Woolley & Wallis by Jamm Design Ltd

WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

Fine Porcelain & Pottery

Tuesday 25th February 2014

Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery

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ASIAN ART John Axford MRICS ASFAV Sophie Lister Alex Doméracki Freya Yuan

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CLOCKS, WATCHES & SCIENTIFIC INSTRUMENTS Richard Price — 07741 242421 Gemma Bush — 339752 ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham — 424507 FURNITURE Mark Richards Jim Gale JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA

ACCOUNTS Janice Clift (Office Manager) — Ruth Pike

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MARKETING Tamzin Corbett

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GENERAL OFFICE Linda Garthwaite Pauline West Sharon Ringwood Nicola Young

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SALEROOM MANAGER David Jordan

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BOARD OF DIRECTORS Paul Viney ASFAV Chairman

PAINTINGS Victor Fauvelle Jo Butler

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SILVER Rupert Slingsby Lucy Chalmers

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TRIBAL ART, ANTIQUITIES, ARMS & ARMOUR Will Hobbs — 339752 Gemma Bush — 339752

Members of The Society

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV — 424509 Clive Stewart-Lockhart FRICS FRSA 424598

John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director

FRICS FRSA

COMPANY SECRETARY Jim Macarthur CA ASSOCIATE DIRECTORS Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby Jonathan Edwards FGAA Janice Clift Clare Durham

of Fine Art Auctioneers

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

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FINE PORCELAIN & POTTERY Tuesday 25th February 2014

to follow The Raymond Dennis Collection (approximately 12.00 noon) Viewing Times Saturday 22nd February Monday 24th February Tuesday 25th February

10.00am – 1.00pm 10.00am – 6.00pm 9.00am – 10.30am

ENQUIRIES Clare Durham 01722 424507 claredurham@woolleyandwallis.co.uk

LIVE BIDDING

Please register by 6pm Monday 24th February. There is no surcharge for using this service.

CONDITION OF LOTS Front cover: Lot 308 part Back cover: A selection of lots from the sale. Catalogue £10.00 (£15.00 by post) Images and a catalogue word search facility are available at www.woolleyandwallis.co.uk

Please note that the condition of lots is not stated in the catalogue descriptions. Reports on condition will be made available on request. The absence of comment on condition in the catalogue does not imply that the lot is free from imperfections or faults.

FINE PORCELAIN & POTTERY Tuesday 25th February 2014

201. A Worcester Warmstry-fluted teabowl and saucer, c.1765-70, painted with a Japan pattern of panels of Kakiemon flowers between narrow blue panels with flowerhead mon, square seal marks, 12cm. (2) £100-200

202. A rare Worcester small square tray, c.1758, printed in black on the diagonal with the Tea Party (Version 2), a young couple seated on a bench in a garden landscape, signed RH in the print for Robert Hancock, anchor rebus for Richard Holdship, 13.8cm. £200-300

203. Two rare Worcester sauceboats, c.1762, finely enamelled with sprays and garlands of flowers within moulded panels reserved on a basketweave ground, with puce detailing, the interiors painted with further flowers, 20.5cm. (2) £350-450

204. A pair of Worcester shell-shaped dishes, c.1770, well painted with brightly coloured birds, within elaborate gilt borders, reserved on a wet blue ground, gilt dentil rims, script W marks, 19.5cm. (2) ÂŁ800-1,200

205. A good and early Worcester sauceboat, c.1753-54, of small silver-shape, finely painted in the famille verte palette, one side with a fisherman at the end of a wooden jetty, the reverse with a figure in a sampan, the interior with a floral border, 17cm across. ÂŁ900-1,200

206. A William Reid bowl, c.1756-61, brightly enamelled with a Chinese figure standing beside a large pot over a roaring fire, holding a small bowl and a ladle, the reverse with rockwork and small flocks of birds, 15.7cm. ÂŁ600-800 Paper labels for the Watney Collection and the Crane Collection. Exhibited: Roderick Jellicoe, Exhibition 2000, William Reid.

207. A rare Worcester saucer, c.1765, decorated in the Giles atelier with unusual flowering chrysanthemum branches in green camaieu with black and gilt highlights, gilt rim, blue crossed swords and 9 mark, 13.5cm. £600-1,000

208. A Worcester coffee cup, c.1770-75, decorated in the Giles atelier with delicate sprays of flowering chrysanthemum, pencilled in black then filled in green with gilt highlights, the cup’s interior rim with a continuous flowering band, 6.4cm. £250-300

This design is believed to be a forerunner of the later green camaieu pattern seen in lot 208.

This design is a known Giles staple and is believed to have been developed from the simpler and more naively painted pattern of the preceding lot.

209. A Worcester coffee cup, c.1760, printed and coloured with the Red Bull pattern, the bright oxen beside two Chinese figures in conversation, a third leaning on rockwork to the reverse, 6cm. £200-300

210. A Worcester tea canister, c.1765, the ovoid body moulded with flowers, the shoulder painted with a flower garland and berried leaf swag entwining around a blue line, 12cm. £120-150

211. An early Worcester silver-shaped sauceboat, c.1753-54, each side painted with a Long Eliza figure holding a fan in her outstretched hand and standing beside pine trees, within moulded panels, red workman’s mark to the base, 23cm. £350-450

212. A Bow double leaf dish, c.1758, decorated in the Kakiemon palette with the Two Quail pattern, flying insects swirling above the two portly birds between flowering branches, 29cm. £500-700 The shape of this dish was copied from Meissen, who in turn were emulating a Japanese shape.

213. A pair of Chelsea tripod stands, c.1760, a bunch of grapes hung between each scrolling foot, the top of which terminates in a shell above the flat surface, the moulding detailed in green, puce and gilt, puce anchor marks, 8.5cm high. (2) £400-600 Traces of old paper collection labels beneath.

214. A small Chelsea silver-shaped dish, c.1760, painted with a fruiting nut branch and a spray of redcurrants, the moulded rim highlighted in puce and green, brown anchor mark, 21cm. £100-200

215. A Chelsea silver-shaped botanical dish, c.1758-60, painted with a large spray of fruiting redcurrant with scattered insects and beetles around, brown line rim, 24.5cm. £300-400

216. A Chelsea silver-shaped dish, c.1756, the moulded form painted with flower sprays and naturalistic moths and insects, a caterpillar crawling across the well, brown line rim, 24.2cm. £300-400

217. A Chelsea bell-shaped mug, c.1758, finely painted with a large, naturalistic flower posy, with further scattered sprigs to the reverse, brown line rim, brown anchor mark, 14cm high. £300-500

218. A Derby coffee pot and cover, c.1760-65, unusually decorated with delicate and sprawling sprays of flowers with insects around, the rim with a gilt and red chain border, 22cm. (2) £200-400 Paper exhibition label for the Morley College Ceramic Circle, 1978. Illustrated: H G Bradley, Ceramics of Derbyshire 1750-1975, pl. 54.

219. A pair of Bow pot pourri vases and covers, c.1765, painted with panels of fancy birds reserved on a powder blue ground, above a puce and gilt frill, the covers and necks pierced and applied with flowers, 26cm. (4) £400-600 A garniture from the collection of the Earl of Buckinghamshire, which included a pair of vases almost identical to these, was sold at Christie’s on 18th June 1963, lot 124.

221 220 220. A Chaffer’s Liverpool teapot and cover, c.1760, decorated in underglaze blue and then overpainted in red and gilt to emulate the Imari palette, with a bird perched on flowering Oriental branches, 20cm across. (2) £350-450

221. An early Bow mug, c.1752, the flared cylindrical body painted in the Imari palette with flowering branches and bamboo stems issuing from holey rockwork, the foot with a border of alternating panels of flowerheads and diaper pattern, 12cm. £100-200

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222. A Chelsea-Derby cylindrical mug, c.1780, the body with turned bands to the neck and foot, painted in the Withers style with posies of flowers, between rich gilt and blue borders, puce crowned D mark, 11.8cm. £150-250

223. A Longton Hall teabowl, c.1756-58, decorated in the Castle Painter style with a turreted building beside a river, a church in the near distance, the interior with a single blue flowerhead, brown line rim, 7.8cm dia. £200-300

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While John Hayfield is often the name put forward as the identity of the Castle Painter, the style is actually known to have been executed by several hands.

224. A pair of Bow blue and white sauceboats, c.1760, painted with sprays of rose and convolvulus within moulded panels, the interiors with further flowers and bugs beneath cell diaper borders, 20cm. (2) £350-450

225. A Caughley blue and white spittoon, c.1785, printed with the Temple pattern, the wide brim with the pattern on smaller repeat, 10.3cm high. £250-350

226. A rare Worcester blue and white bowl, c.1758, one side printed with the Fence pattern, the reverse with an unusual small print of Guai-Shi, a figure in a boat beneath willow, 15.2cm dia. £150-250 Paper label for the Godden Reference Collection. Cf. The Joseph M. Handley Collection, 18th Century English TransferPrinted Porcelain and Enamels, p.138 for the same print as a Smoky Primitive on a bowl. The print is taken from series designed for books, the source unknown.

227. A large Bow blue and white bell-shaped mug, c.1758-60, painted with a landscape scene of a twostoreyed house flying a pennant flag beneath pine trees, the rim with a diaper band and flowerhead mon, painter’s numeral to the inside of the footrim, 14.7cm high. £600-800 Cf. Phillips, The Watney Collection Part III, lot 834 for an earlier mug with the same pattern, which has been copied direct from Chinese porcelain.

228. A large Bow blue and white mug, c.1755-58, the baluster shape painted with the Dragon pattern, a single sinuous beast encircling the body amidst stylized cloud scrolls, further cloud motifs to the inside rim, grooved strap handle, workman’s number 12 to the base, 15cm high. £600-800

229. A Seth Pennington’s Liverpool blue and white sauceboat, c.1780, moulded with Liver Bird motifs and a smiling mask above fruiting grapevine, the flared foot with a band of stylized shells, the interior painted with flower scrolls, 19.5cm. £400-600

230. A Chaffers Liverpool blue and white hexagonal teabowl or beaker, c.1756-60, the finely potted body painted with the Chinese Floral pattern, a stylized spray of Oriental flowers to each facet, the rim with a diaper and flowerhead border, 6cm high. £300-400 Exhibited: Albert Amor Ltd, 1990 Exhibition, 18th Century English Chinoiserie Porcelain. Partial paper label for the Mrs D MacCallum Collection. Cf. Geoffrey Godden, 18th Century English Porcelain, pl.94 for an identical example.

231. A Liverpool blue and white sparrowbeak jug, c.1770, probably James Pennington, painted with pine and prunus in a pagoda landscape, 7.2cm high. £100-200

232. A Chaffers Liverpool blue and white hexagonal teapot stand, c.1760, moulded and painted with the Chrysanthemum pattern, 14.2cm. £300-500 Cf. Maurice Hillis, Liverpool Porcelain, p.156.

233. A rare miniature Worcester blue and white teapot and cover, c.1760-65, painted with the Prunus Root pattern, one side with the main pattern of prunus issuing from holey rockwork, the reverse with a single flowering spray, open crescent mark to the base, 10cm. (2) £1,500-2,000 Miniature Worcester wares painted with the Prunus Root pattern are believed to have been produced for the Dutch market.

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234. A Worcester blue and white teabowl and saucer, c.1755-58, finely painted with the Landslip pattern, a tall willow in the foreground of the sloping landscape, workmen’s marks, 12cm. (2) £400-600 The saucer with a paper label for D M & P Manheim, New York.

235. A Vauxhall blue and white teabowl, c.1758-60, painted with two Chinese figures either side of a triangular fence between trees issuing from rockwork, 7.1cm dia. £300-500 Cf. The English Ceramics Circle, Ceramics of Vauxhall, no. 113 for the saucer. 236

236. A good Christian’s Liverpool blue and white bowl, c.1765, well painted with two fishermen at the end of a fence, a third figure the other side of a rock promontory from which spouts willow, 20cm dia. £250-350

237. A Lowestoft blue and white bowl, c.1770-75, printed with sprays of rose and chrysanthemum with scattered butterflies in flight, the interior with a pineapple border, 20.7cm dia. £250-350 Old paper collection label to the base.

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238. A very rare Bow child’s chamber pot, c.1760-65, painted in blue with Chinese landscape vignettes of birds in flight above pagodas and trees, the curved rim with a stylized flowerhead design, a single peony spray to the interior, the grooved strap handle with a heart-shaped terminal, 17.5cm across. £1,200-1,800 Similar pots, but of a slightly smaller size, are known to have been imported to England from China in the middle of the 18th century, and it is likely that inspiration was taken from these. However, such objects are extremely rare in English porcelain of this time.

239. A rare pair of Worcester blue and white cornucopia wall vases, c.1760, painted with the Cornucopia Daisy pattern, with two prominent daisy flowers amidst a loose spray, with a further smaller spray beneath, 27.5cm. (2) £800-1,200

240. A large and rare Bow mug, c.1750-55, the broad baluster shape crisply applied with sprigs of prunus above a flared turned foot, the unusual moulded handle with incised details, incised mark to the base, 15.5cm high. £1,000-1,200

Cf. Branyan, French and Sandon, Worcester Blue and White Porcelain, No. I.E.19 for a discussion of this pattern.

Cf. Elizabeth Adams and David Redstone, Bow Porcelain, no. 31 for a similar example.

241. A fine and large pair of Copeland and Garrett Felspar porcelain vases, c.1840, finely painted with effusions of flowers and fruit within gilt scrolling borders reserved on a rich cream ground, the tall gilt handles joining the low shoulders to the flared necks, printed marks, 44.5cm. (2) £500-800

242. A pair of Chamberlain’s Worcester ice pails and covers, c.1820-25, painted with panels of peacocks and other exotic birds within gilt foliate designs, the painting attributed to George Davis, the rim hung with a garland of grapes, the intertwined handles formed as branches, the interiors decorated with a marbled effect, 35cm. (4) £800-1,200 Sold on behalf of the executors of The Hon. Mary Anna Marten dec’d, of Crichel House, Dorset. Purchased from Brian & Angela Downes Antiques, dated 23rd April 1990.

243. A pair of English porcelain ice pails and covers, early 19th century, probably Coalport, decorated with bands of scrolling, stylized leaves in red, black and gilt, the tall domed covers surmounted with pinecone finials, 31.5cm. (4) £300-500

part 244. An extensive combined Spode and Copeland & Garrett Ironstone dinner service, 19th century, decorated in the Imari palette with vases of Oriental flowers. Comprising: a soup tureen with cover and stand, 19 octagonal dishes in six sizes (the largest 53cm, the smallest 26cm), one square bowl, four sauce tureens with covers and stands, four vegetable dishes with covers, 14 soup plates, 23 plates of 24cm diameter, and 23 plates of 21.5cm diameter. (103) ÂŁ500-800 Provenance: George and Elizabeth Johnson, Essex and thence by descent. Letter of provenance, and details of forbears, together with service.

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245. A Royal Crown Derby tea service, 1st half 20th century, decorated in the Imari palette in pattern 2451, most with date codes for 1911. Comprising: a tray, a teapot and cover, a sugar bowl and cover, a slop bowl, a stand, a milk jug, two large plates, twelve small plates, twelve saucers and twelve cups. (46) ÂŁ500-800 Together with a purchase invoice from E T Cooper, Gosport, dated 20th March 1990.

246. A good Royal Crown Derby tea service, 20th century, richly decorated in the Imari palette with leaf-shaped panels of stylized flowers. Comprising: a teapot and cover, a sugar bowl and cover, a milk jug, six cake plates, six tea saucers, six coffee saucers, a small plate, a twohandled cup and saucer, six teacups and six coffee cans. (38) ÂŁ600-1,000

247. A good Minton bone china coffee service, modern, the rich gilt body acid-etched in Shangri-La pattern H5097, the coffee pot more elaborately in the related pattern H4601, gilt factory marks. Comprising: a coffee pot and cover, milk jug, sugar bowl, eight coffee cans and eight saucers. (20) ÂŁ200-300 Provenance: made for Harrods in 1985. Purchased from Brian Page in 1990.

248. A fine Coalport dessert service, c.1820-30, of ‘Union’ shape, the wells finely painted with vignettes of birds and bird nests amidst bold flower arrangements, reserved on a pink ground. Comprising: two square dishes, two oval dishes, two shell dishes, a sauce tureen with cover and stand, and 24 plates with twin handles. (33) £2,500-3,000 Cf. Geoffrey Godden, Coalport and Coalbrookdale Porcelains, p.70 for an explanation of the Union shape of dessert service, which relates to the emblems on the handles of the shell dishes.

249. A Royal Crown Derby cabinet dish, indistinct date code c.1911, painted by Cuthbert Gresley with an arrangement of roses, signed, within elaborate raised gilt borders on a rich blue ground, printed mark, pattern number 7088, 26.3cm. £200-300

250. A Coalport oval dish, c.1810, painted with a bold basket of flowers including rose and convolvulus, reserved within a jagged gilt border on a blue ground, impressed 5 mark, 41.3cm. £200-300

251. A Royal Worcester vase and cover, date code for 1908, of flattened baluster form, painted by Harry Davis with a small figure and sheep standing beneath a tree, a castle and viaduct in the landscape beyond, signed, reserved within a gilt cartouche on a deep blue ground, the shoulders applied with animal head handles, printed mark, traces of a mark for a London retailer, 23cm. (2) £1,000-1,500

252. A Royal Worcester ewer, date code for 1910, of shape G65, painted by Harry Davis with two sheep and a lamb in a mountain landscape, signed, the neck and spout finely reticulated, printed mark, 24.5cm. £500-1,000

253. A small Royal Worcester twohandled vase, date code for 1918, of shape 2120, painted by Ernest Barker with two sheep in a moorland landscape, printed marks, 14.5cm. £500-800

254. A fine set of twelve Royal Worcester cabinet plates, date codes for 1928, made for the American market, the wells finely painted by Raymond Rushton with scenes from English and American gardens of note, within green rims richly decorated with scrolling foliate motifs in raised gilt, signed, gilt factory marks and retailer’s mark for Ovington Bros, New York, 27cm. (12) £1,500-2,000

255. A pair of Royal Worcester cabinet plates, date codes for 1919, painted by George Johnson with flamingos standing in watery landscapes, within green trompe l’oeil borders, signed, numbered 9639 in black to the reverse, printed marks, 23cm. (2) £700-1,000

256. A pair of Royal Worcester shaped dishes, date codes for 1908, painted by William Powell each with a peacock and peahen roosting in pine branches, signed, printed marks, 27.3cm. (2) £300-500

257. A Royal Worcester cabinet plate, date code for 1939, the well with a lotus-shaped panel; painted by James Stinton with a pair of pheasants in woodland, within a wide elaborate textured gilt rim of lotus panels and foliate motifs, gilt mark, titled ‘Specially made for Asprey’s’, 23.5cm. £300-500 258. A Royal Worcester cabinet fruit plate, date code for 1926, painted by Richard Sebright with apples and blackberries on the woodland floor, the rim richly gilded on a deep blue ground, signed, printed mark, 22.5cm. £200-300 257

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259. An associated Nantgarw cup and saucer and a breakfast saucer, c.1818-20, London-decorated with panels of flowers reserved on a green ground with oeil de perdrix in blue and gilt, the cup similarly with panels of birds and flowers, 16.5cm max. (3) £500-800

260. A good H & R Daniel porcelain trio, c.1827-28, the cups each raised on three flower feet, delicately painted with flower garlands on a pale yellow ground, the well of the saucer with scrolling waves in gold and blue, 14.8cm. (3) £200-300

Wares in this pattern are often catalogued as being from the Duke of Gloucester service, it being reputed that it was commissioned as a gift from George III to Prince William Frederick on the occasion of his marriage to the Princess Mary. W D John, however, refers to the service as relating to the Duke of Cambridge, and given the date of manufacture it is perhaps more likely that it was ordered to celebrate the wedding of the Prince Adolphus in 1818 and ordered by his brother, the Prince Regent.

Cf. Michael Berthoud, H & R Daniel, pls. 59-61 for shapes with floral feet.

261. A Nantgarw slop bowl, c.1818-20, well painted to the interior with floral arrangements resting on gilt dishes between berried branches and leaf swags, the exterior gilded with a simple leaf band, 18cm dia. £200-400 Cf. W D John, Nantgarw Porcelain Album, pl. 82.

262. A rare Nantgarw plate, c.1818-20, painted with small flower sprays arranged in concentric circles on a gilt dot ground, the rim moulded with C scrolls, the reverse unusually gilded with a cracked ice ground, 25cm. £200-300 Provenance: from the Marcel Steele Collection.

263. A Nantgarw plate, c.1818-120, probably decorated in the Bradley workshop of London, the well painted with a spray of native flowers, within a C-scroll moulded rim and gilt dentil border, impressed mark, 24.7cm. £300-500 261

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264. A pair of Wedgwood candle urns, 19th century, formed as narrow baluster vases raised on circular plinths, applied with portrait medallions to both sides between key fret bands, laurel swags and stiff leaves, the porcelain bodies glazed and coloured in blue, claret, black and peach, impressed marks, 20cm. (2) £150-250

265. A good Herculanuem porcelain campana vase, c.1815, finely painted with flowers spilling out onto a marble plinth, reserved on a café au lait ground, the handles issuing from small mask heads, printed mark, 14cm. £250-350

266. A Spode inkstand, c.1820-25, richly decorated in pattern 1166 with bright flowers reserved on a blue and gilt scale ground, comprising an oval tray raised on four paw feet, set with three small circular pots and covers, 20.3cm across. (7) £500-800 Cf. Bonhams, The Contents of Trelissick House, 24th July 2013, lot 526 for an identical example in pattern 967.

267. A Wedgwood Jasperware vase, 19th century, the shoulder surmounted with swan handles, the body applied in white on a lilac ground with bulrushes and stiff leaf borders, impressed mark, 23cm. £150-250

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268. A miniature Spode chamberstick, c.1820, richly decorate din pattern 3993 with gilt birds perched in flowering branches reserved on a claret ground, iron red mark and pattern number, 7cm across. £250-350

269. A pair of Spode chambersticks, c.1815, the sconce of each issuing from the middle of a moulded vine leaf, edged in gilt, iron red factory marks, 12cm across. (2) £250-300

270. A good oval enamel patch box, 2nd half 18th century, finely painted with tulip, iris and other flowers on a white ground, gilt foliate motifs around the rim, further flower sprays to the sides, base and interior, the inside cover fitted with a mirror, with gold-coloured metal mounts, 6cm. £300-400

271. A fine snuff box lid, early 19th century, probably Italian, set with an oval micro-mosaic panel of a recumbent spaniel set within a gold-coloured metal border in a rectangular mother of pearl base, 4.8cm. £100-200

272. A French enamelled perfume box with ormolu mounts, late 18th century, the rich green enamel gilded with pagoda landscapes, the interior fitted with three cut glass bottles and space for a fourth, 8.2cm high. £600-800

273. A Meissen scent bottle and stopper, mid 18th century, modelled with a gallant bending to embrace his sweetheart while his dog and her lamb wait patiently, the metal-mounted stopper encrusted with flowers, the underside painted with a continuous circle of Indianische Blumen, 6.8cm. £600-1,000

Cf. Christies, Paris, 19th December 2007, lot 293 for a fine example.

274. Two small models of Bow finches, c.1762-65, each perched on a stump applied with flowers and leaves, their plumage picked out in yellow and grey, 8cm high. (2) £500-800

276. A French porcelain white-glazed figure of a musician, 18th century, seated on a rocky outcrop and playing a wind instrument, incised and glazed ‘vr’ mark beneath, 14cm. £200-300

275. A miniature Meissen figure of a dog at play, mid 18th century, crouched in playful pose with his haunches in the air, a stick in his mouth ready to be thrown, faint blue crossed swords mark, 5cm across. £250-350

277. A rare Continental porcelain of Cupid, 2nd half 18th century, perhaps Wegely or Marieberg, standing with his right hand resting on a knotted stick, his left arm extended, his wings finely painted, some good restoration, 9cm. £250-350

278. A Meissen vintner figure of a young girl, 19th century, a basket of grapes resting on her head, her apron full of further bunches, blue crossed swords mark, 13.5cm. £350-450

279. A Meissen model of a partridge, 18th century, after the model by J J Kändler, standing on a grassy rococo scrolled base with head slightly turned to the right, its plumage finely highlighted in grey and brown, 21.5cm. £300-500

280. A Derby figure of a recumbent stag, c.1760-65, half lying among flowers and long grass before effusive flowering bocage, into which his antlers climb, his coat delicately coloured in warm brown tones, 20cm. £200-300

281. A Meissen figure group of Hercules and the bull Achelous, c.1755, modelled by J J Kändler, the strongman wrestling the bull to the ground with one knee on its shoulder, draped in his trademark lionskin, the rococo base applied with leaves, blue crossed swords mark, impressed 115, 14cm high. £600-1,000 Achelous, the river god, is said to have taken the form of a destructive bull at the time of flooding. During the battle with Hercules one horn was snapped off, which the goddess Plenty filled with fruits and it became the Cornucopia.

282. A large pair of Meissen figures of beggar musicians, 18th century, he playing the bagpipes, she the hurdy-gurdy, both wearing tattered clothing, blue crossed swords mark to the back of the bases, 33.5cm. (2) £800-1,200 Cf. Christie’s, The Collection of Maria Angiolillo, 15th July 2010, lot 526 for a similar example.

283. A large matched pair of Derby figures of Shakespeare and Milton, c.1770-80, each well modelled and leaning on a pile of books resting upon a pillar, Shakespeare indicating a scroll with lines from The Tempest, 31cm. (2) £500-800

284. A pair of Derby candlestick figures, c.1770, of Mars and Venus, Mars armoured and in a plumed helmet, Venus with Cupid by her side, each standing before tree trunks which support candle sconces, 26.5cm. (2) £400-600

285. A pair of Meissen models of Malabar musicians, modern, after models by Friedrich Meyer, the man playing a stringed instrument and sporting a large moustache, his companion playing the hurdy-gurdy, both wearing conical hats and fur-lined robes, blue crossed swords marks, 18cm. (2) £250-350

286. A pair of Meissen figures of harvesters, 19th century, both barefoot, he beside a basket of grapes, holding a sickle in his left hand, she with a basket of apples, each seated on a rocky stump, blue crossed swords marks, incised 13 and 14 respectively, 11cm. (2) £700-800

287. A near pair of Meissen busts of the Royal Children, 19th century, after Kändler, each modelled with head slightly turned and wearing a bonnet with applied flowers or feathers, raised on a low quatrefoil socle base, impressed 2764, blue crossed swords marks (one cancelled), together with two gilt wood stands, 16.5cm. (4) £300-400

288. A pair of Meissen figures of a boy and girl, 19th century, after models by Michael Acier, the girl gazing disappointedly down into a broken mirror which lays at her feet, the boy (Schadenfreude) smirking at her misfortune, barely concealing his amusement behind a hand covering his face, blue crossed swords marks, incised F34, 15.5cm. (2) £350-500

Sold on behalf of the executors of The Hon. Mary Anna Marten dec’d, of Crichel House, Dorset.

289. A Derby figure of a musician, c.1765-70, playing the flageolet and tabor before flowering bocage, raised on an elaborate rococo base, 25.5cm. £300-400

291. A Chelsea figure of a Levantine lady, c.1755, modelled by Joseph Willems after Meissen, lifting her headdress away from her face with her right hand, her left holding the edge of her coat, wearing yellow harem pants and a red sash, red anchor mark, 15.3cm. £250-350

290. A Mennecy biscuit porcelain figure group, c.1760-70, of three musicians atop a rocky stump, a girl playing the lyre, a boy the flageolet, incised ‘DV f’, 19.8cm. £200-300

292. A Meissen Cris de Paris figure of a lemonade seller, mid 19th century, after the original model by Peter Reinicke, a large cistern on his back partially covered by a pink cloth, a flask to one hip and a small cup in his right hand, blue crossed swords mark, 14cm. £650-750

293. A Meissen figure of Janus, c.1760, modelled as a young figure wearing long robes and a laurel wreath, the reverse with a bearded face wearing a gilt crown, blue crossed swords mark to the rear of the base, 12.2cm. £250-350

Cf. John C Austin, Chelsea Porcelain at Williamsburg, p.130 for a similar example.

294. A Meissen figure group of the Chinese Family, mid 18th century, modelled by Peter Reinicke, the youngest child sat on a table and supported by its mother while its sibling plays with a monkey beneath, the father wearing a conical hat, trying to distract his smallest infant, all on a rectangular pad base applied with flowers, 16.5cm high. ÂŁ2,000-3,000 Cf. Dr. Erika Pauls-Eisenbeiss, German Porcelain of the 18th Century, Vol. I, pp. 110-111.

295. A Meissen figure of a gentleman, 19th century, seated sideways on an upholstered chair, his right leg crossed over his left knee, reading a book he holds in his right hand, raised on a circular pierced base, blue crossed swords mark, 14cm. £300-400

297. A Meissen figure of a flower girl, 19th century, proffering a flower in her left hand from a basket resting over her right wrist, standing barefoot on a circular scrolling base, blue crossed swords mark, 14cm. £350-450

296. A Derby figure of Winter, c.1765, modelled as a putto seated before a flaming brazier and wrapped in a fur-lined cloak, 17cm. £400-600 Paper label for B & T Thorn & Son, Budleigh Salterton.

298. A Meissen figure of a young Bacchus, c.1770, wearing a stag pelt tied around his middle and shoulders, raising a gilt goblet in his left hand, wearing a grapevine wreath and with a further basket of grapes by his feet, incised crossed swords in a triangle mark, 15.2cm. £400-600

299. A Meissen Cris de Paris figure of a peepshow man, 19th century, after the model by P Reinicke, the peepshow box slung over his back, turning the handle of a music box which he carries before him, blue crossed swords mark, incised 24, impressed 147, 14.5cm. £500-800

300. A Meissen figure of a shepherd, c.1750, standing beside a low wall and leaning on a tall wooden staff, his dog waiting patiently and looking up at his master, the low base applied with flowers, blue crossed swords mark to the back of the base, 10.5cm. £250-350

302. A Meissen Cris de St Petersburg figure of a Russian peasant, 19th century, after the model by Peter Reinicke, supporting a clothcovered pot on his head and holding a goblet in his right hand, wearing a blue coat tied with a striped sash, blue crossed swords mark, 17.5cm. £250-350 303. A Russian biscuit porcelain figure of a peasant Jewess, Gardner factory late 19th century, wearing a purple headscarf and grey shawl over a polkadot dress, a small package in her right hand, a tied bundle over her left wrist, raised on a square green base, printed and impressed marks, 21cm. £2,500-3,500 Cf. Woolley and Wallis, 8th October 2013, lot 651 for the male Jewish figure.

301. A Meissen figure of a boy gardener, 19th century, carrying a basket of flowers in his right hand, a maul resting on his left shoulder, his head turned to the right, his clothes elaborately patterned, blue crossed swords mark, 14cm. £350-450

304. A Meissen figure of a pastry seller, c.1750, carrying a large basket which spills over with buns, flatbreads and other treats, beckoning the buyer with a crook of her index finger, blue crossed swords mark to the reverse of the base, 19cm. ÂŁ1,000-2,000

305. A Meissen Malabar figure group, mid 18th century, a figure seated on a blue tasselled cushion and holding an open book, his right hand resting on a shield by his side, while a female attendant holds a parasol over his head, 22cm. ÂŁ600-1,000

306. A rare pair of Meissen figures of a fisherman and companion, c.1750, modelled by J J Kändler, each standing carrying a net and with a basket of fish, raised upon scrolling rococo bases, crossed swords marks to the backs of the bases, 15.5cm. (2) £4,000-6,000

307. A Meissen figural group of The Toilette of the Little Princess, c.1770, modelled by J J Kändler, a lady fixing the hair of the young royal as she stands by her dressing table ready to go out, a small dog recumbent at her feet, her dressing table neatly laid out with boxes, trays and an ètui, blue crossed swords mark, 18.5cm high. £3,000-5,000 The group is modelled after the painting The Morning Toilet by Jean-Baptiste-Siméon Chardin.

308. A rare pair of Meissen Continent groups, c.1745, of Africa and Europe, modelled by Eberlein and Reinicke after Kändler, the former personified as a negress seated on the back of a recumbent lion, wearing an elephant headdress and holding a sheaf of corn in her left hand, draped in a white jewelled robe with brightly coloured feather adornments, Europe seated on a bench before a white horse, holding a sceptre aloft, a globe and attributes representing the arts by her feet, the low bases applied with flowers and leaves, Europe with a faint blue crossed swords mark beneath, 32cm max. (2) £3,000-5,000 Copies of Kändler’s original models were frequently made (of smaller stature than these) throughout the 19th century, but the 18th century examples are seldom seen. Kändler’s original figures were again slightly smaller than these impressive groups.

309. A small oval German porcelain plaque, 19th century, wearing a simple locket, her black hair tousled by the wind, her gaze directed to the right, mounted in a later rectangular frame, the plaque 7.5cm. £100-200

310. A Hohenberg (Bavaria) oval porcelain plaque, 19th century, of a young girl wearing a high-necked cream dress with lace-edged collar, her hair in ringlets, mounted in a metal frame, impressed mark, the plaque 13cm. £150-250

Old paper collection labels to the reverse.

311. A Meissen scent bottle, 19th century, of flattened circular form, painted in purpurmalerei with a courting couple, the reverse with a flower spray, reserved within gilt cartouches on a yellow ground, blue crossed swords mark, 6.4cm. £150-200

312. A Furstenberg custard cup or pot à jus and cover, c.1775, the pear-shaped body painted with a shepherd and his companion seated beneath an obelisk, the rim with a moulded and puce egg and dart border, the cover with a fruit finial, blue F mark, 9cm. (2) £100-200

313. A toy or miniature Meissen coffee pot with associated cover, mid 18th century, finely painted with sprays of deutsche Blumen and single blooms, around a crisply moulded handle, blue crossed swords mark, 10cm. (2) £200-300

314. A Meissen tea canister and cover, c.1765-70, the rectangular form finely painted with a continuous landscape containing courting couples and solo musicians, with trees and a village beyond, blue crossed swords and dot mark, 11.5cm. (2) £550-650

315. A miniature Meissen tea canister and metal cover, late 18th century, the flattened rectangular body decorated in puce monochrome with large flower sprigs, blue crossed swords and star mark for the Marcolini period, 9cm. (2) £230-260

316. A Meissen toilet pot and cover, mid 18th century, painted in the Kakiemon palette with a spray of flowers, the reverse with a bird in flight, blue crossed swords mark, 6.7cm high. (2) £200-300

317. A Chantilly pot à jus or custard cup and cover, c.1770, painted in blue with a large Gillyflower design with further small sprigs, painted horn mark to the base, 8cm high. (2) £400-600

318. A pair of Sèvres-style ormolu-mounted vases and covers, 19th century, painted with scenes of rustic youngsters at play, the reverses with panels of fruit, reserved within gilt cartouches on a turquoise ground, the domed covers with continuous bands of flowers, 37cm. (4) £300-500

319. A large pair of Continental porcelain topographical vases, 19th century, one painted with a view of the Long Bridge (Lange Brucke) in the Berlin district of Köpenick, the other with figures before a similar Schloss, between gilt scrolling and stiff leaf bands reserved on a blue ground, 32cm. (2) £500-800

320. Two large Meissen figural centrepieces, mid 18th century, modelled by J. J. Kändler, each with a quatrelobed bowl with basketweave rim supported by two putti standing on a gnarled tree trunk, the bowls painted with flower sprays, blue crossed swords marks, 37cm. (2) £1,000-2,000

321. A good KPM (Berlin) porcelain plaque, late 19th century, after Rudolf Henneberg, finely painted with Die Fagd nach dem Gluck (The Pursuit of Fortune), with Avarice personified as a horseman in pursuit of Fortune across a bridge, closely followed by Death who rides a black horse over the prostrate body of a maiden, Neuschwanstein Castle visible on the far left, impressed marks, within an elaborate gilt frame, the plaque 28.5cm x 47.5cm. £5,000-10,000

322. A massive Sèvres-style circular portrait plaque, 19th century, well painted with a head and shoulders portrait of Marie Antoinette, titled and reserved within a gilt border on a bleu celeste ground, interlaced LL mark, framed and glazed, the plaque 45.5cm. £500-800

323. A massive pair of Berlin porcelain vases, 19th century, brightly enamelled with courting couples, the necks and feet with scattered flowers, blue sceptre marks, together with later wooden stands, the vases 68cm. (2) £500-800

324

325 324. A pair of Paris porcelain bough pots and covers, 19th century, of square bombé form, painted with panels of flowers reserved on a tessellated panelled ground in the manner of the Church Gresley pattern, the covers modelled with five fluted apertures, one with a red crowned A mark, 22cm across. (4) £600-800 325. A rare pair of Vienna monteiths, c.1770, of oval form, painted with flower sprays above a moulded feathered border picked out in gilt and puce, the undulating rims richly gilded, blue shield marks, puce 19 for Jakob Reibler, 28cm. (2) £800-1,200

326. A large Meissen dish, mid 18th century, decorated in the Kakiemon palette with the Gelber Löwe pattern, a tiger curling around bamboo stems next to flowering prunus spikes, within a shaped brown line rim, blue crossed swords mark, 33.6cm. £300-500 327. A Meissen Bienenmuster plate, c.1740, decorated with the typical pattern of three flying insects around a tied bouquet of flowers, the osier-moulded rim with small flowerheads and leaves, blue crossed swords mark, impressed 16, 23.8cm. £200-300

Paper labels for the Luise Hofmann Collection.

326

327

328. A Chinese porcelain armorial oval dish, Qianlong 1736-95, painted with the arms of the English East India Company, bearing the motto ‘Auspicio Regis Et Senatus Angliae’, within a peach border, 37cm. £500-800

329. Two Paris porcelain cabinet plates, 1st half 19th century, one decorated en grisaille with a mother and child at repose beneath a tree, the other with figures skating on a frozen river before a house, within a stiff leaf border in orange and green, the latter with a crossed swords mark, 24cm. (2) £200-400

330. A large Meissen ornithological dish, 18th century, painted with two birds perched on a low leafy stump, the moulded rim with scattered moths, beetles and butterflies, blue crossed swords mark, 38.5cm. £350-500

331. A Furstenberg oval dish, c.1775, painted with a bullfinch, a Great Tit and a sparrow perched on a leafy branch, brown line rim, blue F over 2 mark, 34.5cm. £200-300

332. A Meissen cup and saucer, c.1740, the cup painted with an equestrian figure beside a harbour, the saucer with merchants on the quayside, all within elaborate gilt and black strapwork cartouches, with single naturalistic flowers around, the cup’s interior with a further vignette, blue crossed swords and gilt S marks, 13.5cm. (2) £500-800

333. A Meissen octagonal dish or stand, c.1740, painted with a shaped cartouche of figures on horseback, reserved on a gold ground, the underside of the rim with sprays of indianische Blumen, blue crossed swords mark, 14.5cm. £250-350

334. A Meissen cup and saucer, c.1740, the cup painted with a scene of figures leading a laden horse across a bridge, the saucer with a harbour scene, within elaborate gilt and black strapwork cartouches, single naturalistic flower stems around, blue crossed swords and gilt S marks, 13.3cm. (2) £500-800

335. An early Meissen teapot and cover, c.1735, the globular body painted in the Kakiemon palette with sprays of chrysanthemum and other Oriental flowers issuing from blue rockwork, a bird in flight beneath the spout, blue crossed swords mark, 16cm. (2) £500-800

336. A Meissen teapot and cover, mid 18th century, the bulletshape body with wishbone handle, the spout moulded as a grotesque, finely painted with moths and other flying insects, the cover with a large caterpillar, blue crossed swords mark, 18cm. (2) £600-800

337. A Meissen cream pot and associated cover, c.1750, painted with scenes of courting couples against monochrome landscapes, with puce strapwork around the moulded spout, raised on three paw feet, blue crossed swords mark, 16cm across. (2) £200-300

338. A Meissen cream pot and cover, c.1740, sprigged and gilded with branches of fruiting grapevine, outside decorated with a huntress carrying a gun and gesturing towards her dog, raised on three paw feet, blue crossed swords mark and puce painter’s mark, 14.5cm. (2) £700-1,000

339. A Meissen chocolate pot and cover, c.1735, finely decorated with branches of indianische Blumen in a variation of the Kakiemon palette, the moulded spout and handle with puce highlights, the cover sprung and with later gilt metal mounts, blue crossed swords mark, 19cm high. (2) ÂŁ2,000-3,000

340. A Meissen chocolate pot and cover, c.1735-40, painted with panels of merchants in harbour scenes reserved on a lilac ground with colourful sprays of indianische Blumen, the spout and handle with rococo moulding, the sprung cover with gilt metal mounts, iron red j to the inside cover and base, 14cm high. (2) ÂŁ1,000-2,000

341. A large Meissen deep dish, c.1730-40, decorated with the Bamberg pattern of a large insect in flight above flowering branches, the rim with an iron red band of scrolling leaves and four chrysanthemum motifs, blue crossed swords and K mark perhaps for Johann David Kretschmar, incised Z to footrim, 29.3cm. ÂŁ200-300

342. A rare pair of Meissen plates from the Japanese Hunting Service, c.1733-34, decorated in the Kakiemon manner with panels of indianische Blumen and a bird in flight, reserved on a yellow ground, blue crossed swords marks, incised Johanneum numbers N=148, 23.7cm. (2) ÂŁ10,000-15,000 This service was ordered for the collection of Augustus the Strong, and is the only Meissen dinner service of the time with a coloured ground. The yellow is derived from the livery of the Electoral Huntsmen - hence the service becoming known variously as the Japanese Hunting Service or the Saxon Court Hunting Service. Thirty nine plates were listed in the original order, one of which is recorded as having been broken in two in 1777 at a dinner held for the King of Prussia.

343. A Meissen coffee cup and two saucers, mid 18th century, finely painted with vignettes of farm, aquatic and garden birds within moulded and gilt cartouches, gilt dentil rims, blue crossed swords marks, 14cm. (3) £500-700

344. A Meissen bourdaloue, mid 18th century, the rounded exterior painted with deutsche Blumen beneath a pinched rim, the handle issuing from applied leaves, blue crossed swords mark, 20cm. £450-550

343 345. A small Sèvres oval dish or stand, c.1758, painted with a putto seated on a rock and holding a small floral wreath, within a blue monochrome landscape, the shaped rim with gilt floral sprays reserved on a pink ground, blue interlaced Ls mark and date code E, painter’s mark for Rocher, 17.5cm. £80-120

346. A pair of Meissen moulded coffee cups and saucers, mid 18th century, the lobed bodies moulded with alternate panels of flowers, and painted with naturalistic posies within gilt diaper borders, blue crossed swords marks, 14.6cm. (4) £500-700 344

345

346

347. A pair of Meissen vases and covers, c.1770, painted with vignettes of traders in quayside scenes, one with a figure on horseback, the shoulders painted with scattered insects and flowers between applied gilt swags, the covers pierced with circular holes, blue crossed swords and dot marks, blue B, 18.5cm. (4) ÂŁ300-500

348. A pair of Meissen campana vases, 19th century, perhaps for the Turkish market, painted with panels of fruit to one side, the reverse with baskets of flowers, reserved on a turquoise ground, the interior rims with an elaborate gilt border, each vase raised on a circular fluted foot, 28cm. (2) ÂŁ600-1,000

349. A pair of Chantilly vases, c.1760, the lobed forms with a slight flare to the neck, the handles scrolling with details picked out in puce, painted with garlands of flowers and single stems, 20cm. (2) ÂŁ700-1,000

350. A Berlin teacup with trembleuse saucer, 19th century, the cup finely painted with a floral letter S and further flower sprays, the handle formed from a pink and yellow ribbon which encircles the body, the trembleuse of the saucer finely reticulated, blue sceptre marks, 13.5cm. (2) £100-200

351. A small Sèvres jardinière, date code for 1764, painted with small sprays of polychrome flowers, the rims highlighted in royal blue and gilt, interlaced LL marks and painter’s mark L, 11.5cm high. £300-400

Paper labels for the Luise Hofmann Collection.

352. A Meissen fable-decorated plate, c.1785, decorated with a scene of foxes from the fables of Jean de la Fontaine within narrow green chequered borders with small floral sprigs, blue crossed swords and star mark for the Marcolini period, titled in puce ‘Le Renard qui a la Queue coupée’ (The fox with a cropped tail), 24cm. £100-200 The design on this plate is after the engraving by Charles-Nicolas Couchin, who in turn took inspiration from Jean-Baptiste Oudry, whose illustrations of Fables de la Fontaine were begun in the 1720s.

353. A Loosdrecht Neoclassical vase, Middle Period (c.1778-82), painted in puce with a vignette of a child draped in cloth and holding a bat, within laurel garlands, the sides applied with further garlands, raised on a square foot, incised M:O.L mark, 24.2cm. £100-200

354. An early Doccia small oval dish, c.1750, painted with an early version of the Tulipano pattern in a delicate pattern, the rim with shaped panels of dense iron red swirls within a narrow moulded border, the reverse with two stylized flowers in red, 22.2cm. £400-600

355. A pair of Mennecy small campana vases, c.1750-55, the lobed shapes painted with polychrome flower sprays, each raised on a low circular foot, the rims with a blue line border, 7cm. (2) £200-300

356. A miniature Meissen vase and cover, 19th century, painted in the Tischenmuster pattern with Oriental flowers and foliage issuing from a fence, blue crossed swords mark, 8.5cm. (2) £150-250

357. A small Furstenberg teapot and cover, c.1780, the cylindrical body painted with figural scenes, one side with a lady on horseback asking directions from a figure wading in a river, blue F mark, 12cm. (2) £300-400

358. A good Meissen slop bowl, c.1725, the exterior sprigged with a band of stiff leaves around the foot, and gilded with a stylized scrolling design between, the fine rim delicately curved over, the interior gilded, 18.8cm dia. £2,500-3,500

359. A Sèvres cabinet can and stand, date code for 1790, finely painted with mythical scenes of Pyramus and Thisbe, and Cadmus and Hermione, within elaborate gilt borders, reserved on a lilac ground, the scenes titled in blue beneath, interlaced LL mark, date code nn and painter’s mark probably for Charles-Antoine Didier père, 14.7cm. (2) £800-1,200 Old paper collection labels.

ENGLISH & CONTINENTAL POTTERY

360. Two Italian maiolica albarelli, 18th century, probably Sicilian, decorated in blue and manganese with a panel containing a tower amidst trees, reserved on a ground of stylized leaf scrolls, 27cm max. (2) £250-350

361. A Castel Durante maiolica albarello or pharmacy jar, mid 16th century, the waisted cylindrical body inscribed ‘Gra.de.Anetra’ on a scrolled banner, and the initials of the pharmacy ‘GF’, all beneath a crowned black eagle, all within a fruiting leafy garland, 19.5cm. £1,000-1,500 Grasso de Anetra (Duck or Goose Fat)

362. A Sicilian maiolica albarello, 17th century, painted with a profile portrait, the subject wearing a blue striped headscarf, reserved on a scrolling floral ground in shades of green, ochre and yellow on a blue ground, 24.5cm. £1,000-1,200

363. A George Jones Majolica sardine dish with cover and stand, c.1860, the rectangular body moulded with a stiff leaf band reserved on a turquoise ground, the cover arranged with three fish on a seaweed base, the interior glazed in lilac, applied pad work to the base of the stand, 21.7cm. (3) £400-500 Cf. Robert Cluett, George Jones Ceramics, p.63 for similar dishes in three colourways.

364. A graduated pair of Sicilian maiolica albarelli, 19th century, each decorated in the Venetian manner with profile portraits of soldiers to each side within bold scrolling foliage reserved on a blue ground, the larger 21.5cm. £150-250

365. A rare Minton pottery circular wall plaque, c.1874, painted by Marc Louis Solon with a Classical sea god straddling four green dolphins amidst seaweed on a ground of blue swirling sea, signed and dated ‘L. Solon 74’, impressed marks, 34.5cm dia. £800-1,000

366. Two unusual Chanakkale pottery ewers, 19th century, each applied with a stylized bird motif between two small pockets, raised on a circular foot, the body slip-glazed in shades of yellow and green, 30cm. (2) £200-300

367. An English medieval pottery jug, 14th century, the tall slender form with an olive glaze around the swollen middle, and two small costrels of red earthenware decorated with a ‘Franciscan-ware’ glaze, 16th/17th century, 18cm max. (3) £400-600

368. A Palissy-type circular comport, 17th century, School of Fontainebleu, moulded in high relief with Perseus saving the chained Andromeda from the sea monster beneath him, coloured in shades of green, blue and brown, raised on a low circular foot, 23.5cm. £200-300

369. A Qajar square tile, 19th century, painted with a kneeling figure between tulip motifs on a rich blue ground, mounted in a later wood frame, the tile 14.5cm. £80-120

370. A large Westerwald stoneware jug, 18th century, moulded with a central Royal coat of arms for the United Kingdom, reserved on a sgraffito ground of scrolling flowers on blue, 30cm. £200-300

371. A Westerwald stoneware tankard (humpen), c.1660, decorated with a repeating panelled band of a couple and Christ crucified, highlighted in deep blue on a grey ground, between small applied floral bands, with a wide strap handle, 19cm. £400-600 Paper labels for Jonathan Horne Antiques.

372. A Westerwald stoneware inkstand, 1st half 18th century, of stepped rectangular form, the sides applied with eagles turning their heads amidst sprawling branches, the top pierced with two circular holes, a much smaller hole between, the grey body highlighted in blue, 16cm. £100-200

373. A Westerwald stoneware square flask or bottle, early 18th century, the four sides each decorated with a scrolling blue design, the rounded shoulders with a grey trefoil motif, the neck fitted with a fixed wooden stopper, 27.3cm. £200-300 Together with a letter dated 7th February 1928 from Bernard Rackham at the V&A Museum, addressed to the then owner, Harold E Matthews, Esq.

374. A large Mortlake (Kishere) brown stoneware hunting jug, c.1797, sprigged with a panel of two boors drinking either side of a barrel, with further applications of Classical figures, trees and a windmill above a hunting scene of hounds after a fox, with silver mount to the rim with hallmarks for London, 1797 and maker’s mark IT perhaps for Joseph Taconet, 28cm. £200-300

375. A London (Mortlake) silver-mounted stoneware hunting jug, c.1811, sprigged with a double hunting scene of hounds in at the kill above further dogs chasing a stag, the hinged silver cover with hallmarks for London 1811-12, 19.5cm. £100-200

376. A large French terre de pipe moulded plaque, probably 17th century, moulded in high relief with a full-length portrait, perhaps of Louis XIV, his right hand on his hip, his left holding a sceptre, title ‘Le Roy’, picked out in a bright green enamel on a mottled brown ground, 54.5cm. £1,000-2,000 Illustrated: Lady Charlotte Schreiber's Journals: Confidences of a Collector of Ceramics and Antiques Throughout Britain, France, Holland, Belgium, Spain, Portugal, Turkey, Austria and Germany from the Year 1869-1885, listed as being in the Countess of Bessborough's Collection.

377. A rare Liverpool tin-glazed stoneware wall pocket, c.1760, the body spiral-moulded and rising to a plain flared neck painted in blue with ship and buildings, the curved terminal with a holly leaf design, 22.5cm. £800-1,200

378. Two Spanish cuerda seca tiles, Toledo early 16th century, one a small square tile or olambrilla, decorated with a dog-like animal, and a border tile decorated with a serrated triangular design in shades of brown, ochre and green on a cream ground, 15cm max. (2) £200-300 Cf. Anthony Ray, Spanish Pottery 1248-1898, nos. 754 and 779 for near identical examples.

379. A rare London delftware tile, probably Pickleherring Pothouse c.1625, decorated in blue, ochre and green with a figure running with a spear, the corners with petal motifs, 13.3cm. £200-300 The presence of oval nail holes in the corners of this tile, and those of the following lot, suggests a London manufacture. Cf. Ian Betts and Rosemary Wernstein, Tin Glazed Tiles from London, p.5 and p.56.

380. A London delftware twelve tile panel, c.1730-40, painted in blue and depicting birds in flight above a tall tree, a flag flying from a castellated tower in the bottom right corner, set in an old lead mount, 51cm x 38cm overall. ÂŁ400-600 These 12 tiles formed part of a larger panel, which would probably have been made for a specific building. Similar examples can be found in the Allen Gallery, Alton, the Saffron Walden Museum, and illustrated in Jonathan Horne, Tin-Glazed Tiles, p.121, and Anthony Ray, English Delftware Tiles, pl.11.

381. A Dutch Delft garniture of five vases, 2nd half 18th century, comprising three covered vases and two flared hexagonal vases, all painted in blue with baskets of flowers and feathers, the covers surmounted with birds, 35cm max. (8) ÂŁ450-650

382. A pair of English delftware plates, c.1710, probably Bristol, the moulded rims decorated with a trefoil border in green, red and blue, the wells painted with a bird perched on spiky foliage beside a vase of flowers, 22.5cm. (2) £300-500

383. A pair of Bristol delftware plates, c.172030, each painted with a design of fan-shaped chrysanthemum in blue, green and red, 21.7cm. (2) £300-500

384. A pair of Bristol delftware small plates, c.1740, the wells simply painted with a flower spray in red, blue and green, the rims sponged in manganese, 20cm. (2) £300-500

385. A large English delftware polychrome plate, 18th century, possibly Lambeth, the well painted with a moustachio’d figure carrying a yellow fruit in an Oriental landscape, the rim with three floral panels, 29cm. £150-250

386. A large Dutch Delft lobed dish, c.1690, the well painted with a central peacock within a tulip border, in shades of yellow, green and blue, 35cm. £300-500

387. An unusual English delftware polychrome charger, 18th century, painted with a lotus design, a stylized flower spray within each of the six petals, reserved on a hatched ground in green and red, numeral 3 mark, 33.3cm. £300-500

388. A large Delftware dish, 18th century, painted in yellow, green, blue and red with a stylized flower, the rim with a wide scrolling manganese rim, 30.5cm. £200-300

389. A large English delftware moulded charger, early 18th century, the rim moulded with a band of ovolu, highlighted in blue with a stylized stiff leaf design, the rim painted with flowers, 34.5cm. £200-300

390. A large English delftware polychrome plate, 18th century, possibly Lambeth, the well painted with a Chinoiserie scene of a moustachio’d figure carrying a round object in an Oriental landscape, the sun shining above, the rim with three floral panels, 34cm. £300-500

391. An English delftware bowl, mid 18th century, perhaps Bristol, painted in polychrome enamels with a small building and rockwork beneath willow and pine, the interior with a blue border and small landscape vignette, 22.3cm. £150-250

392. Two Dutch Delft small lobed dishes, 18th century, both painted in blue, one with a seated Chinaman, the other with a butterfly and chrysanthemum, both within stylized floral borders, 20.5cm. (2) £100-150

393. A pair of English delftware plates, c.1740, probably Bristol, each painted with a central tulip spray within a double border of scalloped manganese lines and blue dashes, 21.2cm. (2) £300-500 Cf. Michael Archer, Delftware, no. B27 for an identical example.

394. A good Liverpool delftware octagonal dish, c.1770, well painted in blue with chrysanthemum and bamboo partially concealing rockwork, the rim with four motifs of further Oriental flowers, 29.5cm. £200-300

395. A London delftware plate, early 18th century, painted in blue with three figures seated and standing beside water and beneath sponged trees, a church and village scene in the distance, 22.8cm. £300-500

396. A small Bristol delftware Farmhouse dish, c.1720-30, simply painted in blue with a strutting cockerel with beak agape, the rim with a continuous stylized leaf border, 22.2cm. £600-900

397. A small English delftware plate, c.1710, probably London, boldly painted in red with a fisherman standing by the water’s edge, a sailing vessel beyond, amidst trees with sponged green foliage, 22cm. £250-350

398. A Dutch Delft plate, dated 1709, perhaps made for the English market, painted in blue with the initials IBM within an elaborate cartouche of wyverns either side of a crown and above an angel head, 25.7cm. £700-900

399. An English delftware clock dial, late 18th century, painted in manganese with Roman numeral hours and Arabic minutes, pierced with three circular holes to the centre, 24cm dia. £600-1,000

400. An English delftware lobed dish, early 18th century, painted with an Oriental figure seated in a garden landscape, the rim with further Chinese figures in outdoor scenes, numeral 18 mark, 34cm. £200-300

401. A small Dutch Delft plate, 18th century, with moulded rim, the well painted with a peacock before a large chrysanthemum, the rim with foliate panels, 22cm. £100-150

Cf. Leslie Grigsby, The Longridge Collection, fig. P431 for a similar example.

402. An English delftware punchbowl, c.1760-70, London or Bristol, the exterior painted in polychrome enamels with a pagoda and island landscape, the interior inscribed ‘One Bowl More And then’ within biano-sopra-bianco motifs, yellow line rim, 23cm dia. £200-400

404. A Lambeth delftware polychrome plate, c.1775, the well painted with a large rose in a blue pot within blue leaf swags and foliate sprays in yellow, ochre, green and blue, 23cm. £100-200 Cf. Michael Archer, Delftware, no.B178.

403. A Lambeth delftware plate, c.1785, the well painted in green and manganese with fruiting grapevine above a basket, the rim with a feathered blue border, 23cm. £100-200 Cf. Michael Archer, Delftware, no. B182.

405. An English delftware bowl of unusually small size, c.1760, probably Bristol, painted in blue with a bird in flight above a pagoda landscape, a figure fishing from a small boat, 12.3cm dia. £100-200

406. A Delft slipper or mule, c.1740, the exterior painted with blue flowers and an imitation seam down the front, the kitten heel painted blue, 12.5cm. £300-500

407. A small English delftware bowl, c.1730, painted in blue with a lone fisherman standing on a bank before a small building, the reverse with a small rockwork motif, 10.7cm dia. £200-400

408. A rare English delftware teapot and associated cover, c.1740, London or Bristol, after a Meissen porcelain shape, painted in blue, green and red with stylized trees and rockwork, with wishbone handle and straight spout, 19.5cm. (2) £400-600

409. A good Yorkshire Pratt ware cow group, c.1810, the large bovine standing four square on an oval base with a panting dog recumbent by her side, the farmer wearing a top hat and holding a bowl of eggs or similar, 14cm high. £600-800

410. A Walton pearlware figure group of the Songsters, early 19th century, she seated with a triangle and he standing with a flageolet, both beneath flowering bocage, a swan at the titled base, applied mark to the reverse, 22cm. £150-250

411. A good Staffordshire pearlware figure of the Widow, early 19th century, cradling the bundle of sticks to make her last loaf of bread, her right hand resting on her son’s head, a ewer of water between her feet, raised on a square faux marbled base, 26cm. £200-300

412. A rare pearlware teapot and cover, c.1770, perhaps Wedgwood, the quatrefoil form applied with green and gilt swags on a sponged manganese ground, the neck with a band of berried leaves, the cover topped with a recumbent lion, and a Pratt ware teapot with sliding cover, moulded with Classical urns and stiff leaf borders, 25cm max. (4) £400-600

413. A rare pearlware Temperance teapot and cover, early 19th century, printed by J Aynsley of Lane End then hand-coloured, one side with a man, the reverse with a woman, each standing beneath a pair of compasses with admonitions around, signed in the print, 22.5cm. (2) £100-200 Cf. David Drakard, Printed English Pottery, pp.81-83 for a full description of both prints and their relevance.

414. A creamware shaped dish, early 19th century, of deep form, painted in sepia monochrome with a short-eared rabbit munching on a large carrot, 26.5cm. £200-300

415. A rare small salt-glazed stoneware figure of Buddhai Ho Shang, c.1745, seated in typical pose with his corpulent belly exposed, 7.5cm. £500-800

416. A small salt-glazed stoneware model of Buddhai Ho Shang, late 18th century, of traditional corpulent form, his hands resting on his knees, with blue glaze highlights, 6.5cm. £100-200

Cf. The Henry H. Weldon Collection, English Pottery 1650-1800, p.328, no.184. Also Woolley and Wallis, 12th February 2013, lot 15 for a coloured example.

This version has more detailing to the modelling than the earlier type of the preceding lot, but is perhaps a closer copy of figures coming out of China at the time.

417. A set of ten Pratt ware toy or nursery plates, c.1815, the rims moulded and coloured with six panels of flowers, the wells printed in blue and coloured in the typical palette, 10.7cm. (10) £150-250

418. A Robert Garner pearlware ‘Fair Hebe’ jug, c.1788, after the design by John Voyez, one side moulded with three figures and a dog encircling the jug, one side titled ‘Fair Hebe’ the reverse ‘A Bumper, a bumper’, the initials ‘RG’ impressed into the bottle on one side, the reverse inscribed ‘D Voin ‘78’, enamelled in shades of blue, grey and green, 20cm. £250-300 Cf. R K Henrywood, An Illustrated Guide to British Jugs, p.231 for similar examples.

419. A pearlware Four Seasons bottle, early 19th century, the flattened body moulded with four putti each representing one of the four seasons, 14.5cm. £150-250

420. A small Robert Garner pearlware ‘Fair Hebe’ jug, c.1788, after the design by John Voyez, the jug’s handle emerging from behind the shoulder of the seated figure who holds one leafy end in his right hand, extending his left towards his companion who sits on a fallen log, impressed RG, beneath his left leg, decorated in shades of blue, yellow and green on a sponged grey ground, 12cm. £150-250 Cf. R K Henrywood, An Illustrated Guide to British Jugs, p.231 for similar examples.

421. A good Pratt ware commemorative jug, c.1797, one side moulded with a profile of Captain Duncan, the reverse with Captain Trollope, the former flanked by two dolphins and two ships, the latter beside a figure of Clio (the Muse of History), 14cm. £200-300

422. An unusual Pratt ware plaque, c.1800-10, moulded with a bearded figure wearing a loincloth and holding on to a blue drape of fabric that suspends from flowering garlands above, a further figure with his back to the viewer, 15cm. £200-300

Cf. John & Griselda Lewis, Pratt Ware, pp.43 and 112 for similar jugs. The importance of these two figures in the Battle of Camperdown means these jugs are often attributed to Scottish manufacturers.

423. A creamware Peafowl plate, c.1800, brightly decorated with a long-tailed bird perched amongst sponged branches, the feathermoulded rim highlighted in green, 25cm. £100-150

424. A good Pratt ware jug, c.1795, moulded and coloured with the Gretna Green marriage, the reverse with Toby Philpott, beneath moulded ovolu and stiff leaf borders, 12.5cm high. £300-400

“Ah! Well, it's a poor heart that never rejoices.—Put Toby this way, my dear.” Applying his lips to the worthy old gentleman's benevolent forehead, the locksmith, who had all this time been ravaging among the eatables, kept them there so long, at the same time raising the vessel slowly in the air, that at length Toby stood on his head upon his nose, when he smacked his lips, and set him on the table again with fond reluctance. – Charles Dickens, Barnaby Rudge.

425. A Yorkshire Toby jug of Ordinary type, c.1830, wearing a distinctive green tartan coat, holding a jug and hexagonal cup, with a figurehead handle, the inside of hat’s brim sponged in brown and pink, 24.5cm. £200-300 Provenance: by repute from the S J Benwell Collection.

426. A Staffordshire pearlware Toby jug, late 18th century, of Ordinary Wood type, a jug of ale on one knee and an upright barrel between his feet, his pipe resting by his right leg, decorated in a muted palette of deep blue and green, the edge of the base moulded and painted with stylized flowerheads, 25cm. £300-500 The moulding around the base of this jug is more commonly associated with the Collier Toby.

427. A Staffordshire Gin Woman Toby jug, mid 19th century, standing and holding a bottle in her left hand, a cup or glass in her right, brightly enamelled with striped collar and skirt, 20.5cm. £100-200

428. A Walton pearlware Toby jug, early 19th century, of traditional form, wearing a brown coat and checked waistcoat, with warty and ruddy complexion, his foaming jug of ale painted with a blue foliate design, applied scroll mark to the base, 25.5cm. £250-350 Provenance: by repute, from the S J Benwell Collection.

Cf. Bonhams, 3rd March 2010, lot 218 for a near identical example.

429. A Walton Hearty Good Fellow Toby jug, c.1820-30, standing with body slightly turned to the left, wearing a bold checked waistcoat and a green coat, holding a jug of ale in his right hand, a cup in his left, 28.5cm. £200-300

430. A Ralph Wood group of the Vicar and Moses, c.1782-90, the Vicar asleep and resting on his left hand while the Clerk seated below him preaches from an open book, the pulpit applied with angel heads and swags, 24cm. £500-800

431. A pearlware Hearty Good Fellow Toby jug, 19th century, standing with body turned slightly to the left, holding a jug of ale in his right hand, a clay pipe in his left, wearing a bold checked waistcoat, 27cm. £120-180

432. A massive Devonmoor advertising Toby jug, c.1930, of usual form, seated and holding a tankard and a pipe, wearing a blue coat and happy expression, 61cm. £300-400 Only a handful of these out-sized jugs are believed to have been made at Devonmoor, probably during the factory’s second period of manufacture after 1922.

433. A Drunken Parson Toby jug, c.1815-20, seated with a jug of ale and a cup, his bewigged head turned to the right, typically dressed in black coat and breeches with buckled shoes, 20.5cm. £300-500

434. A Night Watchman character jug, 1st half 19th century, well modelled and seated with his lantern between his feet, wearing a thick coat and with his hat on his lap, 23cm. £200-300

435. A small Standing Man Toby jug, c.1820, dressed in a long green coat and holding a bottle and cup against his stomach, 18.5cm. £150-250

436. A pearlware black-faced Toby jug and cover, c.1840, decorated in Portobello type colours with a sponged base, standing and holding a jug of ale in his left hand, with a measure or cover to his hat, 25.5cm. (2) £200-300

437. Two Toby jugs, 19th century, each of Ordinary type, one Portobello with sponged blue stockings beneath red breeches, the other with a blue coat and a black measure stopper sitting inside his tricorn hat, 25cm. (3) £200-300

438. A female Snuff Taker Toby jug, mid 19th century, of Portobello type, standing and taking a pinch of snuff, wearing a striped skirt and blue jacket, the base sponged in green, 24.5cm. £150-250

439. A pearlware Toby jug, 19th century, of Ordinary type, his foaming ale spilling over the side of his floral-decorated jug, his coat decorated in a bright turquoise green, 23cm. £100-200

440. A black-faced Toby jug, 19th century, of Ordinary type, his foaming jug of ale painted with lustre pattern, his clothes and hat brightly enamelled, and a Dutch Delft Toby modelled as a buxom woman wearing a floral patterned coat, 24cm max. (2) £150-250

441. A Yorkshire pearlware Toby jug, c.1820-30, of Ordinary type, holding a patterned jug of ale and a hexagonal cup, the base and his hat sponged in green, black and yellow, with a caryatid handle, 24.5cm. £250-350

442. A Staffordshire pearlware Toby jug, c.1830-40, of Ordinary type, with rosy-cheeked compexion, the base sponged in red, the jug on his knee with a floral design and foaming with ale, 24.5cm. £250-350

443. An unusual Staffordshire Toby jug, c.1840, of Ordinary type, with pink lustre coat and further lustre decoration to his jug of ale, 24cm. £350-450

444. A Pratt ware Convict Toby jug, c.1800, decorated in a typical palette with a bold ochre face and wearing a jacket of blue circles and yellow arrows, a foaming jug of ale upon his left knee, 25cm. £500-800

445. A Staffordshire pearlware Toby jug, c.1790, of traditional form, wearing an olive green coat with brown buttons, and resting a foaming jug of ale on one knee, his stockings patterned in blue, 25cm. £400-600

446. A Staffordshire pearlware Toby jug, c.1785-90, his coat sponged in brown and ochre and trimmed in blue, a red pottery jug of ale on one knee and a barrel between his feet, his clay pipe resting by his right leg, 25cm. £350-500

447. A creamware Sailor Toby, c.1790, enamelled in Pratt type colours with an ochre jacket and striped trousers over a blue waistcoat, seated on a sea chest with a spoiled anchor between his feet, 29cm. £800-1,200

448. A Ralph Wood creamware toby jug, c.1790, typically moulded with a foaming jug of ale, the froth spilling over the side, coloured in a muted palette of green, blue and brown, 24cm. £500-1,000

Provenance: formerly in the Coil Collection. Paper label for Alistair Sampson Antiques.

449. A rare Yorkshire pearlware Toby jug, c.1840, by James Reed of Mexborough, of Ordinary type but with a small black and white dog between his feet, his face pencilled with a black beard and moustache, wearing a long blue coat, impressed *REED* and incised GD marks, 25.2cm. £400-600

450. A Sinner Toby jug, c.1800, wearing a pale green jacket over a bold waistcoat, his warty face turned slightly to one side as his eyes look askance, his hat with a hollow stopper or measure, 20cm. (2) £600-800

451. A Sailor Toby jug, c.1810-20, seated on a sea chest and wearing a polka dot waistcoat beneath a turquoise enamelled jacket, holding a foaming jug of ale and a cup, 29.5cm. £600-800

452. A creamware Toby jug, c.1790, probably Yorkshire, seated and wearing a sponged manganese coat, with highlights in ochre and green, a brown jug of ale on one knee and his pipe resting by his right leg, 25.5cm. £500-800

453. A Pratt ware Toby jug, c.1795-1800, decorated in typical palette with his coat sponged blue and striped in ochre, a foaming jug of ale on one knee and his clay pipe resting by his left side, 24cm. £300-400 Provenance: from the S J Benwell Collection. Bearing paper labels to the base which claim provenance to the Captain Price Collection and the Broughton Collection.

454. A creamware Step or Twyford Toby jug, c.1780, decorated in Whieldon type glazes with a manganese beard and eyebrows, his coat washed in pale green, a long-stemmed pipe supported in his right hand, a pear-shaped jug of ale on his knee, 24cm. ÂŁ800-1,200

455. A rare Pratt ware Sharp-Face Toby jug, late 18th/early 19th century, of Wood type, wearing a coat sponged in brown, with yellow breeches and patterned stockings, a foaming jug of ale on one knee, 25cm. ÂŁ600-1,000

The Raymond Dennis Collection Tuesday 25th February 2014

ENQUIRIES Clare Durham Tel: +44 (0)1722 424506 claredurham@woolleyandwallis.co.uk

A fine and very rare early Worcester ‘Scratch Cross’ mug, c. 1754-55. Provenance: Purchased from Tilley & Co., London in 1971. Estimate: £10,000 - £15,000

Clarice Cliff, Art Deco & 20th Century Design Wednesday 5th March 2014

ENQUIRIES Michael Jeffery Tel: +44 (0)1722 424505 michaeljeffery@woolleyandwallis.co.uk

Applique Palermo a Clarice Cliff Heath fern pot. Estimate: £600 - £800 Applique Eden a Clarice Cliff Heath fern pot. Estimate: £800 - £1,200

Paintings Wednesday 19th March 2014 Entries are now being accepted for this sale

ENQUIRIES Victor Fauvelle Tel: +44 (0)1722 424503 victorfauvelle@woolleyandwallis.co.uk

One of a large collection of unframed etchings by the artist Herbert Thomas Dicksee (1862-1942) Head of a Siberian Tiger Signed, etching, unframed 21.5 x 28cm Provenance: By descent from the artist Estimate: ÂŁ250 - ÂŁ350

Silver Tuesday 29th & Wednesday 30th April 2014 Entries are now being accepted for this sale

ENQUIRIES Rupert Slingsby Tel: +44 (0)1722 424501 rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers Tel: +44 (0)1722 424594 lucychalmers@woolleyandwallis.co.uk

A George III silver argyle, by Hester Bateman 1779. Estimate: £1,500 - £2,000

Jewellery Thursday 1st May 2014 Entries are now being accepted for this sale

ENQUIRIES Jonathan Edwards FGAA 01722 424504 jonathanedwards@woolleyandwallis.co.uk Marielle Whiting FGA Tel: +44 (0)1722 424595 mariellewhiting@woolleyandwallis.co.uk

A diamond set naturalistically inspired 19th century floral brooch. The butterfly is mounted en tremblant. Estimate: ÂŁ5,000 - ÂŁ10,000 To be sold May 1st 2014.

Asian Art Wednesday 21st & Thursday 22nd May 2014 Entries are now being accepted for this sale

A rare Ming dynasty box and cover, Wanli six character mark and of the period 1573 – 1620, 24cm. Est: £30,000 – 50,000

ENQUIRIES John Axford MRICS ASFAV Tel: +44 (0)1722 424506 johnaxford@woolleyandwallis.co.uk Sophie Lister Tel: +44 (0)1722 424591 sophielister@woolleyandwallis.co.uk

Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification:

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CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.

PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds TSB, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid. VAT Lots marked with an asterisk (*) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500 Lots marked with a ‡ symbol are potentially subject to the levy. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

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Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due (b) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (c) No purchase can be claimed or removed until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500

Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales. Contact Christine Johnson 01722 424509

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

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Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury Wiltshire SP1 3SU Registered in England No. 2998482 VAT No: 631 9832 29 in association with Woolley & Wallis, Chartered Surveyors Design & Production by Jamm Design Tel. 020 7424 7830 www.jammdesign.co.uk

WOO L LE Y & WA L LI S Absentee Bid Form Fine Porcelain & Pottery

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Brief Decription

Price Excluding buyer’s premium & VAT

Tuesday 25th February 2014 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

www.woolleyandwallis.co.uk

AUCTION CALENDAR TRIBAL ART, ANTIQUITIES, ARMS & ARMOUR 11th February 19th June Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk CLOCKS, WATCHES & SCIENTIFIC INSTRUMENTS 19th February 30th July Richard Price +44 (0) 7741 242421 • richardprice@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMCIS & GLASS 25th February – Fine Porcelain & Pottery 7th May Clare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk 20TH CENTURY DESIGN 5th March – Clarice Cliff & Art Deco 18th June – Arts & Crafts Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk PAINTINGS 19th March 4th June – Modern & Contemporary Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk FURNITURE & WORKS OF ART 1st April 8th July Mark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk SILVER 29th & 30th April 22nd & 23rd July Rupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk JEWELLERY 1st May 24th July Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk ASIAN ART 21st & 22nd May 12th & 13th November John Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk