Kinghams Auctioneers

Wednesday 5th & Thursday 6th March 2025

FINE AND DECORATIVE ARTS

To be held at:

10-12 Cotswold Business Village, London Road, Moreton-in-Marsh GL56 0JQ

WEDNESDAY 5TH AND THURSDAY 6TH MARCH 2025

Viewing

Monday 3rd March – 10.00am to 5.00pm, Tuesday 4th March – 10.00am to 5.00pm Wednesday 5th March – 9am to 10am & Thursday 6th March – 9am to 10am

Day of the Sale

Auction scheduled to start at 10am with bidding in the room and live bidding on the internet bidding platforms. Telephone bids and commission bids are accepted and potential bidders will need to be registered with us before the sale.

SPECIALISTS

George Kingham Director

Mark Oliver Consultant Decorative Arts Specialist

John Keightley Associate Director Senior Valuer and Cataloguer

Steven Bruce Consultant Valuer

Adrian Rathbone Associate Director & Senior Valuer

Sarah Powel Office Administrator

Eric Belgrave Photographer

Live internet bidding is available on www.kinghamsauctioneers.com, www.the-saleroom.com, www.invaluable.com and www.easyliveauction.com together with a fully illustrated catalogue.

Catalogue £10.00 (£14.00 by post)

Kinghams Auctioneers Ltd

10-12 Cotswold Business Village, London Road, Moreton-in-Marsh GL56 0JQ NB. Please telephone to arrange collection.

01608 695695 | enquiries@kinghamsauctioneers.com | www.kinghamsauctioneers.com

MAP AND DIRECTIONS

Our auction centre is located in the historic Cotswold market town of Moreton-in-Marsh

By Car

We are centrally located on the A44 in reach of motorways the M5, M4, M40 and M42. Ample free parking.

By Rail

Moreton-in-Marsh’s train station is less than a mile from the auction centre.

By Plane

The nearest International Airports are Birmingham, 45 miles and Heathrow, 70 miles.

Accomodation

www.cotswolds.com/accommodation

DELIVERY SERVICES FOR BUYERS

We offer an in house packing service for most items and paintings up to 110cm x 80cm. Please email enquiries@kinghamsauctioneers.com for a quote or call 01608 695695 for a quotation.

For Furniture:

Tustain Carriers, Fine Art & Antique Carriage 07964 626325 enquiries@tustainclearance.com www.tustaincarriers.com

USEFUL INFORMATION FOR BUYERS

Please see full Terms and Conditions at the back of this catalogue.

Buying at Kinghams Auctioneers Ltd:

There are several ways you can bid at our auctions; by leaving a commission bid, on the telephone and live via the internet.

Bidding in Person

It is essential that all prospective buyers register with us prior to the auction. Proof of identification will be required in order for a bidding number to be allocated which can then be used when bidding for an item.

Commission Bids

Kinghams will execute bids if you are unable to attend the sale. Bids can be left with our staff during or after viewing, or in advance by telephone or e-mail: enquiries@kinghamsauctioneers.com

Telephone Bids

Lines must be booked by 5pm the day before the auction begins. Lines are booked on a first come first served basis. Full name, address and telephone numbers will be required together with proof of identity. Bank and/or credit/debit card details are necessary to secure the line.

Live Internet Bidding

Register online via www.kinghamsauctioneers.com, www.the-saleroom.com, www.invaluable.com, www.easyliveauction.com and www.liveauctioneers.com Various charges apply, please check with your bidding platform.

Condition

Bidders must satisfy themselves as to the condition of each lot. Condition reports are available on request. (no later that 48 hours before the sale).

Buyer’s Premium

There is a buyer’s premium of 26% plus VAT on the first £500,000 of the hammer price of each lot. 18% plus VAT on the excess of £500,001 and up to £1,000,000 of the hammer price of each lot, and 15% plus VAT on the excess of £1,000,001 of the hammer price of each lot.

Payment

Must be made in full before items can be removed from the premises. If buyers are unknown to us, we cannot handover purchase until payment has been cleared.

Payment Methods - We accept payment by:

• Cash - up to £9,000 (subject to money laundering regulations).

• Cheques - we do not accept cheques.

• Debit cards accepted. We do not accept any credit cards.

• Bank transfer to:

HSBC Bank, 32 Bridge St., Evesham, WR11 4RU

Account No.: 51655345

Account Name: Kinghams Auctioneers Ltd

Sort Code: 40-20-27

IBAN: GB91MIDL40202751655345

SWIFTBIC: MIDLGB22

Please note that a fee of £15 will be added for international bank payments.

CONTENTS

Day One

Day Two

Asian Art 362 – 380 Furniture and Clocks

– 405

– 530

Continental Ceramics 531 – 555

Art Pottery 556 – 643

Studio Pottery 644 – 656

British Ceramics 657 – 674

DAY ONE

1 A Chinese lavender jade and white stone pendant, mounted in silver coloured metal, carved leaf form, suspended on a link, 7cm long £30 - £50

2 A 9 carat gold bi colour wedding band ring, approx size L, 3.4g £60 - £80

3 A 9 carat gold anchor brooch, and a gold mounted cameo brooch, 3cm long, 4.5g £70 - £100

4 A 9ct gold St Christopher and Sagittarius pendant, with chain £70 - £100

5 A George IV split pearl and gold mourning ring, inscribed and dated 1823, rectangular with glazed window £80 - £120

6 An early 19th century split pearl and gold mourning brooch, ovoid form with central glazed window of platted hair, 2.2cm long £80 - £120

7

7 A 9ct gold diamond accent openwork ring £80 - £120

8 A pink glass cross pendant by Baccarat, three cultured pearl necklaces, an imitation pearl necklace and a pair of 9ct gold garnet earrings, earrings and two clasps stamped 9ct, length of earrings 1.5cm, length of pendant 7.8cm, necklace lengths 37.5 to 46cm, total weigt of earrings 1.3g

Provenance: Lesley Craze Gallery £80 - £120

JEWELLERY

9 9 carat gold including a snake link chain key ring, a cast St Christopher medallion and a chased pendant frame, 16.4g (3)

£100 - £200

10 A yellow metal graduated turquoise cabochon five-stone ring, approx size J 1/2, 2.9g £100 - £150

11

16 An Arts and Crafts silver and mother of pearl pendant, Greek cross form with leafy tendrils, united by scrolled bars, central oval blister cabochon, 5cm long £40 - £70

17 A set of six Arts and Crafts enamelled buttons, cloisonne enamel in turquoise and blue, of floral wreath design in the Persian style, 1.5cm diameter, on original card strip £20 - £30

18 A set of three Arts and Crafts silver and enamelled buttons, circular radiating spiral design in blue green enamel, in a fitted triangular box, 1.5cm diameter £30 - £40

£100 - £150

11 An 18 carat gold diamond and sapphire crossover ring, approx size J 1/2, 1.7g

12 A 9ct gold woven bracelet

£150 - £250

13 Two 9ct gold curb-link charm bracelets, each suspending three charms, one with a heart padlock clasp, both with hallmarks, both with safety chains, lengths 14cm, total weight 9.7g

£150 - £200

14 An 18ct gold diamond band ring, the top set to each side with seven brilliantcut diamonds, ring with textured matte finish, stamped total diamond weight 0.14ct, stamped 750, ball sizers to inner band, approximate ring size H 1/2, 5.4g

Provenance: Lesley Craze Gallery

£200 - £300

15 Four gem-set rings, to include two single stone brilliant-cut diamond rings, estimated diamond weight of each 0.07ct, both stamped 9ct, a tanzanite ring and a topaz ring, both with 9ct import marks, approximate ring sizes L, L 1/2, M 1/2 and N, total weight 15g £200 - £300

19

19 An Arts and Crafts style silver and enamelled brooch, four open petals in turquoise green enamel, 5.5cm diameter £30 - £50

20 Ruskin, an Arts and Crafts plated metal and cabochon set bangle, planished ring form with bead studs and oval turquoise souffle plaques, 8cm diameter £40 - £70

21 An Arts and Crafts silver and enamelled bracelet, Stainton Brothers, Birmingham 1910, formed of quatrefoul panels in blue and turquoise guilloche enamel with foliate tongues, united by plain links, 15cm long £50 - £80

22 A Jugendstil silver, enamel and pearl brooch, the central blue enamelled shield applid with knotted tendrils and split pearls, planked by further open knotted ribbons, 3.5cm wide £70 - £100

23 An Arts and Crafts enamelled silver and pearl necklace, Gourdel Vales and Co., circa 1910, the heart shaped pendant with central blister pearl, in blue green enamel, a natural pearl drop below, suspended on chains with knotted bean links, 3.5cm long, 7g £150 - £200

24 An Arts and Crafts silver and enamelled pendant, Mappin and Webb, circa 1910, reticulated heart form with a central turquoise enamel heart plaque, within leafy scrolling tendril border, 5cm long, in a fitted box £120 - £180 25

25 Barnet Henry Joseph, an Arts and Crafts 9 carat gold and opal matrix cabochon pendant, open shield form of entwined whiplash tendrils around a central oval stone, 4cm long, 3.1g £150 - £250

26 An Arts and Crafts silver and blister pearl brooch, with open leaf and tendril border, 10.5cm long, 25g £150 - £250

27 James Fenton, an Arts and Crafts silver and enamelled pendant, Birmingham 1909, stringed lyre type panel, with pale blue enamel plaque, scroll and rivet traps, three foliate drops below, 6cm long, 10.3g £150 - £200

28 Charles Horner, an Arts and Crafts silver and enamelled pendant necklace, Chester 1911, shield form modelled in relief with budding tendril, suspended from a circular plaque, a drop below, 5.3cm long, 4.7g £150 - £180

29 James Fenton, an Arts and Crafts silver and enamelled pendant, Birmingham 1909, shield form with three stylised poppu heads in green enamel on a blue turquoise ground, a single bisected drop below, 5cm long, 7g £150 - £200

30 David Veasey for Liber ty and Co., a Cymric Arts and Crafts silver and enamelled brooch, Birmingham 1901, circular form, modelled in relief with a line of trees, a mottled blue green enamel sky behind, 3cm diameter, 6.6g £150 - £200 31

31 Mary Thew (attributed), an Arts and Crafts silver and abalone brooch, rectangular form with double ropetwist border and beading, 3.5cm long, 5.8g £80 - £120

32 An Arts and Crafts silver and carnelian brooch, in the style of Mary Thew, crescent form, applied with ropetwist and wire coils, planished leaves and a central oval cabochon, 8.5cm long £40 - £70

33 A Scottish Arts and Crafts style silver and opal matrix cabochon brooch stick pin, Helen West, of open knotted tendril form with leaves and berries, stamped silver, 2.5cm wide £40 - £60

34 Two Norwegian Modernist silver brooches, including a David Andersen enamelled long boat example in blue and green enamel, the other with a Viking ship on zoomorphic open wake bar with serpent head, 6cm long (2) £40 - £70

35

35 Murrle Bennett, an Arts and Crafts silver and enamelled brooch, lozenge form in the Celtic style with knotted tendrils between two panels of blue green enamel, 4.5cm long, 3.4g £150 - £180

36 Charles Horner, an Arts and Crafts silver and enamelled pendant, Chester 1906, open Celtic knotted bean design, with drop below, blue turquoise enamel panels, 3cm wide, 8.8g £180 - £220

37

37 Sibyl Dunlop (attributed), an Arts and Crafts silver and gem set brooch, ciruclar form, the central chrysoprase cabochon within ropetwist and gilt bead band, alternating carnelian and citrine coloured stones, linked by S form wires, 3.5cm diameter, 12.3g £80 - £120

38 Charles Horner, an Arts and Crafts enamelled silver pendant necklace, Chester 1914, circular form with a crescent form guilloche enamel plaque, the open strung circle set with a split pearl, suspended from two chains united by a milled coil link, two fan shaped drops below, 6.5cm long, 5.5g £200 - £250

39 Charles Horner, an Arts and Crafts silver and enamelled scarab pendant necklace, Chester 1905, the winged beetle with champleve enamel in orange, yellow and blue, suspended from a triangular link, a further drop below, 4.5cm wide, 6.7g

£200 - £250 40

40 Charles Horner, an Arts and Crafts silver and enamelled pendant necklace, Chester 1908, asymmetrical cartouche form modelled in relief with lilypad and leaf cluster motifs, suspended from a triangular plaque, a drop below, 6.5cm long, 7.7g £200 - £250

41 An Arts and Crafts white metal and enamel dragonfly buckle, open knotted branch and leaf design with champleve flowers and guilloche dragonflies, enamelled in blue, yellow and orange, 8.5cm wide £60 - £80 42

42 Archibald Knox for Liberty and Co., an Arts and Crafts silver and enamelled pendant, William Hair Haseler, three linked poppy heads with united open stems, in blue green enamel, 2.5cm wide, 6.5g £200 - £250

43 Charles Horner, an Arts and Crafts silver and enamelled pendant necklace, Chester 1909, heart shaped open knotted tendril form with green turquoise enamel panels and a green jewel, suspended from a circular link, 3.5cm wide, 4.9g £200 - £250

44 Archibald Knox for Liber ty and Co., a Cymric Arts and Crafts silver and enamelled brooch, Birmingham 1906, circular form of knotted foliate tendril design with panels of blue green enamel, 3.2cm diameter, 9.4g £200 - £250

45 A Native American Navaho silver pendant, triple-sided set with mother of pearl, turquoise, and pink hardstone, unmarked, 6cm high £200 - £300

46

46 An Egyptian Revivalist gold coloured metal and Ancient faience winged scarab brooch, in the Italian style of Castallani and Melillo, the roatating turquoise beetle within a milled ropetwist border, the crescent wigs in blue and white cloisonne enamel, unmarked, tested as gold, 4.3cm long, 10.1g £200 - £300

47 Murrle Bennett, an Arts and Crafts silver and enamelled plaque brooch, the central oval depicting a misty seascape with boat, on blue, purple and green enamel, highlighted in gilt, within a planished and beaded frame with coiled bracket wings, 4.5cm wide, 9g £200 - £250

48

48 Theodor Fahrner for Murrle Bennett and Co., a Jugendstil silver and chrysoprase brooch, heart shaped organic open interlocking tendril design with two oval green cabochons, an a 9 carat gold pin, 4cm wide, 6g £250 - £300

49 Theodor Fahrner, a pair of Jugendstil silver gilt and enamelled cufflinks, ropetwist textured square panels with diagonal wave between two dots in brown and turquoise enamel, stamped marks 935, 1.3cm square, 8.4g (2) £250 - £300

50 Marius Hammer, a silver and enamelled brooch, blue basse taille enamel wings, 6cm wide, 15.3g £300 - £350

51 Archibald Knox for Liberty and Co., and Arts and Crafts silver and enamelled pendant, William Hair Haseler, cast in relief, planished shield form with open foliate knotted tendrils, around a central oval plaque in blue green enamel, 5cm long, 14.3g £300 - £500

52

52 Murrle Bennett, an Arts and Crafts silver and enamelled necklace, cloud edged oval form cast in relief with knotted branches and alternating green and blue enamel buds around a central other of pearl oval, suspended on double chains with heart leaf links, a cast and enamelled bud drop below, 3cm wide, 14.6g £300 - £500

53 Heinrich Levinger, a Jugendstil silver and plique-a-jour enamelled brooch, set with a central semi precious green stone, veined wings in vari-hue enamel draining from red to green, a natural pearl drop below, 4cm wide, 4.6g £400 - £600

54 Archibald Knox for Liberty and Co., a suite of Arts and Crafts silver and enamelled jewellery, Birmingham 1908, including a bracelet, brooch and belt buckles, each with open bracket and pierced shield panels set with blue green enamel drop cabochons, bracelet 19cm long, 65.4g (3) £950 - £1,000

55 An unusual silver ring, with detachable spears, leading edge M, approximate width 1.1cm, weight 12.5g, together with a black plastic ring, in the style of Jacqueline Cullen, widest point 3cm, ring size O

Provenance: Lesley Craze Gallery

£50 - £100

56 A leather choker necklace with silver bead detail, to the magnetic clasp, maker's mark to clasp, rubbed fascimile signature, stamped NEJ, 925, K11, length 44.5cm

Provenance: Lesley Craze Gallery

£40 - £60

57 A silver wire and faceted paste multi-strand necklace, together with a paste lizard brooch, approximate length of necklace 38cm, length of brooch 14.5cm

Provenance: Lesley Craze Gallery

£40 - £60

58 Danielle Gori-Montanelli, a felt Licorice Allsorts brooch, length 9cm

Provenance: Lesley Craze Gallery

£40 - £60

59

59 Michael Becker (attrib.), a wirework cross pendant, length 13.5cm, width 6.5cm

Provenance: Lesley Craze Gallery

£40 - £60

60 A silver square bangle bracelet

£50 - £100

61 A silver square bangle bracelet, silver hallmark rubbed, inner diameter 6.3cm, width 3.5cm, 112.9g

Provenance: Lesley Craze Gallery

£40 - £60

62 Mark Nuell, a pair of silver hoop earrings with gold bead detail, silver hallmark for Birmingham 1992, lengths 2.2cm, total weight 8.4g

Provenance: Lesley Craze Gallery

£80 - £120

63

63 Sarah Letts, a silver and enamel geometric brooch and a buckle, brooch with silver hallmark for London 1990, lengths 5cm and 8.5cm, total weight 84.7g

Provenance: Lesley Craze Gallery

£80 - £120

64 Herman Hermsen, a silver pink synthetic sapphire ring, and another, both with maker’s marks and stamped 925 (2)

Provenance: Lesley Craze Gallery

£100 - £200

65 Professor Yasuki Hiramatsu, a silver Crumpled Paper pin with textured finish, maker's mark, length 2.2cm, 3.3g

Provenance: Lesley Craze Gallery

£100 - £200

66 Sheila R McDonald, a pair of silver earrings, silver hallmark for London 1994, length 4.3cm, 7g, together with a pair or gold earrings by Catherine Mannheim, hallmark rubbed, length 1.2cm, 2g

Provenance: Lesley Craze Gallery

£100 - £200

67

67 Paul Derrez (attrib.), a silver and acrylic Confetti necklace, the spiral silver wire with vari-sized vari-coloured acrylic discs attached, length approximately 64cms, 99g

Provenance: Lesley Craze Gallery

£150 - £250

68

68 Henning Koppel for Georg Jensen, a Modernist silver and enamelled brooch, model 307, abstract Aztec style with champleve design in tortoiseshell patterned enamel, import marks for London 1956, 6.5cm long, 33.9g £200 - £250

69 Henning Koppel for Georg Jensen, a Modernist silver and enamelled brooch, model 323, abstract tree branch form with pierced ovals and black champleve enamel, 6.5cm long, 36.8g £200 - £250

70

70 Lesley Craze, a pair of 18ct gold tapered earrings, 18ct hallmark for London 2003, length 5.5cm, 7.1g

Provenance: Lesley Craze Gallery

£200 - £300

71 Mark Nuell, a silver sapphire and diamond triple band ring, silver hallmark for London 2004, approximate ring size L to M, width 8mm, 9.5g

Provenance: Lesley Craze Gallery

£200 - £400

72 Professor Yasuki Hiramatsu, an 18ct gold abstract brooch £600 - £800

73 Alison Evans, a titanium and 18ct gold mesh-link necklace, approximate length 83cm, 45.8g

Provenance: Lesley Craze Gallery

£300 - £500

74 A quantity of Wendy Ramshaw publishing material, Lesley Craze Gallery booklets etc, to include promotional catalogues, Designer catalogues to include Professor Yasuki Hiramtsu, various Wendy Ramshaw, one with personal dated message to front page, together with the book Today’s Jewels From Paper to Platinum etc.

£20 - £30

75 Wendy Ramshaw, a pair of 18ct gold Wedgwood basalt, moonstone and pearl earrings, earring backs stamped 750, length 7cm, 20.5g

Provenance: Lesley Craze Gallery

£800 - £1,200

76 Professor Yasuki Hiramatsu, a silver twisted wire ring, approximate ring size between S and U, weight 4.2g

Provenance: Lesley Craze Gallery

£300 - £400

77 Wendy Ramshaw, a Petrified Lace pin brooch, stopper stamped silver, diameter 7.4cm

Literature: This design appeared at the Cherry on the Cake Jewellery collection exhibition at the V&A museum

Provenance: Lesley Craze Gallery

£300 - £500

78 Wendy Ramshaw, four silver moonstone cabochon stacking rings, with acrylic stand, all with maker’s marks, two with silver hallmarks for London 1988 and 1995, ring sizes K 1/2, total weight 7g

Provenance: Lesley Craze Gallery

£400 - £600

COINS AND MEDALS

79 Sovereign, a 9ct gold bracelet watch, with box and papers £100 - £150

80 Half sovereign £150 - £250

81 Edward VII, Half Sovereign, 1910 £150 - £200

82 George V, Half Sovereign, 1913 £150 - £200

83 A facsimile reproduction of an Edward III gold Double Leopard coin, numbered 1350 of 5000 £180 - £220

84

84 Victor ia, young head, gold full sovereign, 1883, in 9 carat golf pendant mount £300 - £500

85

85 George III guinea, weight 8.35g/0.26ozt approx £300 - £500

86 Edward VII, gold full sovereign, 1909 £350 - £450

87 George V, gold sovereign, 1918, Bombay Mint, India £350 - £450

88 Victoria, Sovereign, 1877 £400 - £500

89 Elizabeth II commemorative VE Day 75th anniversary gold proof coin set, 2020, sovereign, half sovereign and quarter sovereign, 22 carat gold, in box, Hattons, 14g £750 - £850

90 Military Medals, a group of four medals, to 6284, Pte H. Parker, including Rl Welsh Fus Queen Victoria South Africa Medal, with five bars, Cape Colony, Orange Free State, Transvaal, 1901 and 1902, his WWI medals, 1914 Mons Star with 5th August bar, War and Victory medals, with ribbons on a bar, together with a War and Victory medal to 46185 Pte F. Pearce, Oxf & Bucks L.I, on ribbons, with an associated mother of pearl sweetheart brooch, various assorted buttons, cap badges in a 1914 Christmas tin £150 - £200

91 Stanley Matthews, a Football League silver gilt medal, 1948, inscribed Liverpool Sept 20th 1948 Versus Irish Football League, in fitted case, 15.6g £300 - £500

92

92 Stanley Matthews, Sportsman of the Year 1948, medal, silver coloured metal, inscribed with presentation, in fitted box, 4.5cm diameter £400 - £600

93

93 Stanley Matthews, a 9 carat two tone gold Football League Representative Match medal, 22nd October 1947, Belfast Irish League, in fitted case, 17.6g £500 - £800

94 Stanley Matthews, a 9 carat gold Football League England v Ireland medal, Everton February 19th 1947, in fitted case £600 - £800

SILVER

95 A George II or III silver mote spoon, circa 1760, cast with a shell and foliate sprig back bowl pierced with scrolls, the tapered stem with spear point finial, 13.5cm long, 0.24ozt £50 - £80

96

96 A Scottish Aesthetic Movement novelty silver plated claret jug or water jug, circa 1870, in the form of a thistle flower, the spherical body engraved with foliate diaper pattern, tapered neck and domed lid with floral finial, the handle of tubular rod construction with ceramic insulators, 21cm high £50 - £100

97

97 Christopher Dresser for Hukin and Heath, an Aesthetic Movement silver plated and glass preserve pot, circa 1893, the plain cuboid body mounted with a hinged lid of square section, 10cm high £80 - £120

98

98 An Arts and Crafts silver belt buckle, Deakin and Francis, Birmingham 1904, planished fret cut cartouche form with open and inserted tendril decoration, retail stamp for Page Keen and Page, Plymouth, 8.5cm long, 1.16ozt £60 - £80

99 An American sterling silver trinket dish, Woodside Sterling Co., circa 1900, embossed with bunches of strawberries between foliate C scrolls, 14cm diameter, 1.86ozt £40 - £60

100

100 An Arts and Crafts silver pickle fork and caster spoon, Levi and Salaman, Birmingham 1903/1904, pointed foliate terminals, the shoulders of knotted tendril design in the Art Nouveau style, 12.5cm long, 1.10ozt (2) £30 - £50

101

101 An Arts and Crafts silver dish, A and J Zimmermann, Birmingham 1903, oval form embossed with stylised knotted tulip tendrils and flowers, on a rusticated ground, 13cm long, 1..86ozt £80 - £120

£20 - £40

102 A pair of Arts and Crafts silver buttons, Samuel Jacob, Birmingham 1905, circular planished form with ropetwist border, 2.3cm diameter, 6.8g (2)

103 Kate Harris for William Hutton, a pair of Arts and Crafts silver pill boxes, Birmingham 1901, cushion topped drum form, embossed with stylised arrow heads on a cartouche border, gilt interiors, 3.5cm diameter, 0.88ozt (2)

107 Charles Robert Ashbee for the Guild of Handicraft, an Arts and Crafts silver beaker vase, London 1896, the planished conical body on a splayed foot, reticulated and repousse embossed with a band of seeding poppy or tulip flowers on coiled foliate fronds, 19cm high, 10.29ozt

£60 - £80

104

104 Hilda Pemberton (attributed) for Liberty and Co., an Arts and Crafts silver reticulated dish, William Hair Haseler, Birmingham 1905, six petal flower form with central embossed sunflower rosette, within pierced iris cartouches, 14cm diameter, 1.82ozt

Note: having trained at Goldsmiths Institute in the late 1890s, many of Pemberton’s designs appear in the Liberty Silver Sketches volumes, most with very similar motifs and composition to this dish.

£80 - £120

Note: a photograph of this or a near identical vase appears in the Guild of Handicraft design book, titled Early Work, currently in possession of the Guild at Chipping Campden. Although John Pearson left the guild in 1892, the foot is reminiscent of his style of repousse work, perhaps by one of his pupils, to the Ashbee design. This is a relatively early example of Ashbee’s work while still in London and bears his personal CRA hallmark £3,000 - £5,000

108

108 Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts silver and cork decanter stopper, assayed for Asher Solovitch, London 1902, planished cylindrical collar form with embossed tear drops, flat ogee top with ball knop and radiating drops, original central cork, 8.5cm long, 1.94ozt

105 An Arts and Crafts white metal photograph frame, in the 17th century style, embossed in relief and chased with leafy and budding vine of tulip flowers, opening 16.5cm x 11.5cm, overall 28cm x 23cm

£100 - £150

106

106 Charles Robert Ashbee for the Guild of Handicraft, an Arts and Crafts silver plated muffin dish and cover, circa 1905, the planished and domed cover with wire open baluster finial mounted with an agate cabochon, the broad rimmed bowl with hot water cavity and beaded inner rim, 24.5cm diameter

£800 - £1,200

Note: The use of in-house designed silver stoppers and mounts on glass made by Powell first appeared in the 1899 Arts and Crafts exhibition, and was likely the direct result of having previously made the glass for established silversmiths and designers such as C R Ashbee and the Guild of Handicraft. The design of this stopper was used on several glass bottles, in different sizes, including Roman and Dutch inspired examples and the Minerbi drinking service. Powell did not register their own hallmark until October 1903, instead using the assay marks of local silversmiths for pieces made before that date. See: Jackson, L. 1996, Whitefriars Glass, Richard Dennis, pp.62, 63, 104 and 107, figs.156 and 158, pls.32 and 44, and Evans, W et al, 1995, Whitefriars Glass, Museum of London, p.88 fig.91, for examples of this stopper design in use on different vessels

£200 - £300

109

109 Archibald Knox for Liberty and Co., an Arts and Crafts silver and enamelled caddy spoon, William Hair Haseler, Birmingham 1936, cleft shovel form, the handle set with a roundel of three intersecting leaves, on blue green enamel ground, 7cm long, 0.41ozt

£150 - £200

110 Archibald Knox for Liberty and Co., an Arts and Crafts silver and enamelled button, Birmingham 1903, circular form, stylised leaf motif on a blue green enamel ground, 2.2cm diameters, 4g £30 - £50

111 Bernard Cuzner for Liberty and Co., an Arts and Crafts silver and enamelled cigarette case, Birmingham 1929, planished rectangular form, two bands of champleve enamel Greek Guilloche design in blue, range and green, 7.5cm x 8.5cm, 3.66ozt £280 - £320

112 Kate Harris for Connell and Co., an Arts and Crafts silver and enamelled aide memoire or card case, London 1903, rectangular form, embossed with a stylised knotted tendril initial in blue green enamel, 9.5cm x 7cm, 3.54ozt £200 - £250

113

113 Omar Ramsden and Alwyn Carr, an Arts and Crafts silver and enamelled jar, Ramsden and Carr, London 1911, domed cylinder form, the base section reticulated and embossed with scrolling and knotted foliate tendrils and hop motifs, between ropetwist and embossed rivet bands, containing a band collared glass bottle with stopper, the hinged lid domed, with strap side handles alternating with convex seed motifs, set with a circular plaque depicting a figure riding a tiger, engraved with an inscription, 12cm high

£300 - £500

114 An Arts and Crafts silver card tray, Birmingham 1907, rectangular form with ogee border, applied wire loop decoration, 15cm long, 2.65ozt £30 - £50

115

115 William Snelling Hadaway, an Arts and Crafts silver and enamelled bowl, Louis Charles Detmer, London 1908, planished hemispherical form with four heart shaped handles set with red enamel cabochons, on four spear head pad feet, 13.5cm diameter, 3.75ozt £150 - £200

116 A.E. Jones, an Arts and Crafts silver preserve spoon, Birmingham 1929, circular planished bowl with bisected foliate tendril attachments, the finial of horseshoe form with central applied ball, together with a Hukin and Heath spoon, Birmingham 1900 and a propelling pencil, 13cm long, spoons 1.12ozt (3) £80 - £120

117

117 A.E. Jones, an Arts and Crafts silver porringer and cover, Birmingham 1930, twin handled planished form, the lid with ropetwist rim and three guinea pig finial feet, 14cm wide, 6.13ozt £150 - £200

118

118 Arthur Stansfield Dixon for the Birmingham Guild of Handicraft, an Arts and Crafts silver plated jug, planished pedestal urn form with tapered whiplash handle, ogee lid and sinuous foliate spout, 19.5cm high £120 - £180

119 Josef Hodel and J. Weingartner for the Bromsgrove Guild, a mixed metal ceremonial trowel, cast bronze shied form blade with raised ribs, applied with a fluted handle riveted with silver coloured metal studs, the finial modelled as a floral basket, 24cm long

Note: for a similar example see The Studio, Vol 29, 1903 £200 - £300

120 Liberty and Co., an Arts and Crafts silver twin section bonbon dish, Birmingham 1906, planished circular bowls united by a tubular handle pierced with traingles, braced to the underside with an open strap bracket, 118.5cm long, 3.76ozt £150 - £200

121 A E Jones, an Arts and Crafts style caddy spoon, Birmingham 1997, planished pear shaped bowl with open three leaf handle, 7.5cm long, 1.14ozt £80 - £120

122

122 An Arts and Crafts silver and enamelled fob pendant, JBJ, Birmingham 1907, shield form, tendril and heart design in green champleve enamel, 4cm long £50 - £80

123 Guild of Handicraft, a pair of Arts and Crafts style silver spoons, London 1969, planished pear shaped bowls on long tapered flat handles, 18.5cm long, 3.09ozt (2) £80 - £120

124 Three Iona Arts and Crafts silver caddy spoons, various makers and dates including J Cameron of Kilmarnock, Birmingham 1935 and Robert Allison, Glasgow 1936, each with planished pear shaped bowls, cast Celtic knot handles and finials, 10cm long, 1.41ozt £40 - £60

125 John Paul Cooper, an Arts and Crafts silver mounted shagreen box, circa 1920, cuboid form with barrel domed lid, ropetwist banding and quatrefoil escutcheon, walnut carcass, incised JPC monogram, 15.5cm wide, 5.5cm high, 8.5cm deep £800 - £1,200

126

126 Mortiz Hacker, a Secessionist silver plated casket, cuboid form, cast in relief with stylised berry clusters on sinuous tendrils, on ball feet, hinged lid, 10.5cm square £100 - £150

127 Lucien Georges Bazor, an Art Deco silvered bronze letter knife, Paris 1928, the handle cast in relief with a nude mother and winged child, the reverse with stepped and pleated drapes, vacant presentation cartouche, signed in the cast Lucien Bazor 1928, stamped bronze, in a fitted presentation case, 25cm long £100 - £150

128

128 Josef Hoffmann for the Wiener Werkstatte, a Secessionist silver plated bowl, circa 1920, reeded form on three spherical ball feet, scratched numbers but apparently unmarked, 9cm diameter

Note: typical in manufacture, design and proportion to Hoffmann’s marked bowl designs for the Vienna studio, this bowl exemplifies the style of the architect’s domestic and utilitarian work.

£100 - £200

129 An Art Deco silver plated cocktail shaker, Adie Brothers circa 1930, shouldered bullet form with raised ring and banded neck, ogee domed beaker lid and internal removable strainer, 23cm high

£60 - £100

130

130 Keith Murray for Mappin and Webb, an Art Deco silver plated cocktail shaker, circa 1933, shouldered conical form with bands of concentric rings, angled and stepped handle, the pouring spout with bayonet stopper and safety chain, slightly domed and stepped lid, stamped marks W27795, 22.5cm high

£200 - £400

131 Asprey and Co., an Art Deco silver plated novelty cocktail shaker, circa 1930, in the form of a milk churn, stamped marks, 28cm high £200 - £300

132 A George V silver Art Deco jewel casket, stepped sunburst green guilloche enamel cover, silk-lined cushioned interior, bracket feet, William Neale, Birmingham 1935, 11cm wide, 8.5cm deep £80 - £120

133 A E Jones for Ruskin Pottery, a silver mounted Crystalline glazed ashtray, 1930, green and orange banded over mottled blue, 8cm diameter £40 - £70

134 David Anderson, a Harlequin set of six silver gilt and enamelled coffee spoons, cast with foliate coronet terminals, the handles and inside bowls in different coloured basse taille enamel, in original card box, 10cm long, 2.09ozt (6) £100 - £150

135 Nils Erik Elvik, a Norwegian modernist silver and blue guilloche enamel pin dish, shallow form with engine turned radiating decoration, 6.5cm diameter, 0.87ozt £40 - £60

136 An Arts and Crafts style commemorative silver plated spoon, A E Jones, Birmingham 1981, in the form of a Welsh Love Spoon, knotted stem and entwined cypher of Charles and Diana with Prince of Wales feathers, together with a silver seal top spoon, London 1952, 18cm long (2) £30 - £50

137

137 Grant MacDonald, an Elizabeth II Golden Jubilee commemorative silver beaker, London 2002, planished and modelled in high relief with an image of a crowned queen flanked by bannered clouds, inscribed and dated, of heavy gauge, 8.5cm high, 8.16ozt £300 - £400

138

138 Emilia Castillo (Mexican, 1958), a novelty silver-plated bottle opener in the form of a frog, with articulated legs, struck marks, 14cm long £140 - £180

139 Lesley Craze, a pair of Modernist silver beakers with gilt interiors, London 1985, plain form, 8.5cm high, 9.44ozt Provenance: Lesley Craze Gallery £100 - £200

METAL AND WORKS OF ART

140 A pair of Arts and Crafts brass and wrought iron fire dogs, circa 1900, the pierced foliate roundels cast with cross and foliate scroll decoration in the Gothic Revival style, on polished steel supports, bisected arch legs with tapered toes, 74cm high (2).

Provenance: with receipt of purchase from The Griffin Foundry, Birmingham, 1918 £150 - £250

141

141 H. Moreau, electrotype Art Nouveau style sculptural ewer, modelled in relief with nymph type figures, approx 35cm high £100 - £200

142 WMF, a Jugendstil silver plated five piece tea and coffee set, model 358, decorated in relief with sprigs of ivy, waisted and bracket footed form, including teapot, coffee pot, jug, bowl and tray (5) £800 - £1,200

143

143 WMF, a Jugendstil silver plated double dish, model 80, kidney bean form relief moulded with tendril fronds and berries, the handle in the form of a maiden, stamped marks, 30.5cm long £150 - £180

144 WMF, a Jugendstil silver plated desk stand, model 120, pediment arched form with splayed inwell and pen tray, relief moulded with knotted tendril motifs, 33cm wide £80 - £120

145

145 Orivit, a Jugendstil pewter mounted green glass claret jug, shouldered form encased with straps of relief cast fruiting grape vines, the hinged lid with tendril finial, 29.5cm high £80 - £120

146 WMF, a Jugendstil silver plated, model 295a, oval hexagonal from, relief moulded with a profile bust of a maiden, within a border of whiplash tendrils, 19cm diameter £50 - £80

147

147 WMF, a large Jugendstil silver plated wall plaque, model 237, modelled in relief with a maiden in profile, within a border of daisies and sinuous tendrils, 51cm diameter £1,000 - £1,500

148 WMF, a Jugendstil silver plated wall plaque, model 190a, octagonal form relief moulded with a central profile bust of a maiden in beaded headdress, 23.5cm diameter £50 - £80

149 WMF, a large pair of Jugendstil silver plated twin handled vases, elongated inverse baluster form, relief moulded with sinuous maidens and knotted flowers, open tendril whiplash handles, 50cm high (2) £1,500 - £2,000

150 WMF, a Jugendstil silver plated basket, boat form, modelled in relief with oval cartouches within floral wreaths, the green glass liner cut with line bands, 28cm long £30 - £50

151

151 Christopher Dresser for A Kenrick and Sons, an Aesthetic Movement cast iron trivet, 1884, spade form, modelled in relief with stylised honeysuckle and knotted foliate lapped design, cast and applied marks to the back No.8, 23.5cm long £80 - £120

152 An Arts and Crafts copper chiming door bell or dinner gong, the planished and domed roof suspending graduated tubular bells, with original cord £70 - £100

153

153 W A S Benson, an Arts and Crafts brass table lamp, model 1079, circa 1900, strap arched arm on a foliate shield form base, with applied weighted plate, the straw opal glass shade by James Powell and Sons, Whitefriars, stamped marks, 43cm high £300 - £500

154

154 W A S Benson, an Arts and Crafts brass table lamp, later chromed, model 1246, circa 1900, the tubular arm with barrel switch, on a heart shaped foliate tendril shield base, the wrythen trailed straw opal glass shade probably by John Walsh Walsh, stamped marks, 28cm high to fitting £200 - £400

155 W A S Benson, an Arts and Crafts copper and brass chafing or entree dish, circa 1900, twin handled oval form with silver plated interior, the slightly domed lid with turned urn finial, the handles of organic ball jointed form, stamped marks, model 672, 32.5cm long £40 - £70

156

156 An Arts and Crafts brass broad rimmed charger, circular form planished and repouss decorated with a repeating heartshaped leaf and fruiting vine border, 50cm diameter £120 - £150

157 An Arts and Crafts copper jardiniere, in the style of Keswick, square section, repousse embossed with styllised poppy motifs, on ball feet, 32.5cm square £80 - £120

158

158 Richard Rathbone and Ruskin, an Arts and Crafts copper pedestal bowl, planished and repousse embossed with a studded band set with rivet famed cabochons in blue green souffle glaze, on heart headed strap feet, united by a concial ring, 18cm diameter

£120 - £180

159 An Arts and Crafts pewter and Ruskin cabochon jug, William Hutton for G L Connell, ogee conical form, set with rectangular blue green plaques, 7.5cm high £40 - £60

160

160 An Arts and Crafts pewter and Ruskin cabochon basket, William Hutton, squat baluster form set with turquoise souffle roundels, ogee rim and top handle, 7.5cm high £40 - £60

161 An Arts and Crafts pewter and Ruskin set ring tree, William Hutton for G L Connell, triangular obelisk form, one side applied with a stylised knotted tendril set with turquoise souffle cabochon, 12cm high £50 - £80

162 An Arts and Crafts pewter and Ruskin set twin handled bowl, William Hutton, inverse squat baluster form, the rim set with two turquoise souffle glazed cabochons, 13.5cm wide £50 - £80

163

163. Celtic Pewter, an Arts and Crafts pewter and Ruskin cabochon set mug, conical acorn form with heart shaped souffle plaques, on pierced bracket feet, open teardrop whiplash handle, 9.5cm high £50 - £80

164 A pair of Arts and Crafts pewter and Ruskin set vases, Ashberry Pewter, each of twin handled pedestal urn or trophy form, planished and set with turquoise souffle glazed cabochon roundels, 14.5cm high (2) £80 - £120

165

165 Kate Harris for William Hutton, an Arts and Crafts pewter and Ruskin cabochon set biscuit box, splayed oval section on bracket base, applied with a serpentine tendtil forming two handles, applied with turquoise souffle glazed heart shaped plaques, the hinged lid with arched finial, 15.5cm high £100 - £200

166 An Arts and Crafts pewter and Ruskin set box, circular form embossed with a wreath of stylised ring linked yolk motifs around a central turquoise souffle glazed plaque, 9.5cm diameter £60 - £80

167 A Glasgow School Arts and Crafts gilt gesso mirror, rectangular form, relief moulded with knotted tendril design, the glass 17cm x 32cm, overall 30.5cm x 44cm £80 - £120

168

168 Two Arts and Crafts copper and enamel frames, one of octagonal form repousse embosed with foliate motifs between geen enamelled ovals, the other of oval drop form with turquoise detailing, 12cm long (2) £50 - £80

169

169 An Arts and Crafts brass and enamelled plaque photo frame, rectangular form with planished and riveted panels, set with green enamel, easel back, opening 16.5cm x 11.5cm, overall 24.5cm x 17cm £50 - £80

170 An Arts and Crafts oak and copper panelled letter catcher, cuboid form, planished and repousse embossed with seeding poppy motifs, a hinged flap to the base, 31cm high, 21.5cm wide, 10.5cm deep £300 - £500

171 An Arts and Crafts copper and wood wall mirror, repousse embossed with a vine of hop type buds, within a double frame, glass 28cm x 48cm, overall 60cm x 80cm £200 - £400

172

172 An Arts and Crafts copper mirror, in the style of John Pearson, circular form, alternating riveted panels repousse embossed with stylised pomegranates and bosse motifs, glass 46cm diameter, 60cm diameter £400 - £600

173

173 An Arts and Crafts copper and Ruskin plaque set mirror, planished and riveted rectangular form with three bays of bevelled glass below a central strapped oval in turquoise souffle glaze, 35cm x 101cm £300 - £500

174 Archibald Knox for Liberty and Co., a Tudric pewter teapot, 0231, squat form with rattan handle and skate feet, impressed marks, 25cm high £70 - £90

175 Archibald Knox for Liberty & Co, a Tudric pewter tray, circa 1905, oval form with integral handles and stylised peapod border, impressed No.0311, 36 by 25cm £70 - £100

176 David Veasey for Liberty and Co., an Arts and Crafts pewter twin handled vase, conical form, cast in low relief with a band of honesty trees and inscribed banner For Old Times Sake, 20.5cm high £80 - £120

177 Archibald Knox for Liberty and Co., a Tudric Arts and Crafts pewter coffee pot, model 0231, tapered cylindrical form, cast with knotted tendril motifs and looped rattan handle, on skate feet, conical domed lid, 22cm high

£50 - £80

178 Archibald Knox for Liberty and Co., a pair of Tudric Arts and Crafts pewter and turquoise cabochon set trays, model 0163, broad-rimmed circular form, cast in relief with knotted tendril and leaf motifs above an off-centre stone, 25.5cm diameter (2)

£100 - £150

179

179 Archibald Knox for Liberty & Co, a Tudric pewter tray, circa 1905, with integral handles, embellished in the corners with entwined entralacs and berries, 0376, 49.5cm wide £150 - £200

180

180 Archibald Knox for Liberty and Co., a pair of Tudric Arts and Crafts pewter candlesticks, model 0222, the oganic open square section bases with four fluted obelisks supporting a bullet form sconce with wide brim, stamped marks, 10cm high (2)

£400 - £600

181

181 Archibald Knox for Liberty and Co., a pair of Tudric Arts and Crafts pewter and enamelled candlesticks, model 0223, the wide brimmed amphoral sconces supported on three bracket bladed stems on domed bases cast with stylised bean motifs and set with blue green enamel roundels, stamped marks, 23cm high (2)

£800 - £1,200

182

182 Archibald Knox for Liberty and Co., a Tudric Arts and Crafts pewter and enamelled bowl, model 0229, shouldered amphoral form, the twin handles of blade footed angled ribbon design, cast in relief with a sinous band of stylised honesty pods, highlighted with blue green enamel beads, 30cm wide £1,000 - £1,500

183 A matched pair of Aesthetic Movement stained glass leaded window panels, the central light painted with a swallow in flight over a lake of water lily and wetland flowers, within a concentric frame of alternating foliate, colourless and green glass, 44cm x 39cm (2) £80 - £120

184 J.R.J (British, early 20th Century), an Arts & Crafts crewelwork sampler, ‘Sweet Hyacinths.....’, signed with initials l.r., worked in colour silks, 19 by 15cm, framed £30 - £50

185 An Arts & Crafts silk embroidered panel in the manner of Edmund Dulac, ‘The Spirit of the Sunflower’, circa 1920, worked in coloured silks, titled verso, 52 by 41cm, framed £60 - £100

186 An Arts & Crafts woolwork sampler, ‘Friendship is a Sheltering Tree’, two classical maidens making music in a stylized tree with daffodils below, worked in coloured threads on linen, 42 by 53cm, framed £80 - £120

187 An Arts & Crafts silk crewelwork panel, a classically draped maiden amongst foliage with an arched top, in the manner of Walter Crane, 63 by 37cm, framed £80 - £120

188 An Arts & Crafts silk crewelwork panel, ‘Dear Music! That Can Touch Beyond All Else The Soul That Loves It Much’, two classically draped maidens, one with a lyre, in a coastal setting, worked in coloured silks, 36 by 50cm, framed £100 - £150

189 An Arts & Crafts crewelwork panel, circa 1910, ‘Gloria in Excelsis’, a winged angelic figure with a halo, titled below, incorporating gold and silver thread, 77 by 34cm, oak frame

£100 - £150

190

190 Asprey, London, a George V crocodile skin cigar case, 18ct gold mount and initials ‘R.H.P’, London 1935, 16 by 8cm £200 - £300

191 Alessandro Mazzucotelli (Italian, 1865- 1938), a wrought iron standard lamp, circa 1910, the twisted column supporting a pierced cover and domed top hung with three circular rings and three lights, having pierced leafy scrolled covers, on a tripod base, stamped ‘MAZZUCOTELLI’ to column, 198.5cm high £800 - £1,200

191

192

192 A pair of Arts and Crafts bronze table lamps, modelled in relief as entwined dolphins emerging from a shell encrusted trefoil base, supporting frosted onion domed glass shades, probably by John Walsh Walsh, fixed by snail screws, on wooden bases, 51cm high (2) £200 - £400

193

196 Marcel Debut (1865-1933), a large bronze figure, circa 1890, modelled with arm raised holding a Roman lamp, signed in the cast Marcel Debut, 92cm high £800 - £1,200

197 A Gentili, an Art Nouveau carved marble and alabaster bust of a girl, circa 1900, modelled with head scarf, 23cm high £150 - £250

198 Arthur Imanuel Loewental, a bronze figure, 1905, modelled as a full length standing man, signed in the cast, 29cm high £500 - £800

193 An Arts and Craft brass pendant light, square section lantern form with pitched roof and riveted dormer vents, four panes with wire trellis cages, internal candle sconce and electrical fitting, 41cm high £60 - £100

194 Edgar Brandt for Muller Freres, an Art Deco frosted glass and silvered wrought iron table lamp, circa 1920, the hexagonal section conical shade relief modelled with geometric chevron design, supported on a tooled ad stepped base, 46cm high £250 - £350

195 After Frederic Sackrider Remington, Trooper of the Plains, 1868, signed in the bronze, titled on the base rim and ‘c.1909’, 48cm high, 54cm wide, mounted on a green veined marble plinth £200 - £300

199

199 Auguste Rubin, an Art Nouveau bronze figural vide poche dish, modelled as a nude maiden beside a pond, with sinuous flowing hair, signed in the case Rubin, 11cm diameter £60 - £100

200 Henri Honore Ple (1853-1922), David Vainqueur, an Art Nouveau bronze figure of David with the head of Goliath, circa 1890, signed in cast H Ple and inscribed, with foundry mark, 63cm high £800 - £1,200

201 Josef Lorenzl, an Art Deco cold painted and gilt bronze figure, modelled as a semi nude bather, on alabaster socle base, signed in the cast J Lorenzl and stamped Austria, 37cm high £300 - £500

202

202 Pierre Le Faguays (1892-1962), Spring Dancers, an Art Deco bronze figure group, circa 1925, on marble and onyx base, 27.5cm high £350 - £450

203 Reinhard Schnauder (1856-1923), Cleopatra and Asp, an Art Nouveau gilt bronze figure, circa 1900, modelled as a nude woman, on faceted marble plinth, signed in the case Schnauder, 40cm high £850 - £1,000

204 Josef Lorenzl, an Art Deco gilt bronze figure of a dancer, circa 1925, modelled nude with one knee up and arched back, on a marble and onyx base, signed in cast Lorenzl, 20.5cm high

£600 - £800 205

205 Alberto Bazzoni, a large Art Deco silvered bronze figure group, circa 1925, modelled as the head of a horse and rider, on a portoro marble slab base, 76cm long £1,500 - £2,000

206 Karl Hagenauer, an Art Deco chrome and ebony figure, circa 1940, modelled as a dancer in long skirt, on circular base, stamped marks, 27cm high £1,000 - £1,500

207 Jack Wilsher (British, 20th Century), an Arts & Crafts bust of Caroline Wilsher, adzed oak, integral square plinth, 32cm high.

Note: by repute the bust was executed by the late Cotswold craftsman Jack Wilsher based in Longborough. The subject is thought to be his wife Caroline. Wilsher was a carpenter whose work can be found in various Cotswold prestige properties. An undated memorial plaque to Jack and Caroline Wilsher can be found in Longborough.

£100 - £150

208 20th Century Sc hool, a study of a male torso, appears unsigned, bronze, 42cm high, mounted on a white veined marble plinth

£80 - £120

209

209 David Cornell (British, 1935), Crouching Cat, signed and No.12/25, green-patinated bronze, 32cm long.

Note: Artist Resale Rights apply

212

£200 - £250

210 Inspired by Frederic Sackrider Remington (American, 1861-1909), Killing the Bear, bronze, signed in the bronze ‘Inspired by Fredrick Remington, 1895, C. Henry Bonnard Bronze Co, His Last Stand John Scott, The Marlin Fire Arms Co, New Haven, Connecticut’, 42cm high, 60cm wide, mounted on a green veined marble plinth

212 Reginald Fairfax Wells (British, 1877-1951), Baby Trying to Walk, signed in the bronze, mid-brown patina, 15cm high.

Literature: illustrated in The Studio Yearbook, 1903, p.20

£1,500 - £2,000

£400 - £600

211

211 Tony Uloth (British, 21st Century), a pair of Hungarian Vizslas or Pointers, both signed with initials in the bronze, edition No.1/9, signed in full on the bases, 20cm high, 32cm wide (2)

£700 - £800

213 Robert Mouseman Thompson (British, 1876-1955), an adzed oak cheese board, of typical form, carved mouse signature on the board, 35cm long.

Note: Cheese boards were first made in the 1930s. Early examples have the mouse carved on the board. In the 1960’s the mouse was moved onto the handle

£150 - £200

214 Benjamin Rabier for Pierre Devouge, a set of ten Art Deco novelty chrome plated knife rests, circa 1925, in the form of various sporting activities, including motor racing, wrestling, hockey, curling, swimming, dance, running and bowling, 10.5cm long (10)

£150 - £200

215 Benjamin Rabier, a set of twelve Art Deco chrome plated novelty knife rests, modelled with characters from La Fontaine’s Fables, facsimile signatures to each, 10cm long, in fitted box

£150 - £250

216 Hervé Lelong (French, 1937-2023), a woven wool wall tapestry, circa 1960, signed in the weave ‘Hervé Lelong’ and monogrammed ‘J.F.D’, 156cm x 97cm

£300 - £400

217 A French gilt metal garniture, late 19th or early Century, modelled as classically draped cherubs upholding branches, raised on stepped white marble square plinths with green veined marble inserts, gilt toupee feet, 52cm high, (later converted to electricity) (2) £400 - £600

218 A pair of gilt ormolu candelabra, French, 19th Century, each in the form of a classically draped maiden upholding a cornucopia triple light sconce, standing upon grey marble socles with garlands of medallions, square plinths with acanthus borders, 60cm high (2) £800 - £1,200

219 A pair of French Empire style gilt metal and cut glass candlesticks, 19th century, hobnail cut columns, supported in urn form vases, cast in relief with honeysuckle and acanthus motifs, bordered with guilloche bands, 19cm high (2) £80 - £120

220 A French gilt metal and glass double basket, the shield form dishes contain in reticualted and cast Neoclassical floral garland gallieries, on splayed feet, ribbon and reed column handle, 25cm long £70 - £100

221 A French Empire style ormolu and gilt metal mounted jewel casket, circa 1870, of ogee shield or lyre form, the hinged lid applied with an anthropomorphic foliate scroll motif within a floral festoon and garland border, washed silk interior and stamped gilt marks, 26cm wide

£100 - £200

222 A French Palais Royal gilt and shell chamberstick, circa 1850s, the central turned campana sconce supported on a scaled tendril suspended over three shell dishes, beaded to the rims, on S scroll feet with a foliate whiplash handle, inscribed in Gothic script Souvenir de Granville, 15cm long £50 - £80

223

223 A French Palais Royal gilt metal and glass panelled jewel casket, mid 19th century, canted cuboid form, the reticulated foliate scroll panel edges set with cut glass jewels, the interior with a button cushioned velvet base in red, on four acanthus bracket feet, 22cm wide, 14.5cm high, 16cm deep £100 - £200

224 A French Palais Royal gilt metal and glass panelled jewel casket, mid 19th century, navette form with bevelled glass, button cushioned interior in red fabric, on foliate scroll bracket feet, 19cm wide

£60 - £80

225 A Renaissance revival Limoges enamel patch box, cuboid form, the lid painted with an allegorical depiction of Europa riding a bull over water, within gilt foliate scroll corners, 5cm wide

£100 - £150

226 A French enamelled and jewelled gilt metal ink stand, circa 1860, the central bombe form inkwell on a circular dish, supported on foliate bracket footed base, decorated with turquoise, red and white jewels and gilt foliate scroll drops, 20.5cm diameter £100 - £200

227 A 19th century brass and bone handled Thomason Patent corkscrew, the turned barrel applied with embossed Royal coat of arms, the handle with horse hair brush, 17cm long £50 - £80

228 Taxidermy, a late Victorian elephant’s foot, worked to form a stool with a coromandel seat, mounted with a plaque ‘Kahambane Rogue, Shot by J.J.R. Sept 17th 1900’, 33cm high £100 - £150

229 A framed Huia tail feather (Heteralocha acutirostris), New Zealand (Aotearoa), circa 1900, from a dismantled bird in the collection of William Hubert Barrow, Leicester, 195mm x 45mm, framed £2,000 - £5,000

230

230 An early toy model of the cartoon character Felix the Cat, circa 1920s, mohair with button eyes and wire frame moveable joints, dressed in a Scottish kilt and Glengarry, 21cm high £700 - £900 231

231 A large cast iron fireback, cast in high relief with symbols of majesty and the united English and Scottish crowns: the lion passant, Tudor rose, Scottish thistle, fleur de lis, and date 1641, 66.5 by 75.5cm £50 - £80

232 Robert Louis Stevenson (1850-1894), a hand-signed letter, written from Skerryvore, Bournemouth, circa 1885-1887, ‘To Dr Stacey, I send you something at last; I hope you may come for it, of course, in the sabbath morn...’, undated, 20.2 by 16cm, folded sheet, annotated in another hand verso with a note of works by the author £300 - £500

233 Angling Interest: an extensive collection of fly fishing flies and ephemora, including Salmon flies used on the river Tees, a leather bound vellum wallet of examples with inscribed date 1856, a similar wallet of fishing wire, with log of salmon caught on the Tees 1859 to 1862 by Robert Thornton of Stapleton, two letters relating to flies, one with attached fly and description of its use and construction, and a tin of smaller examples £200 - £400

234 Stanley Matthews, a leather football boot together with a copy of Feet First (2) £100 - £150

235

235 Stanley Matthews, an England international football cap, v Northern Ireland 1950-51, blue velvet with silver coloured thread, applied three lions shield and cream tassel, framed and glazed, with copy of a signed letter on Stoke City headed paper

Note: played on 7th October 1950, at Windsor Park in Belfast, England won 4 - 1. £900 - £1,000

236 Stanley Matthews, an England international football cap, Football Association of Ireland 1949-50, dark blue velvet with silver coloured thread, applied three lions shield and cream tassel, with a copy of a signed letter on Stoke City headed paper £900 - £1,000

237 Stanley Matthews, an England international football cap, v Yugoslavia 1956, blue velvet with silver coloured thread, applied three lions shield and cream tassel, with copy of a signed letter on Stoke City headed paper

Note: this was Matthews’ 50th cap, awarded for the game against Yugoslavia on 28th November 1956, which England won 3 - 0. £900 - £1,000

238 A late Victorian oak South Western Railway coal wagon humidor, simulated coal hinged cover opening to a fitted interior with a strike, metal bowl, and twin divisions, the sides marked ‘S.W.R. 1899’, Rd.No.230537. brass buffers and working wheels, 16.5cm high, 33cm wide, 16.5cm deep £250 - £350

239 Walker and Hall, a Victorian trade catalogue, circa 1892, 203 plates of designs including Old Sheffield, Electroplated, Nickel, White Metal etc., red board bound, 29cm x 49cm £70 - £100

240 A pair of 19th Century bronze signal or salute cannons, mounted on mahogany gun carriages carriages with solid wheels, 21cm long (2) £650 - £750

241

241 A pietra dura specimen portrait of a horse’s head, inlaid with various hardstones and marbles, signed indistinctly verso, 17cm x 11cm, framed £60 - £100

242 A Russian icon, 18th Century or earlier, depicting The Mother of God, child, and St. John, polychrome and gilt with Cyrillic script on a wooden panel, 35 by 30cm, framed £300 - £500

243 British School, mid-19th Century, an oval portrait miniature of a young gentleman, bust-length, wearing a white stock and brown jacket, on ivory, 7.5 by 6cm, in a rose gold colored mount with suspension hook.

Note: Ivory Exemption Certificate No.M2RS12TF £200 - £300

244 British School, mid-19th Century, an oval portrait miniature of a gentleman, bust-length, in a white stock and blue jacket with brass buttons, on ivory, 6 by 5cm, in a gold-coloured mount with suspension hook.

Note: Ivory Exemption Certificate No.5B7UPBWV £150 - £200

245 British School, 18th Century, an oval portrait miniature of a gentleman, in a powdered white wig, white stock, and brown jacket, on ivory, 4.5 by 3.5cm, in a gold-coloured metal mount with suspension hook.

Note: Ivory Exemption Certificate No.JPGXUGLL £300 - £500

246 Gervase Jarvis Spencer (British, c.1715-1763), an oval portrait miniature of a gentleman, bust-length in a powdered white wig, white stock, and brown jacket with brass buttons, signed with initials and dated 1755 l.r., on ivory, 4 by 3.5cm, in a gilt metal mount with suspension hook.

Note: Ivory Exemption Certificate No.CDXNMWF2 £400 - £600

247 British School, late 18th Century, an oval portrait miniature of a gentleman, bust-length in profile, in a powdered wig, white stock, and blue jacket with high collar, on ivory, 4 by 3cm, in a gold-coloured metal mount with suspension hook.

Note: Ivory Exemption Certificate No.TZZXGZ9E £150 - £200

248 British School, 18th Century, an oval portrait miniature of Mrs Brisbane, bust-length, in a dress with a blue trimmed collar, on ivory, 5 by 3cm, in a gold-coloured mount with suspension hook.

Provenance: with a note about the sitter dated 1700

Note: Ivory Exemption Certificate No.74Z3UP7Q £200 - £300

BOOKS AND PRINTS

249 A Victorian scrapbook, silk pages with various pasted-in clippings, greeting cards, a letter from Thomas Hampson to his brother, and fragments.

251 Hulme, F E, circa 1870, Suggestions in Floral Design, London: Cassell, with fifty two colour plates, folio size, cloth bound, git edged papers £100 - £200

252 Verneuil, Maurice Pillard, circa 1900, Etude de la Plante Son application aux industries d’art..., Paris: Librairie Centrale Des BeauxArts, B T Batsford booksellers ticked tipped-in to front, with numerous pochoir and coloured lithographic illustrations, green cloth binding, paint stamped text, folio size £100 - £200

253 The Studio, Volume 1, No.1, April 1893, first edition, first issue, includes an article by Joseph Pennell ‘A New Illustrator; AUBREY BEARDSLE’ with monochrome plates £20 - £40

254 C. Jvllvs Caesar, Ex Emendatione Ios Scali geri, 1661, Astelodami, vellum binding £200 - £300

255 Milne, A.A. & Shepard, E.H, (Illustrator), The House at Pooh Corner, 1928 first edition, London, Methuen & Co, pink cloth boards with gilt title and illustration, unclipped dust jacket with pictorial endpapers £200 - £300

256 Otway, Joseph, An Essay on the Art of War, Translated from the French of Count Turpin, two volumes, 1761, London, W. Johnston, fold-out plans, tan leather bindings (2) £400 - £600

257 Fleming, Ian, You Only Live Twice, 1964 first edition, London, Jonathan Cape, publisher’s imitation black cloth letter in silver and gilt, clipped dust jacket, (priced 16s); with On Her Majesty’s Secret Service, 1963 first edition, London, Jonathan Cape, brown cloth binding with gilt lettering to the spine, clipped dust jacket, (priced 16s) (2) £200 - £300

258

258 Hockney, David, Six Fairy Tales from the Brothers Grimm with Original Etchings, 1970, Petersburg Press, London, Rudolf Rieser blue leather binding with embossed silver cover title £50 - £80

259 Quran, Ottoman provincial, dated 1279AH £400 - £500

260 Prayers (Ayat al-Dhikr), Persian MS c.1200 £500 - £800

£200 - £300

Provenance: the scrapbook belonged to three brothers, George Francis Hampson, (10th Baronet of Taplow and famous English Entomologist), Charles Seymour Hampson, (appointed by Edward VII to be His Majesy’s consul in Bangazi in 1904), and Rev Thomas Philip Hampson. The Hampsons were also related to Jane Austen. The 5th Baronet George Hampson had a daughter who was Jane Austen’s grandmother.

250 Milne, A.A. & Shepard, E.H, (Illustrator), Winnie The Pooh, 1928, sixth edition; and When We Were Young, 1929, nineteenth edition, London, Methuen & Co, unclipped dust jackets (2) £80 - £120

261

261 Quran, Ottoman, dated 1247AH

£700 - £900

262 After Johann Hermann Knoop (Dutch, 1700-1769), apples and pears, set of twelve, probably taken from ‘Pomologia’, 1790, coloured engravings, various plates numbered in Roman numerals, inscribed J.H. Knoop ad vix.del, 29 by 23cm, in later green washed lappet beaded wooden framed (12)

£300 - £500

263 Herbert Thomas Dicksee (British, 1862-1942), Rural Landscape, signed and blind stamp l.l., etching, published by Frost & Reed, 1914, 26 by 35cm, framed

£60 - £100

264 Walter Crane (British, 1845-1915), a classically draped maiden amongst reeds, dated 1888, sepia lithograph, 28 by 12cm, framed £50 - £80

265 Erte (Romain de Tirtoff) (Russian, 1892-1990), Aladdin and His Bride The Princess Boudoir Al Badour, lithograph in colours, published by Kane Fine Art, printed by Coriander Studio, London, 1983, Sevenarts Ltd, 62 by 78cm, framed.

Note: Artist Resale Rights apply

£150 - £200

266 Marius Bauer (Dutc h, 1867-1932), Festival, Flags Waving, drypoint etching, 1897, number 77 of an edition of 100, signed in pencil l.r, 15 by 12cm, framed £40 - £70

267

267 Edgar Degas (French, 1834-1917), Sur la Scene No.3. On Stage No.3, (1876-1877), etching, issued by Amboise Voillard in an edition of 150 issued for an exhibition catalogue of the Societe des Amis des Arts de Pau, c.1876/77 with some 40 impressions traced, signed in the plate, 9.5 by 12cm, framed.

Note: from the first edition printed from cancelled plate 1910/15. Delteil 32; Reed-Shapiro 24 vi/vi.

Provenance: with William Weston Gallery, London £400 - £600

268

268 Albert Irvin R.A. (British, 1922-2015), Berthon, signed and dated 1991 l.l., titled below, screenprint in colours, No.121/125, 39.5 by 53cm, framed.

Note: Artist Resale Rights apply £300 - £500

269 Sam Hodge (British, 1963), Organisation, signed with initials l.r., titled below, Artist Proof monochrome etching, 29 by 23cm; with Irresistible Attraction, signed with initials l.r., titled below, monochrome etching No.2/20, 34 by 27cm, both framed (2) £60 - £100

270 Poster Art, Barry Flanagan Sculpture 1965-1978, Serpentine Gallery, 25th November 1978-7th January 1979, Arts Council of Great Britain, printed in colours, 74 by 50cm, framed £60 - £100

271

271 Charlotte Cornish (British, 1967), Out of the Known, signed l.r., screenprint in colours, No.14/95, 81 by 120cm, framed.

Note: Artist Resale Rights apply £150 - £200

272

272 Anthony Frost (British, 1951), a grid of four, an abstract composition, signed and dated 1995 l.r., screenprint in colours, Y blindstamp l.r., 46 by 70cm, framed.

Note: Artist Resale Rights apply £150 - £200

273 Bridget Riley (British, 1931), Ra 2 (1981), signed l.r., screenprint in colours, No.24/75, 87 by 76cm, framed, printed in 1995 by Sally Gimson at Artizan Editions, Hove. Published by the artist, United Kingdom.

Note: Tommasini-Gubay BRS29, Illustrated on page 128 of the catalogue. Exhibited: Bridget Riley: Pleasures of Sight, 2021/22, The Lightbox, Woking.

Note: Artist Resale Rights apply

£15,000 - £20,000

274 Bridget Riley (British, 1931), Splice (1975), signed and dated l.l., titled l.r., screenprint in colours, No.17/45, 75 by 54cm, framed. Printed by Graham Henderson, London.

Notes: Tommasini-Gubay Ref: BRS22, Illustrated on page 114 of the catalogue.

Exhibited: Bridget Riley: Pleasures of Sight, 2021/22, The Lightbox, Woking.

Note: Artist Resale Rights apply

£8,000 - £12,000

PICTURES

275 John Varley (British, 1778-1842), Landscape, titled verso, sepia wash, oval, 23 by 31cm, framed.

Provenance: with Albany Gallery, London; Collection Herbert Varley, Grandson of the artist

£150 - £200

276

276 John Hoppner R.A. (British, 1758-1810), portrait of a young lady, bust-length wearing a headdress, signed verso, pencil, 26 by 20cm, framed.

Provenance: with Sotheby’s, 14th October 1985

282

282 William Mulready R.A. (Irish, 1786-1863), portrait of John Mulready, the artist’s son when he was 27, titled and dated 1836 verso, crayon, 17 by 12cm, framed £200 - £300

283 William Mulready R.A. (Irish, 1786-1863), portrait of a young lady, bust-length in profile, hair worn in a bun, chalk, 17.5 by 12cm; and another portrait of a young lady, bust-length in slight profile, crayon, 16 by 12cm, both framed (2) £150 - £200

£200 - £300

277 John Middleton (British, 1827-1856), a pastoral landscape with cottages and a church spire, watercolour, 16 by 37cm, framed.

Provenance: with Fry, London.

£100 - £150

278 British School, early 20th Century, a coastal town with figures on a promenade in the foreground, watercolour, 14 by 23cm, framed

£50 - £80

279 Cornelius Pearson (British, 1805-1891), The Traeth Mawr, Cardigan Bay, North Wales, signed and dated 1869 l.l., titled verso, watercolour, 18 by 47cm, framed; with Elizabeth Doyle (Crimplesham Hall, Norfolk, c.1830-40), At Southampton, titled verso, watercolour, 12 by 22cm, framed.

Provenance: with Sotheby’s; Fry Gallery, London (2) £80 - £120

284

£150 - £200

280 William Mulready R.A. (Irish, 1786-1863), portrait of a young lady, bust-length with auburn hair in a centre parting, coloured chalk, 11 by 8cm, framed

281 William Mulready R.A. (Irish, 1786-1863), portrait of a young lady, bust in profile with brown hair in a centre parting and bun, crayon, 11 by 11cm, framed £100 - £150

284 Frederick James Shields A.R.W.S. (British, 1833-1911), Her Majesty The Queen, signed with monogram and dated 1883 l.r., titled on the mount below and verso, red chalk, 14 by 17.5cm, gilt frame.

Provenance: The Gray Art Gallery, West Hartlepool, Presented by Ald John Brown J.P. £150 - £250

285 Attributed to James Lawson Stewart (British, 1841-1929), cottages in Surrey, a pair, signed with initials, watercolour, 12 by 17cm, framed (2)

£50 - £80

286 Daniel Maclise (British, 1806-1870), portrait of a young lady, seated half-length in a landscape holding a cat, house beyond, signed and dated 1828 l.r., watercolour and pencil, 20 by 16cm, framed.

Provenance: Christopher Powney, London

£80 - £120

287 Eugene Galien-Laloue (French, 1854-1941), Rivoli, Paris, signed l.l., titled verso, watercolour and gouache, 24 by 26cm, gilt frame.

Provenance: a Private Collection, Cotswolds

£1,500 - £2,000

288 Attributed to George Price Boyce (British, 1826-1897), a street scene with a gentleman and two boys at play by a wall, watercolour, 17 by 21cm, framed

£50 - £80

289 British School, 20th Century, four children’s book illustrations, including Trainspotters and The Teaser’s, the latter signed Billy and dated 1920 l.r., watercolour, largest 23 by 23cm, all framed (4)

£150 - £200

290 Alfred Douglas Robinson F.R.I.B.A. (British, 1886-1965), Water Tower and Cottages at Kempsford Manor, Gloucestershire for Sir Peter Norton-Griffiths, signed and dated 1946 l.r., watercolour, 22 by 46cm, floor plan in pen and ink on the mount below, framed

£80 - £120

291 John Frederick Lewis (British, 1805-1876), La Cava, Near Naples, titled and dated 1840 l.l., watercolour over pencil, 30 by 22cm, framed.

Provenance: with Richard Hughes-Hallett, Exhibition December 1971

£200 - £300

292

292 Circle of Alphonse Mucha, Art Nouveau poster designs for confectionary, incorporating ladies of fashion, two, watercolour, 50 by 36cm, framed (2).

Provenance: Andrew Gardner, (Purple Shop) £400 - £600

293 Winifred M. Ackroyd (Illustrator) (British, early 20th Century), illustration for Leda and the Swan, c.1920, signed l.l., pen, ink and watercolor, 32 by 25cm, framed £100 - £150

294 After Edward Okun, Mother Toadstool and Her Babies, watercolour, signed l.r., 24cm x 33cm, unframed £50 - £80

295

295 Millicent Sowerby (British, 1878-1967), Fond Greetings, illustration, signed and dated 1903 l.l., watercolour, 19 by 12cm, framed.

Notes: Amy Millicent Sowerby was an English painter and illustrator celebrated for her works in classic children’s literature. Influenced by Arts & Crafts exponents such as Thomas Crane and Kate Greenaway, she was one of the earliest women to illustrate Lewis Carroll’s 1865 ‘Alice’s Adventures in Wonderland’.

Note: Artist Resale Rights apply £400 - £600

296

296 Averil Mary Burleigh (British, 1883-1949), Summer, signed with initials l.l., watercolour, 21 by 14cm, in the original gilt tabernacle frame £400 - £600

297 Bernard Walter Evans (British, 1848-1922), a view of the River Tay, (Scotland), signed l.r., watercolour, 34 by 50cm, framed

£100 - £150

298 Thomas Heath Robinson (British, 1865-1950), Hail Thou Queen of the World, signed and dated 1898 l.r., titled verso, pen, and ink, 36 by 23cm, framed.

Provenance: with J.S. Maas, London

£200 - £300

299 John Hassall (British, 1868-1948), The Cigar Smoker, signed u.l., watercolour, 35 by 25cm, framed

£150 - £200

300 John Hassall (British, 1868-1948), Venus, signed l.l., titled l.c., pen, ink, and watercolour, 28 by 16.5cm, framed.

Note: this illustration appeared in ‘The Studio’ magazine

£200 - £300

301 John Hassall (British, 1868-1948), Long Life, Health and Happiness, signed and dated 1902 l.r., watercolour, 34 by 24cm, framed £150 - £200

302 Frederick William George (British, 1889-1971), a standing female nude and anatomical studies, charcoal, 54 by 35cm, gilt frame.

Provenance: with Campbell Wilson

£70 - £100

303 John Atkinson (British, 1863-1924), Harvesting, signed l.r., watercolour, 24 by 33cm, gilt frame

£80 - £120

304

304 Dame Laura Knight R.A. (British, 1877-1970), Pavlova, signed l.r., titled l.l., pencil, 35 by 22cm, framed. Exhibited: Gainsborough’s House, Sudbury, 1974.

Provenance: a Private Collection, West Midlands.

Note: Artist Resale Rights apply

305

305 Louis William Wain (British, 1860-1939), I Like a Little Break, signed l.l., titled verso, pen, ink and watercolour, 27.5 by 21.5cm, framed.

Provenance: with Michael Parkin Fine Art, London, and Chris Beetles, London.

Exhibited: York City Art Gallery, 1986, No.25 £1,500 - £2,500

306 Philip Hughes (British, 1936), Voyage to Rothera - Horizon, titled and dated 2002 verso, aquacryl and gouache, 31 by 33cm, framed.

Provenance: with Francis Kyle Gallery, London.

Note: Artist Resale Rights apply

£800 - £1,200

£80 - £120

307 Kennet h Entata (Hermannsburg School) (Australian, 1932-1982), Ghost Gum landscape, signed l.l., watercolour, 35 by 51cm, framed

£100 - £150

308 Sir Terry Frost R.A. (British, 1915-2003), Untitled Christmas card, black and white segment, inscribed ‘To Fred & Joan, Lots of Good Wishes for Xmas 1988, Prosperity & Good Health, from Terry & Kath’, collage, 11.5 by 6.5cm.

Note: the card recipient is British Labour Party politician, barrister-atlaw, and economist Lord Fred Mulley (1918-1995) and his wife Joan. Mulley along with Terry Frost hail from the Warwickshire town of Leamington Spa.

Note: Artist Resale Rights apply

£150 - £250

309

309 Sir Terry Frost R.A. (British, 1915-2003), Untitled Christmas card, black and red circles linked by a leather strap, inscribed ‘To Joan & Fred, Lots of Good Luck for Xmas & New Year, from Kath & Terry’, collage, each circle 7.5-8cm diameter.

Note: the card recipient is British Labour Party politician, barrister-atlaw, and economist Lord Fred Mulley (1918-1995) and his wife Joan. Mulley along with Terry Frost hail from the Warwickshire town of Leamington Spa.

Note: Artist Resale Rights apply

£150 - £200

310 Sir Terry Frost R.A. (British, 1915-2003), Untitled Christmas card, red, white, and black interlinked circles, inscribed ‘Happy Xmas & a Good New Year from Terry & Kath to Fred & Joan’, mixed media collage, 13 by 5.5cm.

Note: the card recipient is British Labour Party politician, barrister-atlaw, and economist Lord Fred Mulley (1918-1995) and his wife Joan. Mulley along with Terry Frost hail from the Warwickshire town of Leamington Spa.

Note: Artist Resale Rights apply

£150 - £200

311

311 Sir Terry Frost R.A. (British, 1915-2003), Untitled Christmas card, red and black circles mounted on a segment, inscribed ‘Happy Xmas, Good Health & Good Luck for 1987, to Fred & Joan from Kath & Terry’, collage, 13 by 4.5cm.

Note: the card recipient is British Labour Party politician, barrister-atlaw, and economist Lord Fred Mulley (1918-1995) and his wife Joan. Mulley along with Terry Frost hail from the Warwickshire town of Leamington Spa.

Note: Artist Resale Rights apply

312

312 Sir Terry Frost R.A. (British, 1915-2003), Untitled Christmas card, white and black flower, inscribed ‘A Very Happy Xmas & Prosperous New Year, Good Health & Good Luck, To Fred & Joan from Terry & Kath, P.S. don’t forget you are very welcome to come & spend a few days with us...’, collage, 10.5 by 10cm.

Note: the card recipient is British Labour Party politician, barrister-atlaw, and economist Lord Fred Mulley (1918-1995) and his wife Joan. Mulley along with Terry Frost hail from the Warwickshire town of Leamington Spa. Reference: for a near-identical card see Lot 149, Lay’s Auctioneers, 13th May 2021.

Note: Artist Resale Rights apply £200 - £300

313

313 Sir Terry Frost R.A. (British, 1915-2003), Untitled Christmas card, square with a pink on black circle and grey segment, inscribed ‘Lots of Good Wishes Joan & Fred from Kath & Terry’, collage, 7.5 by 7.5cm.

£100 - £150

Note: the card recipient is British Labour Party politician, barrister-atlaw, and economist Lord Fred Mulley (1918-1995) and his wife Joan. Mulley along with Terry Frost hail from the Warwickshire town of Leamington Spa.

Note: Artist Resale Rights apply £150 - £200

314 Luke Frost (British, 1976), Untitled - composition in red, blue, and green, signed with initials and dated 1998 l.r., watercolour, 18.5 by 19cm, framed.

Note: Artist Resale Rights apply £80 - £120

315

315 Anthony Frost (Br itish, 1951), Hook It Diamond, signed, titled, and dated 1980 verso, gouache, 29 by 22cm, framed.

Note: Artist Resale Rights apply

£200 - £300

316

316 Sam Toft (British, 1964), She Who Must be Kept Dry, signed l.r., titled below and on gallery label verso, mixed media, 21 by 15cm, framed.

Provenance: with The Wykeham Gallery, Stockbridge.

Note: Artist Resale Rights apply

317

£800 - £1,200

317 Circle of Hans Hysing, circa 1730, portrait of a young gentleman, bust-length, wearing a white stock, a grey coat, and waistcoat, within a painted oval, oil on canvas, 75 by 62cm, in an 18th Century plain wooden frame with gilt fillet. Provence: Private Collection, Gloucestershire

£800 - £1,200

318

318 Circle of Jean Baptiste Santerre, portrait of a nobleman, half-length, in armour, oil on canvas, 75 by 62cm, framed

£400 - £600

319 Dutch School, 18th Century, Battle Scene with Cavalry, oil on panel, 26 by 33cn, gilt frame

£150 - £200

320 British School, 18th Century, portrait of a gentleman, halflength wearing a white stock, brown jacket, and a red waistcoat, dated 1761 u.r., oil on canvas, 75 by 60cm, framed £200 - £300

321

321 After Ginevra Cantofoli, portrait of Beatrice Cenci, oil on canvas, 60 by 50cm, unframed £200 - £300

322

322 Circle of Allan Ramsay, circa 1750, portrait of a gentleman, half-length in white stock, a grey jacket, and an ivory waistcoat, within a painted oval, oil on canvas, 75 by 62cm, in an 18th Century carved wood and gilt gesso frame.

Provenance: Private Collection, Gloucestershire £1,000 - £1,500

323 After Bartolome Esteban Murrillo, The Little Fruit Seller; Beggar Boys Playing Dice, a pair, oil on metal, 19 by 15.5cm, gilt frames (2) £80 - £120

324

324 Eugene Verboeckhoven (Belgian, 1798/99-1881), an expansive landscape with cattle and sheep, signed l.c., oil on canvas, 70 by 90cm, gilt frame £1,000 - £1,500

325 After Gabriel Metsu, The Game Dealer, oil on panel, 19 by 16cm, gilt frame £150 - £200

326 Ludvig Klubdot (?) (Dutch, 20th Century), a landscape with a canal and windmill, indistinctly signed l.r., oil on canvas, 50 by 70cm, gilt frame

£80 - £120

327 James Eadie Reid (British, 1890-1917), The Rock, dated 1915 on Salon London label verso, oil on board, 34 by 24cm, framed £50 - £80

328 Attributed to Oliver Clare (British, 1853-1927), still life of grapes, apples, strawberries, and gooseberries on a mossy bank, oil on board, 23 by 30cm, gilt frame

£100 - £150

329 Oliver Clare (British, 1853-1927), still life of red grapes, apples, and a strawberry: still life of green grapes, plums, and raspberries, a pair, both signed l.r., oil on board, 14 by 22cm, gilt frames (2) £200 - £300

330 Winifred M. Macnabb (British, early 20th Century), portrait of Elisabeth Sperling, bust-length in slight profile, wearing a pink open-neck dress, titled and dated 1928 verso, oil on canvas, 33 by 24cm, framed £120 - £150

331

331 Charles Leader (British, 1868-1940), mountainous river landscapes, a pair, both signed l.r., oil on canvas, 45 by 35cm, unframed (2)

£150 - £250

332 Lester Sutcliffe (British, 1848-1933), A Sun Lit Orchard, Shaw Lane, Headingly, signed l.r., titled verso, oil on board, 35 by 43cm, gilt frame.

Provenance: with John Noott, Broadway

£150 - £200

333 Samuel Henry Baker (British, 1824-1909), A Village Street, Herefordshire, signed l.l., titled verso, oil on canvas, 75 by 60cm, gilt frame

£200 - £300

334

334 John Scott (British, 1850-1918/19), The Expected Admirer, signed and dated 1889 l.r., oil on canvas, 50 by 60cm, gilt frame

£300 - £500

335

335 Arthur Jesse Heyden (British, 1916-1990), Cheltenham Racecourse, signed l.l., titled verso, oil on canvas, 45 by 60cm, gilt frame.

336

336 Willem Hendrik Eickelberg (Dutch, 1845-1920), a Dutch river landscape with windmills and fisherfolk, signed l.l., oil on panel, 26 by 34cm, gilt frame.

Provenance: with MacConnal-Mason, London £300 - £500

337

337 George Armfield (British, 1808-1893), Terriers Ratting, signed l.r., oil on canvas, 75 by 62cm, framed £300 - £500

Provenance: with John Noott, Broadway. Exhibited: at Cheltenham, ‘The Art of Racing’, October 2004

£300 - £500

338

338 Jacobus Freudenberg (Dutch, 1818-1873), a Dutch river landscape with fishing boats, fisher-folk, and a windmill, signed l.r., oil on panel, 32 by 52cm, gilt frame £400 - £600

339 James de Rijk (Dutch, 1806-1882), two figures at rest outside a country stable, a man leaning on a donkey conversing with a seated lady, with cattle, sheep, and goats in a landscape, signed indistinctly l.c., oil on canvas, ebonised and tortoiseshell frame £400 - £600

340 Alfred Morris (British, 19th Century), The Day’s Bag, signed and dated 1862 l.r., oil on canvas, 68 by 86cm, framed

£400 - £600

341

341 Ernest Charles Walbourn (British, 1872-1927), In a World Apart, signed l.r., titled below, oil on canvas, 60 by 90cm, gilt frame

343

343 Jan Evert II Morel (Dutch, 1835-1905), an expansive river landscape with a windmill, church, cottages, and mother and infant on a path in the foreground, signed l.r., oil on panel, 25 by 34cm, gilt frame.

Provenance: with MacConnal-Mason & Son, London £500 - £800

344 Horatio Henry Couldery (British, 1832-c.1893), Taking Turns, signed with monogram l.r., oil on canvas, 35 by 52cm, framed £500 - £800

£400 - £600 342

342 Philip Mathews (Irish/British, 1916-1984), still life with a wine bottle, a gravy boat, a bottle of milk, a coffee pot, a pan, a lemon, and an airmail letter on a circular tripod table with a yellow and green check table cloth, oil on canvas, 50 by 60cm, framed.

Notes: born in Belfast, Philip Matthews was a painter and teacher who attended Maidenhead School of Art and the Euston Road School studying under Victor Pasmore. In 1946 he joined the staff at the Camberwell School of Arts. He exhibited at The Royal Academy and London Group amongst others. The Government Art Collection and Royal Academy hold examples of his work in their collections.

Provenance: A Private Collection, Warwickshire

Note: Artist Resale Rights apply £400 - £600

345

345 Jan Evert II Morel (Dutch, 1835-1905), an expansive river landscape with a windmill, church, cattle watering, and figures gathering wood in the foreground, signed l.l., oil on panel, 25 by 34cm, gilt frame.

Provenance: with MacConnal-Mason, London £500 - £800

346 Horatio Henry Couldery (British, 1823-c.1893), Ready to Pounce, signed with monogram l.r., oil on canvas, 33 by 48cm, unframed £500 - £800

347 Henry Pether (British, 1800-1880), a moonlit estuary, moored fishing boats, and figures on a harbour in the foreground, signed and dated 1851 l.r., oil on canvas, 60 by 90cm, gilt frame.

Note: typical of the celebrated ‘Moonlight Pethers’, the scene depicted is possibly the Thames Estuary.

Provenance: a Private Collection, Cotswolds £4,000 - £6,000

348 Bert Isaac (British, 1923-2006), Warm Evening, signed and dated 1995 l.r., titled verso, acrylic, 22 by 33cm, framed.

Note: Artist Resale Rights apply £100 - £150

349

349 John Nolan (Irish, 1958), Lavender Fields, Provence; Towards Dun Laoghaire, a pair, both signed l.r., titled verso, acrylic on canvas, 60 by 29cm, framed (2).

Provenance: with Waldock Gallery, Dublin £300 - £500

350 Guy Hanscomb (Irish, 1968), a Coastal View in County Wicklow, signed with monogram l.r., oil on canvas, 60 by 90cm, framed £300 - £500

351 Peter Young (British, 20th Century), still life of white flowers in a vase, signed verso, oil on canvas, 40 by 50cm, painted frame

£60 - £100

352 Otto Kirchner (German, 1887-1960), Silesian Sheepherder, signed and inscribed ‘Munchen’ u.l., titled verso, oil on panel, 23 by 17cm, in an ebonised and figured walnut cushion frame

£200 - £300

353 Jeannie Drysdale (British, early 20th Century), The Blue Boy after Thomas Gainsborough, titled, signed, and dated 1928 u.l., oil on canvas, 225 by 116cm, in the original serpentine gilt frame

£300 - £500

354 Tommaso Principe (Italian, 1942), Figures at Leisure in a Park, signed l.l., oil on canvas, 50 by 70cm, gilt frame

£100 - £150

355 Celia Wilkinson (British, 20th/21st Century), Shift, signed with initials l.r., titled verso, acrylic on canvas, 80 by 80cm, framed.

Provenance: with John Noott, Broadway £300 - £500

356 Stephen Cullen (Irish, 1959), Sandycove, Dublin, signed and dated 2012 l.r., oil on canvas, 40 by 58cm, framed

£800 - £1,200

357 Robert Sadler (British, 1909-2001), Souvenir, signed l.l., titled and dated 1958 verso, oil on board, 123 by 155cm, framed.

Note: Artist Resale Rights apply

£1,000 - £1,500

358 Trevor Sutton (British, 1948), N.Y.C 1994-5, signed and titled verso, oil on board, 38 by 38cm, integral frame.

Provenance: with Flowers East, London.

Note: Artist Resale Rights apply £200 - £300

359 Robert Morley (British, 1857-1941), The Stump Orator, signed and dated 1897 l.l., titled verso, oil on board, 40 by 51cm, framed £1,000 - £1,500

360 Ethelbert White (British, 1891-1972), Across the Avon Valley, signed l.r., titled verso, oil on canvas, 53 by 64cm, gilt frame.

Note: Ethelbert White was elected to the London Group in 1915 and became a member of the New English Art Club in 1921. His works shows the influence of the French post-impressionist painters.

Note: Artist Resale Rights apply £1,000 - £1,500

352 356

361 Alan Davie R.A. (Scottish, 1920-2014), Tiger Dips its Tail, signed, titled, and dated 1960 verso, oil on canvas, 30 by 40cm, framed.

Provenance: with Gimpel Fils Gallery, London. Exhibited: Portland Gallery, London, ‘Alan Davie, The Eternal Conjurer’, 8th May to 5th June 2014, cat No.16.

Note: Artist Resale Rights apply

END OF DAY ONE

£3,000 - £5,000

DAY TWO

ASIAN ART

365

365 A Chinese sang de boeuf glazed dish, flambe glazed with white rim, 22cm diameter £50 - £80

366 Three Chinese carved pendants including jade and simulated examples, 5cm (3)

£50 - £80

362 A Chinese underglaze copper red and blue brush washing bowl, Jingdezhen mark, the centre depicting entwined carp, inverted rim, 14cm diameter

£40 - £60

367

£50 - £80

363 Oriental items including a repousse embossed Tibetan prayer wheel, cloisonne bowl decorated with chrysanthemums, gilt and enamelled bangle and bronze figural incense burner stand, bowl 30.5cm diameter (4)

364

364 A Persian style relief moulded Oriental celadon dish, the petal centre with figures on horseback between trees, 21cm diameter

£50 - £80

367 A Chinese Yixing teapot, square section pyramidal form incised with poem and sprig of grass, stamped 6 character mark, 15cm long

£40 - £70

368 A pair of Chinese famille rose vases, Canton, £200 - £400

369

369 A pair of Chinese earthenware Foo lion dog sculptures, 19th century or earlier, modelled sitting with paws resting on auspicious objects, reticulated and glazed in green and yellow sancai, approx 17cm high, 7cm wide, 5cm deep (2) £50 - £100

370

370 A pair of Oriental egg shell porcelain bowls, celadon glazed conical form, incised with stylised foliate fronds and grassy tufts, wiped rims, 20.5cm diameter (2) £50 - £80

371 A small Chinese red clay teapot with bird finial, Jiaqing mark, ovoid conical form, modelled with a bird finial, 11cm long, 7cm high £60 - £80

372 An Islamic steel scribe’s pen box, sliding cover, gilt damascened with avian motifs, 25cm long £80 - £120

375

375 A Chinese blue and white bowl, Xuande Ming six character marks, footed form, painted with deities seated on flying firebirds, amongst clouds, over a temple in garden landscape with pine tree and willow, 19.5cm diameter £200 - £300

376 A Chinese powder blue dish, Xuande mark, moulded ogee lotus lappet form, underglaze sgraffito scroll or dragon design, six character and concentric mark, 17.5cm diameter £300 - £500

377 A Chinese vase, shouldered form with flared rim, painted with verses to the reverse, the main image of figures in a garden landscape with trees, 43cm high £300 - £500

£100 - £150

373 A Chinese Canton famille rose baluster vase, 19th Century, gilt beast handles and applied dragons to the shoulders, painted cartouche panels of domestic figure scenes and exotic birds amongst foliage, 46cm high (s.d)

374 A set of six Chinese blue and white dishes, Qing Dynasty, decorated in underglaze blue with chrysanthemums on a foliate scroll and lotus ground, within diaper border, 20cm diameter(6) £200 - £400

378 Mughal School, a prowling tiger; pair of elephants, two illustrations, gouache, largest 18 by 29cm, framed (2) £50 - £80

379 Mughal School, figures in a rainstorm, figures bathing, and a seated deity, three illustrations, gouache, largest 17 by 24cm, framed (3) £80 - £120

380 Mughal School, a pair of Regal figures holding arms, and figures of leisure making music, two illustrations, gouache, largest 21 by 16cm, framed (2) £50 - £80

FURNITURE AND CLOCKS

381 A Regency rosewood sofa table, circa 1820, curved end flaps, twin frieze drawers with circular brass pulls, baluster turned stretcher, sabre legs terminating in brass capping and castors, 72cm high, 92cm wide, (unextended), 68cm deep

£150 - £250

382 A George III mahogany bachelor’s chest of drawers, circa 1770, moulded hinged top, four long graduated drawers with brass drop handles, on shaped bracket feet, 72cm high, 80cm wide, 49cm deep

£200 - £300

383

383 Goulding D'Almaine, Potter & Co, a mahogany square piano, circa 1810, rosewood crossbanded, brass strung and brass mounts to the case, central inverted long drawer flanked by short drawers either side, on reeded tapered legs terminating in brass capping and castors, the satinwood soundboard painted with musical trophies and address for Westmoreland St, Dublin, ivory keys, 84cm high, 165cm wide, 61cm deep.

Note: Ivory Exemption Certificate No.MGU81GPT

£400 - £600

384

384 A George III mahogany secretaire bookcase, circa 1800, dentil cornice, twin geometric astragal glazed doors opening to height adjustable shelving, moulded surface, retractable writing surface fitted with till drawers and pigeon holes, over three long graduated drawers with brass drop handles, raised on shaped bracket feet, 210cm high, 95cm wide, 58cm deep £300 - £500

385 A Regency mahogany whatnot, circa 1820, four square tiers with finials, united by ring and baluster turned supports, terminating in brass capping and castors, 125cm high, 40cm wide, 40cm deep £150 - £200

386 A late Victorian amboyna and ebonised games/work table combined, circa 1870, octagonal parquetry inlaid and strung foldover top, single frieze drawer, and retractable well, on ceramic castors, 71cm high, 63cm wide, 40cm deep £150 - £200

392

392 A Cotswold School, Arts and Crafts oak desk, in the style of Edward Barnsley, three drawers over two pedestal panelled cupboards, 122cm wide, 73cm high, 45cm deep £300 - £500

387 A large gilt pier glass, France, 19th Century, plain cornice, the frieze with a high relief moulded garland of roses suspended by a bow, over an oval panel painted with a Watteau-type scene of a maiden with cherubs, signed ‘A. Coudeph’, acanthus and beaded border to the plate, 175cm high, 110cm wide

£300 - £500

388 A mid-Victorian mahogany Canterbury, circa 1860, triple X framed divisions with roundel ends, single frieze drawer with turned pulls, baluster legs terminating in brass capping and castors, 53cm high, 50cm wide, 34cm deep

£150 - £200

393

£60 - £100

389 A 19th Century mahogany piano stool, revolving leather studded seat, on four ring turned legs united by an X stretcher, 48cm high

390 Liberty and Co., an Arts and Crafts oak occasional table, circa 1900, the circular top on splayed and tapered square section legs united by a low shelf and apron above pierced with heart motifs in the style of C F A Voysey, 69cm high, 61cm diameter

£60 - £100

391

391 Liberty and Co., an Aesthetic Movement oak Thebes stool, turned and incised legs united by stretchers, square section concave saddle seat with cushion £150 - £250

393 Heals, London, an Art Deco walnut sideboard, gallery back, triple low-relief panelled frieze drawers, (one with ivorine Heals label), over three cupboards with turned pulls, canted fluted supports, 96cm high, 150cm wide, 52cm deep.

Note: see the matching dining table in the same auction, Lot 394 £200 - £300

394

394 Heals, London, an Art Deco figured walnut extending dining table, canted fluted supports, ivorine Heals label, integral folding retractable leaf, 77cm high, 128cm wide, 96cm deep, (182cm wide when extended).

Note: see the matching sideboard in the same auction, Lot 393 £200 - £300

395 A pair of Art Deco club armchairs, 1930’s, sky blue leather upholstery, curved backs, deep slouched seats, wooden sleigh feet, 70cm high, 84cm wide, 80cm deep (2)

£400 - £600

396 Piero Fornasetti (Italian, 1913-1988), an occasional table, circa 1970, transfer printed acrylic, theatre box design, signed in the plate, 46cm wide, 52cm deep, 51cm high.

Note: Artist Resale Rights apply

399 An Edwardian mahogany bracket clock, circa 1910, barbers pole strung arched case with patera inlay, 9.5cm white enamel convex dial with Roman numerals, flanked by brass columns, raised on brass ball feet, the movement striking on a gong, 28cm high, (key and pendulum) £150 - £200

£400 - £600

397 A rare Parsons-Sloper Secret Service wall telephone, circa 1910, maker Gent & Co, nickel handset with vulcanite handle and trumpet mouthpiece, 25-point tap selector switch, single bell mounted below, 42cm high

£80 - £120

398

400

400 A clockwork automaton singing bird, late 19th or early 20th Century, mounted on a perch with a flower in a gilt wirework cage, raised on a gilt gesso octagonal plinth with relief foliage and fluted corners, 27cm high, 16cm wide, 13cm deep £200 - £300

£1,500 - £2,000

398 A George III 2.75inch terrestrial pocket globe, possibly by George Adams after Hermann Moll, circa 1785, the sphere applied with coloured engraved printed gores, a panel inscribed 'A Correct Globe with the New Discoveries', contained in the original shagreen case lined with printed gores with stars in various orders of magnitude and label 'A Correct Globe with New Cons: stellations of Dr. Halley & Co

401

401 A French gilt ormolu bracket clock, late 19th Century, the Baroque case surmounted with twin handled urn and pineapple finials, cherub painted Sevres type inserts, 8cm jewelled dial with Roman numerals, signed Wm Wray, Birmingham, flanked by rams head pilasters, raised on toupee feet, the movement signed D.C & Cie, Paris, striking on a bell, 32cm high, standing on a gilt wooden plinth, under a glass dome on an oval ebonised base, (key and pendulum) £400 - £600

402

402 Liberty and Co., a Tudric Arts and Crafts pewter and enamelled timepiece, 0559, pediment form, cast in relief with a foliate shield and chevron, the dial with a copper chapter ring, blue enamel Roman numerals, around a central blue green roundel, 11cm high £600 - £800

403

403 Archibald Knox for Liberty and Co., a Tudric Art and Crafts pewter and enamel clock, model 01296, tricorn plaque form with knotted shield motifs to the corners set with heart shaped seed pod roundels in blue turquoise enamel, 11cm high

£250 - £300

404

404 Archibald Knox for Liberty and Co., a Tudric Art and Crafts pewter clock, model 01424, bombe bracket form, planished and relief cast with stylised bud motifs, silvered engine turned dial, 9.2cm high

£250 - £300

405 Glasgow School, an Arts and Crafts copper and Ruskin cabochon clock, cuboid plinth form with serpentine domes roof, the central white enamelled dial flanked by repousse embossed and pierced stylised tree motifs, reverse set with turquoise plaques, 25cm wide, 14cm high, 8cm deep £1,000 - £1,500

GLASS

406 A millefiori glass initial paperweight, possibly Baccarat, scrambled latticino ground with a wreath of alternating blue and red canes, around a central letter F formed from blue floral canes, 7cm diameter

407

£200 - £400

407 An 18th century diamond point engraved wine glass, circa 1745, the bell shaped bow with an inscription to the rim Charming Miss Molly Cheap Who has all her sex’s virtues, without their Vices, on a tear included plain stem on folded conical foot, 17.1cm high, rim 7.1cm diameter, foot 7.4cm diameter

£150 - £250

408 A George II clear glass tazza pyramid, circa 1750, comprising five graduated circular tiers with galleried rims, Silesian stems, dome-folded feet, broken pontils, 67cm high, smallest 21.5cm diameter, largest 42cm diameter.

Provenance: with Mallett, London, 2007

£600 - £800

409 An Anglo Irish glass decanter, circa 1810, of three ring neck Prussian form, the body cut with a band of fine hobnail segments and stars, in the typically Irish style, three annulated rings and wide brim, star cut mushroom stopper, 25cm high

£100 - £200

410 An Anglo Irish glass decanter, circa 1805, two ring neck Prussian form, a central band of hobnail cuts below a shallow facet and line band, two annulated rings and star cut mushroom stopper, 24.5cm high

£100 - £150

411 An Anglo Irish glass decanter, circa 1810, Prussian form with three mitre notched ring neck, the body with bands of hobnails, concentric rings and fluting, pinched disc stopper, 25.5cm high

£50 - £80

412 An Anglo Irish pedestal glass compote, circa 1800, of Campana urn form with wrythen pincered fin like ribs to the bowl, on a ball knopped stem, 13cm high

£40 - £70

413 A George III Bristol blue glass bowl and bonnet or monteith glass, circa 1800, optic diamond moulded footed forms, the bowl hemispherical, the beaker of ogee form, 12cm diameter

£40 - £70

414 A Dutch engraved glass tea canister, 18th century, cuboid form, decorated with Rococo panels of women in garden settings with putti attendants, within scroll and foliate border, screw fitting cap and internal stopper, 21cm high, 13cm wide

£80 - £120

415 An opaque twist armorial engraved wine glass, circa 1765, Continental, probably Saxon, the rounded bowl with the arms and coronet of a Vicount or baron, on a double series spiral and tubular lattice core, on domed foot, 15.5cm high, foot 7.8cm diameter, rim 6.4cm diameter

£50 - £100

416 A Bristol blue glass brandy decanter, club form with gilt bottle ticket, circa 1790, and early 19th century mustard pot with lemon squeezer foot, pedestal urn form, pear shaped domed cover, 23.5cm high (2)

£50 - £80

409

411 414

417 A Bristol green glass decanter, circa 1810, tapered form with single ring neck, stencilled in gilt RUM, with gilt rim 24.5cm high £80 - £120

418 A Bristol blue glass decanter with cork stopper, early 19th century, squat globe and shaft form with applied ring to the shoulder, 24cm high overall £60 - £100

419

419 A French gilt and enamelled opalescent glass decanter, probably Jean Baptiste Desvignes, circa 1800, Neoclassical three ring neck, footed ovoid form, painted with floral swags below a polychrome foliate band, gilt rings and spherical stopper with rosette decoration, 24cm high £100 - £200

420 A French gilded opaline glass liqueur decanter, after Jean Baptiste Desvignes, circa 1810, footed ovoid mallet form with three ring neck and spherical stopper, decorated with a floral foliate band between concentric rings, 16cm high £40 - £70 421

421 A pair of 19th Century Bohemian blue cased and etched glass decanters, tapered cylinder form with slice cut panels and a central band of fruiting grape vines, collared necks, 32cm high (2)

£80 - £120

422 A pair of French opaline glass scent bottles, wrythen reeded squat ovoid form with spherical gilt stoppers, enamelled and gilded with floral rosettes and sprigs, 12cm high (2)

£80 - £120

423 A French Palais Royal gilt metal mounted opaline glass scent bottle, Baccarat circa 1850, shouldered form in powder blue with a reticulated chased foliate scroll shoulder and embossed coronet lid, internal stopper, 12cm high

£60 - £100

424 A French Palais Royal novelty gilt metal and glass jewel tray, mid 19th century, in the form of a wheelbarrow, three sides with bevelled glass panes, 31cm long £50 - £80

425 A French Palais Royal gilt mounted opaline glass scent bottle, Baccarat, circa 1860, powder blue, shouldered form, the hinged lid set with a coloured print of Place de la Madeleine, Paris, chased gilt onion lappet borders, on three open milled bracket feet in the Byzantine revival style, 11cm high

£60 - £80

426

426 A French Palais Royal gilt mounted red glass scent bottle, circa 1860, the hinged coronet lid inset with a reverse coloured glass print of the Avenue Des Champs Elysees, from Place de la Concorde, Paris, within a reticulated galleried cage, 11cm high

£40 - £70

427 A Bohemian cut glass liqueur ewer, baluster form, slice cut and panelled with a central etched tulip in pot, the stopper with a campana form urn, on a petal base, 26cm high

£50 - £80

428

428 A Bohemain Barfatan alabaster and strawberry opaline glass pedestal comport, circa 1850s, the dished bowl with denticulated everted rim, on a stepped base, highlighted with gilt Gothic style arcading and foliate band, 18cm diameter

£50 - £80

429 Legras, a pair of Art Nouveau gilded glass vases, optic ribbed waisted form decorated with opposing roses on sinuous thorny stems, powdered gilt rims, 30cm high (2)

£100 - £200

433 A Bohemian floral cased glass casket, 19th century, cuboid form oval panels painted with floral bouquets, between gilt pilasters, white opaline on blue, hinged lid with brass mounts and lock plate, 11cm wide, 9.5cm high, 8cm deep £80 - £120

£50 - £80

430 A large Bohemian gilt engraved glass candlestick, probably Moser, the bowed stem on a large splayed foot, shallow cut with interlocking beaded swags and floral sprigs, the slice cut sconce with fruiting vine panels, 32.5cm high

431 A pair of French opaline glass and gilt mounted table lamps, possibly Baccarat, the globe and shaft bodies decorated with tooled gilt foliate and scroll bands, blue cased with open scroll bracket base and acanthus rim, 36cm high to fitting (2)

£100 - £200

432

434 A Bohemian cased and gilt glass pedestal bowl, circa 1920, scalloped and panelled hemispherical form with ruby ovals over colourless, etched with floral and foliate sprigs highlighted in gilt, on a splayed and notch cut foot, 21cm diameter £80 - £120

435 A French Palais Royal type gilt metal and etched glass three bottle cruet, circa 1860, the serpentine stand with reticulated fluted galleried containing a central box and cover and two bottles with stoppers, each wth floral garlands and festoons, the handles of berried laurel form, on acanthus scroll bracket feet, 21cm long

£100 - £150

436

436 A Bohemian floral painted cameo glass box, early to mid 19th century, oval section, the white opaque panels decorated with floral still life and scrolling vine motifs, within gilt borders, brass mounts and lock plate, 15cm wide, 11cm high £100 - £200

437 A Bohemian red washed glass comport, the shallow dish pineapple cut with graduated diaper pattern and fan shaped foliate sprigs, on a notched octagonal section conical baluster stem and conical foot, 24cm diameter £50 - £80

£150 - £250

432 A Bohemian cased and gilt etched glass claret or liqueur jug, circa 1900, trumpet form, cut with red over colourless panels, alternating with gilt intaglio cut floral rosettes in the Secessionist style, hollow conical stopper, 44cm high

433

438 A pair of French opaline glass scent bottles, circa 1850, blue Barfatan with gilt foliate scroll banding, squat globe and shaft form with pear form stoppers, 15cm high (2) £80 - £120

439 Arrers, a French Art Deco opalescent glass dish, modelled in relief with hazelnuts, moulded marks, 24cm diameter £40 - £70

440 A French opaline glass and gilt metal mounted bell pull, Palais Royal, circa 1860, octagonal section baluster form with cast foliate scroll and acanthus crobelled mount, 14cm long £40 - £70

441 Two French Palais Royal gilt metal and opaline glass scent bottles, Baccarat circa 1850s, each with an octagonal bordered lid set with a painted print of the Pantheon and Hotel des Invalides, on shouldered multi sided blue bodies, internal colourless stoppers,11.5cm high (2) £150 - £250

442 Baccarat, a pair of French blue opaline glass scent bottles, circa 1840s, ogee lobed and reeded bell form with mushroom domed stoppers highlighted in gilt, 14.5cm high (2) £100 - £200

443 A pair of Barfatan opaline glass tazzas, of small proportions, French or Bohemian, 19th century, the dished bowls enamelled and gilded with a band of flowers on foliate wreath, on column pedestal stems, 10cm diameter, 7cm high (2) £70 - £100

447 A French Barfatan opaline glass novelty box and cover on stand, Baccarat circa 1850, modelled as a melon, ovoid form with relief moulded nodules, in white opaque with green stem finial, on a green leaf moulded dish, 20cm long £100 - £200

444 A French Barfatan opaline glass novelty box and cover on stand, Baccarat circa 1850, the white opaque body modelled in relief as a lobed pumpkin or melon, with green stem finial and leaf lappet dish, 15cm high

£100 - £200

445 An opaline glass centrepiece of eight vessels, Bohemian or French, each of opaque blue including segmented troughs and vases, gilded to the rims and enamellled with floral and husk garland swags united by bows, 36cm diameter

£200 - £300

446

446 A French Barfatan opaline glass novelty box and cover on stand, Baccarat, circa 1850, in the form of a pineapple, highlighted with gilt stars, white opaque with blue stem on a blue and gilt lappet dish, 16cm high

448

448 A French Palais Royal gilt metal and mother of pearl perfume tantalus, circa 1850, cuboid form with Classical tooled honeysuckle and guilloche borders, open galleried hinged lid with cushioned panel top, containing four rib cut and crown stoppered scent flasks with gilt collars, 11cm wide, 9.5cm high, 9cm deep

£300 - £500

449 A garniture of three opaque glass and enamelled vases, Continental circa 1880, each painted with birds on branches, 32cm high (3)

£150 - £200

450 A 19th century engraved glass liqueur set in burr wood casket, French circa 1860, the gilt metal cradle with four decanters and sixteen glasses, each with Greek key design, in a double hinged serpentine case strung with ebony, 40cm wide, 28cm high

£300 - £500

Note: see Vincendeau, C. 1998, Les Opalines, p.64 for an example of this design

£100 - £200

447

455 Richardson, a Stourbridge cut and etched glass goblet vase, circa 1860, the bell shaped bowl with frosted and cut cyclamen type foliate design, on a hollow hexagonal section inverse baluster stem and star cut conical foot, 21.5cm high £30 - £50

456 A Stourbridge etched and engraved glass goblet, circa 1870, probably Thomas Webb, the conical bowl with scrolling arcading supported on pilaster columns between floral bouquets, highlighted with len cut jewels and beading, on a hollow triple knopped stem and plain foot, 16.5cm high £70 - £100

451 A matched pair of French gilded opaline glass perfume bottles, Bulle de Savon, probably by Jean Baptiste Desvignes, circa 1800, spherical corm with ball stoppers, decorated with tooled gilt and grey monochrome enamel floral and foliate wreaths, between rings and Neoclassical bands, one with remnants of original Palais Royal paper label, 14cm high (2)

£150 - £250

452 A pair of French enamelled opaline glass vases, in the style of Baccarat, footed trumpet form, the bases in blue, decorated with bands of falling flowers, gilt rims and highlights, 25cm high (2)

£70 - £100

453

453 A Bohemian gilt enamelled glass vase, probably Ludwig Moser, circa 1900, Campana urn form, decorated with a Classical scene of muses dancing around a statue of a faun, between black and gilt foliate scroll bands, blind reeding below, 20cm high

£70 - £100

454 A Bohemian enamelled opaline glass ewer, Tischer, Karlsbad, globe and tapered shaft form with tricorn crimped rim, decorated in the Persian style with gilt lined foliate scroll design, red, green and blue enamel speckled, printed marks, 31cm high

£70 - £100

457

457 A 19th century engraved glass souvenir beaker, inscribed Aix les Bains and engraved with porters carrying a shrouded sedan chair on a beach, the reverse with a noble cypher AR and coronet, 9cm high £40 - £70

458 A Stourbridge engraved beaker, circa 1905, probably Thomas Webb, the rounded bowl engraved with swags of ivy and festoons of roses suspended from a beaded band, on a squat bun knop and conical foot, 13.5cm high £50 - £100

459

459 A Mannerist Revival etched glass beaker, Stourbridge circa 1880, cylindrical form, engraved in the English Renaissance style with zoomorphic foliate scroll and acanthus design, highlighted with polished lens jewelling, 9.7cm high £50 - £100

460 Three Aesthetic Movement wine glasses, Stourbridge circa 1875, each bowl engraved with asymetrical and geometric branched prunus and fern sprigs emerging from the rim, in the Japanese style, on plain stems and feet, 10.5cm high (3) £40 - £70

461 A Bohemian uranium vaseline glass dish, circa 1860, denticulated leaf form, decorated in raised gilt and silver with a wreath of oak leaves and acorns, 23.5cm long £80 - £120

462 A Bohemian relief cameo and enamelled glass goblet vase, circa 1890, chalice form, decorated in the Persian style with flowers on a blue enamel foliate scroll ground, highlighted with gilt outlines, 18.5cm high £200 - £400

463 Antonio Salviati, a part suite of Venetian enamelled iridescent glass drinking glasses, circa 1890, including four wine, port and liqueur, in peach lustre, each painted with a different figure from Venice, including Doge, Gondolier, musician, knight, and courtiers, 14.5cm high (12)

£200 - £300

464 Moser, a Bohemian enamelled and gilt glass bowl, circa 1890, pink cased with foliate enamel and gilded floral motifs, 6.5cm diameter £40 - £70

465 Moser, a Bohemian enamelled glass cluster vase, circa 1890s, four olive green spherical vessels united and stacked in a pyramidal form, painted with polychrome floral and foliate scrolls highlighted in gilt 12.5cm high £120 - £180

466

466 Harrach, a Bohemian Aesthetic Movement enamelled peach and opalescent glass vase, circa 1880, the ovoid body with crimped neck peach cased draining to blue, decorated with a Japonesque prunus design in purple enamel highlighted in gilt, on three amber feet, 10cm high £60 - £80

467 Mont Joye & Cie, a pair of large French Art Nouveau enamelled glass vases, circa 1900, optic ribbed barrel form with crimped rims, purple draining to colourless, decorated with chrysanthemums on gilt stencilled foliated stems, polished pontils, 33cm high (2)

Note: based in St Denis, Paris, Montjoye later became part of the Legras factory £150 - £250

468

468 Moser, a pair of Bohemian enamelled glass vases, circa 1900, square section tapered form, green draining to colourless, decorated with beaded borders and ribbon swags, 19cm high (2) £70 - £100

469

469 T G Jackson for James Powell and Sons, Whitefriars, an Arts and Crafts liqueur glass, circa 1870, the ogee poppy head bowl on an inverse baluster stem and conical foot, 9.5cm high £40 - £70

470 Harry Powell for James Powell and Sons, Whitefriars, a set of six Arts and Crafts liqueur glasses, circa 1878, the slightly tapered bucket bowl on plain stem and conical foot, 8.5cm high (6)

Note: examples of this service along with glass by T G Jackson, are illustrated in Mrs Loftie’s Dining Room, 1878, as examples of good contemporary glass; reproduced in Jackson, L, 1996, Whitefriars Glass, p.28, fig.71 £80 - £120

471

471 Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts poppy head wine glass, circa 1890, optic ribbed pear shaped with four dimples and everted rim, on plain stem and conical foot, 14.5cm high £80 - £120

472 Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts spiral ribbed green wine glass, circa 1880, pattern 918, the straight sided tulip bowl on a plain stem and radially ribbed foot, 12.5cm high

Note: see Jackson, L. 1996, Whitefriars Glass, p.103, pl.26 for an illustrated example of this glass. Examples are also in the collection of the British Museum £50 - £80

473 Harry Powell after Philip Webb for James Powell and Sons, Whitefriars, an Arts and Crafts wine glass, circa 1880, the plain rounded bowl on a double strand helix rope twist stem and plain conical foot, 13.5cm high

Note: a variation of the glassware produced for William Morris’ home the Red House, from 1861, characterised by the multi strand twisted stems, this glass combines the taste for historical English and Northern European glass design with the simplicity, fineness and innovation for which Powell was famous. An example of this exact stem design, with a different shaped bowl, is illustrated in Evans, W. et al, 1995, Whitefriars Glass, Museum of London, p.75 fig.73; the Museum of London has the example illustrated in its permanent collection, ref 25041. Illustrations of Philip Webb’s designs are in Jackson, L 1996, Whitefriars Glas, p.97, pls.4-5 £100 - £200

474 Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts prunted glass vase, circa 1900, optic ribbed baluster form, applied with four sea green raspberry prunts, 17cm high £20 - £40

475 Harry Powell for James Powell and Sons, Whitefriars, an Arts and Craft Spanish cut glass liqueur decanter, circa 1900, square section shouldered form with floral panels, facet cut lozenge stopper, 19cm high

£80 - £120

476 Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts amber trailed glass beaker vase, circa 1890, waisted form, the rim with concentric trailing in golden amber, 11.5cm high £70 - £100

477 Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts amber wine glass, circa 1900, the bell shaped bowl cut with traditional thistle mitre decoration, on an inverse baluster stem and plain foot, 12cm high

Note: the amber colour produced by Powell before 1914 was a dark olive green, sometimes referred to as brown. Often less popular than the green and opal ranges, it is a relatively scarce colour, particularly when combined with cut decoration such as this. It is likely this glass was part of a special commission, fusing the contemporary shape and colour for which Powell was famous amongst the design conscious European elite and the more traditional cut decoration favoured by the Stourbridge factories (but still produced at Whitefriars). It is a prime example of the factory’s ability and willingness to combine and alter styles in an experimental way in order to cater to a wide variety of individual tastes. £100 - £200

480

480 Baccarat for Emile Bourgeois, a pair of Art Nouveau cameo glass vases, circa 1890, double gourd form, red over green, cut and engraved with a stylised lily pond of aquatic plants, on a random textured ground, below a band of foliate lappets, highlighted in gilt, signed underside in blind cameo Bourgeois Depose, 23.5cm high (2) £500 - £800

£30 - £50

478 An Arts and Crafts glass vase, circa 1900, bulbous form with flared and crimped rim, applied with a spiraling tail of green 13cm high

479 Stuart and Sons, a pair of Edwardian glass and gilt meal condiment bottles, circa 1900, square section shouldered form, engraved with inscriptions for Celery Salt and Cayenne, the slice cut hollow stoppers with long stemmed spoons, 20.5cm high (2)

£40 - £70

481 Daum, Nancy, an Art Nouveau enamelled and gilt cameo glass Iris vase, circa 1890, oval section barrel form, acid carved and painted with green enamel and raised gilt flowers and dragonfly below a rusticated denticulated border, incised marks Nancy, enamelled numeral XIII, 30cm high £300 - £500

482

482 Georges de Feure for Daum, a pair of Art Nouveau pate de verre glass vases, circa 1910, in the historical revival style, the amethyst body textures, included and patinated to resemble aged bronze, modelled in relief with Classical figures and uses, moulded marks G de Feure, 14cm high (2) £100 - £200

483

483 Koloman Moser for E Bakalowits & Sohne, Vienna, a Secessionist amber stemmed and optic ribbed wine glass, circa 1900, the colourless double ogee bowl with vertical ribs, on a bowed stem and concial foot, 18cm high £80 - £120

484

484 Wiener Wer kstatte (attributed), a Secessionist cut and engraved wine glass, Meyr’s Neff, circa 1910, the optic ribbed bowl with three concentric bands and stacked block motifs, on a high blade knopped cylindrical stem and flat foot, 13cm high

Note: similar in design to both Koloman Moser and Josef Hoffmann, the motifs are typical of the work of the Wiener Werkstatte £80 - £120

485

485 Fritz Heckert and Van Hauten, a Jugendstil enamelled glass and pewter mounted vase, circa 1900, shouldered form, decorated with stylised oak trees in green and gilt amber enamel, the gilt twin handled cage of organic tendril form, stamped marks, 38cm high £600 - £800

486 Loetz, a Secessionist iridescent glass and pewter mounted vase, circa 1900, Rubin Papillon, bulbous form encased within an open whiplash and knotted tendril cage with twin handles, stamped marks, 27cm wide

£2,000 - £3,000

487 Stuart and Sons, a pair of Art Deco glass cocktail glasses, circa 1920, the ogee bowls hand engraved with fighting cockerels, on plain stems and feet, etched marks, 12.5cm high (2)

£50 - £100

488 An Art Deco glass decanter, circa 1930, conical form with wrythen bands of frosted and engaved stripes, with octagonal section conical stopper, 25.5cm high

£50 - £80

489 Sabino, an Art Deco blue opalescent glass figure, circa 1930, modelled as a female nude draped in swags, incised marks Sabino Paris, 20cm high

£100 - £200

490

£80 - £120

490 Sabino, an Art Deco blue opaline glass figure of a zebra, circa 1930, frosted, modelled in relief, incised marks Sabino Paris, 13.5cm high

491 Sabino, an Art Deco blue opalescent glass figure of a bird, frosted, moulded and incised marks Sabino Paris, 14.5cm high

£40 - £70

497 Rene Lalique, a dark green amber glass Artichoke perfume burner, model Perfume Burner 1, designed circa 1927, frosted, relief moulded marks ‘LAMPE HYGIENIQUE BERGER R. LALIQUE MADE IN FRANCE’, with metal fittings, 11.7cm high

£300 - £400

492 Sabino, an Art Deco blue opalescent glass figure of an elephant, circa 1930, frosted, modelled with trunk raised, incised marks Sabino Paris, 11.5cm high

£50 - £80

493 Rene Lalique, a Coquilles opalescent glass bowl, model 3202, designed circa 1924, polished and frosted, moulded mark R. Lalique, 20cm diameter

£150 - £200

494 Rene Lalique, a Mont Dore opalescent glass bowl, model 396, designed circa 1928, polished and frosted, relief mark R Lalique France, 22cm diameter

£250 - £350

498 Louis Majorelle for Daum, an Art Deco Verrier d’Art pate de verre glass and wrought iron vase, circa 1930s, rounded conical form, marbled and cased yellow over opaque, within geometric bar and block cage on a stepped circular base, 24.5cm high £350 - £500

499 Louis Majorelle for Daum, an Art Deco Verrier d’Art pate de verre glass and wrought iron vase, circa 1930s, waisted cylinder form, marbled pink purple within a tooled strap and ring cage, 32.5cm high £350 - £500

495 Rene Lalique, a Hesperides amber glass lemonade beaker, model 3412, designed circa 1931, polished and frosted, etched marks R. LALIQUE, 12.5cm high

£60 - £80

500 Ludwig Kny for Stuart and Sons, an Art Deco cut glass bowl, model 28004, designed circa 1938, conical footed form, the rim with stylised draped swags and festoons around a lens cut ring, in the style of Laura Knight, the foot with leafy frond cut base, etched mark, 26.5cm diameter

496 Rene Lalique, a Roscoff opalescent glass dish, model 10383, designed circa 1932, polished, engraved mark R Lalique, 35cm diameter

£300 - £400

Note: an example is illustrated in Benson, N and Hayhurst, J, 2003, Art Deco to Post Modernism, p.14 fig. 44 £40 - £70

495

497

498

501 Ludwig Kny for Stuart, a Tamara pattern cut glass decanter, circa 1938, bulbous teardrop form, cut with etched swags and mitre lead motifs, concentric engraved cylindrical stopper, etched mark, 22cm high £40 - £70

502 Ludwig Kny for Stuart, an Art Deco glass vase, circa 1930, conical form on a heavy domed foot, cut with a geometric chevron band to the rim, line cut arcading, etched marks, 16cm high £40 - £70

503

503 Ludwig Kny for Stuart, an Art Deco glass Villiers or Oleta glass decanter, designed circa 1935, conical form cut with vertical stylised leaves and concentric bands, etched mark, 31cm high £40 - £70

504. Ludwig Kny for Stuart and Sons, an Art Deco glass Woodchester decanter, circa 1925, optic ribbed conical form, cut with stylised fern leaf motifs between frosted lens dots, pear form hollow stopper, 33cm high £50 - £80

505

505 Ludwig Kny for Stuart, an Ellesmere Art Deco glass lemonade jug, circa 1935, footed barrel form, cut with stylised fern frond and leaf design, etched mark, 22cm high £40 - £70

506

506 Stuart and Sons, an Art Deco green glass claret jug, circa 1930, Stratford pattern optic ribbed Portland vase form, cut with bands to the neck, pear shaped hollow stopper, etched mark, 29cm high £40 - £70

507

507 Stuart and Sons, an Art Deco enamelled glass decanter, circa 1930, mallet form with moulded ribbed base, decorated with abstract multi coloured enamel trefoil, dots and concentric cloud forms, 26cm high £50 - £100

508 Stuart and Sons, a part set of Art Deco enamelled glass dessert and cocktail glasses, including five pedestal bowls and three glasses, each with yellow black and orange polka dot design, etched marks, 10cm diameter (8) £50 - £80

509

509 John Walsh Walsh, a Pompeian range amethyst glass bowl, circa 1930, ogee form on circular foot, bubble textured and speckled purple, 26.5cm diameter £50 - £100

510 Reg Pierce for Stuart, an Art Deco cut cocktail glass, design 28450, circa 1938, the rounded bowl with three rows of stylised swag cuts, on a bowed stem with bias cuts, the foot with concentric rings, etched marks, 10cm high

Note: entred into production in 1938, and dated 16th August 1938, the service was entirely new in both shape and cutting, but only remained in manufacture until the outbreak of World War II £30 - £50

511

511 Stuart and Sons for Cunard, two Art Deco glass beakers, designed for RMS Queen Mary ocean liner, circa 1936, including barrel form and conical, with half mitre wave cutting, etched marks, 9.5cm high (2) £40 - £60

512 Elis Bergh for Kosta, an Art Deco smoky glass decanter, optic ribbed shouldered form with spherical stopper, incised mark EB 558, 25cm high £40 - £60

513 Herbert Webb for Webb Corbett, a set of six Art Deco cut glass wine glasses, circa 1930s, conical form, cut with stylised foliate fronds of graduated mitre leaves, the feet with radiating fern branches, etched marks to each, 10.5cm high (6) £80 - £120

514

514 Ludwig Kny for Stuart, a large Art Deco glass vase, circa 1935, footed barrel form, deeply cut with panels of stylised quatrefoils on a triple lined grid, etched mark, 27cm high £80 - £120

515

515 Ludwig Kny for Stuart, an Art Deco green glass vase, circa 1930, heavy footed barrel form, optic ribbed and horizontally cut with concentric bands, etched mark, 23cm high £60 - £100

516 James Hogan for James Powell and Sons, Whitefriars, a pair of Art Deco glass goblets, model M53, circa 1935, angled conical form on sea green feet, 16cm high (2) £30 - £50

517

517 John Luxton for Stuar t, a Modernist cut glass vase, circa 1950s, barrel form cut with vertical bands of lenses between channels, etched mark, 19cm high £50 - £100

518 John Luxton for Stuart, a Modernist glass vase, circa 1954, barrel form, intaglio wavy tendril and stylised mitre cut floral drops, etched mark, 22cm high £40 - £70

519

519 John Luxton for Stuart, a Modernist cut glass vase, circa 1950s, conical baluster form, groups of horizontal and vertical mitre cuts, etched mark, 23cm high £50 - £80

520 Stephen Rickard for Stuart and Sons, Stourbridge, two pairs of Modernist glass tumblers decorated with heraldic engravings of the English lion and Scottish unicorn, etched signature to base ‘Stephen Rickard 1971’ with acid stamp ‘Stuart England’, 9cm high (4)

Note: see Victoria & Albert collections accession number: CIRC.7001968 £50 - £100

521

521 Ronald Stennett Willson for Wedgwood, Kings Lynn, two Brancaster glass candle sticks, RSW15, designed circa 1967, green and Topaz, with hollow stems, 29cm high (2) £40 - £70

522

522 Tamara Aladin for Riihimaki, Lasi Oy, a Modernist glass vase of double baluster form, together with two similar Scandinavian vases one in the style of Kaj Franck, 28cm high (3)

£50 - £80

523 Tapio Wirkkala for Iittala, a set of six Tapio wine glasses, designed circa 1952, each glass with open air bubble inclusion to the conical stem, 13cm high (6) £60 - £100

524 Gio Ponti for Venini, an ‘A Canne’ glass beaker vase, designed circa 1955, green and red vertical bands separated by colourless stripes, 15cm high £200 - £300

525

525 Pavel Hlava for Exbor, a facet cut double cased Sommerso glass vase, circa 1960s, tapered obelisk form with solifleuf cavity, sapphire blue over magenta, 30cm high

£100 - £200

526 Bertil Vallien for Boda, an iridescent Minos glass vase, number 48438, circa 1984, shouldered Meiping form, combed opaque stripes over yellow lustre papillon ground, incised marks and sticker Artists Collection, 17.5cm high £70 - £100

527

527 Bertil Vallien for Boda, an iridescent Minos glass vase, number 48437, circa 1984, shouldered form with narrow neck, decorated with wrythen bands of opaque spots on a bronze lustre surface, incised marks Artist Collection, 15cm high £80 - £120

528 Alberto Dona, a Murano millefiori and aventurine glass bowl, mid 20th century, internally cased in turquoise, incised marks, 33cm diameter £200 - £400

529

529 Jonathan Harris for Isle of Wight, a Graal studio glass bowl, 1998, footed form, decorated with three vignettes of a coiled crouching figure within foliate border, within a Damask style foliate scroll ground, on a pink foot, signed, 13cm diameter £70 - £100

530 Wendy Ramshaw (attributed), a large Modernist cut glass bowl, circa 1980s, shallow circular form frosted and cut in cameo with intersecting frosted lines and concentric rings, 40cm diameter £80 - £120

CONTINENTAL CERAMICS

531

531 A large Spanish Fajalauza art pottery bowl, Granada, 19th century or earlier, tapered form, painted with a central bird in foliage within a lappet and bead border, blue and ochre faience glaze, 37.5cm diameter

£150 - £250

532

532 A large Spanish Fajalauza art pottery bowl, Granada, 19th century or earlier, conical form, painted with geometric swag and radiating petal design in blue and turquoise, 38cm diameter

£300 - £500

533 A Spanish Fajalauza art pottery bowl, Granada, 19th century or earlier, tapered form, painted with a central tulip motif within a concentric swag border, blue and ochre faience glaze, 28cm diameter

£150 - £250

534 A pair of faience octagonal vases, 19th Century, decorated in the Cashmere palette, the bodies decorated with chinoiserie cartouches, reserved against a cobalt blue ground, the covers surmounted by a finial in the form of a blue and white dog, one vase with a ‘VE’ and ‘x’ mark in underglaze blue to the base, 44cm high (2)

£400 - £600

535 Two Dutch Delft polychrome vases, 18th century, octagonal section inverse baluster form, quatrelobed vignettes painted with allegorical and pastoral scenes including a monochrome maiden astride a sea serpent, the covers with conforming polychrome flowers surmounted by a foo dog and foliate scroll finials, marked IVH and ‘B.P’ to bases, 34cm high (2)

£300 - £400

536

536 A pair of Meissen Marcolini period biscuit figures, modelled as Dyonisus with faun, and Ariadne, on disc bases with Greek key borders, incised triangle marks and numbers E2 E3, 20cm high (2) £200 - £400

537 A Meissen figure group, late 19th Century, The Sense of Hearing after the model by Carl Punct, modelled as a man standing and holding a goat playing a horn, a seated woman holding a parrot in a hoop and a monkey playing a flute by her feet, on a raised Rococo plinth, blue crossed swords mark, 20cm high £300 - £500

538

538 A pair of Meissen porcelain figures, flower sell and apple picker, modelled in 18th century costume, on gilt Rococo scroll bases, one with a dog, the woman as a shepherdess with a lamb, underglaze marks and impressed numbers 163 and 121, 27cm high (2) £300 - £500

539

539 A pair of Sevres 18th century porcelain and later decorated plates, cypher for 1771, celeste blue, probably painted by Thomas Martin Randall with floral bouquets, within a border of tooled gilt cartouches of floral bands, 24.5cm diameter (2)

£100 - £200

540

540 Jean-Charles Develly for Sevres, a painted porcelain plate from the Service de la Chevalerie, 1845, titled La Reine Marguerite, depicting the French Queen Margaret of Provence, leader of the 1250 Crusade in Damietta, represented in regalia in a Middle Eastern loggia setting, within a gilt Gothic arcade and foliate border, on blue ground, the rim with tooled gallery of alternating fleur de lys emblazoned pennons on lances and shields inscribed variously in gilt with the chivalric attributes of Gloire, Generosit, Valeur, Constance, Fidelit, Loyaut, Vertu, Dieu, Le Roi, Les Dames, Honneur, Amour, stamped, incised and painted marks, 24cm diameter

Note: although the service was commissioned in 1835, additional or replacement pieces continued to be produced thereafter; a common practice by the major porcelain factories. An example of a similar plate from the same service is in the collection of the British Museum, number 2007,8036.1

£800 - £1,200 541

541 Jean-Charles Develly for Sevres, a painted porcelain plate from the Service de la Chevalerie, 1835, titled Beaumanoir, depicting the historical French knight Jean de Beaumanoir, hero of the Combat of the Thirty at Ploemerl, 1350, represented in full armour, the army behind, within a gilt Gothic arcade and foliate border, on blue ground, the rim with tooled gallery of alternating fleur de lys emblazoned pennons on lances and shields inscribed variously in gilt with the chivalric attributes of Gloire, Generosit, Valeur, Constance, Fidelit, Loyaut, Vertu, Dieu, Le Roi, Les Dames, Honneur, Amour, the reverse inscribed with the image title, stamped, incised and painted marks, 24cm diameter

Note: an example of a similar plate from the same service is in the collection of the British Museum, number 2007,8036.1

£1,000 - £1,500

542 Ulisse Cantagalli, an Italian Maiolica faience painted ewer, late 19th century, footed urn form with entwined double serpent and mask handle, decorated with celestial Renaissance motifs and coat of arms, painted mark, 29cm high £50 - £100

543 Herend, Hungary, a series of Rothschild Bird pattern tea, coffee, and dinner wares, comprising a coffee pot and cover, teapot and cover, sugar bowl and cover, five-segment dishes, large circular tray, a rectangular tray with ‘rope-twist’ border, four breakfast bowls, a circular stand, four dinner plates, nine side plates (one a/f), eleven teacups eighter saucers and three soup plates, painted birds and insects amongst foliage, blue printed maker’s marks, (with an unassociated side plate painted with a similar pattern, underglaze blue ‘A.R’ mark) (51)

£1,000 - £1,500

544 Albin Dobrich for Ernst Wahliss, Turn, a large Art Nouveau terracotta figure, modelled as a Germanic or Norse warrior, with winged helmet and raised sword, signed to the base, 111.5cm high

£400 - £600

545 A pair of very large Royal Dux figural vases, modelled in relief as a Moorish musiciain with a lute and a female water carrier, beside palm trunks with mango and bananas, 96cm high

£300 - £500

546

546 Zsolnay Pecs, a pair of Aesthetic Movement reticulated double walled jardinieres, model 3991, circa 1890, shouldered ovoid form, pierced with panels of passion flowers on bamboo trellis, highlighted in gilt, impressed and printed marks, 15cm high (2)

£100 - £150

548

548 Emile Galle, an Art Nouveau enamelled faience sculptural basket, circa 1900, modelled as a duck, the wigs united to form the handle, painted with lotus and wetland flowers and insects, the head set with glass eyes, painted mark Galle, 18cm long £100 - £200

£100 - £200

547 Zsolnay, a Hungarian art pottery vase on integrated brass stand, shouldered ovoid form painted in the Aesthetic style with Persian cartouches and lotus flowers to the neck, above a pheasant and foliate scroll floral scene, highlighted in gilt, the stand with radiating baluster bracket feet, 36cm high

543

549

549 Zsolnay, a Hungarian Secessionist art pottery lustre vase, shouldered form, decorated with iridescent concentric banded whiplash ribbons in petrol blue, over a grid of stylised and graduated flower heads above bullrush fronds, applied Zsolnay Pecs seal mark, impressed numbers, model 5302, 11.5cm high

£1,500 - £2,000

550 A Secessionist ceramic dish, in the style of Wiener Werkstatte, Victoria China, Czechoslovakia circa 1929, twin handled circular form, hand painted with a millefiori band of blue, red and yellow flowers, geometric triangular pierced handles, painted Werkstatte style monogram and number, 13.5cm long £40 - £70

551 Gerhard Henning for Royal Copenhagen, a Chinese Couple figure group, model 2162, designed circa 1921, modelled as two embracing figures in Oriental costume, polychrome decorated, on a circular drum base, painted marks, dated 1957, 33cm high

£1,500 - £2,500

552 Josef Lorenzl for Goldscheider, an Austrian Art Deco figure, Aida, model 5281, designed circa 1923, modelled as an Arabian dancer with painted shawl of exotic birds and flowers, printed and impressed marks, 517 65, 47.5cm high

£1,500 - £2,000

551

552

553

553 Charles Catteau for Boch Freres, an Art Deco faience vase, model D1113, barrel form, painted with panels of stylised trumpet flowers, between sweeping concentric chevron arcading in blue, green and black, 30cm high £80 - £120

554 Edmond Bellefroid for De Sphinx, an art pottery charger, Maastricht 1938, circular form, monochrome painted with a bird in flowering branch, signed, 42.5cm diameter

Note: examples of Bellefroid’s designs for De Sphinx are in public collections including the British Museum, London £80 - £120 555

555 Bjorn Wiinblad, a Danish Modernist tin glazed pottery figure, 1962, modelled as a nude woman beside foliage and a hat, painted with floral bouquet and sprigs, painted marks, M2, 24cm high £150 - £250

ART POTTERY

556 A W N Pugin for Minton, a pair of Gothic Revival encaustic tiles, circa 1850, each with a trefoil arcade and three white flowers, on a green ground, impressed marks, 15cm square (2)

£60 - £100

557 After A W N Pugin for Minton, a Gothic revival encaustic tile, circa 1871, depicting a squirrel on a flowering and fruiting branch, impressed marks, 15cm square £80 - £120

558

558 Christopher Dresser for Minton, a large Aesthetic Movement jardiniere, circa 1870, twin handlled, of Chinese Ding censer form, the ovoid cauldron body transfer decorated in blue and white with floral and key motifs on a mosaic gravel ground, on four lions paw and mask feet, impressed marks, 50 cm high

£600 - £800

559 Christopher Dresser for Minton, a pair of Aesthetic Movement plates, 1880, shallow dished form, bleu celeste rims with pate sur pate Greek key border over tooled gilt leaf and bead band, a further raised gilt ribbon band within, impressed marks, 23.5cm diameter

£40 - £70

560 Christopher Dresser for Old Hall Earthenware Co. Ltd., an Aesthetic Movement elephant handled vase, circa 1885, square section waisted baluster form, transfer decorated with Japonesque vignettes amongst prunus, relief moulded mask handles in gilt, painted number 9595, 24cm high

See: Lyons, H & Morey, C. 1999, C W Dresser, Peoples Designer 18341904, No. C-188 for an illustrated example of this design £60 - £100

561

561 Christopher Dresser for Linthorpe, an art pottery Peruvian pouring vessel, circa 1880, modelled after a pre Columbian face jug, double spout and bridge form, incised and relief moulded with features, brown glazed with spotted green to the top, apparently unmarked, model number 296, 20cm wide, 16.5cm high

Note: see Whiteway, M. 2001, Christopher Dresser, 1834-1904, p.131, pl.137 for an example of this design £600 - £1,000

562

562 Edward Hammod for Minton, five Medieval Musicians tiles, circa 1875, in the PreRaphaelite style, dust pressed and relief moulded with seated figures playing various instruments, four in blue on turquoise, one in teal green, 20.5cm square (5) £300 - £500

563 Willia De Morgan (attributed), a ruby lustre dish, circa 1872-82, circular form, painted with a 12 pointed star, alternating sunflower and daisy motifs between each point, the reverse with foliate sprigs of rosehips, 21.5cm diameter £150 - £200

564 John Pearson, a pair of Arts and Crafts tiles, over glaze painted with lizard and dragon on leafy coils and scrolling foliate ground, after William De Morgan, 11cm square, framed as one £200 - £400

565

565 Robert Wallace Martin for Martin Brothers, a stoneware vase, 1884, shouldered and footed urn form, in the Mannerist style, sgraffito decorated with winged putto heads on a scrolling foliate ground below bands of zoomorphic foliate motifs, incised marks 25.9.84 Martin London, 23.5cm high £500 - £800

566 Martin Brothers, a small stoneware vase, circa 1885, flat sided bottle form, sgraffito decorated with stylised leafy tendrils and circular spots, unsigned, 10cm high £100 - £200

567

567 Joseph Walmsley for Burmantofts, a partie colour faience jardiniere, model 2240, modelled in relief with a parade of open winged owls below a fruiting ivy vine, impressed marks, 27cm diameter £500 - £800

568 John Wadsworth and Leon Solon for Minton, a Secessionist vase, tubelined floral arcading and stencilled foliate fronds, in turquoise and peach, impressed numbers, 47cm high £120 - £180

569 John Wadsworth and Leon Solon for Minton, a large Secessionist jardiniere and stand, shouldered ovoid form, the stand of inverse baluster design, tubelined with poppy heads on stencilled foliate fronds, majolica type glazed borderss in turquoise and green, 96cm high £300 - £500

570

570 John Wadsworth and Leon Solon for Minton, a Secessionist vase, tubelined floral arcading and stencilled foliate fronds, in blue, green and grey, printed mark, 47cm high £120 - £180

571

571 Harry Pearce for Della Robbia, an art pottery vase, double gourd form, sgraffito decorated with Persian foliate lappets flanking a central band studded with stars and dots, incised marks, 21.5cm high £150 - £250

572 George Cartlidge for S Hancoc k, a Morrisware vase, bulbous necked cylinder form, tubelined with thistle design, printed maks, 30cm high £100 - £150

573

573 George Cartlidge for S Hancock, a pair of Morrisware candlesticks, square section trumpet form, tubelined with berries in the Art Nouveau style, printed marks, 22cm high (2) £100 - £200

574 Pilkington and Co., a Royal Lancastrian heraldic lustre tile, circa 1915, relief moulded with a central shield and Holy monogram within foliate scroll border, blue ground highlighted in red, impressed P marks, 15.5cm square £100 - £150

575

575 Mary Watts for Compton Potters Art Guild, a relief moulded plaque, Christ as the Tree of Life, polychrome decorated, with integrated frame border, impressed mark and paper label, 15.5cm x 11.5cm

Note: a variation of the plaque illustrated in Calvert, H, and Boreham, L., 2019, Compton Pottery, p.141 fig.8.21 £80 - £120

576 Mary Watts for Compton Art Potters Guild, a relief moulded plaque, St Elizabeth of Hungary, modelled as a saint showering roses from her skirt, impressed marks and paper label, 18.5cm x 12cm £80 - £120

577 Mary Watts for Compton Potters Art Guild, a relief moulded plaque, Christ as the Tree of Life, polychrome decorated in blue and green, 13.5cm x 9.5cm £80 - £120

578

578 Mary Watts for Compton Art Potters Guild, a relief moulded plaque, St Francis, modelled with the saint as a monk amongst trees and birds, impressed marks, 16.5cm x 11cm £80 - £120

579 Mary Watts for Compton Potters Art Guild, a relief moulded plaque, Christ as the Tree of Life, polychrome decorated in green and orange, impressed mark, 13.5cm x 9.5cm

Note: the design is illustrated in Calvert, H, and Boreham, L., 2019, Compton Pottery, p.141 fig.8.21 £80 - £120

580

580 Ruskin Potter y, a High Fired vase stand, circa 1920s, square section Chinese form with four squat whiplash cabriole bracket feet, incised lotus motifs to the shoulders, turquoise and green oxide speckled over lavender sang de boeuf flambe, impressed marks, innder diameter 16cm, overall 25cm £200 - £300

581 William Hoswon Taylor, Ruskin Pottery, an early High Fired bowl, circa 1900, squat ovoid form with cylindrical neck, purple sang de boeuf with a band of turquoise hares fur, impressed Taylor and Old marks, 20cm diameter £200 - £400

582 Ruskin Pottery, a High Fired vase, circa 1903, waisted baluster form, speckled and streaky green oxide over lavender sang de boeuf, impressed marks, 20cm high £300 - £500

583 Ruskin Pottery, a Souffle glazed vase, 1905, small Lily form, mottled blue, impressed marks, 14.5cm high £40 - £70

584

584 Ruskin Potter y, a Kingfisher lustre vase and cover, 1917, shouldered form with shallow domed lid, impressed marks, 11cm high £80 - £120

585

585 Ruskin Pottery, a Kingfisher lustre vase, 1922, conical baluster form, iridescent gloss glaze, impressed marks, 22.5cm high £150 - £250

586 Ruskin Pottery, a small Kingfisher Lustre ginger jar and cover, 1914, shouldered ovoid form, semi matt crystalline, 8.5cm high £60 - £100

587 Ruskin Pottery, a small Kingfisher lustre vase, 1914, Lily or flared cylindrical form, matt iridescent glaze, impressed marks, 7.5cm high £60 - £100

588

588 Ruskin Pottery, a Lustre Souffle glazed vase, circa 1920s, footed and shouldered barrel form, textured iridescent lavender over ochre, impressed marks, 22cm high £80 - £120

589 Ruskin Potter y, a Lavender Lustre eggshell vase, 1925, footed trumpet form, streaky hares fur, impressed marks, 16cm high £70 - £100

590

590 Ruskin Potter y, a Crystalline glazed vase, 1933, bulbous form, banded blue, green and ochre, impressed mark, 21cm high £70 - £100

591 Ruskin Pottery, a Crystalline bowl, circa 1932, shallow ogee form on chamfered bracket feet with notched diamond motifs, ochre drip rim over blue, impressed marks, 20.5cm diameter £50 - £100

592 Ruskin Pottery, two Crystalline glazed jugs, 1933, including a conical bulbous example banded in green, orange and blue, and a shouldered ovoid jug with strap handle, impressed marks, 22cm high (2) £80 - £120

593

593 Ruskin Pottery, a Souffle glazed twin handled bowl and cover, 1926, squat pedestal urn form, mottled lavender over ochre, impressed marks, 16cm wide £80 - £120

594 Ruskin Pottery and A E Jones, an Arts and Crafts copper lidded Souffle glazed pot, circa 1908, shouldered form with pink hares fur glaze, the ogee domed lid planished, original sticker label, 7.5cm high £80 - £120

595 Ruskin Potter y, three Souffle glazed jardineires, 1907 and 1925, blue and streaky green glazes, impressed marks (3) £100 - £200

596 Ruskin Pottery, a large relief moulded High Fired vase, 1927, ovoid conical form, mottled Dove Grey with applied flowering tendrils, impressed marks 28cm high £100 - £200

597

597 Ruskin Pottery, a Crystalline scent bottle, 1927, ovoid form with screw fitting square coronet type lid, banded blue and grey, impressed marks, 15cm high

£100 - £200

598 Ruskin Pottery, a Souffle glazed vase, 1906, baluster form, curdled blue fruit skin over lavender, impressed marks, 21cm high £100 - £150

599

599 Ruskin Pottery, a Kingfisher lustre vase, circa 1920, spherical bulbous form with elongated neck, impressed marks, 17cm high £100 - £150

600

600 Ruskin Pottery, a Crystalline glazed three handled vase, circa 1930, conical ovoid form, with three strap handles, ochre cream over blue banding with splashed crystals to the shoulder, impressed marks, 23cm high

£100 - £150

601 Ruskin Pottery, a matched pair of Kingfisher lustre candlesticks, 1921 and 1922, splayed trumpet form with ogee sconces, impressed marks, 17cm high (2)

£100 - £200

602 Ruskin Potter y, a High Fired pedestal comport, 1924, the shallow ogee bowl on a splayed trumpet foot, sang de boeuf flambe over dove grey, impressed marks, 24cm diameter

£120 - £180

603

609

609 Royal Doulton, a painted Flambe, Sung type bowl, shallow with inverted rim, decorated with a central fire bird within random cartouches of Oriental cruciform motifs, impressed and printed marks, 29cm diameter £80 - £120

£120 - £180

603 Ruskin Pottery, a stencilled Souffle glazed bowl, circa 1903, squat conical ovoid form, decorated with waterlily motifs in turquoise under a cerise pink glaze, impressed WHT monogram and painted scissor mark, 18cm diameter

604 Ruskin Potter y, a pair of Souffle glazed vases, circa 1902, shouldered form, mottled and streaky blue, with turquoise green interiors, impressed WHT monograms to each, 21cm (2)

£150 - £250

610 Royal Doulton, two Flambe Veined vases, shouldered forms, one with an elongated neck and open goose mouth, printed marks, 19.5cm high (2) £40 - £60

605 Pilkington, a Royal Lancastrian aventurine glazed vase, 1909, wide shouldered bulbous form, crystalline copper lustre glaze, impressed marks, 2153, 14.5cm high

£70 - £100

606 Royal Doulton, an experimental flambe lustre glazed bowl and cover, octagonal section footed form with ogee lid, unmarked, painted trial numbers, 9.5cm diameter

£40 - £70

607

611

611 Charles Noke and Frank Allen for Royal Doulton, a Sung Flambe trial vase, shouldered form, marbled and veined high fired blues over orange and red, painted marks and numbers, 16cm high £100 - £150

612 Royal Doulton, two Flambe vases, circa 1910, one of globe and shaft form with semi lustre glaze, the other of squat baluster form in marbled purple over magenta and red, printed marks, 20cm high (2) £40 - £70

£100 - £150

607 Charles Noke and Fred Moore for Royal Doulton, a Sung Flambe vase, lobed shouldered pumpkin form, red with green, purple and electric blue marbled patched splashes, printed and painted marks, 19cm high

608 Royal Doulton, two Sung Flambe bowls, one by Fred Moore, both of shallow footed form, with marbled vein design, painted and printed marks, 15.5cm diameter (2) £40 - £70

613

613 Royal Doulton, a painted Sung Flambe twin handled bowl, of Kylix form, decorated with bands of leaves to the interior and exterior, around an electric blue marbled centre, printed and painted marks, 34cm wide £100 - £200

614 Harry Nixon and Charles Noke for Royal Doulton, two Flambe vases, one of barrel form the other footed trumpet form, brushed and sponged black over red, painted and printed marks, 18cm high (2)

£50 - £80

615 Harry Nixon for Royal Doulton, a Flambe vase, shouldered ovoid form, marbled ochre and yellow over red, printed mark and painted monograms FG HN, 10cm high, together with a twin handled dish signed Noke and a small veined vase, 11.5cm high (3)

£50 - £80

616. Fred Moore and Charles Noke for Royal Doulton, two Flambe vases, ovoid baluster form and bottle form, mottled green ochre over red, printed maks and painted monograms, 19.5cm high (2)

£50 - £80

617 Fred Moore for Royal Doulton, a blue marbled blanc de Chine relief moulded libation cup bowl, flared octagonal form on an open prunus root base, with a blue crystalline glaze, painted and printed marks, 10cm diameter

£30 - £50

618

618 Charles Noke for Royal Doulton, a Flambe relief moulded libation cup bowl, flared octagonal form on an open prunus root base, painted and printed marks, 10cm diameter £50 - £80

619 Fred Moore and Charles Noke for Royal Doulton, two Sung Falmbe vases, one of twin handled form, the other inverse baluster form, veined and marbled, painted and printed marks, 16cm high (2)

£50 - £80

620

620 Charles Noke and Fred Moore for Royal Doulton, a Sung Flambe vase, lobed floriform, red ground with marbled green glaze to the foot and lower stem, printed and painted marks, 18cm high

£60 - £80

624 Royal Doulton, a painted Sung Flambe bowl, the interior with a paneled band of marbled squares and foliate motifs, painted and printed marks, 23cm diameter

£80 - £120

625

625 Harr y Nixon and Fred Moore for Royal Doulton, a Flambe Sung vase, 1920, ovoid gourd form, marbled and veined in various colours, printed and painted marks and monograms, 14.5cm high

£80 - £120

621 Royal Doulton, a Flambe lustre vase, circa 1910, shouldered form, decorated with iridescent honesty plant, on a dark brown glazed body, printed and impressed marks, 13cm high

£70 - £100

622

622 A large Royal Doulton veined Flambe figure of a rhino, printed mark and painted monogram, 45cm long

£150 - £250

623 Fred Moore and Charles Noke for Royal Doulton, two small Sung Flambe vases, Meiping and conical baluster forms, veined and marbled, printed marks and painted monograms, 16cm high (2)

£70 - £100

626 Royal Doulton, two Flambe vases, shouldered forms, marbled decoration on red grounds, printed marks, 20.5cm high (2)

£50 - £80

627 Charles Noke and Fred Moore for Royal Doulton, a Flambe Sung vase, 1920, shouldered gourd form, marbled green over red, painted and printed marks and monograms, 14cm high

£80 - £120

628

628 Charles Noke and Frank Allen for Royal Doulton, a Sung vase, ovoid form, the shoulder painted with stylised floral rosette cartouches, on a banded heavy drip flambe ground of electric blue and green, painted and printed marks, 17cm high

£120 - £180

629

629 Helen Wickham, an art pottery figure, Mother and Child, circa 1920s, modelled as a woman sitting, with a basket of fruit, painted marks, 18cm high

£60 - £100

630 Truda Carter for Poole Pottery, an Art Deco GPA pattern vase, baluster form, painted with geometric floral and foliate design in green and grey, painted and impressed marks, 18cm high

£70 - £100

631

631 Wilfred Norton RA , Mephistopheles, ceramic sculpture, circa 1930, green glazed and modelled as a bust of a winged demon resting his hand on a skull, incised monogram, 23cm high

£80 - £120

632

632 Wilfred Norton RA , The Materialist, blue glazed ceramic sculpture, 1933, modelled as a grotesque man seated and hunched forward, after William Blake’s Newton, 14cm high

£40 - £70

633 Phoebe Stabler for Royal Doulton, a prototype glaze figure group, Madonna of the Square, dated 1927, monochrome glazed in blue flambe, printed and impressed marks, 19cm high

£700 - £1,000

634 William Ruscoe, an art pottery figure group, the Picnic, circa 1940s, modelled as a couple beneath a tree, impressed and incised marks, 15.5cm high

Note: Born in Stoke in 1904, to another potter of the same name, William Ruscoe studied under Gordon M. Forsyth at Burslem School of Art, while also teaching at the Royal College of Art, London. From 1942 he was a Master at the Stoke College of Art, before moving to Devon in 1944 where he set up the ceramics department at the Exeter School of Art, working under William Green, eventually retiring in 1969.

£60 - £100

633

635

641 H M Bateman, a part tea set, circa 1930s, transfer printed and coloured with cartoon illustrations of the morning routine of a man preparing for the day, including tea cup and saucer, plate, bowl and twp jugs, printed marks G B and Sons Ltd, London, highlighted in gilt, 12cm high

Note: British satyrical cartoonist Henry Mayo Bateman is best known for his Man Who series and work for magazines such as Punch and Tatler.

£60 - £100

642 A Royal Doulton character jug “Uncle Sam” - 17cm high.

£400 - £500

635 Leslie Harradine for Royal Doulton, Grossmiths Tsand Ihang Perfume of Thibet figure, model HN582, designed circa 1923, modelled as a woman in Oriental costume and fan standing on a plinth, 29.5cm high

£150 - £200

636 William Moorcroft, a flambe African Lily powder jar and cover, circa 1935, impressed marks and facsimile, 11.5cm

£150 - £250

637 Sally Tuffin for Moorcroft, a Mamoura high-neck vase, 1996, signed by John Moorcroft, impressed marks, 42cm high

£150 - £250

638 Walter Moorcroft, a large flambe Anemone baluster vase, circa 1950, blue W.M initials and impressed marks, 33cm high

£300 - £500

639 Anji Davenport for Moorcroft, a Wolfsbane nigh-neck baluster vase, signed, dated 12/09/00, impressed marks, 55cm high

£300 - £500

640 Philip Gibson for Moorcroft, a large Simeon pattern lowsided bowl, Trial piece dated 6/09/00, signed by Philip Gibson, W.M monogram, impressed marks, 44cm diameter

£1,000 - £1,500

643

643 Roger Michell for Dennis China Works, a figure of a catwalk model wearing a Yohji Yamamoto outfit, 1985, striking a pose, sponge decorated with lustre jacket, on a circular base, printed marks, 30cm high

£80 - £120

641

STUDIO POTTERY

644 A studio pottery bowl, yellow glazed conical form, indistinct seal mark, possibly Japanese, 17.5cm diameter

£40 - £60

647 Dame Lucie Rie (1902-1995), a studio pottery bowl, circa 1952, stoneware, squeezed oval form, shite gloss glaze with manganese rim feathered to parts, impressed seal mark, 14cm wide Artist Resale Rights apply £800 - £1,200

645 Joanna Wason for Leach Pottery, St Ives, a studio pottery vase, squat ovoid form, ribbed, orange shino with tenmoku glazed arcade decoration, impressed personal and pottery seal marks, 14cm high

£50 - £100

648 Dame Lucie Rie (1902-1995), a studio pottery porcelain bowl, dished conical form with manganese glaze, the interior with concentric bands and matt terracotta centre, impressed seal mark, 17.5cm diameter Artist Resale Rights apply £1,500 - £2,500

£50 - £80

646 David Leach, a studio pottery part coffee set, including four cups and saucers, taupe glaze with sgraffito line decoration, impressed seal marks (8)

649 Dame Lucie Rie (1902-1995), a studio pottery plate, circa 1950s, stoneware, circular form, white glazed with manganese rim, impressed seal mark, together with another dished example manganese glazed to the interior, the exterior in white, unmarked, 16cm diameter (2) Artist Resale Rights may apply £300 - £500

645

647

Note: see Birks, T. 1976, Art of the Modern Potter, p.119 for a similar example

Note: Artist Resale Rights apply £2,500 - £3,500

650 Dame Lucie Rie (1902-1995), a studio pottery vase, stoneware circa 1967, flattened double gourd neck and shouldered form, glazed in spirals and drips of taupe and brown matt with speckled oxide, impressed seal mark, 19.5cm high

651

651 Dame Lucie Rie (1902-1995), a studio pottery beaker vase, circa 1955, cylindrical form, white glazed with manganese rim, impressed seal mark, 10.5cm high Artist Resale Rights apply

£600 - £1,000

652

652. Dame Lucie Rie (1902-1995), a studio pottery dish, circa 1955, stoneware, shallow oval form with manganese glaze, combed with irregular sgraffito stripes, the underside in white, impressed seal mark, 15cm long

Note: see Birks, T. 2009, Lucie Rie, pp.105 and 108 for examples of both this decoration and this type of dished bowl

Note: Artist Resale Rights apply £1,000 - £1,500

653 Dame Lucie Rie (1902-1995), a studio pottery bottle vase, circa 1970, cylindrical shouldered form with wide flaring lip, spiraled striations in a matt greenish brown glaze, impressed seal mark, 18cm high

Note: a favoured form of Rie, an example of a larger version of this type in a similar glaze and made from unmixed clays, is in the collection of the Victoria and Albert Museum and illustrated in Birks, T. 2009, Lucie Rie, p.69, dated 1967. Artists Resale Rights Apply £3,000 - £5,000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

654 Dame Lucie Rie (1902-1995), a studio pottery jug, circa 1958, stoneware with manganese glaze to the exterior and handle, the interior in white gloss, impressed sea mark, 9.5cm high

Note: Artist Resale Rights apply £500 - £800

655 Dame Lucie Rie (1902-1995), a studio pottery bowl, stoneware bowl, circa 1960s, conical form with felspathic glaze, with manganese rim, impressed mark, 30.5cm diameter

Note: see Birks, T., 1976, Art of the Potter, p.126 fig,124 for a bowl of the same shape

Note: Artist Resale Rights apply £4,000 - £6,000

656 Dame Lucie Rie (1902-1995), a yellow glazed stoneware studio pottery jar and cover, circa 1960, cylindrical form with domed lid, matt blue tinted and sgraffito incised to the rims and underside, impressed seal mark, 7.5cm diameter, 14cm high

Note: see Birks, T. 2009, Lucie Rie, pp.109 and 117 for similar examples of cigarette pots; Phillips, New York, 6th June 2017, lot 73 for a near identical example Artist Resale Rights apply £5,000 - £8,000

BRITISH CERAMICS

657

657 A Victorian transfer printed and dated Silhouette jug, 1855, possibly Bodley and Co, Staffordshire, ribbed baluster form with scalloped rim, decorated with bands of comical and characterful figures after Dickens, gilt inscription M H 1855, 21.5cm high

£50 - £100

658

658 A large Wemyss Ware pig, circa 1900, sponged black patches, painted eyes, impressed WEMYSS WARE, R.H & S, printed retailer mark T. Goode & Co, South Audley St, London.W, 28cm high, 44cm long £500 - £800

659 A large Wemyss Ware cat, circa 1900, seated with sponged black-on-white spots, painted whiskers, applied glass eyes, separate front legs, impressed WEMYSS WARE, R.H.& S, printed retailer’s stamp T. Goode & Co, South Audley’s, London.W, 32.5cm high

£2,000 - £3,000

660

660 Two pearlware milk jugs, one with unusual ogee rim, painted with house fence and willow design, circa 1770, the other of baluster sparrow beak form circa 1800, 13.5cm high (2) £40 - £60

661 A Worcester blue and white miniature toy tea bowl, crescent mark, circa 1770, decorated in the Three Flower pattern, 5.5cm diameter

£40 - £60

662 A Chinese export blue and white transfer printed platter, octagonal section, decorated with two men on a bridge pattern, within Fitzhugh border, 25.5cm long

£50 - £70

663 A Chinese export plate, painted en grisaille in the European style, with a depiction of Lancret’s painting Brother Philippe’s Geese, within gilt bands, the border with alternating vignettes of landscapes and birds on branches, in ruyi scroll cartouches, 22cm diameter

Note: see Howard and Ayers, 1977, China for the West; vol 1., pl.345, for an example of this design £150 - £200

664 Two Worcester black transfer printed dishes, both Robert Hancock, including a teapot stand in the L’Amour pattern and a saucer in Tea Party pattern, RH Worcester marks to each, 14.5cm wide (2)

£60 - £80

662

665

665 A rare Champions Bristol porcelain blue and white cream boat, X mark, 1770-75, lobed form painted with floral sprigs, 11cm long

Provenance: Sutherland Collection, label to underside £70 - £100

666

666 An English porcelain blue and white octagonal plate, Isleworth, circa 1765-70, painted in the Delft style with a Chinese riverscape within a border of four floral motifs, 21cm diameter

668

668 Two items of 18th century blue and white porcelain including a Derby quatrelobed sauce tureen, painted with the Desirable Residence pattern, cell border, circa 1765, 19cm long, and a Liverpool tea bowl and saucer printed with floral sprigs, circa 1780 (2)

Note: see Godden, G, 2004, English Blue and White Porcelain, Antique Collectors Club, p.201 pl.244 for an example of this tureen £70 - £100

669

669 A Worcester polychrome coffee cup and saucer, circa 1770, decorated with a version of the Old Mosaic Japanese pattern, with Mon and gilding, 13cm diameter £80 - £120

Note: Roderick Jellicoe collection; see Godden, G. 2004, English Blue and White Porcelain, pl.64, for an illustrated example of a similar plate in the same design; John Sandon said with certainty that the plate offered in the Phillips auction of the Pinewood Collection, in 2001, of the same design, footrim and body as this, was by the Isleworth factory.

£200 - £300

667 Three items of Lowestoft blue and white porcelain, including a deep saucer painted in the Dragon pattern, a small bachelor teapot transfer printed with the Fence pattern, circa 177080, and a printed coffee cup with a Chinoiserie scene (3)

£70 - £100

670

670 A Worcester powder blue and polychrome tea cup and saucer, circa 1770, painted with Fancy Birds and insects within gilt cartouches, 13.5cm diameter £150 - £250

671 Two Worcester polychrome coffee cups, including a Chinese Musicians example circa 1762 and a powder blue with floral cartouche cup circa 1770, 6.3cm high (2) £100 - £150

672

672 A Worcester polychrome bowl, pseudo Chinese character mark, circa 1770, decorated in the Old Mosaic pattern, in the Japanese style with alternating geometric and floral panels between chrysanthemum rosettes, 17cm diameter £100 - £150

673 A pair of Staffordshire facsimile rabbits, 20th century, modelled eating lettuce leaves, painted with black patches, after the original models, impressed marks MSA 97, £200 - £300

674

674 A pair of Staffordshire flat back figure groups, modelled as dogs with standing children, circa 1860, orange patched spaniels with Scottish figures, 31cm high (2) £200 - £400

END OF SALE

TERMS & CONDITIONS OF SALE AND BUSINESS

These Conditions of Sale and Business constitute the contract between Kinghams Auctioneers limited and the seller, on the one hand, and the buyer on the other. By bidding at the auction, and/or consigning to Kinghams Auctioneers limited, you agree to be bound by the following terms.

CONDITIONS OF SALE

1. DEFINITION

In these terms of business: Kinghams Auctioneers Ltd is referred to as ‘Kinghams’. The Kinghams representative conducting the auction is referred to as the ‘auctioneer’.

2. AGENCY

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers if the transaction is not completed and paid for.

3. TERMS OF SALE

The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment.

4. DESCRIPTIONS AND CONDITION OF LOTS

Every effort is made to ensure the accuracy of statements relating to authorship, descriptions, origin, date, age, provenance and condition of lots. Statements made orally or in the catalogue are opinions given after careful consideration and research. Prospective buyers are given ample opportunity to view lots before any sale. When bidding, buyers acknowledge that they are fully satisfied as to the description and condition of the lot.

5. ATTRIBUTION OF PICTURES

(a) If the forename(s) (or asterisks where not known) and surname of the artist are given, this indicates that in the opinion of Kinghams the picture is a work by the named artist.

(b) If the initials of the forename(s) and the surname of the artist are given, this indicates that in the opinion of Kinghams the picture is a work of the period of the named artist and may be wholly or in part his work.

(c) If the surname of the artist is given, this indicates that in the opinion of Kinghams the picture is a work of the same school of the named artist, or by one of his followers, or in his style and of uncertain date.

(d) The term ‘Bears signature’ indicates that in the opinion of Kinghams this is not the signature of the artist.

(e) All other terms are self-explanatory.

6. FORGERIES

Notwithstanding Condition 4, any lot which proves to be a deliberate forgery may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence provided that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium.

7. THIRD PARTY LIABILITY

Every person on Kinghams premises before, during or after a sale shall be deemed to be there at their own risk and shall have no claim against Kinghams in respect of any injury they may sustain or any accident which may occur.

8. DISPUTES

Any dispute not covered in these terms of business will be settled at the sole discretion of Kinghams.

9. GENERAL

We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of the Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

Any notice to any buyer, seller, bidder or viewer may be given by first class mail or email in which case it shall be deemed to have been received by the addressee 48 hours after posting.

Special terms may be used in catalogue descriptions of particular classes of terms in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.

Any indulgence extended to bidders, buyers or sellers by us notwithstanding the strict terms of the Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

English law applies to the interpretation of these Conditions.

TERMS OF CONSIGNMENT FOR SELLERS

1. INTERPRETATION

In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’ etc. refer to Kinghams Auctioneers Ltd.

2. WARRANTY

The Seller warrants that possession in the lots can be transferred to the Buyer with good and marketable title, free from any third party right and encumbrances, claims or potential claims. The Seller has provided all information concerning the items ownership, condition and provenance, attribution, authenticity, import or export history and of any concerns expressed by third parties concerning the same.

3. COMMISSION

Commission is charged to sellers at a flat rate of 15%, 1.5% insurance, and a £5/10 entry fee per Lot plus VAT.

4. REMOVAL COSTS

Items for sale must be consigned to the saleroom by and stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

5. LOSS AND DAMAGE OF GOODS

a) Loss and Damage Warranty – Kinghams is not authorised by the FSA to provide insurance to its clients and does not do so. However, Kinghams for its own protection, assumes liability for property consigned to it at the lower pre-sale estimate until the hammer falls. To justify accepting liability, Kinghams makes a charge of 1.5% of the hammer price plus VAT. The liability assumed by Kinghams shall be limited to the lower pre-sale estimate or the hammer price if the lot is sold.

b) If the owner of the goods consigned instructs us in writing not to take such action, the goods then remain entirely at the owners risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 5(a) is inapplicable.

6. ILLUSTRATIONS

The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

7. MINIMUM BIDS AND OUR DISCRETION

Goods will normally be offered subject to a reserve agreed between us before the sale in accordance with clause 8. We may sell lots below the reserve provided if we can account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us a “discretion” we may accept a bid of up to 10% below the formal reserve.

8. RESERVES

a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to unreasonably high reserves {in which case goods carry the storage (Condition 17) and loss damage warranty (Condition 5(a) charges as stipulated in these Terms of Consignment}.

b) A reserve once set cannot be changed except with our consent.

c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

d) Reserves are not usually accepted for lots expected to realise below £50.

9. ELECTRICAL ITEMS

These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

10. SOFT FURNISHINGS

The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.The rights of disposal referred to in clauses 9 and 10 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection upon request.

11. DESCRIPTIONS

Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 4 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds.

12. UNSOLD ITEMS

If an item is unsold it may at our discretion be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred.

13. WITHDRAWN AND BOUGHT IN ITEMS

These are liable to incur charges on being bought in or withdrawn after being catalogued.

14. CONDITIONS OF SALE

You agree that all goods will be sold subject to our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses, liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

15. AUTHORITY TO DEDUCT COMMISSION AND EXPENSES AND RETAIN PREMIUM AND INTEREST

You authorise us to deduct commission at the stated rate and all expenses incurred from your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. You authorise us at our discretion to negotiate a sale by private treaty not later than the close of business 48 hours after the day of sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Terms apply.

17. STORAGE

We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make storage charges.

18. SETTLEMENT

Subject to funds having cleared in our account we aim to pay you no later than four weeks following the sale. If the buyer has not paid for the goods no settlement will be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. Please note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 11 above and you should therefore bear this in mind before parting with the proceeds of sale.

INFORMATION FOR BUYERS

1. INTRODUCTION

The following notes are intended to assist buyers particularly those who may be inexperienced or new to our saleroom. All sales are conducted in accordance with our Conditions of Sale. Our staff will be happy to help you with anything you do not fully understand.

2.

AGENCY

As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly, if you buy your primary contract is with the seller.

3. THE BUYER

The highest bidder acknowledged as such by the auctioneer will be the buyer. If any dispute arises, the auctioneer has absolute discretion to settle the matter. The auctioneer rules the bidding and bids cannot be retracted. The auctioneer reserves the right to refuse any bid.

The successful bidder, whether bidding for himself or for a third party, is entirely responsible for paying for the lots they have bought in accordance with Kinghams’s Conditions of Sale and Business. The auctioneer reserves the right to bid on behalf of the sellers for any lot and to withdraw, consolidate or divide any lot or lots.

4. REGISTRATION

Unless registered already on a bidding platform, it is essential that all prospective buyers register with us, giving their full name, address, contact telephone number(s) and email address. First time buyers will be required to provide proof of identity (i.e. driving licence/passport), a valid debit or credit card and a copy of a utility bill confirming their name and address. Upon receipt of the above a paddle will be issued, which is only valid for the current sale. The paddle may be used to indicate your bids to the Auctioneer during the sale. If successful, the bidder must ensure that their number can be seen by the Auctioneer and that it is their number that is called out. Should there be any doubts as to price or buyer, please draw the Auctioneer’s attention to it immediately.

5. BUYER’S PREMIUM - COMMISSION CHARGES

There is a buyer’s premium of 26% plus VAT on the hammer price of each lot up to and including £500,000. The buyer’s premium is 18% plus VAT on the hammer price of each lot on the excess of £500,001 up to and including £1,000,000. The buyer’s premium is 15% plus VAT on the hammer price of each lot on the excess of £1,000,001.

6. VALUE ADDED TAX

Lots on which the buyer may have to pay VAT on the ‘hammer price’ are indicated in the catalogue with the following symbol *. The buyer must pay this VAT at the rates that apply on the day of the auction in addition to the buyer’s premium and VAT thereon.

7. AUCTIONEERS MARGIN SCHEME

This scheme allows auctioneers to sell items without VAT on the hammer price. The buyer then pays an amount equivalent to VAT. This amount cannot be refunded and is not shown separately on the invoice.

8. PAYMENT

Buyers must pay in full before items can be removed from the premises (please see “payment methods” below).

Invoices will be issued from the day of the sale. Buyers must pay their invoice in full within 24 hours and advise when they will be collecting their item(s). Any invoices which remain unpaid after seven days will incur interest at 5% above the base rate, charged from the date of the sale. If buyers are unknown to us, we cannot hand over purchases unless we have adequate references or payment is cleared.

Payment Methods

We accept payment by:

Cash - up to £9,000 (subject to money laundering regulations). Cheques - we do not accept cheques.

Debit cards accepted - we do not accept any credit cards.

Please note that we are unable to accept any card payments where the cardholder is not present.

Bank transfer to:

HSBC Bank, Bridge St, Evesham WR11 4RU

Account no.: 51655345

Account name: Kinghams Auctioneers Ltd

Sort code: 40-20-27

IBAN: GB91MIDL40202751655345

SWIFTBIC: MIDLGB22

Please note that a fee of £15 will be added for international bank payment.

9. LIVE INTERNET BIDDING

Live online auctions are in conjunction with the-saleroom.com, invaluable.com and easyliveauction.com

We ask that you register for the sale a minimum of 24 hours before the auction.

When you have registered, you can watch the auction in real time; simply click the bid button to place a bid.

If your bid is successful we will notify you after the sale for payment. Charges will be made for internet bidding dependent on the auction platform. See their terms and conditions for details.

10. TRANSFER OF RISK

Each lot is the buyer’s sole responsibility from the fall of the hammer.

11. COMMISSION BIDS

If instructed, Kinghams will execute bids and advise prospective buyers. This service is free.

Buyers who cannot come to a sale may leave their bid with our staff after/during viewing, or make their bid in advance by telephone or email (enquiries@kinghamandormeauctioneers.com). Such bids are placed at the buyer’s own risk.

Bids must be made at least one hour before the sale starts, but we advise buyers to make bids at the earliest possible opportunity. When making bids, buyers must provide: Their full name

Address

Email address

Contact telephone numbers

The number of the lot they wish to buy Their maximum bid amount – excluding commission which will be added to the invoice afterwards

Buyers must state what their maximum bid would be. We cannot accept an instruction to ‘buy’ or unlimited bid.

We will ensure that lots are bought as cheaply as possible depending on the bids made and other reserves. If identical bids are placed, they will be dealt with on a “first come first served” basis.

12. TELEPHONE

BIDS

Lines for telephone bidding should be booked 24 hours before the auction. Lines are booked on a “first come first served basis.” Full name, address and telephone numbers will be required together with proof of identity and address. Bank and credit/debit card details are also necessary to secure the line.

13. DATA PROTECTION

Kinghams will use information provided by its clients or obtained by Kinghams relating to its clients for the provision of auction services or as required by law. Kinghams may need to record telephone conversations for security or legal reasons or as necessary to provide a higher quality of service. Clients agree that Kinghams may use sensitive information that they supply to Kinghams. Unless permitted by law, Kinghams will not otherwise process sensitive personal data without express consent. By agreeing to the Conditions of Sale and Business, clients agree to the processing of their personal information.

14. STORAGE AND COLLECTION

Please note all items after the auction will be removed to store. Arrangements for collection can be made with the office.

15. ELECTRICAL GOODS AND SOFT FURNISHINGS

These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations.

16. EXPORT OF GOODS

Buyers intending to export goods should check whether an export licence is required and whether there is any specific prohibition on importing goods of that character because e.g. they may contain prohibited materials such as ivory. Ask us if you need help.

17. PACKING AND DESPATCH

We offer a packing and despatch service for smaller lots. We also use national and local carriers. Further details can be obtained from our office.

18. DROIT DE SUITE ROYALTY CHARGES

A picture or work of art by an applicable living artist, or those who have died within the last 70 years, which costs more than £1,000 hammer price will incur a royalty charge paid by the buyer. We pass this payment on to the Design and Artists Copyright Society (DACS), and do not charge a handling fee. Buyers can calculate royalty charges on the DACS website. Items marked with the † symbol in the catalogue will potentially incur royalty payments.

The actual qualifying threshold is calculated by the Artist’s Resale Right Service Hub and can be found on the DACS website.

The royalty charge for pictures and works of art that achieve a hammer price of more than £1,000, but less than that of £50,000 is 4%. On pictures and works of art that achieve a hammer price of more than £50,000 a sliding scale of royalty charges applies. For a complete list of the royalty charges and threshold levels please download more information from the DACS website.

The royalty charge is added to invoices and must be paid before purchases are removed. VAT is not paid on royalty charges.

19. CITES LICENSE - IMPORTANT NOTICE RELATING TO SPORTING AND NATURAL HISTORY

Clients intending to import/export any item derived from natural history specimens into/from a non-European country should first check for any Import/Export and possession restrictions prior to bidding/selling. Certain species (λ) are also subject to CITES regulations when exporting/ importing these items out of the EU. CITES regulations are given on www.ukcites.gov.uk or maybe obtained from Animal Health, Wildlife Licensing and Registration Service, Zone 1/17, Temple Quay House, 2 The Square, Bristol BS1 6EB. Those species that are covered by the US Endangered Species Act (USESA) or The Migratory Bird Treaty Act (MBTA): potential US bidders should check with USF&W (US Fish and Wildlife Services) for trade/possession restrictions in the US prior to bidding.