Art Poetique Francois par Pierre de Ronsard, Eragny Press, 1903, wood-engraved frontispiece, borders and decorations by Lucien Pissarro, unopened, endpapers toned, bookplate to front endpaper, loose order forms, original ﬂoral-patterned endpapers, spine a little rubbed and toned, a few minor spots, 8vo Limited edition of 226. Tomkinson 15 (1)

763 Eragny Press. Choix de Sonnets de P. de Ronsard, Eragny Press, 1902, wood-engraved frontispiece, borders and initials by Lucien Pissarro, unopened, some toning to endpapers, bookplate to front endpaper, original patterned boards, spine a little rubbed and darkened, 8vo Limited edition of 226. Tomkinson 13. (1)

£150 - £200

762 Eragny Press. Autres Poesies de Maistre Francois et de Son Ecole, Eragny Press, 1901, wood-engraved frontispiece, border by Lucien Pissarro, printed in red, black and green, unopened, a few minor spots, endpapers a little toned, original patterned boards, some toning to spine, 8vo

764 Eragny Press. Jules Laforgue: Moralites Legendaires, 2 volumes, Eragny Press, 1897-98, wood-engraved frontispieces, borders and initials by Lucien Pissarro, a little minor spotting, some usual toning to endpapers, original clover-patterned boards, slight toning to spines, 8vo

Limited edition of 226. Tomkinson 10. (1)

Limited edition of 220. Tomkinson 3 & 4. (2)

£200 - £300

215

£300 - £500

Lot 766

Lot 769

Lot 770

Lot 771

765 Eragny Press. Songs by Ben Jonson. A Selection from the Plays, Masques, and Poems, with the earliest known settings of certain numbers, Eragny Press, 1906, title with hand-coloured vignette, printed in red and black, a little minor spotting at front, endpapers toned, original patterned boards, spine defective (tears and losses), 8vo Limited edition of 175. Tomkinson 26. (1)

£100 - £150

766 Essex House Press. The Essex House Song Book, being the Collection of Songs formed for the Singers of the Guild of Handicraft by C. R. and Janet E. Ashbee, and edited by her, 10 parts in one volume, Chipping Campden: Essex House Press, 19035, printed in red and black, woodcut initials, music score designed by Paul Woodroffe, edges untrimmed, original japon-backed paper boards, japon slightly marked, wear to tips, custom blue cloth slipcase, 4to Number 156 of 200 copies on paper; there were also ﬁve copies on vellum. (1) £200 - £300

767 Fleece Press. Tom Chadwick and the Grosvenor School of Modern Art, by Julian Francis, Fleece Press, 2012, colour and monochrome plates and illustrations, including 16 original woodblock prints tipped-in, original cloth-backed patterned boards, slipcase, 4to, limited edition of 210 special copies from a total edition of 360, together with Tirzah Garwood. Long Live Great Bardﬁeld & love to you all, her Autobiography, 1908-43. Edited, and with biographical notes on the period 1943-51, by Anne Ullmann, Fleece Press, 2012, numerous colour and monochrome illustrations, original cloth-backed patterned boards, 4to, limited edition of 550, plus The Artistry of Leslie Cole... told for the ﬁrst time by Malcolm Yorke with a note on the interesting life of Brenda Cole, Fleece Press, 2010, colour illustrations, original cloth-backed boards, oblong 4to, limited edition of 500 (3)

768 Gibbings (Robert). Twelve Wood Engravings, Baynard Press, 1921, 12 wood-engraved plates, slight offsetting to versos from preceding plates, original cloth-backed boards, small partial rust mark from paperclip to lower cover, 4to, limited edition 86/125, signed by the artist, together with The XII Propertees or Condicyons of a Lover, by Johan Picus, Erle of Myrandula, a grete Lord of Italy, expressed in Balade by Sir Thomas More Knyghte, sometime Lo. Chancellour of England, Saint Dominic’s Press, 1928, errata slip and spare label tipped-in at front and rear respectively, light toning to endpapers, original boards, 4to, limited edition 109/250

£200 - £300

(2)

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

216

£700 - £1,000

Lot 772

Lot 773

Lot 775

769 Gill (Eric). Art & Love, Bristol: Douglas Cleverdon, 1927, six full-page woodengraved illustrations, front pastedown with book ticket of George Fleming, original black cloth, extremities lightly rubbed, spine (lightly faded) gilt-lettered, slim 8vo Limited edition, 63/260 copies, signed by the author. Gill 14. (1)

£200 - £300

770 Gill (Eric). Art & Prudence an essay, Waltham Saint Lawrence: Golden Cockerel Press, 1928, two full-page engraved illustrations, untrimmed, original terracotta cloth gilt, extremities slightly rubbed, dust jacket, spine faded, minor chips and fraying at head of folds, spine with small loss at head and associated 1.5cm tear, 8vo (limited edition, 50/500 copies), together with Twenty-Five Nudes... with an introduction, London: J. M. Dent & Sons Ltd for Hague & Gill Ltd, 1938, decorative half-title printed in red & black, 26 white line wood-engravings, free front endpaper with ink ownership name, original red cloth gilt, spine ends a little frayed, corner tips slightly rubbed, 8vo Gill 15 & 38 respectively. (2)

£100 - £150

771 Gill (Eric). Clothing without Cloth, An essay on the nude, Waltham Saint Lawrence: Golden Cockerel Press, 1931, four full-page wood-engraved illustrations (lightly offset), original cloth, gilt-lettered on spine and front cover, spine faded, slim 8vo Gill 20. Limited edition, 267/500 copies. (1)

£100 - £150

772 Gill (Eric, illustrator). Autumn Midnight, by Frances Cornford, [Printed at S. Dominic’s Press, Ditchling, for] The Poetry Bookshop, 1923, wood-engraved frontispiece, initials and decorations, inside front cover with book ticket to lower corner, edges untrimmed, original pink wrappers, front wrapper printed in black, with a decorative initial and a device by Gill, each cover with a short closed fore-edge tear, slim 8vo, together with Gill (Eric), Drawings from Life, London: Hague & Gill, 1940, 36 full-page illustrations from drawings, variable spotting throughout, original blue cloth, silver lettering to spine, silver blocked device on front cover, extremities rubbed, some minor marks, 8vo, plus The Lord’s Song, a Sermon, London: Golden Cockerel Press, 1934, one full-page wood-engraved illustration, one decorative initial, original cream cloth gilt, spine a little darkened, slim 8vo (limited edition, 36/500 copies, ink manuscript edition number appears to have been altered) Gill 273, 48 & 26 respectively. Autumn Midnight: various states of the wrappers are recorded. Here the author’s name is enclosed within rules, there is no hyphen in “Midnight”, and “Sixpence” is spelled incorrectly as “Sxipence”. (3) £100 - £150

773 Gill (Eric, illustrator). Concerning Dragons, a Rhyme by H. D. C. P., 1st edition, Ditchling: Douglas Pepler, 1916, title with wood-engraving printed in red, text printed in red & black, four black & white wood engraved illustrations, rough-trimmed, bound in modern cloth-backed boards, front cover with facsimile of title page, small slim 8vo Gill 264. (1)

£100 - £150

774 Gill (Eric, illustrator). Sonnets and Verses by Enid Clay, Waltham St. Lawrence: Golden Cockerel Press, 1925, woodengraved illustrations, colophon with gilt Cockerel printer’s device, front pastedown with pictorial bookplate of Miriam Rothschild, original cloth-backed boards, somewhat rubbed, rear cover with some skinning, spine with printed paper label (small edge chip), slim 8vo Limited edition, 198/450 copies. Gill 274. (1) £80 - £120

775 Gill (Eric, illustrator). The Devil’s Devices or Control versus Service, by Douglas Pepler, 1st edition ‘proof’ copy, London: Hampshire House Workshops, 1915, limitation page (partly toned) with ink manuscript authorial inscription ‘To my dear friend Edward Grubb, 6.4.16, Douglas Pepler’, wood-engraved illustrations, some full-page, front free endpaper with tipped-in notice printed in red ‘I have been grieved to learn... Douglas Pepler’, original cloth-backed boards (rubbed), front cover with woodengraved illustration, spine slightly frayed at head, 8vo Limited edition, 44/200 ‘proof’ copies, signed by both author and illustrator. Gill 259. (1) £150 - £200

217

776 Gill (Eric, illustrator). The Engravings of Eric Gill, by Christopher Skelton, Wellingborough: Skelton’s Press, 1983, numerous reproduction illustrations throughout, including some folding plates, original cloth in slipcase, folio (limited edition, one of 1350 copies), together with The Engraved Work of Eric Gill, Victoria and Albert Museum, 2nd edition, 2nd impression, London: Her Majesty’s Stationary Ofﬁce, 1980, Large Picture Book no. 17, 220 wood-engraved illustrations, inside front cover with book ticket to lower corner, original printed wrappers, front cover with woodengraved illustration, 8vo, plus Gill (Evan R.), Bibliography of Eric Gill, Totowa, New Jersey: Rowman and Littleﬁeld, 1973, frontispiece and a few illustrations to text, original cloth gilt, 8vo Gill 636.113, 636.29 & 636.3 respectively. (3)

778 Gill (Eric, illustrator). The Tragedy of Hamlet, Prince of Denmark, by William Shakespeare, New York: Limited Editions Club, 1933, wood-engraved title and illustrations, original brown pigskin, covers illustrated and spine lettered in blind, spine and head of front cover a little darkened, extremities rubbed, contained in original lettered slipcase (some splitting), 8vo Limited edition, 1248/1500 copies, signed by the artist. Gill 287. (1) £300 - £400

779 Golden Cockerel Press. Chaucer (Geoffrey). The Canterbury Tales, 4 volumes, Waltham Saint Lawrence, Golden Cockerel Press, 1929-31, wood engraved part-titles, head-pieces, borders, initials and other decorations by Eric Gill, top edge gilt, remainder untrimmed, original quarter brown morocco over patterned boards (by Sangorski & Sutcliffe), volume 1 with a few scuffs and very small chip to base of rear joint, volume 4 with very small puncture to base of spine, some other marks and slightly rubbed to extremities (generally a good copy), folio

£150 - £250

Limited edition 480/485, from a total edition of 500, on handmade paper. Chanticleer 63; Evan Gill 281. Printed by Robert and Moira Gibbings, Eric Gill’s profusely illustrated edition of Chaucer’s Canterbury Tales, one of three lavish large-format editions from the press, followed in the wake of Troilus and Criseyde of 1927, and Keats’ Lamia (1928). (4) £2,000 - £3,000

780 Hughes-Stanton (Penelope). The Wood-Engravings of Blair Hughes-Stanton, Pinner, Private Libraries Association, 1991, monochrome illustrations, original quarter black crushed morocco gilt, with slipcase, 4to, limited deluxe edition of 112 copies, with 8 wood engravings by Hughes-Stanton for Primeval Gods by Christopher Sandford, printed by I.M. Imprimit (this copy numbered 70), together with others on wood engravers and related, including Reynolds Stone, The Wood Engravings of Gwen Raverat, 1st edition, 1969, Bernard Sleigh, Wood Engraving Since Eighteen-Ninety, 1932, Margaret Dobson, Block-Cutting and Print-Making by Hand: from wood, linoleum and other media, circa 1930, Reynolds Stone Engravings, 1977, David Chambers, Joan Hassall Engravings & Drawings, 1985, Clair Leighton, Wood-Engraving and Woodcuts, Studio How To Do It series, number 2, reprinted 1948, Christine Battye, The Brewhouse Private Press, 1963-1983, Sycamore Press, 1984, etc.

777 Gill (Eric, illustrator). The Song of Songs, Waltham St. Lawrence: Golden Cockerel Press, 1925, wood-engraving on title and some initials, printed in red, wood-engraved illustrations, original cream cloth, spine (a triﬂe darkened) gilt-lettered, slim 4to Limited edition, 160/750 copies. Gill 275. (1)

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

(13)

£300 - £400

218

£150 - £200

Lot 779

781 Jones (David, illustrator). Aisopou tou mythopoio logoi hepta [Greek title, i.e. The Seven Fables of Aesop], London: Lanston Monotype Corporation, 1928, [26] pp., text in Greek and English, the Greek text in New Hellenic type designed Victor Scholderer, title-page printed in red, 7 engraved headpieces by David Jones, original purple cloth, sunned, 8vo

782* Kelmscott Press. Morris (William), The Works of Geoffrey Chaucer Now Newly Imprinted, [1896], single specimen leaf of the ﬁrst two text pages from ‘The Kelmscott Chaucer’, wood block illustration (after Edward Burne-Jones) surrounded by intricate foliate design, one large and ﬁve medium woodcut initials, text printed in red & black, some pale spotting (mainly to verso), slightly cockled, small publisher’s clipping advertising the Kelmscott Chaucer adhered to blank margin on verso, 42 x 28.4cm (16.5 x 11.25ins), mounted framed and double glazed

Provenance: Apparently a presentation copy from translator W. H. Shewring, inscribed ‘Jennifer from Walter, Christmas 1928’ on the front free endpaper. One of 150 copies printed according to the colophon, but believed to be one of 30 or 50. (1) £1,000 - £1,500

The specimen leaf is of the original text version, which was later altered. The ﬁrst column of text here contains 7 lines; in the published version the seventh line appears at the head of the second column and the ﬁnal line “The chambres and the stables weren wyde” is moved to the following page. The illustration depicts Chaucer in a garden, holding a book and pen. (1) £200 - £300

219

783 Kelmscott Press. The Order of Chivalry, Kelmscott Press, 1893, wood-engraved frontispiece by Edward Burne-Jones, woodengraved borders and initials, Chaucer type in red and black, original limp vellum, spine lettered in gilt, silk ties, a little bowed with light soiling, small 4to Peterson A31. Limited edition of 225. Provenance: presentation inscription from Sydney Cockerell, ‘To Christabel & George Frampton, from S.C.C. on their wedding day, June 7th 1893’. Sir Sydney Carlyle Cockerel, 1867-1962 was secretary to William Morris at the Kelmscott press from 1894, Morris’s literary executor, and director of the Fitzwilliam Museum, Cambridge from 1908. (1) £800 - £1,200

784 Kelmscott Press. Psalmi Penitentiales, edited by F.S. Ellis, Kelmscott Press, 1894, printed in red and black, wood-engraved borders and initials designed by William Morris, original linenbacked boards, glassine wrapper (a few tears), 8vo Peterson A30. Limited edition of 300 copies. (1)

£400 - £600

785* Kelmscott Press. Morris (William), The Works of Geoffrey Chaucer Now Newly Imprinted, [1896], an original bifolium from ‘The Kelmscott Chaucer’ (pages 469-470 & 475-476), featuring the story of Troilus and Criseyde, wood block illustration (after Edward Burne-Jones) to page 470 surrounded by intricate foliage design, one large and six small woodcut initials, text printed in red & black, page 475 and edges of page 469 toned, central fold with old stitch marks, 41.9 x 29.2cm (16.5 x 11.5ins)

Lot 783

The Kelmscott Chaucer is a landmark of printing and represents the pinnacle of Morris’s career as a typographer and designer. (1) £200 - £300

786 Matrix. A Review for Printers & Bibliophiles, numbers 9, 10, 14, 16-19, 21-22, 24-26 & 30, Whittington Press, 1989-2011, numerous colour and monochrome illustrations, original wrappers (number 9 spine faded), 4to, limited editions of between 725 & 925 copies, together with Type & Typography. Highlights from Matrix, the review for printers and bibliophiles, 2003 (signed by contributor John Randle), one of 80 special editions with separate folio of type specimens, slipcase (14)

£200 - £300

787 Morris (William). Art and the Beauty of the Earth, 1898; An Address Delivered by William Morris at the Distribution of Prizes to Students of the Birmingham Municipal School of Art on Feb. 21, 1894, 1898; Some Hints on Pattern-Designing, 1899; Architecture and History and Westminster Abbey, 1900, Chiswick Press, a few endpapers lightly toned, original linen-backed boards, one or two edges rubbed, some light soiling, 8vo

Lot 784

(4)

£200 - £300

788 Gazebo Press. Alphabet, by Michael Felmingham, Gazebo Press, 1965, colour wood-engraved illustrations, original wrapper, slim 8vo, limited signed edition of 30, together with Pinter (Harold). Landscape, Emanuel Wax for Pendragon Press, 1968, dragon vignette to title, original cloth-backed boards, spine a litttle faded, 8vo, signed by the author, plus Barker (George). At Thurgarton Church, Trigram Press, 1969, illustrations by the author, original buckram, limited signed edition 47/100, together with others, private press etc including Roy Fuller's The Other Planet, Keepsake Press, 1979 (limited edition of 275), Sylvia Plath's Child, Rougemont Press, 1971 (limited edition 208/325), Francis Ponge: Two Prose Poems, Black Knight Press, 1968 (limited edition of 120) and Twenty Five Poems, by Brian Waters, Martlet Press, 1966 (limited edition 22/65) and other publications from The Tabard Press, Laverock Press, Signet Press, Merrythought Press, Incline Press et al From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. (approx. 150) £300 - £500

Lot 785

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

220

789 Sassoon (Siegfried). The Path to Peace, Worcester: Stanbrook Abbey Press, 1960, gilt initial letter by Margaret Adams and calligraphic initials in red by Wendy Westover, text in italics printed in blue and black, original vellum-backed decorative boards, slim 4to, with glassine dust-jacket (limited edition 77/500), together with Awaitment, Worcester: Stanbrook Abbey Press, November 1960, six-line poem printed on single sheet of hand-made tinted paper, initial ‘E’ hand-lettered in green, contained in envelope, plus Sassoon (Siegfried), Common Cords, Stanford Dingley: The Mill House Press, 1950, original cloth, slim 8vo (limited edition of 107 copies printed), and Birch (Lionel), Between Sunset & Dawn, Cambridge: Corydon Press, [1927], black & white frontispiece by Michael Stewart, original cloth-backed printed pattern boards, slim 8vo (limited edition 239/250), and Scrannel (Orpheus), An Unterrestrial Pity being contributions towards a biography of the late Pinchbeck Lyre, Friern Barnet: Blue Moon Press, 1931, 8pp., uncut, original printed card wrappers, slim 8vo (limited edition of 250 copies printed, of which only 50 copies signed by the author. This copy is number 47/50) (5)

791 Whittington Press. A collection of broadsides, 1980’s2000’s, including The Whittington Press. A Keepsake printed for Friends in California, January 1986 with a linocut by Howard Phipps, signed in pencil by the artist, 77.5 x 55.5cm (30.5 x 21.75ins), A Verse from ‘The Mirror and the Eye’, by Omar Khayyam, illustrated and signed by Richard Kennedy, hand-coloured by Sylvia Stokeld, limited edition for the Whittington Summer Show, 1st September 1984, 76 x 57cm (30 x 22.5ins), Laura at Whittington (2 copies), from Lost Days by Jim Turner, with a linocut by Howard Phipps, signed in pencil by the artist, 60 copies printed for the Summer Show, 1981, 64 x 51.5cm (25 x 20.5ins) a few light spots, Alphabets, printed from the wood type at the Whittington Press, one of 60 copies printed for the Whittington Show, 6th September 1980, 72 x 56cm (28.5 x 22ins), Downland Village (Oxfordshire), by Keith Spencer, woodengraving by Simon Brett, 1990, limited signed edition 192/215, 38 x 54.5cm (15 x 21.5ins), plus others including 7 wood-engravings by Eric Gill, printed from the original blocks by Hague & Gill for publication in Eric Gill’s Engravings 1928-1933, Faber & Faber, 1934, wood-engravings include Creation, Prioress’s Tale, Monks Tale, Christ and the Leper and Hamlet and the Ghost, plus Curwen Press pattern papers etc

£200 - £300

790 Stanton Press. Abraham. A Play by Roswitha the Nun of Gandershelm, translated from the original Latin into English Prose by Richard S. Lambert, Stanton Press, 1922, wood-engraved illustrations by Agnes Lambert,spare spine label tipped-in at end, light partial offsetting to endpapers, original cloth-backed boards, slight marginal discolouration, 8vo, limited edition 3/100, together with Callimachus, Stanton Press, 1923, wood-engraved illustrations by Agnes Lambert, one or two light spots, original cloth-backed boards, light discolouration, 8vo, limited edition 6/75, with two other Stanton Press titles: Hortulus or the Little Garden, 1923, limited edition of 132 copies and The Sirens. An Ode by Laurence Binyon, 1924, limited edition 197/200, plus two others including Epitaph. A Poem by Theodore Dreiser, Heron Press, New York, [1929], limited edition 233/400 bound in Japanese Silk, from a total edition of 1100, signed by the author and artist (6)

(approximately 150)

£300 - £500

£150 - £200

792 Whittington Press. An Alphabet, by William Nicholson, Whittington Press, 1978, 38 plates, of which 34 reprinted from the original woodblocks, loose as issued, with separate introduction by Edward Craig in original wrapper and both contained in original cloth drop-back box with illustration mounted to upper cover, 4to, limited signed edition 127/138, from a total edition of 150, together with Nicholson (William). London Types, 1898, 12 colour woodblock illustrations, advertisement leaf at end, slight offsetting to text, front hinge tender, original cloth-backed pictorial boards, some worming at head of spine, light edge wear and a few stains, 4to (2)

Lot 791

221

£300 - £400

MODERN FIRST EDITIONS

795 Banks (Ian). The Wasp Factory,1st edition, 1984, original cloth (small mark to upper cover), dust jacket, 8vo, together with McEwan (Ian). The Cement Factory, 1st edition, 1978, red previous owner stamp to front endpaper, original cloth, dust jacket (spine slightly faded), 8vo, plus Brookner (Anita). A Start in Life, 1st edition, 1981, original cloth, dust jacket, 8vo, with 13 others including Kurt Vonnegut’s Slaughterhouse-Five or the Children’s Crusade. A Duty-Dance with Daeth, 1st UK edition, 1970, Roy Chanslor’s The Ballad of Cat Ballou, 1st edition, 1956, Duffy, 1980 and Fiddle City, 1981, by Dan Kavanagh (I.e. Julian Barnes) and J.G. Ballard’s Concrete Island, 1974 (2 copies) (16)

793 Arkham House. A group of 53 titles published by Arkham House, 1946 and later, titles by August Derleth include The Survivor and Others (co-authored with H.P. Lovecraft), Over the Edge, Dark Things, Dwellers in Darkness, titles by H.P. Lovecraft include The Horror in the Museum and Other Revisions, Tales of the Chulhu Mythos, The Horror in the Museum and Miscellaneous Writings, other titles include Stephen Grendon, Mr George and Other Odd Persons, Algernon Blackwood, The Doll and One Other, J. Sheridan LeFanu, The Purcell Papers, Mary E. Wilkins-Freeman, Collected Ghost Stories, etc., all but one in dust jacket (J. Ramsey Campbell, The Inhabitant of the Lake and Less Welcome Tenants, signed by author), the 1950s titles generally a little toned and rubbed, but mostly VG, together with a copy of August Derleth’s Thirty Years of Arkham House 1939-1969 (1970)

796 Betham-Edwards (Matilda). War Poems, 1st edition, Bristol: J. W. Arrowsmith Ltd., [c.1918], 24 pp., half-title, spotting, wirestitched and string-bound in original textured paper wrappers, staples rusted, wrappers marked, 8vo

Though the limitations are not given in the books the bibliography indicates that most of these titles were printed in runs of 2,000-4,000 copies. (54) £400 - £600

A rare volume of Great War poetry; eight copies in libraries. Although Betham-Edwards (1836-1919) received little public recognition in England ‘the French gave her the title Ofﬁcier de l’instruction publique de France in 1891, making her the only English woman then so honoured’ (ODNB); her French accolades are listed after her name on the title-page. (1) £200 - £300

794 Ash-Tree Press. A collection of 37 titles, Ash-Tree Press, Penyffordd, Chester/Ashcroft, British Columbia, 1996-2005, including Randalls Round, by Eleanor Scott, 1996 (limited edition 36/500), The Executor and Other Ghost Stories, by David G. Rowlands, 1996 (limited edition of 400), The Black Reaper, by Bernard Capes, edited by Hugh Lamb, 1998 (limited edition of 600), The Haunted Chair, by Richard Marsh, edited by Richard Dalby, 1997 (limited edition of 500), and The Clock Strikes Twelve and Other Stories, by H.R. Wakeﬁeld, 1998 (limited edition of 500), light toning to some spines, else all ﬁne and limited editions (37)

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

£300 - £400

797 Betjeman (John). Ghastly Good Taste, 1st edition, 1933, 1st issue copy with errata slip tipped-in at front and pp. 119/120 uncancelled, folding plate at end, spare label tipped-in at rear pastedown, a few minor spots, original cloth-backed boards, small loss to spine label not affecting lettering, slight marginal fading and soiling, 8vo, together with four others by the poet including A Few Late Chrysanthemums, 1954, High and Low, 1966 and A Nip in the Air, 1974

£300 - £500

(5)

222

£150 - £200

800 Connolly (Cyril). The Unquiet Grave, a word cycle by Palinurus, 1st edition, Horizon, 1944, 4 monochrome plates, text with several manuscript corrections by the author, additionally inscribed to half title by Connolly ‘Elizabeth from Palinurus. ‘on est ce qu’on est’, etc.’, and dated Nov 1944, original printed wrappers, rubbed and a little frayed to foot spine, some minor marks and discolouration, upper inner hinge detached, 8vo, with an original telegram from Cyril Connolly to ‘Lordon Gleconner, Corfu’, undated but referring to the author’s recovery from illness (written in a partly surrealist manner with deliberate misspellings), together with Enemies of Promise, 1st edition, 1938, original dark blue cloth gilt, a little rubbed, with worn dust wrapper, author’s presentation copy, inscribed to front endpaper ‘Elisabeth from Cyril.’, dated The Mansion, May 21, 47, and quoting 10 lines of verse by Tennyson and a quotation from Brillat-Savarin ‘Proposer a des obeses de se lever matin, c’est leur percer le coeur’, plus 5 other works by Cyril Connolly: The Rockpool, new edition, 1947, inscribed ‘Elizabeth from Cyril - ‘nor was, when vice is so allowed of virtue or ashamed or proud Stephen’s sister, Toby’s mother, Powell ere though breed such another time shall kick a peg at thee’, dated The glenn, Bei Reebles, Aug. 1950, in somewhat worn dust wrapper, Ideas and Places, 1st edition, 1953, inscribed ‘to dearest Elizabeth with love from Cyril’ blessed are the botanists for they shall inherit a rich ﬁbrous loam’, with worn dust wrapper, Previous Convictions, 1st edition, 1963, similarly inscribed by Connolly and dated 1963, in frayed dust wrapper, and 2 others, unsigned, all 8vo

798 Blixen (Karen). Out of Africa, 1st UK edition, 1937, original red cloth, some fading to spine, price-clipped dust jacket, a few chips and tears, repairs to verso, clear tape marks at head of rear panel and ﬂaps, 8vo (1)

£200 - £300

(7)

£200 - £300

801 Cornwell (Patricia). Portrait of a Killer. Jack the Ripper, Case Closed, 1st US edition, Little, Brown, 2002, sepia plates, signed by author to title, together with Postmortem, 1st reprint edition, Macdonald, 1990, plus Body of Evidence, 1st UK edition, Macdonald, 1991; All that Remains, reprint, Little, Brown, 1992, all signed by author to title, plus 17 other Cornwell titles including one paperback, a total of 16 signed by the author, original cloth in dust jacket, all but one (At Risk) slightly damp-stained, VG, plus 12 P.D. James titles (7 signed) and 10 x Patricia Highsmith titles (one paperback), all original cloth in dust jackets, VG+ (43)

£200 - £300

802 Davies (William H.). The Soul’s Destroyer and Other Poems, 1st ed., privately printed for the author, [1905], some spotting, bookplate, original buff wrapper, spine a little rubbed with tear at foot, contemporary signature to upper wrapper, 8vo (1)

799 Byron (Robert). The Road to Oxiana, 1st edition, 1937, 16 monochrome plates, 5 maps, advertisement leaf at end, original blue cloth, slight fading to spine, price-clipped dust jacket, spine a little toned, some light spotting to panels and repaired tears to verso, 8vo

£70 - £100

803 De La Mare (Walter). Memoirs of a Midget, W. Collins, 1921, endpapers slightly toned, original cloth-backed boards, spine and extremities a little toned, 8vo, limited signed edition 104/210, together with The Veil and Other Poems, 1921, endpapers lightly toned, original cloth-backed boards, a little soiled, 8vo, limited signed edition 114/250, with three others: Come Hither, 2 volumes, 1923 (limited signed edition 157/350), The Riddle and Other Stories, 1923 (limited signed edition 283/310) and Henry Brocken, 1924 (limited signed edition 13/250)

Robert Byron’s highly acclaimed travelogue and account of his Middle Eastern journey in 1933-34, written in diary form with a strong emphasis on architectural treasures in Palestine, Syria, Persia, Afghanistan and India. (1) £600 - £800

(6)

223

£150 - £200

807 Fleming (Ian). A complete facsimile set of all 14 James Bond titles, First Edition Library, Shelton, Connecticut, 1981-1993, previous owner label to all front pastedowns except Casino Royale (removed) and The Spy Who Loved Me, original cloth, dust jackets, slipcases, 8vo (14)

£300 - £500

804 Eliot (T.S.). The Cocktail Party, 1st US edition, Harcourt Brace, New York, 1950, ﬁrst state printing with pp. 35/36 not cancelled, p. 94 ‘successful’ ink corrected in column with ‘husband’ and signed in initials by the author, previous owner inscription of Faith Brook, Henry Miller’s Theatre to front pastedown, original cloth, dust jacket, a few chips, tears and losses at spine ends and front ﬂap, 8vo Presentation copy, inscribed to title ‘Inscribed for Faith Brook, with the author’s gratitude, T.S. Eliot, New York, 6. xii.50’. Faith Brook (1922-2012) was an actress, who played the character Celia Coplestone in the play, in the Broadway production at the Henry Miller’s Theatre in 1950. (1) £300 - £500

805 Fermor (Patrick Leigh). The Traveller’s Tree. A Journey through the Caribbean Islands, 1st edition, 1950, half-tone illustrations by A. Costa, double page map, contemporary ownership inscription, a few minor spots, original cloth, dust jacket, a couple of tiny nicks and tears at spine ends, 8vo, together with A Time to Keep Silence, Queen Anne Press, 1953, colour frontispiece, top edge red, original cloth, dust jacket, a few faints spots, 8vo, limited edition 236/500, with 8 others by Fermor, a few duplicates and signed, including A Time of Gifts, 1977, Three Letters from the Andes, 1991 and Artemis Cooper’s Patrick Leigh Fermor. An Adventures, 2012 (signed by the author) (10)

£200 - £300

806 Finlay (Ian Hamilton). Rapel. 10 Fauve and Suprematist Poems, Wild Hawthorn Press, 1963, title and 10 leaves, loose as issued in original wrapper, a few light spots to upper cover, 4to, together with Autumn Poem, Wild Hawthorn Press, 1966, photographic illustrations by Audrey Walker, slight offsetting from ﬂaps to endpapers, stapled as issued in original wrapper, small 4to, together with Ocean Stripe Series 3, Wild Hawthorn Press, 1965, white, red, yellow and blue leaves, original wrapper, 8vo, with six others by Finlay: Ocean Stripe Series 4, 1966, Canal Stripe Series 3, 1964, Canal Stripe Series 4, 1964, 6 Small Songs in 3's, 1966, 4 Sails, 1969 & After the Russian, 1969

808 Fleming (Ian). Moonraker, 1st edition, 1955, a little faint spotting to endpapers, light partial offsetting from ﬂaps, small previous owner inscription, original cloth (upper cover very slightly bowed), dust jacket, usual fading to spine, 8vo (1)

From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. (9) £200 - £300

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

224

£2,000 - £3,000

809 Fleming (Ian). Diamonds are Forever, 1st edition, 1956, original cloth, dust jacket, spine ends and folds chipped, a few repairs to verso, some toning to rear panel, 8vo

811 Fleming (Ian). Goldﬁnger, 1st edition, 2nd impression, 1959, original cloth, dust jacket, spine a little toned with two short closed tear at head, a couple of small light stains to rear panel, 8vo

(1)

£300 - £500

£200 - £300

810 Fleming (Ian). Dr No, 1st edition, 2nd impression, 1958, original cloth with silhouette of a dancing girl to upper cover, dust jacket, one or two tiny nicks at spine ends and folds, 8vo

812 Fleming (Ian). For Your Eyes Only, 1st edition, 1960, original cloth, dust jacket, spine lettering faded to yellow (as often), a couple of short closed tears, 8vo

(1)

£300 - £500

225

£200 - £300

813 Fleming (Ian). Thunderball, uncorrected proof, 1961, a few upper corners creased towards end, previous owner signature to front wrapper verso, original wrappers (slight lean), dust jacket, front ﬂap split along fold, spine ends and panel edges with a few chips and small tears (loss of letter ‘I’ of ‘Ian’ at head of spine), light stain to rear panel, 8vo Rare. Only 500 copies printed. (1)

815 Fleming (Ian). The Spy Who Loved Me, 1st edition, 1962, original cloth, dust jacket, spin e a little toned, small stains to rear panel, 8vo (1)

£200 - £300

816 Fleming (Ian). On Her Majesty’s Secret Service, 1963; You Only Live Twice, 1964; The Man With the Golden Gun, 1965; Octopussy and the Living Daylights, 1966, 1st editions, a few light spots, original cloth, dust jackets, a couple of tiny nicks and stains to ﬁrst two titles, 8vo

£800 - £1,200

(4)

£200 - £300

817 Frost (Robert). A Further Range, 1st edition, Henry Holt, New York, [1936], slight toning, contemporary presentation inscription, original buckram, spine lettering dulled, dust jacket, a few chips and repairs, some toning, 8vo (1)

£100 - £150

818 Greene (Graham). Yes and No and For Whom the Bell Chimes, 1983, a few light spots, original cloth, acetate wrapper, 8vo, limited signed edition 662/750, together with The End of the Affair, 1st edition, 1951, usual uniform toning to endpapers, previous owner signature, original cloth (spine ends faded), dust jacket, spine toned, small stains to rear [panel, a few small nicks and tears, 8vo, plus Our Man in Havana, 1st edition, 1958, usual light toning to textblock, original cloth (slight lean), dust jacket, some toning to rear panel, a few small nicks, 8vo, with 17 others by Graham Green, a few duplicates, including The Quiet American, 1955, A Burnt-Out Case, 1961, May We Borrow Your Husband?, 1967, and Travels With My Aunt, 1969 (20)

£200 - £300

819 Hall (Radclyffe). The Master of the House, 1932, title printed in red and black, light toning to a few leaves at front, top edge gilt, original vellum-backed boards, a few light marks, 8vo Limited signed edition 56/172. (1)

814 Fleming (Ian). Thunderball, 1st edition, 1961, original cloth, dust jacket, small nicks and tiny tears at spine ends and folds, 8vo (1)

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

£200 - £300

226

£100 - £150

821 Hardy (Thomas). A Pair of Blue Eyes, 1895; Tess of the D’Urbervilles, 1895; The Trumpet-Major, 1896; The Woodlanders, 1896; Jude the Obscure, 1896, London: Osgood, McIlvaine and Co., half-titles present, etched frontispiece to each, endpapers spotted, some splitting to hinges, top edges gilt, remainder roughtrimmed, uniform original gilt decorated dark green cloth, some marks and one or two creas rexes, spines variously torn and frayed at ends (Woodlanders with small piece missing at head), some corners showing, 8vo Each volume inscribed by the author to Susan, Countess of Malmesbury, and signed variously ‘Thomas Hardy’ or ‘T.H.’ (two inscriptions, those to Jude and Tess, dated November 1895 and February 1896 respectively). Provenance: Bequeathed by Susan, Countess of Malmesbury to her niece Barbara, and thence by descent. Susan Harris (née Hamilton), Countess of Malmesbury (1854-1935), married Victorian statesman James Howard Harris, 3rd Earl of Malmesbury (18071889) in 1880. She later, in 1896, married British army ofﬁcer Major-General Sir John Charles Ardagh (1840-1907). The Countess was a fellow writer, friend and correspondent of Thomas Hardy. The two saw a great deal of each other, particularly during the period between her marriages, when these books were inscribed. Hardy’s marriage to Emma Gifford had become increasingly troubled, and it is telling that it was Susan with whom Hardy dined on his birthday in 1892, not his wife. Hardy’s second wife, Florence, in her biography of her husband, relates an anecdote of April 1894: “At Lady Malmesbury’s one of her green linnets escaped from its cage, and he [Hardy] caught it - reluctantly, but feeling that a green linnet at large in London would be in a worse predicament than as a prisoner.” (5) £1,000 - £1,500

820 Hamilton (Patrick). Rope: A Play, with a Preface on Thrillers, 1st edition, 1929, 4 pp. advertisement leaves at end, light partial offsetting from ﬂaps to endpapers, original wrappers, joints and edges a little rubbed, 8vo (1)

£100 - £150

822 Hardy (Thomas). Jude the Obscure, 1st bookform edition, volume VIII of the Wessex Novels, Osgood, Mcilvaine & Co., 1896 [1895], etched frontispiece by H. Macbeth-Raeburn, single page map at end, a little light marginal toning, top edge gilt, original green cloth gilt, corners a little bent, a few light marks, dust jacket remnant (part of upper panel and front ﬂap), 8vo (1)

£100 - £150

823 Heaney (Seamus). Beowulf, 1st edition, 9th printing, 1999, original boards, dust jacket, 8vo Signed to title by the author. (1)

Lot 821

227

£70 - £100

Lot 825

Lot 830

824 Heaney (Seamus). Beowulf, 1st edition, 1999, original boards, dust jacket, 8vo, inscribed to John Cornish by the author to title, 8vo, plus a 3rd impression copy of Human Chain, 2010 With a 2 page autograph letter from Seamus Heaney to John Cornish, dated July 1991, discussing his work, “I’ve been trying to get the backlog of promised work cleared up (impossible) and to survive the visitor season in Dublin. In fact, as a survival tactic, I have ﬂed into Wicklow and lie low at present in the fastness of Glanmore. I don’t quite “dine on the fern” — Hugh O’ Neill was your man for that — but there’s still a certain amount of Kearne-stealth under the trees, contributed to by the absence of a telephone and the soothing vigilance of hogweed in the lanes”, together with a photograph of Seamus and Marie Heaney, and a postcard and envelope. (2) £100 - £200

825 Hemingway (Ernest). For Whom the Bell Tolls, 1st edition, Charles Scribner, New York, 1940, ﬁrst issue with letter ‘A’ to copyright page, minor spotting to fore edges, original cloth (a couple of light stains), price-clipped dust jacket, a few tears and losses, old tape repairs, 8vo (1)

£150 - £200

826 Hilton (James). Good-bye Mr. Chips, 1st edition, 1934, illustrations, a few light spots, original cloth, dust jacket with Evening Standard Book of the Month wraparound band, edges a little rubbed, 8vo, together with To You Mr. Chips, 1st edition, 1938 (2)

£100 - £150

827 Hopkins (Gerard Manley). Poems of Gerard Manley Hopkins, edited with notes by Robert Bridges, 2nd edition, OUP, 1930, illustrations and facsimile poems, original vellum-backed boards, corners rubbed, 8vo, limited edition 243/250, together with The Letters of Gerard Manley Hopkins to Robert Bridges/The Correspondence of Gerard Manley Hopkins and Richard Watson Dixon/Further Letters of Gerard Manley Hopkins including his correspondence with Coventry Patmore, edited by Claude Colleer Abbott, 3 volumes, OUP, 1935-38, portrait frontispieces, illustrations and facsimiles, a few spots front and rear, previous owner inscriptions, original cloth, spines faded, dust jackets for last two titles only, spines faded with small tears at ends, 8vo, with four others including Humphrey House’s The Note-Books and Papers of Gerard Manley Hopkins, OUP, 1937 (ex-libris), and The Sermons and Devotional Writings of Gerard Manley Hopkins, edited by Christopher Devlin, OUP, 1959 From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. (9) £150 - £200 Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

228

Lot 831 828 Hughes (Ted). Earth Dances, Old Stile Press, 1994, linocut illustrations by R.J. Lloyd, unbound proof copy with a loose photocopy of the poem ‘Epigraph’ with corrections by Ted Hughes, additionally inscribed by R.J. Lloyd, limited edition 120/250, signed by artist and author, 4to, together with The Cat and the Cuckoo, Sunstone Press, 1987, colour illustrations by R.J. Lloyd, original cloth, dust jacket, slipcase, 12mo, limited edition 40/250, signed by artist and author (2)

£150 - £200

829 Hughes (Ted). Crow Wakes, 1st edition, Poet & Printer, 1971, original boards, slim 8vo, printed in an edition of 200 copies, together with Crow. From the Life and Songs of the Crow, uncorrected proof, 1970, original wrapper, slight marginal toning, 8vo, plus Child, by Sylvia Plath, Rougemont Press, Exeter, 1971, designed by Eric Cleave, original wrapper, 4to, limited edition 210/325, with other poetry including A Single Flower. Poems by Jim Burns, Andium Press, Jersey, 1971 (limited edition 55/100 signed by author and artist), Poems, Robert Creeley Reads, 1967 (limited edition of 350), Poems by Spike Milligan, Drawings by Dante Gabriel Rossetti, New Broom Press 1977 (limited edition 43/140), and others by Robert Creeley Jim Burns, William Bell, Anthony Cronin, Roy Fisher, Leonard Clark and Jim Turner From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. (approx. 100) £200 - £300

830 Hughes (Ted). The Mermaid’s Purse, Sunstone Press, 1993, 29 colour illustrations by R.J. Lloyd, original green cloth, slipcase, 8vo, limited edition 1/100, signed by artist and author, together with a proof copy in wrappers of the same (unsigned) (2)

£150 - £200

831 Huxley (Aldous). Brave New World, 1st edition, 1932, occasional light spotting, original cloth, light fading to spine, slight lean, dust jacket, spine toned, losses at ends and at head of front panel affecting lettering, a few small chips and tears, 8vo (1)

£400 - £600

832 Huxley (Aldous). Point Counter Point, 1st edition, 1928, top edge red, original cloth, dust jacket, 8vo (1)

£100 - £150

Lot 832

Lot 833

Lot 835

833 James (Henry). The Real Thing and Other Tales, 1st edition, 1st issue, Macmillan, 1893, 47 pp. publisher’s catalogue at end, one or two light spots, previous owner signature to front endpaper, original blue cloth gilt, spine faded to green, gilt lettering dulled, 8vo Edel & Laurence A37. Rare ﬁrst issue copy with the copyright date of 1892 to title verso. The second issue with cancel title the copyright date is 1893. “With a single exception all copies examined contain a cancel title-leaf. An apparently unique copy, discovered by I.R. Brussel and recently added to the Collamore Collection at Colby contains a ﬁrst-state title-leaf...” (Edel & Laurence). (1) £300 - £400

834 Joyce (James). A Portrait of the Artist as a Young Man, Egoist Press, [1921], light spotting front and rear, original green cloth, spine a little faded, a few small stains, 8vo (Slocum & Cahoon 13], together with Ulysses, 2 volumes, Odyssey Press, 1932, small number stamps to ﬁnal leaf versos, original wrappers, remnants of cardboard box 8vo (Slocum & Cahoon 20], plus Ulysses, 2 volumes, Odyssey Press, 4th impression, 1939 and 11 Olympia Press Travellers Companion Series/New English Library series titles by William Talsman, Alexander Trocchi, Akbar del Piombo and Paul Ableman, 1960’s, some duplicates (16)

£150 - £200

835 Joyce (James). Ulysses, 1st UK edition, London: published for the Egoist Press by John Rodker, Paris, 1922, contents slightly toned, text-block bumped with concomitant faint creasing to outer corners, very light occasional ﬁnger-soiling to lower outer corners, half-title slightly frayed, closed marginal tear to pp. 579/80, red crayon marking to ﬁnal page and colophon leaf, original blue paper wrappers, recased, covers laid down with loss, housed in a custom green cloth chemise, 4to

836 Joyce (James). Anna Livia Plurabelle, 1st edition, New York: Crosby Gaige, 1928, top edge gilt, original black cloth, upper cover with triangle design in gilt, a triﬂe rubbed at foot of spine, else a bright copy, 8vo

Slocum & Cahoon 18. Number 530 of 2,000 copies, printed from the plates of the ﬁrst edition, which appeared earlier the same year. A total of 500 copies ‘were reported seized and burned by United States government authorities’ (Slocum & Cahoon). (1) £500 - £800

Slocum & Cahoon 32. One of only 50 special copies printed on pale green paper, most not for sale. 800 copies were printed on cream-white paper and bound in brown cloth, each signed by the author. ‘Copies of this special issue were neither numbered or signed by Joyce. Of these 50 copies probably 6 were offered for sale by the publisher. These were numbered 1 to 6... the remaining 44 copies were presumably given away by Crosby Gaige, with the exception of a few which were remaindered to the Chaucer Head Book Shop, New York, in 1938 by Random House.’ (Slocum & Cahoon). (1) £1,000 - £1,500

229

Lot 837

Lot 839

Lot 840

837 King (Stephen). Carrie, 1st edition, Doubleday, New York, 1974, code ‘P6’ at gutter of p .199, previous owner signature to half title, publisher’s compliments ink stamp to front pastedown, original maroon cloth, a few light mottled stains to covers, covers a little bowed, dust jacket, 8vo The author’s ﬁrst book. (1)

£400 - £600

838 King (Stephen). Night Shift, 1st edition, Doubleday, New York, 1978, code ‘S52’ at gutter of ﬁnal leaf, one or two minor spots, original cloth-backed boards, price-clipped dust jacket, together with The Stand, 1st UK edition, 1979, original cloth (slight creasing to spine), dust jacket, light edge wear, 8vo, with 5 others including Dean R. Koontz’s A Darkness in My Soul, 1st UK edition, 1979, Chase (pseudonym ‘K.R. Dwyer’), 1st UK edition, 1974 and The Voice of the Night (pseundonym ‘Brian Coffey’), 1st UK edition, 1980 (7)

£200 - £300

839 King (Stephen). The Stand, Doubleday, New York, 1990, illustrations by Bernie Wrightson, a few minor spots to fore edges, all edges gilt, original black morocco gilt (small area of gilt decoration to upper cover a little dulled), original velvet- lined presentation box (one corner with small chip), original packaging box with stencilled title and limitation number, 4to Deluxe complete and uncut edition 1097/1250, signed by the author and illustrator. (1) £700 - £1,000

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

840* Kipling (Rudyard). The Irish Guards in the Great War, 2 volumes, 1st edition, 1923, maps, endpapers a little toned, top edge gilt, original red cloth gilt, spines slightly faded and rubbed at ends, 8vo, presentation copy, inscribed to volume I title, ‘Rudyard Kipling, signed for W. Mumford’, together with three autograph letters (dated February - August 1919) and two typescript letters, from Kipling to Walter Mumford (dated June - September 1927), two letters discussing Oliver Baldwin, ‘For once in his young life Oliver has shown moderate sense and I’m grateful to you for your letter. The idea of him Captain Kettleing about on a Rhine tourist-steamer’s quarterdeck, with a loaded automatic and a stern (eyebrow) is a very pleasing one. I hope to Heaven he doesn’t take a hand in the navigation...’, others discussing his new pipe, farm livestock and agriculture Captain Walter Clarkson Mumford MC (1886-1959) was a friend of Kipling, Oliver Baldwin (1899-1958) was the son of Prime Minister Stanley Baldwin and a cousin of Kipling and both served in the Irish Guards (and listed in the book’s index), during the First World War along with John Kipling, Rudyard’s son, who was recorded missing in action during the Battle of Loos in 1915. (7) £400 - £600

230

Lot 842

Lot 845

841 Lawrence (David Herbert). Pansies, London: Privately Printed by P.R. Stephensen, June 1929, sepia portrait frontispiece, decorative title in blue & brown, printed on lightly toned japon paper, unbound, 8vo, contained in near contemporary worn portfolio

845 Lewis (C.S.). The Horse and His Boy, 1st edition, 1954, illustrations by Pauline Baynes, small previous owner address sticker at head of dedication leaf, small inscription to half title, light partial offsetting to endpapers, original cloth, dust jacket, front and rear panels and spine excised at top margin (no loss of lettering), some fading to spine, a few nicks and tears, 8vo

From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. Printed in a limited edition of 50 copies. This example is unsigned. (1) £150 - £200

The ﬁfth book in the Narnia series. (1)

842 Le Carre (John). Call for the Dead, 1st edition, 2nd impression, 1961, a little minor spotting, original red cloth, dust jacket, slight fading to spine, 8vo

843 Lee (Laurie). The Sun My Monument, 1st edition, 1944, bookplate, original cloth, dust jacket, spine a little toned, short tear to lower joint, 8vo, signed by the author, together with The Voyage of the Magellan, 1st edition, 1948, illustrations by Edward Burra, partly unopened, light partial offsetting to endpapers, original cloth, dust jacket, spine toned, 8vo, signed to title, plus We made a Film in Cyprus, 1st edition, 1947, photographic illustrations by Ralph Keene, original cloth, dust jacket (small reinforcement to fold to verso), 8vo, signed, with others by Laurie Lee, including Cider With Rosie, 1st printing, 1959, A Rose for Winter, 1955, The Bloom of Candles (2 copies), 1947, The Firstborn, 1964, As I Walked Out One Midsummer Morning, 1969 and Two Women, 1983, all signed by the author

From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. (1) £150 - £200

847 Lewis (Wyndham). The Apes of God, Arco Publishers Ltd, 1955, light spotting and partial offsetting from ﬂaps to endpapers, original cloth, dust jacket, some fading to spine, front ﬂap clipped, a few chips and tears, repairs to verso, 4to, limited signed edition 165/1000, together with four others by Wyndham Lewis including Rotting Hill, 1951 and The Red Priest, 1956 From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. (5) £100 - £150

848 Lindsay (David). A Voyage to Arcturus, 1st edition, 1st issue, Methuen & Co. Ltd., 1920, [8],304,[8]pp., initial blank present, 8 advert pages at rear, light pencil markings against few lines of text, front free endpaper with pencil initials “JRA. Euston. Sept. 24 1920”, occasional light spotting to margins, original red cloth, spine faded, 8vo

£200 - £300

844 Lees-Milne (Patrick). Ancestral Voices, 1st edition, 1975, portrait frontispiece, light spotting to fore edges, original boards, price-clipped dust jacket by Reynolds Stone, slight toning at head of rear panel, 8vo, together with Prophesying Peace, 1st edition, 1977, portrait frontispiece, original cloth, dust jacket,8vo, plus Caves of Ice, 1st edition, 1983, portrait frontispiece, original cloth, dust jacket, spine a little faded, 8vo, with 14 others by Lees-Milne, a couple of duplicates including Another Self, 1970, Harold Nicolson. A Biography, 2 volumes 1980-81, Midway on the Waves, 1985, and 8 volumes of diaries (17)

£300 - £400

846 Lewis (Wyndham). Blast. Review of the Great English Vortex, volume I only (of 2), June 29, 1914, 22 plates and illustrations by Edward Wadsworth, Wyndham Lewis, Frederick Etchells, W. Roberts, Jacob Epstein, Gaudier Brzeska, Cuthbert Hamilton and Spencer Gore, some spotting, original wrappers (detached with some fraying), some wear and losses to spine, 4to

A good 2nd impression copy of the author’s ﬁrst book, published in August 1961, the ﬁrst issue published in May of that year. (1) £400 - £600

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Lot 848

From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. It is likely this volume belonged to the writer and editor of the Listener magazine Joe Randolph Ackerley (1896-1967). This title by David Lindsay is considered a seminal work of science ﬁction. The author’s ﬁrst book printed in an issue of 1500 copies, was not originally a great success, with only 596 of the issue being sold on publication. (1) £500 - £800

£150 - £200

231

849 Malamud (Bernard). The Natural, 1st edition, Harcourt, Brace, New York, 1952, original grey cloth (spine and extremities a little faded), dust jacket, small tears and nicks at spine ends and folds, 8vo The author’s ﬁrst book. (1)

852* Morrell (Ottoline, 1873-1938). A group of approximately 40 letters and cards to Lady Ottoline and Philip Morrell, c. 1912-1937, correspondents include Gertrude Stein (1874-1946), autograph letter unsigned, Bilignin par Balley, Ain, envelope postmarked 7 October 1933, to Lady Ottoline, apologising for being unable to be in Paris in time for the exhibition, corner tears with loss to left margin touching lettering of one word in final sentence; Leonard Woolf, ALS, 1912, soliciting a contribution of £5 to help Desmond MacCarthy who ‘has just lost £40 owing to someone on the Eye Witness absconding with, it is said, £1500’; Roger Fry (1866-1934); André Mauroys, ALS, 8 May 1936, in French, thanking Lady Ottoline for the Aldous Huxley pamphlet; Romola Nijinsky, ALS, Mayfair Court, London, no date, to Lady Morrell, ‘I am dreadfully sorry if there is anything in my book [a biography of her husband Nijinsky, first published 1934] what might displease you... and don’t want to do anything you might not like - I at once asked the publisher to cut out the paragraph you mentioned - as the book was allready in print this was not possible, but your name connected with the incident will be omited - I had a terrible time with the editor, who cut the poetical and historical parts of the book mercilessly everything I considered artistic... ‘; and other correspondents including Patrick Caulfield, Benedetto Croce, Mark Gertler, Maria Huxley, Dorelia John, T. Sturge Moore, Jean Paul Richter, James Stevens, L.A.G. Strong, Signe Toksvig, Walter J. Turner and Mary Webb, mostly autograph letters signed but including some typed letters and postcards, many with original postmarked envelopes

£500 - £800

850 Maugham (W. Somerset). Liza of Lambeth, Jubilee edition, 1947, top edge gilt, original vellum-backed patterned boards, dust jacket, some fading to spine, 8vo, limited signed edition 882/1000, together with A Writer’s Notebook, 1st edition, 1949, top edge gilt, original vellum-backed boards, slipcase, 8vo, limited signed edition 282/1000, plus eight others by Maugham including Cakes and Ale, 1930, Theatre, 1937, The Summing Up, 1938 and The Razor’s Edge, 1944 (all without dust jackets) (10)

£150 - £200

851 Midnight House. A collection of 21 titles, Midnight House, Seattle, 1998-2002, including House of the Nightmare, the Horror Fiction of Edward Lucas White, 1998 (limited edition 63/260), The Corpse Light and other Tales of Terror, the Horror Fiction of Dick Donovan, edited by Richard Dalby, 1999 (limited edition 424/460), The Weird O’ It, by Clive Pemberton, 2000 (limited edition 284/460) and Sesta & Other Strange Stories, the Horror Fiction of Edward Lucas White, 2001 (limited edition 253/460), some in publisher’s shrinkwrap and all limited editions in ﬁne condition, plus others including Fear Walks the Night. The Complete Ghost Stories of Frederick Coiwles, Ghost Story Press, 1993 (limited edition 144/250), James Platt’s Tales of the Supernatural, Ghost Story Press, 1994 (limited edition 164/250), H.D. Everett’s The Death-Mask and Other Ghosts, Ghost Story Press, 1995 (limited edition 159/350), and other horror and supernatural titles by Night Shade Books etc (54)

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

(approx. 40)

£300 - £500

232

£300 - £500

854* Penguin Bookshelf. A Penguin bookshelf, circa 1956, manufactured by Beaver & Tapley Ltd, Southall, Middlesex, stained walnut with 9 shelves on splayed supports, paper trade label to the rear, light scratches and wear, commensurate with age, 86.5cm high x 75cm wide x 12cm deep

853 Orwell (George). Homage to Catalonia, 1st edition, Secker & Warburg, 1938, wood-engraved bookplate of Archibald Lyall (by Tranquillo Marangoni) to front pastedown, original green cloth, gilttitled spine, slightly dust-soiled, original pictorial dust jacket (unclipped, with price 10s. 6d.), a few marginal chips and tears with small loss at right foot of spine and lower outer corner of lower panel, spine toned and with a small damp mark below author’s name and another over imprint at foot of lower panel, 8vo

(1)

£100 - £150

Archibald (‘Archie’) Laurence Lyall (1904-1964) was trained as a barrister but also published several travel books. These include Black and White make Brown, an account of his journey in 1936 to the Cape Verde islands and Portuguese Guinea, and The Companion Guide to the South of France, covering the coastal region of France between Menton and the Spanish frontier. In the 1930s he landed in ‘military intelligence’ and became a member of Special Operations Executive in the Second World War. In the 1950s he stayed mostly in Italy and in a new career he became an actor in at least six Italian films. Fenwick A6. A scarce copy in the dust jacket. When Orwell’s regular publisher Gollancz refused to publish it Frederick Warburg took it on and brought out the book in April 1938. The work records Orwell’s time fighting with the Socialists in the Spanish Civil War and though little regarded at the time is now seen by many as one of the author’s finest literary achievements. (1) £2,500 - £3,500

855 Plath (Sylvia). Ariel, 1st edition, 1965, a few faint spots to fore edges, original cloth, dust jacket, spine toned and chipped at head, 8vo (1)

233

£300 - £400

858 Ransome (Arthur). ‘Swallows and Amazons’. A complete set of all twelve titles, 1930-1950, all 1st editions except Peter Duck, 22nd impression, 1950 and Pigeon Post, 2nd impression, 1936, illustrations, a few minor spots, previous owner inscription to The Big Six, map endpapers, original cloth (light fading to Swallows and Amazons, more pronounced fading to Swallowdale), dust jackets for all except Swallowdale and The Picts and the Martyrs, Peter Duck and Secret Water price-clipped, some toning to spines, a few tears and losses to spines of Winter Holiday, The Big Six, Missee Lee and Great Northern?, small light water stain to Swallows and Amazons front panel and small nicks and tears to spine ends, a little light spotting to a few panels, 8vo From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. (12) £5,000 - £8,000

859 Rendell (Ruth). The New Girl Friend and Other Stories, An Unkindness of Ravens, Live Flesh, The Veiled One, The Bridesmaid, all 1st UK editions, Hutchinson, 1985-89, all signed by the author to title, original cloth in dust jackets, together with 42 other Rendell books (including 12 BCA & Guild publications and one ex library), plus 15 novels (one Guild published) by Rendell written under the pen name Barbara Vine, a total of 40 of the copies signed by Rendell or Vine to title-page, all original cloth in dust jacket, all but one (ex library) VG+ (62)

£300 - £400

856 Pound (Ezra, 1885-1972). I Cantos, volume primo : I primi trenta Cantos nella traduzione di Mary de Rachewiltz, 2nd edition, Milan, 1963, a few black & white illustrations including double-page portrait, signed by the poet in blue ballpoint pen to front free endpaper, ‘Venezia 3 Giugno 1964, Ezra Pound’, original red cloth lettered in white in glassine dust jacket (small chip at head of spine), original cloth and card slipcase, slightly soiled, 8vo (1)

£100 - £150

860 Rhys (Jean). Wide Sargasso Sea, 1st edition, 1966, original cloth, dust jacket, edges slightly rubbed with a couple of tiny closed tears, 8vo (1)

£150 - £200

857 Pratchett (Terry). Equal Rites, 1st edition, 1987, original cloth, dust jacket, 8vo

861 Sarob Press. A collection of 26 titles, Sarob Press, Wales, 1998-2010, including Vengeful Ghosts, by C.E. Ward, 1998 (limited edition 163/250), “Number Ninety” and other ghost stories, by B.M. Croker, 2000 (limited edition 130/250), Ghosts & Other Lovers, by Lisa Tuttle, 2002 (limited edition of 52), Journeys Beyond Advice, by Rhys Hughes, 2002 (limited edition of 52), Falling into Heaven, Fourteen Tales of Terror, by L.H. Maynard & M.P.N. Sims, 2004 (limited edition of 40), Damage, by Lee Thomas, 2006 (limited edition 38/42), and The Nightmare Frontier, by Stephen Mark Rainey, 2006 (limited edition 3/42), all in ﬁne condition

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Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

£150 - £200

234

£200 - £300

Lot 858

235

862 Sassoon (Siegfried). Memoirs of an Infantry Ofﬁcer, 1st edition, London: Faber & Faber, 1930, top edge gilt, remainder untrimmed, original blue cloth gilt, spine slightly faded, 8vo (limited signed edition, 591/750. Keynes A33b), together with Sassoon (Siegried), Selected Poems, 1st edition, London: William Heinemann, 1925, original blue cloth, spine slightly faded, small slim 8vo, plus Satirical Poems, 1st edition, London: William Heinemann, 1926, occasional pencil annotations and light underscoring, armorial bookplate of Samuel Augustine Courtauld to upper pastedown, original blue cloth, spine slightly faded, small slim 8vo, and The Heart’s Journey, 1st edition, London: William Heinemann, 1928, original blue cloth, small slim 8vo, and Vigils, ﬁrst edition, London: William Heinemann, 1935, original blue cloth, spine slightly faded, slim 8vo (5)

£200 - £300

863 Sassoon (Siegfried). The Old Huntsman and other Poems, 1st edition, London: William Heinemann, 1917, original boards, joints worn, 8vo, together with Counter-Attack and other Poems, 1st edition, London: William Heinemann, 1918, browning throughout, original printed wrappers, upper board detached and spine worn, slim 8vo, plus other Siegfried Sassoon titles, including 1st editions, and related reference including From Surtees to Sassoon, some English Contrasts (1838-1928) by F.J. Harvey Darton, 1st edition, 1931, original cloth in slightly worn dust-jacket, 8vo (30)

£200 - £300

866 Spender (Stephen). Returning to Vienna, 1947, Nine Sketches by Stephen Spender, 1st edition, Banyan Press, 1947, 24 unnumbered pages, printed on English handmade paper, original patterned wrappers, stitched as issued, some wear to spine and extremities, slim 8vo, limited signed edition 26/350, together with The Generous Days, 1st edition, Boston, David R. Godine, 1969, original cloth backed marbled boards, paper label to spine (a little chipped), 8vo, limited edition 77/250, with a pasted slip to front blank in the author’s hand, giving his name. address and telephone number at the English Department, University of Connecticut, plus The Generous Days, 1st edition, Faber & Faber, 1971, original cloth in dust wrapper, inscribed by Spender to half title ‘to Elizabeth and Christopher with love from Stephen Nov. 61, London.’, and 4 others by Stephen Spender, including Collected Poems 1928-1953, 1st edition, 1955, inscribed to half-title ‘to Elizabeth and Christopher with love and gratitude from Stephen & Natasha, Jan 31 1955’, Cyril Connolly, A Memoir, Edinburgh, Tragara Press, 1978, limited signed edition of 165 copies, this copy additionally inscribed to front endpaper ‘to Elizabeth with love from Stephen - June 6th 1978’, Recent Poems, Anvil Press, 1978, similarly inscribed to title and dated Christmas 1978, & World Within World, the autobiography of Stephen Spender, 1st edition, 1951 (unsigned, in worn dust wrapper), all 8vo

864 Sitwell (Osbert). The Man Who Lost Himself, 1st edition, 1929, partly unopened, original cloth-backed decorative boards, dust jacket, spine a little rubbed and faded, 8vo, presentation copy, inscribed to front endpaper ‘For Vladimir, Dmitri, Iigzil and Boris, alias Cyril Beaumont, from the author Osbert Sitwell, 1924’, together with The Collected Satires and Poems of Osbert Sitwell, Duckworth, 1931, portrait frontispiece, original cloth, dust jacket, spine slightly toned, 8vo, limited signed edition 68/110, plus DumbAnimal and Other Stories, 1930, portrait frontispiece, top edge gilt, original red buckram, spine darkened, 8vo, limited signed edition 94/110, with others by Osbert, Sacheverell and Edith Sitwell, including Far From My Home. Stories: Long & Short, by Sacheverell Sitwell, 1931 (limited signed edition 70/110), and Osbert Sitwell’s Miracle on Sinai. A Satirical Novel, The Albatross, Hamburg, Paris & Bologna, [1934], special limited edition of 12 copies The ﬁrst work’s dedicatee Cyril Beaumont (1891-1976) was a dance historian, publisher and bookseller. (approximately 65) £200 - £300

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£200 - £300

865 Smith (Dodie). The Hundred and One Dalmatians, 1st edition, 1956, illustrations by Janet & Anne Grahame-Johnstone, original cloth, some fading to spine, a little rubbed with light stains to lower cover, 8vo Presentation copy, inscribed by the author to front blank endpaper: “To cousin Reggie and cousin Alice, with love from Dodie, Finchingﬁeld, Essex, November 1956”. (1) £200 - £300

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

Lot 867

236

867 Steadman (Ralph, illustrator). Inspector Mouse, by Bernard Stone, 1st edition, London: Andersen Press, 1980, colour illustrations throughout, verso of front free endpaper inscribed by the artist ‘From Ralph Steadman 21 Oct 85, and facing leaf with sketch of a mouse incorporating the printed illustration of eye and magnifying glass, original pictorial boards, 4to, together with Emergency Mouse, A Story by Bernard Stone, 1st edition, London: Andersen Press, 1978, colour illustrations throughout, original pictorial boards, 4to, plus two copies of Treasure Island by Robert Louis Stevenson, illustrated by Ralph Steadman, 1985, both original boards gilt in dust jacket, one copy with small closed tear in rear panel of jacket, both signed by the artist in gold ink across the front endpapers, small folio (4)

869 Tartarus Press. A collection of 16 titles, Tartarus Press, 20002008, including Ghost Stories, by Oliver Onions, 2000 (limited edition of 350), Various Temptations, by William Sansom, 2002 (limited edition of 350), Tarnhelm. The Best Supernatural Stories of Hugh Walpole, 2003 (limited edition of 500), Where Nothing Sleeps, by Denton Welch, 2 volumes, 2005 (limited edition of 500) and The Man Who Could Work Miracles. The Supernatural Tales of H.G. Wells, 2006 (limited edition of 350), slight fading to one or two spines else in ﬁne condition (18)

£200 - £300

£150 - £200

868 Stevenson (Robert Louis). Strange Case of Dr Jekyll and Mr Hyde, 1st edition, 1st issue, London: Longmans, Green, and Co., 1886, half title (with titles listed to verso), single leaf at end advertising A Child’s Garden of Verses, inside front wrapper with tipped-in pictorial bookplate ‘Munson Aldrich Havens, Hetty Ganson Havens’, original wrappers (soiled), printed in red and blue, front cover detached, with short closed tear to lower right corner and a couple of small pale stains, spine worn with losses at head and foot, with associated manuscript letter on printed notepaper, from James F. Drake of the Association Book Company of New York, dated 1910, to Munson A. Havens, contained together in portfolio wrapper, with label ‘The Library of the University of Texas, Rare Book Collections’ inside front ﬂap, and pictorial bookplate (as above) on outside of front ﬂap, within matching slipcase, 8vo

870 Tartarus Press. A group of 31 titles published by Tartarus Press, Leyburn, North Yorkshire, circa 1990s/2000s, titles include Strange Tales, edited by Rosalie Parker, 3 volumes, The Legend of Sleepy Hollow by Washington Irving, The Triumph of Night by Edith Wharton, Tales of Terror by Guy de Maupassant, Black Spirits and White, A Book of Ghost Stories by Ralph Adams Cram, The Sound of His Horn and The King of the Lake by Sarban, The Golem by Gustav Meyrink, Nightmare Touch by Lafcardio Hearn, Dreads and Drolls by Arthur Machen, Morbid Tales by Quentin S. Crisp, etc., all original cloth in dust jackets, mostly 8vo, VG+ Various mostly unnumbered limitations of approximately 300 copies. (31) £300 - £500

871 Tartarus Press. The Collected Strange Stories, by Robert Aickman, 2 volumes, Tartarus Press/Durtro Press, 1999, original cloth, dust jackets, 8vo, limited edition of 500, together with The Attempted Rescue, by Robert Aickman, Tartarus Press, 2001, limited edition of 500

Prideaux 17; Swearingen pp.98-102. Scarce ﬁrst issue, with the date handcorrected in ink to the upper wrapper. Originally scheduled to be published in December 1885, the publisher, concerned that “the bookstalls were already full of Christmas numbers”, postponed its release to the following January. The wrapper was already printed, therefore the printed date was changed by hand from 1885 to 1886. (1) £500 - £800

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£150 - £200

872 Thatcher (Margaret). Statecraft, 1st edition, 2002, maps and illustrations, original cloth, dust jacket, 8vo Signed by the author to title. (1)

237

£70 - £100

873 Tolkien (J.R.R.). The Lord of the Rings: The Fellowship of the Ring, 4th impression, 1955; The Two Towers, 2nd impression, 1955; The Return of the King, 2nd impression, 1955, folding map at end of each, some light spotting, mainly to endpapers and fore margins and edges, bookplates of Pat Milne Henderson, top edges red, original cloth (Return of the King front cover with crease mark to lower corner), dust jackets,a little light spotting and soiling, a few nicks and short closed tears, 8vo Provenance: Patricia Milne Henderson, art historian, wife of Michael Jaffé (1923-1997, former director of the Fitzwilliam Museum), whose important library on coins, medals and antiquities was sold at Sotheby’s in 2016. With a 2 page autograph letter from J.R.R. Tolkien tipped-in at front of the Fellowship of the Ring, dated July 1956, addressed to Patricia Milne Henderson replying to and declining an invitation to the English Club, Cambridge, ‘I am actually overwhelmed with correspondence, and invitations, and am alas! ﬁnd it necessary to say no to all - though to Cambridge only with great regret ... I am absolutely loaded up with work, not only “Lord of the Rings” and all that though it’s heavy enough, but long long overdue philological stuff. Having now let the cat out of the bag and revealed how I have wasted my time for years, I am pretty well in a debtor’s prison under philological guard. Not that I have anything to say at the best of times that’s suitable, being able only to express myself in a kind of phonological algebra, or mythologically’. (3) £2,000 - £3,000

874 Tolkien (J.R.R.). The Fellowship of the Ring, 1st edition, 1st issue, George Allen & Unwin, 1954, folding map at end, top edge red, original cloth, price-clipped dust jacket, some toning to spine, short closed tear at foot of lower joint and rear fold, 8vo (1)

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

238

£2,000 - £3,000

Lot 874

Lot 875

875 Tolkien (J.R.R.). The Hobbit or There and Back Again, 2nd impression, George Allen & Unwin, 1937, 1 black & white and 4 colour plates from illustrations by the author, plate at p. 192 detached, some scattered spotting, ﬁnger soiling and minor marks, small split at foot of ﬁrst text leaf, later three-line ink inscription about Lord of the Rings written in black ink to title verso, map endpapers printed in red and black, ink ownership name overwriting a contemporary ownership inscription to upper margin of front free endpaper and some pencil transcriptions written on the map beneath, upper inner hinges split, original decorative light green cloth, some fraying with loss of cloth exposing boards beneath at head and lower half of spine and board edges, 8vo

876 Travers (P. L.). Mary Poppins, illustrated by Mary Shepard, 1st edition, London: Gerald Howe, 1934, front free endpaper with authorial presentation inscription ‘Ramona Heidman with love from Pamela Travers Christmas 1934’, generally toned, frontispiece cracking at gutter, title and dedication leaf dampstained (title with minor loss at fore edge and a couple of repairs), pictorial endpapers (repaired at gutters), later green calf gilt, by Grace Bindings, front cover (some fading) with pictorial title block in gilt, rear cover with some light scratches, in custom drop-back box, central portion of original pictorial cloth front cover mounted inside lid, 8vo An extremely scarce copy of the ﬁrst edition of Mary Poppins signed by the author. (1) £800 - £1,200

A binding copy of this second impression, published in the same year as the ﬁrst and the ﬁrst edition to include colour plates. (1) £700 - £1,000

Lot 876 239

877 Verne (Jules). The Master of the Worlds. A Tale and Mystery and Marvel, 1st separate British edition, Sampson Low, Marston, [1914], 317 pp, 30 monochrome plates, half-title toned and upper inner hinges slightly cracked, original green pictorial stamped cloth, a little rubbed, 8vo

879 Waterhouse (Keith). Billy Liar, 1st edition, 1959, original cloth, dust jacket, spine very slightly toned, 8vo, together with Billy Liar. A Play in Three Acts, by Keith Waterhouse and Willis Hall, 1960 First book inscribed by the author to Kaye Webb (1914-1996), editor of Pufﬁn Books from 1961-1979 and former wife of artist Ronald Searle. (1) £200 - £300

Miers 37: ‘Copies of the American edition were bound from British sheets and neither has a date of publication’. (1) £400 - £600

878 Wallace (Edgar, 1875-1932). Autograph poem signed, ‘Edgar Wallace’, Babbacombe, [Devon], 1 April 1918, an untitled manuscript poem of four 4-line verses relating to the war and Babbacombe, written in a contemporary autograph album, the majority of remaining leaves blank, except three leaves with contemporary inscription and drawings, all edges gilt, original limp cloth, slightly rubbed and soiled, oblong 8vo (1)

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

Lot 880

£100 - £150

240

880* Welch (Denton, 1915-1948). A group of 27 autograph letters signed, ‘Denton Welch’ and ‘Denton’, mostly Pitt’s Folly Cottage, near Tonbridge, and four from Middle Orchard, Crouch, near Sevenoaks, Kent, 14 July 1943 to 17 June 1947, all to Mrs Julian Goodman [née Morrell, later Vinogradoff], the ﬁrst letter saying how delighted he was to get her ‘letter telling me that you had bought the piebald cat [a painting by Welch]. I do hope that you will like it when you have it up on the wall... ‘, continuing with a description of the drawing’s creation and reference to his writing, the second letter apologising for masculinising the name Julian and addressing her as Mr Goodman in the ﬁrst letter and continuing, ‘No, I am not in the army. This was due to an unfortunate road accident which has left me with rather precarious health. However, I am also left to get on with my writing or painting, which is one satisfying thing for me’, ensuing letters referring to a portrait of Mrs Goodman’s pet pug dog Alex which she commissioned him to paint a portrait of, referencing two antiques buys, a visit to 10 Gower Street and Lesley Blanch, a portrait of Julian Goodman, Vogue, photographs, Horizon, Mark Gurtler, Siegfried Sassoon, Edith Sitwell, a party invitation, plus references to the war including mentions of bombs, doodlebugs, rationing, etc., mostly two pages but including lengthier letters of up to 10 pages, a total of 113 pages, 8vo, plus a photograph of the drawing of Alex by Welch as used in Vogue magazine, 1944, sealed frame, glazed, 11 x 14.5cm, plus four of the original postmarked envelopes (32)

882 Whittington Press. A Folding Screen, selected Chinese lyrics from T'ang to Mao Tse-tung, rendered into verse by Alan Ayling, from the translation of the Chinese by Duncan Mackintosh..., illustrations by Fai Ch'eng Wu, Whttington Press, 1974, top edge gilt, remainder untrimmed, original patterned cloth, with slipcase, limited edition 183/200, signed by Alan Ayling and Duncan Mackintosh, together with Poems for Alan Hancox, Whittington Press, 1993, top edge gilt, original quarter brown cloth over patterned boards, slim 4to, limited edition 279/350, plus other Whittington Press publications including Signs of the Zodiac, woodengravings by Hellmuth Weissenborn, 1978, Rose's Aga Recipes, compiled by Rosalind Randle, 1984, Lap Games & other songs for children, compiled by Caroline Martin, 1989, advertising brochures, catalogues from the press, many in original wrappers, stitched as issued, 8vo & 4to From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. (approx. 40) £150 - £200

£1,000 - £1,500

883 Wilde (Oscar). The Picture of Dorian Gray, 1st book edition, Ward, Lock & Co, [1891], misprint ‘nd’ for ‘and’ on page 208, line 23, as called for, 8 pp. publishers advertisements at end, a little spotting to both titles, partly uncut, original rough grey bevelled boards gilt, with ‘butterﬂy’ designs by Charles Ricketts to upper cover, white parchment spine lettered in gilt at foot, the boards rubbed and soiled with some edge and corner wear, the spine cracked and browned with a little loss at head and foot affecting imprint, joint split, 8vo Mason 328. (1)

881 Wells (H.G.). The War in the Air and particularly how Mr. Bert Smallways fared while it lasted, 1st edition, 1st issue, 1908, 16 monochrome illustrations by A.C. Michael, advertisement leaf at end, occasional spotting, previous owner inscription and bookseller blindstamp to front endpaper, original 1st issue blue cloth lettered in gilt, spine faded to green, one corner a little bumped, lightly rubbed, 8vo, together with Mr Blettsworthy on Rampole Island, 1st edition, 1928 (2)

£100 - £150

241

£700 - £1,000

886 Williamson (Henry). ‘A Chronicle of Ancient Sunlight’, 195169, 14 titles (of 15, lacking The Power of the Dead, 1963), a few minor spots, Young Phillip Maddison with blindstamps to ﬁrst few leaves, original cloth, slight fading to one or two extremities, dust jackets, a few price-clipped, Dark Lantern with reinforcements to verso, a couple of small nicks and closed tears, a few light stains to Dark Lantern, 8vo (14)

£150 - £200

887 Williamson (Henry). The Pathway, 1928; The Patriot’s Progress, 1930; The Village Book, 1930; The Labouring Life, 1932, 1st editions, illustrations, a few minor spots, original cloth, dust jackets, The Pathway and Labouring Life with repairs to verso, 8vo, together with others by or relating to Williamson including The Lone Swallows, 1922, The Linhay on the Downs, 1934, Goodbye West Country, 1937, The Children of Shallowford, 1939 and Green Fields and Pavements, 1995, limited signed edition 22/50 and a few Henry Williamson Society Journals and publications, 1990’s (approximately 60)

884 Wilde (Oscar). A House of Pomegranates, 1st edition, London: James R. Osgood McIlvaine & Co., 1891, pictorial title, 4 plates and numerous illustrations and decorations in text by Charles Ricketts and Charles Shannon, pictorial endpapers with some discolouration, edges untrimmed, original two-tone cloth blocked in gilt and pale red designed by Ricketts, slight fading to covers, small 4to

888 Winter (Douglas E., editor). Prime Evil, Bantam Press, [1988], colour illustrations byThomas Canty, original black morocco, morocco clamshell box, large 8vo, limited edition of 250, this copy a ‘Publisher’s Copy’ and signed by editor, artist and all 13 contributing authors (including Stephen King, Clive Barker, Jack Caddy, Peter Straub, Whitley Strieber et al), together with Ballard (J.G.) Empire of the Sun, 1st edition, 1984, slight toning to textblock, original cloth, glassine wrapper, slipcase, 8vo, limited signed edition 8/100, plus James (P.D) Murder in Triplicate, Belmont Press, 2001, colour illustrations by Eileen Hogan, original morocco-backed boards, 8vo, limited edition 93/150, signed by author and artist, with an extra print contained in rear pocket, with others including J.G. Ballard’s The Day of Creation, 1987 (limited signed edition 36/100), Kingsley Amis’s You Can’t Do Both, London Limited Editions, 1994 (limited signed edition 127/150), Anita Brookner’s Family and Friends, London Limited Edition, 1985 (limited signed edition 66/250), and others including Harold Pinter, Julian Barnes, Macdonald Hastings, Robin Maugham, Owen John, Graham Swift, Ian McEwan, mostly all signed by the authors

Mason 347. Only 1000 copies of this edition were printed. The volume includes Shannon’s four “Delicate and Lovely” plates and Ricketts’ “Completely Beautiful” Designs. Although Wilde remained effusive about the decoration of his book (and defended it from public criticism), the printing of Shannon’s four plates had been difﬁcult. As a result of some fault in the printing process, a dusty deposit appeared on each plate, which was only noticed after the book was bound. Unfortunately, the solution to the problem (by wiping each plate with a ﬂannel) removed the surface of the print and left the images rather faint, and in some cases, almost invisible. (1) £200 - £300

885 Williamson (Henry). ‘A Chronicle of Ancient Sunlight’, a complete set of 15 titles, 1st editions, 1951-69, a few light spots and light offsetting, original cloth, a few early titles spines and one or two covers faded, dust jackets, some fading to a couple of spines, a few small tears and chips, minor spotting to a few rear panels, 8vo (15)

(50)

£300 - £400

Lot 885

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

£200 - £300

242

£300 - £400

889 Wodehouse (P.G.). Money in the Bank, [1946]; Uncle Dynamite, [1948]; The Mating Season, [1949]; The Old Reliable, 1951; 1st editions, a little light spotting, original cloth, dust jackets, a few chips, tears and losses, mainly to spines, 8vo, together with 1st editions Nothing Serious, [1950, in torn jacket with repairs to verso], Cocktail Time, 1958 and Jeeves Omnibus, 1931, plus later printings etc including Eggs, Beans and Crumpets, 1949 reissue and 2nd printings of Young Men in Spats [1936?] and Joy in the Morning, [1949] (13)

£200 - £300

891 Woolf (Virginia). The Waves, 1st US edition, Harcourt Brace, New York, 1931, original cloth, price-clipped, dust jacket, spine toned with tiny tears at end, small stains to rear panel, 8vo, together with The Moment and Other Essays, 1st edition, 1947, original cloth, price-clipped dust jacket, spine faded, 8vo, with ﬁve others including Walter Sickert. A Conversation, 1934, The Waves, 2nd impression, 1931 (rebound in morocco-backed boards) and Vita Sackville-West’s The Edwardians, 1930 (7)

£200 - £300

892 Woolf (Virginia). Three Guineas, 1st edition, Hogarth Press, 1938, original cloth, soiled and partly damp stained, dust jacket present but chipped and soiled and lacking spine, together with Isherwood (Christopher), Lions and Shadows, 1st edition, Hogarth Press, 1938, portrait frontispiece, original cloth, spine cocked, remains of orignal upper panel of dust jacket, plus Muisil (Robert), The Man without Qualities, 3 volumes, 1st English edition, Secker & Warburg, 1960, original cloth gilt in chipped and damp stained dust jackets, plus Naipaul (V.S), In a Free State, 1st edition, Deutsch, 1971, some spotting at front and rear, author’s signed presentation inscription ‘For Christopher & Elizabeth’, dated 31 October 1971, to title, original cloth in dust jacket, a little rubbed and soiled, plus Powell (Anthony), From a View to a Death, John Lehmann, 1948, author’s signed presentation inscription ‘For Elizabeth (from Tony), 1949’, to front free end paper, original cloth gilt, a little rubbed, all 8vo, plus other mostly modern literature, etc

890* Woolf (Leonard, 1880-1969). Typed letter signed, ‘Leonard Woolf ‘, Hogarth House, Richmond, 22 February 1919, to [William] Archer enclosing Archer’s typed carbon copy draft of ‘Observations on the Draft Covenant of the League of Nations, by the Research Committee of the League of Nations Union’, Woolf disagreeing with one sentence ‘absolutely’ and continuing, ‘It seems rather absurd for a Committee like ours to issue comments upon this document and to ignore the most crucial of all the questions connected with it, i.e. whether it is going to establish a League of Nations at all or only a League of Some Nations in alliance against others’, and suggesting an additional amended sentence, a little creasing, 2 pp., oblong 8vo, pinned at upper margin to the 3-page draft with Archer’s ink corrections and comments, noting that he disagrees with Woolf about Article 4 but agreeing with Woolf’s other comment marked in the attached letter if other members agree, a little creasing, 3 sheets, folio

(48)

£150 - £200

893 Zukofsky (Louis). "A"-14, 1st edition, Turret Books, 1967, original blue cloth gilt in dust wrapper, 8vo, limited signed edition 150/275, signed by the author, together with "A" 22 & 23, 1st edition, Trigram Press, 1977, original brown cloth in dust wrapper, 8vo, VG, plus "A" 13-21, 1st edition, Jonathan Cape, 1969, original boards in dust wrapper, some light marks, 8vo, and Bottom: On Shakespeare, 2 volumes, 1st edition, Ark Press, 1963, original cloth gilt in slipcase, 8vo, printed in an edition of 1040 copies, plus others by Zukofsky, including All the Collected Short Poems 1956-1964, 1967 and Catullus, translated by Celia and Louis Zukofsky, Cape Goliard Press, 1969

Leonard Woolf was exempted from National Service on medical grounds and during the war of 1914-18 turned his attention to the study of international relations and colonialism. His resulting book International Government (1916) formed one of the bases for the British proposals for a League of Nations. The dramatic critic and journalist William Archer (18561924) also worked in the cause of the League of Nations. Along with H.G. Wells, Gilbert Murray and others he authored The Idea of a League of Nations, published by The Atlantic monthly press in Boston, circa 1919. (2) £150 - £200

From the Library of Alan and Joan Tucker, Stroud, Gloucestershire. (20) £100 - £150

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Printed Books, Maps and Documents The Library of Patricia Milne-Henderson 29 JANUARY 2020

George Leonard Staunton. Atlas to An Authentic Account of An Embassy from the King of Great Britain to the Emperor of China, 1797, fine contemporary blue morocco, large folio. Estimate ÂŁ3000-4000

For further information please contact Chris Albury or Dominic Somerville-Brown: chris@dominicwinter.co.uk dominics@dominicwinter.co.uk

Fine Art & Antiques Old Master Prints & Drawings 5 MARCH 2020

Kyffin Williams (1918-2006). Farmer on a Mountain 2, watercolour and pencil on paper, initialled lower right, 44.5 x 35.5 cm (17.5 x 14 ins) mount aperture, framed and glazed, with Thackeray Gallery label to verso. Estimate ÂŁ3000-5000

For further information please contact Susanna Winters, Nathan Winter and Henry Meadows: susanna@dominicwinter.co.uk nathan@dominicwinter.co.uk henry@dominicwinter.co.uk

INFORMATION FOR BUYERS AFTER THE AUCTION Online Results: If you weren’t present or able to follow the auction live, you can ﬁnd results for the sale on our website shortly after the sale has ended. Payment: The price you pay is the amount at which the auctioneer’s hammer falls (the hammer price), plus a buyer’s premium (a percentage of the ﬁnal hammer price) and vat where applicable. You will be issued with an invoice made out to the name and address provided on your registration form. Please note successful bids made via live bidding cannot be invoiced or paid for until the day after an auction. A live bidding fee of 3% + VAT (Invaluable) or 4.95% + VAT (the-saleroom) will be added to your invoice.

METHODS OF PAYMENT Cheque: Cheques will only be accepted on the day of the sale by prior arrangement (please contact our office for further information). Cheques by post will be accepted but a period of 5 working days will be required for the cheque to clear before purchases can be collected or posted. Cash: Payments can be made at the Cashier’s Office, either during or after the sale. Debit Card: There is no additional charge for purchases made with debit cards in the UK. Credit Cards: We accept Visa and Mastercard. It is advisable to let your card provider know in advance if you are intending to purchase. This reduces the time needed to obtain authorisation when the payment is made. Bank Transfer: All transfers must state the relevant invoice number. If transferring from a foreign currency, the amount we receive must be the total due after the currency conversion and the deduction of any bank charges. Note to Overseas Clients: All payments must be made by bank transfer only. No card payments will be accepted unless by special prior arrangements with the auctioneers. Collection/Postage/Delivery: If you attend the auction in person and are successful in your bid, you are free to collect your item once payment has been made. Successful commission or live bids will be invoiced to you the day after the sale. When it is possible for our in-house packing department to send your purchase(s), a charge for postage/packing/insurance will be included in your invoice. Where it is not possible for our in-house packing department to send your item you will be required to make your own arrangements or to contact Mailboxes etc (tel: 01793 525009) or Pack and Send (tel: 01635 887237) who may be able to help. We provide a monthly delivery service to Central London, usually on Wednesday of the week following an auction. Payment must be received before this option can be requested. A charge will be added to your invoice for this service.

ARTIST'S RESALE RIGHT LAW ("DROIT DE SUITE") Lots marked with AR next to the lot number may be subject to Droit de Suite. Droit de Suite is payable on the hammer price of any artwork sold in the lifetime of the artist, or within 70 years of the artist's death. The buyer agrees to pay Dominic Winter Auctioneers Ltd. an amount equal to the resale royalty and we will pay such amount to the artist's collecting agent. Resale royalty applies where the Hammer price is 1,000 Euros or more and the amount cannot be more than 12,500 Euros per lot. The amount is calculated as follows: Royalty For the Portion of the Hammer Price (in Euros) 4.00% up to 50,000 3.00% between 50,000.01 and 200,000 1.00% between 200,000.01 and 350,000 0.50% between 350,000.01 and 500,000 Invoices will, as usual, be issued in Pounds Sterling. For the purposes of calculating the resale royalty the Pounds Sterling/Euro rate of exchange will be the European Central Bank reference rate on the day of the sale. Please refer to the DACS website www.dacs.org.uk and the Artists’ Collecting Society website www.artistscollectingsociety.org for further details.

Each lot is subject to a Buyer’s Premium of 20% (Lots marked * 24% inclusive of VAT @ 20%)

246

Libraries & Archives Nathan Winter & Chris Albury Paintings & Prints Nathan Winter Antiques & Furniture Henry Meadows Medals & Militaria Henry Meadows Aviation & Transport Collections Chris Albury & Henry Meadows Atlases, Maps & Prints John Trevers Antiquarian Books Colin Meays Modern First Editions Paul Rasti Children's Books, Toys & Games Susanna Winters Sports Books & Memorabilia Paul Rasti Taxidermy, Fossils & Field Sports John Trevers Vintage Photography & Cinema Chris Albury Manuscripts, Autographs & Ephemera Chris Albury Travel & Exploration, Oriental Books & Manuscripts Dominic Somerville-Brown

For free valuations without obligation, please contact any of the above specialists for further advice. Mallard House, Broadway Lane, South Cerney, Cirencester, Gloucestershire, GL7 5UQ 01285 860006 / ďŹ rstname or info@dominicwinter.co.uk

www.dominicwinter.co.uk 247

CONDITIONS OF SALE AND BUSINESS 1. The Seller warrants to the Auctioneer and the buyer that he is the true owner or is properly authorised to sell the property by the true owner and is able to transfer good and marketable title to the property free from any third party claims. 2. (a) The highest bidder to be the buyer. If during the auction the Auctioneer considers that a dispute has arisen he has absolute authority to settle it or re-offer the lot. The Auctioneer may at his sole discretion determine the advance of bidding or refuse a bid, divide any lot, combine any two or more lots or withdraw any lot without prior notice. (b) Where goods are bought at auction by a buyer who has entered into an agreement with another or others that the other or others (or some of them) shall abstain from bidding for the goods and the buyer or other party or one of the other parties is a dealer (as defined in the Auction Biddings Agreement Act 1927) the buyer warrants that the goods are bought bona fide on joint account. 3. The buyer shall pay the price at which a lot is knocked down by the Auctioneer to the buyer (“the hammer price”) together with a premium of 20% of the hammer price. Where the lot is marked by an asterisk the premium will be subject to VAT at 20% which under the Auctioneer’s Margin Scheme will form part of the buyer’s premium on our invoice and will not be separately identified (the premium added to the hammer price will hereafter collectively be referred to as “the total sum due”). By making any bid the buyer acknowledges that his attention has been drawn to the fact that on the sale of any lot the Auctioneer will receive from the seller commission at its usual rates in addition to the said premium of 20% and assents to the Auctioneer receiving the said commission. 4. (a) The buyer shall forthwith upon the purchase give in his name and permanent address and pay to the Auctioneer immediately after the conclusion of the auction the total sum due. (b) The buyer may be required to pay down during the course of the sale the whole or any part of the total sum due, and if he fails to do so after such request the lot or lots may at the Auctioneer's absolute discretion be put up again and resold immediately. (c) The buyer shall at his own expense take away any lot or lots purchased no later than five working days after the auction day. (d) The Auctioneer may at his own discretion agree credit terms with a buyer and extend the time limits for collection in special cases but otherwise payment shall be deemed to have been made only after the Auctioneer has received cash or a sterling banker’s draft or the buyer's cheque has been cleared. 5. (a) If the buyer fails to pay for or take away any lot or lots pursuant to clause 4 or breaches any other condition of that clause the Auctioneer as agent for the seller shall be entitled after consultation with the seller to exercise one or other of the following rights: (i) Rescind the sale of that or any other lots sold to the buyer who defaults and re-sell the lot or lots whereupon the defaulting buyer shall pay to the Auctioneer any shortfall between the proceeds of that sale after deduction of costs of re-sale and the total sum due. Any surplus shall belong to the seller. (ii) Proceed for damages for breach of contract. (b) Without prejudice to the Auctioneer's rights hereunder if any lots or lots are not collected within five days or such longer period as the Auctioneer may have agreed otherwise, the Auctioneer may charge the buyer a storage charge of £1.00 + VAT at the current rate per lot per day. (c) Ownership of the lot purchased shall not pass to the buyer until he has paid to the Auctioneer the total sum due. 6. (a) The seller shall be entitled to place a reserve on any lot and the Auctioneer shall have the right to bid on behalf of the seller for any lot on which a reserve has been placed. A seller may not bid on any lot on which a reserve has been placed. (b) Where any lot fails to sell, the Auctioneer shall notify the seller accordingly. The seller shall make arrangements either to re-offer the lot for sale or to collect the lot and may be asked to pay a commission not exceeding 50% of the selling commission and any special expenses incurred in cataloguing the lot. (c) If such arrangements are not made within seven days of the notification the Auctioneer is empowered to sell the lot by auction or by private treaty at not less than the reserve price and to receive from the seller the normal selling commission and special expenses.

7. Any representation or statement by the Auctioneer in any catalogue, brochure or advertisement of forthcoming sales as to authorship, attribution, genuineness, origin, date, age, provenance, condition or estimated selling price is a statement of opinion only. Every person interested should exercise and rely on his own judgement as to such matters and neither the Auctioneer nor his servants or agents are responsible for the correctness of such opinions. No warranty whatsoever is given by the Auctioneer or the seller in respect of any lot and any express or implied warranties are hereby excluded. 8. (a) Notwithstanding any other terms of these conditions, if within fourteen days of the sale the Auctioneer has received from the buyer of any lot notice in writing that in his view the lot is a deliberate forgery and within fourteen days after such notification the buyer returns the same to the Auctioneer in the same condition as at the time of the sale and satisfies the Auctioneer that considered in the light of the entry in the catalogue the lot is a deliberate forgery then the sale of the lot will be rescinded and the purchase price of the same refunded. "A deliberate forgery" means a lot made with intention to deceive. (b) A buyer's claim under this condition shall be limited to any amount paid to the Auctioneer for the lot and for the purpose of this condition the buyer shall be the person to whom the original invoice was made out by the Auctioneer. 9. Lots may be removed during the sale after full settlement in accordance with 4(d) hereof. 10. All goods delivered to the Auctioneer's premises will be deemed to be delivered for sale by auction unless otherwise stated in writing and will be catalogued and sold at the Auctioneer's discretion and accepted by the Auctioneer subject to all these conditions. In the case of miscellaneous books, the Auctioneer reserves the right to extract and dispose of books that, in the opinion of the Auctioneer at his absolute discretion, have no saleable value and, therefore, might detract from the saleability of the rest of the lot and the Auctioneer shall incur no liability to the seller, in respect of the books disposed of. By delivering the goods to theAuctioneer for inclusion in his auction sales each seller acknowledges that he/she accepts and agrees to all the conditions. 11. (a) Unless otherwise instructed in writing all goods on the Auctioneer's premises and in their custody will be held insured against the risks of fire, burglary, water damage and accidental breakage or damage. The value of the goods so covered will be the hammer price, or in the case of unsold lots the lower estimate, or in the case of loss or damage prior to the sale that which the specialised staff of the Auctioneer shall in their absolute discretion estimate to be the auction value of such goods. (b) The Auctioneer shall not be responsible for damage to or the loss, theft, or destruction of any goods not so insured because of the owner’s written instructions. 12. The Auctioneer shall remit the proceeds of the sale to the seller thirty days after the day of the auction provided that the Auctioneer has received the total sum due from the buyer. In all other cases the Auctioneer will remit the proceeds of the sale to the seller within seven days of the receipt by the Auctioneer of the total sum due. The Auctioneer will not be deemed to have received the total sum due until after any cheque delivered by the buyer has been cleared. In the event of the Auctioneer exercising his right to rescind the sale his obligation to the seller hereunder lapses. 13. In the case of the seller withdrawing instructions to the Auctioneer to sell any lot or lots, the Auctioneer may charge a fee of 12.5% of the Auctioneer's middle estimate of the auction price of the lot withdrawn together with Value Added Tax thereon and any expenses incurred in respect of the lot or lots. 14. The Auctioneer’s current standard notices and information (i.e. Collation and Amendments) will apply to any contract with the Auctioneer as if incorporated herein. 15. These conditions shall be governed by and construed in accordance with English Law.

Merry Christmas and a Happy and Peaceful New Year from us all! Important Notice Customers are cordially invited to join us for complimentary seasonal refreshments from midday on Wednesday 11 December Please note that our offices will close at 4pm on Friday 20 December and we will reopen on Thursday 2 January 2020 at 9.30am